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PhysDes: Article
Subject: E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); ANNIE (US, John Huston, 1982); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); BOX OFFICE. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia

PhysDes: Article
Subject: MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); VICTOR/VICTORIA (UK, Blake Edwards, 1982); SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); GREATER UNION
Summary: Film news from across Australia.

PhysDes: Article
Subject: YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); MAD MAX II (AT, George Miller, 1981); DESOLATION ANGELS (AT, Chris Fitchett, 1982); CLINIC, THE (AT, David Stevens, 1982); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); AUSTRALIAN FILM INSTITUTE AWARDS
Summary: Article on the nominees for the Australian Film Institute Awards, as well as information on the AFI at large and the state of the Australian film industry.

Call No: 71(94) STR
Author: Stratton, David
Place: Chippendale, N.S.W.
Publisher: Pan Macmillan
PubDate: 1990
PhysDes: xiii, 465 p. : ill. ; 25 cm
Subject: FILMOGRAPHIES. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; AUSTRALIA; TAXES. AUSTRALIA; MILLER, GEORGE; LAWRENCE, RAY; COX, PAUL; BENNETT, BILL; DOBROWOLSKA, GOSIA; PARKER, DAVID; SALVAT, KEITH; SCHEPISI, FRED; SCHULTZ, CARL; SULLIVAN, ERROL; TASS, NADIA; TURKIEWICZ, SOPHIA; WEIR, PETER; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); TIME GUARDIAN, THE (AT, Brian Hannant, 1987); SILVER CITY (AT, Sophia Turkiewicz, 1984); MALCOLM (AT, Nadia Tass, 1986); BURKE AND WILLS (AT, Graeme Clifford, 1985); BLISS (AT, Ray Lawrence, 1985)
Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket]
Notes: Includes index
ISBN: 0732902509
LON: 7520974
Donation: Simon Wincer
ID2: 255

PhysDes: Article
Subject: CANNES FILM FESTIVAL; BUSH CHRISTMAS (AT, Henri Safran, 1981); SETTLEMENT, THE (AT, Gillian Leahy, 1977); DUSTY (AT, John Richardson, 1983); MOVING OUT (AT, Chris Warner & Mandy Smith, 1986); GINGER MEGGS (AT, Jonathan Dawson, 1982); CLINIC, THE (AT, David Stevens, 1982); DARK ROOM, THE (AT, Paul Harmon, 1982); MIDNITE SPARES (AT, Quentin Masters, 1983); NEXT OF KIN (AT, Tony Williams, 1982); DANGEROUS SUMMER, A (AT, Quentin Masters, 1982); FAR EAST (AT, John Duigan, 1982); CITY'S EDGE, THE (AT, Ken Quinnell, 1983); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982)
Summary: Article and cast and crew information on Australian filmes selected to screen at Cannes, 1983.

Call No: 71(93) CIN
Source: UK
Place: London
Publisher: Wallflower
PubDate: 2007
PhysDes: xiii, 259 p. : ill. ; 24 cm.
Series: 24 Frames
Subject: AUSTRALIA; NEW ZEALAND; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953); BACK OF BEYOND, THE (AT, John Heyer, 1954); JEDDA (AT, Charles Chauvel, 1955); FREE RADICALS (NZ, Len Lye, 1958); RUNAWAY (NZ, John O'Shea, 1964); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ONE NIGHT THE MOON (AT, Rachel Perkins, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); VIGIL (NZ, Vincent Ward, 1984); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984); PIANO, THE (AT, Jane Campion, 1993); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); AFTER MABO (AT, Richard Frankland, 1997); CHOPPER (AT, Andrew Dominik, 2000); GODDESS OF 1967, THE (AT, Clara Law, 2000); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001)
Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood.
Notes: Includes filmography. Includes bibliography and index.
ISBN: 9781904764960

Call No: 71(94) HAL
Author: Hall, Sandra, 1942
Place: Adelaide
Publisher: Rigby
PubDate: 1985
PhysDes: 200 p. : ill., ports. ; 22 cm
Subject: AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; GENRES; GENRES. AUSTRALIA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; ROAD MOVIES; ROAD MOVIES. AUSTRALIA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); DON'S PARTY (AT, Bruce Beresford, 1976); CLUB, THE (AT, Bruce Beresford, 1980); PUBERTY BLUES (AT, Bruce Beresford, 1981); BREAKER MORANT (AT, Bruce Beresford, 1980); GALLIPOLI (AT, Peter Weir, 1981); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MONKEY GRIP (AT, Ken Cameron, 1982); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); STORM BOY (AT, Henri Safran, 1976); PHAR LAP (AT, Simon Wincer, 1983); MAD DOG MORGAN (AT, Philippe Mora, 1976); SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); RAZORBACK (AT, Russell Mulcahy, 1984)
ISBN: 0727020102 : $16.95 Aust
LON: anb72702010; 3401972

Call No: 81WEI BLI
Author: Bliss, Michael, 1947
Place: Carbondale, Ill.
Publisher: Southern Illinois University Press
PubDate: c2000
PhysDes: x, 242 p. : ill. ; 23 cm
Subject: WEIR, PETER; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); DEAD POETS SOCIETY (US, Peter Weir, 1989); FEARLESS (US, Peter Weir, 1993); GALLIPOLI (AT, Peter Weir, 1981); LAST WAVE, THE (AT, Peter Weir, 1977); MOSQUITO COAST, THE (US, Peter Weir, 1986); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PLUMBER, THE (AT, Peter Weir, 1980); TRUMAN SHOW, THE (US, Peter Weir, 1998); WITNESS (US, Peter Weir, 1985); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982)
Notes: Filmography: p. 195-200; Includes bibliographical references (201-232) and index
ISBN: 0809322846 (alk. paper)
LON: 20076199

PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE AWARDS; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); WILD DUCK, THE (AT, Henri Safran, 1983); CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983); MOLLY (AT, Ned Lander, 1983); PHAR LAP (AT, Simon Wincer, 1983); CITY'S EDGE, THE (AT, Ken Quinnell, 1983)
Summary: List of films, along with the director and producer, nominated for an AFI Award

PhysDes: Article
Subject: YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); Gibson, Mel; WEIR, PETER; GREATER UNION
Summary: Article and photographs from Greater Union's world premier of 'The Year of Living Dangerously'.

Call No: 512.1 PAR
Author: Partridge, Dinah
Place: South Melbourne
Publisher: Oxford University Press
PubDate: c2000
PhysDes: xxi, 210 p. : ill. ; 26 cm
Subject: ADAPTATIONS; TEACHING MATERIALS; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); ANIMAL FARM (UK, John Halas & Joy Batchelor, 1954); GREAT GATSBY, THE (US, Jack Clayton, 1974); HAMLET (US, Franco Zeffirelli, 1990); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); OF MICE AND MEN (US, Gary Sinise, 1992); OUTSIDERS, THE (US, Francis Ford Coppola, 1983); RADIANCE (AT, Rachel Perkins, 1998); SHORT CUTS (US, Robert Altman, 1993); TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962); WASHINGTON SQUARE (US, Agnieszka Holland, 1997); WELL, THE (AT, Samantha Lang, 1997); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982)
ISBN: 0195508491
LON: 21264241

Call No: 81GIB PEN
Author: Pendreigh, Brian, 1957-
Place: London
Publisher: Bloomsbury
PubDate: 1997
PhysDes: viii, 248 p., [8] p. of plates : ill ; 24 cm
Subject: Gibson, Mel; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); ATTACK FORCE Z (AT/SZ, Tim Burstall, 1981); BRAVEHEART (US, Mel Gibson, 1995); GALLIPOLI (AT, Peter Weir, 1981); MAD MAX [...] (AT, 1979-85)
Notes: Includes index; Filmography: p. [232]-238; Bibliography: p. [239]-240
ISBN: 0747531757 (hbk) : $16.99; 0747536643 (pbk)
LON: abn97342700; 13482918

Call No: 81WEI HAL
Author: Haltof, Marek
Place: New York
Publisher: Twayne
PubDate: 1996
PhysDes: xviii, 174 p. : ill. ; 22 cm
Series: Twayne's filmmakers series
Subject: WEIR, PETER; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); GALLIPOLI (AT, Peter Weir, 1981); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); DEAD POETS SOCIETY (US, Peter Weir, 1989); LAST WAVE, THE (AT, Peter Weir, 1977); WITNESS (US, Peter Weir, 1985); MOSQUITO COAST, THE (US, Peter Weir, 1986); GREEN CARD (AT/FR, Peter Weir, 1990); FEARLESS (US, Peter Weir, 1993)
Summary: During the course of his twenty-odd-year filmmaking career, Peter Weir has accomplished what so many of his protagonists have failed to do: he has become an accepted, integral part of an unfamiliar culture. At the core of most of his films and at the least peripheral to all of them is the idea of the outsider trying - and ultimately failing - to come to terms with a culture vastly different from his own. Weir, a native of Australia whose name was synonymous with Australian cinema in the 1970s, turned to American filmmaking in the 1980s and never looked back. In Peter Weir: When Cultures Collide, Marek Haltof traces Weir's journey from intensely Australian filmmaker to successful Hollywood director, along the way finding surprisingly consistent evidence of Weir's thematic and visual interests despite dramatic changes in his choices of story and locale
Notes: Filmography: p. 158-167; Includes bibliographical references (p. 139-157) and index
ISBN: 0805792449 (paper : alk paper); 0805778438 (cloth : alk paper)
Order Received: 1997
LON: 96027580; 12664203

Call No: 81WEI FOR
Author: Formica, Serena
Source: US
Place: Bristol ; Chicago
Publisher: Intellect Books
PubDate: 2012
PhysDes: vii, 202 p. : ill. ; 23 cm
Subject: AUTEUR THEORY; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES; WEIR, PETER; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); WITNESS (US, Peter Weir, 1985); TRUMAN SHOW, THE (US, Peter Weir, 1998)
Summary: "The cinematic output of Australian director Peter Weir has garnered numerous awards and widespread critical acclaim-from his early short films of the 1970s to the Hollywood hits he's helmed since 1985, including the likes of Witness, Dead Poets Society, The Truman Show, and Master and Commander. Drawing on contemporary concepts from transnational cinema studies, this book investigates Weir's entire three-decade career, paying particular attention to his journey from his native Sydney, with its largely auteur-driven national cinema, to the miltimillion-dollar Hollywood film industry with its many genre conventions. Along the way, the author explores a host of questions accompanying this move, including Weir's status as a transnational filmmaker and a more generalised discussion of the critically controversial idea of the auteur. Rounding out this volume are interviews with leading Hollywood filmmakers who discuss Weir's work."-BOOK BLURB
Notes: Includes bibliographical references (p. 173-193) and filmography (p. 195-202)
ISBN: 9781841504773
Contents: -- acknowldegments -- Introduction -- Migrations and transnationalism in the cinema -- Perspectives on Peter Weir -- Australian production context in the 1970s and early 1980s -- Peter Weir's four key steps from Australia to Hollywood -- Conclusions -- Bibliography -- Appendix 1: Filmography - main credits -- Appendix 2: Films made in Hollywood by Australian directors --
URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=1069409' Checked: 31/08/2021 1:22:51 PM Status: Moved Details: HTTP status 302 - Moved temporarily

Call No: 81WEI PET
Author: Tibbetts, John C; Thomson, David
Source: US
Place: Jackson, Mississippi
Publisher: University Press of Mississippi
PubDate: 2014
PhysDes: xlii, 261 pages ; 24 cm
Series: Conversations with filmmakers series
Subject: ADAPTATIONS; AUTEUR THEORY; DIRECTORS; EDITING; INTERVIEWING; REALITY TV; WAR IN FILMS; WEIR, PETER; BOYD, RUSSELL; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); DEAD POETS SOCIETY (US, Peter Weir, 1989); FEARLESS (US, Peter Weir, 1993); GALLIPOLI (AT, Peter Weir, 1981); GREEN CARD (AT/FR, Peter Weir, 1990); HOMESDALE (AT, Peter Weir, 1971); LAST WAVE, THE (AT, Peter Weir, 1977); MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD (US, Peter Weir, 2003); MOSQUITO COAST, THE (US, Peter Weir, 1986); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PLUMBER, THE (AT, Peter Weir, 1980); TRUMAN SHOW, THE (US, Peter Weir, 1998); WAY BACK, THE (US, Peter Weir, 2010); WITNESS (US, Peter Weir, 1985); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982)
Summary: 'Peter Weir: Interviews' is the first volume of interviews to be published on the esteemed Australian director. Although Weir (b. 1944) has acquired a reputation of being guarded about his life and work, these interviews by archivists, journalists, historians, and colleagues reveal him to be a most amiable and forthcoming subject. [...] Interviews discuss Weir's diverse and impressive range of work - his earlier films 'Picnic at Hanging Rock', 'The Last Wave', 'Gallipoli', and 'The Year of Living Dangerously', as well as Academy Award-nominated 'Witness', 'Dead Poets Society', 'Green Card', 'The Truman Show', and 'Master and Commander'. This book confirms the trajectory of Weir's life and work parallels and embodies Australia's quest to define and express a historical and cultural identity." -- BOOK BLURB
Notes: Includes chronology and filmography for Peter Weir's work; includes index
ISBN: 9781617038976
Contents: Foreword by David Thomson -- Introduction: "unmet friends": encounters with Peter Weir -- Chronology -- Filmography -- Peter Weir: reclaiming a Sydney boyhood: John C. Tibbetts / 2012 -- Peter Weir: snapshots in time: John C. Tibbetts / 2012 -- Peter Weir: early days: Sue Mathews / 1985 -- Small screens and big screens: television and film: Graham Shirley / 1991 -- The first features: 'The Cars That Ate Paris: Tom Hogan / 1973 -- "Weir, weird, and weirder still": the riddle of Hanging Rock: David Castell / 1976 -- Years of living dangerously: 'The Last Wave', 'The Plumber', 'Gallipoli', 'The Year of Living Dangerously': Sue Mathews / 1985 -- Interview with Peter Weir: Luisa Ceretto and Andrea Morini / 1999 -- Peter Weir: master of unease: Terry Dowling and George Mannix / 1980 -- Towards the center: Tom Ryan and Brian McFarlane / 1981 -- The swizzle stick: Peter Weir and Hollywood genres: Jonathan Rayner / 1993 -- The iceman cometh: 'Mosquito Coast': Digby Diehl / 1986 -- 'Fearless': the poetry of apocalypse: John C. Tibbetts / 1993 -- Poetry man: 'Dead Poets Society': Nancy Griffin -- Weir's worlds: 'The Truman Show': Virginia Campbell -- This is your life: 'The Truman Show': Eric Rudolph / 1998 -- He's fought his own way back to work: Terence Rafferty / 2011 -- "I am your eyes": interviews with Russell Boyd, ACS, ASC: John C. Tibbetts / 2012 -- Appendix: Notes on 'Gallipoli -- Interview with executive producer Francis O'Brien -- Peter Weir's Anzac lecture -- additional sources -- index

PhysDes: Article
Subject: YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); WEIR, PETER; Gibson, Mel; WEAVER, SIGOURNEY; INDUSTRY, FILM. AUSTRALIA
Summary: Article on Peter Weir beginning to work on his latest film 'The Year of Living Dangerously', starring Mel Gibson and Sigourney Weaver.

PhysDes: Article
Subject: YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); WEIR, PETER; Gibson, Mel; WEAVER, SIGOURNEY; Metro-Goldwyn-Mayer; INDUSTRY, FILM. AUSTRALIA; FINANCING; ADVERTISING FOR FILMS; DISTRIBUTION
Summary: article on the commencement of 'The Year of Living Dangerously' which is the first Australian film to be wholly financed by an American studio.

PhysDes: Article
Subject: YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); Gibson, Mel; WEAVER, SIGOURNEY; Metro-Goldwyn-Mayer; CANNES FILM FESTIVAL
Summary: Report on 'The Year of Living Dangerously' screening at the 1983 Cannes Film Festival.

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; CANNES FILM FESTIVAL; CENSORSHIP. NEW ZEALAND; RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); GOVERNMENT AID. AUSTRALIA; GOVERNMENT AID; FESTIVALS. NEW ZEALAND; AUSTRALIAN FILM AND TELEVISION SCHOOL; UTU (NZ, Geoffrey Murphy, 1983); COPRODUCTION. AUSTRALIA
Summary: Variety of Articles featuring the Australian and New Zealand film industry. Australian articles focus on the controversy of RETURN OF CAPTAIN INVICIBLE not qualifying for 10BA tax lean, the West Australian Film Council wishing to make more productions, new graduates of the Australian Film and TV School, a Chinese-Australian Documentary, and the recently completed YEAR OF LIVING DANGEROUSLY. New Zealand articles focus on film financing laws and taxation, lists films screening at Cannes, the Wellington Film Festival, censorship. Includes advertisements for UTU, THE LOST TRIBE, MOVING OUT, SAME AS IT EVER WAS and CONSTANCE.

Call No: 753 MCF
Author: McFarlane, Brian, 1934
Place: Richmond, Vic.
Publisher: Heinemann in association with Cinema Papers
PubDate: 1983
PhysDes: vi, 210 p. : ill. ; 24 cm
Subject: ADAPTATIONS. AUSTRALIA; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); MANGO TREE, THE (AT, Kevin Dobson, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); MONKEY GRIP (AT, Ken Cameron, 1982); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); NIGHT OF THE PROWLER, THE (AT, Jim Sharman, 1978); LUCINDA BRAYFORD [TV] (AT, John Gauci, 1980); OUTBREAK OF LOVE [TV] (AT, Oscar Whitbread, 1981)
Summary: Words and Images is the first Australian book to examine the relationship between literature and film. Taking nine major examples of recent films adapted from Australian novels - including The Getting of Wisdom, My Brilliant Career and The Year of Living Dangerously- he looks at some of the issues in transposing a narrative from one medium to the other. [Taken from BOOK JACKET]
Notes: Includes bibliographical references and notes
ISBN: 0858593165 : $14.95 Aust
LON: dup85859316; 2746398

Call No: S YEA
Copy Management: Copy 1; Copy 2
Author: Williamson, David; Weir, Peter; Koch, C.J.
PubDate: [1982?]
PhysDes: 213 leaves
Subject: YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982)
Notes: Unpublished script

Call No: 79YEA KOC
Author: Koch, C.J.
Edition: 1979
Source: AT
Place: West Melbourne
Publisher: Thomas Nelson Australia
PubDate: 1979
PhysDes: 296 p ; 18 cm
Series: Sphere books
Subject: YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982)
Notes: "The internationally-acclaimed novel of drama, intrigue and betrayal in a country gone wild"-Cover
ISBN: 0170057399

PhysDes: Article
Subject: YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); WEIR, PETER; Gibson, Mel; Metro-Goldwyn-Mayer; DISTRIBUTION; MCELROY, JIM
Summary: Article on Freddie Fields'- of MGM- visit to the set of 'The Year of Living Dangerously', the first Australian film to be produced and distributed by a Hollywood Studio.

Call No: LP The Year of Living Dangerously
Author: Jarre, Maurice
Source: UK
Place: England
Publisher: That's Entertainment Production
PubDate: c1983
PhysDes: 1 sound disc : analog, 33 1/3 rpm, stereo. ; 12 in
Subject: YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982)
Notes: Music composed by Maurice Jarre ; electronic realization by Spencer Lee and Maurice Jarre
Contents: -- side one -- wayang kulit -- poverty and misery -- the death of a child -- kwan -- side two -- enchantment at tugu -- jakarta -- what can we do? -- kwan's sacrifice --
Performer: Maurice Jarre
Music Type: Motion Picture Music
Publisher Number: That's Entertainment Records: TER 1065

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 21 x 26 cm
Subject: WEAVER, SIGOURNEY; HUNT, LINDA; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982)
Summary: 3 black and white photographs of scenes from the film.

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Stills; Clippings
Subject: YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 11 photographs : b&w ; 12 x 15 cm - 21 x 26 cm
Subject: GIBSON, MEL; WEAVER, SIGOURNEY; FERRIER, NOEL; MURPHY MICHAEL; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982)
Summary: Photographs relating to the film The year of living dangerously