Search Catalogue | AFI Research Collection

9 results out of 9

journal article		Billion dollar bubble in Federation News (June 1979) vol.100 p.32 PhysDes: Article Subject: BILLION DOLLAR BUBBLE (UK, Brian Gibson, 1976) More info
title clippings file		BUBBLE Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: BUBBLE (US, Steven Soderbergh, 2005) More info
Online resource script		Bubble Bath Bay : BBB152: Uh-oh, oh no! / Written by Wendy Hanna; script producer Gina Roncoli 28/03/2014. Digital clippings file available Call No: DIGITAL FILE Author: Hanna, Wendy; Roncoli, Gina PubDate: 28/03/2014 PhysDes: 16 leaves Subject: BUBBLE BATH BAY [TV] (AT, 2015) Notes: Unpublished script Donation: AFI/AACTA More info
Online resource script		Bubble Bath Bay : BBB147: Stormy's big day / Written by Chi-Ren Choong; script producer Gina Roncoli 20/03/2014. Digital clippings file available Call No: DIGITAL FILE Author: Choong, Chi-Ren; Roncoli, Gina PubDate: 20/03/2014 PhysDes: 18 leaves Subject: BUBBLE BATH BAY [TV] (AT, 2015) Notes: Unpublished script Donation: AFI/AACTA More info
Online resource digital clippings file		BUBBLE, THE : (US, Judd Apatow, 2022) Digital clippings file available Call No: DIGITAL CLIPPINGS FILE PhysDes: Clippings Subject: BUBBLE, THE (US, Judd Apatow, 2022) More info
title clippings file		CANARY IN THE MINE : (AT, Laurel Cohn, 1997) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: CANARY IN THE MINE [BOY IN THE BUBBLE, THE] (AT, Laurel Cohn, 1997) More info
book		Global melodramas : nation, body, and history in contemporary film / Carla Marcantonio Basingstoke: Palgrave Macmillan, Call No: 733 MAR Author: Marcantonio, Carla Edition: 2015 Place: Basingstoke Publisher: Palgrave Macmillan PhysDes: xii, 190 ; 23 cm Subject: MELODRAMA; TALK TO HER [HABLE CON ELLA] (SP, Pedro Almodovar, 2002); SKIN I LIVE IN, THE (SP, Pedro Almodovar, 2011); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004); BUBBLE (US, Steven Soderbergh, 2005); BABEL (US/MX/FR, Alejandro Gonzalez Ioarritu, 2006); GRAVITY (US/UK, Alfonso Cuaron, 2013); JUVENTUDE EM MARCHA [COLOSSAL YOUTH] (PO/FR/SZ, Pedro Costa, 2006); SHIJIE [WORLD, THE] (CN/JP/FR, Zhangke Jia, 2004) Notes: Global Melodrama is the first booklength work to investigate melodrama in a specifically twenty-first century setting across regional and national boundaries, analyzing film texts from a variety of national contexts in the wake of globalization. -- publisher's blurb ISBN: 9781137530615 More info
title clippings file		HA-BUAH : (IS, Eytan Fox, 2006) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: BUBBLE, THE [HA-BUAH] (IS, Eytan Fox, 2006) More info
book		US independent films after 1989 : Possible films / edited by Clair Perkins and Constantitne Verevis Edinburgh: Edinburgh University Press, 2015. Call No: 721.210.4(73) PER Author: Perkins, Claire; Verevis, Constantine Edition: 2015 Place: Edinburgh Publisher: Edinburgh University Press PubDate: 2015 PhysDes: vi, 230 p. : illus. ; 25 cm Subject: ALL THE REAL GIRLS (US, David Gordon Green, 2003); BUBBLE (US, Steven Soderbergh, 2005); BUFFALO 66 (US, Vincent Gallo, 1998); FROZEN RIVER (US, Courtney Hunt, 2008); JESUS' SON (US, Alison Maclean, 1999); KICKING AND SCREAMING (US, Jesse Dylan, 2005); LAUREL CANYON (US, Lisa Cholodenko, 2002); LIVING IN OBLIVION (US, Tom DiCillo, 1995); LOVELY AND AMAZING (US, Nicole Holofcener, 2001); OLD JOY (US, Kelly Reichardt, 2006); PARIAH (US, Randolph Kret, 1998); PRIMER (US, Shane Carruth, 2004); RACHEL GETTING MARRIED (US, Jonathan Demme, 2008); SECRETARY (US, Steven Shainberg, 2001) Notes: In contemporary film and popular culture the terms ‘independent’ and ‘indie’ hold instant recognition and considerable cultural cachet. As both a brand of American filmmaking and a keynote of critical film discourse, indie denotes specific textual, industrial and reception practices that have been enthusiastically cultivated across the last decade of the twentieth century and the first of the twenty-first. Underpinning this cultural category is a canon of highly visible films and filmmakers whose ‘maverick’ personas and self-aware stylisation have successfully sold indie as a quality, alternative worldview—figures like Quentin Tarantino, Joel and Ethan Coen, Kevin Smith and Wes Anderson, and films like Slacker, Memento, Happiness and Juno. US Independent Film After 1989: Possible Films reframes this dominant indie canon by attending to a group of films that have not been so fully subsumed by its critical and promotional rhetoric. In 20 close analyses, a diverse range of leading film scholars and commentators allow the contours of the indie sensibility to emerge in and through their individual experiences of a single film that has not received the sustained critical acclaim of more popular titles. With particular representation from female directors—who are almost wholly excluded from the dominant indie canon—these idiosyncratic films are shown to demonstrate central tenets of indie scholarship and simultaneously emphasise the classifying processes that obscure them. -- publisher's blurb ISBN: 9780748692446 ID2: 338 More info

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