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Anzacs gets Film Victoria approval in Australian film review (8-16th December 1983) vol.1 iss.22 p.3
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Atomic Cafe leans on score in Australian film review (17-30th March 1983) vol.1 iss.3 p.4
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City west takes it's viewers on real-life multicultural journey in Encore (16-29 August 1984) vol.2 iss.13 p.15
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Family drama with a topical message in Encore (Nov 1984) vol.2 iss.19 p.26
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Fantasy Man can happen... It did. in Australian Film Review (29 March - 11 April 1984) vol.2 iss.3 p.4
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Film-making with God on their side in Australian Film Review (16-29 February 1984) vol.1 iss.26 p.4
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Filmmakers latch onto music to trap the youth market in Australian film review (Nov 10-23 1983) vol.1 iss.20 p.18
Author: Roberts, Margaret PhysDes: ArticleSubject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984) ; STREET HERO (AT, Michael Pattinson, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; ONE NIGHT STAND (AT, John Duigan, 1984) ; FAST TALKING (AT, Ken Cameron, 1984) ; SLIM DUSTY MOVIE, THE (AT, Rob Stewart, 1989) ; J O' K - THE WILD ONE [TV] (AT, Glenn A. Baker, 1984) ; MUSIC IN FILMS. AUSTRALIA Summary: Write up on the trend for Australian feature films in 1984 to place a high emphasis on music, and also a speight of documentary-style films on music making.
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Five mile creek : A hybrid production in Australian Film Review (Sep 15-28 1983) vol.1 iss.16 p.8
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Five minutes a day...and still smiling in Australian Film Review (May 10-23 1984) vol.2 iss.6 p.13
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Getting even for a younger audience in Aust F Rev (Feb 2-15 1984) vol.1 iss.25 p.10
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Goodbye Paradise hangs on after initial splash in Australian Film Review (18-31 August 1983) vol.1 iss.14 p.16
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How Burke and Wills is creating history in Encore (Dec 1984) vol.2 iss.21 p.12-13
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How Frank Moorhouse, Dusan Makavejev and David Roe put together 'The Coca Cola Kid' : preserving cultural exactitude with some gumnut gothic in Aust F Rev (24 May - 6 June 1984) vol.2 iss.7 p.14-15
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Hoyts - Edgley studies TV projects in Australian Film Review (15-28 Sep 1983) vol.1 iss.16 p.3
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IP's chase for children's drama in Australian film review (August 18-31 1983) vol.1 iss.14 p.7
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It's more than just a story with gags in Encore (January 1985) vol.2 iss.23 p.27-28
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Journey to the dawning of the day in Australian Film Review (Mar 29 - April 1984) vol.II iss.3 p.6
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Makavejev, Wertmuller to direct local productions in Aust F Rev (15-28 September 1983) vol.1 iss.16 p.3
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Makavejev, Wertmuller to direct local productions in The Australian film review (Sep 1983) vol.1 iss.16 p.3
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Man of flowers confounds critics... in Aust F Rev (29 September - 12 October 1983) vol.1 iss.17 p.10
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Narration adds to Bodyline's Edith in Aust F Rev (May 10-23 1984) vol.2 iss.6 p.14
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NBC vies for road warrior in Aust F Rev (Nov 24-Dec 7 1983) vol.1 iss.21 p.1-2
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No pretension in futuristic political feature on 16mm in Australian film review (April 19 - May 9 1984) vol.2 iss.5 p.8
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ON location: Bodyline aims past the cardboard fans in Aust F Rev (Nov 24 - Dec 7 1983) vol.1 iss.21 p.8-9
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Paul Cox ponders America and Europe in Encore (27 September - 10 October 1984) vol.2 iss.16 p.3
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PBL's Dynasty-style gloss and intrigue in Encore (Dec 1984) vol.2 iss.21 p.18-19
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Robert Duvall shows how to produce drama using real people in Australian film review (17th December-18th January 1983/1984) vol.1 iss.23 p.17
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The search fro drama in Australian Film Review (Mar 15-28 1984) vol.II iss.2 p.19
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Taking the film to its audience in Australian Film Review (Aug 18-31 1983) vol.1 iss.14 p.1-2
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Thompson close to directing ambitions in Encore (13-26 Sep 1984) vol.2 iss.15 p.4
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Voyeur overcomes tragedy to finish thriller shoot in Australian Film Review (Aug 18-31 1983) vol.1 iss.14 p.6
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Why McAlpine likes the big pictures... but he'll be back in Encore (Aug 16-29, 1984) vol.2 iss.13 p.10-11
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