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Call No: TITLE CLIPPINGS FILE; MY OLD LADY ( UK/US/FR, Israel Horovitz, 2014)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: MY OLD LADY ( UK/US/FR, Israel Horovitz, 2014)
Summary: Film review
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICATHON (US, Neil Israel, 1979)

Author: Rothschild, Wayne (ed)
PhysDes: Article
Subject: INDUSTRY, FILM. ASIAN COUNTRIES; INDUSTRY, FILM. JAPAN; INDUSTRY, FILM. ISRAEL; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. HONG KONG
Summary: Articles on Asian cinema. 'Reconsidering Modernism: Japanese Film and the Postmodern Context', 'Back to Japan: Militarism and Monumentalism in Prewar Japanese Cinema', 'Accomodation and Resistance: Expression of Working-Class Values Through Tamil Cinema', 'Anomalies of the National: Representing Israel/Palestine', 'Towards a Cultural Understanding of Cinema: A Comparison of Contemporary Films from the People's Republic of China and Hong Kong'.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BACHELOR PARTY (US, Neal Israel, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BREAKING THE RULES (US, Neal Israel, 1992 [prod. 1989])

Call No: 761 DOC
Author: Winston, Brian
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: Palgrave Macmillan
PubDate: 2013
PhysDes: 416 pages ; 25 cm
Subject: AFRICA; ART CINEMA; ANTHROPOLOGY AND THE CINEMA; BRAZIL; CINEMA-DIRECT; CINEMA VERITE; DOCUMENTARIES; DOCUMENTARY FILMS; DOCUMENTARY DRAMAS; ETHICS AND THE CINEMA; ETHNOGRAPHIC FILMS; HISTORY ON TV; HOMOSEXUALITY AND THE CINEMA; ISRAEL; INTERNET AND THE CINEMA; LATIN AMERICAN COUNTRIES; PALESTINE; POLITICAL FILMS; RACIAL ISSUES AND THE CINEMA; REVOLUTIONARY THEMES IN FILMS; MOVEMENTS IN FILM HISTORY; REALITY TV; GRIERSON, JOHN; MOORE, MICHAEL; VERTOV, DZIGA; AFRICA RISING (US, Paula Heredia, 2009); AILEEN: LIFE AND DEATH OF A SERIAL KILLER (UK, Nick Bloomfield & Joan Churchill, 2003); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929); NANOOK OF THE NORTH (US, Robert Flaherty, 1922)
Summary: Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies. -- BOOK BLURB
ISBN: 9781844573417
Contents: Acknowledgments -- Notes on Contributors -- Foreword: Why Documentaries Matter -- Introduction: The Filmed Documentary --; PART I: DOCUMENTARY VALUES -- The Question of Evidence, the Power of Rhetoric and Documentary Film: Bill Nichols -- 'I'll Believe It When I Trust the Source': Documentary Images and Visual Evidence: Carl Plantinga -- 'The Performance Documentary': The Performing Film-Maker, the Acting Subject: Stella Bruzzi -- On Truth, Objectivity and Partisanship: The Case of Michael Moore: Douglas Kellner -- CGI and the End of Photography as Evidence: Taylor Downing -- Drawn From Life: The Animated Documentary: Andy Glynne -- Dramadoc? Docudrama? The Limits and Protocols of a Televisual Form: Derek Paget -- Ambiguous Audiences: Annette Hill -- Life As Narrativised: Brian Winston -- The Dance of Documentary Ethics: Pratap Rughani -- Deaths, Transfigurations and the Future: John Corner --; PART II: DOCUMENTARY PARADIGMS -- Problems in Historiography: The Documentary Tradition Before Nanook of the North: Charles Musser -- John Grierson and the Documentary Film Movement: Ian Aitken -- Challenges For Change: Canada's National Film Board: Thomas Waugh and Ezra Winton -- Grierson's Legacies: Australia and New Zealand: Deane Williams -- New Deal Documentary and the North Atlantic Welfare State: Zoe Druick and Jonathan Kahana -- The Triumph of Observationalism: Direct Cinema in the USA: Dave Saunders -- Russian and Soviet Documentary: From Vertov to Sokurov: Ian Christie -- The Radical Tradition in Documentary Film-making, 1920s–50s: Bert Hogenkamp -- Le Groupe des trente: The Poetic Tradition: Elena Von Kassel Siambani -- Cinéma Vérité: Vertov Revisited: Genevieve Van Cauwenberge -- Beyond Sobriety: Documentary Diversions: Craig Hight --; PART III: DOCUMENTARY HORIZONS -- Eastwards: Abe Mark Nornes -- Africa N.: Frank Ukadike -- Images From the South: Contemporary Documentary in Argentina and Brazil: Ana Amado and Maria Dora Mourao -- 'Roadblock' Films, 'Children's Resistance' Films and 'Blood Relations' Films: Israeli and Palestinian Documentary Post-Intifada: Il Raya Morag -- Sacred, Mundane and Absurd Revelations of the Everyday – Poetic Vérité in the Eastern European Tradition; Susanna Helke --; PART IV: DOCUMENTARY VOICES -- First-Person Political: Alisa Lebow -- Feminist Documentaries: Finding, Seeing and Using Them: Julia Lesage -- Pioneers of Black Documentary Film: Pearl Bowser -- LGTBs' Documentary Identity: Christopher Pullen -- Docusoaps: The Ordinary Voice as Popular Entertainment: Richard Kilborn -- Reality TV: A Sign of the Times?: Anita Biressi and Heather Nunn --; PART V: DOCUMENTARY DISCIPLINES -- Anthropology: The Evolution of Ethnographic Film: Paul Henley -- Science, Society and Documentary: Tim Boon -- History Documentaries for Television: Ann Gray -- Music, Documentary, Music Documentary: Michael Chanan -- Art, Documentary as Art; Michael Renov --; PART VI: DOCUMENTARY FUTURES -- Documentary as Open Space: Helen de Michiel and Patricia R. Zimmermann -- 'This Great Mapping of Ourselves': New Documentary Forms Online: John Dovey and Mandy Rose -- New Platforms for 'Docmedia': 'Varient of a Manifesto': Peter Wintonick --; Afterword: The Unchanging Question: Brian Winston -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SAND DOLLARS [DOLARES DE ARENA] (DR/MX/AG, Israel Cárdenas & Laura Amelia Guzmán, 2014)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DON'T BLINK - ROBERT FRANK (CN/FR/US, Laura Israel, 2015)
URL status: URL: 'http://file://Q:/T/DON'T_BLINK.zip' Checked: 31/08/2021 1:49:07 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 802.25 STO
Author: Stone, Judy, 1924
Place: Los Angeles
Publisher: Silman-James Press
PubDate: 1997
PhysDes: xix, 826 p. : ill. ; 25 cm
Subject: DIRECTORS. BRAZIL; DIRECTORS. CHINA; DIRECTORS. FRANCE; DIRECTORS. UK; DIRECTORS. ISRAEL; DIRECTORS. ITALY; DIRECTORS. JAPAN; DIRECTORS. SPAIN; DIRECTORS. USA; ARMSTRONG, GILLIAN; COX, PAUL; SCHEPISI, FRED; WEIR, PETER; BERESFORD, BRUCE
Notes: Includes filmographies
ISBN: 1879505363 (alk. paper)
LON: 97011401; 13126388

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. ISRAEL FILM

Call No: F023(569.4) FIL
CorpAuthor: Israel Film Centre
PubDate: [196?]
Subject: ISRAEL; FILMOGRAPHIES
Notes: Catalogue

Call No: REFERENCE SECTION; 023(569.4) FUN
Source: IS
Place: Herzeliya, Israel
Publisher: The fund for the promotion of israeli quality films
PubDate: [199?]
PhysDes: 54 p. ills.
Subject: ISRAEL; FILMOGRAPHIES
Notes: Book bound backwards.
Language: Hebrew and english.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: HOROVITZ, ISRAEL

Call No: 79CAS SHA
Author: Shavelson, Melville
Place: Englewood Cliffs, N.J
Publisher: Prentice-Hall
PubDate: 1971
PhysDes: vii, 244 p. : illus., ports. ; 24 cm
Subject: LOCATION SHOOTING. ISRAEL; CAST A GIANT SHADOW (US, Melville Shavelson, 1966)
Summary: The director of Cast a Giant Shadow reminisces about the making of the movie.
ISBN: 0134184831

Call No: 732(5-011) HUM
Author: Revi, Gayatri (ed.); Rahman, Najat (ed.)
Source: US
Place: Detroit
Publisher: Wayne State University Press
PubDate: c2014
PhysDes: 282 pages ; 23 cm
Series: Contemporary approaches to film and media
Subject: AFGHANISTAN; ARAB COUNTRIES; AUDIENCE RECEPTION; BOLLYWOOD; CENSORSHIP; COMEDIES. MIDDLE EASTERN COUNTRIES; CULTURAL IMPERIALISM. US; EGYPT; HUMOUR IN FILMS; INDIA; IRAN; IRAQ; ISRAEL; IRONY IN FILMS; NATIONAL CULTURE AND THE CINEMA; PALESTINE; POLITICAL FILMS; ETHNIC GROUPS IN FILMS; SATIRE IN FILMS; TYPE CHARACTERS IN FILMS; PAKISTAN; CHAHINE, YOUSSEF; DHOUIB, MONCEF; KIAROSTAMI, ABBAS; ZARHIN, SHEMI; AMERIKALI (TU, Serif Gören, 1993); BAD MA RA KHAHAD BORD (IR/FR, Abbas Kiarostami, 1999); DIVINE INTERVENTION (FR/MR/G/PA, Elia Suleiman, 2002); ALEXANDRIA... WHY? [ISKANDARIYA....LEEH?] (UA/AE, Youssef Chahine, 1978); ALEXANDRIA... WHY? [ISKANDARIYA....LEEH?] (UA/AE, Youssef Chahine, 1978); TELE ARRIVE, LA (TI, Moncef Dhouib, 2006); TERE BIN LADEN (II, Abhishek Sharma, 2010); TV IS COMING, THE (TI, Moncef Dhouib, 2006)
Summary: "While Middle Eastern culture does not tend to be associated with laughter and levity in the global imagination, humor—often satirical—has long been a staple of mainstream Arabic film. In Humor in Middle Eastern Cinema, editors Gayatri Devi and Najat Rahman shed light on this tradition, as well as humor and laughter motivated by other intent—including parody, irony, the absurd, burlesque, and dark comedy. Contributors trace the proliferation of humor in contemporary Middle Eastern cinema in the works of individual directors and from the perspectives of genre, national cinemas, and diasporic cinema. Humor in Middle Eastern Cinema explores what humor theorists have identified as an “emancipatory,” “liberatory,” even “revolutionary” function to humor. Among the questions contributors ask are: How does Middle Eastern cinema and media highlight the stakes and place of humor in art and in life? What is its relation to the political? Can humor in cinematic art be emancipatory? What are its limits for its intervention or transformation? Contributors examine the region’s masterful auteurs, such as Abbas Kiarostami, Youssef Chahine, and Elia Suleiman and cover a range of cinematic settings, including Egypt, Iran, Israel, Lebanon, Palestine, Syria, Tunisia, and Turkey. They also trace diasporic issues in the distinctive cinema of India and Pakistan. This insightful collection will introduce readers to a variety of contemporary Middle Eastern cinema that has attracted little critical notice. Scholars of cinema and media studies as well as Middle Eastern cultural history will appreciate this introduction to a complex and fascinating cinema." -- GOOGLE BOOKS
Notes: Contains bibliography and filmography -- contains index -- contains list of contributors
ISBN: 9780814339374
Contents: Introduction / Gayatri Devi and Najat Rahman -- Humor, loss, and the possibility for politics in recent Palestinian cinema / Najat Rahman -- Strategies of subversion in Ben Ali's Tunisia: allegory and satire in Moncef Dhouib's TV Is Coming / Robert Lang -- Satiric traversals in the comedy of Mehran Modiri: space, irony, and national allegory on Iranian television / Cyrus Ali Zargar -- Ethnic humor, stereotypes, and cultural power in Israeli cinema / Elise Burton -- The laughter of Youssef Chahine / Najat Rahman -- Comedic meditations: war and genre in The Outcasts / Somy Kim -- Humor and the cinematic sublime in Kiarostami's The Wind Will Carry Us / Gayatri Devi -- America the oppressively funny: humor and anti-americanisms in modern Turkish cinema / Perin Gurel -- Laughter across borders: the case of the Bollywood film Tere Bin Laden / Mara Matta

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDUSTRY, FILM. ISRAEL

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: ISRAEL

Call No: F023(569.4) "1973" ISR
CorpAuthor: Israel Film Centre
Subject: ISRAEL; FILMOGRAPHIES

Call No: 71(569.4) SHO
Author: Shohat, Ella, 1959
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1989
PhysDes: viii, 312 p. : ill. ; 24 cm
Subject: ISRAEL
Notes: Includes bibliographical references and index
ISBN: 029273848X (pbk. : alk. paper); 0292738471 (alk. paper)
LON: 6028174

Call No: REFERENCE SECTION; 023(569.4) ISR
CorpAuthor: The Israel Film Institute
PubDate: [1991?]
Subject: ISRAEL; FILMOGRAPHIES

Call No: REFERENCE SECTION; 023(569.4) 1991/93 ISR
CorpAuthor: The Israeli Film Institute
Source: IS
Place: Tel Aviv
Publisher: The Israeli Film Institute
PubDate: [1993?]
PhysDes: 1 v. ills.
Subject: ISRAEL; FILMOGRAPHIES

Call No: 757-054(=924) ERE
Author: Erens, Patricia
Source: US
Place: Bloomington IN
Publisher: Indiana University Press
PubDate: 1984
PhysDes: 455 p.; 22cm
Subject: JEWS IN FILMS. USA; HISTORY OF CINEMA. SILENT PERIOD; NAZIS IN FILMS; SOCIAL GROUPS IN FILMS; ISRAEL; HOLOCAUST IN FILMS
Summary: Patricia Erens looks at over 800 feature films , produced by either Hollywood or independent studios, from the early primitive years to the present, and presenting Jewish characters or themes. She looks at all types of film: melodramas, dramas, comedies, biblical epics, and gangster films, and identifies persistent Jewish stereotypes and themes:which constantly appear in these film: the benevolent physician, the neurotic, or prodigal son, the scheming merchant, or the Jewish ugly duckling. She looks at individual films, producers, writers, and actors, and shows how the values of the wide American community and those of the Jewish community are reflected in their work.Films such as "Ben Hur", "The Pawn Broker", "The Jazz Singer" or "The diary Of Anne Frank," to name a few ,are examined
ISBN: 0253145007
ID2: 27

Call No: REFERENCE SECTION; 025(=924) JEW
Source: UK
Place: London
Publisher: Flicks Books
PubDate: 1992
PhysDes: 298 p.
Subject: JEWS AND THE CINEMA; ISRAEL; FILMOGRAPHIES
ISBN: 0948911727

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KEEP THE CHANGE (US, Rachel Israel, 2017)

Call No: Journal shelves. Sight & Sound Special Issues
PubDate: 1992
Subject: ISRAEL; PALESTINE
Language: English

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MOVING VIOLATIONS (US, Neal Israel, 1985)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MY OLD LADY ( UK/US/FR, Israel Horovitz, 2014)
URL status: URL: 'http://file://Q:/T/MY_OLD_LADY.zip' Checked: 31/08/2021 1:30:22 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: REFERENCE SECTION; 023(569.4) NEW
Source: IS
Place: Tel Aviv, Israel
Publisher: The New Israeli Foundation For Cinema & Television
PubDate: [1999?]
PhysDes: 120 p. ills.
Subject: ISRAEL; FILMOGRAPHIES
Language: Hebrew and english.

Call No: 71(569.4) GER
Author: Gertz, Nurith; Khleifi, George
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: c2008
PhysDes: 224 p. ; 24 cm
Subject: ISRAEL; PALESTINE; NATIONALISM AND THE CINEMA
Summary: " In this book, two scholars - an Israeli and a Palestinian - in a rare and welcome collaboration, follow the development of Palestinian cinema, commenting on its response to political and social transformations. They discover that the more the social, political, and economic conditions worsen and chaos and pain prevail , the more Palestinian cinema becomes involved with the national struggle. As expected, Palestinian cinema has unfolded its national narrative against the Israeli narrative. The reflection of the Israeli in Palestinian cinema is one more harsh and painful testimony to the resentment and hostility between the two peoples, who share a common patch of earth and landscape. " -- BOOK BLURB
Notes: "This book was first published (as Landscape in mist: space and memory in Palestinian cinema) in Herbrew in 2005 by Am Oved and the Open University, Tel Aviv"--T.p. verso.; Includes bibliographical references (p. 200-211) and index.; Includes filmography (p. 212-215)
ISBN: 9780253220073
Contents: -- introduction -- 1: a chronicle of Palestinian cinema -- 2: from bleeding memories to fertile memories -- 3: about place and time: the fims of Michael Khleifi -- 4: without place, without time: the films of Rashid Masharawi -- 5: the house and its destruction: the films of Ali Nassar -- 6: a dead-end: roadblock movies -- 7: between exile and homeland: the films of Elia Suleiman -- conclusion -- epilogue -- bibliography -- filmography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: QUEST FOR THE LOST TRIBES OF ISRAEL (CN, Elliott Halpern & Simcha Jacobovica, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RELENTLESS: THE STRUGGLE FOR PEACE IN ISRAEL (IS, Wayne Kopping/Brian K Spector, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ROMAN J. ISRAEL, ESQ. (US, Dan Gilroy, 2017)

Call No: TITLE CLIPPINGS FILE; MY OLD LADY ( UK/US/FR, Israel Horovitz, 2014)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: MY OLD LADY ( UK/US/FR, Israel Horovitz, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STRICTLY JEWISH: THE SECRET WORLD OF ADASS ISRAEL (AT, Danny Ben-Moshe, 2016

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SURF NINJAS (US, Neal Israel, 1993)

Call No: 709 TRA
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2006
PhysDes: 266 p. : 24 cm
Subject: NATIONAL CULTURE AND THE CINEMA; GLOBALISATION; HISTORY OF CINEMA; MOVEMENTS IN FILM HISTORY; NEOREALISM; NOUVELLE VAGUE; EXPRESSIONISM; CZECHOSLOVAKIA; BRITAIN; DOGMA; COMMUNISM AND THE CINEMA; BRAZIL; ARGENTINA; AFRICA IN FILMS; ISRAEL; IRAN; INDIA; CITY OF SADNESS, A [; MELODRAMA; SONGS IN FILMS; JAPAN; HORROR FILMS; USA
Summary: The core volume in the Traditions in World Cinema series, this book brings together a colourful and wide-ranging collection of world cinematic traditions – national, regional and global – all of which are in need of introduction, investigation and, in some cases, reassessment. Topics include: German expressionism, Italian neorealism, French New Wave, British new wave, Czech new wave, Danish Dogma, post-Communist cinema, Brazilian post-Cinema Novo, new Argentine cinema, pre-revolutionary African traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, Chinese wenyi pian melodrama, Japanese horror, new Hollywood cinema and global found footage cinemas.
ISBN: 0748618635