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Cinematic quests for identity : The hero's encounter with the beast / Maria Garcia Lanham, Maryland: Rowman & Littlefield, 2015.
Call No: 735.7 GARAuthor: Garcia, Maria Edition: 2015Place: Lanham, MarylandPublisher: Rowman & LittlefieldPubDate: 2015PhysDes: 274 pages ; illustrations ; 24 cmSubject: PICTURE OF DORIAN GRAY, THE (US, Albert Lewin, 1945) ; SEARCHERS, THE (US, John Ford, 1956) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; LADY EVE, THE (US, Preston Sturges, 1941) ; SECRET OF ROAN INISH, THE (US, John Sayles, 1994) ; NATURAL, THE (US, Barry Levinson, 1984) ; MONEYBALL (US, Bennet Miller, 2011) ; FAT GIRL (FR/IT/SP, Catherine Breillat, 2000)
SEE
A MA SOEUR ; BREILLAT, CATHERINE ; BRESSON, ROBERT Summary: Whether embodied in literature, theater, or film, an enduring theme of many artistic works has been the protagonist’s search for identity. Such quests are typically psychological or spiritual journeys and depicted on the screen in a variety of manifestations—endeavors embarked upon to address an emotional trauma or to overcome an obstacle in the hero’s life. Using Jean Cocteau’s La Belle et La Bête as a leitmotif, these pursuits are discussed by author Maria Garcia as encounters with the “Beast.” At the end of their quests, heroes are reborn into their new identities, while the Beast disappears, transforms, or dies.
In Cinematic Quests for Identity: The Hero’s Encounter with the Beast, Garcia examines the cinematic conventions of the male and female search for individuation across several genres. After discussing La Belle et La Bête, the author looks at a number of films including three iconic male journeys—The Picture of Dorian Gray, The Searchers, and The Deer Hunter. Additional chapters focus on The Silence of the Lambs, Bringing Up Baby, The Lady Eve, The Secret of Roan Inish, The Natural, and Moneyball. The book concludes with a consideration of the three fairy tale films by Catherine Breillat—Fat Girl, Bluebeard, and The Sleeping Beauty—and the female characters in several Robert Bresson films, including The Trial of Joan of Arc.
Providing a unique and original perspective on films throughout the world, this provocative book draws upon Jungian thought, as well as several literary traditions including fairy tales, epic poetry, and Greek and Celtic mythology. Aimed at scholars of film and film theory, Cinematic Quests for Identity will also appeal to movie fans interested in a deeper understanding of films that explore a character’s struggle to live a conscious life. -- publisher's web siteISBN: 9781442246973
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A fine romance : five ages of film feminism / Patricia Mellencamp Philadelphia: Temple University Press, 1995.
Call No: 626:396 MELAuthor: Mellencamp, Patricia Place: PhiladelphiaPublisher: Temple University PressPubDate: 1995PhysDes: xiii, 330 p. : ill. ; 24 cmSeries: Culture and the moving imageSubject: FEMINISM AND THE CINEMA ; FEMINISM AND THE CINEMA. AUSTRALIA ; BODY IN FILMS ; EXPRESSIONISM ; DASH, JULIE ; DELEUZE, GILLES ; CAMPION, JANE ; ARMSTRONG, GILLIAN ; POTTER, SALLY ; Tarantino, Quentin ; CHRISTIE, JULIE ; DAVIS, GEENA ; DAVIS, JUDY ; EPHRON, NORA ; GLYN, ELINOR ; GOGOBERIDZE, LANA ; HANKS, TOM ; JAYAMANNE, LALEEN ; LAFFONT, COLLETTE ; LANGTON, MARCIA ; RYAN, MEG ; MOFFATT, TRACEY ; HOOKS, BELL ; PREER, EVELYN ; STONE, SHARON ; SWINTON, TILDA ; TAYLOR, CLYDE ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; ANGIE (US, Martha Coolidge, 1994) ; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEDEVIL (AT, Tracey Moffat, 1993) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; COVER GIRL (US, Charles Vidor, 1944) ; DOLLY SISTERS (US, Irving Cummings, 1945) ; FORBIDDEN LOVE: THE UNASHAMED STORIES OF LESBIAN LOVE (CN, Aerlyn Weissman & Lynne Fernie, 1993) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; ILLUSIONS (US, Julie Dash, 1983?) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; PRIVILEGE (US, Yvonne Rainer, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; QUICK AND THE DEAD, THE (US/JA, Sam Raimi, 1995) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; SOMETHING TO TALK ABOUT (US, Lasse Hallstrom, 1995) ; THRILLER (UK, Sally Potter, 1979) ; JEDDA (AT, Charles Chauvel, 1955) ; PIANO, THE (AT, Jane Campion, 1993) ; METROPOLIS (G, Fritz Lang, 1926) Notes: Includes bibliographical references (p. 291-324) and index; Five ages of film feminismISBN: 1566394015 (pbk.: acid-free paper); 1566394007 (hbk.: acid-free paper)LON: 11870265
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Hauntings : popular film and American culture, 1990-1992 / Joseph Natoli Albany: State University of New York Press, 1994.
Call No: 409(73) NATAuthor: Natoli, Joseph, 1943 Place: AlbanyPublisher: State University of New York PressPubDate: 1994PhysDes: xi, 238 p. ; 24 cmSeries: SUNY series in postmodern cultureSubject: SOCIETY AND THE CINEMA. USA ; POPULAR CULTURE AND THE CINEMA. USA ; NATIONAL CULTURE AND THE CINEMA. USA ; CULTURE AND THE CINEMA. USA ; POLITICS AND THE CINEMA. USA ; NATIVE AMERICANS IN FILMS ; ROBIN HOOD IN FILMS ; KING, RODNEY ; PHOENIX, RIVER ; STONE, OLIVER ; CAPE FEAR (US, J. Lee Thompson, 1961) ; CAPE FEAR (US, Martin Scorsese, 1991) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; PRINCE OF TIDES, THE (US, Barbra Streisand, 1991) ; HAND THAT ROCKS THE CRADLE, THE (US, Curtis Hanson, 1991) ; OTHER PEOPLE'S MONEY (US, Norman Jewison, 1991) ; ROBIN HOOD : PRINCE OF THIEVES (US, Kevin Reynolds, 1991) ; GRAND CANYON (US, Lawrence Kasdan, 1991) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; BIS ANS ENDE DER WELT (GG/FR/AT, Wim Wenders, 1991) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; WALL STREET (US, Oliver Stone, 1987) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; BOB ROBERTS (US, Tim Robbins, 1992) Notes: Includes bibliographical references (p. 227-238)ISBN: 0791421546 (pbk. : acid-free paper); 0791421538 (acid-free paper)LON: 10867366
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Hollywood spectatorship : changing perceptions of cinema audiences / edited by Melvyn Stokes and Richard Maltby London: British Film Institute, 2000.
Call No: 410 HOLAuthor: Maltby, Richard, 1952 ; Stokes, Melvyn CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: 240p. ; 24 cmSubject: AUDIENCES ; SPECTATORSHIP ; AUDIENCE RECEPTION ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; FANTASIA (US, Walt Disney, 1940) ; CENSORSHIP. USA ; RELIGION AND THE CINEMA. USA ; ON THE BEACH (US, Stanley Kramer, 1959) ; ETHNIC GROUPS IN FILMS ; CINEPHILIA ISBN: 0851708110; 0851708102(pbk.) : ¦15.99LON: 21774778
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Hours in the dark : essays on cinema / T.G. Vaidyanathan Delhi: Oxford University Press, 1996.
Call No: 62 VAIAuthor: Vaidyanathan, T.G. Source: IIPlace: DelhiPublisher: Oxford University PressPubDate: 1996PhysDes: 289 p ; 22cmSubject: CRITICISM ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; GODFATHER PART II, THE (US, Francis Ford Coppola, 1974) ; ROSELAND (US, James Ivory, 1977) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; CAPE FEAR (US, Martin Scorsese, 1991) ; GANDHI (UK/II, Richard Attenborough, 1982) ; JUNOON (II, Shyam Benegal, 1979) ; TRIKAL (II, Shyam Benegal, 1986) ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; NAYAK (II, Satyajit Ray, 1966) ; SEEMABADDHA (II, Satyajit Ray, 1971) ; SHATRANJ KE KHILARI (II, Satyajit Ray, 1977) Summary: " T. G Vaidyanathan has been the reviewer most film-makers, critics and movie-goers have always paid attention to. This collection of essays covers nearly three decades of film criticism by him. The book gathers together his essays on individual films in several languages, both Indian and foreign. The essays are energetic and acerbic, often partisan, but never dull. Written in an approachable style, they bring alive years of movie-watching in a manner neither entirely journalistic nor academic. The films discussed range from the Taviani brothers' Padre Padrone to Jonathon Demme's The Silence of the lambs and Benegal's Trikaal. There is a special section on Satyajit Ray, general pieces on the concerns of modern cinema in India, as well as accounts of Vaidyanathyan's encounters with directors such as Roman Polanski and Tomas Gutierrez Alea. The book includes an annotated bibliography with suggestions for further reading" - BOOK JACKETNotes: Includes bibliographical references (p. [279]-289)ISBN: 019563764XDonation: donated by the family of Wayne Levy, 2006Contents: preface -- perspectives from the west -- 1. towards a century of cinema -- 2 -- denouement in the modern film -- 3 --- western or anti-western ? -- 4 -- the Welles charisma -- 5 -- fassbinder: breaking the heart without betraying the mind -- 6 -- Bergman's swan song -- 7 -- Michelangelo Antonioni, Blow-up (1966) -- 8 -- Costa-Gavras, Z (1969) -- 9 -- Milos Foreman, One Flew Over the Cuckoo's Nest (1975) -- 10 -- Francis Ford Coppola, Godfather Part II (1975) -- 11 -- James Ivory, Roseland (1977) -- 12 -- Vittorio and Paulo Taviani, PAdre Padrone (1977) -- 13 -- Steven Spielberg, Close Encounters of the Third Kind (1977) -- 14 -- Hugh Hudson, Chariots of Fire (1981) -- 15 -- Jordan Demme, The Silence of the Lambs (1991) -- 16 -- Martin Scorcese, Cape Fear (1991) -- Some aspects of Modern Indian Cinema: -- 1 --- The problems of post-colonial cinema -- 2 -- art and commerce: is there a choice? -- 3 -- films from literature -- 4 -- Richard Attenborough, Gandhi (1982) -- 5 -- Aparna Sen, 36 Chowinghee Lane (1981) -- 6 -- Aparna Sen, Paroma (1985) -- Shyam Benegal, Junoon (1978) -- 8 -- Shyam Benegal, Trikaal (1985) -- Satyajit Ray: Artist and craftsman -- 1 -- The humanism of Ray -- 2 -- Pather Panchali (1955) -- 3 -- Death in the Apu trilogy -- 4 -- Nayak (1966) -- 5 -- Seemabaddha (1971) -- 6 -- Shantranj Ke Khiladi (1977) -- A view of the south -- 1 -- Kannada cinema: an overview -- 2 -- the cinema of girish Kasaravalli -- 3 -- Girish Kasaravalli, Tabrana KAthe (1987) -- 4 -- Girish Kasaravalli, Bannada Vesha (1988) -- 5 -- Girish Karnad, B.V Karanth, Vamsha Vrisksha (1971) -- 6 -- B.V Karanth, Chomana Dudi (1975) -- 7 -- Pattabhi Rama Reddy, Chanda Marutha (1977) -- 8 -- Prema Karanth, Phiyamma (1982) -- 9 -- Baragur Ramachandrappa, Kote (1989) -- 10 -- Adoor Gopalakrishnan, Swayamvaram (1972) -- 11 M. T Vasudevan Nair, Nirmalayam (1973) -- 12 -- P. Madhavan, Mythological Syndrome in Tamil Cinema -- 13 -- K. Balachander, Arangetram (1973) -- 14 -- J. Mahendran, Udhiri Pookal (1979) -- Conversations -- 1 -- Alea and the Cuban revolution -- 2 -- a portrait of Polanski -- 3 -- Youssef Chahine, 'Lilli Marlene' and the El Alamain Battle -- 4 -- Marianne Ahrne and the Invarare -- annotated bibliography --URL status: URL: 'http://-'
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Jonathan Demme : interviews / edited by Robert E. Kapsis Jackson, Miss.: University Press of Mississippi, c2009.
Call No: 81DEMME JONSource: USPlace: Jackson, Miss.Publisher: University Press of MississippiPubDate: c2009PhysDes: l, 183 p. : port. ; 24 cmSeries: Conversations with filmmakers seriesSubject: DEMME, JONATHAN ; CORMAN, ROGER ; AGRONOMIST, THE (US, Jonathan Demme, 2003) ; BELOVED (US, Jonathan Demme, 1998) ; CITIZEN'S BAND (US, Jonathan Demme, 1977) ; HANDLE WITH CARE (US, Jonathan Demme, 1977) ; MARRIED TO THE MOB (US, Jonathan Demme, 1988) ; MANCHURIAN CANDIDATE, THE (US, Jonathon Demme, 2004) ; PHILADELPHIA (US, Jonathan Demme, 1993) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; SOMETHING WILD (US, Jonathan Demme, 1986) ; STOP MAKING SENSE (US, Jonathan Demme, 1984) ; SWING SHIFT (US, Jonathan Demme, 1984) ; NEIL YOUNG: HEART OF GOLD (US, Jonathan Demme, 2006) ISBN: 9781604731187Donation: donated by Senses of Cinema, 2013Contents: Demme's Monde: A B-Movie Maker Makes the Grade / TOM ALLEN -- Demme Monde / CARLOS CLARENS -- Director Continues Small-Town Romance / JOANNA CONNORS -- Jonathan Demme: On the Line / MICHAEL SRAGOW -- Start Making Sense: An Interview with Jonathan Demme / MICHAEL DARE -- Could This Also Be the Start of Something Big? / HARRY HAUN -- Something Wilder / J. HOBERMAN -- Kael and Demme: Meeting of Two American Film Heavies / ROB NELSON -- Interview with Jonathan Demrne / MICHAEL HENRY AND HUBERT NIOGRET -- Identity Check / GAVIN SMITH -- Demme's Monde / AMY TAUBIN -- Still Burning -- Demme's Philadelphia Story / ANN KOLSON -- The Rolling Stone Interview: Jonathan Demme / ANTHONY DECURTIS -- The Guardian/ NFT Interview: Jonathan Demme / ADRIAN WOOTTON -- Breaking the Rules for Beloved / ERIC HARRISON -- A Conversation with Director Jonathan Demme / CHARLIE ROSE -- Young Director Tells a Veteran How He Did It / ROB SCHMIDT AND JONATHAN DEMME -- The Onion A.V. Club Interview: Jonathan Demme / SCOTT TOBIAS -- An Interview with Jonathan Demme / THEAGRONOMIST.COM -- Film-makers on Film: Jonathan Demme on Jared Hess's Napoleon Dynamite / SHEILA JOHNSTON -- Mind Control / DAVID THOMPSON -- Interview: Singer Neil Young and Director Jonathan Demme / TERRY GROSS
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journal article
Murder and mentorship : advancement in The Silence Of The Lambs in UTS Review (Aug 1995) vol.1 iss.1 p.30-49
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Perverse spectators : the practices of film reception / Janet Staiger New York: New York University Press, c2000.
Call No: 630.5 STAAuthor: Staiger, Janet Source: USPlace: New YorkPublisher: New York University PressPubDate: c2000PhysDes: vi, 242 p. ; 24 cmSubject: AUDIENCE RESEARCH ; AUDIENCE RECEPTION ; PERCEPTION ; AUDIENCES
THEORY ; AESTHETICS ; GENRES ; VIOLENCE IN FILMS ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) Summary: A book on film studies, with interpretation on films using different theories. The history of film is provided and the role media plays in culture and in the world today. Different topics in films are discussed with the descpition of various films that are applied to those certain topics.ISBN: 081478139X
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Philosophy goes to the movies : an introduction to philosophy / Christopher Falzon London: Routledge, 2002.
Call No: 626 FALAuthor: Falzon, Christopher Edition: third editionPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 330p. : illustrations ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; THEORY ; FOUCAULT, MICHEL ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; AGNES OF GOD (US, Norman Jewison, 1985) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; ALL OF ME (US, Carl Reiner, 1984) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; AMADEUS (US, Milos Forman, 1984) ; AMATEUR (US, Hal Hartley, 1994) ; ANGEL HEART (US, Alan Parker, 1987) ; ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996) ; BEDAZZLED (US, Stanely Donen, 1967) ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BEING THERE (US, Hal Ashby, 1979) ; BIG (US, Penny Marshall, 1988) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLAISE PASCAL (IT, Roberto Rossellini, 1972) ; BLUE VELVET (US, David Lynch, 1986) ; BOB ROBERTS (US, Tim Robbins, 1992) ; BRAZIL ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; CABARET (US, Bob Fosse, 1972) ; CASABLANCA (US, Michael Curtiz, 1942) ; CASPER (US, Brad Silberling, 1995) ; CHANCES ARE (US, Emile Ardolino, 1989) ; CHINATOWN (US, Roman Polanski, 1974) ; CINEMA PLUS ; CITIZEN KANE (US, Orson Welles, 1941) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; CRIMES OF PASSION (US, Ken Russell, 1984) ; CRUCIBLE, THE (US, Nicholas Hytner, 1996) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; DANGEROUS LIAISONS (US, Stephen Frears, 1988) ; DARK CITY (US, Alex Proyas, 1997) ; DARK STAR (US, John Carpenter, 1974) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DRACULA (US, Tod Browning, 1931) ; EASY RIDER (US, Dennis Hopper, 1969) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; ELEPHANT MAN, THE (US, David Lynch, 1980) ; ENEMY OF THE STATE (US, Tony Scott, 1998) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; FLY, THE (US, David Cronenberg, 1986) ; FORTRESS (AT/US, Stuart Gordon, 1993) ; FRANKENSTEIN (US, James Whale, 1931) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GATTACA (US, Andrew Niccol, 1997) ; GHOST (US, Jerry Zucker, 1990) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991) ; HIGH HOPES (UK, Mike Leigh, 1988) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HILARY AND JACKIE (UK, Anand Tucker, 1998) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; IF... (UK, Lindsay Anderson, 1968) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; INTERIORS (US, Woody Allen, 1978) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; KOYAANISQATSI (US, Godfrey Reggio, 1982) ; LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; LOVE AND DEATH (US, Woody Allen, 1975) ; M (G, Fritz Lang, 1931) ; MAD MAX (AT, George Miller, 1979) ; MALTESE FALCON, THE (US, John Huston, 1941) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MATEWAN (US, John Sayles, 1987) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; METROPOLIS (G, Fritz Lang, 1926) ; MISSION, THE (UK, Roland Joffe, 1986) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; MY FAIR LADY (US, George Cukor, 1964) ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; NORMA RAE (US, Martin Ritt, 1979) ; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992) ; ON THE BEACH (US, Stanley Kramer, 1959) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996) ; PLAYER, THE (US, Robert Altman, 1992) ; PLAYTIME (FR, Jacques Tati, 1967) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; QUIZ SHOW (US, Robert Redford, 1994) ; RAIN (US, Louis Milestone, 1932) ; RAIN MAN (US, Barry Levinson, 1988) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; ROBOCOP (US, Paul Verhoeven, 1987) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SEA OF LOVE (US, Harold Becker, 1989) ; SEVEN [SE7EN] (US, David Fincher, 1995) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SHOCKER (US, Wes Craven, 1989) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SLEEPER (US, Woody Allen, 1973) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982) ; STAR TREK ; STAR WARS (US, George Lucas, 1977) ; SUTURE (US, Scott McGehee & David Siegel, 1993) ; SWITCH (US, Blake Edwards, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; THREE FACES OF EVE (US, Nunnally Johnson, 1957) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; VICE VERSA (US, Brian Gilbert, 1988) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) ; WAG THE DOG (US, Barry Levinson, 1997) ; WALL STREET (US, Oliver Stone, 1987) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; WITTGENSTEIN (UK, Derek Jarman, 1993) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking.
Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films.
The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web siteNotes: Includes glossaryISBN: 9780415538169Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index
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The Silence of the lambs / Yvonne Tasker London: British Film Institute, 2002.
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SILENCE OF THE LAMBS, THE : (US, Jonathan Demme, 1991)
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book
Storytelling in the new Hollywood : understanding classical narrative technique / Kristin Thompson Cambridge, MA: Harvard University Press, 1999.
Call No: 632.2(73) THOAuthor: Thompson, Kristin, 1950 Place: Cambridge, MAPublisher: Harvard University PressPubDate: 1999PhysDes: 398 p. : ill. ; 23 cmSubject: NARRATIVE IN FILMS ; TOOTSIE (US, Sydney Pollack, 1982) ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; AMADEUS (US, Milos Forman, 1984) ; HUNT FOR RED OCTOBER, THE (US, John McTiernan, 1990) ; PARENTHOOD (US, Ron Howard, 1989) ; ALIEN (UK, Ridley Scott, 1979) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; FIELD, SYD ; JAWS (US, Steven Spielberg, 1975) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references and indexISBN: 0674839749 (cl. : alk. paper); 0674839757 (pbk. : alk. paper); 0674839757(pbk.) : ª15.50; 0674839749(cased) : ª30.95LON: 14524218
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Strong women London: BFI National Library, c2001.
Call No: REFERENCE SECTION; 036-02 STRAuthor: Clarke, Nicola ; Gordon, Stephen ; Johnston, Louise ; Khan, Ayesha ; Smart, Emma Source: UKPlace: LondonPublisher: BFI National LibraryPubDate: c2001PhysDes: 77 p ; 30 cmSeries: National Library 16+ guidesSubject: WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999) ; ALLY MCBEAL [TV] (US, 1997-) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993) ; BOUND (AT, Serhat Caradee, 2000) ; BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; CHARLIE'S ANGELS (US, McG, 2000) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; ELIZABETH (UK, Shekhar Kapur, 1998) ; ERIN BROKOVICH (US, Stephen Soderbergh, 2000) ; LARA CROFT: TOMB RAIDER (US, Simon West, 2001) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; NIKITA (FR/IT, Luc Besson, 1990) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; ROSEANNE [TV] (US, 1988- ) ; RUN LOLA RUN (G, Tom Tykwer, 1998) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; WAITING TO EXHALE (US, Forest Whitaker, 1995) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) ; X-FILES, THE [TV] (US, 1993-) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) Notes: This and other bfi National Library 16+ Guides available from http://www.bfi.org.uk/16+ID2: 150
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