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Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984); BUDGETING; ADVERTISING FOR FILMS
Summary: Report on the advertisment budget for 'A Passage To India'

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Article on the critical and commericla success of 'A Passage to India' in the U.S.

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Article on the making of 'A Passage to India'

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Article on the success of 'A Passage to India' with awards won and positive comments from critics

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Atricle on 'A Passage to India' being chosen to screen at the Royal Film Performance

Author: Florence, Bruno De
PhysDes: Article
Subject: INDIA SONG (FR, Marguerite Duras, 1975)
Summary: Ill

Subject: DAVIS, JUDY; PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Announcement of Judy Davis' Academy Award nomination for 'A Passage to India'

Call No: 408.1(540) ROB
Author: Roberge, Gaston
Source: II
Place: Calcutta
Publisher: Seagull Books
PubDate: 1985
PhysDes: 151p. : ill. ; 22cm
Subject: CRITICISM; HISTORY OF CINEMA. INDIA; INDUSTRY, FILM. INDIA; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; POLITICS AND THE CINEMA; SOCIETY AND THE CINEMA; BAZIN, ANDRE; EISENSTEIN, SERGEI M.; RAY, SATYAJIT; WELLES, ORSON; BRON, PETER; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GANDHI (UK/II, Richard Attenborough, 1982); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NAPOLEON (FR, Abel Gance, 1927)
Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurb
ISBN: 0861320751
Donation: donated by the family of Wayne Levy, 2006
Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index

Call No: 71(5) LEN
Author: Lent, John A., 1936-
Place: Bromley
Publisher: Christopher Helm
PubDate: 1990
PhysDes: x, 309 p., [8] p. of plates : ill. ; 23 cm
Subject: INDUSTRY, FILM. ASIAN COUNTRIES; CITY OF SADNESS, A [; JAPAN; TAIWAN; KOREA; PHILIPPINES; MALAYSIA; SINGAPORE; INDONESIA; THAILAND; BURMA; INDIA; PAKISTAN; BANGALADESH; SRI LANKA
Notes: Asia. Film industries (BNB/PRECIS); Includes index; Bibliography: p. 279-292
ISBN: 0747020000
LON: 6874060

Call No: 408.1(540) DES
Author: Desai, J.
Place: New York
Publisher: Routledge
PubDate: 2004
PhysDes: 280 p. ; ill. ; 23 cm
Subject: POLITICS AND THE CINEMA; INDIA; HOMOSEXUALITY IN FILMS
Summary: “Jigna Desai argues that the language of South Asian diasporic identity is the language of cinema. With its key role in South Asia, film has played a feature role in the formation of South Asian diasporic cultures and social formations and social formations such as gender, race, and sexuality. Beyond Bollywood explores the hybrid cinema of the “Brown Atlantic” through a close look at films in English from and about South Asian diasporas in the United States, Canada, and Britain.” (back cover)
Notes: Index: p.273-280; Filmography; Bibliography; Notes

Call No: 71(540) GAN
Author: Ganti, Tejaswini
Place: New York
Publisher: Routledge
PubDate: 2004
PhysDes: 254 p. ; ill. ; 20 cm
Subject: POPULAR CULTURE AND THE CINEMA.INDIA; INDIA; INDUSTRY, FILM. INDIA
Summary: "In 'Bollywood', anthropologist and film scholar Tejaswini Ganti provides a guide to the cultural, social and political significance of Hindii cinema, outlining the history and structure of the Bombay film industry, and the development of popular Hindi filmmaking since the 1930s. Providing information and commentary on the key players in Hollywood including composers, directors and stars, as well as material from current filmmakers themselves. " (back cover)
Notes: Index: p.242-254; Bibliography

Call No: 71(540) KAB
Author: Kabir, Nasreen Munni
Source: UK
Place: London
Publisher: Channel 4 Books
PubDate: 2001
PhysDes: 230 p., [8] p. of plates ; 24 cm
Subject: BOLLYWOOD; HEROS IN FILMS; HEROINES IN FILMS; MYTH AND THE CINEMA. INDIA; TELEVISION AND THE CINEMA; VILLAINS IN FILMS; AKHTAR, JAVED; ANAND, DEV; BACHCHAN, AMITABH; BHANSALI, SANJAY LEELA; BURMAN, S.D; DARSHAN, DHARMESH; DESAI, MANMOHAN; DIXIT, MADHURI; DUTT, GURU; JOHAR, KARAN; KAPOOR, RAJ; KHAN, MENBOOB; KHAN, SHAHRUKH; KUMAR, DILIP; ROY, BIMAL; SIPPY, RAMESH; AAN (II, Menboob, 1952); BHARAT MATA (II, Mehboob, 1957); PYASSA (II, Guru Dutt, 1957); RAMAYAMA (II, Ramanand Sagar, 1987-); RAJA HINDUSTANI (II, Dharmesh Darshan, 1996); SHOLAY (II, Ramesh Sippy, 1975)
ISBN: 075221943X

Call No: 71(540) BOL
Author: KIshore, Vikrant (ed.); Patra, Parichay (ed.); Sarwal, Amit (ed.)
Source: US/UK/AT
Place: Houndmills. Basingstoke, Hampshire ; New York
Publisher: Palgrave Macmillan
PubDate: 2014
PhysDes: xii, 229 pages ; 23 cm
Subject: INDIA; INDIA IN FILMS; BOLLYWOOD; INDIAN CINEMA; HISTORY OF CINEMA. INDIA; THEORY; DIASPORIC CINEMA; MUSIC AND THE CINEMA; MUSIC IN FILMS; SEX IN FILMS; HOMOSEXUALITY IN FILMS; HOMOSEXUALITY AND THE CINEMA; AESTHETICS; PHILOSOPHY AND THE CINEMA; SCIENCE-FICTION FILMS
Summary: "How do we define the globalized cinema and media cultures of Bollywood in an age when it has become part of the cultural diplomacy of an emerging superpower? Is it still an 'other' industry in a world dominated by American Cinemas? Bollywood and Its Other(s) aims to compensate for the lack of scholarly literature on Bollywood studies by opening up hitherto unexplored sites or sites that are in formation. One of the most comprehensive volumes on Bollywood so far, it focuses on the aesthetic-philosophical questions of the other, Indian diaspora's negotiations with national identity, alternative reading strategies/research methods, marginal genres (sci-fi, horror), marginal characters (flaneuse, vamps), marginal gender (non-normative sexualities), marginal cinema (Hindi avant-garde), marginal language (Hinglish), and marginal regions (the Kashmir valley). It intends to address film scholars, South Asian studies researchers, cinephiles and lay readers alike.- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9781137426499
Donation: Senses of Cinema
Contents: -- list of figures -- notes on contributors -- introduction: Vikrant Kishore, Amit Sarwal and Parichay Patra -- Section I Exploring the Other: Cinema, Aesthetics, Philosophy -- 1.Self, Other and Bollywood: The Evolution of the Hindi Film as a Site of Ambivalence / Dibyakusum Ray -- 2.Bombay Cinema's Aesthetic Other: Hindi Shastriya Cinema in Retrospect / Parichay Patra -- Section II Diaspora and the Formation of the Global Bollywood -- 3.Transgressing the Moral Universe: Bollywood and the Terrain of the Representable / Sarah A. Joshi -- 4.A Perfect Match: Entertainment and Excess of Cricket within the Diasporic Experience of Bollywood / Sanchari De and Manas Ghosh -- Section III The Musicality of Bollywood: Possibilities of Alternative Reading(s) -- 5.Hindi Popular Cinema and Its Peripheries: Of Female Singers, Performances and the Presence/Absence of Suraiya / Madhuja Mukherjee -- 6.'Dil Dance Maare Re': Bollywoodisation of the Indian Folk Dance Forms / Vikrant Kishore -- 7.The Systems Model of Creativity and Indian Film: A Study of Two Young Music Directors from Kerala, India / Phillip McIntyre, Bob Davis and Vikrant Kishore -- Section IV Bollywood's Other(s): Sexuality, B Movie, Queerness -- 8.Sugar and Spice: The Golden Age of the Hindi Movie Vamps, 1960s--1970s / Suneeti Rekhari -- 9.Popular Forms, Altering Normativities: Queer Buddies in Contemporary Mainstream Hindi Cinema / Aneeta Rajendran -- 10.Hinglish Cinema: The Confluence of East and West / Amit Sarwal -- 11.The Ramsay Chronicles: Non-normative Sexualities in Purana Mandir and Bandh Darwaza / Mithuraaj Dhusiya -- 12.Bollywood's Encounters with the Third Kind: A Critical Catalogue of Hindi Science Fiction Films / Sami Ahmad Khan -- Section V Bollywood's Other, India's Other -- 13.Death Becomes Her: Bombay Cinema, Nation and Kashmir: In Conversation with the Desire Machine Collective, Guwahati / Kaushik Bhaumik -- afterword: Anupam Sharma -- index --

Call No: 71(540) MIS
Author: Mishra, Vijay
Source: US
Place: New York
Publisher: Routledge
PubDate: 2002
PhysDes: xxiv, 296 p. : ill. ; 24 cm
Subject: INDIA; BACHCHAN, AMITABH
Notes: Includes bibliographical references and index
ISBN: 0415930154

Call No: 408.3 (540/94) BOL
Author: Hassam, Andrew (ed.); Paranjape, Makarand (ed.)
Source: AT
Place: Crawley, Western Australia
Publisher: University of Western Australia Publishing
PubDate: 2010
PhysDes: 192p. ; 24cm
Subject: AUSTRALIA; BOLLYWOOD; INDIA; INDIAN CINEMA; MULTICULTURALISM AND THE CINEMA. AUSTRALIA; SALAAM NAMASTE (II, Siddarth Anand, 2005); CHAK DE! INDIA (II, Shimit Amin, 2007)
Summary: "The past decade has witnessed a steady increase in Australia’s awareness of India as a strategic and economic partner. Bollywood plays an important role in the increased dialogue between Australia and India. Bollywood in Australia: Transnationalism and Cultural Production brings together scholars from India and Australia to explore the transnational impact of Bollywood on public spheres in Australia and to assess its contribution to Australian creative industries. Countries of the West—Switzerland, the USA, Canada, Australia, New Zealand—have gone out of their way to welcome Bollywood production teams, and Singapore and Bangkok are now using Bollywood to showcase an Asian modernity. In an age when creative, information and services industries propel economic growth, Bollywood and its modalities of production, distribution and reception are seen as important players in global culture-industry networks." --University of Western Australia webpage http://uwap.uwa.edu.au/books-and-authors/book/bollywood-in-australia-ebook/
ISBN: 9781921401084
Contents: -- Bollywood in Australia: introduction Andrew Hassam and Makarand Paranjape -- 1: the crossover audience: mediated multiculturalism and the Indian film Adrian Mabbott Athique -- 2: cultural encounters: the use and abuse of Bollywood in Australia Devika Goonewardene -- 3: Salaam Namaste, Melbourne and cosmopolitanism Andrew Hassam -- 4: Chak De! Australia: Bollywood down under Makarand Paranjape -- 5: Cook Cook Hota Hai: Indian cinema, kitchen culture and diaspora Srilata Ravi -- 6: Rangla Punjab in Canberra, Yamla Jatt folk night in Sydney, Oorja nights in Melbourne Anjali Gera Roy -- 7: orbits of desire: Bollywood as creative industry in Australia Debjani Ganguly -- 8: sweet dreams are made of this: Bollywood and Transnational South Asians in Australia Devleena Ghosh -- 9: Interview AK Tareen, senior trade commisioner - india, government of South Australia, 27 February 2008 -- filmography -- image credits -- notes on contributors --

Call No: 71(540/41) KRA
Author: Kramer, Lucia
Source: US/UK
Place: New York
Publisher: Bloomsbury Academic, an imprint of Bloomsburg Publishing
PubDate: 2016
PhysDes: viii, 286 pages ; 24cm
Subject: BOLLYWOOD; HISTORY OF CINEMA. UK; HISTORY OF CINEMA. INDIA; ADAPTATIONS; CRITICISM; THEORY; CULTURE AND THE CINEMA; CULTURE AND THE CINEMA. UK; CULTURE AND THE CINEMA. INDIA; TRANSNATIONAL CINEMA
Summary: "Bollywood in Britain provides the most extensive survey to date of the various manifestations and facets of the Bollywood phenomenon in Britain. Kramer analyzes the role of Hindi films in the British film market, showing how audiences engage with Bollywood cinema and discussing the ways the image of Bollywood in Britain has been shaped. In contrast to most of the existing books on the subject, which tend to approach Bollywood as something that is made by Asians for Asians, the book also focuses on how Bollywood has been adapted for non-Asian Britons. An analysis of Bollywood as an unofficial brand is combined with in-depth readings of texts including film reviews, the TV show Bollywood Star (2004) and novels and plays with references to the Hindi film industry. On this basis Bollywood in Britain demonstrates that the presentation of Bollywood for British mainstream culture oscillates between moments of approximation and distancing, with a clear dominance of the latter. Despite its alleged transculturality, Bollywood in Britain thus emerges as a phenomenon of difference, distance and Othering"-- BACK COVER BLURB
Notes: Includes bibliographical references and index
ISBN: 9781501307614
Donation: Senses of Cinema
Contents: -- acknowledgments -- 1: Introduction -- 2: What is 'Bollywood'? -- 3: Popular Indian Cinema in Britain - Facts and Figures -- 4: Britain and Indian Diaspora Films - Questions of Nostalgia -- 5: Beyond Films - The Development of the Bollywood Brand -- 6: the (trans)difference of Bollywood : British asians through the lens of 'Bollywood Star' -- 7: representations of the Hindi film industry in British first-hand reports -- 8: the changing image of Bollywood in British film reviews -- 9: Bollywood Adaptations -- 10: Conclusion -- notes -- Filmography -- Bibliography -- Index --

Call No: 79BOM
Author: Gopalan Lalitha
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 94 p. ; 19 cm
Series: BFI Modern Classics
Subject: INDIA; BOMBAY (II, Mani Ratnam, 1995)
Summary: In January 1993 sectarian rioting left 2000 Hindus and Muslims dead in Bombay. Only two years later Mani Ratnam's audacious Tamil film Bombay (1995) used these events as a backdrop to a love story between a Hindu boy and a Muslim girl. Bombay was condemned by Muslim critics for misrepresentation and it was embroiled in censorship controversies. These served only to heighten interest and the film ran to packed houses in India and abroad. Lalitha Gopalan shows how Bombay struggles ot find a narrative that can reconcile differences. She looks in detail at the way official censors tried to change the film under the influence of powerful figures in both the Muslim and the Hindu communities. In going on to analyse the aesthetics of Bombay, she shows how themes of social and gender difference are rendedred through performance, choreography, song and cinematography. This is a fascinating account of a landmark in recent Indian cinema. [Taken from back cover]
ISBN: 0851709567

Call No: 71(547.1) MAZ
Author: Mazumdar, Ranjani
Source: US
Place: Minneapolis, Minn
Publisher: University of Minnesota Press
PubDate: 2007
PhysDes: xxxvii, 257 p. : ill. ; 24 cm
Subject: INDIAN CINEMA; INDIA
Summary: "Cinema is not only a major industry in India, it is a powerful cultural force. But until now, no one has undertaken a major examination of the ways in which films made in Bombay mediate the urban experience in India. In this analysis of the cinematic city, Ranjani Mazumdar reveals a complex postnationalist world, convulsed by the social crisis of the 1970s and transformed by the experience of globalization in the 1990s. Bombay Cinema leads the reader into the heart or the urban labyrinth in India, revising and deepening our understanding of both the city and cinema" - BLURB
Notes: Formerly CIP. Includes bibliographical references (p.231-244) and index
ISBN: 9780816649426
Contents: Introduction : urban allegories -- 1. Rage on screen -- 2. The rebellious Tapori -- 3. Desiring women -- 4. The panoramic interior -- 5. Gangland Bombay -- Conclusion : after life

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984); BOX OFFICE
Summary: Article on the international success of 'A Passage to India'

Call No: 67(44) CAH
Source: UK/US
Place: London; New York
Publisher: Routledge, British Film Institute
PubDate: 2000
PhysDes: xi, 323 p. ; 24 cm
Series: Cahiers du Cinema selections
Subject: CULTURE AND THE CINEMA; POLITICS AND THE CINEMA; IDEOLOGY AND THE CINEMA; HISTORY AND THE CINEMA; THEORY; CRITICISM; CAHIERS DU CINEMA; ALAOUIE, BORHAN; ALLIO, RENE; DOUGLAS, JOHN; FERRO, MARC; GODARD, JEAN-LUC; HUILLET, DANIELE; A TOUT ALLURE (FR, Robert Kramer, 1982); LITTIN, MIGUEL; DUPONT LAJOIE (FR/IT, Yves Boisset, 1975); DERSU UZALA (UR/JA, Akira Kurosawa, 1975); INDIA SONG (FR, Marguerite Duras, 1975); KING KONG (US, John Guillermin, 1976); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); KAFR KASSEM (LE/SY, Borhan Alaouié, 1973); MILESTONES (US, Robert Kramer & John Douglas, 1975); MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975); NUMERO DEUX (FR, Jean-Luc Godard, 1975); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974); STAR WARS (US, George Lucas, 1977); SIX FOIS DEUX (FR, Jean-Luc Godard, 1976); TIERRA PROMETIDA, LA (CL, Miguel Littin, 1973); XALA (SG, Ousmane Sembene, 1974)
Summary: This volume covers the vibrant and turbulent period from 1973 to 1978, in which the issues of theory, history and politics dominated critical debate. The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and Therese Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre Padrone and Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensible contribution to debates in film and cultural politics. [Taken from back cover.]
ISBN: 0415029880
Contents: Introduction - Cahiers Du Cinema 1972-1978 - Berenice Reynaud -- Part I - Interventions and Cultural Politics -- Editorial - Cahiers Today - Cahiers du Cinema -- The Critical Function - Serge Daney -- A particular trend in French Cinema - Serge Daney, pascal Kane, Jean-Pierre Oudart, Serge Toubiana -- Round table on Chris Marker's Le Found de l'air est rouge - Jean-Paul Fargier, Therese Giraud, Sege Le Peron, Jean Narboni, Serge Daney -- Part II - Perspectives -- A matter of chance - Serge Toubiana -- Return of the same - Therese Giraud -- Theorize/terrorize - Godardian pedagogy -- On Sur et sous la communication: three questions on Six fois deux - Gilles Deleuze -- Family, history, romance - Louis Seguin -- Round table: Milestones and us - Pascal Bonitzer, Dominique Villain, Serge Daney, Jean Narboni, Serge Le Peron, Therese Giraud, Serge Toubiana -- The Aquarium (Milestones) - Serge Daney -- Part III - Theory and History -- Anti-retro - Michel Foucault in interview with Pascal Bonitzer and Serge Toubiana -- I, Pierre Riviere, having slaughtered my mother, my sister and my brother...by Rene Allio - Jean Jourdheuil, Serge Toubiana, Pascal Bonitzer, Rene Allio, Pascal Kane, Michel Foucault -- Defamations (fragments). Pretext: Karl May by H.-J. Syberberg - Jean-Pierre Oudart -- Cinema and history - Marc Ferro in interview with Serge Daney and Ignacio Ramonet -- Deframings - Pascal Bonitzer -- Cold Sex (on pornography and beyond) - Yann Lardeau -- Part IV - Third Cinema -- Our Cinema - Sidney Sokhona -- Interview with Abdelaziz Tolbi - Therese Giraud, Mohand Ben Salama -- The promised land - Serge Toubiana, Pascal Bonitzer -- The feminine eye of the Town (El Chergui) - Abdelwahab Meddeb -- Blood into sign - Jean Narboni -- Xala - Daniele Dubroux -- Part V - Reviews -- On Avanti - Pascale Kane -- An India and its other (India Song) - Pascal Bonitzer -- An uncanny familiarity (Jeanne Dielman) - Daniele Dubroux -- The sign and the ape (King Kong) - Serge Toubiana -- One more bear (Dersu Uzala) - Serge Daney -- Curdled milk (Padre padrone) - Daniele Dubroux -- America without fear or favour (Star Wars) - Serge Le Peron -- Francois Truffaut La Chambre verte - Pascal Bonitzer -- An active fear (The Passion of Joan of Arc) - Jean-Pierre Oudart -- Appendix: Cahiers du Cinema in the 1950s, the 1960s and the early 1970s

Call No: 440.2(540) MEH
Author: Mehta, Monika
Edition: 1st
Source: US
Place: Austin, TX
Publisher: University of Texas
PubDate: 2011
PhysDes: xi, 304 p. : ill. ; 24 cm
Subject: SEXUALITY AND THE CINEMA; CENSORSHIP. INDIA; BOLLYWOOD; WOMEN IN FILMS. INDIA; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); GUPT GYAN (II, B. K. Adarsh, 1974); KHAL NAYAK (II, Subhash Ghai, 1993)
Summary: "India produces an impressive number of films each year in a variety of languages. Here, Monika Mehta breaks new ground by analyzing Hindi films and exploring the censorship of gender and heterosexuality in Bombay cinema. She studies how film censorship on various levels makes the female body and female sexuality pivotal in constructing national identity, not just through the films themselves but also through the heated debates that occur in newspapers and other periodicals. The standard claim is that the state dictates censorship and various prohibitions, but Mehta explores how relationships among the state, the film industry, and the public illuminates censorships' role in identity formation, while also examining how desire, profits, and corruption are generated through the act of censoring. Committed to extending a feminist critique of mass culture in the global south, Mehta situates the story of censorship in a broad social context and traces the intriguing ways in which the heated debates on sexuality in Bombay cinema actually produce the very forms of sexuality they claim to regulate. She imagines afresh the theoretical field of censorship by combining textual analysis, archival research, and qualitative fieldwork (personal interviews and direct observation of censorship committees). By employing this interdisciplinary methodology and mobilizing Michel Foucault's insights on micropractices, Mehta places concerns of representation, film production, film reception, and state interventions in a productive dialogue. Her analysis reveals how central concepts of film studies, such as stardom, spectacle, genre, and sound, are employed and (re)configured within the ambit of state censorship, thereby expanding the scope of their application and impact." -- BOOK BLURB
Notes: Based on the author's thesis (doctoral)--University of Minnesota, 2001 -- Includes bibliographical references and index.
ISBN: 9780292726925
Donation: donated by Senses of Cinema, 2013
Contents: Beginning -- Revisiting the history of film censorship -- Close-up: the Central Board of Film Certification -- The first sex-education film: a classification conundrum -- Satyam shivam sundaram: (im)proper suturing of sound, scar, and stardom -- An anomalous dilemma: to ban or to certify the self-sacrificial wife in Pati parmeshwar -- Tracking the twists and turns in the Khalnayak -- Debates on censorship -- Dilwale dulhania le jayenge: certifying a "family love" story -- From censorship to selections

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CENSORSHIP. INDIA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHAK DE! INDIA (II, Shimit Amin, 2007)

Call No: 408.1(5) CIN
Author: Dissanayake, Wimal
CorpAuthor: Institute of Culture and Communication (East-West Center)
Place: Lanham, MD
Publisher: University Press of America
PubDate: 1988
PhysDes: vii, 214 p. ; 24 cm
Subject: INDUSTRY, FILM. ASIAN COUNTRIES; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. JAPAN; INDUSTRY, FILM. INDIA; WOMEN IN FILMS; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; GENRES; SAMURAI FILMS; RAY, SATYAJIT
Notes: "Co-published by arrangement with the East-West Center, Institute of Culture and Communication"--T.p. verso; Includes bibliographies and index
ISBN: 0819169455 (alk. paper); 0819169463 (pbk.)
LON: 5986435
Contents: PART I. JAPAN -- 1. Viewing Japanese film: some considerations / Donald Richie -- 2. The destiny of Samurai films / Michitaro Tada -- 3. The multilayered nature of the tradition of acting in Japanese cinema / Tadao Sato -- 4. Japanese film genres / Audie Bock -- 5. Change in the image of mother in Japanese cinema and television / Tadao Sato -- PART 2. INDIA -- 6. Innovation and imitation in the Indian cinema / Mira Reym Binford -- 7. Art, vision, and culture: Satiyajit Ray's Apu trilogy revisited / Wimal Dissanayake -- 8. The woman: myth and reality in Indian cinema / Aruna Vasudev -- 9. The painted face of politics: the actor politicians of South India / Chidananda Das Gupta -- 10. Songs in Hindi films: nature and function / Teri Skillman -- PART 3. CHINA -- 11. The Chinese film in the 1980s: art and industry / Ma Qiang -- 12. The sinification of cinema: the foreignness of film in China / Paul Clark -- 13. The position of women in new Chinese cinema / Tony Rayns -- 14. Chinese films amidst the tide of reform / Shao Mujun

Call No: 408.1 CIN
Author: Hjort, Mette; MacKenzie, Scott, 1967
Place: London New York
Publisher: Routledge
PubDate: 2000
PhysDes: xvi, 332 p., ill., 25 cm
Subject: NATIONAL IDENTITY AND THE CINEMA; COPRODUCTION. EUROPEAN COUNTRIES; UNITED KINGDOM : SCOTLAND; INDONESIA; POLAND; TURKEY; INDIA; GERMANY; STATE AND THE CINEMA; CAPRA, FRANK
Summary: Leading film scholars, philosophers and sociologists consider the ways in which film production and reception are shaped by ideas of national identity and belonging. The contributors discuss a wide range of cinemas, in Europe, Asia and the Americas, exploring the relationship between nation states for both the concept and the reality of national cinema. In the book’s first three sections, contributors explore sociological approaches to national identity, challenge established ideas about ‘national cinema’, and consider the ways in which national states – from the former Soviet Union to Contemporary Scotland – use cinema in their efforts to create a national cinema, and consider how images of the nation are understood by audiences both at home and abroad. Taken from back cover.
Notes: Includes bibliographical references and index
ISBN: 0415208629 (alk. paper); 0415208637 (pbk. : alk. paper); 0415208629; 0415208637(pbk.) : ¦14.99; 0415208629(cased) : No price; 0415208637(pbk.) : No price
LON: 21459338

Call No: 411.11 CIN
Author: Dennison, Stephanie; Dwyer, Rachel
Edition: 2021
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2021
PhysDes: xiv,242 pages : illustrated ; 25 cm
Subject: MASHA AND THE BEAR [TV] (RU, 2007-); ANIMATED FILMS; BRAZIL; RUSSIA; INDIA; CITY OF SADNESS, A [; SOUTH AFRICA; BRICS COUNTRIES; SCIENCE FICTION DRAMAS; BOLLYWOOD; VIKING (RU, Andrey Kravchuk, 2016); SKYFALL (UK/US, Sam Mendes, 2012)
Summary: The apparent shift in power relations between the developed and developing world, along with the increasing emphasis that national and transnational organisations place on the role of ‘soft power’ in global foreign policy, has profound implications for global film culture. Focusing primarily on the BRICS countries (Brazil, Russia, India, China and South Africa), this innovative collection examines the diverse and often competing ways the group as a whole engages with film as a medium of artistic expression, and as a ‘soft power’ resource. The contributors explore the wider implications for world cinema of its members’ differing and dynamic positions in the global media landscape, and the book includes a comparative analysis by examining the post-imperial soft power of the UK at the time of Brexit. -- publisher's web site
ISBN: 9781474456272
Contents: Preface -- Introduction: Film as Soft Power / Stephanie Dennison -- 1. Soft Power and Cinema: A Methodological Reflection and Some Chinese Inflections / Song Hwee Lim -- 2. Building BRICS: soft power and audio-visual relations in transnational context / Stephanie Dennison -- 3. The Global Animation Market: Opportunities for Developing Countries / Alessandra Meleiro -- 4. (Masha and) the Bear Diplomacy: Russian Soft Power and Non-Governmental Agency / Vlad Strukov -- 5. The Limits of Hollywood as an Instrument of Chinese Public Diplomacy and Soft Power / Chris Homewood -- 6. The Second World War, Soviet Sports, and Furious Space Walks: Soft Power and Nation Branding in the Putin 2.0 Era / Stephen M. Norris -- 7. Popular Geopolitics, Soft Power and Strategic Narratives in Viking (2016) and Guardians (2017) / Robert A. Saunders -- 8. Challenging Imagined Communities: ‘Reversing the Gaze’ of Soft Power and Community Film Culture: the Case of South Africa / Paul Cooke -- 9. New Myths for an Old Nation: Bollywood, Soft Power and Hindu Nationalism / Rachel Dwyer -- 10. Soft Power and National Cinema: James Bond, Great Britain and Brexit / Andrew Higson -- Notes on Contributors

Call No: 71(540) CIN
Author: Passek, Jean Loup; Bassan, Raphael
CorpAuthor: Centre Georges Pompidou
Place: Paris
Publisher: L'Equerre Centre Georges Pompidou
PubDate: c1983
PhysDes: 228 p. : ill. ; 24 cm
Series: Cinema/pluriel
Subject: INDIA; DIRECTORS. INDIA
Notes: "Livre ... concu a l'occasion de la retrospective consacree au cinema indien au Centre Pompidou du 26 mars au 21 juin 1983"--T.p. verso; Includes index; Bibliography: p. 219
ISBN: 2864250373 : 159F
Language: French
LON: 3068080

Call No: 71(540) GOP
Author: Gopalan, Lalitha
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2002
PhysDes: vi, 218 p. : illus. ; 24 cm
Subject: ACTION FILMS; INDIA
Notes: Includes bibliography and index.
ISBN: 0851709222

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CINEMAS. INDIA

Call No: 408.1(54) KAA
Author: Kaarsholm, Preben
Edition: rev. and updated
Source: UK
Place: Oxford
Publisher: Seagull Books
PubDate: 2007
PhysDes: ix, 274p. :24cm
Subject: INDUSTRY, FILM. INDIA; BOLLYWOOD; SOCIETY AND THE CINEMA. INDIA
Summary: "The relationship between cinema and modernity in the Indian context is both complex and multifaceted. In this volume, some of the leading names in film and cultural studies explore its many dimensions. The essays range from discussions of urbanity and film language to realism and the Indian city in Bengali film of the 1940s; from the cultural resonances of popular Hindi film songs and the idea of the "city" to realism and fantasy in cinematic representations of metropolitan Indian life; from cinematic aspects of Salman Rushdie's Midnight's Children to genre, narrative form and film style in contemporary Indian urban action films; from the complexities of female spectatorship to an analysis of the current primacy of Bollywood; and finally, to the cultural impact and influence of Indian cinema on audiences outside India." [taken from cover]
ISBN: 1905422369
Language: English
Contents: Introduction Unreal City: Cinematic Representation, Globalization and the Ambiguities of Metropolitan Life / Preben Kaarsholm 1 -- Urban Legends: Notes on a Theme in Early Film Theory / Peter Larsen 26 -- The City and the Real: Chhinnamul and the Left Cultural Movement in the 1940s / Moinak Biswas 40 -- Reading a Song of the City-Images of the City in Literature and Films / Sudipta Kaviraj 60 -- Realism and Fantasy in Representations of Metropolitan Life in Indian Cinema / M. Madhava Prasad 82 -- A Close-Up on Salman Rushdie's Midnight's Children / Martin Zerlang 99 -- The 'Bollywoodization' of the Indian Cinema: Cultural Nationalism in a Global Arena / Ashish Rajadhyaksha 111 -- Chalo Jahaji: Bollywood in the Tracks of Indenture to Globalization / Manas Ray 138 -- Colonialism and the Built Space of Cinema in Nigeria / Brian Larkin 180 -- The Politics of Urban Segregation and Indian Cinema in Durban / Vashna Jagarnath 207 -- The Exhilaration of Dread: Genre, Narrative Form and Film Style in Contemporary Urban Action Films / Ravi S. Vasudevan 219 -- Vigilantism and the Pleasures of Masquerade: The Female Spectator of Vijayasanthi Films / Tejaswini Niranjana 233

Call No: 408.1(5) COL
Author: Dissanayake, Wimal
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1994
PhysDes: xxix, 224 p. ; 25 cm
Subject: IMPERIALISM AND THE CINEMA. ASIAN COUNTRIES; NATIONAL IDENTITY IN FILMS. ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; JAPAN; CITY OF SADNESS, A [; TAIWAN; KOREA; THAILAND; INDONESIA; INDIA; SRI LANKA; VIETNAM; INDUSTRY, FILM. AUSTRALIA; HONG GAOLIANG (CC, Zhang Yimou, 1988); SHATRANJ KE KHILARI (II, Satyajit Ray, 1977)
Notes: Includes bibliographical references and index
ISBN: 0253208955 (pbk. : alk. paper); 0253318041 (alk. paper)
LON: 10720440
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Call No: 408.1(5) COL
Author: Dissanayake, Wimal
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1994
PhysDes: xxix, 224 p. ; 25 cm
Subject: IMPERIALISM AND THE CINEMA. ASIAN COUNTRIES; NATIONAL IDENTITY IN FILMS. ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; JAPAN; CITY OF SADNESS, A [; TAIWAN; KOREA; THAILAND; INDONESIA; INDIA; SRI LANKA; VIETNAM; INDUSTRY, FILM. AUSTRALIA; HONG GAOLIANG (CC, Zhang Yimou, 1988); SHATRANJ KE KHILARI (II, Satyajit Ray, 1977)
Notes: Includes bibliographical references and index
ISBN: 0253208955 (pbk. : alk. paper); 0253318041 (alk. paper)
LON: 10720440
URL status: URL: 'http://-' Checked: 31/08/2021 1:09:25 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 00(082) COM
CorpAuthor: School of Media and Communication
Place: Melbourne
Publisher: School of Media and Communications, RMIT University
PubDate: 2019
PhysDes: v, 241 pages, illustrations (some colour), 24cm.
Subject: SCORSESE, MARTIN; GULPILIL, DAVID; GODZILLA IN FILMS; VIDEO ART; TELEVISION. INDIA
Contents: Introduction: by Lisa French -- Drone panic! On representations of the personal drone by Australian mainstream media: by David Beesley -- Creative vocations and cultural value: by Scott Brook -- Making up: Ten scenes from a Bangkok hotel: by David Carlin -- Unbidden: Settler poetry in the presence of Indigenous sovereignty: by Bonny Cassidy -- Belonging in education: Lessons from the Belonging project: by Bronwyn Clarke, Rachel Wilson, Lucy Morieson, David Carlin and Karli Lukas -- Mojo-MDA: The rise and fall of an Australian advertising nightmare: by Robert Crawford -- Into the canyon: by Sophie Cunningham -- It felt like a kiss: Movies, popular music and Martin Scorsese: by Adrian Danks -- Swanston Street Instagram project: by Gordon Farrer -- David Gulpilil, Aboriginal humour and Australian cinema: by Lisa French -- Boy scouts in the Phillipines: by Robin Hemley -- The art of play: Ethnography and playful interventions with young people: by Larissa Hjorth, William Ealnford, Sharon Greenfield, Lucas Gaspard, Amani Naseem and Tom Penney -- Citizen Godzilla: globalisation, popular culture and the taming of the monster: by Chris Hudson -- Mobile videography: by Seth Keen -- TastyBeats: celebrating heart rate data with a drinkable spectacle: by Rohit Ashok Khot, Jeewon Lee, Larissa Hjorth and Florian 'Floyd' Mueller -- The parallaxis: a game of walking between worlds: by Jess Kilby -- Crowdsourcing, jamming and remixing: a qualitative study of contemporary music production practices in the cloud: by Martin K. Koszolko -- Spirited publics? Postsecularism, enchantment and enterprise on Indian television: by Tania Lewis -- Henry lives! Learning from Lawson fandom: by Brigid Magnar -- Pool: by Rose Michael -- I'm sorry, I don't have a story: a fragmentary essay involving interactive documentary, Bristol and hypertext: by Adrian Miles -- Littanies for the forgetful: by Peta Murray -- Sub rosa: by Francesa Rendle-Short -- Remembering a community's loss and celebrating its enduring spirity: by Toni Roberts -- Images of the world and the inscription of war: by Allan James Thomas -- Mayor statement: by Jenny Weight -- Diversity in the Australian Media: production, content and representation: by Fabianna Weiner, Grace Hardy, Daina Anderson and Yan Ng -- Faune et jeux: by Jessica Wilkinson -- Research overview

Call No: 71(5) CON
Source: UK
Place: Oxford
Publisher: Berg
PubDate: 2006
PhysDes: vi, 250 p. ; 24 cm
Series: Asian Cinema
Subject: ASIAN COUNTRIES; INDONESIA; MALAYSIA; SINGAPORE; VIETNAM; THAILAND; PHILIPPINES; INDIA; SRI LANKA; BANGALADESH; KOREA; CITY OF SADNESS, A [; TAIWAN; JAPAN
Summary: This book presents the most authoritative assessment of contemporary Asian cinema available. Each chapter describes the cultural aspects of popular film production, analyzing key films in the context of the national, the regional and the global. Topics covered include: film theory and Asian cinema, popular film genres, major industry figures, the "art film", connections between the state and commercial interests, cultural policies, representations of national identity, trends in international co-production, and more.
ISBN: 1845202376
ISSN: 17448719
Contents: -- Introduction to popular Asian cinema, with acknowledgements / Anne T. Ciecko; -- 1 Theorizing Asian cinema(s) / Anne T. Ciecko -- 2 Philippines : cinema and its hybridity / Jose B. Capino -- 3 Vietnam : chronicles of old and new / Panivong Norindr -- 4 Thailand : revival in an age of globalization / Anchalee Chaiworaporn and Adam Knee -- 5 Singapore : developments, challenges, and projections / Jan Uhde and Yvonne Ng Uhde -- 6 Malaysia : melodramatic drive, rural discord, urban heartaches / William van der Heide -- 7 Indonesia : screening a nation in the post-new order / Krishna Sen -- 8 Sri Lanka : art, commerce, and cultural modernity / Wimal Dissanayake -- 9 Bangladesh : native resistance and nationalist discourse / Zakir Hossain Raju -- 10 India : Bollywood's global coming of age / Jyotika Virdi and Corey K. Creekmur -- 11 Mainland China : public square to shopping mall and the new entertainment film / Augusta Lee Palmer -- 12 Taiwan : popular cinema's disappearing act / Emilie Yueh-yu Yeh -- 13 Hong Kong : cinematic cycles of grief and glory / Anne T. Ciecko -- 14 South Korea : film on the global stage / Hyangjin Lee -- 15 Japan : cause for (cautious) optimism / Darrell William Davis.

Call No: 201.1 (73) CON
Author: McDonald, Paul; Wasko, Janet
Source: US
Place: Malden, Massachusetts; Oxford, UK; Carlton, Victoria
Publisher: Blackwell Publishing
PubDate: 2008
PhysDes: 326 p. : ill. ; 25 cm
Subject: INDUSTRY, FILM; STUDIO SYSTEM; FINANCING; DISTRIBUTION; PRODUCTION; ADVERTISING FOR FILMS; EXHIBITION; TELEVISION AND THE CINEMA; VIDEODISCS; SOUNDTRACKS; MUSIC AND THE CINEMA; LABOUR; STATE AND THE CINEMA; GLOBALISATION; COPYRIGHT; EXPORT OF FILMS; UNITED KINGDOM; FRANCE; GERMANY; ITALY; LATIN AMERICAN COUNTRIES; ASIAN COUNTRIES; INDIA; AUSTRALIA; NEW ZEALAND; VIDEO GAMES AND THE CINEMA
Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades. "'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)
Notes: Includes index
ISBN: 9781405133883
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Call No: 217 ELM
Author: Elmer, Greg; Gasher, Mike
Source: US
Place: Lanham, MD
Publisher: Rowman & Littlefield Pub
PubDate: 2005
PhysDes: 189 p. ; 23 cm
Subject: LOCATION SHOOTING. AUSTRALIA; LOCATION SHOOTING. CANADA; INDIA; INDUSTRY, FILM. USA; SERIALS; STUDIOS, FILM; LEE, ANG; NIGHT HEAT [TV] (US, 1994)
Summary: The practice of producing American films on foreign shores is examined within this book. The contributing authors explain this phenomenon from historical, political, economic, and cultural perspectives, using case studies; challenges to contemporary screen, media, and globalization theories; and analyses of changing government politics toward cultural industries [taken from back cover]
ISBN: 0742536955
Contents: Introduction : catching up to runaway productions / Greg Elmer and Mike Gasher -- 1. Divide and conquer : regional competition in a concentrated media industry / Susan Christopherson -- 2. The policy environment of the contemporary film studio / Ben Goldsmith and Tom O'Regan -- 3. Offshore pot o'gold : the political economy of the Australian film industry / Marcus Breen -- 4. Hollywood's effects, Bollywood's FX / Nitin Govil -- 5. Projecting placelessness : industrial television and the "authentic" Canadian city / Sarah Matheson -- 6. The ice storm : Ang Lee, cosmopolitanism, and the global audience / Stephanie Hemelryk Donald -- 7. World-class budgets and big-name casts : the miniseries and international coproductions / Barbara Selznick

Call No: 81LEA SIL
Author: Silver, Alain; Ursini, James; Wise, Robert (foreword)
Edition: 1st Silman-James Press edition 1992
Source: US
Place: Los Angeles
Publisher: Silman-James Press
PubDate: 1992
PhysDes: 294 p. : ill. ; 23 cm
Subject: Lean, David; IN WHICH WE SERVE (UK, David Lean and Noel Coward, 1942); THIS HAPPY BREED (UK, David Lean, 1944); BLITHE SPIRIT (UK, David Lean, 1945); BRIEF ENCOUNTER (UK, David Lean, 1945); GREAT EXPECTATIONS (UK, David Lean, 1946); OLIVER TWIST (UK, David Lean, 1948); MADELEINE (UK, David Lean, 1950); BREAKING THE SOUND BARRIER (UK, David Lean, 1952); SOUND BARRIER, THE (UK, David Lean, 1952); HOBSON'S CHOICE (UK, David Lean, 1954); PASSIONATE FRIENDS, THE (UK, David Lean, 1949); SUMMER MADNESS (UK/US, David Lean, 1955); SUMMERTIME (UK/US, David Lean, 1955); BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957); LAWRENCE OF ARABIA (UK, David Lean, 1962); [DOCTOR] DR ZHIVAGO (US, David Lean, 1965); RYAN'S DAUGHTER (UK, David Lean, 1970); PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: "Updated and extensively revised, this first American edition of David Lean and His Films offers the reader an in-depth analysis, discussion, and critique of Lean's directorial output. In their film-by-film accounting of his work, authors Silver and Ursini uncover the themes and concerns that have been sustained throughout Lean's career." -- BOOK BLURB
Notes: Includes bibliographical references (p. [275]-285) and index; Filmography: p. [241]-266
ISBN: 1879505002
Contents: -- acknowledgements -- foreword -- introduction -- 1: the early films: in which we serve (1942); this happy breed (1944); blithe spirit (1945) -- 2: brief encounter (1945) -- 3: the Dickens adaptations: great expectations (1946) and oliver twist (1948) -- 4: madeleine (1950) -- 5: the sound barrier (1952) -- 6: hobson's choice (1954) -- 7: the passionate friends (1949) and summer madness (1955) -- 8: the bridge on the river kwai (1957) -- 9: lawrence of arabia (1962) -- 10: doctor zhivago (1965) -- 11: ryan's daughter (1970) -- 12: a passage to india (1984) -- a personal afterword -- biography -- filmography -- footnotes -- selected bibliography -- index --

Call No: 79DIL CHO
Author: Chopra, Anupama
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2002
PhysDes: 95 p. : ill. ; 19 cm
Series: BFI MODERN CLASSICS
Subject: DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); INDIA
Notes: Includes credits list (pp. 94-95)
ISBN: 0851709575

Call No: 81LEA SAN
Author: Santas, Constantine
Source: UK
Place: Lanham, MD
Publisher: Scarecrow Press
PubDate: 2012
PhysDes: xli, 197 p. : ill. ; 24 cm
Subject: Lean, David; BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957); LAWRENCE OF ARABIA (UK, David Lean, 1962); [DOCTOR] DR ZHIVAGO (US, David Lean, 1965); RYAN'S DAUGHTER (UK, David Lean, 1970); PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: "Widely regarded as one of cinema's most accomplished directors, David Lean helmed such classics as Brief Encounter, Great Expectations, and Oliver Twist. He twice received the Academy Award for best director, and two of his films - The Bridge on the River Kwai and Lawrence of Arabia - won the Oscar for best picture. Both are featured on the American Film Institute's Top 100, with Lawrence of Arabia in the top ten. Despite the awards and accolades for these motion pictures, many critics often look more favorably upon the smaller films that Lean produced earlier in his career, and in recent years his reputation as a director has diminished. In this study, Constantine Santas seeks to restore these now undervalued epics to the elevated esteem they once held. Without dismissing the earlier works or regarding them as irrelevant to Lean's evolution as an artist, this book shows that the epics are as worthy as any of Lean's previous films. In addition to Lean's academy-Award-winning blockbusters, Santas also provides close analytical looks at Doctor Zhivago, Ryan's Daughter, and the director's final film, A Passage to India. Santas argues that the epics show a progression and refinement of Lean's work and are thematically broader and feature more complex characterization than his earlier films. In his analyses, Santas provides background material on the production of each epic; insights into structure, characters, techniques, and themes, and a look into the relationship between the films and their literary sources. Written in a clear and engaging manner, The Epic Films of David Lean will appeal not only to cinema students and scholars but also to general fans of David Lean and his work. " -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9780810882102
Donation: Donated by Senses of Cinema, 2013
Contents: -- preface -- acknowledgments -- Introduction -- The bridge on the River Kwai (1957)-- Lawrence of Arabia (1962) -- Doctor Zhivago (1966) -- Ryan's daughter (1970) -- A passage to India (1984) -- Epilogue Nostromo: the epic continues -- appendix A: the early films of David Lean -- appendix B: DVD and Blu-ray editions -- bibliography -- index about the author --

Author: Selous, Trista
PhysDes: Article
Subject: INDIA SONG (FR, Marguerite Duras, 1975)

Call No: 735 FAN
Author: Donald, James
Place: London
Publisher: BFI Pub.
PubDate: 1989
PhysDes: 298 p. : ill. ; 24 cm
Subject: FANTASTIC FILMS; FETISHISM IN FILMS; GERMANY. 1895-1930; SLASHER FILMS; GENDER AND THE CINEMA; SEX AND THE CINEMA; FEMINISM AND THE CINEMA; SURREALISM AND THE CINEMA; BARTHES, ROLAND; SVANKMAJER, JAN; CONDIT, CECELIA; BAHTIN, MIHAIL; BORDWELL, DAVID; DURAS, MARGUERITE; LYOTARD, JEAN-FRANCOIS; HITCHCOCK, ALFRED; ALIEN (UK, Ridley Scott, 1979); BLADE RUNNER (US, Ridley Scott, 1982); BENEATH THE SKIN (US, Cecelia Condit, 1981); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); INDIA SONG (FR, Marguerite Duras, 1975); PSYCHO (US, Alfred Hitchcock, 1960); STUDENT VON PRAG, DER (G, Stellan Rye, 1913); TERMINATOR, THE (US, James Cameron, 1984); TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974); VAMPYR : DER TRAUM DES ALLAN GRAY (G/FR, Carl Th. Dreyer, 1932)
Notes: Includes bibliographical references (p. 287-291) and indexes
ISBN: 0851702287; 0851702295 (pbk.)
LON: 6190057

Call No: 226.4(540) WIL
Author: Wilkinson-Weber
Source: UK
Place: London
Publisher: Bloomsbury
PubDate: 2014
PhysDes: x, 212 pages : illustrations, portraits ; 24 cm
Subject: INDIA; INDIAN CINEMA; FASHION; FASHION IN FILMS; COSTUMES. INDIA; STARS. INDIA
Summary: The Hindi film industry, among the most prolific in the world, has delighted audiences for decades with its colourful, exquisite and sometimes startling costumes. But are costumes more than just a source of pleasure? This book, the first in-depth exploration of Hindi film costume, contends that they are a unique source of knowledge about issues ranging from Indian taste and fashion to questions of identity, gender and work. Anthropological and film studies approaches combine to analyze costume as the outcome of production processes and as a cinematic device for conveying meaning. Chapters lead from the places where costume is planned and executed to explorations of characterization, the actor body, spectacles of fashion, to the imagining of historical or fantasy worlds through dress, to the power of stardom to launch clothing styles into the public domain. As well as charting the course of film costume as it parallels important trends in cultural history, the book considers the future of Hindi film costume, in the context of new strains of filmmaking that stress unvarnished realism.
Notes: Formerly CIP. Includes bibliographical references, filmography and index
ISBN: 9781847886972
Contents: Introduction -- The people and places of costume production -- Costume and character: wearing and being -- Costume and the body -- Fashion and spectacle -- Dressing the past -- Beyond the screen

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FEAST INDIA [TV] (AT, Michael Dickinson, 2005)

Call No: 626:396 RAM
Author: Ramanathan, Geetha
Edition: 2006
Place: London
Publisher: Wallflower Press
PhysDes: viii,240 pages : illustrations ; 24 cm
Subject: FEMINISM AND THE CINEMA; BORDEN, LIZZIE; KAPLAN, NELLY; CHADHA, GURINDER; DURAS, MARGUERITE; DENIS, CLAIRE; VARDA, AGNES; SANS TOIT NI LOI (FR, Agnes Varda, 1985); INDIA SONG (FR, Marguerite Duras, 1975); BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993); CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); DAUGHTERS OF THE DUST (US, Julie Dash, 1991); DANZON (MX, Maria Novaro, 1991); MALOU (GW, Jeanine Meerapfel, 1981); ANTONIA (NE/BE/UK, Marleen Gorris, 1995); HORA DA ESTRELA, A (BL, Suzana Amaral, 1985)
Summary: Feminist Auteurs examines a rich and diverse body of work that has received insufficient attention both in film studies and in feminist theory on film. Looking at individual films within the context of feminist film as a genre, Ramanathan examines film from diverse cultural traditions, while paying close attention to what might be regarded as feminist in different cultural contexts. The films chosen expand our ideas of feminism covering as they do film from Africa, Latin America, Europe, Asia and the US. Full-length interpretations of twenty-four films, both older and contemporary, including Vagabond, India Song, Bhaji on the Beach, Chocolat, and Daughters of the Dust lay out a complete and powerful framework for reading women's film. - publisher's web site
ISBN: 9781904764694

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. INDIA

Call No: 71(540) FIF
Author: Burra, Rani; Ramachandran, T. M; Chandran, Mangala
Place: Bombay
Publisher: Indian Academy of Motion Picture Arts & Sciences
PubDate: 1981
PhysDes: [166] p. : ill. (some col.) ; 29 cm
Subject: INDIA
Notes: "Edited by T.M. Ramachandran, assisted by Rani Burra, Mangla Chandran"--T.p. verso; Bibliography: p. 164-166
LON: 2791426

Call No: 205 FIL
Author: Moran, Albert
Place: New York
Publisher: Routledge
PubDate: 1996
PhysDes: xvi, 285 p
Subject: GOVERNMENT CONTROL; STATE AND THE CINEMA; INDUSTRY, VIDEO. USA; DISTRIBUTION; INDUSTRY, FILM; COPRODUCTION. FRANCE; COPRODUCTION. UK; INDUSTRY, FILM. UK; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. CANADA; INDUSTRY, FILM. LATIN AMERICAN COUNTRIES; INDUSTRY, FILM. INDIA; INDUSTRY, FILM. INDONESIA; INDUSTRY, FILM. SINGAPORE; ABORIGINAL AUSTRALIAN CINEMA; MAORI CINEMA; INDIGENOUS PEOPLE'S CINEMA. CANADA
Notes: Includes bibliographical references and index
ISBN: 0415097916 (pbk.); 0415097908 (hardcover)
LON: 12158074

Call No: 71(-77) FIL
Author: Downing, John D. H
Place: Brooklyn, NY, USA
Publisher: Autonomedia
PubDate: 1987
PhysDes: 317 p
Subject: THIRD WORLD; POLITICS AND THE CINEMA; AFRICAN COUNTRIES; MOROCCO; TURKEY; IRAN; INDIA; CITY OF SADNESS, A [; PHILIPPINES; CHILE; BRAZIL; CUBA; NATIVE AMERICAN CINEMA; SEMBENE, OUSMANE; XIE, JIN; SANJINES, JORGE; ALEA, TOMAS GUTIERREZ; CEDDO (SG, Ousmane Sembene, 1977)
Notes: Includes bibliographical references
ISBN: 0936756314
LON: 6649099

Call No: F023(540)"1949/61" FIL
CorpAuthor: Films Division
Subject: INDIA; FILMOGRAPHIES
Notes: Also first, second, third and fourth supplements covering up to 1965

Call No: F023(540)"1949/1966" FIL
CorpAuthor: Films Division
Subject: INDIA; FILMOGRAPHIES

Call No: 71(540) STA
Author: Stadtman, Todd
Edition: 2015
Place: Godalming, Surrey
Publisher: FAB Press
PhysDes: 228 pages : illustrated ; 22 cm
Subject: BOLLYWOOD; INDIA; INDUSTRY, FILM. INDIA; POPULAR CULTURE AND THE CINEMA.INDIA; SHOLAY (II, Ramesh Sippy, 1975)
Summary: Despite the often stereotypical notions of Bollywood, it’s not all weddings, wet saris and running around trees. In the 1970s, Indian cinema gave birth to a new breed of action movie, one that combined its own exuberant traditions with foreign influences like the gritty urban crime thrillers of the New Hollywood, Hong Kong martial arts cinema, and Italian exploitation fare. This was the domain of hard fighting he-men stars like Amitabh Bachchan, Dharmendra and Feroz Khan and badass, whip-wielding heroines played by the likes of the gorgeous Zeenat Aman, Hema Malini, and Rekha. Let world cult cinema fanatic Todd Stadtman be your guide through this world of karate killers, femme fatales, space age lairs, bombshells and booby traps with Funky Bollywood, a book with an attitude as freewheeling and feisty as its subject matter, bursting with colour and imagination on every vibrant page! -- publisher's web site
ISBN: 9781903254776

Call No: SUBJECT CLIPPINGS FILE; BOLLYWOOD
Author: Dhillon, Amrit
PhysDes: Clippings File Article
Subject: BOLLYWOOD; INDIA; KHAN, AAMIR
Summary: Report on the protests against Aamir Khan after he said that religious intolerance in India made him fear for his son and wondered if his family should leave India

Call No: 45:93 HIS
Author: O'Regan, Tom, 1956; Shoesmith, Brian
CorpAuthor: Australian History and Film Conference (3rd :, 1985 : Perth (W.A.)); History and Film Association of Australia (W.A.)
Place: Perth, [W.A.]
Publisher: History and Film Association of Australia (W.A.)
PubDate: 1987
PhysDes: 180 p. ; 30 cm
Subject: HISTORY AND THE CINEMA; HISTORICAL FILMS; EUROPEAN COUNTRIES; FRANCE; INDIA; JAPAN; COMMONWEALTH FILM UNIT; HISTORY OF EXHIBITION. AUSTRALIA; AUSTRALIA. 1970's; FASCISM AND THE CINEMA; MARXISM AND THE CINEMA; Grierson, John; CHAUVEL, CHARLES; HEIMAT [TV] (GW, Edgar Reitz, 1984); SHOAH (FR/SZ, Claude Lanzmann, 1985); SEE IT NOW (US, Edward Murrow, 1954?); ROMAN SCANDALS (US, Frank Tuttle, 1933); ASSAULT ON SALAMAUA (AT, 1943); FORTINI/CANI (IT, Jean-Marie Straub & Daniele Huillet, 1976)
Notes: Cover subtitle : Proceedings of the 3rd History and Film Conference, Perth, 1985
ISBN: 0729800563 (pbk.)
LON: 5567713

Call No: 732(5-011) HUM
Author: Revi, Gayatri (ed.); Rahman, Najat (ed.)
Source: US
Place: Detroit
Publisher: Wayne State University Press
PubDate: c2014
PhysDes: 282 pages ; 23 cm
Series: Contemporary approaches to film and media
Subject: AFGHANISTAN; ARAB COUNTRIES; AUDIENCE RECEPTION; BOLLYWOOD; CENSORSHIP; COMEDIES. MIDDLE EASTERN COUNTRIES; CULTURAL IMPERIALISM. US; EGYPT; HUMOUR IN FILMS; INDIA; IRAN; IRAQ; ISRAEL; IRONY IN FILMS; NATIONAL CULTURE AND THE CINEMA; PALESTINE; POLITICAL FILMS; ETHNIC GROUPS IN FILMS; SATIRE IN FILMS; TYPE CHARACTERS IN FILMS; PAKISTAN; CHAHINE, YOUSSEF; DHOUIB, MONCEF; KIAROSTAMI, ABBAS; ZARHIN, SHEMI; AMERIKALI (TU, Serif Gören, 1993); BAD MA RA KHAHAD BORD (IR/FR, Abbas Kiarostami, 1999); DIVINE INTERVENTION (FR/MR/G/PA, Elia Suleiman, 2002); ALEXANDRIA... WHY? [ISKANDARIYA....LEEH?] (UA/AE, Youssef Chahine, 1978); ALEXANDRIA... WHY? [ISKANDARIYA....LEEH?] (UA/AE, Youssef Chahine, 1978); TELE ARRIVE, LA (TI, Moncef Dhouib, 2006); TERE BIN LADEN (II, Abhishek Sharma, 2010); TV IS COMING, THE (TI, Moncef Dhouib, 2006)
Summary: "While Middle Eastern culture does not tend to be associated with laughter and levity in the global imagination, humor—often satirical—has long been a staple of mainstream Arabic film. In Humor in Middle Eastern Cinema, editors Gayatri Devi and Najat Rahman shed light on this tradition, as well as humor and laughter motivated by other intent—including parody, irony, the absurd, burlesque, and dark comedy. Contributors trace the proliferation of humor in contemporary Middle Eastern cinema in the works of individual directors and from the perspectives of genre, national cinemas, and diasporic cinema. Humor in Middle Eastern Cinema explores what humor theorists have identified as an “emancipatory,” “liberatory,” even “revolutionary” function to humor. Among the questions contributors ask are: How does Middle Eastern cinema and media highlight the stakes and place of humor in art and in life? What is its relation to the political? Can humor in cinematic art be emancipatory? What are its limits for its intervention or transformation? Contributors examine the region’s masterful auteurs, such as Abbas Kiarostami, Youssef Chahine, and Elia Suleiman and cover a range of cinematic settings, including Egypt, Iran, Israel, Lebanon, Palestine, Syria, Tunisia, and Turkey. They also trace diasporic issues in the distinctive cinema of India and Pakistan. This insightful collection will introduce readers to a variety of contemporary Middle Eastern cinema that has attracted little critical notice. Scholars of cinema and media studies as well as Middle Eastern cultural history will appreciate this introduction to a complex and fascinating cinema." -- GOOGLE BOOKS
Notes: Contains bibliography and filmography -- contains index -- contains list of contributors
ISBN: 9780814339374
Contents: Introduction / Gayatri Devi and Najat Rahman -- Humor, loss, and the possibility for politics in recent Palestinian cinema / Najat Rahman -- Strategies of subversion in Ben Ali's Tunisia: allegory and satire in Moncef Dhouib's TV Is Coming / Robert Lang -- Satiric traversals in the comedy of Mehran Modiri: space, irony, and national allegory on Iranian television / Cyrus Ali Zargar -- Ethnic humor, stereotypes, and cultural power in Israeli cinema / Elise Burton -- The laughter of Youssef Chahine / Najat Rahman -- Comedic meditations: war and genre in The Outcasts / Somy Kim -- Humor and the cinematic sublime in Kiarostami's The Wind Will Carry Us / Gayatri Devi -- America the oppressively funny: humor and anti-americanisms in modern Turkish cinema / Perin Gurel -- Laughter across borders: the case of the Bollywood film Tere Bin Laden / Mara Matta

Call No: 761 MAC
Author: Macdonald, Kevin, 1967-; Cousins, Mark
Place: London
Publisher: Faber and Faber
PubDate: 1996
PhysDes: xii, 400 p. : ill. ; 24 cm
Subject: DOCUMENTARY FILMS; CINEMA VERITE; CINEMA-DIRECT; GENOCIDE IN FILMS; NEWSREELS; PROPAGANDA FILMS; SOCIAL PROBLEMS IN FILMS; WAR IN FILMS; VERTOV, DZIGA; ROUCH, JEAN; IMAMURA, SHOHEI; KIESLOWSKI, KRZYSZTOF; MALLE, LOUIS; MARKER, CHRIS; OPHULS, MARCEL; Grierson, John; HUSTON, JOHN; ANDERSON, LINDSAY; BUNUEL, LUIS; ALVAREZ, SANTIAGO; ANTONIO, EMILE DE; BALAZS, BELA; BLUE, JAMES; BROOMFIELD, NICK; CAVALCANTI, ALBERTO; COLINA, JOSE DE LA; COOPER, MERIAN C.; DIETRICH, MARLENE; FLAHERTY, ROBERT; IVENS, JORIS; IWASAKI, AKIRA; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; KAUL, MANI; LANZMANN, CLAUDE; LEACOCK, RICHARD; MAYSLES, ALBERT & DAVID; MORRIS, ERROL; RIEFENSTAHL, LENI; SCHELL, MAXIMILIAN; SHUB, ESTHER; TSUCHIMOTO, NORIAKI; WISEMAN, FREDERICK; WRIGHT, BASIL; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WITH LAWRENCE IN ARABIA (US, Lowell Thomas, 1919); PHANTOM INDIA [INDE FANTOME, L'] [TV] (FR, Louis Malle, 1969); LET THERE BE LIGHT (US, John Huston, 1946); MARLENE (GW, Maximilian Schell, 1984); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); REGEN (NE, Joris Ivens, 1929); SONG OF CEYLON (UK, Basil Wright, 1934); SPANISH EARTH, THE (US, Joris Ivens, 1937); THIN BLUE LINE, THE (US, Errol Morris, 1988); SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); A PROPOS DE NICE (FR, Jean Vigo, 1930); CRUMB (US, Terry Zwigoff, 1994); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); YUKI YUKITE SHINGUN (JA, Kazuo Hara, 1987); FIRST LOVE (US, Joan Darling, 1977); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); HOOP DREAMS (US, Steve James, 1994); LAS HURDES (SP, Luis Bunuel, 1932)
Summary: Imagining Reality takes the reader on a tour of the evolution of documentary film as an increasingly vibrant, polemical, experimental and entertaining form. It gathers a wide-ranging collection of writings by and about such groundbreaking documentary-makers as Vertov, Flaherty, Marcel Ophuls, Chris Marker, Kieslowski, Claude Lanzmann, and Nick Broomfield. The story is carried up to date by attention to the success documentaries have had among mainstream movie audiences in recent years, including Michael Moore's Bowling For Columbine and Fahrenheit 9/11, The Buena Vista Social Club, Spellbound, Capturing The Friedmans, Être Et Avoir, and The Fog Of War. --TAKEN FROM PUBLISHER'S SITE
Notes: Includes bibliographical references and index; Faber book of the documentary
ISBN: 0571177239
LON: 13068333
Contents: Part 1. -- 1.The Kingdom of Shadows -- 2. Going to Extremes -- 3. Kino Eyes and Agit Trains -- 4. Documentary and the Avante Guarde -- Part 2. -- 5. The British Movement -- 6. Battling for minds -- 7. Aspects of Asia -- Part 3. -- 8. The Essayists -- 9. The Grain of Truth -- Part 4. -- 10. The Cinema of Social Concern -- 11. Diversity -- 12. The Burning Question
ID2: 47

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: IN INDIA THE SUN RISES IN THE EAST (US, Richard Kaplan, ??)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PHANTOM INDIA [INDE FANTOME, L'] [TV] (FR, Louis Malle, 1969); PHANTOM INDIA [INDE FANTOME, L'] [TV] (FR, Louis Malle, 1969)

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: INDIA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDIA IN FILMS

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INDIA'S DAUGHTER (UK/II, Leslee Udwin, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: INDIA SONG (FR, Marguerite Duras, 1975)

Author: Copjee, Joan
PhysDes: Article
Subject: INDIA SONG (FR, Marguerite Duras, 1975)

Call No: 71(540) IND
Author: Willemen, Paul; Gandhy, Behroze
Edition: Rev. ed
Place: [London]
Publisher: British Film Institute
PubDate: 1982
PhysDes: 48 p. : map ; 30 cm
Series: BFI dossier
Subject: INDIA; DIRECTORS. INDIA
Notes: Bibliography: p. 48
LON: 3147967 3147967

Call No: REFERENCE SECTION; 023(540)"1982/3"IND
CorpAuthor: National Film Development Corporation
Subject: INDIA; FILMOGRAPHIES

Call No: 71(540) DIN; FOLIO
Author: Raheja, Dinesh; Kothari, Jitendra
Place: London
Publisher: Aurum Press
PubDate: 2004
PhysDes: 155 p. : col. ill. ; 32 cm.
Subject: BOLLYWOOD; HISTORY OF CINEMA. INDIA; INDIA
Summary: The book documents the incredible story of Hindi films, taking the reader on a chronologically-charted odyssey through each epoch of this historic and dramatic journey. [Adapted from the dust jacket blurb.]
Notes: Copyright: Roli & Janssen
ISBN: 1845130162

Call No: 71(540) IND
CorpAuthor: Ministry of Broadcasting
Edition: 1965
Source: II
Place: Delhi
Publisher: Ministry of Information and Broadcasting
PubDate: 1965
PhysDes: 116 p. : illus. ; 22 cm
Series: Indian cinema
Subject: INDIA; HISTORY OF CINEMA. 1960's

Call No: 71(540) KIS
Author: Kishore, Schweta
Edition: 2018
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2020
PhysDes: xi,196 pages; 24 cm
Subject: INDIA; DOCUMENTARY FILMS
Summary: Independent documentary is enjoying a resurgence in post-reform India. But in contemporary cinema and media cultures, where ‘independent’ operates as an industry genre or critical category, how do we understand the significance of this mode of cultural production? Based on detailed onsite observation of documentary production, circulation practices and the analysis of film texts, this book identifies independence as a 'tactical practice’, contesting the normative definitions and functions assigned to culture, cultural production and producers in a neoliberal economic system. Focusing on selected filmmakers, the book establishes how they have reorganised the dominance of industrial media, technology and social relations to develop practices that build upon principles of de-economisation, artisanship and interdependence. -- publisher's web site
ISBN: 9781474433075
Contents: List of Illustrations -- Acknowledgements -- Introduction 1. Histories and Cultures: Space, Filmmaker, Text, Spectator -- Public Space and Democratic Instruments -- An Involved Filmmaker -- Text, Representation and Reflexivity -- Spectator and Horizontal Communication 2. Method and Meaning -- Filmmakers, Histories, Concerns, Aesthetics -- Artisanal Production -- Documentary as Signifying Practice 3. Documentary Financing and Production -- NGOS and Useful Media -- Institutionally Managed Practice -- Self-Managed Practice -- A Tactics of Practice; Decapitalisation and De-economisation 4. Documentary Circulation and Exhibition -- The Regulated Public Domain -- From Information to Emotion -- Between Participant and Audience -- A Tactics of Circulation: An Involved Publics and Decentering Copyright 5. People and Documentary -- The Represented and Institutional Subject -- Artist, Meanings, Obligation -- Speaking with the Subject -- Independent: Interdependent and Negotiated Consent Practice Afterword -- Filmography -- Works Cited -- Index

Call No: 71(540) BAR
Author: Barnouw, Erik, 1908; Krishnaswamy, Subrahmanyam,
Place: New York
Publisher: Columbia University Press
PubDate: 1963
PhysDes: 301 p. : ill. ; 24 cm
Subject: INDIA
Notes: Includes bibliography
LON: 1070716 1070716

Call No: 71(540) BAR
Author: Barnouw, Erik, 1908; Krishnaswamy, Subrahmanyam, joint author
Edition: 2d ed
Place: New York
Publisher: Oxford University Press
PubDate: 1980
PhysDes: xv, 327 p. : ill. ; 22 cm
Subject: INDIA; Ray, Satyajit; BARUA, PRAMATHESH CHANDRA
Notes: Includes index; Bibliography: p. 309-316
ISBN: 0195026829; 0195026837 (pbk.)
LON: 1470713 1470713

Call No: F023(540)"year" DHA held 1975 and 1976
Author: Dharap, B.V.
Source: II
Place: Pune
Publisher: Motion Picture Enterprises
PubDate: 1975; 1976
Subject: INDIA; FILMOGRAPHIES

Call No: F023(540)"1912-1969" RAN
Author: Rangoonwalla, Firoze
Source: II
Place: Bombay
Publisher: J. Udeshi
PubDate: 1968
PhysDes: 18 cm ; 130 p.
Subject: INDIA; FILMOGRAPHIES

Call No: 71(540) IND
Author: Das, Nandini
Place: New Delhi
Publisher: Directorate of Film Festivals, National Film Development Corp.
PubDate: 1985
PhysDes: [72] p. : ill. ; 23 cm
Subject: INDIA
Notes: Cover title: An anthology of articles on Indian cinema; "Tenth International Film Festival of India, New Delhi, 3-17 January 1985"--Cover
ISBN: 812010000X : Rs30.00
LON: 4234244

Call No: 71(540) IND
CorpAuthor: Film Federation of India
Source: II
Place: Bombay
Publisher: Film Federation of India
PubDate: 1956
PhysDes: xxviii, 216 p. : illus. : 28 cm
Subject: HISTORY OF CINEMA; INDIA
Notes: Includes list of Indian talkies produced from 1931 to 30th June 1956.; Includes tables.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDUSTRY, FILM. INDIA

Call No: 51 INF
Author: Lyons, Timothy J.; Staples, Donald E.; Wagner, Robert W.
Source: US
Place: Houston, Texas
Publisher: University of Houston
PubDate: Fall 1979
Series: Journal of the University Film Association, Monograph No. 4
Subject: FILM WORKERS; DIRECTORS. JAPAN; DIRECTORS. MEXICO; DIRECTORS. UK; DIRECTORS. USA; DIRECTORS. USSR; DIRECTORS. AUSTRALIA; DIRECTORS. GERMANY; DIRECTORS. INDIA; DIRECTORS. ITALY
Notes: Papers from the XIXth Congress and General Assembly of Centre International de Liaison des Ecoles de Cinema et de Television (CILECT), Washington, DC 11-18 September 1978

Author: Mogg, Ken and Gardner, Geoffrey
PhysDes: Article
Subject: Ray, Satyajit; INDIA; DIRECTORS. INDIA; DEVI (II, Satyajit Ray, 1960); PATHER PANCHALI (II, Satyajit Ray, 1955); APARAJITO (II, Satyajit Ray, 1957); APU SANSAR (II, Satyajit Ray, 1958); RENOIR, JEAN; GHATAK, RITWIK
Summary: Interview with Bengali filmmaker Satyajit Ray discussing his past and current works.

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Notes: Includes bibliographical references and index
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939
URL status: URL: 'http://-' Checked: 31/08/2021 1:01:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 3rd ed
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.
Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939

Call No: P IND
PhysDes: 1 poster : b&w ; 63 X 45 cm.
Subject: PHANTOM INDIA [INDE FANTOME, L'] [TV] (FR, Louis Malle, 1969)
Summary: Image: no images, just many quotes. Text: 'A 6 1/2 hour extraordinary film that poses questions about an incient civilization convulsed by 20th Century flux.'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LAGAAN: ONCE UPON A TIME IN INDIA (II, Ashutosh Gowariker, 2000)

Call No: 210.1(540) SIP
Source: II
Place: Mumbai
Publisher: India Book House
PubDate: 2006
PhysDes: 246 p., [2] leaves of plates : ill. (chiefly col.) ; 27 cm
Subject: INDIA; BOLLYWOOD; STARS. INDIA; STAR SYSTEM; INDUSTRY, FILM. INDIA; PRODUCTION. INDIA; ACTORS. INDIA; DIRECTORS. INDIA
Summary: An exploration of how films are made in 'Bollywood' that uses interviews with famous stars and well known film workers in the industry during a few months of 2005 and 2006. The fictional characters Vijay and Ravi go through the process of making a Bollywood film, including screenwriting, the Bollywood star system, pre-production, marketing and promotion, and audience reception
Notes: 246 p., [2] leaves of plates : ill. (chiefly col.) ; 27 cm
ISBN: 8175084413
Donation: Alex Gionfriddo

Call No: SUBJECT CLIPPINGS FILE; BOMBAY TALKIES
Author: Gare, Shelley
PhysDes: Clippings File Article
Subject: AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI]; BOLLYWOOD; INDUSTRY, FILM. INDIA; BOLLYWOOD
Summary: Interview with Peter Dietze about an exhibition called Bombay Talkies to be held at the Australian Centre for the Moving Image. Dietze supplied much of the material for the exhibition as his grandfather was Himansu Rai, the founder of the company Bombay Talkies

Call No: 71(540) FIL
Author: Burra, Rani
CorpAuthor: India. Directorate of Film Festivals
Place: New Delhi
Publisher: Directorate of Film Festivals, Ministry of Information and Broadcasting
PubDate: 1981
PhysDes: 152 p. : ill. ; 22 cm
Subject: INDIA
LON: 2949162

Call No: 408.1(540) ROY
Author: Roy, Anjali Gera
Source: II
Place: New Delhi
Publisher: Sage Publications
PubDate: 2012
PhysDes: 334 p. ; 23 cm
Subject: BOLLYWOOD; HISTORY OF CINEMA. INDIA; INDIA; INDIAN CINEMA; WORLD CINEMA
Summary: "Few would deny that the most significant weapon in India's cultural and artisitc armory is its avowedly commerical cinema, now known as Bollywood. This anthology aims to portray the "soft" power of Bollywood, which makes it a unique and powerful disseminator of Indian culture and values abroad. The essays in the book examine Bollywood's popularity within and outside South Asia, focusing on its role in international relations and diplomacy. In addition to contributions that directly engage with the notion of soft power, a number of essays in the volume testify to the attractiveness of Bollywood cinema for ethnically diverse groups across the world, probe the reasons for its appeal, and explore its audiences' identification with cinematic narratives. Established and emerging scholars in literature, theater, film, dance, music, media, cultural studies, and sociology from different parts of the world present their views from multidisciplinary perspectives based on case studies from Australia, New Zealand, the UK, Germany, Russia, the US, Senegal, Pakistan, Bangladesh, Indonesia and Canada, in addition to India" -- BOOK JACKET
Notes: Includes bibliographical references and index
ISBN: 9788132107323
Contents: -- list of tables -- list of abbreviations -- forword by Ishtiaq Ahmed -- acknowledgments -- Chapter 1: Introduction / Anjali Gera Roy -- Brand Bollywood and the new Bollywood film. -- Chapter two: Mainstream Hindi cinema and brand Bollywood: the transformation of a cultural artifact / M. K. Raghavendra -- Chapter 3: Post-national B(H)ollywood and the national imaginary / Meena T. Pillai -- Bollywood's soft power: some facts and figures. --Chapter 4: Bollywood and soft power: content trends and hybridity in popular Hindi cinema / David J. Schaefer and Kavita Karan -- Chapter 5: A regional mosaic: linguistic diversity and India's film trade / Sunitha Chitrapu -- Indian films' traditional markets: South Asia, Southeast Asia, Africa, and Russia. -- Chapter 6: "Dada negativity" and Pakistani characters in Bollywood films / Kamal ud Din and Nukhbah Taj Langah -- Chapter 7: Soft power and Pakistani viewers / Shahnaz Khan -- Chapter 8: Bollywood film culture in Indonesia's mediascapes / Shuri Mariasih Gietty Tambunan -- Chapter 9: Indian films in the USSR and Russia: past, present, and future / Elena Igorevna Doroshenko --Chapter 10: Indophilie and Bollywood's popularity in Senegal: strands of identity dynamics / Gwenda Vander Steene -- Chapter 11: "Bollywoodization" as (H)Indianization? Bangladesh film industry under national protection / Zakir Hossain Raju -- New territories: Bollywood in the West Australia, Canada, Europe, and New Zealand. -- Chapter 12: From tawa'if to wife? making sense of Bollywood's courtesan genre / Teresa Hubel -- Chapter 13; Bollywood in da club: social space in Toronto's "South Asian" community / Omme-Salma Rahemtullah -- Chapter 14: Bollywood internet forums and Australian cultural diplomacy / Andrew Hassam -- Chapter 15: Addressing the nonresident: soft power, Bollywood, and the diasporic audience / Adrian Athique -- chapter 16: Bollywood's circuits in Germany / Florian Krauss -- about the editor and contributors -- index --

Call No: 71(595) VAN
Author: van der Heide, William
Source: NE
Place: Amsterdam
Publisher: Amsterdam University Press
PubDate: 2002
PhysDes: 301 p. : 24 cm
Series: Film Culture in Transition
Subject: MALAYSIA; ASIAN COUNTRIES; CULTURE AND THE CINEMA; SAMURAI FILMS; WESTERNS. ITALY; INDIA; INDONESIA
Summary: A detailed study of the complexities of the film industry and film culture in Malaysia. Using cross-cultural analysis approaches, the book characterizes Malaysia as a pluralist society, consisting of a multiplicity of cultural identities.
Notes: Includes filmography Includes bibliography Includes index
ISBN: 9053565809 (pbk.) 9053565191 (hbk.)
URL status: URL: 'https://library.oapen.org/handle/20.500.12657/35103' Checked: 31/08/2021 1:09:54 PM Status: Live Details: HTTP status 200 - Usual success response

Call No: 761(540) MARG; FOLIO
Place: Bombay
Publisher: Marg publications
PubDate: 1960
PhysDes: [26] p., 74 p., [2] p. of plates : ill ; 33cm\
Series: Volume XIII, Number 3
Subject: MOTION PICTURES - INDIA

Call No: 451-0 DYE
Author: Dyer, Richard
Place: London New York
Publisher: Routledge
PubDate: 1993
PhysDes: ix, 172 p. : ill. ; 24 cm
Subject: TYPE CHARACTERS IN FILMS; HOMOSEXUALITY IN FILMS; MEN IN FILMS; FILM NOIR; ETHNIC GROUPS IN FILMS; RACIAL ISSUES AND THE CINEMA; PAPILLON (US, Franklin J. Schaffner, 1973); PASSAGE TO INDIA, A (US/UK, David Lean, 1984); GILDA (US, Charles Vidor, 1946); JEZEBEL (US, William Wyler, 1938); SIMBA (UK, Brian Desmond Hurst, 1955); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); VICTIM (UK, Basil Dearden, 1961)
Notes: Includes bibliographical references and index
ISBN: 0415057183; 0415057191 (pbk.)
LON: 9732647

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Article on the premier screening of 'A Passage to India'

Call No: 81NAI MUI
Author: Muir, John Kenneth
Source: US
Place: New York
Publisher: Applause Theatre & Cinema Books
PubDate: c2006
PhysDes: ix, 290 p., [16] p. of plates : col. ill., ports. ; 23 cm
Subject: INDIA; FILM; NAIR, MIRA; SALAAM BOMBAY! (II/UK/FR, Mira Nair, 1988); MISSISSIPPI MASALA (US, Mira Nair, 1991); PEREZ FAMILY, THE (US, Mira Nair, 1995); KAMA SUTRA: A TALE OF LOVE (II, Mira Nair, 1996); MY OWN COUNTRY (US, Mira Nair, 1998); LAUGHING CLUB OF INDIA, THE (US/II, Mira Nair, 1999); MONSOON WEDDING (US/II, Mira Nair, 2001); HYSTERICAL BLINDNESS (US. Mira Nair, 2002); 11'09"01 [ELEVEN'NINE"01]- SEPTEMBER 11 (FR, Youssef Chahine & Amos Gitai & Alejandro Gonzalen Inarritu & Shohei Imamura & Claude LeLouch & Ken Loach & Samira Makhmalbaf & Mira Nair & Idrissa Quedraogo & Sean Penn & Dennis Tanovic, 2002); VANITY FAIR (UK/US, Mira Nair, 2004); NAMESAKE, THE (II/US, Mira Nair, 2006)
Summary: "This is the first book to examine the films of the acclaimed and popular Indian-born and Harvard-educated filmmaker, Mira Nair. A unique voice in cinema today, she is one of the few female directors who made it to the top of a male-dominated profession. Her films feature an incomparably sensuous visual style yet at the same time often record the injustice of the disenfranchised and the cross-pollination of East and West. Her twin themes of realism and romance make for dazzling cinema. Noted film authority John Kenneth Muir analyzes all of Nair's work." "Among those interviewed for this book are the actors Gena Rowlands (Hysterical Blindness) and Naveen Andrews (Kama Sutra: A Tale of Love, 1997); My Own Country, 1998), currently a star of TV's Lost; and Julian Fellowes, the screen writer of Vanity Fair."--BOOK JACKET.
Notes: Includes index; Bibliography: p. [261]-268
ISBN: 9781557836496
Contents: -- acknowledgments -- A local storyteller at the global cinema : an introduction to Mercy in her eyes : the films of Mira Nair -- Ch. 1. Mahurat : the auspicious beginning of Mira Nair's career in film -- Ch. 2. Salaam Bombay! (1998) -- Ch. 3. Mississippi Masala (1991) and The Perez family (1995) -- Ch. 4. Kama Sutra: a tale of love (1997), My own country (1998), and The laughing club of India (1999) -- Ch. 5. Monsoon wedding (2001), Hysterical blindness (2002), 11'09'01 (2002), and Vanity fair (2004) -- Ch. 6. Sneak peek : The namesake (2006) -- Life is such a comedy : a conclusion to Mercy in her eyes -- App. You know you're in a Mira Nair film when you see ... -- notes -- selected bibliography -- index --

Call No: 721.303.311 STR
Author: Stinger, Julian (ed.)
Source: UK
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: 276 p. : ill. ; 24 cm
Subject: BLOCKBUSTERS; INDUSTRY, FILM. USA; INDUSTRY, FILM. NEW ZEALAND; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. INDIA; INDUSTRY, FILM. KOREA; INDUSTRY, FILM. ARGENTINA; AWARDS. ACADEMY; SPIELBERG, STEVEN; CAMERON, JAMES; JAWS (US, Steven Spielberg, 1975); JAZZ SINGER, THE (US, Alan Crosland, 1927); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TITANIC (US, James Cameron, 1997); CONTACT (US, Robert Zemeckis, 1997); FUGITIVE, THE (US, Andrew Davis, 1993); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); STAR WARS (US, George Lucas, 1977)
Summary: Big-budget, spectacular films designed to appeal to a mass audience: is this what – or all – blockbusters are? Movie Blockbuster brings together leading film scholars to consider this most high-profile and culturally significant genre. Drawing on a range of critical perspectives, the book traces how and why the ‘even movie’ has played such a large role in popular imagination, tracing a path from the spectacles of the silent era to the effects-laden mega-hits of the digital age.
ISBN: 0415256097

Call No: 38(540) ANT
Author: Anthique, Adrian; Hill, Douglas
Source: US
Place: New York
Publisher: Routledge
PubDate: 2010
PhysDes: ix, 244 p. : ill., maps ; 23 cm.
Series: Routledge Contemporary South Asia Series
Subject: CULUTRE AND THE CINEMA. INDIA; EXHIBITION. INDIA; MULTIPLEX CINEMAS. INDIA; SOCIETY AND THE CINEMA. INDIA
Summary: During the decade of its existence in India, the multiplex cinema has been very much a sign of the times - both a stmptom of new social values. Indicative of a consistent push to create a 'globalised' consuming middle class and a new urban environment, multiplex theatres have thus become key sites in the long-running struggle over cultural legitimacy and the right to public space in Indian cities. This book provides the reader with a comprehensive account of the new leisure infrasructure arising at the intersection between contemporary trends in cultural practice and the spational politics that are reshaping the cities of India. Exploring the significance, and convergence, of economic liberalisation, urban redevelopment and the media explosion in India, the book demonstrates an innovative approach towards the cultural and political economy of leisure in a complex and rapidly changing society.
Notes: Includes bibliographical references (p.[225]-238) and index
ISBN: 9780414533591
Contents: 1. Situating the multiplex as a research object -- 2. From cinema hall to multiplex : a public history -- 3. Film exhibition and the economic logic of the multiplex -- 4. India poised : assessing the geography of opportunity -- 5. Location and lifestyle : the infrastructure of urban leisure -- 6. Spatial politics of the multiplex : an environmental model -- 7. A 'decent crowd' : the social imagination of the multiplex public -- 8. Screening the multiplex -- Conclusion : the multiplex and the leisure economy

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MY MOTHER INDIA (AT, Safina Uberoi, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MYSTIC INDIA (II, Keith Melton, 2004)

Call No: 71(540) NAT
Author: Ghatak, Ritwick
CorpAuthor: National Film Archive of India
Source: II
Place: Bombay
Publisher: National Film Archive of India
PubDate: ??
PhysDes: 52 p. ; 29 cm
Subject: INDIA; FILM WORKERS; GHATAK, RITWIK; AJANTRIK (II, Ritwik Ghatak, 1958); MEGHE DHAKA TARA (II, Ritwik Ghatak, 1959)
Notes: Includes filmography.
Contents: The film and I,; My thoughts on cinema,; Ritwick Ghatak: an interview,; Bengali Cinema - Literary influences,; My present efforts,; Ritwick Ghatak says - by Sudhendu Dasgupta,; Outline of films: Bari thekey paliyne (1959), Ajantrik (1958), Meghe dhaka tara (1960), Komal gandhar (1961), Subarnarekha (1968) and Jukti takko aar goppo (1974).

Call No: 71(540) CHA
Author: Chakravarty, Sumita S
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1993
PhysDes: 341 p. : ill. ; 24 cm
Series: Texas film studies series
Subject: INDIA; NATIONAL IDENTITY IN FILMS. INDIA; MYTH AND THE CINEMA. INDIA; REALISM IN FILMS. INDIA; Ray, Satyajit; KAPOOR, RAJ; BACHCHAN, AMITABH; AWAARA (II, Raj Kapoor, 1952); HUM DONO (II, Amar Jeet, 1962); BHARAT MATA (II, Mehboob, 1957); MUGHAL-E-AZAM (II, Kariim Asif, 1952); SAHIB BIBI AUR GHULAM (II, Abrar Alvi, 1962); GANDHI (UK/II, Richard Attenborough, 1982); SHATRANJ KE KHILARI (II, Satyajit Ray, 1977)
Notes: Includes bibliographical references (p. 325-333) and index
ISBN: 0292711565 (pbk. : alk. paper); 0292755511 (alk. paper)
LON: 93016985; 9957067

Call No: 71(540) FIL
CorpAuthor: India. Directorate of Film Festivals
Place: New Delhi
Publisher: Directorate of Film Festivals, Ministry of Information and Broadcasting
PubDate: 1981
PhysDes: 183 p. : ill., map ; 23 cm
Subject: INDIA; WOMEN IN FILMS. INDIA
LON: 2315318

Call No: 71(540) VAS
Author: Vasudev, Aruna
Place: New Delhi
Publisher: Macmillan India
PubDate: 1986
PhysDes: 132 p. : ill. ; 25 cm
Subject: INDIA
Notes: Includes index
ISBN: 0333909283 : Rs85.00
LON: 5453650 5453650

Call No: 408.1(540) ONC
Source: CN
Place: Toronto
Publisher: Tsar
PubDate: 2007
PhysDes: xiv, 192 p. ; 23 cm
Subject: BOLLYWOOD; INDIA; CULTURE AND THE CINEMA. INDIA; GLOBALISATION; JOLLY, GURBIR; DEWEY, SUSAN; MEHTA, MONIKA; DESAI, RADHIKA; DECKHA, NITIN; SHARPE, JENNY; KAUR, RAVINDER; ANSARI, USAMAH; BENJAMIN, SONIA; SAIDULLAH, AHMAD; DEVI, PHOOLAN; KAPUR, SHEKHAR; THOMAS, JENNIFER; KHAN, MENBOOB; RUSHDIE, SALMAN; STADTLER, FLORIAN; MONSOON WEDDING (US/II, Mira Nair, 2001); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); BHARAT MATA (II, Mehboob, 1957); MOOR'S LAST SIGH, THE
Summary: "Once Upon a Time in Bollywood presents an extravaganza of essays on globalization and contemporary Hindi cinema ("Bollywood"). The wide-ranqinq analytic strategies in the collection - including ethnographic self-reflection, literary comparison, economic contextualization, and biographic study - bear witness to Hindi cinema's aesthetically elaborate and politically entangled treatment of postcolonial concerns. Together, these essays invite fresh, critically informed engagements with many of the key issues and creative tensions that continue to shape the world's most prolific film industry. For connoisseurs and critics of Hindi cinema alike, Once Upon a Time in Bollywood presents stirring insights into popular culture"--BOOK JACKET
Notes: Includes bibliographical references and index
ISBN: 9781894770408
Contents: Introduction: Globalization: The Musical / Gurbir Jolly -- Doing Bombay Darshan: The IMF, Structural Adjustment and National Identity in the Hindi Film Industry / Susan Dewey -- Globalizing Bombay Cinema: Reproducing the Indian State and Family / Monika Mehta -- Imagi Nation: The Reconfiguration of National Identity in Bombay Cinema in the 1990s / Radhika Desai -- From Artist-as-Hero to the Creative Young Man: Bollywood and the Aestheticization of Indian Masculinity / Nitin Deckha -- Gender, Nation, and Globalization in Monsoon Wedding and Dilwale Dulhania Le jayenge / Jenny Sharpe -- Viewing the West Through Bollywood: A Celluloid Occident in the Making / RAVlNDER KAUR -- Tempting Sights and Seven Seas: The Diasporic Self, Bollywood and the Gendered Politics of National Longing / Usamah Ansari -- The Trials of a Faithful Brahmin Wife, or How I Learned to Stop Worrying and Love Roja / Sonia Benjamin -- Power and Representation in Modern Indian Cinema: Case Studies from the Toronto Film Festival (1994) / Ahmad Saidullah -- Phoolan Devi's Open Letter to the Director of the Toronto International Film Festival -- Statement From the Director of the Toronto International Film Festival -- Defining Truth: An Interview with Shekhar Kapur -- Bollywood's Female Fantasies of Resistance: Online Fan Discourse and Modern Indian Identity / Jennifer Thomas -- Nargis and Aurora Zogoiby: Imaging Mother and Nation in Mehboob Khan's Mother India and Salman Rushdie's The Moor's Last Sigh / Florian Stadtler

Call No: 71(540) GAR
CorpAuthor: India. Directorate of Advertising and Visual Publicity
Place: [New Delhi
Publisher: The Directorate
PubDate: 1969]
PhysDes: [80] p. : ill. ; 26 cm
Subject: ACCHUT KANYA (II, Franz Osten, 1936); INDIA; DO BIGHA ZAMIN (II, Bimal Roy, 1953); PATHER PANCHALI (II, Satyajit Ray, 1955); APARAJITO (II, Satyajit Ray, 1957); BHARAT MATA (II, Mehboob, 1957); SAHIB BIBI AUR GHULAM (II, Abrar Alvi, 1962); CHEMMEEN (II, Ramu Kariat, 1966); APUR SANSAR (II, Satyajit Ray, 1958); SAGAR SANGAME (II, Debaki Bose, 1959); KALPANA (II, Uday Shankar, 1948); ACCHUT KANYA (II, Franz Osten, 1936); KUNKU (II, V. Shantaram, 1937); PRESIDENT (II, Nitin Bose, 1937); DEVDAS (II, P.C. Barua, 1935); PREM SANYAS (II, Franz Osten, 1926)
Notes: Cover title
LON: 377470

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984)

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984); NEW ZEALAND
Summary: Article on the success of 'A Passage to India' and the fundraiser for the RNZAF museum

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Box office figures for 'A Passage to India'

Call No: 71(540) RAN
Author: Rangoonwalla, Firoze
Place: London
Publisher: Hamlyn
PubDate: 1979
PhysDes: 5-125 p. : ill. (some col.), facsims., ports. (some col.) ; 31 cm
Subject: INDIA
Notes: Includes index
ISBN: 0600349098 : ª5.00
LON: 1829137

Call No: 61 POS DEG
Author: Degli-Esposti, Christina
Source: US
Place: New York
Publisher: Berghahn Books
PubDate: 1998
PhysDes: viii, 264 p. : ill. ; 22 cm
Subject: POSTMODERNISM AND THE CINEMA; POSTMODERNISM AND TV/VIDEO; POSTMODERNISM AND TV/VIDEO. USA; POSTMODERNISM AND THE CINEMA. USA; POSTMODERNISM AND THE CINEMA. JAPAN; POSTMODERNISM AND THE CINEMA. POLAND; POLAND; TRAVEL IN FILMS; FRANCE; IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES; IMPERIALISM AND THE CINEMA. FRANCE; HISTORY AND THE CINEMA; ETHNIC GROUPS IN FILMS; ANIMATION; YOUNG PEOPLE, FILMS FOR; ADAPTATIONS. FORSTER, E. M.; ADAPTATIONS. GENET, JEAN; AUTEUR THEORY; DEGLI-ESPOSTI, CHRISTINA; BARON, CYNTHIA; KRAIDY, MARWAN; WEINSTEIN, DAVID; SHARY, TIMOTHY; BRUNS, JOHN; MAULE, ROSANNA; FALKOWSKA, JANINA; STRAIN, ELLEN; BOLUS-REICHERT, CHRISTINE; LAGA, BARRY; DEUTELBAUM, MARSHALL; HOLDEN-MOSES, PHILIP; WILES, MARY; ALTMAN, ROBERT; JAMESON, FREDRIC; ITAMI, JUZO; FORSTER, E. M.; COEN, JOEL & ETHAN; KUROSAWA AKIRA; GREENAWAY, PETER; FASSBINDER, RAINER WERNER; PLAYER, THE (US, Robert Altman, 1992); ALADDIN (US, John Musker & Ron Clements, 1992); SIMPSONS, THE [TV] (US, 1989-); BILL AND TED'S EXCELLENT ADVENTURE (US, Stephen Herek, 1989); WAYNE'S WORLD (US, Penelope Spheeris, 1992); SINGLES (US, Cameron Crowe, 1992); REALITY BITES (US, Ben Stiller, 1994); TAMPOPO (JA, Juzo Itami, 1986); A NOS AMOURS (FR, Maurice Pialat, 1983); MESSA E FINITA, LA (IT, Nanni Moretti, 1985); QUE HE HECHO PARA MERECER ESTO!! (SP, Pedro Almodovar, 1984); PSY (PL, Wladyslaw Pasikowski, 1993); CZLOWIEK Z ... (PL, Konrad Szolajski, 1993); WHERE ANGELS FEAR TO TREAD (UK, Charles Sturridge, 1991); ROOM WITH A VIEW, A (UK, James Ivory, 1986); PASSAGE TO INDIA, A (US/UK, David Lean, 1984); CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); BARTON FINK (US, Joel Cohen, 1991); DREAMS (US, Akira Kurosawa, 1990); DROWNING BY NUMBERS (UK, Peter Greenaway, 1988); QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982)
Summary: By offering sophisticated and multi-faceted, yet highly accessible discussions on a number of key issues, Postmodernism in the Cinema presents new strategies for reading and understanding postmodernism and opens up the horizons of investigation to address the dynamic relationship between the art of moving images and complex concepts of postmodern theory. Organized according to specific themes such as auteurism, metacinema, national cinema, and the parodic, this anthology includes thirteen essays and examines films including The Player, Aladdin, Singles, Reality Bites, Wayne’s World, Tampopo, A Room with a View, Barton Fink, Akira Kurosawa’s Dreams, Drowning by Numbers, Coup de torchon, Querelle, and more. [Taken from back cover]
Notes: Papers from a conference held in 1994 at Kent State University, Kent, Ohio.; Includes bibliographical references and index.
ISBN: 1571811060
Contents: Introduction: Postmodernism(s) Cristina Degli-Esposti -- Chapter 1: The Player's parody of Hollywood: A different kind of suture - Cynthia Baron -- Chapter 2: Intertextual maneuvers around the subaltern: Aladdin as postmodern text - Marwan Kraidy -- Chapter 3: Of Mice and Bart: The Simpsons and the postmodern - David Weinstein -- Chapter 4: Reification and loss in postmodern puberty: The cultural logic of Fredric Jameson and American youth movies - Timothy Shary -- Chapter 5: Refiguring pleasure: Itami and the postmodern Japanese film - John Bruns -- Chapter 6: De-authorizing the auteur: postmodern politics of interpellation in contemporary European cinema - - Rosanna Maule -- Chapter 7: Postmodernist condition in post-socialist eastern European films: the case of a political pastiche and the socialist-hollywood thriller in recent films of Polish filmmakers - Janina Falkowska -- Chapter 8: E.M. Forster's anti-touristic tourism and the sightseeing gaze of cinema - Ellen Strain -- Chapter 9: Imaginary geographies: the colonial subjects in contemporary French cinema - Christine Bolus-Reichert -- Chapter 10: Decapitated spectators: Barton Fink, (Post)history, and cinematic pleasure - Barry Laga -- Chapter 11: Something like an autobiography in Akira Kurosawa's Dreams - Marshall Deutelbaum -- Chapter 12: Not waving but drowning by numbers: Peter Greenaway's cautionary tale - Philip Holden-Moses -- Chapter 13: A double voice: the dual paternity of Querelle - Mary Wiles
ID2: 291

Call No: 81BEN DAT
Author: Datta, Sangeeta
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2002
PhysDes: 246 p. : ill. ; 19 cm
Series: World Directors
Subject: BENEGAL, SHYAM; INDIA
Summary: Traces a career with its beginnings in political cinema and a realist aesthetic. The book demonstrates how the struggles of women and the dispossessed and marginalised in Indian society have found an eloquent expression in films as diverse as Nishant, Bhumika, Mandi, Suraj Ka Satwan Ghoda and Kalyug. The book also traces Benegal's work with his proteges and collaborators including many of the biggest names in Indian Cinema - Shabana Azmi, Smita Patil, Naseeruddin Shah, Om Puri, Govind Nihalani and more recently commercial stars Karishma Kapoor and A.R. Rahman - developing a style and ethos uniquely his. Explains both a stark contrast to Bollywood and yet also contains many creative continuities both with commercial cinema and his distinguished predecessor Satyajit Ray.
Notes: Notes: p.224-230 Bibliography: p.231-233 Filmography: p.234-239 Index: p.240-246
ISBN: 0851709087 (pbk.) 9851709079 (hbk.)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SO FAR FROM INDIA (US, Mira Nair, 1982)

Author: Baranowska, Carmela
PhysDes: Article; Illustration(s)
Subject: DOCUMENTARY FILMS. AUSTRALIA; PHANTOM INDIA [INDE FANTOME, L'] [TV] (FR, Louis Malle, 1969); SCENES FROM AN OCCUPATION (AT, Carmela Baranowska, 1999)
Summary: The author describes the difficulty of inexperienced documentary filmmakers in Australia receiving funding from government sources, and the hardships of filming in East Timor.

Call No: 71(540) MAN
Author: Manto, Saadat Hansan; Hasan, Khalid (trans.)
Source: II
Place: New Delhi
Publisher: Penguin Books
PubDate: 1998
PhysDes: xvi, 213 p., [4] p of plates : Ill., ports ; 21 cm
Subject: MOTION PICTURES - INDIA
ISBN: 0140275967

Call No: 71(548) TAM
Author: Velayutham, Selvaraj (ed)
Source: UK
Place: London
Publisher: Routledge
PubDate: 2008
PhysDes: xvi, 201 p. : ill. ; 24 cm
Series: Routledge media, culture and social change in Asia ; 14
Subject: INDIA; INDIAN CINEMA
Summary: "Examines the cultural and cinematic representations in Tamil cinema. Outlines the cinema's history and distinctive characteristics, and proceeds to consider a number of important themes such as gender and the portayal of women, religion, class and the politics of identity. S Velayutham, University of Western Sydney, Australia. " -- LIBRARIES AUSTRALIA
Notes: Formerly CIP; Includes bibliographical references and index; Recommended Reading HUMS 2023 2008
ISBN: 9780415396806
Contents: -- List of figures -- List of Contributors -- Acknowledgements -- Introduction: The Cultural History and Politics of South Indian Tamil Cinema -- Selvaraj Velayutham -- 1. A Good Woman, A Very Good Woman: Tamil Cinema's Women -- C.S. Lakshmi -- 2. The Tamil Film Heroine: From a Passive Subject to a Pleasurable Object -- Sathiavathi Chinniah -- 3. Bringing the Amman into presence in Tamil Cinema: Cinema Spectatorship as Sensuous Apprehension -- Kalpana Ram -- 4. Politics and the Film in Tamil Nadu: The Stars and the DMK -- Robert Hardgrave -- 5. The Nurturing Hero: Changing Images of MGR -- Sara Dickey -- 6. Tamil Cinema in the Public Sphere: The Evolving Art of Banner Advertisements in Chennai -- Preminda Jacob -- 7. Encountering a New Art: Writers Response to Cinema in Tamil Nadu -- Theodore Baskaran -- 8. Cinema in the Countryside: Popular Tamil Film and the Remaking of Rural Life -- Anand Pandian -- 9. Imaginary Geographies: The Makings of 'South' in Contemporary Tamil Cinema -- Rajan Krishnan -- 10. Encounters with 'India': (Ethno)-Nationalism in Tamil Cinema -- Vijay Devadas and Selvaraj Velayutham -- 11. The Diaspora and the Global Circulation of Tamil Cinema -- Selvaraj Velayutham -- Index --

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: TELEVISION. INDIA

Call No: 408.1 THE
Author: Vitali, Valentina; Willemen, Paul
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute, London
PubDate: 2006
PhysDes: 326 p. ill. : 24 cm
Subject: ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA; JAPAN; KOREA; REPUBLIC OF IRELAND; LATIN AMERICAN COUNTRIES; KRACAUER, SIEGFRIED; BURCH, NOEL; RUSSIA; FRANCE; TAIWAN; PALESTINE; ARAB COUNTRIES; INDIA; ASIAN COUNTRIES; EUROPEAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA; NATIONAL CULTURE IN FILMS; NATIONAL IDENTITY AND THE CINEMA; NATIONAL IDENTITY IN FILMS; GLOBALISATION
Summary: Why do we think of clusters of films as a 'national cinema'? Why has the relationship between the nation and film become so widely and uncritically accepted? Theorising National Cinema is a major contribution to work on national cinemas, by many of the leading scholars in the filed. It addresses the knotty and complex relationships between cinema and national identity, showing that the nationality of a cinema production company, and of the films it made, have not always been seen as pertinent. The volume begins by reviewing and rethinking the concept of national cinema in an age of globalisation, and it goes on to chart the parallel developments of national film industries and the idea of the nation state in countries as diverse as Japan, South Korea, Russia, France and Italy. The issue of a 'national cinema' for nation states of contested status, with disputed borders or displaced peoples, is discussed in relation to film-making in Taiwan, Ireland and Palestine. The contributors also consider the future of national cinema in an age of transnational cultural flows, exploring issues of national identity and cinema in Latin America, Asia, the Middle-East, India, Africa and Europe.
ISBN: 1844571203

Call No: 709 TRA
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2006
PhysDes: 266 p. : 24 cm
Subject: NATIONAL CULTURE AND THE CINEMA; GLOBALISATION; HISTORY OF CINEMA; MOVEMENTS IN FILM HISTORY; NEOREALISM; NOUVELLE VAGUE; EXPRESSIONISM; CZECHOSLOVAKIA; BRITAIN; DOGMA; COMMUNISM AND THE CINEMA; BRAZIL; ARGENTINA; AFRICA IN FILMS; ISRAEL; IRAN; INDIA; CITY OF SADNESS, A [; MELODRAMA; SONGS IN FILMS; JAPAN; HORROR FILMS; USA
Summary: The core volume in the Traditions in World Cinema series, this book brings together a colourful and wide-ranging collection of world cinematic traditions – national, regional and global – all of which are in need of introduction, investigation and, in some cases, reassessment. Topics include: German expressionism, Italian neorealism, French New Wave, British new wave, Czech new wave, Danish Dogma, post-Communist cinema, Brazilian post-Cinema Novo, new Argentine cinema, pre-revolutionary African traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, Chinese wenyi pian melodrama, Japanese horror, new Hollywood cinema and global found footage cinemas.
ISBN: 0748618635

Call No: 71(540) TRA
Author: Roy, Anjali Gera (ed.); Huat, Chua Beng (ed.)
Source: UK/II
Place: New Delhi
Publisher: Oxford University Press
PubDate: 2012
PhysDes: xxxi, 356 pages ; 23 cm
Subject: BOLLYWOOD; INDIA; INDIA IN FILMS; MUSICALS; GLOBALISATION; MULTICULTURALISM AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; NATIONAL CULTURE AND THE CINEMA; HISTORY OF CINEMA. INDIA; SLUMDOG MILLIONAIRE (UK/US, Danny Boyle and Loveleen Tandan, 2008)
Summary: "This volume brings together perspectives on Indian popular cinema, universally known as Bollywood now, from different disciplinary and geographical locations to look afresh at national cinemas. It shows how Bollywood cinema has always crossed borders and boundaries: from the British Malaya, Fiji, Guyana, Trinidad, Mauritius, and East and South Africa to the former USSR, West Asia, the UK, the USA, Canada, and Australia. While looking at the meanings of nation, diaspora, home, and identity in cinematic texts and contexts, the essays also examine how localities are produced in the new global process by broadly addressing nationalism, regionalism, and transnationalism, politics, and aesthetics, as well as spectatorship and viewing contexts." -- BOOK JACKET
Notes: Formerly CIP; Includes bibliographical references
ISBN: 0198075987; 9780198075981
Contents: pt. 1 Modernity, Globalization, Globality -- 1.Bollywood, Postcolonial Transformation, and Modernity / Bill Ashcroft -- 2.Cultural Flows, Travelling Shows: Bombay Talkies, Global Times / Makarand Paranjape -- 3.Mustard Fields, Exotic Tropes, and Travels through Meandering Pathways: Reframing the Yash Raj Trajectory / Madhuja Mukherjee -- pt. 2 Love Across the Border -- 4.The Lahore Film Industry: A Historical Sketch / Ishtiaq Ahmed -- 5.From Chandigarh to Vancouver: Reimagining Home and Identity in the Films of Harbhajan Mann / Nicola Mooney -- 6.Bollywood, Tollywood, Dollywood: Re-visiting Cross-border Flows and the Beat of the 1970s in the Context of Globalization / Anuradha Ghosh 7. Cinematic border crossings in Two Bengals: cultural translation as communalization? / Zakir Hossain Raju -- pt.3 The other film industry -- 8. Region, Language, and Indian Cinema: Mysore and Kannada Language Cinema of the 1950s / M.K Raghavendra -- 9. Modernity and Male anxieties in early Malayalam cinema / Meena T. Pillai -- 10. Cinema in motion: tracking Tamil cinema's assemblage / Vijay Devadas and Selvaraj Velayutham -- pt.4 Village in the city -- 11. Migrant, Diaspora, NRI: Bhojpuri cinema and the 'Local in the global' / D. Parthasarathy -- 12. Welcome to Sajjan: Theatre and Transnational Hindi Cinema / Nandi Bhatia -- pt.5 The travels of Bollywood Cinema: From Bombay to LA -- 13. Diasporic Bollywood: in the tracks of a twice-displaced community / Manas Ray -- 14. Marketing, Hybridity, and Media industries: Globalization and Expanding audiences for popular Hindi Cinema / Kavita Karan and David J. Schaefer -- 15. 'It was Filmed in My Home Town': Diasporic audiences and foreign locations in Indian popular cinema / Andrew Hassam -- 16. Yaari with Angrez: Whiteness for a New Bollywood Hero / Teresa Hubel -- 17. Bollywood films and African audiences / Gwenda Vander Steene -- 18. From Ghetto to Mainstream : Bollywood in/and South Africa / Haseenah Ebrahim --list of contributors -- index --

Call No: Journal shelves. Cteq.
PubDate: 1998
Subject: FRANCE; INDIA SONG (FR, Marguerite Duras, 1975)
Language: English

Call No: 213.13 TRU
Author: Emile Fallaux (ed.); Malu Halasa (ed.); Nupu Press (ed.)
CorpAuthor: International Film Festival Rotterdam
PubDate: 2003
PhysDes: 24 cm ; 164 p + CD
Subject: FINANCING. EUROPEAN COUNTRIES; FINANCING; AESTHETICS; FESTIVALS. ROTTERDAM; THIRD CINEMA; IRAN; MEHRUJUI, DARIUSH; PALESTINE; TURKEY; ARGENTINA; KUREISHI, HANIF; CITY OF SADNESS, A [; INDIA; NETHERLANDS; SOUTH AFRICA; LATIN AMERICAN COUNTRIES; MEXICO; RUSSIA
Summary: World Cinema in the Global Village. Variety in the age of globalization. Hollywood, Bollywood and Hong Kong may produce and export the bulk of the world’s movies but a steady supply of films from other cultures creates real diversity. Filmmakers who work in the context of emerging national cinemas need support to express themselves. For fifteen years, the Hubert Bals Fund of the International Film Festival Rotterdam has been providing that support. And the benefits have been mutual. [Taken from inside book].
Notes: Also contains a CD

Call No: 71(540) NIC
Author: Nichols, Beverley, 1899-1983
Place: London
Publisher: J. Cape
PubDate: 1944
PhysDes: 256 p. ; 20 cm
Subject: INDIA
LON: 5880497

Call No: 410.81 WAT
Author: Aveyard, Karina (ed.); Moran, Albert (ed.)
Source: UK
Place: Bristol, UK ; Chicago
Publisher: Intellect
PubDate: 2013
PhysDes: 418 p. ; 23 cm
Subject: THEORY; CINEMAS; CINEMAS. UK; NEWSREELS; AUDIENCE RECEPTION; AUDIENCES; AUDIENCES THEORY; AUDIENCE RESEARCH; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCE RESEARCH. UK; AUDIENCE RESEARCH. USA; AUDIENCE RECEPTION. NEW ZEALAND; AUDIENCE RECEPTION. AUSTRALIA; ITALY; NETHERLANDS; INDIA; BELGIUM; PORNOGRAPHY; INDEPENDENT FILMS
Summary: With a focus on the social, economic, and cultural factors that influence how we watch and think about movies, this volume centres its investigations on four areas of inquiry: Who watches films? Under what circumstances? What consequences and effects follow? And what do these acts of consumption mean? Responding to these questions, the contributors provide both historical perspective and fresh insights into the ways in which new viewing arrangements and technologies influence how films are watched around the world.
Notes: Includes bibliographical references and index.
ISBN: 9781841505114
Contents: Foreword : Richard Maltby -- Introduction : New perspectives on movie-going, exhibition and reception --; Part one: Theoretical perspectives -- Chapter one: Cinema, modernity and audiences: Revisiting and expanding the debate: Daniel Biltereyst -- Chapter two: What is a cinema? Death, closure and the database: Deb Verhoeven -- Chapter three: A poetics of film-audience reception? Barbara Deming goes to the movies: Albert Moran -- Chapter four: The porous boundaries of newsreel memory research: Louise Anderson -- Chapter five: Why are children the most important audience for pornography in Australia?: Alan McKee --; Part two: The film industry - systems and practices -- Chapter six: Local promotion of a 'Picture Personality': a case study of the vitagraph girl: Kathryn Fuller-Seeley -- Chapter seven: 'Calamity howling': the advent of television and Australian cinema exhibition: Mike Walsh -- Chapter eight: A nation of film-goers: audiences, exhibition and distribution in New Zealand: Geoff Lealand -- Chapter nine: The critical reception of 'Certified Copy': original art or copy of a rom-com?: Eylem Akatav; Part three: Moview theatres - from Picture Palace to the Multiplex -- Chapter ten: Movie-going in the Shenandoah Valley of Virginia: A case study of place, transportation, audiences, racism, censorship and Sunday showings: Douglas Gomery -- Chapter eleven: From Mom-and-Pop to Paramount Publix: selling the community on the benefits of national theatre chains: Jeffrey Klenotic -- Chapter twelve: A progressive city and its cinemas: technology, modernity and the spectacle of abundance: Mark Jancovich and Lucy Faire with Sarah Stubbings -- Chapter thirteen: 'They don't need me in heaven...there are no cinemas there, ye know': cinema culture in Antwerp (Belgium) and the Empire of Georges Heylen, 1945-75: Kathleen Lotze and Philippe Meers -- Chapter fourteen: from out-of-town to the edge and back to the centre: multiplexes in Britain from the 1990s: Stuart Hanson --; Part four: on the margins -- Chapter fifteen: The place of rural exhibition: makeshift cinema-going and the Highlands and Islands Film Guild (Scotland): Ian Goode -- Chapter sixteen: 'A Popcorn-free zone': distinctions in independent film exhibition in Wellington, New Zealand: Ian Huffer -- Chapter seventeen: getting to see women's cinema: Julia Knight -- Chapter eighteen: Shifting fandoms of film, community and family: Tom Phillips --; Part five: Just watching movies? -- Chapter nineteen: watching popular films in the Netherlands, 1934-36: Clara Pafort-Overduin -- Chapter twenty: Contemporary Italian film-goers and their critics: Alan O'Leary and Catherine O'Rawe -- Chapter twenty one: Imagining a 'decent crowd' at the Indian multiplex: Adrian Mabbott Athique -- Chapter twenty two: The VHS generation and their movie experiences: Janna Jones --

Call No: 81CHO DWY
Author: Dwyer, Rachel
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2002
PhysDes: xiv 218 p. : ill. ; 19 cm
Series: BFI world directors
Subject: CHOPRA, YASH; INDIA; DEEWAR (II, Yash Chopra, 1975); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995])
Notes: Includes bibliographical references and index
ISBN: 0851708757

Call No: 71(5)
Place: Frankfurt
Publisher: Frankfurter Bund fur Volksbildung
PubDate: 1963
PhysDes: 44 p. ; illus. ; 30 cm
Subject: SRI LANKA; INDIA; INDONESIA; JAPAN; KOREA; PAKISTAN; USSR; VIETNAM; CITY OF SADNESS, A [
Language: German