Search Catalogue

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: FANNING, ELLEN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: ELLIS, RENNIE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: DUNN, TED

Call No: DVD RESEARCH FOLDER
Subject: DVD; DVD, FILMS ON; HOME EQUIPMENT; HOME EXHIBITION; PRESERVATION OF FILMS; CRITERION COLLECTION; MANGA; BROOKER, WILL; AROSTEGUY, SUSAN; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003); FIGHT CLUB (US, David Fincher, 1999)
Contents: A DVD edition of Velvet Light Trap. Index follows:; -- Introduction.; -- Craig Hight - Making-of documentaries on DVD: The Lord of the Rings Trilogy and Special Editions.; -- Nathan Carroll - Unwrapping archives: DVD Restoration Demonstrations and the markteting of authenticity.; -- Bradley Schauer - The Criterion Collection in the New Home Video Market: An interview with Susan Arosteguy.; -- Derek Johnson - Star Wars fans, DVD, and cultural ownership: an interview with Will Brooker.; -- Laurie Cubbison - Anime Fans, DVDs, and the authentic text.; -- James Kendrick - Aspect ratios and Joe Six-Packs: home theatre enthusiasts' battle to legitimze the DVD experience.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FANTASTIC FOUR (US/GG, Tim Story, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ENCHANTED (US, KEVIN LIMA, 2007)

Author: Ansen, David
Subject: DUNE (US, David Lynch, 1984)
Summary: Review of 'Dune' that originally appeared in Newsweek

Call No: PERSONALITY CLIPPINGS FILE; DUSSELDORP, MARTA
Author: Rolfe, Dominic
PhysDes: Clippings File Article
Subject: DUSSELDORP, MARTA; WINSPEAR, BEN
Summary: Interviews with a series of 'creative couples.' This section is about Marta Dusseldorp and Ben Winspear

PhysDes: Article
Subject: DRIVE-IN CINEMAS; 3-D AND THE CINEMA; 3-D FILMS
Summary: Article on 3-D tests at drive-ins.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [EIGHT] 8 (FR, Jane Campion, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [EIGHT] 8 MILE (US, Curtis Hanson, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [EIGHT] 8 WOMEN [HUIT FEMMES] (FR, Francois Ozon, 2001)

Author: Quinlivan, Beth
PhysDes: Article; Press kit
Subject: DUSTY (AT, John Richardson, 1983)
Summary: Review

Call No: 19TWE EYM
Author: Eyman, Scott
Edition: 2021
Place: New York
Publisher: Running Press
PhysDes: 296 pages : illustrated ; 24 cm
Subject: TWENTIETH CENTURY-FOX; ZANUCK, DARRYL F.; BORZAGE, FRANK; CHAPLIN, CHARLES; DUNNE, PHILIP; FORD, JOHN; HOW GREEN WAS MY VALLEY (US, John Ford, 1941); LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962); PARAMOUNT STUDIOS; POWER, TYRONE; SCHENCK, JOSEPH M.; SOUND OF MUSIC, THE (US, Robert Wise, 1965); TEMPLE, SHIRLEY; WAYNE, JOHN; TAYLOR, ELIZABETH
Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019. March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web site
ISBN: 9780762470938

Call No: FESTIVAL CATALOGUE SHELVES
Place: London, UK
Publisher: [s.n.]
PubDate: 2006
PhysDes: 31 p. : ill. ; 30 cm
Subject: FESTIVALS. LONDON [VARIOUS]; QUEER CINEMA; SHORT FILMS; DOCUMENTARY FILMS; EUROPEAN CINEMA; FOREIGN FILMS USE: IMPORT OF FILMS; WORLD CINEMA; WESTERNS; HOMOSEXUALITY IN FILMS
Notes: The 20th London Lesbian and Gay Film Festival includes a selection of feature length films, short films and documentaries. The festival also hosts various film retrospectives including a "Queer look at the Western" genre and "Gay TV". The catalogue also contains numerous colour stills, film synopses and an index.
ID2: 104

Call No: 71(497.2) TWE
Author: Film Bulgaria
CorpAuthor: Film Distribution State Enterprise, Sofia
Source: BU
Publisher: Film Distribution State Enterprise, Sofia
PubDate: 1969 (approx.)
PhysDes: 1 v. : ill., ports. ; 27cm
Subject: BULGARIA; NATIONAL CULTURE AND THE CINEMA; EDUCATIONAL FILMS; ANIMATED FILMS; DOCUMENTARIES; BULGARIAN FILM LIBRARY
Language: English/Bulgarian

Call No: FESTIVAL CATALOGUE SHELVES
Place: Sydney, NSW
Publisher: [s.n.]
PubDate: 1978
PhysDes: 30 p. : ill. ; 28 cm
Subject: FESTIVALS. SYDNEY; FESTIVALS. AUSTRALIA. SYDNEY TRAVELLING; WORLD CINEMA; EUROPEAN CINEMA
Notes: The 25th Anniversary of the Sydney Film Festival program is an overview of the festival from its inception in 1954 through to 1978. This commemorative catalogue chronologically details the highlights and special events of each festival including directors and actors in attendance. The catalogue also includes numerous black and white stills of a variety of classic films that have featured at the festival. And also provided is an alphabetical listing of feature filmmakers whose work has been screened. The Travelling Film Festival is also mentioned detailing films shown and locations visited.

Call No: 802.25(94) MAT
Author: Mathews, Sue, 1952
Source: AT
Place: Ringwood, Vic.
Publisher: Penguin
PubDate: 1984
PhysDes: 295 p. : ill., ports. ; 20 cm
Subject: DIRECTORS. AUSTRALIA; DIRECTION; INDUSTRY, FILM. AUSTRALIA; SCHEPISI, FRED; WEIR, PETER; ARMSTRONG, GILLIAN; DUIGAN, JOHN; MILLER, GEORGE
Summary: "In this collection of interviews, five of Australia's most successful film directors discuss Australian cinema - from the startling resurgence of the industry to their roles as directors compared with those overseas. They talk about how films actually get made, their individual cinematic aspirations, and discuss issues such as whether Australian films should become more 'international'. These interviews make up a portion of new Australian cinema." [Book blurb]
Notes: Australian cinema films. Directors. Interviews (ANB/PRECIS SIN 0699594); Australian cinema films (ANB/PRECIS SIN 0390917); Cover subtitle: Conversations with five directors about the Australian film revival; Filmography: p. 279-293
ISBN: 0140067094 : $9.95 Aust
LON: anb14006709; 3025187
ID2: 161

Call No: 802.25 FIF
Author: Cowie, Peter
Place: South Brunswick, N.J.
Publisher: A. S. Barnes
PubDate: c1975
PhysDes: 287 p. : ill. ; 29 cm
Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA, JUN; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO
Notes: Includes filmographies and index
ISBN: 0498012557 : $20.00
LON: 723676
ID2: 291

Author: McFarlane, Brian
PhysDes: Article
Subject: [EIGHTY-FOUR] 84 CHARING CROSS ROAD (UK/US, David Hugh Jones, 1984)
Summary: Review; Credits

Author: Osborne, Cathering
PhysDes: Article
Subject: [EIGHTY-FOUR] 84 CHARING CROSS ROAD (UK/US, David Hugh Jones, 1984)
Summary: Review

Author: Pearson, Georgina
PhysDes: Article
Subject: EVENT ZERO (AT, Enzo Tedeschi, 2017)
Summary: Georgina Pearson goes on set of the high end web series EVENT ZERO.

Call No: 71(73)WOO
Author: Wood, Jason
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: xiii, 263 p. : ill. ; 17 cm
Series: BFI screen guides
Subject: INDEPENDENT FILMS. USA; FESTIVALS. CANNES; AWARDS. INDEPENDENT SPIRIT; FESTIVALS. PARK CITY. SUNDANCE; BUSCEMI, STEVE; CASSAVETES, JOHN; LYNCH, DAVID; LEE, SPIKE; SAYLES, JOHN; SODERBERGH, STEVEN; SCORSESE, MARTIN; Tarantino, Quentin; GODARD, JEAN-LUC; HARTLEY, HAL; HOPPER, DENNIS; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); EASY RIDER (US, Dennis Hopper, 1969)
Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover].
Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes index
ISBN: 1844570061

Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Call No: F023 (430.1) DIE
Edition: [1950?]
Place: Wiesbaden-Biebrich, Germany
Publisher: Der Neue Film
PubDate: [1950?]
PhysDes: 29 cm
Subject: GERMAN FEDERAL REPUBLIC; DISTRIBUTION. EUROPE; EXHIBITION. EUROPEAN COUNTRIES

Author: Edgley, Michael: Chairman at Michael Edgley Productions
Subject: EDGLEY, MICHAEL; MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; INDUSTRY, FILM. AUSTRALIA
Summary: Edgley's views on the proposed consumer tax and the 40th M.P.E. convention

Call No: 771(94) TWO
Source: AT
Place: Melbourne
Publisher: National Gallery of Victoria
PubDate: 2004
PhysDes: 221 p. : col. ill. ; 17 x 17 cm
Subject: EXPERIMENTAL FILMS; EXPERIMENTAL FILMS. AUSTRALIA; AVANT-GARDE FILMS. AUSTRALIA; UNDERGROUND FILMS. AUSTRALIA
Contents: 2004 : mapping contemporary Australian art and new media / Charles Green -- Surveying the boundaries of nation : from montage to network / Victoria Lynn -- Roundtable. Always turning art back into politics / Philip Brophy ... [et al.] -- Essays. Body: Extreme makeover : the 21st century body / Isobel Crombie ; Boredom : Bored? / Anonda Bell ; Collaboration : The ethics of collaboration / Nikos Papastergiadis ; Critic : The artist, the director, the manager and their critic / Blair French ; Decades : Against pluralism / Rex Butler ; Epic : Slashing and storming and sinning our war across adventure's most violent age / Clare Stewart ; Fashion : Telling tales / Katie Somerville ; Hybrid : Attack of the killer hybrids / Adrian Martin ; Indigenous : Spirit, resonance and innovation : indigenous art 2002-04 / Judith Ryan ; Net : net.bytes / Melinda Rackham ; Painting : Fast-forward painting / Kelly Gellatly ; Reality TV : Beyond the shadow of reality / Catharine Lumby

Call No: N79EDG POW
Author: Powell, Michael, 1905-1990
Place: London
Publisher: Faber & Faber
PubDate: [1938]
PhysDes: xii, 334 p. : ill., map, ports. ; 23 cm
Subject: EDGE OF THE WORLD (UK, Michael Powell, 1937)
Notes: Title of American ed. 200,000 feet; the edge of the world; Describes the making of the film The edge of the world
LON: nla07511193; 6520755

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: Salter, David
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; PRODUCTION, TV. AUSTRALIA; DRAMAS. AUSTRALIA
Summary: Opinion piece on the call for the Australian Broadcasting Corporation to produce more local drama

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Fenech, Stephen
Subject: DISTRIBUTION. DVD; DISTRIBUTION. DVD. AUSTRALIA; DVD, FILMS ON
Summary: An overview of the DVD in Australia and it's popularity. Mentions the popularity of special features and director's cuts of films which make the DVD a very attractive option for consumers.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- "Special features are another factor that have catapulted DVD ahead of VHS tape..."In purchase-intent research, 84 per cent of respondents indicated special features are worth spending extra money for," Grant says. "When offered a single-disc feature-only option, 61 per cent indicated that they were interested only in owning the film"

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION. 2015
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; DRAMAS. AUSTRALIA
Summary: Report on the recent cuts to production by the Australian Broadcasting Corporation, and the ramifications it has had on a number of producers

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: ABHIJAN (II, Satyajit Ray, 1962); EXPEDITION, THE (II, Satyajit Ray, 1962)
Notes: Review from "Twelve Thousand Motion Pictures" article. - Barrie Pattison (assistant reviewer)

Call No: 451-054(=1-81) JEN
Author: Jennings, Karen Una
CorpAuthor: Murdoch University. School of Human Communication. M.A. in Literature and Communication Programme
PubDate: 1987
PhysDes: iv, 167 leaves ; 30 cm
Subject: ABORIGINAL AUSTRALIAN CINEMA; AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); JOURNEY AMONG WOMEN (AT, Tom Cowan, 1977); ELIZA FRASER (AT, Tim Bustall, 1976); MANGANINNIE (AT, John Honey, 1980); BACKLASH (AT, Bill Bennett, 1986); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987); SISTER IF YOU ONLY KNEW (AT, Janet Isaac, 1975)
Notes: Bibliography: p. 153-67
LON: abn89090906; 9151758

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: ABRAHAM LINCOLN (US, Philip Rosen, 1924); DRAMATIC LIFE OF ABRAHAM LINCOLN, THE (US, Philip Rosen, 1924)
Notes: Review from "Twelve Thousand Motion Pictures" article. - Barrie Pattison (assistant reviewer). - "Abraham Lincoln" is the short title of "The Dramatic Life of Abraham Lincoln"

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EMBRACE THE SERPENT [EL ABRAZO DE LA SERPIENTE] (VE/CK/AG, Ciro Guerra, 2015)

Call No: 771 LEG
Author: Le Grice, Malcolm
Place: London
Publisher: Studio Vista
PubDate: 1977
PhysDes: 160 p. : ill. ; 23 cm
Subject: EXPERIMENTAL FILMS
Notes: Includes index; Bibliography: p. 156-158
ISBN: 0289705916 : ª6.95
LON: 78300467; 1128771

Call No: 462-054.72 NAF
Author: Naficy, Hamid
Source: US
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 2001
PhysDes: v, 374 p. : ill. ; 24 cm
Subject: NATIONAL CULTURE AND THE CINEMA; EMIGRANT FILM WORKERS; EGOYAN, ATOM; KHLEIFI, MICHEL; NAIR, MIRA; SOLANAS, FERNANDO E.; AKERMAN, CHANTAL; NADERI, AMIR; MEKAS, JONAS; MARKER, CHRIS; GITAI, AMOS; TARKOVSKY, ANDREI
Notes: Includes bibliographical references and index.
ISBN: 0691043914

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: ACCIDENTAL DEATH [TV] (UK, Geoffrey Nethercott, 1963); EDGAR WALLACE MYSTERY THEATRE, THE [TV] (UK, 1960-1962)
Notes: Review from "Twelve Thousand Motion Pictures" article. - Barrie Pattison (assistant reviewer). - "Accidental Death" is from season 5 [five], episode 2 [two] of the "The Edgar Wallace Mystery Theatre" television series that was originally aired on November 1963. - "Edgar Wallace" (alternative UK title for the television series). - "Tales of Edgar Wallace" (alternative UK title for the television series)

Subject: STONE (AT, Sandy Harbutt, 1974); DOVE, THE (US, Charles Jarrott, 1974); ADVERTISING FOR FILMS; INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Article that analyses Ace's publicity for Stone and The Dove in Western Australia and how this directly helped both films at the box office

PhysDes: Article
Subject: HOYTS; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : WESTERN AUSTRALIA; DRIVE-IN CINEMAS. AUSTRALIA : WEST AUSTRALIA
Summary: Announcement of the retirement of John Pye from The Ace Group. Goes on to list The Ace Group's achievments in drive-in cinemas across Western Australia.

Call No: 626:396 SIL
Author: Silverman, Kaja
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1988
PhysDes: x, 257 p. ; 25 cm
Series: Theories of representation and difference
Subject: PSYCHOANALYSIS AND THE CINEMA; SEMIOLOGY; FEMINISM AND THE CINEMA; FREUD, SIGMUND
Summary: Analysis of the sound-track of films specifically focused on the female voice, understood not only as dialogue, narration or commentary but as means of generating subjectivity.
Notes: Includes index; Bibliography: p. 235-253
ISBN: 0253204747 (pbk.); 0253302846
LON: 87045834; 5540482
Contents: Lost objects and mistaken subjects: a prologue -- Body talk -- The fantasy of the maternal voice: female subjectivity and the negative Oedipus complex -- Disembodying the female voice : Irigaray, experimental feminist cinema, and femininity -- The female authorial voice

Call No: 761 WIN
Author: Winston, Brian; Vanstone, Gail; Chi, Wang
Source: UK
Place: London
Publisher: Bloomsbury Academic
PubDate: 2017
PhysDes: xii ; 271 pages : illustrations ; 23 cm
Subject: DOCUMENTARY FILMS; FILMMAKING; AESTHETICS; EDITING; PRODUCTION; CAMERAS
Summary: “Fiercely argued, urgently rendered, and rigorously researched, The Act of Documenting whacks through the ethical, political, moral, evidentiary, and argumentative acts undergirding documentary production and reception. This gutsy, vital book cuts to the core of documentary: it interrogates the place of documentary in the world and how it engages people and ideas in ways that truly matter. Moving adroitly between the histories of analog documentary and the promising landscapes of digital forms, this substantial, sage book irrefutably shows that ethics, politics, and philosophical inquiry override formats, interfaces, and technologies. Polemical yet lyrical, forceful yet inviting, this book leaves the reader exhilarated with new ways of thinking about and through documentary. The opening chapter précis could be assembled as an intellectual toolkit for all us in the act of documentary-theorists, historians, practitioners, programmers, or offered as a manifesto cracking open the most salient issues demanding our attention and action.” -- Patricia R. Zimmermann, Professor of Screen Studies, Ithaca College, USA
Notes: Includes bibliographical references and index
ISBN: 9781501309175

Author: Alain Bergala
Subject: DIRECTION; EDITING; THEORY
Summary: Examines the enormous number of cinematic choices which must be decided on in filming even the most banal situation, from shooting through to the editing process. In French.

Call No: 451-01 BIN
Author: Bingham, Dennis, 1954
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1994
PhysDes: x, 271 p. : ill. ; 24 cm
Subject: MEN IN FILMS; GENDER AND THE CINEMA; WESTERNS; SADISM / MASOCHISM IN FILMS; HITCHCOCK, ALFRED; Stewart, James; NICHOLSON, JACK; EASTWOOD, CLINT; LAST DETAIL, THE (US, Hal Ashby, 1973); BEGUILED, THE (US, Don Siegel, 1971); CHINATOWN (US, Roman Polanski, 1974); DIRTY HARRY (US, Don Siegel, 1971); HARVEY (US, Henry Koster, 1950); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); SHINING, THE (UK, Stanley Kubrick, 1980); TIGHTROPE (US, Richard Tuggle, 1984); UNFORGIVEN (US, Clint Eastwood, 1992); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990)
Notes: Includes bibliographical references (p. [253]-263) and index
ISBN: 0813520738; 0813520746 (pbk.)
LON: 10548892

Call No: 753.8VER
Author: Verrone, William
Source: UK
Place: London
Publisher: Bloomsbury academic
PubDate: 2013
PhysDes: vi, 275 p. ; 24 cm
Subject: ADAPTATIONS; AVANT-GARDE FILMS; EXPERIMENTAL FILMS; GREENAWAY, PETER; GODARD, JEAN-LUC; MADDIN, GUY; SVANKMAJER, JAN; SCORPIO RISING (US, Kenneth Anger, 1964); FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970); FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970); HITLER, A FILM FROM GERMANY (GW/UK/FR, Hans Jurgen Syberberg, 1977) SEE HITLER - EIN FILM AUS DEUTSCHLAND; STREET OF CROCODILES (UK, Brothers Quay, 1986); DANTE QUARTET, THE (US, Stan Brakhage, 1987); ALICE (SZ/GW/UK, Jan Svankmajor, 1988) SEE NECO Z ALENKY; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988); PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991); WISCONSIN DEATH TRIP (US, James Marsh, 1999); SPECTRES OF THE SPECTRUM (US, Craig Baldwin, 1999); DRACULA: PAGES FROM A VIRGIN'S DIARY (CN, Guy Maddin, 2002)
Summary: Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-garde directors. Avant-Garde films are often relegated to the margins because they challenge our traditional notions of what film form and style can accomplish. Directors who choose to adapt previous material run the risk of severe critical dismay; making films that are highly subjective interpretations or representations of existing texts takes courage and foresight. An avant-garde adaptation provokes spectators by making them re-think what they know about film itself, just as much as the previous source material.Adaptation and the Avant-Garde examines films by Peter Greenaway, Jean-Luc Godard, Guy Maddin, Jan Svankmajer and many others, offering illuminating insights and making us reconsider the nature of adaptation, appropriation, borrowing, and the re-imagining of previous sources. -- extract taken from the back of the book. --
Notes: Formerly CIP. -- Includes bibliographical references and index --
ISBN: 9781441163523
Contents: -- pt. I Historical and Theoretical Background -- ch. 1 Defining the Avant-Garde Film -- ch. 2 Adaptation Theory and Practice -- ch. 3 Appropriation -- ch. 4 The Exploitative Adaptation -- ch. 5 Why Avant-Garde? -- pt. II A Chronology of Avant-Garde Film Adaptation -- ch. 6 A Brief Narrative History of Avant-Garde Film Adaptation or, Some Instances of Avant-Garde Adaptation -- pt. III Case Studies -- ch. 7 The Fall of the House of Usher -- ch. 8 Scorpio Rising -- ch. 9 Fruit of Paradise -- ch. 10 Hitler: A Film from Germany -- ch. 11 Street of Crocodiles -- ch. 12 The Dante Quartet -- ch. 13 Alice -- ch. 14 Prospero's Books -- ch. 15 Wisconsin Death Trip -- ch. 16 Spectres of the Spectrum -- ch. 17 Dracula: Pages from a Virgin's Diary --

Call No: 753 ADA
Author: Cartmell, Deborah; Whelehan, Imelda
Source: US/UK
Place: London New York
Publisher: Routledge
PubDate: 1999
PhysDes: xvii, 247 p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ANIMATION; BATMAN IN FILMS; TELEVISION AND THE CINEMA; TELEVISION IN FILMS; CAMPION, JANE; BATMAN [TV] (US, 1965-67); SCARLET LETTER, THE (US, Roland Joffe, 1995); SENSE AND SENSIBILITY (US, Ang Lee, 1995); EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Gillian Armstrong, 1994); LITTLE WOMEN (US, Mervyn LeRoy, 1948); NAKED LUNCH (CN/UK, David Cronenberg, 1991); SCHINDLER'S LIST (US, Steven Spielberg, 1993); TRAINSPOTTING (UK, Danny Boyle, 1996); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); BATMAN (US, Tim Burton, 1989); [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996)
Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURB
Notes: Includes bibliographical references (p. 226-238) and index
ISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)
LON: 14255526
Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan

Call No: 753.1 ADA
Author: Harrison, Stephanie
Edition: First edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: c2005
PhysDes: xix, 619 p. : ill. ; 24 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985)
Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.
Notes: Also issued online
ISBN: 1400053145
Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --

Call No: 81TRU MAN
Author: Trumbo, Dalton
Source: CN
Place: Toronto
Publisher: Bantam Books
PubDate: 1972
PhysDes: 620 p. ; 18cm
Subject: TRUMBO, DALTON; GUY NAMED JOE, A (US, Victor Fleming, 1943); EXODUS (US, Otto Preminger, 1960); LONELY ARE THE BRAVE (US, David Miller, 1962); SPARTACUS (US, Stanley Kubrick, 1960); BRAVE ONE, THE (US/AT, Neil Jordan, 2007); JOHNNY GOT HIS GUN (US, Dalton Trumbo, 1971)
Summary: This book contains the correspondence of Dalton Trumbo, blacklisted in Hollywood during the McCarthy era, and author , under the pseudonym of Robert Rich, of such screen plays as Exodus, Sparticus, and The Brave One. He was also the writer of the anti war novel, Johhny Got His Gun, and director of the film made of the book [ Taken from the back of the book]
Notes: Includes index
ISBN: 55306951195

Call No: 626:165.62 SOB
Author: Sobchack, Vivian Carol
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1992
PhysDes: xxi, 330 p. : ill. ; 25 cm
Subject: MERLEAU-PONTY, MAURICE; PHILOSOPHY AND THE CINEMA; SPECTATORSHIP; SEMIOLOGY; PERCEPTION; EXISTENTIALISM AND THE CINEMA
Notes: Includes bibliographical references (p. 311-321) and index
ISBN: 0691031959 (alk. paper)
LON: 8114969

Call No: 171(94) WIL
Source: AT
PubDate: 1985
PhysDes: 11 pages ; 30 cm
Subject: INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN FILM COMMISSION; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA; PRODUCTION. AUSTRALIA; MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA; TAXES. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Summary: Kim Williams gives the Australian Film Commission's point of view regarding the main issues and challenges of the Australian film industry from all aspects. A key subject area of the speech relates to federal government taxes in Australia, particularly the administration of 10 BA

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: FAREWELL MISTER HAFFMAN [ADIEU MONSIEUR HAFFMANN] (FR/BE, Fred Cavaye, 2021)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ADIEUX A LA REINE, LES (FR/SP, Benoit Jacquot, 2012); FAREWELL, MY QUEEN (FR/SP, Benoit Jacquot, 2012)
URL status: URL: 'http://file://Q:/T/FAREWELL_MY_QUEEN.zip' Checked: 31/08/2021 1:31:30 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 71-053.6 HER
Author: Herche, Victoria
Edition: 2021
Place: Heidelberg
Publisher: Universitatsverlag Winter
PubDate: 2021
PhysDes: 252 pages : illustrated; 26 cm
Series: Anglistische Forschungen; 465
Subject: YOUNG PEOPLE AND THE CINEMA. AUSTRALIA; AUSTRALIA; TEEN FILMS; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; TOOMELAH (AT, Ivan Sen, 2011); BENEATH CLOUDS (AT, Ivan Sen, 2001); STONE BROS. (AT, Richard Frankland, 2009); LUCKY MILES (AT, Michael James Rowland, 2007); MOTHER FISH (AT, Khoa Do, 2010); TWO HANDS (AT, Gregor Jordan, 1999); AUSTRALIAN RULES (AT, Paul Goldman, 2002); DROWN (AT, Dean Francis, 2014); BEAUTIFUL KATE (AT, Rachel Ward, 2009); SOMERSAULT (AT, Cate Shortland, 2004); ADORATION (AT/FR, Anne Fontaine, 2013); SAPPHIRES, THE (AT, Wayne Blair, 2012); BRAN NUE DAE (AT, Rachel Perkins 2009)
Summary: Deeply rooted in Australia’s construction as a young nation, ‘coming of age’ has been the defining narrative of Australia’s national cinema. This book provides the first study which systematically explores the ‘coming of age’ theme in Australian feature films produced since the turn of the millennium, foregrounding how films use a range of diverse (his)stories to respond to the centrality of this theme. Rather than focussing on ‘coming of age’ mainly in its portrayal of a (successful) maturation process, this study explores the possibilities inherent in what is conceived of as a ‘permanently’ transitional ‘coming of age’ process, providing a crucial starting point for the re-definition of national fictions. A range of cinematic genres, including the road movie, crime film, sport film, romance and musical, is used to challenge and (to varying degrees) destabilise the national myth of Australia as a youthful, egalitarian society with a chance and ‘fair go’ for everyone. -- publisher's web site
ISBN: 9783825369187

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AEREO PER BAALBECK, UN (IT/FR/LE, Marcello Giannini, 1964); FBI OPERAZIONE BAALBECK (IT/FR/LE, Marcello Giannini, 1964); LAST PLANE TO BAALBEK (IT/FR/LE, Marcello Giannini, 1964)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - Although the article refers to the film as "Un Aereo per Baalbeck" that was the working title only, with the film more commonly known as "F.B.I. Operazione Baalbeck". - "Last Plane to Baalbek" (English title)

Call No: 633.3 (41)
Author: Hockenhull, Stella
Source: UK
Place: London, UK ; New York, NY.
Publisher: I.B. Tauris & Co Ltd
PubDate: 2014
PhysDes: ix, 236 p. : ill. ; 22 cm.
Subject: BRITISH CINEMA; AESTHETICS; LANDSCAPES IN FILMS; REALISM IN FILMS; ART AND THE CINEMA; EMOTION IN FILMS; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002); LADIES IN LAVENDER (UK, Charles Dance, 2004); MISS POTTER (UK/US, Chris Noonan, 2006); LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006); WAR ZONE, THE (UK, Tim Roth, 1999); RATCATCHER (UK, Lynne Ramsey, 1999); CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002); NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006); LAST RESORT, THE (UK, Pawel Pawlikowski, 2000); MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004); QUEEN, THE (UK/IT/FR, Stephen Frears, 2006)
Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURB
Notes: Includes bibliographical references and index.
ISBN: 9781848859012
Donation: donated by Senses of Cinema, 2014

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFFAIRE DREYFUS, L' [TV] (FR/GG, Yves Boisset, 1995); DREYFUS AFFAIR, THE (FR/GG, Yves Boisset, 1995)

Author: Smaill, Belinda
PhysDes: Article
Subject: DOCUMENTARY FILMS. AUSTRALIA; ASIANS IN FILMS. AUSTRALIA; ETHNIC GROUPS AND THE CINEMA; PSYCHOLOGICAL EFFECTS OF FILMS; FINISHED PEOPLE, THE (AT, Khoa Do, 2003); LETTERS TO ALI (AT, Clara Law, 2004); SADNESS: A MONOLOGUE BY WILLIAM YANG (AT, Tony Ayres, 1999); CHINESE TAKEAWAY (AT, Mitzi Goldman, 2002)
Summary: Documentary is a genre not widely understood through its capacity to engage the emotions. This article works to acknowledge the affective labour performed by documentary and, more specifically, the way emotions give meaning to documentary subjects. The analysis explores the production of Asian Australian subjects as documentary authors in four prominent films produced over the previous decade: Chinese Takeaway (Mitzi Goldman, 2002), Sadness: A Monologue by William Yang (Tony Ayres, 1999), The Finished People (Khoa Do, 2003) and Letters to Ali (Clara Law. 2004). These texts allow for a fruitful examination of the way the emotions that shape the expression of these author-subjects, such as mourning and care, might impact on the documentary representation of cultural otherness. Asian Australian subjectivity coalesces in and around these texts in a manner that is founded on the activity of mourning. Included here are not only the bereavements of loved ones, but also the losses that are bound to the movements of modernity, such as the lost fullness which is the promise of diaspora, the failure or absence of universal citizenship and the lack of safety in life lived in advanced capitalism. This article explores not only the absences suggested in these films, but also how these absences present a site of ethical encounter for the viewer that both resists reducing and assimilating the Asian Australian author to a devalued ethnic other while also addressing a community of viewers through a relation of reciprocity based in caring attachments to the social realm. -- Abstract
Notes: Part of Special Issue: Transnational Asian Australian Cinema. Part 1

Call No: P CIN
PhysDes: 1 poster : col. ; 76 X 51 cm.
Subject: EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. AFI; AUSTRALIAN FILM INSTITUTE
Summary: Image: Programme listings in black and white with orange detail.

Call No: held v.2, no.1-v.6, no.1 Sept.-Oct. 1978-Sept.-Oct. 1982 lacks v.3, no.4-5; v.5, no.2; -- IN STORAGE. OVERNIGHT RETRIEVAL
CorpAuthor: American Film Institute. National Education Services; American Film Institute. Education Services
Source: US
Place: Washington, D.C.
Publisher: The Services
PubDate: 1978
PhysDes: v. : ill. ; 28-35 cm
Subject: EDUCATION, FILM
Notes: Title from caption
ISSN: 0883-6213
Frequency: Bimonthly
LON: sn 85009871; 4329421

Author: Prisk, Tracey
PhysDes: Article
Subject: TRADE FAIRS. USA; EXPORT OF FILMS. AUSTRALIA
Summary: Report on Australian presence at 1999 American Film Market (AFM) and sales of Australian features.

Call No: 71(6) AFR
Author: Shiri, Keith
CorpAuthor: National Film Theatre (London, England); British Film Institute; Africa Centre (London, England)
Place: London
Publisher: National Film Theatre
PubDate: 1993
PhysDes: 75 p. : ill. ; 23 cm
Subject: FEPACI; AFRICAN COUNTRIES; EGYPT; AFRICA IN FILMS; IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES; WOMEN FILMMAKERS. AFRICAN COUNTRIES; FESTIVALS. OUAGADOUGOU; INDUSTRY, FILM. AFRICAN COUNTRIES
Notes: This booklet is a companion to the 1993 Africa Film Festival, Africa at the Pictures II, organised by the Africa Centre with the National Film Theatre and the British Film Institute
ISBN: 0851704360 (pbk.)
LON: 12047733

Call No: 802.27(73)-054(=96) REG
Author: Regester, Charlene
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: c2010
PhysDes: xi, 405 p., 14 p. of plates : ill. 23 cm
Subject: BLACK CINEMA. US; ETHNIC GROUPS IN FILMS. USA; MADAME SUL-TE-WAN; BEAVERS, LOUISE; MCKINNEY, NINA MAE; WASHINGTON, FREDI; MCDANIEL, HATTIE; HORNE, LENA; SCOTT, HAZEL; WATERS, ETHEL; DANDRIDGE, DOROTHY
ISBN: 9780253221926
Donation: donated by Senses of Cinema, 2013
Contents: Introduction -- Madame Sul-Te-Wan : the struggle for visibility -- Nina Mae McKinney : early success and tumultuous career -- Louise Beavers : negotiating racial difference -- Fredi Washington : the masquerades and the masks -- Hattie McDaniel : centering the margin -- Lena Horne : actress and activist -- Hazel Scott : resistance to othering -- Ethel Waters : personification of otherness -- Dorothy Dandridge : intertwining the reel and the real -- Conclusion

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EVENING LAND [AFTENLANDET] (DK, Peter Watkins, 1977)

Call No: held v.12 no.1-v.13 no.7 May 1979-Nov. 1980 lacks v.12 no.2-6; -- IN STORAGE. OVERNIGHT RETRIEVAL
Source: US
Place: New York : Danad Pub. Co
PhysDes: v. : ill. (some col.) ; 28 cm
Subject: ENTERTAINMENT
Summary: ‘After Dark’ (1968-1983) was an American showbiz magazine that covered fashion, opera, cabaret, theatre, cinema, and dance, profiling various artists, singers, and actors. It featured many well known celebrities on its covers (including the fabulous #AngelaLansbury in January 1980 -swipe to see) Although not officially described as a "gay magazine", After Dark regularly covered topics of interest to the gay community. First published in May 1968, the magazine succeeded Ballroom Dance Magazine (1960-1968). In the late 1970s Patrick Pacheco took over as chief editor from William Como hoping to make the magazine a more serious critical monthly, with a greater emphasis on quality writing, detailed reviews and critiques of current events, and performances. The magazine began a slow decline in the late '70s and in 1981 Louis Miele replaced Pacheco anticipating that amplified visuals and a full-color format with "plenty of skin on show" would prove successful. Topless male coverstars were a common occurrence, and many of the female cover stars pictured were gay icons, such as Liza Minelli and Bette Midler. Despite the new format sales remained low and in 1983 After Dark folded. The AFI Research Collection holds incomplete copies from 1969- 1980. -- AFIRC
Notes: Description based on: Vol. 12, no.1 (May 1979); "National magazine of entertainment"--Cover
LON: abn97047748; 13026359

Call No: 792 AGE
Author: Agee, James
Place: London
Publisher: P. Owen
PubDate: 1965
PhysDes: viii, 488 p. : 21 cm
Subject: AFRICAN QUEEN, THE (US, John Huston, 1952); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); FACE TO FACE (US, John Brahm & Bretaigne Windust, 1952)
LON: 7446592

Call No: PERSONALITY CLIPPINGS FILE; ELLIS, BOB
Author: Gibbs, Darren
PhysDes: Clippings File Article
Subject: ELLIS, BOB
Summary: Report on the ill-health of Australian writer Bob Ellis

Call No: 81VAR DER
Author: DeRoo, Rebecca J.
Source: US
Place: Oakland, California
Publisher: University of California Press
PubDate: c2018
PhysDes: x, 238 pages : illustrations ; 23 cm
Subject: FILM; CRITICISM; FEMININITY IN FILMS; FEMINISM AND THE CINEMA; NOUVELLE VAGUE; MOVEMENTS AND STYLES IN FILM HISTORY; FRANCE; VARDA, AGNES; POINTE COURTE, LA (FR, Agnes Varda, 1954); BONHEUR, LE (FR, Agnes Varda, 1965); ONE SINGS, THE OTHER DOESN’T (FR/BE, Agnes Varda, 1977); DAGUERREOTYPES (FR/G, Agnes Varda, 1978)
Summary: "Agnes Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture. " -- BOOK BACK COVER
Notes: Includes bibliographical references and index; Also issued online
ISBN: 9780520279414
Contents: -- Acknowledgments -- Reinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'iIe Et Elle -- Varda now: autobiography, memory, and retrospective -- notes -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: EMPIRE OF THE SENSES [AI NO CORRIDA / EMPIRE DES SENS, L'] (JA/FR, Nagisa Oshima, 1976)

Call No: 81EAS HUG
Author: Hughes, Howard
Source: US/UK
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2009
PhysDes: xxxi, 252 p. : ill. ; 25 cm.
Subject: EASTWOOD, CLINT; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); COOGAN'S BLUFF (US, Don Siegel, 1968); DIRTY HARRY (US, Don Siegel, 1971); MAGNUM FORCE (US, Ted Post, 1973); ENFORCER, THE (US, James Fargo, 1976); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); CITY HEAT (US, Richard Benjamin, 1984); DEAD POOL, THE (US, Buddy Van Horn, 1988); ROOKIE, THE (US, Clint Eastwood, 1990); IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993); PERFECT WORLD, A (US, Clint Eastwood, 1993); PAINT YOUR WAGON (US, Joshua Logan, 1969); BEGUILED, THE (US, Don Siegel, 1971); PLAY MISTY FOR ME (US, Clint Eastwood, 1971); BREEZY (US, Clint Eastwood, 1973); BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); BRONCO BILLY (US, Clint Eastwood, 1980); ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); PINK CADILLAC (US Buddy van Horn, 1989); HONKYTONK MAN (US, Clint Eastwood, 1982); BIRD (US, Clint Eastwood, 1988); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990); SPACE COWBOYS (US, Clint Eastwood, 2000); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974); EIGER SANCTION, THE (US, Clint Eastwood, 1975); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); ABSOLUTE POWER (US, Clint Eastwood, 1997); TRUE CRIME (US, Clint Eastwood, 1999); BLOOD WORK (US, Clint Eastwood, 2002); WHERE EAGLES DARE (US, Brian G. Hutton, 1969); KELLY'S HEROES (US, Brian G. Hutton, 1970); FIREFOX (US, Clint Eastwood, 1982); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006)
Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story. Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURB
Notes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and index
ISBN: 9781845119027
Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.

Call No: DVD RESEARCH FOLDER
Author: Williams, Fiona; Hull, David
Subject: CONFERENCE AUSTRALIAN INTERNATIONAL MOVIE CONVENTION 2005; AUDIENCE RESEARCH. AUSTRALIA; BOX OFFICE; DVD, FILMS ON; DISTRIBUTION. DVD. AUSTRALIA
Summary: -- How various people involved in the film industry describe why audiences at cinemas are falling. DVD's aren't to blame they say.
Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).

Call No: SUBJECT CLIPPINGS FILE; NATIONAL CONTENT. AUSTRALIA
Author: Bodey, Michael
PhysDes: Clippings
Subject: NATIONAL CONTENT. AUSTRALIA; DRAMAS. AUSTRALIA; INDUSTRY, TV. AUSTRALIA
Summary: Article raises concerns that spending on Australian TV dramas is falling and is anticipated to continue to fall further. The problem is made worse by NZ drama counting as 'first release Australian drama'

Call No: 81 DOV CAR
Author: Dovzhenko, Alexander; Carynnyk, Marco
Edition: 1973
Place: Cambridge, Massachusetts
Publisher: MIT Press
PubDate: 1973
PhysDes: lvi, 324 p ; 20 cm
Subject: DOVZENKO, ALEKSANDR; AEROGRAD (UR, Aleksandr Dovzhenko, 1935); ZEMLJA (UR, Alexksandr Dovzenko, 1930)
ISBN: 0262040379

Author: Sterritt, David
PhysDes: Serial
Subject: HITCHCOCK, ALFRED; FAMILY PLOT (US, Alfred Hitchcock, 1976)
Summary: This essay employs biographical information about Hitchcock along with ideas from intertexual theory, Michel Chion's theorization of cinematic sound, and Zizek's contribution to Lacanian psychoanalysis. It suggests that Hitchcock's investment in religious thinking has a value in Hitchockian hermeneutics, and analyzes thematic concerns such as guilt and confession.

Author: Gottlieb, Sidney
PhysDes: Serial
Subject: HITCHCOCK, ALFRED; EASY VIRTUE (UK, Alfred Hitchcock, 1927)
Summary: Provides a shot-by-shot description of Hitchcock's 'Easy Virtue.'

Call No: 81HIT SHA
Author: Sharff, Stefan
Place: New York
Publisher: Columbia University Press
PubDate: 1991
PhysDes: vii, 258 p. : ill. ; 24 cm
Subject: HITCHCOCK, ALFRED; NOTORIOUS (US, Alfred Hitchcock, 1946); FRENZY (US, Alfred Hitchcock, 1972); FAMILY PLOT (US, Alfred Hitchcock, 1976); LANGUAGE AND THE CINEMA
Notes: Includes bibliographical references and index
ISBN: 0231069146 (acid-free paper)
LON: 7477298
Contents: Notorious, p11-86 -- Frenzy, p165-233 -- Family plot, p87-164 --

Call No: 81HIT SHA
Author: Shaff, Stefan
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 1991
PhysDes: vii, 258 p. : ill. ; 24 cm.
Subject: PERCEPTION; AESTHETICS; SEMIOLOGY; HITCHCOCK, ALFRED; NOTORIOUS (US, Alfred Hitchcock, 1946); FRENZY (US, Alfred Hitchcock, 1972); FAMILY PLOT (US, Alfred Hitchcock, 1976)
Notes: Includes bibliographical references and index.
ISBN: 0231069146
Language: English

Call No: 626:396 DEL
Author: De Lauretis, Teresa
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1984
PhysDes: ix, 220 p. ; 25 cm
Subject: FEMINISM AND THE CINEMA; WOMEN AND THE CINEMA; THEORY; SEMIOLOGY; PSYCHOANALYSIS AND THE CINEMA; NARRATIVE IN FILMS; LANGUAGE AND THE CINEMA
Notes: Includes bibliographical references and index
ISBN: 0253304679; 0253203163 (pbk.)
LON: 83048189; 2925665

Call No: TITLE CLIPPINGS FILE; ALIEN: COVENANT (US/AT/NZ/UK, Ridley Scott, 2017)
Author: Wigney, James
PhysDes: Clippings File Article
Subject: FASSBENDER, MICHAEL; ALIEN: COVENANT (US/AT/NZ/UK, Ridley Scott, 2017)
Summary: Interview with actor Michael Fassbender on his career and his role in the film ALIEN: COVENANT

Call No: 735.1 KUH
Author: Kuhn, Annette
Source: UK/US
Place: London New York
Publisher: Verso
PubDate: 1990
PhysDes: viii, 231 p. : ill. ; 24 cm
Subject: FEMINISM AND THE CINEMA; POSTMODERNISM AND THE CINEMA; SCIENCE-FICTION FILMS; SEX IN FILMS; TECHNOLOGY IN FILMS; ALIEN (UK, Ridley Scott, 1979); BLADE RUNNER (US, Ridley Scott, 1982)
Notes: Includes bibliographical references (p. 229-231)
ISBN: 0860912787; 0860919935 (pbk.)
LON: 6923144
Contents: -- Introduction : cultural theory and science fiction cinema / Annette Kuhn -- Visions of the future in science fiction films from 1970 to 1982 / H. Bruce Franklin -- The alien messiah / Hugh Ruppersberg -- Commodity futures / Thomas B. Byers -- Technophobia / Michael Ryan and Douglas Kellner -- Making culture into nature / Michael Stern -- Feminism, humanism and science in Alien / James H. Kavanagh -- Feminism and anxiety in Alien / Judith Newton -- Primal conditions and conventions : the genre of science fiction / Daniel Dervin -- The virginity of astronauts : sex and the science fiction film / Vivian Sobchack -- Time travel, primal scene and the critical dystopia / Constance Penley -- Alien and the monstrous-feminine / Barbara Creed -- The doubles of fantasy and the space of desire / J.P. Telotte -- 'You've got to be fucking kidding!' : knowledge, belief and judgement in science fiction / Steve Neale -- Cataract surgery : cinema in the year 2000 / Paul Virilio -- Ramble city : postmodernism and Blade runner / Giuliana Bruno -- Who programs you? : the science fiction of the spectacle / Scott Bukatman -- Gynesis, postmodernism and the science fiction horror film / Barbara Creed -- Feminist futures : a generic study / Anne Cranny-Francis

Call No: 735.1 KUH
Author: Kuhn, Annette
Place: London New York
Publisher: Verso
PubDate: 1999
PhysDes: 308 p. : ill. ; 20 cm
Subject: SCIENCE-FICTION FILMS; CITIES IN FILMS; BODY IN FILMS; DIGITAL TECHNOLOGY; UTOPIA IN FILMS; FANS; INTERNET AND THE CINEMA; MASCULINITY IN FILMS; POSTMODERNISM AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SPECTATORSHIP; ADAPTATIONS. WELLS, H.G.; VAN DAMME, JEAN-CLAUDE; SCHWARZENEGGER, ARNOLD; CREED, BARBARA; TRUMBULL, DOUGLAS; JOHNNY MNEMONIC (US, Robert Longo, 1995); THINGS TO COME (UK, William Cameron Menzies, 1936); BLADE RUNNER (US, Ridley Scott, 1982); ALIEN [...] (UK/US, 1979-92); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); BRAZIL (UK, Terry Gilliam, 1985); DEMOLITION MAN (US, Marco Brambilla, 1993); MAX HEADROOM [TV] (US, 1987-89); METROPOLIS (G, Fritz Lang, 1926); TOTAL RECALL (US, Paul Verhoeven, 1990); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and index
ISBN: 1859842593 (paper); 1859847463 (cloth)
LON: 20466609

Call No: 81MCL MCL
Author: Mac Liammoir, Micheal, 1899-1978
Place: London
Publisher: Methuen
PubDate: 1946
PhysDes: 390 p., [15] p. of plates : ports. ; 23 cm
Subject: MacLiammoir, Micheal; Dublin Gate Theatre
Notes: Includes index
LON: abn96368935; 12829037

Call No: TITLE CLIPPINGS FILE; [ELEVEN. TWENTY-TWO. SIXTY-THREE] 11.22.63 [TV] (US, 2016)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: [ELEVEN TWENTY-TWO SIXTY-THREE] 11.22.63 [TV] (US, 2016)
Summary: Review

Call No: CRAWFORD STILL ALL
Source: AT
Publisher: Crawford Productions [distributor]
PubDate: [1983?]; [1990?]
PhysDes: 34 photographs : b&w ; 26 x 21 cm + 19 slides : col.
Subject: WATERS, JOHN (AT); THORNTON, SIGRID; WRIGHT, ADRIAN; BURNS, CAROL; TINGWELL, CHARLES (BUD); COGHILL, NIKKI; FAWDON, MICHELE; ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983); ALL THE RIVERS RUN II (AT, John Power, 1990)
Summary: Photographs and slides relating to All The Rivers Run
Notes: Arrangement: Images are arranged by record type and series (photographs with accompanying promotional material with descriptive captions for All The Rivers Run (1983), then slides and photographs for All The Rivers Run II (1990) -- slides for All The Rivers Run II contain annotations indicating presence of TV aerials and light poles in some images -- Duplicate material in storage
Donation: Gift of Crawford Productions

Call No: 771.1(73) JAM
Author: James, David E., 1945
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1989
PhysDes: xiii, 388 p. : ill. ; 26 cm
Subject: UNDERGROUND FILMS; POLITICAL FILMS; BLACK POWER FILMS; WOMEN AND THE CINEMA; ART CINEMA. USA; VIETNAM WAR FILMS; BRAKHAGE, STAN; ANGER, KENNETH; WARHOL, ANDY; MEKAS, JONAS; FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974); EASY RIDER (US, Dennis Hopper, 1969)
Notes: Includes index; Bibliography: p. 362-377
ISBN: 0691047553 (alk. paper); 0691006040 (pbk.)
LON: 5820741
Contents: Stan Brakage, p29-57 -- Andy Warhol, p58-84 -- Jonas Mekas, p100-118 -- "Film that cannot be one: Kenneth Anger" p149-155 -- "Yvonne Rainer: Film about a woman who...", p326-334 -- "Allegories of production: Easy rider", p12-17 -- "Cinema and black liberation", p177-194 -- "Film and the war: representing Vietnam", p195-212 --

Call No: 204(94)BER
Author: Berryman, B.A.
Edition: 1985
Place: Melbourne
Publisher: Centre for the Study of Educational Communication and Media, School of Education, La Trobe University
PubDate: August, 1985
PhysDes: vii, 254 pages ; 12 cm
Subject: EXPERIMENTAL FILM AND TELEVISION FUND; FUNDING. AUSTRALIA

Author: Enker, Debi
PhysDes: Article
Subject: EXTREMITIES (US, Robert M. Young, 1986)
Summary: Review

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; NIGHT SHIFT (US, Ron Howard, 1982); CONAN THE BARBARIAN (US, John Milius, 1982); DRIVE-IN CINEMAS; PALIN, MICHAEL
Summary: Film news from across Australia

PhysDes: Article
Subject: E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); ANNIE (US, John Huston, 1982); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); BOX OFFICE. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); BOX OFFICE. AUSTRALIA; MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; GREATER UNION; HESTON, CHARLTON; MOTHER LODE (US, Charlton Heston, 1982); DRIVE-IN CINEMAS
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; HOYTS; GREATER UNION; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); PORKY'S (CN, Bob Clark, 1981)
Summary: Film industry news from across Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); ROCKY III (US, Sylvester Stallone, 1982); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982)
Summary: Film news from across Australia

Call No: 735.3 (73) WAL
Author: Walters, James
Source: US
Place: Bristol; Chicago
Publisher: Intellect
PubDate: 2008
PhysDes: 232 p. : ill. ; 23 cm
Subject: FANTASTIC FILMS; FANTASY FILMS; DREAMS IN FILMS; MEMORY IN FILMS; INNOCENCE IN FILMS; REPETITION IN FILMS; TIME IN FILMS; POINT-OF-VIEW; NARRATIVE IN FILMS; FLEMING, VICTOR; LANG, FRITZ; GONDRY, MICHEL; CAPRA, FRANK; RAMIS, HAROLD; MINNELLI, VINCENTE; ROSS, GARY; WIZARD OF OZ, THE (US, Victor Fleming, 1939); WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); GROUNDHOG DAY (US, Harold Ramis, 1993); BRIGADOON (US, Vincente Minnelli, 1954); PLEASANTVILLE (US, Gary Ross, 1998); DONNIE DARKO (US, Richard Kelly, 2001); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); ABRE LOS OJOS (SP, Alejandro Amenabar, 1997); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948)
Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history. "Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)
Notes: Includes Filmography, Bibliography and Index
ISBN: 9781841502021

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOUBLE LOVER, THE [AMANT DOUBLE, L'] (FR/BE, François Ozon, 2017)

Call No: 71(4) ARM
Author: Armes, Roy, 1937
Place: London
Publisher: Secker and Warburg
PubDate: 1976
PhysDes: 255 p. : ill., ports. ; 22 cm
Series: Cinema two
Subject: EUROPEAN COUNTRIES; NARRATIVE IN FILMS
Notes: Includes index; Bibliography: p. 243-250
ISBN: 0436018004 : ª6.50; 0436018012 (pbk.) : ª5.50
LON: 796984 796984

Author: Teitelbaum, Sheldon
PhysDes: Article
Subject: GOLAN, MENAHEM; ENGELBACH, DAVID; CANNON FILM GROUP; GOLAN-GLOBUS PRODUCTIONS; AMERICA 3000 (US, David Engelbach, 1986)
Summary: Details the shooting details, budget, and schedule of the film "America 3000", noting that its working title was "Thunder Warriors". Writer Sheldon Teitelbaum also makes clear the tension between the director/writer David Engelbach and Golan-Globus Productions, particularly the difficulties arising from Golan-Globus' insistence on Israel as the shoot location

Call No: 772(73) AME
Author: Peary, Gerald; Peary, Danny, 1949
Edition: 1st ed
Place: New York
Publisher: Dutton
PubDate: c1980
PhysDes: x, 310 p. : ill. ; 23 cm
Subject: ANIMATED FILMS. USA; ROAD RUNNER; DAFFY DUCK; GOOFY; MICKEY MOUSE; MIGHTY MOUSE; POPEYE; [MISTER] MR MAGOO; WARNER BROS.; FLEISCHER STUDIO; UPA; DISNEY, WALT; GRIFFIN, GEORGE; HUEMER, DICK; JONES, CHUCK; CLAMPETT, BOB; MCCAY, WINSOR; AVERY, TEX; BLANC, MEL; HUBLEY, FAITH & JOHN; HANNA, WILLIAM; BAKSHI, RALPH; BRAY, JOHN RANDOLPH; LANTZ, WALTER; HARMAN, HUGH; WRIGHT, PRESCOTT; MCKIMSON, ROBERT; TYTLA, VLADIMIR; DUMBO (US, Walt Disney, 1941); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); BAMBI (US, David Hand, 1942)
Notes: Includes bibliographies and index
ISBN: 0525476393 : $10.95
LON: 1776676

Call No: held Vol. 36 No. 1-Vol.41 No.3 Summer/Fall 1986-Summer 1991 lacks Vol. 40 No.4; -- IN STORAGE. OVERNIGHT RETRIEVAL
CorpAuthor: American Cinema Editors
Source: US
Place: [Los Angeles]
Publisher: The Editors
PubDate: 1971-c1991
PhysDes: 21 v. : ill. ; 31 cm
Subject: EDITING
Notes: Title from cover
ISSN: 0044-7625
Frequency: Quarterly
LON: 20072294

Call No: 802.25(73) COU vol.1
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; BERKELEY, BUSBY; BORZAGE, FRANK; BROWN, CLARENCE; CAPRA, FRANK; CHAPLIN, CHARLES; CUKOR, GEORGE; CURTIZ, MICHAEL; DAVES, DELMER; DEMILLE, CECIL B.; DWAN, ALLAN; FLEMING, VICTOR; FORD, JOHN; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KING, HENRY; LA CAVA, GREGORY; LANG, FRITZ; LEROY, MERVYN; LEWIS, JOSEPH H.; LUBITSCH, ERNST; MAMOULIAN, ROUBEN; MANN, ANTHONY; MCCAREY, LEO; PREMINGER, OTTO; SHERMAN, VINCENT; SIRK, DOUGLAS; STAHL, JOHN M.; VON STERNBERG, JOSEF; STEVENS, GEORGE; STURGES, PRESTON; TOURNEUR, JACQUES; ULMER, EDGAR G.; VIDOR, KING; WALSH, RAOUL; WELLMAN, WILLIAM; WILDER, BILLY; WYLER, WILLIAM
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: 802.25(73) COU vol.2
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; ALDRICH, ROBERT; ALLEN, WOODY; ALTMAN, ROBERT; BOETTICHER, BUDD; BOGDANOVICH, PETER; BROOKS, RICHARD; CASSAVETES, JOHN; CASTLE, WILLIAM; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DASSIN, JULES; DE PALMA, BRIAN; DMYTRYK, EDWARD; DONEN, STANLEY; EASTWOOD, CLINT; EDWARDS, BLAKE; FLEISCHER, RICHARD; FRANKENHEIMER, JOHN; FULLER, SAMUEL; HARRINGTON, CURTIS; KAZAN, ELIA; KELLY, GENE; KERSHNER, IRVIN; KUBRICK, STANLEY; LEWIS, JERRY; LOGAN, JOSHUA; LOSEY, JOSEPH; LUMET, SIDNEY; Lupino, Ida; MANKIEWICZ, JOSEPH L.; MINNELLI, VINCENTE; PARRISH, ROBERT; Peckinpah, Sam; PENN, ARTHUR; POLLACK, SYDNEY; POLONSKY, ABRAHAM; RAFELSON, BOB; RAFELSON, BOB; RAY, NICHOLAS; RITCHIE, MICHAEL; ROSSEN, ROBERT; SCORSESE, MARTIN; SIDNEY, GEORGE; SIEGEL, DON; SPIELBERG, STEVEN; STURGES, JOHN; TASHLIN, FRANK; WELLES, ORSON; WISE, ROBERT; ZINNEMANN, FRED
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: 81CAS CAR
Author: Carney, Raymond
Place: Berkeley
Publisher: University of California Press
PubDate: 1985
PhysDes: x, 335 p. : ill. ; 24 cm
Subject: CASSAVETES, JOHN; FACES (US, John Cassavetes, 1968); GLORIA (US, John Cassavetes, 1980); HUSBANDS (US, John Cassavetes, 1970); KILLING OF A CHINESE BOOKIE, THE (US, John Cassavetes, 1976); MINNIE AND MOSKOWITZ (US, John Cassavetes, 1971); SHADOWS (US, John Cassavetes, 1960); TOO LATE BLUES (US, John Cassavetes, 1961); WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974)
Notes: Includes index; Filmography: p. 313-327; Bibliography: p. 307-311
ISBN: 0520050991
LON: 3055051
Contents: Faces, p82-118 -- Gloria, p272-288 -- Husbands, p119-139 -- The Killing of a Chinese Bookie, p217-245 -- Minnie and Moskowitz, p140-183 -- Shadows, p20-62 -- Too Late Blues, p 63-77 -- A Woman Under the Influence, p184-216

Call No: 769(73) MAC
Author: MacDonald, Scott
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 2013
PhysDes: viii, 415 pages : ill. ; 24 cm
Subject: ETHNOGRAPHIC FILMS; DOCUMENTARIES. USA; MARSHALL, JOHN; GARDNER, ROBERT; ASCH, TIMOTHY; PINCUS, ED; WEINSTEIN, MIRIAM; GUZZETTI, ALFRED; MCELWEE, ROSS; MOSS, ROBB; DAVENPORT, NINA; ASCHER, STEVEN; JORDAN, JEANNE; NEGROPONTE, MICHEL; GIANVITO, JOHN; OLCH, ALEXANDER; SIEGEL, AMIE; BARBASH, ILISA; CASTAING-TAYLOR, LUCIEN
Summary: "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. "--
ISBN: 9780520275621
Contents: Machine generated contents note: A Tentative Overview of Boston-Area Documentary Filmmaking -- Ethnographic Film and Personal Documentary -- Pragmatism: Learning from Experience -- The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn -- Subjects for Further Research -- Acknowledgments -- 1.Lorna and John Marshall -- Beginnings: Lorna Marshall and First Film -- John Marshall: The Hunters -- Idylls of the !Kung -- Pedagogy -- Expulsion from Eden: Bitter Melons and Nlai, the Story of a !Kung Woman -- The Pittsburgh Police Films and Brakhage's Eyes -- Putting Down the Camera and Picking Up the Shovel -- The Road Taken: A Kalahari Family -- A Process in Time -- 2.Robert Gardner -- East Coast/West Coast: Early Experiments -- Gardner and the Marshalls -- Dead Birds -- The Experience of Filmmaking as Thought Process -- Robert Fulton: Reality's Invisible---"Serious Playing Around" -- Screening Room: Midnight Movies -- City Symphony: Forest of Bliss -- Contents note continued: The Return of the Repressed: Ika Hands -- Still Journeying On: Unfinished Examinations of a Life -- Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence -- 3.Timothy Asch -- Dodoth Morning and the Ethnographic Deadpan -- Asch and the Yanomamo -- The Ax Fight -- 4.Ed Pincus and the Emergence of Personal Documentary -- The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument -- Ed Pincus's Diaries (1971--1976) -- Alfred Guzzetti: Family Portrait Sittings -- Guzzetti: It's a Small World -- Guzzetti: Time Exposure -- 5.Alfred Guzzetti and Personal Cinema -- Air -- Experimental Video: "Language Lessons" -- Scylla and Charybdis -- Still Point -- 6.Ross McElwee -- Finding a Muse: Charleen -- Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's Backyard -- Doppleganger: Sherman's March -- Nesting Dolls: Time Indefinite -- On the Road Again: Six O'Clock News -- Contents note continued: Occupational Hazards: Bright Leaves -- Orpheus: In Paraguay and Photographic Memory -- 7.Robb Moss -- Riverdogs: A Possible Eden -- The Tourist: "Freelance Editing" -- Voyage of Life: The Same River Twice -- 8.Panorama: Other Approaches to Personal Documentary -- Steven Ascher and Jeanne Jordan: Families in Transition -- Michel Negroponte: Getting Involved -- Leacock and Lalonde -- The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the Attic -- The Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies -- Alexander Olch's The Windmill Movie: "This Little Seance of Flickering Light" -- Amie Siegel's DDR/DDR -- 9.Lucien Castaing-Taylor and Sensory Ethnography -- Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass -- "Sheeple": Castaing-Taylor's Audio-Video Installations -- Contents note continued: The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Verena Paravel, and Leviathan

Call No: 771(73) YOU
Author: Young, Colin
CorpAuthor: UNESCO
Place: Paris : [s.n.]
Publisher: UNESCO
PubDate: 1964
PhysDes: 33 p. ; 27 cm
Subject: EXPERIMENTAL FILMS. USA; HISTORY OF CINEMA. USA; FILMMAKING; AESTHETICS
Notes: United Nations Educational, Scientific and Cultural Organization report; This report represents Unesco's contribution to the Mannheim round-table, organized under the auspieces of Unesco, the Unesco's Germand National Commission and the Mannheim Festival.
LON: abn98184205; 13917802

Call No: FESTIVAL CATALOGUE SHELVES; held 1963, 1979-1984
CorpAuthor: American Film Festival; Educational Film Library Association
Source: US
Place: New York, N.Y.
Publisher: Educational Film Library Association
PubDate: 1963-1984
PhysDes: 7 v. : ill. ; 28 cm
Subject: FESTIVALS. USA [VARIOUS]; FESTIVALS. NEW YORK [VARIOUS]; DOCUMENTARY FILMS; ANIMATION; EDUCATIONAL FILM LIBRARY ASSOCIATION; SHORT FILMS
Notes: The American Film Festival includes a showcase of films ranging from documentary to children's, experimental to educational. The catalogue also contains numerous black and white stills, film synopses and title index.
LON: 930252
ID2: 103

Call No: 751 ALT
Author: Altman, Rick
Place: London
Publisher: British Film Institute
PubDate: 1989
PhysDes: [386] p. : ill. ; 26cm
Subject: MUSICALS. USA; ASTAIRE, FRED; BERKELEY, BUSBY; EDDY, NELSON; GARLAND, JUDY; MACDONALD, JEANETTE; MAMOULIAN, ROUBEN; ROGERS, GINGER; VIDOR, KING; AMERICAN IN PARIS, AN (US, Vincente Minnelli, 1951); APPLAUSE (US, Rouben Mamoulian, 1929); OKLAHOMA! (US, Fred Zinneman, 1955)
Notes: American cinema films: Musicals. - Critical studies (BNB/PRECIS); Originally published: Bloomington : Indiana University Press, 1987; Includes index
ISBN: 0851702279 (pbk) : ª12.95 : CIP confirmed
LON: 6008672 6008672

Call No: 409(73) AME
Author: O'Connor, John E; Jackson, Martin A
Place: New York
Publisher: Ungar
PubDate: c1979
PhysDes: xxix, 290 p. : ill. ; 22 cm
Subject: NATIONAL IDENTITY IN FILMS. USA; NATIONAL CULTURE AND THE CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLACK CINEMA. US; WORKING CLASS IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; HISTORICAL FILMS. USA; WORLD WAR II FILMS. USA; HISTORY AND THE CINEMA. USA; STEAMBOAT ROUND THE BEND (US, John Ford, 1935); SCAR OF SHAME, THE (US, Frank Peregini, 1927); PUBLIC ENEMY, THE (US, William Wellmen, 1931); WAY DOWN EAST (US, David Wark Griffith, 1920); BIG PARADE, THE (US, King Vidor, 1925); DRUMS ALONG THE MOHAWK (US, John Ford, 1939); MISSION TO MOSCOW (US, Michael Curtiz, 1943); BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946); RED RIVER (US, Howard Hawks, 1948); VIVA ZAPATA (US, Elia Kazan, 1952); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); BONNIE AND CLYDE (US, Arthur Penn, 1967); ROCKY (US, John G. Avildsen, 1976)
Notes: Includes index; Bibliography p. 279-282
ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95
LON: 1282547

Call No: 45:93 OCO
Author: O'Connor, John E
Source: US
Place: New York
Publisher: Ungar
PubDate: c1983
PhysDes: xliii, 420 p. : ill. ; 22 cm
Series: Ungar film library
Subject: HISTORY AND TV.USA; ALLEN, ROBERT; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53); ETHNIC GROUPS AND TV; BRIAN'S SONG (US, Buzz Kulik, 1971); BUSH [GEORGE SNR.] ON TV; COLD WAR ON TV; COMEDY PROGRAMMES. USA; COMMERCIALS.TV.USA; KENNEDY FAMILY ON TV; MARTY (US, Delbert Mann, 1954); MILTON BERLE SHOW, THE (US, 1954-56); NEWS PROGRAMMES.USA; NIXON [RICHARD M.] ON TV; POLITICAL PERSONALITIES ON TV.USA; POLITICS AND TV. USA; ROOTS [TV] (US, 1977); SEE IT NOW [TV] (US, 1951-58); SOAP OPERAS. USA; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55)
Notes: Includes index; Bibliography: p. 395-405
ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95
LON: 2795583

Call No: 735.2 WAL
Author: Waller, Gregory A. (Gregory Albert), 1950
Place: Urbana
Publisher: University of Illinois Press
PubDate: c1987
PhysDes: 228 p., [10] p. of plates : ill. ; 23 cm
Subject: HORROR FILMS. USA; DE PALMA, BRIAN; POLANSKI, ROMAN; HALLOWEEN (US, John Carpenter, 1978); HELL NIGHT (US, Thomas De Simone, 1981); HOWLING, THE (CN, Joe Dante, 1981); REPULSION (UK, Roman Polanski, 1965); LOCATAIRE, LE (FR, Roman Polanski, 1976); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); EXORCIST, THE (US, William Friedkin, 1973); EYES OF LAURA MARS (US, Irvin Kershner, 1978); EYES OF A STRANGER (US, Ken Wiederhorn, 1981); DRESSED TO KILL (US, Brian De Palma, 1980); FRIDAY THE 13TH [...] (US, 1980-)
Notes: Includes index; Filmography: p. [195]-205; Bibliography: p. [206]-219
ISBN: 0252014480 (pbk. : alk. paper); 0252014472 (hard : alk. paper)
LON: 5194657

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: 735.2 WOO
Author: Wood, Robin; Lippe, Richard
Edition: 1979
Place: Toronto
Publisher: Festival of Festivals
PubDate: 1979
PhysDes: 21 cm ; 100 pages
Subject: NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979); ASSAULT ON PRECINCT 13 (US, John Carpenter, 1976); SISTERS (US, Brian De Palma, 1972); JAWS (US, Steven Spielberg, 1975); COHEN, LARRY; ROMERO, GEORGE; EXORCIST, THE (US, William Friedkin, 1973)

Call No: 802.24(73) SCH
Author: Wright, Thomas Lee, 1953; Schanzer, Karl
Place: New York
Publisher: Avon Books
PubDate: c1993
PhysDes: xii, 274 p. ; 22 cm
Subject: SCRIPTWRITERS. USA; PRODUCTION DEALS; VALDEZ, LUIS; BLACK, SHANE; CAMERON, JAMES; PRICE, RICHARD; RUBIN, BRUCE JOEL; KHOURI, CALLIE; ROBINSON, PHIL ALDEN; SINGLETON, JOHN; DIXON, LESLIE; THOMPSON, CAROLINE; KAZAN, NICHOLAS; ESZTERHAS, JOE; RASCOE, JUDITH; GANZ, LOWELL; MANDEL, BABALOO; RICKMAN, THOMAS; BASS, RON
ISBN: 0380767279 : $12.00 ($14.00 Can.)
LON: 9905548 9905548

Call No: JOURNAL SHELVES. AMERICAN CINEMATOGRAPHER SPECIAL ISSUES
PubDate: September 1998
Subject: VIDEO PHOTOGRAPHY; TECHNICAL DEVELOPMENTS; EQUIPMENT; PRODUCTION TECHNOLOGY

Call No: JOURNAL SHELVES. AMERICAN CINEMATOGRAPHER SPECIAL ISSUES
PubDate: April 1999
Subject: VIDEO PHOTOGRAPHY; TECHNICAL DEVELOPMENTS; EQUIPMENT; PRODUCTION TECHNOLOGY

Call No: JOURNAL SHELVES. AMERICAN CINEMATOGRAPHER SPECIAL ISSUES
PubDate: April 1998
Subject: VIDEO PHOTOGRAPHY; TECHNICAL DEVELOPMENTS; EQUIPMENT; PRODUCTION TECHNOLOGY

Call No: PERSONALITY CLIPPINGS FILE; ELLIS, BOB
Author: Craven, Peter
PhysDes: Clippings File Article
Subject: ELLIS, BOB
Summary: An article paying homage to writer, critic and commentator Bob Ellis who has recently dies

PhysDes: Article
Subject: EMBASSY ROADSHOW; VIDEO, FILMS ON; DISTRIBUTION
Summary: Article on Embassy's newly created Embassy Home Entertainment video distributors and where Andre Blay plans to take the company.

Call No: 772 FUR
Author: Furniss, Maureen
Edition: 2017
Place: London
Publisher: Thames & Hudson
PubDate: 2017
PhysDes: 464 pages : illustrated ; 28 cm
Subject: ANIMATION; PRE-CINEMA HISTORY; ART AND THE CINEMA; DISNEY, WALT; EXPERIMENTAL FILMS; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; STOP-MOTION TECHNIQUE; JAPAN; MIYAZAKI, HAYAO; UPA; COMIC STRIPS AND THE CINEMA; COMIC STRIP CHARACTERS IN FILMS; COMIC STRIP CHARACTERS ON TV; SVANKMAJER, JAN
Summary: Maureen Furniss surveys the cultural, political and economic context of how this dynamic industry evolved, emphasizing both artistic and technical achievements from around the world – from Hollywood to Tokyo, from Moscow to Sydney. Featuring a timeline for each of its six parts, Animation: The Global History provides readers with a clear and accessible chronology of events. A ‘Global Storyline’, highlighting the major themes of the era, opens each chapter, and an end-of-book glossary defines key terms used throughout the book. Topics include: Development of animation; Growth of the studio system; Stylistic differences between the major studios; Modernist animation; Animation in World War II; International animation; Experimental animation; Television animation; Animation in art and video games. -- publisher's web site
ISBN: 9780500252178

Call No: F53(94) BER
Author: Berryman, Ken
Source: AT
PubDate: 1979
PhysDes: 64 leaves ; 32 cm
Subject: MEDIA STUDIES; EDUCATION AND THE CINEMA; SHORT FILMS

PhysDes: Article
Subject: TELEVISION. USA; DRUGS AND TELEVISION; YOUNG PEOPLE AND TV
Summary: Nancy Reagan will be on an episode of Diff'rent Strokes to raise awareness to teen drug use.

Call No: 408.1(540) ROB
Author: Roberge, Gaston
Source: II
Place: Calcutta
Publisher: Seagull Books
PubDate: 1985
PhysDes: 151p. : ill. ; 22cm
Subject: CRITICISM; HISTORY OF CINEMA. INDIA; INDUSTRY, FILM. INDIA; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; POLITICS AND THE CINEMA; SOCIETY AND THE CINEMA; BAZIN, ANDRE; EISENSTEIN, SERGEI M.; RAY, SATYAJIT; WELLES, ORSON; BRON, PETER; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GANDHI (UK/II, Richard Attenborough, 1982); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NAPOLEON (FR, Abel Gance, 1927)
Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurb
ISBN: 0861320751
Donation: donated by the family of Wayne Levy, 2006
Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index

PhysDes: Article
Subject: ANOTHER COUNTRY (UK, Marek Kanievska, 1984); EVERETT, RUPERT
Summary: Cast list and brief plot overview for 'Another Country'

PhysDes: Article
Subject: BIRCH CARROLL AND COYLE; DRIVE-IN CINEMAS
Summary: Article on new manager of Skyway Drive-In, Janice Piggford.

PhysDes: Article
Subject: PIRACY. AUSTRALIA; WARNER BROS.; PRIVATE BENJAMIN (US, Howard Zieff, 1980); ENTER THE DRAGON (US/HK, Robert Clouse, 1973); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978)
Summary: Article on the results of a video piracy case.

Author: Jaireth, Subhash
PhysDes: Article; Bibliography
Subject: ADAPTATIONS; IMPERIALISM AND THE CINEMA; ENGLISH PATIENT, THE (US, Anthony Minghella, 1996)
Summary: Author argues that in order to show a simple sustained narrative within the limits of the genre of Hollywood cinema, forces the adapation of "The english patient" to become monologic in voice and monoscopic in vision.

Author: Colaciello, Robert
PhysDes: Article
Subject: DRAGAO DA MALADE CONTRA O SANTO GUERREIRO O (BL, Glauber, Rocher, 1969)
Summary: Review; ill; interview

Call No: 81ANT CHA
Author: Chatman, Seymour, 1928
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 1985
PhysDes: 290 p. : ill. ; 24 cm
Subject: ANTONIONI, MICHELANGELO; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980); IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982)
Notes: Includes index; Filmography: p. 265-270; Bibliography: p. 271-281
ISBN: 0520052056; 0520053419 (pbk.)
LON: 85001025; 3748072

Call No: 81ANT CAM
Author: Cameron, Ian, 1937; Wood, Robin, 1931- joint author
Place: London
Publisher: Studio Vista
PubDate: 1968
PhysDes: [144] p. : illus. ; 17 x 18 cm
Subject: ANTONIONI, MICHELANGELO; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950); SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953); VINTI, I (IT/FR/UK, Michelangelo Antonioni, 1951); CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); BLOWUP (UK/IT, Michelangelo Antonioni, 1966)
Notes: Bibliography: p. 144; "Filmography": p. 141- [144]
ISBN: 0289795982
LON: 70397126; 63651

Call No: 81ANT ROH
Author: Rohdie, Sam, 1939
Place: London
Publisher: BFI Pub.
PubDate: 1990
PhysDes: 213 p. : ill., ports. ; 24 cm
Subject: ANTONIONI, MICHELANGELO; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973); CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957); IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982); MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970)
Summary: A study of Antonioni's career and the development of his unique style. Antonioni's films overthrow conventional narrative, place characters at cross purposes with themselves and with others, dissolve figure into ground. This study aims to interpret the films of Antonioni without reducing them to fixed meanings that they so carefully refuse.
Notes: Includes index; Bibliography: p. [191]- 207; Filmography: p. [208]- 210
ISBN: 0851702740 (pbk.); 0851702732
LON: bnb85170273; 7278793

Call No: 736.11
Author: Grant, Kevin
Edition: August 2013
Place: Godalming, Surrey
Publisher: FAB Press
PubDate: May 2011
PhysDes: 480 pages : illustrated ; 26 cm
Subject: WESTERNS. EUROPEAN COUNTRIES; WESTERNS. ITALY; LEONE, SERGIO; NERO, FRANCO; BIG GUNDOWN, THE [RESA DEI CONTI, LA] (IT/SP, Sergio Sollima, 1966); BLINDMAN (US/IT, Ferdinando Baldi, 1972); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); CORBUCCI, SERGIO; EASTWOOD, CLINT; FULCI, LUCIO; HILL, TERENCE; SPENCER, BUD; VAN CLEEF, LEE
Summary: The success of Sergio Leone's 'Dollars' trilogy in the '60s sparked a gold rush, as a legion of European film-makers - many of them sharing the get-rich-quick mentality of Leone's mercenary anti-heroes - followed the master's lead to create some of the wildest Westerns ever made. Cynical and stylish, bloody and baroque, Euro-westerns replaced straight-shooting sheriffs and courageous cowboys with amoral adventurers, whose murderous methods would shock the heroes of Hollywood Westerns. These films became box-office sensations around the world, and their influence can still be felt today. Any Gun Can Play puts the phenomenon into perspective, exploring the films' wider reaches, their recurrent themes, characters, quirks and motifs. It examines Euro-westerns in relation to their American ancestors and the mechanics of the Italian popular film industry, and spotlights the unsung actors, directors and other artists who subverted the 'code' of the Western and dragged it into the modern age. Based on years of research backed up by interviews with many of the genre's leading lights, including actors Franco Nero, Giuliano Gemma and Gianni Garko, writer Sergio Donati, and directors Sergio Sollima and Giuliano Carnimeo, Any Gun Can Play will satisfy both connoisseurs and the curious. Complete with a foreword by Euro-Western legend Franco Nero, this stunningly illustrated reference guide takes aim at the lingering notion that the genre has little to offer beyond the 'Dollars' films and a fistful of others, exposing the full, vibrant history of the Euro-western. -- publisher's web site
Notes: Foreword by Franco Nero
ISBN: 9781903254615

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: FATHER [APA] (HU, Istvan Szabo, 1966)
Notes: Simon Strong import 14_Oct2019

Call No: 735.2 ANN
Author: Annan, David
Source: US
Place: New York
Publisher: Bounty Books
PubDate: 1975
PhysDes: 93 p., [4] p. of plates : ill. (some col.) ; 26 cm
Subject: FANTASTIC FILMS; KING KONG (NZ/US, Peter Jackson, 2005); KING KONG (US, John Guillermin, 1976); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933)
Summary: "Man has come a long way from his earliest predecessor, the Ape, yet his dreams are still haunted by nightmares of giant gorillas plundering, smashing and destroying. Through two hundred stills, full colour poster reproductions, line drawings, and an intensely researched text, this fascinating volume studies the mass cinema ape-fantasies from pre-history to the amazingly successful "Planet of the Apes" series. It delves deeply into the most famous ape of all- King Kong- and into the split between his nature and man's. What exactly did King Kong represent? Was he a brute or a lover? Was King Kong the personification of destruction and lust, or was he man's hopeless pursuit of the woman in white? By studying such movies as King Kong, Beauty and the Beast, Blonde Venus, The Return of the Ape Man, Circus of Horrors, Gorilla at Large, Morgan and many others, this exciting cinematic history illuminates that dark place where the beast still snarls in man."- BOOK JACKET
Notes: Published by Lorrimer under title, Ape; the kingdom of Kong.
ISBN: 0517521563
Donation: donated by the family of Wayne Levy, 2006
Contents: Contents-- Descent of Ape: page 7 -- Making of Kong: page 27 -- Kin of Kong: page:53 -- Ape Dreams: page 77

Author: Blasina, Peter
PhysDes: Review; Illustration(s)
Subject: EDITING
Summary: Review of the Final Cut Pro computer editing software.

Call No: 62 APP
Author: Hollows, Joanne; Jancovich, Mark
Place: Manchester New York New York
Publisher: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press
PubDate: 1995
PhysDes: 203 p. : ill. ; 23 cm
Series: Inside popular film
Subject: GENRES; AUTEUR THEORY; FEMINISM AND THE CINEMA; THEORY; POPULAR CULTURE AND THE CINEMA; STARS
Notes: Includes bibliographical references (p. [192]-196) and index
ISBN: 0719043921; 071904393X (pbk.)
LON: 11213175
URL status: URL: 'http://-' Checked: 31/08/2021 12:35:22 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 749.4 HUM
Author: Humprey, Daniel
Edition: 2020
Place: Detroit, Michigan
Publisher: Wayne State University Press
PubDate: Nov. 2020
PhysDes: 172 pages : illustrated ; 24 cm
Subject: PASOLINI, PIER PAOLO; EDIPO RE (IT, Pier Paolo Pasolini, 1967); MEDEA (IT/FR/GW, Pier Paolo Pasolini, 1969)
Summary: In Archaic Modernism, Daniel Humphrey offers the first book-length, English-language examination of three adaptations of Greek tragedy produced by the gay and Marxist Italian filmmaker Pier Paolo Pasolini: Oedipus Rex (1967), Medea (1969), and Notes Towards an African Orestes (1970/1973). Considering Pasolini’s own theories of a "Cinema of Poetry" alongside Jacques Derrida’s concept of écriture, as well as more recent scholarship by queer theory scholars advocating for an antirelational and antisocial subjectivity, Humphrey maintains that Pasolini’s Greek tragedy films exemplify a paradoxical sense of "archaic modernism" that is at the very heart of the filmmaker’s project. More daringly, he contends that they ultimately reveal the queer roots of Western civilization’s formative texts. Archaic Modernism is comprised of three chapters. Chapter 1 focuses on Oedipus Rex, assessing both the filmic language employed and the deeply queer mythological source material that haunts the tragedy even as it remains largely at a subtextual yet palpable level. Chapter 2 extends and deepens the concept of queer fate and queer negativity in a scene-by-scene analysis of Medea. Chapter 3 looks at the most obscure of Pasolini’s feature length films, Notes Towards an African Orestes, a film long misunderstood as an unwitting failure, but which could perhaps best be understood as a deliberate, sacrificial act on the filmmaker’s part. Considering the film as the third in an informal, maybe unconscious, trilogy, Humphrey concludes his monograph by arguing that this "trilogy of myth" can best be understood as a deconstruction, gradually more and more severe, of three of the most important origin tales of Western civilization. Archaic Modernism makes the case that these three films are as essential as those Pasolini films more often studied in the Anglophone world: Mamma Roma, The Gospel According to Matthew, Teorema, The Trilogy of Life, and Salò, and that they are of continuing, perhaps even increasing, value today. This book is of specific interest to scholars, students, and researchers of film and queer studies. -- publisher's web site
ISBN: 9780814343104

Call No: 71(41) OPR
Author: Wollen, Peter, 1938; O'Pray, Michael, 1945
CorpAuthor: Institute of Contemporary Arts (London, England)
Place: London
Publisher: ICA, Institute of Contemporary Arts
PubDate: 1993?]
PhysDes: 48 p. : ill. ; 21 cm
Subject: UNITED KINGDOM; INDEPENDENT FILMS. UK; INDUSTRY, FILM. UK; EXPERIMENTAL FILMS. UK; INSTITUTE OF CONTEMPORARY ARTS [LONDON]
Notes: "The second ICA biennial of independent film and video" -- Cover; "Supported by the British Council, the Arts Council."
ISBN: 0905263839
LON: 10200289

Call No: 771 ART
Author: Leighton, Tanya
Source: UK
Place: London
Publisher: Tate Publishing in association with Afterall
PubDate: 2008
PhysDes: 496 p. Ilustrations (some color) ; 25cm
Subject: ACCONCI, VITO; BARTHES, ROLAND; BELLOUR, RAYMOND; BENJAMIN, WALTER; BRAKHAGE, STAN; CONRAD, TONY; DANEY, SERGE; DEBORD, GUY; DELEUZE, GILLES; DUCHAMP, MARCEL; EXPANDED CINEMA; EXPERIMENTAL FILMS; EXPORT, VALIE; FAROCKI, HARUN; GODARD, JEAN-LUC; HUYGHE, PIERRE; KUBELKA, PETER; MCLUHAN, MARSHALL; MEKAS, JONAS; ONO, YOKO; PAIK, NAM JUNE; RESNAIS, ALAIN; SCHNEEMANN, CAROLEE; SNOW, MICHAEL; STRUCTURAL FILMS; STRUCTURALISM; VIDEO ART; VIOLA, BILL; WARHOL, ANDY; WOLLEN, PETER
Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.
Notes: Includes bibliographical references and index.
ISBN: 9781854376251
Donation: Adrian Miles
Contents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.

Call No: 632 LIN
Author: Lindgren, Ernest
Place: London
Publisher: G. Allen and Unwin
PubDate: 1948]
PhysDes: xiv, 242 p., [32] p. of plates : ill., ports. ; 22 cm
Subject: PRODUCTION; SOUND; EDITING; MUSIC, FILM; ACTING; CINEMATOGRAPHY; GRIFFITH, DAVID WARK
Notes: Includes bibliography : p. 195-196, and index
LON: abn84263007; 3585806

Call No: 725.221 (-091) RAS
Author: Raskin, Richard
Source: US
Place: North Carolina
Publisher: McFarland & Company Inc.
PubDate: 2002
PhysDes: 184 p. : ill. ; 27 cm
Subject: SHORT FILMS; TWO MEN AND A WARDROBE (PL, Roman Polanski, 1957); DWAJ LUDZIE Z SZAFA (PL, Roman Polanski, 1957); COFFEE AND CIGARETTES (US, Jim Jarmusch, 1986); CAT'S CRADLE (AT, Liz Hughes, 1992)
Summary: A close study of Polanski Two Men and A Wardrobe, Jarmusch Coffee and Cigarettes, Lawlor Sunday, Hughes Cat's Cradle, Sletaune Eating Out, Ulrichsen Come, Ivanyi Wind, McGann Possum and Mimica The War is Over. The book also describes a new coneptual model, derived from the nine films, useful for both analyzing the ways in which a short fiction film tells its story and as a set of guidelines for students writing their own screenplays.
Notes: Includes contact information for obtaining copies of the films Includes other highly recommended short fiction films Includes bibliography Includes index
ISBN: 078641183x

Author: Cecil, Garth
PhysDes: Article
Subject: DUGGAN, SIMON; HACKSAW RIDGE (US/AT, Mel Gibson, 2016)
Summary: Simon Duggan talks about being the cinematograher on the Mel Gibson directed film Hacksaw Ridge. He talks about the choreography of shooting action scenes and the important role of the editor in these types of scenes. He also talks about shooting in Australia and having it double for American and Japanese locations.

Author: Martin, Adrian
PhysDes: Article
Subject: DIGITAL CINEMA; EXPERIMENTAL FILMS. AUSTRALIA; CLAYDEN, JAMES
Summary: There has been no shortage of proposals in recent years about what might constitute the ‘digital aesthetics’ of the audio-visual media. Most often these proposals of new aesthetic models are conceived in terms of a sharp break with conventional narrative form — where convention is yoked to Hollywood on the one hand, and a certain tradition of European art cinema on the other. However, a largely unexplored connection is the very fertile link between digital work and the traditions of experimental cinema. The prolific film-maker-painter — dramaturg, James Clayden, active since the early 1970s, is an especially important figure in the crossover from film to digital in Australia. With small amounts of government subsidy and finance raised from other sources, he has made several experimental features and a myriad of shorts in recent years. These have received more attention and acclaim at overseas film festivals than in Australia, where the experimental exhibition scene has largely atrophied. Intriguingly, Clayden has gone back to celluloid works (on Super 8 or 16mm) and re-fashioned them in a radical way for several digital projects; he has also been preparing a more conventional narrative art-cinema project. This article will use these rich intersections of forms, gauges and modes in Clayden's recent career as a way of approaching a new theorization of digital aesthetics in Australian cinema. -- Abstract
Notes: Part of a special issue on digital cinema in Australia and New Zealand

Call No: TITLE CLIPPINGS FILE; FALLOUT (AT, Lawrence Johnston, 2013)
Author: Williams, Evan
PhysDes: Clippings File Article
Subject: FALLOUT (AT, Lawrence Johnston, 2013); ON THE BEACH (US, Stanley Kramer, 1959)
Summary: Capsule review of the documentary.
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ELEVATOR TO THE GALLOWS [ASCENSEUR POUR L'ECHAFAUD] (FR, Louis Malle, 1958)

PhysDes: Article
Subject: ASIAN COUNTRIES; GOLDEN HARVEST; VILLAGE ROADSHOW; GREATER UNION; HOYTS; EXHIBITION. AUSTRALIA
Summary: Report says that cinema admissions in the Asia-Pacific region are set to grow

Call No: 756(5) TEO
Author: Teo, Stephen
Source: UK
Place: Oxford [Oxfordshire] ; New York
Publisher: Routledge
PubDate: 2013
PhysDes: xv, 269 p. : ill., ports. ; 24 cm
Series: Media, culture and social change in Asia ; 30
Subject: INDIAN CINEMA; CITY OF SADNESS, A [; JAPAN; KOREA; TAIWAN; THAILAND; SINGAPORE; MALAYSIA; IRAN; BOLLYWOOD; POPULAR CULTURE AND THE CINEMA; CULTURE AND THE CINEMA; NATIONALISM AND THE CINEMA; THEORY; ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; WORLD CINEMA; BLOCKBUSTERS; ANIMATION; HORROR FILM; GHOST FILMS; EROTIC FILMS; EROTIC FILMS. ASIA
Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURB
Notes: Includes bibliographic references and index; Includes filmography
ISBN: 9781138815780
Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.

Author: Mordue, Mark
PhysDes: Article
Subject: DOWN BY LAW (US, Jim Jarmusch, 1986)
Summary: Interview with Jim Jarmusch about his career and films Down by Law and Stranger than Paradise.

Call No: 81WEL GEA
Author: Gear, Matthew Asprey
Source: US
Place: New York
Publisher: Wallflower Press
PubDate: 2016
PhysDes: ix, 292 pages ; 24 cm
Subject: EXPRESSIONISM; FASCISM AND THE CINEMA; WELLES, ORSON; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); MR. ARKADIN (FR/SP/IT, Orson Welles, 1955); CITIZEN KANE (US, Orson Welles, 1941)
Summary: "The films of Orson Welles inhabit the spaces of cities -- from America's industrializing midlandto its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character. This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities -- the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes. The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9780231173414
Donation: donated by Senses of Cinema

Call No: 410.1:465.2 FUL
Author: Fuller, Kathryn H.
Source: US/UK
Place: Charlottesville; London
Publisher: University Press of Virginia
PubDate: 1996
PhysDes: 248 p. : 23 cm
Subject: AUDIENCE RECEPTION; AUDIENCES; AUDIENCES USA; FAN MAGAZINES; EXHIBITION; EXHIBITION. USA; EXHIBITION OF SILENT FILMS; NICKELODEON
Summary: Although the transformation of the movies into big-time entertainment had multiple sources, Kathryn Fuller argues that ultimately the maturation of the film industry depended on the support of both urban and rural middle-class audiences. Providing the fullest portrait to date of the small-town audience’s hanging habits and desires, At the Picture Show demonstrates for the first time how a fan culture emerged in the United States, and it enriches our understanding of mass media’s relationship to early twentieth-century American society. [Taken from back cover.]
ISBN: 0813920825

Call No: 81EGO ATO
Author: Desbarats, Carole
Place: Paris
Publisher: Editions Dis voir
PubDate: 1993]
PhysDes: 123 p. : ill. (some col.) ; 28 cm
Subject: EGOYAN, ATOM
Notes: Filmography: p. 118-119; Includes bibliographical references (p. 120)
ISBN: 2906571342; 2906571334 : 220F
LON: abn94137998; 10856023

Call No: 81EGO ROM
Source: UK
Place: London :
Publisher: bfi Publishing
PubDate: 2003
PhysDes: 226 p. ; ill. ; 19 cm
Series: World directors
Subject: EGOYAN, ATOM
Summary: Traces Egoyan's career, film by film - from his early shorts, through the video-themed features, such as "Family Viewing" and "Speaking Parts", that made his name. (FROM COVER)
Notes: Bibliography : p. 201-208 Filmography : p. 209-215 Includes index
ISBN: 0-85170-877-3

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: [EIGHTH] 8TH DAY, THE [ATTONDE DAGEN, DEN] (SW, Anders Gronos, 1979)

Call No: 410.3 AUD
Place: Amsterdam
Publisher: Amsterdam University Press
PubDate: 2012
PhysDes: 332 pages : illustrations ; 23 cm.
Series: Key debates ; 3.
Subject: AUDIENCE RECEPTION; AUDIENCE RESEARCH; AUDIENCES; SOCIETY AND THE CINEMA; EXHIBITION; BOX OFFICE
Summary: "This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms."--Publisher's website.
Notes: Includes bibliographical references (p. 279-298) and indexes.
ISBN: 9789089643629
Contents: Introduction: in search of audiences / Ian Christie -- pt. 1. Reassessing historic audiences. "At the picture palace": the British cinema audience, 1895-1920 / Nicholas Hiley The gentleman in the stalls: Georges Melies and spectatorship in early cinema / Frank Kessler Beyond the nickelodeon: cinema going, everyday life and identity politics / Judith Thissen Cinema in the colonial city: early film audiences in Calcutta / Ranita Chatterjee Locating early non-theatrical audiences / Gregory A Waller Understanding audience behavior through statistical evidence: London and Amsterdam in the mid-1930s / John Sedgwick and Clara Pafort-Overduin -- pt. 2. New frontiers in audience research. The aesthetics and viewing regimes of cinema and television, and their dialectics / Annie van den Oever Tapping into our tribal heritage: The lord of the rings and brain evolution / Torben Grodal Cinephilia in the digital age / Laurent Jullier and Jean-Marc Leveratto Spectator, film and the mobile phone / Roger Odin Exploring inner worlds: where cognitive psychology may take us / a dialogue between Tim J. Smith and Ian Christie -- pt. 3. Once and future audiences. Crossing out the audience / Martin Barker The cinema spectator: a special memory / Raymond Bellour Operatic cinematics: a new view from the stalls / Kay Armatiage What do we really know about film audiences? / Ian Christie.
URL status: URL: 'https://library.oapen.org/handle/20.500.12657/34451' Checked: 31/08/2021 1:29:06 PM Status: Live Details: HTTP status 200 - Usual success response

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: AUF DER ANDEREN SEITE (G/TU/IT, Fatih Akin, 2007); EDGE OF HEAVEN, THE (G/TU/IT, Fatih Akin, 2007)
ID2: 62

Call No: 81:634DEH STA
Author: Starrs, David Bruno
Source: AT
Place: Brisbane, Queensland
PubDate: 2009
PhysDes: 263 p. : ill. ; 30 cm
Subject: AUTEUR THEORY; DIRECTORS. AUSTRALIA; SOUND; THEORY; DE HEER, ROLF; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998); [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007); EPSILON (AT/IT, Rolf de Heer, 1995); OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000); PROPOSITION, THE (AT/UK, John Hillcoat, 2005); TRACKER, THE (AT, Rolf de Heer, 2002)
Summary: "An interpretative methodology for understanding meaning in cinema since the 1950s, auteur analysis is an approach to film studies in which an individual, usually the director, is studied as the author of his or her films. The principal argument of this thesis is that proponents of auteurism have privileged examination of the visual components in a film-makers' body of work, neglecting the potentially significant role played by sound. The thesis seeks to address this problematic imbalance by interrogating the creative use of sound in the films written and directed Rolf de Heer, asking the question, "Does his use of sound make Rolf de Heer and aural auteur?" In so far as the term 'aural' encompasses everything in the film that is heard by the audience, the analysis seeks to discover if de Heer has, as Peter Wollen suggests of the auteur and her or his directing of the visual components (1968, 1972 and 1998), unconsciously left a detectable aural signature on his films. The thesis delivers an innovative outcome by demonstrating that auteur analysis that goes beyond the mise-en-scene (i.e. visuals) is productive and worthwhile as an interpretative response to film. De Heer's use of the aural point of view and binaural sound recording, his interest in providing a 'voice' for marginalised people, his self-penned song lyrics, his close and early collaboration with composer Graham Tardif and sound desinger Jim Currie, his 'hands-on' approach to sound recording and sound editing and his predilection for making films about sound are all shown to be examples of de Heer's aural auteurism. As well as the three published (or accepted for publication) interviews with de Heer, Tardif and Currie, the dissertation consists of seven papers refereed and published (or accepted for publication) in journals and internatiional conference proceedings, a literature review and a unifying essay. The papers presented are close textual analyses of de Heer's films which, when considered as a whole, support the thesis' overall argument and serve as comprehensive auteur analysis, the first such sustained study of his work, and the first with an emphasis on the aural. " -- ABSTRACT
Notes: Presented to the Creative Industries Faculty, Queensland University of Technology. Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2009; Includes bibliographical references (p. 213-231)
Contents: -- part one: introduction -- chapter 1: the research problem, objective/aims, subject and methodologies -- chapter 2: the literature and contextual review -- part two: the seven refereed and published papers of the thesis -- chapter 3: a paper utilising genre analysis and signalling an interest in the auteurism of Rolf de Heer -- chapter 4: the first of two papers utilising standard auteur analysis -- chapter 5: the second of two papers utilising standard auteur analysis -- chapter 6: a paper arguing for the methodological innovation of the thesis: aural auteur analysis -- chapter 7: the first of three papers utilising aural auteur analysis -- chapter 8: the second of three papers utilising aural auteur analysis -- chapter 9: the third of three papers utilising aural auteur analysis -- part three: conclusion -- chapter 10: the unifying essay -- 11: references/bibliography and filmography -- 12: appendicies -- list of figures --

Call No: DVD RESEARCH FOLDER; DVD Research Folder
Author: Castleman, Lana
Subject: INDUSTRY, VIDEO. AUSTRALIA; DVD, TV SHOWS ON; VILLAGE ROADSHOW; CHILDREN, PROGRAMMES FOR
Summary: (taken from Proquest summary) - Consumer and reatil research revealed time-poor moms (the chief purchasers) were finding it difficult to locate preschool titles.; Roadshow director of business Grahame Grassby says the brightly colored, toyetic handle boxes (for children show titles) were created to boost underwhelming preschool DVD sales

Call No: TITLE CLIPPINGS FILE; DROWN
Author: Neil, Megan
PhysDes: Clippings File Article
Subject: DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; TUGG; DROWN (AT, Dean Francis, 2014)
Summary: The director of Drown, Dean Francis, talks about how he used TUGG, an online cinema on demand site to find cinemas who want to screen his film.

PhysDes: Article
Subject: DISTRIBUTION. AUSTRALIA; VIDEO, FILMS ON. AUSTRALIA; MAD MAX (AT, George Miller, 1979); ENDLESS LOVE (US, Franco Zeffirelli, 1981); ATLANTIC CITY, USA (CN/FR, Louis Malle, 1980); VILLAGE ROADSHOW
Summary: Article on the Roadshow announcement of the new subdivision, Roadshow Home Video, which will distribute films on VHS and BETA across Australia.

Call No: 20(94) AUS
Author: Australian Film Commission
Edition: 1st edition
Source: AT
Place: Sydney [New South Wales]
Publisher: Australian Film Commission
PubDate: 2004
PhysDes: 96 pages : colour charts ; 30 cm
Series: Get the picture
Subject: INDUSTRY, FILM. AUSTRALIA; STATISTICS. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; PRODUCTION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA
Summary: Australia's Audiovisual Markets is the first of a new series of publications which feature key data from Get the Picture Online, the Australian Film Commission's comprehensive web-based statistics collection. Its graphic style and short chunks of information complement the detailed data available online to provide a unique perspective on the state of Australia's cinema, video, television and interactive media markets. -Taken from back cover.
Notes: Includes an index; Includes a list of abbreviations
ISBN: 1920988004
ID2: 145

Call No: 161(94)AUS
Place: AT
Publisher: Australian Film Commission
PubDate: 1990
Subject: TELEVISION. AUSTRALIA; BROADCASTING. AUSTRALIA; SPECIAL BROADCASTING SERVICE; CHANNEL FOUR; TELEVISION. NEW ZEALAND; AUSTRALIAN BROADCASTING CORPORATION; DRAMAS. AUSTRALIA
Notes: "A conference organised by the ABC, the Australian Film Commission and the Communications Law Centre. Powerhouse Museum. June 22-23 1990."
Contents: Contains full transcription of speeches made at the conference: Australian national broadcasters in the 1990s / Kim Beazley -- The SBS: listening for the sounds of change / Brian Johns -- The programmes we make: culture, costs and quality / Liz Forgan -- Deregulation of broadcasting in New Zealand: realities, myths and the impact on the national broadcasters / Beverley Wakem -- Wire and lights / Michael Tracey -- Community attitudes to the ABC's role, image, and position: highlights of the ANOP 1990 survey findings / Rod Cameron -- ABC Australian drama: culture and excellence / Elizabeth Jacka

Call No: 246(94) TOR
Author: Torre, Dan; Torre, Lienors
Edition: 2018
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PhysDes: xii, 260 pages : illustrated ; 22 cm
Subject: ANIMATED FILMS. AUSTRALIA; ANIMATION. AUSTRALIA; FELIX THE CAT; PORTER, ERIC; HANNA-BARBERA; MCLAREN ANGUS; PETTY, BRUCE; STITT, ALEX; TUPICOFF, DENNIS; MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972); DOT AND THE KANGAROO (AT, Yoram Goss, 1977); GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981); LOST THING, THE (AT/UK, Andrew Ruhemann/Shaun Tan, 2010)
Summary: This book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide-range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variety of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews this book illuminates, for the first time, the breadth and richness of Australia’s animation history. -- publisher's web site
ISBN: 9783319954912

Call No: 20(94) AUS
CorpAuthor: Federation of Australian Commercial Television Stations
Source: AT
Place: Sydney
Publisher: Federation of Australian Commercial Television Stations
PubDate: 1976
PhysDes: 45 pages ; 21 cm
Subject: FEDERATION OF AUSTRALIAN COMMERCIAL TELEVISION STATIONS; COMMERCIAL TV. AUSTRALIA
Contents: Part 1: a management appreciation of the broadcasting system -- Part 2: an engineering appreciation of the broadcasting system

Call No: 71(94) TUL
Author: Tulloch, John, 1942
Place: Sydney
Publisher: George Allen & Unwin
PubDate: 1982
PhysDes: 272 p. : ill. ; 23 cm
Subject: AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NARRATIVE IN FILMS. AUSTRALIA; HALL, KEN G.; AUSTRALASIAN FILMS; SMITH, BEAUMONT; HOWE, W.J.; DOYLE, STUART; KRACAUER, SIEGFRIED; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920); HORDEN MYSTERY, THE (AT, Harry Southwell, 1920); JUNGLE WOMAN, THE (AT, Frank Hurley, 1926); LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921); HAYSEEDS, THE (AT, Beaumont Smith, 1933); MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933)
Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and index
ISBN: 0868611484 (pbk.); 0868611409 : price unknown
LON: 2138387

Call No: 732(94) SPE
Author: Speed, Lesley
Source: AT
Place: St. Kilda, Vic.
Publisher: Australian Teachers of Media (ATOM)
PubDate: c2015
PhysDes: 128 pages : illustrations ; 24 cm.
Subject: COMEDIES. AUSTRALIA; HISTORY AND THE CINEMA. AUSTRALIA; EFFTEE STUDIO; CINESOUND STUDIOS; HANNA, PAT; WALLACE, GEORGE; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931); DIGGERS (AT, F.W. Thring, 1931); HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931); SHOWGIRL'S LUCK (AT, Norman Dawn, 1931); SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932); ON OUR SELECTION (AT, Ken G. Hall, 1932); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932); DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933); HARMONY ROW (AT, F.W. Thring, 1933); HAYSEEDS, THE (AT, Beaumont Smith, 1933); TICKET IN TATTS, A (AT, F.W. Thring, 1934); CLARA GIBBINGS (AT, F.W. Thring, 1934); STRIKE ME LUCKY (AT, Ken G. Hall, 1935); SPLENDID FELLOWS (AT, Beaumont Smith, 1934); GRANDAD RUDD (AT, Ken G. Hall, 1935); WHITE DEATH (AT, Edwin G. Bowen, 1936); RANGLE RIVER (AT, Clarence G. Badger, 1936); IT ISN'T DONE (AT, Ken G. Hall, 1937); TALL TIMBERS (AT, Ken G. Hall, 1937); LET GEORGE DO IT (AT, Ken G. Hall, 1938); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); GONE TO THE GOGS (AT, Ken G. Hall, 1939); ANTS IN HIS PANTS (AT, William Freshman, 1939)
Summary: Comedy has been a perpetual part of Australian film, in which humour reflects Australia's adaptation in times of crisis, social change and technological advances. This was never more so than in the 1930s, when Australia produced more comedy feature films than in any other decade before 1970. These films of the 1930s embraced the new technology of sound, made local vaudeville performers into movie stars, offered escape from the Depression and revealed a diverse and international Australia. In these films, Australia moved further from Empire and the bush, forged the Digger legend, responded to cultural diversity and viewed itself as a modern, urban nation. Influenced by Hollywood, Australian comedies of the 1930s adapted international styles to local points of view. Based on research at the National Film and Sound Archive, Lesley Speed's book provides new insight into Australian comedy films of the 1930s and the extraordinary period of social change in which they were produced. [taken from the back cober]
ISBN: 9781876467258
Contents: Contents: Introduction -- Comedy films and 1930s Australia -- Comedian comedies, Pat Hanna and George Wallace -- 'The best men in the metropolis' : Speech and language in films of Pat Hanna and George Wallace -- Strike me lucky, silly ass: Ethnicity and class difference -- From bush to the city: The Dad and Dave films -- Looking at home for 'something really ultra': Modernity, gender and the international -- Select filmography -- Select bibliography -- Notes

Call No: 205.4(94)(094.3)ACI AUS
Source: AT
Place: [North Sydney, N.S.W.]
Publisher: Australian Broadcasting Tribunal
PubDate: 1988
PhysDes: 63 p., [21] leaves ; 30 cm
Series: Discussion Paper (Australian Broadcasting Tribunal. Australian Content Inquiry)
Subject: RATINGS. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; DRAMAS. AUSTRALIA
Summary: A study on ratings for Australian drama, mini series, tele-movies and movies shown on tv in Australia between 1978-1986

Call No: 205.33(94) AUS
Source: AT
Place: [Australia]
PhysDes: 25 p. ; 30 cm
Subject: QUOTA. AUSTRALIA; DRAMAS. AUSTRALIA

Call No: 408.1(94) AUS
Author: Frow, John, 1948; Morris, Meaghan
Place: St Leonards, N.S.W.
Publisher: Allen & Unwin
PubDate: 1993
PhysDes: xxxii, 296 p. : ill. ; 22 cm
Series: Questions in cultural studies
Subject: POPULAR CULTURE AND THE CINEMA. AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; SERIALS. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; HISTORY OF TV. AUSTRALIA; POPULAR CULTURE AND TV. AUSTRALIA; POLITICS AND TV. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; CHAMBERLAIN, AZARIA; EMBASSY [TV] (AT, Paul Moloney/Mark Callan/Karl Steinberg, 1991 -)
Notes: CIP confirmed; Bibliography: p. 292-296
ISBN: 1863734996 : 439.95; 1863734147 (pbk.) : $19.95
LON: 13615766; 9721242

Author: Simpson, Catherine
PhysDes: Article
Subject: ANIMALS IN FILMS; NATURE IN FILMS; HORROR FILMS. AUSTRALIA; IMPERIALISM AND THE CINEMA AUSTRALIA; RAZORBACK (AT, Russell Mulcahy, 1984); DARK AGE (AT/US, Arch Nicholson, 1988); ROGUE (AT, Greg Mclean, 2007); MARSUPIALS: THE HOWLING III, THE (AT, Philippe Mora, 1987); DYING BREED (AT, Jody Dwyer, 2008)
Summary: This article focuses on moments in a series of key films: Razorback (Mulcahy, 1984), Dark Age (Nicholson, 1987), Rogue (McLean, 2007), Howling III: the Marsupials (Mora, 1987) and Dying Breed (Dwyer 2008). Using an 'eco-postcolonial' framework, the author argues that these films extend postcolonial anxieties over settler Australian notions of belonging and challenge the notion of human mastery over nature.
Notes: We hear so much about extinction in debates around climate change. But what about those animals that go feral and then return – bigger, hungrier and angrier – to wreak revenge on humans who may have done them injustice? Using an eco-postcolonial framework, this article examines how a number of exploitation horror films have dealt with environmental topics and issues of trespass. In particular, I examine the agency of animals – crocs, pigs, thylacines and marsupial werewolves – in some key Australian eco-horror films from the last 30 years: Long Weekend (Eggleston,1978), Razorback (Mulcahy, 1984), Dark Age (Nicholson, 1987), Howling III: the Marsupials (Mora, 1987), Rogue (Greg McLean, 2007), Black Water (Nerlich & Traucki, 2007) and Dying Breed (Dwyer 2008). On the one hand, these films extend postcolonial anxieties over settler Australian notions of belonging, while on the other, they signify a cultural shift. The animals portrayed have an uncanny knack of adapting and hybridizing in order to survive, and thus they (the films and the animals) force us to acknowledge more culturally plural forms of being. In particular, these films unwittingly emphasize what Tim Low has termed the ‘new Nature’: an emerging ethic that foregrounds the complex and dynamic interrelationships of animals with humans.--Abstract

Call No: 49[37](94) AUS
Source: AT
Place: North Sydney
Publisher: Corporate Education Resources
PubDate: 1986
PhysDes: 1 v. (various pagings) ; 30 cm
Subject: EDUCATION, USE OF FILMS IN. AUSTRALIA; EDUCATION, USE OF TV IN. AUSTRALIA
Summary: This publication is intended as a working document to assist the film industry in Australia to gain greater access to the educational market. While the research was conducted primarily for Film Australia, the information gathered and the results obtained may be of assistance to other film producers and distributors. The main body of the report comprises a comprehensive bank of data gained around Australia through interview and a national survey. -- taken from introduction
Notes: date "June, 1986"
Contents: 1. Introduction --2. Summary of findings -- 3. The structure of Australian education -- 4. How is the education market made up - 4.1 Commonwealth level - 4.2 State level - 4.3 Institutional level -- 5. Producing film/video for the educational market -- 6. Marketing to the educational sector -- 7. Appendicies

Call No: 771(94) HOO
Author: Hooton, Fiona
Place: Saarbru¨cken, Germany
Publisher: VDM
PubDate: 2009
PhysDes: 174 p. : ill. ; 22 cm.
Subject: EXPERIMENTAL FILMS. AUSTRALIA; THOMS, ALBIE; BERESFORD, BRUCE; UBU FILM GROUP; NEWSFRONT (AT, Phillip Noyce, 1978); AWARDS. AUSTRALIAN FILM INSTITUTE; GOD KNOWS WHY, BUT IT WORKS (AT, Phil Noyce, 1976); CRYSTAL VOYAGER (AT, David Elfick & Albert Falzon, 1973); MORA, PHILIPPE; NOYCE, PHIL
Summary: In Australia art cinema no decade can rival the importace of the 1960s, yet little is still known of it's significance. This book attempempts to fill a current void of research about early Australian Experimental film. This is a significant gap given it was a national movemenent with many international connections. - BLURB
Notes: Includes bibliographical references.
ISBN: 9783639115932
Contents: Introductoin -- 1. Undergound histories -- 2. It droppeth as the gentle rain -- 3. U bu and the counterculture -- 4. The impact of experimental film on mainstream Australian cinema -- Conclusion -- Timeline - Viewing menu -- List of illistrations -- Bibliography
ID2: 343

PhysDes: Article
Subject: ALMOST WINNING (AT, Tammy Burnstock, 1986); BOY AND THE SEA, THE (AT, Peter Leovic, 1986); CHASM (AT, Mark Ward/Peter Aquilia, 1986); COMING TRUE (AT, George Mannix, 1986); AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987); ERMINIA'S OPENING NIGHT AND OTHER STORIES (AT, Duncan Sinclair, 1986); FREELY GIVEN (AT, David Caesar, 1986); GOOD WEEKEND, THE (AT, Kate Stone, 1986); FLYING (AT, Tommy Burnstock, 1986); SAY A LITTLE PRAYER (AT, Trisha Rothkrans, 1986); SPEED GRAPHIC (AT, Rey Carlson, 1986); SHOPPING TOWN (AT, David Caesar, 1986); TRICKLE OF SANITY (AT, Michael Richards, 1986)
Summary: Short reviews of the AFTRS productions by a number of different reviewers
Notes: Reviews. - synopsis. - credits. - illus.

PhysDes: Article
Subject: ERMINIA'S OPENING NIGHT AND OTHER STORIES (AT, Duncan Sinclair, 1986)
Summary: Short reviews of AFTRS productions

Call No: REFERENCE SECTION; 023(94)"1989" AUS
CorpAuthor: Australian Film Commission
PubDate: April 1989
Subject: AUSTRALIAN FILM COMMISSION; TELEVISION. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; DRAMAS. AUSTRALIA
Notes: Cover title is Films from Australia

Call No: 201(94) AUS
Place: [Sydney]
Publisher: Australian Film Commission
PubDate: 1988
PhysDes: 1 v. : ill. ; 25 cm
Subject: STATISTICS. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; CINEMAS. AUSTRALIA; TELEVISION. AUSTRALIA; VIDEO AND THE CINEMA. AUSTRALIA; PRODUCTION. AUSTRALIA; FINANCING. AUSTRALIA
Summary: Statistics gathered on the Australian film (and television) industry between 1980-1987 are presented in relation to the areas of: financing, production, distribution and exhibition, video, and television broadcasting.
ISSN: 10315462

Call No: 151(94) STE
Author: Stevens, Kirsten
Source: AT/US
Place: New York
Publisher: Palgrave Macmillan
PubDate: c2016
PhysDes: xi, 270 pages ; 22 cm
Series: Framing film festivals
Subject: FESTIVALS; FESTIVALS. AUSTRALIA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; AUDIENCES; AUDIENCES. AUSTRALIA; EXHIBITION; EXHIBITION. AUSTRALIA; SOCIETY AND THE CINEMA
Summary: "This is the first book to offer an in-depth examination of the history, operation, and growth of film festivals as a cultural phenomenon within Australia. Tracing the birth of film festivals in Australia in the 1950s through to their present abundance, it asks why film festivals have prospered as audience-driven spectacles throughout Australia, while never developing the same industry and market foci of their international fellows. Drawing on over sixty-years of archival records, festival commentary, interviews with festival insiders and ephemera, this book opens up a largely uncharted history of film culture activity in Australia. " -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9781137586377
Contents: -- 1: Introduction -- 2: Enthusiastic Amateurs: Origins of Australia's Film Festival Movement -- 3: Growth and Change: Curator-Led Festivals, Fragmenting Audiences, and Shifting Film Exhibition Cultures -- 4: From Film Weeks to Festivals: The Spread of the Urban Film Festival After 1980 -- 5: Between Success and Failure: Crisis and Recovery at the Melbourne International Film Festival -- 6: Programming Perceptions: Film Festivals and the Construction of Taste -- 7: A Festival for Every Occasion: Niche Programming, Event Culture, and Vertically Integrated Film Festivals -- 8: Conclusion -- Appendix 1: Early Features of Melbourne and Sydney Film Festival Programmes (1952-1965) -- Appendix 2: Summary of Select Film Culture and Festival Activities, 1960s-1970s -- Appendix 3: Selective List of Film Events in Melbourne, 1949-2000 -- Appendix 4: Film Festivals in Melbourne and Sydney, 2015 -- Notes -- archives and Research Collections -- Bibliography -- Index --

Call No: P CIN
PhysDes: 1 poster : col. ; 71 X 51 cm.
Subject: EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. AFI; CINEMAS. AUSTRALIA. CHAUVEL; AUSTRALIAN FILM INSTITUTE
Summary: Image: Programme listings in black and white with orange detail.
Notes: Tack marks

Call No: P CIN
PhysDes: 1 poster : col ; 70 X 51 cm.
Subject: EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. AFI; CINEMAS. AUSTRALIA. CHAUVEL; AUSTRALIAN FILM INSTITUTE
Summary: Image: Programme listings in black and white with red detail.
Notes: Two copies; Both copies must have been stored folded in quarters at some stage for some time; Reverse side has advertising for Chauvel events, etc.

Call No: P CIN
PhysDes: 1 poster : col. ; 76 X 51 cm
Subject: EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. AFI; CINEMAS. AUSTRALIA. CHAUVEL; AUSTRALIAN FILM INSTITUTE
Summary: Image: Programme listings in black and white with yellow detail.
Notes: Double-sided

Call No: P CIN
PhysDes: 1 poster : col. ; 57 X 45 cm.
Subject: EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. AFI; CINEMAS. AUSTRALIA. CHAUVEL; AUSTRALIAN FILM INSTITUTE
Summary: Image: Programme listings in black and white with pale blue detail.
Notes: Laminated; had been folded in to quarters beforehand.; Reverse side contains an essay by the filmmaker Antonio Skarmeta and a review of Utu and the New Cinema: Japan festival.

Call No: TITLE CLIPPINGS FILE; DESERT PEOPLE (AT, Ian Dunlop, 1967)
Author: -
PhysDes: Clippings File Article
Subject: DOCUMENTARIES. AUSTRALIA; ABORIGINAL AUSTRALIANS IN FILMS; DUNLOP, IAN; DESERT PEOPLE (AT, Ian Dunlop, 1967)
Summary: In depth report on the success of the documentary 'Desert People' in screenings in major European cities. The article reproduces a glowing review by Italian film critic Carlo Laurenzi
Notes: old clips pile from June 2015

Call No: 71(94) AUS
Author: Moran, Albert, 1942; O'Regan, Tom, 1956
Place: Sydney
Publisher: Currency Press
PubDate: 1985
PhysDes: 391 p. ; 21 cm
Series: Australian screen
Subject: FEMINISM AND THE CINEMA. AUSTRALIA; DOCUMENTARY FILMS. AUSTRALIA; AVANT-GARDE FILMS. AUSTRALIA; SUPER-8 MM FILMS. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; BERESFORD, BRUCE; WEIR, PETER; CHAUVEL, CHARLES; Grierson, John; HALL, KEN G.; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); GALLIPOLI (AT, Peter Weir, 1981); SCHOOL IN THE MAILBOX (AT, Stanley Haews, 1946?); FROM THE TROPICS TO THE SNOW (AT, Richard Mason and Jack Lee, 1964); BIG COUNTRY, A (AT, 1979); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); INDONESIA CALLING (AT, Joris Ivens, 1948)
Notes: Includes index; Bibliography: p. 376-379
ISBN: 086819123X (pbk.) : $24.95 Aust
LON: anb86819123; 4105507

Call No: 71(94) BAR
Author: Barber, Susan
Edition: 2023
Place: New York
Publisher: Bloomsbury Academic
PubDate: 9 Feb 2023
PhysDes: 280 pages ; 24 cm
Subject: AUSTRALIA; MASCULINITY IN FILMS. AUSTRALIA; FEMINISM AND THE CINEMA. AUSTRALIA; ROAD MOVIES. AUSTRALIA; MOTHERS IN FILMS; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); MAD MAX [...] (AT, 1979-85); BACKROADS (AT, Philip Noyce, 1977); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); DON'S PARTY (AT, Bruce Beresford, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); HIGH TIDE (AT, Gillian Armstrong, 1987); MAN FROM SNOWY RIVER II, THE (AT, Geoff Burrowes, 1988); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); TRACKER, THE (AT, Rolf de Heer, 2002); WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981)
Summary: The Australian Film Revival: 70s, 80s, and Beyond explores the matrix of forces – artistic, cultural, economic, political, governmental, and ideological – that gave rise to, shaped, and sustained this remarkable film movement. This engaging new study brings fresh perspectives, insights, and innovative approaches to a variety of films from a diversity of filmmakers. Areas of focus include the complex and contentious subjects of masculinity, femininity and feminism, the maternal, as well as the Indigenous road film and the protean Australian gothic. During the formative years of the revival, Australian films seemed to emerge from out of the blue in terms of global film history, with many features including Picnic at Hanging Rock (l975), Caddie (l976), The Last Wave (l977), The Chant of Jimmie Blacksmith (l978), and My Brilliant Career (l979) receiving international distribution and enthusiastic critical acclaim with strong box office results. By the time the film revival was in full swing, not only did Australian audiences flock to theaters to see “homegrown” films, but the quantity of Australian films on overseas screens was so high that ardent critics declared this outpouring an Australian “New Wave.” The eyes of the world had turned to a compelling and largely unknown culture. -- publisher's web site
ISBN: 9781501390029
Contents: Acknowledgements -- Dedication -- In Memory Of -- Introduction -- 1. The Ocker: Chauvinistic and Oedipal -- 2. Alternate Masculinities of Paul Cox and John Duigan -- 3. Historical Women and the Bush -- 4. Negligent, Runaway, and Abject Mothers -- 5. The Indigenous Road Film -- 6. Australian Gothic -- Index

Call No: 19EFF BER
Author: Bertrand, Ina, 1939
CorpAuthor: La Trobe University. Centre for the Study of Educational Communication and Media
Place: Bundoora, Vic.
Publisher: Centre for the Study of Educational Communication and Media, La Trobe University
PubDate: 1977
PhysDes: 26p. ; 30cm
Series: Media Centre papers ; 7
Subject: EFFTEE STUDIO; THRING, F.W.; DIGGERS (AT, F.W. Thring, 1931); TICKET IN TATTS, A (AT, F. W. Thring, 1934); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932); CLARA GIBBINGS (AT, F.W. Thring, 1934); HARMONY ROW (AT, F.W. Thring, 1933); STREETS OF LONDON (AT, F.W. Thring, 1935); SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932); CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931); HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931); DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933)
Notes: Bibliography: p.16
ISBN: 0858161141 : unpriced
LON: 1653335 1622627

Call No: 67(94) VER
Author: By Verevis, Constantine and Williams, Deane
Place: United Kingdom
Publisher: Intellect
PubDate: 2018
Subject: EXPERIMENTAL FILM AND TELEVISION FUND; BIRTLES, FRANCIS; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); GILDA (US, Charles Vidor, 1946); FEMINISM AND THE CINEMA. AUSTRALIA; PORNOGRAPHY AND THE CINEMA. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); CHAUVEL, CHARLES
ISBN: 9781783208371

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. TORONTO
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: FESTIVALS. TORONTO; FESTIVALS. VENICE; DRESSMAKER, THE (AT, Jocelyn Moorhouse, 2015); SEPTEMBERS OF SHIRAZ (US, Wayne Blair, 2015); LOOKING FOR GRACE (AT, Sue Brooks, 2015)
Summary: Focus on the films with Australian directors who were awarded screenings at the 2015 Toronto and Venice Film festivals. The films are: THE DRESSMAKER, SEPTEMBERS OF SHIRAZ, and LOOKING FOR GRACE. Simon Stone's THE DAUGHTER will screen at Toronto as well

Call No: REFERENCE SECTION; 023(94) AUS
CorpAuthor: Australian Film Commission
Edition: 2001- 2002
Source: AT
Place: Woolloomooloo, N.S.W.
Publisher: Australian Film Commission
PubDate: 2002
PhysDes: v. ; 25cm
Series: Australian Film Commision Catalogue
Subject: TELEVISION. AUSTRALIA; DRAMAS. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; AUSTRALIAN FILM COMMISSION

PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; NEW SOUTH WALES FILM CORPORATION; INDUSTRY, FILM. AUSTRALIA; CLINIC, THE (AT, David Stevens, 1982); DUSTY (AT, John Richardson, 1983); DEAD EASY (AT, Bert Deling, 1982); FIGHTING BACK (AT, Michael Caulfield, 1982); GINGER MEGGS (AT, Jonathan Dawson, 1982); NORMAN LOVES ROSE (AT, Henri Safran, 1982); DOUBLE DEAL (AT, Brian Kavanagh, 1983); EARLY FROST (AT, Brian McDuffie, 1981); FAR EAST (AT, John Duigan, 1982); MIDNITE SPARES (AT, Quentin Masters, 1983); NEXT OF KIN (AT, Tony Williams, 1982); UNDERCOVER (AT, David Stevens, 1983); KITTY AND THE BAGMAN (AT, Donald Crombie, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982)
Summary: Article on australian films screened at the American Film Market

Call No: 735.2(94) RAY
Author: Rayner, Jonathan
Edition: 2022
Place: Cardiff
Publisher: University of Wales Press
PubDate: 2022
PhysDes: x, 294 pages : illustrated ; 23 cm
Series: Gothic Literary Studies
Subject: HORROR FILMS. AUSTRALIA; BABADOOK , THE (AT, Jennifer Kent, 2014); DYING BREED (AT, Jody Dwyer, 2008); KILLING GROUND (AT, Damien Power, 2016); LOST GULLY ROAD (AT, Donna McRae, 2017); LOVED ONES, THE (AT, Sean Byrne, 2009); MAD MAX (AT, George Miller, 1979); MYSTERY ROAD (AT Ivan Sen, 2013); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); WOLF CREEK (AT, Greg McLean, 2005); WOLF CREEK 2 (AT, Greg Mclean, 2013)
Summary: The term ‘Gothic’ has been applied to examples of Australian cinema since the 1970s, often in arbitrary and divergent ways. This book examines a wide range of Australian films to trace their Gothic resemblances, characteristics and meanings. By concentrating on the occurrence of Gothic motifs, characters, landscapes and narratives, it argues for the recognition and relevance of a coherent Gothic heritage in Australian film. A plethora of Gothic representatives are considered in relation to four consistent and illuminating continuities (images of the family, ideas of monstrosity, generic hybridity and the occurrence of the sublime), and this study debates the appearance and asserts the significance of Australian Gothic films within their national, cultural, literary and cinematic traditions. -- publisher's web site
ISBN: 9781786838896
Contents: List of illustrations -- Introduction -- Familiarity -- Monstrosity -- Hybridity -- Sublimity -- Conclusion -- Filmography -- Bibliography -- Index

Call No: SUBJECT CLIPPINGS FILE; AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS; DRESSMAKER, THE (AT, Jocelyn Moorhouse, 2015); MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Preview of the upcoming AACTA awards, with discussion around the films MAD MAX: FURY ROAD and THE DRESSMAKER

Call No: 735.2 (94) SHE
Author: Shelley, Peter
Source: US/UK
Place: Jefferson, North Carolina, and London
Publisher: McFarland & Company Inc
PubDate: c2012
PhysDes: vi, 320 p. : ill. ; 26 cm
Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1988); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Ann Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1993); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010)
Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB
Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index
ISBN: 9780786461677
Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --

Call No: 71(94) DAN
Author: Danks, Adrian; Verevis, Constantine
Edition: 2023
Place: Edinburgh
Publisher: Edinburgh University Press
PhysDes: 224 pages ; 24 cm
Series: Traditions in World Cinema
Subject: AUSTRALIA; EALING STUDIOS; OVERLANDERS, THE (UK, Harry Watt, 1946); KANGAROO (AT, Lewis Milestone, 1952); ON THE BEACH (US, Stanley Kramer, 1959); SUNDOWNERS, THE (US, Fred Zinnemann, 1960); KOYA NO TOSEININ (JA, Junya Sato, 1968); AGE OF CONSENT (AT, Michael Powell, 1969); COLOR ME DEAD (US/AT, Eddie Davis, 1968); NED KELLY (UK, Tony Richardson, 1970); WALKABOUT (UK, Nicolas Roeg, 1971); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975)
Summary: Offers an important insight into the formative moments of transnational film culture in Australia - Provides vibrant textual studies of under-evaluated Australian international pictures - Develops an understanding of international film production in the years following WWII and before the Australian film revival of the 1970s - Corrects the perception that there was no significant feature film production in Australia after the 1930s and before the revival - Offers background and important precedents for the more recent practices of global co-productions and ‘Hollywood Down-under’ Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75. -- publisher's web site
ISBN: 9780748693061
Contents: Acknowledgements -- 1. Australian International Pictures (1946–75) -- 2. The Overlanders (1946) and Ealing Down Under -- 3. Kangaroo (1952) -- 4. On the Beach (1959) -- 5. The Sundowners (1960) -- 6. The Drifting Avenger (1968) -- 7. Age of Consent (1969) -- 8. Color Me Dead (1970) -- 9. Ned Kelly (1970) -- 10. Walkabout (1971) -- 11. Wake in Fright (1971) -- 12. The Man from Hong Kong (1975) -- References.

Call No: 20(058)(94) BEI
Author: Beilby, Peter
Source: AU
Place: North Melbourne, Victoria
Publisher: Cinema Papers Pty Ltd
PubDate: 1980
PhysDes: 319 pages : black and white illustrations ; 25 cm
Series: Australian motion picture yearbook
Subject: AWARDS; DIRECTORS; DISTRIBUTION; EXHIBITION; FESTIVALS; FILM WORKERS; INDUSTRY, FILM. AUSTRALIA; LEGISLATION. AUSTRALIA; PERIODICALS, FILM. AUSTRALIA; PRODUCTION CENTRES. AUSTRALIA
Summary: Overview of activities and output of the Australian film industry in 1980
Notes: published by Cinema Papers Pty Ltd in association with the New South Wales Film Corporation
ISBN: 0158698X
Donation: Simon Wincer

Call No: 409(94) MAY
Author: May, Harvey
Source: AT
Place: Queensland
PubDate: 2003
PhysDes: xi, 274 p. ; 30 cm
Subject: AUSTRALIA; DRAMAS. AUSTRALIA; MULTICULTURALISM AND TV. AUSTRALIA; TELEVISION; TELEVISION. AUSTRALIA; SOCIETY AND TV; SOCIETY AND TV. AUSTRALIA; ETHNIC GROUPS ON TV. AUSTRALIA; PIZZA [TV] (AT, Paul Fenech, 2000); PIZZA [TV] (AT, Paul Fenech, 2000-)
Summary: "This thesis examines changes which have occurrred since the late 1980s and early 1990s with respect to the representation of cultural diversity on Australian popular drama programming. The thesis finds that a significant number of actors of diverse cultural and linguistic background have negotiated the television industry employment process to obtain acting roles in a lead capacity. The majority of these actors are from the second generation of immigrants, who increasingly make up a significant component of Australia's multicultural population. The way in which these actors are portrayed on-screen has also shifted from one of a 'performed' ethnicity, to an 'everyday' portrayal. The thesis develops an analysis which connects the development and broad political support for multicultural policy as expressed in the National Agenda for a Multicultural Australia to the changes in both employment and representation practices in popular television programming in the late 1990s and early 2000s. The thesis addresses multicultural debates by arguing for a mainstreaming position. The thesis makes detailed comparison of cultural diversity and television in the jurisdictions of the United States, the United Kingdom and New Zealand to support the broad argument that cultural diversity policy measures produce observable outcomes in television programming." -- ABSTRACT
Notes: Presented to the Creative Industries Faculty, Queensland University of Technology; Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2004. Includes bibliographical references (p. 253-274)
Contents: -- glossary of abbreviations -- statement of original authorship -- acknowledgments -- introduction -- chapter one: theory, terms and methodology -- part one: Australian policy environments -- chapter two: the multicultural project -- chapter three: the cultural diversity, television and policy -- part two: international policy and production environments -- chapter four: the United States: affirmative action, 'quotas' and diversity rights. -- chapter five: the United Kingdom: policy remits for diversity and an 'everyday' multiculturalism -- chapter six: New Zealand: biculturalism and targeted subsidies -- part three: Australian popular drama: mainstreaming the multicultural -- chapter seven: Australian drama casting and production perspectives -- chapter eight: Australian television programs: texts and contexts -- conclusion -- appendix one -- appendix two -- references --

Call No: 41(94) GRI
Author: Griffen-Foley, Bridget
Source: SZ
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PubDate: 2020
PhysDes: xiii, 167 pages : illustrations ; 22 cm
Series: Palgrave studies in the history of the media
Subject: AUDIENCES. AUSTRALIA; RADIO AND TV. AUSTRALIA; BROADCASTING. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; CHILDREN AND THE MEDIA. AUSTRALIA; FANS; RATINGS FOR TV AUSTRALIA; RATINGS. AUSTRALIA; DATING SHOWS; CHILDREN, PROGRAMMES FOR. AUSTRALIA
Summary: This lively and accessible book charts how Australian audiences have engaged with radio and television since the 1920s. Ranging across both the commercial and public service broadcasting sectors, it recovers and explores the lived experiences of a wide cross-section of Australian listeners and viewers. Offering new perspectives on how audiences have responded to broadcast content, and how radio and television stations have been part of the lives of Australians, over the past one hundred years, this book invites us into the dynamic world created for children by the radio industry, traces the operations of radio and television clubs across Australia, and uncovers the workings of the Australian Broadcasting Commission’s viewers’ advisory committees. It also opens up the fan mail received by Australian broadcasting stations and personalities, delves into the complaints les of regulators, and teases out the role of participants and studio audiences in popular matchmaking programs -- publisher's website
Notes: Includes bibliographies and index
ISBN: 9783030546366
Contents: Introduction -- Aunties, Uncles and Argonauts -- The Fan Mail Trail -- Public Affairs On-Air -- Club Loyalty -- Viewing Television by Committee -- Talking Back -- Outrage and Complaint -- Matchmaking -- Conclusion

Call No: 71(94) REA
Copy Management: Copy 1; Copy 2
Author: Reade, Eric, 1912-1978
Place: Melbourne
Publisher: Lansdowne
PubDate: 1975
PhysDes: 308 p. : ill. ; 27 x 34 cm
Subject: AUSTRALIA; AUSTRALIA. 1895-1930; HISTORY OF TV. AUSTRALIA; HALL, KEN G.; CHAUVEL, CHARLES; LONGFORD, RAYMOND; SMITH, BEAUMONT; THRING, F.W.; THOMPSON, JACK; HIGGINS, ARTHUR; HURLEY, FRANK; RAFFERTY, CHIPS; SPENCER, CHARLES COZENS; EFFTEE STUDIO; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); DIGGERS (AT, F.W. Thring, 1931); ON OUR SELECTION (AT, Raymond Longford, 1920); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919)
Notes: Australian cinema films, 1896-1974 (ANB/PRECIS SIN 0101729); Index; Parts of the text and some of the photographs in this volume were first published in "Australian silent films: a pictorial history, 1896-1929' and "The talkies era: a pictorial history of Australian sound film making, 1930-1960' by the same author
ISBN: 0701803193 : $15.00 Aust
LON: anb70180319; 791305

Call No: SUBJECT CLIPPINGS FILE; LICENCES. AUSTRALIA
Author: Davidson, Darren
PhysDes: Clippings File Article
Subject: LICENCES. AUSTRALIA; ENDEMOL SHINE; COMMERCIAL TV. AUSTRALIA
Summary: Mark and Carl Hennessy, the producers of Endemol Shine are lobbying the federal government to reduce or remove the licence fees for commerical television broadcasters

Call No: 203(94) CUN
Author: Cunningham, Stuart; Jacka, Elizabeth
Place: Cambridge Melbourne
Publisher: Cambridge University Press
PubDate: 1996
PhysDes: xix, 284 p. : ill. ; 23 cm
Subject: INDUSTRY, TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; EXPORT AND IMPORT OF TV. AUSTRALIA; TELEVISION. AUSTRALIA; PRODUCTION. AUSTRALIA; VILLAGE ROADSHOW; NATIONAL CULTURE AND TV. AUSTRALIA; NEIGHBOURS [TV] (AT, 1985-); FLYING DOCTORS, THE [TV] (AT, 1986-91); PARADISE BEACH [TV] (AT, 1993-94); BEYOND 2000 [TV] (AT, 1985-); BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991)
Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back cover
Notes: Includes index; CIP confirmed; Bibliography: p. 254-270
ISBN: 052147003X; 0521469740 (pbk.)
LON: 11853714

Call No: 203(94) CUN
Author: Cunningham, Stuart; Jacka, Elizabeth
Place: Cambridge Melbourne
Publisher: Cambridge University Press
PubDate: 1996
PhysDes: xix, 284 p. : ill. ; 23 cm
Subject: INDUSTRY, TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; EXPORT AND IMPORT OF TV. AUSTRALIA; TELEVISION. AUSTRALIA; PRODUCTION. AUSTRALIA; VILLAGE ROADSHOW; NATIONAL CULTURE AND TV. AUSTRALIA; NEIGHBOURS [TV] (AT, 1985-); FLYING DOCTORS, THE [TV] (AT, 1986-91); PARADISE BEACH [TV] (AT, 1993-94); BEYOND 2000 [TV] (AT, 1985-); BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991)
Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back cover
Notes: Includes index; CIP confirmed; Bibliography: p. 254-270
ISBN: 052147003X; 0521469740 (pbk.)
LON: 11853714
Donation: Counihan donation

Call No: REFERENCE SECTION; 025:725.31(94) AUS
Author: Moran, Albert
Source: AT
Place: Sydney
Publisher: Australian Film Television & Radio School
PubDate: 1989
PhysDes: 222 p. ; 25cm
Subject: FILMOGRAPHIES. AUSTRALIA; TELEVISION. AUSTRALIA; DRAMAS. AUSTRALIA
Notes: Includes index
ISBN: 064212163X
Language: English

Call No: 71(94) AUS
Author: Shirley, Graham, 1949
CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.)
Place: [Sydney]
Publisher: Museum of Contemporary Art
PubDate: 1992
PhysDes: 44 p. : ill. ; 30 cm
Subject: HISTORY OF TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; DRAMAS. AUSTRALIA; COMEDY PROGRAMMES. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA; GAMES SHOWS. AUSTRALIA; MY BROTHER JACK [TV] (AT, Gil Brealey, 1965); PRESSURE PAK SHOW, THE [TV] (AT, 1957-1959?); COUNTRY STYLE [TV] (AT, 1962-?); IT COULD BE YOU [TV] (AT, 1969-?); JONAH [TV] (AT, David Cahill & Ken Hannam, 1962-63); MATLOCK POLICE [TV] (AT, 1971-1976); ADVENTURE ISLAND [TV] (AT, 1967-1973); MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968); MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968); SEVEN DAYS [TV] (AT, 1964-1968); [FOUR] 4 CORNERS [TV] (AT, 1961-); SAY BOW WOW [TV] (AT, Gil Brealey, 1964); CHEQUER-BOARD [TV] (AT, 1969-1975); PENTHOUSE [TV] (AT, 1961-?)
Notes: "... accompanies the exhibition TV Times : 35 years of watching television in Australia' - Pref; At head of title: TV Times; Available from Museum of Contemporary Art, 132 George St, Sydney NSW 2000; Includes bibliographies
ISBN: 1875632077 : price unknown
LON: abn92040814; 8713155

Call No: 71(94) AUS
Author: Beilby, Peter
Source: AT
Place: Melbourne, Vic.
Publisher: Thomas Nelson Australia
PubDate: 1981
PhysDes: 192 p., [15] p. of col. plates : ill. ; 29 cm
Subject: GAMES SHOWS. AUSTRALIA; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; COMEDY PROGRAMMES. AUSTRALIA; DRAMAS. AUSTRALIA; Australian Broadcasting Authority; HISTORY OF TV. AUSTRALIA
ISBN: 0170059987
Donation: donated by the family of Wayne Levy, 2006
Contents: Editor's note --Australian television stations -- The passing parade -- Light entertainment / Jim Murphy -- News and documentaries / Brian Courtis -- Sport / Garrie Hutchinson -- Kids / Andrew McKay -- Drama / Christopher Day -- Movies / Ivan Hutchinson -- The evolution of television -- Australian broadcasting from the beginning -- Commercial break -- The top-rating programmes -- Suggested further reading -- The contributors -- Acknowledgments -- Index.

Call No: REFERENCE SECTION; 023(94) AUS
CorpAuthor: Australian Film Commission
PubDate: October 2002
PhysDes: not paginated ; 25 cm
Subject: AUSTRALIAN FILM COMMISSION; TELEVISION. AUSTRALIA; DRAMAS. AUSTRALIA; DOCUMENTARIES. AUSTRALIA

Call No: REFERENCE SECTION; 023(94) "2006" AUS
CorpAuthor: Australian Film Commission
Edition: March 2006
Place: Sydney
Publisher: Australian Film Commission
PubDate: 2006
PhysDes: 100 p. : illus. ; 21 cm
Subject: AUSTRALIAN FILM COMMISSION; TELEVISION. AUSTRALIA; DRAMAS. AUSTRALIA; DOCUMENTARIES. AUSTRALIA

Call No: REFERENCE SECTION; 023(94) "2007" AUS
CorpAuthor: Australian Film Commission
Edition: March 2007
Place: Sydney
Publisher: Australian Film Commission
PubDate: 2007
PhysDes: 120 p. : illus. ; 21 cm
Subject: AUSTRALIAN FILM COMMISSION; TELEVISION. AUSTRALIA; DRAMAS. AUSTRALIA; DOCUMENTARIES. AUSTRALIA

Call No: REFERENCE SECTION; 023(94) "2005" AUS
CorpAuthor: Australian Film Commission
Edition: September 2005
Place: Sydney
Publisher: Australian Film Commission
PubDate: 2005
PhysDes: 92 p. : illus. ; 21 cm
Subject: AUSTRALIAN FILM COMMISSION; TELEVISION. AUSTRALIA; DRAMAS. AUSTRALIA; DOCUMENTARIES. AUSTRALIA