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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMAZING JOURNEY: THE STORY OF THE WHO (UK/US, Paul Crowder, 2007)

Call No: 761 DOC
Author: Grant, Barry Keith; Sloniowski, Jeanette
Place: Detroit MI
Publisher: Wayne State University Press
PubDate: 1998
PhysDes: 488 p. ; 23 cm
Subject: DOCUMENTARY FILMS; FLAHERTY, ROBERT; VERTOV, DZIGA; EISENSTEIN, SERGEI M.; BUNUEL, LUIS; WRIGHT, BASIL; RIEFENSTAHL, LENI; NANOOK OF THE NORTH (US, Robert Flaherty, 1922); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); HURDES, LAS (SP, Luis Bunuel, 1933); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); SPANISH EARTH, THE (US, Joris Ivens, 1937); LISTEN TO BRITAIN (UK, Humphrey Jennings/Stewart McAllister, 1942); BLOOD OF THE BEASTS (FR, Georges Franju,1949); SANG DES BETES, LE (FR, Georges Franju,1949); MAITRES FOUS, LES (FR, Jean Rouch, 1955); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); DONT LOOK BACK (US, D.A. Pennebaker, 1967); TITICUT FOLLIES (US, Frederick Wiseman, 1967); HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1968); ACT OF SEEING WITH ONE'S OWN EYES, THE (US, Stan Brakhage, 1971); AMERICAN FAMILY, AN [TV](US, 1973); DAISY, THE STORY OF A FACELIFT (CN, Michael Rubbo, 1982); THIS IS SPINAL TAP (US, Rob Reiner, 1984); SHERMAN'S MARCH (US, Ross McElwee, 1986 [prod. 1981]); I DO NOT KNOW WHAT IT IS I AM LIKE (US, Bill Viola, 1986); JOURNEY, THE (CN, Peter Watkins, 1987); THIN BLUE LINE, THE (US, Errol Morris, 1988); ROGER AND ME (US, Michael Moore, 1989); TONGUES UNTIED (US, Marlon Riggs, 1989); PARIS IS BURNING (US, Jennie Livingston, 1990); FINDING CHRISTA (US, Camille Billops/James Hatch, 1991)
Summary: Documenting the Documentary features essays by twenty-seven film scholars from a wide range of critical and theoretical perspectives. Each essay focuses on one or two important documentaries, engaging in questions surrounding ethics, ideology, politics, power, race, gender, and representation -- but always in terms of how they arise out of or are involved in the reading of specific documentaries as particular textual constructions. By closely reading documentaries as rich visual works, this anthology fills a void in the critical writing on documentaries, which tends to privilege production over aesthetic pleasure. As we perceive and comprehend the world through visual media increasingly, understanding the textual strategies by which individual documentaries are organized has become critically important. Together, the essays cover the significant developments in the history of the documentary, from the first commercially released feature, Nanook of the North (1922), to modern independent productions, such as An American Family (1973), Tongues Untied (1989), and Finding Christa (1991), and including important national and stylistic movements and various production contexts from the mainstream to the avant-garde. Seth Feldman places Dziga Vertov's Man with a Movie Camera (1929) within the context of constructivism and futurism; Vivian Sobchack discusses the strategies of Bunuel's Las Hurdas (Land without Bread, 1931) in relation to surrealism; and Joanne Hershfield explores Que viva Mexico! (1932) as the presentation of an exotic culture by a European director. Documenting the Documentary offers clear, serious, and insightful analyses of documentary films, and is a welcome balancebetween theory and criticism, abstract conceptualization and concrete analysis. --FROM PUBLISHER'S SITE
Notes: includes bibliiographic references and index
ISBN: 0814326390
Contents: Filmmaker as hunter / William Rothman -- Peace between man and machine / Seth Feldman -- Paradise regained / Joanne Hershfield -- Synthetic vision / Vivian Sobchack -- Art of national projection / William Guynn -- Mass psychology of fascist cinema / Frank P. Tomasulo -- American documentary finds its voice / Charlie Keil -- Men cannot act before the camera in the presence of death / Thomas Waugh -- Poetics of propaganda / Jim Leach -- It was an atrocious film / Jeannette Sloniowski -- Dialogic imagination of Jean Rouch / Diane Scheinman -- Documenting the ineffable / Sandy Flitterman-Lewis -- Don't you ever just watch? / Jeanne Hall -- Ethnography in the first person / Barry Keith Grant -- Two avant-gardes / Robert Stam -- Seeing with experimental eyes / Bart Testa -- Bastard union of several forms / Jeffrey K. Ruoff -- Documentary of displaced persona / Joan Nicks -- Gender, power, and a cucumber / Carl Plantinga -- Documentary film and the discourse of hysterical/historical narrative / Lucy Fischer -- Subjectivity lost and found / Catherine Russell -- Filmmaker as global circumnavigator / Scott MacDonald -- Mirrors without memories / Linda Williams -- Documentaphobia and mixed modes / Matthew Bernstein -- Silence and its opposite / Sheila Petty -- Containing fire / Caryl Flinn -- Contested territory / Julia Lesage

Call No: TITLE CLIPPINGS FILE; JOURNEY, THE [TV](AT/AF, 2015)
Author: Gartrell, Adam
PhysDes: Clippings File Article
Subject: JOURNEY, THE [TV](AT/AF, 2015)
Summary: The Journey tells the story of a group of Afghans trying to get to Australia by boat. The Australian Immigration Department has said the movie is a key part of its anti-people-smuggling strategy. Lapis Commincations has been paid to promote the movie. Lapis Communications is owned by Saad Mohseni.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GREAT JOURNEY, THE [GRAND VOYAGE, LE] (FR/MR/BU/TU, Ismael Ferroukhi, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HUNDRED-FOOT JOURNEY, THE (II/US , Lasse Hallstrom, 2014)

Call No: N79 JOU OEH
Author: Oehr, Jane
Source: AT
Place: Ringwood, Vic
Publisher: McPhee Gribble/Penguin
PubDate: 1990
PhysDes: 87 p. : maps ; 20 cm.
Series: More Winners
Subject: JOURNEY, THE (AT, JANE OEHR, 1990)
ISBN: 0140144641

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: JOURNEY, THE (CN, Peter Watkins, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: JOURNEY, THE (AT, Paul Cox, 1972)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOURNEY, THE (AT, Christopher Tuckfield, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOURNEY, THE (AT, Robert Gudan, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOURNEY, THE (UK, Nick Hamm, 2016)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 5 photographs : b&w ; 21 x 26 cm
Subject: MONEY, ALAN; CAMPBELL, JEAN; JOURNEY, THE (AT, Paul Cox, 1972)
Summary: Five black and white photographs relating to the film 'The journey'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOURNEY, THE [TV](AT/AF, 2015)

Call No: TITLE CLIPPINGS FILE; JOURNEY, THE [TV](AT/AF, 2015)
Author: Gartrell, Adam
PhysDes: Clippings File Article
Subject: PROPAGANDA FILMS; PUT IT OUT THERE [production company]; TIERNEY, TRUDI ANN; JOURNEY, THE [TV](AT/AF, 2015)
Summary: Report on the funding from the Australian government received by a propaganda telemovie, THE JOURNEY. THe film was made to disuade people to try to apply for refugee status in Australia by travelling there by boat. Discusses the work on the film by the production company Put It Out There picutres and it's company director Trudi-Ann Tierney

Call No: 227.4KOE
Author: Koehler, William R.
CorpAuthor: `
Place: New York
Publisher: Howell Book House
PubDate: 1979
PhysDes: 252 p. : ill. ; 26 cm
Subject: ANIMALS IN FILMS; WALT DISNEY PRODUCTIONS; BIG RED (US/CA, Norman Tokar, 1962); INCREDIBLE JOURNEY, THE (CN/US, Flecher Markle, 1963); SHAGGY DOG, THE (US, Charles Barton, 1959); SWISS FAMILY ROBINSON (UK, Ken Annakin, 1960); THAT DARN CAT! (US, Robert Stevenson, 1965); THOSE CALLOWAYS (US, Norman Tokar, 1965); TOBY TYLER, OR TEN WEEKS WITH A CIRCUS (US, Charles Barton, 1960); UGLY DACHSHUND, THE (US, Norman Tokar, 1966)
ISBN: 0876058101
Donation: donated by the family of Wayne Levy, 2006