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30 results out of 30

book		Billy Wilder / Bernard F. Dick Boston: Twayne Publishers, 1980. Call No: 81WIL DIC Author: Dick, Bernard F. Source: US Place: Boston Publisher: Twayne Publishers PubDate: 1980 PhysDes: 188 p. : ill. ; 21 cm Series: Twayne's Theatrical Arts Series Subject: WILDER, BILLY; APARTMENT, THE (US, Billy Wilder, 1960); AVANTI (US, Billy Wilder, 1972); ACE IN THE HOLE (US, Billy Wilder, 1951); DOUBLE INDEMNITY (US, Billy Wilder, 1944); FEDORA (GW/FR, Billy Wilder, 1978); [FIVE] 5 GRAVES TO CAIRO (US, Billy Wilder, 1943); FORTUNE COOKIE, THE (US, Billy Wilder, 1966); FRONT PAGE, THE (US, Billy Wilder, 1974); IRMA LA DOUCHE (US, Billy Wilder, 1963); KISS ME, STUPID (US, Billy Wilder, 1964); LOST WEEKEND, THE (US, Billy Wilder, 1945); LOVE IN THE AFTERNOON (US, Billy Wilder, 1957); MAJOR AND THE MINOR, THE (US, Billy Wilder, 1942); ONE, TWO, THREE (US/GW, Billy Wilder, 1961); PRIVATE LIFE OF SHERLOCK HOLMES, THE (US/UK, Billy Wilder, 1970); SABRINA (US, Billy Wilder, 1954); SOME LIKE IT HOT (US, Billy Wilder, 1959); SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955); SPIRIT OF ST. LOUIS, THE (US, Billy Wilder, 1957); STALAG 17 (US, Billy Wilder, 1952); SUNSET BOULEVARD (US, Billy Wilder, 1950); WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957) Notes: Includes index. Bibliography: p. 173-174. Filmography: p. 175-183. ISBN: 0805792740 Donation: donated by the family of Wayne Levy, 2006 More info
book		Dreams within a dream : the films of Peter Weir / Michael Bliss Carbondale, Ill.: Southern Illinois University Press, c2000. Call No: 81WEI BLI Author: Bliss, Michael, 1947 Place: Carbondale, Ill. Publisher: Southern Illinois University Press PubDate: c2000 PhysDes: x, 242 p. : ill. ; 23 cm Subject: WEIR, PETER; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); DEAD POETS SOCIETY (US, Peter Weir, 1989); FEARLESS (US, Peter Weir, 1993); GALLIPOLI (AT, Peter Weir, 1981); LAST WAVE, THE (AT, Peter Weir, 1977); MOSQUITO COAST, THE (US, Peter Weir, 1986); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PLUMBER, THE (AT, Peter Weir, 1980); TRUMAN SHOW, THE (US, Peter Weir, 1998); WITNESS (US, Peter Weir, 1985); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) Notes: Filmography: p. 195-200; Includes bibliographical references (201-232) and index ISBN: 0809322846 (alk. paper) LON: 20076199 More info
title clippings file		KIRLIAN WITNESS, THE : (US, Jonathan Sarno, 1978) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: KIRLIAN WITNESS, THE (US, Jonathan Sarno, 1978) More info
title clippings file		KÖRKARLEN : (SW, Victor Sjöström, 1921) Call No: TITLE CLIPPINGS FILE Subject: THY SOUL SHALL BEAR WITNESS [KÖRKARLEN ] (SW, Victor Sjöström, 1921) More info
title clippings file		KÖRKARLEN : (SW, Victor Sjöström, 1921) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: THY SOUL SHALL BEAR WITNESS [KÖRKARLEN ] (SW, Victor Sjöström, 1921) More info
book		Making a good script great / by Linda Seger New York: Dodd, Mead, c1987. Call No: 224 SEG Author: Seger, Linda Edition: 1st ed Place: New York Publisher: Dodd, Mead PubDate: c1987 PhysDes: xvi, 204 p. : ill. ; 21 cm Subject: SCRIPTWRITING; WITNESS (US, Peter Weir, 1985) Notes: "A Gamut book."; Includes index ISBN: 0396089356 (hard) : $15.95 ($22.95 Can.); 0396089534 (pbk.) : $8.95 ($12.95 Can.) LON: 5427034 More info
title clippings file		MOK-GYEOK-JA : (KO, Jo Kyu-jang, 2018) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: WITNESS, THE [MOK-GYEOK-JA] (KO, Jo Kyu-jang, 2018) More info
title clippings file		MUTE WITNESS : (UK, Anthony Waller, 1995) Call No: TITLE CLIPPINGS FILE PhysDes: Stills; Clippings; Press kit; Publicity Subject: MUTE WITNESS (UK, Anthony Waller, 1995) More info
book		The mystical gaze of the cinema : the films of Peter Weir / by Richard Leonard Carlton, Victoria: Melbourne University Press, 2009. Call No: 81WEI LEO Author: Leonard, Richard Source: AT Place: Carlton, Victoria Publisher: Melbourne University Press PubDate: 2009 PhysDes: ix, 300 p. ; 29 cm Series: MUP academic monographs Subject: AUSTRALIA; CRITICISM; THEORY; GAZE IN FILMS; RELIGION AND THE CINEMA; RELIGION IN FILMS; WEIR, PETER; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); GALLIPOLI (AT, Peter Weir, 1981); WITNESS (US, Peter Weir, 1985) Summary: "The Mystical Gaze of the Cinema is a meticulous and accessible book that uses a psychoanalytic approach incorporating the insights of Jung, film theory and theology to break new ground in what continues to be a hot topic in cinema studies: the spectator-screen relationship. Leonard provides a fresh, innovative and provocative perspective on what happens when we behold a film." -- Publisher description Notes: Includes index; Derived from author's dissertation (Ph. D.)--University of Melbourne, 2003; Bibliography: p. 261-292; Also available in an electronic version via the Internet at the publisher's home page: http://www.mup.edu.au ISBN: 9780522856620 Contents: -- acknowledgements -- introduction -- 1 the mystical gaze -- 2 the unseen gaze -- 3 defining the codes within the mystical gaze -- 4 an apprehension of mysticism: Peter Weir -- 5 Picnic at Hanging Rock -- 6 Gallipoli -- 7 Witness -- conclusions -- notes -- filmography -- bibliography -- index -- More info
book		Peter Weir : when cultures collide / Marek Haltof New York: Twayne, 1996. Call No: 81WEI HAL Author: Haltof, Marek Place: New York Publisher: Twayne PubDate: 1996 PhysDes: xviii, 174 p. : ill. ; 22 cm Series: Twayne's filmmakers series Subject: WEIR, PETER; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); GALLIPOLI (AT, Peter Weir, 1981); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); DEAD POETS SOCIETY (US, Peter Weir, 1989); LAST WAVE, THE (AT, Peter Weir, 1977); WITNESS (US, Peter Weir, 1985); MOSQUITO COAST, THE (US, Peter Weir, 1986); GREEN CARD (AT/FR, Peter Weir, 1990); FEARLESS (US, Peter Weir, 1993) Summary: During the course of his twenty-odd-year filmmaking career, Peter Weir has accomplished what so many of his protagonists have failed to do: he has become an accepted, integral part of an unfamiliar culture. At the core of most of his films and at the least peripheral to all of them is the idea of the outsider trying - and ultimately failing - to come to terms with a culture vastly different from his own. Weir, a native of Australia whose name was synonymous with Australian cinema in the 1970s, turned to American filmmaking in the 1980s and never looked back. In Peter Weir: When Cultures Collide, Marek Haltof traces Weir's journey from intensely Australian filmmaker to successful Hollywood director, along the way finding surprisingly consistent evidence of Weir's thematic and visual interests despite dramatic changes in his choices of story and locale Notes: Filmography: p. 158-167; Includes bibliographical references (p. 139-157) and index ISBN: 0805792449 (paper : alk paper); 0805778438 (cloth : alk paper) Order Received: 1997 LON: 96027580; 12664203 More info
Online resource book		Peter Weir : a creative journey from Australia to Hollywood / by Serena Formica Bristol ; Chicago: Intellect Books, 2012. Available at ProQuest (RMIT login required) Call No: 81WEI FOR Author: Formica, Serena Source: US Place: Bristol ; Chicago Publisher: Intellect Books PubDate: 2012 PhysDes: vii, 202 p. : ill. ; 23 cm Subject: AUTEUR THEORY; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES; WEIR, PETER; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); WITNESS (US, Peter Weir, 1985); TRUMAN SHOW, THE (US, Peter Weir, 1998) Summary: "The cinematic output of Australian director Peter Weir has garnered numerous awards and widespread critical acclaim-from his early short films of the 1970s to the Hollywood hits he's helmed since 1985, including the likes of Witness, Dead Poets Society, The Truman Show, and Master and Commander. Drawing on contemporary concepts from transnational cinema studies, this book investigates Weir's entire three-decade career, paying particular attention to his journey from his native Sydney, with its largely auteur-driven national cinema, to the miltimillion-dollar Hollywood film industry with its many genre conventions. Along the way, the author explores a host of questions accompanying this move, including Weir's status as a transnational filmmaker and a more generalised discussion of the critically controversial idea of the auteur. Rounding out this volume are interviews with leading Hollywood filmmakers who discuss Weir's work."-BOOK BLURB Notes: Includes bibliographical references (p. 173-193) and filmography (p. 195-202) ISBN: 9781841504773 Contents: -- acknowldegments -- Introduction -- Migrations and transnationalism in the cinema -- Perspectives on Peter Weir -- Australian production context in the 1970s and early 1980s -- Peter Weir's four key steps from Australia to Hollywood -- Conclusions -- Bibliography -- Appendix 1: Filmography - main credits -- Appendix 2: Films made in Hollywood by Australian directors -- URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=1069409' Checked: 31/08/2021 1:22:51 PM Status: Moved Details: HTTP status 302 - Moved temporarily More info
book		Peter Weir : interviews / edited by John C. Tibbetts ; foreword by David Thomson Jackson, Mississippi: University Press of Mississippi, 2014. Call No: 81WEI PET Author: Tibbetts, John C; Thomson, David Source: US Place: Jackson, Mississippi Publisher: University Press of Mississippi PubDate: 2014 PhysDes: xlii, 261 pages ; 24 cm Series: Conversations with filmmakers series Subject: ADAPTATIONS; AUTEUR THEORY; DIRECTORS; EDITING; INTERVIEWING; REALITY TV; WAR IN FILMS; WEIR, PETER; BOYD, RUSSELL; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); DEAD POETS SOCIETY (US, Peter Weir, 1989); FEARLESS (US, Peter Weir, 1993); GALLIPOLI (AT, Peter Weir, 1981); GREEN CARD (AT/FR, Peter Weir, 1990); HOMESDALE (AT, Peter Weir, 1971); LAST WAVE, THE (AT, Peter Weir, 1977); MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD (US, Peter Weir, 2003); MOSQUITO COAST, THE (US, Peter Weir, 1986); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PLUMBER, THE (AT, Peter Weir, 1980); TRUMAN SHOW, THE (US, Peter Weir, 1998); WAY BACK, THE (US, Peter Weir, 2010); WITNESS (US, Peter Weir, 1985); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) Summary: 'Peter Weir: Interviews' is the first volume of interviews to be published on the esteemed Australian director. Although Weir (b. 1944) has acquired a reputation of being guarded about his life and work, these interviews by archivists, journalists, historians, and colleagues reveal him to be a most amiable and forthcoming subject. [...] Interviews discuss Weir's diverse and impressive range of work - his earlier films 'Picnic at Hanging Rock', 'The Last Wave', 'Gallipoli', and 'The Year of Living Dangerously', as well as Academy Award-nominated 'Witness', 'Dead Poets Society', 'Green Card', 'The Truman Show', and 'Master and Commander'. This book confirms the trajectory of Weir's life and work parallels and embodies Australia's quest to define and express a historical and cultural identity." -- BOOK BLURB Notes: Includes chronology and filmography for Peter Weir's work; includes index ISBN: 9781617038976 Contents: Foreword by David Thomson -- Introduction: "unmet friends": encounters with Peter Weir -- Chronology -- Filmography -- Peter Weir: reclaiming a Sydney boyhood: John C. Tibbetts / 2012 -- Peter Weir: snapshots in time: John C. Tibbetts / 2012 -- Peter Weir: early days: Sue Mathews / 1985 -- Small screens and big screens: television and film: Graham Shirley / 1991 -- The first features: 'The Cars That Ate Paris: Tom Hogan / 1973 -- "Weir, weird, and weirder still": the riddle of Hanging Rock: David Castell / 1976 -- Years of living dangerously: 'The Last Wave', 'The Plumber', 'Gallipoli', 'The Year of Living Dangerously': Sue Mathews / 1985 -- Interview with Peter Weir: Luisa Ceretto and Andrea Morini / 1999 -- Peter Weir: master of unease: Terry Dowling and George Mannix / 1980 -- Towards the center: Tom Ryan and Brian McFarlane / 1981 -- The swizzle stick: Peter Weir and Hollywood genres: Jonathan Rayner / 1993 -- The iceman cometh: 'Mosquito Coast': Digby Diehl / 1986 -- 'Fearless': the poetry of apocalypse: John C. Tibbetts / 1993 -- Poetry man: 'Dead Poets Society': Nancy Griffin -- Weir's worlds: 'The Truman Show': Virginia Campbell -- This is your life: 'The Truman Show': Eric Rudolph / 1998 -- He's fought his own way back to work: Terence Rafferty / 2011 -- "I am your eyes": interviews with Russell Boyd, ACS, ASC: John C. Tibbetts / 2012 -- Appendix: Notes on 'Gallipoli -- Interview with executive producer Francis O'Brien -- Peter Weir's Anzac lecture -- additional sources -- index More info
title clippings file		PROPAZHA SVIDETELYA : (UR, Vladimir Nazarov, 1972) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: PROPAZHA SVIDETELYA (UR, Vladimir Nazarov, 1972); MISSING WITNESS, THE (UR, Vladimir Nazarov, 1972) More info
newspaper article		Quick bites : Silent Witness in The Australian [Review] (13/04/2013) p.28 Call No: TITLE CLIPPINGS FILE; SILENT WITNESS [TV](UK, 1996-) Author: Blundell, Graeme PhysDes: Clippings File Article Subject: SILENT WITNESS [TV](UK, 1996-) Summary: Review of crime drama 'Silent Witness' More info
book		Reel justice : the courtroom goes to the movies / Paul Bergman and Michael Asimow Kansas City: Andrews and McMeel, c1996. Call No: 734.4 BER Author: Bergman, Paul, 1943; Asimow, Michael Place: Kansas City Publisher: Andrews and McMeel PubDate: c1996 PhysDes: xix, 338 p. : ill. ; 23 cm Subject: TRIALS IN FILMS; ACCUSED, THE (US, Jonathan Kaplan, 1988); EVIL ANGELS (AT, Fred Schepisi, 1988); INHERIT THE WIND (US, Stanley Kramer, 1960); MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966); ONION FIELD, THE (US, Harold Becker, 1979); REVERSAL OF FORTUNE (US, Barbet Schroeder, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988); BILLY BUDD (UK, Peter Ustinov, 1962); BREAKER MORANT (AT, Bruce Beresford, 1980); CAINE MUTINY, THE (US, Edward Dmytryk, 1954); FEW GOOD MEN, A (US, Rob Reiner, 1992); PATHS OF GLORY (US, Stanley Kubrick, 1957); ADAM'S RIB (US, George Cukor, 1949); [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936); MY COUSIN VINNY (US, Jonathan Lynn, 1992); AND JUSTICE FOR ALL (US, Norman Jewison, 1979); COMPULSION (US, Richard Fleischer, 1959); IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993); LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937); PHILADELPHIA (US, Jonathan Demme, 1993); SOMMERSBY (US, Jon Amiel, 1993); TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962); YOUNG MR. LINCOLN (US, John Ford, 1939); MUSIC BOX (US, Constantin Costa-Gavras, 1989); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956); BOOMERANG (US, Elia Kazan, 1947); PRESUMED INNOCENT (US, Alan J. Pakula, 1990); THEY WON'T FORGET (US, Mervyn LeRoy, 1937); WRONG MAN, THE (US, Jim McBride, 1993); ANATOMY OF A MURDER (US, Otto Preminger, 1959); M (G, Fritz Lang, 1931); STAR CHAMBER, THE (US, Peter Hyams, 1983); SUSPECT (US, Peter Yates, 1987); TRIAL BY JURY (US, Heywood Gould, 1994); [TWELVE] 12 ANGRY MEN (US, Sidney Lumet, 1956); CLASS ACTION (US, Michael Apted, 1991); LOSING ISAIAH (US, Stephen Gyllenhaal, 1995); MIRACLE ON 34TH STREET (US, Les Mayfield, 1994); NUTS (US, Martin Ritt, 1987); VERDICT, THE (US, Sidney Lumet, 1982); WHOSE LIFE IS IT, ANYWAY? (US, John Badham, 1981); ALL THAT MONEY CAN BUY (US, William Dieterle, 1941); BLOOD OATH (AT, Stephen Wallace, 1990); HOUR OF THE PIG, THE (FR/UK, Leslie Megahey, 1993); YOUNG PHILADELPHIANS, THE (US, Vincent Sherman, 1959); LIBEL (UK, Anthony Asquith, 1959); KRAMER VS. KRAMER (US, Robert Benton, 1979); OX-BOW INCIDENT, THE (US, William Wellman, 1943); ON TRIAL (US, Terry Morse, 1939); I WANT TO LIVE! (US, Robert Wise, 1958); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); LET HIM HAVE IT (UK, Peter Medak, 1991); [TEN] 10 RILLINGTON PLACE (UK, Richard Fleischer, 1971); COURT-MARTIAL OF BILLY MITCHELL, THE (US, Otto Preminger, 1955); BANANAS (US, Woody Allen, 1971); MURDER IN THE FIRST (US, Marco Rocco, 1995); TRIAL (US, Mark Robson, 1955); GUILTY AS SIN (US, Sidney Lumet, 1993); JAGGED EDGE (US, Richard Marquand, 1985); LETTER, THE (US, William Wyler, 1940); KNOCK ON ANY DOOR (US, Nicholas Ray, 1949); WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957); ACT OF MURDER, AN (US, Michael Gordon, 1948); FURY (US, Fritz Lang, 1936); I CONFESS (US, Alfred Hitchcock, 1953); PLACE IN THE SUN, A (US, George Stevens, 1951); THEY WON'T BELIEVE ME (US, Irving Pichel, 1947) Notes: Includes bibliographical references (p. [321]-326) and index ISBN: 0836210352 (pbk.) LON: 11957271 More info
title clippings file		SILENT WITNESS : (CN, Harriet Wichin, 1994) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings; Publicity Subject: SILENT WITNESS (CN, Harriet Wichin, 1994) More info
title clippings file		SILENT WITNESS, THE : (UK, David W. Rolfe, 1978) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: SILENT WITNESS, THE (UK, David W. Rolfe, 1978) More info
title clippings file		SILENT WITNESS [TV] : (UK, 2009) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: SILENT WITNESS [TV] (UK, 2009) More info
journal article		Tales That Witness Madness in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.8 Subject: TALES THAT WITNESS MADNESS (UK, Freddie Francis, 1973); INDUSTRY, FILM. USA; CRITICISM Summary: Review of Tales That Witness Madness More info
journal article		UIP box-office success in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.1 Subject: BEVERLY HILLS COP (US, Martin Brest, 1984); WITNESS (US, Peter Weir, 1985); MASK (US, Peter Bogdanovich, 1985); UNITED INTERNATIONAL PICTURES; BOX OFFICE Summary: Article on the successes of 'Beverley Hills Cop', 'Witness', 'Mask' and 'Friday 13th Part V' More info
book		Witness / William Kelly, Earl W.Wallace London: 1985. Call No: 79WIT KEL Author: Kelly, William & Wallace, Earl W Source: UK Place: London PubDate: 1985 PhysDes: 188 p. ; 18 cm Subject: WITNESS (US, Peter Weir, 1985) ISBN: 0450058638 Donation: donated by the family of Wayne Levy, 2006 ID2: 157 More info
title clippings file		WITNESS : (AT, Michael Buckley, 1994) Call No: TITLE CLIPPINGS FILE PhysDes: Press kit; Stills Subject: WITNESS (AT, Michael Buckley, 1994) More info
title clippings file		WITNESS : (US, Peter Weir, 1985) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: WITNESS (US, Peter Weir, 1985) More info
title clippings file		WITNESS FOR THE PROSECUTION, THE [TV] : (UK/US, 2016-) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: WITNESS FOR THE PROSECUTION, THE [TV] (UK/US, 2016-) More info
title clippings file		WITNESS OF ANOTHER WORLD : (AG, Alan Stivelman, 2018) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: WITNESS OF ANOTHER WORLD (AG, Alan Stivelman, 2018) More info
still		[Witness : stills file] Call No: TITLE STILLS AUSTRALIA Source: AT PhysDes: 2 photographs : b&w ; 13 x 18 cm Subject: WITNESS (AT, Michael Buckley, 1994) Summary: black and white photographs of scenes from the film More info
title clippings file		WITNESS, THE : (US, James D. Solomon, 2015) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: WITNESS, THE (US, James D. Solomon, 2015) More info
title clippings file		WITNESS TO APARTHEID : (UK, Sharon Sopher, 1986) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: WITNESS TO APARTHEID (UK, Sharon Sopher, 1986) More info
title clippings file		WITNESS TO WAR: AN AMERICAN DOCTOR IN EL SALVADOR : (US, Deborah Shaffer & David Goodman, 1984) Call No: TITLE CLIPPINGS FILE PhysDes: Press kit; Stills; Clippings Subject: WITNESS TO WAR: AN AMERICAN DOCTOR IN EL SALVADOR (US, Deborah Shaffer & David Goodman, 1984) More info
title clippings file		WITNESS TO WAR: AN AMERICAN DOCTOR IN EL SALVADOR : (US, Deborah Shaffer & David Goodman, 1984) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: WITNESS TO WAR: AN AMERICAN DOCTOR IN EL SALVADOR (US, Deborah Shaffer & David Goodman, 1984) More info

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