Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFGHAN STAR (UK/AF, Havana Marking, 2009)

Call No: 46(794) WIL
Author: Williamson, Alice M.
Source: US
Place: New York
Publisher: D. Appleton Company
PubDate: 1928
PhysDes: 265p. : illus. :20cm.
Subject: INDUSTRY, FILM. USA; HISTORY OF CINEMA; DEMILLE, CECIL B.; GOLDWYN, SAMUEL; DAVIES, MARION; PARAMOUNT STUDIOS; NEGRI, POLA; UNITED ARTISTS; SWANSON, GLORIA; STAR SYSTEM

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: 49[32](73) AME
Author: McNally, Karen
Edition: 2022
Place: Detroit, Michigan
Publisher: Wayne State University Press
PubDate: April 2022
PhysDes: 336 pages ; 24 cm
Series: Contemporary approaches to film and media
Subject: TELEVISION. USA; TRUMP, DONALD; APPRENTICE, THE [TV] (US, 2004); CHERNOBYL [TV] (US/UK, 2019); POLITICS AND TV. USA; GOOD WIFE, THE [TV] (US, 2009); BLACKLISTING. USA; PLOT AGAINST AMERICA (US, 2020); SATURDAY NIGHT LIVE [TV] (US, 1975-); STAR TREK [ GENERAL]; AMERICAN HORROR STORY [TV] (US, 2011)
Summary: In American Television during a Television Presidency, Karen McNally and contributors critically examine the various ways in which television became transfixed by the Trump presidency and the broader political, social, and cultural climate. This book is the first to fully address the relationship between TV and a presidency consistently conducted with television in mind. The sixteen chapters cover everything from the political theater of televised impeachment hearings to the potent narratives of fictional drama and the stinging critiques of comedy, as they consider the wide-ranging ways in which television engages with the shifting political culture that emerged during this period. Approaching television both historically and in the contemporary moment, the contributors - an international group of scholars from a variety of academic disciplines- illuminate the indelible links that exist between television, American politics, and the nation’s broader culture. As it interrogates a presidency played out through the lens of the TV camera and reviews a medium immersing itself in a compelling and inescapable subject, American Television during a Television Presidency sets out to explore what defines the television of the Trump era as a distinctive time in TV history. From inequalities to resistance, and from fandom to historical memory, this book opens up new territory in which to critically analyze television’s complex relationship with Donald Trump, his presidency, and the political culture of this unsettled and simultaneously groundbreaking era. Undergraduate and graduate students and scholars of film and television studies, comedy studies, and cultural studies will value this strong collection. -- publisher's web site
ISBN: 9780814349359
Donation: Senses of Cinema

Call No: 412.3 KEL
Author: Keller, Sarah
Edition: 2020
Place: New York
Publisher: Columbia University Press
PhysDes: vii, 302 pages : illustrated ; 24 cm
Subject: APOCALYPSE IN FILMS; BLOWUP (UK/IT, Michelangelo Antonioni, 1966); BAZIN, ANDRE; FILM CULTURE; CINEPHILIA; DIGITAL CINEMA; FRANCE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015); STAR WARS [...] (US, 1977-2015); WAR OF THE WORLDS (US, Steven Spielberg, 2005); WORLD WAR Z (US/MT, Marc Forster, 2013)
Summary: The advent of new screening practices and viewing habits in the twenty-first century has spurred a public debate over what it means to be a “cinephile.” In Anxious Cinephilia, Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the content and impermanence of cinematic images. Keller reframes the history of cinephilia from the earliest days of film through the French New Wave and into the streaming era, arguing that love and fear have shaped the cinematic experience from its earliest days. This anxious love for the cinema marks both institutional practices and personal experiences, from the curation of the moviegoing experience to the creation of community and identity through film festivals to posting on social media. Through a detailed analysis of films and film history, Keller examines how changes in cinema practice and spectatorship create anxiety even as they inspire nostalgia. Anxious Cinephilia offers a new theoretical approach to the relationship between spectator and cinema and reimagines the concept of cinephilia to embrace its diverse forms and its uncertain future. -- publisher's web site
ISBN: 9780231180870
Contents: Acknowledgments -- Introduction -- 1. Ardor and Anxiety: The History of Cinephilia -- 2. Enchanting Images -- 3. Cinephilia and Technology: Anxieties and Obsolescence -- 4. The Exquisite Apocalypse -- Conclusion: Anxious Times, Anxious Cinema -- Notes -- Selected Bibliography -- Index

Call No: 747.77(73) AUT
Author: Pomerance, Murray; Palmer, R. Barton
Edition: 2022
Place: Austin
Publisher: University of Texas Press
PubDate: April 2022
PhysDes: 324 pages ; 23.5 cm
Subject: PEOPLE WITH DISABILITIES IN FILMS; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994); LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016); RAIN MAN (US, Barry Levinson, 1988); GOOD DOCTOR, THE [TV] ( US, 2017 - ); BIG SHORT, THE (US, Adam McKay, 2015); STRANGER THINGS [TV] (US, 2016); SOCIAL NETWORK, THE (US, David Fincher, 2010); NIGHTCRAWLER (US, Dan Gilroy, 2014); ACCOUNTANT, THE (US, Gavin O'Connor, 2016); BEING THERE (US, Hal Ashby, 1979); PHANTOM THREAD (US, Paul Thomas Anderson, 2017); DAVID AND LISA (US, Frank Perry, 1962); MARY POPPINS (US, Robert Stevenson, 1964)
Summary: Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism. Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism’s portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and “quirky” autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions. -- publisher's web site
ISBN: 9781477324912
Contents: -- -- Preface: Two Meditations: Who Am I? (Murray Pomerance) Before Neurodiversity (R. Barton Palmer) -- 1. Autistic Android? The Curious Instance of Star Trek’s Data (Ina Rae Hark) -- 2. Life, Animated: Adapting a Book about a Hero with Autism (Rebecca Bell-Metereau) -- 3. Where Is the Autism in Rain Man? (Daniel Sacco ) -- 4. The Good Doctor: Images of Autism and Augmented Intelligence (Burke Hilsabeck) -- 5. Oddity and Catastrophe in The Big Short (Jason Jacobs) -- 6. Diagnosing the Detective: Sherlock Holmes and Autism in Contemporary Television (Christina Wilkins) -- 7. She’s So Unusual: The Autist in Stranger Things (Brenda Austin-Smith) -- 8. Autism, Performance, and Sociality: Isolated Attention in The Social Network (Elliott Logan) -- 9. Hidden Worlds of Female Autism (Daniel Varndell) -- 10. Eye Contact in Juárez: Borderline Empathy and the Autistic Detective (Douglas McFarland) -- 11. The Creative Evolution and Reception of Netflix’s Atypical (Christine Becker) -- 12. Community’s Human Laugh Track: Neurodiversity in a Metamodern Sitcom (Joshua Schulze) -- 13. Portrait of the Autist as a Young Man (Fincina Hopgood) -- 14. Due Diligence: Exploring ASD in Nightcrawler and The Accountant (Dominic Lennard) -- 15. Mind the Gap: Autistic Viewpoint in Film (Alex Clayton) -- 16. Performative Restraint and the Challenges of Empathy in Being There and Phantom Thread (Matthew Cipa) -- 17. “A Spoonful of Sugar”: Watching Movies Autistically (Mark Osteen) -- 18. David and Lisa: The Healing Power of the Group (R. Barton Palmer) -- 19. Jesse: Torture That Autist (Murray Pomerance) -- Works Cited and Consulted -- Photo Captions and Credits -- Contributors -- Index.

Author: Pearlman, Karen
PhysDes: Article
Subject: HISTORICAL FILMS; CAMPION, JANE; PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); BRIGHT STAR (UK/AT/FR, Jane Campion, 2009)
Summary: Recontextualising the perceived notion of 'auteur' within genre cinema using the example of Jane Campion and her period films; The piano; Portrait of a lady and, most recently, Bright star

Call No: 744.9 HAR
Author: Harris, Geraldine
Source: US
Place: Manchester ; New York
Publisher: Manchester University Press, distributed exclusively in the USA by Palgrave
PubDate: 2006
PhysDes: 210 p. ; 23 cm
Subject: DRAMAS; REALISM ON TV; AESTHETICS; RACIAL ISSUES AND TV; MARXISM AND THE CINEMA; POSTMODERNISM AND THE CINEMA; FEMINISM AND THE CINEMA; IMPERIALISM AND THE CINEMA; HOMOSEXUALITY AND TV; GLOBALISATION; ALLY MCBEAL [TV] (US, 1997-); BILL, THE [TV] (UK, 1984-); STAR TREK [TV] [...] (US, 1966-69, 1987-); QUEER AS FOLK [TV] (UK, 1999-2000); ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-); DYNASTY [TV] (AT, 1970); PRIME SUSPECT 3 [TV] (UK, David Drury, 1993); SOPRANOS, THE [TV] (US, 1999); TIPPING THE VELVET [TV] (UK, Geoffrey Sax, 2002); WILL & GRACE[TV] (US, 1998-); XENA: WARRIOR PRINCESS [TV] (US, 1995-)
Summary: Beyond representation, poses the question, as to whether over the last 30 years, there have been signs of progress/progressiveness, in the representation of marginalised or subaltern identity categories, within television drama, in Britain, and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity, that have influenced and informed television drama criticism during this period. [Taken from the back cover]
Notes: Bibliography: p.191-20; Includes index
ISBN: 0719074584 (hdbk)
Donation: Donated by Senses Of Cinema, 2009

Call No: 210.31(73) FRI
Author: Fritz, Ben
Source: US
Place: Boston
Publisher: Eamon Dolan Book/ Houghton Mifflin Harcourt
PubDate: 2018
PhysDes: xxv, 278 pages ; 24 cm.
Subject: SONY CORPORATION; MARVEL ENTERTAINMENT; AMAZON; NETFLIX; IMAX; WALT DISNEY PRODUCTIONS; BUENA VISTA INTERNATIONAL; WARNER BROS.; FRANCHISES; STAR WARS [...] (US, 1977-2015)
Summary: "The stunning metamorphosis of twenty-first-century Hollywood and what lies ahead for the art and commerce of film. In the past decade, Hollywood has endured a cataclysm on a par with the end of silent film and the demise of the studio system. Stars and directors have seen their power dwindle, while writers and producers lift their best techniques from TV, comic books, and the toy biz. The future of Hollywood is being written by powerful corporate brands like Marvel, Amazon, Netflix, and Lego, as well as censors in China. Ben Fritz chronicles this dramatic shakeup with unmatched skill, bringing equal fluency to both the financial and entertainment aspects of Hollywood. He dives deeply into the fruits of the Sony hack to show how the previous model, long a creative and commercial success, lost its way. And he looks ahead through interviews with dozens of key players at Disney, Marvel, Netflix, Amazon, IMAX, and others to discover how they have reinvented the business. He shows us, for instance, how Marvel replaced stars with "universes," and how Disney remade itself in Apple's image and reaped enormous profits. But despite the destruction of the studios' traditional playbook, Fritz argues that these seismic shifts signal the dawn of a new heyday for film. The Big Picture shows the first glimmers of this new golden age through the eyes of the creative mavericks who are defining what our movies will look like in the new era." -- Book jacket.
Notes: Includes bibliographical references (pages 247-263) and index.
ISBN: 9780544789760
Contents: A notes on sources ix -- Introduction: Groundhog Day-How franchises killed originality in Hollywood xii -- Part 1: How Hollywood got here -- The Odd Couple: Lynton and Pascal's glory days at Sony -- Reality Bites: How everything went wrong for the movie business -- Inception: The secret origin of the superhero movie -- Revenge of the Nerds: The rise of Marvel Studios -- Spiderman: Homecoming- why Sony gave up its most valuable asset -- Star Wars: The decline of the A-list -- A Star is Born: Netflix, the new home for movie stars -- Frozen: Why studios stopped making mid-budget dramas -- Trading places: How tv stole movies' spot atop Hollywood -- Part 2: Where Hollywood is headed -- The Terminator: Disney, the perfect studio for the franchise age -- The Producers: Creativity meets franchise managment -- The Shop Around the Corner: Amazon saves the indie film business -- Apt Pupil: China's shifting relationship with Hollywood -- Field of Dreams: Studio defectors and the future of nonfranchise films -- The Last Picture Show?

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BIG STAR : NOTHING CAN HURT ME (US, Drew DeNicola & Olivia Mori, 2012)
URL status: URL: 'http://file://Q:/T/BIG_STAR.zip' Checked: 31/08/2021 1:31:54 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOLLYWOOD STAR [TV] (AT, 2012)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: BRIGHT STAR (UK/AT/FR, Jane Campion, 2009)
URL status: URL: 'http://file://Q:/T/BRIGHT_STAR.zip' Checked: 31/08/2021 1:18:16 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 79BRI KEA
Author: Keats, John
Source: UK
Place: London
Publisher: Vintage
PubDate: 2009
PhysDes: xvi, 525 p. ; 20 cm
Series: Vintage Classics
Subject: POETRY AND THE CINEMA; Keats, John; BRIGHT STAR (UK/AT/FR, Jane Campion, 2009)
Summary: "John Keats died in poverty and relative obscurity in 1821, aged only 25. He is now seen as one of the greatest English poets and a genius of the Romantic age. This collection, which contains all his most memorable works and a selection of his letters, is a feast for the senses, displaying Keat's gift for gorgeous imagery and sensuous language, his passionate devotion to beauty, as well as some of the most moving love poetry ever written. " -- BLURB
Notes: Introduction by Jane Campion
ISBN: 9780099529651

Call No: S BRI
Author: Campion, Jane
Edition: shooting script, 4th April 2008, includes all amendments
Place: AT
PubDate: c2009
PhysDes: 94 leaves
Subject: BRIGHT STAR (UK/AT/FR, Jane Campion, 2009)
Notes: Unpublished script -- Donated by AFI -- shooting script -- Credit: producers, Jan Chapman, Caroline Hewitt ; production companies, Jan Chapman Productions Pty Ltd, Brightstar Films Limited, Pathe Productions Limited, Screen Australia, British Broadcasting Corporation, UK Film Council, New South Wales Film and Television Office.

Call No: 71(41) STR
Author: Street, Sarah
Place: London New York
Publisher: Routledge
PubDate: 1997
PhysDes: 232 p. : ill. ; 24 cm
Subject: UNITED KINGDOM; INDUSTRY, FILM. UK; POLITICS AND THE CINEMA. UK; STAR SYSTEM. UK; ECONOMICS AND THE CINEMA. UK
Notes: Includes bibliographical references (p. [210]-216) and indexes
ISBN: 0415067367 (pbk.); 0415067359 (hbk.)
LON: 12665717

Call No: 67(44) CAH
Source: UK/US
Place: London; New York
Publisher: Routledge, British Film Institute
PubDate: 2000
PhysDes: xi, 323 p. ; 24 cm
Series: Cahiers du Cinema selections
Subject: CULTURE AND THE CINEMA; POLITICS AND THE CINEMA; IDEOLOGY AND THE CINEMA; HISTORY AND THE CINEMA; THEORY; CRITICISM; CAHIERS DU CINEMA; ALAOUIE, BORHAN; ALLIO, RENE; DOUGLAS, JOHN; FERRO, MARC; GODARD, JEAN-LUC; HUILLET, DANIELE; A TOUT ALLURE (FR, Robert Kramer, 1982); LITTIN, MIGUEL; DUPONT LAJOIE (FR/IT, Yves Boisset, 1975); DERSU UZALA (UR/JA, Akira Kurosawa, 1975); INDIA SONG (FR, Marguerite Duras, 1975); KING KONG (US, John Guillermin, 1976); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); KAFR KASSEM (LE/SY, Borhan Alaouié, 1973); MILESTONES (US, Robert Kramer & John Douglas, 1975); MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975); NUMERO DEUX (FR, Jean-Luc Godard, 1975); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974); STAR WARS (US, George Lucas, 1977); SIX FOIS DEUX (FR, Jean-Luc Godard, 1976); TIERRA PROMETIDA, LA (CL, Miguel Littin, 1973); XALA (SG, Ousmane Sembene, 1974)
Summary: This volume covers the vibrant and turbulent period from 1973 to 1978, in which the issues of theory, history and politics dominated critical debate. The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and Therese Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre Padrone and Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensible contribution to debates in film and cultural politics. [Taken from back cover.]
ISBN: 0415029880
Contents: Introduction - Cahiers Du Cinema 1972-1978 - Berenice Reynaud -- Part I - Interventions and Cultural Politics -- Editorial - Cahiers Today - Cahiers du Cinema -- The Critical Function - Serge Daney -- A particular trend in French Cinema - Serge Daney, pascal Kane, Jean-Pierre Oudart, Serge Toubiana -- Round table on Chris Marker's Le Found de l'air est rouge - Jean-Paul Fargier, Therese Giraud, Sege Le Peron, Jean Narboni, Serge Daney -- Part II - Perspectives -- A matter of chance - Serge Toubiana -- Return of the same - Therese Giraud -- Theorize/terrorize - Godardian pedagogy -- On Sur et sous la communication: three questions on Six fois deux - Gilles Deleuze -- Family, history, romance - Louis Seguin -- Round table: Milestones and us - Pascal Bonitzer, Dominique Villain, Serge Daney, Jean Narboni, Serge Le Peron, Therese Giraud, Serge Toubiana -- The Aquarium (Milestones) - Serge Daney -- Part III - Theory and History -- Anti-retro - Michel Foucault in interview with Pascal Bonitzer and Serge Toubiana -- I, Pierre Riviere, having slaughtered my mother, my sister and my brother...by Rene Allio - Jean Jourdheuil, Serge Toubiana, Pascal Bonitzer, Rene Allio, Pascal Kane, Michel Foucault -- Defamations (fragments). Pretext: Karl May by H.-J. Syberberg - Jean-Pierre Oudart -- Cinema and history - Marc Ferro in interview with Serge Daney and Ignacio Ramonet -- Deframings - Pascal Bonitzer -- Cold Sex (on pornography and beyond) - Yann Lardeau -- Part IV - Third Cinema -- Our Cinema - Sidney Sokhona -- Interview with Abdelaziz Tolbi - Therese Giraud, Mohand Ben Salama -- The promised land - Serge Toubiana, Pascal Bonitzer -- The feminine eye of the Town (El Chergui) - Abdelwahab Meddeb -- Blood into sign - Jean Narboni -- Xala - Daniele Dubroux -- Part V - Reviews -- On Avanti - Pascale Kane -- An India and its other (India Song) - Pascal Bonitzer -- An uncanny familiarity (Jeanne Dielman) - Daniele Dubroux -- The sign and the ape (King Kong) - Serge Toubiana -- One more bear (Dersu Uzala) - Serge Daney -- Curdled milk (Padre padrone) - Daniele Dubroux -- America without fear or favour (Star Wars) - Serge Le Peron -- Francois Truffaut La Chambre verte - Pascal Bonitzer -- An active fear (The Passion of Joan of Arc) - Jean-Pierre Oudart -- Appendix: Cahiers du Cinema in the 1950s, the 1960s and the early 1970s

Call No: 409(73) RYA
Copy Management: Copy 1; Copy 2
Author: Ryan, Michael, 1951; Kellner, Douglas, 1943
Place: Bloomington, Ind.
Publisher: Indiana University Press
PubDate: 1988
PhysDes: xiii, 328 p. : ill. ; 25 cm
Subject: DISASTERS IN FILMS. USA; SOCIAL PROBLEMS IN FILMS. USA; WORKING CLASS IN FILMS. USA; ETHNIC GROUPS IN FILMS. USA; SOUTH IN FILMS. USA; WOMEN IN FILMS. USA; BUDDY FILMS. USA; FAMILY IN FILMS. USA; VIETNAM WAR IN FILMS; HORROR FILMS. USA; VIETNAM WAR FILMS; POLITICS AND THE CINEMA. USA; FANTASY FILMS. USA; UTOPIA IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; TECHNOLOGY AND THE CINEMA. USA; CONSPIRACY FILMS. USA; SPIELBERG, STEVEN; COPPOLA, FRANCIS FORD; BORDEN, LIZZIE; CIMINO, MICHAEL; Peckinpah, Sam; Reagan, Ronald; ROMERO, GEORGE; SCORSESE, MARTIN; HOOPER, TOBE; FRIEDKIN, WILLIAM; BROOKS, JAMES L.; DE PALMA, BRIAN; LUCAS, GEORGE; KUBRICK, STANLEY; MILIUS, JOHN; PAKULA, ALAN J.; SCOTT, RIDLEY; STAR WARS (US, George Lucas, 1977); CARNAL KNOWLEDGE (US, Mike Nichols, 1971); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); DEATH WISH (US, Michael Winner, 1974); DEER HUNTER, THE (US, Michael Cimino, 1978); DRESSED TO KILL (US, Brian De Palma, 1980); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FRENCH CONNECTION, THE (US, William Friedkin, 1971); JAWS (US, Steven Spielberg, 1975); TERMS OF ENDEARMENT (US, James L. Brooks, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); SHINING, THE (UK, Stanley Kubrick, 1980); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); DIRTY HARRY (US, Don Siegel, 1971); GODFATHER, THE (US, Francis Ford Coppola, 1972); KLUTE (US, Alan J. Pakula, 1971); BLADE RUNNER (US, Ridley Scott, 1982)
Notes: Includes index; Bibliography: p. 321-324
ISBN: 0253313341
LON: 5193671

Call No: F465 MON
Author: Monaco James
Source: US
Place: New York
Publisher: Dell Publishing
PubDate: 1978
PhysDes: 258 p. ; 20 cm.
Subject: STAR SYSTEM; STARS; BERGMAN, INGMAR; MAILER, NORMAN
ISBN: 0440509912

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHILD STAR: THE SHIRLEY TEMPLE STORY [TV] (US/AT, Nadia Tass, 2001)

Call No: 62 BRA
Author: Branston, Gill
Source: US
Place: Philadelphia
Publisher: Open University Press
PubDate: 2000
PhysDes: p. cm
Series: Issues in cultural and media studies
Subject: POPULAR CULTURE AND THE CINEMA; MODERNISM AND THE CINEMA; AUTHORSHIP; STAR SYSTEM; AUDIENCES; GLOBALISATION; CAPITALISM AND THE CINEMA; CLASS AND THE CINEMA; WALT DISNEY PRODUCTIONS; CULTURE AND THE CINEMA; INTERNET AND THE CINEMA; PERCEPTION; NARRATIVE IN FILMS; GENDER AND THE CINEMA; TYPE CHARACTERS IN FILMS; STUDIO SYSTEM; GAZE IN FILMS; CONSUMERISM AND THE CINEMA; MULVEY, LAURA; THELMA & LOUISE (US, Ridley Scott, 1991)
Summary: "Cinema and Cultural Modernity carves a path through the complex histories and issues of film and cinema studies and vividly explores these in their social and political contexts. It focuses on selected topics such as Hollywood's histories and how authorship, stardom and globalized blockbuster cinema, its pleasures and disappointments, might be thought out. Gill Branston outlines the need for cinema study that is both sensitive to the formal 'textiness' of films, but also less anxious about arguing for its position within broad agendas of representation. She shows how such debates and histories might connect both the very real pleasures of 'consuming' cinema with the need for a critical politics to address the persistent social and cultural inequalities of modernity." -- BOOK COVER
Notes: Includes bibliographical references and index
ISBN: 033520077X (HB); 0335200761 (PB)
LON: 21519736

Call No: 220.1(-5) KEA
Author: Keane, Stephen
Source: US/UK
Place: New York; Basingstoke [England]
Publisher: Palgrave Macmillan
PubDate: 2007
PhysDes: viii, 181 pages ; 22 cm
Subject: TIMECODE (US, Mike Figgis, 2000); MY LITTLE EYE (UK/US/FR, Marc Evans, 2003); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); STAR WARS: EPISODE II - THE ATTACK OF THE CLONES (US, George Lucas, 2002); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); STAR WARS: EPISODE III - REVENGE OF THE SITH (US, George Lucas, 2005); SIN CITY (US, Frank Miller and Robert Rodriguez, 2005); RESIDENT EVIL (US, Paul W.S. Anderson, 2002); MATRIX, THE [...] (US, Larry Wachowski & Andy Wachowski, 1999-2003); FANS; TECHNOLOGICAL DEVELOPMENTS; INTERNET; CONVERGENCE
Summary: What does it mean to regard cinema as technology? How do special effects change our experience of contemporary film? How important is the Internet to the film industry and film fans? CineTech explores these debates and examines the important intersection between film and new media. Providing a comprehensive introduction to the digital practices used in film, this book moves from historical perspectives to up-to-date analysis. Applying these debates through specific case studies, examples are drawn from recent Hollywood blockbusters such as the Star Wars prequels and the Matrix trilogy. Case studies, exercises, and suggestions for further study make this an ideal resource for courses and student assignments in both film and media studies.
Notes: Includes bibliographical references (p. 162-176) and index.
ISBN: 9781403936943
Contents: 1. Screens -- 2. Digital film -- 3. Digital special effects -- 4. Films, fans and the Internet -- 5. Films and videogames -- 6. Entering the matrix -- Conclusion.

Author: Finney, Alan
PhysDes: Article Review
Subject: LEWIS, JERRY; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); STAR SYSTEM; COMEDIANS; COMEDIES
Summary: Detailed analysis of Jerry Lewis's comic style as an actor and director, with sequence-by-sequence references to his film "The Patsy".

Call No: 465 SCH
Author: Schickel, Richard
Source: UK
Place: London
Publisher: Pavilion Books Limited
PubDate: 1985
PhysDes: 299p. : 22cm.
Subject: STAR SYSTEM; CULTURE AND THE CINEMA; SOCIETY AND THE CINEMA
Notes: American edition entitled "Intimate strangers: the culture of celebrity".
ISBN: 0907516963

Author: Turk, Rachael (interviewer)
PhysDes: Article
Subject: PRODUCING. AUSTRALIA; PRODUCERS. AUSTRALIA; CHAPMAN, JAN; BRIGHT STAR (UK/AT/FR, Jane Campion, 2009); PIANO, THE (AT, Jane Campion, 1993)
Summary: Jan Chapman discusses the role of producers, in particular influence on the creative direction of films.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DARK STAR (US, John Carpenter, 1974)

Call No: N79STA BLI
Author: Blish, James
Source: US
Place: New York
Publisher: Bantam Books
PubDate: 1975
PhysDes: 189 p. ; 18 cm
Series: Star Trek
Subject: STAR TREK [TV] [...] (US, 1966-69, 1987-)
Notes: previously published under the title Star Trek 11
ISBN: 0553251694
Donation: donated by the family of Wayne Levy, 2006

Author: Windon, Stephen
PhysDes: Article
Subject: STAR TREK: BEYOND (US, Justin Lin, 2016; WINDON, STEPHEN; FURIOUS 7 (JA/US, James Wan, 2015); PACIFIC, THE [TV] (US, Jeremy Podeswa, 2010)
Summary: Cinematographer Stephen Windon ACS ASC talks about working on Star Trek: Beyond directed by Justin Lin. He talks about working on a large budget film and working with CGI and special effects. He also talks in brief about working on the TV series The Pacific and th film Furious 7.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DICKIE ROBERTS: FORMER CHILD STAR (US, Sam Weisman, 2003)

Call No: TITLE CLIPPINGS FILE; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Author: Davidson, Darren
PhysDes: Clippings File Article
Subject: WALT DISNEY PRODUCTIONS; HOYTS; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Summary: Report on the massive financial impact the latest STAR WARS film is having on the film industry worldwide and in Australia

Call No: TITLE CLIPPINGS FILE; STAR WARS: THE FORCE AWAKENS(AT, J.J. Abrams, 2015)
Author: Mason, Max
PhysDes: Clippings File Article
Subject: BUENA VISTA INTERNATIONAL; STAR WARS: THE FORCE AWAKENS(AT, J.J. Abrams, 2015)
Summary: Report on the hype of the upcoming STAR WARS: THE FORCE AWAKENS and how the film has presold tickets worth over a millon dollars in Australia

Call No: 71(73) BIS
Author: Biskind, Peter
Place: New York, NY
Publisher: Simon & Schuster
PubDate: 1998
PhysDes: 506 p. : ill. ; 25 cm
Subject: USA. 1970's; COLUMBIA PICTURES; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; UNIVERSAL PICTURES; WARNER BROS.; ZOETROPE STUDIOS; ALTMAN, ROBERT; ASHBY, HAL; BEATTY, WARREN; BEGELMAN, DAVID; BLATTY, WILLIAM PETER; BOGDANOVICH, PETER; BRANDO, MARLON; BROWN, DAVID; BURSTYN, ELLEN; CALLEY, JOHN; CHRISTIE, JULIE; COPPOLA, ELEANOR; COPPOLA, FRANCIS FORD; DE NIRO, ROBERT; DE PALMA, BRIAN; DILLER, BARRY; EVANS, ROBERT; FONDA, PETER; FRIEDKIN, WILLIAM; GEFFEN, DAVID; HAWKS, HOWARD; HOPPER, DENNIS; IRVING, AMY; KAEL, PAULINE; KIDDER, MARGOT; LUCAS, GEORGE; LUCAS, MARCIA; MILIUS, JOHN; NEWMAN, DAVID; NICHOLSON, JACK; PENN, ARTHUR; PHILLIPS, JULIA; PLATT, POLLY; POLANSKI, ROMAN; RAFELSON, BOB; SCHNEIDER, BERT; SCHRADER, LEONARD; SCHRADER, PAUL; SCORSESE, MARTIN; SHEPHERD, CYBILL; SIMPSON, DON; SPIELBERG, STEVEN; SYLBERT, RICHARD; TANEN, NED; TOWNE, ROBERT; WEINTRAUB, SANDRA; YABLANS, FRANK; ZANUCK, RICHARD; AMERICAN GRAFFITI (US, George Lucas, 1973); EASY RIDER (US, Dennis Hopper, 1969); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BONNIE AND CLYDE (US, Arthur Penn, 1967); CHINATOWN (US, Roman Polanski, 1974); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); EXORCIST, THE (US, William Friedkin, 1973); GODFATHER, THE (US, Francis Ford Coppola, 1972); HEAVEN'S GATE (US, Michael Cimino, 1980); JAWS (US, Steven Spielberg, 1975); LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971); MCCABE AND MRS MILLER (US, Robert Altman, 1971); M*A*S*H (US, Robert Altman, 1969); MEAN STREETS (US, Martin Scorsese, 1973); PAPER MOON (US, Peter Bogdanovich, 1973); PERSONAL BEST (US, Robert Towne, 1982); RAGING BULL (US, Martin Scorsese, 1980); REDS (US, Warren Beatty, 1981); SHAMPOO (US, Hal Ashby, 1975); SORCERER (US, William Friedkin, 1977); STAR WARS (US, George Lucas, 1977); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); TAXI DRIVER (US, Martin Scorsese, 1976)
Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448
ISBN: 0684809966
LON: 98002919; 13698645

Call No: 81ELV BRE
Author: Bret, David
Source: UK
Place: London
Publisher: Robson Books
PubDate: 2001
PhysDes: viii, 337 pages, illustrations; 24 cm
Subject: MUSIC IN FILMS; MUSIC AND THE CINEMA; ROCK MUSIC IN FILMS; PRESLEY, ELVIS; LOVE ME TENDER (US, Robert D. Webb, 1956); LOVING YOU (US, Hal Kanter, 1957); JAILHOUSE ROCK (US, Richard Thorpe, 1957); KING CREOLE (US, Michael Curtiz, 1958); G.I. BLUES (US, Norman Taurog, 1960); FLAMING STAR (US, Don Siegel, 1960); WILD IN THE COUNTRY (US, Philip Dunne, 1961); BLUE HAWAII (US, Norman Taurog, 1961); FOLLOW THAT DREAM (US, Gordon Douglas, 1962); KID GALAHAD (US, Phil Karlson, 1962); GIRLS! GIRLS! GIRLS! (US, Norman Taurog, 1962); IT HAPPENED AT THE WORLD'S FAIR (US, Norman Taurog, 1963); FUN IN ACAPULCO (US, Richard Thorpe, 1963); KISSIN' COUSINS (US, Gene Nelson, 1964); VIVA LAS VEGAS (US, George Sidney, 1963); ROUSTABOUT (US, John Rich, 1964); GIRL HAPPY (US, Boris Sagal, 1965); TICKLE ME (US, Norman Taurog, 1965); HAREM HOLIDAY (US, Gene Nelson, 1965); FRANKIE AND JOHNNY (US, Frederick de Cordova ,1966); PARADISE HAWAIIAN STYLE (US, Michael D. Moore, 1966); CALIFORNIA HOLIDAY (US, Norman Taurog, 1966); EASY COME, EASY GO (US, John Rich, 1967); DOUBLE TROUBLE (US, Norman Taurog, 1967); CLAMBAKE (US, Arthur N. Nadel, 1967); STAY AWAY, JOE (US, Peter Tewkesbury, 1968); SPEEDWAY (US, Norman Taurog, 1968); LIVE A LITTLE, LOVE A LITTLE (US, Norman Taurog, 1968); CHARRO! (US, Charles Marquis Warren, 1969); TROUBLE WITH GIRLS, THE (US, Peter Tewkesbury, 1969); CHANGE OF HABIT (US, William Graham, 1969); ELVIS: THAT'S THE WAY IT IS (US, Denis Sanders, 1970); ELVIS ON TOUR (US, Robert Abel and Pierre Adidge, 1972)
Summary: "In this first complete account of Elvis Presleys celluloid career, David Bret considers the 33 films, TV appearances, biopics, retrospectives and documentaries that remain as testimony to the compelling and mysterious persona of The King. The bestselling author David Bret traces the development of Presley's film career and recounts the on-set cat fights with co-stars and studio personnel. He unearths the truth about the powerful hold exercised over Elvis by 'Colonel' Tom Parker, which revolved around Parker preventing a leak about Presley's relationship with another man from going public and then using this knowledge as a persistant threat to ensure his protege's loyalty. Bret explores and hotly disputes the controversial allegations, levelled by Presley's step-family, that he had sex with his mother, raped his wife, held debauched, drug fuelled parties with groupies and eventually committed suicide. Above all, the author praises the nature and talent of the man who was - and still is - the supreme authority on rock'n'roll and romance. " -- BOOK JACKET
Notes: Includes selected film discography; Includes bibliographical references and index; 'Harem Holiday' also known as 'Harum Scarum'; 'California Holiday' also known as 'Spinout'
ISBN: 1861054165
Donation: Donated by Peter Kemp
Contents: -- acknowledgements -- Introduction -- Part One: In the Footsteps of the Mutant King -- Love Me Tender -- Loving You -- Jailhouse Rock -- King Creole -- Part Two: The Rainbow Years -- G.I. Blues -- Flaming Star -- Wild in the Country -- Blue Hawaii -- Follow That Dream -- Kid Galahad -- Part Three: Cotton Candy Land -- Girls! Girls! Girls! -- It Happened at the World's Fair -- Fun in Acapulco -- Kissin' Cousins -- Viva Las Vegas -- Roustabout -- Girl Happy -- Tickle Me -- Harem Holiday -- Frankie and Johnny -- Paradise Hawaiian Style -- California Holiday -- Part Four: Just Call Me Lonesome -- Easy Come, Easy Go -- Double Trouble -- Clambake -- Stay Away, Joe -- Speedway -- Live A Little, Love A Little -- Charro! -- The Trouble With Girls -- Change of Habit -- Elvis - That's the Way It Is -- Elvis On Tour -- -- Part Five: Softly As I Leave You -- appendix I: the television special -- appendix II: tributes, retrospectives and biopics -- appendix III: selected film discography -- bibliography -- index --

Author: Fickenscher, Hans
PhysDes: Article
Subject: ENERGY FROM THE DAY STAR (US, Bill Jersey)
Summary: Review; Synopsis

Call No: TITLE CLIPPINGS FILE; STAR TREK: BEYOND (US, Justin Lin, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: STAR TREK: BEYOND (US, Justin Lin, 2016)
Summary: Review of the film STAR TREK: BEYOND. Some comparisions with the original STAR TREK TV shows and films as well as the most recent films directed by J.J. Abrams
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: EVENING STAR, THE (US, Robert Harling, 1996)
ID2: 80

Call No: 465(94) TUR
Author: Turner, Graeme; Bonner, Frances Jane; Marshall, P. David
Place: Cambridge
Publisher: Cambridge University Press
PubDate: 2000
PhysDes: xi, 196 p. : ill. ; 24 cm
Subject: ACTORS. AUSTRALIA; AGENTS; DIMITRIADES, ALEX; DONOVAN, JASON; FESTIVALS. NOOSA; HEWETT, COLLEEN; MEDIA. AUSTRALIA; MINOGUE, KYLIE; NEIGHBOURS [TV] (AT, 1985-); PUBLIC RELATIONS; STAR SYSTEM. AUSTRALIA
Notes: Includes index and bibliographical references
ISBN: 0521791472; 0521794862 (pbk.)
LON: 21590162

Call No: TITLE CLIPPINGS FILE; STAR WARS [...] (US, 1977-2015)
Author: Schetzer, Alana
PhysDes: Clippings File Article
Subject: FANS; STAR WARS [...] (US, 1977-2015)
Summary: Report on a family who a big Star Wars fans

Call No: TITLE CLIPPINGS FILE; ROGUE ONE: A STAR WARS STORY (US, Gareth Edwards, 2016)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: ROGUE ONE: A STAR WARS STORY (US, Gareth Edwards, 2016)
Summary: A look at the upcoming Star Wars related film ROGUE ONE: A STAR WARS STORY, with a focus on its strong ticket pre sales in Australia and a look at the proposed Star Wars films over the next 5 years

Call No: 626:396 DOA
Author: Doane, Mary Ann
Place: New York
Publisher: Routledge
PubDate: 1991
PhysDes: viii, 312 p. : ill. ; 24 cm
Subject: FEMINISM AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; THEORY; WOMEN IN FILMS; GAZE IN FILMS; STAR SYSTEM; GILDA (US, Charles Vidor, 1946); BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929); ADYNATA : MURDER IS NOT A STORY (US, Leslie Thornton, 1983); SIGNORA DI TUTTI, LA (IT, Max Ophuls, 1934)
Summary: In this major new work of feminist film criticism, Mary Ann Doane examines questions of sexual difference and knowledge in cinematic, theoretical, and psychoanalytic discourses. Femmes Fatales examines Freud, the female spectator, the meaning of the close-up, and the nature of stardom. Duane's analyses of such figures as Pabst's Lulu and Rita Hayworth's Gilda trace the thematics and mechanics of maskes, masquerade, and veiling, with specific attention to the form and technology of the cinema. Working through and against the intellectual frameworks of post-structuralist and psychoanalytic theory, Doane interrogates cinematic and theoretical claims to truth about women which rely on judgements about vision and its stability or instability. Reflecting the shift in conceptual priorities within feminist film theory over the last decade, Femmes Fatales addresses debates over female spectatorhsip, essentialism and anti-essentialism, the tensions between psychoanalysis and history, and the relations between racial and sexual difference. Doane's nuanced and original readings of the femme fatale in cinema demonstrates that confrontations between feminism, film theory and psychoanalysis can be productively destabilizing for each discipline. -- PUBLISHER
Notes: Includes bibliographical references (p. 269-300) and index
ISBN: 041590319X; 0415903203 (pbk.)
LON: 91003659; 8050789

Call No: 46(794) GOO
Author: Goodman, Ezra.
Source: US
Place: New York
Publisher: Simon & Schuster
PubDate: 1961
PhysDes: 465 p. ; 22 cm.
Subject: INDUSTRY, FILM. USA; STAR SYSTEM; ACTORS

Call No: 67(04) FIL
Author: Alpert, Hollis (ed); Sarris, Andrew (ed)
CorpAuthor: National Society of Film Critics (U.S.)
Place: Indianapolis [etc.]
Publisher: Bobbs-Merrill Co. [etc.]
PhysDes: 281 p. ; 22 cm
Subject: SECTION ANDERSON, LA (FR, Pierre Schoendoerffer, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); FOR LOVE OF IVY (US, Daniel Mann, 1968); BIRTHDAY PARTY, THE (UK, William Friedkin, 1968); BULLITT (US, Peter Yates, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CHARLIE BUBBLES (UK, Albert Finney, 1967); FACE OF WAR, A (US, Eugene S. Jones, 1968); MERCENARIES, THE (UK/US, Jack Cardiff, 1968); FACES (US, John Cassavetes, 1968); FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); VARGTIMMEN (SW, Ingmar Bergman, 1967); I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968); INSIDE NORTH VIETHAM (US, Felix Greene, 1967); JOANNA (UK, Michael Same, 1968); ODD COUPLE, THE (US, Gene Saks, 1968); OLIVER (UK, Carol Reed, 1968); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); PETULIA (US, Richard Lester, 1968); PRODUCERS, THE (US, Mel Brooks, 1967); RACHEL, RACHEL (US, Paul Newman, 1968); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); SKAMMEN (SW, Ingmar Bergman, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); TARGETS (US, Peter Bogdanovich, 1968); TELL ME LIES (UK/US, Peter Brook, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); UP TIGHT! (US, Jules Dassin, 1968); WEEK-END (FR/IT, Jean-Luc Godard, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968); TANTE ZITA (FR, Robert Enrico, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); STAR (US, Robert Wise, 1968)
Summary: Review of Films produced in the years 1968-69
Notes: Includes index
ISSN: 0071-4860 0015-1076
LON: 68019946; 894646
Contents: -- Shame / John Simon, Hollis Alpert, Wilfrid Sheed -- Weekend / Pauline Kael, Andrew Sarris -- Belle De Jour / Andrew Sarris -- Rosemary's Baby / Andrew Sarris -- 2001: A Space Odyssey / Penelope Gilliatt, Hollis Alpert, Joseph Morgenstern -- Planet Of The Apes / Philip T. Hartung -- La Chinoise / Pauline Kael, Andrew Sarris -- China Is Near / Pauline Kael, Andrew Sarris -- Up Tight / Stanley Kauffmann -- For Love Of Ivy And Dark Of The Sun / Philip T. Hartung -- The Charge Of The Light Brigade / Stanley Kauffmann, John Simon -- Les Carabiniers / Penelope Gilliatt -- A Face Of War / Richard Schickel -- Tell Me Lies, The Anderson Platoon, And Inside North Vietnam / Stanley Kauffmann -- The Green Berets / Penelope Gilliatt -- Petulia / Richard Schickel, Wilfrid Sheed -- The Thomas Crown Affair / Wilfrid Sheed, Stefan Kanfer -- Joanna / Hollis Alpert, Joseph Morgenstern -- Rachel, Rachel / Arthur Knight, Richard Schickel -- Zita / John Simon -- Faces / Andrew Sarris, Arthur Schlesinger, Jr. -- Hunger / Penelope Gilliatt -- Hour Of The Wolf / John Simon, Richard Schickel -- Charlie Bubbles / Andrew Sarris, Richard Schickel -- The Odd Couple And Others / Wilfrid Sheed -- The Producers / Arthur Schlesinger, Jr. -- I Love You, Alice B. Toklas / Arhur Knight -- Candy / Stefan Kanfer -- Barbarell / John Simon -- Yellow Submarine / Stanley Kauffmann, John Simon -- You Are What You Ear / Wilfrid Sheed -- Star! / Arthur Schlesinger, Jr. -- Finian's Rainbow / Arthur Knight -- Oliver! / Joseph Morgenstern -- The Bride Wore Black / Andrew Sarris -- Bullitt / Hollis Alpert -- Targets / Penelope Gilliatt -- Wild 90 / Hollis Alpert -- Beyond The Law / Stanley Kauffmann -- Will Penny / Arthur Knight -- Wild In The Streets / Joseph Morgenstern, Wilfrid Sheed -- Pretty Poison / Joseph Morgenstern -- First In His Pocket / Stanley Kauffmann -- Young Torless / Penelope Gilliatt -- Charly / Arthur Knight -- The Boston Strangler / Philip T. Hartung, Wilfrid Sheed -- No Way To Treat A Lady And Rod Steiger / Stefan Kanfer -- Warrendale / Joseph Morgenstern, Stanley Kauffmann -- The Fox / Pauline Kael -- The Lion In Winter / Philip T. Hartung, Arthur Schlesinger, Jr., John Simon -- Romeo And Juliet / Philip T. Hartung, John Simon -- The Killing Of Sister George / Harold Clurman -- The Birthday Party / Harold Clurman, Wilfrid Sheed, Hollis Alpert -- War And Peace / Philip T. Hartung, Stanley Kauffmann, Richard Schickel -- The Heart Is A Lonely Hunter / Richard Schickel -- The Fixer / Richard Schickel, Arthur Schlesinger, Jr. -- The Sea Gull / Arthur Schlesinger, Jr., John Simon -- The Graduate Makes Out / Hollis Alpert -- Burton And Taylor Must Go / Wilfrid Sheed -- The Student Movie-Makers / Stefan Kanfer -- The Late Show As History / Stefan Kanfer -- L'Affaire Langlois / Arthur Knight -- Oscar Wiles / Andrew Sarris

Call No: 46(794) PAU
Author: Paul, Elliot
Source: UK
Place: London
Publisher: Frederick Muller Ltd.
PubDate: 1956
PhysDes: 160p. : illus. : 19cm.
Subject: INDUSTRY, FILM. USA; HISTORY OF CINEMA. 1950's; STAR SYSTEM

Call No: 753.81 FIL
Author: Herbert, Daniel; Verevis, Constantine
Edition: 2020
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2020
PhysDes: 244 pages : illustrated ; 25 cm
Series: Screen Serialities
Subject: REMAKES; FRANCHISES; BATMAN IN FILMS; GHOSTBUSTERS (US, Ivan Reitman, 1984); GHOSTBUSTERS (US, Paul Feig, 2016); STAR TREK; STAR WARS [...] (US, 1977-2015)
Notes: Bringing together the latest developments in the study of serial formatting practices – remakes, sequels, series – Film Reboots is the first edited collection to specifically focus on the new millennial phenomenon of rebooting. Through a set of vibrant case studies, this collection investigates rebooting as a practice that seeks to remake an entire film series or franchise, with ambitions that are at once respectful and revisionary. Examining such notable examples as Batman, Ghostbusters, and Star Trek, among others, this collection contends with some of the most important features of contemporary film and media culture today. -- publisher's web site
ISBN: 9781474451369
Contents: Introduction: Film Reboots / Daniel Herbert and Constantine Verevis. PART I: INDUSTRY AND COMMERCE -- 1. Rethinking the ‘Supersystem’: Film Reboots and the Teenage Mutant Ninja Turtles / Daniel Herbert -- 2. Live Long and Prosper: Rebooting Star Trek and Reimagining Fandom / Erin Hanna -- 3. The Many Reboots of the Batman / Eileen R. Meehan. PART II: STRUCTURE AND NARRATIVE -- 4. The Edge of Reality: Replicating Blade Runner / Constantine Verevis -- 5. Gender, Genre and the Reboot: From Ocean’s 11/Eleven to Ocean’s 8/Eight / Jennifer Forrest -- 6. Understanding Twin Peaks: The Return as a ‘Film Reboot’ via Anti-Franchise Discourses Within Media Franchising / Matt Hills -- 7. All This Has Happened Before: Mythic Repetition in the Film-to-Television Reboot / Nicholas Benson & Jonathan Gray PART III: POLITICS AND IDENTITY -- 8. Resistance and Empire: Star Wars and the Social Justice Reboot / Derek Johnson -- 9. Rebooting the Politics of the Sports Melodrama: Creed vs. Rocky / Chuck Tryon -- 10. Ghost Girls: Ghostbusters, Popular Feminism and the Gender-Swap Reboot / Claire Perkins PART IV: FANS AND AUDIENCES -- 11. Reboot, Requel, Legacyquel: Jurassic World and the Nostalgia Franchise / Kathleen Loock -- 12. Worldbuilding, Retconning, and Legacy Rebooting: Alien and Contemporary Media Franchise Strategies / James Fleury -- 13. Anticipating the Reboot: Teasing Top Gun 2 / Paul Grainge -- 14. A Dark Knight on Elm Street: Discursive Regimes of (Sub) Cultural Value, Paratextual Bonding, and the Perils of Remaking and Rebooting Canonical Horror Cinema / William Proctor Contributors -- Notes

PhysDes: Article
Subject: PARAMOUNT STUDIOS; BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961); STAR TREK III: THE SEARCH FOR SPOCK (US, Leonard Nimoy, 1984); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-)
Summary: Report on a fire at Paramount Studios which caused numerous film sets to burn.

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: [FIVE] 5 STAR (US, Keith Miller, 2014)
Cross Reference: FIVE STAR

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FLAMING STAR (US, Don Siegel, 1960)

Call No: 512.1 PAR
Author: Partridge, Dinah; Hughes, Peter, 1949
Edition: 2nd ed
Source: AT
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1998
PhysDes: viii, 248 p. : ill., ports. ; 26 cm
Subject: TEACHING MATERIALS; PRINCESS BRIDE, THE (US, Rob Reiner, 1987); ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996); BLADE RUNNER (US, Ridley Scott, 1982); CITIZEN KANE (US, Orson Welles, 1941); CHARACTERIZATION IN FILMS; CLUELESS (US, Amy Heckerling, 1995); COOLBAROO CLUB, THE (AT, Roger Scholes, 1996); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); EMMA (UK, Douglas McGrath, 1996); FRONTLINE [TV] (AT, 1994- ); GALLIPOLI (AT, Peter Weir, 1981); GENRES; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991); HOUSEKEEPING (US, Bill Forsyth, 1987); MITT LIV SOM HUND (SW, Lass Hallestrom, 1985); MURIEL'S WEDDING (AT, P.J. Hogan, 1994); NARRATIVE IN FILMS; NOT FOURTEEN AGAIN (AT, Gillian Armstrong, 1996); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); POLICE ON TV; PROOF (AT, Jocelyn Moorhouse, 1991); REALISM IN FILMS; SCHINDLER'S LIST (US, Steven Spielberg, 1993); SECRET GARDEN, THE (US, Agnieszka Holland, 1993); SEINFELD [TV] (US, 1990-98); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAME (AT, Steve Jodrell, 1988); SHINE (AT/UK, Scott Hicks, 1996); SITUATION COMEDY; STAR WARS (US, George Lucas, 1977); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
Notes: Bibliography
ISBN: 0195506774 : $26.95; 0195506774 (pbk.)
LON: 13455821
ID2: 290

Call No: TITLE CLIPPING FILE; STAR WARS: THE FORCE AWAKENS(AT, J.J. Abrams, 2015)
Author: Dux, Monica
PhysDes: Clippings File Article
Subject: STAR WARS [...] (US, 1977-2015); STAR WARS: THE FORCE AWAKENS(AT, J.J. Abrams, 2015)
Summary: Monica Dux writes about the successes and failures of the Star Wars franchise, with mention to the STAR WARS HOLIDAY SPECIAL Tickets for of the new Star Wars film, THE FORCE AWAKENS have gone on sale.

Call No: TITLE CLIPPINGS FILE; ROGUE ONE: A STAR WARS STORY (US, Gareth Edwards, 2016)
Author: Maddox, Garry
PhysDes: Clippings
Subject: ROGUE ONE: A STAR WARS STORY (US, Gareth Edwards, 2016)
Summary: A summary of box office figures for 2016 with a detailed account of ticket sales for ROGUE ONE and other family movies released on Boxing Day

Call No: TITLE CLIPPINGS FILE; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: EXHIBITION. AUSTRALIA; BOX OFFICE. AUSTRALIA; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Summary: Report on the massive box office takings for STAR WARS: THE FORCE AWAKENS and how it has claimed the opening weekend box office record for Australia

Call No: 81FOS WAS
Author: Wasson, Sam
Source: US
Place: Boston ; New York
Publisher: Houghton Mifflin Harcourt
PubDate: 2013
PhysDes: 723 pages : illustrations ; 24 cm
Subject: ACADEMY AWARDS; BURLESQUE; CHOREOGRAPHY; CULTURE AND THE CINEMA. USA; DANCE IN FILMS; DIRECTORS; INDUSTRY, FILM. USA; MUSICALS. USA; UNITED ARTISTS; FOSSE, BOB; ASTAIRE, FRED; CHAYEFSKY, PADDY; DREYFUSS, RICHARD; HEIM, ALAN; MINNELLI, LIZA; SONDHEIM, STEPHEN; ALL THAT JAZZ (US, Bob Fosse, 1979); CABARET (US, Bob Fosse, 1972); LENNY (US, Bob Fosse, 1974); NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); STAR 80 (US, Bob Fosse, 1983); SWEET CHARITY (US, Bob Fosse, 1969)
Summary: "We see Bob Fosse's legacy everywhere--from Broadway to "Billy Jean" to Beyonce;'s moves in the "Single Ladies" video. Yet in spite of Fosse's deep cultural significance, no biography has ever brought him fully to life, unveiling the man behind the bowler hat and the swaggering sex appeal. Now, acclaimed cultural historian Sam Wasson traces Fosse's numberless reinventions of himself over a career that would spawn The Pajama Game, Cabaret, Pippin, Chicago, All That Jazz, and other iconic works of art and earn him Tonys, Emmys, and an Oscar. Wasson traces not only Fosse's prodigious professional life, but his intense relationships with everyone from Liza Minnelli, Fred Astaire, and Neil Simon to Shirley MacLaine, Jessica Lange, and Dustin Hoffman. Through extensive interviews with collaborators and lovers and unprecedented access to Fosse's archives, Wasson also reveals the deep wounds that propelled his subject's excessive appetites--for spotlights, women, and life itself. In Fosse, Wasson's stylish, effervescent prose proves the ideal vehicle for reanimating Bob Fosse as he truly was--after hours, close up, and in vibrant color" -- FROM TROVE
Notes: Contains photos and index
ISBN: 9780547553290

Subject: TWENTIETH CENTURY-FOX; COLUMBIA PICTURES; TRI-STAR PICTURES
Summary: List of films being released by Fox Columbia and Tri-Star

Call No: 753.81 FRA
Author: Fleury, James; Hartzheim, Bryan Hikari; Mamber, Stephen
Edition: 2020
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2020
PhysDes: xvi, 320 pages : illustrated
Subject: FRANCHISES; ALIEN [...] (UK/US, 1979-92); CRITTERS (US, Stephen Herek, 1986); DISNEY; VIDEO GAMES; STAR WARS [...] (US, 1977-2015); KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); HOW TO TRAIN YOUR DRAGON (US, Dean DeBlois & Chris Sanders, 2010); TELEVISION; MOBILE AND ONLINE MEDIA; VIRTUAL REALITY
Summary: As Hollywood shifts towards the digital era, the role of the media franchise has become more prominent. This edited collection, from a range of international scholars, argues that the franchise is now an integral element of American media culture. As such, the collection explores the production, distribution and marketing of franchises as a historical form of media-making – analysing the complex industrial practice of managing franchises across interconnected online platforms. Examining how traditional media incumbents like studios and networks have responded to the rise of new entrants from the technology sector (such as Facebook, Apple, Amazon, Netflix and Google), the authors take a critical look at the way new and old industrial logics collide in an increasingly fragmented and consolidated mediascape. -- publisher's web site
ISBN: 9781474477741
Contents: List of Illustrations -- Acknowledgements – Foreword / Derek Johnson -- Introduction: The Franchise Era / James Fleury, Bryan Hikari Hartzheim, and Stephen Mamber PART I THE FRANCHISE: DEFINING AND HISTORICIZING -- The (Im)Perfect Organism: Dissecting the Alien Media Franchise / James Fleury and Stephen Mamber -- Evil Spawn or Good Business? New Line Cinema, Critters, and Film Franchising at the Margins / Daniel Herbert PART II VIDEO GAMES: SOFTWARE, HARDWARE, AND SPACE -- The Happiest Plays on Earth: Theme Park Franchising in Disneyland Video Games / Heather Lea Birdsall -- ‘Now They’re Playing with Power!’: Nintendo’s Classics and Franchise Legacy Management / Matthew Thomas Payne -- From Cineludic Form to Mise-en-Game: The Ludification of Cinematic Storyworlds in the Star Wars Video Games / Andreas Rauscher PART III: ANIMATION: ADAPTATION ACROSS NATIONS, INDUSTRIES, AND PLATFORMS -- Ghostly Boundaries: Transnational Tensions and Adapting Animation in the Ghost in the Shell Franchise / Brian Ruh -- How to Animate Your Franchise: DreamWorks Animation and the Franchising of How to Train Your Dragon / Rayna Denison PART IV: TELEVISION: NEW DIRECTIONS FOR A LEGACY MEDIUM -- TV Brand-casting, SVOD, and OTT at Comcast and Disney / Jennifer Gillan -- Network Streaming: TV Broadcasters in the Digital Space / Monica Sandler PART V: EMERGENT PLATFORMS: POSSIBLE FUTURES FOR THE MEDIA FRANCHISE -- Transmedia-to-Go: Licensed Mobile Gaming in Japan / Bryan Hikari Hartzheim -- Locating Esports Spectatorship – Studio Audience(ing) and Sites of Speculation / Alexander Champlin -- Hollywood’s VR Vision: New Frontier or Virtually the Same Thing? / James Fleury Index

Call No: 81LUC SAL
Author: Salewicz, Chris
Source: UK
Place: London
Publisher: Orion
PubDate: 1998
PhysDes: 143 p. : ill. (some col.) ; 20 cm
Subject: DIRECTORS. USA; LUCASFILM; SCRIPTWRITERS. USA; WARNER BROS.; COPPOLA, FRANCIS FORD; KURTZ, GARY; LUCAS, GEORGE; AMERICAN GRAFFITI (US, George Lucas, 1973); INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); KAGEMUSHA (JA, Akira Kurosawa, 1980); RETURN OF THE JEDI (US, Richard Marquand, 1983); STAR WARS (US, George Lucas, 1977); THX 1138 4EB (US, George Lucas, 1967)
Notes: Bibliography: p.[140]-141
ISBN: 0752813188
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE; ROGUE ONE: A STAR WARS STORY (US, Gareth Edwards, 2016)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: ROGUE ONE: A STAR WARS STORY (US, Gareth Edwards, 2016)
Summary: Preview of the new Star Wars related film ROGUE ONE: A STAR WARS STORY with quotes from key cast and crew

Author: Coleman, Lindsay
PhysDes: Article
Subject: FRASER, GREIG; ROGUE ONE: A STAR WARS STORY (US, Gareth Edwards, 2016); LION (AT, Garth Davis, 2016); CINEMATOGRAPHY
Summary: Cinematographer Greig Fraser talks about two recent projects: Lion and Rogue One: a Star Wars story. He talks about using the camera to aid world-building, dealing with digital effects on Rogue One and dealing with the transition of time in Lion.

Call No: 46(794) FIN
Author: Finch, Christopher; Rosenkrantz, Linda
Source: UK
Place: London
Publisher: George Weindenfeld and Nicolson Limited.
PubDate: 1980
PhysDes: xii, 396p. ; illus. ; 24cm.
Subject: HISTORY OF CINEMA; STAR SYSTEM
Notes: Includes index and bibliography.
ISBN: 0297778609

Call No: TITLE CLIPPINGS FILE
Subject: SHINE SHINE MY STAR [GORI GORI MOJA ZVEZDA] (UR, Alexander Mitta, 1969)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHINE SHINE MY STAR [GORI GORI MOJA ZVEZDA] (UR, Alexander Mitta, 1969)

Call No: SUBJECT CLIPPINGS FILE; STAR WARS [...] (US, 1977-2015)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: LOCATION SHOOTING. AUSTRALIA: NEW SOUTH WALES; CARROLL, MATT; COLEMAN, ROB; STAR WARS [...] (US, 1977-2015); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001)
Summary: Looking at the impact of the filming of the Star Wars prequel films, Attack of the Clones and Revenge of the Sith at Fox Studios in Sydney

Call No: 70 COO
Author: Cook, David A
Edition: 1st ed
Place: New York
Publisher: Norton
PubDate: c1981
PhysDes: xxiii, 721 p. : ill. ; 24 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. 1950's; NARRATIVE IN FILMS; STAR SYSTEM; EXPRESSIONISM; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; STUDIO SYSTEM; ITALY; NEOREALISM; WAR AND THE CINEMA; FILM NOIR; NOUVELLE VAGUE; WIDE-SCREEN SYSTEMS; EASTERN EUROPEAN COUNTRIES; JAPAN; THIRD WORLD; GERMAN FEDERAL REPUBLIC; USSR; MELIES, GEORGES; PORTER, EDWIN S.; GRIFFITH, DAVID WARK; PUDOVKIN, VSEVELOD; CHAPLIN, CHARLES; Keaton, Buster; VON STROHEIM, ERICH; CITIZEN KANE (US, Orson Welles, 1941); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920)
Notes: Includes index; Bibliography: p. 671-692
ISBN: 0393090221 (pbk.); 0393013707
LON: 1583335 1583335

Call No: 46(794) MIN
Author: Minney, R.J.
Source: UK
Place: London
Publisher: Chapman & Hall
PubDate: 1935
PhysDes: 264p. : illus. : 19cm.
Subject: INDUSTRY, FILM. USA; HISTORY OF CINEMA. 1930's; STAR SYSTEM
Notes: Includes index.

Call No: 71(73) HOL
Author: Kerr, Paul
CorpAuthor: British Film Institute
Place: London New York
Publisher: Routledge & Kegan Paul in association with the British Film Institute
PubDate: 1986
PhysDes: x, 290 p. ; 22 cm
Series: British Film Institute readers in film studies
Subject: USA; INDUSTRY, FILM. USA; STAR SYSTEM
Notes: Includes index; Bibliography: p. [276]-283
ISBN: 0710097301 (pbk.) : ª7.95 ($14.95 U.S.)
LON: 4319087

Call No: 46(794) POW
Author: Powdermaker, Hortense
Source: US
Place: Boston MA
Publisher: Little Brown & Co.
PubDate: 1951
PhysDes: 342p. : 20cm.
Subject: INDUSTRY, FILM. USA; HISTORY OF CINEMA. 1950's; ANTHROPOLOGY AND THE CINEMA; STAR SYSTEM
Notes: Includes index.

Call No: TITLE CLIPPINGS FILE
Subject: STAR FALLS UPWARD, THE [HVEZDA PADA VZHURU] (CS, Ladislav Rychman, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR FALLS UPWARD, THE [HVEZDA PADA VZHURU] (CS, Ladislav Rychman, 1974)

Call No: TITLE CLIPPINGS FILE
Subject: STAR CALLED WORMWOOD [HVEZDA ZVANÁ PELYNEK] (CS, Martin Frick, 1965)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR CALLED WORMWOOD [HVEZDA ZVANÁ PELYNEK] (CS, Martin Frick, 1965)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: HYPER SAPIEN: PEOPLE FROM ANOTHER STAR (US, Peter Hunt, 1986)

Call No: 46(794) WIN
Author: Winchester, Clarence
Source: UK
Place: London
Publisher: Cassell and Company, Limited.
PubDate: 1936
PhysDes: xiv, 145p. : illus. : 20cm.
Subject: INDUSTRY, FILM. USA; HISTORY OF CINEMA. 1930's; STAR SYSTEM
Notes: Includes index.

Author: Thornhill, Michael and Gardner, Geoffrey
PhysDes: Article
Subject: WISE, ROBERT; CITIZEN KANE (US, Orson Welles, 1941); WELLES, ORSON; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LEWTON ,VAL; TOURNEUR, JACQUES; ROBSON, MARK; HAUNTING, THE (US, Robert Wise, 1963); WEST SIDE STORY (US, Robert Wise, 1961); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAR (US, Robert Wise, 1968); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944)
Summary: Interview with editor and director Robert Wise, discussing his films and work with other filmmakers, such as Orson Welles.

Call No: 19WAR BEH
Author: Behlmer, Rudy
Source: UK
Place: London
Publisher: Weidenfield and Nicolson
PubDate: 1987
PhysDes: xix, 358p, [16]p of plates : ill., 1facsim, ports ; 24cm
Subject: FILMMAKING; INDUSTRY, FILM. USA; PRODUCERS. USA; PRODUCTION COMPANIES & STUDIOS. USA; PRODUCTION. USA; STAR SYSTEM; STUDIO SYSTEM; WARNER BROS.; BOGART, HUMPHREY; HUSTON, JOHN
Summary: "Few books offer as direct and intimate a portrait of the tumult, trauma and glory of making films as this fascinating collection. Culled from Warner Bros's voluminous files, these memos and letters recapture - from inspiration to filming, through fights and reconciliations - the creation of some of the most popular films ever made: Casablanca, Mildred Pierce, Yankee Doodle Dandy, The Maltese Falcon, Johnny Belinda, A Streetcar Named Desire and many, many more."--BOOK BLURB
Notes: California. Los Angeles. Hollywood. Cinema industries: Warner Brothers,. to 1951 (BNB/PRECIS) Originally published: New York : Viking, 1985 ; London : Weidenfeld and Nicolson, 1986. Includes index.
ISBN: 0297792423
Donation: donated by the family of Wayne Levy, 2006

Call No: 62 STA
Author: Staiger, Janet
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1992
PhysDes: xiv, 274 p. : ill. ; 25 cm
Subject: SPECTATORSHIP; AUDIENCES; ART CINEMA; AUTEUR THEORY; AUTHORSHIP; HOMOSEXUALITY IN FILMS; SOCIETY AND THE CINEMA; IDEOLOGY AND THE CINEMA; MODERNISM AND THE CINEMA; NARRATIVE IN FILMS; PARODY; RACIAL ISSUES AND THE CINEMA; BAHTIN, MIHAIL; BORDWELL, DAVID; DYER, RICHARD; HITCHCOCK, ALFRED; GRIFFITH, DAVID WARK; GARLAND, JUDY; FOOLISH WIVES (US, Erich Von Stroheim, 1922); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); ZELIG (US, Woody Allen, 1983); STAR IS BORN, A (US, George Cukor, 1954); UNCLE TOM'S CABIN (US, Edwin S. Porter, 1903); REAR WINDOW (US, Alfred Hitchcock, 1954)
Notes: Includes bibliographical references (p. [259]-269) and index
ISBN: 0691047979 (alk. paper); 0691006164 (pbk. : alk. paper)
LON: 8200386
URL status: URL: 'http://-' Checked: 31/08/2021 12:34:53 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 81ABR INT
Author: Dunham, Brent, (editor.)
Source: US
Place: The United States
Publisher: University Press of Mississippi
PubDate: 2019
PhysDes: xlviii, 182 pages ; 23 cm.
Series: Conversations with filmmakers series
Subject: DIRECTORS; PRODUCERS; SCRIPTWRITERS; USA; ABRAMS, J.J; LOST [TV] (US, 2004 -); LOST [TV], (US, 2004 -); MISSION IMPOSSIBLE III (US, J. J. Abrams. 2006); STAR TREK (US/G, J.J. Abrams, 2009); STAR TREK INTO DARKNESS (US, J.J.Abrams, 2013); STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015); SUPER 8 (US, J.J. Abrams, 2011)
Summary: "Jeffrey Jacob "J. J." Abrams (b. 1966) decided to be a filmmaker at the age of eight after his grandfather took him on the back-lot tour of Universal Studios. Throughout his career, Abrams has dedicated his life to storytelling and worked tirelessly to become one of the best-known and most-successful creators in Hollywood. The thirty interviews collected in this volume span Abrams's entire career, covering his many projects from television and film to video games and theater. The volume also includes a 1982 article about Abrams as a teen sensation whose short film High Voltage won the Audience Award at a local film festival and garnered the attention of Steven Spielberg. Beginning his career as a screenwriter on films like Regarding Henry and Armageddon, Abrams transitioned into a TV mogul with hit shows like Alias and Lost. Known for his imaginative work across several genres, from science fiction and horror to action and drama, Abrams's most successful films include Mission: Impossible III; Star Trek; and Star Wars: The Force Awakens, which went on to become the highest grossing film of all time in the United States. His production company, Bad Robot, has produced innovative genre projects like Cloverfield and Westworld. Abrams also cowrote a novel with Doug Dorst called S. and, most recently, he produced the Broadway run of The Play That Went Wrong. In conversations with major publications and independent blogs, Abrams discusses his long-standing collaborations with others in the field, explains his affinity for mystery, and describes his approach to creating films like those he gravitated to as a child, revealing that the award-winning director-writer-producer is a fan before he is a filmmaker."-- FROM BLURB.
Notes: Includes index, includes filmography, includes chronology.
ISBN: 9781496820426
Donation: Senses of Cinema
Contents: Beardless Wonders of Film Making - Robert Young/1982 -- From the Archives: J. J. Abrams Interview Regarding Superman - Ed Gross/2002 -- TV Producer J. J. Abrams on Creating Lost - David Bianculli/2004 -- J. J. Abrams - Mission: Impossible III - Peter Canavese/2006 -- Interview: J. J. Abrams and Michelle Monaghan - Clint Morris/2006 -- J. J. Abrams - George Stephanopoulas/2006 -- The Mystery Box - J. J. Abrams/2007 -- J. J. Abrams - Noel Murray/2008 -- Star Trek: J. J. Abrams Interview - John Hiscock/2009 -- J. J. Abrams Takes on a Soaring Franchise - Paul Fischer/2009 -- Star Trek: 3. J. Abrams Interview - Rob Carnevale/2009 -- J. J. Abrams - Charlie Rose/2009 -- Director of Star Trek: Into Darkness, Star Wars, and the Lost Finale - Paul Byrne/2009 J. J. Abrams Not Worried about Writer's Block on Fringe - Tyrone Warner/2010 -- An Interview with Super 8 Director J. J. Abrams - Matthew Pejkovic/2011 -- An Interview with J. J. Abrams, Director of Super 8 - Matthew Toomey/2011 -- Contents note continued: Interview: Super 8 Director J. J. Abrams! - Chris Eggertsen/2011 -- J. J. Abrams Talks Super 8, Bad Robot, Lens Flares, Lost, Spielberg, and the Mystery Box - Peter Sciretta/2011 J. J. Abrams: The "Super" Career of a Movie-Crazed Kid - Terry Gross/2011 J. J. Abrams Interview - Abbie Bernstein/2011 -- Interview: J. J. Abrams -Star Trek: Into Darkness - Iamag.co/2013 -- J. J. Abrams Interview for Star Trek: Into Darkness - John Hiscock/2013 -- Meet the Author: Jonathan Tropper, J. J. Abrams, and Doug Dorst - Jonathan Tropper/2013 -- J. J. Abrams: Hollywood's Renaissance Man - Horatia Harrod/2014 -- Believe: J. J. Abrams Interview UKTV/2014 -- Interview with J. J. Abrams - Andrew Fish/2015 -- J. J. Abrams: The Force Awakens Interview - Tara Salinas/2015 J. J. Abrams Talks 10 Cloverfield Lane, the "Clover-Verse," Cannibal Airlines, and More - Peter Sciretta/2016 J. J. Abrams Interview / Erik Nagel/2017.

Call No: 81CAM FOX
Author: Fox, Alistair
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: c2011
PhysDes: xii, 269 p. : ill. ; 23 cm
Subject: FILM; CAMPION, JANE; SWEETIE (AT, Jane Campion, 1989); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); HOLY SMOKE (US, Jane Campion, 1999); IN THE CUT (US/AT, Jane Campion, 2003); WATER DIARY THE (AT, Jane Campion, 2006); BRIGHT STAR (UK/AT/FR, Jane Campion, 2009)
Summary: "Alistair Fox explores the dynamics of the creative process involved in cinematic representation in the films of Jane Campion, one of the most highly regarded of contemporary filmmakers. Utilizing a wealth of new material -- including interviews with Campion and her sister and personal writings of Campion's mother -- Fox traces the connections between the filmmaker's complex background and the thematic preoccupations of her films, from her earliest short, Peel, to 2009's Bright Star. He establishes how Campion's deep investment in family relationships informs her aesthetic strategies, revealed in everything from the handling of shots and lighting, to the complex system of symbolic images repeated from one film to the next. " -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9780253223012
Contents: -- acknowledgments -- Introduction: authorship, creativity, and personal cinema -- Origins of a problematic: the Campion family -- The "tragic underbelly" of the family: fantasies of transgression in the early films -- Living in the shadow of the family tree: Sweetie -- "How painful it is to have a family member with a problem like that": authorship as creative adaptation in An angel at my table -- Traumas of separation and the encounter with the phallic other: The piano -- The misfortunes of an heiress: The portrait of a lady -- Exacting revenge on "cunt men": Holy smoke as sexual fantasy -- "That which terrifies and attracts simultaneously": Killing daddy in the cut -- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star -- Conclusion: theorizing the personal component of authorship -- motes -- works cited filmography -- index --

Call No: 753CAM TIN
Author: Tincknell, Estella
Source: UK
Place: Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2013
PhysDes: 139 pages : illustrated ; 22 cm
Series: The adaptation series
Subject: ADAPTATIONS; ADAPTATIONS. JAMES, HENRY; AUTEUR THEORY; AUTHORSHIP; DIRECTORS; FEMINISM AND THE CINEMA; GENRES; LITERATURE AND THE CINEMA; MYTH AND THE CINEMA; CAMPION, JANE; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); BRIGHT STAR (UK/AT/FR, Jane Campion, 2009); IN THE CUT (US/AT, Jane Campion, 2003); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); SWEETIE (AT, Jane Campion, 1989); TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)
Summary: "In Jane Campion and Adaptation Estella Tincknell presents a compelling analysis of the interplay between literature and cinema in relation to Campion's work. The text takes a distinct approach to understanding Campion's films, positioning them not simply as the work of a cinematic auteur, but as the culmination of a complex set of textual relationships and practices. In doing so, Tincknell argues persuasively that the director's use of adaptation goes well beyond the conventionally respectful approach to literary texts, opting instead for a playful, subversive and challenging re-imagining of the connections between literature, myth, cultural identity and cinema." -- PORTION OF BOOK BLURB
Notes: Contains bibliographic references and index -- list of illustrations included as looseleaf in front of book
ISBN: 9780230229006
Contents: -- pt. One Versions -- `A Jane Campion film': authorships and adaptations -- Collaborations, credibility, creativity -- Cultural value and the fidelity question -- `Adding to' not taking from: textual ontologies redux -- pt. Two Visions and Voices -- Multiple voices, different visions -- Gothic visions, feminine fables -- Shadow Males and Super Males -- Angels, fairies, demons -- Demythologising space and place -- Attending to the past -- pt. Three Genres -- Art cinema or feminist cinema? -- Re-articulating film genres one: the anti-heritage text - The Portrait of a Lady -- Playfulness and respect -- Costume drama, feminism and the `affect' of history -- Indexing the past -- Adapting the self -- Auditory affect, musical boxes -- Re-articulating film genres two: The Piano as melodrama -- Re-articulating film genres three: An Angel at My Table and the biopic - public lives, private selves -- From the margins to the centre - Bright Star as biopic -- Re-articulating film genres four: In the Cut's rewriting of film noir -- conclusion -- notes -- bibliography -- index --

Call No: 81SAY SHU
Author: Shumway, David R.
Source: US
Place: Urbana
Publisher: University of Illinois Press
PubDate: c2012
PhysDes: 182 p. : ill., ports. ; 22 cm
Series: Contemporary film directors
Subject: FILM; CRITICISM; REALISM IN FILMS; SAYLES, JOHN; RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980); LIANNA (US, John Sayles, 1983); BABY IT'S YOU (US, John Sayles, 1983); BROTHER FROM ANOTHER PLANET, THE (US, John Sayles, 1984); MATEWAN (US, John Sayles, 1987); [EIGHT] 8 MEN OUT (US, John Sayles, 1988); CITY OF HOPE (US, John Sayles, 1991); PASSION FISH (US, John Sayles, 1992); LONE STAR (US, John Sayles, 1996); MEN WITH GUNS (US, John Sayles, 1997); LIMBO (US, John Sayles, 1999); CASA DE LOS BABYS (US/MX, John Sayles, 2003); SILVER CITY (US, John Sayles, 2004); HONEYDRIPPER (US, John Sayles, 2007)
Summary: "In this study, David R. Shumway examines the defining characteristic of Sayle's cinema: its realism. Positing the filmmaker as a critical realist, Shumway explores Sayle's attention to narrative in critically acclaimed and popular films such as Matewan, Eight Men Out, Passion Fish and Lone Star. The study also details the conditions under which Sayle's films have been produced, distributed, and exhibited, affecting the way in which these films have been understood and appreciated. In the process, Shumway presents Sayles as a teacher who tells historically accurate stories that invite audiences to consider the human world they all inhabit." -- BOOK BLURB
Notes: Includes bibliographical references, filmography and index
ISBN: 9780252078569
Contents: -- acknowledgments -- John Sayles: critical realist -- John Sayles: independent -- John Sayles: realist -- Beginnings: return of the Secaucus seven -- Establishing a career -- Lianna and Baby it's you -- The brother from another planet and Springsteen videos -- Matewan -- Eight Men out -- Place and melodrama: city of hope and passion fish -- Stories -- Lone star -- Men with guns -- Limbo -- Millennial ZSayles -- Casa de los babys -- Silver city -- Honeydripper -- interviews with John Sayles -- filmography -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE; STAR WARS [...] (US, 1977-2015)
Author: Mason, Max
PhysDes: Clippings File Article
Subject: STAR WARS [...] (US, 1977-2015)
Summary: An article announcing the director for the next Star Wars movie, plan for release ion 2019. It is Colin Trevorrow. Article also talks about Disney purchasing the Star Wars rights and their plan for a Star Wars themepark.

Call No: 71(73) WIL; FOLIO
Author: Willoughby, Bob; Schickel, Richard
Place: New York
Publisher: Random House
PubDate: [1974]
PhysDes: 268 p. illus. 32 cm
Subject: USA; FROM HERE TO ETERNITY (US, Fred Zinneman, 1953); STAR IS BORN, A (US, George Cukor, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); MY FAIR LADY (US, George Cukor, 1964); MARNIE (US, Alfred Hitchcock, 1964); MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966); GRADUATE, THE (US, Mike Nichols, 1967); PETULIA (US, Richard Lester, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); LION IN WINTER, THE (UK, Anthony Harvey, 1968); CATCH 22 (US, Mike Nichols, 1970); KLUTE (US, Alan J. Pakula, 1971); COWBOYS, THE (US, Mark Rydell, 1972); CAINE MUTINY, THE (US, Edward Dmytryk, 1954); RAINTREE COUNTRY (US, Edward Dmytryk, 1957); GUYS AND DOLLS (US, Joseph L. Mankiewicz, 1955); MAN WITH THE GOLDEN ARM, THE (US, Otto Preminger, 1955); OCEAN'S ELEVEN (US, Lewis Milestone, 1960); GREAT RACE, THE (US, Blake Edwards, 1965); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969)
Notes: "A Ridge Press book."
ISBN: 039449380X
LON: 437365 437365

Call No: 210.1(540) SIP
Source: II
Place: Mumbai
Publisher: India Book House
PubDate: 2006
PhysDes: 246 p., [2] leaves of plates : ill. (chiefly col.) ; 27 cm
Subject: INDIA; BOLLYWOOD; STARS. INDIA; STAR SYSTEM; INDUSTRY, FILM. INDIA; PRODUCTION. INDIA; ACTORS. INDIA; DIRECTORS. INDIA
Summary: An exploration of how films are made in 'Bollywood' that uses interviews with famous stars and well known film workers in the industry during a few months of 2005 and 2006. The fictional characters Vijay and Ravi go through the process of making a Bollywood film, including screenwriting, the Bollywood star system, pre-production, marketing and promotion, and audience reception
Notes: 246 p., [2] leaves of plates : ill. (chiefly col.) ; 27 cm
ISBN: 8175084413
Donation: Alex Gionfriddo

Call No: SUBJECT CLIPPINGS FILE; SCREEN AUSTRALIA
Author: [Editorial]
PhysDes: Clippings File Article
Subject: SCREEN AUSTRALIA; ALIEN: COVENANT (US/AT/NZ/UK, Ridley Scott, 2017); THOR: RAGNAROK (US, Taika Waititi, 2017); STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Summary: Discussion on the difficulty the Australian film production industry faces in regards to blockbuster films from the USA and the recent budget cuts to Screen Australia and how that may impact the ability to tell Australian stories at the cinema

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings
Subject: LONE STAR (US, John Sayles, 1996)

Call No: 67(41) MOO
Author: Moore, Suzanne
Source: UK
Place: London
Publisher: Serpent's Tail
PubDate: 1991
PhysDes: ix, 305 pages ; 20 cm
Subject: CRITICISM; FEMINISM AND THE CINEMA; JAMES BOND IN FILMS; POPULAR CULTURE AND THE CINEMA; ALWAYS (US, Steven Spielberg, 1989); BIRD (US, Clint Eastwood, 1988); BLACK RAIN (US, Ridley Scott, 1989); BLUE STEEL (US, Kathryn Bigelow, 1989); BROKEN NOSES (US, Bruce Weber, 1987); CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); DEAD RINGERS (CN, David Cronenberg, 1988); DECLINE OF WESTERN CIVILISATION PART II: THE METAL YEARS, THE (US, Penelope Spheeris, 1988); DO THE RIGHT THING (US, Spike Lee, 1989); FAMILY VIEWING (CN, Atom Egoyan, 1987); FAREWELL TO THE KING (US, John Milius, 1989); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GOOD MOTHER, THE (US, Leonard Nimoy, 1988); JESUS OF MONTREAL (CN/FR, Denys Arcand, 1989); KAMIKAZE HEARTS (US, Juliet Bashore, 1986); KROTKI FILM O ZABIJANIU (PL, Krzysztof Kieslowski, 1988); LONGTIME COMPANION (US, Norman Rene, 1990); MADONNA: TRUTH OR DARE (US, Alek Keshishian, 1991); MARUSA NO ONNA (JA, Juzo Itami, 1987); PARIS BY NIGHT (UK, David Hare, 1989); PATTY HEARST (US, Paul Schrader, 1988); ROGER AND ME (US, Michael Moore, 1989); SCANDAL (UK, Michael Caton-Jones, 1989); SERPENT AND THE RAINBOW (US, Wes Craven, 1988); SHE-DEVIL (US, Susan Seidelman, 1989); SHE MUST BE SEEING THINGS (US, Sheila McLaughlin, 1987); SKIN DEEP (US, Blake Edwards, 1989); SLEEPING WITH THE ENEMY (US, Joesph Ruben, 1991); SOMETHING WILD (US, Jonathan Demme, 1986); STAR TREK V: THE FINAL FRONTIER (US, William Shatner, 1989); SWEETIE (AT, Jane Campion, 1989); TEENAGE MUTANT NINJA TURTLES (US, Steve Barron, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988); THIRTYSOMETHING [TV] (US, 1987-91); TIE ME UP! TIE ME DOWN! (SP, Pedro Almodovar, 1990) SEE ATAME!; TORCH SONG TRILOGY (US, Paul Bogart, 1988); TOTAL RECALL (US, Paul Verhoeven, 1990); TUCKER (US, Francis Ford Coppola, 1988); TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991); UNHOLY, THE (US, Camilio Vila, 1988); WAR OF THE ROSES, THE (US, Danny DeVito, 1989); WIRED (US, Larry Peerce, 1989); WORLD APART, A (UK, Chris Menges, 1988); BAUDRILLARD, JEAN; TARKOVSKY, ANDREI; WINDSOR, BARBARA
Summary: "In her articles and essays, Suzanne Moore takes a vitriolic look at the icons of modern life - post feminism, Baudrillard, Laura Ashley, Twin Peaks, the new man, safe sex, James Bond, a green planet. In her film reviews, she dissects the 'mega' filmmakers of our time - Steven Spielberg, Federico Fellini, Akira Kurosawa, Pedro Almodovar, Ken Russell and David Lynch. Definitely not 'one of the boys', Suzanne Moore's attitude to the good and famous is refreshing and irreverent." -Book blurb.
Notes: Contains bibliography
ISBN: 1852422424
Contents: Introduction -- Feminism -- Men: Men against men; Target man; The brothers grim; Toy soldiers or wicked willies; Prince; Torch Song tightrope; Here's looking at you, kid -- Women: Material girl; Hi, I'm Anneka - fly me; Green light spells danger; The odds of getting even; A call to underarms; Fatal fantasies; Happiness is a warm gun; Close-up as the cookie crumbles; Women who read too much; The great awakening; Modern romance; The merry life of Windsor -- Children: Hiding in the wardrobe; Hung-up on Father Christmas; Politics of choice; Birth and death; Maternal melodramas; Eternal childhood; Unhappy families; Heroes in a half-shell -- Fantasy -- Fear: Killjoy culture; Filming by numbers; The death of intimacy; To hell and back; Murder most foul; Electric shocks; Fag end; Soft soap -- Flesh: Good vibrations; Deviant laws; Everyday eroticism; One big act; A screw of convenience?; Missionary sex; The struggle for safe endings -- Faith: Kidnapped by the counter-culture; Sculpting in time; Playing Jesus by night; Nithing but the truth; Always a love story; Jazz junkie -- Power: Pleasure: Understimulation; And now for the news; Film slobs; The metal age; All night long; The money game; Mall-content?; Mini-politics: saying no in public; Belushi's last high; something to stay home about; Reach for the stars; Starship stories -- Politics: Political poison; Junk culture; Never really at home; A problem of identities; Brand loyalty; Sun rises in the east; You can't do the right thing all the time; Great expectations -- Populism: Postmodern paralysis; Britain's macho man; On the side of the man in the street; Against the sober grain -- Postmodernism: Politics of seduction; Getting a bit of the other - the pimps of postmodernism.
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LUCKY STAR (US, Frank Borzage, 1929)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: LUCKY STAR, THE (CN, Max Fischer, 1980)

Call No: TITLE CLIPPINGS FILE; ROGUE ONE: A STAR WARS STORY (US, Gareth Edwards, 2016)
Author: Johnson, Neala
PhysDes: Clippings
Subject: ROGUE ONE: A STAR WARS STORY (US, Gareth Edwards, 2016); MIKKELSEN, MADS
Summary: Neala Johnson interviews Mads Mikkelsen about his role in the new Star Wars film ROGUE ONE

Call No: 79STA WHI
Author: Whitfield, Stephen E.
Place: New York
Publisher: Ballantine
PubDate: 1968
PhysDes: 414 p., [64] p. of plates : ill. ; 18 cm
Subject: STAR TREK [TV] [...] (US, 1966-69, 1987-)
ISBN: 345026977125
Donation: donated by the family of Wayne Levy, 2006

Author: Bergroth, Trevor & Koller, Michael
PhysDes: Article
Subject: DOG STAR MAN (US, Stan Brakhage, 1961)
Summary: Film reviews

PhysDes: Article
Subject: STAR WARS : EPISODE I - THE PHANTOM MENACE (US, George Lucas, 1999)
Summary: Details of the US opening of "The phantom menace" as Fox prepares for the Australian opening.

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: MORNING STAR PAINTER, THE (AT,Curtis Levy, 1979)

Call No: 721.303.311 STR
Author: Stinger, Julian (ed.)
Source: UK
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: 276 p. : ill. ; 24 cm
Subject: BLOCKBUSTERS; INDUSTRY, FILM. USA; INDUSTRY, FILM. NEW ZEALAND; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. INDIA; INDUSTRY, FILM. KOREA; INDUSTRY, FILM. ARGENTINA; AWARDS. ACADEMY; SPIELBERG, STEVEN; CAMERON, JAMES; JAWS (US, Steven Spielberg, 1975); JAZZ SINGER, THE (US, Alan Crosland, 1927); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TITANIC (US, James Cameron, 1997); CONTACT (US, Robert Zemeckis, 1997); FUGITIVE, THE (US, Andrew Davis, 1993); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); STAR WARS (US, George Lucas, 1977)
Summary: Big-budget, spectacular films designed to appeal to a mass audience: is this what – or all – blockbusters are? Movie Blockbuster brings together leading film scholars to consider this most high-profile and culturally significant genre. Drawing on a range of critical perspectives, the book traces how and why the ‘even movie’ has played such a large role in popular imagination, tracing a path from the spectacles of the silent era to the effects-laden mega-hits of the digital age.
ISBN: 0415256097

Call No: 802.25 FIN; FOLIO
Author: Finler, Joel W. (Joel Waldo), 1938
Source: UK
Place: London
Publisher: Octopus Books
PubDate: 1985
PhysDes: 272 p. : ill. ; 33 cm
Subject: DIRECTORS; FILM WORKERS; HISTORY OF CINEMA; INDUSTRY, FILM. USA; STAR SYSTEM
Summary: "Since the earliest days of cinema, the director has combined and controlled all the elements of film-making. His status and independence have waxed and waned but he has always - rightly or wrongly - been credited with a film's success or blamed for its failure. Here is the absorbing account of 140 careers, ranging across the spectrum from studio work-horse to acknowledged genius. The famous director-star partnerships, such as Clarence Brown and Greta Garbo, John Ford and John Wayne, Josef von Sternberg, and Marlene Dietrich, Martin Scorsese and Robert de Niro are all here, as are the unknown but invaluable contract directors, the great innovators, the writer-directors and the rebels. Each entry is generously illustrated with pictures of the directors themselves, as well as scenes from their most characteristic movies. The selection has been made to give a has been made to give a varied and representative view of the director's contribution to the English speaking cinema in general and Hollywood in particular." [Taken from book jacket]
Notes: Includes indexes
ISBN: 0706422880
LON: 4458266 4458266

Call No: 451-02 MOR
Author: Mordden, Ethan, 1947
Place: New York
Publisher: St. Martin's Press
PubDate: 1983
PhysDes: xii, 296 p., [40] p. of plates : ports. ; 24 cm
Subject: WOMEN IN FILMS; STAR SYSTEM; ACTORS; BOW, CLARA; SWANSON, GLORIA; PICKFORD, MARY; GISH, LILLIAN; GAYNOR, JANET; SHEARER, NORMA; GARBO, GRETA; Crawford, Joan; LOY, MYRNA; GARSON, GREER; DIETRICH, MARLENE; HARLOW, JEAN; WEST, MAE; Lombard, Carole; DAVIES, MARION; BALL, LUCILLE; HEPBURN, KATHARINE; RUSSELL, ROSALIND; FAYE, ALICE; Stanwyck, Barbara; DAVIS, BETTE; TEMPLE, SHIRLEY; GARLAND, JUDY; TAYLOR, ELIZABETH; HAYWORTH, RITA; GRABLE, BETTY; GARDNER, AVA; MONROE, MARILYN; MANSFIELD, JAYNE; NOVAK, KIM; HOLLIDAY, JUDY; HEPBURN, AUDREY; DAY, DORIS; ANDREWS, JULIE; STREISAND, BARBRA; MINNELLI, LIZA; BERGMAN, INGRID; WELCH, RAQUEL; Keaton, Diane; FONDA, JANE; DRESSLER, MARIE; DUNNE, IRENE; LAWRENCE, FLORENCE; BARA, THEDA; MURRAY, MAE; MOORE, COLLEEN; ALLEN, GRACIE; BLONDELL, JOAN; TOMLIN, LILY
Notes: Includes index; Bibliography: p. [285]-289
ISBN: 0312550502 (pbk.); 0312550499
LON: 83003024; 2457302

Call No: F465.1 GRI
Author: Griffith, Richard
Source: US
Place: Garden City, N.Y.
Publisher: Doubleday & Co., Inc.
PubDate: 1970
PhysDes: 498 p. ; 32 cm
Subject: STARS; STAR SYSTEM; HISTORY OF CINEMA
ISBN: 0385023537

Call No: 409 ROS
Author: Rosenbaum, Jonathan
Place: Chicago
Publisher: A Capella
PubDate: 2000
PhysDes: v, 234 p. ; 24 cm
Subject: DISTRIBUTION; EXHIBITION; GLOBALISATION; AUDIENCES; American Film Institute; FESTIVALS; AUDIENCE RECEPTION; FESTIVALS. CANNES; NATIONAL IDENTITY AND THE CINEMA. US; MIRAMAX FILMS; BEST FILMS; BEST FILMS. US; CRITICISM; PERIODICALS, FILM; WELLES, ORSON; DANTE, JOE; BRESSON, ROBERT; EBERT, ROGER; WEINSTEIN, HARVEY; KIAROSTAMI, ABBAS; MASLIN, JANET; SMALL SOLDIERS (US, Joe Dante, 1998); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); STARSHIP TROOPERS (US, Paul Verhoeven, 1997); STAR WARS : EPISODE I - THE PHANTOM MENACE (US, George Lucas, 1999); TOUCH OF EVIL (US, Orson Welles, 1958)
Notes: Includes index
ISBN: 1556524064
LON: 21468355

Call No: 67(04) FAR
Author: Farber, Manny
Place: New York
Publisher: Hillstone
PhysDes: viii, 288 p., [18] of plates : ill. ; 21 cm.
Subject: ACTORS; EXPERIMENTAL FILMS; FESTIVALS. NEW YORK; UNDERGROUND FILMS; AGEE, JAMES; ALDRICH, ROBERT; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BOGARDE, DIRK; BOGART, HUMPHREY; BRESSON, ROBERT; BUNUEL, LUIS; BURTON, RICHARD; DENEUVE, CATHERINE; FONDA, HENRY; FORD, JOHN; FULLER, SAMUEL; GODARD, JEAN-LUC; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KAZAN, ELIA; MANN, ANTHONY; MOREAU, JEANNE; SIEGEL, DON; SNOW, MICHAEL; STEVENS, GEORGE; STURGES, PRESTON; TAYLOR, ELIZABETH; ASPHALT JUNGLE, THE (US, John Huston, 1950); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BIG CLOCK, THE (US, John Farrow, 1947); BIG SLEEP, THE (US, Howard Hawkes, 1946); BODY SNATCHER, THE (US, Robert Wise, 1945); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944); DETECTIVE STORY (US, William Wyler, 1951); FLAMING STAR (US, Don Siegel, 1960); HIGH SIERRA (US, Raoul Walsh, 1941); HIS KIND OF WOMAN (US, John Farrow, 1951); HIS GIRL FRIDAY (US, Howard Hawks, 1940); KILLERS, THE (US, Robert Siodmak, 1946); ODD MAN OUT (UK, Carol Reed, 1947); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); PICKUP ON SOUTH STREET (US, Samuel Fuller, 1953); PROWLER, THE (US, Joseph Losey, 1950); RED RIVER (US, Howard Hawks, 1948); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); SCAR OF SHAME, THE (US, Frank Peregini, 1927); SET-UP (US, Kathryn Bigelow, 1978); SKAMMEN (SW, Ingmar Bergman, 1968); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); SUNSET BOULEVARD (US, Billy Wilder, 1950); THIRD MAN, THE (UK, Carol Reed, 1949)
Notes: Includes index.; Orginally published as: Negative space

Call No: 750.1 AME
Author: Ames, Christopher, 1956
Place: Lexington, Ky.
Publisher: University Press of Kentucky
PubDate: c1997
PhysDes: ix, 254 p. : ill. ; 24 cm
Subject: FILMS IN FILMS; HOLLYWOOD IN FILMS; STAR IS BORN, A (US, William Wellman, 1937); STAR IS BORN, A (US, George Cukor, 1954); WHAT PRICE HOLLYWOOD (US, George Cukor, 1932); STAND-IN (US, Tay Garnett, 1937); BOY MEETS GIRL (US, Lloyd Bacon, 1938); STAR, THE (US, Stuart Heisler, 1952); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); PENNIES FROM HEAVEN (US, Herbert Ross, 1981); PURPLE ROSE OF CAIRO, THE (US, Woody Allen, 1985); LAST ACTION HERO (US, John McTiernan, 1993); BAD AND THE BEAUTIFUL, THE (US, Vincente Minnelli, 1952); IN A LONELY PLACE (US, Nicholas Ray, 1950); SUNSET BOULEVARD (US, Billy Wilder, 1950); PLAYER, THE (US, Robert Altman, 1992)
Summary: Hundreds of films belonging to the genre of Hollywood-on-Hollywood movies can be found throughout the history of American cinema, from the days of silents to the present. They include films from genres as far ranging as musical, film noir, melodrama, comedy, and action adventure. Such movies seduce us with the promise of revealing the reality behind the camera. But, as part of the very industry they supposedly critique, they cannot take us behind the scenes in any true sense. This paradox - the simultaneous debunking and celebration of Hollywood - lies at the heart of the genre. Through close analysis of the best of these films. Ames reveals how the idea of Hollywood is constructed (and constructs itself), particularly through such moments of explicit self-referentiality as the movie-within-a-movie and scenes set in studios
Notes: Includes filmography (p. 227); Includes bibliographical references (p. 238-244) and index
ISBN: 0813120187 (cloth : alk. paper)
LON: 12952826

Call No: 411.1(45) GUN
Author: Gundle, Stephen
Source: US
Place: New York
Publisher: Berghahn Books
PubDate: 2013
PhysDes: xii, 320 pages : illustrations ; 24 cm
Series: Berghahn on film.
Subject: FASCISM AND THE CINEMA. ITALY; STAR SYSTEM; DE SICA, VITTORIO; NAZZARI, AMEDEO; VALLI, ALIDA
Summary: Focused on the period from the start of sound cinema to the final end of Fascism in 1945, this book examines the development of an Italian star system and evaluates its place in film production and distribution. The performances and careers of several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari and Alida Valli, are closely analysed in terms of their relationships to the political sphere and broader commercial culture, with consideration of their fates in the aftermath of Fascism. A final shapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema.-- [Extract taken from the back of the book.]
Notes: Includes bibliographical references (pages 297-309) and index
ISBN: 9781782382447
Contents: Introduction -- Fascism, cinema and stardom. Italian cinema under fascism -- The creation of a star system -- Stars and commercial culture -- The public and the stars -- Italian stars of the Fascist Era. The national star: Isa Miranda -- The matine idol: Vittorio De Sica -- Everybody's fiance: Assia Noris -- The star as hero: Amedeo Nazzari -- The uniformed role model: Fosco Giachetti -- The photogenic beauty: Alida Valli -- The Duce's whim: Miria Di San Servolo -- The aftermath of stardom. Civil war, liberation and reconstruction -- Survival, memory and forgetting.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY KID'S A STAR [TV] (AT, 2008 -)

Call No: TITLE CLIPPINGS FILE; STAR TREK [TV] [...] (US, 1966-69, 1987-)
Author: Idato, Michael
PhysDes: Clippings File Article
Subject: STAR TREK [TV] [...] (US, 1966-69, 1987-)
Summary: A new Star Trek television series has been commisioned and which will launch in 2017.

PhysDes: Article
Subject: VIDEO CLASSICS; DISTRIBUTION. AUSTRALIA; VIDEO, FILMS ON. AUSTRALIA; UNITED INTERNATIONAL PICTURES; PARAMOUNT STUDIOS; UNIVERSAL PICTURES; UNITED ARTISTS; Metro-Goldwyn-Mayer; ROCKY III (US, Sylvester Stallone, 1982); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); THING, THE (US, John Carpenter, 1982); SHOGUN ASSASSIN (US, Robert Huston, 1980); GREASE 2 (US, Patricia Birch, 1982); POLTERGEIST (US, Tobe Hooper, 1982); URBAN COWBOY (US, James Bridges, 1980)
Summary: Article on deal struck between Video Classics and United International Pictures wherein Video Classics has exclusive rights to distributing numerous blockbusters on video in Australia through their VidAustralia outlet.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OCEAN STAR [TV] (AT, 2002)

Call No: 792(047.1) GEL
Author: Van Gelder, Peter
Place: London
Publisher: Aurum
PubDate: 1990
PhysDes: 288 p. : ill. ; 24 cm
Subject: FLYING HIGH II [; ANNIE HALL (US, Woody Allen, 1977); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BATMAN (US, Tim Burton, 1989); BEVERLY HILLS COP (US, Martin Brest, 1984); BONNIE AND CLYDE (US, Arthur Penn, 1967); BRIEF ENCOUNTER (UK, David Lean, 1945); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CARRY ON CLEO (UK, Gerald Thomas, 1964); CASABLANCA (US, Michael Curtiz, 1942); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); CITIZEN KANE (US, Orson Welles, 1941); CROCODILE DUNDEE (AT, Peter Faiman, 1986); DAM BUSTERS, THE (UK, Michael Anderson, 1955); DIRTY HARRY (US, Don Siegel, 1971); DUCK SOUP (US, Leo McCarey, 1933); EASY RIDER (US, Dennis Hopper, 1969); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EXORCIST, THE (US, William Friedkin, 1973); FANTASIA (US, Walt Disney, 1940); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); FRANKENSTEIN (US, James Whale, 1931); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GENEVIEVE (UK, Henry Cornelius, 1953); GODFATHER, THE (US, Francis Ford Coppola, 1972); GOLDFINGER (UK, Guy Hamilton, 1964); GONE WITH THE WIND (US, Victor Fleming, 1939); GRADUATE, THE (US, Mike Nichols, 1967); GREASE (US, Randal Kleisner, 1978); HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); HENRY V (UK, Laurence Olivier, 1944); HIGH NOON (US, Fred Zinnemann, 1952); HIGH SOCIETY (US, Charles Walters, 1956); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951); LAWRENCE OF ARABIA (UK, David Lean, 1962); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MALTESE FALCON, THE (US, John Huston, 1941); M*A*S*H (US, Robert Altman, 1969); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PINK PANTHER, THE (US, Blake Edwards, 1964); PSYCHO (US, Alfred Hitchcock, 1960); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); ROAD TO MOROCCO (US, David Butler, 1942); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SOME LIKE IT HOT (US, Billy Wilder, 1959); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAGECOACH (US, John Ford, 1939); STAR WARS (US, George Lucas, 1977); THIRD MAN, THE (UK, Carol Reed, 1949); TOOTSIE (US, Sydney Pollack, 1982); TOP HAT (US, Mark Sandrich, 1935); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmed
LON: bnc85410161; 7335916

Call No: 81 FIS MIZ
Author: Mizejewski, Linda; Zuk, Tanya D.
Edition: 2021
Place: Detroit, Michigan
Publisher: Wayne State University Press
PhysDes: xii, 306 pages : illustrated ; 23 cm
Series: Contemporary approaches to film and media series
Subject: FISHER, CARRIE; STAR WARS [...] (US, 1977-2015); FEMINISM AND THE CINEMA. USA; ACTORS
Summary: Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess Leia is the first full-length exploration of Carrie Fisher’s career as actress, writer, and advocate. Fisher’s entangled relationship with the iconic Princess Leia is a focal point of this volume. Editors Linda Mizejewski and Tanya D. Zuk have assembled a collection that engages with the multiple interfaces between Fisher’s most famous character and her other life-giving work. The contributors offer insights into Fisher as science-fiction idol, author, feminist inspiration, and Lucasfilm commodity. Jennifer M. Fogel examines the thorny "ownership" of Fisher’s image as a conflation of fan nostalgia, merchandise commodity, and eventually, feminist icon. Philipp Dominik Keidl looks at how Carrie Fisher and her iconic character are positioned within the male-centric history of Star Wars. Andrew Kemp-Wilcox researches the 2016 controversy over a virtual Princess Leia that emerged after Carrie Fisher’s death. Tanya D. Zuk investigates the use of Princess Leia and Carrie images during the Women’s March as memetic reconfigurations of historical propaganda to leverage political and fannish ideological positions. Linda Mizejewski explores Carrie Fisher’s autobiographical writing, while Ken Feil takes a look at Fisher’s playful blurring of truth and fiction in her screenplays. Kristen Anderson Wagner identifies Fisher’s use of humor and anger to challenge public expectations for older actresses. Cynthia Hoffner and Sejung Park highlight Fisher’s mental health advocacy, and Slade Kinnecott personalizes how Fisher’s candidness and guidance about mental health were especially cherished by those who lacked a support system in their own lives. Our Blessed Rebel Queen is distinct in its interdisciplinary approach, drawing from a variety of methodologies and theoretical frameworks. Longtime fans of Carrie Fisher and her body of work will welcome this smart and thoughtful tribute to a multimedia legend. -- publisher's web site
ISBN: 9780814346860

Call No: 19PAR EAM; FOLIO
Author: Eames, John Douglas, 1915
Source: UK
Place: London
Publisher: Octopus Books
PubDate: 1985
PhysDes: 368 pages : illustrations ; 33 cm
Subject: HISTORY OF CINEMA; INDUSTRY, FILM. USA; PRODUCTION CENTRES : HOLLYWOOD; PARAMOUNT STUDIOS; STAR SYSTEM
Summary: "The endless parade of Paramount hits, ranging from the first full-length film made in Hollywood - THE SQUAW MAN in 1913 - and the first winner of an Academy Award - WINGS in 1928 - to the blockbusters of the Eighties, and the blazing galaxy of Paramount stars, from Mary Pickford to Meryl Streep, Rudolph Valentino to Eddie Murphy, are fully documented in this indispensable book. Its lavish illustrations, in themselves a collection of collector's items, are an irresistable added attraction." [Taken from book jacket]
Notes: Includes indexes; Filmography: p. 323-344
ISBN: 0706420578
LON: 4496946 4496946
Contents: Preface and acknowledgements -- Introduction - the men who made Paramount --; 1916-1925: the best show in town -- 1926-1935: revolution and downfall -- 1936-1957: the mountain rises again -- 1958-1984: the big money --; The rest of 'the best shows in town' (1916-1925) -- Academy nominations and awards -- Index of films -- Index of personnel
ID2: 229

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PLAYING THE GAME: EPISODE 2 - AFRICA - BLACK STAR RISING (AT, Paul Du Cane, 2001)

Author: Durgnat, Raymond
PhysDes: Article
Subject: AUTEUR THEORY; AUTHORSHIP; AESTHETICS; STAR SYSTEM; FANS; CINEPHILIA; SPECTATORSHIP; AUDIENCE RECEPTION; AUDIENCES
Summary: Essay discusses the star system with regard to audience spectatorship: why some actors become stars and attract fanbases, in the cinema.

Call No: 62(04) POL
Place: Cambridge [England]
Publisher: Polity Press
PubDate: 1994
PhysDes: 307 p. ; 23 cm
Subject: POPULAR CULTURE AND THE CINEMA; CULTURE AND THE CINEMA; POSTMODERNISM AND THE CINEMA; MODERNISM AND THE CINEMA; SEMIOLOGY; STAR SYSTEM; COMMERCIALS, TV; CHILDREN AND THE CINEMA; SOAP OPERAS; MONROE, MARILYN; BARTHES, ROLAND; ADORNO, THEODOR W.; Baudrillard, Jean; SAUSSURE, FERDINAND DE; OMEN, THE (US, Richard Donner, 1976); EXORCIST, THE (US, William Friedkin, 1973)
Notes: Thirty papers; Includes bibliographical references and index
ISBN: 0745612075; 0745612083 (pbk.)
LON: bnb74561207; 10481206

Call No: 725.3 JAN
CorpAuthor: BFI Publishing
Place: London UK
Publisher: bfi Publishing
PubDate: 2003
PhysDes: 23 cm, 204 pp
Subject: NBC TELEVISION NETWORK; TELEVISION. UK; ELLEN [TV] (US, 1995-); STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); VIOLENCE ON TV; INTERNET AND TV
Summary: Why are some contemporary television shows so compelling? The Sopranos, Buffy the Vampire Slayer, Friends and ER are examples among many of a new era of the 'must-see' programme. These shows and others like The X-Files and Ally McBeal, have a compulsiveness, a depth of characterisation and 'back-story' that puts much of mainstream cinema to shame. Quality Popular Television examines this new category of mostly US-Produced 'cult' television and the reasons for its emergence. Looking at shows as diverse as Ally McBeak, Martial Law, Buffy, Lois and Clark, Star Trek: The Next Generation and Ellen, the book identifies the particular qualities necessary for success and how they relate to issues such as the economics of network scheduling, the growth of the internet and contemporary debates about television audiences. [Taken from back cover.]
ISBN: 0851709419

Call No: 749.4 BEN
Place: New York
Publisher: Routledge
PubDate: 2004
PhysDes: 242 p. ; 23 cm
Series: Routledge film readers
Subject: HOMOSEXUALITY IN FILMS; MUSICALS. USA; GARLAND, JUDY; UNDERGROUND FILMS; STAR TREK
Summary: "Brings together key writings that use queer theory to explore cinematic sexualities, especially those historically designated as gay, lesbian, bisexual and/or transgendered. The collection examines the relationship between cinematic representations of sexuality and their social, historical and industrial contexts." (Back cover)
Notes: Includes index: p.231-242; Select bibliography
ISBN: 0415319870

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RAINBOW BRITE AND THE STAR STEALER (US, Bernard Deyries, 1985)

Call No: 734.4 BER
Author: Bergman, Paul, 1943; Asimow, Michael
Place: Kansas City
Publisher: Andrews and McMeel
PubDate: c1996
PhysDes: xix, 338 p. : ill. ; 23 cm
Subject: TRIALS IN FILMS; ACCUSED, THE (US, Jonathan Kaplan, 1988); EVIL ANGELS (AT, Fred Schepisi, 1988); INHERIT THE WIND (US, Stanley Kramer, 1960); MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966); ONION FIELD, THE (US, Harold Becker, 1979); REVERSAL OF FORTUNE (US, Barbet Schroeder, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988); BILLY BUDD (UK, Peter Ustinov, 1962); BREAKER MORANT (AT, Bruce Beresford, 1980); CAINE MUTINY, THE (US, Edward Dmytryk, 1954); FEW GOOD MEN, A (US, Rob Reiner, 1992); PATHS OF GLORY (US, Stanley Kubrick, 1957); ADAM'S RIB (US, George Cukor, 1949); [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936); MY COUSIN VINNY (US, Jonathan Lynn, 1992); AND JUSTICE FOR ALL (US, Norman Jewison, 1979); COMPULSION (US, Richard Fleischer, 1959); IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993); LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937); PHILADELPHIA (US, Jonathan Demme, 1993); SOMMERSBY (US, Jon Amiel, 1993); TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962); YOUNG MR. LINCOLN (US, John Ford, 1939); MUSIC BOX (US, Constantin Costa-Gavras, 1989); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956); BOOMERANG (US, Elia Kazan, 1947); PRESUMED INNOCENT (US, Alan J. Pakula, 1990); THEY WON'T FORGET (US, Mervyn LeRoy, 1937); WRONG MAN, THE (US, Jim McBride, 1993); ANATOMY OF A MURDER (US, Otto Preminger, 1959); M (G, Fritz Lang, 1931); STAR CHAMBER, THE (US, Peter Hyams, 1983); SUSPECT (US, Peter Yates, 1987); TRIAL BY JURY (US, Heywood Gould, 1994); [TWELVE] 12 ANGRY MEN (US, Sidney Lumet, 1956); CLASS ACTION (US, Michael Apted, 1991); LOSING ISAIAH (US, Stephen Gyllenhaal, 1995); MIRACLE ON 34TH STREET (US, Les Mayfield, 1994); NUTS (US, Martin Ritt, 1987); VERDICT, THE (US, Sidney Lumet, 1982); WHOSE LIFE IS IT, ANYWAY? (US, John Badham, 1981); ALL THAT MONEY CAN BUY (US, William Dieterle, 1941); BLOOD OATH (AT, Stephen Wallace, 1990); HOUR OF THE PIG, THE (FR/UK, Leslie Megahey, 1993); YOUNG PHILADELPHIANS, THE (US, Vincent Sherman, 1959); LIBEL (UK, Anthony Asquith, 1959); KRAMER VS. KRAMER (US, Robert Benton, 1979); OX-BOW INCIDENT, THE (US, William Wellman, 1943); ON TRIAL (US, Terry Morse, 1939); I WANT TO LIVE! (US, Robert Wise, 1958); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); LET HIM HAVE IT (UK, Peter Medak, 1991); [TEN] 10 RILLINGTON PLACE (UK, Richard Fleischer, 1971); COURT-MARTIAL OF BILLY MITCHELL, THE (US, Otto Preminger, 1955); BANANAS (US, Woody Allen, 1971); MURDER IN THE FIRST (US, Marco Rocco, 1995); TRIAL (US, Mark Robson, 1955); GUILTY AS SIN (US, Sidney Lumet, 1993); JAGGED EDGE (US, Richard Marquand, 1985); LETTER, THE (US, William Wyler, 1940); KNOCK ON ANY DOOR (US, Nicholas Ray, 1949); WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957); ACT OF MURDER, AN (US, Michael Gordon, 1948); FURY (US, Fritz Lang, 1936); I CONFESS (US, Alfred Hitchcock, 1953); PLACE IN THE SUN, A (US, George Stevens, 1951); THEY WON'T BELIEVE ME (US, Irving Pichel, 1947)
Notes: Includes bibliographical references (p. [321]-326) and index
ISBN: 0836210352 (pbk.)
LON: 11957271

Call No: 71(41) GLE
Author: Gledhill, Christine
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2003
PhysDes: 214 p. ; 24 cm
Subject: UNITED KINGDOM; GENDER AND THE CINEMA. UK; CULTURE AND THE CINEMA. UK; THEATRE AND THE CINEMA. UK; STARS; STAR SYSTEM. UK; ACTORS. UK
Summary: Early British cinema examined in the context of British cultural traditions (pictorialism, theatricality and storytelling) as distinct from American or European perspectives. Examines the illuminating role cinema plays in the understanding of British culture, class and gender identity and social change.
Notes: Includes filmography, bibliography and index.
ISBN: 0 85170 889 7

Call No: TITLE STILL INTERNATIONAL
Source: AT
PhysDes: 1 photograph : b&w ; 25 x 20 cm
Subject: RETURN OF THE JEDI (US, Richard Marquand, 1983); RETURN OF THE JEDI (US, Richard Marquand, 1983) SEE ALSO: STAR WARS [...] (US, 1977-99); FISHER, CARRIE
Summary: Two publicity stills included in the one photograph. Top image is of Carrie Fisher in the role of Princess Leia being held captive by Jabba the Hutt. Bottom image is of a battle being fought around the Empire's new Death Star.
Notes: AFI sticker on the back of the photograph

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RHINOSKIN: THE MAKING OF A MOVIE STAR (US, Tod De Pree & Dina Marie Chapman, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [RISING STAR] (BL, Bruno Baretta, 1975)

Call No: 751.1(73) KEN
Author: Kennedy, Matthew
Place: Oxford ; New York
Publisher: Oxford University Press
PhysDes: x, 307 pages ; 25 cm
Subject: MUSICALS. USA; ANDREWS, JULIE; HARRISON, REX; STREISAND, BARBRA; CABARET (US, Bob Fosse, 1972); CAMELOT (US, Joshua Logan, 1967); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); DARLING LILI (US, Blake Edwards, 1970); [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967); FIDDLER ON THE ROOF (US, Norman Jewison, 1971); FUNNY GIRL (US, William Wyler, 1968); GOODBYE MR CHIPS (UK, Herbert Ross, 1969); HAPPIEST MILLIONAIRE, THE (US, Norman Tokar, 1967); HELLO, DOLLY! (US, Gene Kelly, 1969); MAN OF LA MANCHA (US/IT, Arthur Hiller, 1972); MY FAIR LADY (US, George Cukor, 1964); OLIVER (UK, Carol Reed, 1968); PAINT YOUR WAGON (US, Joshua Logan, 1969); SONG OF NORWAY (US, Andrew L. Stone, 1970); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAR (US, Robert Wise, 1968); SWEET CHARITY (US, Bob Fosse, 1969); THOROUGHLY MODERN MILLIE (US, George Roy Hill, 1967)
Summary: A study on the Hollywood musical of the late 1960's and how after the remarkable box office highs of The Sound of Music, musicals were generally financial and critical disappointments for a number of years.
ISBN: 9780199925674
Contents: Machine generated contents note: ch. 1 The Musical That Ate Hollywood -- ch. 2 "I, Too, Can Sing" -- ch. 3 The Animal Kingdom -- ch. 4 Movie Stars -- ch. 5 Smoke and Gold -- ch. 6 Over-Egg the Pudding -- ch. 7 Do Little -- ch. 8 Casting About -- ch. 9 Buying and Selling -- ch. 10 "Impossible to Control the Cost of This Gown" -- ch. 11 Battle of the Girls -- ch. 12 Delayed Adolescence -- ch. 13 The Paramount Bloodsuckers -- ch. 14 Goodbye, MGM -- ch. 15 Numbers -- ch. 16 "Magnificent Apathy" -- ch. 17 Acts of Faith -- ch. 18 The Impossible Dream

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ROCK STAR (US, Stephen Herek, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ROCK STAR: INXS [TV]

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: ROCKY STAR [TV] (AT, Steve Fearnley, Stephen Harrop, Andrew Traucki, 1993)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ROGUE ONE: A STAR WARS STORY (US, Gareth Edwards, 2016)
URL status: URL: 'http://file://Q:/T/STAR_WARS_ROGUE_ONE.zip' Checked: 31/08/2021 1:48:47 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIA
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: BOX OFFICE. AUSTRALIA; ROGUE ONE: A STAR WARS STORY (US, Gareth Edwards, 2016)
Summary: Report on the box office takings in Australia for Boxing Day (the biggest movie going day in Australia), with ROGUE ONE: A STAR WARS STORY dominating ticket sales, with animated films MOANA and SING performing strongly

Call No: 62(04)(73) HAR
Author: Harmetz, Aljean
Edition: First edition
Source: US
Place: New York
Publisher: Alfred A. Knopf
PubDate: 1983
PhysDes: xvii, 263 pages ; 22 cm
Subject: BOX OFFICE. USA; CABLE TV. USA; COLUMBIA PICTURES; INDUSTRY, FILM. USA; RATING FOR FILMS. USA; ARKOFF, SAMUEL; ASTAIRE, FRED; BURTT, BEN; DANIELS, ANTHONY; EASTWOOD, CLINT; FONDA, JANE; KASDAN, LAWRENCE; LANGE, JESSICA; LUCAS, GEORGE; NICHOLSON, JACK; Peckinpah, Sam; PICKFORD, MARY; RITT, MARTIN; Stanwyck, Barbara; WILDER, BILLY; ZUKOR, ADOLPH; STAR WARS (US, George Lucas, 1977)
Summary: "From one of the most admired and enjoyed writers on the subject of Hollywood, author of The Making of The Wizard of Oz, and for six years Los Angeles correspondent to The New York Times - her first collection of inside-the-movie-business pieces: interviews (from Jessica Lange, Jack Nicholson, and our Miss Rona, to Mary Pickford and Clint Eastwood); profiles (of the true intergalactic hero of the Star Wars trilogy, George Lucas; the last of the old true larger-than-life producers, Ray Stark; and the genius of B pictures, Sam Arkoff); and piercing in-depth reportage, clarifying and unscrambling the shake-ups and shake-down of current movie business" -Book blurb.
Notes: Many pages have rough edges
ISBN: 0394528867
Contents: Introduction -- Mary Pickford - America's (gothic) sweetheart -- Cocaine and Hollywood -- Ms. Rona: don't call her a gossip -- What price glory at Columbia -- Jack Nicholson - odd man out -- Hollywood's hot new screen writer -- Jessica Lange - film star whose future is here -- Rating the ratings -- Astaire at 80 -- The $110,000 blunder, or the man who couldn't work movie miracles -- ReCooping: the rise and fall and rise of a child star -- Peckinpah: "Man was a killer long before he served a god" -- The dime-store way to make movies -- How Hollywood decides if a film is a hit -- Reap the Wilder wind -- Fonda at Forty -- Video wars: Hollywood's corporate rollerderby -- The man with no name is a big name now -- How a Hollywood rumor was born, flourished, and died -- Barbara Stanwyck: still a golden girl -- Martin Ritt: survivor extraordinaire -- The anatomy of the sneak preview -- Today's hottest movie stars -- From A(dolph) to Z(ukor) -- The great and powerful wizard of Lucasfilm

Call No: 732(73) HAR
Author: Harvey, James, 1929
Edition: 1st ed
Source: US
Place: New York
Publisher: Knopf
PubDate: 1987
PhysDes: xii, 716 p. : ill. ; 25 cm
Subject: ACTORS; COMEDIES; DIRECTORS; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; Metro-Goldwyn-Mayer; ROMANTIC COMEDY; ROMANTIC FILMS. USA; PARAMOUNT STUDIOS; STAR SYSTEM; ARTHUR, JEAN; ASTAIRE, FRED; BRACKEN, EDDIE; CAGNEY, JAMES; CAPRA, FRANK; COLBERT, CLAUDETTE; COOPER, GARY; DUNNE, IRENE; GABLE, CLARK; GRANT, CARY; HARLOW, JEAN; HAWKS, HOWARD; LA CAVA, GREGORY; Lombard, Carole; LOY, MYRNA; LUBITSCH, ERNST; MCCAREY, LEO; MCCREA, JOEL; POWELL, WILLIAM; ROGERS, GINGER; Stanwyck, Barbara; STEVENS, GEORGE; STURGES, PRESTON; AWFUL TRUTH, THE (US, Leo McCarey, 1937); BRINGING UP BABY (US, Howard Hawks, 1938); [FIFTH] 5TH AVENUE GIRL (US, Gregory La Cava, 1939); HIS GIRL FRIDAY (US, Howard Hawks, 1940); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); LADY EVE, THE (US, Preston Sturges, 1941); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); NINOTCHKA (US, Ernst Lubitsch, 1939); PALM BEACH STORY, THE (US, Preston Sturgess, 1942); SHOP AROUND THE CORNER, THE (US, Ernst Lubitsch, 1940); TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932); UNFAITHFULLY YOURS (US, Preston Sturges, 1948)
Summary: "Reading ROMANTIC COMEDY is like going to the movies. It recreates for us movies we've come to love: movies the way they were when, in 1934, four in particular - IT HAPPENED ONE NIGHT, TWENTIETH CENTURE, THE THIN MAN, and THE GAY DIVORCEE - heralded the arrival of the golden age of Hollywood romantic ("screwball") comedy. Over the next ten years, some of Hollywood's brightest directors and stars turned out some of America's most enduring and beloved films. The screwballs - slangy, irreverent, playful, skeptical, and "powerfully, glamorously in love with love" - constitute a genre of American film unique in its combination of the innocent and the worldly, of swank and slapstick. Now critic James Harvey - writing with brilliance and humor - gives us the first truly comprehensive book about these movies and the people who made them." [Taken from book jacket]
Notes: Includes index
ISBN: 0394503392
LON: 5273661

Call No: 45:2 SCR
Author: Ostwalt, Conrad Eugene, 1959; Martin, Joel W., 1956
Place: Boulder
Publisher: Westview Press
PubDate: c1995
PhysDes: x, 193 p. ; 24 cm
Subject: MYTH AND THE CINEMA. USA; RELIGION AND THE CINEMA. USA; IDEOLOGY AND THE CINEMA. USA; DISASTERS IN FILMS; ALLEGORY IN FILMS; WOMEN IN FILMS; HERO IN FILMS; RACIAL ISSUES AND THE CINEMA; ALIENS IN FILMS; VIETNAM WAR IN FILMS; NINE 1/2 WEEKS (US, Adrian Lyne, 1986); PSYCHO (US, Alfred Hitchcock, 1960); BLOOD SIMPLE (US, Joel Coen, 1984); PLATOON (US, Oliver Stone, 1986); STAR WARS (US, George Lucas, 1977); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ROCKY (US, John G. Avildsen, 1976); IRONWEED (US, Hector Babenco, 1987); BLUE VELVET (US, David Lynch, 1986)
Notes: Includes bibliographical references (p. 161-182) and index
ISBN: 0813388295 (alk. paper); 0813388309 (pbk. : alk. paper)
LON: 11259176

Call No: TITLE CLIPPINGS FILE; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Summary: Review of the film STAR WARS: THE FORCE AWAKENS
Notes: same article published in Sunday Herald Sun, 20/12/2015 p. 87
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Summary: Report on the record box office takings for the latest STAR WARS film

Call No: TITLE CLIPPINGS FILE; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Summary: Report on the record box office takings for the latest STAR WARS film

Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIA
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: BOX OFFICE. AUSTRALIA; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Summary: Report on the box office takings in Australia around the Christmas period, with a focus on the new STAR WARS film, and comparision to other films that earned over $50m in Australia

Call No: TITLE CLIPPINGS FILE; ROGUE ONE: A STAR WARS STORY (US, Gareth Edwards, 2016)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: BOX OFFICE. AUSTRALIA; ROGUE ONE: A STAR WARS STORY (US, Gareth Edwards, 2016)
Summary: ROGUE ONE: A STAR WARS STORY has performed very strongly in Australian cinemas

Call No: SUBJECT CLIPPINGS FILE; STAR WARS [...] (US, 1977-2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: STAR WARS [...] (US, 1977-2015)
Summary: Looking at the strategy of the Disney company who are releasing a Star Wars related film on a yearly basis for the near future

PhysDes: Article
Subject: TRI-STAR PICTURES; WO DE FU QIN MU QIN (CC, Zhang Yimou, 1999); ROAD HOME, THE (CC, Zhang Yimou, 1999); XI ZAO (CC, Zhang Yang, 1999)
Summary: Columbia TriStar are pleased by the success of the first two films in their Silk Screen programme

Call No: 81LUC POL
Author: Pollock, Dale
Source: UK
Place: London
Publisher: Elm Tree
PubDate: 1983
PhysDes: xvi, 304 p., [16] p. of plates : ill., ports. ; 24 cm
Subject: AUTOMOBILES IN FILMS; DIRECTORS; LUCASFILM; PRODUCTION. USA; COPPOLA, FRANCIS FORD; LADD, ALAN, Jr.; TANEN, NED; LUCAS, GEORGE; AMERICAN GRAFFITI (US, George Lucas, 1973); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); STAR WARS (US, George Lucas, 1977); THX 1138 4EB (US, George Lucas, 1967)
Summary: "SKYWALKING is the story of one of the most creative visionaries in all film history. George Lucas was a typical Californian child of no great promise - he read comic books and watched TV; no one guessed that his imagination would inspire millions of people. Dale Pollock brilliantly tells the story of Lucas's legendary days at USCinema and his tangles with Francis Coppola and Universal Pictures. Pollock was one of the few reporters allowed on the set of RETURN OF THE JEDI, and he takes us behind the scenes of Lucas's movies. We find out how Artoo-Detoo got his name, how the Force came to be, and many other surprising revelations. Complete with photographs from Lucas's private collection, SKYWALKING is a powerful biography about a man who is setting the future course of film for years to come." [Taken from book jacket]
Notes: Also published: New York, N.Y. : Harmony, 1983; Includes bibliographical references and index; Filmography: p. 279-289
ISBN: 0241110343 : ª9.95
LON: abn84206746; 3369213

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SOLO: A STAR WARS STORY (US, Ron Howard, 2018)

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Lawson, Annie
Subject: SOUTHERN STAR
Summary: Southern Star sold its 63 per cent stake in the Duplitek DVD duplication business. It was 'a strong source of revenue, representing 43 per cent of group revenue and 40 per cent of Southern Star's assets.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: Neil Balnaves - Chrmn Southern Star. "Mr Balnaves said the market had become increasingly difficult for smaller players in the CD and DVD duplication business because of growing capital investment obligations and the need for a stronger global presence."

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: SOUTHERN STAR

Call No: held 1997-; SEE STAFF
CorpAuthor: Southern Star
Place: Sydney
PubDate: 1997-
Subject: SOUTHERN STAR

PhysDes: Article
Subject: SOUTHERN STAR
Summary: Southern Star has acquired exclusive rights to produce television programs from the libraries of China Central Television.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Souvenir programme (UK)
Subject: STAR (US, Robert Wise, 1968)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: STAR 80 (US, Bob Fosse, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR CHAMBER, THE (US, Peter Hyams, 1983)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: STAR, DARREN

Call No: S STA
Author: Roth, Eric; Cooper, Bradley; Fetters, Will
Source: US
Place: California
Publisher: Warner Bros. Pictures Inc.
PubDate: 2018
PhysDes: 137 pages, 30cm
Subject: STAR IS BORN, A (US, Bradley Cooper, 2018)
Notes: Unpublished script Based on the 1954 screenplay by Moss Hart and the 1976 screenplay by John Gregory Dunne & Joan Didion and Frank Pierson Based on a story by William Wellman and Robert Carson

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR IS BORN, A (US, George Cukor, 1954)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: STAR IS BORN, A (US, Frank Pierson, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR IS BORN, A (US, Bradley Cooper, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR KID (US, Manny Coto, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: STAR MAPS (US, Miguel Arteta, 1997)

Call No: 465 STA Copy 1
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1982
PhysDes: 83 p. ; 30 cm.
Subject: STAR SYSTEM; POLITICS AND THE CINEMA; FEMINISM AND THE CINEMA; THEORY; DUEL IN THE SUN (US, King Vidor, 1946)

Call No: 465.1 SHI
Author: Shingler, Martin
Source: UK
Place: London
Publisher: Palgrave Macmillan on behalf of the British Film Institute
PubDate: 2012
PhysDes: vi, 233 p. : ill. ; 19 cm
Series: BFI book published by Palgrave Macmillan
Subject: STAR SYSTEM; STARS; ACTORS; FANS; ADVERTISING FOR FILMS; CRITICISM; CRITICISM: METHODOLOGY OF FILM CRITICISM; DYER, RICHARD
Summary: Star Studies: A Critical Guide provides a lively introduction to the major approaches and key developments within this key area of film studies. It identifies a number of dominant themes, explains major theories, concepts and methodologies, and explores the diversity of approaches that have helped shape the international study of stars and stardom. Comparing the stars and star systems of Hollywood, Bollywood, China and many European countries, from the early-twentieth to the first decade of the twenty-first century, Martin Shingler considers the multiple functions of stars: as an elite workforce within the film industry, as actors and performers, as role models and cultural representatives, as icons and images, as transnational and national symbols, and as commodities. The scope of star studies is wide, historically and geographically, but this book helpfully focuses on salient features of the discipline, providing a cogent overview of star studies, while suggesting some useful avenues for further research. Published in the BFI Film Stars series, Star Studies provides an essential theoretical and historical companion to the individual star volumes in the series
Notes: "A BFI book." -- Includes bibliographical references (p. 186-219) and index
ISBN: 9781844574902
Contents: Machine generated contents note: 1.Star Studies: Mapping Out the Field of Star Scholarship Within Film Studies -- 2.Methods: Ways of Analysing Screen Performance -- 3.Star Quality: In Search of the Prerequisites For Stardom -- 4.Star Systems: The Mechanics of Star Production -- 5.Star Identities: From Image to Persona and Publicity to Gossip -- 6.Unstable Symbols: On the Representativeness of Film Star

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR SYSTEM

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR, THE (US, Timothy Reckart, 2017)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR TREK (US, Robert Wise, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR TREK (US/G, J.J. Abrams, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR TREK: BEYOND (US, Justin Lin, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: STAR TREK: DEEP SPACE NINE [TV] (US, 1993-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: STAR TREK: FIRST CONTACT (US, Jonathan Frakes, 1996)
ID2: 81

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR TREK [ GENERAL]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: STAR TREK GENERATIONS (US, David Carson, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982)

Call No: N79STA ROS
Author: Rotsler, William
Source: US
Place: London
Publisher: Ravette
PubDate: 1984
PhysDes: 126 p. ; 20cm
Subject: STAR TREK III: THE SEARCH FOR SPOCK (US, Leonard Nimoy, 1984)
ISBN: 0906710596
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: STAR TREK III: THE SEARCH FOR SPOCK (US, Leonard Nimoy, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR TREK: INSURRECTION (US, Jonathan Frakes, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR TREK INTO DARKNESS (US, J.J.Abrams, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: STAR TREK IV: THE VOYAGE HOME (US, Leonard Nimoy, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: STAR TREK: NEMESIS (US, Stuart Baird, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994)

Call No: S STA
Author: Lewin, Robert
PubDate: 1988
PhysDes: 56 p
Subject: STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: STAR TREK V: THE FINAL FRONTIER (US, William Shatner, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: STAR TREK VI: THE UNDISCOVERED COUNTRY (US, Nicholas Meyer, 1991)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR TREK VOYAGER

Call No: 79STA SAN
Author: Sansweet, Stephen J., 1945
Place: San Francisco
Publisher: Chronicle Books
PubDate: 1992
PhysDes: 131 p. : ill. (some col.) ; 26 cm
Subject: MEMORABILIA; MERCHANDISING; LUCAS, GEORGE; STAR WARS (US, George Lucas, 1977)
Notes: Includes bibliographical references (p. 128) and index
ISBN: 0811801012; 0811800962 (pbk.)
LON: 91044507; 8638755

Call No: 79STA LUC
Author: Lucas, George, 1945
Place: London
Publisher: Sphere
PubDate: 1977
PhysDes: 190p. : ports ; 18 cm
Subject: STAR WARS (US, George Lucas, 1977)
ISBN: 0722156685
LON: 2285330 2285330
Donation: donated by the family of Wayne Levy, 2006

PhysDes: Article
Subject: STAR WARS : EPISODE 1 - THE PHANTOM MENACE (US, George Lucas, 1999)
Summary: Outlines the opening of "Star Wars Episode 1 - the Phantom Menace" in Australia, including the premiere and box office. Compares the box office takings with "Titanic" and dicusses piracy.

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills
Subject: STAR WARS (US, George Lucas, 1977)

Call No: 79STA BRO
Author: Brooker, Will
Source: UK
Place: Basingstoke [England]
Publisher: Palgrave Macmillan
PubDate: 2009
PhysDes: 96 p. : col. ill. ; 19 cm.
Series: BFI film classics
Subject: LUCAS, GEORGE; STAR WARS (US, George Lucas, 1977)
Summary: Provides a close analysis of 'Star Wars' as a film and argues that it represented a continuation rather than a departure from Lucas' early experimental work. Brooker argues that Lucas is drawn both to the order and control of the Empire and the energy and creativity of the Rebels
Notes: Includes bibliographical references.
ISBN: 9781844572779
Contents: 1. Before Star Wars -- 2. Dirt -- 3. Order -- 4. Border Crossing

Call No: 81 STA GOL
Author: Golding, Dan
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2019
Subject: STAR WARS (US, George Lucas, 1977); LUCAS, GEORGE; MERCHANDISING; NOSTALGIA; WALT DISNEY PRODUCTIONS; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015); ROGUE ONE: A STAR WARS STORY (US, Gareth Edwards, 2016); STAR WARS: THE LAST JEDI (US, Rian Johnson, 2017); FRANCHISES; STAR WARS: REBELS
Summary: Focusing on The Force Awakens (2015), Rogue One (2016), The Last Jedi (2017), and the television series Rebels (2014–18), Dan Golding explores the significance of pop culture nostalgia in overcoming the skepticism, if not downright hostility, that greeted the Star Wars relaunch. In its granular textual readings, broad cultural scope, and insights into the complexities of the multimedia galaxy, this book is as entertaining as it is enlightening.
Notes: Includes bibliographical references and index.
ISBN: 9781517905422
Contents: Introduction: Star wars and the history of nostalgia Before the empire: the politics of George Lucas and the critique of the original trilogy It calls to you: selling Star wars in 2015 Look how old you've become: the force awakens as legacy film An awakening: diversity as the politics of the force awakens Just like old times?: music, seriality, and the fugue of the force awakens You have to start somewhere: contrasting nostalgias in the force awakens and rogue one You think anybody's listening?: fighting fascism in rogue one and rebels I've always hated watching you leave: death, Han Solo, and Carrie Fisher I will finish what you started: Star wars from the last jedi and beyond.

Call No: TITLE STILL INTERNATIONAL
Source: AT
PhysDes: 2 photographs : b&w ; 26 x 21 cm.
Subject: STAR WARS (US, George Lucas, 1977); FORD, HARRISON; FISHER, CARRIE; HAMILL, MARK
Summary: Photograph containing two film stills from the film Star Wars the upper image shows three figures Luke Skywalker, Hans Solo and Princess Leia Luke Skywalker and Hans Solo are holding weapons. The lower still shows robots (storm troopers) in a bright environment with one riding a big beast.
Notes: Photograph contains two film stills; Advesive sticker on the reverse; Images titled with "star wars special edition"

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: STAR WARS : EPISODE 1 - THE PHANTOM MENACE (US, George Lucas, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; CD-R Press kit
Subject: STAR WARS: EPISODE II - THE ATTACK OF THE CLONES (US, George Lucas, 2002)
ID2: 248

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; CD-Rom press kit
Subject: STAR WARS: EPISODE III - REVENGE OF THE SITH (US, George Lucas, 2005)
ID2: 248

Call No: TITLE CLIPPINGS FILE; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Summary: Snippet about the upcoming Star Wars film and the likelyhood it will be a box office smash

Call No: N79RET LEE
Author: Lee, Stan
Source: UK
Place: London
Publisher: Piccolo/Marvel
PubDate: 1983
PhysDes: 160 p : col. ill. ; 18 cm
Subject: STAR WARS (US, George Lucas, 1977); RETURN OF THE JEDI (US, Richard Marquand, 1983)
Notes: Stan Lee presents the Marvel Comics Illustrated version of 'Star Wars, Return of the Jedi', Lucasfilms Ltd, 1983
ISBN: 0330281313
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR WARS: REVELATIONS (US, Shane Flux, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR WARS : THE CLONE WARS (US, Dave Filoni, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR WARS: THE CLONE WARS [TV] (US, 2008-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR WARS: THE FORCE AWAKENS(AT, J.J. Abrams, 2015)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: STAR WARS: THE LAST JEDI (US, Rian Johnson, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR WARS: THE RISE OF SKYWALKER (US, J.J. Abrams, 2019)
Notes: Simon Strong import 9B

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR WARS: THE UNTOLD TALE (AT, Rob Baard, 2006)

Call No: 468 STA
Author: Gledhill, Christine
Source: UK
Place: London
Publisher: Routledge
PubDate: 1991
PhysDes: 340p. illus. : 24cm.
Subject: STAR SYSTEM; AESTHETICS; THEORY; WOMEN AND THE CINEMA; MEN AND THE CINEMA
Notes: Includes bibliography and index.
ISBN: 0415052181

Call No: 465 STA
Author: Gledhill, Christine (ed.)
Source: UK
Place: London
Publisher: Routledge
PubDate: 1991
PhysDes: 240 p. ; 24 cm.
Subject: STAR SYSTEM; AESTHETICS; THEORY; WOMEN AND THE CINEMA; MEN AND THE CINEMA
ISBN: 0415052181

Call No: 465.1 DYE
Author: Dyer, Richard; McDonald, Paul
Edition: New ed. / with a supplementary chapter and bibliography by Paul McDonald
Place: London
Publisher: BFI Pub.
PubDate: 1998
PhysDes: vi, 217 p. : ill. ; 24 cm
Subject: STARS; ACTING; STAR SYSTEM; FONDA, JANE
Notes: Includes bibliographical references and index
ISBN: 0851706436 (pbk.); 0851706487 (hbk.)
LON: abn87250535; 5470977

Call No: 465 MOR
Author: Morin, Edgar
Source: US
Place: New York; London
Publisher: Grove Press Inc.; John Calder Ltd.
PubDate: 1960
PhysDes: 189p. : illus. : 18cm.
Series: Evergreen profile book 7
Subject: STAR SYSTEM; SOCIETY AND THE CINEMA
Notes: Includes a list of chronilogical landmarks

Call No: 465 MOR
Author: Morin, Edgar
Source: US
Place: New York
Publisher: Grove Press
PubDate: 1960
Series: Evergreen profile book 7
Subject: STAR SYSTEM; STARS; CHAPLIN, CHARLES; DEAN, JAMES

Call No: 632.2 THO
Author: Thompson, Kristin
Edition: 1st ed.
Source: USA
Place: Cambridge, Massachusetts
Publisher: Harvard University Press
PubDate: 2003
PhysDes: 172 p ; 20cm + b&w ill.
Subject: ADAPTATIONS; ADVERTISING; CHARACTERS ON TV; DRAMAS; INTERNET; SCRIPTWRITING; SYMBOLISM ON TV; NARRATIVE IN FILMS; NARRATIVE IN TV; SEQUELS; SERIALS; SITUATION COMEDY; SOAP OPERAS; MERCHANDISING; BORDWELL, DAVID; CLEESE, JOHN; FROST MARK; KAEL, PAULINE; LYNCH, DAVID; NEWCOMB, HORACE; WILLIAMS, RAYMOND; WODEHOUSE, P.G; AVENGERS, THE [TV] (UK, 1961-69); BAD GIRLS [TV] (UK, 1999-); BLUE VELVET (US, David Lynch, 1986); BOB NEWHART SHOW, THE [TV] (US, 1961-62); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); HILL STREET BLUES [TV] (US, 1980-87); MURPHY BROWN [TV] (US, 1988-); ROYLE FAMILY, THE [TV] (UK, 1998-2000); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986); SOPRANOS, THE [TV] (US, 1999); STAR WARS (US, George Lucas, 1977); YES MINISTER [TV] (UK, 1980-84)
Summary: Author Kristin Thompson analyses the narrative workings of television and film, looking at the narrative techniques the two media share. Thomson then focuses on the specific challenges that series television presents and the tactics writers have devised to meet them – tactics that sustain interest and maintain sense across multiple plots and subplots and in spite of frequent interruptions as well as weeklong and seasonal breaks. [Taken from back cover].
ISBN: 0674010876

Call No: 735.1
Author: Johnson, Catherine
Source: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2005
Series: 181 p ; 23 cm
Subject: TELEVISION. UK; PRISONER, THE [TV] (UK, 1967-1968); STAR TREK; STAR TREK [TV] [...] (US, 1966-69, 1987-); X-FILES, THE [TV] (US, 1993-); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004)
Summary: Telefantasy offers the first book-length study to consider the place of fantasy, science-fiction and horror dramas in the history of British and US television. Looking at two periods (the 1950s and the 1960s and the 1990s through to the 2000s) when telefantasy has been particularly prevalent on television, this book provides detailed historical accounts of the production of key "telefantasy" programmes: the Quatermass serials, The Prisoner, Star Trek, The X-Files, Buffy the Vampire Slayer, and Randall and Hopkirk (Deceased). [Taken from back cover].
ISBN: 184570762

Call No: 720 TEL
Author: Creeber, Glen; Miller, Toby; Tulloch, John
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xi, 163 p. : ill., ports. ; 25 cm
Subject: PROGRAMME GENRES; DRAMAS; SOAP OPERAS; CHILDREN, PROGRAMMES FOR; NEWS PROGRAMMES; DOCUMENTARIES; ADAPTATIONS. AUSTEN, JANE; SOAP OPERAS; SITUATION COMEDY; HOMOSEXUALITY ON TV; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); SIMPSONS, THE [TV] (US, 1989-); SOUTH PARK [TV] (US, 1997-); I LOVE LUCY [TV] (US, 1951-57); ROSEANNE [TV] (US, 1988- ); ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996); WILL & GRACE[TV] (US, 1998-); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); DALLAS [TV] (US, 1978-91); COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991); ALLY MCBEAL [TV] (US, 1997-); AVENGERS, THE [TV] (UK, 1961-69); HILL STREET BLUES [TV] (US, 1980-87); E.R. [TV] (US, 1994 - ); STAR TREK [TV] [...] (US, 1966-69, 1987-); X-FILES, THE [TV] (US, 1993-); CATHY COME HOME (UK, Ken Loach, 1966); DAY AFTER, THE (US, Nicholas Meyer, 1983); ROOTS [TV] (US, 1977); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986)
Notes: Includes bibliographical references and index
ISBN: 0851708498(pbk.)

Call No: 79 STA BAC
Author: Baker, Djoymi
Edition: 2018
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2018
PhysDes: 298 pages ; illustrated ; 23cm
Subject: STAR TREK; STAR TREK (US/G, J.J. Abrams, 2009); STAR TREK [ GENERAL]; STAR TREK [TV] [...] (US, 1966-69, 1987-); STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994); STAR TREK GENERATIONS (US, David Carson, 1994); STAR TREK: DEEP SPACE NINE [TV] (US, 1993-); STAR TREK VOYAGER
Summary: Today's media, cinema and TV screens are host to new manifestations of myth, their modes of storytelling radically transformed from those of ancient Greece. They present us with narratives of contemporary customs and belief systems: our modern-day myths. This book argues that the tools of transmedia merchandising and promotional material shape viewers' experiences of the hit television series Star Trek, to reinforce the mythology of the gargantuan franchise. Media marketing utilises the show's method of recycling the narratives of classical heritage, yet it also looks forward to the future. In this way, it reminds consumers of the Star Trek story's ongoing centrality within popular culture, whether in the form of the original 1960s series, the later additions such as Voyager and Discovery or J. J. Abrams' `reboot' films. Chapters examine how oral and literary traditions have influenced the series structure and its commercial image, how the cosmological role of humanity and the Earth are explored in title sequences across various Star Trek media platforms, and the multi-faceted way in which Internet, video game and event spin-offs create rituals to consolidate the space opera's fan base. Fusing key theory from film, TV, media and folklore studies, as well as anthropology and other specialisms, To Boldly Go is an authoritative guide to the function of myth across the whole Star Trek enterprise. -- publisher's web site
ISBN: 9781788310086
Contents: Introduction -- Chapter 1: Myth & Early US TV -- Chapter 2: The New Mythology -- Chapter 3: Star Trek Title Sequences As Cosmology -- Chapter 4: Fans, Bards, & Rituals -- Conclude… Then Reboot

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TONIGHT SHOW WITH JAY LENO, THE [TV] (US, Star Price, 1992)

Subject: STAR TREK
Summary: Article on the latest Star Trek convention with guest George Takai in Brisbane

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: TRI-STAR PICTURES

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: UOMO DELLE STELLE, L' (IT, Giuseppe Tornatore, 1995); STAR MAKER, THE (IT, Giuseppe Tornatore, 1995)
ID2: 81

Author: Stewart, Clare
PhysDes: Review; Bibliography; Credits
Subject: DANA, VIOLA; VI: PORTRAIT OF A SILENT FILM STAR (US, Anthony Slide, 1986)

Call No: DVD RESEARCH FOLDER
Author: Hanrahan, John
Subject: SOUTHERN STAR
Summary: "Southern Star Duplitek believes the demand for video recordings is strong in Australia and will remain viable for at least five years."
Notes: accessed from: Expanded Academic ASAP. Thomson & Gale. RMIT University Library. (7 May 2007).

Call No: 79 STA WIL
Author: Rotsler, William
Source: US
Place: Bath
Publisher: Swift Children's
PubDate: 1984
PhysDes: 117 p. ; 20cm
Series: Plot it yourself adventure stories
Subject: STAR TREK III: THE SEARCH FOR SPOCK (US, Leonard Nimoy, 1984)
Notes: Adventure games. - For children (BNB/PRECIS) Originally published: London : Ravette, 1984. Based on Star trek III: the search for Spock / Vonda N. McIntyre
ISBN: 090671060X
Donation: donated by the family of Wayne Levy, 2006

Call No: 465 HAR
Author: Harvey, James
Source: US
Place: New York
Publisher: Faber and Faber, Inc., an affiliate of Farrar, Straus and Giroux
PubDate: 2014
PhysDes: xiii, 380 pages : illustrations ; 24 cm
Subject: STAR SYSTEM; STARS; ACTORS; CELEBRITIES IN FILMS
Summary: Demystifying the "star presence" in cinema, this provocative look at how aura is communicated in movies throughout history celebrates the actors and directors who have particularly conveyed a feeling of transcendence including Marlene Dietrich, John Wayne, Robert De Niro and Roberto Rossellini.
Notes: Includes bibliographic references and index
ISBN: 9780571211975
Contents: Part One: Icons -- Garbo -- Dietrich and Sternberg -- Bergman and Selznick -- Wayne and Ford -- Davis and Wyler -- Charles Laughton --; Part Two: Realists -- Robert De Niro -- Altman's Nashville -- Jackie Brown and Others -- Godard's Close-ups --; Part Three: Transcenders -- Bergman and Rossellini -- Dreyer's Heroines -- Balthazar

Call No: 802.24 NOR
Author: Marc Norman
Edition: 2008
Place: London
Publisher: Aurum
PubDate: 2007
PhysDes: 554 pages : illustrations ; 25 cm
Subject: ACADEMY AWARDS; BLACKLISTING. USA; BEATTY, WARREN; BOGART, HUMPHREY; BRANDO, MARLON; CHAYEFSKY, PADDY; COLUMBIA PICTURES; COPPOLA, FRANCIS FORD; DEMILLE, CECIL B.; EDISON, THOMAS ALVA; FITZGERALD, F. SCOTT; GOLDWYN, SAMUEL; GRIFFITH, DAVID WARK; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; HITCHCOCK, ALFRED; HUSTON, JOHN; JONZE, SPIKE; KEITEL, HARVEY; KOCH, HOWARD; KUBRICK, STANLEY; LARDNER, RING, Jr.; LOOS, ANITA; MANKIEWICZ, HERMAN J.; MANKIEWICZ, JOSEPH L.; MILIUS, JOHN; NICHOLSON, JACK; PENN, ARTHUR; PORTER, EDWIN S.; SCHRADER, PAUL; SOUTHERN, TERRY; SPIELBERG, STEVEN; STEWART, DONALD OGDEN; TARANTINO, QUENTIN; WEINSTEIN, HARVEY; ZANUCK, DARRYL F.; ZUKOR, ADOLPH; AMERICAN GRAFFITI (US, George Lucas, 1973); ALTERED STATES (US, Ken Russell, 1980); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BONNIE AND CLYDE (US, Arthur Penn, 1967); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); EASY RIDER (US, Dennis Hopper, 1969); INFORMER, THE (US, John Ford, 1935); RAIN PEOPLE, THE (US, Francis Ford Coppola, 1969); STAR WARS (US, George Lucas, 1977)
ISBN: 9781845133245

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHITE STAR (GW, Roland Klick, 1985 [prod. 1983])

Call No: 205.26 WHO
Author: Knight, Rhonda; Quist, Donald
Edition: 2022
Place: Jefferson, North Carolina
Publisher: McFarland & Company, Inc., Publishers
PubDate: 2022
PhysDes: vi, 258 pages ; 23 cm
Subject: FRANCHISES; STAR WARS [...] (US, 1977-2015); MARVEL; GODZILLA IN FILMS; STAR TREK [TV] [...] (US, 1966-69, 1987-)
Summary: Fans and the billion-dollar franchises in which they participate have together become powerful agents within popular culture. These franchises have launched avenues for fans to expand and influence the stories that they tell. This book examines those fan-driven narratives as “wilderness texts,” in which fans use their platforms to create for themselves while also communicating their visions to the franchises, thus spurring innovation. The essays in this collection look at how fans intervene in the production of mass media. Scholars analyze the negotiations between fan desires for both novelty and familiarity that franchises must maintain in order to achieve critical and commercial success. Applying varying theoretical approaches to discussions of fan responses to franchises, including Star Wars, Marvel, Godzilla, Firefly, The Terminator, Star Trek, DC, and The Muppets, these essays provide insight into the ever-changing relationships between fandom and transmedia storytelling. -- publisher's web site
ISBN: 9781476684154
Contents: We Want the Wilderness: A Preface / Donald Quist and Rhonda Knight -- An Introduction to Fans and Franchises: Essays on the Changing Landscape of Fandom / Donald Quist and Rhonda Knight with John E. Price Section One: Fans and Canon -- The¬Pedler-Davis Legacy: Cybermen in the Doctor Who Wilderness / Rhonda Knight -- The Wild Canon: Examining the Slash Impact in Roddenberry’s Star Trek / Danielle S. Girard -- A Hero Divided: The Fractured Narrative Arc of Luke Skywalker in the Star Wars Expanded Universe (1977–2014) / Jonathan Hay Section Two: Franchises and Fans -- “What we make of it”: Terminator Salvation and the Neglect of Core Franchise Themes / Camilo Peralta -- Whose Godzilla? Rethinking the King of Monsters Through the Films / Joe Yang -- Where Auteur Fails: Zack Snyder and the Author-Function / Hannah Taylor -- The Scraps of DC: Media Ownership, Film Economics and the Arrowverse / Tim Posada -- Reminders of Life’s Impermanence: Death, Endings and Closure in Logan and Avengers: Infinity War / Mike Hernandez Section Three: Fan Responses -- “Take me out to the black”: Firefly, Fanfiction and the (Re)Making of Modern Myths / Jim Casey and Nicola Rene Govocek -- You Always Spoof the One You Love: Thirty Years of Professional Take-Offs on The Muppet Show / Jonathan Hartmann -- “We, the fans of Star Wars”: Negotiating Resistance in an Age of Consumption / Joseph S. Walker -- Fans, Franchises and Cultural Production: What The Hobbit and Disney’s Star Wars Tell Us About the Internet and Media Entertainment Culture / Zachary Sheldon About the Contributors -- Index

Call No: TITLE CLIPPINGS FILE; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: INDUSTRY, FILM. AUSTRALIA; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Summary: Overview of 2015 in Australian cinemas, with a focus on the popularity of STAR WARS: THE FORCE AWAKENS

Call No: TITLE CLIPPINGS FILE; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Author: Hall, Sandra
PhysDes: Clippings File Article
Subject: STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Summary: Review of the film STAR WARS: THE FORCE AWAKENS
Rating: 4 out of 5 stars

Call No: 79STA GER
Author: Gerrold, David, 1944
Place: New York
Publisher: Ballantine
PubDate: [c1973]
PhysDes: 276 p. : illus. ; 18 cm
Subject: STAR TREK [TV] [...] (US, 1966-69, 1987-)
ISBN: 0345249380
Order Received: 2000
Order Type: Donation
LON: 136416

Call No: 632.43 VOG
Author: Vogler, Christopher, 1949
Edition: 2nd rev. ed
Place: London
Publisher: Pan
PubDate: 1998
PhysDes: xxiii,326 p. ; 22 cm
Subject: SCRIPTWRITING; MYTH AND THE CINEMA; BEVERLY HILLS COP (US, Martin Brest, 1984); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); LION KING, THE (US, Roger Allers & Rob Minkoff, 1994); OFFICER AND A GENTLEMAN, AN (US, Taylor Hackford, 1982); PULP FICTION (US, Quentin Tarantino, 1994); ROMANCING THE STONE (US, Robert Zemeckis, 1984); COMEDIES; STAR WARS (US, George Lucas, 1977); TITANIC (US, James Cameron, 1997); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Notes: This ed. originally published: London: Boxtree, 1996; Bibliography: p302. - Includes index
ISBN: 0330375911(pbk.) : ª14.99
LON: 14527333