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Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Call No: 753(510) DEP
Author: Deppman, Hsiu-Chuang
Source: US
Place: Honolulu
Publisher: University of Hawai'i Press
PubDate: c2010
PhysDes: viii, 243 p. : ill. ; 23 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; LITERATURE AND THE CINEMA. CHINA; CITY OF SADNESS, A [; CHINA IN FILMS; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); WO HU ZANG LONG (HK, Ang Lee, 2000); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991) SEE DAHONG DENGLONG GAOGAO GUA; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); RED ROSE WHITE ROSE (HK/TZ, Stanley Kwan, 1994) SEE HONG MEI GUI BAI MEI GUI; HONG MEI GUI BAI MEI GUI (HK/TZ, Stanley Kwan, 1994); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000) SEE FA YEUNG NIN WA; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); LITTLE CHINESE SEAMSTRESS (FR, Dai Sijie, 2002) SEE BALZAC ET LA PETITE TAILLEUSE CHINOISE; BALZAC ET LA PETITE TAILLEUSE CHINOISE (FR, Dai Sijie, 2002); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986) SEE TONG NIEN WANG SHI; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); PERSONALS, THE (TW, Kuo-fu Chen, 1998) SEE ZHENG HUN QI SHI; ZHENG HUN QI SHI (TW, Kuo-fu Chen, 1998)
Summary: "This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Delving equally into the individual approaches of directors and writers, Hsiu-Chuang Deppman initiates readers into the exciting possibilities emanating from the world of Chinese cinema. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the U.S. and Europe and reflect the growing international resources of Chinese-language cinema." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. 215-233) and index
ISBN: 9780824834548
Donation: donated by Senses of Cinema 2013
Contents: -- acknowledgments -- introduction -- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern -- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose -- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love -- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress -- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die -- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals -- conclusion -- notes -- bibliography -- selected filmography -- index --

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIA. 2010's
Author: Hawker, Philippa
PhysDes: Clippings File Article
Subject: AUSTRALIA; LOOKING FOR GRACE (AT, Sue Brooks, 2015); DAUGHTER, THE (AT, Simon Stone, 2015); SHERPA (AT/NP, Jennifer Peedom, 2015); MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015); GOLDSTONE (AT, Ivan Sen, 2016); JASPER JONES (AT, Rachel Perkins, 2017); LION (AT, Garth Davis, 2016); RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Summary: Snippets on a number of Australian films that are scheduled to be released in cinemas in 2016

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED BEARD [AKAHIGE] (JA, Akira Kuroawa, 1965)

Call No: 409(73) AME
Author: O'Connor, John E; Jackson, Martin A
Place: New York
Publisher: Ungar
PubDate: c1979
PhysDes: xxix, 290 p. : ill. ; 22 cm
Subject: NATIONAL IDENTITY IN FILMS. USA; NATIONAL CULTURE AND THE CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLACK CINEMA. US; WORKING CLASS IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; HISTORICAL FILMS. USA; WORLD WAR II FILMS. USA; HISTORY AND THE CINEMA. USA; STEAMBOAT ROUND THE BEND (US, John Ford, 1935); SCAR OF SHAME, THE (US, Frank Peregini, 1927); PUBLIC ENEMY, THE (US, William Wellmen, 1931); WAY DOWN EAST (US, David Wark Griffith, 1920); BIG PARADE, THE (US, King Vidor, 1925); DRUMS ALONG THE MOHAWK (US, John Ford, 1939); MISSION TO MOSCOW (US, Michael Curtiz, 1943); BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946); RED RIVER (US, Howard Hawks, 1948); VIVA ZAPATA (US, Elia Kazan, 1952); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); BONNIE AND CLYDE (US, Arthur Penn, 1967); ROCKY (US, John G. Avildsen, 1976)
Notes: Includes index; Bibliography p. 279-282
ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95
LON: 1282547

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. PARK CITY. SUNDANCE. 2017
Author: Westwood, Christine
PhysDes: Clippings File Article
Subject: FESTIVALS. PARK CITY. SUNDANCE; BERLIN SYNDROME (AT, Cate Shortland, 2017); KILLING GROUND (AT, Damien Power, 2016); RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016); ORBITAL VANITAS (AT, Shaun Gladwell, 2017)
Summary: Report on a number of Australian films showing at the 2017 Sundance Film Festival, including; BERLIN SYNDROME, KILLING GROUND, RED DOG: TRUE BLUE, CASTING JONBENET, short film SLAPPER, and virtual reality film ORBITAL VANITAS

Call No: 246(94) TOR
Author: Torre, Dan; Torre, Lienors
Edition: 2018
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PhysDes: xii, 260 pages : illustrated ; 22 cm
Subject: ANIMATED FILMS. AUSTRALIA; ANIMATION. AUSTRALIA; FELIX THE CAT; PORTER, ERIC; HANNA-BARBERA; MCLAREN ANGUS; PETTY, BRUCE; STITT, ALEX; TUPICOFF, DENNIS; MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972); DOT AND THE KANGAROO (AT, Yoram Goss, 1977); GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981); LOST THING, THE (AT/UK, Andrew Ruhemann/Shaun Tan, 2010)
Summary: This book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide-range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variety of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews this book illuminates, for the first time, the breadth and richness of Australia’s animation history. -- publisher's web site
ISBN: 9783319954912

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAD MOON (US, Eric Red, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED WIND, THE [BADE SORKH] (IR, Ali Mohammad Ghasemi, 2002)

Call No: TITLE CLIPPINGS FILE
Subject: BEACH RED (US, Cornel Wilde, 1968)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEACH RED (US, Cornel Wilde, 1968)

Call No: TITLE CLIPPINGS FILE; LA TORTUE ROUGE, LA [RED TURTLE, THE] (JP/FR/BE, Michael Dudok de Wit, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: RED TURTLE, THE [TORTUE ROUGE, LA] (JP/FR/BE, Michael Dudok de Wit, 2016)
Summary: Review of the film THE RED TURTLE aka LA TORTUE ROUGE
Notes: similar article in The Age. Title: Beautifully drawn, but wordless tale slow as a turtle. same date, page 15.
Rating: 2.5 out of 5 stars

Call No: 67(04) BES
Place: New York
Publisher: St. Martin's
PubDate: 1999
PhysDes: 280 p.
Subject: WOMEN IN FILMS; RELIGION AND THE CINEMA; ADAPTATIONS; HISTORY OF CINEMA. SOUND PERIOD; ETHNIC GROUPS IN FILMS; GAZE IN FILMS; FAMILY IN FILMS; WAR FILMS; BOORMAN, JOHN; FRANKENHEIMER, JOHN; SINATRA, FRANK; FORD, JOHN; THOMPSON, KAY; YASUJIRO OZU; MANGOLD, JAMES; RISKIN, ROBERT; SPIELBERG, STEVEN; SCORSESE, MARTIN; SARRIS, ANDREW; MCCAREY, LEO; BOGDANOVICH, PETER; CAPRA, FRANK; VIDAL, GORE; DOVE, BILLIE; GRANT, CARY; BURNETT, CHARLES; HAPPINESS (US, Todd Solondz, 1998); SEARCHERS, THE (US, John Ford, 1956); EVE'S BAYOU (US, Kasi Lemons, 1997); TOUCH OF EVIL (US, Orson Welles, 1958); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); GENERAL, THE (UK, John Boorman, 1998); RONIN (US, John Frankenheimer, 1998); STARDUST MEMORIES (US, Woody Allen, 1980); TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932); RED RIVER (US, Howard Hawks, 1948); DETOUR (US, Edgar G. Ulmer, ,1946); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); NOTORIOUS (US, Alfred Hitchcock, 1946); BIG SLEEP, THE (US, Howard Hawkes, 1946); LADY EVE, THE (US, Preston Sturges, 1941); M (G, Fritz Lang, 1931); WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974)
ISBN: 0312244832
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG RED ONE, THE (US, Samuel Fuller, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BODY PARTS (US, Eric Red, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BORN INTO BROTHELS: CALCUTTA'S RED LIGHT KIDS (II/US, Zana Briski, Ross Kauffman, 2004)

Call No: SUBJECT CLIPPINGS FILE; EXHIBITION. AUSTRALIA. 2016
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: EXHIBITION. AUSTRALIA; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Summary: List of films to be shown in Australia over the Christmas and summer holiday period. Quotes from RED DOG: TRUE BLUE director Kriv Stenders about his film screening at the same time as Hollywood blockbusters

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL FROM THE RED CABARET [CHICA DEL MOLINO ROJO, LA] (SP, Eugenio Martin, 1973)

Call No: 633.22 COA
Author: Coates, Paul
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2010
PhysDes: 178 p. : col. ill. ; 26 cm.
Subject: COLOUR; COLORIZATION; FRENCH CANCAN (FR/IT, Jean Renoir, 1955); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); SOLARIS (UR, Andrei Tarkovsky, 1972); STELLET LICHT (MX/FR/NE/G, Carlos Reygadas, 2007); BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947); EUROPA (DK/FR/GG, Lars Von Trier, 1991); THREE COLORS: RED [TROIS COULEURS: ROUGE] (FR/SZ/PL, Krzysztof Kieslowski, 1994); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); CRIES AND WHISPERS [VISKNINGAR OCH ROP] (SW, Ingmar Bergman, 1972)
Summary: Cinema and Colour: The Saturated Image is a major new critical study of the use of colour in cinema. Using the dialectic of colour and monochrome as a starting point, Paul Coates explores the symbolic meanings that colour bears in different cultures, and engages with a range of critical approaches to filmic colour, building on the work of such theorists as Sergei Eisenstein, Rudolf Arnheim and Stanley Cavell. Coates also provides close analyses of films by directors such as Antonioni, Bergman, Godard, Hitchcock, Hou Hsiao-Hsien, Sirk, Kieslowski, Tarkovsky, Von Trier and Zhang Yimou. Coates' focus is on films that deliberately exploit the rich multiplicity of cultural meanings and associations ascribed to colour, including All That Heaven Allows, Deux ou trois choses que je sais d'elle, The Double Life of Véronique, The Flight of the Red Balloon, Red Desert, Schindler's List, Silent Light, Solaris, The Three Colours Trilogy and The Wizard of Oz. [Taken from publishers website]
Notes: Includes bibliographical references and index
ISBN: 9781844573141
Contents: Vertigo and yellow -- Guillermo del Toro and the dialectics of yellow and green -- Grief and green: Solaris, I lvira Madigan -- Natural camouflage: Joseph Losey's The Boy With Green Hair -- Green unseen: the poetics of absence in The Flight of the Red Ballon -- From yellow to green (via black): The Double Life of Veronique -- From yellow to blue: three Colours: Blue -- The desert and the beach: Deleuze, Antonioni, Zhang Ke Jia -- The painter's primaries and totality: le Mepris -- le Mepris 2: the triumph of blue -- Blue angel, blue devil: Goya in Bordeaux -- Trapped in blue: la Religieuse -- C. TOUR/OF FOUR D'AMRIQUE -- 6. Melos, Drama, Melodrama: From Demy to Sirk to Antonioni -- Introduction -- Singin' and dancin'? in the rain: Les Parapluies de Cherbourg and Singin' in the Rain -- Coupling and uncoupling colours: Une femme est une femme -- Totally? Tenderly? Tragically?: An American in Paris, Le Mepris and Moulin Rouge (with a postscript on The Golden Coach) -- A note on melodrama and modernism -- Melodrama, realism and All That Heaven Allows -- Modernist melodrama? The Oberwald Mystery

Call No: 738.66 CIN
Author: McLean, Adrienne L. (ed.)
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 2014
PhysDes: x, 272 p. ; 24 cm ;
Subject: DOGS IN MOTION PICTURES; LASSIE COME HOME (US, Fred M. Willcox, 1943); BABE (AT, Chris Noonan, 1995); BABE: PIG IN THE CITY (AT, George Miller, 1998); THING, THE (US, John Carpenter, 1982); HITCHCOCK, ALFRED; RED DOG (AT, Kriv Stenders, 2011); [EIGHT] 8 BELOW (US, Frank Marshall, 2006); SOUTH AFRICA; ANTARCTICA
Summary: Dogs have been part of motion pictures since the movies began. They have been featured onscreen in various capacities, from any number of “man’s best friends” (Rin Tin Tin, Asta, Toto, Lassie, Benji, Uggie, and many, many more) to the psychotic Cujo. The contributors to Cinematic Canines take a close look at Hollywood films and beyond in order to show that the popularity of dogs on the screen cannot be separated from their increasing presence in our lives over the past century. The representation and visualization of dogs in cinema, as of other animals, has influenced our understanding of what dogs “should” do and be, for us and with us. Adrienne L. McLean expertly shepherds these original essays into a coherent look at “real” dogs in live-action narrative films, from the stars and featured players to the character and supporting actors to those pooches that assumed bit parts or performed as extras. Who were those dogs, how were they trained, what were they made to do, how did they participate as characters in a fictional universe? These are a just a few of the many questions that she and the outstanding group of scholars in this book have addressed. Often dogs are anthropomorphized in movies in ways that enable them to reason, sympathize, understand and even talk; and our shaping of dogs into furry humans has had profound effects on the lives of dogs off the screen. Certain breeds of dog have risen in popularity following their appearance in commercial film, often to the detriment of the dogs themselves, who rarely correspond to their idealized screen versions. In essence, the contributors in Cinematic Canines help us think about and understand the meanings of the many canines that appear in the movies and, in turn, we want to know more about those dogs due in no small part to the power of the movies themselves. -- publisher's web site
ISBN: 9780813563558
Contents: Acknowledgments -- Introduction: Wonder Dogs / Adrienne L. McLean -- Answering a Growl: Roscoe Arbuckle’s Talented Canine Co-Star, Luke / Joanna E. Rapf -- The Dogs Who Saved Hollywood: Strongheart and Rin Tin Tin / Kathryn Fuller-Seeley and Jeremy Groskopf -- Asta the Screwball Dog: Hollywood’s Canine Sidekick / Sara Ross and James Castonguay -- Promoting Lassie: The Animal Star and Constructions of “Ideal” American Heroism / Kelly Wolf -- Dogs at War: Military Dogs in Film / Aaron Skabelund -- Loaded Dogs: Dogs, Domesticity, and “the Wild” in Australian Cinema / Jane O’Sullivan -- Bullies and Curs: Overlords and Underdogs in South African Cinema / Giuliana Lund -- Things from Another World: Dogs, Aliens, and Antarctic Cinema / Elizabeth Leane and Guinevere Narraway -- Hitchcock’s Canine Uncanny / Murray Pomerance -- The Dog at the Side of the Shot: Incongruous Dog (Canisfamiliaris) Behavior in Film / Alexandra Horowitz -- Afterword: Dogs at the Digital Divide / Adrienne L. McLean -- Works Cited -- Notes on Contributors -- Index

Call No: 753.4 CLA
Author: Peary, Gerald; Shatzkin, Roger
Place: New York
Publisher: Ungar
PubDate: 1977
PhysDes: xii, 356 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; BOGDANOVICH, PETER; EISENSTEIN, SERGEI M.; ADVENTURES OF TOM SAWYER, THE (US, Norman Taurog, 1938); ALICE ADAMS (US, George Stevens, 1935); BABBITT (US, Harry Beaumont, 1924); BILLY BUDD (UK, Peter Ustinov, 1962); CARRIE (US, William Wyler, 1952); DAISY MILLER (US, Peter Bogdanovich, 1974); DODSWORTH (US, William Wyler, 1936); FAREWELL TO ARMS, A (US, Frank Borzage, 1933); GREAT GATSBY, THE (US, Elliott Nugent, 1949); GREAT GATSBY, THE (US, Jack Clayton, 1974); GREED (US, Erich von Stroheim, 1925); HEIRESS, THE (US, William Wyler, 1949); HOUSE OF SEVEN GABLES, THE (US, Joe May, 1940); I MARRIED A DOCTOR (US, Archie L. Mayo, 1936); INNOCENTS, THE (UK, Jack Clayton, 1962); LAST OF THE MOHICANS, THE (US, Maurice Tourneur, 1920); LITTLE WOMEN (US, George Cukor, 1933); LITTLE CAESAR (US, Mervyn LeRoy, 1931); LITTLE WOMEN (US, Mervyn LeRoy, 1948); MOBY DICK (UK, John Huston, 1956); PRINCE AND THE PAUPER, THE (US, William Keighley, 1937); RED BADGE OF COURAGE, THE (US, John Huston, 1951); SEA WOLF, THE (US, Michael Curtiz, 1941); SCARLET LETTER, THE (US, Victor Sjostrom, 1926); SOUND AND THE FURY, THE (US, Martin Ritt, 1959); SUN ALSO RISES, THE (US, Henry King, 1957); VIRGINIAN, THE (US, Stuart Gilmore, 1946); VIRGINIAN, THE (US, Victor Fleming, 1929); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "Does a successfl novel make a good movie? That question and others are explored in this first comprehensive collection of essays on novel into film adaptations - from Cooper's The Last of the Mohicans (1826) to Faulkner's The Sound and the Fury (1929). Over two thirds of these essays were written expressly for this volume, the work of a new generation of literature-trained but film-oriented teachers and critics. Together they examine how novels and their film adaptations differ from one another in technique, characterisation, scope, and ideological content. To the original essays the editors have added some of the best available writings on adaptations by such critics as Stanley Kauffman and Manny Farber, plus selected commentaries from the actual participants in the process of adaptations - screenwriters and film directors." -- BOOK BLURB
Notes: Includes index; Filmography: p. 321-336; Bibliography: p. 337-344
ISBN: 0804426813 : $12.50. 0804466475 pbk. : $4.95
LON: qum00211939; 12437055 857055

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills; Publicity
Subject: DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991)
ID2: 79

Call No: TITLE CLIPPINGS FILE
PhysDes: Study guide; Clippings
Subject: DAVID GULPILIL ONE RED BLOOD (AT, Darlene Johnson, 2002)

Call No: 79DEE KAN
Author: Kannas, Alexia
Source: US
Place: New York
Publisher: Wallflower Press
PubDate: 2017
PhysDes: 114 pages ; illustrations (black & white) ; 18cm
Series: Cultogrophies
Subject: ARGENTO, DARIO; DEEP RED [PROFONDO ROSSO] (IT, Dario Argento, 1975)
Summary: A critical evaluation of director Dario Argento's 1975 giallo cult classic Profondo rosso (Deep red).
ISBN: 9780231181211
Contents: 1.Production, Promotion, Initial Reception -- 2.The Cultification of Deep Red -- 3.Reading Deep Red -- 4.Intermittent Transcendence: The Place of Deep Red

Call No: 761 SMA
Author: Smaill, Belinda
Source: UK
Place: Basingstoke, England
Publisher: Palgrave Macmillan
PubDate: 2010
PhysDes: vii, 221 p. : ill. ; 23 cm
Subject: ASIAN COUNTRIES; CHILDREN AND THE CINEMA; CHILDREN IN FILMS; CULTURE AND THE CINEMA; DOCUMENTARIES; DOCUMENTARIES. AUSTRALIA; EMOTION IN FILMS; FEMINISM AND THE CINEMA; IDENTITY IN FILMS; IDEOLOGY AND THE CINEMA; IMMIGRATION IN FILMS AND TELEVISION; PSYCHOLOGY AND THE CINEMA; REALITY TV; SEX IN FILMS; SOCIAL PROBLEMS IN FILMS; THEORY; VIEWERS; WOMEN FILMMAKERS; LOVELACE, LINDA; BORN INTO BROTHELS: CALCUTTA'S RED LIGHT KIDS (II/US, Zana Briski, Ross Kauffman, 2004); CORPORATION, THE (CN, Jennifer Abbott & Mark Achbar, 2003); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); DIVORCE IRANIAN STYLE (UK, Kim Longinotto & Ziba Mir-Hosseini, 1998); ENRON: THE SMARTEST GUYS IN THE ROOM (US, Alex Gibney, 2005); FINISHED PEOPLE, THE (AT, Khoa Do, 2003); FIX: THE STORY OF AN ADDICTED CITY (CN, Nettie Wild, 2002); INSIDE DEEP THROAT (US, Fenton Bailey & Randy Barbato, 2005); LETTERS TO ALI (AT, Clara Law, 2004); SADNESS: A MONOLOGUE BY WILLIAM YANG (AT, Tony Ayres, 1999); SEX: THE ANNABEL CHONG STORY (CN, Gough Lewis, 1999)
Summary: "The Documentary: Politics, Emotion, Culture proposes that emotions such as pleasure, hope, pain, empathy or nostalgia play a powerful role in the circulation and reception of documentaries. Emotion shapes how political issues and individuals are represented and perceived in documentary and it is crucial to how we engage with the vicissitudes of the public sphere. In the past documentary has been popularly perceived in ways that align it with education, science, history and the rational realm. This frame has never been adequate for understanding the broad array of styles and themes that can be seen in the documentary genre. Focusing on the question of subjectivity, Smail analyses various different kinds of individuals that can be found in documentaries, such as the female porn star, the politically disenfranchised, children, and the documentary auteur. She envisages an interdisciplinary approach to documentary drawing on scholarship from not only film studies, but also gender studies, queer theory, cultural theories of affect, critical race studies, political theory and pyschoanalysis. " -- BOOK BLURB
Notes: Includes bibliographical references (p. 200-209) and index
ISBN: 9780230237513 (hbk.)
Contents: -- list of illustrations -- acknowledgments -- part one: documentary and pleasure -- 1: introduction: representation and documentary emotion -- 2: pleasure and disgust: desire and the female porn star -- part two: pain and the other -- 3: Injury, identity and recognition: Rize and Fix: the story of an addicted city -- 4: women, pain and the documentaries of Kim Longinotto -- part three: the labour of authorship: caring and mourning -- 5: loss and care: Asian Australian documentary -- 6: civic love and contemporary dissent documentary -- part four: past, present and future: hope and nostalgia -- 7: children, futurity and hope: Born into Brothels -- 8:nostalgia, historical time and reality television: the idol series -- epilogue -- notes -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DONG FANG BU BAI: FENG YUN ZAI QI (HK, Siu-Tung Ching and Raymond Lee, 1993); SWORDSMAN III: THE EAST IS RED (HK, Siu-Tung Ching and Raymond Lee, 1993); EAST IS RED, THE (HK, Siu-Tung Ching and Raymond Lee, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [EAST IS RED, THE] (HK, Ching Siu Tung and Raymond Lee, 1993)

Call No: 623.1 SHA
Author: Sharff, Stefan
Place: New York
Publisher: Columbia University Press
PubDate: 1982
PhysDes: 187 p. : ill. ; 24 cm
Subject: AESTHETICS; IMAGE ANALYSIS; ALEKAN, HENRI; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938); BIRDS, THE (US, Alfred Hitchcock, 1963); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); VIVA ZAPATA (US, Elia Kazan, 1952); WAGON MASTER (US, John Ford, 1950); RED RIVER (US, Howard Hawks, 1948); RIO BRAVO (US, Howard Hawks, 1959)
Notes: Includes bibliographical references and index
ISBN: 0231054769; 0231054777 (pbk.)
LON: 82004268; 2200482

Call No: 753.8 MAZ
Author: Mazdon, Lucy
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: [vi], 169 p. : ill. ; 24 cm
Subject: FRANCE; REMAKES; CULTURE AND THE CINEMA; CULTURAL IMPERIALISM. US; NATIONAL IDENTITY AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA. FRANCE; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); SOMMERSBY (US, Jon Amiel, 1993); NIKITA (FR/IT, Luc Besson, 1990); LEON (FR, Luc Besson, 1994); BIRDCAGE, THE (US, Mike Nichols, 1996); BREATHLESS (FR, Jean-Luc Godard, 1959); BREATHLESS (US, Jim McBride, 1983); CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978); TRUE LIES (US, James Cameron, 1994); SORCERER (US, William Friedkin, 1977); MON PERE, CE HEROS (FR, Gerard Lauzier, 1991); MAN WITH ONE RED SHOE, THE (US, Stan Dragoti, 1985); PEPE LE MOKO (FR, Julien Duvivier, 1937); ELEPHANT CA TROMPE ENORMEMENT, UN (FR, Yves Robert, 1976); TROIS HOMMES ET UN COUFFIN (FR, Coline Serreau, 1985); TOTALE!, LA (FR, Claude Zidi, 1991); THREE MEN AND A BABY (US, Leonard Niimoy, 1987); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); WOMAN IN RED, THE (US, Gene Wilder, 1984); ALGIERS (US, John Cromwell, 1938); CASBAH (US, John Berry, 1948); SALAIRE DE LA PEUR, LE (FR, Henri-Georges Clouzot, 1953); GRAND BLOND AVEC UNE CHAUSSURE NOIRE, LE (FR, Yves Robert, 1972)
Notes: Includes bibliographical references and index
ISBN: 0851708005(cased) : ¦45.00; 0851708005
LON: 21532807

Call No: 19MET BAR
Author: Bart, Peter
Edition: 1st ed
Place: New York
Publisher: Morrow
PubDate: 1990
PhysDes: 304 p. : ill. ; 24 cm
Subject: Metro-Goldwyn-Mayer; UNITED ARTISTS; PARAMOUNT STUDIOS; AUBREY, JAMES T.; YABLANS, FRANK; KERKORIAN, KIRK; ARMSTRONG, GILLIAN; BROOKS, RICHARD; CIMINO, MICHAEL; FIELDS, FREDDIE; GOLDBERG, LEONARD; HUTTON, TIMOTHY; LADD, ALAN, Jr.; SKASE, CHRISTOPHER; LOWE, ROB; MELNICK, DANIEL; MUDOCH, RUPERT; NICHOLSON, JACK; ROSENBERG, STUART; STEENBURGEN, MARY; WEINTRAUB, JERRY; WARGAMES (US, John Badham, 1983); RED DAWN (US, John Milius, 1984); RAIN MAN (US, Barry Levinson, 1988); MRS SOFFEL (US, Gillian Armstrong, 1984)
Notes: Includes index
ISBN: 0688084605 (acid-free paper)
LON: 6934383

Call No: 19AME MCG
Author: McGee, Mark Thomas, 1947
Source: US
Place: Jefferson, N.C.
Publisher: McFarland
PubDate: c1984
PhysDes: xv, 264 p. : ill. ; 24 cm
Subject: AMERICAN INTERNATIONAL PICTURES; ANGRY RED PLANET, THE (US, Ib Melchior, 1959); ARKOFF, SAMUEL; ASHER, WILLIAM; BEACH MOVIES; BEACH PARTY (US, William Asher, 1963); BUCKET OF BLOOD (US, Roger Corman, 1959); COHEN, HERMAN; CORMAN, ROGER; FONDA, PETER; GORDON, ALEX; GORDON, BERT I.; KATZMAN, SAM; NICHOLSON, JAMES H.; PINK, SIDNEY; PRICE, VINCENT
Notes: Includes index; Filmography: p. 229-254
ISBN: 0899500919
LON: 2663890

Call No: TITLE CLIPPINGS FILE; RED PILL, THE (US, Cassie Jaye, 2016)
Author: Akerman, Tessa
PhysDes: Clippings File Article
Subject: CINEMAS. AUSTRALIA. DENDY; RED PILL, THE (US, Cassie Jaye, 2016)
Summary: Report on the cancellation of the screening of documentary THE RED PILL due to protests from opponents of the film

Call No: P FER
Place: UK
PubDate: 1977
PhysDes: 1 poster : colour ; 62 x 31 cm
Subject: FERN THE RED DEER (UK, Jan Darnley-Smith, 1977)
Summary: Text: "will capture your heart" (beneath the title) Image: Love hearts coloured pink, black, and white cover the poster. Within a large love heart shape, there is a black-and-white image of a boy and a girl feeding a fawn from a baby bottle.
Notes: Folds, pinholes, creases, stains, discolouration.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FIGHTER PILOT: OPERATION RED FLAG (US, Stephen Low, 2004)

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1970
PhysDes: 286 p. ; 22 cm
Subject: INDUSTRY, FILM. USA; MUSICALS; VIETNAM WAR IN FILMS; POLITICS IN FILMS; PORNOGRAPHY AND THE CINEMA; FELLINI, FEDERICO; STREISAND, BARBRA; WAYNE, JOHN; CHE! (US, Richard Fleischer, 1969); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); BAISERS VOLES (FR, Francois Truffaut, 1968); MIDNIGHT COWBOY (US, John Schlesinger, 1969); GOODBYE COLUMBUS (US, Larry Peerce, 1969); IF... (UK, Lindsay Anderson, 1968); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); INTIMNI OSVETLENI (CZ, Ivan Passer, 1969); GURU, THE (US/II, James Ivory, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); AKAHIGE [RED BEARD] (JA, Akira Kurosawa, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); PUTNEY SWOPE (US, Robert Downey, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); ANGEL LEVINE, THE (US, Jan Kadar, 1970); IN THE YEAR OF THE PIG (US, Emile de Antonio, 1968); HIGH SCHOOL (US, Frederick Wiseman, 1969); ISADORA (UK, Karel Reisz, 1968); GOODBYE MR CHIPS (UK, Herbert Ross, 1969); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968)
Summary: Critical reviews of films produced 1969/1970
Notes: Includes index
ISBN: 671-20608-7
Contents: I. Pick of the Litter -- Z / Pauline Kael, Arthur Schlesinger, Jr. -- Easy Rider / Joseph Morgenstern, Penelope Gillatt, Stefan Kanfer, Richard Schickel -- Bob & Carol & Ted & Alice / Hollis Alpert, Pauline Kael, Arthur Schlesinger, Jr., John Simon -- Alice's Restaurant / Robert Hatch, John Simon / If... / Arthur Schlesinger, Jr., Pauline Kael -- They Shoot Horses, Don't They? / Stefan Kanfer, John Simon -- II. Advance Obit. -- Hollywood: Myth, Fact and Trouble / Joseph Morgenstern -- The Studio by John Gregory Dunne / Stanley Kauffmann -- Paint Your Wagon / Pauline Kael -- III. Auteurisms -- Intimate Lighting / Andrew Sarris -- La Femme Infidele / Andrew Sarris -- Stolen Kisses / Joseph Morgenstern, Hollis Alpert, Robert Kotlowitz -- Here's Your Life / Stanley Kauffmann -- Pierrot Le Fou / Joseph Morgenstern -- The Red and the White / Penelope Gilliatt, Richard Schickel, John Simon -- Putney Swope / Arthur Knight, Penelope Gilliattt, Richard Schickel -- Medium Cook / John Simon, Andrew Sarris -- IV. On Location -- The Making of The Angel Levine / Robert Kotlowitz -- Fellini at Work / Hollis Alpert -- Che! / Joseph Morgenstern, Robert Hatch -- V. Documentarians -- Salesman / Harold Clurman, Joseph Morgenstern -- In the Year of the Pig / Pauline Kael -- High School / Richard Schickel -- VI. Performers and Performances -- The Loves of Isadora / Richard Schickel, Stanley Kauffmann, Stefan Kanfer, Hollis Alpert, Penelope Gilliatt -- Goodbye, Mr. Chips / Pauline Kael, Stefan Kanfe -- Superstar: The Streisand Story / Joseph Morgenstern -- John Wayne as the Last Hero / Stefan Kanfer -- VII. Skin -- I Am Curious (Yellow) / John Simon, Penelope Gilliatt, Hollis Alpert -- Coming Apart / Joseph Mergenstern, Richard Schickel

Author: Taylor, Max
PhysDes: Article
Subject: WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972); GOVERNMENT AID. AUSTRALIA
Summary: News items. Includes information on WAKE IN FRIGHT, THE LONG CLIMB, MARCO POLO JUNIOR, and new government assistance for film projects.

Call No: 631.19 PIP
Author: Pippin, Robert B.
Source: US
Place: Chicago
Publisher: University of Chicago Press
PubDate: 2020
PhysDes: 271 pages : illustrations (some colour) ; 32 cm
Subject: PHILOSOPHY AND THE CINEMA; SPECTATORSHIP; REAR WINDOW (US, Alfred Hitchcock, 1954); TALK TO HER [HABLE CON ELLA] (SP, Pedro Almodovar, 2002); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); CHINATOWN (US, Roman Polanski, 1974); ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); JOHNNY GUITAR (US, Nicholas Ray, 1954); IN A LONELY PLACE (US, Nicholas Ray, 1950); THIN RED LINE, THE (US, Terrence Malick, 1998); DARDENNE, JEAN-PIERRE & LUC
Summary: "In this book, philosopher Robert B. Pippin reveals how films can illuminate, in a concrete manner, core features of shared human life. Filmed Thought examines questions of morality in Almodovar's Talk to Her, goodness and naivete in Hitchcock's Shadow of a Doubt, love and fantasy in Sirk's All That Heaven Allows, politics and society in Polanski's Chinatown and Malick's The Thin Red Line, and self-understanding and understanding others in Nicholas Ray's In A Lonely Place and in the Dardenne brothers' oeuvre. In each reading, Pippin pays close attention to what makes these films exceptional as technical works of art (with an eye to cinematic irony) and as intellectual and philosophical achievements. Throughout, he shows how films offer a view of basic problems of human agency from the inside and allow viewers to think with and through them. Captivating and insightful, Filmed Thought shows us what it means to take cinema seriously not just as art, but as thought, and how this medium provides a singular form of reflection on what it is to be human." - taken from back cover.
Notes: Includes bibliographical references and index.
ISBN: 9780226672007
Contents: Section I: Cinema As Reflective Form 1. Cinematic Reflection -- 2. Cinematic Self-consciousness in Alfred Hitchcock's Rear Window -- Section II: Moral Variations 3. Devils & Angels in Pedro Almodovar's Talk to Her -- 4. Confounding Morality in Alfred Hitchcock's Shadow of a Doubt -- Section III: Social Pathologies 5. Cinematic Tone in Roman Polanski's Chinatown: Can "Life" Itself be "False"? -- 6. Love & Class in Douglas Sirk's All That Heaven Allows -- Section IV: Irony & Mutuality 7. Cinematic Irony: The Strange Case of Nicholas Ray's Johnny Guitar -- 8. Passive & Active Skepticism in Nicholas Ray's In a Lonely Place -- Section V: Agency & Meaning 9. Vernacular Metaphysics: On Terrence Malick's The Thin Red Line -- 10. Psychology Degree Zero? The Representation of Action in the Films of the Dardenne Brothers
ID2: 343

Call No: 81HAW WIL
Author: Willis, Donald C.
Place: Metuchen, NJ
Publisher: Scarecrow Press
PubDate: 1975
PhysDes: viii, 235 p. : ill. ; 22 cm.
Subject: HAWKS, HOWARD; BRINGING UP BABY (US, Howard Hawks, 1938); HIS GIRL FRIDAY (US, Howard Hawks, 1940); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); MONKEY BUSINESS (US, Howard Hawks, 1952); TWENTIETH CENTURY (US, Howard Hawks, 1934); BALL OF FIRE (US, Howard Hawks, 1942); SONG IS BORN, A (US, Howard Hawks, 1947); FIG LEAVES (US, Howard Hawks, 1926); MAN'S FAVORITE SPORT? (US, Howard Hawks, 1963); RED RIVER (US, Howard Hawks, 1948); RIO BRAVO (US, Howard Hawks, 1959); RIO LOBO (US, Howard Hawks, 1970); EL DORADO (US, Howard Hawks, 1966); BIG SKY, THE (US, Howard Hawkes, 1952); BIG SLEEP, THE (US, Howard Hawkes, 1946); ONLY ANGELS HAVE WINGS (US, Howard Hawks, 1939); CEILING ZERO (US, Howard Hawks, 1936); CROWD ROARS, THE (US, Howard Hawks, 1932); GIRL IN EVERY PORT, A (US, Howard Hawks, 1928); TIGER SHARK (US, Howard Hawks, 1932); BARBARY COAST (US, Howard Hawks, 1935); COME AND GET IT (US, Howard Hawks and William Wyler, 1936); SCARFACE (US, Howard Hawks, 1932); GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953); CRIMINAL CODE, THE (US, Howard Hawks, 1931); LAND OF THE PHARAOHS (US, Howard Hawks, 1955); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); AIR FORCE (US, Howard Hawks, 1943); SARGEANT YORK (US, Howard Hawks, 1941); ROAD TO GLORY, THE (US, Howard Hawks, 1936)
Summary: The films of Howard Hawks are organised by genre and reviewed to give a sense of the director as auteur.
Notes: Includes bibliographical references and index.
ISBN: 0810808609

Call No: 62 BER
Author: Bersani, Leo; Dutoit, Ulysse
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2004
PhysDes: 185 p. : ill. ; 24cm.
Subject: THIN RED LINE, THE (US, Terrence Malick, 1998); TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999); ART CINEMA; AESTHETICS; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963)
Summary: This work discusses new ways of approaching cinema as visual art via the close analysis of three films – Jean-Luc Godard’s ‘Le Mepris’(1963), Pedro Almodovar’s ‘All About My Mother’ (1999) and Terrence Malick’s ‘The Thin Red Line’ (1998). Also attempts to redefine the ways in which subjectivity, sexuality, relationality and aesthetics can be understood and transformed.
Notes: Includes index
ISBN: 1844570169 (pbk.)

Call No: TITLE CLIPPINGS FILE; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Author: Albert, Jane
PhysDes: Clippings File Article
Subject: WOSS, NELSON; RED DOG (AT, Kriv Stenders, 2011); RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Summary: Interview with Nelson Woss, producer of RED DOG and the sequel RED DOG: TRUE BLUE. Comments on the nature of the film industry and the process of making RED DOG: TRUE BLUE

Call No: 735.2(450) KAN
Author: Kannas, Alexia
Edition: 2021
Place: New York
Publisher: State University of New York Press
PhysDes: 168 pages : illustrated ; 23 cm
Series: Horizons of cinema
Subject: ARGENTO, DARIO; BAVA, MARIO; DEEP RED [PROFONDO ROSSO] (IT, Dario Argento, 1975)
Summary: Italian giallo films have a peculiar allure. Taking their name from the Italian for “yellow”— reflecting the covers of pulp crime novels—these genre movies were principally produced between 1960 and the late 1970s. These cinematic hybrids of crime, horror, and detection are characterized by elaborate set-piece murders, lurid aesthetics, and experimental soundtracks. Using critical frameworks drawn from genre theory, reception studies, and cultural studies, Giallo! traces this historically marginalized genre’s journey from Italian cinemas to the global cult-film canon. Through close textual analysis of films including The Girl Who Knew Too Much (1963), Blood and Black Lace (1964), The Bird with the Crystal Plumage (1970), The Black Belly of the Tarantula (1971), and The Case of the Bloody Iris (1972), Alexia Kannas considers the rendering of urban space in the giallo and how it expresses a complex and unsettling critique of late modernity.
Notes: List of Illustrations -- Acknowledgments -- Introduction -- 1. The Problem of Genre -- 2. The Cultification of the Italian Giallo -- 3. No Place like Home: The Late-Modern City -- 4. Those Who Wait: Tourists, Detectives, and Urban Experience in the Giallo City-- 5. The Most Unnatural Kind of Death -- Conclusion -- Works Cited -- Filmography -- Index
ISBN: 9781438480329

Call No: 451-015 MAL
Author: Maltin, Leonard
Place: New York
Publisher: Crown Publishers
PubDate: 1978
PhysDes: xvii, 238 p. : ill. ; 26 cm
Subject: COMEDIANS; CHAPLIN, CHARLES; ARBUCKLE, ROSCOE "FATTY"; LLOYD, HAROLD; ROGERS, WILL; FIELDS, W.C.; THREE STOOGES; HOPE, BOB; KAYE, DANNY; SKELTON, RED; LEWIS, JERRY; ALLEN, WOODY; LAUREL, STAN; HARDY, OLIVER; NORMAND, MABEL; LANGDON, HARRY; CHASE, CHARLEY [psued. of Charles Parrott]; GRIFFITH, RAYMOND; DRESSLER, MARIE; BROWN, JOE E.; MARX BROTHERS; COSTELLO, LOU
Notes: Includes filmographies and index
ISBN: 0517532417
LON: 77020233; 1040069

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Publicity; Clippings
Subject: GROOMS, RED

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GULPILIL: ONE RED BLOOD (AT, Darlene Johnson, 2002)

Call No: D Gulpilil: One Red Blood
Source: AT
Place: [Northcote, Vic.]
Publisher: Umbrella Entertainment
PubDate: c2007
PhysDes: 1 videodisc (DVD) (80 min.) : sd., col. ; 4 3/4 in.
Subject: GULPILIL, DAVID; GULPILIL: ONE RED BLOOD (AT, Darlene Johnson, 2002)
Summary: "A fascinating documentary that traces the twin lives of David Gulpilil - one as an A-list actor appearing in groundbreaking films from Walkabout to Ten Canoes; the other as a traditional member and elder of an isolated Arnhem land Aboriginal community. Featuring insights from Gulpilil's celebrated colleagues, including Philip Noyce, Rolf De Heer and Jack Thompson, see how Gulpilil revolutionised Australian filmmaking by bringing Aboriginal culture to the screen." -LIBRARIES AUSTRALIA
Notes: "DAVID1022"; Censorship classification: M.; In English. No subtitles.; Copyright 2002 Jotz Productions.; An ABC DVD.
Technical Details: All regions, PAL.
Credits: Writer/director, Darlene Johnson ; producer, Tom Zubrycki.
Also Titled: One Red Blood [DVD]
Standard Number: 3000000061954
Performer: David Gulpilil

Call No: TITLE CLIPPINGS FILE in production; BLUE DOG in production
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016); RED DOG (AT, Kriv Stenders, 2011)
Summary: Snippet on the upcoming production 'Blue Dog', and on the documentary on the dog that featured in the film 'Red Dog'

Call No: 79 HEY HEY
Source: AT
Place: Elwood, Vic.
Publisher: Bridgewater Books
PubDate: 1988
PhysDes: 96 p. : col. ill. ; 28 cm
Subject: COMEDY PROGRAMMES. AUSTRALIA; LIGHT ENTERTAINMENT. AUSTRALIA; TELEVISION. AUSTRALIA; HEY HEY IT'S SATURDAY [TV] (AT, 1971-1999); SOMERS, DARYL; SYMONS, RED
Summary: "In this fast world we live in, televisions shows come and go. Hey Hey It's Saturday is just taking a little longer than most. So, in time to come, you can be assured that, in this book, you have purchased a rare memento of unparalleled trivia that, like an old bottle of wine (and some of our crew), should be laid down and completely forgotten." - FOREWORD
Notes: Dedicated to the late Ricky May
ISBN: 0864362056

Call No: SUBJECT CLIPPINGS FILE; ROSS, WARWICK
Author: Murray, Lisa
PhysDes: Clippings File Article
Subject: ROSS, WARWICK; RED OBSESSION (AT/C/FR/UK/HK, David Roach & Warwick Ross, 2013)
Summary: Interview with Australian producer/director Warwick Ross, and discussion about his recent film, Red Obession, and about the restaurant the interview is taking place

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HONG GAOLIANG (CC, Zhang Yimou, 1988); RED SORGHUM (CC, Zhang Yimou, 1988)
Cross Reference: RED SORGHUM

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Press kit; Clippings
Subject: HUNT FOR RED OCTOBER, THE (US, John McTiernan, 1990)

Call No: 67(04) ROT
Author: Rothman, William
Place: Cambridge [England] New York
Publisher: Cambridge University Press
PubDate: 1988
PhysDes: xix, 210 p. : ill. ; 24 cm
Series: Cambridge studies in film
Subject: USA; THEATRE AND THE CINEMA; ADAPTATIONS; EROTICISM IN FILMS; MELODRAMA; GRIFFITH, DAVID WARK; RENOIR, JEAN; BOGART, HUMPHREY; CHAPLIN, CHARLES; GRANT, CARY; HAWKS, HOWARD; HITCHCOCK, ALFRED; GUZZETTI, ALFRED; BACALL, LAUREN; ASTOR, MARY; JUDITH OF BETHULIA (US, David Wark Griffith, 1913); CITY LIGHTS (US, Charles Chaplin, 1931); RED DUST (US, Victor Fleming, 1932); STELLA DALLAS (US, King Vidor, 1937); BRINGING UP BABY (US, Howard Hawks, 1938); RIVER, THE (II/US, Jean Renoir, 1951); FAMILY PORTRAIT SITTINGS (US, Alfred Guzzetti, 1976); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); TRUE HEART SUSIE (US, David Wark Griffith, 1919); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); REGLE DU JEU, LA (FR, Jean Renoir, 1939); VERTIGO (US, Alfred Hitchcock, 1958)
Notes: Includes index; Bibliography: p. xviii-xix
ISBN: 0521368286 (pbk.); 052136048X
LON: 5831391

Call No: 756(94) STA
Author: Stadler, Jane -- Mitchell, Peta -- Carleton, Stephen
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: 2016
PhysDes: x, 226 pages ; 23 cm
Series: The spatial humanities
Subject: ABORIGINAL AUSTRALIANS IN FILMS; LANDSCAPES IN FILMS. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: NEW SOUTH WALES; LOCATION SHOOTING. AUSTRALIA: VICTORIA; LOCATION SHOOTING. AUSTRALIA: WESTERN AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: TASMANIA; LOCATION SHOOTING. AUSTRALIA: NORTHERN TERRITORY; CULTURE AND THE CINEMA. AUSTRALIA; CRIMINALS IN FILMS. AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; DAWN, NORMAN; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); LAST CONFESSION OF ALEXANDER PEARCE, THE (AT, Michael James Rowland, 2008); RED DOG (AT, Kriv Stenders, 2011); SAMSON AND DELILAH (AT, Warwick Thornton, 2009); VAN DIEMEN'S LAND (AT, Jonathon Auf Der Heide, 2009); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: "Imagined Landscapes teams geocritical analysis with digital visualization techniques to map and interrogate films, novels, and plays in which Asutralian space and place figure prominently. Drawing upon A Cultural Atlas of Australia, a database-driven interactive digital map that can be used to identifu patterns of represnetation in Australia's cultural landscape, the book presents an integrated prespective on the translation of space across narraitve forms and pioneers new ways of seeing and understanding landscape" - TAKEN FROM BACK COVER
ISBN: 9780253018458
Contents: Introduction : geocriticism's disciplinary boundaries -- Remediating space : adaptation and narrative geography -- Cultural topography and mythic space : Australia's North as gothic zone -- Spatial history : mapping narrative perceptions of place over time -- Mobility and travel narratives : geovisualizing the cultural politics of belonging to the land -- Terra incognita : mapping the uncertain and the unknown

Author: Rangan, Pooja
PhysDes: Article
Subject: BORN INTO BROTHELS: CALCUTTA'S RED LIGHT KIDS (II/US, Zana Briski, Ross Kauffman, 2004)

Call No: 749.4 IMM
Author: Wilton, Tamsin
Place: London New York
Publisher: Routledge
PubDate: 1995
PhysDes: xvi, 235 p. : ill. ; 24 cm
Subject: HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; AIDS IN FILMS; CAMP; LANG, K.D.; SCHILLER, GRETA; TREUT, MONIKA; WEAVER, SIGOURNEY; WEISS, ANDREA; ANNE TRISTER (CN, Lea Pool, 1986); DESERT HEARTS (US, Donna Deitch, 1985); INTERNAL AFFAIRS (US, Mike Figgis, 1990); MY FATHER IS COMING (US/GG, Monika Treut, 1991); ORANGES ARE NOT THE ONLY FRUIT [TV] (UK, Beeban Kidron, 1990); PORTRAIT OF A MARRIAGE [TV] (UK, Stephen Whittaker, 1990); PUMPING IRON II ; THE WOMEN (US, George Butler, 1984); RED SONJA (US, Richard Fleischer, 1985); VERFURUNG - DIE GRAUSAME FRAU (GW, Elfi Mikesch & Monika Treut, 1985); TINY AND RUBY : HELL DIVIN' WOMEN (US, Greta Schiller & Andrea Weiss, 1988); JUNGFRAUENMASCHINE, DIE (GW, Monika Treut, 1989); LIVING END, THE (US, Gregg Araki, 1992); STRICTLY BALLROOM (AT, Baz Luhrmann, 1992); ALIEN [...] (UK/US, 1979-92)
Notes: Filmography: p. 225-227; Includes bibliographical references and index
ISBN: 0415107245; 0415107253 (pbk)
LON: 10899929

Call No: 70 STO
Author: Stock, Francine; Hughes, Stephen
Source: UK
Place: London
Publisher: Pimlico
PubDate: 2011
PhysDes: 344 p. ; 25 cm.
Subject: HISTORY AND THE CINEMA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. 1990's; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); CABINET OF DR. CALIGARI, THE (G, Robert Wiene, 1920) SEE CABINET DES DR. CALIGARI, DAS; FLESH AND THE DEVIL (US, Clarence Brown, 1926); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); SCARFACE (US, Howard Hawks, 1932); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); BETE HUMAINE, LA (FR, Jean Renoir, 1938); BAMBI (US, David Hand, 1942); SPELLBOUND (US, Alfred Hitchcock, 1945); STRADA, LA (IT, Federico Fellini, 1954); SEARCHERS, THE (US, John Ford, 1956); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); PEEPING TOM (UK, Michael Powell, 1960); BANDE A PART (FR, Jean-Luc Godard, 1964); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CARRIE (US, Brian De Palma, 1976); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ANNIE HALL (US, Woody Allen, 1977); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); TOP GUN (US, Tony Scott, 1986); WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989); BASIC INSTINCT (US, Paul Verhoeven, 1992); NATURAL BORN KILLERS (US, Oliver Stone, 1994); THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: WHITE (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: BLANC; TROIS COULEURS: BLANC (FR/SZ/PL, Krzysztof Kieslowski, 1993); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TROIS COULEURS: ROUGE (FR/SZ/PL, Krzysztof Kieslowski, 1994); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); AVATAR (US, James Cameron, 2009); UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010)
Summary: Charting key films from the past hundred years, along with technological developments and historical landmarks, Francine Stock explores in compelling detail the nature of our relationship with film - from the first screenings of the Lumiere Brothers' short films, which saw audiences shrinking from oncoming trains, to the perception-altering 3-D Avatar. The twenties saw the birth of celebrity, still so influential even today. With the influence of Freud and the unconscious came film noir, anticipated by dark European classics like La Bete Humaine; Hollywood in the fifties turned ideological fears into lurid sci-fi and body-snatching horror; with the social change of the sixties came refracted ways of seeing, from Alfie to theStargate sequence in 2001: A Space Odyssey or a compelling seventies nightmares like Carrie. Moving towards our own century, Francine Stock considers how film reflects back on itself, bending time and technology to look to the future. More than a century on from those earliest awe-inspiring images, we are still in thrall to the power of film. In this fascinating, entertaining and illuminating book Francine Stock shows how film both reflects and remakes our world.
ISBN: 9781845951993

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IN THE RED (AT, Glenn Ruehland, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE RED FLOWERS [KAN SHANG QU HEN MEI] (CC/IT, Yuan Zhang, 2006)
Notes: Import_Batch 11 32 titles_simon strong

Call No: 626:396 KIS
Author: Jayamanne, Laleen
Place: Sydney
Publisher: Power Publications
PubDate: 1995
PhysDes: 285 p. ; 22 cm
Subject: FEMINISM AND THE CINEMA; BIGELOW, KATHRYN; RUIZ, RAUL; MOFFATT, TRACEY; JAYAMANNE, LALEEN; PATRIOTIN, DIE (GW, Alexander Kluge, 1979); BAD TIMING (UK, Nicolas Roeg, 1980); NEAR DARK (US, Kathryn Bigelow, 1987); BLUE STEEL (US, Kathryn Bigelow, 1989); POINT BREAK (US, Kathryn Bigelow, 1991); EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990); BEDEVIL (AT, Tracey Moffat, 1993); RAGING BULL (US, Martin Scorsese, 1980); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948)
Notes: Includes bibliographical references
ISBN: 0909952264
LON: 11555393

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KOKO: A RED DOG STORY (AT, Aaron McCann/Dominic Pearce, 2019)
Notes: Simon import_20/06/19

Call No: DIGITAL FILE
Author: McCann, Aaron; Pearce, Dominic
Edition: shooting script
Place: Subiaco, WA
PubDate: 3/08/2018
PhysDes: 93 leaves
Subject: KOKO: A RED DOG STORY (AT, Aaron McCann/Dominic Pearce, 2019)
Notes: Unpublished script
Donation: AFI/AACTA

PhysDes: Article
Subject: LADY IN RED, THE (US, Lewis Teague, 1979)
Summary: Review; cred; ill; biog

Author: Huntington, Eleanor M
PhysDes: Article
Subject: LANDSCAPES IN FILMS. AUSTRALIA; ANIMALS IN FILMS. AUSTRALIA; BABE (AT, Chris Noonan, 1995); HAPPY FEET (AT/US, George Miller, 2006); RED DOG (AT, Kriv Stenders, 2011)
Summary: In the most successful family films produced and directed by Australians in the last two decades, the Australian landscape and animals' roles in such spaces instruct young viewers how to navigate life in a postcolonial and explicitly multicultural nation. Through close textual readings of Babe, Happy Feet and Red Dog, coupled with analysis of official Australian government policy, this paper argues that the main animal characters deconstruct the paternal/ colonial Anglo - Celtic dominance through their interactions with their landscapes. [Abstract]

Call No: TITLE CLIPPINGS FILE; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Summary: Interview with cast and crew about the making of the film RED DOG: TRUE BLUE

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: LEGALLY BLONDE 2: RED, WHITE & BLONDE (US, Charles Herman-Wurmfeld, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIFE AND TIMES OF THE RED DOG SALOON, THE (US, Mary Works, 1996)

Author: Darcy-Smith, Kieran
PhysDes: Production report; Illustration(s)
Subject: IN THE RED (AT, Glenn Ruehland, 1999)

Call No: 81CAR CAR
Author: Cardiff, Jack
Place: London
Publisher: Faber
PubDate: 1996
PhysDes: xiv, 258 p., [16] p. of plates : ill., ports. ; 22 cm
Subject: BOGART, HUMPHREY; CARDIFF, JACK; FLYNN, ERROL; GOLDSTEIN, ROBERT; HEPBURN, KATHARINE; HITCHCOCK, ALFRED; HUSTON, JOHN; MONROE, MARILYN; Powell, Michael; BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); PANDORA AND THE FLYING DUTCHMAN (UK, Albert Lewin, 1951); PRINCE AND THE SHOWGIRL, THE (UK, Laurence Olivier, 1957); SONS AND LOVERS (UK, Jack Cardiff, 1960); WESTERN APPROACHES (UK, Pat Jackson, 1944)
Notes: Includes index; Filmography: p. 245-248
ISBN: 0571192742; 0571192742 (pbk) : ¦9.99 : Formerly CIP
Order Received: 1998
LON: gb 97048661; 13333870

Call No: 71"198"(73) HOB
Author: Hoberman, J.
Place: New York
Publisher: New Press
PhysDes: xii, 398 pages; illustrations ; 23 cm
Subject: COMMUNISM AND THE CINEMA. USA; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); COPPOLA, FRANCIS FORD; CRUISE, TOM; EASTWOOD, CLINT; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FONDA, JANE; GHOSTBUSTERS (US, Ivan Reitman, 1984); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); KAEL, PAULINE; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MADONNA; MILIUS, JOHN; MUSIC TELEVISION; REAGAN RONALD; RIGHT STUFF, THE (US, Philip Kaufman, 1983); ROCKY (US, John G. Avildsen, 1976); RED DAWN (US, John Milius, 1984); STONE, OLIVER
ISBN: 9781595580061

Call No: TITLE CLIPPINGS FILE; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Author: Purdon, Fiona
PhysDes: Clippings File Article
Subject: BULLEN, ZELIE; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Summary: Interivew with animal trainers Zelie and Craig Bullen and RED DOG: TRUE BLUE producer Nelson Woss about the canine star of the film Phoenix and his relationship with the animal trainer
Notes: similar article in same paper but in BW Magazine section, same date

Author: Mooney, Jacqueline
PhysDes: Production report; Illustration(s)
Subject: ANIMAL LOGIC; POST-PRODUCTION. AUSTRALIA; THIN RED LINE, THE (US, Terrence Malick, 1998)
Summary: Details of post-production done by Australian company, Animal Logic, for Terrence Malick's "Thin Red Line".

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN WITH ONE RED SHOE, THE (US, Stan Dragoti, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972)

PhysDes: Article
Subject: BEHIND THE GREEN DOOR (US, Artie Mitchell & Jim Mitchell, 1972); LAST OF THE RED HOT LOVERS (US, Gene Saks, 1972); ADVERTISING FILMS
Summary: Article on Marilyn Chambers, American actress known for staring in X-rated films before making her way into general audience productions. Chambers is in Australia to promote 'Insatiable'.

Call No: 451-01 COH
Author: Cohan, Steven
Place: Bloomington
Publisher: Indiana University Press
PubDate: c1997
PhysDes: xxi, 346 p. : ill. ; 25 cm
Series: Arts and politics of the everyday
Subject: MASCULINITY IN FILMS; GENDER AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; BISEXUALITY AND THE CINEMA; CLASS AND THE CINEMA; COLD WAR AND THE CINEMA; BOGART, HUMPHREY; BRANDO, MARLON; CLIFT, MONTGOMERY; CURTIS, TONY; GRANT, CARY; HOLDEN, WILLIAM; HESTON, CHARLTON; HUDSON, ROCK; PICNIC (US, Joshua Logan, 1955); PILLOW TALK (US, Michael Gordon, 1959); PLACE IN THE SUN, A (US, George Stevens, 1951); SOME LIKE IT HOT (US, Billy Wilder, 1959); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); RED RIVER (US, Howard Hawks, 1948)
Summary: When we think of the films of the 1950s, we inevitably remember the confident swagger of John Wayne, the suave sophistication of Cary Grant, and the emotional intensity of Marlon Brando. But today's culture critics see in the decade a period when heterosexual/homosexual dualism came to dominate the representation of American masculinity. Masked Men documents how movies of the 1950s represented masculinity as a multiple masquerade. Hollywood depicted the sexual anxieties of the domesticated breadwinner, the repudiation of wartime homoerotic male bonding, the exhibitionism of muscular bodies, the transvestic connotations of boyishness, and the playboy bachelor apartment. These presentations challenged the postwar ideal of the typical American male, that omnipresent and seemingly invisible Man in a Gray Flannel Suit
Notes: Includes bibliographical references (p. [323]-335) and index; Filmography: p. [321]-322
ISBN: 0253211271 (pa : alk. paper); 0253332974 (cl : alk. paper)
LON: 12951206

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MASQUE OF THE RED DEATH, THE (US/UK, Roger Corman, 1964)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED PSALM [MEG KER A NEP] (HU, Miklos Jansco, 1972)

Call No: 67(04) FAR
Author: Farber, Manny
Place: New York
Publisher: Hillstone
PhysDes: viii, 288 p., [18] of plates : ill. ; 21 cm.
Subject: ACTORS; EXPERIMENTAL FILMS; FESTIVALS. NEW YORK; UNDERGROUND FILMS; AGEE, JAMES; ALDRICH, ROBERT; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BOGARDE, DIRK; BOGART, HUMPHREY; BRESSON, ROBERT; BUNUEL, LUIS; BURTON, RICHARD; DENEUVE, CATHERINE; FONDA, HENRY; FORD, JOHN; FULLER, SAMUEL; GODARD, JEAN-LUC; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KAZAN, ELIA; MANN, ANTHONY; MOREAU, JEANNE; SIEGEL, DON; SNOW, MICHAEL; STEVENS, GEORGE; STURGES, PRESTON; TAYLOR, ELIZABETH; ASPHALT JUNGLE, THE (US, John Huston, 1950); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BIG CLOCK, THE (US, John Farrow, 1947); BIG SLEEP, THE (US, Howard Hawkes, 1946); BODY SNATCHER, THE (US, Robert Wise, 1945); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944); DETECTIVE STORY (US, William Wyler, 1951); FLAMING STAR (US, Don Siegel, 1960); HIGH SIERRA (US, Raoul Walsh, 1941); HIS KIND OF WOMAN (US, John Farrow, 1951); HIS GIRL FRIDAY (US, Howard Hawks, 1940); KILLERS, THE (US, Robert Siodmak, 1946); ODD MAN OUT (UK, Carol Reed, 1947); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); PICKUP ON SOUTH STREET (US, Samuel Fuller, 1953); PROWLER, THE (US, Joseph Losey, 1950); RED RIVER (US, Howard Hawks, 1948); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); SCAR OF SHAME, THE (US, Frank Peregini, 1927); SET-UP (US, Kathryn Bigelow, 1978); SKAMMEN (SW, Ingmar Bergman, 1968); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); SUNSET BOULEVARD (US, Billy Wilder, 1950); THIRD MAN, THE (UK, Carol Reed, 1949)
Notes: Includes index.; Orginally published as: Negative space

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972)
Summary: Industry and film news from across Australia.

Call No: TITLE CLIPPINGS FILE; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016); RED DOG (AT, Kriv Stenders, 2011)
Summary: Interview with the producer of the film RED DOG: TRUE BLUE about how the film was made and the publicity and festival screenings the film will have

Call No: 79RED ROS
Author: Ross, Lillian
Source: Australia
Place: Harmondsworth
Publisher: Penguin Books
PubDate: 1962
PhysDes: 219 p. ; 18 cm
Subject: PRODUCTION; SCHARY, DORE; REINHARDT, GOTTFRIED; HUSTON, JOHN; MURPHY, AUDIE; RED BADGE OF COURAGE, THE (US, John Huston, 1951)
Summary: Factual reporting of the Hollywood community in the form of a novel. [Adapted from back cover.]
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: POLVO ROJO (CU, Jesus Diaz, 1982); RED POWDER (CU, Jesus Diaz, 1982)

Call No: TITLE CLIPPINGS FILE; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Author: Wigney, James
PhysDes: Clippings File Article
Subject: ISSACS, JASON; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Summary: Interview with actor Jason Issacs who discusses the film RED DOG: TRUE BLUE and his career, particularly his experiences with working with dogs in films

Call No: PERSONALITY CLIPPINGS FILE; KUROSAWA, AKIRA
Author: [special correspondent]
PhysDes: Clippings File Article
Subject: KUROSAWA AKIRA; AKAHIGE [RED BEARD] (JA, Akira Kurosawa, 1965)
Summary: Report about Japanese filmmaker Akira Kurosawa, and his attention to detail when filmmaking, with reference to the film Red Beard [Japanese title - Akahige]
Notes: old clips pile from June 2015
ID2: 291

Call No: TITLE CLIPPINGS FILE; RED (AT, Del Kathryn Barton, 2017)
Author: Booth, Meredith
PhysDes: Clippings File Article
Subject: BARTON, DEL KATHRYN; BLANCHETT, CATE; RED (AT, Del Kathryn Barton, 2017)
Summary: Interview with Del Kathryn Barton. about her short film RED. The film premiered at the Art Gallery of South Australia last week and it features actor Cate Blanchett.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEEP RED [PROFONDO ROSSO] (IT, Dario Argento, 1975)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: RAYMOND, RED

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED (CN, Gilles Carle, 1970)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED (US, Robert Schwentke, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED 2 (US/FR/CN, Dean Parisot, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED ARMY (US/RU, Gabe Polsky, 2014)

Author: Andrews, Gary
PhysDes: Article
Subject: RED BADGE OF COURAGE, THE (US, John Huston, 1951); HUSTON, JOHN
Summary: Article provides an overview of John Huston's career, some of his key films and ends on a review of The Red Badge of Courage, proclaiming it "a minor masterpiece of the cinema".

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED BADGE OF COURAGE, THE (US, John Huston, 1951)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: RED BEE MEDIA AUSTRALIA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED BILLABONG (AT, Luke Sparke, 2016)

Call No: TITLE CLIPPINGS FILE; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Author: Crane, Kris
PhysDes: Clippings File Article
Subject: RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Summary: Short article on Sydney premiere of the film RED DOG: TRUE BLUE

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Stills
Subject: RED CORNER (US, Jon Avnet, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED DAWN (US, John Milius, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED DAWN (US, Dan Bradley, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED DOG (AT, Ivan Durrant, 1977?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED DOG (AT, Kriv Stenders, 2011)

Call No: S RED
Author: Taplitz, Daniel
Edition: Final shooting script (reading draft)
Place: AT
PubDate: 2010 Mar. 31
PhysDes: 103 leaves
Subject: RED DOG (AT, Kriv Stenders, 2011)
Summary: "Based on the legendary true story of the Red Dog who united a disparate local community while roaming the Australian outback in search of his long lost master." - from IMDb
Notes: Unpublished script -- based on a book by Louis de Bernieres -- Copyright Woss Group Film Productions Pty Ltd, ScreenWest Inc -- Developed with the assistance of ScreenWest and LotteryWest
Donation: Australian Film Institute

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. BERLIN
Author: Bunbury, Stephanie
PhysDes: Clippings File Article
Subject: FESTIVALS. BERLIN; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Summary: Report on the Berlin Film Festival, including the positive (child) audience reception of RED DOG: TRUE BLUE
Notes: similar article in Sunday Canberra Times, same date p 11

Call No: TITLE CLIPPINGS FILE in production; BLUE DOG in production
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Summary: Report on the filming of Blue Dog, a film as part of a trilogy of films about dogs set in the mining region of Western Australia

Call No: TITLE CLIPPINGS FILE; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Author: Hawker, Philippa
PhysDes: Clippings File Article
Subject: RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016); RED DOG (AT, Kriv Stenders, 2011)
Summary: Interview with RED DOG: TRUE BLUE director Kriv Stenders and actors Bryan Brown and Jason Issacs about the making of the iflm

Call No: TITLE CLIPPINGS FILE; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Summary: The promotional work has begun for the film RED DOG: TRUE BLUE, with the film's star (Phoenix) going on tour with producer Nelson Woss

Call No: TITLE CLIPPINGS FILE; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
PhysDes: Clippings
Subject: RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Notes: Update on performance of Kriv Stenders' second Red Dog film.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)

Call No: S RED
Author: Taplitz, Daniel
Place: AT
PubDate: 2015
PhysDes: 155 leaves ; 30 cm.
Subject: RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Summary: "A father takes his two young sons to see Red Dog. After the movie he describes to his oldest son how Red Dog is based on the story of a dog he had as a boy - Blue. From this we see the period in the man's childhood when Blue was his dog, their trials and tribulations living on a farm in a remote part of Western Australia." Written by grantss - IMDb
Notes: Unpublished script
Donation: AFI / AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RED DRAGON (US, Brett Ratner, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED DUST (US, Victor Fleming, 1932)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED DUST (UK/SA, Tom Hooper, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED DWARF [TV] (UK, 1988-93, 97)

Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: RED, ERIC

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RED EYE (US, Wes Craven, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED GOLD: THE EPIC STORY OF BLOOD [TV] (US, Alexander Marengo & Nick Read, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED HEAT (US, Walter Hill, 1988)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RED HILL (AT, Patrick Hughes, 2010)
URL status: URL: 'http://file://Q:/T/RED_HILL.zip' Checked: 31/08/2021 1:19:39 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: S RED
Author: Hughes, Patrick
Place: AT
PubDate: 2009 Jan. 30
PhysDes: 94 leaves
Subject: RED HILL (AT, Patrick Hughes, 2010)
Summary: "A young police officer must survive his first day's duty in a small country town." - from IMDb
Notes: Unpublished script -- Copyright Hughes House Productions 2009
Donation: Australian Film Institute

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RED HOLLYWOOD (US, Thom Anderson, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED JOAN (UK, Trevor Nunn, 2018)
Notes: Import Simon Strong_Batch 8

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: ROSANNA [RED, LA] (MX, Emilio Fernandez, 1953)
Notes: Simon Strong import 14_Oct2019

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED LETTER DAY (AT, Chris Clarke, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED LIGHT REVOLUTION (C, Sam Voutas, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings
Subject: RED MATILDAS (AT, Sharon Connolly & Trevor Graham, 1985)

Call No: P RED
PhysDes: 1 poster : col. ; 60 X 42 cm.
Subject: RED MATILDAS (AT, Sharon Connolly & Trevor Graham, 1985)
Summary: Image: Photos/images from the movie and the time. Information about the film and the making of it on the back. Text: 'Women, peace and politics in the Great Depression'.

Call No: TITLE CLIPPINGS FILE; RED OBSESSION (AT/C/FR/UK/HK, David Roach & Warwick Ross, 2013)
Author: -
PhysDes: Clippings File Article
Subject: RED OBSESSION (AT/C/FR/UK/HK, David Roach & Warwick Ross, 2013)
Summary: Review of Australian documentary 'Red Obsession'
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED OBSESSION (AT/C/FR/UK/HK, David Roach & Warwick Ross, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED PILL, THE (US, Cassie Jaye, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: RED PLANET (US, Antony Hoffman, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED PLANET MARS (US, Harry Horner, 1952)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED RIBBON BLUES (US, Charles Winkler, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED RIDING HOOD (US/CN, Catherine Hardwicke, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: RED RIVER (US, Richard Michaels, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED RIVER (US, Howard Hawks, 1948)

Call No: 79RED LIA
Author: Liandrat-Guigues, Suzanne
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Publishing
PubDate: 2000
PhysDes: 72p. : ill., ports. ; 19 cm
Series: BFI film classics ; 57
Subject: RED RIVER (US, Howard Hawks, 1948)
ISBN: 0851708196(pbk.) : ¦8.99
LON: 22408716

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RED ROAD (UK/DK, Andrea Arnold, 2006)
ID2: 82

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings
Subject: RED ROCK WEST (US, John Dahl, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED SCORPION (US, Joseph Zito, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED SHIRLEY (US, Lou Reed, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills; Transparency; Publicity
Subject: RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948)
ID2: 79

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED SONJA (US, Richard Fleischer, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED SPARROW (US, Francis Lawrence, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED STATE (US, Kevin Smith, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED STUFF, THE (NE, Leo DeBoer, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Press kit; Clippings
Subject: RED TED AND THE GREAT DEPRESSION (AT, Pat Laughren, 1992)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 21 x 26 cm
Subject: RED TED AND THE GREAT DEPRESSION (AT, Pat Laughren, 1992)
Summary: 4 black and white photograph of Red Ted Theodore in 1931, and the crew.

Call No: DIGITAL FILE
Author: De Wit, Michael Dudok
PhysDes: 40 leaves
Subject: RED TURTLE, THE [TORTUE ROUGE, LA] (FR/BE/JA/US, Michael Dudok de Wit, 2016)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED VS BLUE: THE BLOOD GULCH CHRONICLES (US, Burnie Burns & Matt Hullum, 2003)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: RED WHITE AND BLUE (UK, Steve McQueen, 2020)
Cross Reference: RED WHITE AND BLUE (UK, Steve McQueen, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED WHITE & BLUE (UK, Simon Rumley, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED WIDOW [TV] (US, 2013)

Call No: TITLE CLIPPINGS FILE; BLUE DOG in production
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016); RED DOG (AT, Kriv Stenders, 2011)
Summary: Filming has started for the film Blue Dog. The film is being made by the same team who worked on the hit film Red Dog

Call No: 45:93HIS
Author: Film and History Associationof Australia and New Zealand Conference (14th : 2008 : Dunedin, NZ)
Source: NZ
Place: Dunedin, NZ
Publisher: University of Otago - Department of Media, Film & Communication
PubDate: 2008
PhysDes: v, 223 p. ; 21 cm
Subject: CONFERENCES. AUSTRALIA. FILM AND HISTORY; HOLLYWOOD MEMORY IN FILMS; MOTION PICTURES - EUROPEAN; MOTION PICTURES - HISTORY; NEW ZEALAND; ASHBY, HAL; SCHLESINGER, JOHN; HALL, CONRAD; COPPOLA, FRANCIS FORD; NICHOLS, MIKE; CIMINO, MICHAEL; ALTMAN, ROBERT; KUBRICK, STANLEY; HILL, WALTER; SPIELBERG, STEVEN; KAURISMAKI, AKI; MILLER, GEORGE; FRENCH CONNECTION, THE (US, William Friedkin, 1971); ONE FROM THE HEART (US, Francis Ford Coppola, 1982); DAY OF THE LOCUST, THE (US, John Schlesinger, 1975); WITCHES OF EASTWICK, THE (US, George Miller, 1987); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-); GRADUATE, THE (US, Mike Nichols, 1967); STREETS OF FIRE (US, Walter Hill, 1984); LONG GOODBYE, THE (US, Robert Altman, 1973); MCCABE AND MRS MILLER (US, Robert Altman, 1971); SHINING, THE (UK, Stanley Kubrick, 1980); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); KENNY (AT, Clayton Jacobson, 2006); SYLVIA (NZ, Michael Firth, 1985); RED ROAD (UK/DK, Andrea Arnold, 2006); THIS IS ENGLAND (UK, Shane Meadows, 2006); STALINGRAD (GG, Joseph Vilsmaier, 1992); BAND OF BROTHERS (US, David Frannel & Tom Hanks & David Leland & Richard Loncraine & David Nutter & Phil Alden Robinson & Mikael Salomon & Tony To, 2001)
Summary: The film and history conference is held every two years and is an opportunity for international scholars, archivists and filmmakers to present their thoughts on recent debates and events in the fields of film history, history and film, national and transnational cinemas, film theory, film practice, and the importance of cinema to specific communities
Notes: "27-30 November 2008"- cover includes bibliographical reference and index
ISBN: 9780473138899; 9780473148867
Contents: v.1 refereed abstracts/ edited by Catherine Fowler and Rochelle Simmons- v. 2 select refereed papers/ edited by Hilary Radner and Pam fosser; Part 1: Re-thinking Film History. 1. What's new about New Cinema History/ Kate Bowles and Richard Maltby--Part 2: Memory and History 2. Fixing visual memories and history: film and the Chinese Cultural Revolution/ Paul Clark-- 3. Folding History back on itself / Dirk de Bruyn -- 4. Testimony and Memory : rewriteable video memoirs / Stephen Goddard -- Part 3: Australia and New Zealand. 5. this land speaks for " Us" : the price of milk and the articulation of New Zealand's "Difficult" history/ Scott Wilson -- the location of referents: double time, atemporality and colonial heritage cinema/ Olivia Macassey -- Part 4: European Narratives. 7. Still in the shadows : reconsidering history through intertextual references in Aki Kaurismaki's European films/ Sanna Peden-- 8. Imaging/imagining a history of violence: Red Road and This is England/ Steven Allen--9. " I am not a Nazi": The past as present in portrayals of wartime German forces in Stalingrad and Band of Brothers/ Stephanie Cousineau--10. Neoliberalism and the fate of the collective in recent German cinema/ Simon Ryan-- Part 5: Music and Historical Representation-- 11. The representation of Rapanui 9 Easter Island) in feature film/ Dan Bendrups-- 12. Beating the East german blues: musical representations of freedom in Leander Haussmann's Sonnenallee and Michael Schorr's Schultze gets the Blues/ Andrew Wright Hurley--Part 6 : Historical Fictions? Documentary, Mockumentary and the Biopic--13. Getting the story crooked: Errol Morris and Narrativist Historiography/ Pam Fossen -- Kenny and Australian cinema in the Howard era/ Lisa Milner -- 15. The life of Lady Lazarus? An analysis of the film Sylvia as historical document/Bronwyn Polaschek-- Part 7: Considering Hollywood -- 16. Battling Hollywood: The 1930 Trade War between the New Zealand government and Hollywood/ David Newman -- 17. Reality and pictoriality : Hollywood style from the 1970s to the 1980s/ Paul Ramaeker

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: REVENGE OF THE RED BALLOON, THE (US, Gregg Rossen, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RIVER RED (US, Eric Drilling, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ROSES ARE RED (AT, Marcella Hayward, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED SHADOW, THE [ROTE SCHATTEN, DER] (G, Dominik Graf, 2017)
Notes: Import Simon Strong_Batch 8

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RUDOLPH THE RED-NOSED REINDEER (US, Larry Roemer, 1964)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: SAS RED NOTICE (UK/HU/NL/SZ, Magnus Martens, 2020)

Call No: 81SCO STE
Author: Stern, Lesley
Place: London
Publisher: British Film Institute
PubDate: 1995
PhysDes: vii, 257 p. : ill. ; 24 cm
Subject: SCORSESE, MARTIN; REMAKES; RAGING BULL (US, Martin Scorsese, 1980); TAXI DRIVER (US, Martin Scorsese, 1976); CAPE FEAR (US, Martin Scorsese, 1991); CAPE FEAR (US, J. Lee Thompson, 1961); SEARCHERS, THE (US, John Ford, 1956); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); WIZARD OF OZ, THE (US, Victor Fleming, 1939); BLUE VELVET (US, David Lynch, 1986); DUEL IN THE SUN (US, King Vidor, 1946); GIRL CAN'T HELP IT, THE (US, Frank Tashlin, 1956); GONE WITH THE WIND (US, Victor Fleming, 1939); NIGHT OF THE HUNTER (US, Charles Laughton, 1955)
Notes: Includes bibliographical references and index
ISBN: 085170512X : ª35.00; 0851705138 (pbk.); 0253210119 (pbk); 0253329523 (hbk)
LON: bnb85170512; 11802839

Call No: 71(411) MAR
Author: Martin-Jones, David
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: c2010
PhysDes: ix, 254 p. : ill., ports. ; 24 cm
Subject: UNITED KINGDOM : SCOTLAND; SCOTLAND IN FILMS; LOCATION SHOOTING. SCOTLAND; LANDSCAPES IN FILMS. SCOTLAND; AE FOND KISS (UK, Ken Loach, 2004); AMERICAN COUSINS (UK, Don Coutts, 2003); BEAUTIFUL CREATURES (UK, Bill Eagles, 2000); CARLA'S SONG (UK/GG/SP, Kenneth Loach, 1996); DANNY THE DOG (FR/UK/US, Louis Leterrier, 2004); UNLEASHED (FR/UK/US, Louis Leterrier, 2004); DOG SOLDIERS (UK/LU, Neil Marshall, 2001); FESTIVAL (UK, Annie Griffin, 2005); GOVERNESS, THE (US, Sandra Goldbacher, 1998); GREGORY'S TWO GIRLS (UK/GG, Bill Forsyth, 1999); KANDUKONDIAN KANDUKONDAIN (II, Rajiv Menon, 2000); KUCH KUCH HOTA HAI (II, Karan Johar, 1998); LOCH NESS (UK, John Henderson, 1996); NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006); PYAAR ISHQ AUR MOHABBAT (II, Rajiv Raj, 2001); RED ROAD (UK/DK, Andrea Arnold, 2006); SECRET OF THE LOCH, THE (UK, Milton Rosmer, 1934); SOFT TOP HARD SHOULDER (UK, Stefan Schwartz, 1993); TICKETS (UK/IT/IR, Abbas Kiarostomi/Ken Loach/Ermanno Olmi, 2005); WATER HORSE: LEGEND OF THE DEEP, THE (US/UK, Jay Russell, 2007); WILD COUNTRY (UK, Craig Strachan, 2005); WOMEN TALKING DIRTY (US, Coky Giedroyc, 1999); YOUNG ADAM (UK/FR, David Mackenzie, 2003)
Summary: 'Scotland: Global cinema is the first book to focus on the explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmkers from all over the world - including Scotland, England, France, the United States, and India who braved the weather to shoot in Scotland. This book provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema.' - TAKEN FROM BACK COVER
ISBN: 9780748633920
Donation: donated by Senses of Cinema, 2013
Contents: 1. Comedy: Global/Local Identities / Gregory's Two Girls (1999), Festival (2005) -- 2. Road Movie: Scotland in the World / Soft Top, Hard Shoulder (1993), Carla's Song (1996), Tickets (2005) -- 3. Bollywood: Non-Resident Indian-Scotland / Kuch Kuch Hota Hai (1998), Kandukondain Kandukondain (2000), Pyaar Ishq aur Mohabbat (2001), Nina's Heavenly Delights (2006) -- 4. (Loch Ness) Monster Movie: A Return to Primal Scotland / The Secret of the Loch (1934), Loch Ness (1996), The Water Horse (2007) -- 5. Horror Film: History Hydes in the Highlands / Dog Soldiers (2002), Wild Country (2005) -- 6. Costume Drama: From Men in Kilts to Developing Diasporas / The Governess (1998), 7. Gangster Film: Glasgow's Transnational Identities / American Cousins (2003), Danny the Dog (2005) -- 8. Social Realist Melodrama: Middle-class Minorities and Floundering Fathers / Ae Fond Kiss (2004), On a Clear Day (2005) -- 9. Female Friendship/US Indie: Women Talking / Women Talking Dirty (1999), Beautiful Creatures (2000) -- 10. Art Cinema: The Global Limits of Cinematic Scotland / Red Road (2006), Young Adam (2003)

Call No: 626:159.964.2 GRE
Author: Greenberg, Harvey R
Place: New York
Publisher: Columbia University Press
PubDate: 1993
PhysDes: 277 p. : ill. ; 24 cm
Subject: PSYCHOANALYSIS AND THE CINEMA; CASABLANCA (US, Michael Curtiz, 1942); MALTESE FALCON, THE (US, John Huston, 1941); RED DAWN (US, John Milius, 1984); FIRST BLOOD (US, Ted Kotcheff, 1982); PSYCHO (US, Alfred Hitchcock, 1960); ALIEN (UK, Ridley Scott, 1979); BOSTONIANS, THE (UK/US, James Ivory, 1984); ALWAYS (US, Steven Spielberg, 1989); ENEMIES, A LOVE STORY (US, Paul Mazursky, 1989); WORKING GIRL (US, Mike Nichols, 1988)
Summary: Screen Memories delves into the psychological aspects of mainstream American movies ranging from Casablanca to Working Girl. While most psychoanalytic film criticism is highly theoretical, Greenberg writes in a candid, entertaining style that will appeal to cineasts and scholars alike. Beginning with a basic overview of psychoanalytic film criticism, Greenberg directs his focus on characters, motivations, and conflicts in detective, war, science fiction, and horror movies, as well as cult cinema. In "On the McMovie," he probes the hollow, escapist fare that emerged from Hollywood in the 1970s and 1980s and embraced nearly every genre. Greenberg zooms in on the pathological narcissism of heroes in such McMovies as Rambo and Top Gun; Screen Memories concludes by addressing two important films of the late 1980s. Greenberg decries Working Girl as a "Co-opt" film with a seemingly liberal agenda, which nevertheless mocks and subverts the very social advances it appears to affirm. But Enemies: A Love Story - with its humor, manic energy, and theme of renewal in the teeth of death - is seen as evidence of a tentative but hopeful return to quality in Hollywood
Notes: Includes bibliographical references (p. [241]-268) and index
ISBN: 0231072864 (acid-free paper)
LON: 92041710; 9733268

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEEING RED (US, Julia Reichart & James Klein, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEEING RED AND FEELING BLUE (AT, Jane Oehr, 1976)

Call No: TITLE CLIPPINGS FILE in production; BLUE DOG in production
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016); RED DOG (AT, Kriv Stenders, 2011)
Summary: Shooting has begun on the film Blue Dog, a film made by the same team that made the successful Australian film Red Dog

Call No: 408.1-054(=951) SIN
Author: Yue, Audrey (editor); Khoo, Olivia (editor)
Source: AU
Place: London ; New York
Publisher: Palgrave Macmillan
PubDate: 2014
PhysDes: xvi, 231 pages : illustrations ; 23 cm
Subject: CHINA IN FILMS; COPRODUCTION; COPRODUCTION. AUSTRALIA; COPRODUCTION. CHINA; CULTURE AND THE CINEMA. CHINA; CULTURE AND THE CINEMA; LANGUAGE AND THE CINEMA; MASCULINITY IN FILMS; NATIONAL IDENTITY AND THE CINEMA; SHORT FILMS; SINGAPORE; TAIWAN; TRANSNATIONAL CHINESE CINEMA; TRANSNATIONAL CINEMA; TRANSNATIONALISM AND THE CINEMA; SHIH, SHU-MEI; CHILDREN OF THE SILK ROAD, THE (AT/CC/GE, Roger Spottiswoode, 2007); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); FLIGHT OF THE RED BALLOON [VOYAGE DU BALLON ROUGE, LE] (FR, Hsiao-hsien Hou, 2008)
Summary: "Sinophone Cinemas considers a range of multilingual, multidialect and multi-accented cinemas produced in Chinese-language locations outside mainland China. Showcasing a variety of new and fascinating case studies from Britain, Hong Kong, Taiwan, Singapore and Australia, and canvassing a range of formats including commercial co-productions, short films, documentaries and independent films, the book highlights the contemporary screen cultures of Chinese-language communities situated on the margins of China and Chineseness. It engages new sites of localisation, multilingualism and differences that have emerged in Chinese film studies, ones that are not easily contained by the notion of diaspora. The chapters cover a number of historical periods, geographical locations, and critical and methodological perspectives, such as the political economy of Sinophone film production, distribution, consumption and regulation; cinematic practices of Chinese and non-Chinese language resistance, complicity and transformation; and Sinophone communities as sites of cultural production and visual economies." - BOOK BLURB
Notes: Contains list of figures and notes on Chinese names and film titles -- Includes filmography, bibliographic references and index
ISBN: 9781137311191
Contents: Part 1: Theorising Sinophone cinemas -- Framing Sinophone cinemas / Audrey Yue and Olivia Khoo -- Genealogies of four critical paradigms in Chinese-language film studies / Sheldon H. Lu -- Alter-centring Sinophone cinema / Yiman Wang -- Festivals, censorship and the canon: the making of Sinophone cinemas / Yifen T. Beus -- The voice of the Sinophone / Song Hwee Lim -- Singapore, Sinaphone, nationalism: sounds of language in the films of Tan Pin Pin / Olivia Khoo; Part 2: Contemporary Sinophone cinemas -- Mandarin pop-culture meets Tokyo jazz: gender and popular youth culture in late-1960s Hong Kong musicals / Jennifer Feeley -- Sinophone libidinal economy in the age of neoliberalization and mainlandization: masculinities in Hong Kong SAR and New Wave cinema / Mirana M. Szeto -- Singlish and the Sinophone: non-standard (Chinese/English) languages in recent Singaporean cinema / Alison M. Groppe -- British Chinese short films: challenging the limits of the Sinophone / Felicia Chan and Andy Willis -- Contemporary Sinophone cinema: Australia-China coproductions / Audrey Yue

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SKELTON, RED

Author: Harty, Jason
PhysDes: Article; Illustration(s)
Subject: RED HEART; SEVEN NETWORK; ARTIST SERVICES
Summary: David Champtaloup discusses the issues involved in merging network and independent production into a new production company.

Call No: 631.2-02 THO
Author: Thornham, Sue
CorpAuthor: 2019
Edition: 2019
Place: London
Publisher: Bloomsbury on behalf of the British Film Institute
PhysDes: x, 226 pages : index ; 24 cm
Subject: WOMEN FILMMAKERS; AMOUR FOU (AU/LX/GG, Jessica Hausner, 2015); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); BLUE STEEL (US, Kathryn Bigelow, 1989); CHAOS (FR, Coline Serreau, 2001); DAUGHTERS OF THE DUST (US, Julie Dash, 1991); FALLING, THE (UK, Carol Morley, 2014); MEEK'S CUTOFF (US, Kelly Reichardt, 2011); MRS DALLOWAY (US, Marleen Gorris, 1997); RED ROAD (UK/DK, Andrea Arnold, 2006); WHITE MATERIAL (FR/CM, Claire Denis, 2009); WINTER'S BONE (US, Debra Granik, 2010)
Summary: Sue Thornham explores issues of space, place, time and gender in feminist filmmaking through an examination of a wide range of films by contemporary women filmmakers, ranging from the avant-garde to mainstream Hollywood. Beginning from questions about space itself and the way it has been gendered, she asks how representation functions in relation to space and time, and how this, too, is gendered, before moving to an exploration of how such questions might be considered in relation to women's filmmaking. In sections dealing with spaces from wilderness to city, she analyses in detail how these issues have been dealt with by women filmmakers, addressing the work of filmmakers such as Jane Campion, Kathryn Bigelow, Julie Dash, Maggie Greenwald, Patricia Rozema and Carol Morley, and films including 'An Angel at My Table' (1990), 'Daughters of the Dust' (1991) 'The Ballad of Little Jo' (1993), 'Winter's Bone' (2010), 'Zero Dark Thirty' (2012) and 'The Falling' (2014). -- publisher's web site
ISBN: 9781844579112
Contents: list of figures -- acknowledgments -- Introduction: Space and Women's Cinema -- 1. Wilderness Spaces -- 2. City Spaces -- 3. Interior Spaces -- 4. Border Spaces -- 5. Doubled Spaces: the Landscapes of Adaptation -- Bibliography --- filmography -- index

Call No: CRAWFORD STILL SPE
Source: AT
Publisher: Crawford Productions [distributor]
PhysDes: 105 photographs : b&w ; 16 x 26 cm - 21 x 26 cm
Subject: ALDENHOVEN, LISA; MAGUIRE, GERARD; QUAST, PHILLIP; WOOD, JOHN; DUNCAN, CARMEN; FINCH, STUART; LESLEY, LORNA; SMILLIE, JIM; DIEDRICH, JOHN; SYMONS, RED; HOLDEN, FRANKIE J.; HAWKINS, ANTHONY; LANDIS, NINA; GILLING, REBECCA; TABOR, KEVIN; JAYME, DEBORAH; KERR, BRUCE; MCKAY, KERRY; ANDREWS, GAEL; CHILVERS, SIMON; REDSHAW, MARIE; BRYON, ANTOINETTE; SPECIAL SQUAD [TV](AT, 1984-1985)
Summary: Photographs relating to the TV series 'Special Squad'
Notes: Album 2 contains photographs from the following episodes of Special Squad: 'The Wurzburg Link', 'Same Time Friday', 'Duel', 'The Set-Up' and , 'Golden Run',
Donation: Gift of Crawford Productions

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STEPPING RAZOR - RED X (CN, Nicholas Campbell, 1993)

Call No: 632.2(73) THO
Author: Thompson, Kristin, 1950
Place: Cambridge, MA
Publisher: Harvard University Press
PubDate: 1999
PhysDes: 398 p. : ill. ; 23 cm
Subject: NARRATIVE IN FILMS; TOOTSIE (US, Sydney Pollack, 1982); BACK TO THE FUTURE (US, Robert Zemeckis, 1985); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); GROUNDHOG DAY (US, Harold Ramis, 1993); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); AMADEUS (US, Milos Forman, 1984); HUNT FOR RED OCTOBER, THE (US, John McTiernan, 1990); PARENTHOOD (US, Ron Howard, 1989); ALIEN (UK, Ridley Scott, 1979); HANNAH AND HER SISTERS (US, Woody Allen, 1986); FIELD, SYD; JAWS (US, Steven Spielberg, 1975); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes bibliographical references and index
ISBN: 0674839749 (cl. : alk. paper); 0674839757 (pbk. : alk. paper); 0674839757(pbk.) : ª15.50; 0674839749(cased) : ª30.95
LON: 14524218

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: SYMONS, RED

Call No: P KOK
PhysDes: 1 poster : col. ; 102 X 69 cm
Subject: KOKKINA FANARIA, TA (GR, Vasilis Georgiadis, 1963); RED LANTERNS, THE (GR, Vasilis Georgiadis, 1963)
Summary: Image: Sketched scenes from the movie. Text: ' Those Greek women are at it again/A brilliant jarring story about four women who make "Irma LaDouce" seem like a Sunday school frolic'.

Call No: TITLE CLIPPINGS FILE; MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972)
Author: Ron Cerabona
PhysDes: Clippings File Article
Subject: MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972)
Summary: Australia's first animated feature film has been restored and released on DVD, and will be introduced by one of the key men who worked on it, Cam Ford.

Call No: 759.3(41) MAC
Author: Macdonald, Chrissie
Source: AT
Place: Hartwell, Vic
Publisher: Sid Harta Publishers
PubDate: 2002
PhysDes: ix, 297 p. : ill., ports. ; 21 cm
Subject: COMEDY PROGRAMMES. UK; HUMOUR ON TV; RICHARDSON, PETER; MAYALL, RIK; PLANER, NIGEL; SAUNDERS, JENNIFER; FRENCH, DAWN; ALLEN, KEITH; COLTRANE, ROBBIE; EDMONDSON, ADRIAN; PEACOCK, DANIEL; YOUNG ONES, THE [TV] (UK, 1982-84); COMIC STRIP PRESENTS..., THE [TV] (UK, 1982-); RED DWARF [TV] (UK, 1988-93, 97); FILTHY RICH AND CATFLAP [TV] (UK, 1987); BOTTOM [TV] (UK, 1991-); SATURDAY NIGHT LIVE [TV] (US, 1975-); BIG GIG, THE [TV] (AT, Ted Robinson, 1989); ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996); HAPPY FAMILIES [TV] (UK, 1992); FRENCH AND SAUNDERS [TV] (UK, 1987-); VICAR OF DIBLEY, THE [TV] (UK, 1994); BLACKADDER [TV] (UK, 1983)
Summary: Some called it “alternative comedy”. Others called it “the new rock ‘n’ roll”. Whatever it was, it spawned “The Young Ones”. Comedy changed on the 9th November 1982 when Rick, Vyvyan, Neil and Mike infiltrated the safe world of the television sitcom. They farted, swore, hit each other and shouted a lot and comedy hasn’t been the same since. They weren’t nice; they were NASTY! This is the story of the conception and birth of “The Young Ones”, their ancestors, their playmates and, eventually, their offspring. [Taken from back cover]
Notes: Cover subtitle: The story of a revolution in the world of TV comedy. Includes index. Includes some short biographies of British comedians, producers and writers: p. 259-281. Bibliography: p. 283-4.
ISBN: 1877059242
Language: English

Call No: P FLI
Place: FR
PubDate: [2007]
PhysDes: 1 poster : colour ; 101 x 71cm
Subject: FLIGHT OF THE RED BALLOON [VOYAGE DU BALLON ROUGE, LE] (FR, Hsiao-hsien Hou, 2008)
Summary: Image: An illustration of a red balloon on the upper left corner. About the middle of the poster, there is an out-of-focus photograph of Suzanne (Juliette Binoche) playing with her son, Simon (Simon Iteanu). Near the bottom of the poster is a widescreen low-resolution photograph of the Paris skyline with the Eiffel Tower and the Notre Dame Cathedral. Text: FESTIVAL DE CANNES Official Selection Un Certain Regard 2007. LE CERCLE NOIR POUR F | I | D | E | L | I | O visa n 18141
Notes: Good condition, marks on the reverse side, creases
ID2: 337

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIO; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); DESTRY RIDES AGAIN (US, George Marshall, 1939); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
URL status: URL: 'http://-' Checked: 31/08/2021 1:14:06 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 79THI CHI
Author: Chion, Michel
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: 95 p. : ill. ; 19 cm
Series: BFI Film Classics
Subject: THIN RED LINE, THE (US, Terrence Malick, 1998)
Notes: Includes film credits
ISBN: 1844570444

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: THIN RED LINE, THE (US, Terrence Malick, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: RED TURTLE, THE [TORTUE ROUGE, LA] (JP/FR/BE, Michael Dudok de Wit, 2016)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: RED TURTLE, THE [TORTUE ROUGE, LA] (FR/BE/JA/US, Michael Dudok de Wit, 2016)
Cross Reference: RED TURTLE, THE [TORTUE ROUGE, LA]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: TRACES OF RED (US, Andy Wolk, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: THREE COLORS: RED [TROIS COULEURS: ROUGE] (FR/SZ/PL, Krzysztof Kieslowski, 1994)

Author: Anderson, James G.
PhysDes: Article
Subject: RED BADGE OF COURAGE, THE (US, John Huston, 1951); HUSTON, JOHN; ALDRICH, ROBERT; WAR FILMS
Summary: Essay compares and contrasts the approach of two directors, John Huston and Robert Aldrich, in conveying the complicated, and often ironic, issues of war.

Call No: TITLE CLIPPINGS FILE; RED DAWN (US, Dan Bradley, 2012)
Author: David Stratton
PhysDes: Clippings File Article
Subject: RED DAWN (US, Dan Bradley, 2012)
Summary: Review
Rating: 1.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FLIGHT OF THE RED BALLOON [VOYAGE DU BALLON ROUGE, LE] (FR, Hsiao-hsien Hou, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHEN YOU COMIN' BACK, RED RYDER? (US, Milton Katselas, 1979)

Subject: WOMAN IN RED, THE (US, Gene Wilder, 1984)
Summary: Review and Australian box-office figures for 'The Woman in Red'

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: WOMAN IN RED, THE (US, Gene Wilder, 1984)

Call No: 227.4KOE
Author: Koehler, William R.
CorpAuthor: `
Place: New York
Publisher: Howell Book House
PubDate: 1979
PhysDes: 252 p. : ill. ; 26 cm
Subject: ANIMALS IN FILMS; WALT DISNEY PRODUCTIONS; BIG RED (US/CA, Norman Tokar, 1962); INCREDIBLE JOURNEY, THE (CN/US, Flecher Markle, 1963); SHAGGY DOG, THE (US, Charles Barton, 1959); SWISS FAMILY ROBINSON (UK, Ken Annakin, 1960); THAT DARN CAT! (US, Robert Stevenson, 1965); THOSE CALLOWAYS (US, Norman Tokar, 1965); TOBY TYLER, OR TEN WEEKS WITH A CIRCUS (US, Charles Barton, 1960); UGLY DACHSHUND, THE (US, Norman Tokar, 1966)
ISBN: 0876058101
Donation: donated by the family of Wayne Levy, 2006