personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: McMULLEN, JEFF
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MURPHY,BRITTANY
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personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MIKE,MOORE
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personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MOWBRAY, COLIN
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personality clippings file
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journal article
in Australasian Cinema (28/1/1983) vol.12 iss.1 p.12
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journal article
in Australasian Cinema (16/07/1982) vol.11 iss.12 p.4
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clippings file
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journal article
2SM's unique 'Moving Out' promotional launch in Australasian Cinema (10/6/1983) vol.12 iss.10 p.3
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title clippings file
9/11: THE FALLING MAN : (US, Henry Singer, 2006)
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9 SONGS : (UK, Michael Winterbottom, 2004)
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19 WEEKS : (AT, Andrew Goodone, 2005)
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book
20 years from the waist up : tales of a TV news anchor / by Richard Morecroft Sydney: HarperCollins, 2002.
Call No: 81MOR MORAuthor: Morecroft, Richard Source: ATPlace: SydneyPublisher: HarperCollinsPubDate: 2002PhysDes: 285 p., [16]p. of plates : ill. (some col.), ports. (some col.) ; 24 cmSubject: AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; BROADCASTING. AUSTRALIA ; NEWS PRESENTERS. AUSTRALIA ; NEWS PROGRAMMES ; NEWS PROGRAMMES. AUSTRALIA ; TELEVISION ; TELEVISION. AUSTRALIA ; MORECROFT, RICHARD Summary: "Richard Morecroft is a familiar face in Australian homes... from the waist up! Now, in this collection of amusing anecdotes and surprising stories, Richard reveals the lighter side of life for a serious broadcaster. Why does our favourite news anchor have his own halo? Does a baby bat in his shirt help him read the headlines? And what's the worst mistake he's ever made on air? Then there are times when the public and private collide. Beaming into thousands of homes each night guarantees familiarity, but sometimes Richard gets more than he bargains for. Like being hugged and kissed in a lift by a complete stranger...Like being stalked in a car park by senior citizens...Like being accused of having a secret facelift...
Richard Morecroft has been the face of ABC television news for almost two decades. In addition to his familiar nightly news role, he has fronted current affairs and business programs, anchored election broadcasts, written and narrated wildlife and other documentaries, and hosted a range of educational producations.
... and what does he wear under the newsdesk?" -- BOOK BLURBISBN: 0732275105Contents: -- a bit below the belt -- foot in mouth disease -- a little nip and tuck -- the voice of god -- 'is that a flying fox in your pocket...?' -- the ties that blind -- 'im sorry, ill read that again -- getting on famously -- weather...or not -- sound system -- '...and it's good night from him' -- to sleep, perchance to...aargh! -- media exposure -- but I want to be a lion tamer! -- centrefolds and a cold shower -- animal antics -- write off! -- early daze -- twilight zone -- clive hale's eyebrow -- stage fright -- the truth, the whole truth... -- and that's the news to this minute -- richard's bio in brief --
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newspaper article
24 Hours : appointments in Sydney Morning Herald (12/03/2012) p.9
Call No: SUBJECT CLIPPINGS FILE; NATIONAL FILM AND SOUND ARCHIVEAuthor: - PhysDes: Clippings File ArticleSubject: NATIONAL FILM AND SOUND ARCHIVE Summary: The appointments and reappointments of members to the National Film and Sound Archive board
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Interim
book
The 25th Anniversary of the Bulgarian Film : El 25 aniversario del cine Bulgaro / Film Bulgaria Film Distribution State Enterprise, Sofia, 1969 (approx.).
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Yet to catalogue
book
35mm dreams / Sue Mathews Ringwood, Vic.: Penguin, 1984.
Call No: 802.25(94) MATAuthor: Mathews, Sue, 1952 Source: ATPlace: Ringwood, Vic.Publisher: PenguinPubDate: 1984PhysDes: 295 p. : ill., ports. ; 20 cmSubject: DIRECTORS. AUSTRALIA ; DIRECTION ; INDUSTRY, FILM. AUSTRALIA ; SCHEPISI, FRED ; WEIR, PETER ; ARMSTRONG, GILLIAN ; DUIGAN, JOHN ; MILLER, GEORGE Summary: "In this collection of interviews, five of Australia's most successful film directors discuss Australian cinema - from the startling resurgence of the industry to their roles as directors compared with those overseas. They talk about how films actually get made, their individual cinematic aspirations, and discuss issues such as whether Australian films should become more 'international'. These interviews make up a portion of new Australian cinema." [Book blurb]Notes: Australian cinema films. Directors. Interviews (ANB/PRECIS SIN 0699594); Australian cinema films (ANB/PRECIS SIN 0390917); Cover subtitle: Conversations with five directors about the Australian film revival; Filmography: p. 279-293ISBN: 0140067094 : $9.95 AustLON: anb14006709; 3025187ID2: 161
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newspaper article
48 years, but the Dame is back in Sunday Herald Sun (19/03/2017) p.14
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50 major film-makers / edited by Peter Cowie South Brunswick, N.J.: A. S. Barnes, c1975.
Call No: 802.25 FIFAuthor: Cowie, Peter Place: South Brunswick, N.J.Publisher: A. S. BarnesPubDate: c1975PhysDes: 287 p. : ill. ; 29 cmSubject: ANDERSON, LINDSAY ; ANTONIONI, MICHELANGELO ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; BONDARCUK, SERGEJ ; BRESSON, ROBERT ; BROOKS, RICHARD ; BUNUEL, LUIS ; CHABROL, CLAUDE ; DEMY, JACQUES ; DONNER, JORN ; DONSKOJ, MARK ; FELLINI, FEDERICO ; FORMAN, MILOS ; FRANJU, GEORGES ; FRANKENHEIMER, JOHN ; HAANSTRA, BERT ; HITCHCOCK, ALFRED ; ICHIKAWA, JUN ; IVENS, JORIS ; JANCSO, MIKLOS ; KAZAN, ELIA ; KOZINCEV, GRIGORIJ ; KUBRICK, STANLEY ; KUROSAWA AKIRA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; MAKAVEJEV, DUSAN ; MALLE, LOUIS ; MELVILLE, JEAN-PIERRE ; NEMEC, JAN ; OSHIMA NAGISA ; PASOLINI, PIER PAOLO ; PENN, ARTHUR ; POLANSKI, ROMAN ; RAY, SATYAJIT ; RESNAIS, ALAIN ; ROHMER, ERIC ; ROSI, FRANCESCO ; SCHLESINGER, JOHN ; SCHORM, EVALD ; SKOLIMOWSKI, JERZY ; TATI, JACQUES ; TORRE NILSSON, LEOPOLDO ; TROELL, JAN ; TRUFFAUT, FRANCOIS ; VISCONTI, LUCHINO ; WAJDA, ANDRZEJ ; WELLES, ORSON ; WIDERBERG, BO Notes: Includes filmographies and indexISBN: 0498012557 : $20.00LON: 723676ID2: 291
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50 years of TV week Sydney, NSW: ACP Magazines, 2007.
Call No: 915(94) TVSource: ATPlace: Sydney, NSWPublisher: ACP MagazinesPubDate: 2007PhysDes: 94 pages : colour illustrations ; 28 cmSeries: TV WeekSubject: TELEVISION JOURNALISM. AUSTRALIA ; McCune, Lisa ; MCLACHLAN, CRAIG ; NEWTON, BERT ; PARKER, GEORGIE Notes: "Souvenir 50th birthday issue"ISSN: 9313006007005Contents: 50th birthday -- Top 25 cover stars -- Star invterview: Georgie Parker -- Weddings -- The 1950s -- The 1960s -- TV Week memories: Bert and Patti Newton -- The 1970s -- The 1980s -- TV Week memories: Carig McLachlan -- The 1990s -- TV Week memories: Lisa McCune -- The 2000s -- '80s and '90s fashion -- Talkback and TV Week -- 50 years of goss -- Regulars -- Movies on TV -- Your TV listings -- Hot plots: overseas dramas and soaps -- Puzzles -- Overseas goss -- Aussie goss -- Birthday countdown: Amy Mizzi -- Features -- Neighbours: lessons in love -- Dancing with the stars: the final cha cha
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journal article
54th Academy Award Winners in Australasian Cinema (2/4/1982) vol.11 iss.5 p.4
PhysDes: ArticleSubject: ACADEMY AWARDS ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; HEPBURN, KATHARINE ; FONDA, HENRY ; BEATTY, WARREN ; STAPLETON, MAUREEN ; ON GOLDEN POND (US, Mark Rydell, 1981) ; REDS (US, Warren Beatty, 1981) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981) Summary: List of Academy Award winners for 1982.
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newspaper article
60 Minutes adds to Nine's woes in Sydney Morning Herald (26/08/2016) p.11
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: - PhysDes: Clippings File ArticleSubject: NINE NETWORK ; [SIXTY] 60 MINUTES (AT, 1979-) Summary: Report on the full-year financial results for the Nine Network, including the costs incurred regarding the 60 Minutes kidnapping saga
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100 Anime / Brophy, Philip London: British Film Institute, 2005.
Call No: 772 (52) BROAuthor: Brophy Philip CorpAuthor: BFIPlace: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 17 cm; 262 ppSeries: BFI Screen GuidesSubject: NEON GENESIS EVANGELION (JA, 199?) ; AKIRA (JA, Katsuhiro Otomo, 1989) ; SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1) ; BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998) ; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995) ; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988) ; STEAMBOY (JA, Katsuhiro Otomo, 2004) ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) ; JAPAN ; ANIMATION ; MANGA Summary: 100 Anime is an exhilarating guide to the wonderfully complex and beautifully disorientating world of Japanese animation - anime. Philip Brophy delves deep into the chaos of meaning engendered by anime's mutation of Eastern and Western themes, images and sounds, enabling the reader to navigate the post-war shock waves that still propel Japan's popular culture. Individual entries on 100 key anime films, from Akira to Spirited Away by way of Blue Seed, Ghost in the Shell and Neon Genesis Evangeleon, present plot synopses and discussion of the films' sources and influences and major themes, as well as information about the sub genre or genres to which each film belongs, and selected credits. Philip Brophy's introduction to the volume provides a framework for understanding the 100 films in terms of the vast anime industry, as well as explaining how the calligraphic tradition contributed to the development and popularity of anime, and highlighting the events and themes in Japanese culture that have shaped and are reflected in anime. [Taken from back cover]ISBN: 1844570843
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100 westerns / Edward Buscombe London: British Film Institute, 2006.
Call No: 736.1 BUSAuthor: Buscombe, Edward CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 248 p. : 17 cmSeries: BFI Screen GuidesSubject: WESTERNS ; NATIVE AMERICANS IN FILMS ; GENRES ; BUSCOMBE, EDWARD ; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIG SKY, THE (US, Howard Hawkes, 1952) ; BROKEN ARROW (US, Delmer Daves, 1950) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CALAMITY JANE (US, David Butler, 1953) ; COWBOY (US, Delmer Davies, 1958) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DEAD MAN (US, Jim Jarmusch, 1995) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DUEL IN THE SUN (US, King Vidor, 1946) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; FORT APACHE (US, John Ford, 1948) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; GO WEST (US, Buster Keaton, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; GREY FOX, THE (CN, Philip Borsos, 1982) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; IRON HORSE, THE (UK, John Ford, 1924) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LONG RIDERS, THE (US, Walter Hill, 1980) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MAN FROM LARAMIE, THE (US, Anthony Mann, 1955) ; MAN OF THE WEST (US, Anthony Mann, 1958) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; MISSOURI BREAKS, THE (US, Arthur Penn, 1976) ; MONTE WALSH (US, William A. Fraker, 1970) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; OPEN RANGE (US, Kevin Costner, 2003) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RAMROD (US, Andre de Toth, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RED RIVER (US, Howard Hawks, 1948) ; RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962) ; RIO BRAVO (US, Howard Hawks, 1959) ; SEARCHERS, THE (US, John Ford, 1956) ; SHANE (US, George Stevens, 1953) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; SHOOTING, THE (US, Monte Hellman, 1966) ; SHOOTIST, THE (US, Donald Siegel, 1976) ; STAGECOACH (US, John Ford, 1939) ; SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969) ; FA TALAI JONE (TH, Wisit Sasanatieng, 2000) ; TWO RODE TOGETHER (US, John Ford, 1961) ; ULZANA'S RAID (US, Robert Aldrich, 1972) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; VIVA MARIA (US, Louis Malle, 1965) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; DAVES, DELMER ; WAYNE, JOHN ; Stewart, James ; EASTWOOD, CLINT ; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]ISBN: 1844571122
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1915 / Roger McDonald Fontana Press, 1980.
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1956 Melbourne Olympic games : a collection guide / National Film and Sound Archive Canberra: The Archive, 1998.
Call No: 739.092(94) NATCorpAuthor: National Film and Sound Archive (Australia)Place: CanberraPublisher: The ArchivePubDate: 1998PhysDes: iii, 116, [4] p. ; 30 cmSubject: NATIONAL FILM AND SOUND ARCHIVE Notes: Includes indexISBN: 0642365121LON: abn98308162; 14135445
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journal article
'1984' wins awards Best Film, Best Actor in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.4
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journal article
1986 challenges showman in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.6
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book
The 1993 to 1994 Australian and New Zealand catalogue of New Films and Videos Australian Catalogue Publishing,
Call No: 029(94 / 931)CorpAuthor: Film Victoria; South Australian Film Corporation; Australian Film CommissionSource: ATPublisher: Australian Catalogue PublishingPhysDes: 470 p. ; 30 cmSubject: AUSTRALIA ; NEW ZEALAND ; DISTRIBUTION. AUSTRALIA ; FILM ; FILMOGRAPHIES Summary: "The 1993-94 Australian and New Zealand Catalogue of New Films and Videos is a guide to films and videos which Australian and New Zealand distributors have listed as available for loan, hire or sale to the general public" -- IntroductionNotes: Pre-1990/91 eds. entitled: Australian catalogue of new films and videos; Produced with the financial assistance and support of the Australian Film Commission and Film Victoria and South Australian Film CorporationISSN: 1035-8005Contents: -- forward and introduction -- category headings -- distributors' codes and addresses -- section 1 feature films -- section 2 educational and special interest programmes -- title index -- director's index --
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The 2004 awards in Empire (Australian Ed.) (June 2004) iss.39 p.75-82
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title clippings file
90210 [NINE ZERO TWO ONE ZERO] [TV] : (US, 2008)
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journal article
450,000' of historical film located in first year of "Lost Film Search" in Australasian Cinema (29/10/1982) vol.11 iss.19 p.22
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newspaper article
A-Maze-ing race to the top in Daily Telegraph [Hit] (10/09/2015) p.31
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poster
[A streetcar named desire : poster] 2014.
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The ABA's general approach to planning / Australian Broadcasting Authority [Australia]: Australian Broadcasting Authority, March 1998.
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Interim
book
Abbas Kiarostami : visions of the artist London, UK: 2005.
Call No: 81KIACorpAuthor: Iran Heritage FoundationSource: UKPlace: London, UKPubDate: 2005PhysDes: 33 p ; 21 cmSubject: KIAROSTAMI, ABBAS ; TA' M E GUILASS (IR, Abbas Kiarostami, 1997) ; [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002) ; VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999) ; ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994) ; NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990) ; KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989) Summary: Abbas Kiarostami is the most internationally celebrated Iranian cultural figure of the past and current century. He is a prolific and critically-acclaimed filmmaker, artist, photographer and poet; his work is visually simple and conceptually complex. [Taken from programme notes].Notes: Programme booklet
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Abbas Kiarostami / Mehrnaz Saeed-Vafa and Jonathan Rosenbaum Urbana, Ill ; Chicago: University of Illinois, 2003.
Call No: 81KIA SAEAuthor: Saeed-Vaffa, Mehrnaz ; Rosenbaum, Jonathan Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of IllinoisPubDate: 2003PhysDes: ix, 151 p. : ill. ; 22 cmSeries: Contemporary film directorsSubject: IRAN ; DOCUMENTARY DRAMAS ; KIAROSTAMI, ABBAS ; Rosenbaum, Jonathan ; SAEED-VAFFA, MEHRNAZ ; ABC AFRICA (IR, Abbas Kiarostami, 2001) ; NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990) ; MASHGH-E SHAB (IR, Abbas Kiarostami, 1989) ; ZENDEGI VA DIGAR HICH (IR, Abbas Kiarostami, 1992) ; TA' M E GUILASS (IR, Abbas Kiarostami, 1997) ; ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994) ; KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989) ; VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999) Summary: Connected by discussions between the authors on topics including the ethical dimensions of Kiarostami's style and the political implications of his films, this series of linked essays includes American and Iranian readings of his features and shorts. [taken from back cover]ISBN: 0252071115
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newspaper article
Abbott should back media change rules in Australian Financial Review [Editorials] (16/03/2015) p.42
Call No: SUBJECT CLIPPINGS FILE; MEDIA. AUSTRALIAAuthor: [editorial] PhysDes: Clippings File ArticleSubject: MEDIA AUSTRALIA ; OWNERSHIP TV. AUSTRALIA ; STATE AND TV. AUSTRALIA Summary: Supporting Communications Minister Malcolm Turnbull's push to 'liberate' Australia's media ownership laws, but worries that some established media companies are against the laws as they won't favour them.Notes: in the Media Australia. 2015 clippings file
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The ABC in review : national broadcasting in the 1980s / reported / by the Committee of Review of the Australian Broadcasting Commission Canberra: Australian Government Publishing Service, 1981.
Call No: 19ABC ABCAuthor: Dix, A. T. (Alexander Thomas), 1927 CorpAuthor: Committee of Review of the Australian Broadcasting CommissionSource: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1981PhysDes: 3 v.Subject: STATE AND TV. AUSTRALIA ; AUSTRALIAN BROADCASTING COMMISSION ; AUSTRALIAN BROADCASTING CORPORATION ; HISTORY OF TV. AUSTRALIA ; MEDIA AUSTRALIA ; BROADCASTING. AUSTRALIA Summary: A report by the Committee of Review of the Australian Broadcasting Commission into the functions and activites of the ABC. Volume 1 is a brief report into the findings of the Committee of Review, Volume 2 holds the detailed reportage in relation to the functions and the history and future of the ABC, Volume 3 holds 'a detailed analysis of Australian attitudes to the Australian Broadcasting Commission'Notes: -- Includes bibliographical references.
-- Volume 1. Summary report and principal recommendations of the Committee of Review of the ABC --Volume 2.: The ABC in review: report. -- V. 3: population and program policy studies -- Chairman: A.T. Dix -- A.G.P.S. cat. no.: 81 1253 1ISBN: 0642060568 (pbk. : v. 1) --
0642060576 (pbk. : v. 2) --
0642060584 (pbk. : v. 3) --Donation: donated by M. S. CounihanContents: Volume 1 -- Preface -- Part 1: Our General Conclusions -- National broadcasting in the 1980s-- Questions Australians would like answered about the ABC -- 1. Do we need an ABC? -- 2 Is the ABC used by only a minority of Australians? -- 3. Has the ABC's performance declined -- 4. How important is the ABC's independence? -- 5. Is the ABC ready for the challenge of broadcasting in the 1980s? -- 6. Why a National Broadcasting Organisation as well as an ABC? -- 7. Is the ABC's independence eroded by external controls? 8. Is there a morale problem in the ABC? -- 9. The ABC's internal problems: is it too bureaucratic? -- 10. The ABC's internal problems: is its organisation effective? -- 11. Should the ABC get more public money? -- 12. Should the ABC accept advertising? -- 13. Should the ABC make more money from marketing? -- 14. How much money can the ABC get from these other sources? -- 15. How appropriate is the ABC's financial management? -- 16. Is the ABC still the appropriate body to run schools broadcasts, symphony orchestras and Radio Australia? -- 17. Should he ABC have a second television channel? -- 18. Does the ABC take any notice of audience comments? 19. How much will the proposed changes cost? -- 20. Will the Committee of Review's recommendations be implemented? -- Part 2: Summary of principal recommendations -- Part 3: Our legislative recommendations
Volume 2 -- 1. Introduction -- 2. Summary of recommendations -- 3. The national broadcasting service: its place in the system -- 4. the origins and growth of national broadcasting in Australia -- 5. ABC independence and the public interest -- 6. The management of national broadcasting -- 7. The ABC and the audience -- 8. Development of the ABC'S radio networks -- 9. Development of the ABC's television network -- 10. Informing Australia: the ABC's primary role -- 11. Programming and programs -- 12. Some special program issues -- 13. The ABC and Australian content -- 14. The ABC and music -- 15. The ABC and education -- 16. Radio Australia -- 17. The ABC's archives and records -- 18. Merchandising -- 19. The funding of national broadcasting -- 20. Financial management and planning -- 21. Training -- 22. Personnel mnanagement and industrial relations -- 23. The oversea visits committee -- 24. Property and buildings -- 25. The national service transmitters and the planning of development -- 26. The structure of the organisation -- 27. Future issues for the ABC -- Attachments --
Volume 3 -- Part 1: National population study -- 1. Introduction to the report -- 2. Profiling the ABC audiences -- 3. The relationship between ABC and commerical audiences -- 4. Profiling other relevant media audience(s) -- 5. Awareness and knowledge of the ABC -- 6. The 'image' and 'position' of the ABC -- 7. ABC funding and relationship to government -- 8. The concept of sponsorship on ABC Television -- 9. Attitudes towards ABC radio and television program types -- 10. ABC ancillary services -- Part Two: ABC program policy study -- 1. Introduction -- 2. Overview of key findings -- 3. The ABC audience(s): contact, composition, targeting -- 4. Programming: development, evaluation, research and promotion -- 5: Commissioners and management: perceptions of role and effectiveness -- Part 3: The role of the ABC in the Australian community: an overview of results of two research studies -- 1. Introduction -- 2. Fact and fiction about ABC audiences -- 3. The image of the ABC -- 4. The measurement of audiences -- 5. Some future marketing and management issues for the ABC
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ABC-Netflix deal 'a waste of our taxes' in Daily Telegraph (10/11/2016) p.51
Call No: TITLE CLIPPINGS FILE; GLITCH [TV](AT, 2015-)Author: - PhysDes: Clippings File ArticleSubject: NETFLIX ; FILM VICTORIA ; AUSTRALIAN BROADCASTING CORPORATION ; SEVEN NETWORK ; GLITCH [TV](AT, 2015-) Summary: Comments by Seven West Media chairman Kerry Stokes regarding the funding of TV show GLITCH, which was partially funded by Australian public organisations and streaming company Netflix. Stokes is upset at Netflix co producing a show with Australian government funds that the Australian commercial broadcasters are unable
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australian broadcasting corporation
ABC sets new prime-time target of 60pc Australian content in Australian Financial Review [General news] (22/9/2015) p.10
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ABC tie-ins saddle up a winner in The Australian (22/05/2003)
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Brook, Stephen Subject: AUSTRALIAN BROADCASTING CORPORATION ; MERCHANDISING ; GRASSY, GRAHAME ; SADDLE CLUB, THE [TV] (AT, 2001-) Summary: The importance for the ABC to earn revenue from its products. A few paragraphs on how it does this with its contribution to the show The Saddle ClubNotes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- Graheme Grassby - GM ABC Consumer Publishing - "We have now sold over 50,000 videos and DVDs and 10,000 Saddle Club journals... We would net probably $2 per unit sold." Thus on just video and DVD sales, and the annual Saddle Club journal, upwards of $120,000 will flow directly into ABC coffers.
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Abel Gance / Steven Philip Kramer Boston: Twayne Publishers, May 1978.
Call No: 81 GAN KRAAuthor: Kramer, Steven Philip Edition: 1978Source: USPlace: BostonPublisher: Twayne PublishersPubDate: May 1978PhysDes: 200 p. : ill. ; 21 cm.Series: Twayne's theatrical arts seriesSubject: GANCE, ABEL ; GANCE, ABEL ; J'ACCUSE (FR, Abel Gance, 1938) ; NAPOLEON (FR, Abel Gance, 1927) ; ROUE, LA (FR, Abel Gance, 1922) ; GRAND AMOUR DE BEETHOVEN, UN (FR, Abel Gance, 1936) Notes: Includes index.; Bibliography: p. 175-183.; Filmography: p. 184-195.ISBN: 0805792546
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ABENDLAND : (GG/PO, Fred Kelemen, 1999)
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Aboriginality in Australian cinema : representations of Aborigines in selected features and documentaries, 1955-1987 / Karen Una Jennings 1987.
Call No: 451-054(=1-81) JENAuthor: Jennings, Karen Una CorpAuthor: Murdoch University. School of Human Communication. M.A. in Literature and Communication ProgrammePubDate: 1987PhysDes: iv, 167 leaves ; 30 cmSubject: ABORIGINAL AUSTRALIAN CINEMA ; AUSTRALIA ; JEDDA (AT, Charles Chauvel, 1955) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; JOURNEY AMONG WOMEN (AT, Tom Cowan, 1977) ; ELIZA FRASER (AT, Tim Bustall, 1976) ; MANGANINNIE (AT, John Honey, 1980) ; BACKLASH (AT, Bill Bennett, 1986) ; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986) ; MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979) ; TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; SISTER IF YOU ONLY KNEW (AT, Janet Isaac, 1975) Notes: Bibliography: p. 153-67LON: abn89090906; 9151758
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me and earl and the dying girl (us, alfonso gomez-rejon, 2015)
About life in AFR Weekend [Weekend Fin] (19 Sep 15) p.51
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ABOVE THE LAW : (US, Andrew Davis, 1988)
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Abrupt departure doesn't pass smell test in The Age (28/07/2015) p.19
Call No: SUBJECT CLIPPINGS FILE; NETWORK TENAuthor: Knight, Elizabeth PhysDes: Clippings File ArticleSubject: NETWORK TEN ; FOXTEL Summary: Discussion about the departure from Ten Holdings of Chief Executive Hamish McLennan, and why this looks odd considering Ten's strong performance in 2015. Some talk about Foxtel trying to take a stake in Ten and McLennan's supposedly cosy relationship with the Murdoch family
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Abrupt departure doesn't pass smell test in Canberra Times [Business News] (28/07/2015) p.7
Call No: MEDIA AUSTRALIAAuthor: Knight, Elizabeth PhysDes: Clippings File ArticleSubject: MEDIA AUSTRALIA Summary: Hamish McLennan is resigning the chairman's role at Ten Network. McLennon will be replaced by cheif operating officer Paul Anderson. Foxtel is waiting to be approved by the ACCC to invest $77 million into Ten. This would result in a 14.9 per cent shareholding.
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Absorbing look at Turkish lives in Weekend Australian [Review] (15/11/2014) p.15
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ACCC mergers unit set to rule on Ten-Foxtel deal in Australian Financial Review (19//) p.28
Call No: SUBJECT CLIPPINGS FILE; MEDIA AUSTRALIAAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: NETWORK TEN ; FOXTEL ; MEDIA AUSTRALIA Summary: Report on the Australian Competition and Consumer Commission who will be shortly ruling on the bid by Foxtel to purchase a stake in the Ten Network
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The accent is on perfection in Herald Sun [Hit] (21/01/2016) p.36
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An accented cinema : exilic and diaspora filmmaking / Hamid Naficy Princeton, N.J.: Princeton University Press, 2001.
Call No: 462-054.72 NAFAuthor: Naficy, Hamid Source: USPlace: Princeton, N.J.Publisher: Princeton University PressPubDate: 2001PhysDes: v, 374 p. : ill. ; 24 cmSubject: NATIONAL CULTURE AND THE CINEMA ; EMIGRANT FILM WORKERS ; EGOYAN, ATOM ; KHLEIFI, MICHEL ; NAIR, MIRA ; SOLANAS, FERNANDO E. ; AKERMAN, CHANTAL ; NADERI, AMIR ; MEKAS, JONAS ; MARKER, CHRIS ; GITAI, AMOS ; TARKOVSKY, ANDREI Notes: Includes bibliographical references and index.ISBN: 0691043914
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ACMAsphere Melbourne, Australia: Australian Communications and Media Authority, 2005.
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[Act of necessity : stills file]
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Acting male : masculinities in the films of James Stewart, Jack Nicholson, and Clint Eastwood / Dennis Bingham New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01 BINAuthor: Bingham, Dennis, 1954 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: x, 271 p. : ill. ; 24 cmSubject: MEN IN FILMS ; GENDER AND THE CINEMA ; WESTERNS ; SADISM / MASOCHISM IN FILMS ; HITCHCOCK, ALFRED ; Stewart, James ; NICHOLSON, JACK ; EASTWOOD, CLINT ; LAST DETAIL, THE (US, Hal Ashby, 1973) ; BEGUILED, THE (US, Don Siegel, 1971) ; CHINATOWN (US, Roman Polanski, 1974) ; DIRTY HARRY (US, Don Siegel, 1971) ; HARVEY (US, Henry Koster, 1950) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; TIGHTROPE (US, Richard Tuggle, 1984) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) Notes: Includes bibliographical references (p. [253]-263) and indexISBN: 0813520738; 0813520746 (pbk.)LON: 10548892
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Acting's real deal in Sunday Age [M] (09/08/2015) p.4
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Action and adventure cinema / edited by Yvonne Tasker Abingdon, Oxon: Routledge, 2004.
Call No: 730.3 TASAuthor: Tasker, Yvonne Source: UKPlace: Abingdon, OxonPublisher: RoutledgePubDate: 2004PhysDes: 414 p. ; 25 cmSubject: ACTION FILMS ; ADVENTURE FILMS ; STARS ; CHILDREN AND THE CINEMA ; MELODRAMA ; HISTORY OF CINEMA ; GENDER AND THE CINEMA ; VIOLENCE IN FILMS ; WOMEN IN FILMS ; WAR FILMS ; MEN IN FILMS ; MASCULINITY IN FILMS Summary: Traces the history of the action genre from its silent era beginnings. Examines action’s definition and how it works as well as critical reaction to the genre. Considers the social and political context (national identity, culture, gender, class, race and ethnicity) extending beyond Hollywood to Greece, Italy and Japan. Themes include aesthetics, industry and ideology. Examines individual films and serials The Hazards of Helen, The Wild Bunch, Dirty Dozen, Die Hard, Lara Croft: Tomb Raider and individual directors, including D.W. Griffith, Akira Kurosawa, Sam Peckinpah and Katherine Bigelow.Notes: Includes note and index.ISBN: 0 415 23507 3Contents: Part 1. History, criticism and style -- 'Trauma thrills': notes on early action cinema -- The 'culture war' of sensational melodrama, 1910-14 -- 'Child of commerce! bastard of art!': early film melodrama -- Action-adventure as Hollywood genre -- 'Dwight MacDonald and the historical epic' -- Part 2. Theorising action aesthetics -- 'Get ready for rush hour': the chronotope in action -- The colapse of reality and illusion in "The matrix" -- Guns and gas: investigating the 1970s car chase -- "Saving Private Ryan's" 'special affect' -- Part 3. Gender, stars, bodies -- Ready for action: "G.I. Jane", Demi Moore's body and the female combat movie -- Mas Macha: the new Latina action hero -- Beauty in motion: gender, spectacle and action babe cinema -- "Breakdown": what masculinity, class and US action-adventure films -- Maximus melodramaticus: masculinity, masochism and white male paranoia in contemporary Hollywood cinema -- The family in action -- Part 4. Nation, ethnicity and stardom -- The Hong Kong/Hollywood connection: stardom and spectacle in transnational action cinema -- Europeans in action! -- Greek war film as melodrama: women, female stars, and the nation as vicim -- Spaghetti western, genre criticism and national cinema: re-defining the frame of reference -- Part 5. Action, authorship and industry -- Genre and violence in the work of Kurosawa and Peckinpah -- "The dirty dozen": the contradictory nature of screen violence -- 'It's aimed at kids - the kid in everybody': George Lucas, "Star wars" and children's entertainment -- Man's favourite sport?: the action films of Kathryn Bigelow -- 'They call me "action woman": the marketing of Mimi Leder as a new concept in the high concept 'action' film.
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Actors, directors plead: don't devastate industry in Sydney Morning Herald [General news] (27/3/2018) p.10
Call No: TITLE CLIPPINGS FILE; NATIONAL CONTENT. AUSTRALIAAuthor: Galvin, Nick PhysDes: Clippings File_ArticleSubject: NATIONAL CONTENT. AUSTRALIA Summary: Short article on the recent open letter to the federal government from film/tv figures
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Adaptation, awards culture, and the value of prestige / Edited by Colleen Kennedy-Karpat and Eric Sandberg Cham, Switzerland: Springer International Publishing, 2017.
Call No: 753 ADAAuthor: Kennedy-Karpat, Colleen Place: Cham, SwitzerlandPublisher: Springer International PublishingPubDate: 2017PhysDes: ix, illustrations (colour), 22cmSeries: Palgrave studies in adaptation and visual cultureSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; AUTHORSHIP ; COMIC STRIPS ; CULTURE AND THE CINEMA ; INTERTEXUALITY ; TARANTINO, QUENTIN ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; MUSIC IN FILMS ; WOLF HALL [TV] (UK, 2015) Summary: This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature. -- [taken from publishers site]Notes: Includes indexISBN: 9783319528533Contents: 1.Adaptation and Systems of Cultural Value / Eric Sandberg -- 2.The Pulitzers Go to Hollywood / Thomas Leitch -- 3.Beware of Imitations: All about Eve (1950) / Laurence Raw -- 4.Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige / Eric Sandberg -- 5.Adapting Queerness, Queering Adaptation: Fun Home on Broadway / Joanna Mansbridge -- 6.Oliver's Auteurs: The Cases of Lean and Polanski / Jeffrey E. Jackson -- 7.Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha / Priyanjali Sen -- 8.The Fortunes of Jane Austen as Chick Lit and Chick Flick / Anne-Marie Scholz -- 9.Jazz, Prestige, and Five Great Gatsby Film Adaptations / Michael Saffle -- 10.Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige / Colleen Kennedy-Karpat -- 11.The Hollywood Remake Massacre: Adaptation, Reception, and Value / Laura Mee -- 12."How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet / Anna Blackwell.
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Adaptations : from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan London New York: Routledge, 1999.
Call No: 753 ADAAuthor: Cartmell, Deborah ; Whelehan, Imelda Source: US/UKPlace: London New YorkPublisher: RoutledgePubDate: 1999PhysDes: xvii, 247 p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ANIMATION ; BATMAN IN FILMS ; TELEVISION AND THE CINEMA ; TELEVISION IN FILMS ; CAMPION, JANE ; BATMAN [TV] (US, 1965-67) ; SCARLET LETTER, THE (US, Roland Joffe, 1995) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; EMMA (UK, Douglas McGrath, 1996) ; CLUELESS (US, Amy Heckerling, 1995) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; BATMAN (US, Tim Burton, 1989) ; [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996) Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURBNotes: Includes bibliographical references (p. 226-238) and indexISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)LON: 14255526Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan
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Adaptations: from short story to big screen : 35 great stories that have inspired great films / edited by Stephanie Harrison New York: Three Rivers Press, c2005.
Call No: 753.1 ADAAuthor: Harrison, Stephanie Edition: First editionSource: USPlace: New YorkPublisher: Three Rivers PressPubDate: c2005PhysDes: xix, 619 p. : ill. ; 24 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; SHORT CUTS (US, Robert Altman, 1993) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001) ; MINORITY REPORT (US, Steven Spielberg, 2002) ; FREAKS (US, Tod Browning, 1932) ; FLY, THE (US, Kurt Neumann, 1958) ; RE-ANIMATOR (US, Stuart Gordon, 1985) ; STAGECOACH (US, John Ford, 1939) ; MAN CALLED HORSE, A (US, Elliot Silverstein, 1970) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003) ; GHOST WORLD (US, Terry Zwigoff, 2001) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; MEET JOHN DOE (US, Frank Capra, 1941) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; TOMORROW (US, Joseph Anthony, 1972) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; SWIMMER, THE (US, Frank Perry, 1968) ; KILLERS, THE (US, Robert Siodmak, 1946) ; FALLEN IDOL, THE (UK, Carol Reed, 1948) ; MEMENTO (US, Christopher Nolan, 2000) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) ; RASHOMON (JA, Akira Kurosawa, 1950) ; DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960) ; LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; SMOKE (US, Wayne Wang, 1995) ; JESUS' SON (US, Alison Maclean, 1999) ; IN THE BEDROOM (US, Todd Field, 2001) ; [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948) ; MY FRIEND FLICKA (US, Harold D. Schuster, 1943) ; LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954) ; SMOOTH TALK (US/UK, Joyce Chopra, 1985) Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.Notes: Also issued onlineISBN: 1400053145Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --
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Adding to shock value in Weekend Australian [Review] (22/10/2016) p.14
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Address by Alan Finney MPEAQ convention, 1983 in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.14-15
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The address of the eye : a phenomenology of film experience / Vivian Sobchack Princeton, N.J.: Princeton University Press, 1992.
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Address to the 40th Annual Motion Picture Industry Convention / [address by Kim Williams, Chief Executive, Australian Film Commission, late 1985] 1985.
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The adolescent nation : re-imagining youth and coming of age in contemporary Australian film / Victoria Herche Heidelberg: Universitatsverlag Winter, 2021.
Call No: 71-053.6 HERAuthor: Herche, Victoria Edition: 2021Place: HeidelbergPublisher: Universitatsverlag WinterPubDate: 2021PhysDes: 252 pages : illustrated; 26 cmSeries: Anglistische Forschungen; 465Subject: YOUNG PEOPLE AND THE CINEMA. AUSTRALIA ; AUSTRALIA ; TEEN FILMS ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; TOOMELAH (AT, Ivan Sen, 2011) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; STONE BROS. (AT, Richard Frankland, 2009) ; LUCKY MILES (AT, Michael James Rowland, 2007) ; MOTHER FISH (AT, Khoa Do, 2010) ; TWO HANDS (AT, Gregor Jordan, 1999) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; DROWN (AT, Dean Francis, 2014) ; BEAUTIFUL KATE (AT, Rachel Ward, 2009) ; SOMERSAULT (AT, Cate Shortland, 2004) ; ADORATION (AT/FR, Anne Fontaine, 2013) ; SAPPHIRES, THE (AT, Wayne Blair, 2012) ; BRAN NUE DAE (AT, Rachel Perkins 2009) Summary: Deeply rooted in Australia’s construction as a young nation, ‘coming of age’ has been the defining narrative of Australia’s national cinema. This book provides the first study which systematically explores the ‘coming of age’ theme in Australian feature films produced since the turn of the millennium, foregrounding how films use a range of diverse (his)stories to respond to the centrality of this theme.
Rather than focussing on ‘coming of age’ mainly in its portrayal of a (successful) maturation process, this study explores the possibilities inherent in what is conceived of as a ‘permanently’ transitional ‘coming of age’ process, providing a crucial starting point for the re-definition of national fictions. A range of cinematic genres, including the road movie, crime film, sport film, romance and musical, is used to challenge and (to varying degrees) destabilise the national myth of Australia as a youthful, egalitarian society with a chance and ‘fair go’ for everyone. -- publisher's web siteISBN: 9783825369187
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The Adventures of Robin Hood (1938) in NFT (December 1973/January 1974) p.4
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[Adventures of Skippy, the : stills file]
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The aesthetic pleasures of girl teen film / Samantha Colling New York: Bloomsbury Academic, 2017.
Call No: 451-053.6(73) COLAuthor: Colling, Samantha Place: New YorkPublisher: Bloomsbury AcademicPubDate: 2017PhysDes: vii, 167 pages ; 24 cm.Subject: TEEN FILMS ; YOUNG PEOPLE IN FILMS ; MEAN GIRLS (US, Mark Waters, 2004) ; HAIRSPRAY (US, John Waters, 1988) ; HOUSE BUNNY, THE (US, Fred Wolf, 2008) ; WHAT A GIRL WANTS (US, Dennie Gordon, 2003) Notes: Includes bibliographical references and index.ISBN: 9781501349010Contents: Cinderella's pleasures: the power and pleasures of costume -- Celebrity glamour: space, place and visibility -- Sporting pleasures: the body as aesthetic surface -- Musical address: expansion, confinement and kinaesthetic contagion -- Music video aesthetics: the affects of spectacle -- Conclusions and future research.
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Aesthetics and neo-romanticism in film : landscapes in contemporary British cinema London, UK ; New York, NY.: I.B. Tauris & Co Ltd, 2014.
Call No: 633.3 (41)Author: Hockenhull, Stella Source: UKPlace: London, UK ; New York, NY.Publisher: I.B. Tauris & Co LtdPubDate: 2014PhysDes: ix, 236 p. : ill. ; 22 cm.Subject: BRITISH CINEMA ; AESTHETICS ; LANDSCAPES IN FILMS ; REALISM IN FILMS ; ART AND THE CINEMA ; EMOTION IN FILMS ; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002) ; LADIES IN LAVENDER (UK, Charles Dance, 2004) ; MISS POTTER (UK/US, Chris Noonan, 2006) ; LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006) ; WAR ZONE, THE (UK, Tim Roth, 1999) ; RATCATCHER (UK, Lynne Ramsey, 1999) ; CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006) ; [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002) ; NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006) ; LAST RESORT, THE (UK, Pawel Pawlikowski, 2000) ; MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004) ; QUEEN, THE (UK/IT/FR, Stephen Frears, 2006) Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9781848859012Donation: donated by Senses of Cinema, 2014
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Aesthetics of film / Jacques Aumont ... [et al.] ; translated and revised by Richard Neupert Austin: University of Texas Press, 1992.
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AFC stands on its record, Another $500,000 down the drain in Australasian Cinema (Friday, 26/10/1984) vol.13 iss.18 p.2
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L'Affaire Nina B. (1961) in Australian film guide vol.1 iss.12 p.45
Author: Reid, John Howard [editor, annotator & reviewer] PhysDes: ArticleSubject: AFFAIRE NINA B., L' (FR/GW, Robert Siodmak, 1961) ; AFFÄRE NINA B. (FR/GW, Robert Siodmak, 1961) ; NINA B. AFFAIR, THE (FR/GW, Robert Siodmak, 1961) Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - "L'Affaire Nina B." is also known as "Affäre Nina B." (West German title) and "The Nina B. Affair" (English title)
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AFI pre-selections challenged in Filmnews (Australia) (Sep-90) vol.XX iss.8 p.3
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[Afraid to dance : stills file] Seddell Pty Ltd,
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African American actresses : the struggle for visibility, 1900 - 1960 / Charlene Regester Bloomington: Indiana University Press, c2010.
Call No: 802.27(73)-054(=96) REGAuthor: Regester, Charlene Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: c2010PhysDes: xi, 405 p., 14 p. of plates : ill. 23 cmSubject: BLACK CINEMA. US ; ETHNIC GROUPS IN FILMS. USA ; MADAME SUL-TE-WAN ; BEAVERS, LOUISE ; MCKINNEY, NINA MAE ; WASHINGTON, FREDI ; MCDANIEL, HATTIE ; HORNE, LENA ; SCOTT, HAZEL ; WATERS, ETHEL ; DANDRIDGE, DOROTHY ISBN: 9780253221926Donation: donated by Senses of Cinema, 2013Contents: Introduction -- Madame Sul-Te-Wan : the struggle for visibility -- Nina Mae McKinney : early success and tumultuous career -- Louise Beavers : negotiating racial difference -- Fredi Washington : the masquerades and the masks -- Hattie McDaniel : centering the margin -- Lena Horne : actress and activist -- Hazel Scott : resistance to othering -- Ethel Waters : personification of otherness -- Dorothy Dandridge : intertwining the reel and the real -- Conclusion
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African cinema : politics & culture / Manthia Diawara Bloomington: Indiana University Press, 1992.
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After bumper year, what's next for local films in Saturday Age (09/01/2016) p.13
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIA. 2010'sAuthor: Hawker, Philippa PhysDes: Clippings File ArticleSubject: AUSTRALIA ; LOOKING FOR GRACE (AT, Sue Brooks, 2015) ; DAUGHTER, THE (AT, Simon Stone, 2015) ; SHERPA (AT/NP, Jennifer Peedom, 2015) ; MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015) ; GOLDSTONE (AT, Ivan Sen, 2016) ; JASPER JONES (AT, Rachel Perkins, 2017) ; LION (AT, Garth Davis, 2016) ; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016) Summary: Snippets on a number of Australian films that are scheduled to be released in cinemas in 2016
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After Stations the Australian Dream in Australian film review (7-20th June 1984) vol.2 iss.8 p.25
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After the great divide : modernism, mass culture, postmodernism / Andreas Huyssen Bloomington: Indiana University Press, 1986.
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Again with Oz's Ten in Variety (Online) (Apr 8, 2004)
Call No: DVD RESEARCH FOLDERAuthor: Groves, Don Subject: NETWORK TEN Summary: Interesting quote - "Ten didn't renew its output deal with Sony last year because it objected to high license fees for movies whose value for free-to-air webs has declined markedly in recent years. This year, ratings for movies aired Sunday nights on the three commercial webs have fallen by 12.5%, blamed on a doubling of DVD penetration to 51% in the past year."Notes: accessed from: Variety.com. Reed Business. AFI Research Collection, RMIT University. (14 May 2007).
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The age of the dream palace : cinema and society in Britain 1930-1939 / Jeffrey Richards London Boston: Routlege & K. Paul, 1984.
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Agee on film volume 2 : five film scripts by James Agee / by James Agee ; foreword by John Huston London: P. Owen, 1965.
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Agnes Varda between film, photography, and art / by Rebecca J. DeRoo Oakland, California: University of California Press, c2018.
Call No: 81VAR DERAuthor: DeRoo, Rebecca J. Source: USPlace: Oakland, CaliforniaPublisher: University of California PressPubDate: c2018PhysDes: x, 238 pages : illustrations ; 23 cmSubject: FILM ; CRITICISM ; FEMININITY IN FILMS ; FEMINISM AND THE CINEMA ; NOUVELLE VAGUE ; MOVEMENTS AND STYLES IN FILM HISTORY ; FRANCE ; VARDA, AGNES ; POINTE COURTE, LA (FR, Agnes Varda, 1954) ; BONHEUR, LE (FR, Agnes Varda, 1965) ; ONE SINGS, THE OTHER DOESN’T (FR/BE, Agnes Varda, 1977) ; DAGUERREOTYPES (FR/G, Agnes Varda, 1978) Summary: "Agnes Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture. " -- BOOK BACK COVERNotes: Includes bibliographical references and index; Also issued onlineISBN: 9780520279414Contents: -- Acknowledgments -- Reinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'iIe Et Elle -- Varda now: autobiography, memory, and retrospective -- notes -- bibliography -- index --
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Aim for the heart : the films of Clint Eastwood / Howard Hughes London ; New York: I.B. Tauris, 2009.
Call No: 81EAS HUGAuthor: Hughes, Howard Source: US/UKPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2009PhysDes: xxxi, 252 p. : ill. ; 25 cm.Subject: EASTWOOD, CLINT ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; TWO MULES FOR SISTER SARA (US, Don Siegel, 1969) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; COOGAN'S BLUFF (US, Don Siegel, 1968) ; DIRTY HARRY (US, Don Siegel, 1971) ; MAGNUM FORCE (US, Ted Post, 1973) ; ENFORCER, THE (US, James Fargo, 1976) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; TIGHTROPE (US, Richard Tuggle, 1984) ; CITY HEAT (US, Richard Benjamin, 1984) ; DEAD POOL, THE (US, Buddy Van Horn, 1988) ; ROOKIE, THE (US, Clint Eastwood, 1990) ; IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993) ; PERFECT WORLD, A (US, Clint Eastwood, 1993) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; PLAY MISTY FOR ME (US, Clint Eastwood, 1971) ; BREEZY (US, Clint Eastwood, 1973) ; BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; BRONCO BILLY (US, Clint Eastwood, 1980) ; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980) ; PINK CADILLAC (US Buddy van Horn, 1989) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; BIRD (US, Clint Eastwood, 1988) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) ; SPACE COWBOYS (US, Clint Eastwood, 2000) ; MYSTIC RIVER (US, Clint Eastwood, 2003) ; MILLION DOLLAR BABY (US, Clint Eastwood, 2004) ; THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974) ; EIGER SANCTION, THE (US, Clint Eastwood, 1975) ; ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979) ; ABSOLUTE POWER (US, Clint Eastwood, 1997) ; TRUE CRIME (US, Clint Eastwood, 1999) ; BLOOD WORK (US, Clint Eastwood, 2002) ; WHERE EAGLES DARE (US, Brian G. Hutton, 1969) ; KELLY'S HEROES (US, Brian G. Hutton, 1970) ; FIREFOX (US, Clint Eastwood, 1982) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006) ; LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006) Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story.
Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURBNotes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and indexISBN: 9781845119027Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.
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title clippings file
AL EN XX SZAZADOM [MY TWENTIETH CENTURY] : (HU, Ildiko Enyedi, 2018)
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title clippings file
AL-MUMMIA : (UA, Chadi Abdel Salam, 1969)
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journal article
Alan Ladd, Jr. appt'd pres./chief opperating officer MGM/UA Ent. in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.5
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national content. australia
Alarm bells for Aussie drama in The Australian [Media] (02/11/2015) p.29
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Albert and David Maysels : interviews / edited by Keith Beattie Jackson, Miss.: University of Mississippi, 2010.
Call No: 81MAYSLES ALBSource: USPlace: Jackson, Miss.Publisher: University of MississippiPubDate: 2010PhysDes: xxxix, 188 p. ; 24 cmSeries: Conversations with filmmakers seriesSubject: MAYSLES, ALBERT ; MAYSLES, DAVID ; MAYSLES, ALBERT & DAVID ISBN: 9781604733655Contents: Albert and David Maysles / Mark Shivas -- The Maysles Brothers and "direct cinema" / Maxine Haleff -- A discussion with the Maysles Brothers / James Blue -- An interview with the Maysles Brothers / Jonas Mekas -- A interview with Albert and David Maysles / Bob Sitton-- Salesman / Alan Rosenthal -- Circumstantial evidence : an interview with David and Albert Maysles / Robert Phillip Kolker -- Seeking to take the longest journey : a conversation with Albert Maysles / Calvin Pryluck -- Who's who in filmmaking : Albert Maysles / Judith Trojan -- "Doco direct" et al / Jane Castle -- Real artists shoot "real farmers" / Brooke Comer -- The making of concert of wills : making the Getty Center / Ann Hassett -- Man of the people / Brooke Comer -- Albert Maysles : all you need is love / Jackson Pellow -- Stories that tell themselves / Anne S. Lewis -- Albert Maysles / Liz Stubbs -- The force of reality in direct cinema : an interview with Albert Maysles / Sharon Zuber -- Maysles on DIFF, Castro, flies on walls, and the poetic eye / Marty Mapes -- Albert Maysles / Shana Liebman -- "A Bible salesman or the Rolling Stones : they're all just people" / Geoffrey Macnab -- Uncontrolled cinema : Albert Maysles / Williams Cole -- Reel life / Lance Avery Morgan
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The Alexander Medvedkin Reader / Alexander Medvedkin; Translated by Nikita Lary and Jay Leyda Chicago; London: The University of Chicago Press, 2016.
Call No: 620 MED LARAuthor: Medvedkin, Alexander Place: Chicago; LondonPublisher: The University of Chicago PressPubDate: 2016PhysDes: xv, 356 pages : illustrations ; 24 cmSeries: Cinema and modernitySubject: MEDVEKIN, ALEXANDER ; MARKER, CHRIS ; SCHASTYE [HAPPINESS] (UR, Alexander Medvedkin, 1935) Summary: "Filmmaker Alexander Medvedkin (1900–89), a contemporary of Sergei Eisenstein and Alexander Dovzhenko, is celebrated today for his unique form of “total” documentary cinema, which aimed to bridge the distance between film and life, as well as for his use of satire during a period when the Soviet authorities preferred that laughter be confined to narrowly prescribed channels. This collection of selected writings by Medvedkin is the first of its kind and reveals how his work is a crucial link in the history of documentary film. Although he was a dedicated Communist, Medvedkin’s satirical approach and social critiques ultimately led to his suppression by the Soviet regime. State institutions held back or marginalized his work, and for many years, his films were assumed to have been lost or destroyed. These texts, many assembled for this volume by Medvedkin himself, document for the first time his considerable achievements, experiments in film and theater, and attempts to develop satire as a major Soviet film genre. Through scripts, letters, autobiographical writings, and more, we see a Medvedkin supported and admired by figures like Eisenstein, Dovzhenko, and Maxim Gorky." -- Publisher's websiteNotes: Includes notes, glossary and index; translated from RussianISBN: 9780266296272Donation: Senses of CinemaContents: On the front lines of war and revolution -- 1. Cavalry days -- 2. The kino-train: 294 days on wheels -- 3. Soldiers shooting films -- Scripts -- 4. A little log (1930) --5. Stop thief! (1930) -- 6. Fruit and vegetables (1930) -- 7. A cock and bull story (1931) -- 8. Hey fool, what a fool you are! (1931) -- 9. Tit (1932) -- 10. Look what love did! (1932) -- 11. A crazy locomotive (1932) -- 12. “The Unholy Force” (1966) -- 13. “Gogol” (1941) -- Satire—a militant art -- 14. The elation of fighting (ca. 1985) -- 15. Satire: An assailant’s weapon (ca. 1966) -- 16. Bronze monuments -- 17. Springboards (ca. 1985) -- Contextualizations -- 18. Eisenstein on Medvedkin’s chaplinesque genius -- 19. Anatoli Lunacharsky, “Film Comedy and Satire” (excerpt) -- 20. Nikolai Izvolov, “Alexander Medvedkin and the Traditions of Russian Film” -- CVs and addenda -- 21. First “Autobiography”: A Bolshevik’s CV -- 22. Second “Autobiography”: A filmmaker’s CV -- 23. Marina Goldovskaia, Interviews with Medvedkin (excerpts) -- 24. The suppression of happiness -- 25. Color film in happiness
remembrance and revival -- 26. The kino-train filmography (trans. Jay Leyda) -- 27. Surviving kino-train films -- 28. Nikita Lary, “History of The Alexander Medvedkin Reader” -- 29. Chris Marker, “The Last Bolshevik”
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Alfred Hitchcock and the making of Psycho / Stephen Rebello London: Mandarin, 1992.
Call No: 79 PSY REBAuthor: Rebello, Stephen Place: LondonPublisher: MandarinPubDate: 1992PhysDes: x, 224 p., [16] p. of plates : ill., ports ; 20 cm.Subject: BLOCH, ROBERT ; HITCHCOCK, ALFRED ; BASS, SAUL ; STEFANO, JOEY ; HERRMANN, BERNARD ; MILES, VERA ; PSYCHO (US, Alfred Hitchcock, 1960) ; DIABOLIQUES, LES (FR, Henri-Georges Clouzot 1955) Notes: Originally published: London : Boyars, 1990.
Bibliography: p. 207-211. Includes index.ISBN: 0749309709Contents: Foreword -- 1. The Awful Truth -- 2. The Novel -- 3. The Director -- 4. The Deal -- 5. The Screenplays -- 6. Preproduction -- 7. Shooting -- 8. Postproduction -- 9. Publicity -- 10. The Release -- 11. Afterglow and Aftermath
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journal article
Alfred Hitchcock on music in films in Hitchcock annual (1994) p.149-157
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book
Alice doesn't : feminism, semiotics, cinema / Teresa de Lauretis Bloomington: Indiana University Press, 1984.
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Interim
book
Alice in Movieland / by Alice M. Williamson New York: D. Appleton Company, 1928.
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book
Alien : the special effects / Don Shay and Bill Norton London: Titan Books, 1997.
Call No: 236ALI SHAAuthor: Norton, Bill ; Shay, Don Edition: First editionSource: UKPlace: LondonPublisher: Titan BooksPubDate: 1997PhysDes: 144 p. : ill. (some col.), ports. (some col.) ; 21 x 23 cmSubject: SPECIAL EFFECTS ; CINEMATOGRAPHY ; TECHNOLOGY AND THE CINEMA ; TECHNOLOGICAL DEVELOPMENTS ; COSTUME DESIGNING ; SCIENCE-FICTION FILMS ; MONSTERS IN FILMS ; COMPUTERS AND THE CINEMA ; ALIEN (UK, Ridley Scott, 1979) ; ALIEN 3 (US, David Fincher, 1992) ; ALIENS (US, James Cameron, 1986) Summary: "Discover how the amazing special effects in Alien, Aliens, and Alien3 were achieved in this inside, in-depth, look behind the scenes. All the secrets of these visually stunning and innovative blockbuster films are contained in this first, exciting, collaboration between Titan books and respected special effects magazine Cinefex. " -- BOOK BLURBNotes: "This collection comprises three articles originally published in Cinefex magazine" - t.p. versoISBN: 1852866950Contents: -- alien: creating an alien ambience by Don Shay -- aliens: this time it's war by Don Shay -- alien3: zealots and xenomorphs by Bill Norton ---
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Alien zone II : the spaces of science-fiction cinema / edited by Annette Kuhn London New York: Verso, 1999.
Call No: 735.1 KUHAuthor: Kuhn, Annette Place: London New YorkPublisher: VersoPubDate: 1999PhysDes: 308 p. : ill. ; 20 cmSubject: SCIENCE-FICTION FILMS ; CITIES IN FILMS ; BODY IN FILMS ; DIGITAL TECHNOLOGY ; UTOPIA IN FILMS ; FANS ; INTERNET AND THE CINEMA ; MASCULINITY IN FILMS ; POSTMODERNISM AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; SPECTATORSHIP ; ADAPTATIONS. WELLS, H.G. ; VAN DAMME, JEAN-CLAUDE ; SCHWARZENEGGER, ARNOLD ; CREED, BARBARA ; TRUMBULL, DOUGLAS ; JOHNNY MNEMONIC (US, Robert Longo, 1995) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; BLADE RUNNER (US, Ridley Scott, 1982) ; ALIEN [...] (UK/US, 1979-92) ; ALIEN (UK, Ridley Scott, 1979) ; ALIENS (US, James Cameron, 1986) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; BRAZIL (UK, Terry Gilliam, 1985) ; DEMOLITION MAN (US, Marco Brambilla, 1993) ; MAX HEADROOM [TV] (US, 1987-89) ; METROPOLIS (G, Fritz Lang, 1926) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and indexISBN: 1859842593 (paper); 1859847463 (cloth)LON: 20466609
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journal article
All ears in If magazine (Dec 1999-Jan 2000) iss.20 p.78-79
Author: McLeod, Ashley PhysDes: Article; Illustration(s)Subject: MICROPHONES Summary: Provides advice on selecting a microphone.
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still
[All the rivers run : production still with Sigrid Thornton and Gus Mecurio]
Call No: TITLE STILL AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 20 x 26 cm.Subject: ALL THE RIVERS RUN [TV] (AT, 1983) ; THORNTON, SIGRID ; MECURIO,GUS Summary: Production still taken of Sigrid Thornton(in the role of Delie) and Gus Mecurio (in the role of Tom Critchley) on the beachNotes: Sticker on the back of the photograph with title of production, names of actors in the image and their characters names.
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Crawford collection
crawford publicity all
[All the rivers run. Publicity ]
Call No: CRAWFORD PUBLICITY ALLPhysDes: 1 box ; 38 x 25 x 9 cmSubject: RATINGS FOR TV AUSTRALIA ; THORNTON, SIGRID ; MILLER, GEORGE T. ; ALL THE RIVERS RUN [TV] (AT, 1983) Summary: Newspaper clippings, journal reviews, press kit and publicity brochure for All The Rivers RunDonation: Gift of Crawford ProductionsContents: ! box containing the following material:
1 manilla folder containing Australian newspaper and magazine press clippings from March 1983 to August 1985 (19 leaves), a review from The Hollywood Reporter dated Jan 20, 1984 and an attached memo (2 leaves), 5 copies of a review in Variety dated September 14, 1983 -- 1 publicity brochure for All The Rivers Run -- 1 manilla folder containing the press kit (83 leaves) , folder labelled 'original press book'
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All the stars in heaven : Louis B. Mayer's M-G-M / Gary Carey London: Robson, 1982, c1981.
Call No: 81MAY CARAuthor: Carey, Gary Place: LondonPublisher: RobsonPubDate: 1982, c1981PhysDes: xiv, 320 p., [18] p. of plates : ill., ports ; 24 cmSubject: Metro-Goldwyn-Mayer ; MAYER, LOUIS B. Notes: American cinema films. Production. Mayer, Louis B.. -Biographies (BNB/PRECIS); Originally published: New York : Dutton, 1981; Bibliography: p. 307-309; Includes IndexISBN: 0860511642 : ª7.95 : CIP revLON: bnb86051164; 2151955
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Crawford collection
still
[All the way : album #1] / Greg Noakes Crawford Productions [distributor], [1988?].
Call No: CRAWFORD STILL ALLSource: ATPublisher: Crawford Productions [distributor]PubDate: [1988?]PhysDes: 21 photographs : b&w ; 26 x 20 cm + 9 slides : col. + 1 photograph : col. ; 26 x 21 cm + 1 transparency : col. ; 10 x 13 cm + 4 proof sheets : col. ; 32 x 9 cm + 2 proof sheets : b&w ; 25 x 25 cmSubject: CRAWFORD PRODUCTIONS ; SACKS, MARTIN ; SUMNER, PETER ; WALLACE, ROWENA ; MENDELSOHN, BEN ; McKENZIE, JACQUELINE ; MILLAR, MAGGIE ; SMITHERS, JOY ; HENSLEY, LISA ; ALL THE WAY [TV] (AT, 1988) Summary: Photographs and slides relating to the series 'All the way'Notes: Images are arranged by record type (photographs, slides, transparency then proof sheets)Donation: Gift of Crawford Productions
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Crawford collection
crawford publicity all
[All the way. Publicity material]
Call No: CRAWFORD PUBLICITY ALLPhysDes: 1 box ; 38 x 25 x 9 cmSubject: SMITHERS, JOY ; SUMNER, PETER ; MILLER, DENNIS ; SACKS, MARTIN ; WALLACE, ROWENA ; MCDONALD, DOMINIC ; TAYLOR, GRIGOR ; MENDELSOHN, BEN ; HENSLEY, LISA ; MAMMONE, ROBERT ; ALL THE WAY [TV] (AT, 1988) Summary: Publicity brochure, press kit, promotional material, actors profiles and series credits for 'All the way'Donation: Gift of Crawford ProductionsContents: 1 brochure for 'All the way' -- press kit (23 leaves) -- promotional material (3 leaves) -- actors profiles ( 14 leaves plus duplicates) -- credits (2 folders)
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newspaper article
All you ever want to know about SEX - and how it sells in Courier-Mail (28/02/2004) p.75-76
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Allegories of cinema : American film in the sixties / David E. James Princeton, N.J.: Princeton University Press, 1989.
Call No: 771.1(73) JAMAuthor: James, David E., 1945 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1989PhysDes: xiii, 388 p. : ill. ; 26 cmSubject: UNDERGROUND FILMS ; POLITICAL FILMS ; BLACK POWER FILMS ; WOMEN AND THE CINEMA ; ART CINEMA. USA ; VIETNAM WAR FILMS ; BRAKHAGE, STAN ; ANGER, KENNETH ; WARHOL, ANDY ; MEKAS, JONAS ; FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974) ; EASY RIDER (US, Dennis Hopper, 1969) Notes: Includes index; Bibliography: p. 362-377ISBN: 0691047553 (alk. paper); 0691006040 (pbk.)LON: 5820741Contents: Stan Brakage, p29-57 -- Andy Warhol, p58-84 -- Jonas Mekas, p100-118 -- "Film that cannot be one: Kenneth Anger" p149-155 -- "Yvonne Rainer: Film about a woman who...", p326-334 -- "Allegories of production: Easy rider", p12-17 -- "Cinema and black liberation", p177-194 -- "Film and the war: representing Vietnam", p195-212 --
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serial
The Alliance Redfern, NSW: Media, Entertainment and Arts Alliance, 1992.
Call No: held Nov./Dec. 1992- incompleteCorpAuthor: Media, Entertainment and Arts Alliance (Australia); Alliance (Redfern, N.S.W.)Source: ATPlace: Redfern, NSWPublisher: Media, Entertainment and Arts AlliancePubDate: 1992PhysDes: v. : ill. ; 37 cmSubject: MEDIA, ENTERTAINMENT AND ARTS ALLIANCE Notes: Cover titleISSN: 1324-4140Order Notes: CurrentFrequency: BimonthlySpecial Issues: Walkley Yearbook 1997; Entertainment Edition. June 1999; Equity Edition. May 1999; Walkley Magazine Aug. 1999; Walkley Yearbook Summer 2000LON: abn93022751; 9778344
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journal article
Along Film Row in Australasian Cinema (27/5/1983) vol.12 iss.9 p.10-11
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journal article
Along Film Row in Australasian Cinema (25/3/1983) vol.12 iss.5 p.6-7
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journal article
Along Film Row in Australasian Cinema (11/2/1983) vol.12 iss.2 p.6-7
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journal article
Along Film Row in Australasian Cinema (12/11/1982) vol.11 iss.20 p.10-11
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journal article
Along Film Row in Australasian Cinema (15/10/1982) vol.11 iss.18 p.8
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journal article
Along Film Row in Australasian Cinema (6/8/1982) vol.11 iss.14 p.12, 14-15
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journal article
Along Film Row in The Australasian Cinema (2/4/1982) vol.11 iss.5 p.10-12
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Alternative scriptwriting / Ken Dancyger and Jeff Rush Boston: Focal Press, 1995.
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Interim
book
Alternative worlds in Hollywood cinema : Resonance between realms / James Walters Chicago: Intellect, 2008.
Call No: 735.3 (73) WALAuthor: Walters, James Source: USPlace: Bristol; ChicagoPublisher: IntellectPubDate: 2008PhysDes: 232 p. : ill. ; 23 cmSubject: FANTASTIC FILMS ; FANTASY FILMS ; DREAMS IN FILMS ; MEMORY IN FILMS ; INNOCENCE IN FILMS ; REPETITION IN FILMS ; TIME IN FILMS ; POINT-OF-VIEW ; NARRATIVE IN FILMS ; FLEMING, VICTOR ; LANG, FRITZ ; GONDRY, MICHEL ; CAPRA, FRANK ; RAMIS, HAROLD ; MINNELLI, VINCENTE ; ROSS, GARY ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944) ; ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; BRIGADOON (US, Vincente Minnelli, 1954) ; PLEASANTVILLE (US, Gary Ross, 1998) ; DONNIE DARKO (US, Richard Kelly, 2001) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; ABRE LOS OJOS (SP, Alejandro Amenabar, 1997) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history.
"Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)Notes: Includes Filmography, Bibliography and IndexISBN: 9781841502021
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Altman on Altman / Robert Altman and David Thompson (ed.) London: Faber and Faber, 2005.
Call No: 81ALT THOAuthor: Altman, Robert and Thompson, David Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 2005PhysDes: xxii, 306p. ; b+w ill. : 22cm.Subject: ALTMAN, ROBERT ; M*A*S*H (US, Robert Altman, 1969) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; THIEVES LIKE US (US, Robert Altman, 1974) ; CALIFORNIA SPLIT (US, Robert Altman, 1974) ; NASHVILLE (US, Robert Altman, 1975) ; BUFFALO BILL AND THE INDIANS (US, Robert Altman, 1976) ; QUINTET (US, Robert Altman, 1979) ; PERFECT COUPLE, A (US, Robert Altman, 1979) ; HEALTH (US, Robert Altman, 1980) ; POPEYE (US, Robert Altman, 1980) ; COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982) ; STREAMERS (US, Robert Altman, 1983) ; SECRET HONOR (US, Robert Altman, 1984) ; FOOL FOR LOVE (US, Robert Altman, 1985) Summary: In these conversations with David Thompson, Altman reflects on his start in industrial filmmaking, as well as his tenure in television directing Alfred Hitchcock Presents and Bonanza, and his big break in feature films as the director of the enormously popular M*A*S*H, a project for which he was the last possible resort behind fourteen other directors. The resulting portrait reveals a quixotic man whose films continue to delight and challenge audiences, both in the United States and beyond.Notes: Includes index and bibliographyISBN: 0571220894
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Alvin Purple / Catharine Lumby Strawberry Hills, NSW: Currency Press ., 2008.
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journal article
Alyssa McClelland in Empire (Australian Ed.) (December 2004) iss.45 p.443
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The ambiguous image : narrative style in modern European cinema / Roy Armes London: Secker and Warburg, 1976.
Call No: 71(4) ARMAuthor: Armes, Roy, 1937 Place: LondonPublisher: Secker and WarburgPubDate: 1976PhysDes: 255 p. : ill., ports. ; 22 cmSeries: Cinema twoSubject: EUROPEAN COUNTRIES ; NARRATIVE IN FILMS Notes: Includes index; Bibliography: p. 243-250ISBN: 0436018004 : ª6.50; 0436018012 (pbk.) : ª5.50LON: 796984 796984
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America, Americans : America, America in NFT (August 1983) p.2-8
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The American animated cartoon : a critical anthology / edited by Danny Peary and Gerald Peary New York: Dutton, c1980.
Call No: 772(73) AMEAuthor: Peary, Gerald ; Peary, Danny, 1949 Edition: 1st edPlace: New YorkPublisher: DuttonPubDate: c1980PhysDes: x, 310 p. : ill. ; 23 cmSubject: ANIMATED FILMS. USA ; ROAD RUNNER ; DAFFY DUCK ; GOOFY ; MICKEY MOUSE ; MIGHTY MOUSE ; POPEYE ; [MISTER] MR MAGOO ; WARNER BROS. ; FLEISCHER STUDIO ; UPA ; DISNEY, WALT ; GRIFFIN, GEORGE ; HUEMER, DICK ; JONES, CHUCK ; CLAMPETT, BOB ; MCCAY, WINSOR ; AVERY, TEX ; BLANC, MEL ; HUBLEY, FAITH & JOHN ; HANNA, WILLIAM ; BAKSHI, RALPH ; BRAY, JOHN RANDOLPH ; LANTZ, WALTER ; HARMAN, HUGH ; WRIGHT, PRESCOTT ; MCKIMSON, ROBERT ; TYTLA, VLADIMIR ; DUMBO (US, Walt Disney, 1941) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; BAMBI (US, David Hand, 1942) Notes: Includes bibliographies and indexISBN: 0525476393 : $10.95LON: 1776676
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American-Australian cinema : transnational connections / edited by Adrian Danks, Stephen Gaunson and Peter C. Kunze Cham, Switzerland: Palgrave Macmillan, c2018. Available at ProQuest (RMIT login required)
Call No: 408.3 (73/94) AMEAuthor: Danks, Adrian (ed.) ; Gaunson, Stephen (ed.) ; Kunze, Peter C. (ed.) Source: SZ/ATPlace: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: c2018PhysDes: xvii, 333 pages : illustrations ; 22 cmSubject: TRANSNATIONAL CINEMA ; TRANSNATIONALISM AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA ; NATIONAL CULTURE IN FILMS ; AUSTRALIA ; USA ; GLOBALISATION ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; MAD MAX (AT, George Miller, 1979) ; NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008) ; BABADOOK , THE (AT, Jennifer Kent, 2014) ; PETER PAN (US, P.J. Hogan, 2003) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) Summary: "This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s." -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9783319666754Donation: Stephen GaunsonContents: -- 1 Where I'm Calling From: An American-Australian Cinema? / Peter C Kunze -- pt I Across the Pacific: Looking to America -- 2 Rudimentary Modernism: Ken G Hall, Rear-Projection and 1930s Hollywood / Adrian Danks -- 3 Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life / Leslie DeLassus -- 4 Representations and Hybridizations in First Nation Cinema: Change and Newness by Fusion / Jane Mills -- 5 Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona / Fincina Hopgood -- pt II The View From There: Australian Films in the US -- 6 Accented Relations: Mad Max on US Screens / Tessa Dwyer -- 7 Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood / Peter C Kunze -- 8 Australian Horror Movies and the American Market / Mark David Ryan -- 9 The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of The Babadook / Amanda Howell -- pt III Here and There: Crossing Between Australian, US and International Cinemas -- 10 American Cartel: Block Bookings and the Paramount Plan / Stephen Gaunson -- 11 The Multiplex Era / Jock Given -- 12 "Zest to the jaded movie palate": Wallace Worsley, Scott R Dunlap and The Romance of Runnibede / Jeannette Delamoir -- 13 Defining Neverland: P J Hogan, J M Barrie and Peter Pan in Post-Mabo Australia / Jerod Ra'Del Hollyfield -- 14 Baz Luhrmann's The Great Gatsby Telling a National Iconic Story Through a Transnational Lens / Lesley Hawkes -- index --
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American directors : volume 1 / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.1Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; BERKELEY, BUSBY ; BORZAGE, FRANK ; BROWN, CLARENCE ; CAPRA, FRANK ; CHAPLIN, CHARLES ; CUKOR, GEORGE ; CURTIZ, MICHAEL ; DAVES, DELMER ; DEMILLE, CECIL B. ; DWAN, ALLAN ; FLEMING, VICTOR ; FORD, JOHN ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; KING, HENRY ; LA CAVA, GREGORY ; LANG, FRITZ ; LEROY, MERVYN ; LEWIS, JOSEPH H. ; LUBITSCH, ERNST ; MAMOULIAN, ROUBEN ; MANN, ANTHONY ; MCCAREY, LEO ; PREMINGER, OTTO ; SHERMAN, VINCENT ; SIRK, DOUGLAS ; STAHL, JOHN M. ; VON STERNBERG, JOSEF ; STEVENS, GEORGE ; STURGES, PRESTON ; TOURNEUR, JACQUES ; ULMER, EDGAR G. ; VIDOR, KING ; WALSH, RAOUL ; WELLMAN, WILLIAM ; WILDER, BILLY ; WYLER, WILLIAM Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.2Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; ALDRICH, ROBERT ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOETTICHER, BUDD ; BOGDANOVICH, PETER ; BROOKS, RICHARD ; CASSAVETES, JOHN ; CASTLE, WILLIAM ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DASSIN, JULES ; DE PALMA, BRIAN ; DMYTRYK, EDWARD ; DONEN, STANLEY ; EASTWOOD, CLINT ; EDWARDS, BLAKE ; FLEISCHER, RICHARD ; FRANKENHEIMER, JOHN ; FULLER, SAMUEL ; HARRINGTON, CURTIS ; KAZAN, ELIA ; KELLY, GENE ; KERSHNER, IRVIN ; KUBRICK, STANLEY ; LEWIS, JERRY ; LOGAN, JOSHUA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; Lupino, Ida ; MANKIEWICZ, JOSEPH L. ; MINNELLI, VINCENTE ; PARRISH, ROBERT ; Peckinpah, Sam ; PENN, ARTHUR ; POLLACK, SYDNEY ; POLONSKY, ABRAHAM ; RAFELSON, BOB ; RAFELSON, BOB ; RAY, NICHOLAS ; RITCHIE, MICHAEL ; ROSSEN, ROBERT ; SCORSESE, MARTIN ; SIDNEY, GEORGE ; SIEGEL, DON ; SPIELBERG, STEVEN ; STURGES, JOHN ; TASHLIN, FRANK ; WELLES, ORSON ; WISE, ROBERT ; ZINNEMANN, FRED Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American dreaming : the films of John Cassavetes and the American experience / Raymond Carney Berkeley: University of California Press, 1985.
Call No: 81CAS CARAuthor: Carney, Raymond Place: BerkeleyPublisher: University of California PressPubDate: 1985PhysDes: x, 335 p. : ill. ; 24 cmSubject: CASSAVETES, JOHN ; FACES (US, John Cassavetes, 1968) ; GLORIA (US, John Cassavetes, 1980) ; HUSBANDS (US, John Cassavetes, 1970) ; KILLING OF A CHINESE BOOKIE, THE (US, John Cassavetes, 1976) ; MINNIE AND MOSKOWITZ (US, John Cassavetes, 1971) ; SHADOWS (US, John Cassavetes, 1960) ; TOO LATE BLUES (US, John Cassavetes, 1961) ; WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) Notes: Includes index; Filmography: p. 313-327; Bibliography: p. 307-311ISBN: 0520050991LON: 3055051Contents: Faces, p82-118 -- Gloria, p272-288 -- Husbands, p119-139 -- The Killing of a Chinese Bookie, p217-245 -- Minnie and Moskowitz, p140-183 -- Shadows, p20-62 -- Too Late Blues, p 63-77 -- A Woman Under the Influence, p184-216
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American ethnographic film and personal documentary : the Cambridge turn / Scott MacDonald Berkeley: University of California Press, 2013.
Call No: 769(73) MACAuthor: MacDonald, Scott Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2013PhysDes: viii, 415 pages : ill. ; 24 cmSubject: ETHNOGRAPHIC FILMS ; DOCUMENTARIES. USA ; MARSHALL, JOHN ; GARDNER, ROBERT ; ASCH, TIMOTHY ; PINCUS, ED ; WEINSTEIN, MIRIAM ; GUZZETTI, ALFRED ; MCELWEE, ROSS ; MOSS, ROBB ; DAVENPORT, NINA ; ASCHER, STEVEN ; JORDAN, JEANNE ; NEGROPONTE, MICHEL ; GIANVITO, JOHN ; OLCH, ALEXANDER ; SIEGEL, AMIE ; BARBASH, ILISA ; CASTAING-TAYLOR, LUCIEN Summary: "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. "--ISBN: 9780520275621Contents: Machine generated contents note: A Tentative Overview of Boston-Area Documentary Filmmaking -- Ethnographic Film and Personal Documentary -- Pragmatism: Learning from Experience -- The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn -- Subjects for Further Research -- Acknowledgments -- 1.Lorna and John Marshall -- Beginnings: Lorna Marshall and First Film -- John Marshall: The Hunters -- Idylls of the !Kung -- Pedagogy -- Expulsion from Eden: Bitter Melons and Nlai, the Story of a !Kung Woman -- The Pittsburgh Police Films and Brakhage's Eyes -- Putting Down the Camera and Picking Up the Shovel -- The Road Taken: A Kalahari Family -- A Process in Time -- 2.Robert Gardner -- East Coast/West Coast: Early Experiments -- Gardner and the Marshalls -- Dead Birds -- The Experience of Filmmaking as Thought Process -- Robert Fulton: Reality's Invisible---"Serious Playing Around" -- Screening Room: Midnight Movies -- City Symphony: Forest of Bliss --
Contents note continued: The Return of the Repressed: Ika Hands -- Still Journeying On: Unfinished Examinations of a Life -- Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence -- 3.Timothy Asch -- Dodoth Morning and the Ethnographic Deadpan -- Asch and the Yanomamo -- The Ax Fight -- 4.Ed Pincus and the Emergence of Personal Documentary -- The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument -- Ed Pincus's Diaries (1971--1976) -- Alfred Guzzetti: Family Portrait Sittings -- Guzzetti: It's a Small World -- Guzzetti: Time Exposure -- 5.Alfred Guzzetti and Personal Cinema -- Air -- Experimental Video: "Language Lessons" -- Scylla and Charybdis -- Still Point -- 6.Ross McElwee -- Finding a Muse: Charleen -- Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's Backyard -- Doppleganger: Sherman's March -- Nesting Dolls: Time Indefinite -- On the Road Again: Six O'Clock News --
Contents note continued: Occupational Hazards: Bright Leaves -- Orpheus: In Paraguay and Photographic Memory -- 7.Robb Moss -- Riverdogs: A Possible Eden -- The Tourist: "Freelance Editing" -- Voyage of Life: The Same River Twice -- 8.Panorama: Other Approaches to Personal Documentary -- Steven Ascher and Jeanne Jordan: Families in Transition -- Michel Negroponte: Getting Involved -- Leacock and Lalonde -- The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the Attic -- The Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies -- Alexander Olch's The Windmill Movie: "This Little Seance of Flickering Light" -- Amie Siegel's DDR/DDR -- 9.Lucien Castaing-Taylor and Sensory Ethnography -- Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass -- "Sheeple": Castaing-Taylor's Audio-Video Installations --
Contents note continued: The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Verena Paravel, and Leviathan
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The American film musical / Rick Altman London: British Film Institute, 1989.
Call No: 751 ALTAuthor: Altman, Rick Place: LondonPublisher: British Film InstitutePubDate: 1989PhysDes: [386] p. : ill. ; 26cmSubject: MUSICALS. USA ; ASTAIRE, FRED ; BERKELEY, BUSBY ; EDDY, NELSON ; GARLAND, JUDY ; MACDONALD, JEANETTE ; MAMOULIAN, ROUBEN ; ROGERS, GINGER ; VIDOR, KING ; AMERICAN IN PARIS, AN (US, Vincente Minnelli, 1951) ; APPLAUSE (US, Rouben Mamoulian, 1929) ; OKLAHOMA! (US, Fred Zinneman, 1955) Notes: American cinema films: Musicals. - Critical studies (BNB/PRECIS); Originally published: Bloomington : Indiana University Press, 1987; Includes indexISBN: 0851702279 (pbk) : ª12.95 : CIP confirmedLON: 6008672 6008672
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American film now : the people, the power, the money, the movies / by James Monaco New York: New American library, 1979.
Call No: 71(73) MONAuthor: Monaco, James Source: USPlace: New YorkPublisher: New American libraryPubDate: 1979PhysDes: 544 p. : ill. ; 24 cmSubject: MOTION PICTURES - HISTORY ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOGDANOVICH, PETER ; BROOKS, MEL ; CASSAVETES, JOHN ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; LUCAS, GEORGE ; MAZURSKY, PAUL ; RITCHIE, MICHAEL ; SCORSESE, MARTIN ; SPIELBERG, STEVEN ; SCHRADER, PAUL ; SIMON, NEIL Summary: "Hollywood movies today are bigger - but are they better than ever? In this major examination of modern American cinema, one of our leading film critics ponders this question - and produces a wide-screen picture of the answer. Here in detail are the careers and creative milestones of the new "Whiz Kids" of hollywood - such glittering names as Scorsese, De Palma, Lucas, Spielberg, Altman, Mazursky, and Coppola. Here are the new masters of comedy - Neil Simon, Mel Brooks, Woody Allen. Here are the blockbusters that made fiscal history- Jaws, The Exorcist, the Godfather, Star Wars, Close Encounters of the Third Kind, Nashville, Superman, and all the others. Here, too, are the masterpieces that passed unnoticed, and the disasters that Hollywood would like to forget. Here are the new writers turning out novelizations of screenplays and screenplays of novels, and the current and rising stars who collectively represent America's vision of glamour and aristocracy. Above all, here is a bottom-line report on the new economics that have turned Hollywood from an old-fashioned industry centered on making movies into a "leisure-time" business obsessed with making money for coporate owners. Add to this a complete rundown of the top critics' choice for the best films of the decade, and a comprehensive "Who's Who" in current American filmmaking, and you have American Film Now- the definitve guide to the film industry as it is today and as it will be tomorrow." BOOK BLURBNotes: Includes index.Donation: donated by Senses of Cinema, 2010Contents: -- 1 Properties and packages: Getting started, building "projects", the rules of the game -- 2 Products and profits: conglomeration, the cash flow, slicing the pie, agenting -- 3 The entertainment machine: " Eat, swim, play, not talk!", the family of genres, the quarks of film -- 4: The people who make movies: the assets, Obiter Dicta: major contributors, the rest of the crew -- 5 The Whiz kids: Peter Bogdanovich, Billy Friedkin, Martin Scorsese, Brian De Palma, George Lucas, Steven Spielberg, Paul Schrader -- 6 The black film ( and the black image): Hello, Sam; Ossie davis, Gordon Parks, Melvin Van Peebles, Bill Gunn, Michael Schultz -- 7 The importance of being funny: comics and comedians: whats funny?, the genre and the style, the sunshine boys make movies: Neil Simon, Mel Brooks, Woody Allen -- 8 Myth, reality, and other ways of meaning: Realism and documentary, the mythos and ethos, myth for myth's sake, "If you want to send a message, call Western Union", The way we live now -- 9 Who's talking? Cassavetes, Altman, and Coppola: John Cassavetes and the mystiwue of the actor, Robert Altman and the myth of the character, Francis Coppola: the Stinky Kid as mogul -- 10 Who's talking? Ritchie and Mazursky: Michael Ritchie the ironist, Paul Mazursky the satirist -- 11 The fourth estate: Begelmania, A new constellation, What is to be done? -- The Data -- Critics and critical choices -- the best films of the decade -- ten major filmographies: Woody Allen, Robert Altman, John Cassavetes, Francis Coppola, Brian De Palma, George Lucas, Paul Mazursky, Michael Ritchie, Martin Scorsese, Steven Spielberg -- reading about American film now: a guide -- references -- Who's who in Americn film now?: writers, directors, actors, actresses, producers, cinematographers, composers, designers, special effects, sound -- index -- credits
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American history/American film : interpreting the Hollywood image / edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr New York: Ungar, c1979.
Call No: 409(73) AMEAuthor: O'Connor, John E ; Jackson, Martin A Place: New YorkPublisher: UngarPubDate: c1979PhysDes: xxix, 290 p. : ill. ; 22 cmSubject: NATIONAL IDENTITY IN FILMS. USA ; NATIONAL CULTURE AND THE CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLACK CINEMA. US ; WORKING CLASS IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; HISTORICAL FILMS. USA ; WORLD WAR II FILMS. USA ; HISTORY AND THE CINEMA. USA ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; SCAR OF SHAME, THE (US, Frank Peregini, 1927) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; WAY DOWN EAST (US, David Wark Griffith, 1920) ; BIG PARADE, THE (US, King Vidor, 1925) ; DRUMS ALONG THE MOHAWK (US, John Ford, 1939) ; MISSION TO MOSCOW (US, Michael Curtiz, 1943) ; BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946) ; RED RIVER (US, Howard Hawks, 1948) ; VIVA ZAPATA (US, Elia Kazan, 1952) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; ROCKY (US, John G. Avildsen, 1976) Notes: Includes index; Bibliography p. 279-282ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95LON: 1282547
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American history, American television : interpreting the video past / edited by John E. O'Connor ; foreword by Erik Barnouw New York: Ungar, c1983.
Call No: 45:93 OCOAuthor: O'Connor, John E Source: USPlace: New YorkPublisher: UngarPubDate: c1983PhysDes: xliii, 420 p. : ill. ; 22 cmSeries: Ungar film librarySubject: HISTORY AND TV.USA ; ALLEN, ROBERT ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; ETHNIC GROUPS AND TV ; BRIAN'S SONG (US, Buzz Kulik, 1971) ; BUSH [GEORGE SNR.] ON TV ; COLD WAR ON TV ; COMEDY PROGRAMMES. USA ; COMMERCIALS.TV.USA ; KENNEDY FAMILY ON TV ; MARTY (US, Delbert Mann, 1954) ; MILTON BERLE SHOW, THE (US, 1954-56) ; NEWS PROGRAMMES.USA ; NIXON [RICHARD M.] ON TV ; POLITICAL PERSONALITIES ON TV.USA ; POLITICS AND TV. USA ; ROOTS [TV] (US, 1977) ; SEE IT NOW [TV] (US, 1951-58) ; SOAP OPERAS. USA ; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55) Notes: Includes index; Bibliography: p. 395-405ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95LON: 2795583
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American horrors : essays on the modern American horror film / edited by Gregory A. Waller Urbana: University of Illinois Press, c1987.
Call No: 735.2 WALAuthor: Waller, Gregory A. (Gregory Albert), 1950 Place: UrbanaPublisher: University of Illinois PressPubDate: c1987PhysDes: 228 p., [10] p. of plates : ill. ; 23 cmSubject: HORROR FILMS. USA ; DE PALMA, BRIAN ; POLANSKI, ROMAN ; HALLOWEEN (US, John Carpenter, 1978) ; HELL NIGHT (US, Thomas De Simone, 1981) ; HOWLING, THE (CN, Joe Dante, 1981) ; REPULSION (UK, Roman Polanski, 1965) ; LOCATAIRE, LE (FR, Roman Polanski, 1976) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; EXORCIST, THE (US, William Friedkin, 1973) ; EYES OF LAURA MARS (US, Irvin Kershner, 1978) ; EYES OF A STRANGER (US, Ken Wiederhorn, 1981) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; FRIDAY THE 13TH [...] (US, 1980-) Notes: Includes index; Filmography: p. [195]-205; Bibliography: p. [206]-219ISBN: 0252014480 (pbk. : alk. paper); 0252014472 (hard : alk. paper)LON: 5194657
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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AMERICAN INDIANS IN FILMS
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American-Jewish filmmakers : traditions and trends / David Desser and Lester D. Friedman Urbana: University of Illinois Press, 1993.
Call No: 802.25-054(=924) DESAuthor: Desser, David ; Friedman, Lester D Place: UrbanaPublisher: University of Illinois PressPubDate: 1993PhysDes: x, 318 p. : ill. ; 23 cmSubject: ALLEN, WOODY ; BROOKS, MEL ; LUMET, SIDNEY ; MAZURSKY, PAUL ; JEWS AND THE CINEMA. USA ; DIRECTORS. USA ; JEWS IN FILMS. USA Notes: "An Illini book"--Cover; Includes bibliographical references (p. [297]-307) and indexISBN: 0252015649 (cl : acid-free paper); 0252063015 (pb : acid-free paper)LON: 9606171Contents: Woody Allen, p36-104 -- Mel Brooks, p105-159 -- Sidney Lumet, p160-223 -- Paul Mazursky, p224-279
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The American West in film : critical approaches to the Western / Jon Tuska Lincoln: University of Nebraska Press, 1988.
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The American West on film : myth and reality / Richard A. Maynard Rochelle Park, NJ: Hayden Book Company, 1974.
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AMICA GENIALE, L'] : (IT/US, 2018-)
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Amusing ourselves to death : public discourse in the age of show business / Neil Postman London: Methuen, 1987.
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And now, the news. in Australian Cinematographer (December 2015) iss.68 p.58 - 63
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'Android' licensed to Bulgaria in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4
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still
[Angel baby : stills file]
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'Angel' wraps lensing in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.8
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Angela Punch McGregor tries her hand overseas : Brealey hurries home in Australian film review (24th May-6th June 1984) vol.2 iss.7 p.22
Author: Schwartz, Eric PhysDes: ArticleSubject: MCGREGOR, ANGELA PUNCH ; BREALEY, GIL ; ANNIE'S COMING OUT (AT, Gil Brealey, 1984) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; LIGHTHORSEMEN, THE (AT, Simon Wincer, 1987) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Overseas correspondent Eric Schwartz interviews director Gil Brealey and star Angela Punch McGregor of the film “Annie's Coming Out”. Altough the article is mainly focused on “Annie’s Coming Out” there is brief discussion of other films either Brealey or McGregor have been involved withNotes: "Annie's Coming Out" is also known by its US title "A Test of Love"
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Animated rhythm in Metro (1997) iss.111 p.57-58
Author: Danks, Adrian PhysDes: Review; Bibliography; CreditsSubject: MUSIC FOR ANIMATED FILMS Summary: A program review that examines the relationship between music and animation since the early sound period.
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Animation : the global history / Maureen Furniss London: Thames & Hudson, 2017.
Call No: 772 FURAuthor: Furniss, Maureen Edition: 2017Place: LondonPublisher: Thames & HudsonPubDate: 2017PhysDes: 464 pages : illustrated ; 28 cmSubject: ANIMATION ; PRE-CINEMA HISTORY ; ART AND THE CINEMA ; DISNEY, WALT ; EXPERIMENTAL FILMS ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; STOP-MOTION TECHNIQUE ; JAPAN ; MIYAZAKI, HAYAO ; UPA ; COMIC STRIPS AND THE CINEMA ; COMIC STRIP CHARACTERS IN FILMS ; COMIC STRIP CHARACTERS ON TV ; SVANKMAJER, JAN Summary: Maureen Furniss surveys the cultural, political and economic context of how this dynamic industry evolved, emphasizing both artistic and technical achievements from around the world – from Hollywood to Tokyo, from Moscow to Sydney. Featuring a timeline for each of its six parts, Animation: The Global History provides readers with a clear and accessible chronology of events. A ‘Global Storyline’, highlighting the major themes of the era, opens each chapter, and an end-of-book glossary defines key terms used throughout the book.
Topics include: Development of animation; Growth of the studio system; Stylistic differences between the major studios; Modernist animation; Animation in World War II; International animation; Experimental animation; Television animation; Animation in art and video games. -- publisher's web siteISBN: 9780500252178
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The Anime art of Hayao Miyazaki / Dani Cavallaro Jefferson, N. C.: McFarland & Company Inc., 2006.
Call No: 81MIY CAVAuthor: Cavallaro, Dani Source: USPlace: Jefferson, N. C.Publisher: McFarland & Company Inc.PubDate: 2006PhysDes: viii, 204p. ; 26cm.Subject: MANGA ; MIYAZAKI, HAYAO ; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984) ; TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986) ; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988) ; HOTARV NO HAKA (JA, Isao Takahata, 1988) ; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989) ; MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989) ; KURENAI NO BUTA (JA, Hayao Miyazaki, 1993) ; ON YOUR MARK (JA, Hayao Miyaki, 1995) ; MIMI WO SUMASEBA (JA, Yoshifumi Kondo, 1995) ; MONONOKE HIME (JA, Hayao Miyazaki, 1997) ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) Summary: This critical study of Miyazaki’s work begins with an analysis of the visual conventions of manga, Japanese comic books, and animé; an overview of Japanese animated films; and a consideration of the techniques deployed by both traditional cel and computer animation. This section also details Miyazaki’s early forays into comic books and animation, and his output prior to his founding of Studio Ghibli. Part Two concentrates on the Studio Ghibli era, outlining the company’s development and analyzing the director’s productions between 1984 and 2004, including Castle in the Sky, My Neighbor Totoro and his newest film, Howl’s Moving Castle. The second section also discusses other productions involving Studio Ghibli, including Grave of the Fireflies and The Cat Returns. Appendices supply additional information about Studio Ghibli’s merchandise production, Miyazaki’s global fan base, and the output of other Ghibli directors.Notes: Includes bibliography and index.
Filmography: p. 181-186.ISBN: 0786423692
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Anime Explosion! : The What? Why? & Wow! of Japanese Animation / Patrick Drazen Berkeley, Calif.: Stone Bridge Press, 2003.
Call No: 772 (52) DRAAuthor: Drazen, Patrick Source: USPlace: Berkeley, Calif.Publisher: Stone Bridge PressPubDate: 2003PhysDes: 369 p. : ill. ; 23 cmSubject: ANIMATION ; HOMOSEXUALITY IN FILMS. ASIA ; MIYAZAKI, HAYAO ; UTENA: THE MOVIE (JA, Kunihiko Ikuhara, 2000) ; MANGA Summary: Looks at Japanese animation from the inside, from its roots in ancient Japanese culture to its major themes and motifs - war, anti-war, religion, ghosts, and reincarnation, giant robots and mecha, cute gay/girl/fanboy love, samurai, folk heroes, athletes, and mothers, diligence, duty and love of nature. He also probes the influence of manga and the works of leading directors like Hayao Miyazaka and Masamune Shirow, providing detailed commentaries on some of fandom's favourite films, including Escaflowne, Sailor Moon, Ghost in the Shell, and Evangelion.Notes: Afterword: The Future of Anime: p.349-357
Bibliography: p.359-362
Index of Names and Titles: p.363-369
Includes Viewing NotesISBN: 1880656728
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Anime from Akira to Howl's Moving Castle : experienceing contemporary Japanese animation / Susan Napier Basingstoke, England: Palgrave Macmillan, 2005.
Call No: 772(520) NAP; 2 copiesAuthor: Napier, Susan Edition: RevisedSource: US/UKPlace: Basingstoke, EnglandPublisher: Palgrave MacmillanPubDate: 2005PhysDes: 355 p. ; 24 cmSubject: ANIMATION ; ANIMATION. JAPAN ; ANIMATORS ; MIYAZAKI, HAYAO ; AKIRA (JA, Katsuhiro Otomo, 1989) ; GHOST IN THE SHELL (JA/UK Oshii Mamoru, 1995)
SEE
KOKAKU KIDOTAI ; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995) ; BAREFOOT GEN (JA, Masaki Mori, 1983) ; PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997)
SEE
MONONOKE HIME ; MONONOKE HIME (JA, Hayao Miyazaki, 1997) ; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989) ; HOTARV NO HAKA (JA, Isao Takahata, 1988) ; RANMA 1/2 [TV] (JA, Rumiko Takahashi, 1989) Summary: "This new edition of the groundbreaking popular book is a must-have for both seasoned and new fans of anime. Japanese animation is more popular than ever following the 2002 Academy Award given to Hayao Miyazaki's Spirited Away. It confirmed that anime is more than just children's cartoons, often portraying important social and cultural themes. With new chapters on Spirited Away and other recent releases, including Howl's Moving Castle-Miyazaki's latest hit film, already breaking records in Japan--this edition will be the authoritative source on anime for an exploding market of viewers who want to know more." -- BOOK BLURBNotes: Previous ed.: published as Anime´ from Akira to Princess Monoke. New York; Great Britain: Palgrave, 2001.ISBN: 9781403970527Contents: -- acknowledgments -- foreword to the revised edition -- introduction -- chapter one : why anime? -- chapter two : anime and local/global identity -- body, metamorphosis, identity -- chapter three : Akira and Ranma 1/2 : the monstrous adolescent -- chapter four: controlling bodies : the body in pornographic anime -- chapter five : ghosts and machines : the technological body -- chapter six : doll parts : technology and the body in Ghost in the Shell -- chapter seven : stray: gender panics, masculine crises, and fantasy in Japanese animation -- magical girls and fantasy worlds -- chapter eight : the enchantment of estrangement : the Shojo in the world of Miyazaki Hayao -- chapter nine : now you see her, now you dont: the disappearing Shojo -- chapter ten : carnival and conservatism in romantic comedy -- remaking master narratives: anime confronts history -- chapter eleven : no more words : Barefoot Gen, Grave of the fireflies , and "victim's history' -- chapter twleve : Princess Mononoke: fantasy, the feminine, and the myth of 'progress' -- chapter thirteen : waiting for the end of the world : apocalyptic identity -- chapter fourteen : elegies -- conclusion : a fragmented mirror -- notes -- bibliography -- index --
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An annotated list of short films available for use in media studies classes in secondary schools and recommended for use / Ken Berryman 1979.
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Annual report Acton, ACT: National Film & Sound Archive, 2009-.
Call No: ANNUAL REPORT SHELVES; Held 2008/9 -2009/10CorpAuthor: National Film and Sound Archive (Australia)Source: ATPlace: Acton, ACTPublisher: National Film & Sound ArchivePubDate: 2009-Subject: NATIONAL FILM AND SOUND ARCHIVE Notes: Continues ScreenSound Australia. Annual review 1442-9608ISSN: 1837-2260
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Another cinema for another society / Gaston Roberge Calcutta: Seagull Books, 1985.
Call No: 408.1(540) ROBAuthor: Roberge, Gaston Source: IIPlace: CalcuttaPublisher: Seagull BooksPubDate: 1985PhysDes: 151p. : ill. ; 22cmSubject: CRITICISM ; HISTORY OF CINEMA. INDIA ; INDUSTRY, FILM. INDIA ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; POLITICS AND THE CINEMA ; SOCIETY AND THE CINEMA ; BAZIN, ANDRE ; EISENSTEIN, SERGEI M. ; RAY, SATYAJIT ; WELLES, ORSON ; BRON, PETER ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; GANDHI (UK/II, Richard Attenborough, 1982) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NAPOLEON (FR, Abel Gance, 1927) Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurbISBN: 0861320751Donation: donated by the family of Wayne Levy, 2006Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index
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Another Italian masterpiece on love and loss in Sunday Telegraph [Insider] (01/05/2016) p.136
Call No: TITLE CLIPPINGS FILE; MIA MADRE (IT/FR, Nanni Moretti, 2015)Author: Dent, Nick PhysDes: Clippings File ArticleSubject: MIA MADRE (IT/FR, Nanni Moretti, 2015) Summary: Film review of MIA MADRE directed by Nanni MorettiRating: 3.5 out of 5 stars
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Another mountain doco for Peedom in The Age [Arts & Entertainment] (10/03/2016) p.20
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journal article
Another winner for Q'Land M.P.E.A. : The 37th "Movie Market '82" Convention hits new triumphant high in Australasian Cinema (6/8/1982) vol.11 iss.14 p.4-5
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Antipodean gothic cinema [manuscript] : a study of the (postmodern) Gothic in Australian and New Zealand film since the 1970s / by Romana Ashton Queensland: 2005.
Call No: 735.2 (93) ASHAuthor: Ashton, Romana Source: ATPlace: QueenslandPubDate: 2005PhysDes: 317 p. ; 30 cmSubject: HORROR FILMS. AUSTRALIA ; HORROR FILMS. NEW ZEALAND ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PIANO, THE (AT, Jane Campion, 1993) ; DOGS IN SPACE (AT, Richard Lowenstein, 1986) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; SUMMERFIELD (AT, Ken Hannam, 1977) ; SHAME (AT, Steve Jodrell, 1988) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX II (AT, George Miller, 1981) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACTNotes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.ID2: 290
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Antonioni : or, the surface of the world / Seymour Chatman Berkeley: University of California Press, 1985.
Call No: 81ANT CHAAuthor: Chatman, Seymour, 1928 Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 1985PhysDes: 290 p. : ill. ; 24 cmSubject: ANTONIONI, MICHELANGELO ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980) ; IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982) Notes: Includes index; Filmography: p. 265-270; Bibliography: p. 271-281ISBN: 0520052056; 0520053419 (pbk.)LON: 85001025; 3748072
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Antonioni / Sam Rohdie London: BFI Pub., 1990.
Call No: 81ANT ROHAuthor: Rohdie, Sam, 1939 Place: LondonPublisher: BFI Pub.PubDate: 1990PhysDes: 213 p. : ill., ports. ; 24 cmSubject: ANTONIONI, MICHELANGELO ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973) ; CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982) ; MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) Summary: A study of Antonioni's career and the development of his unique style. Antonioni's films overthrow conventional narrative, place characters at cross purposes with themselves and with others, dissolve figure into ground. This study aims to interpret the films of Antonioni without reducing them to fixed meanings that they so carefully refuse.Notes: Includes index; Bibliography: p. [191]- 207; Filmography: p. [208]- 210ISBN: 0851702740 (pbk.); 0851702732LON: bnb85170273; 7278793
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Any gun can play : the essential guide to Euro-westerns / Kevin Grant Godalming, Surrey: FAB Press, May 2011.
Call No: 736.11Author: Grant, Kevin Edition: August 2013Place: Godalming, SurreyPublisher: FAB PressPubDate: May 2011PhysDes: 480 pages : illustrated ; 26 cmSubject: WESTERNS. EUROPEAN COUNTRIES ; WESTERNS. ITALY ; LEONE, SERGIO ; NERO, FRANCO ; BIG GUNDOWN, THE [RESA DEI CONTI, LA] (IT/SP, Sergio Sollima, 1966) ; BLINDMAN (US/IT, Ferdinando Baldi, 1972) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; CORBUCCI, SERGIO ; EASTWOOD, CLINT ; FULCI, LUCIO ; HILL, TERENCE ; SPENCER, BUD ; VAN CLEEF, LEE Summary: The success of Sergio Leone's 'Dollars' trilogy in the '60s sparked a gold rush, as a legion of European film-makers - many of them sharing the get-rich-quick mentality of Leone's mercenary anti-heroes - followed the master's lead to create some of the wildest Westerns ever made.
Cynical and stylish, bloody and baroque, Euro-westerns replaced straight-shooting sheriffs and courageous cowboys with amoral adventurers, whose murderous methods would shock the heroes of Hollywood Westerns. These films became box-office sensations around the world, and their influence can still be felt today.
Any Gun Can Play puts the phenomenon into perspective, exploring the films' wider reaches, their recurrent themes, characters, quirks and motifs. It examines Euro-westerns in relation to their American ancestors and the mechanics of the Italian popular film industry, and spotlights the unsung actors, directors and other artists who subverted the 'code' of the Western and dragged it into the modern age.
Based on years of research backed up by interviews with many of the genre's leading lights, including actors Franco Nero, Giuliano Gemma and Gianni Garko, writer Sergio Donati, and directors Sergio Sollima and Giuliano Carnimeo, Any Gun Can Play will satisfy both connoisseurs and the curious.
Complete with a foreword by Euro-Western legend Franco Nero, this stunningly illustrated reference guide takes aim at the lingering notion that the genre has little to offer beyond the 'Dollars' films and a fistful of others, exposing the full, vibrant history of the Euro-western. -- publisher's web siteNotes: Foreword by Franco NeroISBN: 9781903254615
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Any year in the MPI is exciting in Australasian Cinema (15/7/1983) vol.12 iss.12 p.3
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Aotearoa and the sentimental strine : making films in Australia & New Zealand in the silent period / special consultant & editor of the catalogue, Jonathan Dennis ; film selection by Paora Cherchi Usai & Jonathan Dennis Wellington, N.Z.: Moa Films, 1993.
Call No: 70"01" (9) AOTAuthor: Dennis, Jonathan ; Usai, Paora Cherchi ; Baylis, Ann ; Harris, Witarina CorpAuthor: Associazione Le Giornate del cinema muto; New Zealand Film Commission; Australian Film Commission; National Film and Sound Archive (Australia); New Zealand Film Archive; Giornate del cinema muto (12th : 1993 : Pordenone, Italy)Place: Wellington, N.Z.Publisher: Moa FilmsPubDate: 1993PhysDes: 44 p. : ill., ports ; 26 cmSubject: AUSTRALIA. 1895-1930 ; NEW ZEALAND. 1895-1930 ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) Notes: "Le Giornate del cinema muto, 12th Pordenone Silent Film Festival, 9-16 October, 1993 in collaboration with National Film and Sound Archive of Australia, Ann Baylis ... [et al.] ; The New Zealand Film Archive, Witarina Harris ... [et al] ; New Zealand Film Commission ; Australian Film Commission"--T.p. verso; Ports. on inside covers; Includes filmographies bibliographical references (9. 37) and indexISBN: 0473021730 (pbk.) : $15.00LON: zbn93104287; 10665575
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Apocalypse-cinema : 2012 and other ends of the world / Peter Szendy; translated by Will Bishop; Foreword by Samuel Webber New York: Fordham University Press, 2015.
Call No: 735.1 SZEAuthor: Szendy, Peter ; Bishop, Will ; Webber, Samuel Edition: 2015Place: New YorkPublisher: Fordham University PressPubDate: 2015PhysDes: xx, 160 p. : illustrations ; 22 cmSeries: French VoicesSubject: APOCALYPSE IN FILMS ; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011) ; LAST MAN ON EARTH, THE (US/IT, Ubaldo Ragona, 1964) ; TERMINATOR, THE (US, James Cameron, 1984) ; [TWENTY-TWELVE] 2012 (US/CN, Roland Emmerich, 2009) ; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001) ; WATCHMEN (US, Zack Snyder, 2009) ; SUNSHINE (UK/US, Danny Boyle, 2007) ; BLADE RUNNER (US, Ridley Scott, 1982) ; [TWELVE] MONKEYS (US, Terry Gilliam, 1995) ; ROAD, THE (US, John Hillcoat, 2009) ; BLOB, THE (US, Chuck Russell, 1988) Summary: Apocalypse-cinema is not only the end of time that has so often been staged as spectacle in films like 2012, The Day After Tomorrow, and The Terminator. By looking at blockbusters that play with general annihilation while also paying close attention to films like Melancholia, Cloverfield, Blade Runner, and Twelve Monkeys, this book suggests that in the apocalyptic genre, film gnaws at its own limit.
Apocalypse-cinema is, at the same time and with the same double blow, the end of the world and the end of the film. It is the consummation and the (self-)consumption of cinema, in the form of an acinema that Lyotard evoked as the nihilistic horizon of filmic economy. The innumerable countdowns, dazzling radiations, freeze-overs, and seismic cracks and crevices are but other names and pretexts for staging film itself, with its economy of time and its rewinds, its overexposed images and fades to white, its freeze-frames and digital touch-ups.
The apocalyptic genre is not just one genre among others: It plays with the very conditions of possibility of cinema. And it bears witness to the fact that, every time, in each and every film, what Jean-Luc Nancy called the cine-world is exposed on the verge of disappearing.
In a Postface specially written for the English edition, Szendy extends his argument into a debate with speculative materialism. Apocalypse-cinema, he argues, announces itself as cinders that question the “ultratestimonial” structure of the filmic gaze. The cine-eye, he argues, eludes the correlationism and anthropomorphic structure that speculative materialists have placed under critique, allowing only the ashes it bears to be heard. -- publisher's web siteISBN: 9780823264810
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The apocalypse in film : dystopias, disasters, and other visions about the end of the world / edited by Karen A. Ritzenhoff, Angela Krewani London: Lanham Rowman & Littlefield, c2016.
Call No: 740.1 APOSource: UKPlace: LondonPublisher: Lanham Rowman & LittlefieldPubDate: c2016PhysDes: xxii, 231 pages : illustrations ; 24 cm.Subject: APOCALYPSE IN FILMS ; DISASTER FILMS ; CIVILISATION (US, Raymond B. West, 1916) ; [FOUR] 4 HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921) ; BED SITTING ROOM, THE (UK, Richard Lester, 1969) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011) ; OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986) Summary: We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future.
The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties—ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays.
As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science. -- taken from publisher's siteNotes: Includes bibliographical references and indexISBN: 9781442260276Donation: donated by Senses of Cinema, 2016Contents: Introduction / Karen A. Ritzenhoff and Angela Krewani -- THE EARLY DEPICTIONS OF DISASTER. World War One and Hollywood's First Modern Armageddon: Understanding Wartime and Post-Conflict Representations of a Global Cataclysm in Civilization (1916) and The Four Horsemen of the Apocalypse (1921) / Cle´mentine Tholas-Disset -- The end of the world: loss and redemption in Four horsemen of the apocalypse / Karen Randell -- GLOBAL DEMISE AND COLD WAR. "Radiation's rising, but one mustn't grumble too much": nuclear apocalypse played as farce in Richard Lester's The bed-sitting room / Thomas Prasch -- The legacy of Dr. Strangelove: Stanley Kubrick, science fiction blockbusters and the future of humanity / Peter Kra¨mer -- "Gentleman, you can't fight in here": gender symbolism and the end of the world in Dr. Strangelove and Melancholia / Catriona Mcavoy -- MELANCHOLIA AND OTHER REPRESENTATIONS OF THE APOCALYSPE. Is there an end to it? fictional shelters and shelter-fiction / Solvejg Nitzke -- Melancholia and the apocalypse within / Pierre Floquet -- Eco apocalypse: environmentalism, political alienation and therapeutic agency / Philip Hammond and Hugh Ortega Breton --POLOITICS OF SHOWING THE UNTHINKABLE. Disaster films: the end of the world and the risk society hero / Frederick Wasser -- The (gender) politics of disaster in 2012 / Charles Antoine Courcoux -- Tarkovsky's The sacrifice: a religious humanist apocalypse / Tatjana Ljuji -- Dead narratives: defining humanity through stories / A. Fiona Pearson and Scott Ellis -- MOVING BEYOND THE END OF THE WORLD. Opposing Thatcherism: filmic apocalypse as a political strategy in 1980s Britain / Angela Krewani -- Painting in time: on the use of digital visual effects in Melancholia / Andreas Kirchner -- The corporate and corporeal: min(d)ing the body conscience and consumption in early 21st century Hollywood dystopia / Wendy Sterba.
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APRA appoints film and tv officer in Encore (July 2000) vol.18 iss.6 p.38
Author: Griffiths, Peter PhysDes: ArticleSubject: MUSIC, FILM Summary: The Australasian Performing Rights Association (APRA) has created a new position to assist its members entering license agreements.
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Archaic modernism : queer poetics in the cinema of Pier Paolo Pasolini / Daniel Humphrey Detroit, Michigan: Wayne State University Press, Nov. 2020.
Call No: 749.4 HUMAuthor: Humprey, Daniel Edition: 2020Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: Nov. 2020PhysDes: 172 pages : illustrated ; 24 cmSubject: PASOLINI, PIER PAOLO ; EDIPO RE (IT, Pier Paolo Pasolini, 1967) ; MEDEA (IT/FR/GW, Pier Paolo Pasolini, 1969) Summary: In Archaic Modernism, Daniel Humphrey offers the first book-length, English-language examination of three adaptations of Greek tragedy produced by the gay and Marxist Italian filmmaker Pier Paolo Pasolini: Oedipus Rex (1967), Medea (1969), and Notes Towards an African Orestes (1970/1973). Considering Pasolini’s own theories of a "Cinema of Poetry" alongside Jacques Derrida’s concept of écriture, as well as more recent scholarship by queer theory scholars advocating for an antirelational and antisocial subjectivity, Humphrey maintains that Pasolini’s Greek tragedy films exemplify a paradoxical sense of "archaic modernism" that is at the very heart of the filmmaker’s project. More daringly, he contends that they ultimately reveal the queer roots of Western civilization’s formative texts.
Archaic Modernism is comprised of three chapters. Chapter 1 focuses on Oedipus Rex, assessing both the filmic language employed and the deeply queer mythological source material that haunts the tragedy even as it remains largely at a subtextual yet palpable level. Chapter 2 extends and deepens the concept of queer fate and queer negativity in a scene-by-scene analysis of Medea. Chapter 3 looks at the most obscure of Pasolini’s feature length films, Notes Towards an African Orestes, a film long misunderstood as an unwitting failure, but which could perhaps best be understood as a deliberate, sacrificial act on the filmmaker’s part. Considering the film as the third in an informal, maybe unconscious, trilogy, Humphrey concludes his monograph by arguing that this "trilogy of myth" can best be understood as a deconstruction, gradually more and more severe, of three of the most important origin tales of Western civilization.
Archaic Modernism makes the case that these three films are as essential as those Pasolini films more often studied in the Anglophone world: Mamma Roma, The Gospel According to Matthew, Teorema, The Trilogy of Life, and Salò, and that they are of continuing, perhaps even increasing, value today. This book is of specific interest to scholars, students, and researchers of film and queer studies. -- publisher's web siteISBN: 9780814343104
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Archival resources for the film maker / Tom Zubrycki North Ryde [N.S.W.]: Australian Film and Television School, 1982.
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Archive forges bond with VIDA in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.2
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Around the bush / with Vincent Serventy Sydney: Australian Broadcasting Commission,
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Around the world, films by women from Europe and elsewhere : Agatha (Agatha et les Lectures Illimitees) in NFT (May 1982) p.5
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Around the world, films by women from Europe and elsewhere : Aloïse in NFT (May 1982) p.5
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The art and craft of feature writing : based on the Wall Street Journal guide / William E. Blundell New York: New American library, 1988.
Call No: REFERENCE SECTION; 002.1(036) BLUAuthor: Blundell, William E Source: ATPlace: New YorkPublisher: New American libraryPubDate: 1988PhysDes: xii, 259 p. ; 21 cmSubject: MEDIA ; COMMUNICATIONS Summary: A step-by-step guide for turning out great articles. Used to teach Wall Street Journal writers the tricks of the trade - and a system for producing top-quality articles. [Taken from blurb.]Notes: A Plume bookISBN: 0452261589Donation: donated by the family of Wayne Levy, 2006
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Art and revolution : Ernst Neizvestny and the role of the artist in the U.S.S.R. / John Berger London: Writers and Readers Publishing Cooperative, 1969.
Call No: 60 BERAuthor: Berger, John, 1926 Place: LondonPublisher: Writers and Readers Publishing CooperativePubDate: 1969PhysDes: 191 p., [24] p. of plates : ill., ports. ; 20 cmSubject: NEIZVESTNY, ERNST Notes: Includes bibliographical footnotes and indexISBN: 0904613763LON: isb90461376; 2614068
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Art and the moving image : A critical reader / Tanya Leighton London: Tate Publishing in association with Afterall, 2008.
Call No: 771 ARTAuthor: Leighton, Tanya Source: UKPlace: LondonPublisher: Tate Publishing in association with AfterallPubDate: 2008PhysDes: 496 p. Ilustrations (some color) ; 25cmSubject: ACCONCI, VITO ; BARTHES, ROLAND ; BELLOUR, RAYMOND ; BENJAMIN, WALTER ; BRAKHAGE, STAN ; CONRAD, TONY ; DANEY, SERGE ; DEBORD, GUY ; DELEUZE, GILLES ; DUCHAMP, MARCEL ; EXPANDED CINEMA ; EXPERIMENTAL FILMS ; EXPORT, VALIE ; FAROCKI, HARUN ; GODARD, JEAN-LUC ; HUYGHE, PIERRE ; KUBELKA, PETER ; MCLUHAN, MARSHALL ; MEKAS, JONAS ; ONO, YOKO ; PAIK, NAM JUNE ; RESNAIS, ALAIN ; SCHNEEMANN, CAROLEE ; SNOW, MICHAEL ; STRUCTURAL FILMS ; STRUCTURALISM ; VIDEO ART ; VIOLA, BILL ; WARHOL, ANDY ; WOLLEN, PETER Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.Notes: Includes bibliographical references and index.ISBN: 9781854376251Donation: Adrian MilesContents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.
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Art history for filmmakers : the art of visual storytelling / Gillian McIver London: Bloomsbury, c2016.
Call No: 61:75 MCIAuthor: McIver, Gillian Source: US/UKPlace: LondonPublisher: BloomsburyPubDate: c2016PhysDes: 256 pages : illustrations (colour) ; 27 cmSubject: THEORY ; ART IN FILMS ; REALISM IN FILMS ; SEX AND THE CINEMA ; SEX IN FILMS ; VIOLENCE IN FILMS ; HORROR FILMS ; LANDSCAPES IN FILMS ; MOVEMENTS IN FILM HISTORY ; MOVEMENTS AND STYLES IN FILM HISTORY ; HEROS IN FILMS ; ART AND THE CINEMA Summary: "Since cinema's earliest days, literary adaptation has provided the movies with stories. But there is another way of looking at film, and that is through its close relationship with the visual arts. Art history for Filmmakers shows how images from art can be used by filmmakers to establish period detail, and to demonstrate composition, color theory and lighting. It reveals how the visual culture that gave rise to cinema has itself been shaped and informed by the development of painting, the oldest of the art forms.Featuring stunning images from classic films and iconic artwork, this book will build your appreciation of the history of art, enrich your understanding of the visual language of film, and help to feed that understanding into your own original filmmaking" -- BACK COVER BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9781472580658Donation: Senses of CinemaContents: Introduction. How does art history relate to cinema history? -- A brief linear (traditional) history of art - -Toward an "alternative" history of art -- Visual culture and storytelling. Narrative and storytelling in art -- Color and narrative -- Kandinsky's color theory in painting and in cinema -- Perspective and composition -- Light -- Case study: Peter Greenaway and Dutch painting -- Realism. What is realism? - -What is representation? -- Art after photography: modern conceptions of realism in art -- Case study: Realism and the camera obscura -- Beyond realism. Fantasy worlds in cinema and art -- Oneiric: the world of dreams -- Surrealism -- Going beyond the real -- Case study: The Archers -- Sex and violence. Sex in art and cinema -- Violence in art and cinema -- Sex and violence -- Case study: Martin Scorsese and Caravaggio -- Horror. Religious horror -- Supernatural horror -- Body horror -- Monsters -- Case study: Guillermo del Toro and Francisco de Goya -- Landscape. Why landscape? -- Beautiful, picturesque, or sublime? -- The American landscape and the American West -- Case study: The road movie -- Heroes and heroic acts. History painting; victory, virtue, and the hero - -Heroism and the Western -- Case study: Subverting the heroic genre -- Modern movements. Culture or mass culture? -- expressionism -- Abstraction -- Abstract expressionism -- Minimalism -- Going "Beyond the West" -- Case study: Hokusai to Disney -- Conclusion. How can we use art history in filmmaking? Case studies --
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The art of govenment : Khoa Do's The finished people and the policy reform of Community Cultural Development in Studies in Australasian cinema (2008) vol.2 iss.3 p.177-193
Author: Brook, Scott PhysDes: ArticleSubject: ASIANS AND THE CINEMA. AUSTRALIA ; ASIANS IN FILMS. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; FINISHED PEOPLE, THE (AT, Khoa Do, 2003) Summary: This article considers the production of the independent feature The Finished People (Khoa Do, 2003) in terms of a key factor reviewers and critics chose to play down: namely, that the director sought to capture public interest in Cabramatta (a suburb in Sydney's south west promoted as Australia's ‘most multicultural suburb’) in order to lift a Community Cultural Development (CCD) project out of the suburbs and deliver it to audiences of art-house cinema. While the film's representational strategies clearly reflect a tradition of independent Asian Australian cinema that critically negotiates the identity politics of state-sponsored multiculturalism, the film's mode of production had less to do with the avant-garde agendas reviewers compared it with, and more to do with an enduring governmental regime of pastoral pedagogy dedicated to the correction of ‘at risk’ subjects. Furthermore, the project strongly anticipated recent policy reforms to CCD initiated by the Australia Council for the Arts in 2004. Under the flexible rubric ‘Creative Communities’ these reforms seek to steer CCD workers away from cultural development as a narrow target of government intervention, and towards a more open and flexible range of policy goals and objectives. A close reading of the film's context of production reveals how such a policy shift might be expected to increase opportunities for local content to move between fields of cultural production, even as it multiplies dilemmas of formal accountability and aesthetic evaluation. -- AbstractNotes: Part of Special Issue: Transnational Asian Australian Cinema, part 2
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Interim
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The art of the cinematographer : a survey and interviews with five masters / Leonard Maltin Toronto: General Publishing Company, 1978.
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The art of the film : an introduction to film appreciation / by Ernest Lindgren London: G. Allen and Unwin, 1948].
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Old collection
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The art of the motion picture / Jean Benoit-Levy; translated by Theodore R. Jaeckel New York: Coward-McCann, 1946.
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newspaper article
Artistic licence in Australian Financial Review (27/12/2014) p.51
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Artists and the "creation" of Australia : a discussion paper with positive proposals / Arts Action Australia Inc Clayton, Vic.: Ideas for Australia 1991-1992 Program in association with the National Centre for Australian Studies, 1991.
Call No: 408.1(94) ARTCorpAuthor: Arts Action Australia Inc; Monash University. National Centre for Australian Studies; Ideas for Australia 1991-92 ProgramSource: ATPlace: Clayton, Vic.Publisher: Ideas for Australia 1991-1992 Program in association with the National Centre for Australian StudiesPubDate: 1991PhysDes: 12 p. ; 30 cmSubject: NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NATIONAL CULTURE AND TV. AUSTRALIA Notes: Cover titleISBN: 0732602793LON: 8395440
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Arts : Your local entertainment guide SA & NT in The Australian (12/11/2013) p.14
Call No: PERSONALITY CLIPPINGS FILE; MAUBOY, JESSICAAuthor: Dalton, Trent PhysDes: Clippings File ArticleSubject: MAUBOY, JESSICA Summary: Listing for a concert by the popular singer.
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ASESINO DE PEDRALBES, EL [MURDER OF PEDRALBES, THE] : (SP, Gonzalo Herralde, 1979)
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The Asian cinema experience : styles, spaces, theory Oxford [Oxfordshire] ; New York: Routledge, 2013.
Call No: 756(5) TEOAuthor: Teo, Stephen Source: UKPlace: Oxford [Oxfordshire] ; New YorkPublisher: RoutledgePubDate: 2013PhysDes: xv, 269 p. : ill., ports. ; 24 cmSeries: Media, culture and social change in Asia ; 30Subject: INDIAN CINEMA ; CITY OF SADNESS, A [ ; JAPAN ; KOREA ; TAIWAN ; THAILAND ; SINGAPORE ; MALAYSIA ; IRAN ; BOLLYWOOD ; POPULAR CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA ; NATIONALISM AND THE CINEMA ; THEORY ; ASIAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; WORLD CINEMA ; BLOCKBUSTERS ; ANIMATION ; HORROR FILM ; GHOST FILMS ; EROTIC FILMS ; EROTIC FILMS. ASIA Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURBNotes: Includes bibliographic references and index; Includes filmographyISBN: 9781138815780Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.
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Asian TV trainees at National Film Archive in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.2
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ASIC pushed for Nine write-down in The Age (28/02/2017) p.23
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: Battersby, Lucy PhysDes: Clippings File ArticleSubject: NINE NETWORK Summary: The Nine Entertainment company (owners of the Nine Network) have written down their value of the Nine Network by $260 million after pressure from the Australian Securities and Investment Commission. Mention of Seven West Media needing to write down it's value recently
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Assassin in love misses the target in Sunday Age [Inside Out] (12/06/2016) p.11
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ASSASSIN MUSICIEN, L' : (FR, Benoit Jacquot, 1976)
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The assassination of Marilyn Monroe / Donald H. Wolfe London: Little Brown and Company, 1998.
Call No: 81MON WOLAuthor: Wolfe, Donald H. Source: USPlace: LondonPublisher: Little Brown and CompanyPubDate: 1998PhysDes: 532 p. : ill. ; 25 cmSubject: TWENTIETH CENTURY-FOX ; MONROE, MARILYN ; MILLER, ARTHUR ; MONTAND, YVES ; KENNEDY, JOHN F. ; SINATRA, FRANK ; ZANUCK, DARRYL F. ; PRINCE AND THE SHOWGIRL, THE (UK, Laurence Olivier, 1957) ; BUS STOP (US, Joshua Logan, 1956) ; LET'S MAKE LOVE (US, George Cukor, 1960) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ISBN: 0316640190
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Astaire and Rogers / Susanne Topper New York: Nordon Publications, 1976.
Call No: 81AST TOPAuthor: Topper, Susanne Source: USPlace: New YorkPublisher: Nordon PublicationsPubDate: 1976PhysDes: 206 p. : ill. ; 18 cmSubject: DANCE FILMS ; MUSICALS ; ASTAIRE, FRED ; ROGERS, GINGER ; GAY DIVORCEE, THE (US, Mark Sandrich, 1934) ; TOP HAT (US, Mark Sandrich, 1935) ; SWING TIME (US, George Stevens, 1936) ; SHALL WE DANCE (US, Mark Sandrich, 1937) ; BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949) Summary: The book is about Fred Astaire and Ginger Rogers, the dance team whose films entertained America during the DepressionISBN: 0843900380Donation: donated by the family of Wayne Levy, 2006
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(AT, Steven Faux, 1988) : NO NEED TO STAND
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At the end of the street in the shadow : Orson Welles and the city / Matthew Asprey Gear New York: Wallflower Press, 2016.
Call No: 81WEL GEAAuthor: Gear, Matthew Asprey Source: USPlace: New YorkPublisher: Wallflower PressPubDate: 2016PhysDes: ix, 292 pages ; 24 cmSubject: EXPRESSIONISM ; FASCISM AND THE CINEMA ; WELLES, ORSON ; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942) ; MR. ARKADIN (FR/SP/IT, Orson Welles, 1955) ; CITIZEN KANE (US, Orson Welles, 1941) Summary: "The films of Orson Welles inhabit the spaces of cities -- from America's industrializing midlandto its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character. This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities -- the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes. The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9780231173414Donation: donated by Senses of Cinema
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At the picture show : small-town audiences and the creation of movie fan culture / Kathryn H. Fuller London: University Press of Virginia, 1996.
Call No: 410.1:465.2 FULAuthor: Fuller, Kathryn H. Source: US/UKPlace: Charlottesville; LondonPublisher: University Press of VirginiaPubDate: 1996PhysDes: 248 p. : 23 cmSubject: AUDIENCE RECEPTION ; AUDIENCES ; AUDIENCES USA ; FAN MAGAZINES ; EXHIBITION ; EXHIBITION. USA ; EXHIBITION OF SILENT FILMS ; NICKELODEON Summary: Although the transformation of the movies into big-time entertainment had multiple sources, Kathryn Fuller argues that ultimately the maturation of the film industry depended on the support of both urban and rural middle-class audiences. Providing the fullest portrait to date of the small-town audience’s hanging habits and desires, At the Picture Show demonstrates for the first time how a fan culture emerged in the United States, and it enriches our understanding of mass media’s relationship to early twentieth-century American society. [Taken from back cover.]ISBN: 0813920825
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The atomic bomb in Japanese cinema : critical essays / edited by Matthew Edwards Jefferson, N. C.: McFarland & Company Inc, 2015.
Call No: 737.34 EDWAuthor: Edwards, Matthew Source: USPlace: Jefferson, N. C.Publisher: McFarland & Company IncPubDate: 2015PhysDes: viii, 288 pages : illustrations ; 26 cmSubject: NUCLEAR WARFARE IN FILMS ; MONSTERS IN FILMS ; GODZILLA [GOJIRA] (JA/US, Inoshiro Honda & Terry Morse, 1955) ; HIROSHIMA (JA, Hideo Sekigawa, 1953) Summary: "This collection of new essays explores the cultural aftermath of the bombings and its expression in Japanese cinema. The contributors take on a number of complex issues, including the suffering of the survivors (hibakusha), the fear of future holocausts and the danger of nuclear warfare. Exclusive interviews with Go Shibata and critically acclaimed directors Roger Spottiswoode (Hiroshima) and Steven Okazaki (White Light/Black Rain) are included." -- BOOK BLURBISBN: 9780786479122Contents: Prologue: Hiroshima Nagasaki / Matthew Edwards -- Gojira and the bomb. The rhetorical significance of Gojira: equipment for living through trauma / Shannon Stevens -- Japan removed: Godzilla adaptations and erasure of the politics of nuclear experience / Jason C. Jones -- Atomic reaction: Godzilla as metaphor for generational attitudes toward the United States and the bomb / John Vohlidka -- Japanese atomic cinema, 1945-2014. Suppression and censorship: Japanese cinema during the occupation / Matthew Edwards -- Pica-don: Japanese and American reception and promotion of Hideo Sekigawa's Hiroshima / Mick Broderick and Junko Hatori -- The shadow of the bomb in Hiroshi Teshigahara's The face of another / Tony Pritchard -- Nuclear skin: Hiroshima and the critique of embodiment in Affairs within walls / Julia Alekseyeva -- The atomic bomb experience and the Japanese family in Keiji Nakazawa's anime Hadashi no gen (barefoot gen) / Kenji Kaneko -- Yuichi and Jizo in Black rain: Imamura's phenomenological attempt to render a Hiroshima wormhole experience among his audience / Keiko Takioto Miller -- Trauma and witness in Hideo Nakata's Ring- Tienfong ho: the fragile roots of memory / Robert McParland -- Inconceivable anxiety: representation, disease and discrimination in atomic-bomb films / Yuki Miyamoto -- Kazuo Kuroki and Hisashi Inoue's Chichi to Kuraseba: remember, protest and return to ordinary life / Yoshiko Fukushima -- Breaking the silence of the atomic bomb survivors in Japanese graphic novel Town of evening calm, country of cherry blossoms and the film adaptation / Senjo Nakai -- The sound of the bomb: Go Shibata's nn891102 / Johannes Schonherr -- Western perspectives. Hiroshima films: cultural contexts before, during and after the Cold War / Greg Nielsen and Margaret M. Ferrara -- Hiroshima: an interview with director Roger Spottiswoode / Matthew Edwards -- White light/Black rain: the "atomic films" of Steven Okazaki / Matthew Edwards -- A[nime] bomb: an interview with Hibakusha director Steve Nguyen / Matthew Edwards -- Hibakusha: our life to live: an interview with director David Rothauser / Matthew Edwards -- All that remains: an interview with Ian and Dominic Higgins / Matthew Edwards
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newspaper article
Attenborough returns to the reef in Australian Financial Review (17/03/2015) p.11
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The audience in everyday life : Living in a media world / S. Elizabeth Bird New York, N.Y.: Routledge, 2003.
Call No: 409.1BIRAuthor: Bird, S. Elizabeth Source: USPlace: New York, N.Y.Publisher: RoutledgePubDate: 2003PhysDes: x, 211p. ;23cmSubject: MEDIA ; AUDIENCES Notes: Includes bibliographical references and indexISBN: 0415942586Language: English
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Audiences being taken for a pricing ride in Encore (November 2012) p.9
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Audio-vision : sound on screen / Michel Chion; foreword by Walter Murch; edited and translated by Claudia Gorbman New York: Columbia University Press, 2019.
Call No: 634 CHIAuthor: Chion, Michel Edition: 2019Place: New YorkPublisher: Columbia University PressPubDate: 2019PhysDes: xxiii, 270 pages : illustrated ; 23cmSubject: SOUND ; GODARD, JEAN-LUC ; HITCHCOCK, ALFRED ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; RESNAIS, ALAIN ; ROBBE-GRILLET, ALAIN ; WELLES, ORSON ; Wenders, Wim ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; PERSONA (SW, Ingmar Bergman, 1966) ; PSYCHO (US, Alfred Hitchcock, 1960) ; TYSTNADEN (SW, Ingmar Bergman, 1963) Summary: Michel Chion’s landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. Chion argues that sound film qualitatively produces a new form of perception. Sound in audiovisual media does not merely complement images. Instead, the two channels together engage audio-vision, a special mode of perception that transforms both seeing and hearing. We don’t see images and hear sounds separately—we audio-view a trans-sensory whole.
In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment. He takes into account the evolving role of audio-vision in different theatrical environments, considering its significance for music videos, video art, commercial television, and the internet, as well as conventional cinema. Chion explores how multitrack digital sound enables astonishing detail, extending the space of the action and changing practices of scene construction. He demonstrates that speech is central to film and television and shows why “audio-logo-visual” is a more accurate term than “audiovisual.” Audio-Vision shows us that sound is driving the creation of a sensory cinema.
This edition includes a glossary of terms, a chronology of several hundred significant films, and the original foreword by sound designer, editor, and Oscar honoree Walter Murch. -- publisher's web siteISBN: 9780231185899Contents: Foreword (1994), by Walter Murch -- Preface -- Part I. The Audiovisual Contract -- 1. Projections of Sound on Image -- 2. The Three Listening Modes -- 3. Lines and Points: Horizontal and Vertical Perspectives on Audiovisual Relations -- 4. The Audiovisual Scene -- 5. The Real and the Rendered -- 6. Phantom Audio-Vision; or, The Audio-Divisual -- Part II. Beyond Sounds and Images -- 7. Sound Film Worthy of the Name -- 8. Toward an Audio-Logo-Visual Poetics -- 9. An Introduction to Audiovisual Analysis -- Glossary -- Chronology: Landmarks of the Sound Film -- Notes -- Bibliography -- Index
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Audiovisual industries in Australia : a discussion paper / [Graeme Taylor, Peter Dempster] Canberra: Bureau of Industry Economics, 1994.
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Audrey : an intimate portrait / Diana Maychick London: Pan Books, 1994.
Call No: 81HEP MAYAuthor: Maychick, Diana Source: UKPlace: LondonPublisher: Pan BooksPubDate: 1994PhysDes: xii, 238p, [16]p of plates : ill., ports ; 18cmSubject: HEPBURN, AUDREY ; ROMAN HOLIDAY (US, William Wyler, 1953) ; SABRINA (US, Billy Wilder, 1954) ; BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961) ; CHILDREN'S HOUR, THE (US, William Wyler, 1961) ; MY FAIR LADY (US, George Cukor, 1964) ; TWO FOR THE ROAD (UK, Stanley Donen, 1966) ; BLOODLINE (US, Terence Young, 1979) ; THEY ALL LAUGHED (US, Peter Bogdanovich, 1981) ; NUN'S STORY, THE (US, Fred Zinneman, 1958) Summary: The book deals with the films of Audrey Hepburn, and her leading men; it talks about her work with the Dutch Resistance, during the Second World War, and her two marriages, and five miscarriages. The book looks at her work with UNICEF, helping needy children. She is presented as a person of grace and elegance, but also, as a very determined, and courageous woman. [taken from back cover]Notes: First published ; London; Sidgwick & Jackson, 1993ISBN: 0330333976
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Aunty must re-energise its audience in Canberra Times [TV Guide] (24/04/2017) p.3
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: Mathieson, Craig PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION ; ABC IVIEW ; KATERING SHOW, THE [TV](AT, 2015-) ; YOU CAN'T ASK THAT [TV](AT, 2016) ; MY YEAR 12 LIFE [TV](AT, 2017) ; PLEASE LIKE ME [TV] (AT, 2013 - ) ; WARRIORS, THE [TV](AT, 2017) Summary: Commentary on a number of recent ABC shows, how they have performed, and what the ABC could do to ensure their productions are successfulNotes: A
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Aussie, Aussie, Aussie? in Empire (Australian Ed.) (August 2001) iss.5 p.8-9
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Australia could have been a superhero of film world: Miller in The Australian [Media] (11/05/2015) p.25
Call No: SUBJECT CLIPPINGS FILE; MILLER, GEORGEAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: MILLER, GEORGE Summary: George Miller tells The Australian that he regrets notcompleteing his 2007 project filming Justice Legue. It is believed that Mad MaxL Fury Road will give the Australin film sector a boost and likely to become the highest grossing Australian film of all time.
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Australia Council stripped of $104m in The Age [Budget Supplement] (13/05/2015) p.13
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIA COUNCILAuthor: Knott, Matthew PhysDes: Clippings File ArticleSubject: AUSTRALIA COUNCIL ; NATIONAL PROGRAMME FOR EXCELLENCE IN THE ARTS ; SCREEN AUSTRALIA Summary: Changes in funding to the arts sector in Australia following the 2015 federal budget, including the creation of a new government administred arts body, the National Programme for Excelllence in the Arts, and the decrease in funding to the Australia Council and Screen Australia.
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Australia Council stripped of $104m in Sydney Morning Herald [Arts] (13/05/2015) p.13
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Australia Council stripped of $104m in Sydney Morning Herald [Arts] (13/05/2015) p.13
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Australian alternatives : Against the Grain in NFT (July 1984) p.20-21
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Australian animation : an international history / Dan Torre & Lienors Torre Cham, Switzerland: Palgrave Macmillan,
Call No: 246(94) TORAuthor: Torre, Dan ; Torre, Lienors Edition: 2018Place: Cham, SwitzerlandPublisher: Palgrave MacmillanPhysDes: xii, 260 pages : illustrated ; 22 cmSubject: ANIMATED FILMS. AUSTRALIA ; ANIMATION. AUSTRALIA ; FELIX THE CAT ; PORTER, ERIC ; HANNA-BARBERA ; MCLAREN ANGUS ; PETTY, BRUCE ; STITT, ALEX ; TUPICOFF, DENNIS ; MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972) ; DOT AND THE KANGAROO (AT, Yoram Goss, 1977) ; GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981) ; LOST THING, THE (AT/UK, Andrew Ruhemann/Shaun Tan, 2010) Summary: This book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide-range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variety of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews this book illuminates, for the first time, the breadth and richness of Australia’s animation history. -- publisher's web siteISBN: 9783319954912
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Australian cinema : industry, narrative and meaning / John Tulloch Sydney: George Allen & Unwin, 1982.
Call No: 71(94) TULAuthor: Tulloch, John, 1942 Place: SydneyPublisher: George Allen & UnwinPubDate: 1982PhysDes: 272 p. : ill. ; 23 cmSubject: AUSTRALIA ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NARRATIVE IN FILMS. AUSTRALIA ; HALL, KEN G. ; AUSTRALASIAN FILMS ; SMITH, BEAUMONT ; HOWE, W.J. ; DOYLE, STUART ; KRACAUER, SIEGFRIED ; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920) ; HORDEN MYSTERY, THE (AT, Harry Southwell, 1920) ; JUNGLE WOMAN, THE (AT, Frank Hurley, 1926) ; LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921) ; HAYSEEDS, THE (AT, Beaumont Smith, 1933) ; MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and indexISBN: 0868611484 (pbk.); 0868611409 : price unknownLON: 2138387
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Australian cinema 1970-1985 / by Brian McFarlane London: Secker & Warburg, 1987.
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Australian Cinema after Mabo Port Melbourne: Cambridge University Press, 2004.
Call No: 71(94) COLAuthor: Collins, F. ; Davis, T. Place: Port MelbournePublisher: Cambridge University PressPubDate: 2004PhysDes: vii, 204 p. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; DISH, THE (AT, Rob Sitch, 2000) ; LANTANA (AT, Ray Lawrence, 2001) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; WALKING ON WATER (AT, Tony Ayres, 2001) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; HOLY SMOKE (US, Jane Campion, 1999) ; SERENADES (AT, Mojgan Khadem, 2000) ; YOLNGU BOY (AT, Stephen Johnson, 2001) ; MISSING, THE (AT, Manuela Alberti, 1999) ; HEARTLAND [TV] (AT, 1994) ; ABORIGINAL AUSTRALIANS AND TV ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; MESSAGE FROM MOREE (AT, Judy Rymer, 2003) ; CASTLE, THE (AT, Rob Sitch, 1997) ; VACANT POSSESSION (AT, Margot Nash, 1995) ; STRANGE PLANET (AT, Emma-Kate Croghan, 1999) ; RADIANCE (AT, Rachel Perkins, 1998) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000) ; HEAD ON (AT, Ana Kokkinos, 1998) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; JAPANESE STORY (AT, Sue Brooks, 2003) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)Notes: Index: p.200-204; BibliographyISBN: 0521834805 :
0521542561 (pbk.)Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.URL status: URL: 'http://-'
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Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001.
Call No: 71(94) AUSAuthor: Craven, Ian Place: LondonPublisher: Frank CassPubDate: 2001PhysDes: 239 p. ; 22 cmSubject: AUSTRALIA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ABORIGINAL AUSTRALIANS ON TV ; GONSKI REPORT ; INDUSTRY, FILM. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; SUBURBS IN FILMS. AUSTRALIA ; SOCIETY AND TV ; DINGO, ERNIE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BABE (AT, Chris Noonan, 1995) ; BIG STEAL, THE (AT, Nadia Tass, 1990) ; CASTLE, THE (AT, Rob Sitch, 1997) ; DEATH IN BRUNSWICK (AT, John Ruane, 1991) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; HEARTLAND [TV] (AT, 1994) ; IDIOT BOX (AT, David Caesar, 1996) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; LOVE SERENADE (AT, Shirley Barrett, 1996) ; METAL SKIN (AT, Geoffrey Wright, 1994) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliographyISBN: 0714649740; 0714680346(pbk.) : ª16.50LON: 21663632Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda SmithID2: 306
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Australian cinemas hopefully riding their own "J" curve in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.3
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Australian content inquiry discussion paper : news and current affairs programs / Australian Broadcasting Tribunal [Sydney?]: The Tribunal, 1987.
Call No: 205.2(94)(094.3)ACI AUSSource: ATPlace: [Sydney?]Publisher: The TribunalPubDate: 1987PhysDes: 53 pages ; 30 cmSeries: Discussion Paper (Australian Broadcasting Tribunal. Australian Content Inquiry)Subject: NEWS PROGRAMMES. AUSTRALIA ; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA ; AUSTRALIAN BROADCASTING TRIBUNAL Summary: Report on the "Australian Broadcasting Tribunal's Australian content standards and the position of news and current affairs in relation to these standards" as well as other issues around news and current affairs television broadcasting in AustraliaNotes: "October 1987" -- "This paper was prepared by a consultant, Mr. Richard Colville."
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Australian content standard for television & paragraph 160(d) of the Broadcasting Services Act 1992 / report by the Senate Environment, Communications, Information Technology and the Arts Legislation Committee [Canberra]: The Committee, 1999.
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Australian eco-horror and Gaia's revenge : animals, eco-nationalism and the 'new nature' in Studies in Australasian cinema (2010) vol.4 iss.1 p.43-54
Author: Simpson, Catherine PhysDes: ArticleSubject: ANIMALS IN FILMS ; NATURE IN FILMS ; HORROR FILMS. AUSTRALIA ; IMPERIALISM AND THE CINEMA AUSTRALIA ; RAZORBACK (AT, Russell Mulcahy, 1984) ; DARK AGE (AT/US, Arch Nicholson, 1988) ; ROGUE (AT, Greg Mclean, 2007) ; MARSUPIALS: THE HOWLING III, THE (AT, Philippe Mora, 1987) ; DYING BREED (AT, Jody Dwyer, 2008) Summary: This article focuses on moments in a series of key films: Razorback (Mulcahy, 1984), Dark Age (Nicholson, 1987), Rogue (McLean, 2007), Howling III: the Marsupials (Mora, 1987) and Dying Breed (Dwyer 2008). Using an 'eco-postcolonial' framework, the author argues that these films extend postcolonial anxieties over settler Australian notions of belonging and challenge the notion of human mastery over nature.Notes: We hear so much about extinction in debates around climate change. But what about those animals that go feral and then return – bigger, hungrier and angrier – to wreak revenge on humans who may have done them injustice? Using an eco-postcolonial framework, this article examines how a number of exploitation horror films have dealt with environmental topics and issues of trespass. In particular, I examine the agency of animals – crocs, pigs, thylacines and marsupial werewolves – in some key Australian eco-horror films from the last 30 years: Long Weekend (Eggleston,1978), Razorback (Mulcahy, 1984), Dark Age (Nicholson, 1987), Howling III: the Marsupials (Mora, 1987), Rogue (Greg McLean, 2007), Black Water (Nerlich & Traucki, 2007) and Dying Breed (Dwyer 2008). On the one hand, these films extend postcolonial anxieties over settler Australian notions of belonging, while on the other, they signify a cultural shift. The animals portrayed have an uncanny knack of adapting and hybridizing in order to survive, and thus they (the films and the animals) force us to acknowledge more culturally plural forms of being. In particular, these films unwittingly emphasize what Tim Low has termed the ‘new Nature’: an emerging ethic that foregrounds the complex and dynamic interrelationships of animals with humans.--Abstract
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Australian experimental film : an alternative history / Fiona Hooton Saarbru¨cken, Germany: VDM, 2009.
Call No: 771(94) HOOAuthor: Hooton, Fiona Place: Saarbru¨cken, GermanyPublisher: VDMPubDate: 2009PhysDes: 174 p. : ill. ; 22 cm.Subject: EXPERIMENTAL FILMS. AUSTRALIA ; THOMS, ALBIE ; BERESFORD, BRUCE ; UBU FILM GROUP ; NEWSFRONT (AT, Phillip Noyce, 1978) ; AWARDS. AUSTRALIAN FILM INSTITUTE ; GOD KNOWS WHY, BUT IT WORKS (AT, Phil Noyce, 1976) ; CRYSTAL VOYAGER (AT, David Elfick & Albert Falzon, 1973) ; MORA, PHILIPPE ; NOYCE, PHIL Summary: In Australia art cinema no decade can rival the importace of the 1960s, yet little is still known of it's significance. This book attempempts to fill a current void of research about early Australian Experimental film. This is a significant gap given it was a national movemenent with many international connections. - BLURBNotes: Includes bibliographical references.ISBN: 9783639115932Contents: Introductoin -- 1. Undergound histories -- 2. It droppeth as the gentle rain -- 3. U bu and the counterculture -- 4. The impact of experimental film on mainstream Australian cinema -- Conclusion -- Timeline - Viewing menu -- List of illistrations -- BibliographyID2: 343
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Australian Film Awards in Australasian Cinema (29/10/1982) vol.11 iss.19 p.2
PhysDes: ArticleSubject: MAD MAX II (AT, George Miller, 1981) ; LONELY HEARTS (AT, Paul Cox, 1982) ; MILLER, GEORGE ; HAZLEHURST, NONI ; MONKEY GRIP (AT, Ken Cameron, 1982) ; ANGELS OF WAR (AT, Andrew Pike & Hank Nelson & Gavan Daws, 1982) ; AUSTRALIAN FILM INSTITUTE AWARDS Summary: List of winners at the 1982 Australian Film Institute Awards.
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Australian Film Commission : Projects Approved at June, July and August AFCE Meetings in Australasian Cinema (12/11/1982) vol.11 iss.20 p.4
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; FUNDING. AUSTRALIA ; NAKED UNDER CAPRICORN (AT, Rob Stewart, 1988) ; UMBRELLA WOMAN, THE (AT, Ken Cameron, 1986) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; LION IN THE DOORWAY, THE (AT, John Pradhubodh Walker, 1983) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) Summary: Films approved for funding by the Australian Film Commission.
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Australian film esthetics in Lumiere (March, 1974) iss.32 p.4-7
Author: Lowe, Barry PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; WALKABOUT (AT, Charles Chauvel, 1958) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; NED KELLY (AT/UK, Gregor Jordan, 2003) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Summary: An analysis of the emerging aesthetics of current Australian films which, Lowe argues, is showing two main themes: mateship and the outback.
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Australian Film Festival : New York 1978 press digest / New South Wales Film Corporation Australian Films Office Inc. New South Wales Film Corporation Australian Films Office Inc., [1978].
Call No: 151(73) AUSTRALIAN "1978"CorpAuthor: New South Wales Film Corporation Australian Films Office Inc.Source: ATPublisher: New South Wales Film Corporation Australian Films Office Inc.PubDate: [1978]PhysDes: 32 leaves : illustrations ; 30 cmSubject: FESTIVALS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NEW SOUTH WALES FILM CORPORATION ; NOYCE, PHILLIP ; SHARMAN, JIM ; THOMPSON, JACK ; CADDIE (AT, Donald Crombie, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STORM BOY (AT, Henri Safran, 1976) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) Summary: A collection of clippings from US print media relating to the Australian Film Festival in 1978.
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festival catalogue
The Australian film festival in New York city : November 27 through December 3, 1978 / Australian Films Office Inc US: [s.n.], 1978.
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Australian Film Institute, National Film Archive Conference, Chauvel Cinema - Sydney, 12 September 1983, NFA background papers [1983?].
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The Australian film revival : 1970s, 1980s, and beyond / Susan Barber New York: Bloomsbury Academic, 9 Feb 2023.
Call No: 71(94) BARAuthor: Barber, Susan Edition: 2023Place: New YorkPublisher: Bloomsbury AcademicPubDate: 9 Feb 2023PhysDes: 280 pages ; 24 cmSubject: AUSTRALIA ; MASCULINITY IN FILMS. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; ROAD MOVIES. AUSTRALIA ; MOTHERS IN FILMS ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; MAD MAX [...] (AT, 1979-85) ; BACKROADS (AT, Philip Noyce, 1977) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; MAN FROM SNOWY RIVER II, THE (AT, Geoff Burrowes, 1988) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; TRACKER, THE (AT, Rolf de Heer, 2002) ; WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981) Summary: The Australian Film Revival: 70s, 80s, and Beyond explores the matrix of forces – artistic, cultural, economic, political, governmental, and ideological – that gave rise to, shaped, and sustained this remarkable film movement. This engaging new study brings fresh perspectives, insights, and innovative approaches to a variety of films from a diversity of filmmakers. Areas of focus include the complex and contentious subjects of masculinity, femininity and feminism, the maternal, as well as the Indigenous road film and the protean Australian gothic. During the formative years of the revival, Australian films seemed to emerge from out of the blue in terms of global film history, with many features including Picnic at Hanging Rock (l975), Caddie (l976), The Last Wave (l977), The Chant of Jimmie Blacksmith (l978), and My Brilliant Career (l979) receiving international distribution and enthusiastic critical acclaim with strong box office results. By the time the film revival was in full swing, not only did Australian audiences flock to theaters to see “homegrown” films, but the quantity of Australian films on overseas screens was so high that ardent critics declared this outpouring an Australian “New Wave.” The eyes of the world had turned to a compelling and largely unknown culture. -- publisher's web siteISBN: 9781501390029Contents: Acknowledgements -- Dedication -- In Memory Of -- Introduction -- 1. The Ocker: Chauvinistic and Oedipal -- 2. Alternate Masculinities of Paul Cox and John Duigan -- 3. Historical Women and the Bush -- 4. Negligent, Runaway, and Abject Mothers -- 5. The Indigenous Road Film -- 6. Australian Gothic -- Index
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Australian films at A.F.M. in Australasian Cinema (11/3/1983) vol.12 iss.4 p.1
PhysDes: ArticleSubject: AUSTRALIAN FILM COMMISSION ; NEW SOUTH WALES FILM CORPORATION ; INDUSTRY, FILM. AUSTRALIA ; CLINIC, THE (AT, David Stevens, 1982) ; DUSTY (AT, John Richardson, 1983) ; DEAD EASY (AT, Bert Deling, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; GINGER MEGGS (AT, Jonathan Dawson, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; DOUBLE DEAL (AT, Brian Kavanagh, 1983) ; EARLY FROST (AT, Brian McDuffie, 1981) ; FAR EAST (AT, John Duigan, 1982) ; MIDNITE SPARES (AT, Quentin Masters, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; UNDERCOVER (AT, David Stevens, 1983) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Article on australian films screened at the American Film Market
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Australian genre film / edited by Kelly McWilliam and Mark David Ryan New York: Routledge,
Call No: 730(94) AUSAuthor: McWilliam, Kelly ; Ryan, Mark David Edition: 2021Place: New YorkPublisher: RoutledgePhysDes: 248 pages : illustrated ; 23 cmSeries: Rutledge advances in film studiesSubject: AUSTRALIA ; GENRES ; BIOGRAPHICAL FILMS ; COMEDIES. AUSTRALIA ; CRIME FILMS. AUSTRALIA ; HORROR FILMS. AUSTRALIA ; MUSICALS. AUSTRALIA ; ROAD MOVIES. AUSTRALIA ; TEEN FILMS ; WAR FILMS AUSTRALIA Summary: Australian Genre Film interrogates key genres at the core of Australia’s so-called new golden age of genre cinema, establishing the foundation on which more sustained research on film genre in Australian cinema can develop.
The book examines what characterises Australian cinema and its output in this new golden age, as contributors ask to what extent Australian genre film draws on widely understood (and largely Hollywood-based) conventions, as compared to culturally specific conventions of genre storytelling. As such, this book offers a comprehensive and up-to-date survey of Australian genre film, undertaken through original analyses of 13 significant Australian genres: action, biopics, comedy, crime, horror, musical, road movie, romance, science fiction, teen, thriller, war, and the Western.
This book will be a cornerstone work for the burgeoning field of Australian film genre studies and a must-read for academics; researchers; undergraduate students; postgraduate students; and general readers interested in film studies, media studies, cultural studies, Australian studies, and sociology. -- publisher's web siteISBN: 9781138603141Contents: 1. Australian Film Genre Studies / Mark David Ryan and Kelly McWilliam -- 2. The Action Genre and the ‘International Turn’ in Australian Cinema / Amanda Howell -- 3. ‘Beethoven had his Critics, too…’: The Australian Biopic in the Twenty-First Century / Adrian Danks -- 4. A Seamless Wedding: Comedy, Diversity, and the International / Lesley Speed -- 5. New Australian Crime Drama / Greg Dolgopolov -- 6. A Monstrous Landscape Filled with Killer Animals and Madmen: Tropes of Contemporary Australian Horror Movies / Mark David Ryan -- 7. The Musical in Australia: Moving Minorities into the Mainstream / Liz Giuffre -- 8. Traversing Genre: The Australian Road Movie / Deborah Thomas -- 9. Courting the Romance / Kelly McWilliam -- 10. Looking to the Future: Three Tendencies in Australian Science Fiction Cinema since 2008 / Andrew James Couzens -- 11. ‘Growing Up Was Never Easy’: Coming of Age in the Teen Film / Kelly McWilliam -- 12. Sun-lit Noir: Australian Thrillers / Jonathan Rayner -- 13. A Wider Angle: Australia’s War Films of the New Millenia / Daniel Reynaud -- 14. Questioning the Australian Western / Grayson Cooke.
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Australian gothic : a cinema of horror / Jonathan Rayner Cardiff: University of Wales Press, 2022.
Call No: 735.2(94) RAYAuthor: Rayner, Jonathan Edition: 2022Place: CardiffPublisher: University of Wales PressPubDate: 2022PhysDes: x, 294 pages : illustrated ; 23 cmSeries: Gothic Literary StudiesSubject: HORROR FILMS. AUSTRALIA ; BABADOOK , THE (AT, Jennifer Kent, 2014) ; DYING BREED (AT, Jody Dwyer, 2008) ; KILLING GROUND (AT, Damien Power, 2016) ; LOST GULLY ROAD (AT, Donna McRae, 2017) ; LOVED ONES, THE (AT, Sean Byrne, 2009) ; MAD MAX (AT, George Miller, 1979) ; MYSTERY ROAD (AT Ivan Sen, 2013) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; WOLF CREEK (AT, Greg McLean, 2005) ; WOLF CREEK 2 (AT, Greg Mclean, 2013) Summary: The term ‘Gothic’ has been applied to examples of Australian cinema since the 1970s, often in arbitrary and divergent ways. This book examines a wide range of Australian films to trace their Gothic resemblances, characteristics and meanings. By concentrating on the occurrence of Gothic motifs, characters, landscapes and narratives, it argues for the recognition and relevance of a coherent Gothic heritage in Australian film. A plethora of Gothic representatives are considered in relation to four consistent and illuminating continuities (images of the family, ideas of monstrosity, generic hybridity and the occurrence of the sublime), and this study debates the appearance and asserts the significance of Australian Gothic films within their national, cultural, literary and cinematic traditions. -- publisher's web siteISBN: 9781786838896Contents: List of illustrations -- Introduction -- Familiarity -- Monstrosity -- Hybridity -- Sublimity -- Conclusion -- Filmography -- Bibliography -- Index
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Australian Horror Films, 1973-2010 / Peter Shelley Jefferson, North Carolina, and London: McFarland & Company Inc, c2012.
Call No: 735.2 (94) SHEAuthor: Shelley, Peter Source: US/UKPlace: Jefferson, North Carolina, and LondonPublisher: McFarland & Company IncPubDate: c2012PhysDes: vi, 320 p. : ill. ; 26 cmSubject: HORROR FILMS ; HORROR FILMS. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; NIGHT OF FEAR (AT, Terry Bourke, 1973) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; INN OF THE DAMNED (AT, Terry Bourke, 1974) ; END PLAY (AT, Tim Burstall, 1975) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; LONG WEEKEND, THE (AT, Colin Eggleston, 1979) ; PATRICK (AT, Richard Franklin, 1978) ; SNAPSHOT (AT, Simon Wincer, 1978) ; THIRST (AT, Rod Hardy, 1979) ; NIGHTMARES (AT, John Lamond, 1980) ; ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979) ; LADY STAY DEAD (AT, Terry Bourke, 1981) ; ROADGAMES (AT, Richard Franklin, 1981) ; SURVIVOR, THE (AT, David Hemmings, 1981) ; NEXT OF KIN (AT, Tony Williams, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; INNOCENT PREY (AT, Colin Eggleston, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; CASSANDRA (AT, Colin Eggleston, 1987) ; DARK AGE (AT/US, Arch Nicholson, 1988) ; FAIR GAME (AT, Mario Andreacchio, 1986) ; CONTAGION (AT, Karl Zwicky, 1988) ; CONTAGION (AT, Karl Zwicky, 1988) ; OUTBACK VAMPIRES (AT, Colin Eggleston, 1987) ; ZOMBIE BRIGADE (AT, Carmelo Musca, 1988) ; CELIA (AT, Ann Turner, 1988) ; CELIA (AT, Ann Turner, 1988) ; DREAMING, THE (AT, Mario Andreacchio, 1988) ; HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989) ; KADAICHA (AT, James Bogle, 1988) ; OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988) ; [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989) ; BLOODMOON (AT, Alec Mills, 1990) ; BODY MELT (AT, Philip Brophy, 1993) ; BODY MELT (AT, Philip Brophy, 1993) ; ENCOUNTERS (AT, Murray Fahey, 1994) ; KOMODO (US/AT, Michael Lantieri, 1999) ; CUT (AT, Kimble Rendall, 2000) ; CTHULHU (AT, Damian Heffernan, 2000) ; GHOST SHIP, THE (US, Steve Beck, 2002) ; CUBBYHOUSE (AT, Murray Fahey, 2001) ; QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002) ; DARKNESS FALLS (US, Jonathon Liebesman, 2003) ; LOST THINGS (AT/CN, Martin Murphy, 2003) ; RAZOR EATERS (AT, Shannon Young, 2003) ; SUBTERANO (AT/GG, Esben Storm, 2002) ; UNDEAD (AT, Michael Spierig & Peter Spierig, 2002) ; MAN-THING (US/AT, Brett Leonard, 2005) ; SAFETY IN NUMBERS (AT, David Douglas, 2005) ; WOLF CREEK (AT, Greg McLean, 2005) ; LIKE MINDS (AT UK, Gregory J Read, 2006) ; SEE NO EVIL (AT, Gregory Dark, 2006) ; VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006) ; WATCH ME (AT, Melanie Ansley, 2006) ; BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007) ; ROGUE (AT, Greg Mclean, 2007) ; STORM WARNING (AT, Jamie Blanks, 2007) ; ACOLYTES (AT, Jon Hewitt, 2007) ; DYING BREED (AT, Jody Dwyer, 2008) ; GATES OF HELL, THE (AT, Kelly Dolen, 2008) ; I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008) ; LONG WEEKEND (AT, Jamie Blanks, 2009) ; RUINS, THE (AT/US, Carter Smith, 2008) ; COFFIN ROCK (UK/AT, Rupert Glasson, 2009) ; CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009) ; DAMNED BY DAWN (AT, Brett Anstey, 2009) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; FAMILY DEMONS (AT, Ursula Dabrowsky, 2009) ; HORSEMAN, THE (AT, Steven Kastrissios, 2008) ; LOVED ONES, THE (AT, Sean Byrne, 2009) ; PREY (AT, Oscar D'Rocceter, 2007) ; [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009) ; STORAGE (AT, Michael Craft, 2009) ; TRIANGLE (AT/UK Christpher Smith, 2009) ; CLINIC, THE (AT, James Rabbitts, 2010) ; NEEDLE (AT, John V Soto, 2010) ; REEF, THE (AT, Andrew Traucki, 2010) ; ROAD TRAIN (AT, Dean Francis, 2010) ; SLAUGHTERED (AT, Kate Glover, 2010) Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURBNotes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and indexISBN: 9780786461677Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --
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Australian images / Barrie McMahon, Robyn Quin Marrickville, N.S.W.: Science Press, 1990.
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Australian international pictures (1946-1975) / Adrian Danks and Constantine Verevis Edinburgh: Edinburgh University Press,
Call No: 71(94) DANAuthor: Danks, Adrian ; Verevis, Constantine Edition: 2023Place: EdinburghPublisher: Edinburgh University PressPhysDes: 224 pages ; 24 cmSeries: Traditions in World CinemaSubject: AUSTRALIA ; EALING STUDIOS ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; KANGAROO (AT, Lewis Milestone, 1952) ; ON THE BEACH (US, Stanley Kramer, 1959) ; SUNDOWNERS, THE (US, Fred Zinnemann, 1960) ; KOYA NO TOSEININ (JA, Junya Sato, 1968) ; AGE OF CONSENT (AT, Michael Powell, 1969) ; COLOR ME DEAD (US/AT, Eddie Davis, 1968) ; NED KELLY (UK, Tony Richardson, 1970) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975) Summary: Offers an important insight into the formative moments of transnational film culture in Australia
- Provides vibrant textual studies of under-evaluated Australian international pictures
- Develops an understanding of international film production in the years following WWII and before the Australian film revival of the 1970s
- Corrects the perception that there was no significant feature film production in Australia after the 1930s and before the revival
- Offers background and important precedents for the more recent practices of global co-productions and ‘Hollywood Down-under’
Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75. -- publisher's web siteISBN: 9780748693061Contents: Acknowledgements -- 1. Australian International Pictures (1946–75) -- 2. The Overlanders (1946) and Ealing Down Under -- 3. Kangaroo (1952) -- 4. On the Beach (1959) -- 5. The Sundowners (1960) -- 6. The Drifting Avenger (1968) -- 7. Age of Consent (1969) -- 8. Color Me Dead (1970) -- 9. Ned Kelly (1970) -- 10. Walkabout (1971) -- 11. Wake in Fright (1971) -- 12. The Man from Hong Kong (1975) -- References.
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Australian media ownership / compiled by Allan Brown St. Lucia, Q.: Dept. of Economics, University of Queensland, 1977.
Call No: 203.5(94) BROAuthor: Brown, Allan, 1945 Place: St. Lucia, Q.Publisher: Dept. of Economics, University of QueenslandPubDate: 1977PhysDes: 33p. ; 30cmSubject: PRESS AND TV ; MEDIA. AUSTRALIA Notes: Press. Control & ownership. Australia (ANB/PRECIS SIN 009630x); Bibliography: p.33ISBN: 0909260036 : unpricedLON: anb90926003; 1648157
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Australian media's treatment of the developing world : how does it rate? / Australian International Development Assistance Bureau Canberra: Australian Government Publishing Service, 1989.
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Australian Melodrama : Eighty years of popular theatre / Eric Irvin Sydney: Hale & Iremonger, 1981.
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Australian motion picture yearbook 1983 / Edited by Peter Beilby and Ross Lansell Melbourne: 4 Seasons, 1983.
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Australian movies and the American dream / Glen Lewis New York: Praeger, 1987.
Call No: 71(94) LEWAuthor: Lewis, Glen, 1943 Place: New YorkPublisher: PraegerPubDate: 1987PhysDes: xiv, 215 p., [2] p. of plates : ill. ; 25 cmSeries: Media and society seriesSubject: NATIONAL IDENTITY IN FILMS. AUSTRALIA ; AUSTRALIA Notes: Includes indexes; Bibliography: p. [203]-207ISBN: 0275926753 (alk. paper) : $35.85LON: 87014590; 5332200
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Australian multicultural policy and television drama in comparative contexts / by Harvey May Queensland: 2003.
Call No: 409(94) MAYAuthor: May, Harvey Source: ATPlace: QueenslandPubDate: 2003PhysDes: xi, 274 p. ; 30 cmSubject: AUSTRALIA ; DRAMAS. AUSTRALIA ; MULTICULTURALISM AND TV. AUSTRALIA ; TELEVISION ; TELEVISION. AUSTRALIA ; SOCIETY AND TV ; SOCIETY AND TV. AUSTRALIA ; ETHNIC GROUPS ON TV. AUSTRALIA ; PIZZA [TV] (AT, Paul Fenech, 2000) ; PIZZA [TV] (AT, Paul Fenech, 2000-) Summary: "This thesis examines changes which have occurrred since the late 1980s and early 1990s with respect to the representation of cultural diversity on Australian popular drama programming. The thesis finds that a significant number of actors of diverse cultural and linguistic background have negotiated the television industry employment process to obtain acting roles in a lead capacity. The majority of these actors are from the second generation of immigrants, who increasingly make up a significant component of Australia's multicultural population. The way in which these actors are portrayed on-screen has also shifted from one of a 'performed' ethnicity, to an 'everyday' portrayal. The thesis develops an analysis which connects the development and broad political support for multicultural policy as expressed in the National Agenda for a Multicultural Australia to the changes in both employment and representation practices in popular television programming in the late 1990s and early 2000s. The thesis addresses multicultural debates by arguing for a mainstreaming position. The thesis makes detailed comparison of cultural diversity and television in the jurisdictions of the United States, the United Kingdom and New Zealand to support the broad argument that cultural diversity policy measures produce observable outcomes in television programming." -- ABSTRACTNotes: Presented to the Creative Industries Faculty, Queensland University of Technology; Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2004.
Includes bibliographical references (p. 253-274)Contents: -- glossary of abbreviations -- statement of original authorship -- acknowledgments -- introduction -- chapter one: theory, terms and methodology -- part one: Australian policy environments -- chapter two: the multicultural project -- chapter three: the cultural diversity, television and policy -- part two: international policy and production environments -- chapter four: the United States: affirmative action, 'quotas' and diversity rights. -- chapter five: the United Kingdom: policy remits for diversity and an 'everyday' multiculturalism -- chapter six: New Zealand: biculturalism and targeted subsidies -- part three: Australian popular drama: mainstreaming the multicultural -- chapter seven: Australian drama casting and production perspectives -- chapter eight: Australian television programs: texts and contexts -- conclusion -- appendix one -- appendix two -- references --
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Interim
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Australian multimedia catalogue January 2000.
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Australian multimedia catalogue February 1999.
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Australian multimedia catalogue February 1998.
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Australian multimedia catalogue 1996 1996.
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Australian national cinema / Tom O'Regan London New York: Routledge, 1996.
Call No: 408.1(94) ORECopy Management: 2 copiesAuthor: O'Regan, Tom, 1956 Place: London New YorkPublisher: RoutledgePubDate: 1996PhysDes: ix, 405 p. ; 24 cmSeries: National cinemas seriesSubject: INDUSTRY, FILM. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA. AUSTRALIA ; SOCIETY AND THE CINEMA. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; CRITICISM. AUSTRALIA Notes: Includes bibliographical references (p. [376]-391) and indexesISBN: 0415057310 (pbk.); 0415057302LON: 12193364Contents: 1. Introducing Australian national cinema -- 2. Theorizing Australian cinema -- 3. A national cinema -- 4. A medium-sized English-language cinema -- 5. Formations of value -- 6. Making meaning -- 7. Diversity -- 8. Unity -- 9. Negotiating cultural transfers -- 10. A distinct place in the cinema -- 11. Problematizing the social -- 12. Problematizing gender -- 13. Problematizing nationhood -- 14. Critical dispositions.
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Australian (national & state) funding & development guidelines / AFI Research & Information
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"Australian-ness" and the film industry : between rhetorics of business and national culture / by Susan Dermody in collaboration with Elizabeth Jacka Broadway, [NSW]: News South Wales Institute of Technology,
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Australian post-war documentary film : an arc of mirrors / Deane Williams Bristol, U.K. ; Chicago, USA: Intellect, 2008.
Call No: 761 WILAuthor: Williams, Deane Source: UKPlace: Bristol, U.K. ; Chicago, USAPublisher: IntellectPubDate: 2008PhysDes: 165 p., [8] p. of plates : ill. ; 24 cmSubject: DOCUMENTARIES. AUSTRALIA ; DOCUMENTARY FILMS. AUSTRALIA ; THREE IN ONE (AT, Cecil Holmes, 1956) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; MIKE AND STEPHANI (AT, Maslyn Williams, 1948-49) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; VALLEY IS OURS, THE (AT, John Heyer, 1948) Summary: "This book is, at one level, a selective history of Australian documentary film in the immediate post-war years. At another level it is a sketch of an internationalist progressive film culture in the same place and period. It examines some landmark films in Australian Film History and places these important works in an international context. In this work of film history Deane Williams proposes that, while these films have been understood as inferior remakes of "overseas" written, theatrical and filmic texts, these films are evidence of an Australian film culture that was a key participant in an international network of documentary practice and criticism."--BOOK JACKET.Notes: Includes bibliographical references (p. [157]-165); Includes filmography: p. [153]-156.ISBN: 9781841502106Contents: A realist film unit and association in Australia -- Cecil Holmes's folk politics : the intertextuality of Thee in one -- John Heyer's international perspective : The overlanders, The valley is ours, The back of beyond -- The neo-realism of Mike and Stefani -- Settler journeys
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journal article
Australian presence in Cannes '82 in The Australasian Cinema (16/07/1982) vol.11 iss.12 p.11
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Australian product Cannes Film Festival, 1982 in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
PhysDes: ArticleSubject: HEATWAVE (AT, Phillip Noyce, 1981) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; INDUSTRY, FILM. AUSTRALIA ; CANNES FILM FESTIVAL ; ADVERTISING FOR FILMS Summary: Article on the Australian Film Commission helping to organise the promotion of numerous Australian films at the Cannes Film Festival.
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The Australian screen / edited by Albert Moran and Tom O'Regan Ringwood, Vic.: Penguin, 1989.
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The Australian screen in Filmnews (Australia) (Oct-79) vol.IX iss.10 p.5
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Australian soundtrack recordings 1927-1996 : a discography of soundtracks and associated recordings relating to Australian film and televsion productions / compiled by Dennis Way Nicholson Sydney: Australian Music Centre, 1997.
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Australian Study Topic : television news Vic: Centre for Economic Education, 1985.
Place: VicPublisher: Centre for Economic EducationPubDate: 1985PhysDes: 11 p. : col. ill. ; 30 cmSeries: Australian Study Topic SeriesSubject: NEWS PROGRAMMES ISSN: 0949219002Donation: donated by the family of Wayne Levy, 2006
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Australian television : historical overview / by Julie James Bailey [North Ryde, N.S.W.]: Open Program Resources, Australian Film and Television School, 1979.
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Australian television : programs, pleasures & politics / edited by John Tulloch and Graeme Turner Sydney: Allen & Unwin, 1989.
Call No: 408.1(94) AUSAuthor: Tulloch, John, 1942 ; Turner, Graeme Place: SydneyPublisher: Allen & UnwinPubDate: 1989PhysDes: xv, 204 p. ; 22 cmSeries: Australian cultural studiesSubject: TELEVISION. AUSTRALIA ; NATIONAL CULTURE AND TV. AUSTRALIA ; TELEVISION AND THE CINEMA. AUSTRALIA ; GAMES SHOWS. AUSTRALIA ; SOAP OPERAS. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; HISTORY OF TV. AUSTRALIA ; PERFECT MATCH [TV] (AT, 1984-89?) ; PRISONER [TV] (AT, 1979-86) ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; LAST PLACE ON EARTH, THE [TV] (AT, 1987) ; VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987) Notes: Includes bibliographies and indexISBN: 0043800300 (pbk.) : price unknownLON: 6398616
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Australian television : a genealogy of great moments / Alan McKee South Melbourne, Vic.: Oxford University Press, 2001.
Call No: 71(94) MCKAuthor: McKee, Alan. Source: ATPlace: South Melbourne, Vic.Publisher: Oxford University PressPubDate: 2001PhysDes: vi, 361 p. : ill., ports. ; 23 cmSubject: TELEVISION. AUSTRALIA ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; FRONTLINE [TV] (AT, 1994- ) ; HOMICIDE [TV] (AT, 1964-1975) ; IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; NEIGHBOURS [TV] (AT, 1985-) ; PRISONER [TV] (AT, 1979-86) ; RETURN TO EDEN [TV] (AT, 1984) ; SULLIVANS, THE [TV] (AT, 1975-1982) Notes: Includes index. Bibliography: p. 319-355.ISBN: 0195512251
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714Donation: Counihan donation
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Australian television culture / Tom O'Regan St Leonards, NSW: Allen & Unwin, 1993.
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Australian TV : the early years : a program of full-length screenings / program notes written and researched by Graham Shirley [Sydney]: Museum of Contemporary Art, 1992.
Call No: 71(94) AUSAuthor: Shirley, Graham, 1949 CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.)Place: [Sydney]Publisher: Museum of Contemporary ArtPubDate: 1992PhysDes: 44 p. : ill. ; 30 cmSubject: HISTORY OF TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA ; GAMES SHOWS. AUSTRALIA ; MY BROTHER JACK [TV] (AT, Gil Brealey, 1965) ; PRESSURE PAK SHOW, THE [TV] (AT, 1957-1959?) ; COUNTRY STYLE [TV] (AT, 1962-?) ; IT COULD BE YOU [TV] (AT, 1969-?) ; JONAH [TV] (AT, David Cahill & Ken Hannam, 1962-63) ; MATLOCK POLICE [TV] (AT, 1971-1976) ; ADVENTURE ISLAND [TV] (AT, 1967-1973) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968) ; SEVEN DAYS [TV] (AT, 1964-1968) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; SAY BOW WOW [TV] (AT, Gil Brealey, 1964) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; PENTHOUSE [TV] (AT, 1961-?) Notes: "... accompanies the exhibition TV Times : 35 years of watching television in Australia' - Pref; At head of title: TV Times; Available from Museum of Contemporary Art, 132 George St, Sydney NSW 2000; Includes bibliographiesISBN: 1875632077 : price unknownLON: abn92040814; 8713155
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The Australian TV book / edited by Graeme Turner and Stuart Cunningham St. Leonards, N.S.W.: Allen & Unwin, 2000.
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Australians at MIPCOM 2005 / Australian Film Commission Woolloomooloo, NSW: Australian Film Commission, 2005.
Call No: 171(94) "2005" MIPCorpAuthor: Australian Film CommissionEdition: 2005Place: Woolloomooloo, NSWPublisher: Australian Film CommissionPubDate: 2005PhysDes: 72 p. ; 21 cmSubject: MIPCOM ; AUSTRALIAN FILM COMMISSION
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Australians at MIPCOM 2006 / Australian Film Commission Woolloomooloo, NSW: Australian Film Commission, 2006.
Call No: 171(94) "2006" MIPCorpAuthor: Australian Film CommissionEdition: 2006Place: Woolloomooloo, NSWPublisher: Australian Film CommissionPubDate: 2006PhysDes: 72 p. ; 21 cmSubject: MIPCOM ; AUSTRALIAN FILM COMMISSION
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Australians at MIPTV and MILIA 2004 / Australian Film Commission Woolloomooloo, NSW: Australian Film Commission, 2004.
Call No: 171(94) "2004" MIPCorpAuthor: Australian Film CommissionEdition: 2004Place: Woolloomooloo, NSWPublisher: Australian Film CommissionPubDate: 2004PhysDes: 48 p. ; 21 cmSubject: MIP-TV ; AUSTRALIAN FILM COMMISSION
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Australians at MIPTV and MILIA 2006 / Australian Film Commission Woolloomooloo, NSW: Australian Film Commission, 2006.
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Australians at MIPTV and MILIA 2007 / Australian Film Commission Woolloomooloo, NSW: Australian Film Commission, 2007.
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Authorship and criticism / by Dugald Williamson Sydney: Local Consumption Publications, 1989.
Call No: 621 WILAuthor: Williamson, Dugald Edition: [2nd ed.]Place: SydneyPublisher: Local Consumption PublicationsPubDate: 1989PhysDes: 98 p. ; 21 cmSeries: Critical categories series ; no. 1Subject: AUTHORSHIP ; CRITICISM ; METHODOLOGY OF FILM CRITICISM ; WEIR, PETER Notes: Previous ed.: Sydney : Local Consumption Publication, [1986?]; Includes index; Bibliography: p. 89-94ISBN: 0949793167 (pbk.) : $10.00LON: anb94979316; 6320460
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Authorship and the films of David Lynch : aesthetic receptions in contemporary Hollywood / Antony Todd London: I.B. Tauris, 2012.
Call No: 81LYN TODAuthor: Todd, Antony Source: UKPlace: LondonPublisher: I.B. TaurisPubDate: 2012PhysDes: ix, 181 p. : ill. ; 24 cmSubject: AESTHETICS ; AUTEUR THEORY ; LYNCH, DAVID ; DUNE (US, David Lynch, 1984) ; BLUE VELVET (US, David Lynch, 1986) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; MULHOLLAND DRIVE (US, David Lynch, 2001) Summary: "This fresh contribution to studies on authorship and film explores the ways in which shared and disputed opinions on aesthetic quality, originality and authorial essense have shaped receptions of David Lynch's films. it is also the first book to approach Lynch as a figure composed through language, history and text.
Antony Todd traces the development of Lynch's career from cult obscurity with Eraserhead to star auteur through the release of Blue Velvet, as well as the television event of the early 1990s, Twin Peaks. He investigates how Lynch's idiosyncratic style introduced the term 'Lynchian' to the colloquial speech of new Hollywood and helped establish Lynch as the leading light among contemporary American auteurs. Through the evidence of critical and promotional ephemera and the texts carrying Lynch's name, Todd explores contemporary manners and attitudes for artistic reputation building. He also reviews the standards by which Lynch's reputation was dismantled following the release of Wild at Heart and Twin Peaks: Fire Walk with Me, only to be reassembled once more through films such as Lost Highway, Mulholland Dr. and INLAND EMPIRE.
This book also ventures beyond its empirical findings by addressing authorship concerns pertaining to the ways in which, and to whom, the contemporary auteur has meaning. In its account of the experiences at play in the encounter between ephemera, text and reader, Authorship and the Films of David Lynch explores how authors functions for pleasure in the modern filmgoer's everyday consumption of films."-BOOK BLURBNotes: includes bibliographical references; includes indexISBN: 9781848855809Contents: -- introduction -- 1.Towards a Textual Historicity -- 2.David Lynch: The Making of a Post-classical Auteur -- 3.Meanings and Authorships in Dune -- 4.Critical Theory and `Cruel Jokes': Principles of Ethics and Pleasure, and the Reception of Blue Velvet -- 5.Twin Peaks: The Rise and Fall of a Public Auteur -- 6.Brand Lynch -- 7.Receiving Mulholland Dr.: `A Contemporary Film Noir Directed by David Lynch' -- conclusion -- notes -- bibliography -- index --
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Autism in film and television : on the island / edited by Murray Pomerance and R. Barton Palmer Austin: University of Texas Press, April 2022.
Call No: 747.77(73) AUTAuthor: Pomerance, Murray ; Palmer, R. Barton Edition: 2022Place: AustinPublisher: University of Texas PressPubDate: April 2022PhysDes: 324 pages ; 23.5 cmSubject: PEOPLE WITH DISABILITIES IN FILMS ; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994) ; LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016) ; RAIN MAN (US, Barry Levinson, 1988) ; GOOD DOCTOR, THE [TV] ( US, 2017 - ) ; BIG SHORT, THE (US, Adam McKay, 2015) ; STRANGER THINGS [TV] (US, 2016) ; SOCIAL NETWORK, THE (US, David Fincher, 2010) ; NIGHTCRAWLER (US, Dan Gilroy, 2014) ; ACCOUNTANT, THE (US, Gavin O'Connor, 2016) ; BEING THERE (US, Hal Ashby, 1979) ; PHANTOM THREAD (US, Paul Thomas Anderson, 2017) ; DAVID AND LISA (US, Frank Perry, 1962) ; MARY POPPINS (US, Robert Stevenson, 1964) Summary: Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism.
Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism’s portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and “quirky” autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions. -- publisher's web siteISBN: 9781477324912Contents: -- -- Preface: Two Meditations: Who Am I? (Murray Pomerance) Before Neurodiversity (R. Barton Palmer) -- 1. Autistic Android? The Curious Instance of Star Trek’s Data (Ina Rae Hark) -- 2. Life, Animated: Adapting a Book about a Hero with Autism (Rebecca Bell-Metereau) -- 3. Where Is the Autism in Rain Man? (Daniel Sacco ) -- 4. The Good Doctor: Images of Autism and Augmented Intelligence (Burke Hilsabeck) -- 5. Oddity and Catastrophe in The Big Short (Jason Jacobs) -- 6. Diagnosing the Detective: Sherlock Holmes and Autism in Contemporary Television (Christina Wilkins) -- 7. She’s So Unusual: The Autist in Stranger Things (Brenda Austin-Smith) -- 8. Autism, Performance, and Sociality: Isolated Attention in The Social Network (Elliott Logan) -- 9. Hidden Worlds of Female Autism (Daniel Varndell) -- 10. Eye Contact in Juárez: Borderline Empathy and the Autistic Detective (Douglas McFarland) -- 11. The Creative Evolution and Reception of Netflix’s Atypical (Christine Becker) -- 12. Community’s Human Laugh Track: Neurodiversity in a Metamodern Sitcom (Joshua Schulze) -- 13. Portrait of the Autist as a Young Man (Fincina Hopgood) -- 14. Due Diligence: Exploring ASD in Nightcrawler and The Accountant (Dominic Lennard) -- 15. Mind the Gap: Autistic Viewpoint in Film (Alex Clayton) -- 16. Performative Restraint and the Challenges of Empathy in Being There and Phantom Thread (Matthew Cipa) -- 17. “A Spoonful of Sugar”: Watching Movies Autistically (Mark Osteen) -- 18. David and Lisa: The Healing Power of the Group (R. Barton Palmer) -- 19. Jesse: Torture That Autist (Murray Pomerance) -- Works Cited and Consulted -- Photo Captions and Credits -- Contributors -- Index.
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The avocado plantation : boom and bust in the Australian film industry / David Stratton Chippendale, N.S.W.: Pan Macmillan, 1990.
Call No: 71(94) STRAuthor: Stratton, David Place: Chippendale, N.S.W.Publisher: Pan MacmillanPubDate: 1990PhysDes: xiii, 465 p. : ill. ; 25 cmSubject: FILMOGRAPHIES. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; AUSTRALIA ; TAXES. AUSTRALIA ; MILLER, GEORGE ; LAWRENCE, RAY ; COX, PAUL ; BENNETT, BILL ; DOBROWOLSKA, GOSIA ; PARKER, DAVID ; SALVAT, KEITH ; SCHEPISI, FRED ; SCHULTZ, CARL ; SULLIVAN, ERROL ; TASS, NADIA ; TURKIEWICZ, SOPHIA ; WEIR, PETER ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; TIME GUARDIAN, THE (AT, Brian Hannant, 1987) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; MALCOLM (AT, Nadia Tass, 1986) ; BURKE AND WILLS (AT, Graeme Clifford, 1985) ; BLISS (AT, Ray Lawrence, 1985) Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket]Notes: Includes indexISBN: 0732902509LON: 7520974Donation: Simon WincerID2: 255
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journal article
B.C. & C. embark on 'Magical Mystery Tour' in Australasian Cinema (28/1/1983) vol.12 iss.1 p.3
PhysDes: ArticleSubject: BIRCH CARROLL AND COYLE ; ADVERTISING FOR FILMS ; ANNIE (US, John Huston, 1982) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; NIGHT SHIFT (US, Ron Howard, 1982) Summary: Article on Birch, Carroll, and Coyle's promotional day-tour for 'Annie', 'E.T.', and 'Nightshift'.
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Baby call station's lesson in ethics in Weekend Australian (18/07/2015) p.9
Call No: SUBJECT CLIPPINGS FILE; MEDIA AUSTRALIAAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: MEDIA AUSTRALIA Summary: 2DayFM, of the Southern Cross Austereo network, will be broadcasting a three hour program on ethics as part of some of the sanctions the station has been placed under after the infamous royal prank call scandal
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Bachelor boys : the Young Ones book / Elton, Ben / Mayall, Rik / Mayer, Lise United Kingdom: Sphere Books Limited, 1984.
Call No: 79 YOU ELTAuthor: Elton, Ben ; Mayall, Rik ; Mayer, Lise Place: United KingdomPublisher: Sphere Books LimitedPubDate: 1984PhysDes: [124] p. : ill., ports ; 23cmSubject: YOUNG ONES, THE [TV] (UK, 1982-84) ; MAYALL, RIK ; EDMONDSON, ADRIAN ; PLANER, NIGEL Notes: Humour in English,. 1945- - Texts (BNB/ PRECIS)ISBN: 0722157657
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Back of beyond : discovering Australian film and television / presented by the Australian Film Commission and the UCLA Film and Television Archive in association with the Australian Bicentennial Authority ; catalogue editor, Scott Murray North Sydney: Australian Film Commission, 1988.
Call No: 71(94) BACCopy Management: Copy 1; Copy 2Author: Murray, Scott, 1951 CorpAuthor: Australian Film Commission; UCLA Film and Television Archive; Australian Bicentennial AuthorityPlace: North SydneyPublisher: Australian Film CommissionPubDate: 1988PhysDes: viii, 112 p. : ill., ports. ; 23 cmSubject: AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; WOMEN FILMMAKERS. AUSTRALIA ; MILLER, GEORGE ; HAYES, TERRY ; KENNEDY MILLER ENTERTAINMENT ; LANDSCAPES IN FILMS. AUSTRALIA ; SEMI-DOCUMENTARIES. AUSTRALIA Notes: Includes index; "UCLA, October 20-November 20, 1988' - Cover; Filmography: p. 108-109; Have a duplicate copyISBN: 0731643909LON: 6280621Contents: George Miller, p34-43 -- Terry Hayes, p44-51.URL status: URL: 'http://-'
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Background paper : Australian content inquiry / Australian Broadcasting Tribunal [North Sydney: The Tribunal], 1986.
Call No: 205.36(94) AUSSource: ATPlace: [North SydneyPublisher: The Tribunal]PubDate: 1986PhysDes: 39, [30] pages ; 30 cmSubject: TELEVISION. AUSTRALIA ; NATIONAL CONTENT. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: Review of the thirty submissions to the Australian Broadcasting Tribunal's call for comment in relation to their revision of the requirements for Australian content on Australian televisionISBN: 0642117381
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Backstory 3 : interviews with screenwriters of the 1960s / Pat McGilligan Berkeley: University of California Press, 1997.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Place: BerkeleyPublisher: University of California PressPubDate: 1997PhysDes: viii, 428 p. : ill. ; 24 cmSubject: ALLEN, JAY PRESSON ; AXELROD, GEORGE ; BERNSTEIN, WALTER ; FOOTE, HORTON ; GREEN, WALON ; GRIFFITH, CHARLES B. ; HAYES, JOHN MICHAEL ; LARDNER, RING, Jr. ; MATHESON, RICHARD ; MAYES, WENDELL ; RAVETCH, IRVING ; FRANK, HARRIET ; SCHULMAN, ARNOLD ; SILLIPHANT, STIRLING ; SOUTHERN, TERRY Notes: Includes bibliographical references (p. 401-406) and indexesISBN: 0520204263 (cloth : alk. paper); 0520204271 (pbk. : alk. paper)Order Received: 1997LON: 96044753; 12803455
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Backstory 4 : interviews with screenwriters of the 1970s and 1980s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2006.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2006PhysDes: x, 423 p. : ill. ; 23 cmSubject: SCRIPTWRITERS ; SCRIPTWRITERS. USA ; BENTON, ROBERT ; COHEN, LARRY ; EDWARDS, BLAKE ; HILL, WALTER ; JHABVALA, RUTH PRAWER ; KASDAN, LAWRENCE ; LEONARD, ELMORE ; MAZURSKY, PAUL ; MEYERS, NANCY ; MILIUS, JOHN ; RAPHAEL, FREDERIC ; WESTLAKE, DONALD ; SARGENT, ALVIN Summary: "Continuing Patrick McGuilligan's highly acclaimed series on Hollywood screenwriters, these engrossing, informative, provocative interviews give wonderfull detailed and personal stories from veteran writers of the seventies and eighties focusing on their craft, their lives, and their profession. Backstory 4 is a riveting insider's look at how movies get made; a rich perspective on many of the great films, directors, and actors of the seventies and eighties; and an articulate, forthright commentary on the art and business of screenwriting."-- Back coverNotes: Formerly CIP; Includes bibliographical references (p. 389-396) and indexISBN: 9780520245181; 0520245180 (pbk. : alk. paper)Contents: -- acknowlegments -- introduction -- Robert Benton : the new traditionalist / interview by Christian Keathley -- Larry Cohen : manic energy / interview by Patrick McGilligan -- Blake Edwards : jumping around / interview by Bill Krohn --
Walter Hill : last man standing / interview by Patrick McGilligan -- Ruth Prawer Jhabvala : out of India / interview by Vincent LoBrutto -- Lawrence Kasdan : a humanist in Hollywood / interview by Graham Fuller -- Elmore Leonard : the hot kid / interview by Patrick McGilligan -- Paul Mazursky : a map of the heart / interview by Nat Segaloff -- Nancy Meyers : late bloomer / interview by Fred Topel -- John Milius : the good fights / interview by Nat Segaloff -- Frederic Raphael : renaissance man / interview by John Baxter -- Alvin Sargent : pursuit and destination / interview by Patrick McGilligan -- Donald E. Westlake : the worst that could happen / interview by Patrick McGilligan -- bibliographic notes -- about the contributors -- general index -- index of films, plays, and books --
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The bad guys : a pictorial history of the movie villain / by William K. Everson New York: Citadel Press, 1964].
Call No: 451-013 EVEAuthor: Everson, William K Edition: [1st ed.]Place: New YorkPublisher: Citadel PressPubDate: 1964]PhysDes: xiii, 241 p. : ill., ports. ; 29 cmSubject: MEN IN FILMS LON: 64025629; 1531911
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Bandstand...and all that! / John Byrell Kenthurst, N.S.W: Kangaroo Press, 1995.
Call No: 79BAN BYRAuthor: Byrell, John Source: ATPlace: Kenthurst, N.S.WPublisher: Kangaroo PressPubDate: 1995PhysDes: 216 p. : ill., ports ; 28 cmSubject: BANDSTAND [TV](AT, 1958-1972) ; LIGHT ENTERTAINMENT. AUSTRALIA ; MUSIC PROGRAMMES. AUSTRALIA ; TELEVISION. AUSTRALIA ; HENDERSON, BRIAN ; 'KEEFE, JOHNNY ; LIMB, BOBBY Summary: This is the story of the period, in which Bandstand, stariring Brian Henderson and Col Joye, began . It is the time of Six OClock Rock with Johnny ' The Wild One'. O'Keefe, Bob Dyer's Pick- A - Box and the first sex serial, Number 96 .Living legends like Sinatra and Nat King Cole and Bassey were sellouts at Sydney Stadium. There was the coming of the Beatles, and it was the heyday of Chequers and sophisticated nightclubs. There are the fights and feuds and feuds and many funny, sometime strange happenings - both on stage and back stage. All of this is recorded by John ' Johnny' Byrell [Taken from the back of the book]Notes: Includes indexISBN: 0864176937Donation: donated by the family of Wayne Levy, 2006
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journal article
Barbara Carrera signed role in Never Say Never Again in Australasian Cinema (29/10/1982) vol.11 iss.19 p.10
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Barbara Stanwyck / Al DiOrio New York: Berkley Books, 1985, c1983.
Call No: 81STA DIOAuthor: DiOrio, Al Source: USPlace: New YorkPublisher: Berkley BooksPubDate: 1985, c1983PhysDes: 247 p. : ill. ; 18cmSubject: Stanwyck, Barbara ; BROADWAY NIGHTS (US, Jospeph Boyle, 1927) ; LOCKED DOOR, THE (US, George Fitzmaurice, 1929) ; MEXICALI ROSE (US, Erle Kenton, 1929) ; LADIES OF LEISURE (US, Frank Capra, 1930) ; ILLLICIT (US, Archie Mayo, 1931) ; TEN CENTS A DANCE (US, Lionel Barrymore, 1931) ; NIGHT NURSE (US, William Wellman, 1931) ; MIRACLE WOMAN, THE (US, Frank Capra, 1931) ; FORBIDDEN (US, FrankCapra, 1932) ; SHOPWORN (US, Nicholas Grinde, 1932) ; SO BIG (US, William Wellman, 1932) ; PURCHASE PRICE, THE (US, William Wellman, 1932) ; BITTER TEA OF GENERAL YEN, THE (US, Walter Wanger, 1933) ; LADIES THEY TALK ABOUT (US, Howard Bretherton and William Keighley, 1933) ; BABYFACE (US, Alfred Green, 1933) ; EVER IN MY HEART (US, Archie Mayo, 1933) Notes: Filmography and credit listing included of all Stanwycks films.ISBN: 0425094553
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Bardot : a personal biography / Glenys Roberts London: Corgi Books, 1985.
Call No: 81BAR ROBAuthor: Roberts, Glenys Source: UKPlace: LondonPublisher: Corgi BooksPubDate: 1985PhysDes: 368 p. : ill. ; 18 cmSubject: BARDOT, BRIGITTE ; VADIM, ROGER ; FONDA, JANE ; TRINTIGNANT, JEAN-LOUIS ; CHARRIER, JACQUES ; MALLE, LOUIS ; LEVY, RAOUL ; MOREAU, JEANNE ; ET DIEU... CREA LA FEMME (FR, Roger Vadim, 1956) ISBN: 0552127108Donation: donated by the family of Wayne Levy, 2006
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The Barry McKenzie movies / Tony Moore Sydney: Currency Press, Australian Film Commission, 2005.
Call No: 79BAR MORAuthor: Moore, Tony Source: ATPlace: SydneyPublisher: Currency Press, Australian Film CommissionPubDate: 2005PhysDes: x, 86 p. : ill. ; 19 cm.Series: Australian screen classicsSubject: AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; COMEDIES. AUSTRALIA ; EVERAGE, DAME EDNA ; BERESFORD, BRUCE ; HUMPHRIES, BARRY ; ADAMS, PHILLIP ; BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Summary: With irresponsible humour and sharp-witted insight Tony Morre explores the subversive satire of the films, their influence on his generation, and what they have to say about who we are today. Included is a glossary of Bazza-isms written by Barry Humphries.ISBN: 0868197483ISSN: 1447557X
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Basic facts about the Swedish film world : Reprinted from Chaplin 25th anniversary issue : Everything you always wanted to know about Swedish cinema / Rolf Lindfors / Bertil Wredlund / Lars Ahlander Stockholm, Sweden: The Swedish Film Institute, Svenska Filminstitutet, The Swedish Institute, [1984?].
Call No: 71(485) BASAuthor: Lindfors, Rolf ; Wredlund, Bertil ; Ahlander, Lars CorpAuthor: The Swedish Film Institute; Svenska Filminstitutet; The Swedish InstituteSource: SWPlace: Stockholm, SwedenPublisher: The Swedish Film Institute; Svenska Filminstitutet; The Swedish InstitutePubDate: [1984?]PhysDes: 6 p. : ill. ; 30cmSubject: SWEDEN ; SVENSKA FILMINSTITUTET ; NATIONAL CULTURE AND THE CINEMA Notes: Reprinted from 'Chaplin', 25 anniversay issue 1984Contents: Headings: 'The Swedish Film Institute', 'The Film and Video Agreement', 'Cinema Statistics', 'Film Festivals', 'Education and Research', 'Film Censorship', 'Video', 'Distribution'
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newspaper article
Battle for eyeballs goes virtual as video comes full circle in Sunday Age (29/11/2015) p.25
Call No: SUBJECT CLIPPINGS FILE; MOBILE ONLINE MEDIAAuthor: Murgia, Madhumita PhysDes: Clippings File ArticleSubject: MOBILE ONLINE MEDIA Summary: Discussion of the usage of video on online applications with a focus on Instagram
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[Battlers, the: stills file]
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Baz film coming to stage in Herald Sun (02/09/2016) p.3
Call No: TITLE CLIPPINGS FILE; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001)Author: - PhysDes: Clippings File ArticleSubject: MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) Summary: Theatre production company Global Creaturesare working with Baz Luhrmann and Catherine Martin to stage a musical adaptation of the film MOULIN ROUGE
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Baz Luhrmann / Pam Cook London: BFI book published by Palgrave Macmillan, 2010.
Call No: 81LUH COOAuthor: Cook, Pam Source: UKPlace: LondonPublisher: BFI book published by Palgrave MacmillanPubDate: 2010PhysDes: vii, 208 p., [8] p. of plates : ill. (some col.) ; 20 cmSubject: LUHRMANN, BAZ ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) Summary: Baz Luhrmann's reputation as an innovator rests on the evidence of the three films known as the Red Curtain Trilogy: "Strictly Ballroom" (1992), William Shakespeare's "Romeo + Juliet" (1996) "Moulin Rouge!" (2001) and "Australia" (2008). This title offers a study of the work of this Australian film-maker. It aims to explore the genesis of the Red Curtain aesthetic.Notes: Includes bibliographical references (p. [196]-200) and indexISBN: 9781844571581Donation: donated by Pam Cook, 2010Contents: * Once upon a time in Australia
* Strictly ballroom (1992)
* William Shakespeare's Romeo + Juliet (1996)
* Moulin rouge! (2001)
* No. 5 the film (2004) and Australia (2008)
* DVD, the internet and nostralgia.
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Baz Luhrmann : interviews / edited by Tom Ryan Jackson [Mississippi]: University Press of Mississippi, 2014.
Call No: 81LUH BAZSource: USPlace: Jackson [Mississippi]Publisher: University Press of MississippiPubDate: 2014PhysDes: xxvii, 159 pages ; 24 cmSeries: Conversations with filmmakers seriesSubject: LUHRMANN, BAZ ; MARTIN, CATHERINE ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) Summary: "In this collection of interviews, Baz Luhrmann discusses his methods and his motives, explaining what has been important to him and his collaborators from the start and how he has been able maitain an independence from the studios that have backed his films. He also speaks about his other artistic endeavors, including stage productions of La Boheme and A Midsummer Night's Dream, and his wife and collaborative partner Catherine Martin, who has received two Academy Awards for her work with Luhrmann" - taken from back coverISBN: 9781628461497Contents: Stepping out: behind the scenes of strictly ballroom / Ruth Hessey (1992) -- More than romance colors strictly ballroom / Peter Brunette (1993) -- Romeo + Juliet: "appear thou in the likeness of a sigh . . ." / Mark Mordue (1997) -- Baz Luhrmann's William Shakespeare's Romeo + Juliet / Pauline Adamek (1997) -- Baz on the Bard / Peter Malone (1997) -- Shakespeare in the cinema: a Cineaste interview / Gary Crowdus (1998) -- Baz Luhrmann / Elsie M. Walker (2008) -- Broadly speaking / Sonya Voumard (1997) -- The director: Baz Luhrmann / Bec Smith (2001) -- Moulin rouge! / Serena Donadoni (2001) -- Millennial mambo: Baz Luhrmann messes with the musical because he can-can / Ray Pride (2001) -- The man behind the red curtain / Terry Keefe (2001) -- Baz Luhrmann: the ringmaster / John Lahr (2002) -- Baz Luhrmann / Harvey Kubernik (2006) -- Closing the red curtain with La Boheme / Terry Keefe (2004) -- Australia: Baz Luhrmann interview / Rob Carnevale (2009) -- Strictly Luhrmann: where he leads, we will follow / James Mottram (2010) -- The romantic / Garry Maddox (2013) -- Baz Luhrmann's despair, drive, and gamble behind great Gatsby / Stephen Galloway (2013) -- Past is present in the new Gatsby / Tom Ryan (2013) -- Appendix: notes from John Duigan and Geoffrey Nottage
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journal article
Baz Luhrmann's Australia reviewed in Studies in Australasian cinema (2010) vol.4 iss.2 p.93-96
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newspaper article
Baz's 70s tale gets down and punky in The Australian (08/01/2016) p.13
Call No: TITLE CLIPPINGS FILE in production; GET DOWN, THE [TV] in productionAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: NETFLIX ; LUHRMANN, BAZ ; GET DOWN, THE [TV] (US, 2016) Summary: Report on the upcoming Baz Luhrmann project, THE GET DOWN, which will be broadcast on Netflix. There is some information about other Netflix productions to be released in 2016
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Bazin at work : major essays and reviews from the forties and fifties / Andre Bazin ; translated from the French by Alain Piette and Bert Cardullo ; edited by Bert Cardullo New York: Routledge, 1996.
Call No: 67(04) BAZAuthor: Bazin, Andre, 1918-1958 ; Cardullo, Bert Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: xvi, 252 p. : ill. ; 24 cmSubject: STALIN [J.] IN FILMS ; RELIGIOUS FILMS ; SPECIAL EFFECTS ; SUPERNATURAL IN FILMS ; CINEMASCOPE ; MARXISM AND THE CINEMA ; USSR ; ADAPTATIONS ; WYLER, WILLIAM ; PAGNOL, MARCEL ; CAYATTE, ANDRE ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; SCARFACE (US, Howard Hawks, 1932) ; STRADA, LA (IT, Federico Fellini, 1954) ; DERNIERES VACANCES, LES (FR, Roger Leenhardt, 1948) ; M. RIPOIS (FR, Rene Clemont, 1954) ; DUE SOLDI DI SPERANZA (IT, Renato Castellani, 1951) ; TWO CENTS WORTH OF HOPE (IT, Renato Castellani, 1951) ; WHY WE FIGHT SERIES (US, 1942-44) ; BATTLE OF THE RAILS [ ; MYSTERE PICASSO, LE (FR, Henri-Georges Clouzot, 1956) ; BIDONE, IL (IT, Federico Fellini, 1955) ; BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957) ; CITIZEN KANE (US, Orson Welles, 1941) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IVAN GROZNY KINO BALET (UR, Vadim Derbenev & Yuri Grigorovich, 1977) Notes: Includes bibliographical references and indexISBN: 0415900174 (hb); 0415900182 (pb)LON: 12242179Contents: La Strada, p113-120 -- Jeux Interdits, p129-135 -- Les Dernieres Vacances, p141-149 -- M. Ripois, p167-177 -- Ivan Groznyj, p197-203 -- Le Mystere Picasso, p211-219 -- Citizen Kane, p231-239
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BBC doctor prescribes top content in Australian Financial Review (05/09/2016) p.29
Call No: PERSONALITY CLIPPINGS FILE; MOSELY, MICHAELAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: PRODUCTION, TV ; MOSLEY, MICHAEL Summary: Quotes from UK TV show presenter Michael Mosley who is visiting Australia for the Australian Subscription Television and Radio Association conference
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journal article
Beaconsfield in Australian Cinematographer (June 2012) iss.54 p.56-62
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Becoming past : History in contemporary art / Hane Blocker Minneapolis: University of Minnesota Press, 2016.
Call No: 722.71 BLOAuthor: Blocker, Jane Edition: 2016Place: MinneapolisPublisher: University of Minnesota PressPubDate: 2016PhysDes: 240 p. : illus. ; 22 cmSubject: MCQUEEN, STEVE ; Keaton, Buster Notes: Is there such a thing as contemporary art history? The contemporary, after all—as much as we may want to consider it otherwise—is being made history as it happens. By what means do we examine this moving target? These questions lie at the center of Jane Blocker’s Becoming Past. The important point is not whether there is—or should be—contemporary art history, Blocker argues, but how.
Focusing on a significant aspect of current art practice in which artists have engaged with historical subject matter, methods, and inquiry Blocker asks how the creation of the artist implicates and interrogates that of the art historian. She moves from art history and theater, to performance and literature as she investigates a series of works, including performances by the collaborative group Goat Island, the film Deadpan by Steve McQueen, the philosophies of science fiction writer Samuel Delany and documentary filmmaker Ross McElwee, the film Amos Fortune Road by Matthew Buckingham, and sculptures by Dario Robleto.
Many books have sought to understand the key directions of contemporary art. In contrast, Becoming Past is concerned with the application of art history in the pursuit of such trends. Setting the idea of temporality decisively in the realm of art, Blocker’s work is crucial for artists, art historians, curators, critics, and scholars of performance and cultural studies interested in the role of history in the practice of art. -- publisher's blurbISBN: 9780816696987
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Before Mickey : the animated film, 1898-1928 / Donald Crafton Cambridge, Mass.: MIT Press, c1982.
Call No: 772 CRAAuthor: Crafton, Donald Place: Cambridge, Mass.Publisher: MIT PressPubDate: c1982PhysDes: xx, 413 p. : ill. ; 21 cmSubject: ANIMATED FILMS ; MESSMER, OTTO ; MCCAY, WINSOR ; COHL, EMILE ; BRAY, JOHN RANDOLPH ; FELIX THE CAT ; FLEISCHER STUDIO ; HURD, EARL ; LANTZ, WALTER ; STAREVITCH, LADISLAS ; VERTOV, DZIGA ; HAUNTED HOTEL, THE (US, J. Stuart Blackton, 1907) Notes: Includes index; "Sources for early animated films" p. [373]-380; Bibliography: p. [381]-395ISBN: 0262030837LON: 2144183 2144183
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Before the interval : Australian mythology and feature films, 1930-1960 / Bruce Molloy St. Lucia, Qld.: University of Queensland Press, 1990.
Call No: 408.1(94) MOLAuthor: Molloy, Bruce Place: St. Lucia, Qld.Publisher: University of Queensland PressPubDate: 1990PhysDes: xviii, 244 p., [32] p. of plates : ill., ports. ; 22 cmSubject: AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; FAMILY IN FILMS. AUSTRALIA ; MYTH AND THE CINEMA ; CINESOUND STUDIOS ; CHAUVEL, CHARLES ; BITTER SPRINGS (AT, Ralph Smart, 1950) ; HERITAGE (AT, Charles Chauvel, 1935) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) ; DAD RUDD M.P. (AT, Ken G. Hall, 1940) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; IT ISN'T DONE (AT, Ken G. Hall, 1937) ; JEDDA (AT, Charles Chauvel, 1955) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; SHIRALEE, THE (AT, Leslie Norman, 1957) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) Notes: Includes index; Bibliography: p. [219]-229ISBN: 0702222690 (pbk.)LON: 6791823Contents: Charles Chauvel, p101-164 -- Bitter Springs, p189-194 -- Dad Rudd, p60-65 -- Forty Thousand Horsemen, p144-152 -- Heritage, p107-114 -- It isn't done, p87-92 -- Jedda, p203-208 -- On Our Selection, p48-53 -- The Overlanders, p165-171 -- The Rats of Tobruk, p152-161 -- The Shiralee, p178-181 -- Sons of Matthew, p114-124 -- The Squatter's Daughter, p65-69
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Before the rain : a collaboration in Lumina (Summer 2010) iss.2 p.181-190
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Behind a velvet light trap : a filmmaker's journey from Cinesound to Cannes / Anthony Buckley Prahran, Vic.: Hardie Grant, 2009.
Call No: 81BUC BUCAuthor: Buckley, Anthony Source: ATPlace: Prahran, Vic.Publisher: Hardie GrantPubDate: 2009PhysDes: x, 406 p. : ill. (some col.), ports. ; 26 cmSubject: BUCKLEY, ANTHONY ; PRODUCERS ; DIRECTORS. AUSTRALIA ; FILM WORKERS ; FILM WORKERS. AUSTRALIA ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) Summary: Almost from the inception of movies, the Buckley family were involved, so it was natural for the young Tony Buckley to get a job at a film laboratory, and move into film editing. Despite being warned by a veteran of film, "There's no future in it", Buckley began a career that was to involve a cast of thousands including Australian film pioneers, Raymond Longford and Ken G. Hall, Australian and international stars, and the pick of the Australian film and television industry. As an acclaimed editor, then producer, Tony Buckley's films have attracted numerous accolades and awards. In Behind a Velvet Light Trap, Buckley chronicles the frequent disasters on the set and the antics of actors and film crew with wry humour and a firm sense of professionalism. It is an insider's view of Australian movies and television where we get to meet some of the vivid personalities including Rudolf Nureyev, Michael Powell, Patrick White, James Mason, Ruth Park, Leo McKern and Joan Sutherland. --BOOK JACKETISBN: 9781740667906Contents: -- Preface -- Acknowledgement -- PART ONE -- 1 -- Saturdays At The Sesqui -- 2 --The Sentimental Bloke - Meeting Raymond Longford -- 3 -- Discovering 'The Hidden Power' -- 4 -- The Voice Of Australia -- 5 -- 'There's No Future In It, Son!' -- 6 -- Seven Miles From Sydney And 10,000 Miles From Care -- 7 -- Letters Home: 189 Cromwell Road - 'Hurry, My Milliner Is Waiting!' -- 8 -- Five For Europe: A Telegram From Home -- 9 -- Another Cinesound Excusive! -- 10 -- Forgotten Cinema And The Australian Renaissance -- 11-- Michael Powell and S.Y.M -- 12 -- Home to Avening -- 13 -- 'The Locomotive that Drives Everything Else -- 14 -- Mercer Clips and Hollywood -- 15 -- Le Reveil Dans La Terreur - Wake in Fright -- 16 -- Ballet in the Bedroom -- 17 -- Insular Fairyland - anyone for Croquet? -- 18 -- ...'You wanna make a film about a woman???!!' -- 19 -- My Sons, My Horses - The Anatomy of a Motion Picture -- 20 -- 'This Bizarre Work' - The Night of the Prowler -- 21 -- The very strange case of the Unknown Industrial Prisoner -- 22 -- Not In The Public Interest - the Juanita Factor -- 23 -- Flight Ten From Honolulu - A complete Change Of Direction -- 24 -- A Landmark Australian Film -- PART TWO -- 25 -- ...And Now For Something Completely Different - Television! -- 26 -- The Tree Of Humankind - Man On A Limb! -- 27 -- The Heroes Of The Miniseries -- 28 -- Prostitution - Adapting Bryce Courtenay - And The Mysterious Case Of The Stolen Logie -- PART THREE -- 29 -- Back To The Reel World -- 30 -- On Their Selection - The $24,000 Lunch! -- 31 -- A Celebration - Then Shadows Fall -- 32 -- 'That Resilient Little Beast' - But Not Quite A Heart Stopper! -- 33 -- An Apple For The Teacher - Food for thought -- 34 -- Shattered Dreams - Broken Promises -- The Final Reel - The Full Circle
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Behind the scenes at the BBFC : film classification from the silver screen to the digital age / edited by Edward Lamberti ; associate editors Jason Green, David Hyman, Craig Lapper, Karen Myers London: BFI book published by Palgrave Macmillan, 2012.
Call No: 44(410) BEHSource: UKPlace: LondonPublisher: BFI book published by Palgrave MacmillanPubDate: 2012PhysDes: xii, 228 pages : illustrations (some colour) ; 25 cmSubject: CENSORSHIP. UK ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; SNAKE PIT (US, Anatole Litvak, 1948) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; PANIC IN NEEDLE PARK (US, Jerry Schatzberg, 1971) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; PARASITE MURDERS, THE (CN, David Cronenberg, 1975) ; BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979) ; CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; LICENCE TO KILL (UK/US, John Glen, 1989) ; LILO & STITCH (US, Dean DeBlois & Chris Sanders, 2002) ; [NINE] 9 SONGS (UK, Michael Winterbottom, 2004) ; HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005) Summary: "Established by the film industry in 1912 as the nation's only official and independent classifier of the moving image, the British Board of Film Classification (originally the British Board of Film Censors) has long been a source of fascination - and sometimes a bone of contention - for filmgoers, film-makers and industry figures. This new book, published in the BBFC's centenary year, traces the fascinating history of film classification, censorship and controversy in Britain, and marks an unparalleled collaboration between the BBFC and leading film critics, historians and cultural commentators. The book also features unique case studies, written by BBFC staff, focusing on significant films that have provoked debate and controversy both within the BBFC and more widely - Battleship Potemkin, The Snake Pit, A Clockwork Orange, Indiana Jones and the Temple of Doom, and many more." - taken from back cover.Notes: Includes bibliographical references and index.ISBN: 9781844574766Contents: Introduction: A Centennary Book -- 1.Censorship Under Siege: The BBFC in the Silent Era / Simon Brown -- Case Study: Battleship Potemkin (1925) / Aidan McDowell -- 2.`The People's Amusement': Cinemagoing and the BBFC, 1928-48 / Robert James -- Case Study: Island of Lost Souls (1932) / Karen Myers -- 3.From the Snake Pit to the Garden of Eden: A Time of Temptation for the Board / Steve Chibnall -- Case Study: The Snake Pit (1948) / David Hyman -- Case Study: Caged (1950) / Jason Green -- 4.The Trevelyan Years: British Censorship and 1960s Cinema / Tracy Hargreaves -- Case Study: Cape Fear (1962) / David Hyman -- Case Study: Blowup (1966) / Edward Lamberti -- 5.Wake of the Flood: Key Issues in UK Censorship, 1970-5 / Stevie Simkin -- Case Study: The Panic In Needle Park (1971) / Murray Perkins -- Case Study: WR - Misterije Organizma (WR - Mysteries of the Organism, 1971) / Craig Lapper -- Case Study: A Clockwork Orange (1971) / Karen Myers -- 6.The `Poacher Turned Gamekeeper': James Ferman and the Increasing Intervention of the Law / Alex Sinclair -- Case Study: Shivers (1975) / David Hyman -- Case Study: Die Blechtrommel (The Tin Drum, 1979) / Craig Lapper -- Case Study: Christiane F. - Wir Kinder Vom Bahnhof Zoo (Christiane F.-We Children From Zoo Station, 1981) / Craig Lapper -- 7.More Than Just a `Nasty' Decade: Classifying the Popular in the 1980s / Sian Barber -- Case Study: Indiana Jones and the Temple of Doom (1984) / Edward Lamberti -- Case Study: Licence to Kill (1989) / Edward Lamberti -- 8.Head-On Collisions: The BBFC in the 1990s / Julian Petley -- Case Study: International Guerillas (1990) / Jason Green -- Case Study: Mikey (1992) / Jason Green -- 9.`The Last Days of the Board' / Robin Duval -- Case Study: Ichi the Killer (2001) / Murray Perkins -- Case Study: Lilo & Stitch (2002) / Jason Green -- 10.The Director's Commentary / David Cooke -- Case Study: 9 Songs (2004) / Caitlin O'Brien -- Case Study: Harry Potter and the Goblet of Fire (2005) / Karen Myers -- 11.On the BBFC in the Digital Age -- Censorship and Classification in the Free Society / Gerard Lemos -- Reflections on the 1979 Williams Report / Geoffrey Hawthorn -- Future Technologies and How They Might Impact on Film Classification and Censorship / John Carr -- A Margin of Appreciation / Stephen Sedley -- How the World Has Changed for Children and Parents, 1912-2012 / Ann Phoenix.
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Being connected : the studio in the networked age : The Australian Film Commission's Multimedia Conference, 9-11 July 1998. Program and abstracts [Sydney]: Australian Film Commission, 1998.
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Ben Mendelsohn : The boy-next-door from The Year My Voice Broke returns for a home-cooked meal in Mullet in Empire (Australian Ed.) (July 2001) iss.4 p.26-27
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[Beresford, Bruce : portrait of Bruce Beresford on set of the 'Money Movers' with man standing behind]
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Berlin replayed : cinema and urban nostalgia in the postwall era / Brigitta B. Wagner Minneapolis: University of Minnesota Press, 2015.
Call No: 408.1 (430) WAGAuthor: Wagner, Brigitta B. Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: 2015PhysDes: x, 299 pages : illustrations, maps ; 26 cmSubject: NOSTALGIA IN FILMS ; URBAN LIFE IN FILMS ; GERMANY ; NATIONAL IDENTITY IN FILMS. GERMANY ; POLITICS IN THE CINEMA ; RUN LOLA RUN (G, Tom Tykwer, 1998) Summary: "In Berlin Replayed, Brigitta B. Wagner traces how old and new films set in Berlin created a collective urban nostalgia for the city's best and most conciliatory pasts in the face of its renewed prupose as the all-German capital. Exploring films such as Walter Ruttmann's Berlin: Symphony of a Great City, Wim Wenders's wings of Desire, Tom Tykwer's Run Lola Run, and Wolfgang Becker's Good Bye, Lenin!, the book illustrates how film has repeatedly remade the image of the city. Wagner focuses on four key periods: the golden 1920s, when the city was a major filmmaking center; the prewall 1950s, when Berlin had two idealogically opposed film industries; the politically transformative late 1980s and early 1990s; and the hyped start of the twenty-first century." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9780816691746Donation: donated by Senses of CinemaContents: Introduction: Auf wiedersehen, Berlin! -- Remake: Berlin symphonies and the myth of the weltstadt -- Generation: a 1950s place for us -- Virtuality: cinema, archive, and the interactive map of Potsdamer Platz -- Orientation: geographical didacticism and the X-films of new Berlin -- Epilogue: Berlin returns, again
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Berlin showcases 'Frank' and 'Chrissy' in Encore (Apr 2000) vol.18 iss.3 p.16
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The best American movie writing 1998 / George Plimpton, editor New York: St. Martin's Griffin, 1998.
Call No: 67(04) BESAuthor: Plimpton, George Place: New YorkPublisher: St. Martin's GriffinPubDate: 1998PhysDes: xvi, 265 p. ; 21 cmSubject: PRODUCERS ; CAMP ; CENTENARY OF CINEMA ; HOMOSEXUALITY AND THE CINEMA ; SCORSESE, MARTIN ; FRY, STEPHEN ; CAMPION, JANE ; BEATTY, WARREN ; STABILE, SALVATORE ; POLANSKI, ROMAN ; DANDRIDGE, DOROTHY ; HITCHCOCK, ALFRED ; STREISAND, BARBRA ; WATERS, JOHN (US) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; MIRROR HAS TWO FACES, THE (US, Barbra Streisand, 1996) LON: abn98329398; 14168026
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The best American movie writing 1999 / edited by Peter Bogdanovich New York: St. Martin's, 1999.
Call No: 67(04) BESPlace: New YorkPublisher: St. Martin'sPubDate: 1999PhysDes: 280 p.Subject: WOMEN IN FILMS ; RELIGION AND THE CINEMA ; ADAPTATIONS ; HISTORY OF CINEMA. SOUND PERIOD ; ETHNIC GROUPS IN FILMS ; GAZE IN FILMS ; FAMILY IN FILMS ; WAR FILMS ; BOORMAN, JOHN ; FRANKENHEIMER, JOHN ; SINATRA, FRANK ; FORD, JOHN ; THOMPSON, KAY ; YASUJIRO OZU ; MANGOLD, JAMES ; RISKIN, ROBERT ; SPIELBERG, STEVEN ; SCORSESE, MARTIN ; SARRIS, ANDREW ; MCCAREY, LEO ; BOGDANOVICH, PETER ; CAPRA, FRANK ; VIDAL, GORE ; DOVE, BILLIE ; GRANT, CARY ; BURNETT, CHARLES ; HAPPINESS (US, Todd Solondz, 1998) ; SEARCHERS, THE (US, John Ford, 1956) ; EVE'S BAYOU (US, Kasi Lemons, 1997) ; TOUCH OF EVIL (US, Orson Welles, 1958) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; GENERAL, THE (UK, John Boorman, 1998) ; RONIN (US, John Frankenheimer, 1998) ; STARDUST MEMORIES (US, Woody Allen, 1980) ; TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932) ; RED RIVER (US, Howard Hawks, 1948) ; DETOUR (US, Edgar G. Ulmer, ,1946) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; LADY EVE, THE (US, Preston Sturges, 1941) ; M (G, Fritz Lang, 1931) ; WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) ISBN: 0312244832ID2: 291
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[Best of friends, the : stills file]
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Bette Davis black and white / Julia A. Stern Chicago: University of Chicago Press, 2021.
Call No: 81 DAV STEAuthor: Stern, Julia A. Edition: 2021Place: ChicagoPublisher: University of Chicago PressPubDate: 2021PhysDes: xi, 266 pages : illustratedSubject: DAVIS, BETTE ; ANDERSON, ERNIE ; BALDWIN, JAMES ; CRAWFORD, JOAN ; IN THIS OUR LIFE (US, John Huston, 1942) ; JEZEBEL (US, William Wyler, 1938) ; LITTLE FOXES, THE (US, William Wyler, 1941) ; MCDANIEL, HATTIE ; RACIAL ISSUES AND THE CINEMA ; WHATEVER HAPPENED TO BABY JANE? (US, Robert Aldrich, 1962) ; WYLER, WILLIAM Summary: Bette Davis’s career becomes a vehicle for a deep examination of American race relations.
Bette Davis was not only one of Hollywood’s brightest stars, but also one of its most outspoken advocates on matters of race. In Bette Davis Black and White, Julia A. Stern explores this largely untold facet of Davis’s brilliant career.
Bette Davis Black and White analyzes four of Davis’s best-known pictures—Jezebel (1938), The Little Foxes (1941), In This Our Life (1942), and What Ever Happened to Baby Jane? (1962)—against the history of American race relations. Stern also weaves in memories of her own experiences as a young viewer, coming into racial consciousness watching Davis’s films on television in an all-white suburb of Chicago.
Davis’s egalitarian politics and unique collaborations with her Black costars offer Stern a window into midcentury American racial fantasy and the efforts of Black performers to disrupt it. This book incorporates testimony from Davis’s Black contemporaries, including James Baldwin and C. L. R. James, as well as the African American fans who penned letters to Warner Brothers praising Davis’s work. A unique combination of history, star study, and memoir, Bette Davis Black and White allows us to contemplate cross-racial spectatorship in new ways. -- publisher's web siteISBN: 9780226813868Contents: Historical Note -- Chapter 1 Introduction: Black and White -- Chapter 2 Little Foxes and Little Brown Wrens -- Chapter 3 The Poetics of Color in Jezebel -- Chapter 4 Melodramas of Blood in In This Our Life -- Chapter 5 The Whiteness of What Ever Happened to Baby Jane? -- Chapter 6 Bette Davis Black and White -- Acknowledgments -- Notes – Index.
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Beyond document : essays on nonfiction film / edited by Charles Warren Hanover, NH: University Press of New England, 1996.
Call No: 761(04) BEYAuthor: Warren, Charles, 1948 Place: Hanover, NHPublisher: University Press of New EnglandPubDate: 1996PhysDes: xxviii, 366 p. : ports. ; 24 cmSubject: DOCUMENTARY FILMS ; CINEMA VERITE ; DIRECTORS ; DOCUMENTARY DRAMAS ; NEWSREELS ; MEMORY IN FILMS ; ETHNOGRAPHIC FILMS ; BIOGRAPHICAL FILMS ; GENOCIDE IN FILMS ; WORLD WAR II FILMS ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; OPHULS, MARCEL ; RESNAIS, ALAIN ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; BOOMERANG (US, Elia Kazan, 1947) ; VERTOV, DZIGA ; MARKER, CHRIS ; FILM PORTAIT (US, Jerome Hill, 1972) ; GARDNER, ROBERT ; MCELWEE, ROSS ; ZERKALO (UR, Andrei Tarkovsky, 1975) Summary: "In essays by eleven of America's foremost writers, critics and filmmakers, Beyond Document explores the full spectrum on nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema verite, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who..., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss.
Representations of reality are increasingly contested, in courtrooms and Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve"; and poet Susan Howe explores structures of mourning in several filmmakers. All of the books essays provide deeply felt understandings of documentary film, and of how we live with, and within, images." -- BOOK BLURBNotes: Includes bibliographical references (p. 345-350) and indexISBN: 0819552879 (cl : alk. paper); 0819562904 (pbk. : alk. paper)LON: 11642141Contents: Words of welcome / Stanley Cavell -- Introduction, with a brief history of nonfiction film / Charles Warren -- Death and the image / Jay Cantor -- Memory's movies / Patricia Hampl -- Eternal Verites / William Rothman -- The toil of thought: on several nonfiction films by women / Helene Keyssar -- The camera people / Eliot Weinberger -- The impulse to preserve / Robert Gardner -- You are there / Maureen Howard -- Earth and beyond: Dusan Makaveyev's WR: Mysteries of the Organism / Charles Warren -- In search of the centaur: the essay film / Phillip Lopate -- Vertov's cinematic transposition of reality / Vlada Petric -- Sorting facts; or, nineteen ways of looking at marker / Susan Howe
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Beyond formula : American film genres / Stanley J. Solomon New York: Harcourt Brace Jovanovich, 1976.
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Beyond the future : multimedia and the law / P.G. Leonard Sydney: Information Science Section, ALIA, 1995.
Call No: 432.4 INFAuthor: Leonard, P.G. Place: SydneyPublisher: Information Science Section, ALIAPubDate: 1995PhysDes: 10 leaves ; 30 cmSubject: MULTIMEDIA. AUSTRALIA ; COPYRIGHT. AUSTRALIA Notes: Information Online & On Disc 95 Conference Preceedings; 31 January - 2 February 1995ISBN: 0868045136
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Beyond the screen : emerging cinema and engaging audiences / Sarah Atkinson New York: Bloomsbury Academic, 2014.
Call No: 409(-017.2) ATKAuthor: Atkinson, Sarah Source: USPlace: New YorkPublisher: Bloomsbury AcademicPubDate: 2014PhysDes: xiv, 293 pages ; 24 cm.Subject: AUDIENCES ; DIGITAL MEDIA AND THE CINEMA ; MOBILE AND ONLINE MEDIA ; MOBILE CINEMAS ; POPULAR CULTURE AND THE CINEMA ; SOCIETY AND THE CINEMA ; TECHNOLOGY AND THE CINEMA Summary: This book presents an expanded conceptualization of cinema which encompasses the myriad ways film can be experienced in a digitally networked society where the auditorium is now just one location amongst many in which audiences can encounter and engage with films. It includes considerations of mobile, web, social media and live cinema through numerous examples and case studies of recent and near-future developments. -- taken from the back coverNotes: Includes bibliographical references, filmography and index.ISBN: 9781501308659Donation: donated by Senses of Cinema, 2016Contents: Introduction -- Extending cinema -- Mobile cinema -- Socially layered cinema -- The ethics of emerging cinema -- The business of emerging cinema -- The grammar of emerging cinema -- Epilogue.
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Beyond the silver screen : a history of women, filmmaking and film culture in Australia 1920-1990 / Mary Tomsic Carlton, Victoria: Melbourne University Press, 2017.
Call No: 71-02(94) TOMAuthor: Tomsic, Mary Edition: 2017Place: Carlton, VictoriaPublisher: Melbourne University PressPubDate: 2017PhysDes: vii, 254 pages : 22 cmSeries: MUP AcademicSubject: WOMEN FILMMAKERS. AUSTRALIA ; WOMEN, FILMS MADE BY. AUSTRALIA ; GRAIL FILM GROUP, THE ; SYDNEY FILMMAKERS CO-OPERATIVE ; INDONESIA CALLING (AT, Joris Ivens, 1948) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; FRAN (AT, Glenda Hambly, 1985) Summary: Beyond the Silver Screen tells the history of women's engagement with filmmaking and film culture in twentieth-century Australia. In doing so, it explores an array of often hidden ways women in Australia have creatively worked with film. Beyond the Silver Screen examines film in a broad sense, considering feature filmmaking alongside government documentaries and political films. It also focuses on women's work regulating films and supporting film culture through organising film societies and workshops to encourage female filmmakers. As such, it tells a new narrative of Australian film history.
Beyond the Silver Screen reveals the variety of roles film has in Australian society. It presents film as a medium of creative and political expression, which women have engaged with in diverse ways throughout the twentieth century. Gender roles and gendered ideologies operating within society at large have influenced women's opportunities to work with film and how their filmwork is… -- publisher's web siteISBN: 9780522871227
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Bierstedt: New World executive VP in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.4
Subject: NEW WORLD PICTURES Summary: Announcement of Peter Bierstedt as New World Pictures' executive vice president
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Big bosoms and square jaws : the biography of Russ Meyer, king of the sex film / Jimmy McDonough London: Jonathan Cape, 2005.
Call No: 81MEY MCDAuthor: McDonough, Jimmy Source: UKPlace: LondonPublisher: Jonathan CapePubDate: 2005PhysDes: 463 p. : ill. ; 25 cmSubject: MEYER, RUSS Summary: McDonough offers a wild portrait of Russ Meyer, the director, writer, producer and commando movie-making force behind such sexploitation classics as Faster, Pussycat! Kill! Kill! and Beyond the Valley of the DollsNotes: Includes bibliographical references (p. [401]-434) and index.-- Filmography: p. [435]-448ISBN: 0224072501Donation: donated by Senses of Cinema, 2012
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newspaper article
Big fat tired return in Saturday Age (26/03/2016) p.20
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newspaper article
The big picture : Where does it say female stars must be younger? in Sunday Age [M magazine] (16/08/2015) p.16
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The big picture : The fight for the future of movies / Ben Fritz Boston: Eamon Dolan Book/ Houghton Mifflin Harcourt, 2018.
Call No: 210.31(73) FRIAuthor: Fritz, Ben Source: USPlace: BostonPublisher: Eamon Dolan Book/ Houghton Mifflin HarcourtPubDate: 2018PhysDes: xxv, 278 pages ; 24 cm.Subject: SONY CORPORATION ; MARVEL ENTERTAINMENT ; AMAZON ; NETFLIX ; IMAX ; WALT DISNEY PRODUCTIONS ; BUENA VISTA INTERNATIONAL ; WARNER BROS. ; FRANCHISES ; STAR WARS [...] (US, 1977-2015) Summary: "The stunning metamorphosis of twenty-first-century Hollywood and what lies ahead for the art and commerce of film. In the past decade, Hollywood has endured a cataclysm on a par with the end of silent film and the demise of the studio system. Stars and directors have seen their power dwindle, while writers and producers lift their best techniques from TV, comic books, and the toy biz. The future of Hollywood is being written by powerful corporate brands like Marvel, Amazon, Netflix, and Lego, as well as censors in China. Ben Fritz chronicles this dramatic shakeup with unmatched skill, bringing equal fluency to both the financial and entertainment aspects of Hollywood. He dives deeply into the fruits of the Sony hack to show how the previous model, long a creative and commercial success, lost its way. And he looks ahead through interviews with dozens of key players at Disney, Marvel, Netflix, Amazon, IMAX, and others to discover how they have reinvented the business. He shows us, for instance, how Marvel replaced stars with "universes," and how Disney remade itself in Apple's image and reaped enormous profits. But despite the destruction of the studios' traditional playbook, Fritz argues that these seismic shifts signal the dawn of a new heyday for film. The Big Picture shows the first glimmers of this new golden age through the eyes of the creative mavericks who are defining what our movies will look like in the new era." -- Book jacket.Notes: Includes bibliographical references (pages 247-263) and index.ISBN: 9780544789760Contents: A notes on sources ix -- Introduction: Groundhog Day-How franchises killed originality in Hollywood xii -- Part 1: How Hollywood got here -- The Odd Couple: Lynton and Pascal's glory days at Sony -- Reality Bites: How everything went wrong for the movie business -- Inception: The secret origin of the superhero movie -- Revenge of the Nerds: The rise of Marvel Studios -- Spiderman: Homecoming- why Sony gave up its most valuable asset -- Star Wars: The decline of the A-list -- A Star is Born: Netflix, the new home for movie stars -- Frozen: Why studios stopped making mid-budget dramas -- Trading places: How tv stole movies' spot atop Hollywood -- Part 2: Where Hollywood is headed -- The Terminator: Disney, the perfect studio for the franchise age -- The Producers: Creativity meets franchise managment -- The Shop Around the Corner: Amazon saves the indie film business -- Apt Pupil: China's shifting relationship with Hollywood -- Field of Dreams: Studio defectors and the future of nonfranchise films -- The Last Picture Show?
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Big sell for "the Secret of NIMH" in Australasian Cinema (30/4/1982) vol.11 iss.7 p.2
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[Big steal, the : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 16 photographs : b&w ; 21 x 26 cm + 1 photograph : b&w ; 13 x 18 cmSubject: KARVAN, CLAUDIA ; MENDELSOHN, BEN ; NAPIER, MARSHALL ; HERRIMAN, DAMON ; ROBERTSON, TIM ; BISLEY, STEPHEN ; BIG STEAL, THE (AT, Nadia Tass, 1990) Summary: 17 black and white photographs of scenes from the film starring Claudia Karvan, Ben Mendelsohn and Steve Bisley.Notes: 1 image donate by Brian McFarlane
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newspaper article
Bigger grants offered for YouTube creators in funding program in Australian Financial Review [Marketing & Media] (18/04/2016) p.25
Call No: TITLE CLIPPINGS FILE; MOBILE ONLINE MEDIAAuthor: White, Dominic PhysDes: Clippings File ArticleSubject: MOBILE ONLINE MEDIA ; YOUTUBE Summary: SketchShe are an example of content producers whose work can be viewed on YouTube. Screen Australia has doubled its funding program which supports the development of narrative web series. Google is also investing money to encourage more screen content.
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Bike boys, drag queens & superstars : avant-garde, mass culture, and gay identities in the 1960s underground cinema / Juan A. Sußrez Bloomington: Indiana University Press, 1996.
Call No: 451-03 SUAAuthor: Sußrez, Juan Antonio Place: BloomingtonPublisher: Indiana University PressPubDate: 1996PhysDes: xxviii, 353 p. : ill. ; 23 cmSubject: ANGER, KENNETH ; SMITH, JACK ; WARHOL, ANDY ; UNDERGROUND FILMS. USA ; HOMOSEXUALITY AND THE CINEMA. USA ; HOMOSEXUALITY IN FILMS. USA ; AVANT-GARDE FILMS. USA ; MEKAS, JONAS ; SCORPIO RISING (US, Kenneth Anger, 1964) ; FLAMING CREATURES (US, Jack Smith, 1963) Notes: Includes bibliographical references (p. [331]-343) and index; Filmography: p. [317]-320; Bike boys, drag queens, and superstarsISBN: 025332971X (cl : alk. paper); 025321033X (pa : alk. paper)LON: 11661060
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Bill Edwards appt. vice-president of advtg. & publicity MGM/UA intern'l in Australasian Cinema (16/4/1982) vol.11 iss.6 p.2
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[Billy's holiday : stills file]
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BILLY THE KID NO ATARASHII YOAKE : (JA, Naoto Yamakana, 1986)
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[Billy the Kid no atarashii yoake : poster]
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The bipolar express : manic depression and the movies / Dave Coleman Lanham, Maryland: Rowman & Littlefield, 2014.
Call No: 747.73 COLAuthor: Coleman, Dave Source: UKPlace: Lanham, MarylandPublisher: Rowman & LittlefieldPubDate: 2014PhysDes: 367 pages ; 24 cmSubject: MENTAL HEALTH ISSUES IN FILMS ; DEPRESSION IN FILMS Summary: In The Bipolar Express: Manic Depression and the Movies, David Coleman provides an in-depth examination of the entwined natures of mood disorders and movie making. In this volume, Coleman looks at the writers, directors, and actors who have faced the mood swings and behaviour that are hallmarks of this condition. In addition to recognizing the cinematic contributions of manic depressive filmmakers, the author also looks at movies that have portrayed bipolar disorder- with varying degrees of accuracy- including Citizen Kane, Breakfast at Tiffany's, The Aviator, and Silver Linings Playbook.
From early silents of the twentith century through critically acclaimed films of today, this book compares depictions of mood swings on screen with clinical examples of actual manic depression, carefully distinguishing real from stereotypical portrayals. This fascinating study is augmented by a concise filmograohy of more than 400 feature-length films from around the world with themes of characters relating to manic depressive illness. -- Extract taken from the back of the bookNotes: Includes bibliographical references and index.ISBN: 9780810891944Contents: 1.A Brief Overview of Manic Depression and How It Affects Creativity -- 2.The Early Cinema and Mental Illness -- 3.The Golden Age of Silent Films and Manic Depression -- 4.1930s: Bipolar Disorder Speaks at the Movies -- 5.1940s: The Effects of World War II on Bipolar Cinema
6.1950s: Psychological Realism in Bipolar Film Depictions -- 7.1960s: The Liberalization of Manic-Depressive Stereotypes in Cinema -- 8.1970s: The Manic-Depressive Temperament Defines New Hollywood -- 9.1980s
1990s: The Burgeoning Diversity of Depressive Expressionism -- 10.2000s: Bipolar Cinema Fully Emerges from Lingering Shadows --
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Black and White in Empire (Australian Ed.) (December 2002) iss.21 p.44
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Black cinema treasures : lost and found / by G. William Jones ;foreword by Ossie Davis Denton: University of North Texas, 1991.
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Black film, British cinema London: Institute of Contemporary Arts, 1988.
Call No: 451-054(=9) BLACorpAuthor: Institute of Contemporary Arts (London, England)Place: LondonPublisher: Institute of Contemporary ArtsPubDate: 1988PhysDes: 62 p. : ill. ; 30 cmSeries: ICA documents ; 7Subject: NATIONAL IDENTITY IN FILMS. UK ; BLACK CINEMA. UK ; BLACK FILMMAKERS. UK ; ETHNIC GROUPS IN FILMS. UK ; ASIANS IN FILMS. UK ; BLACK AUDIO FILM COLLECTIVE ; SANKOVA FILM AND VIDEO COLLECTIVE ; CHANNEL FOUR ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; PASSION OF REMEMBRANCE, THE (UK, Maureen Blackwood & Isaac Julien, 1986) Notes: Papers originally presented at a day conference, conducted at ICA, Feb. 1988; Includes bibliographical referencesISBN: 0905263960LON: 6631335
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[Blackfellas : stills title]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 20 photographs : b&w ; 13 x 18 cmSubject: PARFITT, TREVOR ; NANNUP, FRANK ; MOORE, JOHN ; NGOOMBUJARRA, DAVID ; WILKES, JUDITH ; HUDSPETH, JULIE ; CHARLES, JACK ; RILEY, JAYLENE ; KINCHELA, LISA ; DINGO, ERNIE ; RICKETSON, JAMES ; HARGREAVES, JOHN ; BLACKFELLAS (AT, James Ricketson, 1992) Summary: 20 black and white photographs relating to the film BlackfellasNotes: Some black and white photographs contain duplicates
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Blackley may cut Ten Network affiliate deal in The Australian (12/10/2015) p.23
Call No: SUBJECT CLIPPINGS FILE; SOUTHERN CROSSAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: SOUTHERN CROSS ; NETWORK TEN Summary: Interview with CEO of Southern Cross Austereo, Grant Blackley, where he discusses the companies future with TV station Ten and it's own radio shows
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Blake Edwards signs Burt Kwouk as Cato in new Pink Panther film in Australasian Cinema (30//4/1982) vol.11 iss.7 p.5
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Blood cinema : the reconstruction of national identity in Spain / by Marsha Kinder Berkeley: University of California Press, 1993.
Call No: 408.1(46) KINAuthor: Kinder, Marsha Place: BerkeleyPublisher: University of California PressPubDate: 1993PhysDes: xi, 553 p. : ill. ; 24 cmSubject: SPAIN ; INDUSTRY, FILM. UK ; NATIONAL CULTURE AND THE CINEMA. SPAIN ; NATIONAL IDENTITY IN FILMS. SPAIN ; SPAIN: CATALONIA ; VIOLENCE IN FILMS. SPAIN ; DIRECTORS. USA ; ERICE, VICTOR ; SAURA, CARLOS ; ALMODOVAR, PEDRO ; BUNUEL, LUIS ; SURCOS (SP, Jose Antonio Nieves Conde, 1951) ; MUERTE DE UN CICLISTA (SP, Juan Antonio Bardem, 1955) ; GOLFOS, LOS (SP, Carlos Saura, 1959) ; COCHECITO, EL (SP, Marco Ferreri, 1959) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; RIO ABAJO (SP, Jose Luis Borau, 1984) Notes: "A Centennial book."; Includes bibliographical references (p. 507-522) and indexISBN: 0520081536 (alk. paper); 0520081579 (pbk. : alk. paper)LON: 9293143
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Blood lust in Australian Financial Review (29/11/2014) p.51
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Blood on the path of solitary man in Sunday Age [M] (2/08/2015) p.19
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Blood & Tinsel : a memoir / Jim Sharman Carlton, Vic: Miegunyah, 2008.
Call No: 81SHA SHAAuthor: Sharman, Jim Source: ATPlace: Carlton, VicPublisher: MiegunyahPubDate: 2008PhysDes: 403 p. : col. ill. ; 23 cmSeries: Second numbered series of the Miegunyah volumes ; 104Subject: SHARMAN, JIM ; PRODUCERS ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; NIGHT OF THE PROWLER, THE (AT, Jim Sharman, 1978) Summary: : "Jim Sharman is an international director of film, musicals and theatre. His credits include the stage production of The Rocky Horror Show, which he later directed for 20th Century Fox. He has worked in Australia, Japan, the United Kingdom and the United States, and his other credits include the musicals Hair and Jesus Christ Superstar. His stage work has encompassed more than seventy productions, including opera (Don Giovanni, Voss, Death in Venice), classics (Shakespeare, Strindberg, Wedekind, Brecht) and much of the stage and screen work of Nobel Laureate Patrick White. In Blood & Tinsel, Jim Sharman takes us on an epic personal journey from his colourful childhood in his father's boxing troupe to Tokyo, London, Berlin and Sydney via the international successes of The Rocky Horror Picture Show, Hair and Jesus Christ Superstar. Whether recounting conversations with Lou Reed, giving us the inside story about Rocky Horror or describing a fateful meeting with Patrick White, Jim Sharman casts a brilliant story of the people and events that have shaped the times. Blood & Tinsel ranges from the rough and ready world of outback Australia in the fi fties, where boxers and panto dames shared the stage, to the cultural explosions in which Sharman played a part. Blood & Tinsel is a remarkable story about Australia. It is also a moving tribute to a family legendary in the entertainment stakes."--BOOK COVERISBN: 9780522853773
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[Blue heelers : series file]
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Blue skies and silver linings : aspects of the Hollywood musical / Bruce Babington and Peter William Evans Manchester [Greater Manchester] Dover, N.H., USA: Manchester University Press, c1985.
Call No: 751(73) BABAuthor: Babington, Bruce ; Evans, Peter William Place: Manchester [Greater Manchester] Dover, N.H., USAPublisher: Manchester University PressPubDate: c1985PhysDes: 258 p. : ill. ; 25 cmSubject: MUSICALS. USA ; BERKELEY, BUSBY ; ASTAIRE, FRED ; ROGERS, GINGER ; KELLY, GENE ; MINNELLI, VINCENTE ; MERRY WIDOW, THE (US, Ernst Lubitsch, 1934) ; SWING TIME (US, George Stevens, 1936) ; JOLSON STORY, THE (US, Alfred E. Green, 1946) ; JOLSON SINGS AGAIN (US, Henry Levin, 1949) ; SUMMER HOLIDAY (US, Rouben Mamoulian, 1948) ; IT'S ALWAYS FAIR WEATHER (US, Gene Kelly & Stanley Donen, 1955) ; CAROUSEL (US, Henry King, 1956) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; EASTER PARADE (US, Charles Walters, 1948) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; HAIR (US, Milos Forman, 1979) Notes: Bibliography: p. [248]-258ISBN: 0719017394 : $19.00LON: 3592471
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Blurred in Empire (Australian Ed.) (November 2002) iss.20 p.32
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Blurred boundaries : questions of meaning in contemporary culture / Bill Nichols Bloomington: Indiana University Press, 1994.
Call No: 409 NICAuthor: Nichols, Bill Place: BloomingtonPublisher: Indiana University PressPubDate: 1994PhysDes: xvii, 187 p. ; 25 cmSubject: ANTHROPOLOGY AND THE CINEMA ; AUDIENCES ; BODY IN FILMS ; DOCUMENTARY FILMS ; ETHNOGRAPHIC FILMS ; MELODRAMA ; NARRATIVE IN FILMS ; SEMI-DOCUMENTARIES ; SOCIAL HISTORY AND THE CINEMA ; KING, RODNEY ; STACHKA [STRIKE] (UR, Sergei M. Eisenstein, 1925) ; REALISM ON TV ; REALITY TV ; RACIAL ISSUES ON TV ; RACIAL ISSUES AND TV ; TRUTH IN FILMS ; VIOLENCE ON TV ; WAR AND THE CINEMA ; GULF WAR ON TV ; ETHICS AND TV Summary: "Blurred Boundaries explores decisive moments where the traditional boundaries of fiction/non-fiction and truth/falsehood blur. Nichols argues that the history of social representation in film, television, and video requires an understanding of the fate of both contemporary and older work. Traditionally, film history and cultural studies sought to place films in a historical context. Nichols proposes a new goal: to examine how specific works, old and new, promote or suppress a sense of historical consciousness. Examining work from Eisenstein's Strike to the Rodney King videotape, Nichols interrelates issues of formal structure, viewer response, and historical consciousness. Simultaneously, Blurred Boundaries radically alters the interpretative frameworks offered by neoformalism and psychoanalysis: Comprehension itself becomes a social act of transformative understanding rather than an abstract mental process, while the use of psychoanalytic terms like desire, lack, or paranoia to make social points metaphorically yields to vocabulary designed expressly for historical interpretation - such as project, intentionality, and the social imaginary. An important departure from prevailing trends in many fields, Blurred Boundaries offers new directions for the study of visual culture." -- BOOK BLURBNotes: Includes bibliographical references (p. 149-182) and indexISBN: 0253340640 (alk. paper); 0253209005 (paper : alk. paper)LON: 10767942
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BOCA A BOCA : (SP, Manuel Gomez Pereira, 1995)
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BOI NEON : (BL/UY/NE, Gabriel Mascaro, 2015)
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"Bold! Daring! Shocking! True!" : a history of exploitation films, 1919-1959 / Eric Schaefer Durham: Duke University Press, 1999.
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Bollywood : the Indian cinema story / Nasreen Munni Kabir London: Channel 4 Books, 2001.
Call No: 71(540) KABAuthor: Kabir, Nasreen Munni Source: UKPlace: LondonPublisher: Channel 4 BooksPubDate: 2001PhysDes: 230 p., [8] p. of plates ; 24 cmSubject: BOLLYWOOD ; HEROS IN FILMS ; HEROINES IN FILMS ; MYTH AND THE CINEMA. INDIA ; TELEVISION AND THE CINEMA ; VILLAINS IN FILMS ; AKHTAR, JAVED ; ANAND, DEV ; BACHCHAN, AMITABH ; BHANSALI, SANJAY LEELA ; BURMAN, S.D ; DARSHAN, DHARMESH ; DESAI, MANMOHAN ; DIXIT, MADHURI ; DUTT, GURU ; JOHAR, KARAN ; KAPOOR, RAJ ; KHAN, MENBOOB ; KHAN, SHAHRUKH ; KUMAR, DILIP ; ROY, BIMAL ; SIPPY, RAMESH ; AAN (II, Menboob, 1952) ; BHARAT MATA (II, Mehboob, 1957) ; PYASSA (II, Guru Dutt, 1957) ; RAMAYAMA (II, Ramanand Sagar, 1987-) ; RAJA HINDUSTANI (II, Dharmesh Darshan, 1996) ; SHOLAY (II, Ramesh Sippy, 1975) ISBN: 075221943X
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Bollywood and its other(s) : towards new configurations / edited by Vikrant Kishore, Amit Sarwal and Parichay Patra Houndmills. Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2014.
Call No: 71(540) BOLAuthor: KIshore, Vikrant (ed.) ; Patra, Parichay (ed.) ; Sarwal, Amit (ed.) Source: US/UK/ATPlace: Houndmills. Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2014PhysDes: xii, 229 pages ; 23 cmSubject: INDIA ; INDIA IN FILMS ; BOLLYWOOD ; INDIAN CINEMA ; HISTORY OF CINEMA. INDIA ; THEORY ; DIASPORIC CINEMA ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; SEX IN FILMS ; HOMOSEXUALITY IN FILMS ; HOMOSEXUALITY AND THE CINEMA ; AESTHETICS ; PHILOSOPHY AND THE CINEMA ; SCIENCE-FICTION FILMS Summary: "How do we define the globalized cinema and media cultures of Bollywood in an age when it has become part of the cultural diplomacy of an emerging superpower? Is it still an 'other' industry in a world dominated by American Cinemas? Bollywood and Its Other(s) aims to compensate for the lack of scholarly literature on Bollywood studies by opening up hitherto unexplored sites or sites that are in formation. One of the most comprehensive volumes on Bollywood so far, it focuses on the aesthetic-philosophical questions of the other, Indian diaspora's negotiations with national identity, alternative reading strategies/research methods, marginal genres (sci-fi, horror), marginal characters (flaneuse, vamps), marginal gender (non-normative sexualities), marginal cinema (Hindi avant-garde), marginal language (Hinglish), and marginal regions (the Kashmir valley). It intends to address film scholars, South Asian studies researchers, cinephiles and lay readers alike.- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9781137426499Donation: Senses of CinemaContents: -- list of figures -- notes on contributors -- introduction: Vikrant Kishore, Amit Sarwal and Parichay Patra -- Section I Exploring the Other: Cinema, Aesthetics, Philosophy -- 1.Self, Other and Bollywood: The Evolution of the Hindi Film as a Site of Ambivalence / Dibyakusum Ray -- 2.Bombay Cinema's Aesthetic Other: Hindi Shastriya Cinema in Retrospect / Parichay Patra -- Section II Diaspora and the Formation of the Global Bollywood -- 3.Transgressing the Moral Universe: Bollywood and the Terrain of the Representable / Sarah A. Joshi -- 4.A Perfect Match: Entertainment and Excess of Cricket within the Diasporic Experience of Bollywood / Sanchari De and Manas Ghosh -- Section III The Musicality of Bollywood: Possibilities of Alternative Reading(s) -- 5.Hindi Popular Cinema and Its Peripheries: Of Female Singers, Performances and the Presence/Absence of Suraiya / Madhuja Mukherjee -- 6.'Dil Dance Maare Re': Bollywoodisation of the Indian Folk Dance Forms / Vikrant Kishore -- 7.The Systems Model of Creativity and Indian Film: A Study of Two Young Music Directors from Kerala, India / Phillip McIntyre, Bob Davis and Vikrant Kishore -- Section IV Bollywood's Other(s): Sexuality, B Movie, Queerness -- 8.Sugar and Spice: The Golden Age of the Hindi Movie Vamps, 1960s--1970s / Suneeti Rekhari -- 9.Popular Forms, Altering Normativities: Queer Buddies in Contemporary Mainstream Hindi Cinema / Aneeta Rajendran -- 10.Hinglish Cinema: The Confluence of East and West / Amit Sarwal -- 11.The Ramsay Chronicles: Non-normative Sexualities in Purana Mandir and Bandh Darwaza / Mithuraaj Dhusiya -- 12.Bollywood's Encounters with the Third Kind: A Critical Catalogue of Hindi Science Fiction Films / Sami Ahmad Khan -- Section V Bollywood's Other, India's Other -- 13.Death Becomes Her: Bombay Cinema, Nation and Kashmir: In Conversation with the Desire Machine Collective, Guwahati / Kaushik Bhaumik -- afterword: Anupam Sharma -- index --
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Bollywood in Australia : transnationalism and cultural production / edited by Andrew Hassam and Makarand Paranjape Crawley, Western Australia: University of Western Australia Publishing, 2010.
Call No: 408.3 (540/94) BOLAuthor: Hassam, Andrew (ed.) ; Paranjape, Makarand (ed.) Source: ATPlace: Crawley, Western AustraliaPublisher: University of Western Australia PublishingPubDate: 2010PhysDes: 192p. ; 24cmSubject: AUSTRALIA ; BOLLYWOOD ; INDIA ; INDIAN CINEMA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; SALAAM NAMASTE (II, Siddarth Anand, 2005) ; CHAK DE! INDIA (II, Shimit Amin, 2007) Summary: "The past decade has witnessed a steady increase in Australia’s awareness of India as a strategic and economic partner. Bollywood plays an important role in the increased dialogue between Australia and India.
Bollywood in Australia: Transnationalism and Cultural Production brings together scholars from India and Australia to explore the transnational impact of Bollywood on public spheres in Australia and to assess its contribution to Australian creative industries.
Countries of the West—Switzerland, the USA, Canada, Australia, New Zealand—have gone out of their way to welcome Bollywood production teams, and Singapore and Bangkok are now using Bollywood to showcase an Asian modernity.
In an age when creative, information and services industries propel economic growth, Bollywood and its modalities of production, distribution and reception are seen as important players in global culture-industry networks."
--University of Western Australia webpage http://uwap.uwa.edu.au/books-and-authors/book/bollywood-in-australia-ebook/ISBN: 9781921401084Contents: -- Bollywood in Australia: introduction Andrew Hassam and Makarand Paranjape -- 1: the crossover audience: mediated multiculturalism and the Indian film Adrian Mabbott Athique -- 2: cultural encounters: the use and abuse of Bollywood in Australia Devika Goonewardene -- 3: Salaam Namaste, Melbourne and cosmopolitanism Andrew Hassam -- 4: Chak De! Australia: Bollywood down under Makarand Paranjape -- 5: Cook Cook Hota Hai: Indian cinema, kitchen culture and diaspora Srilata Ravi -- 6: Rangla Punjab in Canberra, Yamla Jatt folk night in Sydney, Oorja nights in Melbourne Anjali Gera Roy -- 7: orbits of desire: Bollywood as creative industry in Australia Debjani Ganguly -- 8: sweet dreams are made of this: Bollywood and Transnational South Asians in Australia Devleena Ghosh -- 9: Interview AK Tareen, senior trade commisioner - india, government of South Australia, 27 February 2008 -- filmography -- image credits -- notes on contributors --
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Bollywood in drag : Moulin Rouge! and the aesthetics of global cinema in Camera Obscura (2011) vol.75 p.29 - 67
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'Bonanza with better hair' saddles up again in The Australian [Arts & Entertainment] (11/09/2015) p.17
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Bonanza Year in Australasian Cinema (16/07/1982) vol.11 iss.12 p.4
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Bond girl to bird woman in Sunday Telegraph (254/09/2016) p.122
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The Bond inquiry : a report by the Australian Broadcasting Tribunal on an inquiry into matters relating to television and radio licences associated with Mr. Alan Bond North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1990.
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The book to the film Mr. Symbol Man / Charles Bliss Sydney: Semantography-Blissymbolics Publications, 1976.
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Boom-boom! / Rob Johnson & David Smiedt Rydalmere, N.S.W.: Hodder Headline Australia, 1999.
Call No: 732(94) JOHAuthor: Johnson, Rob, 1969 ; Smiedt, David Place: Rydalmere, N.S.W.Publisher: Hodder Headline AustraliaPubDate: 1999PhysDes: viii, 376 p. : ill., ports. ; 24 cmSubject: COMEDIES. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; COMEDIENNES. AUSTRALIA ; ADAMS, PHILLIP ; GLEISNER, TOM ; MCDERMOTT, PAUL ; O'DONOGHUE, RORY ; BAILEY, BERT ; BOND, GRAHAME ; BOURNE, SHANE ; BROWN, NOELINE ; CILAURO, SANTO ; CHATER, GORDON ; CREYTON, BARRY ; DENTON, ANDREW ; FAHEY, MARYANNE ; FERGUSON, TIM ; GILLIES, MAX ; GRILLS, LUCKY ; GYNGELL, KIM ; HALL, KEN G. ; HARMER, WENDY ; HOGAN, PAUL ; HUMPHRIES, BARRY ; KENNEDY, GRAHAM ; LAMOND, TONI ; MCDONALD, GARRY ; QUANTOCK, ROD ; RAYE, CAROL ; REILLY, GARY ; SITCH, ROB ; SORRENTI, VINCE ; SZUBANSKI, MAGDA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BIG GIG, THE [TV] (AT, Ted Robinson, 1989) ; FRONTLINE [TV] (AT, 1994- ) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-) ; AUNTY JACK SHOW, THE [TV] (AU, 1972-73) ; COMEDY COMPANY, THE [TV] (AT, 1988-1990) ; D-GENERATION [TV] (AT, 1986-?) ; FAST FORWARD [TV] (AT, 1988-1989?) Notes: Includes index; "An Allison Pressley book."ISBN: 0733609384 : $24.95LON: 14529909
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Boot likely to put to NBN football in Saturday Age [Business] (22/08/2015) p.2
Call No: SUBJECT CLIPPINGS FILE; NATIONAL BROADBAND NETWORKAuthor: Maiden, Malcom PhysDes: Clippings File ArticleSubject: NATIONAL BROADBAND NETWORK Summary: An article about the costs and plans for the National Broadband Network.
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Borrowed Time in Montage (September 1968) p.14-20
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Borrowed Time in Montage (March 1970) p.5-8
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[Boundaries of the heart : stills file]
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THE BOUNTY : (UK/US, Roger Donaldson, 1984)
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Box-office universe expands in Herald Sun [General News] (8/04/2017) p.33
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Boxed in : the culture of TV / by Mark Crispin Miller Evanston, IL: Northwestern University Press, 1989.
Call No: 62(04)(73) MILAuthor: Miller, Mark Crispin Edition: 3rd ed.Source: USPlace: Evanston, ILPublisher: Northwestern University PressPubDate: 1989PhysDes: 349 p. : ill. ; 23 cmSubject: FILM ; MEDIA ; TELEVISION ; NATIONAL CULTURE AND TV ; USA ; COSBY SHOW, THE [TV] (US, 1984-92) ; SUSPICION (US, Alfred Hitchcock, 1941) Summary: "These twenty essays written over the past decade comprise an unusual study of the American media spectacle. Here are readings of cinema, advertising, rock music, and -above all - television, a force now so pervasive that it almost seems invisible.
The book is divided into four sections. The first and longest - "What's On TV" - is a collection of twelve essays on some of TV's best-known images. The essays in the next section, "Rock Music: A Success Story," define the trajectory of rock and roll from its exhilarating take-off in the Fifties to its eventual descent into just another form of show business. In "The Promise of Cinema" Miller deals variously with the issue of sexism in the movies, then moves on to an analysis of Alfred Hitchcock's particular response to the problem of mass spectatorship. The book ends with "Overviews," two long essays on the elimination of critical consciousness from our culture.
Each pieces not only offers an intensive analysis of some well-known visual moments - a soap commercial, Bill Cosby's face, Darth Vader glimpsed suddenly without his helmet - but also moves far beyond that rich particular to show how it illuminates the larger forces that produced it. Throughout Boxed In Miller sets a critical example - to show we can, and must, think out loud against the universal pressure of TV" -- BOOK BLURBNotes: Includes index; Bibliography: p. 333-335; Includes indexISBN: 080107929Contents: -- list of illustrations -- acknowledgments -- introduction: the hipness unto death -- what's on TV -- massa, coming home -- getting dirty -- "family feud" -- off the prigs -- Cosby knows best -- virtu, inc -- a viewer's campaign diary, 1984 -- sickness on TV -- patriotism without tears -- "the air of expectancy was bursting at the seams" -- black and white -- how TV covers war -- rock music: a success story -- where all the flowers went -- the king -- the promise of cinema -- the lives of the stars -- Tom Mix was a softie -- in memoriam - A.J.H -- Hitchcock's suspicions and Suspicion -- overviews -- the robot in the western mind -- big brother is you, watching -- index --
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Boy Town in Empire (Australian Ed.) (November 2006) iss.68 p.18
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Boy zone in Australian Financial Review [Weekend Fin] (11/04/2015) p.51
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Boy zone in Australian Financial Review [Weekend Fin] (11/04/2015) p.51
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The Brakhage lectures: Georges Melies, David Wark Griffith, Carl Theodore Dreyer, Sergei Eisenstein Chicago: The GoodLion, [1972].
Call No: 802.25 BRAAuthor: Brakhage, Stan CorpAuthor: CaterpillarPlace: ChicagoPublisher: The GoodLionPubDate: [1972]PhysDes: 106 p. illus. 24 cmSubject: MELIES, GEORGES ; GRIFFITH, DAVID WARK ; DREYER, CARL TH. Notes: "Lectures [given] ... at the School of the Art Institute of Chicago during the fall and early winter of 1970-71."; "First appeared ... in four issues of the magazine Caterpillar: 11, 13, 14, 15/16."ISBN: 0912844043LON: 622100
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Brandauer signed for top role in Sean Connery Bond in Australasian Cinema (12/11/1982) vol.11 iss.20 p.5
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Brandis snaffles $100m from arts in The Age (14/05/2015) p.8
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[Breakfast in Paris : stills file]
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Breathless : A 24-page celebration of French cinema / Edited by Barry McIlheney [s.l.]: [s.n.], [19-?].
Call No: 71(44) BRESource: USPlace: [s.l.]Publisher: [s.n.]PubDate: [19-?]PhysDes: 22 p. ; ills.Subject: FRANCE ; ACTORS. FRANCE ; BARDOT, BRIGITTE ; BIRKIN, JANE ; ARLETTY ; DELON, ALAIN ; BINOCHE, JULIETTE ; KARINA, ANNA ; GIRARDOT, HIPPOLYTE ; MARAIS, JEAN ; DENEUVE, CATHERINE ; BEART, EMMANUELLE ; BELMONDO, JEAN-PAUL ; BOUQUET, CAROLE ; DEPARDIEU, GERARD ; BONNAIRE, SANDRINE ; GABIN, JEAN ; MONTAND, YVES ; AIMEE, ANOUK ; DALLE, BEATRICE Notes: Photobook insert from Premiere Magazine in association with Pernod.
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A brief history of the Italian Cinema in Metro (2000) iss.121/122 p.101-112
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"BRIGHT LIGHTS, BIG CITY: NEW YORK AND THE MOVIES" 1994.
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Brilliant careers / by AndrGee Wright Sydney: Pan, 1986.
Call No: 462-02(94) WRICopy Management: Copy 1; Copy 2Author: Wright, AndrGee CorpAuthor: Australian Film Commission; Don't call me girliePlace: SydneyPublisher: PanPubDate: 1986PhysDes: [xii], 117 p. : ill. ; 22 x 25 cmSubject: WOMEN AND THE CINEMA. AUSTRALIA ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) Notes: Cover subtitle: Women in Australian cinema; Produced with the assistance of the Australian Film Commission; Includes index; Based on the film Don't call me girlie; Bibliography: p. 113ISBN: 0330270656 : $15.95 AustLON: anb33027065; 4013511
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[Brilliant lies : stills file] Roadshow Film Distributors (distributor),
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Bringing Up Daddy : fatherhood and masculinity in post-war Hollywood / Stella Bruzzi London: British Film Institute, 2005.
Call No: 451 (-01) (-055.52) BRUAuthor: Bruzzi, Stella Place: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 217 p. ; 23 cmSubject: MASCULINITY IN FILMS ; MEN IN FILMS. USA ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; DIE HARD (US, John McTiernan, 1988) ; THREE MEN AND A BABY (US, Leonard Niimoy, 1987) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) Summary: The father is one of the central figures of Hollywood narrative. Despite this, this is the first book to examine cinematic representations of the father. Brining Up Daddy offers a broad perspective on the Hollywood dad looking at important Hollywood fathers from World War II to the present and discusses films for a variety of genres. The book looks at films decade by decade and adopts a multi-faceted theoretical approach, making use of psychoanalysis, sociology and masculinity studies and contextualising the father figure within both Hollywood and American history. Key films include Since You Went Away, The Search, Rebel without a Cause, The Man in the Gray Flannel Suit, Cape Fear, Kramer vs Kramer, Die Hard, Three Men and a Baby, Boyz n the Hood and Magnolia. In its treatment of the father this unique study discusses why the father is such a seminal character in so many narratives and what he has come to symbolise and represent. [Taken from back cover]ISBN: 1844571106
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British $75 million prod. programmes in Australasian Cinema (Friday, 26/10/1984) vol.13 iss.18 p.1
Subject: GOLDCREST FILMS ; INDUSTRY, FILM. UK ; REVOLUTION (UK/NO, Hugh Hudson, 1985) ; MISSION, THE (UK, Roland Joffe, 1986) ; ABSOLUTE BEGINNERS (UK, Julien Temple, 1986) ; HUDSON, HUGH ; JOFFE, ROLAND Summary: Article on Goldcrest's future planes for British film from directors Hugh Hudson, Roland Joffee and Marek Kanievska.
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British cinema now : Alan Bush--A Life in NFT (December 1983) p.27
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British genres : cinema and society, 1930-1960 / Marcia Landy Princeton, N.J.: Princeton University Press, 1991.
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Broadcasting in Australia 1989 : the second annual review of the industry by the Australian Broadcasting Tribunal North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1988-1992.
Call No: 201(94) AUS "1989"CorpAuthor: Australian Broadcasting TribunalPlace: North Sydney, N.S.W.Publisher: Australian Broadcasting TribunalPubDate: 1988-1992PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cmSubject: BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA ; INDUSTRY, TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; MEDIA AUSTRALIA ; COMMERCIAL TV. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA ; RADIO AND TV. AUSTRALIA Summary: Overarching report by the Australian Broadcasting Tribunal on Australia's broadcasting industries in 1989. Includes: statistical analysis of television and radio programming and audiences, financial results of tv and radio in the commercial and public sectors, owners of Australia's media groups, broadcaster locations and licensees.Notes: Subtitle variesISSN: 1034-8689LON: abn89174413; 6490748 6176346Donation: Jock GivenContents: Foreward / Peter Westerway -- Issues in broadcasting: a turbulent end to the eighties -- The Tribunal: guardian of the public interest -- Programming: the anatomy of the nation -- Financial results: who made the money? -- Ownership and control: the media baron's -- Location of services: covering the country -- Licensing: the sitting tenants -- The national broadcasters - The ABC and SBS
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Broadcasting in Australia 1990 : the ... yearly review of the industry by the Australian Broadcasting Tribunal North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1988-1992.
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Broadcasting in Australia 1992 : the ... yearly review of the industry by the Australian Broadcasting Tribunal North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1988-1992.
Call No: 260(94) AUS "1992"CorpAuthor: Australian Broadcasting TribunalPlace: North Sydney, N.S.W.Publisher: Australian Broadcasting TribunalPubDate: 1988-1992PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cmSubject: BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA ; INDUSTRY, TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; MEDIA AUSTRALIA ; COMMERCIAL TV. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA ; PAY TV. AUSTRALIA ; RADIO AND TV. AUSTRALIA Summary: Overarching report by the Australian Broadcasting Tribunal on Australia's broadcasting industries in 1989. Includes: statistical analysis of television and radio programming and audiences, financial results of tv and radio in the commercial and public sectors, owners of Australia's media groups, broadcaster locations and licensees.Notes: Subtitle variesISSN: 1034-8689LON: abn89174413; 6490748 6176346Contents: Foreward / Peter Webb-- Broadcasting issues: the banks take 7 & 10 -- The Tribunal: the broadcasting regulator -- Television Programming: entertainment information and relaxation -- Children's television: Kidz TV -- Radio programming: Gold format dominates again -- Financial results: TV and radio both post losses -- Ownership and control: Black, Packer, Tourang & Fairfax -- Location of services: across this wide brown land -- Licensing: providing a service-- the national broadcasters: The ABC and SBS -- Index of tables and illustrations
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newspaper article
A broader media landscape in The Australian (24/02/2016) p.11
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Broadway & Hollywood : costumes designed by Irene Sharaff / Irene Sharaff New York: Van Nostrand Reinhold Co., 1976.
Call No: 226.4 SHAAuthor: Sharaff, Irene Place: New YorkPublisher: Van Nostrand Reinhold Co.PubDate: 1976PhysDes: 136 p. : ill. (some col.) ; 24 cmSubject: COSTUMES ; SHARAFF, IRENE ; TAYLOR, ELIZABETH ; ADRIAN, GILBERT ; GREAT WHITE HOPE, THE (US, Martin Ritt, 1970) ; KING AND I, THE (US, Walter Lang, 1956) ; CAN-CAN (US, Walter Lang, 1960) ; JUSTINE (US, George Cukor, 1969) ; PORGY AND BESS (US, Otto Preminger, 1959) ; WEST SIDE STORY (US, Robert Wise, 1961) ; MEET ME IN ST. LOUIS (US, Vincente Minnelli, 1944) ; AMERICAN IN PARIS, AN (US, Vincente Minnelli, 1951) Notes: Includes indexISBN: 0442275277 : $12.50LON: 747228
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Broken screen : 26 conversations with Doug Aitken - expanding the image breaking the narrative / Doug Aitken; edited by Noel Daniel New York: Distributed Art Publishers, 2006.
Call No: 802 AITAuthor: Aitken, Doug Source: USPlace: New YorkPublisher: Distributed Art PublishersPubDate: 2006PhysDes: 302 p. : col. ill. ; 25 cmSubject: AITKEN, DOUG ; AHTILA, EIJA-LIISA ; ALTMAN, ROBERT ; ANGER, KENNETH ; BALDESSARI, JOHN ; BARNEY, MATHEW ; BURDEN, CHRIS ; CONNER, BRUCE ; DENIS, CLAIRE ; DOUGLAS, STAN ; ELIASSON, OLAFUR ; FERRO, PABLO ; FIGGIS, MIKE ; HERZOG, WERNER ; HILL, GARY ; HOLLER, CARSTEN ; HUYGHE, PIERRE ; JODOROWSKY, ALEXANDRO ; KOOLHAAS, REM ; LYNN, GREG ; NICOLAI, CARSTEN ; PRINCE, RICHARD ; RIST, PIPILOTTI ; RONDINONE, UGO ; RUSCHA, ED ; VOGEL, AMOS ; WILSON, ROBERT ; OBRIST, HANS ULRICH Summary: Broken Screen is comprised of informal conversations between artist Doug Aitken and a roster of 25 carefully chosen artists, filmmakers, designers, and architects. Part guidebook and part manifesto, the book takes a fresh look at what it's like to create work in a world that has become increasingly fragmentary. Through casual and direct discussions Broken Screen offers a detailed navigation through the ideas behind the important yet under-documented visual language of nonlinear narratives, split screens, and fragmentary visual planes that define the most progressive moving images today.ISBN: 1933045264
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newspaper article
Bromance in a bad sweater in Saturday Age [Spectrum] (5/12/2015) p.15
Call No: TITLE CLIPPINGS FILE; NIGHT BEFORE, THE (US, Jonathan Levine, 2015)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: NIGHT BEFORE, THE (US, Jonathan Levine, 2015) Summary: Jake Wilson reviews THE NIGHT BEFORE starring Seth Rogen, Joseph Gordon -Levitt and Anthony Mackie.Notes: This article was also published in the Sydney Morning Herald and the Canberra Times on 5/12/2015Rating: 3 out of 5 stars
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Bruce Beresford : instincts of the heart / Peter Coleman Pymble, NSW, Australia New York, NY, USA: Angus & Robertson, 1992.
Call No: 81BER COLAuthor: Coleman, Peter Place: Pymble, NSW, Australia New York, NY, USAPublisher: Angus & RobertsonPubDate: 1992PhysDes: 158 p., [16] p. of plates : ill. ; 20 cmSeries: Imprint livesSubject: BERESFORD, BRUCE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986) ; BLACK ROBE (CN/AT, Bruce Beresford, 1991) ; RICH IN LOVE (US, Bruce Beresford, 1992) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; MONEY MOVERS (AT, Bruce Beresford, 1978) ; CLUB, THE (AT, Bruce Beresford, 1980) ; TENDER MERCIES (US, Bruce Beresford, 1982) ; KING DAVID (US, Bruce Beresford, 1985) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; CRIMES OF THE HEART (US, Bruce Beresford, 1986) ; DRIVING MISS DAISY (US, Bruce Beresford, 1989) ; [MISTER] MR JOHNSON (US, Bruce Beresford, 1990) ISBN: 0207175268LON: abn92179637; 9071070
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Brutal vision : the neorealist body in postwar Italian cinema / Karl Schoonover Minneapolis: University of Minnesota Press, 2012.
Call No: 64NEO SCHAuthor: Schoonover, Karl Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: 2012PhysDes: xxxiii, 283 pages : illustrations ; 23 cmSubject: NEOREALISM ; ITALIAN CINEMA Summary: "Film history identifies Italian neorealism as the exempler of national cinema, a specificially domestic response to wartime atrocities. Brutal Vision challenges this orthodoxy by arguing that neorealist films -- including such classics as Rome Open City, Paisan, Shoeshine, and Bicycle Thieves -- should be understood less as national products and more as complex agents of a postwar reorganization of global politics. In his readings on crucial films and newly discovered documents from the archives of neorealism's international distribution, Karl Schoonover reveals how these movies use images of the imperiled body to reconstitute the concept of the human and to recalibrate the scale of human community. Brutal Vision fundamentally revises ideas of cinematic specificity, the human, and geopolitical scale that we inherit from neorealism and its postwar milieu -- ideas that continue to set the terms for political filmmaking today." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9780816675548Contents: Introduction -- An inevitably obscene cinema: Bazin and neorealism -- The North Atlantic ballyhoo of liberal humanism -- Rossellini's exemplary corpse and the sovereign bystander -- Spectacular suffering: De Sica's bodies and charity's gaze -- Neorealism undone: the resistant physicalities of the second generation -- Conclusion
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journal article
Buena Vista's executive vice-president visits Australia in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.3
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Interim
festival catalogue
Buenos Aires Festival Internacionale de Cine Independiente AG: 2004.
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BULHANDANG : (KO, Sung-hyun Byun, 2017)
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Burke's backlash in Sydney Morning Herald (2/12/2017) p.21
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Burning passion in The Saturday Paper (10/10/2015) p.18
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Business brain with big plans for Opera House in The Australian (21/06/2016) p.15
Call No: SUBJECT CLIPPINGS FILE; SCREEN AUSTRALIAAuthor: Westwood, Matthew PhysDes: Clippings File ArticleSubject: FESTIVALS. SYDNEY. VIVID ; SCREEN AUSTRALIA ; MOORE, NICHOLAS Summary: Interview with Macquarie Group Chief Executive Nicholas Moore about his work in the arts sector. Commentary about his roles as Chair of Screen Australia and Chair of the Sydney Opera House Trust
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The business of understanding Japan and the United States in today's world : as seen through 'The Japanese Film' a PBS television series; produced by KQED, San Francisco / by Michael Berger Berkeley, California: Pacific Film Archive, University of California, Berkeley, 1974.
Call No: 71(52) BERAuthor: Berger, Michael Source: USPlace: Berkeley, CaliforniaPublisher: Pacific Film Archive, University of California, BerkeleyPubDate: 1974PhysDes: 32 p. : ill. ; 28 cmSubject: JAPAN ; NATIONAL CULTURE AND THE CINEMA. JAPAN Summary: Based around a thriteen week series on the American Public Broadcasting System, this guide comments on the Japanese films shown in the series and the various shared themes presented by the films in a way to help American's in business with the Japanese to understand their culture better.; The films shown are: Sanjuro (Akira Kurosawa), Ugetsu (Kenji Mizoguchi), Harp of Burma (Kon Ichikawa), Double Suicide (Masahiro Shinoda), Harakiri (Masaki Kobayashi), Boy (Nagisa Oshima), Night Drum (Tadashi Imai), Ikuru (Akira Kurosawa), When a Woman Ascends the Stairs (Mikio Naruse), Sansho the Bailiff (Kenji Mizoguchi), Twenty-Four Eyes (Keisuke Kinoshita), Gate of Hell (Teinosuke Kinugasa), Early Summer (Yasujiro Ozu).
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Busy year for Colorfilm in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.3
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newspaper article
The cack pack in Herald Sun [News] (15/03/2014) p.8
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journal article
Cactus in Empire (Australian Ed.) (June 2008) iss.87 p.38
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still
[Caddie : stills file]
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Cahiers du cinema : Neo-realism, Hollywood, new wave / edited by Jim Hillier London: Routledge & Kegan Paul in association with the British Film Institute, 1985.
Call No: 67(44) CAHAuthor: Hillier, Jim CorpAuthor: British Film InstitutePlace: LondonPublisher: Routledge & Kegan Paul in association with the British Film InstitutePubDate: 1985PhysDes: xiii, 312 p. ; 25cmSubject: NEOREALISM ; NOUVELLE VAGUE Notes: Translations from the French; Includes bibliographies and indexLON: 3696097 3696097
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Cahiers du cinema : New Wave, new cinema, re-evaluating Hollywood : an anthology from Cahiers du cinema nos 103-207, January 1960-December 1968 / edited by Jim Hillier London: Routledge & Kegan Paul in association with the British Film Institute, 1986.
Call No: 67(44) CAHAuthor: Hillier, Jim CorpAuthor: British Film InstitutePlace: LondonPublisher: Routledge & Kegan Paul in association with the British Film InstitutePubDate: 1986PhysDes: xiv, 363 p. ; 24 cmSubject: NEOREALISM ; NOUVELLE VAGUE Notes: Translations from the French; Includes index; Bibliography: p. 335-353ISBN: 0710203063 : ª18.95 : CIP revLON: 4501613
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Cahiers du Cinema : volume four, 1973-1978: history, ideology, cultural struggle : an anthology from Cahiers du Cinema nos 248-292, September 1973-September 1978 / edited by David Wilson; with an introduction by Berenice Reynaud London; New York: Routledge, British Film Institute, 2000.
Call No: 67(44) CAHSource: UK/USPlace: London; New YorkPublisher: Routledge, British Film InstitutePubDate: 2000PhysDes: xi, 323 p. ; 24 cmSeries: Cahiers du Cinema selectionsSubject: CULTURE AND THE CINEMA ; POLITICS AND THE CINEMA ; IDEOLOGY AND THE CINEMA ; HISTORY AND THE CINEMA ; THEORY ; CRITICISM ; CAHIERS DU CINEMA ; ALAOUIE, BORHAN ; ALLIO, RENE ; DOUGLAS, JOHN ; FERRO, MARC ; GODARD, JEAN-LUC ; HUILLET, DANIELE ; A TOUT ALLURE (FR, Robert Kramer, 1982) ; LITTIN, MIGUEL ; DUPONT LAJOIE (FR/IT, Yves Boisset, 1975) ; DERSU UZALA (UR/JA, Akira Kurosawa, 1975) ; INDIA SONG (FR, Marguerite Duras, 1975) ; KING KONG (US, John Guillermin, 1976) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974) ; KAFR KASSEM (LE/SY, Borhan Alaouié, 1973) ; MILESTONES (US, Robert Kramer & John Douglas, 1975) ; MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974) ; STAR WARS (US, George Lucas, 1977) ; SIX FOIS DEUX (FR, Jean-Luc Godard, 1976) ; TIERRA PROMETIDA, LA (CL, Miguel Littin, 1973) ; XALA (SG, Ousmane Sembene, 1974) Summary: This volume covers the vibrant and turbulent period from 1973 to 1978, in which the issues of theory, history and politics dominated critical debate. The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and Therese Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre Padrone and Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensible contribution to debates in film and cultural politics. [Taken from back cover.]ISBN: 0415029880Contents: Introduction - Cahiers Du Cinema 1972-1978 - Berenice Reynaud -- Part I - Interventions and Cultural Politics -- Editorial - Cahiers Today - Cahiers du Cinema -- The Critical Function - Serge Daney -- A particular trend in French Cinema - Serge Daney, pascal Kane, Jean-Pierre Oudart, Serge Toubiana -- Round table on Chris Marker's Le Found de l'air est rouge - Jean-Paul Fargier, Therese Giraud, Sege Le Peron, Jean Narboni, Serge Daney -- Part II - Perspectives -- A matter of chance - Serge Toubiana -- Return of the same - Therese Giraud -- Theorize/terrorize - Godardian pedagogy -- On Sur et sous la communication: three questions on Six fois deux - Gilles Deleuze -- Family, history, romance - Louis Seguin -- Round table: Milestones and us - Pascal Bonitzer, Dominique Villain, Serge Daney, Jean Narboni, Serge Le Peron, Therese Giraud, Serge Toubiana -- The Aquarium (Milestones) - Serge Daney -- Part III - Theory and History -- Anti-retro - Michel Foucault in interview with Pascal Bonitzer and Serge Toubiana -- I, Pierre Riviere, having slaughtered my mother, my sister and my brother...by Rene Allio - Jean Jourdheuil, Serge Toubiana, Pascal Bonitzer, Rene Allio, Pascal Kane, Michel Foucault -- Defamations (fragments). Pretext: Karl May by H.-J. Syberberg - Jean-Pierre Oudart -- Cinema and history - Marc Ferro in interview with Serge Daney and Ignacio Ramonet -- Deframings - Pascal Bonitzer -- Cold Sex (on pornography and beyond) - Yann Lardeau -- Part IV - Third Cinema -- Our Cinema - Sidney Sokhona -- Interview with Abdelaziz Tolbi - Therese Giraud, Mohand Ben Salama -- The promised land - Serge Toubiana, Pascal Bonitzer -- The feminine eye of the Town (El Chergui) - Abdelwahab Meddeb -- Blood into sign - Jean Narboni -- Xala - Daniele Dubroux -- Part V - Reviews -- On Avanti - Pascale Kane -- An India and its other (India Song) - Pascal Bonitzer -- An uncanny familiarity (Jeanne Dielman) - Daniele Dubroux -- The sign and the ape (King Kong) - Serge Toubiana -- One more bear (Dersu Uzala) - Serge Daney -- Curdled milk (Padre padrone) - Daniele Dubroux -- America without fear or favour (Star Wars) - Serge Le Peron -- Francois Truffaut La Chambre verte - Pascal Bonitzer -- An active fear (The Passion of Joan of Arc) - Jean-Pierre Oudart -- Appendix: Cahiers du Cinema in the 1950s, the 1960s and the early 1970s
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Caligari's children : the film as tale of terror / S. S. Prawer Oxford New York: Oxford University Press, 1980.
Call No: 735.2 PRAAuthor: Prawer, S. S. (Siegbert Salomon), 1925 Place: Oxford New YorkPublisher: Oxford University PressPubDate: 1980PhysDes: 307 p., [8] leaves of plates : ill. ; 22 cmSubject: HORROR FILMS ; HAMMER FILM PRODUCTIONS ; FISHER, TERENCE ; KARLOFF, BORIS ; LANG, FRITZ ; LEWTON ,VAL ; MURNAU, FRIEDRICH WILHELM ; FRANKENSTEIN (US, James Whale, 1931) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) Notes: Includes indexes; Bibliography: p. [283]-292ISBN: 019217584X : ª6.95LON: 1491474
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CALLEJON DE LOS MILAGROS, EL : (MX, Jorge Fons, 1994)
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Calls for Netflix to invest in local industry in Australian Financial Review (12/12/2016) p.29
Call No: SUBJECT CLIPPINGS FILE; SCREEN PRODUCERS AUSTRALIAAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: NETFLIX ; SCREEN PRODUCERS AUSTRALIA Summary: Screen Producers Australia has called upon Netflix and other foreign owned streaming services to contribute to Australian television production
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Calman at the movies / Mel Calman London: Bodley Head, 1990.
Call No: 802(047.53) CALAuthor: Calman, Mel Place: LondonPublisher: Bodley HeadPubDate: 1990PhysDes: 124 p. : ill. ; 21 cmSubject: STEIGER, ROD ; GUINNESS, ALEC ; ANDERSON, LINDSAY ; ALTMAN, ROBERT ; RINGWOOD, BOB ; KLAFF, JACK ; NICHOLLS, ALLAN ; RAPHAEL, FREDERIC ; LAMBERT, VERITY ; PUTTNAM, DAVID ; PRICE, VINCENT ; BROWNE, CAROL ; LEWIS, FIONA ; PERELMAN, S.J. ; YORK, SUSANNAH ; HATTON, MAURICE ; GOETZ, RUTH ; REISZ, KAREL ; NORMAN, BARRY ; HARWOOD, RONALD ; ABBOTT, STEVE ; BLAIR, BETSY ; STAMP, TERENCE ; FREARS, STEPHEN ; WYLER, CATHERINE ; GRIFFITHS, RICHARD ; HART, KITTY CARLISLE ; GUARE, JOHN ; YATES, PETER ; THOMAS, JEREMY ; SCHLESINGER, JOHN ; MORTIMER, JOHN ; CLEMENT, DICK ; LA FRENAIS, IAN ; COATES, ANNE ; PAGE, MARY-ANNE ; WALTON, TONY ; LYNN, JONATHAN ; ADLON, PERCY ; ADLER, LEAH ; MCDOWALL, RODDY ; FISHER, CARRIE ; WILDER, BILLY ; BASS, SAUL Notes: Cinema industries (BNB/PRECIS)ISBN: 0370313917 (pbk)LON: 7171833
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The Cambridge companion to Shakespeare on film / edited by Russell Jackson Cambridge, UK New York: Cambridge University Press, 2000.
Call No: 753SHA CAMAuthor: Jackson, Russell, 1949 Source: UKPlace: Cambridge, UK New YorkPublisher: Cambridge University PressPubDate: 2000PhysDes: xiv, 342 p. ; 24 cmSeries: Cambridge companions to literatureSubject: ADAPTATIONS ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; BRANAGH, KENNETH ; OLIVIER, LAURENCE ; WELLES, ORSON ; ZEFFIRELLI, FRANCO ; HENRY V (UK, Kenneth Branagh, 1989) ; HENRY V (UK, Laurence Olivier, 1944) ; MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; RICHARD III (US, James Keane, 1912) ; RICHARD III (US, Richard Loncraine, 1995) ; RICHARD III (UK, Laurence Olivier, 1955) ; HAMLET (UK, Laurence Olivier, 1948) ; HAMLET (UK/US, Kenneth Branagh, 1996) ; HAMLET (US, Franco Zeffirelli, 1990) ; MACBETH (US, Orson Welles, 1948) ; MACBETH (US/UK, Roman Polanski, 1971) ; KUMONOSU-JO (JA, Akira Kurosawa, 1957) ; THRONE OF BLOOD (JA, Akira Kurosawa, 1957) ; KING LEAR (UK, Peter Brook, 1953) ; RAN (JA/FR, Akira Kurosawa, 1985) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Summary: "This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. Leading scholars discuss Shakespearean films from a variety of perspectives - as works of art in their own right, as products of the international movie industry, in relation to cinematic and theatrical genres, and as the work of particular directors from Lawrence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. A guide to further reading and a useful filmography are included." - BOOK BLURBNotes: Filmography: p. 318-324; Includes bibliographical references and index; FilmographyISBN: 0521630231; 0521639751 (pbk.)LON: 21340333Contents: Introduction: Shakespeare, films and the marketplace / Russell Jackson --; Part 1: adaptation and its contexts -- From play-script to screenplay / Russell Jackson -- Video and its paradoxes / Michele Willems -- Critical junctures in Shakespeare screen history: the case of Richard III / Harry Keyishian --; Part 2: genres and plays -- The comedies on film / Michael Hattaway -- Filming Shakespeare's history: three films of Richard III / H.R. Coursen -- Hamlet, Macbeth and King Lear on film / J. Lawrence Guntner -- The tragedies of love on film -- Patricia Tatspaugh --; Part 3: directors -- The Shakespeare films of Lawrence Olivier / Anthony Davies -- Orson Welles and filmed Shakespeare / Pamela Mason -- Grigori Kozintsev's Hamlet and King Lear / Mark Sokolyansky -- Franco Zeffirelli and Shakespeare / Deborah Cartmell -- Flamboyant realist: Kenneth Branagh / Samuel Crowl --; Part 4: critical issues -- Looking at Shakespeare's women on film / Carol Chillington Rutter -- National and racial stereotypes in Shakespeare films / Neil Taylor -- Shakespeare the illusionist: filming the supernatural / Neil Forsyth -- Shakespeare's cinematic offshoots / Tony Howard
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The camera age : essays on television / Michael J Arlen Ringwood, Vic: Penguin Books, 1982.
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The camera never blinks : adventures of a TV journalist / Dan Rather; with Mickey Herskowitz New York: William Morrow & Co., 1977.
Call No: 81RAT RATAuthor: Rather, Dan ; Herskowitz, Mickey Source: USPlace: New YorkPublisher: William Morrow & Co.PubDate: 1977PhysDes: 320 p. ; 25 cmSubject: MEDIA ; NEWS PROGRAMMES.USA ; RATHER, DAN ; CRONKITE, WALTER ; SEVAREID, ERIC ; WALLACE, MIKE ; WALTERS, BARBARA ; REASONER, HARRY ; BRINKLEY, DAVID ; CHANCELLOR, JOHN ; NIXON [RICHARD M.] ON TV ; JOHNSON, LYNDON ISBN: 0688031846
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The Camera never lies in Australian Cinematographer (March 2016) iss.69 p.44 - 52
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Camera politica : the politics and ideology of contemporary Hollywood film / by Michael Ryan and Douglas Kellner Bloomington, Ind.: Indiana University Press, 1988.
Call No: 409(73) RYACopy Management: Copy 1; Copy 2Author: Ryan, Michael, 1951 ; Kellner, Douglas, 1943 Place: Bloomington, Ind.Publisher: Indiana University PressPubDate: 1988PhysDes: xiii, 328 p. : ill. ; 25 cmSubject: DISASTERS IN FILMS. USA ; SOCIAL PROBLEMS IN FILMS. USA ; WORKING CLASS IN FILMS. USA ; ETHNIC GROUPS IN FILMS. USA ; SOUTH IN FILMS. USA ; WOMEN IN FILMS. USA ; BUDDY FILMS. USA ; FAMILY IN FILMS. USA ; VIETNAM WAR IN FILMS ; HORROR FILMS. USA ; VIETNAM WAR FILMS ; POLITICS AND THE CINEMA. USA ; FANTASY FILMS. USA ; UTOPIA IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; TECHNOLOGY AND THE CINEMA. USA ; CONSPIRACY FILMS. USA ; SPIELBERG, STEVEN ; COPPOLA, FRANCIS FORD ; BORDEN, LIZZIE ; CIMINO, MICHAEL ; Peckinpah, Sam ; Reagan, Ronald ; ROMERO, GEORGE ; SCORSESE, MARTIN ; HOOPER, TOBE ; FRIEDKIN, WILLIAM ; BROOKS, JAMES L. ; DE PALMA, BRIAN ; LUCAS, GEORGE ; KUBRICK, STANLEY ; MILIUS, JOHN ; PAKULA, ALAN J. ; SCOTT, RIDLEY ; STAR WARS (US, George Lucas, 1977) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; DEATH WISH (US, Michael Winner, 1974) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; JAWS (US, Steven Spielberg, 1975) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; DIRTY HARRY (US, Don Siegel, 1971) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; KLUTE (US, Alan J. Pakula, 1971) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes index; Bibliography: p. 321-324ISBN: 0253313341LON: 5193671
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Can transmedia content actually increase tradional TV ratings? in Encore (November 2012) p.8
Author: Gadney, Guy PhysDes: ArticleSubject: AUDIENCES. TV ; SPIN-OFFS ; MOBILE AND ONLINE MEDIA Summary: Gadney has been working on two transmedia projects that tie into long running TV series testing the theory that interactive content is better for upping viewership than social media. One of the projects involves the Underbelly series. The second project revolves around the iconic dutch soap opera known as GTST.
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Canadian film / David Clandfield Toronto: Oxford University Press, 1987.
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Cannes Film Festical 1982 : Australian Films in Australasian Cinema (14/5/1982) vol.11 iss.8 p.3
PhysDes: ArticleSubject: CROSSTALK [HIGH RISE / WALL TO WALL] (AT, Mark Egerton, 1982) ; GOODBYE PARADISE (AT, Carl Schultz, 1982) ; BEST OF FRIENDS, THE (AT, Michael Robertson, 1982) ; DOUBLE DEAL (AT, Brian Kavanagh, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; DARK ROOM, THE (AT, Paul Harmon, 1982) ; DANGEROUS SUMMER, A (AT, Quentin Masters, 1982) ; EARLY FROST (AT, Brian McDuffie, 1981) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; LONELY HEARTS (AT, Paul Cox, 1982) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; DEAD EASY (AT, Bert Deling, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; HEATWAVE (AT, Phillip Noyce, 1981) ; RUNNING ON EMPTY (AT, John Clarke, 1982) ; BREAKFAST IN PARIS (AT, John Lammond, 1982) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; WINTER OF OUR DREAMS (AT, John Duigan, 1981) ; DUSTY (AT, John Richardson, 1983) ; CANNES FILM FESTIVAL Summary: List of Australian films and their credits screening at the 1982 Cannes Film Festival.
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Cannes film festival 1983 Australian participation in Australasian Cinema (15/4/1983) vol.12 iss.6 p.4
PhysDes: ArticleSubject: CANNES FILM FESTIVAL ; BUSH CHRISTMAS (AT, Henri Safran, 1981) ; SETTLEMENT, THE (AT, Gillian Leahy, 1977) ; DUSTY (AT, John Richardson, 1983) ; MOVING OUT (AT, Chris Warner & Mandy Smith, 1986) ; GINGER MEGGS (AT, Jonathan Dawson, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; DARK ROOM, THE (AT, Paul Harmon, 1982) ; MIDNITE SPARES (AT, Quentin Masters, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; DANGEROUS SUMMER, A (AT, Quentin Masters, 1982) ; FAR EAST (AT, John Duigan, 1982) ; CITY'S EDGE, THE (AT, Ken Quinnell, 1983) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) Summary: Article and cast and crew information on Australian filmes selected to screen at Cannes, 1983.
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The Cannibals in Foreign Sales (October 1979) vol.5 iss.10 p.10
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Cannon's 'Missing in Action' opens big in France in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.8
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Interim
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Cantonese melodrama : 1950-1969 / the Tenth Hong Kong International Film Festival Hong Kong: Urban Council, 1986.
Call No: FESTIVAL CATALOGUE SHELVESEdition: 1986Source: UKPlace: Hong KongPublisher: Urban CouncilPubDate: 1986PhysDes: 160 p. : illus. : 29 cmSeries: Hong Kong International Film Festival CatalogueSubject: MELODRAMA ; HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's Notes: The Tenth Hong Kong International Film Festival March 27 - April 11, 1986ISBN: 9627040193Language: Cantonese and English
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Canvas Documentaries : panoramic entertainments in nineteenth-century Australia and New Zealand / by Mimi Colligan Carlton South, Vic.: Melbourne University Press, 2002.
Call No: 761(931/94)(097.1) COLAuthor: Colligan, Mimi Source: ATPlace: Carlton South, Vic.Publisher: Melbourne University PressPubDate: 2002PhysDes: xvi, 250 p. : ill. (some col.), ports, plans ; 22 cm x 28 cmSubject: ART AND THE CINEMA ; DOCUMENTARIES ; PRE-CINEMA HISTORY ; AUSTRALIA ; NEW ZEALAND ; ENTERTAINMENT. AUSTRALIA Summary: "Long before cinema was invented, people went to picture shows. In the eighteenth and nineteenth centuries in Britain, Europe and America they were treated to dramatic pictorial spectacles. Audiences might be encircled by vast 360-degree canvases, or seated before continuous images drawn across a proscenium, or gathered in amusement parks to watch painted 3-D structures come 'alive' with the explosion of fireworks overhead. The sense of realism was enhanced by back-lighting, running commentaries and props such as real sand and trees. These spectacular representations of scenery, current events or recent battles abroad were indeed documentaries on canvas-the first travelogues. The phenomenon of complex circular panoramas and dioramas took root in Australia and New Zealand in the 1850s. They drew enthusiastic crowds, brought good work for local artists, and propogated the glories of empire in all the capital cities they toured. Canvas Documentaries captures the artistic, civic and social preoccupations of the times. Generously illustrated with paintings, etchings, engravings, mechanical drawings, architectural plans, photographs and advertising material, this beautiful book is a window on the vibrant popular culture of the Victorian era. " -- BOOK JACKETNotes: Includes bibiographical references and index; Bibliography: p 236-240ISBN: 0522850197Contents: -- acknowledgments -- picture show terminology -- preface -- introduction -- 1. Grand Tours for a Shilling: The English background -- 2. Moving Panoramas: Presenting the world and local exploits -- 3. Panorama Business: Far-off battles and armchair travel -- 4. Across the Stage: Moving panoramas in Australian theatre -- 5. Vesuvius in Melbourne: Outdoor modelled panoramas and fireworks -- 6. Pompeii in Australia: Pain's pyrotechnics and modelled panoramas -- 7. At the Battles: Cycloramas in Australia -- 8. Exhibiting Old Melbourne: The cyclorama of early Melbourne -- 9. Around the Country: The intercolonial cyclorama circuit -- 10. On the Move: The decline of panoramic picture shows -- list of illustrations -- notes -- select bibliography -- index --
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The Captain of his own soul in Herald Sun [Hit] (08/09/2016) p.36
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Career peaks in Weekend Australian [Review] (26/03/2016) p.12
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Carefree and careless in Weekend Australian [Review] (18/07/2015) p.15
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[Careful he might hear you : stills file] / Robert McFarlane Syme International Productions?,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Syme International Productions?PhysDes: 23 photographs : b&w ; 12 x 15 cm - 20 x 25 cm + 1 transparency : col. ; 6 x 7 cm.Subject: HUGHES, WENDY ; NEVIN, ROBYN ; GLEDHILL, NICHOLAS ; HARGREAVES, JOHN ; SCHULTZ, CARL ; ROBB, JILL ; CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983) Summary: Twenty-three black and white photographs and one colour transparency relating to the film Careful, he might hear youNotes: Contains duplicates. 1 image donated by Brian McFarlane
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[Cars that ate Paris, the : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 16 photographs : b&w ; 13 x 18 cm.- 21 x 26 cm.Subject: MEILLON, JOHN ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) Summary: Sixteen black and white photographs relating to the film The cars that ate ParisNotes: Contains some duplicates. Four of these images have been donated to the Collection by Brian McFarlane
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Cartographic cinema / Tom Conley Minneapolis: University of Minnesota Press, 2007.
Call No: 629 CONAuthor: Conley, Tom Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: 2007PhysDes: viii, 265 p. : ill. ; 23 cmSubject: IMAGE ANALYSIS ; CARTOGRAPHY AND THE CINEMA ; BAZIN, ANDRE ; DELEUZE, GILLES ; RENOIR, JEAN ; BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932) ; AMANTS, LES (FR, Louis Malle, 1958) ; CASABLANCA (US, Michael Curtiz, 1942) ; CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936) ; DESPERATE JOURNEY (US, Raoul Walsh, 1942) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; GLADIATOR (US, Ridley Scott, 2000) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MISTONS, LES (FR, François Truffaut, 1957) ; PARIS QUI DORT (FR, Rene Clair, 1923) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; THELMA & LOUISE (US, Ridley Scott, 1991) Summary: Examines the affinites of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. This reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography.[taken from back cover]ISBN: 0816643571Contents: 1. Icarian cinema : Paris qui dort -- 2. Jean Renoir : cartographies in deep focus -- 3. Maps and theaters of torture : Roma, citta aperta -- 4. A desperate journey : From Casablanca to Indiana Jones -- 5. Juvenile geographies : Les Mistons -- 6. Michelin Tendre : Les Amants -- 7. Paris underground : Les 400 coups -- 8. A road map for a road movie : Thelma and Louise -- 9. Cronos, cosmos, and Polis : La Haine
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A case of funding cuts deja vu : our national instituions are feeling the pinch as money can only stretch so far in Canberra Times [Saturday Forum] (31/3/2018) p.4
Call No: SUBJECT CLIPPINGS FILE; NATIONAL FILM AND SOUND ARCHIVEAuthor: Pryor, Sally PhysDes: Clippings File_ArticleSubject: NATIONAL FILM AND SOUND ARCHIVE Summary: Long article about need for continued investment in public institutions
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Case studies in Australian media management / edited by Elizabeth More, Keith Smith Sydney: Macquarie University, Graduate School of Management, 1992.
Call No: 401(94) CASAuthor: More, Elizabeth ; Smith, Keith (Keith R. A.) CorpAuthor: Australian Film, Television and Radio School; New South Wales Education and Training Foundation; Macquarie University. Graduate School of ManagementPlace: SydneyPublisher: Macquarie University, Graduate School of ManagementPubDate: 1992PhysDes: x, 204 p. : ill., maps ; 21 cmSubject: TELEVISION. AUSTRALIA ; PAY TV. AUSTRALIA ; RATING FOR TV. AUSTRALIA ; MEDIA. AUSTRALIA ; PACKER, KERRY ; BLACK, CONRAD ; BLACK ROBE (CN/AT, Bruce Beresford, 1991) Notes: Published in association with the Australian Film, Television and Radio School and New South Wales Education and Training Foundation; Bibliography: p. 193-204ISBN: 0858377756 (pbk.)LON: 9454276
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Case studies in independent production / edited by John Cruthers [North Ryde, N.S.W.]: Australian Film Television & Radio School and the Australian Film Commission, c1988.
Call No: 210.2(94) TAKAuthor: Cruthers, John CorpAuthor: Australian Film Commission; Australian Film, Television and Radio SchoolPlace: [North Ryde, N.S.W.]Publisher: Australian Film Television & Radio School and the Australian Film CommissionPubDate: c1988PhysDes: 107 p. : ill. ; 30 cmSeries: Taking care of businessSubject: INDEPENDENT FILMS. AUSTRALIA ; MELBOURNE SUPER 8 FILM GROUP ; SUPER-8 MM FILMS. AUSTRALIA ; BROPHY, PHILIP ; CALLAS, PETER ; SCOTT, BILL ; RUNNING OUT OF PATIENCE (AT, prod. Chris Brown & Serena Everill, 1987) ; PALISADE (AT, Laurie McInnes, 1987) ; HOW THE WEST WAS LOST (AT, David Noakes, 1987) ; TENDER HOOKS (AT, Mary Callaghan, 1988) ; IN BETWEEN [TV] (AT, Chris Warner & Mandy Smith, 1987) ; WITH TIME TO KILL (AT, James Clayden, 1986) ISBN: 0642139261LON: 6038265 6487289
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The castaway of Providence Street in Hobart Film News vol.32 iss.6
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Casting clowns : Beresford tells all in Weekend Australian (18/06/2016) p.3
Call No: PERSONALITY CLIPPINGS FILE; MILLIKEN, SUEAuthor: Neill, Rosemary PhysDes: Clippings File ArticleSubject: PRODUCTION. USA ; CASTING ; BERESFORD, BRUCE ; MILLIKEN, SUE Summary: Preview of a longer article in the same paper about the relationship between director Bruce Beresford and producer Sue Milliken and their trials and tribulations in trying to get films made in Hollywood. Their correspondence has been compiled into a book titled 'There's a fax from Bruce'
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Catalogue of New Zealand films : 1962 edition
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Catch-up TV new trend in Daily Telegraph (18/11/2017) p.61
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: None PhysDes: Clippings File ArticleSubject: NINE NETWORK Summary: MEDIA CATCH-UP television is radically changing the Australian broadcast media landscape, Nine Entertainment chief Hugh Marks says. Nine Now, the network's catch-up service, is now bringing in $20 million revenue a year, Mr Marks said.
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Caught in time, or, The National Film and Sound Archive / [prepared by the National Film and Sound Archive] [1984?].
Call No: 11(94)NFSA NATSource: ATPubDate: [1984?]PhysDes: 41 leaves ; 30 cmSubject: NATIONAL FILM AND SOUND ARCHIVE Notes: Cover title: Pre-production script, 3 October 1984, caught in time or the National Film and Sound Archive, first and final draft we hope!
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Cave Spiders in Australian Cinematographer (March 2014) iss.61 p.38-49
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CBS is the real drama in the battle for control of Ten in AFR Weekend (2/09/2017) p.25
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CBS Prods. in distribution deal with Hoyts in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.17
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Cecil B. Demille / Charles Higham New York: Da Capo Press, 1973.
Call No: 81DEM HIGAuthor: Higham, Charles Source: USPlace: New YorkPublisher: Da Capo PressPubDate: 1973PhysDes: xii, 335 p. : ill. ; 23 cmSubject: PARAMOUNT STUDIOS ; Metro-Goldwyn-Mayer ; DEMILLE, CECIL B. ; ZUKOR, ADOLPH ; MACPHERSON, JEANIE ; LASKY, JESSE ; KING OF KINGS (US, Cecil B. De Mille, 1927) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; SQUAW MAN, THE (US, Oscar C. Apfel & Cecil B. DeMille, 1914) ; SIGN OF THE CROSS, THE (US, Cecil B. DeMille, 1932) Notes: Reprint of the ed. published by Scribner, New York. "Cecil B. DeMille pictures": p. 315-322.
Includes index.ISBN: 0306801310Donation: donated by the family of Wayne Levy, 2006
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Celluloid Immigrant : Italian Australian filmmaker Giorgio Mangiamele / by Gaetano Rando and Gino Moliterno St Kilda, Vic: Australian Teachers of Media (ATOM), c2011.
Call No: 81MAN RANAuthor: Moliterno, Gino ; Rando, Gaetano Source: ATPlace: St Kilda, VicPublisher: Australian Teachers of Media (ATOM)PubDate: c2011PhysDes: 145 p. : ill. ; 24 cmSeries: The moving image ; no. 10, 2011Subject: CINEMATOGRAPHY ; CINEMATOGRAPHY. AUSTRALIA ; DIRECTORS. AUSTRALIA ; FILM AUSTRALIA ; FILMMAKING ; FILMMAKING. AUSTRALIA ; MIGRATION ; MANGIAMELE, GIORGIO ; SPAG, THE (AT, Giorgio Mangiamele, 1962) ; CLAY (AT, Giorgio Mangiamele, 1964) ; BEYOND REASON (AT, Giorgio Mangiamele, 1970) Summary: " Giorgio Mangiamele is one of the most under-estimated figures in Australian cinema history. Soon after his arrival in Australia in 1952 as a migrant from Italy, he began making films at a time when feature film production in Australia was almost non-existent. His films were seldom seen in Australia, although one - Clay (1965) - was applauded overseas as an official selection in the Cannes Film Festival. " -- BOOK BLURB (last page of book)Notes: "Published biannually by Australian Teachers of Media in association with its publishing partners, National Film & Sound Archive (NSFA), the Australian Film Institute (AFI) and RMIT University (School of Media and Communications)" -- Verso t.p; Includes bibliographical references and indexISBN: 1876467215Contents: -- notes on the text -- introduction -- chapter one: a celluloid life: a brief biography of Giorgio Mangiamele -- chapter two: foto studio Mangiamele: serving Melbourne's Italian community -- chapter three: Mangiamele's migrant movies -- chapter four: Clay and Cannes: the beginnings of art cinema in Australia -- chapter five: beyond Cannes and Beyond Reason -- chapter six: beyond Beyond Reason: towards Papua New Guinea -- chapter seven: back in oz and more unrealised projects -- conclusion -- Giorgio Mangiamele filmography -- bibliography -- index --
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The celluloid muse : Hollywood directors speak / [by] Charles Higham and Joel Greenberg London: Angus & Robertson, 1969.
Call No: 802.25(73) HIGAuthor: Higham, Charles, 1931 ; Greenberg, Joel, joint author Place: LondonPublisher: Angus & RobertsonPubDate: 1969PhysDes: 268 p., 32 plates. illus., ports. 24 cmSubject: ALDRICH, ROBERT ; CUKOR, GEORGE ; FRANKENHEIMER, JOHN ; HITCHCOCK, ALFRED ; LANG, FRITZ ; MAMOULIAN, ROUBEN ; MINNELLI, VINCENTE ; RAPPER, IRVING ; ROBSON, MARK ; TOURNEUR, JACQUES ; VIDOR, KING ; WILDER, BILLY ; BERNHARDT, CURTIS ; MILESTONE, LEWIS ; NEGULESCO, JEAN ISBN: 0207951233LON: 562650
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The celluloid South : Hollywood and the southern myth / by Edward D.C. Campbell, Jr Knoxville: University of Tennessee Press, 1981.
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Celluloid subjects to digital directors : changing Aboriginialities and Australian dccumentary film, 1901-2017 / Jennifer Debenham Oxford: Peter Lang, 2020.
Call No: 71(94) (=1-81) DEBAuthor: Debenham, Jennifer Edition: 2020Place: OxfordPublisher: Peter LangPubDate: 2020PhysDes: xv, 230 pages : illustratedSeries: Documentary Film Cultures; 2Subject: ABORIGINAL AUSTRALIANS AND THE CINEMA ; DOCUMENTARIES ; ANTHROPOLOGY AND THE CINEMA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; DESERT PEOPLE (AT, Ian Dunlop, 1967) ; NINGLA A-NA (AT, Alessandro Cavadini, 1972) ; MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; LINK-UP DIARY (AT, David MacDougall, 1987) ; WHISPERING IN OUR HEARTS THE MOWLA BLUFF MASSACRE (AT, Mitch Torres, 2001) ; WE DON'T NEED A MAP (AT, Warwick Thornton, 2017) Notes: How did Australia’s Aboriginal and Torres Strait Islander population go from being the objectified subjects of documentary films to the directors and producers in the digital age? What prompted these changes and how and when did this decolonisation of documentary film production occur? Taking a long historical perspective, this book is based on a study of a selection of Australian documentary films produced by and about Aboriginal peoples since the early twentieth century. The films signpost significant shifts in Anglo-Australian attitudes about Aboriginal and Torres Strait Islanders and trace the growth of the Indigenous filmmaking industry in Australia.
Used as a form of resistance to the imposition of colonialism, filmmaking gave Aboriginal people greater control over their depiction on documentary film and the medium has become an avenue to contest widely held assumptions about a peaceful colonial settlement. This study considers how developments in camera and film stock technologies along with filmic techniques influenced the depiction of Aboriginal and Torres Strait Islanders. The films are also examined within their historical context, employing them to gauge how social attitudes, access to funding and political pressures influenced their production values. The book aims to expose the course of race relations in Australia through the decolonisation of documentary film by Aboriginal filmmakers, tracing their struggle to achieve social justice and self-representation. -- publisher's web siteISBN: 9781789974782Contents: Acknowledgements -- Cultural Warning and Acknowledgement -- Abbreviations -- Introduction -- Aboriginalities -- Media Ecology -- The Longue Durée -- Decolonising the Documentary Film in Australia -- Stages of the Journey -- Part I Exotic Subjects, 1901–1966 -- Chapter 1 The Last of Their Kind: Aboriginal Life in Central Australia (1901) -- Chapter 2 Physical Traits: Life in Central Australia (1931) -- Chapter 3 Benign and Iconic: Aborigines of the Sea Coast (1950) -- Chapter 4 The “Last” of Their Kind, Again: Desert People (1967) -- Part II Voices for Change, 1957–1972 -- Chapter 5 Not Dying Out Quietly: Warburton Aborigines (1957) -- Chapter 6 A Discomforting Assimilation: The Change At Groote (1968) -- Chapter 7 Challenging White Indifference: Ningla-A-Na (Hungry for Our Land) (1972) -- Part III Counting the Cost, 1978–1987 -- Chapter 8 Telling My Story My Way: My Survival As An Aboriginal (1978) -- Chapter 9 On Being Stolen: Lousy Little Sixpence (1983) -- Chapter 10 Picking Up the Broken Pieces: Link-Up Diary (1987) -- Part IV Digital Directors: Decolonising Documentary Film, 2002–2017 -- Chapter 11 Setting the Records Straight: Whispering in Our Hearts: The Mowla Bluff Massacre (2002) -- Chapter 12 The Sounds of Spaces Between: Willaberta Jack (2007) -- Chapter 13 Breaking the Drought at the Sydney Film Festival: We Don’t Need a Map (2017), Occupation Native (2017), In My Own Words (2017)and Connecting to Country (2017) -- Bibliography -- Index
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The celluloid warrior in Saturday Age [Good Weekend] (25/04/2015) p.1
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The censorship papers : movie censorship letters from the Hays office, 1934-1968 / by Gerald Gardner New York: Dodd, Mead, 1987.
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A century of cinema : Australian and French connections / edited by Jane Warren, Colin Nettelbeck and Wallace Kirsop Parkville, Vic.: University of Melbourne, Department of French and Italian Studies in association with the 'Australian journal of French studies', and Institute for the Study of French-Australian Relations, 1996.
Call No: 408.3(94) AUSAuthor: Warren, Jane ; Kirsop, Wallace ; Nettelbeck, Colin W Place: Parkville, Vic.Publisher: University of Melbourne, Department of French and Italian Studies in association with the 'Australian journal of French studies', and Institute for the Study of French-Australian RelationsPubDate: 1996PhysDes: 117 p., [20] p. of plates : ill., ports. ; 25 cmSubject: CENTENARY OF CINEMA. AUSTRALIA ; CENTENARY OF CINEMA. FRANCE ; MELODRAMA ; FRANCE ; AUSTRALIA ; NOUVELLE VAGUE ; CAHIERS DU CINEMA ; PARTIE D'ECARTE (FR, Louis Lumiere, 1895) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; SPENCER, WALTER BALDWIN ; DEPARDIEU, GERARD ; LUMIERE, AUGUSTE & LOUIS Notes: "The various essays in this volume were originally presented as papers at a University of Melbourne conference entitled 'A century of cinema : Australian and French connections. The conference was held in 1995 ..." --Introduction; Includes bibliographical referencesISBN: 0732513561LON: 12653307
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A certain tendency of the Hollywood cinema, 1930-1980 / Robert B. Ray Princeton, N.J.: Princeton University Press, 1985.
Call No: 71(73) RAYAuthor: Ray, Robert B. (Robert Beverley), 1943 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1985PhysDes: x, 411 p. : ill. ; 25 cmSubject: WESTERNS ; WORLD WAR II FILMS. USA ; CULT FILMS. USA ; FILM NOIR. USA ; MUSICALS. USA ; CASABLANCA (US, Michael Curtiz, 1942) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes index; Bibliography: p. [389]-397ISBN: 0691047278 (alk. paper); 0691101744 (pbk.)LON: 3400531
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Change for Universal Pictures president in Australasian Cinema (11/2/1983) vol.12 iss.2 p.2
PhysDes: ArticleSubject: UNIVERSAL PICTURES ; MCA / UNIVERSAL Summary: Article on Ned Tanen, president of Universal Pictures and vice-president of MCA Inc., changing his role within Universal Pictures and what he accomplished during his presidency.
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Changes could entice Netflix here in Sydney Morning Herald (9/12/2017) p.18
Call No: SUBJECT CLIPPINGS FIULE; NETFLIXAuthor: Quinn, Karl PhysDes: Clippings File ArticleSubject: NETFLIX ; PAY TV. AUSTRALIA ; FUNDING. AUSTRALIA Summary: Pilots for new Netflix series could be shot in Australia if the recommendations of a parliamentary inquiry into the sustainability of the film and television industry are adopted.
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Changing times at NIDA / Chris Puplick Strawberry Hills, N.S.W.: Currency House, October 2012.
Call No: 52[792] PUPAuthor: Puplick, Chris Place: Strawberry Hills, N.S.W.Publisher: Currency HousePubDate: October 2012PhysDes: 80 p. ; 21cmSeries: Platform papers ; no.33Subject: NATIONAL INSTITUTE OF DRAMATIC ART Notes: After 50 years of growth the National Institute of Dramatic Art (NIDA) has come to be recognised as the pre-eminent theatre training school in Australia and one of the finest theatre schools in the world. Its graduates have been the mainstay of our stage, film and TV industries, and in many ways constitute Australia’s most visible export. But in 2007 a new force with a different mission took command, determined to address perceived new challenges for the new century. -- publisher's web site
Includes reader's responses to previous Platform Papers.ISBN: 9780987211422ID2: 183
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Channels of discourse : television and contemporary criticism / edited by Robert C. Allen Chapel Hill: University of North Carolina Press, 1987.
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Charles Chauvel : epic director : a guide to the National Film and Sound Archive's collection Canberra, A.C.T.: National Film and Sound Archive, 1997.
Call No: 81CHA NATCorpAuthor: National Film and Sound Archive (Australia)Place: Canberra, A.C.T.Publisher: National Film and Sound ArchivePubDate: 1997PhysDes: v, 43 p. : ill., ports. ; 30 cmSubject: CHAUVEL, CHARLES ; NATIONAL FILM AND SOUND ARCHIVE Notes: Includes bibliographical references (p. 39-40)ISBN: 0642274215LON: abn97192300; 13255476
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Charming property, needs work in Weekend Australian [Review] (23/4/2016) p.14
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Chasing eyeballs : NBCUniversal bets on BuzzFeed, Vox to reach youth in The Australian [Business News] (20/08/2015) p.25
Call No: SUBJECT CLIPPINGS FILE; MEDIA. USAuthor: Ramachandran, Shalini ; Lukas, Alpert PhysDes: Clippings File ArticleSubject: MEDIA. US Summary: NBCUniversal anticipates opportunites to become partners with BuzzFeed and Vox in areas such as advertising and creating television programming to appeal to younger viewers. This reflects a trend of media companies directing capital into digital media companies that hold the promise of future growth.
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[Chasing parked cars : stills file]
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Chastain just stays in control of overcooked US political thriller in The Age (02/03/2017) p.26
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[Cheap rush : production still with the actor James McKenna smoking a cigarette]
Call No: TITLE STILL AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 13 x 18 cm.Subject: HAPPY LITTLE VEGEMITES [CHEAP RUSH] (AT, Colin Mowbray, 1995) ; MCKENNA, JAMES Summary: Production still with the actor James McKenna playing the character of Chad in the short film 'Happy Little Vegemites'. Character standing outside smoking a cigarette with a billboard in the background.Notes: One sticker has information about the actor in the image,the characters name, title and director of film, release year and length of film.; Second sticker AFI
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CHEMI BEDNIERI OJAKHI : (GO/GG/FR, Nana Ekvtimishvili & Simon Groß, 2017)
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CHEONG-NYEON-GYEONG-CHAL : (KO, Joo-hwan Kim, 2017)
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Chequebook justice in The Australian (22/04/2016) p.11
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Cherry on top at NIDA in The Australian (24/04/2017) p.14
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CHEUNG FO : (HK, Johnny To, 1999)
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CHILBEONBANGUI SEONMUL [MIRACLE IN CELL NUMBER SEVEN] : (KO, Hwan-kyung Lee, 2013) Digital clippings file available
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China into film : frames of reference in contemporary Chinese cinema London: Reaktion, 1999.
Call No: 71(51) SILAuthor: Silbergeld, Jerome Place: LondonPublisher: ReaktionPubDate: 1999PhysDes: 352 p. : ill. (some col.) ; 24 cmSubject: CITY OF SADNESS, A [ ; ALLEGORY IN FILMS ; WOMEN IN FILMS. CHINA ; MELODRAMA. CHINA ; CHEN, KAIGE ; XIE, JIN ; ZHANG, YIMOU ; QIU JU DA GUANSI (CC/HK, Zhang Yimou, 1992) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; HUANG TUDI (CC, Chen Kaige, 1985) ; HONG GAOLIANG (CC, Zhang Yimou, 1988) ; QINGCHUN JI (CC, Zhang Nuanxin, 1986) ; LUN HUI (CC, Huang Jianxin, 1989) ; BAWANG BIEJI (HK, Chen Kaige, 1993) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; DA YUE BING (CC, Chen Kaige, 1986) ; HAIZI WANG (CC, Chen Kaige, 1988) ; JU DOU (CC/JA, Zhang Yimou, 1990) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ISBN: 1861890508(pbk.)LON: 20259534 20259534
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Chinese classic a lavish spectacle in The Age (04/02/2016) p.32
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Chinese film archivists in Australia in Australasian Cinema (22/7/1983) vol.12 iss.13 p.1
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Chinese national cinema / Yingjin Zhang New York: Routledge, 2004.
Call No: 71(51) ZHAAuthor: Zhang, Yingjin Source: USPlace: New YorkPublisher: RoutledgePubDate: 2004PhysDes: 328 p. ; ill. ; 24 cmSubject: CITY OF SADNESS, A [ ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. HONG KONG ; HISTORY OF CINEMA ; NATIONAL CULTURE AND THE CINEMA. CHINA Summary: ‘This introduction to Chinese national cinema, by a leading critic, covers three ‘Chinas’: mainland China, Hong Kong and Taiwan. It traces the formation, negotiation and problematization of the national on the Chinese screen over ninety years. Historical and comparative perspectives bring out the parallel developments in the three Chinas, while critical analysis explores thematic and stylistic changes over time…’ (Back cover)ISBN: 041517290Contents: 1. Introduction: National cinema and China -- 2. Cinema and national traditions, 1896-1929 -- 3. Cinema and the nation-people, 1930-49 -- 4. Cinematic reinvention of the national in Taiwan, 1896-1978 -- 5. Cinematic revival of the regional in Hong Kong, 1945-78 -- 6. Cinema and the nation-state in the PRC, 1949-78 -- 7. Cinema and national/regional cultures, 1979-89 -- 8. Cinema and the transnational imaginary, 1990-2002
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CHOCOLAT : (FR, Roschdy Zem, 2016) Digital clippings file available
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Choose life : Ewan McGregor and the British film revival / Xan Brooks London: Chameleon, 1998.
Call No: 81MCG BROAuthor: Brooks, Xan Source: UKPlace: LondonPublisher: ChameleonPubDate: 1998PhysDes: x, 207 p., [24] p. of plates : ill. (some col.), ports. (some col.) ; 23 cmSubject: MCGREGOR, EWAN ; SHALLOW GRAVE (UK, Danny Boyle, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; PILLOW BOOK, THE (UK/NE/FR, Peter Greenaway, 1996) ; LIFE LESS ORDINARY, A (US, Danny Boyle, 1997) Notes: Film and television history list for Ewan McGregorISBN: 0233994106
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Christian Metz and the reality of film / George Agis Cozyris New York: Arno Press, 1980.
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Christmas at the movies : images of Christmas in American, British and European cinema / edited by Mark Connelly London ; New York: I.B. Tauris, 2000.
Call No: 743 CONPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2000PhysDes: 242 p. : ill. ; 24 cm.Subject: CHRISTMAS IN FILMS ; REMEMBER THE NIGHT (UK, Mitchell Leisen, 1939) ; SCROOGE (UK, Henry Edwards, 1935) ; CHRISTMAS CAROL, A (US, Edwin L. Marin, 1938) ; SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951) ; SCROOGE (UK, Ronald Neame, 1970) ; CHRISTMAS CAROL, A (UK, Clive Donner, 1984) ; SCROOGED (US, Richard Donner, 1988) ; MUPPET CHRISTMAS CAROL, THE (US, Brian Henson, 1992) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MAN WHO CAME TO DINNER, THE (US, William Keighley, 1941) ; HOLIDAY INN (US, Mark Sandrich, 1942) ; CHRISTMAS UNDER FIRE (UK, Harry Watt, 1941) ; TURKEY TIME (UK, Tom Walls, 1933) ; HOLLY AND THE IVY, THE (UK, George More O'Ferrall, 1953) ; CHEATERS, THE (US, Joe Kane, 1945) ; MIRACLE ON 34TH STREET (US, Les Mayfield, 1994) ; MIRACLE ON 34TH STREET (US, George Seaton, 1947) ; SANTA CLAUSE, THE (US, John Pasquin, 1994) ; ERNEST SAVES CHRISTMAS (US, John Cherry, 1988) ; SANTA CLAUSE: THE MOVIE (US, Jeannot Szwarc, 1985) ; GREMLINS (US, Joe Dante, 1984) ; SILENT NIGHT, DEADLY NIGHT (US, Charles E. Sellier Jr., 1984) ; SILENT NIGHT, DEADLY NIGHT PART II (US, Lee Harry, 1987) ; TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS (US, Harry Selick, 1993) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; LETHAL WEAPON (US, Richard Donner, 1987) ; DIE HARD (US, John McTiernan, 1988) ; DIE HARD 2 (US, Renny Harlin, 1990) ; HOME ALONE (US, Chris Columbus, 1990) ; HOME ALONE 2: LOST IN NEW YORK (US, Chris Columbus, 1992) ; LONG KISS GOODNIGHT, THE (US, Renny Harlin, 1996) ; JINGLE ALL THE WAY (US, Brian Levant, 1996) ; MERLUSSE (FR, Marcel Pagnol, 1935) ; CHATEAU DE MA MERE, LE (FR, Yves Robert, 1990) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; VIE EST UN LONG FLEUVE TRANQUILLE, LA (FR, Etienne Chatiliez, 1988) ; ELISA (FR, Jean Becker, 1994) ; KARNAVALNAIA NOCH (UR, Eldar Ryazanov, 1956) ; IRONIYA SUDBY ILI S LYOGKIM PAROM (UR, Eldar Ryazanov, 1975) ; PLACIDO (SP, Luis Garcia Berlanga, 1961) Summary: A look at depictions of Christmas across various national cinemas and genres throughout the 20th century.Notes: Includes bibliographical references and indexes.
Filmography: p. ([223]-232)ISBN: 1860643973Contents: -- God Bless Us, Every One: Movie Adaptations Of A Christmas Carol / James Chapman -- A Hollywood Carol's Wonderful Life / Jonathan Munby -- Dreaming Of Christmas: Hollywood And The Second World War / H. Mark Glancy -- Christmas Under Fire: The Wartime Christmas In Britain / Sarah Street -- Crisis At Christmas: Turkey Time, The Holly And The Ivy, The Cheaters / Jeffrey Richards -- Santa Claus: The Movie / Mark Connelly -- You Better Watch Out: Christmas In The Horror Film / Kim Newman -- 'Peace On Earth, Goodwill To All Men': The Depiction Of Christmas In Moden Hollywood Films / Rowana Agajanian -- Christmas In French Cinema / Guy Austin -- Father Frost On 31 December: Christmas And New Year In Soviet And Russian Cinema / Birgit Beumers -- Satirizing The Spanish Christmas: Placido / Peter William Evans
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Christopher Nolan : A critical study of the films / Darren Mooney Jefferson, North Carolina: McFarland & Company Inc., Publishers, 2018.
Call No: 81 NOL MOOAuthor: Mooney, Darren Place: Jefferson, North CarolinaPublisher: McFarland & Company Inc., PublishersPubDate: 2018PhysDes: v, 212 pages ; 26 cm.Subject: NOLAN, CHRISTOPHER ; FOLLOWING (UK, Christopher Nolan, 1998) ; MEMENTO (US, Christopher Nolan, 2000) ; INSOMNIA (US, Christopher Nolan, 2002) ; BATMAN BEGINS (US, Christopher Nolan, 2005) ; PRESTIGE, THE (US/UK, Christopher Nolan, 2006) ; DARK KNIGHT, THE (US, Christopher Nolan, 2008) ; INCEPTION (US, Christopher Nolan, 2010) ; DARK KNIGHT RISES, THE (US/UK, Christopher Nolan, 2012) ; INTERSTELLAR (US, Christopher Nolan, 2014) ; DUNKIRK (UK/NE/FR/US, Christopher Nolan, 2017) Summary: "Christopher Nolan is one of the defining directors of the 21st century. His films have a rare ability to transcend audience expectations, ranging from gritty crime thrillers to spectacular blockbusters. They push the boundaries of possibility. This critical history covers his complete filmography, tracing his career from film student to indie darling to Oscar-nominated auteur"Notes: Includes bibliographical references and indexISBN: 9781476674803Contents: Following -- Memento -- Insomnia -- Batman Begins -- The Rrestige -- The Dark Knight -- Inception -- The Dark Knight Rises -- Interstellar -- Dunkirk
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Chronicle of a camera : the Arriflex 35 in North America, 1945-1972 / Norris Pope Jackson: University Press of Mississippi,
Call No: 233 POPAuthor: Pope, Norris Edition: 2013Place: JacksonPublisher: University Press of MississippiPhysDes: 168 pages : illustrated ; 22 cmSubject: CAMERAS ; CORMAN, ROGER ; EASTWOOD, CLINT ; KOVACS, LASZLO ; HOPPER, DENNIS ; FONDA, PETER ; ZSIGMOND, VILMOS ; EASY RIDER (US, Dennis Hopper, 1969) ; BULLITT (US, Peter Yates, 1968) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ISBN: 9781496814685Donation: donated by Senses of CinemaContents: This volume provides a history of the most consequential 35mm motion picture camera introduced in North America in the quarter century following the Second World War: the Arriflex 35. It traces the North American history of this camera from 1945 through 1972--when the first lightweight, self-blimped 35mm cameras became available.
Chronicle of a Camera emphasizes theatrical film production, documenting the Arriflex's increasingly important role in expanding the range of production choices, styles, and even content of American motion pictures in this period. The book's exploration culminates most strikingly in examples found in feature films dating from the 1960s and early 1970s, including a number of films associated with what came to be known as the "Hollywood New Wave." The author shows that the Arriflex prompted important innovation in three key areas: it greatly facilitated and encouraged location shooting; it gave cinematographers new options for intensifying visual style and content; and it stimulated low-budget and independent production. Films in which the Arriflex played an absolutely central role include Bullitt, The French Connection, and, most significantly, Easy Rider. Using an Arriflex for car-mounted shots, hand-held shots, and zoom-lens shots led to greater cinematic realism and personal expression. -- publisher's web site
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CIENCIAS NATURALES : (AG/FR, Matias Lucchesi, 2014)
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CILECT : list of important Australian films / compiled by Denny Lawrence [North Ryde, NSW?]: Australian Film and Television School, [1980?].
Call No: 675.1(94) LAWAuthor: Lawrence, Denny Source: ATPlace: [North Ryde, NSW?]Publisher: Australian Film and Television SchoolPubDate: [1980?]PhysDes: 60 leaves : 30 cmSubject: AUSTRALIAN FILM AND TELEVISION SCHOOL ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921) ; KID STAKES, THE (AT, Tal Ordell, 1927) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; BETWEEN WARS (AT, Michael Thornhill, 1974) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PURE S (AT, Bert Deling, 1976) ; CADDIE (AT, Donald Crombie, 1976) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; MAD MAX (AT, George Miller, 1979) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PALM BEACH (AT, Albie Thoms, 1979) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; JEDDA (AT, Charles Chauvel, 1955) ; THREE IN ONE (AT, Cecil Holmes, 1956) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; CASTOR AND POLLUX (AT, Phillip Noyce, 1973) ; MOVING ON (AT, Richard Mason, 1974) ; PETERSEN (AT, Tim Burstall, 1974) ; LEISURE (AT, Bruce Petty, 1976) ; STORM BOY (AT, Henri Safran, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977) ; SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MOUTH MUSIC (NZ, Gregor Nichlas, 1981) ; MOUTH TO MOUTH (AT, John Duigan, 1978) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STEPPING OUT (AT, Chris Noonan, 1980) ; STIR (AT, Stephen Wallace, 1980) ; BEST FILMS. AUSTRALIA Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.Notes: Reprinted October 1980Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir
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Cinderella betrayed : the shoe won't fit / a response by Archive Forum to the Australian Film Commission's Stage two directions paper concerning the AFC-ScreenSound Australia integration / Archive Forum [Melbourne]: Archive Forum, 2004.
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Cinema : Cinema. English / Gilles Deleuze ; translated by Hugh Tomlinson and Barbara Habberjam Minneapolis: University of Minnesota, 1986-c1989.
Call No: 62 DELAuthor: Deleuze, Gilles Place: MinneapolisPublisher: University of MinnesotaPubDate: 1986-c1989PhysDes: 2 v. ; 23 cmSubject: SYMBOLISM IN FILMS ; THEORY ; MONTAGE ; IMAGE ANALYSIS Notes: Translation of: Cinema; Vol. 2 translated by Hugh Tomlinson and Robert Galeta; Includes bibliographies and indexesISBN: 0816616760 (v. 2); 0816616779 (pbk. ; v. 2); 0816613990 (v. 1) : $29.50; 0816614008 (pbk. : v. 1) : $13.95LON: 85028898; 4390071ID2: 343URL status: URL: 'http://-'
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The cinema : a British tribute to Sam Eckman London: Cinema Press, 1952.
Call No: 81ECK CINCorpAuthor: Cinema PressSource: UKPlace: LondonPublisher: Cinema PressPubDate: 1952PhysDes: 126p. : ill. ; 29cmSubject: Metro-Goldwyn-Mayer
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Cinema 2 : The time-image / Gilles Deleuze / translated by Hugh Tomlinson and Robbert Galeta London: The Athlone Press, 1989.
Call No: 62 DELAuthor: Deleuze, Gilles ; Tomlinson, Hugh ; Galeta, Robert Source: UKPlace: LondonPublisher: The Athlone PressPubDate: 1989PhysDes: xviii, 344 pages : illustrations ; 21 cm.Series: Cinema ; v. 2Subject: SYMBOLISM IN FILMS ; THEORY ; MONTAGE ; IMAGE ANALYSIS Summary: "Cinema II continues the reassessment of cinema begun in Deleuze's 'Cinema I: the movement image'. Each volume can be read on its own as dealing with a separate aspect of cinema: classical and modern, pre- and post-war, movement and time.
In this second volume Deleuze is concerned with the representation of time in film and with the cinematic treatment of memory, thought and speech. Drawing on the philosophy of Henri Bergson, Deleuze provides a theoretical framework within which he analyses and classifies the time-image and traces the history of its emergence, focusing on the cinema of post-war neo-realism." -- BOOK BLURBNotes: (originally in French 'Cinema 2, L'Image-Temps,' 1985); Preface to the English edition; Translators intoductoin; Notes; Glossary; IndexISBN: 0485120704Language: EnglishDonation: Adrian MilesContents: 1. Beyond the Movement-Image -- 2. Recapitulation of Images and Signs -- 3. From Recollections to Dreams: Third Commentary on Bergson -- 4. The Crystals of Time -- 5. Peaks of Present and Sheets of Past: Fourth Commentary on Bergson -- 6. The Powers of the False -- 7. Thought and Cinema -- 8. Cinema, Body and Brain,Thought -- 9. The Components of the Image -- 10. Conclusions.ID2: 343
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Cinema against spectacle : technique and ideology revisited / by Jean-Louis Comolli; translated and edited by Daniel Fairfax Amsterdam: Amsterdam University Press, 2015. Available at OAPEN (open access)
Call No: 62(081) COMAuthor: Comolli, Jean-Louis Place: AmsterdamPublisher: Amsterdam University PressPubDate: 2015PhysDes: 345 pages : illustrations ; 24 cm.Series: Film theory in media historySubject: COMOLLI, JEAN-LOUIS ; BAZIN, ANDRE ; EISENSTEIN, SERGEI M. ; GODARD, JEAN-LUC ; GRIFFITH, DAVID WARK ; LUMIERE, AUGUSTE & LOUIS ; MITRY, JEAN ; STRAUB, JEAN-MARIE ; VERTOV, DZIGA ; WELLES, ORSON Notes: Includes bibliographical references and index.ISBN: 9789089645548Contents: Cinema against Spectacle -- I.Opening the Window? -- II.Inventing the Cinema? -- III.Filming the Disaster? -- IV.Cutting the Figure? -- V.Changing the Spectator? -- Technique and Ideology: Camera, Perspective, Depth of Field -- I.On a Dual Origin, The ideological place of the "base apparatus", Birth = deferral: The invention of the cinema -- II.Depth of Field: The Double Scene, Bazin's "surplus realism", The work of "transparency", For a materialist history of the cinema, "For the first time..." -- III."Primitive" Depth of Field -- IV.Effacement of Depth/ Advent of Speech -- V.Which Speech?.
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Cinema and cultural identity : reflections on films from Japan, India, and China / edited by Wimal Dissanayake Lanham, MD: University Press of America, 1988.
Call No: 408.1(5) CINAuthor: Dissanayake, Wimal CorpAuthor: Institute of Culture and Communication (East-West Center)Place: Lanham, MDPublisher: University Press of AmericaPubDate: 1988PhysDes: vii, 214 p. ; 24 cmSubject: INDUSTRY, FILM. ASIAN COUNTRIES ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. JAPAN ; INDUSTRY, FILM. INDIA ; WOMEN IN FILMS ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; GENRES ; SAMURAI FILMS ; RAY, SATYAJIT Notes: "Co-published by arrangement with the East-West Center, Institute of Culture and Communication"--T.p. verso; Includes bibliographies and indexISBN: 0819169455 (alk. paper); 0819169463 (pbk.)LON: 5986435Contents: PART I. JAPAN -- 1. Viewing Japanese film: some considerations / Donald Richie -- 2. The destiny of Samurai films / Michitaro Tada -- 3. The multilayered nature of the tradition of acting in Japanese cinema / Tadao Sato -- 4. Japanese film genres / Audie Bock -- 5. Change in the image of mother in Japanese cinema and television / Tadao Sato -- PART 2. INDIA -- 6. Innovation and imitation in the Indian cinema / Mira Reym Binford -- 7. Art, vision, and culture: Satiyajit Ray's Apu trilogy revisited / Wimal Dissanayake -- 8. The woman: myth and reality in Indian cinema / Aruna Vasudev -- 9. The painted face of politics: the actor politicians of South India / Chidananda Das Gupta -- 10. Songs in Hindi films: nature and function / Teri Skillman -- PART 3. CHINA -- 11. The Chinese film in the 1980s: art and industry / Ma Qiang -- 12. The sinification of cinema: the foreignness of film in China / Paul Clark -- 13. The position of women in new Chinese cinema / Tony Rayns -- 14. Chinese films amidst the tide of reform / Shao Mujun
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Cinema and cultural modernity / Gill Branston Philadelphia: Open University Press, 2000.
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Cinema and Ireland / Kevin Rockett, Luke Gibbons, and John Hill Syracuse, N.Y.: Syracuse University Press, 1988.
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Cinema and landscape / Graham Harper and Jonathan Rayner (eds) Bristol, UK ; Chicago, USA: Intellect, 2010.
Call No: 756 CINSource: UK/USAPlace: Bristol, UK ; Chicago, USAPublisher: IntellectPubDate: 2010PhysDes: 315 p. ; 23 cmSubject: CINEMATOGRAPHY ; LOCATION SHOOTING ; LANDSCAPES IN FILMS ; LANDSCAPES IN FILMS. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA ; HERZOG, WERNER ; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) Summary: Cinema and Landscape frames up contemporary film landscapes across the world, in a concentrated examination and interrogation of screen aesthetics and national ideology, film form and cultural geography, cinematic representation and the human environment.Notes: includes filmography; includes indexISBN: 9781841503097Contents: 1. Introduction - cinema and landscape -- Part I: The invention of the cinematic landscape : 2. Landscape and the fantasy of moving pictures: early cinema's phantom rides / Tom Gunning -- Part II: Mapping cinematic landscapes : 3. 'One foot in the air?' Landscape in the Soviet and Russian road movie / Emma Widdis -- 4. Landscape of the mind: the indifferent Earth in Werner Herzog's films / Brad Prager -- 5. Visions of Italy: the sublime, the postmodern and the apocalyptic / William Hope -- 6. Landscape in Spanish cinema / Marvin D'Lugo -- 7. Landscape and Irish cinema / Martin McLoone -- 8. The ownership of woods and water: landscapes in British cinema 1930-1960 / Sue Harper -- 9. Filming the (post-)colonial landscape: Claire Denis' Chocolat (1988) and Beau travail (1998) / Susan Hayward.
10. Landscaping the revolution: the political and social geography of Cuba reflected in its cinema / Bob Britton -- 11. Landscapes of meaning in cinema: two Indian examples / Wimal Dissanayake -- 12. The geography of cinema - Zimbabwe / Martin Mhando -- 13. Crises, Economy and landscape: the modern film face of new China / Kate Taylor -- 14. Japanese cinema and landscape / Paul Spicer -- 15. A version of beauty and terror: Australian cinematic landscapes / Graham Harper -- 16. Battlefields of vision: New Zealand filmscapes / Jonathan Rayner -- 17. The landscapes of Canada's features: articulating nation and nature / Jim Leach -- 18 Science fiction/fantasy films, fairy tales and control: landscape stereotypes on a wilderness to ultra-urban continuum / Christina Kennedy, Tia´nna and Me´lisa Kennedy
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Cinema and modernity / edited by Murray Pomerance New Brunswick, N.J.: Rutgers University Press, 2006.
Call No: 61MOD CINSource: USPlace: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 2006PhysDes: ix, 373 p. : ill. ; 25 cmSubject: MODERNISM AND THE CINEMA Summary: "In Cinema and Modernity, Murray Pomerance brings together new essays by seventeen leading scholars to explore the complexity of the essential connection between film and modernity. Among the many films considered are Detour, Shock Corridor, The Last Laugh, Experiment in Terror, The Great Dictator, Leave Her to Heaven, The Talented Mr. Ripley, Eyes Wide Shut, Sunrise, The Crowd, The Shape of Things to Come, The War of the Worlds, The Day the Earth Stood Still, Scarlet Street, Shadow of a Doubt, Stella Dallas, The Blue Angel, Sullivan's Travels. and Catch Me If You Can" - TAKEN FROM BACK COVERISBN: 9780813538167Contents: Dark Utopia -- "The shock of the new" : electrification, illumination, urbanization, and the cinema / Lucy Fischer -- The endless embrace of Hell: hopelessness and betrayal in film noir / Wheeler Winston Dixon -- Mass Murder, Modernity, and the Alienated Gaze / Steven Alan Carr -- Modernity and the crisis in truth : Fritz Lang and Alfred Hitchcock / Walter Metz -- Capital advances -- Performing modernity and gender in the 1930s / Gwendolyn Audrey Foster -- The capital shape of science fiction heroes to come / Rebecca Bell-Metereau / False criticism: cinema, bourgeois society, and the conservative complaint / Christopher Sharrett -- Strange personality -- Miles Davis and the Soundtrack of Modernity / Krin Gabbard -- Experiment in Terror: Dystopian Modernism, the Police Procedural, and the Space of Anxiety / William Luhr and Peter Lehman -- Fuller, Foucault, and Forgetting: The Eye of Power in Shock Corridor / David Sterritt -- Nothing Sacred: Modernity and performance in Catch Me If You Can / Murray Pomerance -- On the move -- Legacies of Weimar Cinema / Patrice Petro -- Getting lost on the waterways of L'Atalante / Tom Conley -- Fast Talk: Preston Sturges and the Speed of Language / Joe McElhaney -- Modern Thoughts -- Modernity and Cinema: A Culture of Shocks and Flows / Tom Gunning -- Film, Modernity, Cavell / William RothmanID2: 84
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Cinema and nation / [edited by] Mette Hjort and Scott MacKenzie London New York: Routledge, 2000.
Call No: 408.1 CINAuthor: Hjort, Mette ; MacKenzie, Scott, 1967 Place: London New YorkPublisher: RoutledgePubDate: 2000PhysDes: xvi, 332 p., ill., 25 cmSubject: NATIONAL IDENTITY AND THE CINEMA ; COPRODUCTION. EUROPEAN COUNTRIES ; UNITED KINGDOM : SCOTLAND ; INDONESIA ; POLAND ; TURKEY ; INDIA ; GERMANY ; STATE AND THE CINEMA ; CAPRA, FRANK Summary: Leading film scholars, philosophers and sociologists consider the ways in which film production and reception are shaped by ideas of national identity and belonging. The contributors discuss a wide range of cinemas, in Europe, Asia and the Americas, exploring the relationship between nation states for both the concept and the reality of national cinema.
In the book’s first three sections, contributors explore sociological approaches to national identity, challenge established ideas about ‘national cinema’, and consider the ways in which national states – from the former Soviet Union to Contemporary Scotland – use cinema in their efforts to create a national cinema, and consider how images of the nation are understood by audiences both at home and abroad.
Taken from back cover.Notes: Includes bibliographical references and indexISBN: 0415208629 (alk. paper); 0415208637 (pbk. : alk. paper); 0415208629; 0415208637(pbk.) : ¦14.99; 0415208629(cased) : No price; 0415208637(pbk.) : No priceLON: 21459338
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The Cinema and New Technologies : Address to MPEAQ 37th Annual Convention in Australasian Cinema (6/8/1982) vol.11 iss.14 p.10-11
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Cinema and social change in Latin America : conversations with filmmakers / edited by Julianne Burton Austin: University of Texas Press, 1986.
Call No: 802.25(8=6) CINAuthor: Burton, Julianne Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1986PhysDes: xvi, 302 p. : ports. ; 24 cmSubject: LATIN AMERICAN COUNTRIES ; DOCUMENTARY FILMS. LATIN AMERICAN COUNTRIES ; BOLIVIA ; CHILE ; NICARAGUA ; MEXICO ; CUBA ; BIRRI, FERNANDO ; SANJINES, JORGE ; GUZMAN, PATRICIO ; ROCHA, GLAUBER ; ALEA, TOMAS GUTIERREZ ; SANTOS, NELSON PEREIRA DOS ; SOLAS, HUMBERTO ; DIEGUES, CARLOS ; RUIZ, RAUL ; GUMUCIO DAGRON, ALFONZO ; HANDLER, MARIO ; SILVA, JORGE ; RODRIGUEZ, MARTA ; VAZQUEZ, EMILIO RODRIGUEZ ; IBARRA, CARLOS VICENTE ; SOLBERG-LADD, HELENA ; EGUINO, ANTONIO ; VILLAGRA, NELSON ; FERNANDEZ VIOLANTE, MARCELA ; ACHUGAR, WALTER ; COLINA, ENRIQUE ; GARCIA ESPINOSA, JULIO Notes: Includes indexes; Bibliography: p. [285]-286ISBN: 0292724535; 0292724543 (pbk.)LON: 4568383
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The cinema and social science : a survey of ethnographic and sociological films Paris: Unesco, 1962.
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Cinema and the wealth of nations : media, capital, and the liberal world system / Lee Grievson Oakland, California: University of California Press,
Call No: 203(73) GRIAuthor: Grievson, Lee Edition: 2018Place: Oakland, CaliforniaPublisher: University of California PressPhysDes: xvi, 466 pages : illustrated ; 24cmSubject: ECONOMICS AND THE CINEMA. US ; NATIONAL CULTURE AND THE CINEMA. USA ; CAPITALISM AND THE CINEMA ; FINANCING. USA ; INTERNATIONAL DISTRIBUTION. USA Summary: Cinema and the Wealth of Nations explores how media, principally in the form of cinema, was used during the interwar years by elite institutions to establish and sustain forms of liberal political economy beneficial to their interests. It examines the media produced by institutions such as states, corporations, and investment banks, as well as the emergence of a corporate media industry and system supported by state policy and integral to the establishment of a new consumer system. Lee Grieveson shows how media was used to encode liberal political and economic power during the period that saw the United States eclipse Britain as the globally hegemonic nation and the related inauguration of new forms of liberal economic globalization. But this is not a distant history. Cinema and the Wealth of Nations examines a foundational conjuncture in the establishment of media forms and a media system instrumental in, and structural to, the emergence and expansion of a world system that has been—and continues to be—brutally violent, unequal, and destructive. -- publisher's web siteISBN: 9780520291690Contents: List of Illustrations -- Acknowledgments -- -- 1. The Silver Screen and the Gold Standard -- 2. The Panama Caper -- 3. Empire of Liberty -- 4. Liberty Bonds -- 5. The State of Extension -- 6. The Work of Film in the Age of Fordist Mechanization -- 7. The Pan-American Road to Happiness and Friendship -- 8. Highways of Empire -- 9. League of Corporations -- 10. The Silver Chains of Mimesis -- 11. The Golden Harvest of the Silver Screen -- 12. Welfare Media -- 13. The World of Tomorrow—Today! -- -- Notes -- Sources and Bibliography -- Index
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Cinema architecture / Chris van Uffelen [Salenstein]: Braun Publishing AG, 2009.
Call No: 38 VANAuthor: van Uffelen, Chris Source: GGPlace: [Salenstein]Publisher: Braun Publishing AGPubDate: 2009PhysDes: 253 pages : illustrations ; 30 cmSubject: CINEMAS ; CINEMA BUILDINGS ; MOBILE CINEMAS Summary: Movie theater architecture is an architecture of night. Evening screenings take place in buildings that seek out the attention of passersby using their form and light. The interiors of this less-than-a-century-old building type are also very manifold. The range of design is especially evident in the execution of foyers, which span everything from the strict, modern and refined to the opulent, voluminous and luxurious. Next to classical, individual cinemas, large multiplex centers have appeared in recent years, becoming an integral component of large amusement parks. The current book explores these developments with the help of 60 contemporary buildings from around the worldDonation: donated by Michael Smith
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Cinema at the edges : new encounters with Julio Medem, Bigas Luna and Jose Luis Guerin New York: Berghahn Books, 2014.
Call No: 802.25(460) LOXAuthor: Loxham, Abigail Source: USPlace: New YorkPublisher: Berghahn BooksPubDate: 2014PhysDes: vii, 193 pages : illustrations ; 24 cmSubject: MEDEM, JULIO ; BIGAS LUNA ; GUERIN, JOSE ; SPAIN ; EUROPEAN COUNTRIES ; DIRECTORS. SPAIN Summary: "The works of popular Spanish film directors Julio Medem, Juan Jose Bigas Luna and Jose Guerin are newly appraised in relation to their engagement with alternative national and cinematic subjectives. Their films examine the limitations of the cinematic gaze, as the author shows, highlighting the ways in which these directors make recourse to hybridity, contact and interface to overcome the binary power dynamic previously thought to be a feature of cinema. This book explores their status as solely 'Spanish' filmmakers while focusing on their diverse and immensely creative output, offering new readings that engage with current debates in visual culture surrounding psychoanalytic theory, phenomenology and theories of documentary practice." -- BOOK BLURBNotes: Includes bibliographical references and index; Includes filmographyISBN: 9781782383048Donation: donated by Senses of Cinema, 2014Contents: Introduction: Defining the Edge -- Chapter 1. (Re-)Defining Spanish Cinema? -- Chapter 2. Julio Medem: At the Margins of the Self -- Chapter 3. Bigas Luna: Physical Frontiers -- Chapter 4. Jose Luis Guerin: Between Reality and Fiction -- Conclusion: Looking Forward to the Past
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Le Cinema Au Service De La Foi / Charles Ford Paris: Librairie Plon, 1953.
Call No: 768 FORAuthor: Ford, Charles Source: FRPlace: ParisPublisher: Librairie PlonPubDate: 1953PhysDes: v. 252 p., [16] p. of plates : ill ; 21 cmSubject: MOTION PICTURES - FRANCE Language: French
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The Cinema book / edited by Pam Cook London: BFI, 1985.
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The cinema book / edited by Pam Cook and Mieke Bernink London: British Film Institute, 1999.
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Cinema borealis : Ingmar Bergman and the Swedish ethos / Vernon Young New York: Avon, [c1971].
Call No: 81BER YOUAuthor: Young, Vernon Source: USPlace: New YorkPublisher: AvonPubDate: [c1971]PhysDes: 331 p. [12] leaves of plates : ill., ports ; 21cmSeries: Equinox booksSubject: FILM STUDY AND RESEARCH ; FILMMAKING ; SWEDEN ; SVENSKA FILMINSTITUTET ; BERGMAN, INGMAR ; SASOM I EN SPEGEL (SW, Ingmar Bergman, 1961) ; NATTVARDSGASTERNA (SW, Ingmar Bergman, 1962) ; PERSONA (SW, Ingmar Bergman, 1966) ; VARGTIMMEN (SW, Ingmar Bergman, 1967) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) Summary: Vernon Young provides an analysis of every film made by Ingmar Bergman, and looks at the personal beliefs and values of the film maker and shows how they are reflected in his filmsNotes: Bibliography p. 309 to 310; Filmography p.315 to 320; Includes index p.321 to 331
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Cinema by design : Art nouveau, modernism, & film history / Fischer, Lucy New York: Columbia University Press, 2017.
Author: Fischer, Lucy Place: New YorkPublisher: Columbia University PressPubDate: 2017PhysDes: xvi, 265 pages, 16 unnumbered pages of plates ; 24 cm.Subject: MODERNISM AND THE CINEMA ; MOVEMENTS AND STYLES IN FILM HISTORY ; FILM HISTORY ; RACIAL ISSUES AND THE CINEMA ; ARCHITECTURE AND THE CINEMA ; ART AND THE CINEMA Summary: Art Nouveau thrived from the late 1890s through the First World War. The international design movement reveled in curvilinear forms and both playful and macabre visions and had a deep impact on cinematic art direction, costuming, gender representation, genre, and theme. Though historians have long dismissed Art Nouveau as a decadent cultural mode, its tremendous afterlife in cinema proves otherwise. In Cinema by Design, Lucy Fischer traces Art Nouveau's long history in films from various decades and global locales, appreciating the movement's enduring avant-garde aesthetics and dynamic ideology. Fischer begins with the portrayal of women and nature in the magical "trick films" of the Spanish director Segundo de Chomon; the elite dress and decor design choices in Cecil B. DeMille's The Affairs of Anatol (1921); and the mise-en-sc ne of fantasy in Raoul Walsh's The Thief of Bagdad (1924). Reading Salome (1923), Fischer shows how the cinema offered an engaging frame for adapting the risque works of Oscar Wilde and Aubrey Beardsley.Notes: Includes bibliographical references and index.ISBN: 9780231175036Contents: Introduction
Art Nouveau and the age of attractions
Art nouveau and American film of the 1920s: prestige, class, fantasy, and the exotic
Architecture and the city: Barcelona, Gaudi´, and the cinematic imaginary
Art nouveau, chambers of horror, and "the Jew in the text"
Art nouveau, patrimony, and the art world
Epilogue: the 1960s and the Art nouveau revival.
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Cinema, cross-cultural collaboration, and criticism : filming on an uneven field / Davinia Thornley Houndmills, Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2014.
Call No: 451-054(=1=81)(71):(93):(94) THOAuthor: Thornley, Davinia Source: UK/USPlace: Houndmills, Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2014PhysDes: xi, 134 pages : illustrations ; 23 cmSeries: Palgrave pivotSubject: INDIGENOUS PEOPLE'S CINEMA. CANADA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND ; DOCUMENTARIES ; BEFORE TOMORROW [JOUR AVANT LE LENDEMAIN, LE](CN Marie-Hélène Cousineau and Madeline Ivalu, 2008) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; TATTOOIST, THE (NZ/SI, Peter Berger, 2007) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; NO. 2 (NZ, Toa Fraser, 2006) ; APRON STRINGS (NZ, Sima Urale, 2008) Summary: This book is a manifesto for a developing area, one that provides a new model for reading films about indigeneity. Davinia Thornley investigates specific production partnerships in Canada, Australia and Aotearoa New Zealand, using the framework of scholarly and popular criticism to draw conclusions from these collaborative case studiesNotes: Formerly CIP -- Includes bibliographical references and index -- Also issued onlineContents: Machine generated contents note: 1.Introduction -- Cinematic Cross-Cultural Collaboration: Filming on an Uneven Field -- 2."An Instrument of Actual Change in the World": Engaging a New Collaborative Criticism through Isuma/Arnait Productions' Film, Before Tomorrow -- 3."My Whole Area Has Started to Be about What's Left Over": Alec Morgan, "Stolen Histories," and Critical Collaboration on the Australian Aboriginal Documentary, Lousy Little Sixpence -- 4."A Space Being Right on That Boundary": Critiquing Cross-Cultural Collaboration in Aotearoa New Zealand Cinema -- 5.Conclusion -- Modelling Collaborative Criticism: What Does It Mean to Collaborate Cross-Culturally in Cinema?
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Il cinema di Kenji Mizoguchi : la Biennale, Settore cinema e spettacolo televisivo : Mostra internazionale del cinema, Venezia, 28 agosto/8 settembre 1980 / [catalogo a cura di Adriano Apra, Enrico Magrelli, Patrizia Pistagnesi] [Venezia]: La Biennale di Venezia, 1980.
Call No: 81MIZ CINAuthor: Mizoguchi, Kenji, 1898-1956 CorpAuthor: Mostra internazionale d'arte cinematografica (1980 : Venice, Italy); Biennale di Venezia (1980) Settore cinema e spettacolo televisivo; Biennale di Venezia (1980)Place: [Venezia]Publisher: La Biennale di VeneziaPubDate: 1980PhysDes: 233 p. : ill. ; 24 cmSubject: Mizoguchi, Kenji Notes: Bibliography: p. [221]-228ISBN: 8820802678LON: 80144978; 3659673 3110125
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The cinema effect Cambridge, MA: Massachusetts Institute of Technology, 2004.
Call No: 633 CUBAuthor: Cubitt, Sean Source: USPlace: Cambridge, MAPublisher: Massachusetts Institute of TechnologyPubDate: 2004PhysDes: 456 p. ; 24 cmSubject: IMAGE ANALYSIS ; SPECIAL EFFECTS ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; PHILOSOPHY AND THE CINEMA ; MOTION CONTROL Summary: It has been said that all cinema is an effect. In this highly original examination of time in film Sean Cubitt tries to get at the root of the uncanny effect produced by images and sounds that don’t quite align with reality. What is it that cinema does? Cubitt proposes a history of images in motion from a digital perspective, for a digital audience. [Taken from inside book jacket].ISBN: 0262033127
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Cinema futures : Cain, Abel or cable?: the screen arts in the digital age / edited by Thomas Elsaesser and Kay Hoffmann Amsterdam: Amsterdam University Press, 1998.
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Cinema in the digital age / Rombes, Nicholas New York: New York Columbia University Press, 2017.
Call No: 62 ROMAuthor: Rombes, Nicholas Edition: Revised editionPlace: London; New YorkPublisher: New York Columbia University PressPubDate: 2017PhysDes: 22 b& w illustrationsSubject: DIGITAL CINEMA ; NOSTALGIA ; FILMMAKING ; DISTRIBUTION ; DIGITAL DISTRIBUTION ; MEDIA AND THE CINEMA ; EDITING ; PHILOSOPHY AND THE CINEMA ; VIDEO FORMATS ; PARANORMAL ACTIVITY : THE MARKED ONES ( US, Christopher Landon, 2014) ; THEORY ; SPECTATORSHIP ; BLUE VELVET (US, David Lynch, 1986) ; APPLE ; COMPUTER GENERATED IMAGERY ; POSTMODERNISM AND THE CINEMA ; FORMATS ; CINEMATOGRAPHY Summary: Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes-blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera.With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)-both shot digitally-have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization.Notes: Includes bibliographical references.ISBN: 9780231167550Donation: Senses of CinemaContents: Machine generated contents note: 1.Accelerationism
2.The Adorno Paradox
3.Against Method
4.Analog/ Digital Splice
5.Blood, Simple
6.Boredom and Analog Nostalgia
7.The Digital Spectacular
8.Disposable Aesthetics
9.DV Humanism
10.Filmless Films
11.Frame Dragging
12.The Ideology of the Long Take
13.Image/ Text
14.Incompleteness
15.Interfaces
16.iPod Experiment
17.Ironic Mode
18.Looking at Yourself Looking
19.The Lost Underground
20.Love in the Time of Fragments
21.Media as Its Own Theory
22.Mobile Viewing
23.Moving Space in the Frame, and a Note on Film Theory
24.Natural Time
25.Nonlinear
26.Paranormal Activity 2
27.Pausing
28.Punk
29.Realism
30.Real Time
31.The Real You
32.The Reality Industrial Complex
33.Remainders
34.Sampling
35.Secondary Becomes Primary
36.Self-Deconstructing Narratives
37.Shaky Camera
38.Shoot!
39.Simultaneous Cinema
40.Small Screens
Contents note continued: 41.Target Video
42.Time, Memory
43.Time-Shifting
44.Tmesis: Skimming and Skipping
45.Undirected Films
46.Viewer Participation
47.Virtual Humanism: Part 1
48.Virtual Humanism: Part 2
49.Visible Language, Spring 1977
50.Interpreting Film Images Through Randomized Constraint: The Blue Velvet Project
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Cinema in the Federal Republic of Germany : the new German film, origins and present situation : a handbook / Hans GFunther Pflaum, Hans Helmut Prinzler ; [translation, Timothy Nevill] Bonn: Inter Nationes, 1983.
Call No: 71(430.1) PFLAuthor: Pflaum, Hans GFunther ; Prinzler, Hans Helmut Place: BonnPublisher: Inter NationesPubDate: 1983PhysDes: 180 p. : ill. ; 21 cmSubject: GERMANY ; GERMAN FEDERAL REPUBLIC ; DIRECTORS. GERMANY ; ACHTERNBUSCH, HERBERT ; ACKEREN, ROBERT VAN ; FASSBINDER, RAINER WERNER ; GEISSENDORFER, HANS W. ; HERZOG, WERNER ; KLUGE, ALEXANDER ; WILDENHAHN, KLAUS ; ZIEWER, CHRISTIAN ; SCHROETER, WERNER ; STRAUB, JEAN-MARIE ; THOME, RUDOLPH ; SANDER, HELKE ; SCHILLING, NIKLAUS ; NEKES, WERNER ; COSTARD, HELLMUTH ; HAUFF, REINHARD ; LILIENTHAL, PETER ; OTTINGER, ULRIKE ; PETERSEN, WOLFGANG ; PRAUNHEIM, ROSA VON ; SANDERS-BRAHMS, HELMA ; SCHLONDORFF, VOLKER ; SYBERBERG, HANS JURGEN ; TROTTA, MARGARETHE VON ; Wenders, Wim Notes: Translation of: Film in der Bundesrepublik Deutschland; Bibliography: p. 179LON: 3594169
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Cinema Italien d'aujourd'hui / Textes presentes par Alexandre Blasetti et Jean Louis Rondi Rome: Carlo Bestetti, [1950?].
Call No: 71(45) CINAuthor: Blasetti, Alexandre ; Rondi, Jean Louis Source: ITPlace: RomePublisher: Carlo BestettiPubDate: [1950?]PhysDes: 213 p. : ill., ports. ; 31 cmSubject: ITALY ; NATIONAL CULTURE AND THE CINEMA ; NEOREALISM Notes: Authors: Zavattini, Cesar (preface); Carancini, Gaetan; Meccoli, Dominque; Marinucci, Vinicio; Guidi, Guidarino; Giannelli, E.; Verdone, Marius; Includes bibliography; Includes filmography of Italian films from 1945-1950; Includes indexLanguage: French
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Cinema Now Adelaide: Port Film Co-Op, 2018.
Call No: Held: 2018Source: ATPlace: AdelaidePublisher: Port Film Co-OpPubDate: 2018Subject: [MISTER] MR ACCIDENT (AT, Yahoo Serious, 2000) ; MARTIN, ADRIAN ; MOUSOULIS, BILL ; MANGANINNIE (AT, John Honey, 1980) ; RESISTANCE (AT, Paul Elliot & Hugh Keays-Byrne, 1992) ; DEAD HEART (AT, Nick Parsons, 1996) ; HARD WORD, THE (AT, Scott Roberts, 2002) ; BONDI TSUNAMI (AT, Rachael Lukas, 2003) ; LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996) ; DATING THE ENEMY (AT, Megan Simpson [Huberman], 1996) ; COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984)
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The cinema of Australia and New Zealand / edited by Geoff Mayer & Keith Beattie. London: Wallflower, 2007.
Call No: 71(93) CINSource: UKPlace: LondonPublisher: WallflowerPubDate: 2007PhysDes: xiii, 259 p. : ill. ; 24 cm.Series: 24 FramesSubject: AUSTRALIA ; NEW ZEALAND ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND ; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906) ; WOMAN SUFFERS, THE (AT, Raymond Longford, 1918) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953) ; BACK OF BEYOND, THE (AT, John Heyer, 1954) ; JEDDA (AT, Charles Chauvel, 1955) ; FREE RADICALS (NZ, Len Lye, 1958) ; RUNAWAY (NZ, John O'Shea, 1964) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ONE NIGHT THE MOON (AT, Rachel Perkins, 2001) ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; VIGIL (NZ, Vincent Ward, 1984) ; IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984) ; PIANO, THE (AT, Jane Campion, 1993) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; AFTER MABO (AT, Richard Frankland, 1997) ; CHOPPER (AT, Andrew Dominik, 2000) ; GODDESS OF 1967, THE (AT, Clara Law, 2000) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001) ; TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood.Notes: Includes filmography.
Includes bibliography and index.ISBN: 9781904764960
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The cinema of Hayao Miyazaki / Jeremy Mark Robinson (author) Maidstone, Kent: Crescent Moon Publishing, 2011.
Call No: 81MIY ROBAuthor: Robinson, Jeremy Mark Edition: Second editionSource: UKPlace: Maidstone, KentPublisher: Crescent Moon PublishingPubDate: 2011PhysDes: 514 pages ; 24 cmSubject: ANIMATED FILMS ; ANIMATION ; ANIMATION. JAPAN ; ANIMATORS ; STUDIO GHIBLI ; MIYAZAKI, HAYAO ; ISAO TAKAHATA ; LUPIN III: THE CASTLE OF CAGLIOSTRO (JA, Hayao Miyazaki, 1979) ; RUPAN SANSEI: KARIOSUTORO NO SHIRO (JA, Hayao Miyazaki, 1979) ; NAUSICAA OF THE VALLEY OF THE WIND (JA, Hayao Miyazaki, 1984)
SEE
KAZE NO TANI NO NAUSHIKA ; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984) ; TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986) ; TENKU NO SHIRO LAPUTA (JA, Hayao Miyazaki, 1987) ; CASTLE IN THE SKY (JA, Hayao Miyazaki, 1986) ; MY NEIGHBOUR TOTORO (JA, Hayao Miyazaki, 1988)
SEE
TONARI NO TOTORO ; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988) ; KIKI'S DELIVERY SERVICE (JA, Hayao Miyazaki, 1989)
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MAJO NO TAKK YUBIN ; MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989) ; PORCO ROSSO (JA, Hayao Miyazaki, 1993)
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KURENAI NO BUTA ; KURENAI NO BUTA (JA, Hayao Miyazaki, 1993) ; PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997)
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MONONOKE HIME ; MONONOKE HIME (JA, Hayao Miyazaki, 1997) ; SPIRITED AWAY (JA, Hayao Miyazaki, 2001)
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SEN TO CHIHIRO NO KAMIKAKUSHI ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) ; HOWL'S MOVING CASTLE (JA, Hayao Miyazaki, 2004)
SEE
HAURU NO UGOKU SHIRO ; PONYO (JP, Hayao Miyazaki, 2008)
SEE
GAKE NO EU NO PONYO ; GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008) ; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989) ; HOTARV NO HAKA (JA, Isao Takahata, 1988) ; ONLY YESTERDAY (JA, Isao Takahata, 1991) ; OMOHIDE PORO PORO (JA. Isao Takhata, 1991) Summary: Born on January 5, 1941 in Tokyo, Hayao Miyazaki is known as the ‘Japanese Disney’, a filmmaker as revered - and as popular - as Walt Disney or Steven Spielberg. Miyazaki, in short, is a true phenomenon in contemporary animation and in world cinema.
Hayao Miyazaki's movies include Princess Mononoke, Spirited Away, Howl's Moving Castle, Laputa: Castle In the Sky and My Neighbor Totoro.
Hayao Miyazaki may be the most talented fantasy filmmaker of his generation: not even the finest filmmakers of Hollywood can rival his films when it comes to creating fantasy worlds, and fantastical characters and events. Miyazaki has millions of fans around the world, not least among fellow animators and filmmakers, for whom he is a genius.
What Hayao Miyazaki’s films do is to bring you completely into a fantasy world that is actually instantly recognizable and familiar. It’s as if these fantasy realms have always existed - very much like J.R.R. Tolkien’s Middle-earth or Ursula Le Guin’s Earthsea (both influences on Miyazaki). The visionary and magical elements are fused with the domestic and familial and social elements , so that it seems completely ordinary and believable that, say, flying machines soar overhead which have flapping wings like an insect, or that little white creatures pop up out of trees.
To write one hit animation movie is amazing, to write seven is remarkable. To write and direct one spectacular animated picture is very impressive, to write and direct seven features is almost unheard-of in the world of contemporary commercial animation.
This new study of Hayao Miyazaki considers all of his films and TV shows (and his manga work). It also includes chapters on Studio Ghibli; on fellow director Isao Takahata; Miyazaki's influences; his contemporaries and colleagues; his characters; his movies' relation to Western animation (including Disney); his unmade films; and his themes and motifs.
The Cinema of Hayao Miyazaki also explores Japanese animation, its production and style, some classics of anime, and digital animation.
Includes quotes by Miyazaki; fans on Miyazaki; and resources.
Fully illustrated. With filmography, bibliography and notes.
-- PUBLISHERS WEB SITENotes: Need to add the folowing subject terms: ponpoko, my neighboursa the yamadasISBN: 9781861713902Contents: ONE: HAYAO MIYAZAKI -- The Cinema of Hayao Miyazaki -- Hayao Miyazaki's Movies and the Japanese Animation Industry -- Aspects of Hayao Miyazaki's Cinema --
Illustrations --
TWO: THE MOVIES -- The Castle of Cagliostro -- Nausicaa of the Valley of the Wind -- Laputa: Castle In the Sky -- My Neighbor Totoro -- Kiki's Delivery Service -- Porco Rosso -- Princess Mononoke -- Spirited Away -- Howl's Moving Castle -- Ponyo On the Cliff By the Sea -- The Cinema of Isao Takahata -- Studio Ghibli's Other Movies --
Appendix -- Quotes / Hayao Miyazaki -- Thirty Best Moments in Hayao Miyazaki's Cinema -- Resource -- Filmography -- Bibliography
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The Cinema of Hong Kong : history, arts, identity / edited by Poshek Fu and David Desser Cambridge: Cambridge University Press, 2000.
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Cinema of outsiders : the rise of American independent film / Emanuel Levy New York: New York University Press, c1999.
Call No: 71(73) LEVAuthor: Levy, Emanuel, 1947 Source: USPlace: New YorkPublisher: New York University PressPubDate: c1999PhysDes: xiii, 601 p. : ill. ; 24 cmSubject: INDEPENDENT FILMS. USA ; HOMOSEXUALITY AND THE CINEMA. USA ; OUTSIDERS IN FILMS ; MEN IN FILMS ; FILM NOIR ; FEMINISM AND THE CINEMA. USA ; TYPE CHARACTERS IN FILMS ; COMEDIES. USA ; BLACK CINEMA. US ; ETHNIC GROUPS IN FILMS. USA ; YOUNG PEOPLE AND THE CINEMA ; FESTIVALS. PARK CITY. SUNDANCE ; ARAKI, GREGG ; NUNEZ, VICTOR ; BROOKS, ALBERT ; SMITH, KEVIN ; COEN, JOEL & ETHAN ; FERRARA, ABEL ; WATERS, JOHN (US) ; HARTLEY, HAL ; HAYNES, TODD ; JARMUSCH, JIM ; JOST, JON ; LEE, SPIKE ; LINKLATER, RICHARD ; LYNCH, DAVID ; MAMET, DAVID ; NAIR, MIRA ; SAYLES, JOHN ; CASSAVETES, NICK ; SODERBERGH, STEVEN ; SOLONDZ, TODD ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; BLOOD SIMPLE (US, Joel Coen, 1984) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; IN THE COMPANY OF MEN (US, Neil Labute, 1997) ; GAS FOOD LODGING (US, Allison Anders, 1992) ; PULP FICTION (US, Quentin Tarantino, 1994) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; MEAN STREETS (US, Martin Scorsese, 1973) Summary: "Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarantino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style."--BOOK JACKETNotes: Includes bibliographical references (p. 539-571) and indexISBN: 0814751237 (alk. paper)LON: 20253533
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The cinema of Satyajit Ray / Chidananda Das Gupta New Delhi: National Book Trust, India, 1994.
Call No: 81RAY DASAuthor: Das Gupta, Chidananda Edition: rev. and enl. ed.Place: New DelhiPublisher: National Book Trust, IndiaPubDate: 1994PhysDes: xv, 204 p., [48] p. of plates : ill. ; 24 cmSubject: Ray, Satyajit ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; APARAJITO (II, Satyajit Ray, 1957) ; PARASH PATHAR (II, Satyajit Ray, 1958) ; JALSAGHAR (II, Satyajit Ray, 1958) ; APUR SANSAR (II, Satyajit Ray, 1958) ; DEVI (II, Satyajit Ray, 1960) ; TEEN KANYA (II, Satyajit Ray, 1961) ; RABINDRANATH TAGORE (ii, Satyajit Ray, 1961) ; KANCHENJUNGHA (II, Satyajit Ray, 1962) ; ABHIJAN (II, Satyajit Ray, 1962) ; MAHANAGAR (II, Satyajit Ray, 1963) ; CHARULATA (II, Satyajit Ray, 1964) ; TWO (II, Satyajit Ray, 1964) ; KAPURAUSH O MAHAPURUSH (II, Satyajit Ray, 1965) ; NAYAK (II, Satyajit Ray, 1966) ; CHIRIAKHANA (II, Satyajit Ray, 1967) ; GOOPY GYNE BAGHA BYNE (II, Satyajit Ray, 1968) ; ARANYER DIN RATRI (II, Satyajit Ray, 1970) ; PRATIDWANDI (II, Satyajit Ray, 1971) ; SEEMABADDHA (II, Satyajit Ray, 1971) ; JANA ARANYA (II, Satyajit Ray, 1975) ; SHATRANJ KE KHILARI (II, Satyajit Ray, 1977) ; JOI BABA FELUNATH (II, Satyajit Ray, 1978) ; HOME AND THE WORLD, THE [ ; SHAKHA PROSHAKHA (II/FR, Satyajit Ray, 1990) ; AGANTUK (II, Satyajit Ray, 1991) ; INNER EYE, THE (II, Satyajit Ray, 1972) ; ASANI SANKET (II, Satyajit Ray, 1973) ; SONAR KELLA (II, Satyajit Ray, 1975) ; BALA (II, Satyajit Ray, 1976) ; JOI BABA FELUNATH (II, Satyajit Ray, 1978) ; HIRAK RAJAR DESHE (II, Satyajit Ray, 1980) ; PIKOO (II, Satyajit Ray, 1980) ; SADGATI (II, Satyajit Ray, 1981) ; SUKUMAR RAY (II, Satyajit Ray, 1988) ; GANASHATRU (II, Satyajit Ray, 1989) Notes: Includes bibliographical references (p. [201]-204)ISBN: 8123707533Donation: donated by the family of Wayne Levy, 2006
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Cinema of solitude : a critical study of Mexican film, 1967-1983 / by Charles Ramirez Berg Austin: University of Texas Press, c1992.
Call No: 71(72) BERAuthor: Berg, Charles Ramirez, 1947 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: c1992PhysDes: ix, 252 p. : ill. ; 24 cmSeries: Texas film studies seriesSubject: MEXICO Notes: Series statement from jacket; Includes bibliographical references (p. [235]-241) and indexISBN: 0292707916 (alk. paper); 0292707959 (pbk.)LON: 8911021
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The cinema of Wes Anderson : bringing nostalgia to life / by Whitney Crothers Dilley London New York: Wallflower Press, c2017.
Call No: 81AND DILAuthor: Dilley, Whitney Crothers Source: US/UKPlace: London New YorkPublisher: Wallflower PressPubDate: c2017PhysDes: vii, 246 pages ; 24 cmSeries: Directors' cutsSubject: CRITICISM ; ANDERSON, WES ; RUSHMORE (US, Wes Anderson, 1998) ; BOTTLE ROCKET (US, Wes Anderson, 1996) ; ROYAL TENENBAUMS, THE (US, Wes Anderson, 2001) ; LIFE AQUATIC WITH STEVE ZISSOU, THE (US, Wes Anderson, 2004) ; DARJEELING LIMITED, THE (US, Wes Anderson, 2007) ; FANTASTIC MR FOX (US/UK, Wes Anderson, 2009) ; MOONRISE KINGDOM (US, Wes Anderson, 2012) ; GRAND BUDAPEST HOTEL, THE (UK/G, Wes Anderson, 2014) Summary: "Wes Anderson is considered one of the most important directors of the post-Baby Boom generation, making films such as Rushmore (1998) and The Royal Tenenbaums (2001) in a style so distinctive that his films are often recognizable from a single frame. Through the travelogue The Darjeeling Limited (2007) and the stop-motion animation of Fantastic Mr. Fox (2009), his films examine issues of gender, race, and class through dysfunctional family dynamics, with particular focus on masculinity and male bonding. Anderson's auteur status is enriched by his fascination with Truffaut and the French New Wave, as well as his authorship of every one of his screenplays, drawing on influences as diverse as Mark Twain, J. D. Salinger, Roald Dahl, and Stefan Zweig. Works such as Moonrise Kingdom (2012) and The Grand Budapest Hotel (2014) continue to fascinate with their postmodern, hyper-nostalgic attention to detail. This book explores the filmic and literary influences that have helped make Anderson a major voice in 21st century "indie" culture, and reveals why Wes Anderson is one of the most inventive filmmakers working in cinema today." -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9780231180696Contents: -- acknowledgments -- 1 Introduction: Wes Anderson as Auteur -- A History -- 2 Wes Anderson: His Position in American Cinema and Culture -- 3 Gender, Youth, and the Exploration of Masculinity in Bottle Rocket -- 4 "Sic Transit Gloria": Transgressing the Boundaries of Adolescence in Rushmore -- 5 The Interplay of Narrative Text, Language, and Film: Literary Influence and Intertextuality in The Royal Tenenbaums -- 6 Opposition and Resolution: The Dissonance of Celebrity in The Life Aquatic with Steve Zissou -- 7 Fragmentary Narratives/Incomplete Identities in The Darjeeling Limited -- 8 Adaptation and Homage: The World of Roald Dahl and Fantastic Mr. Fox -- 9 Reconstitution of the "Family" and Construction of Normalized Gender in Moonrise Kingdom -- 10 Literary Influence and Memory: Stefan Zweig and The Grand Budapest Hotel -- 11 Wes Anderson's Short Films and Commercial Work -- conclusion : memory and narrative in the works of Wes Anderson -- filmography -- bibliography -- index --
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Cinema Papers on film in Australian film review (1-14th September 1983) vol.1 iss.15 p.8
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Cinema unchained : the films of Quentin Tarantino / Simona Brancati Washington, DC: New Academia Publishing, 2014.
Call No: 81TAR BRAAuthor: Brancati, Simona Edition: EnglishSource: USPlace: Washington, DCPublisher: New Academia PublishingPubDate: 2014PhysDes: x, 186 pages : color facsimiles ; 23 cm.Subject: TARANTINO, QUENTIN ; PULP FICTION (US, Quentin Tarantino, 1994) ; KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003) ; KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004) ; INGLORIOUS BASTARDS (US/G, Quentin Tarantino, 2009) ; DJANGO UNCHAINED (US, Quentin Tarantino, 2012) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; TRUE ROMANCE (US, Tony Scott, 1993) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; [FOUR] 4 ROOMS (US, Allison Anders & Alexandre Rockwell & Robert Rodriguez & Quentin Tarantino, 1995) ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; DEATH PROOF (US, Quentin Tarantino, 2007) Notes: Translated from: Quentin Tarantino : asfalto nero e acciaio rosso sangue, ©2014.; Includes bibliographical references (pages 182-186); Includes filmography (pages 173-181)ISBN: 9780989916981Contents: The event -- A survey of what borders the "Postmodern" -- Metamorphosis of a murder -- The interrogation : reality or 35 mm.? -- The most powerful weapon: Writing -- The find.
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Cinema verite in America : studies in uncontrolled documentary / written by Stephen Mamber Cambridge, Mass.: MIT Press, [1974].
Call No: 761.2(73) MAMAuthor: Mamber, Stephen Place: Cambridge, Mass.Publisher: MIT PressPubDate: [1974]PhysDes: vi, 288 p. : ill. ; 23 cmSubject: CINEMA VERITE ; CINEMA-DIRECT ; BRANDO, MARLON ; DREW, ROBERT ; LEACOCK, RICHARD ; MAYSLES, ALBERT & DAVID ; PENNEBAKER, D. A. ; WISEMAN, FREDERICK ; FLAHERTY, ROBERT ; FONDA, JANE ; VERTOV, DZIGA ; ZAVATTINI, CESARE ; ROUQUIER, GEORGES ; RENOIR, JEAN ; KRACAUER, SIEGFRIED ; CRISIS (US, James Lipscomb, Hope Ryden, Richard Leacock and D.A. Pennebaker, 1963) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; HAPPY MOTHER'S DAY, A (US, Joyce Chopra/Richard Leacock, 1963) ; HIGH SCHOOL (US, Frederick Wiseman, 1969) ; JANE (US, D.A. Pennebaker, 1962) ; MEET MARLON BRANDO (US, Albert Maysles & David Maysles, 1966) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) Summary: A study of the Cinema verite approach to film making, primarily made up of examinations of particular films. "The relationship between camera and subject, problems of structure, and distinctive characteristics of each filmmaker's approach are also discussed.Notes: Bibliography: p. [276]-283ISBN: 0262130920LON: 508990Contents: Cinema verite: definitions and background -- Drew Associates -- Direct cinema and crisis structure -- The Maysles brothers -- D. A. Pennebaker -- Richard Leacock -- Frederick Wiseman -- Conclusion
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Levy Collection
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Cinema verite in America : studies in uncontrolled documentary / Stephen Mamber Cambridge, MA: MIT Press, c1974.
Call No: 761.2(73) MAM COPY 2Author: Mamber, Stephen Source: UKPlace: Cambridge, MAPublisher: MIT PressPubDate: c1974PhysDes: vi, 288 p. : ill. ; 24 cmSubject: CINEMA VERITE ; CINEMA-DIRECT ; BRANDO, MARLON ; FONDA, JANE ; DREW, ROBERT ; LEACOCK, RICHARD ; MAYSLES, ALBERT & DAVID ; PENNEBAKER, D. A. ; WISEMAN, FREDERICK ; FLAHERTY, ROBERT ; VERTOV, DZIGA ; ZAVATTINI, CESARE ; ROUQUIER, GEORGES ; RENOIR, JEAN ; KRACAUER, SIEGFRIED ; CRISIS (US, James Lipscomb, Hope Ryden, Richard Leacock and D.A. Pennebaker, 1963) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; HAPPY MOTHER'S DAY, A (US, Joyce Chopra/Richard Leacock, 1963) ; HIGH SCHOOL (US, Frederick Wiseman, 1969) ; JANE (US, D.A. Pennebaker, 1962) ; MEET MARLON BRANDO (US, Albert Maysles & David Maysles, 1966) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) Summary: A study of the Cinema verite approach to film making, primarily made up of examinations of particular films. "The relationship between camera and subject, problems of structure, and distinctive characteristics of each filmmaker's approach are also discussed.Notes: Bibliography: p. [276]-283ISBN: 0262130920Donation: donated by the family of Wayne Levy, 2006
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A cinema without walls : movies and culture after Vietnam / Timothy Corrigan London: Routledge, 1991.
Call No: 626(73) CORAuthor: Corrigan, Timothy, 1951 Place: LondonPublisher: RoutledgePubDate: 1991PhysDes: x, 258 p. : ill. ; 23 cmSubject: HEAVEN'S GATE (US, Michael Cimino, 1980) ; PLATOON (US, Oliver Stone, 1986) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) ; BLUE VELVET (US, David Lynch, 1986) ; CHOOSE ME (US, Alan Rudolph, 1984) ; AFTER HOURS (US, Martin Scorsese, 1985) ; COPPOLA, FRANCIS FORD ; KLUGE, ALEXANDER ; RUIZ, RAUL ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BADLANDS (US, Terrence Malick, 1973) ; PARIS, TEXAS (GW/FR, Wim Wenders, 1984) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; THIRD GENERATION, THE (GW, Rainer Werner Fassbinder, 1979) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; IN EINEM JAHR MIT 13 MONDEN (GW, Rainer Werner Fassbinder, 1979) ; DRITTE GENERATION, DIE (GW, Rainer Werner Fassbinder, 1979) Notes: Includes index; Bibliography: p. [233]-250ISBN: 0415071348 (pbk.) : ª9.99; 041507133X (cased) : ª35.00LON: bnb41507133; 8595450
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Interim
book
Cinema Year Book of Japan, 1938 / edited by International Cinema Association of Japan, The (Kokusai Eiga Kyokai) Tokyo: Kokusai Bunka Shinkokai (The Society for International Cultural Relations), 1938.
Call No: 71 (52) CIN; RARE BOOK; FOLIOPlace: TokyoPublisher: Kokusai Bunka Shinkokai (The Society for International Cultural Relations)PubDate: 1938PhysDes: 82 p. : ill., ports. ; 32cmSubject: JAPAN ; NATIONAL CULTURE AND THE CINEMA ; PERIODICALS, FILM ; ORGANIZATIONS ; NEWSREELS ; KOREA ; SHOCHIKU ; TOHO ; NIKKATSU ; KAZE NO NAKA NO KODOMO (JA, Hiroshi Shimizu, 1937) ; KOJO NO TSUKI (JA, Keisuke Sasaki, 1937) ; HANA-KAGO NO UTA (JA, Heinosuke Gosho, 1937) ; ASAKUSA NO HI (JA, Yasujiro Shimazu, 1937) ; SOBO (JA, Hisatora Kumagai, ?) ; TABIJI (JA, Ri Keikwan, ?) ; ATARASHIKI TSUCHI (JA, Mansaku Itami, 1937) ; HADAKA NO MACHI (JA, Tomu Uchida, 1937) ; SHINSEN GUMI (JA, Sotoji Kimura, 1937) ; SHINJITSU ICHIRO (JA, Tomotaka Tasaka, 1937) ; SHUKUJO WA NANI O WASURETA KA (JA, Yasujiro Ozu, 1937) ; OSAKA NATSU NO JIN (JA, Teinosuke Kinugasa, 1937) ; AI EN KYO (JA, Kenji Mizoguchi, 1937) ; WAKAI HITO (JA, Shiro Toyoda, 1937) ; KAGIRINAKI ZENSHIN (JA, Tomu Uchida, 1937)
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Cinemachismo : masculinities and sexuality in Mexican film / Sergio de la Mora Austin, Texas: University of Texas Press, 2006.
Call No: 744-01(72) MORAuthor: Mora, Sergio de la Source: USPlace: Austin, TexasPublisher: University of Texas PressPubDate: 2006PhysDes: xix, 236 pages : illustrations ; 23 cmSubject: COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992) ; DANZON (MX, Maria Novaro, 1991) ; INFANTE, PEDRO ; MEXICO ; PROSTITUTES IN FILMS ; Y TU MAMA TAMBIEN (MX, Alfonso Cuaron, 2001) Summary: "After the modern Mexican state came into being following the Revolution of 1910, hyper-masculine machismo came to be a defining characteristic of "mexicanidad," or Mexican national identity. Virile men (pelados and charros), virtuous prostitutes as mother figures, and minstrel-like gay men were held out as desired and/ or abject models not only in governmental rhetoric and propaganda, but also in literature and popular culture, particularly in the cinema. Indeed, cinema provided an especially effective staging ground for the construction of a gendered and sexualized national identity. In this book, Sergio de la Mora offers the first extended analysis of how Mexican cinema has represented masculinities and sexualities and their relationship to national identity from 1950 to 2004. He focuses on three traditional genres (the revolutionary melodrama, the cabaretera [dancehall] prostitution melodrama, and the musical comedy "buddy movie") and one subgenre (the fichera brothel-cabaret comedy) of classic and contemporary cinema. By concentrating on the changing conventions of these genres, de la Mora reveals how Mexican films have both supported and subverted traditional heterosexual norms of Mexican national identity. In particular, his analyses of Mexican cinematic icons Pedro Infante and Gael Garciacute;a Bernal and of Arturo Ripstein's cult film El lugar sin liacute;mites illuminate cinema's role in fostering distinct figurations of masculinity, queer spectatorship, and gay male representations. De la Mora completes this exciting interdisciplinary study with an in-depth look at how the Mexican state brought about structural changes in the film industry between 1989 and 1994 through the work of the Mexican Film Institute (IMCINE), paving the way for a renaissance in the national cinema." - taken from back coverNotes: Includes bibliographical references (pages 197-226) and index -- Lambda Literary Awards (nominated), 2007. -- Formerly CIP.ISBN: 9780292712973Contents: Preface: How I too came to love Pedro Infante – Acknowledgments -- Introduction: Macho Nation? -- Midnight virgin": melodramas of prostitution in literature and film -- Pedro Infante unveiled: masculinities in the Mexican "buddy movie" -- The last dance: (homo)sexuality and representation in Arturo Ripstein's El lugar sin limites and the fichera subgenre -- Mexico's third-wave new cinema and the cultural politics of film -- Epilogue. Mexican cinema is dead! Long live Mexican cinema! – Notes – Works Consulted -- Index
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journal article
Cinemas of value : multicultural realism in Asian Australian cinema in Studies in Australasian cinema (2008) vol.2 iss.2 p.141-156
Author: Khoo, Olivia PhysDes: ArticleSubject: MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ASIANS AND THE CINEMA. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; REALISM IN FILMS. AUSTRALIA ; ETHICS AND THE CINEMA ; JAMMED, THE (AT, Dee McLachlan, 2007) ; FINISHED PEOPLE, THE (AT, Khoa Do, 2003) ; RA CHOI (AT, M. Frank, 2005) Summary: This article examines the use of realist aesthetics in three Australian films, Dee McLachlan's The jammed (2007), Khoa Do's The Finished People (2003) and M. Frank's Ra Choi (2005) as a way of creating ‘value’ within the terms of an Australian national cinema. ‘These films, among other examples of an emergent Asian Australian cinema’, deploy techniques of realism to build an authenticity of experience for spectators, unfamiliar with seeing portrayals of Asian Australians on screen. This article will consider what is at stake in the accepted, and often replicated, relationship between multiculturalism and realism characterizing filmic representations of Asian Australians, and will shift the focus to explore the place of idealism in the creation of value. By examining the aesthetics of what I will call ‘multicultural realism’ I aim to consider how these stylistic strategies seek to politicize certain representations over others in the films' attempt to build an alternative vision of the Australian nation and its diasporic constituents. -- AbstractNotes: Part of Special Issue: Transnational Asian Australian Cinema. Part 1
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The cinematic body / Steven Shaviro Minneapolis: University of Minnesota Press, 1993.
Call No: 64POS SHAAuthor: Shaviro, Steven Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1993PhysDes: x, 276 p. ; 26 cmSeries: Theory out of bounds ; v. 2Subject: AESTHETICS ; POSTMODERNISM AND THE CINEMA ; PERCEPTION ; MASCULINITY IN FILMS ; MEN IN FILMS ; PORNOGRAPHY AND THE CINEMA ; BODY IN FILMS ; SEX IN FILMS ; WARHOL, ANDY ; ROMERO, GEORGE ; LEWIS, JERRY ; CRONENBERG, DAVID ; BRESSON, ROBERT ; DELEUZE, GILLES ; GUATTARI, FELIX ; QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982) Notes: Includes bibliographical references (p. [268]-272) and indexISBN: 0816622949 (PB : acid-free paper)LON: 9656941
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Cinematic encounters 2 : portraits and polemics / Jonathan Rosenbaum Urbana, Chicago, and Springfield: University of Illinois Press, 2019.
Call No: 670 ROSAuthor: Rosenbaum, Jonathan Edition: 2019Place: Urbana, Chicago, and SpringfieldPublisher: University of Illinois PressPubDate: 2019PhysDes: 312 pages ; 23cmSubject: DIRECTORS ; AKERMAN, CHANTAL ; BROOKS, JAMES L. ; BUNUEL, LUIS ; DEMY, JACQUES ; DREYER, CARL TH. ; GIANVITO, JOHN ; JARMUSCH, JIM ; LEWIS, JERRY ; LINKLATER, RICHARD ; MADDIN, GUY ; MAY, ELAINE ; OLIVEIRA, MANOEL DE ; OLMI, ERMANNO ; YASUJIRO OZU ; POTTER, SALLY ; RAPPAPORT, MARK ; RESNAIS, ALAIN ; RIVETTE, JACQUES ; TARR, BELA ; MING-LIANG, TSAI ; WELLES, ORSON Summary: Eschewing the idea of film reviewer-as-solitary-expert, Jonathan Rosenbaum continues to advance his belief that a critic's ideal role is to mediate and facilitate our public discussion of cinema. Portraits and Polemics presents debate as an important form of cinematic encounter whether one argues with filmmakers themselves, on behalf of their work, or with one's self.
Rosenbaum takes on filmmakers like Chantal Akerman, Richard Linklater, Manoel De Oliveira, Mark Rappaport, Elaine May, and Béla Tarr. He also engages, implicitly and explicitly, with other writers, arguing with Pauline Kael—and Wikipedia—over Jacques Demy, with the Hollywood Reporter and Variety reviewers of Jarmusch’s The Limits of Control, with David Thomson about James L. Brooks, and with many American and English film critics about misrepresented figures from Jerry Lewis to Yasujiro Ozu to Orson Welles. Throughout, Rosenbaum mines insights, pursues pet notions, and invites readers to join the fray. -- publisher's web siteISBN: 9780252084386Contents: Introduction: In Defense of Polemical Criticism -- 1. Chantal Akerman -- 2. James L. Brooks -- 3. Luis Buñuel -- 4. Pedro Costa -- 5. André Delvaux -- 6. Jacques Demy -- 7. Carl Dreyer -- 8. John Gianvito -- 9. Jim Jarmusch -- 10. Jia Zhangke -- 11. Jerry Lewis -- 12. Richard Linklater -- 13. Guy Maddin -- 14. Elaine May -- 15. Manoel de Oliveira -- 16. Ermanno Olmi -- 17. Yasujiro Ozu -- 18. Sally Potter -- 19. Mark Rappaport -- 20. Alain Resnais -- 21. Jacques Rivette -- 22. Béla Tarr -- 23. Tsai Ming-liang -- 24. Orson Welles – Index.
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Cinematic landscapes : observations on the visual arts and cinema of China and Japan / edited by Linda C. Ehrlich and David Desser Austin, Tex.: University of Texas Press, 1994.
Call No: 408.3(5) CINAuthor: Ehrlich, Linda C. (Linda Channah), 1952 ; Desser, David Edition: 1st edPlace: Austin, Tex.Publisher: University of Texas PressPubDate: 1994PhysDes: xii, 345 p., [4] leaves of plates : ill. ; 25 cmSubject: CITY OF SADNESS, A [ ; JAPAN ; NATIONAL CULTURE AND THE CINEMA. CHINA ; NATIONAL CULTURE AND THE CINEMA. JAPAN ; HUANG TUDI (CC, Chen Kaige, 1985) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; HAIZI WANG (CC, Chen Kaige, 1988) ; JU DOU (CC/JA, Zhang Yimou, 1990) ; GENROKU CHUSHINGURA (JA, Kenji Mizoguchi, 1942) ; YUKINOJO HENGE (JA, Kon Ichikawa, 1964) Summary: China and Japan both have traditional art forms that have been highly developed and long studied. Noted film and art scholars explore how the spatial consciousness, compositionaltechniques and construciton of images in thesetraditional and moderm art forms also inform filmmaking in these two countries, so that film and art share the same culturally defined "methods of seeing."Of interest to historians and film scholars with applications beyond the Far Eastern context. It demonstrates that while mainstream Hollywood cinema has influenced filmmaking everywhere, other national cinemas cannot be completely understood without considering their indigenous traditionsNotes: Filmography: p. 323-326; Includes bibliographical references and indexISBN: 0292720866 (alk. paper); 0292720874 (pbk. : alk. paper)LON: 10645466
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Cinematic overtures : how to read opening scenes / Annette Insdorf New York: Columbia University Press, [2017].
Call No: 632.14 INSAuthor: Annette Insdorf Place: New YorkPublisher: Columbia University PressPubDate: [2017]PhysDes: xi, 188 pages, 2 unnumbered pages of plates : illustrations (some color) ; 22 cmSeries: Leonard Hastings Schoff memorial lectures.Subject: OPENINGS OF FILMS ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; FLASHBACKS ; MONTAGE Summary: A great movie's first few minutes provide the key to the rest of the film. ..., they draw the viewer in, setting up the thematic concerns and stylistic approach that will be developed over the course of the narrative. [Some] sequences lead the viewer to trust the filmmakers. Other times, opening shots are intentionally misleading....From Joe Gillis's voice-over in Sunset Boulevard as he lies dead in a swimming pool to the hallucinatory opening of Apocalypse Now, from the stream-of-consciousness montage as found in Hiroshima, Mon Amour to the slowly unfolding beginning of Schindler's List, [the book] analyzes opening shots from a range of Hollywood as well as international films. Including dozens of frame enlargements that illustrate the strategies of opening sceneNotes: Includes bibliographical references and index.
Also published electronically.ISBN: 9780231182256
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Cinematic quests for identity : The hero's encounter with the beast / Maria Garcia Lanham, Maryland: Rowman & Littlefield, 2015.
Call No: 735.7 GARAuthor: Garcia, Maria Edition: 2015Place: Lanham, MarylandPublisher: Rowman & LittlefieldPubDate: 2015PhysDes: 274 pages ; illustrations ; 24 cmSubject: PICTURE OF DORIAN GRAY, THE (US, Albert Lewin, 1945) ; SEARCHERS, THE (US, John Ford, 1956) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; LADY EVE, THE (US, Preston Sturges, 1941) ; SECRET OF ROAN INISH, THE (US, John Sayles, 1994) ; NATURAL, THE (US, Barry Levinson, 1984) ; MONEYBALL (US, Bennet Miller, 2011) ; FAT GIRL (FR/IT/SP, Catherine Breillat, 2000)
SEE
A MA SOEUR ; BREILLAT, CATHERINE ; BRESSON, ROBERT Summary: Whether embodied in literature, theater, or film, an enduring theme of many artistic works has been the protagonist’s search for identity. Such quests are typically psychological or spiritual journeys and depicted on the screen in a variety of manifestations—endeavors embarked upon to address an emotional trauma or to overcome an obstacle in the hero’s life. Using Jean Cocteau’s La Belle et La Bête as a leitmotif, these pursuits are discussed by author Maria Garcia as encounters with the “Beast.” At the end of their quests, heroes are reborn into their new identities, while the Beast disappears, transforms, or dies.
In Cinematic Quests for Identity: The Hero’s Encounter with the Beast, Garcia examines the cinematic conventions of the male and female search for individuation across several genres. After discussing La Belle et La Bête, the author looks at a number of films including three iconic male journeys—The Picture of Dorian Gray, The Searchers, and The Deer Hunter. Additional chapters focus on The Silence of the Lambs, Bringing Up Baby, The Lady Eve, The Secret of Roan Inish, The Natural, and Moneyball. The book concludes with a consideration of the three fairy tale films by Catherine Breillat—Fat Girl, Bluebeard, and The Sleeping Beauty—and the female characters in several Robert Bresson films, including The Trial of Joan of Arc.
Providing a unique and original perspective on films throughout the world, this provocative book draws upon Jungian thought, as well as several literary traditions including fairy tales, epic poetry, and Greek and Celtic mythology. Aimed at scholars of film and film theory, Cinematic Quests for Identity will also appeal to movie fans interested in a deeper understanding of films that explore a character’s struggle to live a conscious life. -- publisher's web siteISBN: 9781442246973
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Cinematic urbanism : a history of the modern from reel to real / Nezar Al Sayyad New York : London: Routledge, 2006.
Call No: 756.1-25 SAYAuthor: Sayyad, Nezar Al Source: UK/USPlace: New York : LondonPublisher: RoutledgePubDate: 2006PhysDes: xiii, 256 p. : ill. ; 25 cmSubject: MODERNISM AND THE CINEMA ; ARCHITECTURE AND THE CINEMA ; ARCHITECTURE IN FILMS ; ART AND THE CINEMA ; CITIES IN FILMS ; HISTORY OF CINEMA ; POSTMODERNISM AND THE CINEMA ; THEORY ; ANNIE HALL (US, Woody Allen, 1977) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982) ; BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982) ; BRAZIL (UK, Terry Gilliam, 1985) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; END OF VIOLENCE, THE (US/FR, Wim Wenders, 1997) ; FALLING DOWN (US, Joel Schumacher, 1993) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MANHATTAN (US, Wody Allan, 1979) ; METROPOLIS (GG, Fritz Lang, 1927) ; METROPOLIS (G, Fritz Lang, 1926) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; PLAYTIME (FR, Jacques Tati, 1967) ; PLEASANTVILLE (US, Gary Ross, 1998) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; SLIVER (US, Phillip Noyce, 1993) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) Summary: "Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city." "Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the 'rational' European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism." "AlSayyad argues that the postmodern city of Blade Runner (1982) and Falling Down (1993) illustrates some of the urban outcomes of a globalizing economy.
Turning to spectacle and surveillance, he examines Rear Window (1954), Sliver (1993), and The End of Violence (1997) as a voyeuristic modernity. To understand the city experienced by individuals of different social backgrounds, he takes Manhattan (1979), Annie Hall (1977), and Taxi Driver (1976), while Do the Right Thing (1989) and My Beautiful Laundrette (1985) are used to explore a modernity of race and ethnicity. Finally, he uses Pleasantville (1998) and The Truman Show (1998) to unpack the hyperreality of exurban postmodernity and to demonstrate how today the real and the reel have become mutually constitutive." "By considering how the real city and the reel city reference each other in an act of mutual representation and definition, this book advances the discussion on cinematic space and theories of the city."--BOOK BLURB.Notes: Formerly CIP; Includes bibliographical references and indexISBN: 0415700493Contents: -- about the author -- preface -- Introduction : the cinematic city and the quest for the modern -- 1. Industrial modernity : the flaneur and the tramp in the early twentieth century city -- 2. Urbanizing modernity : the traditional cinematic small town -- 3. Orwellian modernity : utopia/dystopia and the city of the future past -- 4. Cynical modernity, or the modernity of cynicism -- 5. From postmodern condition to cinematic city -- 6. Voyeuristic modernity : the lens, the screen and the city -- 7. The modernity of the sophisticate and the misfit : the city through different eyes -- 8. An alternative modernity : race, ethnicity and the urban experience -- 9. Exurban postmodernity : utopia, simulacra and hyper-reality -- epilogue -- illustration credits and sources -- selected bibliography -- index --
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Cinematographers on the art and craft of cinematography / compiled by Anna Kate Sterling Metuchen, N.J.: Scarecrow Press, 1987.
Call No: 23 STEAuthor: Sterling, Anna Kate Place: Metuchen, N.J.Publisher: Scarecrow PressPubDate: 1987PhysDes: x, 131 p. : ill. ; 23 cmSubject: CINEMATOGRAPHY ; MOHR, HAL ; PERRY, HARRY F. ; RITTAU, GUNTHER ; VINNA, CLYDE DE ; STRUSS, KARL ; MILLER, VIRGIL ; VALENTINE, JOSEPH A. ; O'BRIEN, WILLIS ; GAUDIO, TONY ; BITZER, G.W. [BILLY] ; BROENING, LYMAN ; COURANT, CURT ; SKALL, WILLIAM V. ; RENNAHAN, RAY ; GREENE, W. HOWARD Notes: "These essays were first published between 1929 and 1937 in the International photographer"--Foreword; Includes indexISBN: 0810819724LON: 5017179
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Cinematography / Peter Ettedgui Crans-Pres-Celigny, Switz.: RotoVision, c1998.
Call No: 802.3 ETT; FOLIOAuthor: Ettedgui, Peter Place: Crans-Pres-Celigny, Switz.Publisher: RotoVisionPubDate: c1998PhysDes: 208 p. : ill. (some col.), ports. ; 32 cmSeries: ScreencraftSubject: CINEMATOGRAPHY ; WILLIAMS, BILLY ; CHAPMAN, MICHAEL ; DEAKINS, ROGER ; SERRA, EDUARDO ; KAMINSKI, JANUSZ ; KHONDJI, DARIUS ; SLOCOMBE, DOUGLAS ; MITRA, SUBRATA ; COUTARD, RAOUL ; KOVACS, LASZLO ; CARDIFF, JACK ; NYKVIST, SVEN ; WEXLER, HASKELL ; MULLER, ROBBY ; WILLIS, GORDON ; SEALE, JOHN ; DRYBURGH, STUART Notes: Includes index; "series devised by barbara mercer."ISBN: 2880463564; 2880463564 (pbk.)LON: 20785545
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Cinematography in the Weimar Republic : Lola Lola, dirty singles, and the men who shot them / Paul Matthew St. Pierre London: Fairleigh Dickinson University Press,
Call No: 23(430)Author: St. Pierre, Paul Matthew Place: LondonPublisher: Fairleigh Dickinson University PressPhysDes: 274 p. ; illus. ; 24 cmSeries: Fairleigh Dickinson University Press series in communication studiesSubject: CINEMATOGRAPHY ; GERMANY ; EXPRESSIONISM ; LUBITSCH, ERNST ; WAGNER, FRITZ ARNO ; MURNAU, FRIEDRICH WILHELM ; LANG, FRITZ ; PABST, GEORG WILHELM ; RITTAU, GUNTHER ; DREYER, CARL TH. Summary: In film history, director-cinematographer collaborations were on a labor spectrum, with the model of the contracted camera operator in the silent era and that of the cinematographer in the sound era. But in Weimar era German filmmaking, 1919-33, a short period of intense artistic activity and political and economic instability, these models existed side by side due to the emergence of camera operators as independent visual artists and collaborators with directors.
Berlin in the 1920s was the chief site of the interdisciplinary avant-garde of the Modernist movement in the visual, literary, architectural, design, typographical, sartorial, and performance arts in Europe. The Weimar Revolution that arose in the aftermath of the November 1918 Armistice and that established the Weimar Republic informed and agitated all of the art movements, such as Expressionism, Dada, the Bauhaus, Minimalism, Objectivism, Verism, and Neue Sachlichkeit (“New Objectivity”). Among the avant-garde forms of these new stylistically and culturally negotiated arts, the cinema was foremost and since its inception had been a radical experimental practice in new visual technologies that proved instrumental in changing how human beings perceived movement, structure, perspective, light exposure, temporal duration, continuity, spatial orientation, human postural, facial, vocal, and gestural displays, and their own spectatorship, as well as conventions of storytelling like narrative, setting, theme, character, and structure. Whereas most of the arts mobilized into schools, movements, institutions, and other structures, cinema, a collaborative art, tended to organize around its ensembles of practitioners.
Historically, the silent film era, 1895-1927, is associated with auteurs, the precursors of François Truffaut and other filmmakers in the 1960s: actuality filmmakers and pioneers like R. W. Paul and Fred and Joe Evans in England, Auguste and Luis Lumière and Georges Méliès in France, and Charles Chaplin and Buster Keaton in America, who, by managing all the compositional, executional, and editorial facets of film production—scripting, directing, acting, photographing, set, costume, and lighting design, editing, and marketing—imposed their personal vision or authorship on the film. The dichotomy of the auteur and the production ensemble established a production hierarchy in most filmmaking.
In formative German silent film, however, this hierarchy was less rank or class driven, because collaborative partnerships took precedence over single authorship. Whereas in silent film production in most countries the terms filmmaker and director were synonymous, in German silent film the plural term filmemacherin connoted both directors and cinematographers, along with the rest of the filmmaking crew. Thus, German silent filmmakers’ principle contribution to the new medium and art of film was less the representational iconographies of Expressionist, New Objective, and Naturalist styles than the executional practice of co-authorship and co-production, in distinctive cinematographer-director partnerships such as those of cinematographer Theodor Sparkuhl and director Ernst Lubitsch; Fritz Arno Wagner with F. W. Murnau, Fritz Lang, and G. W. Pabst; Rudolf Maté with Carl Theodor Dreyer; Guido Seeber with Lang and Pabst; and Carl Hoffmann with Lang and Murnau.
-- jacket blurbISBN: 9781611479447
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Cinepaternity : fathers and sons in Soviet and post-Soviet film / edited by Helena Goscilo and Yana Hashamova Bloomington IN: Indiana University Press, c2010.
Call No: 747.2(47) CINSource: USPlace: Bloomington INPublisher: Indiana University PressPubDate: c2010PhysDes: x, 331 p. ; 23 cmSubject: CHILDREN AND THE CINEMA ; FAMILY IN FILMS ; MASCULINITY IN FILMS ; MEN AND THE CINEMA ; NATIONAL CULTURE AND THE CINEMA. RUSSIA ; RUSSIA ; RUSSIA IN FILMS ; USSR ; U.S.S.R IN FILMS Summary: "This wide-ranging collection investigates the father/son dynamic in post-Stalinist Soviet cinema and its Russian successor. Contributors analyze complex patterns of identification, disavowal, and displacement in films by such diverse directors as Khutsiev, Motyl', Tarkovsky, Balabanov, Sokurov, Todorovskii, Mashkov, and Bekmambetov. Several chapters focus on the difficulties of fulfilling the paternal function, while others show how vertical and horizontal male bonds are repeatedly strained by the pressure of redefining an embattled masculinity in a shifting political landscape." - BOOK BLURBNotes: Includes index.ISBN: 9780253221872Contents: Preface -- Introduction - Cinepaternity: the psyche and its heritage --; Part One: Thaw, stagnation, perestroika -- The myth of the great family in Marlen Khutsiev's Lenin's Guard and Mark Osep'ian's Three Days of Viktor Chernyshev: Alexander Prokhorov -- Mending the rupture: the war trope and the return of the imperial father in 1970s cinema: Elena Prokhorova -- Models of male kinship in perestroika cinema: Seth Graham --; Part two: war in the post-Soviet dialogue with paternity -- The fathers' war through the sons' lens: Tatiana Smorodinskaya -- War as the family value: failing fathers and monstrous sons in My Stepbrother Frankenstein: Mark Lipovetsky -- A surplus of surrogates: Mashkov's fathers: Helena Goscilo --; Part three: Reconceiving filial bonds -- Resurrected fathers and resuscitated sons: homosocial fantasies in The Return and Koktebel: Yana Hashamova -- The forces of kinship: Timur Bekmambetov's Night Watch cinematic trilogy: Vlad Stukov -- Fathers, sons and brothers: redeeming patriarchal authority in The Brigade: Brian James Baer --; Four: Auteurs and the psychological/philosophical -- Fraught filiation: Andrei Tarkovsky's transformations of personal trauma: Helena Goscilo -- Vision and blindness in Sokurov's Father and Son: Jose Alaniz
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Cinesonic : the world of sound in film / edited by Philip Brophy North Ryde, N.S.W.: Australian Film, Television & Radio School, 1999.
Call No: 634 CINAuthor: Brophy, Philip CorpAuthor: Australian Film, Television and Radio SchoolPlace: North Ryde, N.S.W.Publisher: Australian Film, Television & Radio SchoolPubDate: 1999PhysDes: vii, 266 p. : ill. ; 21 cmSubject: SOUND ; COMPOSING ; SHORE, HOWARD ; COEN, JOEL & ETHAN ; SPEECH ; MUSIC, FILM ; ROBBE-GRILLET, ALAIN ; FASSBINDER, RAINER WERNER ; BURWELL, CARTER ; RABEN, PEER ; HISTORY OF CINEMA. SOUND PERIOD ; CAREFUL (CN, Guy Maddin, 1992) ; VOICES ; VOYEURISM AND THE CINEMA ; WELLES, ORSON ; WOMEN IN FILMS ; SYNCHRONIZATION Notes: Includes indexISBN: 187635108XLON: 20110282Contents: Part 1: Issues in film scores and sound design -- Composing with a very wide palette: Howard Shore in conversation -- Music for the films of Joel and Ethan Coen: Carter Burwell in conversation -- From analogue to digital: Yasunori Honda in conversation ; Part 2: Sensations of voice and speech -- I scream in silence: cinema, sex and the sound of women dying -- Eavesdropping: an aural analogue of voyeurism? / Elisabeth Wies -- Genre talk / Sarah Kozloff -- Threads of voice / Adrian Martin ; Part 3: Excursions in music and modernism -- Reelin' in the years: cinematic documentation of American vernacular music / David Sanjek -- The legacy of modernism: Peer Raben, film music and political aftershock / Caryl Flinn -- Sound music in the films of Alain Robbe-Grillet / Royal S Brown -- Part 4: Histories of song and sound -- Ornament, Entrance and the theme song / Will Straw -- The raw and the coded: sound conventions and the transition of talkies / Alan Williams -- Nickelodeons and popular song / Rick Altman
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Cinesonic : cinema and the sound of music / edited by Philip Brophy North Ryde, N.S.W. St. Leonards, N.S.W.: Australian Film Television & Radio School Allen & Unwin, 2000.
Call No: 634 CINAuthor: Brophy, Philip CorpAuthor: Australian Film, Television and Radio SchoolSource: ATPlace: North Ryde, N.S.W. St. Leonards, N.S.W.Publisher: Australian Film Television & Radio School Allen & UnwinPubDate: 2000PhysDes: vii, 224 p. : ill. ; 21cmSubject: SOUND ; NATIVE AMERICAN CINEMA ; MUSIC IN FILMS ; FILM NOIR ; JAZZ IN FILMS ; WESTERNS ; DIALOGUE ; NAZIS IN FILMS ; PROMOTIONAL VIDEOS ; LANG, FRITZ ; WILLIAMS, HYPE ; THOM, RANDY ; MUSY, FRANCOIS ; GODARD, JEAN-LUC ; SHEA, DAVID ; WELLES, ORSON ; KWAIDAN (JA, Masaki Kobayashi, 1964) ; NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittoria Taviani, 1982) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BLACK RIVER (AT, Kevin Lucas, 1991) ; MAN CALLED HORSE, A (US, Elliot Silverstein, 1970) Notes: Includes index; BibliographyISBN: 1876351098 : $24.95; 1876351098; 1876351098 (Pbk); 1876351098LON: 21470326Contents: Part 1: Issues in sound design and film scores -- Designing a movie for sound: randy Thom in conversation -- Recording for Godard: Francois Musy in conversation -- Sampling the cinema: David Shea in conversation -- Part 2: Transmission from beyond the cinema -- The kinematic pneumacosm of Hype Williams: the rhythm of vision is a dancer / Kodwo Eshun -- My aisles of golden dreams: the beauty of supermarket music / Joseph Lanza -- Sonic darkness: notes towards an aesthetic of jazz in American film noiw / John Conomos -- Part 3: Encodings of orchestral statement -- Drums along the LA river: scoring the Indian / Claudia Gorbman -- The world heard: music, nature, film / Evan Eisenberg -- The original Ludwig van (and others): classical music as cultural marker / Roger Hillman - Part 4: Constructs of recorded sound -- Lang's sound / Adrian Martin -- Orson Welles' turn from live recording to postsynchronization: a technical and aesthetic evolution / Francois Thomas -- How sound floats on land: the suppression and release of folk and indigenous musics in the cinematic terrain / Philip Brophy
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CineTech : film, convergence and new media / Stephen Keane Basingstoke [England]: Palgrave Macmillan, 2007.
Call No: 220.1(-5) KEAAuthor: Keane, Stephen Source: US/UKPlace: New York; Basingstoke [England]Publisher: Palgrave MacmillanPubDate: 2007PhysDes: viii, 181 pages ; 22 cmSubject: TIMECODE (US, Mike Figgis, 2000) ; MY LITTLE EYE (UK/US/FR, Marc Evans, 2003) ; [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; STAR WARS: EPISODE II - THE ATTACK OF THE CLONES (US, George Lucas, 2002) ; LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002) ; STAR WARS: EPISODE III - REVENGE OF THE SITH (US, George Lucas, 2005) ; SIN CITY (US, Frank Miller and Robert Rodriguez, 2005) ; RESIDENT EVIL (US, Paul W.S. Anderson, 2002) ; MATRIX, THE [...] (US, Larry Wachowski & Andy Wachowski, 1999-2003) ; FANS ; TECHNOLOGICAL DEVELOPMENTS ; INTERNET ; CONVERGENCE Summary: What does it mean to regard cinema as technology? How do special effects change our experience of contemporary film? How important is the Internet to the film industry and film fans? CineTech explores these debates and examines the important intersection between film and new media. Providing a comprehensive introduction to the digital practices used in film, this book moves from historical perspectives to up-to-date analysis. Applying these debates through specific case studies, examples are drawn from recent Hollywood blockbusters such as the Star Wars prequels and the Matrix trilogy. Case studies, exercises, and suggestions for further study make this an ideal resource for courses and student assignments in both film and media studies.Notes: Includes bibliographical references (p. 162-176) and index.ISBN: 9781403936943Contents: 1. Screens -- 2. Digital film -- 3. Digital special effects -- 4. Films, fans and the Internet -- 5. Films and videogames -- 6. Entering the matrix -- Conclusion.
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Circuit listening : Chinese popular music in the global 1960s / Andrew F. Jones Minneapolis: University of Minnesota Press, 2020.
Call No: 751.0 (5) JONAuthor: Jones, Andrew F. Edition: 2020Place: MinneapolisPublisher: University of Minnesota PressPubDate: 2020PhysDes: ix, 274 pages : illustratedSubject: CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; CITY OF SADNESS, A [ ; TAIWAN ; DYLAN, BOB ; MUSIC IN FILMS ; SHAW BROTHERS Summary: What did Mao’s China have to do with the music of youth revolt in the 1960s? And how did the mambo, the Beatles, and Bob Dylan sound on the front lines of the Cold War in Asia? In Circuit Listening, Andrew F. Jones listens in on the 1960s beyond the West, and suggests how transistor technology, decolonization, and the Green Revolution transformed the sound of music around the globe.
Focusing on the introduction of the transistor in revolutionary China and its Cold War counterpart in Taiwan, Circuit Listening reveals the hidden parallels between music as seemingly disparate as rock and roll and Maoist anthems. It offers groundbreaking studies of Mandarin diva Grace Chang and the Taiwanese folk troubadour Chen Da, examines how revolutionary aphorisms from the Little Red Book parallel the Beatles’ “Revolution,” uncovers how U.S. military installations came to serve as a conduit for the dissemination of Anglophone pop music into East Asia, and shows how consumer electronics helped the pop idol Teresa Teng bring the Maoist era to a close, remaking the contemporary Chinese soundscape forever.
Circuit Listening provides a multifaceted history of Chinese-language popular music and media at midcentury. It profiles a number of the most famous and best loved Chinese singers and cinematic icons, and places those figures in a larger geopolitical and technological context. Circuit Listening’s original research and far-reaching ideas make for an unprecedented look at the role Chinese music played in the ’60s pop musical revolution. -- publisher's web siteISBN: 9781517902070Contents: Contents -- Acknowledgments -- Introduction. The East is Red: Towards a Sonic History of the 1960s -- 1. Circuit Listening at the Dawn of the Chinese 1960s -- 2. Quotation Songs: Media Infrastructure and Pop Song Form in Mao’s China -- 3. Fugitive Sounds of the Taiwanese Musical Cinema -- 4. Pirates of the China Seas: Vinyl Records and the Military Circuit -- 5. Folk Circuits: Rediscovering Chen Da -- 6. Teresa Teng and the Network Trace -- Appendix: “Listening to Songs in the Streets of Taipei” -- Hsu Tsang-Houei -- Notes -- Index
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Citizen kane, the great gatsby, and some conventions of American narrative in Critical inquiry (Winter 1975) vol.2 iss.2 p.307-325
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Claire Denis / Judith Mayne Urbana: University of Illinois Press, 2005.
Call No: 81DEN MAYAuthor: Mayne, Judith Source: USPlace: UrbanaPublisher: University of Illinois PressPubDate: 2005PhysDes: xiv, 167 p. : ill., ports ; 21 cmSeries: Contemporary film directorsSubject: DENIS, CLAIRE ; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988) ; S'EN FOUT LA MORT (FR/GW, Claire Denis, 1990) ; U.S. GO HOME (US, Claire Denis, 1994) ; NENETTE ET BONI (FR, Claire Denis, 1996) ; J'AI PAS SOMMEIL (FR/SZ, Claire Denis, 1994) ; BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999) ; VENDREDI SOIR (FR, Claire Denis, 2002) Summary: Denis has proven herself to be a key figure in the development of contemporary French cinema beyond its New Wave background and into new directions that explore race, sexuality, desire, postcoloniality, urban life, and everyday culture. [taken from back cover]Notes: Filmography: p147-153.
Includes bibliographical references and indexISBN: 0252072383
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The Classic American novel and the movies / edited by Gerald Peary and Roger Shatzkin New York: Ungar, 1977.
Call No: 753.4 CLAAuthor: Peary, Gerald ; Shatzkin, Roger Place: New YorkPublisher: UngarPubDate: 1977PhysDes: xii, 356 p. : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; BOGDANOVICH, PETER ; EISENSTEIN, SERGEI M. ; ADVENTURES OF TOM SAWYER, THE (US, Norman Taurog, 1938) ; ALICE ADAMS (US, George Stevens, 1935) ; BABBITT (US, Harry Beaumont, 1924) ; BILLY BUDD (UK, Peter Ustinov, 1962) ; CARRIE (US, William Wyler, 1952) ; DAISY MILLER (US, Peter Bogdanovich, 1974) ; DODSWORTH (US, William Wyler, 1936) ; FAREWELL TO ARMS, A (US, Frank Borzage, 1933) ; GREAT GATSBY, THE (US, Elliott Nugent, 1949) ; GREAT GATSBY, THE (US, Jack Clayton, 1974) ; GREED (US, Erich von Stroheim, 1925) ; HEIRESS, THE (US, William Wyler, 1949) ; HOUSE OF SEVEN GABLES, THE (US, Joe May, 1940) ; I MARRIED A DOCTOR (US, Archie L. Mayo, 1936) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; LAST OF THE MOHICANS, THE (US, Maurice Tourneur, 1920) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE CAESAR (US, Mervyn LeRoy, 1931) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; MOBY DICK (UK, John Huston, 1956) ; PRINCE AND THE PAUPER, THE (US, William Keighley, 1937) ; RED BADGE OF COURAGE, THE (US, John Huston, 1951) ; SEA WOLF, THE (US, Michael Curtiz, 1941) ; SCARLET LETTER, THE (US, Victor Sjostrom, 1926) ; SOUND AND THE FURY, THE (US, Martin Ritt, 1959) ; SUN ALSO RISES, THE (US, Henry King, 1957) ; VIRGINIAN, THE (US, Stuart Gilmore, 1946) ; VIRGINIAN, THE (US, Victor Fleming, 1929) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "Does a successfl novel make a good movie? That question and others are explored in this first comprehensive collection of essays on novel into film adaptations - from Cooper's The Last of the Mohicans (1826) to Faulkner's The Sound and the Fury (1929). Over two thirds of these essays were written expressly for this volume, the work of a new generation of literature-trained but film-oriented teachers and critics. Together they examine how novels and their film adaptations differ from one another in technique, characterisation, scope, and ideological content. To the original essays the editors have added some of the best available writings on adaptations by such critics as Stanley Kauffman and Manny Farber, plus selected commentaries from the actual participants in the process of adaptations - screenwriters and film directors." -- BOOK BLURBNotes: Includes index; Filmography: p. 321-336; Bibliography: p. 337-344ISBN: 0804426813 : $12.50. 0804466475 pbk. : $4.95LON: qum00211939; 12437055 857055
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Classical masculinity and the spectacular body on film : the mighty sons of Hercules / by Daniel O'Brien Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2014.
Call No: 451-01 OBRAuthor: O'Brien, Daniel Source: UK/USPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2014PhysDes: vii, 191 pages : illustrations ; 23 cmSubject: MASCULINITY IN FILMS ; MEN IN FILMS ; BODY IN FILMS ; HEROS IN FILMS ; MYTH AND THE CINEMA ; ACTION FILMS ; HISTORICAL FILMS ; JASON AND THE ARGONAUTS (UK/US, Don Chaffey, 1963) ; [THREE HUNDRED] 300 (US, Zach Snyder, 2006) ; CONAN THE BARBARIAN (US, John Milius, 1982) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) Summary: "The cinema has often showcased the muscular male body, most notably in genres invoking classical Greco-Roman culture, whether peplum, epic or sword-and-sorcery. This book reassesses the classically-inflected action film as a significant cinematic form, often marginalized in media studies, that transcends such reductive labels as camp or kitsch. The focus is on the depiction of heroic masculinity, often characterized as reactionary or fascist, yet far more varied and contradictory, especially in relation to femininity and non-whiteness. These diverse representations of masculinity offer a major contribution to debates on maleness within and beyond academia that has been largely unexplored. In particular, Hercules in his many incarnations is one of the most important mythopoetic figures, on a par with King Arthur, Robin Hood, Tarzan and James Bond, informing popular cultural interpretations of manliness and the exaggerated male form"-- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (pages 177-186) and indexISBN: 9781137384706Contents: -- Introduction -- Part I: men as men should be 1. Hercules Unchained ; 2. Hercules Reformed ; 3. Hercules Diminished ; 4. Hercules Rebooted ; 5. I'm Spartacus! -- Part II: taming the women with love or death -- 6. The Loves of Hercules ; 7. The Temptress from Beyond ; 8. Fight Like a Man -- Part III: this thing of darkness 9. White Man's Burden? ; 10. Doom's Children ; 11. This is Sparta! ; Coda -- Bibliography --Index --
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Classics of the foreign film : a pictorial treasury / by Parker Tyler New York: Citadel Press, [1962].
Call No: 67(04) TYLAuthor: Tyler, Parker Edition: [1st ed.]Place: New YorkPublisher: Citadel PressPubDate: [1962]PhysDes: 253 p. : illus. ; 29 cmSubject: CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) ; NAPOLEON (FR, Abel Gance, 1927) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; VARIETE (G, E.A. Dupont, 1925) ; CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927) ; METROPOLIS (G, Fritz Lang, 1926) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; BLAUE ENGEL, DER (G, Josef von Sternberg, 1930) ; ZEMLJA (UR, Alexksandr Dovzenko, 1930) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) ; AGE D'OR, L' (FR, Luis Bunuel, 1930) ; MADCHEN OHNE GRENZEN (DK, Geza Radvanyi, 1958) ; DREIGROSCHENOPER, DIE (G/US, Georg Wilhelm Pabst, 1931) ; M (G, Fritz Lang, 1931) ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; ZERO DE CONDUITE (FR, Jean Vigo, 1945 [prod 1933]) ; MATERNELLE, LA (FR, Marie Epstein & Jean Benoit-Levy, 1933) ; KERMESSE HEROIQUE, LA (FR, Jacques Feyder, 1935) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; OLYMPIA (G, Leni Riefenstahl, 1938) ; DYBUK (PL, Michal Waszynski, 1938) ; ALEX & EVE (AT, Peter Andrikidis, 2015) ; ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; VREDENS DAG (DK, Carl Th. Dreyer, 1943) ; ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; SCIUSCIA (IT, Vittorio De Sica, 1946) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; FROKEN JULIE (SW, Alf Sjoberg, 1950) ; RASHOMON (JA, Akira Kurosawa, 1950) ; UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953) ; JIGOKUMON (JA, Teinosuke kinugasa, 1953) ; STRADA, LA (IT, Federico Fellini, 1954) ; KUMONOSU-JO (JA, Akira Kurosawa, 1957) ; ASHES AND DIAMONDS [POPIOL I DIAMENT] (PL, Andrzej Wajda, 1959) ; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; PICKPOCKET (FR, Robert Bresson, 1959) ; LIAISONS DANGEREUSES, LES (FR, Roger Vadim, 1959) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960) ; YOJIMBO (JA, Akira Kurosawa, 1961) ; SANG DES BETES, LE (FR, Georges Franju,1949) ; VIRIDIANA (SP/MX, Luis Bunuel, 1961) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; TYSTNADEN (SW, Ingmar Bergman, 1963) Summary: "This pictorial history of some of the great foreign classics of the last half-century was compiled by a distinguished film historian and critic, for whom the cinema at its best is a genuine art-form; and the special success of the book is the way in which the author evokes the 'feeling' of the films which have aroused his keenest interest and admiration." -- BOOK JACKETLON: 712285Contents: The cabinet of Dr Caligari -- The story of Gosta Berling -- The last laugh -- Napoleon -- Battleship Potemkin -- Variety -- The Italian straw hat -- Metropolis -- The passion of Joan of Arc -- Storm over Asia -- The blue angel -- Earth -- Le sang d'un Poete -- Chien Andalou and L'age d'or -- Madchen in uniform -- The threepenny opera -- M -- A nous la liberte -- Que viva Mexico! -- Don Quixote -- Marius trilogy 00 Zero de conduite -- Ecstasy -- Poil de carotte - La maternelle -- La kermess heroique -- The eternal mask -- La grande illusion -- Olympia -- The childhood of Maxim Gorky -- La femme de boulanger -- The dybbuk -- Alexander Nevsky -- La regle du jeu -- Day of wrath -- Frenzy -- Les enfants du paradis -- Open city -- Ivan the terrible, parts I & II -- Shoe shine -- La belle et la bete -- Monsieur Vincent -- Bicycle thieves -- Miss Julie -- OPrphee -- Rashomon -- Infidelity -- The seven deadly sins -- The forbidden Christ -- Le Plaisir -- Ugetsu Monogatari -- Gate of hell -- Love in the city -- La strada -- Throne of blood -- Ashes and diamonds -- Hiroshima, mon amour -- Apu trilogy -- Wild Strawberries -- Pickpocket -- Les liaisons dangereuses -- L'avventura -- La dolce vita -- La notte -- Rocco and his brothers -- Yojimbo -- Le sang des betes & Mondo Cane -- Viridiana -- L'eclisse -- The silence
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Classics on screen : ancient Greece and Rome on film / Alastair J. L. Blanshard, Kim Shahabudin London: Bristol Classical Press, 2011.
Call No: 741.931 BLAAuthor: Blanshard, Alastair -- Shahabudin, Kim Source: UKPlace: LondonPublisher: Bristol Classical PressPubDate: 2011PhysDes: vii, 264 p. : ill. ; 24 cmSubject: EPIC FILMS ; HISTORY AND THE CINEMA ; HISTORY AND THE CINEMA. GREECE ; HISTORY AND THE CINEMA. ITALY ; HISTORICAL FILMS. USA ; HISTORICAL FILMS. GREECE ; HISTORICAL FILMS. ITALY ; CLEOPATRA (US, Cecil B. DeMille, 1934) ; QUO VADIS (US, Mervyn LeRoy, 1951) ; SPARTACUS (US, Stanley Kubrick, 1960) ; THREE HUNDRED [300] SPARTANS, THE (US, Rudolph Mate, 1962) ; JASON AND THE ARGONAUTS (UK/US, Don Chaffey, 1963) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; HERCULES (US, John Musker & Ron Clements, 1997) ; GLADIATOR (US, Ridley Scott, 2000) Summary: Publishers description: 'Through analysis of ten influential films, this book examines the representation of Greece and Rome in popular and art-house cinema. Arranged by cinematic genre and theme, this book offers an accessible introduction to the depiction of antiquity in cinema. Key scenes are discussed and each film is located in its historical contextISBN: 9780715637241Donation: donated by Senses of Cinema, 2013Contents: 1. Establishing the conventions: Cleopatra (1934) -- 2. The Roman epics of classical Hollywood: Quo Vadis (1951) -- 3. Peplum traditions: Hercules (1958) -- 4. Roman history on Screen: Spartacus (1960) -- 5. Greek history on screen: The 300 Spartans (1962) -- 6. Myth and the fantastic: Jason and the Argonauts (1963) -- 7. Art Cinema: Fellini-Satyricon (1969) -- 8. Satirising cine-antiquity: Monty Python's Life of Brian (1979) -- 9. The Disney version: Hercules (1997) -- 10. The return of the epic? Gladiator (2000)
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newspaper article
Claudia lawyers up and laughs in Canberra Times [TV Guide] (06/02/2017) p.1
Call No: TITLE CLIPPINGS FILE; NEWTON'S LAW [TV] (AT, 2017)Author: Mathieson, Craig PhysDes: Clippings File ArticleSubject: KARVAN, CLAUDIA ; NEWTON'S LAW [TV] (AT, 2017) Summary: Interview with Claudia Karvan about her role in the new Australian comedy/drama tv show titled NEWTON'S LAWNotes: similar article in Sydney Morning Herald, same date
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Cliches Sidestepped in Sunday Age [Melbourne Magazine] (30/8/2015) p.18
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Click go the shares in Weekend Australian [Review] (9/09/2017) p.1
Call No: SUBJECT CLIPPINGS FILE; MOBILE ONLINE MEDIA. AUSTRALIAAuthor: Ritchie, Emily PhysDes: Clippings File ArticleSubject: MOBILE ONLINE MEDIA. AUSTRALIA ; YOUTUBE Summary: Report on the development of Australian original content (topics including comedy, how-to, music, health etc) shown on Youtube and how various creators have been successful in this media environment
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Clint Eastwood : sexual cowboy / Douglas Thompson London: Warner, 1993.
Call No: 81EAS THOAuthor: Thompson, Douglas Source: UKPlace: LondonPublisher: WarnerPubDate: 1993PhysDes: vii, 231 p., [8]p of plates : ill., ports ; 18cmSubject: ACTORS. USA ; ACTORS AS DIRECTORS ; DIRECTORS. USA ; WARNER BROS. ; BOGART, HUMPHREY ; BURTON, RICHARD ; EASTWOOD, CLINT ; COOPER, GARY ; HOLDEN, WILLIAM ; LOCKE, SONDRA ; NEWMAN, PAUL ; REYNOLDS, BURT ; SIEGEL, DON ; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIRD (US, Clint Eastwood, 1988) ; BREEZY (US, Clint Eastwood, 1973) ; BRONCO BILLY (US, Clint Eastwood, 1980) ; CITY HEAT (US, Richard Benjamin, 1984) ; DIRTY HARRY (US, Don Siegel, 1971) ; ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PINK CADILLAC (US Buddy van Horn, 1989) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; TIGHTROPE (US, Richard Tuggle, 1984) ; TWO MULES FOR SISTER SARA (US, Don Siegel, 1969) ; WHERE EAGLES DARE (US, Brian G. Hutton, 1969) Notes: First published London : Smith Graphon, 1992; Filmography: p 215-224.; Includes index.ISBN: 0751503878Donation: donated by the family of Wayne Levy, 2006
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Close encounters : film, feminism, and science fiction / Constance Penley ... [et al.], editors Minneapolis: University of Minnesota Press, 1991.
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Close encounters of the entertaining kind in The Australian (30/08/2016) p.17
Call No: TITLE CLIPPINGS FILE; MEET THE MAVERICKS [TV](AT, 2016)Author: Blundell, Graeme PhysDes: Clippings File ArticleSubject: MEET THE MAVERICKS [TV](AT, 2016) Summary: Positive review of the TV show MEET THE MAVERICKS, with a look at the upcoming episode's featured profiles on Amiel Courtin-Wilson and Jack Charles
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Close-up : scripts from Australian television's second decade / editors, Don Reid, Frank Bladwell South Melbourne: Macmillan of Australia [for the] English Teachers' Association of New South Wales, 1971.
Call No: 792 CLOAuthor: Reid, Don C., ; Bladwell, Francis Frederick CorpAuthor: English Teachers' Association of New South WalesPlace: South MelbournePublisher: Macmillan of Australia [for the] English Teachers' Association of New South WalesPubDate: 1971PhysDes: 226 p. : ill. ; 22 cmSubject: DELTA [TV] (AT, 1969-70) ; PIGEON, THE [TV] (AT, 1966) ; DYNASTY [TV] (AT, 1970) ; SEVEN LITTLE AUSTRALIANS [TV] (AT, Ron Way, 1973) ; BELLBIRD [TV] (AT, 1967-1977) ; MEN OF THE ENDEAVOUR [TV] (AT, 1970) ISBN: 0333119576LON: 230369
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Close-up : a critical perspective on film / [by] Marsha Kinder [and] Beverle Houston New York: Harcourt Brace Jovanovich, [1972].
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Interim
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Close up : Iranian cinema: past, present and future / Hamid Dabashi New York: Verso, 2001.
Call No: 71(55) DABAuthor: Dabashi, Hamid Source: UK / USPlace: London; New YorkPublisher: VersoPubDate: 2001PhysDes: xii, 302 p. : ill. ; 20 cmSubject: IRAN ; NATIONAL CULTURE IN FILMS. IRAN ; KIAROSTAMI, ABBAS ; MAKHMALBAF, MOHSEN ; FARMANARA, BAHMAN ; BEIZI, BAHRAM ; MIX (IR, Dariush Mehrjui, 2000) ; SHAZDEH EHTEJAB (IR, Bahman Farmanara, 1974) ; VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999) ; BOOYE KAFOOR, ATRE YAS (IR, Bahman Farmonara, 2000) ; TAKHTE SIAH (IR/IT, Samira Makhmalbaf, 2000) ; SIB (IR/FR, Samira Makhmalbaf, 1998) ; ZAMANI BARAYE MASTI ASBHA (IR, Bahman Ghobadi, 2000) ; DJOMEH (IR, Hasan Yektapanah, 2000) ; ETERAZ (IR, Massoud Kimiayi, 2000) Notes: Includes filmographies (p. [283]-290).
Includes bibliographical references (p. [291]-297)ISBN: 1859843328
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Close up : great cinematic performances. Volume 1, American / edited by Murray Pomerance and Kyle Stevens UK: Edinburgh University Press, 2018.
Call No: 227.01(73) CLOPlace: UKPublisher: Edinburgh University PressPubDate: 2018Series: International film starsSubject: ACTORS ; CHARACTER ACTORS ; STARS ; WOMEN IN FILMS. USA ; WATERS, ETHEL ; DUNNE, IRENE ; GRANT, CARY ; GAYNOR, JANET ; HEPBURN, KATHARINE ; DAVIS, BETTE ; CLIFT, MONTGOMERY ; CURTIS, TONY ; SELLERS, PETER ; Stewart, James ; Lombard, Carole ; MASON, JAMES ; BURTON, RICHARD ; LEWIS, JERRY ; POITIER, SIDNEY ; HACKMAN, GENE ; ROWLANDS, GENA ; NICHOLSON, JACK ; HOFFMAN, DUSTIN ; GOULD, ELLIOTT ; PACINO, AL ; GOLDBERG, WHOOPI ; BLANCHETT, CATE ; ISAAC, OSCAR ; STEWART, KRISTEN ; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014) ; MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014) ; BLUE JASMINE (US, Woody Allen, 2013) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; DONNIE BRASCO (US, Mike Newell, 1997) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; RAIN MAN (US, Barry Levinson, 1988) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; GLORIA (US, John Cassavetes, 1980) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965) ; PINK PANTHER, THE (US, Blake Edwards, 1964) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; LOLITA (US, Stanley Kubrick, 1962) ; TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942) ; VERTIGO (US, Alfred Hitchcock, 1958) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; HIS GIRL FRIDAY (US, Howard Hawks, 1940) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952) ; DANGEROUS (US, Alfred E. Green, 1935) ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) Summary: "Examines the significance of women's participation in popular genres.
Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover.Notes: Includes bibliographical references and index.ISBN: 9781474417006Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success.
Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index.ID2: 362
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Closely Watched Trains in Melbourne Film Bulletin (July 1968) iss.4 p.19-20
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Crawford collection
still
[Cluedo : album #1] Crawford Productions [distributor], [1992?].
Call No: CRAWFORD STILL CLUSource: ATPublisher: Crawford Productions [distributor]PubDate: [1992?]PhysDes: 60 photographs : col. ; 16 x 11 cm - 10 x 9 cm + 1 photographic sheet : b&w ; 26 x 21 cm + 2 negatives ; 26 x 21 cm + 18 transparencies : col. ; 120 mm + 115 negatives : b&w and col. ; 35 mmSubject: DADDO, ANDREW ; PAULL, NICKI ; BADLER, JANE ; MCFADYEN, IAN ; TAFT, DAVID ; MORROW, GEOFF ; MOLONEY, PAUL ; SUMNER, PETER ; CLUEDO [TV] (AT, 1992 - 1993) Summary: Photographs and negatives relating to CluedoNotes: Arrangement: Images are arranged by record type (photographs, 26 x 21 cm negatives, 120 mm transparencies then 35 mm negatives -- Negatives consist of 36 strips of photographic negativesDonation: Gift of Crawford Productions
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Crawford collection
crawford publicity clu
[Cluedo. Publicity]
Call No: CRAWFORD PUBLICITY CLUPhysDes: 1 box ; 38 x 25 x 9 cmSubject: MCFADYEN, IAN ; MALLABY, GEORGE ; SUMNER, PETER ; PAULL, NICKI ; WESTMORE, JOY ; DADDO, ANDREW ; GALLACHER, FRANK ; CLUEDO [TV] (AT, 1992 - 1993) Summary: Newspaper clippings and press kit for CluedoDonation: Gift of Crawford ProductionsContents: 1 box containing the following material:
1 press kit (34 leaves) -- 1 manilla folder labelled 'Cluedo Publicity' containing Australian newspaper and magazine press clippings from February to June 1992, plus undated clippings, (37 leaves), fan mail (1 leaf), publicity card -- 1 manilla folder labelled press clippings containing Australian newspaper and magazine press clippings from February to July 1992 (38 leaves), Cluedo logos (9 leaves), panorama photo of location used for external set of Brindabella masion
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The CNN effect : The myth of news, foreign policy and intervention / Piers Robinson London: Routledge, 2002.
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Co-op replies to Cinema Papers in Filmnews (Australia) (Apr-81) vol.XI iss.4 p.1
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The Coen brothers : this book really ties the films together / by Adam Nayman New York: Abrams Books, 2018.
Call No: 81 COE NAYAuthor: Nayman, Adam Source: USPlace: New YorkPublisher: Abrams BooksPubDate: 2018PhysDes: 320 pages : illustrations (some colour) ; 32 cmSubject: COEN, JOEL & ETHAN ; BLOOD SIMPLE (US, Joel Coen, 1984) ; RAISING ARIZONA (US, Joel Coen, 1987) ; MILLER'S CROSSING (US, Joel Cohen, 1990) ; BARTON FINK (US, Joel Cohen, 1991) ; HUDSUCKER PROXY, THE (US, Joel Coen, 1994) ; FARGO (US, Ethan Coen, 1996) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001) ; INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003) ; LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004) ; NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007) ; BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008) ; SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009) ; TRUE GRIT (US, Coen Brothers, 2010) ; HAIL, CAESAR! (UK/US, Ethan Coen and Joel Coen, 2016) Summary: "From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, “some Grand Unified Theory of Coen-ness.” The book combines critical text—biography, close film analysis, and enlightening interviews with key Coen collaborators—with a visual aesthetic that honors the Coens’ singular mix of darkness and levity. Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this book will be the definitive exploration of the Coen brothers’ oeuvre." - taken from publisher's website.Notes: Includes bibliographical references.ISBN: 9781419727405Contents: An introduction -- Out of nowhere -- Blood simple -- Raising Arizona -- Miller's crossing -- Interview: Michael Miller -- Barton Fink -- Hits and misses -- The hudsucker proxy -- Fargo -- Interview: The Zellner Brothers -- The Big Lebowski -- Interview: Lisa Walker -- Can't stop what's coming -- O brother, where are thou? -- The man who wasn't there -- Interview: Carter Burwell -- Intolerable cruelty -- The ladykillers -- Mysterious ways -- No country for old men -- Interview: Roger Deakins -- Tuillries & world cinema -- Burn after reading -- A serious man -- Interview: J. Todd Anderson -- That's entertainment! -- True grit -- Interview: Mary Zophres -- Inside Llewyn Davis -- Hail, Caesar! -- Interview: Jess Gonchor -- An outroduction -- Credits -- Bibliography
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[Cold chisel - last stand : stills file] / Greg Noakes Captured Live Distribution Pty. Limited (distributor),
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The cold war : a listing of the National Film and Sound Archive's holdings / based on research by Lyn Gorman [Canberra: National Film and Sound Archive, 1997].
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The collapse of the conventional : German film and its politics at the turn of the twenty-first century / edited by Jaimey Fisher and Brad Prager Detroit: Wayne State University Press, c2010.
Call No: 71(430):45:32 COLAuthor: Fisher, Jaimey (ed.) ; Prager, Brad (ed.) Source: USPlace: DetroitPublisher: Wayne State University PressPubDate: c2010PhysDes: vi, 431 p. : ill. ; 23 cmSeries: Contemporary approaches to film and television seriesSubject: POLITICAL FILMS ; POLITICS AND THE CINEMA ; POLITICS IN FILMS ; GERMANY ; AESTHETICS ; HISTORY AND THE CINEMA. GERMANY ; HISTORY OF CINEMA. GERMANY ; STALINGRAD (GG, Joseph Vilsmaier, 1992) ; DOWNFALL (GG, Oliver Hirschbiegel, 2004)SEE
UNTERGANG, DER ; UNTERGANG, DER (G, Oliver Hirschbiegel, 2004) ; ROSENSTRASSE (US/BE/NE, Margarethe von Trotta, 2004) ; NO PLACE TO GO (GG, Oskar Rohler, 2000)
SEE
UNBERUHRBARE, DIE ; UNBERUHRBARE, DIE (GG, Oskar Rohler, 2000) ; LIVES OF OTHERS, THE (GE, Florian Henckel Von Donnersarck, 2006)SEE
LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006) ; LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006) Summary: "Fisher and Prager have assembled a significant group of essays by the emerging generation of German cinema experts in the U.S. The anthology is the first serious attempt to retell the history of the New German Cinema and the 'consensus' cinema of the 1900s through the lens of contemporary, post-2000 films in all their diversity. Film scholars, students of the German cinema, and the general reading public will discover here why 'Deutsches Kino' is once again in the limelight. " -- Marc SilbermanNotes: Includes bibliographical references and index; Includes filmographyISBN: 9780814333778Contents: -- Introduction / Jaimey Fisher and Brad Prager -- Imitation of life: the aesthetics of Agfacolor in recent historical cinema / Jennifer M. Kapczynski -- Public viewing: soccer patriotism and post-cinema / Lutz Koepnick -- More war stories: Stalingrad and downfall / Elisabeth Krimmer -- Neofeminist mutterfilm? the emotional politics of Margarethe von Trotta's Rosenstrasse / Anna M. Parkinson -- Dresden: the return of history as soap / Wilfried Wilms -- Terrains vagues: landscapes of unification in Oskar Roehler's No place to go / Johannes von Moltke -- German historical film as production trend: European heritage cinema and melodrama in The lives of others / Jaimey Fisher -- A world of objects: consumer culture in filmic reconstructions of the GDR / Michael D. Richardson -- Playing hide-and-seek with tradition: games, aesthetic form, and social critique in German cinema following the Wende / John E. Davidson -- Imaging Germany: the (political) cinema of Christian Petzold / Marco Abel -- Christoph Hochhausler's This very moment: the Berlin school and the politics of spatial aesthetics in the German-Polish borderlands / Kristin Kopp -- Die fetten Jahre sind vorbei: Edukating the post-left generation / Roger F. Cook -- The global elsewhere: Ursula Biemann's Multimedia countergeography / Barbara Mennel -- Glimpses of freedom: the reemergence of utopian longing in German cinema / Brad Prager -- works cited -- filmography -- contributors -- index --
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Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake Bloomington: Indiana University Press, 1994.
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Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake Bloomington: Indiana University Press, 1994.
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The Columbia companion to American history on film : how the movies have portrayed the American past / edited by Peter C. Rollins New York: Columbia University Press, 2003.
Call No: 741.9(73) COLAuthor: Rollins, Peter C. Edition: 1st ed.Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2003PhysDes: xxi, 671 p. : ill. ; 26 cmSubject: USA ; USA. 1895-1930 ; USA. 1920's ; USA. 1927-32 ; USA. 1930's ; USA. 1940's ; USA. 1950's ; USA. 1960's ; USA. 1970's ; NIXON [RICHARD M.] IN FILMS Notes: Includes bibliographical references and index.ISBN: 023111222XDonation: Donated by Senses Of Cinema, 2009Contents: I. Eras-- The Puritan Era and the Puritan Mind-- The 1890s -- The 1920s --The 1930s -- The 1960s -- The 1970s -- The 1980s -- II. Wars and Other Malor Events --The American Revolution -- The Civil War and Reconstruction -- The Cold War-- The Korean War -- The Mexican-American War and the Spanish-American War --The Vietnam War -- Westward Expansion and the Indian Wars -- World War I -- World War-- II: Documentaries -- World War II: Feature Films -- III. Notable People -- The Antebellum Frontier Hero --Christopher Columbus-- The Founding Fathers -- Indian Leaders -- The Kennedys -- Abraham Lincoln --Richard Nixon -- Franklin and Eleanor Roosevelt -- Babe Ruth and Lou Gehrig -- Harry S. Truman -- George Washington -- IV. Groups -- African Americans After World War II-- Arab Americans-- Asian Americans-- Catholic Americans -- Children and Teenagers in the Twentieth Century -- Irish Americans -- Italian Americans--Jewish Americans -- Mexican Americans --Native Americans -- Radicals and Radicalism-- Robber Barons, Media Moguls, and Power Elites -- Women from the Colonial Era to 1900 -- Women in the Twentieth Century-- V. Institutions and Movements -- Baseball -- City and State Government -- Civil Rights-- Congress -- The Family -- Football -- Journalism and the Media -- The Labor Movement and the Working Class--Militias and Extremist Political Movements --The Political Machine -- The Presidency After World War II -- Private Schools -- Public High Schools -- VI. Places -- The Midwest -- The "New" West and the New Western -- New York City--The Sea -- The Small Town -- The South -- Space -- Suburbia -- Texas and the Southwest -- The Trans-Appalachian West -- VII. Themes and Topics -- Crime and the Mafia -- Drugs, Tobacco, and Alcohol -- Elections and Party Politics -- Feminism and Feminist Films-- Railroads --Sexuality -- Slavery -- VIII. Myths and Heroes -- The American Adam-- The American Fighting Man -- Democracy and Equality -- The Frontier and the West -- Hollywood's Detective-- The Machine in the Garden -- Success and the Self-Made Man.
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Columbia departs MGM Laboratories in Australasian Cinema (30/4/1982) vol.11 iss.7 p.1
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Comeback : an actor's direction / James Fox; foreword by Dirk Bogarde London: Hodder and Stoughton, c1983.
Call No: 81FOX FOXAuthor: Fox, James Source: UKPlace: LondonPublisher: Hodder and StoughtonPubDate: c1983PhysDes: 151 p., [14] p. of plates : ill., ports. ; 18cm.Subject: COURTENAY, TOM ; FOX, JAMES ; KING RAT (US, Bryan Forbes, 1965) ; NO LONGER ALONE (UK, Nicholas Webster, 1978) ; PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]) ; SERVANT, THE (UK, Joseph Losey, 1963) ; THOROUGHLY MODERN MILLIE (US, George Roy Hill, 1967) ; THOSE MAGNIFICENT MEN IN THEIR FLYING MACHINES (US, Ken Annakin, 1965) ISBN: 0340353570
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Comedy king in TV's new rating race : Networks' war chests full of fun in Sunday Telegraph [General News] (1/4/2018) p.27
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: Byrne, Holly PhysDes: Clippings File_ArticleSubject: NINE NETWORK Notes: Short piece talking up new comedy series forthcoming on the network
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Comedy with a rock star buzz in Weekend Australian [Review] (04/06/2016) p.26
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Coming to terms : the rhetoric of narrative in fiction and film / Seymour Chatman New York ; London: Cornell University Press, 1990.
Call No: 62 CHAAuthor: Chatman, Seymour Benjamin Source: US/UKPlace: New York ; LondonPublisher: Cornell University PressPubDate: 1990PhysDes: ix, 240 pages : 23 cmSubject: NARRATIVE IN FILMS ; THEORY ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) Summary: "Seymour Chatman's Story and Discourse: Narrative Structure in Fiction and Film (1978) integrated the most useful features of Anglo-American and Continental narrative theory into a general theory of narratology. In Coming to Terms, the sequel to that classic work, Chatman assays the field of narratology over its thirty-year history and offers a challenging reassessment of its terms and concepts. Chatman discusses a wide range of literary and cinematic texts, asserting that a general narratology can help to account for their commonalities and divergences." - taken from back coverNotes: Includes bibliographical references and index.ISBN: 0801497361Contents: 1. Narrative and Two Other Text-Types -- 2. Description Is No Textual Handmaiden -- 3. What Is Description in the Cinema? -- 4. Argumentation in Film: Mon oncle d'Amerique -- 5. In Defense of the Implied Author -- 6. The Implied Author at Work -- 7. The Literary Narrator -- 8. The Cinematic Narrator -- 9. A New Point of View on "Point of View" -- 10. A New Kind of Film Adaptation: The French Lieutenant's Woman -- 11. The "Rhetoric" "of" "Fiction" -- Notes -- Index
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newspaper article
Commercial interests in Weekend Australian [Review] (5/9/2015) p.23
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Commercial media in Australia : economics, ownership, technology and regulation / Allan Brown St Lucia, Queensland: University of Queensland Press, 1986.
Call No: 205.2(94) BROAuthor: Brown, Allan Place: St Lucia, QueenslandPublisher: University of Queensland PressPubDate: 1986PhysDes: xii, 240 p. ; 22 cm.Series: University of Queensland Press scholar's librarySubject: MEDIA ; MEDIA AUSTRALIA ; TELEVISION. AUSTRALIA ; RADIO AND TV. AUSTRALIA ; PRESS AND TV ; OWNERSHIP AUSTRALIA ; OWNERSHIP, TV. AUSTRALIA Summary: This book is intended for teachers and students of courses on media and communications at tertiary institutions, as well as for the general reader with an interest in Australian media policy. It revises and updates my PhD thesis, which was submitted at the University of Queensland in 1981. As far as possible the discussion is non-technical, and plain English has been used instead of economic jargon. The study is contained, however, within a theoretical framework which defines the nature of the economic analysis of the Australian media industries and which provides the basis for the examination of policy issues.Notes: Includes indexISBN: 0702218391Contents: 1. Economics of Newspaper Publishing -- 2. The Australian Newspaper Industry -- 3. Economics of Broadcasting -- 4. The Australian Radio Broadcasting Industry -- 5. The Australian Television Broadcasting Industry -- 6. Cross-Media Ownership and Control -- 7. Technological Developments in Television -- 8. Options for ChangeID2: 357
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Communications / Raymond Williams London: Penguin Books, 1971.
Call No: 401(41) WILAuthor: Williams, Raymond Source: UKPlace: LondonPublisher: Penguin BooksPubDate: 1971PhysDes: 185 p . ; 18 cmSubject: MEDIA. UK ; COMMUNICATIONS. UK Summary: Analysing the contents and methods of newspapers, television, magazines, and radio to the society of the United Kingdom historically and up to the 1960'sDonation: donated by the family of Wayne Levy, 2006
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Communications and the media in Australia / edited by Ted Wheelwright and Ken Buckley Sydney: Allen & Unwin, 1987.
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Communications update : the newsletter of the Media and Communications Council Sydney: Media and Communications Council, 1985-.
Call No: held no.1- Mar.1985- incompleteCorpAuthor: Media and Communications Council (Australia)Source: ATPlace: SydneyPublisher: Media and Communications CouncilPubDate: 1985-PhysDes: v. ; 30 cmSubject: Media and Communications Council (Australia) Periodicals Notes: Caption title; Subtitle variesISSN: 0815-1210Order Notes: CurrentFrequency: Eleven issues per annumLON: abn85167116; 3879933
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The community of cinema : how cinema and spectacle transformed the American downtown / James Forsher Westport, CT: Praeger, 2003.
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A companion to contemporary documentary film / edited by Alexandra Juhasz and Alisa Lebow Malden, MA: John Wiley and Sons, 2015.
Call No: 761 COMSource: USPlace: Malden, MAPublisher: John Wiley and SonsPubDate: 2015PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS ; ENVIRONMENTAL ISSUES IN FILMS ; SEA IN FILMS ; IMMIGRATION IN FILMS AND TELEVISION ; WORKERS IN FILMS ; YUGOSLAVIA ; SEX IN FILMS ; WOMEN MAKE MOVIES [organisation] ; DISEASES IN FILMS ; SCIENCE AND THE CINEMA ; SCIENCE IN FILMS ; AIDS ON TV. SOUTH AFRICA ; RELIGION AND THE CINEMA ; WAR FILMS ; BAL, MIEKE ; ZILNIK, ZELIMIR ; TRAN VAN THUY ; FAROCKI, HARUN ; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006) ; CRUDE (US, Joe Berlinger, 2009) ; H [TWO] 2 OIL (CN, Shannon Walsh, 2009) ; PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006) ; INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010) ; OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003) ; OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007) ; OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009) ; INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006) ; SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010) ; CONTAINED MOBILITY (SZ, Ursula Biemann, 2004) ; SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009) ; GHOSTS (UK, Nick Broomfield, 2006) ; LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007) ; TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008) ; WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996) ; H [TWO] 2 WORKER (US, Stephanie Black, 1990) ; LIFE AND DEBT (US, Stephanie Black, 2001) ; MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006) ; DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004) ; WHY CYBRACEROS? (US,Alex Rivera, 1997) ; WHY BRACEROS? (US, 1959) ; VALLEY CENTRO, EL (US, James Benning, 1999) ; LOS (US, James Benning, 2001) ; DOUBLE TIDE (US/AU, Sharon Lockhart, 2009) ; GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000) ; GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002) ; WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005) ; OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009) ; LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000) ; TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002) ; SCARLET ROAD (AT, Catherine Scott, 2011) ; PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991) ; DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002) ; AFRICA RISING (US, Paula Heredia, 2009) ; SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; WILDNESS (US, Wu Tsang, 2012) ; INNER LIFE OF THE CELL (US, XVIVO, 2006) ; BEAT IT! [TV] (SA, 2001) ; MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011) ; GEVALD (IS, Netalie Braun, 2009) ; BLACK BUS (IS, Anat Zuria, 2010) ; REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009) ; STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987) ; NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969) ; IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988) ; SERIOUS GAMES [series] (GG, Harun Farocki, 2009) ; I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002) ; MIRACULOUS BEGINNINGS (LE, Walid Raad) ; SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995) ; DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010) ; [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010) ; ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009) ; DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011) ; SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994) ; OPERATION ATROPOS (CL, Coco Fusco, 2005) ; ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006) ; TAXI TO THE DARK SIDE (US, Alex Gibney, 2007) ; BRIDGE, THE (UK/US, Eric Steel, 2006) Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.ISBN: 9780470671641Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath --
Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.
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A companion to the movies : from 1903 to the present day / Roy Pickard London: Lutterworth Press, 1972.
Call No: REFERENCE SECTION; 03 PICAuthor: Pickard, Roy Source: UKPlace: LondonPublisher: Lutterworth PressPubDate: 1972PhysDes: 286 p.: illus. ; 21 cmSubject: MOTION PICTURES - HISTORY Summary: " A guide to the leading players, directors, screenwriters, composers, cameramen, and other artists who have worked in the English-speaking cinema over the last seventy years. Comedys, Thrillers, Fantasy, Westerns, Musicals, Romance, Epics, War and Adventure Movies, Swashbucklers. Over 1,000 enties, including reviews of nearly 100 classic films." BOOK BLURBISBN: 0718818687Donation: donated by the family of Wayne Levy, 2006Contents: -- preface -- comedy -- fantasy -- thrillers and crime -- westerns -- musicals -- romance -- epics -- war -- swashbucklers -- adventure -- novels into films -- plays into films -- appendices -- check list of cameramen -- checklist of composers -- checklist of original screenplays -- academy awards -- index
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A companion to Wong Kar-wai / edited by Martha P. Nochimson Chichester, West Sussex ; Malden, MA: Wiley-Blackwell, 2016.
Call No: 81WONG COMSource: USPlace: Chichester, West Sussex ; Malden, MAPublisher: Wiley-BlackwellPubDate: 2016PhysDes: xvi, 627 pages : illustrations ; 25 cmSeries: Wiley Blackwell Companions to Film DirectorsSubject: CITY OF SADNESS, A [ ; WONG KAR WAI ; AS TEARS GO BY (HK, Wong Kar-Wai, 1989) ; ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994) ; ASHES OF TIME REDUX (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991) ; EROS (US/IT/HK/FR/LU/UK, Michelangelo Antonioni / Steven Soderbergh / Wong Kar-Wai, 2004) ; FALLEN ANGELS [DUOLUO TIANSHI] (HK, Wong Kar-Wai, 1995) ; GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013) ; HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; MY BLUEBERRY NIGHTS (HK/C/FR, Wong Kar-Wai, 2007) ; [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004) Summary: Contains 26 essays addressing numerous topics including intertextuality, transnationality, gender representation, repetition, the use of music, color, and sound, depiction of time and space in human affairs, and Wong's portrayal of violenceNotes: Includes bibliographical references (pages 586-599) and index.
Filmography: pages 558-561ISBN: 9781118424247Donation: donated by Senses of CinemaContents: (from table of contents) Part One. Introduction. Wong Kar-wai: Invoking the universal and the local / Martha P. Nochimson -- Part two. Mapping Wong's liminality. 1. Transnational Wong / Ken Provencher -- 2. It is a restless moment: Wong Kar-wai and the phenomenology of flow / Joseph G. Kickasola -- 3. Wong Kar-wai and his jiang hu / Be´re´nice Reynaud -- Part three. Thresholds of texture and mood. 4. Wong Kar-wai's cinema of repetition / Ackbar Abbas -- 5. Wong Kar-wai: The optics of the virtual / Angelo Restivo -- 6. Color design in the cinema of Wong Kar-wai / Shohini Chaudhuri -- 7. The value of re-exports: Wong Kar-wai's use of pre-existing soundtracks / Giorgio Biancorosso -- Part four. In the corridors of history and culture. 8. Wong's ladies from Shanghai / Gina Marchetti -- 9. The Sinophone cinema of Wong Kar-wai / Audrey Yue -- 10. New queer angles on Wong Kar-wai / Helen Hok-Sze Leung -- 11. "Pity about the furniture": Violence, Wong Kar-wai style / Karen Fang -- 12. In the mood for food: Wong Kar-wai's culinary imaginary / Mike Ingham and Matthew Kwok-kin Fung -- 13. "Chungking Express", Tarantino, and the making of a reputation / David Desser -- Part five. Close-up of Wong's inflections of time and space. "Chungking Express": Slow - images - ahead / Raymond Bellour ; translated by Allyn Hardyck -- 15. Wong Kar-wai: The actor, framed / Joe McElhaney -- 16. Infidelity and the obscure object of history / Vivian P.Y. Lee -- 17. Metonymy, mneme, and anamnesis in Wong Kar-wai / Thorsten Botz-Bornstein -- Part six. Focus on individual films. 18. Serial, sequelae, and postcolonial nostalgia: Wong Kar-wai's 1960s Hong Kong trilogy / Yiman Wang -- 19. We can't go on not meeting like this: "Fallen angels" and Wong's intertextuality / Martha P. Nochimson -- 20. The third reality: "In the mood for love" / Michel Chion ; translated by Claudia Gorbman -- 21. Cinephiliac engagement and the disengaged gaze in "In the mood for love" / Yomi Braester -- 22. Wong's America, North and South: "My blueberry nights" and "Happy together" / Ken Provencher -- 23. Queer utopias in Wong Kar-wai's "Happy together" / Carlos Rojas -- 24. Wong Kar-wai's genre practice and romantic authorship: The cases of "Ashes of time redux" and "The grandmaster" / Stephen Teo -- 25. Wong Kar-wai, auteur and adaptor: "Ashes of time" and "In the mood for love" / Wai-ping Yau -- Filmography -- Appendix I. Wong works in television / Chih-ting Chen -- Appendix II. Wong works in advertising / Chih-ting Chen -- Selected bibliography -- Index
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Company of heroes : my life as an actor in the John Ford Stock Company / Harrey Carey, Jr. Metuchen, NJ: Scarecrow Press, Inc, 1994.
Call No: 81FOR CARAuthor: Carey, Harry Jr. Source: US/UKPlace: Metuchen, NJPublisher: Scarecrow Press, IncPubDate: 1994PhysDes: 218 p. : 23cmSeries: Filmmakers no.42Subject: WESTERNS ; FILMMAKING ; INDUSTRY, FILM ; INDUSTRY, FILM. USA ; FORD, JOHN ; CAREY, HARRY JR. ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; WAGON MASTER (US, John Ford, 1950) ; RIO GRANDE (US, John Ford, 1950) ; LONG GRAY LINE, THE (US, John Ford, 1954) ; SEARCHERS, THE (US, John Ford, 1956) ; TWO RODE TOGETHER (US, John Ford, 1961) ; CHEYENNE AUTUMN (US, John Ford, 1964) ; [THREE] 3 GODFATHERS (US, John Ford, 1948) ; [MISTER] MR ROBERTS (US, John Ford & Mervyn Le Roy, 1955) Summary: "When Harry Carey, Sr. died in 1947, director John Ford cast Carey's 26 year-old son, Harry Jr. in the role of The Abilene Kid in 3 Godfathers. Ford and the elder Carey had filmed an earlier version of the story, and Ford dedicated the Technicolor remake to his memory.
Company of heroes is the story of the making of that film, as well as the eight subsequent Ford classics. In it, Harry Carey, Jr. casts a remarkably observant eye on the process of filming Westerns by one of the true masters of the form. " -- BOOK JACKETISBN: 0810828650Contents: -- in the beginning-- 3 Godfathers -- Myself When Young With Cowboys and Navajos -- She Wore a Yellow Ribbon -- Paul Fix, the OSS, and Merry Christmas -- Wagonmaster -- Rio Grande -- The Long Gray Line -- Mister Roberts -- The Searchers -- Two Rode Together -- Cheyenne Autumn -- So Long, But Not Good-bye -- Harry Carey, Jr.'s Appearances in John Ford Films -- index --
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Interim
book
A competitive cinema / Terence Kelly with Graham Norton and George Perry London: Institute of Economic Affairs, 1966.
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Composing music for film and tv : a select list / Compiled by Rosemary Curtis [Australian Film and Television School?], October 1984.
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Compulsive viewing / Gerald Stone Ringwood, Victoria: Penguin, 2001.
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subject clippings file
CONFERENCES. AUSTRALIA. AFC. MULTIMEDIA
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subject clippings file
CONFERENCES. AUSTRALIA. CINESONIC
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newspaper article
Conflicts of interest abound in the story behind Ten's collapse in Crikey.com.au (15/06/2017) p.1
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newspaper article
The confused evolution on demand TV in Sunday Age [General News] (13/09/2015) p.20
Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMANDAuthor: Quinn, Karl PhysDes: Clippings File ArticleSubject: VIDEO ON DEMAND ; [MISTER] MR ROBOT [TV] (US, Sam Esmail, 2015) Summary: This article highlights the multitude of ways in which viewers can consume a popular show (such as Mr Robot) depending on how much thay want to wait or pay. There is a lot of confusion around who holds exclusive rights to screen a 'hot' show in Australia.
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journal article
Congratulations to the convenors of the Bundaberg mini convention in Australasian Cinema (13/5/1983) vol.12 iss.8 p.13
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Connected, or What it means to live in the network society / Steven Shaviro Minneapolis: University of Minnesota Press, 2003.
Call No: 735.1 SHAAuthor: Shaviro, Steven Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: 2003PhysDes: xiii, 289 p. ; 22 cmSeries: Electronic Mediations ; v. 9Subject: VIDEODROME (CN, David Cronenberg, 1983) ; NEW ROSE HOTEL (US, Abel Ferrara, 1998) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; SPACE IS THE PLACE (US, Sun Ra,1972) ; MAN WHO FELL TO EARTH, THE (UK, Nicholas Roeg, 1976) ; DAWN OF THE DEAD (US, George A. Romero, 1979) ; BLADE RUNNER (US, Ridley Scott, 1982) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; EMPIRE (US, Andy Warhol, 1964) ; BURROUGHS, WILLIAM Summary: "Shaviro argues that our strange new world is increasingly being transformed in ways, and by devices, that seem to come out of the pages of science fiction, even while the world itself is becoming a futuristic landscape. The result is that science fiction provides the most useful social theory, the only form that manages to be as radical as reality itself. Original and compelling, Connected shows how the continual experimentation of science fiction, like science and technology themselves, conjures the invisible social and economic forces that surround us." -- BOOK BLURBNotes: Includes notes, bibliographical references, filmography and index.ISBN: 0816643636Donation: Adrian Miles
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journal article
Conomos and the anti-uncanny : Edward Scheer turns the pages of Album Leaves at the Art Gallery of NSW in Realtime (Oct-Nov 1999) iss.33 p.20
Author: Scheer, Edward PhysDes: Illustration(s); ReviewSubject: MULTIMEDIA. AUSTRALIA ; CONOMOS, JOHN Summary: "Album Leaves" is a work of three video-monitors using collage and Surrealist principles to investigate the artist's life and family experiences.
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Constructing the Coens : from Blood Simple to Inside Llewyn Davis / by Allen H. Redmon New York : London: Rowman & Littlefield, c2015.
Call No: 81COE REDAuthor: Redmon, Allen H. Source: US/UKPlace: New York : LondonPublisher: Rowman & LittlefieldPubDate: c2015PhysDes: xviii, 173 pages ; 24 cmSubject: CRITICISM ; COEN, JOEL & ETHAN ; LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004) ; BARTON FINK (US, Joel Cohen, 1991) ; RAISING ARIZONA (US, Joel Coen, 1987) ; HUDSUCKER PROXY, THE (US, Joel Coen, 1994) ; MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001) ; INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003) ; NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008) ; SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009) Summary: "In Constructing the Coens: From Blood Simple to Inside Llewyn Davis, Allen Redmon looks beyond the postmodern sensibilities of every film written and directed by the Coens to find an unexpected range of recurring ideas expressed in and about contemporary film. Redmon tackles all of the films in the Coen brothers’ canon by examining—among other topics—narrative coherence in The Man Who Wasn’t There, intertextuality in No Country for Old Men, and sexuality in Burn after Reading and O Brother, Where Art Thou? Additional chapters examine the films through the prisms of gender studies, adaptation studies, and a constructivist sensibility weaved throughout their work." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (pages 155-160), filmography (pages 161-163) and indexISBN: 9781442244849Donation: Sense of cinemaContents: -- acknowledgments -- introduction -- 1: "It's a problem of 'perception'": identifying the Coens' constructivist sensibility -- 2: "You don't want to be tried and found wantin'": triggering the ongoing adaptation of the the Ladykillers -- 3: "I will destroy him": negotiating the image in Barton Fink and Raising Arizona -- 4: "That gag's got whiskers on it": achieving narrative coherence in the Hudsucker proxy and The man who wasn't there -- 5: "The coin don't have no say": examining intertextuality in the Hudsucker proxy, Intolerable cruelty, and No country for old men -- 6: "A lotta ins, a lotta outs": interweaving genres in the Big Lebowski and O brother, where art thou? -- 7: "Appearances can be deceptive" : investigating sexuality in O brother, where art thou?, Intolerable cruelty, and Burn after reading -- 8: "I haven't done anything funny": scrutinizing gender in the Coens' arrangements of a bunch of men around one woman -- 9: "Accept the mystery": resisting final construction of A serious man -- Conclusion -- bibliography -- filmography -- index -- about the author --
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Contemporary Australian cinema : an introduction / Jonathan Rayner Manchester: Manchester University Press, 2000.
Call No: 71(94) RAYAuthor: Rayner, Jonathan Source: UKPlace: ManchesterPublisher: Manchester University PressPubDate: 2000PhysDes: vi, 203 p. : ill. ; 23 cmSubject: AUSTRALIA ; FANTASTIC FILMS. AUSTRALIA ; HISTORICAL FILMS. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; MASCULINITY IN FILMS. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; AUSTRALIAN FILM FINANCE CORPORATION ; ROAD MOVIES. AUSTRALIA ; SCHEPISI, FRED ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; GALLIPOLI (AT, Peter Weir, 1981) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; MAD MAX [...] (AT, 1979-85) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; SIRENS (AT/UK, John Duigan, 1994) ; BETWEEN WARS (AT, Michael Thornhill, 1974) ; ODD ANGRY SHOT, THE (AT, Tom Jeffrey, 1979) Notes: Includes bibliographical references (p. [194]-199) and indexISBN: 0719053269 (hbk.); 0719053277 (pbk.); 0719053269LON: 22455173
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Contemporary cinema / John Orr Edinburgh: Edinburgh University Press, c1998.
Call No: 62 ORRAuthor: Orr, John, 1943 Place: EdinburghPublisher: Edinburgh University PressPubDate: c1998PhysDes: xi,243 p. : ill. ; 24 cmSubject: CANADA ; CITY OF SADNESS, A [ ; MASCULINITY IN FILMS ; RELIGION AND THE CINEMA ; COMMUNISM AND THE CINEMA ; DOUBLES IN FILMS ; EXPRESSIONISM ; FILM NOIR ; POLAND ; PSYCHOLOGY AND THE CINEMA ; SEX IN FILMS ; SURREALISM AND THE CINEMA ; ALLEN, WOODY ; ALTMAN, ROBERT ; ANTONIONI, MICHELANGELO ; BEATTY, WARREN ; BELMONDO, JEAN-PAUL ; BERGMAN, INGMAR ; BINOCHE, JULIETTE ; BONNAIRE, SANDRINE ; BURTON, TIM ; CAGE, NICOLAS ; CAMPION, JANE ; CHABROL, CLAUDE ; CHEUNG, LESLIE ; COPPOLA, FRANCIS FORD ; COSTNER, KEVIN ; CRONENBERG, DAVID ; DAHL, JOHN ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DERN, LAURA ; EGOYAN, ATOM ; FIGGIS, MIKE ; GERE, RICHARD ; GONG, LI ; GREENAWAY, PETER ; HAUER, RUTGER ; JAMESON, FREDRIC ; KIESLOWSKI, KRZYSZTOF ; LYNCH, DAVID ; MALICK, TERRENCE ; Pasolini, Pier Paolo ; ROSSELLINI, ISABELLA ; SCORSESE, MARTIN ; SCOTT, RIDLEY ; STONE, OLIVER ; TRAN, ANH HUNG ; WEIR, PETER ; Wenders, Wim ; WONG KAR-WAI ; YOUNG, SEAN ; ZHANG, YIMOU ; ANDERSSON, BIBI ; AUDRAN, STEPHANE ; DUVALL, SHELLY ; GIDLEY, PAMELA ; JANDA, KRYSTYNA ; KANESHIRO, TANESHI ; LEUNG, TONY ; LIN, BRIGITTE ; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988) ; KILL ME AGAIN (US, John Dahl, 1989) ; DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991) ; WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987) ; ADJUSTER, THE (CN, Atom Egoyan, 1991) ; BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHINATOWN (US, Roman Polanski, 1974) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; DAYS OF HEAVEN (US, Terrence Malick, 1978) ; JFK (US, Oliver Stone, 1991) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; LIEBESTRAUM (US, Mike Figgis, 1991) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; PERSONA (SW, Ingmar Bergman, 1966) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; RAGING BULL (US, Martin Scorsese, 1980) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; STALKER (UR, Andrei Tarkovsky, 1979) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; WILD AT HEART (US, David Lynch, 1990) ; CYCLO [XICH LO] (FR/V, Tran Anh Hung, 1995) Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre."
Taken from back cover.Notes: Includes bibliographical references and indexISBN: 0748608362(pbk.) : No priceLON: 13772409ID2: 291
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Contemporary Hollywood cinema / edited by Steve Neale and Murray Smith London New York: Routledge, 1998.
Call No: 71(73) CONAuthor: Neale, Stephen ; Smith, Murray, 1962 Place: London New YorkPublisher: RoutledgePubDate: 1998PhysDes: xxii, 338 p. : ill. ; 24 cmSubject: USA ; TECHNOLOGY AND THE CINEMA ; DISTRIBUTION. USA ; EXHIBITION. USA ; WIDE-SCREEN SYSTEMS ; SPECTATORSHIP ; MEN IN FILMS. USA ; MELODRAMA ; MUSIC, FILM ; SOUND TRACKS ; TELEVISION AND THE CINEMA ; FAMILY IN FILMS. USA ; NARRATIVE IN FILMS ; BLACK CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLOCKBUSTERS ; FEMINISM AND THE CINEMA ; GENDER AND THE CINEMA ; CENSORSHIP. USA ; INDEPENDENT FILMS. USA ; WOMEN, FILMS FOR ; WOMEN IN FILMS. USA ; HORROR FILMS. USA ; CHILDREN, FILMS FOR ; ACTION FILMS ; AUDIENCES ; MIRAMAX FILMS ; NEW LINE CINEMA ; TIME WARNER ; VERHOEVEN, PAUL ; COPPOLA, FRANCIS FORD ; HAMILTON, LINDA ; MCDORMAND, FRANCES ; ELFMAN, DANNY ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FARGO (US, Ethan Coen, 1996) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; BATMAN (US, Tim Burton, 1989) ; BATMAN RETURNS (US, Tim Burton, 1992) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; LION KING, THE (US, Roger Allers & Rob Minkoff, 1994) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references (p. [312]-318) and indexISBN: 0415170095; 0415170109 (pbk.)LON: 98005952; 13736490
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The contemporary Hollywood film industry / edited by Paul McDonald and Janet Wasko Carlton, Victoria: Blackwell Publishing, 2008.
Call No: 201.1 (73) CONAuthor: McDonald, Paul ; Wasko, Janet Source: USPlace: Malden, Massachusetts; Oxford, UK; Carlton, VictoriaPublisher: Blackwell PublishingPubDate: 2008PhysDes: 326 p. : ill. ; 25 cmSubject: INDUSTRY, FILM ; STUDIO SYSTEM ; FINANCING ; DISTRIBUTION ; PRODUCTION ; ADVERTISING FOR FILMS ; EXHIBITION ; TELEVISION AND THE CINEMA ; VIDEODISCS ; SOUNDTRACKS ; MUSIC AND THE CINEMA ; LABOUR ; STATE AND THE CINEMA ; GLOBALISATION ; COPYRIGHT ; EXPORT OF FILMS ; UNITED KINGDOM ; FRANCE ; GERMANY ; ITALY ; LATIN AMERICAN COUNTRIES ; ASIAN COUNTRIES ; INDIA ; AUSTRALIA ; NEW ZEALAND ; VIDEO GAMES AND THE CINEMA Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades.
"'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)Notes: Includes indexISBN: 9781405133883URL status: URL: 'http://-'
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Contemporary Korean cinema : identity, culture, and politics Manchester: Manchester University Press., 2001.
Call No: 71(519) LEEAuthor: Lee Hyangjin Source: UKPlace: ManchesterPublisher: Manchester University Press.PubDate: 2001PhysDes: 244 p. : ill. ; 22 cm.Subject: KOREA ; KOREAN WAR FILMS ; ADAPTATIONS ; NATIONAL CULTURE AND THE CINEMA. KOREA ; CLASS AND THE CINEMA. KOREA Summary: "This book examines the role of the Korean film as a cultural text of Koreans in both the North and the South, and focuses on the conflicting self-identities of a people still strongly committed to their cultural traditions despite political divisions. The book defines the significance of film-making and film-viewing in Korean society. It covers the introduction of motion pictures in Korea inn 1903 ... up to the 1990s. It introduces the works of Korea's major directors, and analyses the Korean film industry in terms of film production, distribution and reception. Based on this historical analysis, the study investigates ideological constructs in seventeen films, eight from North Korea and nine South Korea."Notes: Includes bibliographical references and index. Includes filmography
Based on the author's thesis (Ph. D.): Common culture, divided nation.
Includes bibliographical references (p. [222]-234) and index.
Filmography: p. [194]-221.ISBN: 0719060087(pbk.)
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Contemporary musical film / edited by K. J. Donnelly and Beth Carroll Edinburgh: Edinburgh University Press, 2019.
Call No: 751.1 CONSource: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: 2019PhysDes: x, 192 pages : illustrations (black and white) ; 25 cm.Series: Music and the moving image seriesSubject: MUSICALS ; TEAM AMERICA WORLD POLICE (US, Trey Parker, 2004) ; ACROSS THE UNIVERSE (US, Julie Taymor, 2007) ; FROZEN (US, Chris Buck & Jennifer Lee, 2013) ; MAMMA MIA! (UK/US/G, Phyllida Lloyd, 2008) ; MISERABLES, LES (UK, Tom Hooper, 2012) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; FAST AND THE FURIOUS, THE (US, Rob Cohen, 2001) ; KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003) ; KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004) Summary: In recent years there has been a remarkable resurgence in the success of film musicals. Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have restated the close connections between the stage and screen. This edited collection will look at the breadth and diversity of recent film musicals, including adaptations from the stage such as Mamma Mia! (2008), Tim Burton's Sweeny Todd: The Demon Barber of Fleet Street (2007) and Rock of Ages (2012). This collection will also look at films that owe less of a direct debt to stage musicals, such as Julie Taymor's Across the Universe (2007) and Lars von Trier's Dancer in the Dark (2000).Notes: Includes bibliographical references and index.ISBN: 9781474431682Contents: Machine generated contents note: pt. ONE ORIGINAL MUSICALS --1.Aesthetic Absurdities in Takashi Miike's The Happiness of the Katakuris / Craig Hatch --2.Film and the Twilight of Rock (Rock is Dead and Film Killed It): Post-millennial Rock Musicals / K. J. Donnelly --3.Team America: World Police: Duplicitous Voices of the Socio-political Spy Musical / Jack Curtis Dubowsky --4.The Anti-musical or Generic Affinity: Is there Anything Left to Say? / Beth Carroll --5.`Is This Real Enough For You?': Lyrical Articulation of the Beatles' Songs in Across the Universe / Stephanie Fremaux --6.`Love Is an Open Door': Revising and Repeating Disney's Musical Tropes in Frozen / Ryan Bunch --pt. TWO STAGE TO SCREEN --7.Star Quality? Song, Celebrity and the Jukebox Musical in Mamma Mia! / Catherine Haworth --8.Beyond the Barricade: Adapting Les Miserables for the Cinema / Ian Sapiro --pt. THREE MUSICALS BY ANOTHER NAME --Contents note continued: 9.O Brother, Where Art Thou?: The Coen Brothers and the Musical Genre Contamination / Stefano Baschiera --10.Racing in the Beat: Music in the Fast & Furious Franchise / Todd Decker --11.Kill Bill: Quentin Tarantino as a Musical Filmmaker / Geena Brown.
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Contemporary New Zealand cinema : : from new wave to blockbuster / edited by Ian Conrich and Stuart Murray London: I.B. Tauris, 2008.
Call No: 71 (931) NEWAuthor: Conrich, Ian (ed) ; Murray, Stuart(ed) Place: LondonPublisher: I.B. TaurisPubDate: 2008PhysDes: xiv, 273 p. : ill. ; 24 cmSeries: I.B Taruris world cinema seriesSubject: FEMINISM AND THE CINEMA ; FESTIVALS. NEW ZEALAND ; MAORI CINEMA ; MASCULINITY IN FILMS ; NEW ZEALAND FILM COMMISSION ; NEW ZEALAND IN FILMS ; REALISM IN FILMS ; RELIGION IN FILMS ; BARCLAY, BARRY ; CAMPION, JANE ; CURTIS, CLIFF ; DUFF, ALAN ; DONALDSON, ROGER ; DENNIS, JONATHAN ; Grierson, John ; JACKSON, PETER (NZ) ; LAWRENCE, BRUNO ; MUNE, IAN ; MURPHY, GEOFFREY ; LANGE, DAVID ; MACLEAN, ALISON ; MITA, MERATA ; MORRIESON, RONALD HUGH ; MORRISON, TEMUERA ; MULDOON, ROBERT ; NEILL, SAM ; PRESTON, GAYLENE ; SARGESTON, FRANK ; SARKIES, ROBERT ; TAMAHORI, LEE ; WARD, VINCENT ; BAISE-MOI (FR, Virginie Despentes, 2000) ; BRAINDEAD (NZ, Peter Jackson, 1992) ; CAME A HOT FRIDAY (NZ, Ian Mune, 1985) ; CHANNELLING BABY (NZ, Christine Parker, 1999) ; CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995) ; CRUSH (NZ, Alison MacLean, 1992) ; DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993) ; END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991) ; GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000) ; JUBILEE (NZ, Michael Hurst, 2000) ; LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003) ; MAGIK AND ROSE (NZ, Vanessa Alexander, 1999) ; NGATI (NZ, Barry Barclay, 1987) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PIANO, THE (AT, Jane Campion, 1993) ; PRICE OF MILK, THE (NZ, Harry Sinclair, 2000) ; QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985) ; RAIN (NZ, Christine Jeffs, 2001) ; SAVING GRACE (NZ, Costa Botes, 1997) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; SCARFIES (NZ, Robert Sarkies, 1999) ; SKIN DEEP (NZ, Geoff Steven, 1978) ; SNAKESKIN (NZ, Gillian Ashurst, 2001) ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; SMASH PALACE (NZ, Roger Donaldson, 1981) ; TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997) ; UTU (NZ, Geoffrey Murphy, 1983) ; VIGIL (NZ, Vincent Ward, 1984) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKETNotes: Filmography: p.[239]-253
Bibliography: p. 255- 258; Includes indexISBN: 9781845118372
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Contemporary Spanish cinema / Barry Jordan and Rikki Morgan-Tamosunas Manchester: Manchester University Press, 1998.
Call No: 71(46) JORAuthor: Jordan, Barry, 1950 ; Morgan-Tamosunas, Rikki Place: ManchesterPublisher: Manchester University PressPubDate: 1998PhysDes: vi, 216 p. : ill. ; 24 cmSubject: SPAIN ; COMEDIES. SPAIN ; THRILLERS. SPAIN ; FANTASTIC FILMS. SPAIN ; SCIENCE-FICTION FILMS. SPAIN ; HORROR FILMS. SPAIN ; GENDER AND THE CINEMA ; WOMEN IN FILMS ; MEN IN FILMS ; NATIONAL IDENTITY IN FILMS. SPAIN ; SPAIN: CATALONIA ; SPAIN: BASQUE COUNTRY ; HISTORY AND THE CINEMA. SPAIN ; ALMODOVAR, PEDRO ; BIGAS LUNA ; GARCI, JOSE LUIS ; MEDEM, JULIO ; MIRO, PILAR ; SAURA, CARLOS ; TRUEBA, FERNANDO ; COLMENA, LA (SP, Mario Camus, 1982) ; NADIE HABLARA DE NOSOTRAS CUANDO HAYAMOS MUERTO (SP, Agustin Diaz Yanes, 1995) Notes: Includes bibliographical references and indexISBN: 071904412X (hbk.); 0719044138 (pbk.)LON: abn98241412; 14031781
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newspaper article
Content will play key role say networks in Sydney Morning Herald (25/10/2016) p.20
Call No: SUBJECT CLIPPINGS FILE; TELECOMMUNICATIONS.AUSTRALIAAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: TELECOMMUNICATIONS.AUSTRALIA ; OWNERSHIP TV. AUSTRALIA ; MEDIA AUSTRALIA ; OWNERSHIP. USA Summary: Report on the proposed bid of American based telecommunications company AT&T looking to purchase Time Warner and how telecommunications companies are looking to get involved more directly with media companies. Discussion about companies with Australian interests such as Optus and Telstra with quotes from several execuitves from major media companies such as Seven West Media, Prime Media, Network Ten, and Southern CrossNotes: similar reprint in The Age, Australian Financial Review
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Contracting out Hollywood : runaway productions and foreign location shooting / edited by Greg Elmer and Mike Gasher Lanham, MD: Rowman & Littlefield Pub, 2005.
Call No: 217 ELMAuthor: Elmer, Greg ; Gasher, Mike Source: USPlace: Lanham, MDPublisher: Rowman & Littlefield PubPubDate: 2005PhysDes: 189 p. ; 23 cmSubject: LOCATION SHOOTING. AUSTRALIA ; LOCATION SHOOTING. CANADA ; INDIA ; INDUSTRY, FILM. USA ; SERIALS ; STUDIOS, FILM ; LEE, ANG ; NIGHT HEAT [TV] (US, 1994) Summary: The practice of producing American films on foreign shores is examined within this book. The contributing authors explain this phenomenon from historical, political, economic, and cultural perspectives, using case studies; challenges to contemporary screen, media, and globalization theories; and analyses of changing government politics toward cultural industries [taken from back cover]ISBN: 0742536955Contents: Introduction : catching up to runaway productions / Greg Elmer and Mike Gasher -- 1. Divide and conquer : regional competition in a concentrated media industry / Susan Christopherson -- 2. The policy environment of the contemporary film studio / Ben Goldsmith and Tom O'Regan -- 3. Offshore pot o'gold : the political economy of the Australian film industry / Marcus Breen -- 4. Hollywood's effects, Bollywood's FX / Nitin Govil -- 5. Projecting placelessness : industrial television and the "authentic" Canadian city / Sarah Matheson -- 6. The ice storm : Ang Lee, cosmopolitanism, and the global audience / Stephanie Hemelryk Donald -- 7. World-class budgets and big-name casts : the miniseries and international coproductions / Barbara Selznick
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clippings file
Controversial cry for civility in journalism : Pick of the day in The Australian [Arts & Entertainment] (15/12/2014) p.22
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journal article
The convention very timely in Australasian Cinema (15/7/1983) vol.12 iss.12 p.4
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Convergence culture : where old and new media collide / by Henry Jenkins New York, NY: NYU Press, 2006.
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A conversation on film, acting and multimedia : an interview with Ross Gibson in Practice (1998) iss.3 p.3-14
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Conversations with film-makers : movie journal columns 1961-1975 / Jonas Mekas Leipzig: Spector Books, 2018.
Call No: 67-047.53 MEKAuthor: Mekas, Jonas Edition: 2018Place: LeipzigPublisher: Spector BooksPubDate: 2018PhysDes: 260 pages : illustrated ; 31 cmSubject: HILL, JEROME ; MARKOPOULOS, GREGORY ; KUCHAR, GEORGE ; KUCHAR, MIKE ; WARHOL, ANDY ; PAPATAKIS, NICO ; CHANT D`AMOUR, UN (FR, Jean Genet, 1950) ; VANDERBEEK, STAN ; MEAD, TAYLOR ; CLARKE, SHIRLEY ; MAYSLES, DAVID ; MAYSLES, ALBERT ; CONRAD, TONY ; MEKAS, JONAS ; KUBELKA, PETER ; JACOBS, KEN ; WHITNEY, JAMES ; DWOSKIN, STEPHEN ; VARDA, AGNES ; SONTAG, SUSAN ; DE ANTONIO, EMILE ; SMITH, HARRY ; CASSAVETES, JOHN ; MAKAVEJEV, DUSAN ; SNOW, MICHAEL Summary: Jonas Mekas, born in Lithuania, came to Brooklyn via Germany in 1949 and began shooting his first films there. Mekas developed a form of film diary in which he recorded his daily observations. He became the barometer of the New York art scene and a pioneer of American avant-garde cinema. Every week, from 1958 until 1977, he published his “Movie Journal” column in the Village Voice, conducting numerous interviews with filmmakers from all over the world. Conversations is the first time that these interviews with his filmmaker friends and associates have been put together in a book. Mekas recorded the conversations with his camera. From the films he shot with his interlocutors, Mekas selected one photo or still to introduce each interview. The collection of texts is supplemented by letters and extracts from related scenarios /scriptsand rounded out with an index of the people involved.
Jonas Mekas in conversation with Storm de Hirsch and Louis Brigante, Andy Warhol, Nico Papatakis, Albert and David Maysles, Peter Kubelka, Agnes Varda, Harry Smith, John Cassavetes, Stan Brakhage -- publisher's web siteISBN: 9783959050807
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A convoluted case in Sunday Age [M] (19/07/2015) p.18
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Corbett on mergers, mistakes, News in Australian Financial Review [Marketing and Media] (23/03/2015) p.30
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Coronavirus capitalism goes to the movies / Eugene Nulman Abingdon, Oxon, UK: Routledge,
Call No: 409.5 NULAuthor: Nulman, Eugene Edition: 2022Place: Abingdon, Oxon, UKPublisher: RoutledgePhysDes: 144 pages ; 25cmSeries: Routledge Advances in SociologySubject: AVENGERS: ENDGAME (US, Anthony Russo/Joe Russo, 2019) ; ONCE UPON A TIME IN HOLLYWOOD (US, Quentin Tarantino, 2019) ; PARASITE [GISAENGCHUNG ] (KO, Bong Joon Ho, 2019) ; [NINETEEN SEVENTEEN] 1917 (UK/US, Sam Mendes, 2019) ; JOJO RABBIT (CZ/NZ/US, Taika Waititi, 2019) ; INGLORIOUS BASTARDS (US/G, Quentin Tarantino, 2009) ; COVID NINETEEN ; TRUMP, DONALD Summary: Using innovative interpretations of recent big budget films, Coronavirus Capitalism Goes to the Cinema interrogates the social, political and economic landscape during and prior to the COVID-19 crisis and provides lessons for advancing progressive politics in a post-pandemic age.
By exploring numerous films including Avengers: Endgame, Once Upon a Time… In Hollywood, 1917, and Parasite, this short book provides a deep understanding about neoliberal society in a time of crisis. Facilitated by the ideas of Emma Goldman, Naomi Klein, Karl Marx, Noam Chomsky and many more, these movies are reinterpreted to point out our political blind spots, combat our non-COVID contagions and inoculate us into ideological herd immunity. From explorations of the supervillain-like decision-making of our political leaders to the inequalities in infection outcomes that sparked further Black Lives Matter protests, this book discusses the central social challenges we face today through the sights and sounds of some of the most beloved films of the very recent past.
This entertaining and accessible book will reward readers who are interested in contemporary politics in the context of COVID-19, as well as cinephiles and movie-goers who want fresh interpretations of instant classics to help explain the world around them. More than just informative and amusing, this book is a call to action to those activists who want social change in the face of coronavirus capitalism. -- publisher's web siteISBN: 9781032002750Contents: 1. Coronavirus Capitalism -- 2. The Pseudo-Superheroes -- 3. Medical Trench Warfare -- 4. Our Own Little Shitlers -- 5. If I Can’t Dance, It’s Not My Liberation -- 6. Fairy Tales and False Freedoms -- 7. The Great Equalizer -- 8. Macroparasites and Microaggressions -- 9. Fighting the Elements -- 10. I Can’t Breathe -- References -- Index
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Il corpo della ragazza in Foreign sales Italian movie trade (October 1979) vol.5 iss.10 p.19
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Corporate cannibals : The taking of Fairfax / Colleen Ryan & Glenn Burge Port Melbourne: Mandarin Australia, 1993.
Call No: 19 FAI RYAAuthor: Ryan, Colleen -- Burge, Glenn Place: Port MelbournePublisher: Mandarin AustraliaPubDate: 1993PhysDes: x,459p.,[16]p. of plates : ports. ; 20cm.Subject: FAIRFAX ; PACKER, KERRY ; NINE NETWORK ; OWNERSHIP TV. AUSTRALIA ; OWNERSHIP. AUSTRALIA ; MURDOCH, RUPERT Notes: Includes indexISBN: 1863302492Contents: Prologue -- Battling the bondholders -- Warwick faces failure -- The end of a dynasty -- The sharks are circling -- Malcolm heads to court -- A touch of the blarney -- The Savoy: Tourang is born -- The politics of print -- The launch of Tourang -- The Packer factor -- A dash to Ireland -- Courting Canberra -- Goodbye Trevor -- Tourang under siege -- Packer hits back -- Goodbye Malcom -- Goodbye Kerry -- The battle for Broadway -- The bid deadline -- And the winner is... -- Epilogue
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[Cosi : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 4 photographs : b&w ; 13 x 18 - 18 x 13 cmSubject: COLLETTE, TONI ; MENDELSOHN, BEN ; COSI (AT, Mark Joffe, 1995) Summary: 4 black and white photographs of Toni Collette as Julie, Ben Mendelsohn as Lewis, Aden Young as Nick, and the cast dressed in wacky extravagent costumes.
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Interim
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Costume design Switzerland ; Hove: RotoVision, c2003.
Call No: 226.4 NADAuthor: Landis, Deborah Nadoolman Source: UKPlace: Switzerland ; HovePublisher: RotoVisionPubDate: c2003PhysDes: 176 p. : ill. (some col.), ports. (some col.) ; 30 cm.Series: ScreencraftSubject: COSTUMES ; ACHESON, JAMES ; CANONERO, MILENA ; CARTER, RUTH ; ISHIOKA, EIKO ; KURLAND, JEFFREY ; NADOOLMAN, DEBORAH LANDIS ; PESCUCCI, GABRIELLA ; POWELL, ANTHONY ; POWELL, SANDY ; RINGWOOD, BOB ; ROTH, ANN ; TOSI, PIERO ; VAN RUNKLE, THEADORA ; WOLSKY, ALBERT Summary: "An inside look at the art of designing costumes for film through intimate interviews with 24 of the world's best costume designers."Notes: Includes index.ISBN: 2880466490 (pbk.)
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Costume designer gave films distinct flavour in The Australian (23/08/2016) p.15
Call No: PERSONALITY CLIPPINGS FILE; MORICEAU, NORMAAuthor: Traill-Nash, Glynis PhysDes: ClippingsSubject: MORICEAU, NORMA Summary: Obituary for Australian costumer designer Norma Moriceau. She designed costumes for films MAD MAX 2 and DEAD CALM amongst others. Quotes from Phillip Noyce and Dr George Miller
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Count down to danger in Saturday Age [Spectrum] (28/02/2015) p.16
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Countdown : the wonder years 1974-87 / Dave Warner Sydney: ABC Books, 2006.
Call No: 79COU WARAuthor: Warner, Dave Source: ATPlace: SydneyPublisher: ABC BooksPubDate: 2006PhysDes: 147p. : col. ill. ; 26cm.Subject: MUSIC TELEVISION ; COUNTDOWN [TV] (AT, 1974-1987) Summary: Illustrated behind the scenes look at CountdownNotes: Includes indexISBN: 0733314015Language: EnglishID2: 44
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[Country life : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 17 photographs : b&w ; 13 x 18 - 117 x 22 cmSubject: BLANCHARD, RON ; FOX, KERRY ; BLAKEMORE, MICHAEL ; CRUZE, ROBYN ; SCACCHI, GRETA ; WITHERS, GOOGIE ; HARGREAVES, JOHN ; NEILL, SAM ; KENNEDY, PATRICIA ; FIELDS, MAURIE ; WINDON, STEPHEN ; COUNTRY LIFE (AT, Michael Blakemore, 1994) Summary: 17 black and white photographs of actors with descriptions on the back.Notes: Some are duplicates.
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Covering Islam : how the media and the experts determine how we see the rest of the world / Edward W. Said London: Random House, 1997.
Call No: 408.3(5-011) SAIAuthor: Edward W. Said Edition: revised editionPlace: LondonPublisher: Random HousePubDate: 1997PhysDes: lxx, 202 pages ; 20 cmSubject: CULTURAL IMPERIALISM ; IRAN ; MEDIA ; MEDIA STUDIES ; POLITICS AND TV ; PROPAGANDA ON TV ; TYPE CHARACTERS ON TV Summary: "From the Iranian hostage crisis through the Gulf War and the World Trade Center bombing, the West has been huanted by a spectre called 'Islam'. As portrayed by the news media - and by a chorus of government, academic and corporate experts - 'Islam' is synonymous with terrorism and religious hysteria. At the same time, Islamic countries use 'Islam' to justify unrepresentative and often repressive regimes. In this landmark work, for which he has written a new introduction, one of our foremost public thinkers examines the origins and repercussions of the media's monolithic images of Islam. Combining political commentary with literary criticism, Edward Said reveals the hidden assumptions and distortions of fact that underlie even the most 'objective' coverage of the Islamic world." - BOOK BLURBNotes: contains indexISBN: 009959501xDonation: donated by the family of Wayne Levy, 2006
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moana (us, ron clements & don hall, 2016)
Crabby baddie grabs best line in Daily Telegraph [Supplements] (26/12/2016) p.18
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Cracker Jack in Empire (Australian Ed.) (December 2002) iss.21 p.38
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[Crackers : stills file] / Skip Watkins, Greg Noaks
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Cracking the code : looking at men letting it all hang out in Metro (1997) iss.110 p.26-28, 30
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Cracks in the pedestal : ideology and gender in Hollywood / Philip Green Amherst: University of Massachusetts Press, c1998.
Call No: 626:396 GREAuthor: Green, Philip, 1932 Place: AmherstPublisher: University of Massachusetts PressPubDate: c1998PhysDes: viii, 262 p. : ill. ; 25 cmSubject: GENDER AND THE CINEMA. USA ; FEMINISM AND THE CINEMA. USA ; FILM NOIR. USA ; CREED, BARBARA ; MULVEY, LAURA ; STONE, SHARON ; ALIENS (US, James Cameron, 1986) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; FURNESS, DEBORRA-LEE ; GILDA (US, Charles Vidor, 1946) ; IMPULSE (US, Sandra Locke, 1990) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; MS 45 (US, Abel Ferrara, 1981) ; NORMA RAE (US, Martin Ritt, 1979) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; RIVER WILD, THE (US, Curtis Hanson, 1994) ; SHAME (AT, Steve Jodrell, 1988) ; SHAME [TV] (US, 1992) ; SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; VANISHING, THE (US, George Sluizer, 1993) ; SPOORLOOS (NE/FR, George Sluizer, 1988) Summary: Distinguishing his own neo-Marxist approach from that of other media scholars, Philip Green pursues two interrelated themes. In the first part of the book, he looks at the strategies Hollywood has employed to deflect or absorb the ideological challenges posed by the feminist critique of contemporary American society. He demonstrates the ways in which mainstream movies and television programs, no matter how unconventional or "subversive" they may appear, produce and reproduce familiar images of sexuality and gender identity. In the second part, Green highlights instances in which reproduction of the dominant ideology is less successful by examining several recent cinematic genres - the female action movie, the rape-revenge cycle, and the new film noir - that portray the real ambiguities of a social order in upheaval; As a male consumer of the cultural commodities being discussed, the author offers a perspective on American films and television different from that of most other feminist criticsNotes: Includes bibliographical references (p. [213]-248) and indexISBN: 1558491198 (cloth : alk. paper); 1558491201 (pbk. : alk. paper)LON: 13262384ID2: 290
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Crafting emotion : Jan Sardi in Lumina (2010) iss.2 p.42-51
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Crafting truth : documentary form and meaning / by Louise Spence and Vinicius Navarro New Brunswick, NJ: Rutgers University Press, c2011.
Call No: 761 SPEAuthor: Spence, Louise ; Navarro, Vinicius Source: US/UKPlace: New Brunswick, NJPublisher: Rutgers University PressPubDate: c2011PhysDes: x, 281 p. : ill. ; 26 cmSubject: AESTHETICS ; AUTHORSHIP ; BIOGRAPHICAL FILMS ; CINEMATOGRAPHY ; COMMENTARY ; CONSTRUCTIVISM ; CONTINUITY ; CINEMA-DIRECT ; DOCUMENTARIES ; DOCUMENTARY FILMS ; EDITING ; ETHNOGRAPHIC FILMS ; HISTORY AND THE CINEMA ; INTERVIEWING ; INTERVIEWS IN FILMS ; LIGHTING ; LOCATION SHOOTING ; MEMORY IN FILMS ; MUSIC IN FILMS ; NARRATIVE IN FILMS ; NON-FICTION FILMS ; PALESTINE ; PHOTOGRAPHY AND THE CINEMA ; REALISM IN FILMS ; SOUND ; SOUND EQUIPMENT ; THEORY ; TRUTH IN FILMS ; VOICE OVER ; WORLD WAR II AND THE CINEMA ; AFRIQUE, JE TE PLUMERAI (CM/FR/G, Jean-Marie Téno, 1992) ; GOKUSHITEKI EROSU: RENKA 1974 (JA, Kazuo Hara, 1974) ; FAR FROM POLAND (US, Jill Godmilow, 1984) ; HALVING THE BONES (US, Ruth Ozeki Lounsbury, 1995) ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; HEARTS AND MINDS (US, Peter Davis, 1974) ; JOYCE AT 34 (US, Joyce Chopra, 1972) ; LESSONS OF DARKNESS (GG, Werner Herzog, 1992) ; LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NEKAM ACHAT MISHTEY EYNAY (FR/IS, Avi Mograbi, 2005) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; PRELUDE TO WAR (US, Frank Capra & Anatole Litvak, 1942) ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; TIES THAT BIND, THE (US, Su Friedrich, 1984) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: "Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a naive concept of "reality"- for them, documentaries are sources of information. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of reality? What aesthetic means are used to build these illusions?
Crafting truth illuminates the way these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of those choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction cinema. " -- BOOK BLURBISBN: 9780813549033Contents: -- acknowledgments -- Introduction -- Authenticity -- Evidence -- Authority --
Responsibility -- Argument -- Dramatic stories, poetic and essay documentaries --
Editing -- Camerawork -- The profilmic -- Sounds / coauthored with Carl Lewis --index --ID2: 90
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Creating Australian television drama / Susan Lever North Melbourne, Victoria: Australian Scholarly Publishing, 2020.
Call No: 224(94) LEVAuthor: Lever, Susan Edition: 2020Place: North Melbourne, VictoriaPublisher: Australian Scholarly PublishingPubDate: 2020PhysDes: viii,282 pages ; 24cmSubject: ABORIGINAL AUSTRALIANS AND TV ; ADAPTATIONS ; AUSTRALIAN BROADCASTING CORPORATION ; AUSTRALIAN FILM COMMISSION ; BELLBIRD [TV] (AT, 1967-1977) ; BRITISH BROADCASTING CORPORATION ; COX, DEB ; CRAWFORD PRODUCTIONS ; DOCUMENTARIES. AUSTRALIA ; DOCUMENTARY DRAMAS ; GREEN, CLIFFORD ; HOMICIDE [TV] (AT, 1964-1975) ; HOPGOOD, ALAN ; KELLY, MARGARET ; MELODRAMA. AUSTRALIA ; MORPHETT, TONY ; MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968) ; NINE NETWORK ; POWER WITHOUT GLORY [TV] (AT, 1976) ; SEVEN NETWORK ; SPECIAL BROADCASTING SERVICE ; YELDHAM, PETER Summary: Television drama has been the dominant form of popular storytelling for more than sixty years, shaping the imaginations of millions of people. This book surveys the careers of the central creators of those stories for Australian television—the writers who learnt how to work in a new medium, adapting to its constraints and exploring its creative possibilities. Informed by interviews with many writers, it describes the establishment of Australian television drama production, observing the way writers grasped the creative and business opportunities that television presented. It examines the development of Australian versions of the major television genres—the sitcom, the police drama, the historical series, docudrama, and social drama— presenting a ‘canon’ of significant Australian television drama productions that deserve to be remembered. It offers an account of the emergence of work by Indigenous writers for television and it argues for the consideration of television drama alongside histories of Australian film and stage drama. -- publisher's web siteISBN: 9781925984880
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Creating culture : the new growth industries : conference papers, 11-12 August 1994 / Commonwealth Department of Communications and the Arts [Canberra]: Commonwealth Dept. of Communications and the Arts, 1994].
Call No: 161(94) CRE AUSCorpAuthor: Creating Culture Conference (1994 : Canberra, A.C.T.); Australia. Dept. of Communications and the ArtsPlace: [Canberra]Publisher: Commonwealth Dept. of Communications and the ArtsPubDate: 1994]PhysDes: 195 p. : ill., ports. ; 30 cmSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA Notes: Cover title; "These are the edited transcripts of speeches given at the "Creating Culture - the new growth industries" conference held at Parliament House, Canberra on 11 and 12 August 1994."--P. [1]; Conference organised under the Cultural Industry Development Program of the Dept. of Communications and the ArtsISBN: 0642224307LON: 11325570
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Creative industries / John Hartley (editor) Malden, MA ; Oxford: Blackwell Publishing, 2005.
Call No: 408.3 HARAuthor: Hartley, John (editor) Source: ATPlace: Malden, MA ; OxfordPublisher: Blackwell PublishingPubDate: 2005PhysDes: xvii, 414 p. ; 23 cmSubject: CULTURE AND THE CINEMA ; ECONOMICS AND THE CINEMA. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA ; INDUSTRY GAMES. AUSTRALIA ; MEDIA ; MEDIA ; TRADE FAIRS ; TECHNOLOGICAL DEVELOPMENTS Summary: Bringing together ground-breaking essays from across the disciplinary spectrum, "Creative Industries" chronicles how culture is produced, packaged, and circulated in a technology-enabled and globalized world. This is the first systematic analysis of the challenge of the creative industries in a world where innovation and risk are requirements for both economic and cultural enterprise, where knowledge and ideas drive wealth creation and social modernization, and where globalization and new technologies are the material of everyday life and experience. Thirty essays and new contexualizing chapters by leading international scholars cover several domains, including multimedia, publishing, TV production, urban development, and games. Each of the six sections is edited by a specialist, making this a useful, engaging, and thought- provoking collection of the very best scolarship on modern creative culture [ Taken from the back of the book.]Notes: Includes bibliographical references and indexISBN: 1405101474; 1405101482 (pbk.)
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Creativity, culture, commerce : producing Australian childen's televison with public value / Anna Potter Bristol ; Chicago: Intellect, 2015.
Call No: 722-053.2(94) POTAuthor: Potter, Anna Edition: 2015Place: Bristol ; ChicagoPublisher: IntellectPubDate: 2015PhysDes: xii, 200 pages : illustrations ; 24 cmSubject: CHILDREN, PROGRAMMES FOR. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; ADVENTURES OF FIGARO PHO, THE [TV] (AT, 2012) ; AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION ; BRITISH BROADCASTING CORPORATION ; IRWIN, BINDI ; DANCE ACADEMY [TV] (AT, 2010) ; DISNEY CHANNEL ; GURLS WURLD, A [TV](AT/G/SI, 2011) ; H [TWO OH] 2O [TV] (AT, 2006-) ; HIGH SCHOOL MUSICAL (US, Kenny Ortega, 2007) ; MAKO MERMAIDS [MAKO:ISLAND OF SECRETS] [TV] (AT, 2013- ) ; MY PLACE [TV] (AT, Kim Daiton, 2009) ; SCREEN AUSTRALIA Summary: Since the late 1970s, Australia has nurtured a creative and resilient children’s television production sector with a global reputation for excellence. Providing a systematic analysis of the creative, economic, regulatory and technological factors that shape the production of contemporary Australian children’s television for digital regimes, Creativity, Culture and Commerce charts the complex new settlements in children’s television that developed from 2001 to 2014 and describes the challenges inherent in producing culturally specific screen content for global markets. It also calls for new public debate around the provision of high-quality screen content for children, arguing that the creation of public value must sit at the centre of these discussions. -- publisher's web siteISBN: 9781783204410Contents: Introduction -- Chapter 1: Understanding Children’s Television During the Digital Transition -- Chapter 2: Shaping the Foundations: Establishing an Australian Children’s Television Production Industry -- Chapter 3: A Very Special Audience: Children and Television -- Chapter 4: The National Context: Australian Broadcasters, Children’s Television and Public Value -- Chapter 5: It’s a Small World After All: The Internationalization of Australian Children’s Television -- Chapter 6: Policing the Settlement: Policy and Public Value in Children’s Television -- Chapter 7: Producing Children’s Television for Digital Regimes: Case Studies from the Production Sector -- Chapter 8: New Settlements in Children’s Television: Key Trends and Future Outlook -- References -- Index
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Crime sage makes an offer you can't refuse in Sunday Telegraph [Insider] (22/02/2015) p.118
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Crime scenes : movie poster art of the film noir ; the classic period : 1941-1959 / written and collected by Lawrence Bassoff ; foreword with Robert Wise Beverly Hills: Lawrence Bassoff Collection, c1997.
Call No: 915 BASAuthor: Bassoff, Lawrence CorpAuthor: Lawrence Bassoff CollectionSource: USPlace: Beverly HillsPublisher: Lawrence Bassoff CollectionPubDate: c1997PhysDes: 159 pages : illustrations (chiefly colour) ; 28 x 36 cmSubject: FILM NOIR ; CRIME FILMS ; POSTERS ; ADVERTISING FOR FILMS ; MERCHANDISING ; WISE, ROBERT Summary: "Crime Scenes - Movie Poster Art of the Film Noir is the first book to trace the development and history of this intriguing movement by employing original movie poster art from over 100 vintage film noirs from the classic period of 1941 to 1959 including: The Maltese Falcon with Humphrey Bogart and Mary Astor, This Gun for Hire with Alan Ladd and Veronica Lake, Laura with Gene Tierney and Dana Andrews, and The Postman Always Rings Twice with Lana Turner and John Garfield. Originally displayed in movie theatres, these rare, ravishing and valuable posters and lobby cards also illustrate the signature in-house movie poster styles and printing processes utilized by the major studios and leading independents of the day. Academy Award-winning producer and director Robert Wise recalls his experiences as the RKO Radio Pictures contract director of such film noirs as Born to Kill (1947) and The Set Up (1949) in an informative foreword interview." - BOOK BLURBNotes: Contains bibliography and index of movie posters -- Dedicated to the Art Gallery of New South Wales and the Art Gallery Society of New South WalesISBN: 1886310114
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Critical business : the new Australian cinema in review / Sandra Hall Adelaide: Rigby, 1985.
Call No: 71(94) HALAuthor: Hall, Sandra, 1942 Place: AdelaidePublisher: RigbyPubDate: 1985PhysDes: 200 p. : ill., ports. ; 22 cmSubject: AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; GENRES ; GENRES. AUSTRALIA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; ROAD MOVIES ; ROAD MOVIES. AUSTRALIA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; CLUB, THE (AT, Bruce Beresford, 1980) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GALLIPOLI (AT, Peter Weir, 1981) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; STORM BOY (AT, Henri Safran, 1976) ; PHAR LAP (AT, Simon Wincer, 1983) ; MAD DOG MORGAN (AT, Philippe Mora, 1976) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX II (AT, George Miller, 1981) ; RAZORBACK (AT, Russell Mulcahy, 1984) ISBN: 0727020102 : $16.95 AustLON: anb72702010; 3401972
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A critical cinema : interviews with independent filmmakers / Scott MacDonald Berkeley: University of California Press, c1988-Call No: 802.25 MACAuthor: MacDonald, Scott, 1942 Place: BerkeleyPublisher: University of California PressPubDate: c1988-PhysDes: v. <1-3 > : ill. ; 24 cmSubject: FRAMPTON, HOLLIS ; IIMURA, TAKAHIKO ; B, BETH & SCOTT ; WATERS, JOHN (US) ; CONNER, BRUCE ; NELSON, ROBERT ; MANGOLTE, BABETTE ; KUCHAR, GEORGE ; DE LANDA, MANUEL ; FISHER, MORGAN ; GOTTHEIM, LARRY ; HUOT, ROBERT ; SCHNEEMANN, CAROLEE ; CHOMONT, TOM ; MURPHY, J. J. ; DICK, VIVIENNE ; BARRIE, DIANA Notes: Includes bibliographical references and index; Includes filmographiesISBN: 0520079183 (v. 2 : pbk.); 0520058011 (v. 1 : pbk.); 0520079175 (v. 2 : cloth); 0520087054 (v. 3 : cloth); 0520209435 (v. 3 : pbk.); 0520058003 (v. 1 : cloth)LON: 5271962
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A critical cinema 2 : interviews with independent filmmakers / Scott MacDonald Berkeley London: University of California Press, 1992.
Call No: 802.25 MACAuthor: MacDonald, Scott, 1942 Place: Berkeley LondonPublisher: University of California PressPubDate: 1992PhysDes: x, 462 p. : ill., ports ; 24cmSubject: BREER, ROBERT ; SNOW, MICHAEL ; MEKAS, JONAS ; BAILLIE, BRUCE ; ONO, YOKO ; BENNING, JAMES ; BORDEN, LIZZIE ; MCELWEE, ROSS ; FRIEDRICH, SU ; MULVEY, LAURA ; RAINER, YVONNE ; TRINH, T. MINH-HA ; REGGIO, GODFREY ; WATKINS, PETER ; MCCALL, ANTHONY ; NOREN, ANDREW ; ROBERTSON, ANNE ; SEVERSON, ANNE Notes: Bibliography: p437-447. -List of films: p423-435. -Includes indexISBN: 0520079175 (cased) : No price; 0520079183 (pbk) : No price; 0520058011 (pbk); 0520058003 (cased)LON: 9965582
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A critical cinema 4 : Interviews with independent filmmakers / MacDonld, Scott Berkeley and Los Angeles, California: University of California Press, 2005.
Call No: 802.25 MACAuthor: MacDonald, Scott Edition: 2005Place: Berkeley and Los Angeles, CaliforniaPublisher: University of California PressPubDate: 2005PhysDes: 410 p. ; 23 cmSeries: A critical cinemaSubject: STAN BRAKHAGE ; EXPERIMENTAL FILMS ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; INDEPENDENT FILMMAKERS Summary: A Critical Cinema 4 is the fourth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald once again engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the network of interconnections within the community of filmmakers.
A Critical Cinema 4 includes the most extensive interview with the late Stan Brakhage yet published; a conversation with P. Adams Sitney about his arrival on the New York independent film scene; a detailed discussion with Peter Kubelka about the experience of making Our African Journey; a conversation with Jill Godmilow and Harun Farocki on modern political documentary; Jim McBride's first extended published conversation in thirty years; a discussion with Abigail Child about her evolution from television documentarian to master editor; and the first extended interview with Chuck Workman. This volume also contains discussions with Chantal Akerman about her place trilogy; Lawrence Brose on his examination of Oscar Wilde's career; Hungarian Peter Forgács about his transformation of European home movies into video operas; Iranian-born Shirin Neshat on working between two cultures; and Ellen Spiro about exploring America with her video camera and her dog. Each interview is supplemented by an introductory overview of the filmmaker's contributions. A detailed filmography and a selected bibliography complete the volume. -- publisher's blurbISBN: 9780520242715Contents: Introduction
P. Adams Sitney
Stan Brakhage
Jill Godmilow (and Harun Farocki)
Peter Kubelka
Jim McBride
Abigail Child
Chuck Workman
Chantl Akerman
Lawrence Brose
Peter Forgacs
Shirin Neshat
Ellen Spiro
Filmography
Bibliography
Index
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A critical cinema 5 : interviews with independent filmmakers / Scott MacDonald Berkeley and Los Angeles, California: University of California Press, 2006.
Call No: 802.25 MACAuthor: MacDonald, Scott Source: USPlace: Berkeley and Los Angeles, CaliforniaPublisher: University of California PressPubDate: 2006PhysDes: 451 pages : illustrations ; 23 cmSubject: INDEPENDENT FILMMAKERS ; INDEPENDENT FILMS ; ANGER, KENNETH ; CONRAD, TONY ; DORSKY, NATHANIEL ; HILER, JEROME ; AHWESH, PEGGY ; BERLINER, ALAN ; MOSS, ROBB ; SOLOMAN, PHIL ; BENNING, JAMES ; LEIGHTON PIERCE ; MULLER, MATTHIAS ; LOCKHART, SHARON ; REEVES, JENNIFER TODD ; KANO, SHIHO ; GEHR, ERNIE Summary: "MacDonald engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the interactive community of filmmakers that has dedicated itself to producing forms of cinema that critique conventional media. "ISBN: 0520245954Contents: Kenneth Anger -- Tony Conrad -- Nathaniel Dorsky (and Jerome Hiler) -- Peggy Ahwesh -- Alan Berliner -- Robb Moss -- Phil Solomon -- James Benning -- J. Leighton Pierce -- Matthias Mu¨ller -- Sharon Lockhart -- Jennifer Todd Reeves -- Shiho Kano -- Ernie Gehr
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The critical practice of film : an introduction / by Elspeth Kydd Houndmills. Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2011.
Call No: 62 KYDAuthor: Kydd, Elspeth Source: UK/USPlace: Houndmills. Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2011PhysDes: xix, 316 p. : ill. ; 26 cmSubject: NARRATIVE IN FILMS ; DOCUMENTARY FILMS ; EXPERIMENTAL FILMS ; CINEMATOGRAPHY ; SOUND ; EDITING ; MUSIC IN FILMS ; FILM ; COSTUMES ; COSTUME DESIGNING ; CRITICISM Summary: "The successful study of film combines criticism, theory and practice. This book covers all three areas and guides the student towards an engaged form of creative expression and an active role as reviewer and critic. Beautifully presented, this ground-breaking text offers all students an integrated understanding of film criticism and production"--Provided by publisher - LIBRARIES AUSTRALIANotes: Includes index; Includes bibliographical references and indexISBN: 9780230229754Contents: -- illustrations -- acknowledgments -- PART I: CRITICAL PRACTICE -- The Critical Practice of Film -- Motion pictures -- PART II: FILM FORM -- Narrative Film -- Documentary Film -- Experimental film -- PART III: TECHNIQUES OF FILM -- Cinematography -- Mise-en-Scene -- Sound -- Editing -- Film music -- PART IV: ANALYSIS AND CRITICAL PRACTICE -- Analysis and interpretation of film -- Critical practice in action -- bibliography -- glossary -- index --
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Crowe business in Australian Financial Review (24/04/2015) p.47
Call No: PERSONALITY CLIPPINGS FILE; CROWE, RUSSELLAuthor: Rottenberg, Josh PhysDes: Clippings File ArticleSubject: CROWE, RUSSELL ; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014) ; NICE GUYS, THE (in production) Summary: Interview with Russell Crowe, talking about his experiences on The Water Diviner, The Nice Guys, and his personal life
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Cruise rips it up in return to past era in Sunday Age [M] (2/08/2015) p.19
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Cruisy, sleepy, melancholy : sexual disorientation in the films of Tsai Ming-liang / Nicholas de Villiers Minneapolis: University of Minnesota Press, 2022.
Call No: 81 TSA VILAuthor: de Villiers, Nicholas Edition: 2022Place: MinneapolisPublisher: University of Minnesota PressPubDate: 2022PhysDes: xiv, 220 pages : illustrated ; 21.5 cmSubject: TSAI, MING LIANG ; BU SAN [GOODBYE, DRAGON INN] (TZ, Ming-liang Tsai, 2003) ; HOMOSEXUALITY AND THE CINEMA ; VIVE L'AMOUR [AI QING WAN SUI] (TZ, Tsai Ming-liang, 1994) ; WAYWARD CLOUD, THE [TIAN BIAN YI DUO YUN] (TZ/FR, Tsai Ming-liang, 2005) ; DONG (TZ/FR, Tsai Ming-liang, 1998) ; NI NEI PIEN CHI TIEN (FR/TZ, Tsai Ming-Liang, 2001) ; STRAY DOGS [JIAO YOU] (TZ/FR, Tsai Ming Liang, 2013) Summary: A critical figure in queer Sinophone cinema—and the first director ever commissioned to create a film for the permanent collection of the Louvre—Tsai Ming-liang is a major force in Taiwan cinema and global moving image art. Cruisy, Sleepy, Melancholy offers a fascinating, systematic method for analyzing the queerness of Tsai’s films.
Nicholas de Villiers argues that Tsai expands and revises the notion of queerness by engaging with the sexuality of characters who are migrants, tourists, diasporic, or otherwise displaced. Through their lack of fixed identities, these characters offer a clear challenge to the binary division between heterosexuality and homosexuality, as well as the Orientalist binary division of Asia versus the West. Ultimately, de Villiers explores how Tsai’s films help us understand queerness in terms of spatial, temporal, and sexual disorientation.
Conceiving of Tsai’s cinema as an intertextual network, Cruisy, Sleepy, Melancholy makes an important addition to scholarly work on Tsai in English. It draws on extensive interviews with the director, while also offering a complete reappraisal of Tsai’s body of work. Contributing to queer film theory and the aesthetics of displacement, Cruisy, Sleepy, Melancholy reveals striking connections between sexuality, space, and cinema. -- publisher's web siteISBN: 9781517913182
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Cultural in Australian Financial Review [AFR Magazine] (6/10/2017) p.51
Call No: SUBJECT CLIPPINGS FILE; MEDIA. AUSTRALIAAuthor: Drummond, Matthew PhysDes: Clippings File ArticleSubject: INDUSTRY, TELEVISION. AUSTRALIA ; MEDIA. AUSTRALIA ; SPORT ON TV. AUSTRALIA ; SPORT AND TV. AUSTRALIA ; ENDEMOL SHINE ; NEWS CORPORATION ; TWENTY FIRST CENTURY FOX ; FENNESSY, CARL ; FENNESSY, MARK ; MURDOCH, RUPERT ; MURDOCH, LACHLAN ; MURDOCH, JAMES ; MURDOCH, ELIZABETH ; ALY, WALEED ; RACKARACKA ; KIDMAN, NICOLE ; PURCELL, LEAH ; WILSON, REBEL Summary: Discussion and listing of the most powerful figures in Australian culture in 2017. Those listed are: Carl and Mark Fennessy (Endemol Shine), AFL Women's competition, the Murdoch family (News Corporation), Waleed Aly, Racka Racka, Nicole Kidman, Megan Davis and the referendum council, Leah Purcell, Rebel Wilson, Leigh Carmichael
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A cultural history of the bushranger legend in theatres and cinemas, 1828-2017 / Andrew James Couzens London ; New York: Anthem Press, 2019.
Call No: 408.1(94) COUAuthor: Couzens, Andrew James Edition: 2019Place: London ; New YorkPublisher: Anthem PressPubDate: 2019PhysDes: ix, 246 pages : illustrated ; 24 cmSeries: Anthem studies in Australian literature and cultureSubject: NED KELLY IN FILMS ; BUSHRANGERS IN FILMS ; HISTORY OF CINEMA. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA. AUSTRALIA ; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906) ; GLENROWAN AFFAIR, THE (AT, Rupert Kathner, 1951) ; NED KELLY (UK, Tony Richardson, 1970) ; NED KELLY (AT/UK, Gregor Jordan, 2003) ; RECKLESS KELLY (US, Yahoo Serious [pseud. of Greg Praed], 1993) ; NED (AT, Abe Forsythe, 2003) ; PROPOSITION, THE (AT/UK, John Hillcoat, 2005) ; LUCKY MILES (AT, Michael James Rowland, 2007) Summary: The bushranger legend is an important component of Australia’s cultural history, with names like Ned Kelly and Ben Hall still provoking strong, if ambivalent, responses. Storytellers mobilize this legend in unique and exciting ways that reflect upon both the cultural and actual history of bushrangers, as well as speaking to contemporary concerns and driving debate on the national character. ‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ is a multidisciplinary investigation into the history of cultural representations of the bushranger legend on the stage and screen, charting that history from its origins in colonial theatre works performed while bushrangers still roamed Australia’s bush to contemporary Australian cinema. It considers the influences of industrial, political and social disruptions on these representations as well as their contributions to those disruptions.
‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ is a comprehensive cultural history of representations of bushrangers in cinema and colonial theatre. Beginning with the bushranger legend’s establishment, it explores the formative years of the representational tradition, identifying the origins of characteristics and the social and industrial mechanisms through which they passed from history to popular theatre. Tracing the legend’s development, the book interrogates the promotion of these characteristics from a contested popular history to an officially sanctioned national outlook in the cinema. Finally, it analyzes the contemporary fragmentation of the bushranger legend, attending to the dissatisfactions and challenges that arose in response to political and social debates galvanized by the 1988 bicentenary.
The cultural history recounted in ‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ provides not only an into the role of popular narrative representations of bushrangers in the development and reflection of Australian character, but also a detailed case study of the specific mechanisms at work in the symbiosis between a nation’s values and its creative production. Bushrangers have had a heightened though unstable significance in Australia due to the nation’s diverse population and historical insecurities and conflicts over colonial identity, land rights and settlement. Community often defined the bushrangers in their stage and screen appearances, and the challenges that these marginalized communities faced were absorbed into the political and social mainstream. ‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ is an insight into the process through which the bushranger legend earned its cultural resonance in Australia. -- publisher's web siteISBN: 9781783088911Contents: List of Figures -- Acknowledgements -- Introduction: Defining the Bushranger Legend -- Part 1: Establishing the Legend; 1. The First Bushranger Melodrama; 2. Alfred Dampier and the Nationalistic Melodrama; 3. Wild West Shows and Wild Australia; 4. Hippodramas and Edward Irham Cole -- Part 2: Developing the Legend; 5. The Bushranger Genre from Stage to Screen; 6. The Bushranger Ban; 7. British and American Interventions in the Bushranger Legend; 8. Radical Nationalism and the Bushranger Legend -- Part 3: Fragmenting the Legend; 9. Historical Revisionism and the Bushranger Legend; 10. Diversification and Inclusiveness of the Bushranger Legend; 11. Globalization of the Bushranger Legend in Outlaw Road Movies -- Conclusion --Bibliography -- Index
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Cultural institutions take another hit in Canberra Times (04/05/2016) p.2
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Cultural power/cultural literacy : selected papers from the Fourteenth Annual Florida State University Conference on Literature and Film / edited by Bonnie Braendlin Tallahassee Gainesville, FL: Florida State University Press Orders to University Presses of Florida, 1991.
Call No: 408 CULAuthor: Braendlin, Bonnie CorpAuthor: Florida State University Conference on Literature and Film (14th : 1989)Place: Tallahassee Gainesville, FLPublisher: Florida State University Press Orders to University Presses of FloridaPubDate: 1991PhysDes: vii, 202 p. ; 21 cmSubject: POPULAR CULTURE AND THE CINEMA ; FEMINISM AND THE CINEMA ; ADVERTISING ; ANDY HARDY IN FILMS ; GENRES ; HORROR FILMS ; CRITICS ; SCHWARTZ, DELMORE ; ORDINARY PEOPLE (US, Robert Redford, 1980) ; WALL STREET (US, Oliver Stone, 1987) ; HAIRSPRAY (US, John Waters, 1988) ; FRIDAY THE 13TH [...] (US, 1980-) ; NIGHTMARE ON ELM STREET[...], A (US, 1984-) Notes: Includes bibliographical references and indexISBN: 0813010969LON: 90027304; 7695410
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The Cultural studies reader / edited by Simon During London New York: Routledge, 1993.
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Culture and youth in film in Metro Education (2000) iss.12 p.7-12
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Culture, difference and the arts / edited by Sneja Gunew and Fazal Rizvi St Leonards, NSW, Australia: Allen & Unwin, 1994.
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Culture, technology & creativity in the late twentieth century / edited by Philip Hayward London: J. Libbey, 1990].
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Cultures on celluloid / Keith Reader London New York: Quartet Books, 1981.
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Currents in Japanese cinema : essays / by Sato Tadao ; translated by Gregory Barrett Tokyo New York: Kodansha International Kodansha International/USA distributed by Kodansha International/USA through Harper & Row, 1982.
Call No: 71(52) SATAuthor: Satso Tadao, 1930 Edition: 1st edPlace: Tokyo New YorkPublisher: Kodansha International Kodansha International/USA distributed by Kodansha International/USA through Harper & RowPubDate: 1982PhysDes: 288 p. : ill. ; 22 cmSubject: JAPAN ; OSHIMA NAGISA ; KUROSAWA AKIRA ; MIZOGUCHI KENJI ; YASUJIRO OZU Notes: Rev. translation of: Nihon eiga shisso shi; Includes indexISBN: 0870118153 (U.S.); 4770013159 (Japan); 0870115073 (U.S.) : $21.50LON: 2258965ID2: 291
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The curse of the Lucky Country : the inaugural Donald Horne lecture / by Anne Summers Clayton, Vic.: Ideas for Australia 1991-92 Program in association with the National Centre for Australian Studies, Monash University.,
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Curtin in Empire (Australian Ed.) (July 2007) iss.76 p.120
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digital clippings file
CUTIES [MIGNONNES] : (FR, Maïmouna Doucouré, Denny Shoopman, 2020) Digital clippings file available
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Cuts are frightening : Dressmaker director in Sydney Morning Herald (19/05/2016) p.20
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Cutting edge : art-horror and the horrific avant-garde / Joan Hawkins Minneapolis: University of Minnesota Press, c2000.
Call No: 771.1 HAWAuthor: Hawkins, Joan, 1953 Place: MinneapolisPublisher: University of Minnesota PressPubDate: c2000PhysDes: xiii, 326 p. : ill. ; 24 cmSubject: AVANT-GARDE FILMS ; HORROR FILMS ; FRANJU, GEORGES ; MORRISSEY, PAUL ; WARHOL, ANDY ; RAPE (US, Yoko Ono & John Lennon, 1968) ; YEUX SANS VISAGE, LES (FR/IT, Georges Franju, 1959) ; FREAKS (US, Tod Browning, 1932) Notes: "Select Filmography and Videography": p; Includes bibliographical references (p. ) and indexISBN: 0816634130 (alk. paper); 0816634149 (pbk. : alk. paper)LON: 21283291
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Cutting the cord on free to air dross in favour of online viewing in Encore (July 2012) p.6
Author: Cotton, Paul PhysDes: ArticleSubject: MOBILE AND ONLINE MEDIA Summary: Opinion piece Paul Cotton hasn't watched free to air television in 3 years and questions how the networks and advertisers will react to this shift in viewing content.
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Cyan Films embarks on Iranian co-pro in Encore (December 2007) vol.26 iss.12 p.6
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Cyberfeminism : colonising cyberspace with feminist poetics in Practice (Spring/Summer 1997) iss.2 p.19-26
Author: Arnold, Josie PhysDes: Article; Bibliography; Illustration(s)Subject: DIGITAL TECHNOLOGY ; MULTIMEDIA Summary: This paper addresses some of the theories of postmodern textuality from a feminist perspective. It applies a feminist postmodern critique to the deliveries of electronic culture, particularly in relation to interactive multi-media.
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D. A. Pennebaker / by Keith Beattie Urbana: University of Illinois Press, c2011.
Call No: 81PEN BEAAuthor: Beattie, Keith Source: USPlace: UrbanaPublisher: University of Illinois PressPubDate: c2011PhysDes: 176 p. : ill. ; 21 cmSeries: Contemporary film directorsSubject: CINEMA-DIRECT ; DOCUMENTARIES ; PENNEBAKER, D. A. ; DAYBREAK EXPRESS ; PRIMARY (US, Richard Leacock, Terry Macartney-Filgate, Albert Maysles and D.A. Pennebaker, 1961) ; DONT LOOK BACK (US, D.A. Pennebaker, 1967) ; MONTEREY POP (US, D. A. Pennebaker, 1968) Summary: "This volume is the first book-length study of the extensive career and prolific works of D.A. Pennebaker, one of the pioneers of direct cinema, a documentary form that empahasizes observation and a straightforward portrayal of events. With a career spanning decades, Pennebaker's many projects have included avant-garde experiments (Daybreak Express), ground-breaking television documentaries (Primary), celebrity films (Dont Look Back), concert films (Monterey Pop), and innovative fusions of documentary and fiction (Maidstone). Exploring the concept of 'performing the real,' Keith Beattie's insightful analysis interprets Pennebaker's films as performances in which the act of filming is in itself a performative transgression of the norms of purely observational documentary. He examines the ways in which Pennebaker's presentation of unscripted everyday performances is informed by connections between documentary filmmaking and other experimental movements such as the New American Cinema. Through his collaborations with such various artists as Richard Leacock, Shirley Clarke, Norman Mailer, and Jean-Luc Godard, Pennebaker has continually reworked and redefined the forms of documentary filmmaking. This book also includes a recent interview with the director and a full filmography" -- BOOK BLURBNotes: Includes bibliographical references (p.163-169) and indexISBN: 9780252078293Contents: -- acknowledgements -- performing the real -- concert film -- collaborative filmmaking -- portraiture -- rehearsal -- interview with D.A. Pennebaker -- filmography -- bibliography -- index --
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D.A. Pennebaker : interviews / edited by Keith Beattie and Trent Griffiths Jackson [Mississippi]: University of Mississippi, c2014.
Call No: 81PEN BEAAuthor: Beattie, Keith (ed.) ; Griffiths, Trent (ed.) Source: USPlace: Jackson [Mississippi]Publisher: University of MississippiPubDate: c2014PhysDes: xxxii, 217pages ; 24 cmSeries: Conversations with filmmakersSubject: CINEMA VERITE ; DOCUMENTARIES ; DOCUMENTARY FILMS ; PENNEBAKER, D. A. ; HEGEDUS, CHRIS ; DONT LOOK BACK (US, D.A. Pennebaker, 1967) ; MONTEREY POP (US, D. A. Pennebaker, 1968) Summary: "This wide-ranging and insightful collection of interviews with D.A.Pennebaker (b.1925) spans the prolific career of this pioneer of observational cinema. From the 1950s to the present day, Pennebaker has made documentary films that have revealed the world of politics, celebrity culture, and the music industry. " -- BOOK BLURBNotes: Includes index; Includes bibliographical references, filmography and indexISBN: 9781628462029Donation: Donated by Senses of CinemaContents: -- the filmmaking of D.A. Pennebaker -- chronology -- filmography -- D.A. Pennebaker / G. Roy Levin (1970) -- Don't look back and Monterey pop: Donn Alan Pennebaker / Alan Rosenthal (1971) -- Donn looks back: cinema verite with Dylan, Bowie / Merrill Shindler (1976) -- Speaking of Samuel / Martyn Auty (1982) -- D. A. Pennebaker on the filming of Don't look back / Barbara Hogenson (1984) -- 1966 and all that: D. A. Pennebaker, filmmaker / Shelly Livson (1984) -- Looking back: D. A. Pennebaker interviewed by John Bauldie / John Bauldie (1986) -- Behind the public face of power: Martha Ansara interviews Chris Hegedus and D. A. Pennebaker / Martha Ansara (1994) -- The burning question: D. A. Pennebaker and Chris Hegedus / Kevin Macdonald and Mark Cousins (1996) -- Documentary film pioneer D. A. Pennebaker looks back and forward / Marc Savlov (1998)-- I film while leaping from my chair: D. A. Pennebaker on Bob Dylan, John Lennon, cinema verite, and Mary Poppins / David Dalton (1999) -- D. A. Pennebaker and Chris Hegedus: engineering nonfiction cinema / Liz Stubbs (2002) -- D.A. Pennebaker: at eighty, looking back and ahead / David D'arcy ( 2005) -- D.A. Pennebaker looks back / Carol Caffin (2007) -- Interview with D. A. Pennebaker and Chris Hegedus / John Berra (2008) -- Ninety years of cinematic confections: an interview with Chris Hegedus and D. A. Pennebaker / Dan Lybarger (2010) -- D.A. Pennebaker: interview / Sam Adams (2011) -- D. A. Pennebaker / Harvey Kubernik (2012) -- additional resources -- index --
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DA NAO TIAN GONG : (C/HK, Pou-Soi Cheang, 2014)
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[Dad and Dave on our selection : stills file]
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Dad Rudd, M.P. and the making of a national audience in Studies in Australasian cinema (2007) vol.1 iss.1 p.91-105
Author: Lamond, Julianne PhysDes: ArticleSubject: NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; AUDIENCES. AUSTRALIA ; HALL, KEN G. ; DAD RUDD M.P. (AT, Ken G. Hall, 1940) Summary: This article contextualizes Ken G. Hall's 1940 film Dad Rudd, M.P. with the history of Dad Rudd, a fictional character who pervaded Australian popular culture throughout the first half of the twentieth century. It argues that the fiction, theatre, film, cartoon and radio narratives in which he appeared have been instrumental in the creation of the idea of a pupular Australian audience that can be defined in relation to a particular set of national symbols. Addressing Hall's film as well as the promotional material and public debate surrounding it, the article demonstrates that conceptualizations of an Australian national audience have been influenced by the genres and narratives of popular culture, historical circumstance and American cultural production. --Abstract
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Daily activity programme : 38th annual motion picture industry convention July 17- July20 1983 Surfers Paradise. Qld. in Australasian Cinema (24/6/1983) vol.12 iss.11 p.2
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[Daisy and Simon : stills file]
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The dame in the kimono : Hollywood censorship, and the production code from the 1920s to the 1960s / Leonard J. Leff and Jerold L. Simmons London: Weidenfeld and Nicolson, 1990.
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Damien
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[Damnation of Harvey McHugh : stills file] / Greg Noakes
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Levy Collection
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Dance, media-entertainment and popular performance in South East Africa / David Kerr Bayreuth: Eckhard Breitinger, 1998.
Call No: 408.1(68) KERAuthor: Kerr, David Source: GPlace: BayreuthPublisher: Eckhard BreitingerPubDate: 1998PhysDes: 286 p. ; 21 cmSeries: Bayreuth African Studies ; 43Subject: AFRICA ; AFRICAN COUNTRIES ; BROADCASTING ; CULTURE AND THE CINEMA ; ENTERTAINMENT ; MEDIA ; NATIONAL CONTENT. AFRICAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA. AFRICAN COUNTRIES Summary: "David Kerr examines the development of popular entertainment in Zambia and Malawi. He deals with media such as film, radio and television drama as well as with the way modernisation has transformed inidigenous forms of dance and narrative. Kerr also discusses the role of performance related research and the instrumental use of African culture for development purposes." -- BOOK BLURBNotes: Includes bibliographical references (p. 259-275) and indexISBN: 3927510440Donation: donated by the family of Wayne Levy, 2006Contents: -- acknowledgments -- introduction -- section A: Dance and oral narrative -- section B: media entertainment -- section C: drama for popular mobilisation -- appendicies --
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Dancing in the distraction factory : music television and popular culture / Andrew Goodwin Minneapolis: University of Minnesota Press, 1992.
Call No: 751.83 GOOAuthor: Goodwin, Andrew, 1956 Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1992PhysDes: xxiii, 237 p. ; 24 cmSubject: MTV Networks Notes: Includes bibliographical references (p. 217-230) and indexISBN: 0816620628 (acid-free); 0816620636 (pbk. : acid-free)LON: 9007927
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Danny Boyle : interviews / edited by Brent Dunham Jackson, Miss.: University Press of Mississippi, 2011.
Call No: 81BOYLE DANSource: USPlace: Jackson, Miss.Publisher: University Press of MississippiPubDate: 2011PhysDes: xli, 170 p. ; 24 cmSeries: Conversations with filmmakersSubject: BOYLE, DANNY ; SHALLOW GRAVE (UK, Danny Boyle, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; LIFE LESS ORDINARY, A (US, Danny Boyle, 1997) ; BEACH, THE (US, Danny Boyle, 1999) ; [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; MILLIONS (UK, Danny Boyle, 2004) ; SUNSHINE (UK/US, Danny Boyle, 2007) ; SLUMDOG MILLIONAIRE (UK/US, Danny Boyle and Loveleen Tandan, 2008) ISBN: 9781604738339Donation: donated by Senses of Cinema, 2013Contents: Lean, mean, and cruel / Ronan Bennett -- The boys are back in town / Geoffrey Macnab -- Trainspotters / Monika Maurer -- Trainspotting : the choice of a new generation / Keith Hopper -- Train conductor: the director who dared to violate the just say no code / Anne Burns -- Fame? they can keep it / Tom Charity -- A team less ordinary / Ben Thompson -- Sink or swim / Simon Hattenstone -- The Leo factor / Stephen Short -- Smack my beach up / Tom Charity -- Back from the beach / Rupert Smith -- All the rage / Tom Charity -- Danny Boyle : a death less ordinary / Genevieve Harrison -- 28 days later : an interview with Danny Boyle / Sandy Hunter -- Danny Boyle : the looking closer interview / Jeffrey Overstreet -- Q& A with Danny Boyle, director of Millions / John Suozzo -- Danny Boyle / Brendan MacDevette -- Zombies, smack addicts, and Starbucks / Brian Libby -- Sunshine superman / Amber Wilkinson -- Danny Boyle talks about Sunshine / Ambrose Heron -- Interview : Danny Boyle / Faisal Latif -- Peter Hawley interviews Danny Boyle / Peter Hawley -- 2007's Space Odyssey : Q& A with Sunshine director Danny Boyle / Kevin Polowy -- Boyle's orders / Hank Sartin -- Slumdog millionaire : Danny Boyle interview / Catherine Bray -- Interview : Danny Boyle on Slumdog millionaire / Ambrose Heron -- Danny Boyle / Tavis Smiley -- Director Danny returns home to a rip-roaring welcome / Bury Times
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journal article
Danny Deckchair in Empire (Australian Ed.) (September 2003) iss.30 p.41
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'Danny's Egg' starts hatching in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.6
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[Darin : stills file]
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[Dark room, the : stills file]
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The dark side of the screen : film noir / Foster Hirsch San Diego London: A. S. Barnes Tantivy Press, 1981.
Call No: 734 HIRAuthor: Hirsch, Foster Edition: 1st edPlace: San Diego LondonPublisher: A. S. Barnes Tantivy PressPubDate: 1981PhysDes: 229 p. : ill. ; 29 cmSubject: FILM NOIR ; BAD GUYS ; EXPRESSIONISM ; WOMEN IN FILMS ; BOGART, HUMPHREY ; CHANDLER, RAYMOND ; DASSIN, JULES ; HITCHCOCK, ALFRED ; LANG, FRITZ ; HAMMETT, DASHIELL ; MURDER MY SWEET (US, Edward Dmytryk, 1945) ; SORRY, WRONG NUMBER (US, Anatole Litvak, 1948) ; BIG CLOCK, THE (US, John Farrow, 1947) ; BIG HEAT, THE (US, Fritz Lang, 1953) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; KILLERS, THE (US, Robert Siodmak, 1946) ; MALTESE FALCON, THE (US, John Huston, 1941) ; NIGHT AND THE CITY (US, Jules Dassin, 1950) ; PROWLER, THE (US, Joseph Losey, 1950) ; EDGE OF DOOM (US, Mark Robson, 1950) ; MURDER MY SWEET (US, Edward Dmytryk, 1945) ; GUN CRAZY (US, Joseph H. Lewis, 1949) ; BIG COMBO, THE (US, Joseph H. Lewis, 1955) Notes: Includes index; Bibliography: p. 211-212; Filmography: p. 213-220ISBN: 049802234XLON: 80028955; 1868575
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Darkness subverted : Aboriginal Gothic in Black Australian literature / Katrin Althans Goettingen: V&R unipress GMBH,
Call No: 639(94)-054(=995.1) ALTAuthor: Althans, Karin Edition: 2010Place: GoettingenPublisher: V&R unipress GMBHPhysDes: 214 p. : illus. ; 25 cmSubject: WATSON, SAM ; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990) ; BEDEVIL (AT, Tracey Moffat, 1993) ; COLE, BECK ; INDIGENOUS ; LITERATURE AND THE CINEMA Summary: At the heart of the Gothic novel proper lies the discursive binary of »self« and »other«, which in colonial literature was quickly filled with representations of the colonial master and his indigenous subject. Contemporary black Australian artists have usurped this colonial Gothic discourse, torn it to pieces, and finally transformed it into an Aboriginal Gothic.
This study first develops the theoretical concept of an Aboriginal Gothic and then uses this term as a tool to analyse novels by Vivienne Cleven, Mudrooroo, Kim Scott, Sam Watson, and Alexis Wright as well as films directed by Beck Cole and Tracey Moffatt. It centres on the question of how a genuinely European mode, the Gothic, can be permeated and thus digested by elements of indigenous Australian culture in order to portray the current situation of Aboriginal Australians and to celebrate a recovered cultural identity. -- publisher's blurbISBN: 9783899717686ID2: 247
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The data book : New Zealand's screen production directory Auckland: Mediaweb Ltd in association with Images & Sound and Onfilm magazine, 2012.
Call No: 058.7(931)DATEdition: 2012Place: AucklandPublisher: Mediaweb Ltd in association with Images & Sound and Onfilm magazinePubDate: 2012PhysDes: 210 p. ; 30 cmSubject: NEW ZEALAND ; PRODUCTION ISBN: 047300627
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[Date with destiny, a : stills file]
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David Lynch / Michel Chion, Robert Julian (trans.) London: British Film Institute, 2006.
Call No: 81LYN CHIAuthor: Chion, Michel Edition: 2nd ed.Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 246 p. : 24 cmSubject: LYNCH, DAVID ; CHION, MICHEL ; GRANDMOTHER, THE (US, David Lynch, 1970) ; ERASERHEAD (US, David Lynch, 1977) ; ELEPHANT MAN, THE (US, David Lynch, 1980) ; DUNE (US, David Lynch, 1984) ; BLUE VELVET (US, David Lynch, 1986) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; WILD AT HEART (US, David Lynch, 1990) ; LOST HIGHWAY (US, David Lynch, 1996) ; STRAIGHT STORY, THE (US/FR/UK, David Lynch, 1999) ; MULHOLLAND DRIVE (US, David Lynch, 2001) Summary: Michel Chion’s study of the film and television work of David Lynch has become, since its first English publication in 1995, the definitive book on one of America’s favourite contemporary directors. In this new edition Chion brings the book up to date to take into account Lynch’s work in the last ten years, including the major features Lost Highway, The Straight Story and Mulholland DriveISBN: 1844570304
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David Niven signed for "Trail of the Pink Panther" in Australasian Cinema (16/4/1982) vol.11 iss.6 p.11
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The day of the cicadas in The Australian [Review] (05/01/2013) p.18
Call No: TITLE CLIPPINGS FILE; NEXT STOP HOLLYWOOD [TV] (AT, Gary Doust, 2012)Author: Matchett, Stephen PhysDes: Clippings File ArticleSubject: NEXT STOP HOLLYWOOD [TV] (AT, Gary Doust, 2012) Summary: Postive review of TV show Next Stop Hollyhwood, suggesting that it is a real-life 'The Day of the Locust' featuring six Australian actors looking to make it big in Hollywood
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The day truth in cinema got blood on its hands in Sunday Age [M] (23/08/2015) p.20
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[Dead calm : stills file]
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The dead that walk / Leslie Halliwell London: Collins, 1986.
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[Deadly : stills file]
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[Death in Brunswick : stills file]
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Death of Bill Band in Australasian Cinema (23/7/1982) vol.11 iss.13 p.2
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Death of Norma Shearer in Australasian Cinema (15/7/1983) vol.12 iss.12 p.20
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Death of Sid Wood in Australasian Cinema (25/2/1983) vol.12 iss.3 p.2
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Deathtripping : an illustrated history of the cinema of transgression / [written, edited and compiled by Jack Sergeant] London San Francisco: Creation Books, 1995.
Call No: 771 SARAuthor: Sargeant, Jack Place: London San FranciscoPublisher: Creation BooksPubDate: 1995PhysDes: 252 p. : ill. ; 25 cmSubject: UNDERGROUND FILMS ; B-MOVIES ; ZEDD, NICK ; B, BETH & SCOTT ; KERN, RICHARD ; LUNCH, LYDIA ; TURNER, TOMMY ; WOJNAROWICZ, DAVID ; HUGHES-FREELAND, TESSA ; STARK, CASANDRA ; ROSSI, JERI CAIN ; BAYLOR, RICHARD ; PHILLIPS, TODD ; FINGERED (US, Richard Kern, 1986) ; WHERE EVIL DWELLS (US, Tommy Turner & David Wojnarowicz, 1985) ; MY NIGHTMARE (US, Richard Kern, 1993) ; GEEK MAGGOT BINGO (US, Nick Zedd, 1983) Summary: Deathtripping is an illustrated history, account and critique of the "Cinema Of Transgression", providing a long-overdue and comprehensive documentation of this essential modern sub-cultural movement and its roots in the New York art/rock and underground film scenesNotes: Includes bibliographical references (p. [241]-244) and indexesISBN: 1871592291 : ª11.95 : $16.95LON: 12298911
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The debonairs / James Robert Parish and Don E. Stanke ; editor, T. Allan Taylor ; research associates, John Robert Cocchi, Michael R. Pitts, Florence Solomon ; introd. by Earl Anderson New Rochelle, N.Y.: Arlington House, c1975.
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The decline and fall of the love goddesses / Patrick Agan Los Angeles: Pinnacle Books, c1976.
Call No: 465.15 AGAAuthor: Agan, Patrick Place: Los AngelesPublisher: Pinnacle BooksPubDate: c1976PhysDes: ix, 286 p. : illus. ; 28 cmSubject: STARS ; DANDRIDGE, DOROTHY ; DARNELL, LINDA ; FARMER, FRANCES ; GRABLE, BETTY ; HAYWARD, SUSAN ; HAYWORTH, RITA ; HUTTON, BETTY ; LAKE, VERONICA ; MANSFIELD, JAYNE ; MONROE, MARILYN Summary: The stories of ten Hollywood actresses whose fame and glamorous onscreen personas hid troubles within their private lives.
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The Demonstrator, The Cop and The T.V. Crew in Lumiere (November-December 1971) iss.12 p.18-20
PhysDes: ArticleSubject: JOURNALISM ; NEWS PROGRAMMES. ; VIOLENCE ON TV Summary: Interview with writer-producer Bob Talbot on the rise of police violence toward journalists and television crews. Discusses the difference in news coverage in Australia and America.
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Demystifying dramaturgy : Nico Lathouris in Lumina (Winter 2009) iss.1 p.61-73
Author: Turk, Rachael (interviewer) PhysDes: ArticleSubject: NARRATIVE IN FILMS ; LATHOURIS, NICO Summary: Lathouris discusses his view of dramaturgy - techniques dramatic composition and the representation of the main elements of drama on stage or screen. Lathouris incorporates aspects of writing, script editing, performance directing, creative producing and dramaturgy in hiw work on projects that have included Justice League (not produced) and Mad Max 4: Fury Road.
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The Dendy collection '03 : A collection of new cinema from around the Globe Artarmon, NSW: [Dendy Films], [2003].
Call No: F(027)(94)DENCorpAuthor: [Dendy Films]Edition: [2003]Place: Artarmon, NSWPublisher: [Dendy Films]PubDate: [2003]PhysDes: 24 unnumbered pages : illustrated ; 28 cmSubject: DISTRIBUTION. AUSTRALIA ; DENDY FILMS ; DENDY CINEMAS ; MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002) ; SWIMMING POOL (FR/UK, Francois Ozon, 2003) ; IN THIS WORLD (UK, Michael Winterbottom, 2002) ; DOGVILLE (DK, Lars Von Trier, 2002) ; TRAVELLING LIGHT (AT, Kathryn Millard, 2003) ; DIARIOS DE MOTOCICLETA (US/AG/CL/PE, Walter Salles, 2004) ; MORVERN CALLAR (UK/CN, Lynne Ramsay, 2002) ; IDOLE, L' (FR, Samantha Lang, 2002)
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Detours and lost highways : a map of neo-noir / Foster Hirsch New York: Limelight Editions, [1999].
Call No: 734.1 HIRAuthor: Hirsch, Foster Edition: [1st Limelight ed.]Place: New YorkPublisher: Limelight EditionsPubDate: [1999]PhysDes: 398 p. : ill. ; 23 cmSubject: FILM NOIR ; FEMME FATALE ; FILM NOIR. FRANCE ; FULLER, SAMUEL ; CHANDLER, RAYMOND ; Wenders, Wim ; WOOLRICH, CORNELL ; Tarantino, Quentin ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; CRISS CROSS (US, Robert Siodmak, 1948) ; GETAWAY, THE (US, Sam Peckinpah, 1972) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; TIREZ SUR LE PIANISTE (FR, Francois Truffaut, 1960) ; AGAINST ALL ODDS (US, Taylor Hackford, 1984) ; BETRAYED (US, Constantin Costa-Gavras, 1988) ; BLUE VELVET (US, David Lynch, 1986) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CHINATOWN (US, Roman Polanski, 1974) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; DEATH WISH (US, Michael Winner, 1974) Notes: SEE REPAIRS; Filmography: p. 329-377; Includes bibliographical references (p. 325-327) and indexISBN: 0879102888Order Received: 2000LON: 20214725
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Development of the film : an interpretive history / Alan Casty New York: Harcourt Brace Jovanovich, 1973.
Call No: 70 CASAuthor: Casty, Alan Source: USPlace: New YorkPublisher: Harcourt Brace JovanovichPubDate: 1973PhysDes: 425 p. ; 23 cmSubject: EDITING ; HISTORICAL FILMS ; HISTORY AND THE CINEMA ; PRODUCTION TECHNOLOGY ; GENRES ; SOCIAL HISTORY AND THE CINEMA ; BOGART, HUMPHREY ; BRECHT, BERTOLT ; BUNUEL, LUIS ; CAPRA, FRANK ; CARNE, MARCEL ; CHAPLIN, CHARLES ; CLAIR, RENE ; COOPER, GARY ; CURTIZ, MICHAEL ; DEMILLE, CECIL B. ; DE SICA, VITTORIO ; DIETRICH, MARLENE ; DOVZENKO, ALEKSANDR ; DREYER, CARL TH. ; DUVIVIER, JULIEN ; Fellini, Federico ; FLAHERTY, ROBERT ; FORD, JOHN ; GARBO, GRETA ; GODARD, JEAN-LUC ; GRIFFITH, DAVID WARK ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; HAWKS, HOWARD ; KINGSLEY, STANLEY ; KAZAN, ELIA ; LANG, FRITZ ; Lean, David ; LEROY, MERVYN ; LUBITSCH, ERNST ; MCCREA, JOEL ; MAMOULIAN, ROUBEN ; MARX BROTHERS ; MILESTONE, LEWIS ; MURNAU, FRIEDRICH WILHELM ; NEWMAN, PAUL ; PABST, GEORG WILHELM ; Pasolini, Pier Paolo ; Peckinpah, Sam ; PUDOVKIN, VSEVELOD ; REED, CAROL ; RENOIR, JEAN ; ROSSELLINI, ROBERTO ; ROSSEN, ROBERT ; Stewart, James ; TOLAND, GREGG ; TRUFFAUT, FRANCOIS ; VIGO, JEAN ; VISCONTI, LUCHINO ; VON STERNBERG, JOSEF ; VON STROHEIM, ERICH ; WAYNE, JOHN ; WELLES, ORSON ; WELLMAN, WILLIAM ; WILDER, BILLY ; WISE, ROBERT ; WYLER, WILLIAM ; ZOLA, EMILE ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; INTOLERANCE (US, David Wark Griffith, 1916) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; STRAW DOGS (UK, Sam Peckinpah, 1971) Summary: The development of the cinemictic styles and genres in films worldwide and the important professical within the film industry.ISBN: 0155176226
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Dials turn digital in hit-and-miss market in The Australian (21/12/2015) p.16
Call No: SUBJECT CLIPPINGS FILE; MEDIA. AUSTRALIAAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: MEDIA. AUSTRALIA Summary: Report on the Australian radio market for 2015, which includes discussion of various media companies
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The diary : Sky shareholders reject News offer in The Australian (22/06/2015) p.27
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The Diary : Olivia off limits in The Australian (07/12/2015) p.24
Call No: PERSONALITY CLIPPINGS FILE; NEWTON-JOHN, OLIVIAAuthor: Davidosn, Darren -- Mitchell, Jake PhysDes: Clippings File ArticleSubject: NEWTON-JOHN, OLIVIA Summary: Snippet on Olivia Newton-John looking to end a production about her life story. One production about her is to start filming shortly with a rumor that Delta Goodrem is to play the role of Olivia Newton-John
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The diary : streaming action in The Australian (15/02/2016) p.24
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The diary : media law showdown in The Australian (28/03/2016) p.24
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The diary : Verdict await at Nine in The Australian [Media] (18/04/2016) p.24
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: Davidson, Darren ; Mitchell, Jake PhysDes: Clippings File ArticleSubject: NINE NETWORK Summary: Nine's cancels several television shows after Nine's ratings fail to rise on the back of failures such as Reno Rumble and Australia's got Talent.
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The diary : programmer moves on in The Australian [Media] (17/10/2016) p.24
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The diary : reform adrift in Fifield triangle in The Australian (13/02/2017) p.24
Call No: SUBJECT CLIPPINGS FILE; MEDIA. AUSTRALIAAuthor: Brook, Stephen PhysDes: Clippings File ArticleSubject: MEDIA AUSTRALIA ; STATE AND TV. AUSTRALIA Summary: Commentary on the pace of reform in the Australian media by the current federal Communications Minister Mitch Fifield, as well as the outstanding government appointments to various media bodies such as SBS, ABC, and Scren Australia
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Diasporas of Australian cinema / edited by Catherine Simpson, Renata Murawska and Anthony Lambert Bristol: Intellect, 2009. Available at ProQuest (RMIT login required)
Call No: 408.3 DIASource: UKPlace: BristolPublisher: IntellectPubDate: 2009PhysDes: 213 p. : ill. ; 24 cmSubject: MULTICULTURALISM AND THE CINEMA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ETHNIC GROUPS IN FILMS. AUSTRALIA ; LUCKY MILES (AT, Michael James Rowland, 2007) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; BIRTHDAY BOY (AT, Sejong Park, 2004) Summary: Diasporas of Australian Cinema is the first volume of essays to focus on diasporic hybridity and cultural diversity in Australian film-making over the past century. Topics include, post-war documentaries and migration, Asian-Australian subjectivity, cross-cultural romance, 'wogsploitation' comedy, and post-ethnic cinema. This collection also provides a comprehensive filmography making it a useful reference text for scholars of Australian film and cultural studies. The book is a vital contribution to the burgeoning international body of critical work on diasporic cinemas --CoverNotes: Catherine Simpson and Renata Murawska are lecturers in the department of media at Macquarie University in Sydney. Anthony Lambert is a lecturer in the department of critical and cultural studies at Macquarie University.; Includes bibliographical references and indexISBN: 9781841501970Contents: Preface -- Diasporas of Australian cinema - a provocation: Toby Miller; Part one: Theories -- Introduction: rethinking diasporas - Australian cinema, history and society: Catherine Simpson, Renata Murawska and Anthony Lambert -- Tinkering at the borders: lucky miles and the diasporic (no) road movie: Catherine Simpson -- Ethics and risk in Asian-Australian cinema: 'The Last Chip': Audrey Yue -- 'I'm falling in your love': cross-cultural romance and the refugee film: Sonia Magdelena Tascon -- White aborigines: women, space mimicry and mobility: Anthony Lambert; Part two: Representations -- Wogboy comedies and the Australian national type: Felicity Collins -- Excess in Oz: the crazy Russian and the quiet Australian: Greg Dolgopolov -- Anzac's 'others': 'cruel Huns' and 'noble Turks': Antje Gnida and Catherine Simpson -- 'Now you blokes own the place': representations of Japanese culture in recent Australian cinema: Rebecca Coyle -- Other shorelines, or the Greek-Australian cinema: John Conomos; Part three: Film-makers -- 'A European heart': Exile, isolation and interiority in the life and films of Paul Cox: Marek Haltof -- Sophia Turkiewicz: Australianizing Poles, or 'bloody nuts and balts' in Silver City (1984): Renata Murawska -- Lebanese Muslims speak back: two films by Tom Zubrycki: Susia Khamis -- Sejong Park's Birthday Boy and Korean-Australian encounters: Ben Goldsmith and Brian Yecies -- Diasporic filmography: Garry Gillard and Anthony LambertURL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=457082'
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Dick Prowse : Film Editor Extraordinaire! in Lumiere (February 1971) iss.7 p.15-17
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Dick Smith signed by MGM for 'The Hunger' in Australasian Cinema (18/6/1982) vol.11 iss.10 p.2
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Dickens and film / by A. L. Zambrano New York: Gordon Press, 1976.
Call No: 753DIC ZAMAuthor: Zambrano, A. L Place: New YorkPublisher: Gordon PressPubDate: 1976PhysDes: 442 pages : illustrations ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; LITERATURE AND THE CINEMA ; MUSICALS ; SURREALISM AND THE CINEMA ; THEATRE AND THE CINEMA ; GRIFFITH, DAVID WARK ; EISENSTEIN, SERGEI M. ; DAVID COPPERFIELD (US, George Cukor, 1935) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; GREAT EXPECTATIONS (UK, Joseph Hardy, 1975) ; OLIVER TWIST (UK, David Lean, 1948) ; SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951) ; SCROOGE (UK, Ronald Neame, 1970) ; TALE OF TWO CITIES, A (US, Jack Conway, 1935) Summary: This book discusses the works of Charles Dickens that has been adapted into film up until the mid 1970s. It discusses Dickens's relationship to the theatre (cinema's closest ancestor), the Victorian values of Dickens's work, the cinematic elements of Dickens's writing, and modern filmic adaptations of his work.Notes: Includes filmography -- collection's copy is fragile, handle with careISBN: 0879684569LON: 76016479; 174074
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Did I ever tell you this? / Sam Neill Melbourne: Text Publishing, 21 March 2023.
Call No: 81 NEI NEIAuthor: Neill, Sam Place: MelbournePublisher: Text PublishingPubDate: 21 March 2023PhysDes: 432 pages : illustrated ; 25 cmSubject: NEILL, SAM Summary: In this unexpected memoir, written in a creative burst of just a few months in 2022, Sam Neill tells the story of how he became one of the world’s most celebrated actors, who has worked with everyone from Meryl Streep to Isabel Adjani, from Jeff Goldblum to Sean Connery, from Steven Spielberg to Jane Campion.
By his own account, his career has been a series of unpredictable turns of fortune. Born in 1947 in Northern Ireland, he emigrated to New Zealand at the age of seven. His family settled in Dunedin on the South Island, but young Sam was sent away to boarding school in Christchurch, where he was hopeless at sports and discovered he enjoyed acting.
But how did you become an actor in New Zealand in the 1960 and 1970s where there was no film industry? After university he made documentary films while also appearing in occasional amateur productions of Shakespeare. In 1977 he took the lead in Sleeping Dogs, the first feature made in New Zealand in more than a decade, a project that led to a major role in Gillian Armstrong’s celebrated My Brilliant Career.
And after that Sam Neill found his way, sometimes by accident, into his own brilliant career. He has worked around the world, an actor who has moved effortlessly from blockbuster to art house to TV, from Dr Alan Grant in the Jurassic Park movies to The Piano and Peaky Blinders.
Did I Ever Tell You This? is a joy to read, a marvellous and often very funny book, the work of a natural storyteller who is a superb observer of other people, and who writes with love and warmth about his family. It is also his account of his life outside film, especially in Central Otago where he established Two Paddocks, his vineyard famous for its pinot noir.ISBN: 9781922790309
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Die nibelungen : 'Siegried' and 'Kriemhilds rache' in Sydney University Film Group Bulletin (Aug. 1971) iss.55 p.26-27
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Dietrich's ghosts : the sublime and the beautiful in Third Reich film / Erica Carter London: BFI, 2004.
Call No: 71(430) CARAuthor: Carter, Erica Source: UKPlace: LondonPublisher: BFIPubDate: 2004PhysDes: 246 p. ; ill. ; 24 cmSubject: NAZIS IN FILMS ; FASCISM AND THE CINEMA Summary: This work argues that many German films made under the Third Reich featured the images of the beautiful and the sublime in a way to further the Reich’s cause. In particular it focuses on three actors: Emil Jannings, Zarah Leander, and Marlene Dietrich.ISBN: 0851708838
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The Digi-buds bloom : Simon Enticknap on films from the AFTRS Digital Media Studio in Realtime (Oct-Nov 1999) iss.33 p.24
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Digital delight in Sydney Morning Herald [Arts & Entertainment] (11/12/2014) p.30
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Digital media quicklist. / Australian Film Television & Radio School. Jerzy Toeplitz Library. 1997.
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The digital museum of now in The Australian (07/02/2017) p.15
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN CENTRE FOR THE MOVING IMAGE (ACMI)Author: Westwood, Matthew PhysDes: Clippings File ArticleSubject: MUSEUMS ; AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI] Summary: Discussing the importance of preserving and archiving digital items such as websites, computer games, and digital news. Seb Chan from ACMI is interivewed
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Directed by Vincente Minnelli / Stephen Harvey ; foreword by Liza Minnelli New York: Museum of Modern Art Harper & Row, 1989.
Call No: 81MIN HARAuthor: Harvey, Stephen Place: New YorkPublisher: Museum of Modern Art Harper & RowPubDate: 1989PhysDes: 315 p. : ill. (some col.) ; 29 cmSubject: MINNELLI, VINCENTE ISBN: 0870704745; 0060162635LON: 89063633; 7265015
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Director of 'Heatwave'- Phillip Noyce in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.10
PhysDes: ArticleSubject: HEATWAVE (AT, Phillip Noyce, 1981) ; CASTOR AND POLLUX (AT, Phillip Noyce, 1973) ; BACKROADS (AT, Philip Noyce, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; NOYCE, PHILLIP Summary: Article on Phillip Noyce's films, followed by a synopsis of his latest feature, 'Heatwave'.
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Director's real estate drama close to home in The Australian (27/04/2016) p.15
Call No: TITLE CLIPPINGS FILE; MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015)Author: Bodey, Michael PhysDes: Clippings File ArticleSubject: SAVILLE, MATTHEW ; MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015) Summary: Interview with Matthew Saville, the director of A MONTH OF SUNDAYS. He discusses the making of the film and how he got the inspiration to directed it, as well as his career in general
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Director weaves artful spell behind museum walls in The Age [Arts & Entertainment] (05/03/2015) p.32
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Directors and directions : cinema for the seventies / John Russell Taylor London: Eyre Methuen, 1975.
Call No: 802.25 TAYAuthor: Taylor, John Russell Source: UKPlace: LondonPublisher: Eyre MethuenPubDate: 1975PhysDes: 327 p. ; 21 cmSubject: CHABROL, CLAUDE ; Pasolini, Pier Paolo ; ANDERSON, LINDSAY ; KUBRICK, STANLEY ; WARHOL, ANDY ; MORRISSEY, PAUL ; Ray, Satyajit ; JANCSO, MIKLOS ; MAKAVEJEV, DUSAN Summary: A study of the cinema of the 1970s based around the films made by the directors Claude Chabrol, Pier Paolo Pasolini, Lindsay Anderson, Stanley Kubrick, Andy Warhol and Paul Morrissey, Satyajit Ray, Miklos Jancso, and Dusan Makavejev.ISBN: 0413319202
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Directory of Australian multicultural films and videos : a resource guide for community groups, teachers, film-makers, researchers, librarians / Australian Institute of Multicultural Affairs Melbourne: Australian Institute of Multicultural Affairs, 1985.
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Directory of world cinema : Russia Bristol, UK ; Chicago: Intellect., 2011. Available at ProQuest (RMIT login required)
Call No: 71 (47) DIRAuthor: Beumers, Birgit Place: Bristol, UK ; ChicagoPublisher: Intellect.PubDate: 2011PhysDes: 333 p. : ill. ; 25 cm.Series: Directory of world cinema, 2040-7971 ; v.4
Directory of world cinema ; v. 4.Subject: RUSSIA ; RUSSIA IN FILMS ; RUSSIANS IN FILMS ; U.S.S.R. ; U.S.S.R. IN FILMS ; SOVIET UNION ; BAUER, EVGENII ; EISENSTEIN, SERGEI ; VERTOV, DZIGA ; TARKOVSKII, ANDREI ; MIKHALKOV, NIKITA ; SOKUROV, ALEKSANDR ; WOLFY ; VOLCHOK ; KINOTAVR Summary: Analysis of Russian films over the last hundred plus years through the lens of genre (alien to Soviet film culture, which perceived genre as a low-culture, capitalist mass product). Each chapter begins with a broad overview of the films categorised within a particular genre and a description of the political and cultural context in which these films were produced. Films are then individually summarised and critiqued. Preliminary chapters discuss 2009 Film of the Year,Vasilii Sigarev's Wolfy; film production in Russia; Russian directors; and the concept of genre in Russia.Notes: Includes bibliographical references and filmography.ISBN: 9781841503721 (pbk.)
184150372X (pbk.)Donation: Senses of CinemaContents: Film of the year : Vasilii Sigarev's Wolfy (2009) -- Interview : Vasilii Sigarev and Iana Troianova -- Film production in Russia : an industry? -- Festival focus : Kinotavr -- What does zhanr mean in Russian -- Directors : Evgenii Bauer, Sergei Eisenstein, Dziga Vertov, Andrei Tarkovskii, Nikita Mikhalkov, Aleksandr Sokurov -- Historical film : Essay ; Reviews -- War film : Essay ; Reviews -- Comedy and musical comedy : Essay ; Reviews -- Melodrama : Essay ; Reviews -- Literary adaptation : Essay ; Reviews -- Biopic : Essay ; Reviews -- Action/ Red Western : Essay ; Reviews -- Children's films : Essay ; Reviews -- Animation : Essay ; Reviews -- Documentary : Essay ; Reviews -- Recommended reading : Russian Cinema Online.URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=632577'
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Directory of world cinema : Australia & New Zealand 2 / edited by Ben Goldsmith, Mark David Ryan and Geoff Lealand Bristol, U.K. ; Chicago, USA: Intellect Books, 2015.
Call No: 71(94) WORAuthor: Goldsmith, Ben (ed.), Ryan, Mark David (ed.), Lealand, Geoff (ed.) Source: UKPlace: Bristol, U.K. ; Chicago, USAPublisher: Intellect BooksPubDate: 2015PhysDes: 364 pages ; 24 cmSeries: Directory of world cinema ; 19Subject: WORLD CINEMA ; AUSTRALIA ; ABORIGINAL AUSTRALIAN CINEMA ; NEW ZEALAND ; MAORI CINEMA Summary: "Building on and bringing up to date the material presented in the first installment of Directory of World Cinema: Australia and New Zealand, this volume continues the exploration of the cinema produced in Australia and New Zealand since the beginning of the twentieth century. Among the additions to this volume are in-depth treatments of the locations that feature prominently in the countries' cinema. Essays by leading critics and film scholars consider the significance of films of the outback and the beach, which is evoked as a liminal space in Long Weekend and a symbol of death in Heaven's Burning, among other films. Other contributions turn the spotlight on previously unexplored genres and key filmmakers, including Jane Campion, Rolf de Heer, Charles Chauvel, and Gillian Armstrong. Accompany the critical essays in this volume are more than 60 film reviews, complemented by full-colour film stills and significantly expanded references for further study. From The Piano to Red Dog, from Pictures to The Orator, Directory of World Cinema: Australia and New Zealand 2 completes this comprehensive treatment of two similar - but also different - and consistenly fascinating national cinemas." -- BOOK BLURBNotes: Includes recommended reading; Includes filmographyISBN: 9781841506340Contents: Introduction: Australia -- Film of the Year -- Red Dog -- Festival Focus -- Brisbane International Film Festival -- Australian Film Locations -- Marketing Mix -- Finding International Audiences -- Star Study -- Errol Flynn -- Directors -- Jane Campion -- Arthur and Corrine Cantrill -- Ken G Hall -- Brian Trenchard Smith -- Action and Adventure -- Australian Animated Feature Films -- Comedian Comedy -- Crime -- Australian Gothic -- Horror -- Road Movie -- Science Fiction -- Thriller -- War -- The Australian Western -- Introduction: New Zealand -- Crossing the Ditch -- Directors -- Women Directors of Feature Films in New Zealand -- Annie Goldson -- Gaylene Preston -- Director Studies -- Costa Botes -- Yvonne Mackay -- Merata Mita -- Barry Barclay -- Christine Jeffs -- Experimental and Documentary Film -- Theatrical Documentary in New Zealand 2012 -- Genres of New Zealand Experimental Film -- 'Principled Patriotism' -- Emerging Asian New Zealand Film-makers in New Zealand Cinema
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Directory of world cinema. Volume 3, Australia & New Zealand / edited by Ben Goldsmith and Geoff Lealand Bristol, UK: Intellect, 2010. Available at ProQuest (RMIT login required)
Call No: 71(93) DIRAuthor: Goldsmith, Ben (ed.) ; Lealand, Geoff (ed.) Place: Bristol, UKPublisher: IntellectPubDate: 2010PhysDes: 339 p. : ill. ; 30 cmSeries: Directory of world cinema ; v. 3Subject: AUSTRALIA ; NEW ZEALAND ; WORLD CINEMA ; HOLMES, CECIL ; Powell, Michael ; WEIR, PETER ; LUHRMANN, BAZ ; HORROCKS, SHIRLEY ; KOTHARI, SHUICHI ; WARD, VINCENT ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; PIANO, THE (AT, Jane Campion, 1993) ; WOLF CREEK (AT, Greg McLean, 2005) Summary: "This edition to Intellect's Directory of World Cinema series turns the spotlight on Australia and New Zealand. This ambitious volume offers an in-depth and exciting look at the cinema produced in these two countries since the turn of the twentieth century. Though the two nations share considerable cultural and economic connections, thier film industries remain distinct, marked by differences of scale, level of government involvement and funding, and relations with other countries and national cinemas. Through essays about prominent genres and themes, profiles of directors, and comprehensive reviews of significant titles, this user-friendly guide explores the diversity and distinctiveness of films from Australia and New Zealand from Whale Rider to The Piano to Wolf Creek.Notes: Includes bibliographical referencesISBN: 9781841503684Contents: -- acknowledgments -- Introduction : Australian cinema -- Directors -- Cecil Holmes (1921-1994) -- Michael Powell (1905-1990) -- Peter Weir (1944-) -- Baz Luhrmann (1962-) -- Disability in the Australian cinema -- Short films -- Bushranger -- War cinema -- Crime -- Prison -- Period -- Comedy -- Coming of age -- Horror -- Road movies -- Science fiction and fantasy -- Ozploitation -- New Zealand: Introduction : New Zealand film in 2009: Geoff Lealand -- Experimental film: Martin Rumsby -- Directors -- Shirley Horrocks -- Shuichi Kothari -- Vincent Ward -- Genre and themes -- recommended reading -- Australia & New Zealand cinema online -- notes on contributors --URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=584346'
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Dirty Deeds in Empire (Australian Ed.) (March 2003) iss.24 p.92
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Discomfort and awe as Cruise exerts control in The Age [Arts & entertainment] (30/07/2015) p.20
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Discomfort and awe with Cruise's stunts in Canberra Times [Panorama] (1/08/2015) p.22
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Discovery Communications walks from Channel Ten auction in Australian Financial Review [Companies and Markets] (23/03/2015) p.13
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Discussion paper - establishing a national screen art network / Brian Doherty, Susan Charlton and Maria Haros [Australia]: [s.n.], 1997.
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Discussion paper on the future of Film Australia and the National Interest Program (NIP) / prepared by Chris Hilton [Sydney]: Australian Screen Directors Association, 1997.
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[Dish, the : stills file] / Lisa Tomasetti Roadshow Film Distributors (distributor),
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Disney discourse : producing the magic kingdom / edited by Eric Smoodin New York: Routledge, 1994.
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The Disney studio story / Richard Holliss, Brian Sibley London, [England]: Octopus, c1988.
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The Disney Version : the life, times, art and commerce of Walt Disney / Richard Schickel Ney York: Simon & Schuster, 1986.
Call No: 81DIS SCHAuthor: Schickel, Richard Source: USPlace: Ney YorkPublisher: Simon & SchusterPubDate: 1986PhysDes: 384 p. ; 22 cmSubject: DISNEY, WALT ; MICKEY MOUSE ISBN: 1851450076Donation: donated by the family of Wayne Levy, 2006
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A distinctive voice : Warwick Thornton & Kath Shelper in Lumina (Winter 2009) iss.1 p.35-44
Author: Turk, Rachael (interviewer) PhysDes: ArticleSubject: ABORIGINAL AUSTRALIAN CINEMA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; THORNTON, WARWICK ; SHELPER, KATH ; SAMSON AND DELILAH (AT, Warwick Thornton, 2009) ; NANA [TV] (AT, Warwick Thornton, 2007) ; GREEN BUSH (AT, Warwick Thornton, 2004) Summary: Director Warwick Thornton and producer Kath Shelper discuss creating a distinct 'voice' in cinema projects, in particular in the feature film Samson and Delilah.
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[Disturbance : stills file]
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Divided lenses : screen memories of war in East Asia / edited by Michael Berry and Chiho Sawada Honolulu: University of Hawai'i Press, 2016.
Call No: 737(5-012) DIVSource: USPlace: HonoluluPublisher: University of Hawai'i PressPubDate: 2016PhysDes: viii, 331 pages : illustrations ; 24 cmSubject: WAR AND THE CINEMA ; WAR FILMS ; WORLD WAR II AND THE CINEMA ; WORLD WAR II FILMS ; WORLD WAR II FILMS. JAPAN ; WORLD WAR II FILMS. USA ; WORLD WAR II FILMS. CHINA ; KOREAN WAR FILMS ; SECOND SINO-JAPANESE WAR FILMS ; TAIWAN ; MANGA ; VIDEO GAMES ; COMPUTER GAMES ; NATIONALISM AND THE CINEMA ; ETHNIC GROUPS IN FILMS ; [TWO THOUSAND AND NINE] 2009: LOST MEMORIES [2009 IOSEUTEU MAEMORIJEU] (KO, Si-myung Lee, 2002) ; BAMBOO HOUSE OF DOLLS [NU JIZHONGYING] (HK, Kuei Chih-Hung, 1973) ; CHILDREN OF HUANG SHI, THE (AT/CC/GE, Roger Spottiswoode, 2007) ; FRIENDS (JP/KO, 2002) ; SCARLET ROSE: THE GODDESSES OF JINLING [XUESE MEIGUI: JINLING NUSHEN] [TV](CC, Yu Liqing, 2007) Summary: Exploring how the years of 1931-1953 have been recreated and negotiated in cinema. This period saw conflicts such as the Sino-Japanese War, the Pacific War, and the Korean War and events such as the Rape of Nanjing, Pearl harbor, the Battle of Iwo Jima, and the bomibings of Hiroshina and Nagasaki. The films relating to the experiences of the countries China, Japan, Taiwan, Korea, and other Far East countries, as well as the United States of America are examined. - partially taken from coverNotes: Formerly CIP. -- Includes bibliographical references (pages 291-305), filmography, television and video game lists (pages 281-290) and indexISBN: 9780824851514Donation: donated by Senses of CinemaContents: Acknowledgments -- Introduction: Divided Lenses / Michael Berry -- Part I : screen histories of war in East Asia -- War, history, and remembrance in Chinese cinema / Yingjin Zhang -- Of female spies and national heroes : a brief history of anti-Japanese films in Taiwan from the 1950s to the 1970s / Wenchi Lin -- The "division blockbuster" in South Korea: the evolution of cinematic representations of war and division / Hyangjin Lee -- Under the flag of the rising sun: imagining and reimagining the Pacific war in the Japanese cinema / David Desser -- Japanese manga and anime on the Asia-Pacific war experience / Kyu Hyun Kim -- Continuity and change in Hollywood's representations of American-Asian relations in war and peace / Robert Brent Toplin -- Part II : reading war trauma -- Oscillating histories : representations of comfort women from Bamboo House of Dolls to Imperial Comfort Women / Lily Wong -- Shooting the enemy : photographic attachment in The Children of Huang Shi and Scarlet Rose / Michael Berry -- War and nationalism in recent Japanese cinema : Yamato, trauma, and forgetting the postwar / Aaron Gerow -- The promise and limits of "pop culture diplomacy" in East Asia : contexts-texts-reception / Chiho Sawada -- History and its alternatives : war games as social form / Eric Hayot
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Divided we fall : dialogue script AT: [2000].
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Diving into the virtual : Kathy Cleland immersed in the translucent worlds of Char Davies in Realtime (Dec 1999-Jan 2000) iss.34 p.14
Author: Cleland, Kathy PhysDes: Article; Illustration(s)Subject: MULTIMEDIA ; DAVIES, CHAR Summary: Discussion of the multimedia works "Osmose" and "Ephemere" by Canadian filmmaker Char Davies.
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Do not adjust your set yet, Netflix is no game changer in Weekend Australian [Inquirer] (28/03/2015) p.17
Call No: SUBJECT CLIPPINGS FILE; NETFLIXAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: NETFLIX ; PAY TV. AUSTRALIA ; DIGITAL DISTRIBUTION ; INDUSTRY, TV. AUSTRALIA Summary: Opinon piece stating that Netflix's arrival in Australia is not as big a deal as has been made out, and that TV watching is still the main way people connect with media.Notes: Term Subscription Video On Demand (SVOD) used
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Do you know the Soviet cinema? / Sovexportfilm Moscow: Sovexportfilm, 1965.
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Documentary : a history of the non-fiction film / Erik Barnouw New York: Oxford University Press, 1974.
Call No: 761 BARAuthor: Barnouw, Erik, 1908 Source: USPlace: New YorkPublisher: Oxford University PressPubDate: 1974PhysDes: vi, 332 p. : ill. ; 24 cmSubject: DOCUMENTARY FILMS ; FASCISM AND THE CINEMA ; DOCUMENTARY FILMS. JAPAN ; DOCUMENTARY FILMS. UK ; OLYMPICS IN FILMS ; ART AND THE CINEMA ; ARCHIVES & INSTITUTES, FILM ; NUCLEAR ISSUES IN FILMS ; COMPILATION FILMS ; DOCUMENTARY FILMS. US ; DOCUMENTARY FILMS. USSR ; VIETNAM WAR IN FILMS ; CINEMA-DIRECT ; CINEMA VERITE ; NAZIS IN FILMS ; NEWSREELS ; POETRY AND THE CINEMA ; DOCUMENTARY FILMS. FRANCE ; PARAMOUNT STUDIOS ; WORLD WAR II FILMS ; SHELL FILM UNIT [AUSTRALIA] ; EMPIRE MARKETING BOARD ; GPO FILM UNIT ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; REISZ, KAREL ; RIEFENSTAHL, LENI ; ROUCH, JEAN ; RUTTMAN, WALTER ; FLAHERTY, ROBERT ; CAPRA, FRANK ; GRIERSON, JOHN ; IVENS, JORIS ; JENNINGS, HUMPHREY ; KAUFMAN, MIKHAIL ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT & DAVID ; MURROW, EDWARD R. ; LUMIERE, AUGUSTE & LOUIS ; VERTOV, DZIGA ; WRIGHT, BASIL ; SUCKSDORFF, ARNE ; MOANA (US, Robert Flaherty, 1926) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; AMERICAN DREAM (US, Barbara Kopple, 1990) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; WHY WE FIGHT SERIES (US, 1942-44) Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.Notes: Includes index; Bibliography: p. [297]-311ISBN: 0195018354 : $10.95LON: 74079618; 462942
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Documentary : a history of the non-fiction film / Erik Barnouw New York: Oxford University Press, 1993.
Call No: 761 BARAuthor: Barnouw, Erik, 1908 Edition: 2nd rev. edPlace: New YorkPublisher: Oxford University PressPubDate: 1993PhysDes: 400 p. : ill. ; 21 cmSubject: DOCUMENTARY FILMS ; ARCHIVES & INSTITUTES, FILM ; NUCLEAR ISSUES IN FILMS ; CINEMA VERITE ; COMPILATION FILMS ; DOCUMENTARY FILMS. USSR ; DOCUMENTARY FILMS. USA ; VIETNAM WAR IN FILMS ; CINEMA-DIRECT ; NAZIS IN FILMS ; NEWSREELS ; POETRY AND THE CINEMA ; DOCUMENTARY FILMS. FRANCE ; FASCISM AND THE CINEMA ; DOCUMENTARY FILMS. JAPAN ; DOCUMENTARY FILMS. UK ; OLYMPICS IN FILMS ; ART AND THE CINEMA ; PARAMOUNT STUDIOS ; WORLD WAR II FILMS ; SHELL FILM UNIT [AUSTRALIA] ; EMPIRE MARKETING BOARD ; GPO FILM UNIT ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; REISZ, KAREL ; RIEFENSTAHL, LENI ; ROUCH, JEAN ; RUTTMAN, WALTER ; FLAHERTY, ROBERT ; CAPRA, FRANK ; Grierson, John ; IVENS, JORIS ; JENNINGS, HUMPHREY ; KAUFMAN, MIKHAIL ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT & DAVID ; MURROW, EDWARD R. ; LUMIERE, AUGUSTE & LOUIS ; VERTOV, DZIGA ; WRIGHT, BASIL ; SUCKSDORFF, ARNE ; MOANA (US, Robert Flaherty, 1926) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; AMERICAN DREAM (US, Barbara Kopple, 1990) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; SONG OF CEYLON (UK, Basil Wright, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; WHY WE FIGHT SERIES (US, 1942-44) Summary: This is the second revised edition of Documentary: A History of the Non-fiction Film. Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.Notes: Includes bibliographical references (p. [361]-375) and indexISBN: 0195078985 (pbk. : acid-free paper) : $10.95LON: 9430204
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Documentary : a history of the non-fiction film / written by Eric Barnouw New York: Oxford University Press, 1974.
Call No: 761 BARAuthor: Barnouw, Eric Source: USPlace: New YorkPublisher: Oxford University PressPubDate: 1974PhysDes: 332 p. ; 24 cmSubject: DOCUMENTARY FILMS ; ARCHIVES & INSTITUTES, FILM ; NUCLEAR ISSUES IN FILMS ; CINEMA VERITE ; COMPILATION FILMS ; DOCUMENTARY FILMS. USSR ; DOCUMENTARY FILMS. USA ; VIETNAM WAR IN FILMS ; CINEMA-DIRECT ; NAZIS IN FILMS ; NEWSREELS ; POETRY AND THE CINEMA ; DOCUMENTARY FILMS. FRANCE ; FASCISM AND THE CINEMA ; DOCUMENTARY FILMS. JAPAN ; DOCUMENTARY FILMS. UK ; OLYMPICS IN FILMS ; ART AND THE CINEMA ; PARAMOUNT STUDIOS ; WORLD WAR II FILMS ; SHELL FILM UNIT [AUSTRALIA] ; EMPIRE MARKETING BOARD ; GPO FILM UNIT ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; REISZ, KAREL ; RIEFENSTAHL, LENI ; ROUCH, JEAN ; RUTTMAN, WALTER ; FLAHERTY, ROBERT ; CAPRA, FRANK ; Grierson, John ; IVENS, JORIS ; JENNINGS, HUMPHREY ; KAUFMAN, MIKHAIL ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT & DAVID ; MURROW, EDWARD R. ; LUMIERE, AUGUSTE & LOUIS ; VERTOV, DZIGA ; WRIGHT, BASIL ; SUCKSDORFF, ARNE ; MOANA (US, Robert Flaherty, 1926) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; AMERICAN DREAM (US, Barbara Kopple, 1990) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; WHY WE FIGHT SERIES (US, 1942-44) Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.ISBN: 0195018354Donation: donated by the family of Wayne Levy, 2006Contents: -- 1: glimpse of wonders -- 2: images at work -- 3: sound and fury -- 4: clouded lens -- sharp focus -- afterword -- source notes -- bibliography -- index --
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Documentary and the mass media / edited by John Corner London: Edward Arnold, 1986.
Call No: 761 DOCAuthor: Corner, John (ed.) Source: UKPlace: LondonPublisher: Edward ArnoldPubDate: 1986PhysDes: 178 p. : 22 cmSeries: Stratford-upon-Avon Studies; Second seriesSubject: MEDIA ; DOCUMENTARIES ; DOCUMENTARY FILMS ; CINEMA VERITE ; DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946) ; LISTEN TO BRITAIN (UK, Humphrey Jennings/Stewart McAllister, 1942) ; ROSES IN DECEMBER (US, Ana Carrigan and Bernard Stone, 1982) ; WORDS FOR BATTLE (UK, Humphrey Jennings, 1941) Summary: "The studies in this book investigate documentary forms and methods as they have developed in film, radio and television, placing emphasis on the use of documentary approaches within the context of a national media system. They link together political and social factors with matters of 'documentary language', addressing the particular questions of representational realism and of public communication which documentaries so sharply raise but which are relevant to a far wider range of mass media activities.
The specially commissioned essays in this volume offer a stimulating exploration of a lively and powerful mode; several indeed open up entirely new areas of media analysis. All are likely to offer the reader fresh insights." -- BOOK BLURBNotes: Mass media. Documentaries (BNB/PRECIS); Includes bibliographical references and index; Includes indexISBN: 071316493XDonation: donated by the family of Wayne Levy, 2006Contents: -- select bibliography -- preface -- 1: 'the stuff of radio': developments in radio features and documentaries before the war : Paddy Scannell -- 2: authorship in documentary : sociology as an art form in mass observation : David Chaney and Michael Pickering -- 3: the documentary aesthetics of Humphrey Jennings : Bjorn Sorenssen -- 4: the origin of British television documentary: the BBC 1946-55 : Elaine Bell -- 5: the agnostic narratives of television science : Roger Silverstone -- 6: questions of magnitude : Bill Nichols -- 7: seeing is believing: the ideology of naturalism : Richard Collins -- 8: documentary meanings and the discourse of interpretation : John Corner and Kay Richardson -- 9: notes on the ascent of a ficticious mountain : Dai Vaughan -- notes on contributors -- index --
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Documentary display : re-viewing nonfiction film and videos / Keith Beattie London: Wallflower, 2008.
Call No: 761 BEAAuthor: Beattie, Keith Place: LondonPublisher: WallflowerPubDate: 2008PhysDes: xiv, 187 p. ; 24 cmSubject: DOCUMENTARY FILMS ; CINEMA-DIRECT ; COMPILATION FILMS ; IMAX ; MONTAGE ; NON-FICTION FILMS ; BUNUEL, LUIS ; GRIERSON, JOHN ; MAYSLES, ALBERT & DAVID ; PENNEBAKER, D. A. ; VERTOV, DZIGA ; VIGO, JEAN ; DONT LOOK BACK (US, D.A. Pennebaker, 1967) Summary: "Not all documentary films and videos are sober depictions of the real world. Documentary representations can present expressive, entertaining and spectacular images. This book examines such innovative approaches as they occur within the process of 'documentary display' - a practice which emphasises the visual attractions of documentary representation. Works of documentary display explore modes of exhibitionistic 'showing' in which sensation is frequently the vehicle of cognition and knowledge. Such a display is analysed within the popular and prominent forms of found-footage film, 'rockumentary', the city film, nonfiction surf film and video, and certain views of natural science topics. This accessible and informed study - with its focus on entertaining, popular, spectacular and sensational froms of nonfiction representation - makes an important contribution to theoretical analyses of documentary film and video."--BOOK JACKETNotes: Includes bibliographical references (p. 155-181) and index.ISBN: 9781905674725 (pbk)Contents: Introduction -- 1. Show and tell: revealing documentary display -- 2. The corporeal and the urban: from city symphony to global city film -- 3. Direct cinema and performance: it's not only rock and roll -- 4. Found-footage film and history: seeing double -- 5. Nonfiction surf film and video: sick, filthy and delirious -- 6. Natural science film: from microcinema to IMAX -- Afterward
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Documentary explorations : 15 interviews with film makers Garden City, N.Y.: Doubleday, 1971.
Call No: 761 LEVAuthor: Levin, G. Roy Place: Garden City, N.Y.Publisher: DoubledayPubDate: 1971PhysDes: 420p. : ill. ; 21 cmSubject: DOCUMENTARY FILMS ; WRIGHT, BASIL ; ANDERSON, LINDSAY ; CAWSTON, RICHARD ; GARNETT, TONY ; LOACH, KENNETH ; FRANJU, GEORGES ; ROUCH, JEAN ; STORCK, HENRI ; VAN DYKE, WILLARD ; LEACOCK, RICHARD ; PENNEBAKER, D. A. ; MAYSLES, ALBERT & DAVID ; BARRON, ARTHUR ; WISEMAN, FREDERICK ; PINCUS, ED ; SHAMBERG, MICHAEL Summary: "Perhaps no other art form brings art and reality in any closer juxtaposition than the documentary film. Through the lenses of the documentary filmmaker, we have seen firsthand the excitement of rock concerts, the realities of our political leaders, and the lifestyles of exotic cultures. Few people would argue with the almost limitless potential of the medium, but have we seriously considered how "objective" these films really are - or can be? Should the filmmaker be more concerned with social change or objective reality? In this volume, G. Roy Levin discusses these questions, along with a whole range of aesthetic and political considerations, with the most prominent documentary filmmakers of the world. The directors include the Maysles brothers; Frederick Wiseman, responsible for Titicut Follies; Richard Leacock/D.A. Pennebaker, the team that produced Monterey Pop; and fourteen others, from England, France, Belgium and the U.S. The book includes a brief history of documentary film, as well as exhaustive filmographies on each director." -- BOOK BLURBNotes: Includes index; Bibliography: p.[405]-406ISBN: 0385045905LON: 14286490URL status: URL: 'http://-'
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The documentary film book / edited by Brian Winston London: Palgrave Macmillan, 2013.
Call No: 761 DOCAuthor: Winston, Brian CorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: Palgrave MacmillanPubDate: 2013PhysDes: 416 pages ; 25 cmSubject: AFRICA ; ART CINEMA ; ANTHROPOLOGY AND THE CINEMA ; BRAZIL ; CINEMA-DIRECT ; CINEMA VERITE ; DOCUMENTARIES ; DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; ETHICS AND THE CINEMA ; ETHNOGRAPHIC FILMS ; HISTORY ON TV ; HOMOSEXUALITY AND THE CINEMA ; ISRAEL ; INTERNET AND THE CINEMA ; LATIN AMERICAN COUNTRIES ; PALESTINE ; POLITICAL FILMS ; RACIAL ISSUES AND THE CINEMA ; REVOLUTIONARY THEMES IN FILMS ; MOVEMENTS IN FILM HISTORY ; REALITY TV ; GRIERSON, JOHN ; MOORE, MICHAEL ; VERTOV, DZIGA ; AFRICA RISING (US, Paula Heredia, 2009) ; AILEEN: LIFE AND DEATH OF A SERIAL KILLER (UK, Nick Bloomfield & Joan Churchill, 2003) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) Summary: Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film.
In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies. -- BOOK BLURBISBN: 9781844573417Contents: Acknowledgments -- Notes on Contributors -- Foreword: Why Documentaries Matter -- Introduction: The Filmed Documentary --; PART I: DOCUMENTARY VALUES -- The Question of Evidence, the Power of Rhetoric and Documentary Film: Bill Nichols -- 'I'll Believe It When I Trust the Source': Documentary Images and Visual Evidence: Carl Plantinga -- 'The Performance Documentary': The Performing Film-Maker, the Acting Subject: Stella Bruzzi -- On Truth, Objectivity and Partisanship: The Case of Michael Moore: Douglas Kellner -- CGI and the End of Photography as Evidence: Taylor Downing -- Drawn From Life: The Animated Documentary: Andy Glynne -- Dramadoc? Docudrama? The Limits and Protocols of a Televisual Form: Derek Paget -- Ambiguous Audiences: Annette Hill -- Life As Narrativised: Brian Winston -- The Dance of Documentary Ethics: Pratap Rughani -- Deaths, Transfigurations and the Future: John Corner --; PART II: DOCUMENTARY PARADIGMS -- Problems in Historiography: The Documentary Tradition Before Nanook of the North: Charles Musser -- John Grierson and the Documentary Film Movement: Ian Aitken -- Challenges For Change: Canada's National Film Board: Thomas Waugh and Ezra Winton -- Grierson's Legacies: Australia and New Zealand: Deane Williams -- New Deal Documentary and the North Atlantic Welfare State: Zoe Druick and Jonathan Kahana -- The Triumph of Observationalism: Direct Cinema in the USA: Dave Saunders -- Russian and Soviet Documentary: From Vertov to Sokurov: Ian Christie -- The Radical Tradition in Documentary Film-making, 1920s–50s: Bert Hogenkamp -- Le Groupe des trente: The Poetic Tradition: Elena Von Kassel Siambani -- Cinéma Vérité: Vertov Revisited: Genevieve Van Cauwenberge -- Beyond Sobriety: Documentary Diversions: Craig Hight --; PART III: DOCUMENTARY HORIZONS -- Eastwards: Abe Mark Nornes -- Africa N.: Frank Ukadike -- Images From the South: Contemporary Documentary in Argentina and Brazil: Ana Amado and Maria Dora Mourao -- 'Roadblock' Films, 'Children's Resistance' Films and 'Blood Relations' Films: Israeli and Palestinian Documentary Post-Intifada: Il Raya Morag -- Sacred, Mundane and Absurd Revelations of the Everyday – Poetic Vérité in the Eastern European Tradition; Susanna Helke --; PART IV: DOCUMENTARY VOICES -- First-Person Political: Alisa Lebow -- Feminist Documentaries: Finding, Seeing and Using Them: Julia Lesage -- Pioneers of Black Documentary Film: Pearl Bowser -- LGTBs' Documentary Identity: Christopher Pullen -- Docusoaps: The Ordinary Voice as Popular Entertainment: Richard Kilborn -- Reality TV: A Sign of the Times?: Anita Biressi and Heather Nunn --; PART V: DOCUMENTARY DISCIPLINES -- Anthropology: The Evolution of Ethnographic Film: Paul Henley -- Science, Society and Documentary: Tim Boon -- History Documentaries for Television: Ann Gray -- Music, Documentary, Music Documentary: Michael Chanan -- Art, Documentary as Art; Michael Renov --; PART VI: DOCUMENTARY FUTURES -- Documentary as Open Space: Helen de Michiel and Patricia R. Zimmermann -- 'This Great Mapping of Ourselves': New Documentary Forms Online: John Dovey and Mandy Rose -- New Platforms for 'Docmedia': 'Varient of a Manifesto': Peter Wintonick --; Afterword: The Unchanging Question: Brian Winston -- Index
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Documentary film classics / William Rothman Cambridge, Eng. New York: Cambridge University Press, 1997.
Call No: 761 ROTAuthor: Rothman, William Place: Cambridge, Eng. New YorkPublisher: Cambridge University PressPubDate: 1997PhysDes: xv, 218 p. : ill. ; 24 cmSeries: Cambridge studies in filmSubject: DOCUMENTARY FILMS ; CINEMA VERITE ; NON-FICTION FILMS ; BUNUEL, LUIS ; LEACOCK, RICHARD ; RESNAIS, ALAIN ; ROUCH, JEAN ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; HURDES, LAS (SP, Luis Bunuel, 1933) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; NIGHT AND FOG (FR, Alain Resnais, 1995) ; HAPPY MOTHER'S DAY, A (US, Joyce Chopra/Richard Leacock, 1963) ; DONT LOOK BACK (US, D.A. Pennebaker, 1967) ; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933) Summary: "Documentary Film Classics" offers close readings of a number of major documentaries, including Nanook of the North, Land without Bread, Night and Fog, Chronicle of a Summer, A Happy Mother's Day, and Don't Look Back. William Rothman analyzes the philosophical and historical issues and themes implicit in these works. Designed to guide film students through the 'texts' of films that span the history of the documentary film movement, his readings also focus on the achievements of these works as films per se. This book is both an original contribution to the field of film studies and also suitable for use as a text for college level courses on documentary film and broader film history courses." -- BOOK COVERNotes: Includes bibliographical references (p. 211-213) and indexISBN: 0521456819 (pbk); 0521450675 (hbk)Order Received: 1997LON: 96014029; 12242459URL status: URL: 'http://-'
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The Documentary film in Australia / edited by Ross Lansell and Peter Beilby North Melbourne: Cinema Papers in association with Film Victoria, c1982.
Call No: 761(94) DOCCopy Management: Copy 1; Copy 2Author: Beilby, Peter ; Lansell, Ross CorpAuthor: Film VictoriaPlace: North MelbournePublisher: Cinema Papers in association with Film VictoriaPubDate: c1982PhysDes: 205 p. : ill., ports. ; 27 cmSubject: DOCUMENTARY FILMS. AUSTRALIA ; ARCHIVES & INSTITUTES, FILM. AUSTRALIA ; GOVERNMENT ORGANIZATIONS. AUSTRALIA ; FILMMAKING. AUSTRALIA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. 1970's ; HISTORY OF CINEMA. 1980's ; HISTORY OF CINEMA. AUSTRALIA ; HISTORY OF CINEMA. NEW ZEALAND ; INDUSTRY, FILM. AUSTRALIA ; PRESERVATION OF FILMS. AUSTRALIA ; PRODUCTION ; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA ; BAKER, SUZANNE ; EDWARDS, JOHN ; MCMAHON, TERENCE ; BRADBURY, DAVID ; NOONAN, CHRIS ; HURLEY, FRANK ; GRIERSON, JOHN Summary: Collection of essays on Australian documentary, covering the history of documentary in Australia and world-wide up until the early 1980s, documentary production, interviews with key documentary makers, information on documentary preservation and repositories, and hypotheses on the future of documentary-making in Australia.Notes: Includes indexISBN: 0959564721 : $12.95 AustLON: 2380995Contents: 1. What is a documentary? / John Langer; 2. A brief history of the documentary -- 1890s Australia / Chris Long -- 1900s world-wide and Australia / Ray Edmonston, Jenny Trustum -- 1910s Australia / Chris Long -- World War 1 / Phil Taylor -- 1920s world-wide and Australia / Andrew Pike -- 1930s world-wide / Jonathan Dawson -- 1930s Australia / Chris Long -- Early 1940s World War 2 / Phil Taylor -- Late 1940s world-wide / Brian McFarlane -- Late 1940s Australia / Tom Politis -- 1950s world-wide / Keith Connolly -- 1950s Australia / Anthony Buckley -- 1960s world-wide / John Pruzanski -- 1960s Australia / Ross Lansell -- 1970s world-wide and Australia / Gillian Coote -- Some issues and concerns of the 1970s / Barbara Alysen, David McDougall, Noel Purdon and Albie Thoms -- The 1980s and beyond / Ian Stocks --; 3. Documentary production today -- Government / Bruce Moir -- Specialist film units / Robert Rothols -- Television / Brian Davies -- Commerce and industry / Eve Ash and Ian McFayden -- Independent / Curtis Levy; 4. Case-histories -- Government: Suzzane Baker, John Edwards, Oliver Howes and Stephen Ramsey / Ian Stocks -- Specialist film units: Ross Campbell / Robert Rothol -- Television: Jeremy Cornford and Peter Luck / Jeremy Cornford and Nick Herd -- Commerce and industry: Terence McMahon / Eve Ash -- Independent: David Bradbury and Chris Noonan / Barbara Alysen --; 5. The marketplace / Kim Dalton --; 6. Some documentary themes -- Documentary traditions before Grierson: the case of Frank Hurley / Andrew Pike -- The Grierson tradition / Jonathan Dawson -- Propaganda then and now / John Hughes -- The television age / Tom Haydon --; 7. Preserving the past / Barbara Alysen --; 8. The documentary of the future / Fred Harden
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Documentary? Just call it cinema in Canberra Times [Inside story] (06/11/2014) p.20
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Documentary screens : non-fiction film and television / Keith Beattie Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004.
Call No: 761 BEAAuthor: Beattie, Keith Source: UKPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2004PhysDes: 276 p ; 21cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; IMPERIALISM AND THE CINEMA ; CINEMA VERITE ; CINEMA-DIRECT ; JOURNALISTS, FILM ; POPULAR CULTURE AND TV ; REALITY TV ; TABLOID JOURNALISM ; POPULAR CULTURE AND THE CINEMA ; AUSTRALIAN BROADCASTING CORPORATION ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; NATIONAL FILM BOARD OF CANADA ; NATIONAL INDIGENOUS DOCUMENTARY FUND ; NBC TELEVISION NETWORK ; PUBLIC BROADCASTING SERVICE ; NETWORK TEN ; VIDEODISCS ; GRANADA ; IMAX ; INDEPENDENT TELEVISION COMMISSION ; INTERACTIVE TV ; MUSIC TELEVISION ; TELEVISION JOURNALISTS ; BUERK, MICHEAL ; CAVADINI, ALESSANDRO ; DE ANTONIO, EMILE ; DREW, ROBERT ; DYLAN, BOB ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT ; MAYSLES, DAVID ; MCELWEE, ROSS ; MOORE, MICHAEL ; MORIN, EDGAR ; O'ROURKE, DENNIS ; PENNEBAKER, D. A. ; PILGER, JOHN ; ROUCH, JEAN ; RUTTMAN, WALTER ; TAJIRI, REA ; VERTOV, DZIGA ; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; BIG BROTHER [TV] (AT, 2001-) ; BIGGIE AND TUPAC (US, Nick Broomfield, 2001) ; BILL, THE [TV] (UK, 1984-) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002) ; BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999) ; CAMBODIA: YEAR ZERO (AT, John Pilger, 1989) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) ; CATHY COME HOME (UK, Ken Loach, 1966) ; COPS AND ROBBERSONS (US, Michael Ritchie, 1994) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MONTEREY POP (US, D. A. Pennebaker, 1968) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; POLICE STATE (AT, Chris Noonan, 1989) ; SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993) ; WALKING WITH DINOSAURS[TV] (UK, 1999) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].ISBN: 033374117XURL status: URL: 'http://-'
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Documentary time : film and phenomenology / Malin Wahlberg Minneopolis: University of Minnesota Press, c2008.
Call No: 630:761 WAHAuthor: Wahlberg, Malin Source: USPlace: MinneopolisPublisher: University of Minnesota PressPubDate: c2008PhysDes: xvii, 170 p. : ill. ; 26 cmSeries: Visible evidence ; v. 21Subject: PHILOSOPHY AND THE CINEMA ; DOCUMENTARIES ; WARHOL, ANDY ; DELEUZE, GILLES ; BAZIN, ANDRE ; MITRY, JEAN Summary: The book attempts to look at the idea of time for both the maker of documentaries, and the viewer of such works; it attempts to bring together the philosophy of time and the ideas of documentary making [Taken from the back of the book]Notes: Bibliography: p.151-164; Includes indexISBN: 9780816649686
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The documentary tradition / selected arranged, and introduced by Lewis Jacobs New York: W. W. Norton, c1979.
Call No: 761 JACAuthor: Jacobs, Lewis, comp Edition: 2nd edPlace: New YorkPublisher: W. W. NortonPubDate: c1979PhysDes: 594 p. : ill. ; 24 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS. USSR ; HISTORY OF CINEMA ; NEWSREELS ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; VERTOV, DZIGA ; RIEFENSTAHL, LENI ; LEACOCK, RICHARD ; WISEMAN, FREDERICK ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; GRASS (US, Ernest B. Schoedsack, 1926) ; CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927) ; MOANA (US, Robert Flaherty, 1926) ; RAIN (US, Louis Milestone, 1932) ; STARK LOVE (US, Karl Brown, 1927) ; TURKSIB (US, Victor A. Turin, 1929) ; DRIFTERS (SW, John Grierson, 1929) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937) ; OLYMPIA (G, Leni Riefenstahl, 1938) ; TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; SPANISH EARTH, THE (US, Joris Ivens, 1937) ; FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940) ; RIVER, THE (US, Pare Lorentz, 1938) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933) ; LAND, THE (US, Robert Flaherty, 1942) ; NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942) ; NEGRO SOLDIER, THE (US, Frank Capra, 1944) ; DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946) ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; SAVAGE EYE, THE (US, Ben Maddow, Sidney Meyers, Joseph Strick, 1959) ; JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; MARRIED COUPLE, A (CN, Allan King, 1969) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; HEARTS AND MINDS (US, Peter Davis, 1974) ; HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976) Summary: "Originally published in 1971, The Documentary Tradition is the essential survey of development and achievements of one of the most distinctive and influential genres of film. Edited by the distinguished filmmaker and historian Lewis Jacobs, the book has become an indispensable reference for both students and practitioners of documentary. This new edition brings The Documentary Tradition up to date and includes the writings of almost 100 filmmakers and critics. To the five parts which trace the development of the genre from the 1920s Jacobs has added a new section of seven essays on the documentaries of the 1970s. The section is introduced by his own survey of the filmmaking of the period, "From Political Activism to Women's Consciousness," and accompanied by a selected list of documentaries of the 1970s together with photographs from a number of these films. The bibliography of works on documentary films and filmmakers has been expanded." -- BOOK BLURBNotes: Includes index; Bibliography: p. 577-579ISBN: 0393950425LON: 1437994URL status: URL: 'http://-'
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Documenting the documentary : close readings of documentary films and video / edited by Barry Keith Grant and Jeannette Sloniowski, forward by Bill Nichols Detroit MI: Wayne State University Press, 1998.
Call No: 761 DOCAuthor: Grant, Barry Keith ; Sloniowski, Jeanette Place: Detroit MIPublisher: Wayne State University PressPubDate: 1998PhysDes: 488 p. ; 23 cmSubject: DOCUMENTARY FILMS ; FLAHERTY, ROBERT ; VERTOV, DZIGA ; EISENSTEIN, SERGEI M. ; BUNUEL, LUIS ; WRIGHT, BASIL ; RIEFENSTAHL, LENI ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; HURDES, LAS (SP, Luis Bunuel, 1933) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; SPANISH EARTH, THE (US, Joris Ivens, 1937) ; LISTEN TO BRITAIN (UK, Humphrey Jennings/Stewart McAllister, 1942) ; BLOOD OF THE BEASTS (FR, Georges Franju,1949) ; SANG DES BETES, LE (FR, Georges Franju,1949) ; MAITRES FOUS, LES (FR, Jean Rouch, 1955) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; DONT LOOK BACK (US, D.A. Pennebaker, 1967) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1968) ; ACT OF SEEING WITH ONE'S OWN EYES, THE (US, Stan Brakhage, 1971) ; AMERICAN FAMILY, AN [TV](US, 1973) ; DAISY, THE STORY OF A FACELIFT (CN, Michael Rubbo, 1982) ; THIS IS SPINAL TAP (US, Rob Reiner, 1984) ; SHERMAN'S MARCH (US, Ross McElwee, 1986 [prod. 1981]) ; I DO NOT KNOW WHAT IT IS I AM LIKE (US, Bill Viola, 1986) ; JOURNEY, THE (CN, Peter Watkins, 1987) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; ROGER AND ME (US, Michael Moore, 1989) ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; FINDING CHRISTA (US, Camille Billops/James Hatch, 1991) Summary: Documenting the Documentary features essays by twenty-seven film scholars from a wide range of critical and theoretical perspectives. Each essay focuses on one or two important documentaries, engaging in questions surrounding ethics, ideology, politics, power, race, gender, and representation -- but always in terms of how they arise out of or are involved in the reading of specific documentaries as particular textual constructions. By closely reading documentaries as rich visual works, this anthology fills a void in the critical writing on documentaries, which tends to privilege production over aesthetic pleasure. As we perceive and comprehend the world through visual media increasingly, understanding the textual strategies by which individual documentaries are organized has become critically important. Together, the essays cover the significant developments in the history of the documentary, from the first commercially released feature, Nanook of the North (1922), to modern independent productions, such as An American Family (1973), Tongues Untied (1989), and Finding Christa (1991), and including important national and stylistic movements and various production contexts from the mainstream to the avant-garde. Seth Feldman places Dziga Vertov's Man with a Movie Camera (1929) within the context of constructivism and futurism; Vivian Sobchack discusses the strategies of Bunuel's Las Hurdas (Land without Bread, 1931) in relation to surrealism; and Joanne Hershfield explores Que viva Mexico! (1932) as the presentation of an exotic culture by a European director. Documenting the Documentary offers clear, serious, and insightful analyses of documentary films, and is a welcome balancebetween theory and criticism, abstract conceptualization and concrete analysis. --FROM PUBLISHER'S SITENotes: includes bibliiographic references and indexISBN: 0814326390Contents: Filmmaker as hunter / William Rothman -- Peace between man and machine / Seth Feldman -- Paradise regained / Joanne Hershfield -- Synthetic vision / Vivian Sobchack -- Art of national projection / William Guynn -- Mass psychology of fascist cinema / Frank P. Tomasulo -- American documentary finds its voice / Charlie Keil -- Men cannot act before the camera in the presence of death / Thomas Waugh -- Poetics of propaganda / Jim Leach -- It was an atrocious film / Jeannette Sloniowski -- Dialogic imagination of Jean Rouch / Diane Scheinman -- Documenting the ineffable / Sandy Flitterman-Lewis -- Don't you ever just watch? / Jeanne Hall -- Ethnography in the first person / Barry Keith Grant -- Two avant-gardes / Robert Stam -- Seeing with experimental eyes / Bart Testa -- Bastard union of several forms / Jeffrey K. Ruoff -- Documentary of displaced persona / Joan Nicks -- Gender, power, and a cucumber / Carl Plantinga -- Documentary film and the discourse of hysterical/historical narrative / Lucy Fischer -- Subjectivity lost and found / Catherine Russell -- Filmmaker as global circumnavigator / Scott MacDonald -- Mirrors without memories / Linda Williams -- Documentaphobia and mixed modes / Matthew Bernstein -- Silence and its opposite / Sheila Petty -- Containing fire / Caryl Flinn -- Contested territory / Julia Lesage
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Doing women's film history : reframing cinemas, past and future / Edited by Christine Gledhill and Julia Knight Urbana: University of Illinois Press, 2015.
Call No: 462-02 GLEAuthor: Gledhill, Christine ; Knight, Julia Source: USPlace: UrbanaPublisher: University of Illinois PressPubDate: 2015PhysDes: 278 pages : illustrations ; 24 cmSeries: Women and film history internationalSubject: WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; FILMMAKING ; APTE, SHANTA ; KLONARIS, MARIA ; THOMADAKI, KATERINA ; BIGELOW, KATHRYN ; MURILLO, MARY Summary: "Cutting-edge and inclusive, Doing Women's Film History ventures into topics in the United States and Europe while also moving beyond to explore the influence of women on the cinemas of India, Chile, Turkey, Russia, and Australia. Contributors grapple with historiographic questions that cover film history from the pioneering era to the present day. Their scope and interests encompasses not only different kinds of filmmaking -- mainstream fiction, experimental, and documentary - but also practices -- publicity, journalism, distribution and exhibition -- seldom explored in the past." -- BOOK BLURBISBN: 9780252081187Contents: Searching for Sources, Rewriting Histories. Scandalous Evidence: Looking for the Bombay Film Actress in an Absent Archive (1930s-1940s) / Debashree Mukherjee -- Reading between the Lines: History and the Studio Owner's Wife / Michele Leigh -- Imagining Women at the Movies: Male Writers and Early Film Culture in Istanbul / Canan Balan -- When Iris Skaravaiou Met Iris Barry: The First Greek Film Reviewer and West European Modernity / Eliza Anna Delveroudi -- Searching for Mary Murillo / Luke McKernan -- Feminism, Politics, and Aesthetics. Alice Guy's Great Cinematic Adventure / Kimberly Tomadjoglou -- A Major Contribution to Feminist Film History: Maria Klonaris and Katerina Thomadaki's Cine´ma corporel/Cinema of the Body / Ce´cile Chich -- Feminism and Women's Film History in 1980s Turkey / Eylem Atakav -- Traveling Memories: Women's Reminiscences of Displaced Childhood in Chilean Postdictatorship Documentary / Elizabeth Rami´rez Soto -- Revising the Colonial Past, Undoing "National" Histories: Women Filmmakers in Kannada, Marathi, and Bengali Cinemas / Rashmi Sawhney -- Hollywood Transgressor or Hollywood Transvestite: The Reception of Kathryn Bigelow's The Hurt Locker / Katarzyna Paszkiewicz -- Women at Work. Gossip, Labor, and Female Stardom in Pre-Independence Indian Cinema: The Case of Shanta Apte / Neepa Majumdar -- American Women Screenwriters in the 1920s / Giuliana Muscio -- A Suitable Job for a Woman: Color and the Work of Natalie Kalmus / Sarah Street -- Cinema of Women: The Work of a Feminist Distributor / Julia Knight -- "Our Place": Women at the Cinema in Rural Australia / Karina Aveyard -- Barbara Willis Sweete: Queen of HD Transmissions / Kay Armatage
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Doing Your Own Thing in Lumiere (June, 1973) iss.24 p.4-8
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Don't shoot darling! : women's independent filmmaking in Australia / edited by Annette Blonski, Barbara Creed, Freda Freiberg Richmond, Vic.: Greenhouse, 1987.
Call No: 462-02(94) DONCopy Management: Copy 1; Copy 2Author: Blonski, Annette ; Creed, Barbara ; Freiberg, Freda Place: Richmond, Vic.Publisher: GreenhousePubDate: 1987PhysDes: 400 p. : ill., facsims., ports. ; 28 cmSubject: WOMEN AND THE CINEMA. AUSTRALIA ; WOMEN FILM WORKERS. AUSTRALIA ; INDEPENDENT FILMMAKERS. AUSTRALIA ; INDEPENDENT FILMS. AUSTRALIA ; EXPERIMENTAL FILMS. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; ADDIS, ERIKA ; ANSARA, MARTHA ; ASH, EVE ; CANTRILL, ARTHUR & CORINNE ; FISKE, PAT ; GIBSON, SARAH ; GRACE, HELEN ; LAMBERT, SUSAN ; HARTMAN, RIVKA ; HOASS, SOLRUN ; KEARNEY, BRIANN ; KELLY, GABRIELLE ; ROLLE, DI ; SCHWARZ, MONIQUE ; THORNLEY, JENI ; TILSON, ALISON ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; BEHIND CLOSED DOORS (AT, Sarah Gilbert & Susan Lambert, 1980) ; IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1987) ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; MY LIFE WITHOUT STEVE (AT, Gillian Leahy, 1986) ; WE AIM TO PLEASE (AT, Robin Laurie & Margot Nash, 1977) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; SONG OF CEYLON, A (AT, Laleen S.B. Jayamanne, 1984) Summary: Don't shoot darling! affirms the significant role played by women filmmakers. Various contributors examine the institutions and organisation which provide support for women's films; the achievements and limitations of affirmative action training schemes for women; and the reception and coverage of women's independent films by the press. A number of particular films - among them, For love or mone, My life without Steve, Serious Undertakings and Behind closed doors - are analused from feminist critical perspectives, and the book includes a collection of statements by individual women filmmakers about their own experiences and attitudes. -- Back coverNotes: Includes bibliographical references and indexesISBN: 0864360584 : price unknownLON: anb86436058; 5042996Contents: Preface -- Beginnings -- Big brother - women and the state -- Feminist initiatives -- Training and affirmative action -- Personal statements -- The press -- Textual analysis
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I don't want to be famous - I hate that in Sunday Herald Sun (21/06/2015) p.20
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Don't write off free to air and cable television just yet in Australian Financial Review [Companies and markets] (31/8/2015) p.19
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Done dirt cheap in Empire (Australian Ed.) (August 2002) iss.17 p.34-40
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Dont look back / by Keith Beattie London: A BFI Book published by Palgrave, 2016.
Call No: 79DON BEAAuthor: Beattie, Keith Source: UKPlace: LondonPublisher: A BFI Book published by PalgravePubDate: 2016PhysDes: 87 pages : illustrations ; 19 cmSeries: BFI film classicsSubject: MUSICIANS IN FILMS ; DOCUMENTARIES ; CINEMA-DIRECT ; DYLAN, BOB ; PENNEBAKER, D. A. ; DONT LOOK BACK (US, D.A. Pennebaker, 1967) Summary: "The award-winning film Dont Look Back (1967) captures Bob Dylan on tour and on the cusp of change in 1965. Dylan was rapidly shedding his image as a folk musician and being reborn as a rock persona – and D. A. Pennebaker was there to record this fascinating transformation.
This insightful book charts the ways in which Pennebaker revised aspects of observational 'direct cinema', a style of film-making that he helped to pioneer, in order to represent in innovative ways Dylan's onstage performances and backstage actions. Keith Beattie's perceptive and nuanced analysis explains the relationship between 'pose' and the performative presentation of 'persona',
which forms the basis of the film's portrayal, and explores Pennebaker's relationship with Dylan in the film-making process. In doing so, the book highlights many remarkable moments from Dont Look Back and demonstrates how this landmark film eschewed the informationalism of the documentary form, revealing a captivating portrait of its beguiling subject" -- BOOK BACK COVERNotes: Formerly CIP; Includes bibliographical referencesISBN: 9781844577613Contents: -- acknowledgments -- prologue: on a prologue -- 1 Portraiture, Performance and Collusion -- 2 Screen Test -- 3 Hanging Out -- 4 `You Don't Need a Weatherman' -- 5 Casting a Spell -- afterimages -- notes -- credits --
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Double-act : the remarkable lives and careers of Googie Withers and John McCallum / Brian McFarlane Clayton, Victoria: Monash University Publishing, [2015].
Call No: 81WIT MCFAuthor: McFarlane, Brian Source: ATPlace: Clayton, VictoriaPublisher: Monash University PublishingPubDate: [2015]PhysDes: xiii, 241 pages, 32 unnumbered pages of plates : illustrations, portraits ; 25 cmSubject: MCCALLUM, JOHN ; WITHERS, GOOGIE Summary: Not many can boast of careers that lasted successfully for nearly 70 years, but that is what was achieved by Australian actors Googie Withers and John McCallum. Withers acted everything, from brazen murderesses to Lady Bracknell, as well as a broad range of everyman characters, such as blonde nitwits, wartime Resistance workers, lady farmers, and Shakespearean women. McCallum not only performed memorably in all the acting media, but he was also a pioneer producer in Australian television, sending the popular series Skippy the Bush Kangaroo into the far corners of the world. He was also the managing director of a huge theatrical firm, a film director, a playwright, and an author. Just as remarkable was their 62-year marriage, not all that common in the entertainment world, and the way their marriage succeeded is as fascinating as their varied and prolific careers. There were plenty of disagreements along the way, but underlying all was their profound respect for each other's work and a kind of love that was essentially complementary. Together, in professional and personal matters alike, Googie Withers and John McCallum were an unbeatable combinationNotes: Includes bibliographical references (pages 211-229) and indexContents: Machine generated contents note: 1.Googie -- 2.John -- 3.John and Googie and Joanna Godden -- 4.A very busy couple -- 5.Heading south -- 6.Interlude -- 7.Going south -- and staying there (more or less) -- 8.New directions -- 9.Small screens and large stages -- 10.Commuting -- 11.Winding up
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Double takes : culture and gender in French films and their American remakes / Carolyn A. Durham Hanover, NH: Dartmouth University Press of New England, c1998.
Call No: 408.3(44) DURAuthor: Durham, Carolyn A Place: Hanover, NHPublisher: Dartmouth University Press of New EnglandPubDate: c1998PhysDes: xi, 246 p. : ill. ; 24 cmSeries: Contemporary French culture and societySubject: BIRDCAGE, THE (US, Mike Nichols, 1996) ; CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978) ; HOMOSEXUALITY IN FILMS ; MARRIAGE IN FILMS ; REMAKES ; NATIONAL CULTURE AND THE CINEMA. FRANCE ; NATIONAL CULTURE AND THE CINEMA. USA ; GENDER AND THE CINEMA. USA ; GENDER AND THE CINEMA. FRANCE ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; BREATHLESS (US, Jim McBride, 1983) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; COUSINS (US, Joel Schumacher, 1989) ; COUSIN, COUSINE (FR, Jean-Charles Tacchella, 1975) ; MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983) ; HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977) ; I WANT TO GO HOME (FR, Alain Resnais, 1989) Notes: Filmography: p. 231-235; Includes bibliographical references (p. 221-229) and indexLON: 13921589
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Doubling profit just the start for buoyant News in Courier-Mail (07/11/2003) p.33
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Brammall, Bruce Subject: NEWS CORPORATION ; DVD, FILMS ON ; DVD, TV SHOWS ON ; DISTRIBUTION. DVD Summary: News Corp posting large profits. Rupert Murdoch talks about the growth area of DVD sales.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- "Strong DVD and home video sales of the moview DareDevil and TV shows MASH, Buffy and The Simpsons led the stronger sales for News's filmed entertainment division."; -- "Mr Murdoch...said the quarter had got off to a promising start with successful DVD and video releases of Bend it Like Beckham and 28 Days Later."; -- "DVD sales are already huge in the US, so News Corp is turning its attention to Australia, Britain, Japan, and France, where consumers are hungry for DVDs of their favourite for DVDs of their favourite films and TV shows. "The growth of penetration of DVD players both in the US and in the rest of the world is quite incredible," Mr Murdoch said yesterday. "It's got a long, long way to go.""
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DOULEUR, LA : (FR/BE/SZ, Emmanuel Finkiel, 2017)
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Down and dirty pictures : Miramax, Sundance and the rise of independent film / Peter Biskind London: Bloomsbury, 2004.
Call No: 721.3(73) BISAuthor: Biskind, Peter Place: LondonPublisher: BloomsburyPubDate: 2004PhysDes: 24 cm ; 545 pSubject: DIRECTORS. USA ; USA ; AWARDS. ACADEMY ; INDEPENDENT DISTRIBUTION ; INDEPENDENT FILMS. USA ; INDEPENDENT PRODUCTION ; INDEPENDENT PRODUCTION. USA ; DISTRIBUTION. USA ; FESTIVALS. PARK CITY. SUNDANCE ; MIRAMAX FILMS ; AFFLECK, BEN ; ALTMAN, ROBERT ; ANDERS, ALLISON ; ANDERSON, PAUL THOMAS ; ANDERSON, WES ; ARAKI, GREGG ; ARONOFSKY, DARREN ; ARTETA, MIGUEL ; WEINSTEIN, BOB ; WEINSTEIN, HARVEY ; ALLEN, WOODY ; ALL THE PRETTY HORSES (US, Billy Bob Thornton, 2000) ; FABULEUX DESTIN D'AMELIE POULAIN, LE (FR/GG, Jean-Pierre Jeunet, 2001) ; APOSTLE, THE (US, Robert Duvall, 1997) ; AMERICAN BEAUTY (US, Sam Mendes, 1999) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) Summary: In Down and Dirty Pictures, Peter Biskind tells the story of the filmmakers and the independent distributors who revitalised Hollywood in the 1990s. He follows the growth of Sundance from a regional film festival to the premier showcase of independent film that it became, showing how it succeeded almost despite Robert Redford, whose visionary plans were often thwarted by his quixotic personality. He charts the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul who, with his brother Bob, left a trail of carnage in his wake, yet created an Oscar factory that is the envy of the studios. [Taken from inner jacket sleeve].ISBN: 0747565708ID2: 341
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journal article
Down & Under in Empire (Australian Ed.) (January 2004) iss.34 p.12-13
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Draft final report to the Council of the National Library of Australia on develomental options for the National Film Archive / by Christopher Hall, Kiersten Schou, Nicholas Clark Woden, ACT: Nicholas Clark and Associates, August 1983.
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Dramatic twist for wildlife television in The Australian [Media] (7/09/2015) p.25
Call No: SUBJECT CLIPPINGS FILE; NATURAL HISTORY PROGRAMMESAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: NATURAL HISTORY PROGRAMMES Summary: This article talks about some of the innovation of natural history television programmes, including digital and technological changes and creating dramatic storylines.
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Drawn to sound : animation film music and sonicity / edited by Rebeecca Coyle London ; Oakville: Equinox, 2010.
Call No: 772 DRAAuthor: Coyle, Rebecca (ed.) Source: US/UKPlace: London ; OakvillePublisher: EquinoxPubDate: 2010PhysDes: x, 258 p. : ill. ; 24 cmSeries: Genre, music and soundSubject: ANIMATION ; ANIMATORS ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; MUSIC, FILM ; SOUND ; SOUND TRACKS Summary: "Animation films are produced around the world and attract sizeable audiences and much critical acclaim. No longer marginalized in genres such as children's or propoganda films, they are increasingly the subject of academic study. At the same time, attention has turned to the music and sound, which contribute to both the emotional impact and the narrative drive, as well as the marketing appeal, of such films. This ground-breaking volume bridges these two fields and also positions animation-film sound and music in the context of the screen and music industries. Animation experts like Paul Wells and Daniel Goldmark and film-music authorities including Philip Hayward, Ian Inglis and Janet Halfyard provide international perspectives on the history and aesthetics of music and sound in animation film.
Drawn to Sound focuses on feature-length, widely distributed films released in the period since World War II, from producers in the USA,UK, Japan and France - from Animal Farm (1954) to Happy Feet (2006), Yellow Submarine (1968) to Curse of the Were-Rabbit (2005), Spirited Away (2001) and Les Triplettes de Belleville (2003). It spotlights important studios, including Disney, Dreamworks, Aardman Animation and studio Ghibli, and composers, both those who collaborate personally with directors and those whose msuic is used to provide period or mood atmospheres. " -- BOOK BLURBNotes: Formerly CIP
Includes bibliographical references and indexISBN: 9781845533526Contents: -- acknowledgments -- about the authors -- introduction: audio motion: animating (Film) sound / Rebecca Coyle -- part 1 Scoring animation film -- 1: "Everybody scream!" : Tim Burton's animated gothic-horror musical-comedies / Janet K. Halfyard -- 2: Halas and Batchelor's sound decisions : musical approaches in the British context / Paul Wells -- 3: An animated partnership : Joe Hisaishi's musical contributions to Hayao Miyazaki's films / Kyoko Koizumi -- Part 2 Musical intertextuality -- 4: Something old, something new, something borrowed-- something blue : the Beatles' Yellow submarine / Ian Inglis --5 : Polar grooves : dance, music and musicality in Happy feet / Philip Hayward -- 6: Minstrelsy and musical framing in Who framed Roger Rabbit? / Neil Lerner 7: An aesthetic of ambiguity : musical representation of indigenous peoples in Disney's Brother bear / Janice Esther Tulk -- part 3 Music and sonicity -- 8: Sonic nostalgia and Les triplettes de Belleville / Daniel Goldmark -- 9: Resilient appliances : sound, image and narrative in The brave little toaster / Jon Fitzgerald and Philip Hayward -- 10: Lupin III and the Gekiban approach : western-styled music in a Japanese format / Kentaro Imada -- part 4 Music and industrial contexts -- 11: DreamWorking Wallace & Gromit : musical thematics in The curse of the were-rabbit / Rebecca Coyle and Peter Morris -- 12: Cowboy bebop : corporate strategies for animation music products in Japan / Aki Yamasaki -- 13: Disney does Broadway : musical storytelling in The little mermaid and The lion king / Rebecca Coyle and Jon Fitzgerald -- index --
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The dread of difference : gender and the horror film / edited by Barry Keith Grant Austin: University of Texas Press, 1996.
Call No: 735.2 DREAuthor: Grant, Barry Keith, 1947 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1996PhysDes: xv, 456 p. : ill. ; 24 cmSeries: Texas film studies seriesSubject: HORROR FILMS ; GENDER AND THE CINEMA ; SLASHER FILMS ; DRACULA IN FILMS ; ARGENTO, DARIO ; CRONENBERG, DAVID ; ALIEN (UK, Ridley Scott, 1979) ; ALIENS (US, James Cameron, 1986) ; ALIEN 3 (US, David Fincher, 1992) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990) ; CARRIE (US, Brian De Palma, 1976) ; CAT PEOPLE (US, Jacques Tourneur, 1942) ; CAT PEOPLE (US, Paul Schrader, 1982) ; BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; STEPFATHER, THE (US, Joseph Ruben, 1986) ; LEVRES ROUGES, LES (BE/FR/GW, Harry Kumel, 1971) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) Notes: Includes bibliographical references (p. 433-438) and indexISBN: 0292727941 (pbk : alk. paper); 0292727933 (hc : alk. paper)LON: 12195767
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The dream life : movies, media and the mythology of the sixties / by J. Hoberman New York: New Press, 2005.
Call No: 71"196"(73) HOBAuthor: Hoberman, J. Source: USPlace: New YorkPublisher: New PressPubDate: 2005PhysDes: 461 p. ; 20 cmSubject: USA ; USA. 1960's ; POLITICS AND THE CINEMA ; POLITICS AND THE CINEMA. USA ; CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA. USA ; HISTORY AND THE CINEMA. USA ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. USA ; SPARTACUS (US, Stanley Kubrick, 1960) ; ALAMO, THE (US, John Wayne, 1960) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; SEVEN DAYS IN MAY (US, John Frankenheimer, 1963) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; CHASE, THE (US, Arthur Penn, 1966) ; EASY RIDER (US, Dennis Hopper, 1969) ; COOGAN'S BLUFF (US, Don Siegel, 1968) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; PATTON (US, Franklin J. Schaffner, 1970) ; DIRTY HARRY (US, Don Siegel, 1971) ; SHAMPOO (US, Hal Ashby, 1975) Summary: "Here is a major new cultural history of the Sixties. J. Hoberman delivers a brilliant and witty look at the decade when politics and pop culture became one. This was the era of the Missile Gap and the Space Race, the Black and Sexual Revolutions, the Vietnam War and Watergate - as well as the tele-saturation of the American market and the advent of Pop art. In "elegant, epigrammatic prose" (A.O Scott), Hoberman moves from the political histories of movies to the theater of wars, national political campaigns, and pop-culture events. With entertaining reinterpretations of key Hollywood movies such as Bonnie and Clyde, The Wild Bunch, and Shampoo, and meditations on personages ranging from John Wayne and Patty Hearst to Jane Fonda, Ronald Reagan, and Che Guevara. Hoberman reconstructs the hidden poltical history of 1960s cinema and the spectacular formation of America's mass-mediated politics" -- BOOK BLURBNotes: Originally published: 2003ISBN: 1565849787Contents: -- acknowledgments -- introduction: "suddenly...It's 1960!" -- I. Making pre-history, A.D. 1960 -- Enter the Hollywood Freedom fighter -- sputnik and the Spector of communist earth control -- when Superman came to the supermarket -- october 1960: Spartacus vs. The Alamo -- the year's best western: the new frontier and The Magnificent Seven -- II. Glamour and anxiety: The Kennedy scenario, 1961-63 -- camelot year one: into the twilight zone -- camelot year two: the president's double lives -- The Manchurian Candidate = the secret agent of history -- camelot down: thinking about the unthinkable -- coups d'etat:four days in November, Seven Days in May -- Dr. Strangelove's Prescription -- III. South by southwest: Lyndon Johnson's trip, 1964-66 -- jet-age bronco busters and twilight westerns -- the cowboy election of 1964 -- Major Dundee - great society abroad -- The Chase -- great society at home -- vietnam: "an oriental western" -- gathering the tribes: diggers, panthers, outlaws -- IV. Born to be wild: Outlaws of America, 1967-69 -- if you are a Bonnie-and-Clyder...: the birth of radical chic -- spring 1968": shooting Easy Rider, going Wild in the Streets -- creating our own reality: The Green Berets and the Battle of Chicago -- the election: calling Coogan's Bluff -- No future: the Children of Bonnie and Clyde -- V. Nixon time: The war at home, 1969-71 -- the end of the sixties -- America's Night of the Living Dead (My Lai, manson, Myra Breckinridge) -- spring 1970: Patton over Cambodia -- generational war in the dream life: hey Joe (where you goin' with that gun in your hand?) -- the last round-up: counterculture psychodrama and hippie westerns, 1971 -- the legal vigilante: Dirty Harry and Tricky Dick -- VI. After the orgy, from blowup to blow out -- flash forward to 1968: Shampoo -- the 1972 campaign: Warren, George, Jane, and The Candidate -- the Nixon Western -- Cine paranoia: conspiracies unmasked, 1973-75 -- freedomland 1981: Ronald Reagan and the Last Sixties Movie -- source notes -- index --
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Dream team make Shakespeare accessible in The Australian (29/08/2016) p.15
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Yet to catalogue
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The dream that kicks : the prehistory and early years of cinema in Britain / Michael Chanan London Boston: Routledge & Kegan Paul, 1980.
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Dreams within a dream : the films of Peter Weir / Michael Bliss Carbondale, Ill.: Southern Illinois University Press, c2000.
Call No: 81WEI BLIAuthor: Bliss, Michael, 1947 Place: Carbondale, Ill.Publisher: Southern Illinois University PressPubDate: c2000PhysDes: x, 242 p. : ill. ; 23 cmSubject: WEIR, PETER ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; FEARLESS (US, Peter Weir, 1993) ; GALLIPOLI (AT, Peter Weir, 1981) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; MOSQUITO COAST, THE (US, Peter Weir, 1986) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PLUMBER, THE (AT, Peter Weir, 1980) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; WITNESS (US, Peter Weir, 1985) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) Notes: Filmography: p. 195-200; Includes bibliographical references (201-232) and indexISBN: 0809322846 (alk. paper)LON: 20076199
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Dreamworks drops Minchin's outback opus in The Age (7/03/2017) p.10
Call No: TITLE CLIPPINGS FILE in production; LARRIKINS, THE in productionAuthor: Carmody, Broede PhysDes: Clippings File ArticleSubject: MINCHIN, TIM ; LARRIKINS in production Summary: Report on the cancellation of the film THE LARRIKINS, with Tim Minchin telling of his disappointment that the film won't be made
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dressmaker, the (at, jocelyn moorhouse, 2015)
Dressed for success : Director Jocelyn Moorhouse has faced down professional and personal crises to make her comeback film... in Weekend Australian [Review] (26/9/15) p.1
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Drifters cover familiar ground in Sunday Age [Arts & Culture] (7/7/2015) p.19
Call No: TITLE CLIPPINGS FILE; SLOW WEST (UK/NZ, John Maclean, 2015)Author: Hall, Sandra PhysDes: Clippings File ArticleSubject: FASSBENDER, MICHAEL ; SMIT-MCPHEE, KODI ; MENDELSOHN, BEN ; SLOW WEST (UK/NZ, John Maclean, 2015) Summary: A review of Scottish director, John Maclean's classic western film, Slow West. Filmed in New Zealand, set in Colorado and starring Australian actors, Jodi Smit-Mcphee and Ben Mendelsohn.Rating: 3 out of 5 stars
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Driving Ms crazy : intersections of women, madness and automobiles in recent Australian cinema in Australian Screen Education (1999) iss.20/21 p.47-50
Author: O'Sullivan, Jane PhysDes: Article; Illustration(s)Subject: WOMEN IN FILMS. AUSTRALIA ; ROAD MOVIES ; AUTOMOBILES IN FILMS. AUSTRALIA ; MENTAL HEALTH ISSUES IN FILMS. AUSTRALIA ; TRUE LOVE AND CHAOS (AT, Stavros Andonis Efthymiou, 1997) ; DOING TIME FOR PATSY CLINE (AT, Chris Kennedy, 1997) ; KISS OR KILL (AT, Bill Bennett, 1997) ; SPIDER & ROSE (AT, Bill Bennett, 1994) ; DRIVING MISS DAISY (US, Bruce Beresford, 1989)
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Online resource
digital clippings file
DU XING YUE QIU [MOON MAN] : (CC, Chiyu Zhang, 2022) Digital clippings file available
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Dumb's the word despite a stellar cast in Sunday Telegraph [Insider] (01/05/2016) p.137
Call No: TITLE CLIPPINGS FILE; MOTHER'S DAY (US,Garry Marshall, 2016)Author: Dent, Nick PhysDes: Clippings File ArticleSubject: MOTHER'S DAY (US,Garry Marshall, 2016) Summary: Film review of MOTHER'S DAY directed by Gary MarshallRating: 2.5 out of 5 stars
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newspaper article
Duopoly exploits market: Nine in The Australian [Media] (10/04/2017) p.23
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: Bingemann, Mitchell PhysDes: Clippings File ArticleSubject: FACEBOOK ; GOOGLE ; NINE NETWORK ; ADVERTISING. AUSTRALIA ; ADVERTISING STANDARDS. AUSTRALIA Summary: Interview with Nine Entertainment chief Hugh Marks where he discusses the lack of regulation for large media entities Google and Facebook in comparison to Australian commercial broadcasters. He comments on the state of the Nine Network, and his wish to abolosh licence fees for commercial broadcasters in Australia
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book
Dutch art today--film Amsterdam: Contact; commissioned by the Ministry of Education, Arts and Sciences, [1958 or 9].
Call No: 71(492) BOOAuthor: Boost, Charles Place: AmsterdamPublisher: Contact; commissioned by the Ministry of Education, Arts and SciencesPubDate: [1958 or 9]PhysDes: 100 p. illus. 19 cmSubject: NETHERLANDS LON: 1749512
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book
Dutch cinema : an illustrated history / by Peter Cowie London South Brunswick [N.J.]: Tantivy Press A. S. Barnes, 1979.
Call No: 71(492) COWAuthor: Cowie, Peter Place: London South Brunswick [N.J.]Publisher: Tantivy Press A. S. BarnesPubDate: 1979PhysDes: 154 p. : ill. ; 25 cmSubject: NETHERLANDS Notes: Includes bibliographical references and indexISBN: 0498024253 : ª6.00 ($12.00 U.S.)LON: 1451629
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Interim
book
The Dutch documentary tradition [Netherlands]: [s.n.], 1999.
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Old collection
book
Dutch film / Fred Raadman (ed.) The Hague: [n.s.],
Call No: F023(492) "year" NETCorpAuthor: Netherlands Government Infirmation ServiceSource: NEPlace: The HaguePublisher: [n.s.]Subject: NETHERLANDS Notes: held 1969/73-89 [incomplete]ISBN: 9012005175
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newspaper article
DVDs drive News Corp growth in The Age [Business] (07/11/2003) p.1
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Catalano, Christian Subject: NEWS CORPORATION ; DISTRIBUTION. DVD Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: --; -- Tony Wilson, UBS Media Analyst - "Even in the USD it's only at 42-43 per cent of the market."; -- "News Corp's chief operating officer Peter Chernin said the company had spent heavily on researching DVD growth. He said penetration of DVDs was also driven by affordability, with basic DVD players retailing for $US45 ($A63) in America and under $100 in Australia.
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newspaper article
DVDs make or break film trade in The Australian [Finance] (22/09/2003) p.27
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Schulze, Jane Subject: DVD, FILMS ON ; DVD, TV SHOWS ON ; DISTRIBUTION. DVD ; DISTRIBUTION. DVD. AUSTRALIA ; NEWS CORPORATION ; VILLAGE ROADSHOW ; PIRACY. AUSTRALIA ; BECKER GROUP Summary: In depth article on the growth of DVDs. All companies mentioned here recorded extra profits due to DVD sales. Plenty of info to chew over!Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- "Macquaire Equities has estimated that 36 per cent of the earnings before interest and tax (EBIT) reported by News's film division in 2002 came from DVD sales and believes "this is likely to grow dramatically in the next few years".; -- Peter Chernin - COO News Corp. "We are still around the 50 per cent penetration of US households in DVDs -- it's still a very fast growing consumer product. ANd I think we're still somewhere in the high teens/low 20 per cent penetration of DVDs internationally, so we feel confident there's still a lot of growth left in the whole category."; -- Simon Bush, Chief Exec. Australian Visual Software Distributors Association - "It took the industry a bit by suprise because the home entertainment arms of the movie houses have traditionally been the poor cousins..."; -- Brendan Lyons - Media Analyst Goldman Sachs. "The sale of TV shows on DVD has also been a major plus for Fox Film. This is especially the case for older series (The Simpsons/X-Files), which would have little cost allocation against them." But Mr Lyons also believes highly popular film DVDs will dampen future TV ratings of those films. "Consumers will only watchh a film a certain number of times, irrespective of the medium," he said."
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The dynamic frame : camera movement in classical Hollywood / Patrick Keating New York; Chichester, UK: Columbia University Press,
Call No: 233.6(73) KEAAuthor: Keting, Patrick Edition: 2019Place: New York; Chichester, UKPublisher: Columbia University PressPhysDes: xi,350 pages : illustrated ; 24 cmSubject: BERKELEY, BUSBY ; BORDWELL, DAVID ; CAMERA ANGLES ; CITIZEN KANE (US, Orson Welles, 1941) ; CONVERGENCE ; FORD, JOHN ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; LAST LAUGH, THE (G, Friedrich Wilhelm Murnau, 1924) ; MAMOULIAN, ROUBEN ; MURNAU, FRIEDRICH WILHEL ; PREMINGER, OTTO ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) ; TOLAND, GREGG ; VIDOR, KING ; WELLES, ORSON Summary: The camera’s movement in a film may seem straightforward or merely technical. Yet skillfully deployed pans, tilts, dollies, cranes, and zooms can express the emotions of a character, convey attitude and irony, or even challenge an ideological stance. In The Dynamic Frame, Patrick Keating offers an innovative history of the aesthetics of the camera that examines how camera movement shaped the classical Hollywood style.
In careful readings of dozens of films, including Sunrise, The Grapes of Wrath, Rear Window, Sunset Boulevard, and Touch of Evil, Keating explores how major figures such as F. W. Murnau, Orson Welles, and Alfred Hitchcock used camera movement to enrich their stories and deepen their themes. Balancing close analysis with a broader poetics of camera movement, Keating uses archival research to chronicle the technological breakthroughs and the changing division of labor that allowed for new possibilities, as well as the shifting political and cultural contexts that inspired filmmakers to use technology in new ways. An original history of film techniques and aesthetics, The Dynamic Frame shows that the classical Hollywood camera moves not to imitate the actions of an omniscient observer but rather to produce the interplay of concealment and revelation that is an essential part of the exchange between film and viewer. -- publisher's web siteISBN: 9780231190510Contents: Acknowledgments -- Introduction -- 1. American Cinema, German Angles -- 2. Purposes and Parallels -- 3. Dynamism, Seriality, and Convergence -- 4. Constructing Scenes with the Camera -- 5. Between Subjective and Objective -- 6. An Art of Disclosures -- Conclusion -- Notes -- Bibliography -- Index
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Eadweard Muybridge : the man who invented the moving picture Boston: Little, Brown, 1972].
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Eagles from the East : Mission top secret / Maureen McCarthy Ringwood, Vic: Puffin Books, 1993.
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Earogenous zones : sound, sexuality and cinema / edited by Bruce Johnson London: Equinox, 2010.
Call No: 632.6 JOHSource: UKPlace: LondonPublisher: EquinoxPubDate: 2010PhysDes: x, 246 p. : ill. ; 24 cmSubject: SOUND ; SEX IN FILMS ; MUSIC IN FILMS ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; LAST EMPEROR, THE (UK/CC, Bernardo Bertolucci, 1987) ; SHELTERING SKY, THE (US/IT, Bernardo Bertolucci, 1990) ; EMPIRE OF THE SENSES [AI NO CORRIDA / EMPIRE DES SENS, L'] (JA/FR, Nagisa Oshima, 1976) ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; EYES WIDE SHUT (US/UK, Stanley Kubrick, 1999) Summary: With its capacity to defamiliarize and subvert visual representation, sound is not simply a source of information supplementary to the visual in the cinematic representation of sexuality, but a site of ambiguous ideologies and power relations. --
This collection exemplifies a variety of approaches to the sonic representation of sexuality in cinema. It draws on a range of sexual scenarios from pornography to sci-fi to art-house and includes cinema from various cultures and countries. Among the topics addressed are how the deployment of sound is implicated in gender politics in the representation of sexuality and how sounds are able to radically colour and even override the visual and lexical content of a film. --
Through sonicity the film-maker can challenge the ideologies at play underneath surface stereotypes, and introduce emotional overtones which meliorate the alienation generally associated with porn. Sound and music can establish a historical period as well as spatially localize sexuality within a framework that problematizes the distinctions between porn and erotica. They can introduce into the ahistorical sextopia of porn the cultural specificity of the notion of 'pornography' and indeed can shift a film in and out of that category, even desexualizing the naked human body. --
Bruce Johnson is an adjunct professor at Macquarie University, Sydney, and Visiting Professor at the University of Turku, Finland. His many publications in popular music and literary studies include The Oxford Companion to Australian Jazz. --Book Jacket.ISBN: 9781845533182Contents: Sound decisions : interviews with Ole Ege / Bruce Johnson -- Beyond the valley of the ultra cliche´ : erotic plenitude in the films of Russ Meyer / Mark Evans with Matt Burgess -- The push/pull game : the dynamics of sound in Bertolucci's Last tango in Paris, The last emperor and The sheltering sky / Lesley Chow -- Depraved desire : sado-masochism, sexuality and sound in mid-1970s cinema / Clarice Butkus -- The peculiar "love" music in Oshima's Ai no korida / James Wierzbicki -- Lust in space : science fiction themes & sex cinema (1960-82) / Phil Hayward -- Zero gravity : science fiction themed porn cinema and its soundtracks 1990-2010 / Phil Hayward and Emil Stoichkov -- It's gotta be that new wave music : music in New wave hookers carries the joke / Laura Wiebe Taylor -- Making "a mall movie about a man with a 13-inch penis?" : popular music representations of pornographic intention / Liz Giuffre -- Musical loops : eyes wide shut? ears wide open / Kevin Clifton -- Multiple positions : sound, sex and aural dominance in 9 songs / Andrea Warren -- Music, image, and orgasm : getting off on the Shortbus / Marianne Tatom Letts -- In extremis : the roots, soundscapes and significations of 21st century zombie porn / Ralph G. Marsh
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Easy riders, raging bulls : how the sex-drugs-and-rock-'n'-roll generation saved Hollywood / Peter Biskind New York, NY: Simon & Schuster, 1998.
Call No: 71(73) BISAuthor: Biskind, Peter Place: New York, NYPublisher: Simon & SchusterPubDate: 1998PhysDes: 506 p. : ill. ; 25 cmSubject: USA. 1970's ; COLUMBIA PICTURES ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; UNIVERSAL PICTURES ; WARNER BROS. ; ZOETROPE STUDIOS ; ALTMAN, ROBERT ; ASHBY, HAL ; BEATTY, WARREN ; BEGELMAN, DAVID ; BLATTY, WILLIAM PETER ; BOGDANOVICH, PETER ; BRANDO, MARLON ; BROWN, DAVID ; BURSTYN, ELLEN ; CALLEY, JOHN ; CHRISTIE, JULIE ; COPPOLA, ELEANOR ; COPPOLA, FRANCIS FORD ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DILLER, BARRY ; EVANS, ROBERT ; FONDA, PETER ; FRIEDKIN, WILLIAM ; GEFFEN, DAVID ; HAWKS, HOWARD ; HOPPER, DENNIS ; IRVING, AMY ; KAEL, PAULINE ; KIDDER, MARGOT ; LUCAS, GEORGE ; LUCAS, MARCIA ; MILIUS, JOHN ; NEWMAN, DAVID ; NICHOLSON, JACK ; PENN, ARTHUR ; PHILLIPS, JULIA ; PLATT, POLLY ; POLANSKI, ROMAN ; RAFELSON, BOB ; SCHNEIDER, BERT ; SCHRADER, LEONARD ; SCHRADER, PAUL ; SCORSESE, MARTIN ; SHEPHERD, CYBILL ; SIMPSON, DON ; SPIELBERG, STEVEN ; SYLBERT, RICHARD ; TANEN, NED ; TOWNE, ROBERT ; WEINTRAUB, SANDRA ; YABLANS, FRANK ; ZANUCK, RICHARD ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; EASY RIDER (US, Dennis Hopper, 1969) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CHINATOWN (US, Roman Polanski, 1974) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; EXORCIST, THE (US, William Friedkin, 1973) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; JAWS (US, Steven Spielberg, 1975) ; LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; M*A*S*H (US, Robert Altman, 1969) ; MEAN STREETS (US, Martin Scorsese, 1973) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; PERSONAL BEST (US, Robert Towne, 1982) ; RAGING BULL (US, Martin Scorsese, 1980) ; REDS (US, Warren Beatty, 1981) ; SHAMPOO (US, Hal Ashby, 1975) ; SORCERER (US, William Friedkin, 1977) ; STAR WARS (US, George Lucas, 1977) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448ISBN: 0684809966LON: 98002919; 13698645
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still
[Ebbtide : stills file] / Lisa Tomasetti
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still
[Echo point : stills file]
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newspaper article
Ecological fable global block buster in The Age [Arts & Entertainment] (25/02/2016) p.31
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title clippings file
ECUME DES JOURS, L : (FR/BE, Michel Gondry, 2013)
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journal article
Eddie Murphy signs with Paramount in Australasian Cinema (22/7/1983) vol.12 iss.13 p.5
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journal article
Edgley and Hoyts in $25m+ venture : Four Ozpix deal in Australasian Cinema (25/2/1983) vol.12 iss.3 p.1
PhysDes: ArticleSubject: HOYTS ; MICHAEL EDGLEY INTERNATIONAL ; PHAR LAP (AT, Simon Wincer, 1983) ; ONE NIGHT STAND (AT, John Duigan, 1984) ; COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984) ; INDECENT OBSESSION, AN (AT, Lex Marinos, 1985) Summary: Article on the new $25-30million deal between Hoyts and Michael Edgley International to produce four australian feature films.
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Effective film analysis aka where the hell do we start in teaching : What's Eating Gilbert Grape?, Proof, Blade Runner, et al? in Metro Education (2000) iss.12 p.3-6
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Eisenstein on the audiovisual : the montage of music, image and sound in cinema / Robert Robertson London: I.B. Tauris, 2009.
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The electric bookshop : research into current and future markets for interactive multimedia publications on cd rom Woolloomooloo, N.S.W.: Australian Film Commission, 1995.
Call No: 775(94) BRICorpAuthor: Australian Film Commission; Brigalow Digital PublishingPlace: Woolloomooloo, N.S.W.Publisher: Australian Film CommissionPubDate: 1995PhysDes: v, 68 p. : ill. ; 30 cmSubject: DIGITAL TECHNOLOGY. AUSTRALIA ; CD-ROM AND THE CINEMA. AUSTRALIA ; MULTIMEDIA. AUSTRALIA Notes: "March 1995"; "Commissioned ... by Australian Film Commission"; "A report for the Australian Film Commission by Brigalow Digital Publishing, March 1995"--Cover; Bibliography: p. 68ISBN: 0642226148LON: 11462529
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Electric Edwardians : the story of the Mitchell & Kenyon collection / Vanessa Toulmin London: British Film Institute, 2006.
Call No: 19 MIT TOUAuthor: Toulmin, Vanessa Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: x, 310 p. : ill. ; 25 cmSubject: HISTORY OF CINEMA. ENGLAND ; MITCHELL AND KENYON FILM COMPANY, THE ; MITCHELL, SAGAR ; KENYON, JAMES Summary: A visual record of the films of Sagar Mitchell and James Kenyon, combined with an illuminating discussion of the films and the social context of their production by Vanessa Toulmin, the leading authority on the collection. Focusing on major themes such as Leisure and Recreation, Sport, Industry, the Boer War and the City. Includes over 400 illustrations drawn from the collection as well as contemporary posters and handbills. [Taken from back cover.]ISBN: 1844571459
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Elizabeth misses out in house of the rising sons in Saturday Age [Business News] (13/06/2015) p.4
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Ellen Barkin signed for Orion's 'Harry & Son' in Australasian Cinema (25/2/1983) vol.12 iss.3 p.3
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Elvis : the Hollywood years / by David Bret London: Robson Books, 2001.
Call No: 81ELV BREAuthor: Bret, David Source: UKPlace: LondonPublisher: Robson BooksPubDate: 2001PhysDes: viii, 337 pages, illustrations; 24 cmSubject: MUSIC IN FILMS ; MUSIC AND THE CINEMA ; ROCK MUSIC IN FILMS ; PRESLEY, ELVIS ; LOVE ME TENDER (US, Robert D. Webb, 1956) ; LOVING YOU (US, Hal Kanter, 1957) ; JAILHOUSE ROCK (US, Richard Thorpe, 1957) ; KING CREOLE (US, Michael Curtiz, 1958) ; G.I. BLUES (US, Norman Taurog, 1960) ; FLAMING STAR (US, Don Siegel, 1960) ; WILD IN THE COUNTRY (US, Philip Dunne, 1961) ; BLUE HAWAII (US, Norman Taurog, 1961) ; FOLLOW THAT DREAM (US, Gordon Douglas, 1962) ; KID GALAHAD (US, Phil Karlson, 1962) ; GIRLS! GIRLS! GIRLS! (US, Norman Taurog, 1962) ; IT HAPPENED AT THE WORLD'S FAIR (US, Norman Taurog, 1963) ; FUN IN ACAPULCO (US, Richard Thorpe, 1963) ; KISSIN' COUSINS (US, Gene Nelson, 1964) ; VIVA LAS VEGAS (US, George Sidney, 1963) ; ROUSTABOUT (US, John Rich, 1964) ; GIRL HAPPY (US, Boris Sagal, 1965) ; TICKLE ME (US, Norman Taurog, 1965) ; HAREM HOLIDAY (US, Gene Nelson, 1965) ; FRANKIE AND JOHNNY (US, Frederick de Cordova ,1966) ; PARADISE HAWAIIAN STYLE (US, Michael D. Moore, 1966) ; CALIFORNIA HOLIDAY (US, Norman Taurog, 1966) ; EASY COME, EASY GO (US, John Rich, 1967) ; DOUBLE TROUBLE (US, Norman Taurog, 1967) ; CLAMBAKE (US, Arthur N. Nadel, 1967) ; STAY AWAY, JOE (US, Peter Tewkesbury, 1968) ; SPEEDWAY (US, Norman Taurog, 1968) ; LIVE A LITTLE, LOVE A LITTLE (US, Norman Taurog, 1968) ; CHARRO! (US, Charles Marquis Warren, 1969) ; TROUBLE WITH GIRLS, THE (US, Peter Tewkesbury, 1969) ; CHANGE OF HABIT (US, William Graham, 1969) ; ELVIS: THAT'S THE WAY IT IS (US, Denis Sanders, 1970) ; ELVIS ON TOUR (US, Robert Abel and Pierre Adidge, 1972) Summary: "In this first complete account of Elvis Presleys celluloid career, David Bret considers the 33 films, TV appearances, biopics, retrospectives and documentaries that remain as testimony to the compelling and mysterious persona of The King. The bestselling author David Bret traces the development of Presley's film career and recounts the on-set cat fights with co-stars and studio personnel. He unearths the truth about the powerful hold exercised over Elvis by 'Colonel' Tom Parker, which revolved around Parker preventing a leak about Presley's relationship with another man from going public and then using this knowledge as a persistant threat to ensure his protege's loyalty.
Bret explores and hotly disputes the controversial allegations, levelled by Presley's step-family, that he had sex with his mother, raped his wife, held debauched, drug fuelled parties with groupies and eventually committed suicide. Above all, the author praises the nature and talent of the man who was - and still is - the supreme authority on rock'n'roll and romance. " -- BOOK JACKETNotes: Includes selected film discography; Includes bibliographical references and index; 'Harem Holiday' also known as 'Harum Scarum'; 'California Holiday' also known as 'Spinout'ISBN: 1861054165Donation: Donated by Peter KempContents: -- acknowledgements -- Introduction -- Part One: In the Footsteps of the Mutant King -- Love Me Tender -- Loving You -- Jailhouse Rock -- King Creole -- Part Two: The Rainbow Years -- G.I. Blues -- Flaming Star -- Wild in the Country -- Blue Hawaii -- Follow That Dream -- Kid Galahad -- Part Three: Cotton Candy Land -- Girls! Girls! Girls! -- It Happened at the World's Fair -- Fun in Acapulco -- Kissin' Cousins -- Viva Las Vegas -- Roustabout -- Girl Happy -- Tickle Me -- Harem Holiday -- Frankie and Johnny -- Paradise Hawaiian Style -- California Holiday -- Part Four: Just Call Me Lonesome -- Easy Come, Easy Go -- Double Trouble -- Clambake -- Stay Away, Joe -- Speedway -- Live A Little, Love A Little -- Charro! -- The Trouble With Girls -- Change of Habit -- Elvis - That's the Way It Is -- Elvis On Tour -- -- Part Five: Softly As I Leave You -- appendix I: the television special -- appendix II: tributes, retrospectives and biopics -- appendix III: selected film discography -- bibliography -- index --
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EMA [Mother] : (ES, Kadri Kõusaar, 2016) Digital clippings file available
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Embassy Pictures starts production on "Beginners" in Australasian Cinema (27/8/1982) vol.11 iss.15 p.30
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Embassy's "The Long Good Friday" exceeds opening weekend with $26,622 gross in Australasian Cinema (30//4/1982) vol.11 iss.7 p.4
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The emergence of film art : the evolution and development of the motion picture as an art, from 1900 to the present New York: Hopkinson and Blake, [c1969].
Call No: 70 JACAuthor: Jacobs, Lewis, comp Place: New YorkPublisher: Hopkinson and BlakePubDate: [c1969]PhysDes: 453 p. illus. 25 cmSubject: HISTORY OF CINEMA ; HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. SOUND PERIOD ; COLORIZATION ; SOCIETY AND THE CINEMA ; GERMANY ; ANIMATED FILMS ; CINEMA VERITE ; AUTEUR THEORY ; NOUVELLE VAGUE ; MUSIC IN FILMS ; NEOREALISM ; AVANT-GARDE FILMS ; MELIES, GEORGES ; GRIFFITH, DAVID WARK ; CLAIR, RENE ; FORD, JOHN ; PORTER, EDWIN S. ; LESTER, RICHARD ; DISNEY, WALT ; BERGMAN, INGMAR ; TRUFFAUT, FRANCOIS ; SARRIS, ANDREW ; KAEL, PAULINE ; KUROSAWA AKIRA ; RESNAIS, ALAIN ; FELLINI, FEDERICO ; ANTONIONI, MICHELANGELO ; BASS, SAUL ; MEKAS, JONAS ; CITIZEN KANE (US, Orson Welles, 1941) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) Notes: Bibliography: p. 438-439LON: 5011ID2: 291
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L'empire de l'analogie : Napoleon, d'Abel Gance in Vertigo (1991) iss.6/7 p.91-104
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Empty moments : Cinema, modernity, and drift / Leo Charney Durham, London: Duke University Press, 1998.
Call No: 631 CHAAuthor: Charney, Leo Place: Durham, LondonPublisher: Duke University PressPubDate: 1998PhysDes: ix, 189 pages ; 25 cmSubject: PHILOSOPHY AND THE CINEMA ; AESTHETICS ; PERCEPTION ; SURREALISM AND THE CINEMA ; UNCANNY GAZE ; MUYBRIDGE, EADWEARD ; DULAC, GERMAINE ; BRETON, ANDRE ; HUSSERL, EDMUND ; HEIDEGGER, MARTIN ; SAUSSURE, FERDINAND DE ; EISENSTEIN, SERGEI M. ; EPSTEIN, JEAN Summary: "In Empty Moments, Leo Charney describes the defining quality of modernity as "drift" - the experience of being unable to locate a stable sense of the present. Through an exploration of artistic, philosophical, and scientific interrogations of the experience of time, Charney presents cinema as the emblem of modern culture's preoccupation with the reproduction of the present.
Empty Moments creates a catalytic dialogue among those who, at the time of the invention of film, attempted to define the experience of the fleeting present. Interspersing philosophical discussions with stylistically innovative prose, Charney mingles Proust's conception of time/ memory with Cubism's attempt to interpret time through perspective and Surrealism's exploration of subliminal representations of the present. Other topics include Husserl's insistence that the present can only be fantasy or fabrication and the focus on impossibility, imperfection, and loss in Kelvin's laws of thermodynamics. Ultimately, Charney's work hints at parallels among such examples, the advent and popularity of cinema, and early film theory." -- BlurbNotes: Includes notes, bibliography and indexISBN: 0822320908Donation: Adrian MilesContents: One: Drift -- Two: The present moment -- Three: Peaks and valleys -- Four: What's the use? -- Five: Boredom -- Six: The end of pleasure -- Seven: A horizontal line
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Encore Hollywood : remaking French cinema / Lucy Mazdon London: British Film Institute, 2000.
Call No: 753.8 MAZAuthor: Mazdon, Lucy CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: [vi], 169 p. : ill. ; 24 cmSubject: FRANCE ; REMAKES ; CULTURE AND THE CINEMA ; CULTURAL IMPERIALISM. US ; NATIONAL IDENTITY AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA. FRANCE ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; SOMMERSBY (US, Jon Amiel, 1993) ; NIKITA (FR/IT, Luc Besson, 1990) ; LEON (FR, Luc Besson, 1994) ; BIRDCAGE, THE (US, Mike Nichols, 1996) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; BREATHLESS (US, Jim McBride, 1983) ; CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978) ; TRUE LIES (US, James Cameron, 1994) ; SORCERER (US, William Friedkin, 1977) ; MON PERE, CE HEROS (FR, Gerard Lauzier, 1991) ; MAN WITH ONE RED SHOE, THE (US, Stan Dragoti, 1985) ; PEPE LE MOKO (FR, Julien Duvivier, 1937) ; ELEPHANT CA TROMPE ENORMEMENT, UN (FR, Yves Robert, 1976) ; TROIS HOMMES ET UN COUFFIN (FR, Coline Serreau, 1985) ; TOTALE!, LA (FR, Claude Zidi, 1991) ; THREE MEN AND A BABY (US, Leonard Niimoy, 1987) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; WOMAN IN RED, THE (US, Gene Wilder, 1984) ; ALGIERS (US, John Cromwell, 1938) ; CASBAH (US, John Berry, 1948) ; SALAIRE DE LA PEUR, LE (FR, Henri-Georges Clouzot, 1953) ; GRAND BLOND AVEC UNE CHAUSSURE NOIRE, LE (FR, Yves Robert, 1972) Notes: Includes bibliographical references and indexISBN: 0851708005(cased) : ¦45.00; 0851708005LON: 21532807
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The encyclopedia of British film / Edited by Brian McFarlane; associate editor: Anthony Slide; preface by Ralph Fiennes; foreword by Philip French Manchester: Manchester University Press,
Call No: REFERENCE SECTION; 03:71(41) MCFAuthor: McFarlane, Brian Edition: Fourth edPlace: ManchesterPublisher: Manchester University PressPhysDes: xxx, 885 pages ; 26 cmSubject: BRITAIN ; UNITED KINGDOM ; MCFARLANE, BRIAN Summary: With well over 6,300 articles, this fourth edition of The Encyclopedia of British Film is a fully updated invaluable reference guide to the British film industry. It is the most authoritative volume yet, stretching from the inception of the industry to the present day, with minute listings of the producers, directors, actors and studios behind a century or so of great British cinema.
Brian McFarlane and Anthony Slide's meticulously researched guide is the definitive companion for anyone interested in the world of film. Previous editions have sold many thousands of copies and this fourth edition, with an introduction by Philip French, will be an essential work of reference for enthusiasts interested in the history of British cinema, and for universities and libraries. -- Book jacketISBN: 9780719091391Donation: Brian McFarlane
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The End of An Era in Lumiere (March-April 1971) iss.8 p.17-19
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Enders Game in Australian Cinematographer (December 2012) iss.56 p.22-29
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Endless night : cinema and psychoanalysis, parallel histories / edited by Janet Bergstrom Berkeley: University of California Press, c1999.
Call No: 626:159.964.2 ENDAuthor: Bergstrom, Janet, 1946 Place: BerkeleyPublisher: University of California PressPubDate: c1999PhysDes: 305 p. : ill. ; 24 cmSubject: PSYCHOANALYSIS AND THE CINEMA ; FETISHISM IN FILMS ; MELODRAMA ; AKERMAN, CHANTAL ; PSYCHO (US, Alfred Hitchcock, 1960) ; VERTIGO (US, Alfred Hitchcock, 1958) ; KINGS ROW (US, Sam Wood, 1941) ; FREUD (US, John Huston, 1962) Notes: Includes bibliographical references and indexISBN: 0520207475 (alk. paper); 0520207483 (alk. paper); 0520207475(cased) : No price; 0520207483(pbk.) : No priceLON: 13818993
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English filming, English writing / Jefferson Hunter Bloomington IN: Indiana University Press, c2010.
Call No: 408.1(41) HUNAuthor: Hunter, Jefferson Source: USPlace: Bloomington INPublisher: Indiana University PressPubDate: c2010PhysDes: xii, 357 p. ; 23 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. ORWELL, GEORGE ; BRITISH CINEMA ; CRIME DRAMAS ; LITERATURE AND THE CINEMA ; NATIONAL CULTURE AND THE CINEMA. UNITED KINGDOM ; WORLD WAR II AND THE CINEMA ; WORLD WAR II FILMS. UK ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; CANTERBURY TALE, A (UK, Michael Powell & Emeric Pressburger, 1944) ; LISTEN TO BRITAIN (UK, Humphrey Jennings/Stewart McAllister, 1942) ; LOOK BACK IN ANGER (UK, Tony Richardson, 1959) ; REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) Summary: "Jefferson Hunter examines English films and television dramas as they relate to English culture in the twentieth century. He traces themes such as the influence of US crime drama on English film, and film adaptations of literary works as they appear in screen work from the 1930s to the present. A Canterbury Tale and the documentary Listen to Britain are analyzed in the context of village pageants and other wartime explorations of Englishness at risk. English crime dramas are set against the writings of George Orwell, while a famous line from Noel Coward also leads to a discussion of music and image in works including Brief Encounter and Look Back in Anger. Screen adaptation is also broached in analyses of the 1985 BBC version of Dickens's Bleak House and Merchant-Ivory's The Remains of the Day." - BOOK BLURBNotes: Includes notes and indexISBN: 9780253221773
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Enough rope with Andrew Denton / Edited by Jon Casimir Sydney, NSW: ABC Books, December 2003.
Call No: 81 ENO DENAuthor: Denton, Andrew ; Casimir, Jon Place: Sydney, NSWPublisher: ABC BooksPubDate: December 2003PhysDes: 274 p. : illus ; 23 cm.Subject: ENOUGH ROPE WITH ANDREW DENTON [TV] (AT, 2003-) ; HOGAN, PAUL ; GIBNEY, REBECCA ; IRWIN, STEVE ; CARREY, JIM ; RILEY, GINA ; TURNER, JANE ; MELDRUM, IAN "MOLLY" ; READ, MARK "CHOPPER" ; WIGGLES, THE ; PEARCE, GUY ; CROWE, RUSSELL ISBN: 0733313612
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Entertainment arts in Australia / [Editorial: John Allen; Photographs: Robert Walker] Sydney: Hamlyn, 1968].
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The entertainment machine : American show business in the twentieth century / Robert C. Toll Oxford [Oxfordshire] New York: Oxford University Press, 1982.
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Entries for the 1983 AFI Awards in Australasian Cinema (15/7/1983) vol.12 iss.12 p.25
PhysDes: ArticleSubject: AUSTRALIAN FILM INSTITUTE AWARDS ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; WILD DUCK, THE (AT, Henri Safran, 1983) ; CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983) ; MOLLY (AT, Ned Lander, 1983) ; PHAR LAP (AT, Simon Wincer, 1983) ; CITY'S EDGE, THE (AT, Ken Quinnell, 1983) Summary: List of films, along with the director and producer, nominated for an AFI Award
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[Envir : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 10 photographs : b&w ; 9 x 13 cm - 11 x 13 cmSubject: BAILEY, JAMES ; RANDELL, MICHELLE ; MILES, JENNY ; MARTIN, ELEANOR ; SCOTT, CHRISTINE ; BULL, PHIL ; TROUT, DAN ; BINNING, DARRYL ; FAIRWEATHER, WALLY ; WOLDENDORP, RICHARD ; RASER, MARK ; OLDFIELD, BARRIE ; ENVIR (AT, Barrie Oldfield, 1976?) Summary: Seven black and white photographs and three colour photographs primarily depicting the filming of Envir
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[Escape from Jupiter : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 3 photographs : b&w ; 13 x 18 cm - 21 x 26 cmSubject: ROSNIAK, JUSTIN ; TAYLOR, DANIEL ; KANTS, IVAR ; WILKINSON, LINDEN ; BABA, SAEMI ; MUROYAMA, KAZUHIRO ; BISLEY, STEVE ; DIGNAM, ARTHUR ; TENNEY, ANNE ; RADLEY, KEN ; CHOY, ANNA ; ESCAPE FROM JUPITER [TV] (AT/JA, Kate Wood & Fumitaka Tamura, 1994) Summary: Three black and white photographs from the television series Escape from Jupiter
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ESHGH-E FILM : (IR, Ebrahim Vahidzadeh, 2003)
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The essay film : dialogue; politics; utopia / edited by Elizabeth A. Papazian and Caroline Eades New York; Chichester, UK: Wallflower Press, 2016.
Call No: 632.22 ESSAuthor: Papazian, Elizabeth A ; Eades, Caroline Edition: 2016Place: New York; Chichester, UKPublisher: Wallflower PressPubDate: 2016PhysDes: xi,315 p. : illustrated ; 23 cmSubject: DOCUMENTARY FILMS ; EXPERIMENTAL FILMS ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; TREE OF LIFE, THE (US, Terrence Malick, 2011) ; VERTOV, DZIGA ; MARKER, CHRIS ; Pasolini, Pier Paolo ; AKERMAN, CHANTAL ; GODARD, JEAN-LUC ; MORETTI, NANNI ; DENIS, CLAIRE ; MALICK, TERRENCE Summary: With its increasing presence in a continuously evolving media environment, the essay film as a visual form raises new questions about the construction of the subject, its relationship to the world, and the aesthetic possibilities of cinema. In this volume, authors specializing in various national cinemas (Cuban, French, German, Israeli, Italian, Lebanese, Polish, Russian, American) and critical approaches (historical, aesthetic, postcolonial, feminist, philosophical) explore the essay film and its consequences for the theory of cinema while building on and challenging existing theories. Taking as a guiding principle the essay form's dialogic, fluid nature, the volume examines the potential of the essayistic to question, investigate, and reflect on all forms of cinema—fiction film, popular cinema, and documentary, video installation, and digital essay.
A wide range of filmmakers are covered, from Dziga Vertov (Man with a Movie Camera, 1928), Chris Marker (Description of a Struggle, 1960), Nicolás Guillén Landrián (Coffea Arábiga, 1968), Pier Paolo Pasolini (Notes for an African Oresteia, 1969), Chantal Akerman (News from Home, 1976) and Jean-Luc Godard (Notre musique, 2004) to Nanni Moretti (Palombella Rossa, 1989), Mohammed Soueid (Civil War, 2002), Claire Denis (L'Intrus, 2004) and Terrence Malick (The Tree of Life, 2011), among others. The volume argues that the essayistic in film—as process, as experience, as experiment—opens the road to key issues faced by the individual in relation to the collective, but can also lead to its own subversion, as a form of dialectical thought that gravitates towards crisis. -- publisher's web siteISBN: 9780231176958Contents: Acknowledgments -- Notes on Contributors -- Introduction: Dialogue, Politics, Utopia, by Elizabeth A. Papazian and Caroline Eades -- Part I: The Essay Film as Dialogue -- 1. Essayism and Contemporary Film Narrative, by Timothy Corrigan -- 2. Essaying the Forms of Popular Cinema: Godard, Farocki and the Principle of Shot/Countershot, by Rick Warner -- 3. The Practice of Strangeness: L'Intrus, from Jean-Luc Nancy (2000) to Claire Denis (2004), by Martine Beugnet -- 4. Cinéma-vérité and Kino-pravda: Rouch, Vertov, and the Essay Form, by Caroline Eades and Elizabeth A. Papazian -- Part II: The Essay Film as Politics -- 5. Notes for a Revolution: Pasolini's Postcolonial Essay Films, by Luca Caminati -- 6. Chris Marker's Description of a Struggle and the Limits of the Essay Film, by Eric Zakim -- 7. A Woman with a Movie Camera: Chantal Akerman's Essay Films, by Anne Eakin Moss -- 8. 'What Does It Mean Today to Be a Communist?': Nanni Moretti's Palombella rossa and La cosa as Essay Films, by Mauro Resmini -- Part III: The Essay Film as Utopia -- 9. Mohamed Soueid's Cinema of Immanence, by Laura U. Marks -- 10. Inside/Outside: Nicolasito Guillén Landrián's Subversive Strategy in Coffea Arábiga, by Ernesto Livon-Grosman -- 11. American Essays in How to Build a Home: Thoreau, Mekas, Proenneke, by Oliver Gaycken -- 12. 'to speak, to hold, to live by the image': Notes in the Margins of the New Videographic Tendency, by Luka Arsenjuk -- Afterword: The Idea of Essay Film, by Laura Rascaroli -- Index
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The essay film : from Montaigne, after Marker / Timothy Corrigan Oxford ; New York: Oxford University Press, 2011.
Call No: 632.22 CORAuthor: Corrigan, Timothy Edition: 2011Place: Oxford ; New YorkPublisher: Oxford University PressPubDate: 2011PhysDes: 238 pages : illustrated ; 24 cmSubject: DOCUMENTARY FILMS ; MCELWEE, ROSS ; VARDA, AGNES ; KIAROSTAMI, ABBAS ; FOLMAN, ARI ; MARKER, CHRIS Summary: Even though essay films have been a key practice since the 1950s, there is scant analysis about this form in English. Part of this is likely due to the inherent difficulty of definition. The films, which foreground subjectivity and adopt an explicit, personal approach to their subject matter, can look and feel very different from one another. Their coherence as a group, however, comes into focus when contextualized as part of the larger tradition from which they draw. By looking to the literary and philosophical lineage of the essay form, Corrigan brings new clarity to a practice that, arguably, is one of the most common and successful in contemporary film culture. The Essay Film situates its investigation in the literary tradition of essayists such as Montaigne, Barthes, and Huxley before moving to an expansive discussion of filmmakers such as Derek Jarman, Allan Clark, Werner Herzog, Harun Farocki, Chantal Akerman, Chris Marker, Errol Morris, Nanni Moretti, Agnès Varda, Ross McElwee, Abbas Kiarostami, Raoul Ruiz, Lynne Sachs, and Trinh T. Minh-ha. -- publisher's web siteISBN: 9780199781706Contents: Introduction: Of Film and the Essayistic -- Part I: Toward the Essay Film -- Chapter One:One Thoughts Occasioned by . . .Montaigne to Marker -- Chapter Two:Of the History of the Essay Film: from Vertov, to Varda -- Part II: Essayistic Thinking -- Chapter Three:About Portraying Expression: The Essay Film as Inter-view -- Chapter Four:To Be Elsewhere: Cinematic Excursions on Essayistic Travel -- Chapter Five:On Essayistic Diaries: Or, the Velocities of Non-Peace -- Chapter Six:Of the Currency of Events: The Essay Film as Editorial -- Chapter Seven:About Refractive Cinema: When Films Interrogate Films -- Works Cited -- Index
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Essays on the essay film / edited by Nora M. Alter; Timothy Corrigan Chichester, U.K.: Columbia University Press, 2017.
Call No: 632.22 ESSAuthor: Alter, Nora M. ; Corrigan, Timothy Place: New York; Chichester, U.K.Publisher: Columbia University PressPubDate: 2017PhysDes: ix,372 : illus. ; 23 cmSeries: Film and culture seriesSubject: DOCUMENTARY FILMS ; RICHTER, HANS ; ASTRUC, ALEXANDRE ; MARKER, CHRIS ; VERTOV, DZIGA ; GODARD, JEAN-LUC ; GORIN, JEAN-PIERRE ; MULVEY, LAURA ; JULIEN, ISAAC Summary: The essay—with its emphasis on the provisional and explorative rather than on definitive statements—has evolved from its literary beginnings and is now found in all mediums, including film. Today, the essay film is, arguably, one of the most widely acclaimed and critically discussed forms of filmmaking around the world, with practitioners such as Chris Marker, Hito Steyerl, Errol Morris, Trinh T. Minh-ha, and Rithy Panh. Characteristics of the essay film include the blending of fact and fiction, the mixing of art- and documentary-film styles, the foregrounding of subjective points of view, a concentration on public life, a tension between acoustic and visual discourses, and a dialogic encounter with audiences.
This anthology of fundamental statements on the essay film offers a range of crucial historical and philosophical perspectives. It provides early critical articulations of the essay film as it evolved through the 1950s and 1960s, key contemporary scholarly essays, and a selection of writings by essay filmmakers. It features texts on the foundations of the essay film by writers such as Hans Richter and André Bazin; contemporary positions by, among others, Phillip Lopate and Michael Renov; and original essays by filmmakers themselves, including Laura Mulvey and Isaac Julien. -- publishers' web siteISBN: 9780231172677Contents: Introduction, by Nora M. Alter and Timothy Corrigan
Part I. Foundations
1. "On the Nature and Form of the Essay," by Georg Lukács
2. The Man Without Qualities, by Robert Musil
3. "On the Essay and Its Prose," by Max Bense
4. "The Essay as Form," by Theodor W. Adorno
5. "Preface to The Collected Essays of Aldous Huxley," by Aldous Huxley
Part II. The Essay Film Through History
6. "The Film Essay: A New Type of Documentary Film," by Hans Richter
7. "The Future of Cinema," by Alexandre Astruc
8. "Bazin on Marker," by André Bazin
Part III. Contemporary Positions
9. "In Search of the Centaur: The Essay-Film," by Phillip Lopate
10. "The Political Im/Perceptible in the Essay Film: Farocki's Images of the World and the Inscription of War," by Nora M. Alter
11. "Essay Questions," by Paul Arthur
12. "The Electronic Essay," by Michael Renov
13. "The Essay Film: Problems, Definitions, Textual Commitments," by Laura Rascaroli
14. "Of the History of the Essay Film: Vertov, to Varda," by Timothy Corrigan
15. "The Cinema and the Essay as a Way of Thinking," by Raymond Bellour
16. "The Essay Film: From Film Festival Favorite to Flexible Commodity Form?," by Thomas Elsaesser
Part IV. Filmmakers on the Essayistic
17. "Performing Borders: Transnational Video," by Ursula Biemann
18. "Proposal for a Tussle," by Jean-Pierre Gorin
19. "The Essay as Conformism? Some Notes on Global Image Economies," by Hito Steyerl
20. "On Writing the Film Essay," by Lynne Sachs
21. "Tramp Steamer," by Ross McElwee
22. "The ABCs of the Film Essay," by Harun Farocki and Christa Blümlinger
23. "Riddles as Essay Film," by Laura Mulvey
24. "Certain Obliquenesses," by Renée Green
25. "Essay Documentary: The disembodied narrator and an unclaimed image that floats through space and time," by Rea Tajiri
26. "From Ten Thousand Waves to Lina Bo Bardi, via Kapital," by Isaac Julien
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The ethical vision of Clint Eastwood / by Sara Anson Vaux Grand Rapids, Michigan: William B. Eerdmans Pub. Co., c2012.
Call No: 81EAS VAUAuthor: Vaux, Sara Anson Source: USPlace: Grand Rapids, MichiganPublisher: William B. Eerdmans Pub. Co.PubDate: c2012PhysDes: xvii, 259 p. : ill. ; 23 cmSubject: ETHICS IN FILMS ; EASTWOOD, CLINT ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; MYSTIC RIVER (US, Clint Eastwood, 2003) ; MILLION DOLLAR BABY (US, Clint Eastwood, 2004) ; CHANGELING (US, Clint Eastwood, 2008) ; FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006) ; LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006) ; GRAN TORINO (US/AT, Clint Eastwood, 2008) ; INVICTUS (US, Clint Eastwood, 2009) Summary: Provides insight into Clint Eastwood's films - in particular the role of ethicsNotes: Formerly CIP; Includes bibliographical references, filmography and indexISBN: 9780802862952Contents: -- foreword / by Robert Jewett -- preface -- introduction -- The Angel of Death (The Avenging Angel) -- High Plains Drifter -- The Outlaw Josey Wales -- Pale Rider -- Unforgiven -- II.The Mysteries of Life -- Mystic River -- Million Dollar Baby -- Changeling -- Bird -- III.Eternal War or the Dawn of Peace? -- Flags of Our Fathers -- Letters from Iwo Jima -- Gran Torino -- Invictus -- IV.Hereafter: Eastwood and the Reconciling Community -- Hereafter: Beyond a Perfect World? -- The Gathering, the Meal, and the Reconciling Community -- Another Clint -- acknowledgments -- appendix a -- appendix b -- Eastwood filmography -- Clint Eastwood: select bibliography -- index --
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Ethnicity and identity in the new Australian cinema in Metro Education (2000) iss.13 p.22-26
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Eulogy to Bob Maza in Movie Trader (June 2000) p.11
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The Euro-American cinema / Peter Lev Austin: University of Texas Press, 1993.
Call No: 408.3 LEVAuthor: Lev, Peter, 1948 Edition: 1st edSource: USPlace: AustinPublisher: University of Texas PressPubDate: 1993PhysDes: xv, 170 p. : ill. ; 24 cmSeries: Texas film studies seriesSubject: ART CINEMA. USA ; POPULAR CULTURE AND THE CINEMA ; CULTURAL IMPERIALISM ; USA ; EUROPEAN COUNTRIES ; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; PARIS, TEXAS (GW/US, Wim Wenders, 1984) ; RACCONTI DI CANTERBURY, I (IT/FR, Pier Paolo Pasolini, 1973) ; LAST EMPEROR, THE (UK/CC, Bernardo Bertolucci, 1987) Summary: "Peter Lev departs from the traditional approach of national cinema histories and discusses some of the blens, overlaps, and hegemonies that are typical of the world film industry of recent years. In Part One, he gives an overview of what he terms the "Euro-American art film," which is characterized by prominent use of the English language, a European art-film director, cast and crew from at least two countries, and a stylistic mixing of European art film and American entertainment.
The second part of Lev's study examines in detail five examples of the Euro-American art film: Contempt (Jean-Luc Godard, 1963), Blow-up (Michelangelo Antonioni, 1966), The Canturbury Tales (Pier Paolo Pasolini, 1972), and The Last Emperor (Bernardo Bertolucci, 1987). These case studies reveal that the European art film has had a strong influence on world cinema and that many Euro-American films are truly cultural blends rather than abject takeovers by Hollywood cinema." -- Back coverNotes: Filmography: p. [141]-156; Includes bibliographical references (p. [157]-160) and indexISBN: 0292746784 (pbk. : alk. paper); 0292746776 (cloth : alk. paper)LON: 9657097
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European cinema : an introduction / [edited by] Jill Forbes and Sarah Street Hampshire, [Eng.] New York: Palgrave, 2000.
Call No: 71(4) FORAuthor: Street, Sarah ; Forbes, Jill Place: Hampshire, [Eng.] New YorkPublisher: PalgravePubDate: 2000PhysDes: xvi, 216 p. : ill. ; 24 cmSubject: EUROPEAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA. EUROPEAN COUNTRIES ; NATIONAL IDENTITY AND THE CINEMA. EUROPEAN COUNTRIES ; STUDIOS, FILM. EUROPEAN COUNTRIES ; STARS. EUROPEAN COUNTRIES ; GENRES. EUROPEAN COUNTRIES ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; VIRIDIANA (SP/MX, Luis Bunuel, 1961) ; ALICE IN DEN STADTEN (GW, Wim Wenders, 1973) ; CARMEN (SP, Carlos Saura, 1983) ; GOOD MORNING BABYLON [GOOD MORNING BABILONIA] (IT/FR/US, Paol Taviani & Vittorio Taviani, 1987) ; VERSPRECHEN, DAS (GG/FR, Margarethe von Trotta, 1994) ; HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995) ; TRAINSPOTTING (UK, Danny Boyle, 1996) Notes: Includes bibliographical references and indexesISBN: 0333752090; 0333752104 (pbk.); 0312237464; 0312237472 (pbk.)LON: 21467101
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European television industries / Petros Iosifidis, Jeanette Steemers and Mark Wheeler London: bfi Publishing, 2005.
Call No: 20(4)"313" IOFAuthor: Iosifidis, Petros ; Steemers, Jeanette ; Wheeler, Mark Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2005PhysDes: 186 p. : ill., ports. ; 24 cmSubject: PUBLIC BROADCASTING ; DIGITAL TELEVISION ; EUROPEAN COUNTRIES ; NEWS CORPORATION ; ADVERTISING ; CANAL PLUS ; WHO WANTS TO BE A MILLIONAIRE (AT, 1999-) Summary: Television in Europe operates in an increasingly globalised communications market characterised by commercialisation, fragmentation and transnational ownership. Digital transmission has resulted in an abundance of televisual offerings, operating in a less heavily regulated dual system of competitive private and publicly owned television channels.Concentrating on the historical , economic, cultural, technological, and political factors behind change, the book provides an opportunity to construct a conceptual and analytical base on which to judge future developments in television in Europe.[taken from back cover]Notes: Includes bibliographical references and indexISBN: 1844570592
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[Everlasting secret family, the : stills file]
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[Everynight, everynight : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 13 photographs : b&w ; 13 x 18 cm - 28 x 21 cmSubject: MOTHERWELL, PHIL ; DALY, JIM ; FIELD, DAVID [actor] ; MORGAN, ROBERT ; HUNTER, BILL ; WOODWARD, SIMON ; SHAW, JAMES ; OLIVER, TOBY ; EVERYNIGHT, EVERYNIGHT (AT, Alkinos Tsilimidos, 1994) Summary: Thirteen black and white photographs relating to the film Everynight, everynight (including two photocopies of original files which are under the Oliver, Toby and Shaw, James files)Notes: Contains duplicates
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Everyone was watching! : strategies of self-presentation in oral histories of cinema-going in Studies in Australasian cinema (2007) vol.1 iss.3 p.261-274
Author: Huggett, Nancy PhysDes: ArticleSubject: AUDIENCES. AUSTRALIA ; PSYCHOLOGICAL EFFECTS OF FILMS ; NARRATIVE IN FILMS. AUSTRALIA ; AUDIENCE RECEPTION. AUSTRALIA ; HISTORY OF CINEMA Summary: This article considers the different ways in which strategies of selective self-presentation on behalf of both interviewee and interviewer structure the oral history narrative, using, as an example. the ways in which embarrassment and shame function in narratives of cinema-going in Australia. The essay explores when and how embarrassment and shame feature in cinema-going narratives and also the way in which some issues, such as the recollection of segregation in rural cinemas, disrupt the easy conversational flow of a narrative and cause discomfort, bordering on embarrassment and shame for both interviewee and interviewer.
Drawing on oral histories and autobiographical accounts from New South Wales cinema-goers, this article delves into the public/private and past/present functions of embarrassment and shame in order to better understand cinema-going practices and recollection strategies. It takes into account how critical oral history and cultural theory can assist cinema studies to examine how practices of cinema-going are situated within wider cultural attidudes and discourses. -- Abstract
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Everything is awesome for Lego studio in Sun Herald [General News] (08/03/2015) p.19
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[Evil angels : stills file]
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Evil children : the imagery of child violence in contemporary media in Metro education (1999) iss.17/18 p.36-41
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An Examination of Australian cultural identity as depicted in four Australian films : The Adventures of Barry McKenzie, Alvin Purple, Sunday too far away and Picnic at Hanging Rock / by Sue Ramadan Kensington, NSW : [s.n.], 1976:
Call No: 408.1(94) RAMAuthor: Ramadan, Sue Place: Kensington, NSW : [s.n.], 1976PhysDes: [79 leaves] ; 30 cmSubject: NATIONAL IDENTITY IN FILMS. AUSTRALIA ; AUSTRALIA ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; ALVIN PURPLE (AT, Tim Burstall, 1973) LON: abn98366333; 14228501
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Excellence in content : the focus for Australian investment in multimedia content : a study of international trends in investment and strategic alliances focused on multimedia content and perceptions and awareness of Australia as a location to source or invest in multimedia content / prepared by John Montgomery, Phil Walker, Rod Maddock [Sydney]: Coopers & Lybrand, 1995.
Call No: 775(94) EXCAuthor: Montgomery, John ; Walker, Phil ; Maddock, Rod CorpAuthor: Australia. Dept. of Communications and the Arts; Australia. Dept. of Industry, Science and Technology; Market Australia; Coopers & Lybrand. Multimedia Industry GroupPlace: [Sydney]Publisher: Coopers & LybrandPubDate: 1995PhysDes: 65 p. ; 30 cmSubject: MULTIMEDIA. AUSTRALIA Notes: "June 1995" -- cover; Also available in an electronic version via the Internet at: http://www.dist.gov.au/pubs/reports/excon/exconmmi.html; "Prepared by Coopers & Lybrand, Multimedia Industry Group" -- cover; "For: Department of Industry, Science and Technology, Market Australia, Department of Communications and the Arts"LON: abn95217760; 11716754
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An excercise in unrestrained quaintness in Encore (November 2012) p.43
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[Exchange lifeguards : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 10 photographs : b&w ; 26 x 20 cmSubject: ATKINS, CHRISTOPHER ; MCMAHON, JULIAN ; CROSS, REBECCA ; NEWMAN-PHILLIPS, AMANDA ; GOULD, ELLIOTT ; HEMBROW, MARK ; STEELE, VANESSA ; LARIMORE, LOIS ; PATE, CHRISTOPHER ; EXCHANGE LIFEGUARDS (AT, Maurice Murphy, 1993) Summary: Ten black and white photographs relating to the film 'Exchange lifeguards' (original title 'Wet and Wild Summer!')
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Exchange rate prompts NSW requests in Encore (Feb 11, 1998) vol.15 iss.22 p.22
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[Excursion to the bridge of friendship : stills file]
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[Exile and the kingdom : stills file]
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Existential angst behind the camera in Sunday Age [Inside Out] (08/05/2016) p.11
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Experimenta : Australia's first national exhibition of art film and video : Melbourne, Nov. 18th-27th, 1988 / presented by Modern Image Makers Association Inc. (MIMA) Melbourne: MIMA, 1988.
Call No: 771(94) MODAuthor: Modern Image Makers Association Source: ATPlace: MelbournePublisher: MIMAPubDate: 1988PhysDes: 48 p. ; 30 cmSubject: ART AND THE CINEMA ; ART CINEMA. AUSTRALIA ; EXHIBITION. AUSTRALIA ; EXPERIMENTAL FILMS. AUSTRALIA ; MONDO FILMS ; MARTIN, ADRIAN ; CANTRILL, ARTHUR & CORINNE ; GIBSON, ROSS ; ALEXANDER, GEORGE Summary: Program for the Experimenta exhibition 1988. Includes short essays from various performers and presenters as well as the list of exhibits and exhibiting artistsNotes: State Film Theatre, City Gallery, 200 Gertrude Street Gallery, Australian Centre for Contemporary Art, National Gallery of VictoriaISBN: 731641730Contents: Experimenta Program -- Theatrical -- Performance -- Installation -- Seminars; Project: last written words -- Hello comrade: Adrian Martin -- Last and first words: Fiona Mackie -- Some thoughts on the practice of film as art in Australia: Arthur Cantrill -- I used to speak French: Ross Gibson -- Against the grain: Kris Hemensley -- Mondo video: George Alexander --; Exhibiting artists; Experimenta at a glance
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Experimental filmmaking and punk : feminist audio visual culture in the 1970s and 1980s / Rachel Garfield London: Bloomsbury Academic, 2022.
Call No: 771-02 GARAuthor: Garfield, Rachel Edition: 2021Place: LondonPublisher: Bloomsbury AcademicPubDate: 2022PhysDes: xiv, 274 pages : illustrated ; 24 cmSubject: CHILD, ABIGAIL ; DICK, VIVIENNE ; BENNING, SADIE ; THORNTON, LESLIE ; WOMEN FILMMAKERS ; NIGHTCLEANERS (UK, Berwick Street Film Collective, 1975) ; BORN IN FLAMES (US, Lizzie Borden, 1983) ; RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977) Summary: Just as punk created a space for bands such as the Slits and Poly Styrene to challenge 1970s norms of femininity, through a transgressive, strident new female-ness, it also provoked experimental feminist film makers to initiate a parallel, lens-based challenge to patriarchal modes of film making.
In this book, Rachel Garfield breaks new ground in exploring the rebellious, feminist punk audio-visual culture of the 1970s, tracing its roots and its legacies. In their filmmaking and their performed personae, film and video artists such as Vivienne Dick, Sandra Lahire, Betzy Bromberg, Ruth Novaczek, Sadie Benning, Leslie Thornton, Abigail Child and Anne Robinson offered a powerful, deliberately awkward alternative to hegemonic conformist femininity, creating a new “punk audio visual aesthetic”. A vital aspect of our vibrant contemporary digital audio visual culture, Garfield argues, can be traced back to the techniques and forms of these feminist pioneers, who like their musical contemporaries worked in a pre-digital, analogue modality that nevertheless influenced the emergent digital audio visual culture of the 1990s and 2000s. -- publisher's web siteISBN: 9781350293083Contents: Introduction -- 1. Do it Yourself and the Amateur -- 2. The Last of the Modern Two - Visualizing Women, Otherness and the Cosmopolitan Punk -- 3. Feminism, Visualising the Kitchen Table and Do-It-Yourself: in Praise of the Fragment Part 1 -- 4. Kracauer Disintegration and Punk: In Praise of the Fragment Part 2 -- 5. Representation and the Inability to Situate: the Undecidability of Women's Punk -- Conclusion – Bibliography -- Index.
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Explorations in national cinemas : editors, Ben Lawton, Janet Staiger ... et al. , contributors, Marc Glasser ... et al Pleasantville, N.Y.: Redgrave, 1977.
Call No: 62(04) EXPAuthor: Staiger, Janet ; Lawton, Ben ; Glasser, Marc Source: USPlace: Pleasantville, N.Y.Publisher: RedgravePubDate: 1977PhysDes: 160 pSeries: Film studies annual ; 1977 ; 1Subject: AESTHETICS ; DIALOGUE ; VERTOV, DZIGA ; BARRY LYNDON (UK, Stanley Kubrick, 1975) ; CLOWNS, I (IT/FR/GW, Federico Fellini, 1970) ; EDVARD MUNCH (SW/NO, Peter Watkins, 1974) ; FORT APACHE (US, John Ford, 1948) ; HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; LAST MOVIE, THE (US, Dennis Hopper, 1971) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; SALAMANDRE, LA (SZ, Alain Tanner, 1971) ; SCEICCO BIANCO, LO (IT, Federico Fellini, 1951) Notes: Papers from the 1977 Purdue University Conference on FilmOrder Received: 2000Order Type: DonationLON: 4015698
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The exterminating angel, Nazarin, and Los Olvidados: three films / translated [from the French] by Nicholas Fry London: Lorrimer, 1972.
Call No: 792 BUNAuthor: Bunuel, Luis, 1900-1983 Place: LondonPublisher: LorrimerPubDate: 1972PhysDes: 299 p. illus. 21 cmSubject: OLVIDADOS, LOS (MX, Luis Bunuel, 1951) ; NAZARIN (MX, Luis Bunuel, 1959) ; ANGEL EXTERMINADOR, EL (MX, Luis Bunuel, 1962) ISBN: 0900855940; 0900855932 (pbk.)LON: 409935
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Eye for justice in The Australian [Review] (19/10/2013) p.16
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Eye of the Taika : New Zealand comedy and the films of Taika Waititi / Matthew Bannister Detroit: Wayne State University Press, 2021.
Call No: 81 WAI BANAuthor: Bannister, Matthew Edition: 2021Place: DetroitPublisher: Wayne State University PressPubDate: 2021PhysDes: 304 pages : illustrated ; 23 cmSubject: WAITITI, TAIKA ; NEW ZEALAND ; RACIAL ISSUES AND THE CINEMA ; COMEDIES Summary: Eye of the Taika: New Zealand Comedy and the Films of Taika Waititi is the first book-length study of comic film director and media celebrity Taika Waititi. Author Matthew Bannister analyses Waititi’s feature films and places his other works and performances—short films, TV series, advertisements, music videos, and media appearances—in the fabric of popular culture. The book’s thesis is that Waititi’s playful comic style draws on an ironic reading of NZ identity as Antipodean camp, a style which reflects NZ’s historic status as colonial underdog.
The first four chapters of Eye of the Taika explore Waititi’s early life and career, the history of New Zealand and its film industry, the history of local comedy and its undervaluation in favor of more "serious" art, and ethnicity in New Zealand comedy. Bannister then focuses on Waititi’s films, beginning with Eagle vs Shark (2007) and its place in "New Geek Cinema," despite being an outsider even in this realm. Bannister uses Boy (2010) to address the "comedian comedy," arguing that Waititi is a comedic entertainer before being a director. With What We Do in The Shadows (2014), Bannister explores Waititi’s use of the vampire as the archetypal immigrant struggling to fit into mainstream society, under the guise of a mockumentary. Waititi’s Hunt for the Wilderpeople (2016), Bannister argues, is a family-friendly, rural-based romp that plays on and ironizes aspects of Aotearoa/New Zealand identity. Thor: Ragnarok (2017) launched Waititi into the Hollywood realm, while introducing a Polynesian perspective on Western superhero ideology. Finally, Bannister addresses Jojo Rabbit (2019) as an "anti-hate satire" and questions its quality versus its topicality and timeliness in Hollywood.
By viewing Waititi’s career and filmography as a series of pranks, Bannister identifies Waititi’s playful balance between dominant art worlds and emergent postcolonial innovations, New Zealand national identity and indigenous Aotearoan (and Jewish) roots, and masculinity and androgyny. Eye of the Taika is intended for film scholars and film lovers alike. -- publisher's web siteISBN: 9780814345337
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The eyes have it : cinema and the reality effect / Murray Pomerance New Jersey: Rutgers University Press, c2013.
Call No: 630.3 POMAuthor: Pomerance, Murray Source: USPlace: New JerseyPublisher: Rutgers University PressPubDate: c2013PhysDes: xii, 268 pages : illustrations ; 23 cmSeries: Techniques of the moving imageSubject: ART DIRECTION ; CINEMATOGRAPHY ; COMPUTER GENERATED IMAGERY ; MOTION CONTROL ; REALISM IN FILMS ; SET DECORATING ; SET DESIGNING ; SPECIAL EFFECTS ; HITCHCOCK, ALFRED ; KELLY, GENE ; Metro-Goldwyn-Mayer ; [FORTY] 40 DAYS AND 40 NIGHTS (US, Michael Lehmann, 2002) ; ANNIE HALL (US, Woody Allen, 1977) ; ARIZONA DREAM [AMERICAN DREAMERS] (FR/US, Emir Kusturica, 1992) ; BRIGADOON (US, Vincente Minnelli, 1954) ; CLOVERFIELD (US, Matt Reeves, 2008) ; DARK PASSAGE (US, Delmer Daves, 1947) ; DEFIANCE (US, Edward Zwick, 2008) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) ; IN HARM'S WAY (US, Otto Preminger, 1965) ; NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959) ; RANDOM HARVEST (US, Mervyn LeRoy, 1942) ; SIGNS (US, M. Night Shyamalan, 2002) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; VERTIGO (US, Alfred Hitchcock, 1958) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: The Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, sensory and definitive. Beginning with a penetrating study of five cornfield sequences - including The Wizard of Oz, Arizona Dream, and Signs - Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 200s to show how the viewer's experience of "reality" is put in context, challenged, and wilfully engaged. Four meditations deal with "reality effects" from different philosophical and technical angles. "Vivid Rivals" assesses active participation and critical judgement in seeing effects with works such as Defiance, Cloverfield, Knowing, and Thelma & Louise. "The Two of Us" considers double placement and doubled experience with films such as The Prestige, Niagara and A Stolen Life. "Being There" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. "Fairy Land" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting." - BOOK BLURBNotes: Contains illustrations, bibliographic references and indexISBN: 9780813560588
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F.W. Murnau : cinema of space in Sydney University Film Group Bulletin (June 1971) iss.54 p.16 - 18
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La fabrica de suenos : Estudios Churubusco, 1945-1985 Mexico: Instituto Mexicano de Cinematrografia, c1985.
Call No: 19CHU FAB; FOLIOCorpAuthor: Instituto Mexicano de CinematografiaEdition: 1. edSource: MXPlace: MexicoPublisher: Instituto Mexicano de CinematrografiaPubDate: c1985PhysDes: 411 p. : ill. ; 35 cmSubject: MEXICO ; FILMOGRAPHIES Notes: Includes bibliographical referencesISBN: 9686122001LON: 13604586
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Fabrications : costume and the female body / edited by Jane Gaines and Charlotte Herzog New York: Routledge, 1990.
Call No: 626:396 FABAuthor: Gaines, Jane, 1943 ; Herzog, Charlotte, 1946 Place: New YorkPublisher: RoutledgePubDate: 1990PhysDes: vii, 295 p. : ill. ; 24 cmSeries: AFI film readersSubject: FEMINISM AND THE CINEMA ; WOMEN AND THE CINEMA ; WOMEN IN FILMS ; BODY IN FILMS ; COSTUMES ; FASHION AND THE CINEMA ; NARRATIVE IN FILMS ; DIETRICH, MARLENE ; FAME (US, Alan Parker, 1980) ; FLASHDANCE (US, Adrian Lyne, 1983) ; FIG LEAVES (US, Howard Hawks, 1926) Notes: Includes bibliographical references (p. 278-294)ISBN: 0415900611; 041590062X (pbk.)LON: 6468521
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The Fabulous thirties : Italian cinema 1929-1944 / edited by Incontri Internazionali d'Arte Roma ; coordination by Adriano Apra, Patrizia Pistagnesi ; introduction by Alberto Arbasino Milan: Electra International, c1979.
Call No: 71(45) FABAuthor: Apra, Adriano ; Pistagnesi, Patrizia CorpAuthor: Incontri Internazionali d'Arte RomaPlace: MilanPublisher: Electra InternationalPubDate: c1979PhysDes: 113 p. : ill. ; 24 cmSubject: ITALY ; BLASETTI, ALESSANDRO ; CASTELLANI, RENATO ; DE SICA, VITTORIO ; ROSSELLINI, ROBERTO ; VISCONTI, LUCHINO ; GENINA, AUGUSTO ; MATARAZZO, RAFFAELLO ; MATTOLI, MARIO ; PALERMI, AMLETO ; POGGIOLI, FERDINANDO MARIA ; ALESSANDRINI, GOFFREDO ; CAMERINI, MARIO ; CHIARINI, LUIGI ; GALLONE, CARMINE ; SOLDATI, MARIO LON: 1570161
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Factory Girl in Empire (Australian Ed.) (September 2007) iss.78 p.111
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The factual film / The Arts Enquiry London: Oxford University Press, 1947.
Place: LondonPublisher: Oxford University PressPubDate: 1947PhysDes: 260 p. ; 22 cmSubject: MOTION PICTURES - GREAT BRITAIN Donation: donated by the family of Wayne Levy, 2006
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Fade out : the calamitous final days of MGM / Peter Bart New York: Morrow, 1990.
Call No: 19MET BARAuthor: Bart, Peter Edition: 1st edPlace: New YorkPublisher: MorrowPubDate: 1990PhysDes: 304 p. : ill. ; 24 cmSubject: Metro-Goldwyn-Mayer ; UNITED ARTISTS ; PARAMOUNT STUDIOS ; AUBREY, JAMES T. ; YABLANS, FRANK ; KERKORIAN, KIRK ; ARMSTRONG, GILLIAN ; BROOKS, RICHARD ; CIMINO, MICHAEL ; FIELDS, FREDDIE ; GOLDBERG, LEONARD ; HUTTON, TIMOTHY ; LADD, ALAN, Jr. ; SKASE, CHRISTOPHER ; LOWE, ROB ; MELNICK, DANIEL ; MUDOCH, RUPERT ; NICHOLSON, JACK ; ROSENBERG, STUART ; STEENBURGEN, MARY ; WEINTRAUB, JERRY ; WARGAMES (US, John Badham, 1983) ; RED DAWN (US, John Milius, 1984) ; RAIN MAN (US, Barry Levinson, 1988) ; MRS SOFFEL (US, Gillian Armstrong, 1984) Notes: Includes indexISBN: 0688084605 (acid-free paper)LON: 6934383
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Fairfax CEO opens up on future of print in Australian Financial Review (22/02/2016) p.30
Call No: SUBJECT CLIPPINGS FILE; FAIRFAXAuthor: White, Dominic PhysDes: Clippings File ArticleSubject: FAIRFAX ; MEDIA. AUSTRALIA Summary: Interview with CEO of Fairfax Media Greg Hywood. Discussion pertaining to Fairfax's future in terms of newspapers, and the speculation that Fairfax may try to enter the free-to-air TV market
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Fairy tale adventure dodges Disney traps in Sydney Morning Herald [Arts & Entertainment] (22/12/2016) p.20
Call No: TITLE CLIPPINGS FILE; MOANA (US, Ron Clements & Don Hall, 2016)Author: Wilson, Jake PhysDes: ClippingsSubject: MOANA (US, Ron Clements & Don Hall, 2016) Summary: Film review of the Disney Studio film MoanaNotes: This review was also published in The AgeRating: 3 out of 5 stars
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moana (us, ron clements & don hall, 2016)
Fairy tale adventure dodges Disney traps in The Age [Arts & Entertainment] (22/12/2016) p.26
Call No: TITLE CLIPPINGS FILE; MOANA (US, Ron Clements & Don Hall, 2016)Author: Wilson, Jake PhysDes: ClippingsSubject: MOANA (US, Ron Clements & Don Hall, 2016) Summary: Film review of the Disney Studio film MoanaNotes: This review was also published in Sydney Morning HeraldRating: 3 out of 5 stars
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Faith and wonder shine in thriller in Sunday Age [Inside Out] (24/04/2016) p.4
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The falling star : Mission top secret / Maureen McCarthy Ringwood, Vic: Puffin Books, 1993.
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Fame games : the production of celebrity in Australia / Graeme Turner, Frances Bonner, P. David Marshall Cambridge: Cambridge University Press, 2000.
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Family fictions : representations of the family in 1980s Hollywood cinema. / Sarah Harwood; foreword by Janet Thumin; consultant editor Jo Camping Houndmills, Basingstoke, Hamps: Macmillan, 1997.
Call No: 747.4 HARAuthor: Harwood, Sarah Source: UKPlace: Houndmills, Basingstoke, HampsPublisher: MacmillanPubDate: 1997PhysDes: x, 265p. ; 23cmSubject: FAMILY IN FILMS ; SOCIAL-REALISM IN FILMS ; SOCIETY AND THE CINEMA ; SOCIOLOGY AND THE CINEMA ; BARRYMORE, DREW ; BRIDGES, LLOYD ; CLOSE, GLENN ; DOUGLAS, MICHAEL ; GRAVES, PETER ; NIELSEN, LESLIE ; WILLIS, BRUCE ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; FLYING HIGH II [ ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) Summary: What do ET, Fatal Attraction and Look Whos Talking have in common? . As well as being amongst the most popular films at the UK box office of recent years all three represent dysfunctional families, families which profoundly transgressed contemporary ideological norms. The eighties were a decade in which the family occupied a pivotal position in an increasinglingly complex social and moral universe and film itself enjoyed a resurgence. Sarah Harwood argues that Hollywood cinema engaged with debates over the' crisis in the family' in intense and complex ways, both feeding and resisting dominant social mythologies In a fascinating analysis of films as diverse as 'Aiplane!' and 'Terms of Endearment' Family Fictions maps the functions, paradoxes and pleasures of familial representations in recent times. These startling analyses shed light on power and gender relations in contemporary cinema as well as on how the films themselves engaged with their broader cultural contextsNotes: Filmography : p. 248-252; Bibliography : p. 253-258; Includes indexISBN: 0333648439 (hbk); 0333648447 (pbk)
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newspaper article
Family patriarch could tread the boards as a good King Lear in Australian Financial Review (15/06/2015) p.36
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Interim
book
Fan cultures London: Routledge, 2002.
Call No: 465.2HILAuthor: Hills, Matt Source: UKPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 237 p. ; 23 cmSubject: POPULAR CULTURE AND THE CINEMA ; POPULAR CULTURE AND TV ; MEDIA ; CONSUMERS AND TV ; CULT FILMS Summary: Fan Cultures is the first comprehensive overview of fans & fan theory. Emphasising the contradicions of fandom, Matt Hills outlines the ways in which fans have been conceptualised in cultural theory and challenges many of these established paradigms. Hills draws on case studies of specific groups, such as elvis impersonators, X-Philes and Trekkers, and discusses a reange of approaches to fandom. Taking all of this into account, he ultimately questions whether the development of new media creates the possibility of new forms of fandom and explores the significance fo the term 'cult' for media fans. (back cover)Notes: Includes: bibliography p.207-231
IndexISBN: 0415240255
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Fans, bloggers and gamers : exploring participatory culture / Henry Jenkins New York, N.Y: New York University Press, 2006.
Call No: 41(04) JENAuthor: Jenkins, Henry Source: USPlace: New York, N.YPublisher: New York University PressPubDate: 2006PhysDes: vi, 277p. ; 23cmSubject: MEDIA Notes: Includes indexISBN: 980814742853
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miss peregrine's home for peculiar children (uk/be/us, tim burton, 2016)
Fantastic flights of imagination in Weekend Australian [Review] (1/10/2016) p.14
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[Fantasy man: stills file]
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Crawford collection
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[Far country, The : albums #1 & #2] / Forrester, Terry Crawford Productions [distributor], [1987?].
Call No: CRAWFORD STILL FARSource: ATPublisher: Crawford Productions [distributor]PubDate: [1987?]PhysDes: 48 photographs : b&w ; 26 x 21 cm + 33 photographic sheets : b&w ; 26 x 21 cmSubject: THORNTON, SIGRID ; YORK, MICHAEL ; EDWARDS, MAUREEN ; TREVARTHEN, NOEL ; BARNINGHAM, JOHN ; BARKER, DON ; RODGERS, ILONA ; JACKSON, SYDNEY ; FERGUSON, MARK ; ROWE, WILLIAM ; STEVENSON, CHRIS ; BRITTINGHAM, TERRY ; CARROLL, GREG ; MILLER, GEORGE T. ; JAMES, BRIAN ; WABIK, SWAWOMIR ; TINGWELL, CHARLES (BUD) ; DICKIE, OLGA ; LUBOMIR, YARICK ; DUGGAN, GERRY ; FAR COUNTRY, THE [TV] (AT, George T. Miller, 1987) Summary: Black and white photographs and proof sheets relating to the mini- series The Far CountryNotes: Photographs are each accompanied by promotional sheets with descriptive captions -- Numbers on sheets assigned by Crawford ProductionsDonation: Gift of Crawford Productions
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[Far east : stills file]
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journal article
'Far East' will have World Premiere at Sydney State Theatre on July 27 in Australasian Cinema (25/6/1982) vol.11 iss.11 p.1
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Fashion : Australian memories in black and white / Felicity Robinson, Maggie Tabberer Sydney: Murdoch Books, 2005.
Call No: 721.1(391) ROBAuthor: Robinson, Felicity Edition: 1st ed.Source: AustraliaPlace: SydneyPublisher: Murdoch BooksPubDate: 2005PhysDes: 192 p. : b+w ill. ; 22cmSeries: Australian MemoriesSubject: NEWSREELS ; AUSTRALIA ; CINESOUND STUDIOS ; FASHION AND THE CINEMA ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; NOSTALGIA IN FILMS ; HISTORICAL FILMS. AUSTRALIA ; TABBERER, MAGGIE Summary: The second title in the Australian Memories series, Fashion is a collection of film stills taken from the Cinesound and Movietone newsreels, which played in Australian cinemas from 1933 to 1975. Over the decades the newsreels covered women’s fashions in parades at nightclubs and restaurants, department stores, on the beach and in the streets. Informative captions and excerpts from the original voice-overs are accompanied by succinct and witty essays outlining the history of fashion during this period.
[Taken from back cover]ISBN: 1740456084
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Fast and furious : the story of American International Pictures / by Mark Thomas McGee Jefferson, N.C.: McFarland, c1984.
Call No: 19AME MCGAuthor: McGee, Mark Thomas, 1947 Source: USPlace: Jefferson, N.C.Publisher: McFarlandPubDate: c1984PhysDes: xv, 264 p. : ill. ; 24 cmSubject: AMERICAN INTERNATIONAL PICTURES ; ANGRY RED PLANET, THE (US, Ib Melchior, 1959) ; ARKOFF, SAMUEL ; ASHER, WILLIAM ; BEACH MOVIES ; BEACH PARTY (US, William Asher, 1963) ; BUCKET OF BLOOD (US, Roger Corman, 1959) ; COHEN, HERMAN ; CORMAN, ROGER ; FONDA, PETER ; GORDON, ALEX ; GORDON, BERT I. ; KATZMAN, SAM ; NICHOLSON, JAMES H. ; PINK, SIDNEY ; PRICE, VINCENT Notes: Includes index; Filmography: p. 229-254ISBN: 0899500919LON: 2663890
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still
[Fast talking : stills file] 5 photographs : b&w and col. ; 17 x 22 cm - 18 x 26 cm,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: 5 photographs : b&w and col. ; 17 x 22 cm - 18 x 26 cmSubject: MOORE, DENIS ; ZUANIC, ROD ; FAST TALKING (AT, Ken Cameron, 1984) Summary: Four black and white photographs and one colour photograph from the film FAST TALKING - Steve Carson (Rod Zuanic) and his laconic mentor, Redback (Steve Bisley).Notes: 1 image donated by Brian McFarlane
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Fast times and excellent adventures : the surprising hisory of the '80s teen movie / James King London: Constable, 2018.
Call No: 451-058.6 KINAuthor: King, James Source: UKPlace: LondonPublisher: ConstablePubDate: 2018PhysDes: xi, 452 pages, 16 unnumbered pages of plates : illustrations, portraits ; 24 cmSubject: TEEN FILM ; TEEN FILMS ; YOUNG PEOPLE AND THE CINEMA ; YOUNG PEOPLE IN FILMS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA ; HISTORY OF CINEMA. 1980's ; BACON, KEVIN ; COPPOLA, FRANCIS FORD ; BRODERICK, MATTHEW ; CROWE, CAMERON ; CRUISE, TOM ; DILLON, MATT ; ESTEVEZ, EMILIO ; FOSTER, JODIE ; HECKERLING, AMY ; HUGHES, JOHN (US) ; LEE, SPIKE ; LOWE, ROB ; MUSIC TELEVISION ; PENN, SEAN ; RINGWALD, MOLLY ; TRAVOLTA, JOHN ; ZEMECKIS, ROBERT ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; FAST TIMES AT RIDGEMONT HIGH (US, Amy Heckerling, 1982) ; GREASE (US, Randal Kleisner, 1978) ; GREMLINS (US, Joe Dante, 1984) ; LOST BOYS, THE (US, Joel Schumacher, 1987) ; OUTSIDERS, THE (US, Francis Ford Coppola, 1983) ; PRETTY IN PINK (US, Howard Deutch, 1986) ; RISKY BUSINESS (US, Paul Brickman, 1983) ; RIVER'S EDGE (US, Tim Hunter, 1986) ; SATURDAY NIGHT FEVER (US, John Badham, 1977) ; SIXTEEN CANDLES (US, John Hughes, 1984) Summary: "Take a trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap and Ridgemont High; of MTV, VHS and 'Axel F'; of outsiders, lost boys and dead poets; of Bill and Ted, Brooke Shields and the Brat Pack; of three Porky's, two Coreys and one summer when everyone called her Baby . . .
Fast Times and Excellent Adventures goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers and where ambitious future superstars Sean, Demi and Tom all got their big break. Music, comedy and politics - all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain a magnet to all ages. Time of your life, huh kid?
From a late '70s Hollywood in flux to an early '90s indie scene that gave youth cinema a timely reboot, respected film expert James King smartly highlights the personal struggles, the social changes and the boardroom shake-ups that produced an iconic time in movie history" -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9781472123725
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Faster, Pussycat! Kill! Kill! / by Dean J. Defino London: Wallflower Press, copyright 2014.
Call No: 79FAS DEFAuthor: DeFino, Dean J. Source: US/UKPlace: LondonPublisher: Wallflower PressPubDate: copyright 2014PhysDes: 106 pages : illustrations (black and white) ; 18 cmSeries: CultographiesSubject: CULT FILMS ; CRITICISM ; GENDER AND THE CINEMA ; SEX AND THE CINEMA ; MEYER, RUSS ; FASTER PUSSYCAT! KILL! KILL! (US, Russ Meyer, 1966) Summary: "Russ Meyer's Faster, Pussycat! Kill! Kill! was a box-office failure on its release in 1965. It has since been embraced by art-house audiences and referenced in countless films, television series, and songs. A riot of styles and story cliche´s lifted from biker, juvenile delinquency, and beach party movies, the film has the coherence of a dream and the improvisatory daring of a jazz solo. This book considers the production and critical reception of the film, its place within the culture of the 1960s, its representations of gender and sexuality, and the specific ways it meets cult film criteria." -- BOOK BACK COVERNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780231167390Contents: -- acknowledgments -- Introduction: Russ Meyer and Me -- 1 The Pussycats Gear Up -- 2 The Pussycats Find Their Audience -- 3 Seeing America First -- 4 Pussycats and Satyrs -- 5 A Velvet Glove Cast in Iron -- notes -- bibliography -- index --
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Fatal visions: the golden age 1990-1998 : The best of issues 7-21 / edited by Michael Helms [Thornbury, Vic.]: [Fatal Visions], 2016.
Call No: 120 FATAuthor: Helms, Michael ; Sargeant, Jack Source: ATPlace: [Thornbury, Vic.]Publisher: [Fatal Visions]PubDate: 2016PhysDes: 296 p: ill. ; 24 cmSubject: AUSTRALIA ; CRITICISM ; VIOLENCE IN FILMS ; VIOLENCE IN FILMS. AUSTRALIA ; EDUCATION, USE OF FILMS IN ; JODOROWSKY, ALEXANDRO ; WORST FILMS ; PROPAGANDA FILMS ; GERMANY ; WATERS, JOHN (US) ; JACKSON, PETER (NZ) ; HENENLOTTER, FRANK ; HEWITT, JON ; MEXICO ; RAIMI, SAM ; HENRIKSEN, LANCE ; WOO, JOHN [pseud. of Wu Yusen] ; FERRARA, ABEL ; ASIAN COUNTRIES ; JAPAN Summary: In 2012 The LedaTape Organisation put out Fatal Visions: The Wonder Years 1988-1989, the first volume to collect some of the earliest writings to appear in Fatal Visions, the Australian zine devoted to trash film and attendant culture that became a critically well-received and internationally distributed magazine.
Four years later Fatal Visions: The Golden Age 1990-1998, the second volume in the Fatal Visions series has come screaming into the world.
What’s presented here is a personal selection by editor Michael Helms from the final fifteen issues of Fatal Visions. A true best-of and showcase for as many of the still highly relevant and entertaining articles, interviews and reviews from some of the most exciting writers working in trash film.
- Blondes, Bockwurst & Porn – a trashfilm tour of Europe by Jack Stevenson.
- Mexploitation Explained by Steve Fentone.
- Cool & The Crazy – Bruce Milne’s seminal article on The Cramps.
- Eyeball On Asia – watching film in Asian countries with Stefan Hammond.
- Kris Gilpin interviews Charles Napier.
- Other interviews include Abel Ferrara, Alejandro Jodorowsky, Lance Henriksen, Peter Jackson and John Woo.
- Hundreds of cinema & video reviews.
- Foreword by Jack Sargeant.
Profusely illustrated – with index!Notes: Includes indexISBN: 9780994411211ID2: 251
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[Fatty Finn: Bert Newton in his role as John Finn] 1980.
Call No: TITLE STILL AUSTRALIASource: ATPubDate: 1980PhysDes: 2 photographs : b&w ; 18 x 13 cm.Subject: FATTY FINN (AT, Maurice Murphy, 1980) ; NEWTON, BERT Summary: Bert Newton in character as Mr Finn in a production still from Fatty Finn. Sitting at a dinning table reading.Notes: details written in pen on the reverse
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[Fatty Finn : stiles file]
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Feasting our eyes : food films and cultural identity in the United States / Laura Lindenfeld and Fabio Parasecoli New York: Columbia University Press, 2017.
Call No: 45:641 LINAuthor: Lindenfeld, Laura ; Parasecoli, Fabio Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2017PhysDes: ix, 261 pages : illustrations ; 23 cmSubject: FOOD IN FILMS ; EATING IN FILMS ; MULTICULTURALISM AND THE CINEMA ; LIKE WATER FOR CHOCOLATE (MX, Alfonso Arau, 1992) ; WOMAN ON TOP (US, Fina Torres, 2000) ; BIG NIGHT (US, Campbell Scott & Stanely Tucci, 1996) Summary: "A major force in mainstream entertainment, American food films shape our sense of who belongs, who has a voice, and who has opportunities in American society. They facilitate the virtual consumption of traditional notions of identity and citizenship, reworking and reinforcing ingrained ideas of power. Feasting Our Eyes looks at Hollywood films and independent cinema, documentaries and docufictions, from the 1990s to today, assessing their commitment to racial diversity, tolerance, and liberal political ideas." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9780231172516Donation: donated by Senses of Cinema
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[Feathers : stills file]
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journal article
Feature - studio in Encore (Feb 2000) vol.18 iss.1 p.35-42
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Featuring Australia : the cinema of Charles Chauvel / Stuart Cunningham Sydney: Allen & Unwin, 1991.
Call No: 81CHA CUNAuthor: Cunningham, Stuart Source: ATPlace: SydneyPublisher: Allen & UnwinPubDate: 1991PhysDes: x, 214 p. : ill. ; 22 cmSeries: Australian cultural studiesSubject: DIRECTORS. AUSTRALIA ; HISTORY OF CINEMA. AUSTRALIA ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA ; NATIONALISM AND THE CINEMA ; WORLD WAR II AND THE CINEMA. AUSTRALIA ; CHAUVEL, CHARLES ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; GREENHIDE (AT, Charles Chauvel, 1926) ; HERITAGE (AT, Charles Chauvel, 1935) ; IN THE WAKE OF THE BOUNTY (AT, Charles Chauvel, 1933) ; JEDDA (AT, Charles Chauvel, 1955) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) ; UNCIVILISED (AT, Charles Chauvel, 1936) ; WALKABOUT (AT, Charles Chauvel, 1958) Summary: "FEATURING AUSTRALIA follows the exceptional career of Charles Chauvel and the films he made over a thirty-year span in the battling Australian film industry of the 1920s to the 1950s. Stuart Cunningham probes the work of Chauvel to examine his strange, ambitious and fascinating films and the industrial and cultural environment from which they emerged - giving an appreciation of the films which has never before been available. This book also offers new approaches to understanding Australian cinema, and show how Australian culture and society changed during the period of Chauvel's work. Running through these changes, however, are continuities based on Australia's status as an 'import culture' and the consequent frailties of its cultural identity." [Taken from book blurb]Notes: Includes index; Includes bibliographical references (p. 178-196); Bibliography: p. 197-201; Filmography: p. 175-177ISBN: 0044422547 : price unknownLON: anb04442254; 7520705 7514911
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Featuring film 2 : the sequel / by Peter Cox, Fred Goldsworthy Melbourne: Oxford University Press, 1997.
Call No: 512.1 COXAuthor: Cox, Peter, 1953 ; Goldsworthy, Fred Source: ATPlace: MelbournePublisher: Oxford University PressPubDate: 1997PhysDes: viii, 215 p. : ill. ; 26 cmSubject: TEACHING MATERIALS ; BABE (AT, Chris Noonan, 1995) ; BRAVEHEART (US, Mel Gibson, 1995) ; CASABLANCA (US, Michael Curtiz, 1942) ; CIRCLE OF FRIENDS (US, Pat O'Connor, 1995) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; FORREST GUMP (US, Robert Zemeckis, 1994) ; FRIED GREEN TOMATOES (US, John Avnet, 1991) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HIGH NOON (US, Fred Zinnemann, 1952) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LORENZO'S OIL (US, George Miller, 1992) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; METROPOLIS (G, Fritz Lang, 1926) ; MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; NELL (US, Michael Apted, 1994) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; OUTBREAK (US, Wolfgang Petersen, 1995) ; PIANO, THE (AT, Jane Campion, 1993) ; PROOF (AT, Jocelyn Moorhouse, 1991) ; PSYCHO (US, Alfred Hitchcock, 1960) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SAINT OF FORT WASHINGTON, THE (US, Tim Hunter, 1993) ; SEARCHING FOR BOBBY FISCHER (US, Steven Zaillian, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAWSHANK REDEMPTION, THE (US, Frank Darabont, 1994) ; SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994) ; SWING KIDS (US, Thomas Carter, 1993) ; THAT EYE THE SKY (AT, John Ruane, 1994) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHAT'S EATING GILBERT GRAPE (US, Lasse Hallstrom, 1993) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; HEIDI CHRONICLES, THE [TV] (US, Peter Bogart, 1995) Notes: Includes indexISBN: 0195540190 : $24.95LON: 12914277
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newspaper article
FED: Murdoch queries media law change proposals in AAP Newswire [Business & Finance] (2015/03/16) p.-
Call No: SUBJECT CLIPPINGS FILE; MEDIA AUSTRALIAAuthor: Osborne, Paul PhysDes: Clippings File ArticleSubject: MEDIA AUSTRALIA ; MURDOCH, RUPERT Summary: Rupert Murdoch unhappy with Australian Communications Minister Malcolm Turnbull's proposals for media reform in AustraliaNotes: located in the MEDIA. AUSTRALIA 2015 file
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journal article
Feds set to cripple entertainment in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.3
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journal article
I feel like a blokey ID or two : beer ads, masculinity and Australian identity in Metro education (1998) iss.16 p.15-19
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Felix : the twisted tale of the world's most famous cat / John Canemaker New York: Pantheon Books, 1991.
Call No: 451FEL CANAuthor: Canemaker, John Edition: 1st edPlace: New YorkPublisher: Pantheon BooksPubDate: 1991PhysDes: xi, 177 p. : ill. ; 25 cmSubject: FELIX THE CAT ; MESSMER, OTTO Notes: Includes bibliographical references and indexISBN: 0679728090 : $30.00 ($40.00 Can.)LON: 90044245; 7479795
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Female spectators : looking at film and television / edited by E. Deidre Pribram London New York: Verso, 1988.
Call No: 632.53 FEMAuthor: Pribram, E. Deidre Place: London New YorkPublisher: VersoPubDate: 1988PhysDes: vii, 199 p., [12] p. of plates : ill. ; 24 cmSeries: Questions for feminismSubject: FEMINISM AND THE CINEMA ; WOMEN AND THE CINEMA ; SPECTATORSHIP ; PSYCHOANALYSIS AND THE CINEMA ; MUSIC TELEVISION ; DIRECTORS ; WOMEN ON TV ; FEMINISM AND TV ; BODY ON TV ; MILDRED PIERCE (US, Michael Curtis, 1945) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) Notes: Bibliography: p. 196-197ISBN: 0860912043; 0860919226 (pbk.)LON: 5927013
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Feminism and film / Maggie Humm Edinburgh: Edinburgh University Press, 1997.
Call No: 626:396 HUMAuthor: Humm, Maggie Place: EdinburghPublisher: Edinburgh University PressPubDate: 1997PhysDes: x, 246 p. ; 24 cmSubject: FEMINISM AND THE CINEMA ; AUTEUR THEORY ; ETHNIC GROUPS IN FILMS ; POSTMODERNISM AND THE CINEMA ; CRONENBERG, DAVID ; MULVEY, LAURA ; KUHN, ANNETTE ; KAPLAN, E. ANN ; ALTHUSSER, LOUIS ; ROSE, JACQUELINE ; WOOLF, VIRGINIA ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; DEAD RINGERS (CN, David Cronenberg, 1988) ; KLUTE (US, Alan J. Pakula, 1971) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ISBN: 0748609008Order Received: 1998LON: abn97233530; 13317515
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Feminism and the politics of difference / edited by Sneja Gunew and Anna Yeatman St. Leonards, N.S.W.: Allen & Unwin, 1993.
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Feminism at the movies : understanding gender in contemporary popular culture / Edited by Hilary Radner and Rebecca Stringer London ; New York: Routledge, 2011.
Call No: 744.7 FEMAuthor: Radner, Hilary ; Stringer, Rebecca Source: USPlace: London ; New YorkPublisher: RoutledgePubDate: 2011PhysDes: ix, 310 pages : illustrations ; 23 cmSubject: FEMINISM AND THE CINEMA ; GENRES ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; IDENTITY IN FILMS ; JAMES BOND IN FILMS ; MARRIAGE IN FILMS ; MASCULINITY IN FILMS ; MUSIC IN FILMS ; POPULAR CULTURE AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; SEXUALITY AND THE CINEMA ; WOMEN AND THE CINEMA ; WOMEN DIRECTORS ; WOMEN FILMMAKERS ; YOUNG PEOPLE AND THE CINEMA ; YOUNG PEOPLE IN FILMS ; [THIRTEEN] 13 GOING ON 30 (US, Gary Winick, 2004) ; BABY MAMA (US, Michael McCullers, 2008) ; BEND IT LIKE BECKHAM (UK, Gurinda Chadha, 2002) ; BRAVE ONE, THE (US/AT, Neil Jordan, 2007) ; BRIDE WARS (US, Gary Winick, 2009) ; CASINO ROYALE (CZ/US/UK, Martin Campbell, 2006) ; ENCHANTED (US, KEVIN LIMA, 2007) ; [FORTY] 40 YEAR OLD VIRGIN, THE (US, Judd Apatow, 2005) ; FRIENDS WITH MONEY (US, Nicole Holofcener, 2006) ; HARD CANDY (US, David Slade, 2005) ; JUNO (US/CN, Jason Reitman 2007) ; KISSING JESSICA STEIN (US, Charles Herman-Wurmfeld, 2001) ; MARIE ANTOINETTE (US, Sofia Coppola, 2006) ; MICHAEL CLAYTON (US, Tony Gilroy, 2007) ; MISS CONGENIALITY (US, Donald Petrie, 2000) ; SECRET LIFE OF BEES (US, Gina Prince-Bythewood, 2008) ; SEX AND THE CITY: THE MOVIE (US, MICHAEL PATRICK KING, 2008) ; SINGLE MAN, A (US, Tom Ford, 2009) ; SISTERHOOD OF THE TRAVELLING PANTS, THE (US, Ken Kwapis, 2005) ; WAR OF THE WORLDS (US, Steven Spielberg, 2005) Summary: "Feminism at the Movies: Understanding Gender in Contemporaty Popular Cinema examines the way that contemporary film reflects today's changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of masculinity as well as femininity, reflecting on the interface of popular cinema with gendered realities and feminist ideas. Topics include the gendered political economy of cinema, the female director as auteur, postfeminist fatherhood, consumer culture, depictions of professional women, transgender, sexuality, gendered violence, and the intersections of gender, race, and ethnic identities." - BOOK BLURBNotes: Includes list of figures, bibliographical references and indexISBN: 9780415895880Contents: List of figures -- Acknowledgements; Introduction: "Re-vision"?: Feminist film criticism in the twenty-first century / Hilary Radner and Rebecca Stringer; Part I: Masculinity in question -- "The first Bond who bleeds, literally and metaphorically": gendered spectatorship for "pretty boy" action movies / Janet Staiger -- Queer memories and universal emotions: A Single Man (2009) / Michael DeAngelis -- "Lad flicks": discursive reconstruction of masculinity in popular film / David Hansen-Miller and Rosalind Gill -- Transamerica (2005): the road to the multiplex after New Queer Cinema / Gary Needham; Part II: New feminine subjects: a space for women? -- Enchanted (2007) by postfeminism: gender, irony, and new romantic comedy / Yvonne Tasker -- Neoliberal feminism in Miss Congeniality (2000) / Yael D Sherman -- Girls' sexualities in The Sisterhood of the Travelling Pants universe: feminist challenges and missed opportunities / Sarah Projansky -- Michael Clayton (2007): women lawyers betrayed - again / Taunya Lovell Banks -- Crossing race, crossing sex in Gurinder Chadha's Bend It Like Beckham (2002): managing anxiety in multicultural Britain / Mridula Nath Chakraborty -- Speaking the name of the father in the neo-romantic comedy: 13 Going On 30 (2004) / Hilary Radner; Part III: Consuming culture(s) -- No country for old women: gendering cinema in conglomerate Hollywood / Rob Schaap -- Music and the woman's film: Sex and the City: The Movie (2008) / Peter Stapleton -- Independence at what cost? Economics and desire in Nicole Holofcener's Friends With Money (2006) / Michele Schreiber -- The feminist politics of Sofia Coppola: spectacle and self-consciousness in Marie Antoinette (2006) / Christine Lane and Nicole Richter; Part IV: Relationships, identity and family -- "Eggs in many baskets": Juno (2007), Baby Mama (2008), and the new intimacies of reproduction / JaneMaree Maher -- Temporarily Kissing Jessica Stein (2001): negotiating (and negating) lesbian sexuality in popular film / Kelly Kessler -- "Die, Bridezilla, die!": Bride Wars (2009), wedding envy, and chick flicks / Heather Brook -- Extreme parenting: recuperating fatherhood in Steven Spielberg's War of the Worlds (2005) / Hannah Hamad; Part V: Gender and violence -- Kinship and racist violence in Gina Prince-Blythwood's The Secret Life of Bees (2008) / Ewa Plonowska Ziarek -- From victim to vigilante: gender, violence, and revenge in The Brave One (2007) and Hard Candy (2005) / Rebecca Stringer -- "When the woman looks": Haute Tension (2003) and the horrors of heteronormativity / Barry Keith Grant; Contributors -- Index
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Feminism without women : culture and criticism in a "postfeminist" age / Tania Modleski New York: Routledge, 1991.
Call No: 626:396 MODAuthor: Modleski, Tania, 1949 Place: New YorkPublisher: RoutledgePubDate: 1991PhysDes: xi, 188 p. ; 24 cmSubject: FEMINISM AND THE CINEMA ; GENDER AND THE CINEMA ; THEORY ; WOMEN IN FILMS ; MEN IN FILMS ; WAR FILMS ; ETHNIC GROUPS IN FILMS ; BODY IN FILMS Summary: Feminism Without Women examines the operation of "postfeminism" in popular culture, especially popular film, and in cultural studies. By scrutinizing a variety of feminist and poststructuralist theoretical positions and freqently juxtaposing her discussions with analyses of contemporary movies (ranging from Pee-wee's Big Adventure to Lethal Weapon and Three Men and a Baby ), Modleski offers a broad perspective on the future of feminism. In particular, she shows how women as social subjects are once again being relegated to the margins of discourse and society, only now, ironically, they are in danger of being marginalized by feminism itself . Feminism Without Women is a multifaceted response to the shift within feminist theory from "gynocritics" (a woman-centred critical practice) to an increasingly male-oriented "gender studies". This move has been accompanied by feminist/philosophical attempts to abolish the very category of "woman". A large portion of the book is devoted to analyzing the state of "male feminism" and argues that the "new masculinities" being heralded by some feminists are less revolutionary than is often claimed; that these kinder , gentler masculinit are in many ways perfectly consonant with the conservative times. Modleski situates her discussions of criticism and theory in the context of popular culture, and social issues relevant to feminism: surrogate mothering, women and war, the debates over pornography, gay representation in the era of AIDS, the controversy within feminism over lesbian S&M, and the intensification of racism in the 1980s and 1990s. -- PUBLISHERNotes: Includes bibliographical references (p. 165-182) and indexISBN: 0415904161 : $39.95; 041590417X (pbk) : $13.95LON: bnb41590416; 7924353Contents: Part I: Theory and methodology -- 1. Postmortem on postfeminism -- 2. Femininity as mas(s)querade -- 3. Some functions of feminist criticism; or, the scandal of the mute body -- Part II: Masculinity and male feminism -- 4. A father is being beaten: male feminism and the war films -- 5. Three men and baby m -- 6. The incredible shrinking he(r)man: male regression, the male body, and film -- Part III: Race, gender, and sexuality -- 7. Cinema and the dark continent: race and gender in popular film -- 8. Lethal bodies: thoughts on sex, gender, and representation from the mainstream to the marginsID2: 31
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Feminist film theorists : Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed / Shohini Chaudhuri London ; New York: Routledge, 2006.
Call No: 626:396 CHAAuthor: Chaudhuri, Shohini Source: UKPlace: London ; New YorkPublisher: RoutledgePubDate: 2006PhysDes: x, 148 p. ; 20 cmSeries: Routledge critical thinkersSubject: FEMINISM AND THE CINEMA ; CRITICISM ; MULVEY, LAURA ; CREED, BARBARA ; SILVERMAN, KAJA ; DE LAURETIS, TERESA Summary: "Since it began in the 1970s, feminist film theory has revolutionized the way that films and their spectators can be understood. This book focuses on the groundbreaking work of Laura Mulvey, Kaja Silverman, Teresa de Lauretis, and Barbara Creed. Each of these thinkers has opened up a new and distinctive approach to the study of film and this book provides the most detailed account so far of their ideas. It illuminates six key concepts and demonstrates their value as tools for film analysis."--BOOK JACKET.Notes: Includes bibliographical references and index.ISBN: 9780415324335Contents: Why Mulvey, Silverman, de Lauretis, and Creed? -- 1. Beginnings -- The eternal feminine -- Psychoanalysis and feminism -- The tools of film theory -- 2. The male gaze -- Sexual politics -- Lust of the eyes -- The female spectator -- 3. The female voice -- Female confessions -- Fantasies of the maternal voice -- The 'homosexual-maternal fantasmatic' -- Female authorship -- 4. Technologies of gender -- Beyond the paradox of woman -- The technology of sex -- The technology of gender -- Rethinking women's cinema -- Desire in narrative -- 5. Queering desire -- Film and the visible -- Sexual indifference -- Lesbian fetishism -- 6. The monstrous-feminine -- The abject -- The archaic mother -- Medusa's head -- The deadly femme castratrice -- Crisis TV -- 7. Masculinity in crisis -- The dominant fiction -- Historical trauma -- The screen and the gaze -- Male masochism -- After Mulvey, Silverman, de Lauretis, and Creed.
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journal article
Festival of Oz films at the Trak in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
PhysDes: ArticleSubject: GALLIPOLI (AT, Peter Weir, 1981) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; MAD MAX (AT, George Miller, 1979) ; CADDIE (AT, Donald Crombie, 1976) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; REMOVALISTS, THE (AT, Tom Jeffrey, 1975) ; MAD DOG MORGAN (AT, Philippe Mora, 1976) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; MANGO TREE, THE (AT, Kevin Dobson, 1977) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; CLUB, THE (AT, Bruce Beresford, 1980) ; INDUSTRY, FILM. AUSTRALIA ; FESTIVALS Summary: Article on Sydney theatre The Trak running an 'Austrailan Film' Film Festival.
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festival catalogue
Festival of women's films : September 13-26 / Festival of women's films US: [s.n.], [197-?].
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digital clippings file
FESTIVALS. MELBOURNE Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; PublicitySubject: FESTIVALS. MELBOURNE ; MELBOURNE INTERNATIONAL FILM FESTIVAL URL status: URL: 'http://file://Q:/S/FESTIVALS.MELBOURNE.zip'
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Fetishism and curiosity / Laura Mulvey Bloomington London: Indiana University Press British Film Institute, 1996.
Call No: 62 MULAuthor: Mulvey, Laura Place: Bloomington LondonPublisher: Indiana University Press British Film InstitutePubDate: 1996PhysDes: xv, 188 p. ; 25 cmSubject: MELODRAMA ; FETISHISM IN FILMS ; CLOSE-UPS ; SIRK, DOUGLAS ; GODARD, JEAN-LUC ; SHERMAN, CINDY ; XALA (SG, Ousmane Sembene, 1974) ; BLUE VELVET (US, David Lynch, 1986) ; CITIZEN KANE (US, Orson Welles, 1941) ; IMITATION OF LIFE (US, Douglas Sirk, 1959) Notes: Includes bibliographical references (p. 177-184) and indexISBN: 0851705480 (British Film Institute); 0851705472 (British Film Institute : pbk.)LON: 12120800
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A few lectures on documentary film / by Jerzy Toeplitz [North Ryde, N.S.W.]: Australian Film and Television School, Open Program Resources, 1979.
Call No: 761 TOEAuthor: Toeplitz, Jerzy CorpAuthor: Australian Film and Television School. Open Program ResourcesPlace: [North Ryde, N.S.W.]Publisher: Australian Film and Television School, Open Program ResourcesPubDate: 1979PhysDes: 39p. ; 29cmSubject: DOCUMENTARY FILMS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. SILENT PERIOD ; WORLD WAR II AND THE CINEMA ; FLAHERTY, ROBERT ; VERTOV, DZIGA ; GRIERSON, JOHN ; RIEFENSTAHL, LENI ; RUTTMAN, WALTER ; VEDRES, NICOLE ; PARIS 1900 (FR, Nicole Vedres, 1948) ; MOANA (US, Robert Flaherty, 1926) ; GRASS (US, Ernest B. Schoedsack, 1926) Summary: "This booklet contains the edited transcripts of a series of lectures given by Professor Toeplitz during a six week full-time workshop on documentary film. The workshop was for documentary filmmakers in Australia and New Zealand."Notes: Documentary films. Lectures, speeches (ANB/PRECIS SIN 037718x); Bibliography: p.38-39ISBN: 0642924759 : price unknownLON: 1664997
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Fields of vision : essays in film studies, visual anthropology, and photography / edited by Leslie Devereaux and Roger Hillman Berkeley: University of California Press, 1995.
Call No: 62 FIEAuthor: Devereaux, Leslie ; Hillman, Roger Place: BerkeleyPublisher: University of California PressPubDate: 1995PhysDes: xiv, 362 p. : ill. ; 24 cmSubject: MONTAGE ; ETHNOGRAPHIC FILMS ; PHOTOGRAPHY AND THE CINEMA ; WAR AND THE CINEMA ; WAR IN FILMS ; MODERNISM AND THE CINEMA ; HORROR FILMS ; BODY IN FILMS ; MEN IN FILMS ; SPECTATORSHIP ; CARNIVAL AND THE CINEMA ; WOMEN AND THE CINEMA ; NARRATIVE IN FILMS ; SOUND ; ADAPTATIONS ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; DOCUMENTARY FILMS ; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979) ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; RIVERS OF SAND (US, Robert Gardner, 1974) Notes: Includes bibliographical references and indexISBN: 0520085248 (pbk. : alk. paper); 0520085221 (alk. paper)LON: 10726537
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newspaper article
Fifeld has lcence to make his mark in The Australian (28/03/2016) p.24
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media. australia
Fifield inherits divided media in Australian Financial Review (21/9/2015) p.9
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Fifield targets budget for enhanced media package in Australian Financial Review (24/04/2017) p.29
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Figures traced in light : on cinematic staging / David Bordwell Berkeley, Calif.: University of California Press, 2005.
Call No: 631.21 BORAuthor: Bordwell, David Source: USPlace: Berkeley, Calif.Publisher: University of California PressPubDate: 2005PhysDes: 314 p. : 25 cmSubject: BORDWELL, DAVID ; FEUILLADE, LOUIS ; MIZOGUCHI KENJI ; HOU HSIAO-HSIEN ; ANGELOPOULOS, THEO ; HAWKS, HOWARD ; ANTONIONI, MICHELANGELO ; YASUJIRO OZU ; KITANO TAKESHI ; AESTHETICS ; CINEMATOGRAPHY Notes: A film tells its story not only through dialogue and actors’ performances but also through the director’s control of movement and shot design. Figures Traced in Light is a detailed consideration of how cinematic staging carries the story, expresses emotion, and beguiles the audience through pictorial composition. Ranging over the entire history of cinema and illustrating his discussion with more than five hundred frame enlargements, David Bordwell focuses on four filmmakers’ unique contributions to the technique. In-depth chapters examine the films of Louis Feuillade, masters of the 1910s serial; Mizoguchi Kenji, the great Japanese director who worked from the 1920s to the 1950s; Theo Angelopoulos, who began his career as a political modernist in the late 1960s; and Hou Hsiao-hsien, the Taiwanese filmmaker who in the 1980s became the preeminent Asian director. For comparison, Bordwell draws on films by Howard hawks, Michelangelo Antonioni, Ozu Yasujiro, Kitano Takeshi, and many other directors. [Taken from back cover.]ISBN: 0520241975ID2: 291
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Film : the front line, 1983 / by Jonathan Rosenbaum Denver, Colo.: Arden, 1983.
Call No: 771 ROSAuthor: Rosenbaum, Jonathan Place: Denver, Colo.Publisher: ArdenPubDate: 1983PhysDes: 238 p. : ill. ; 24 cmSubject: EXPERIMENTAL FILMS ; MEKAS, JONAS ; AKERMAN, CHANTAL ; B, BETH & SCOTT ; BENNING, JAMES ; GIDAL, PETER ; JOST, JON ; OTTINGER, ULRIKE ; RAINER, YVONNE ; RAPPAPORT, MARK ; RIVETTE, JACQUES ; SNOW, MICHAEL ; STRAUB, JEAN-MARIE ; HUILLET, DANIELE ; BREER, ROBERT ; DE LANDA, MANUEL ; DRIVER, SARA ; HOCK, LOUIS ; RAYNAL, JACKIE ; THORNTON, LESLIE ; GIDAL, PETER Notes: Includes indexesISBN: 0912869038LON: 3461214
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Film : The Front line 1984 / by David Ehrenstein Denver, Colo.: Arden Press, 1984.
Call No: 771 EHRAuthor: Ehrenstein, David Place: Denver, Colo.Publisher: Arden PressPubDate: 1984PhysDes: 183 p. : ill. ; 23 cmSubject: EXPERIMENTAL FILMS ; SMITH, JACK ; JACOBS, KEN ; CONNER, BRUCE ; SCHROETER, WERNER ; RUIZ, RAUL ; SONBERT, WARREN ; MCDOWELL, CURT ; BORDEN, LIZZIE ; POTTER, SALLY ; JARVIK, LAURENCE ; WELLES, ORSON ; BROOKS, DAVID ; GARREL, PHILIPPE ; MOULLET, LUC ; DEMOTT, JOEL ; KREINES, JEFF ; LANDOW, GEORGE Notes: "The Front line is an annual series meant to bring a greater prominence to the work of experimental and personal filmmakers."; Includes indexesISBN: 0912869054LON: 6751681
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Film : a montage of theories N.Y.: Dutton, 1966.
Call No: 62 MACAuthor: MacCann, Richard Dyer Edition: 1st edPlace: N.Y.Publisher: DuttonPubDate: 1966PhysDes: 384 p. : movie stills ; 18 cmSubject: THEORY ; AESTHETICS ; DOCUMENTARIES ; CINEMASCOPE ; NEOREALISM ; PUDOVKIN, VSEVELOD ; CLAIR, RENE ; HITCHCOCK, ALFRED ; KNOX, ALEXANDER ; NICHOLS, DUDLEY ; BERGMAN, INGMAR ; BALAZS, BELA ; SENNETT, MACK ; VORKAPICH, SLAVKO ; RICHTER, HANS ; Grierson, John ; ZAVATTINI, CESARE ; KRACAUER, SIEGFRIED ; ROEMER, MICHAEL ; BACHMANN, GIDEON ; DREW, ROBERT ; LEACOCK, RICHARD ; PENNEBAKER, D. A. ; DREYER, CARL TH. ; VANDERBEEK, STAN ; MEKAS, JONAS ; KAEL, PAULINE ; TRUFFAUT, FRANCOIS ; Fellini, Federico ISBN: 0525471812LON: 21441213
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Film 68/69 : An anthology by the National Society of Film Critics / edited by Hollis Alpert aand Andrew Sarris Indianapolis [etc.]: Bobbs-Merrill Co. [etc.],
Call No: 67(04) FILAuthor: Alpert, Hollis (ed) ; Sarris, Andrew (ed) CorpAuthor: National Society of Film Critics (U.S.)Place: Indianapolis [etc.]Publisher: Bobbs-Merrill Co. [etc.]PhysDes: 281 p. ; 22 cmSubject: SECTION ANDERSON, LA (FR, Pierre Schoendoerffer, 1967) ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) ; FOR LOVE OF IVY (US, Daniel Mann, 1968) ; BIRTHDAY PARTY, THE (UK, William Friedkin, 1968) ; BULLITT (US, Peter Yates, 1968) ; CANDY (FR/IT/US, Christian Marquand, 1968) ; CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936) ; CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) ; FACE OF WAR, A (US, Eugene S. Jones, 1968) ; MERCENARIES, THE (UK/US, Jack Cardiff, 1968) ; FACES (US, John Cassavetes, 1968) ; FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968) ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; VARGTIMMEN (SW, Ingmar Bergman, 1967) ; I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968) ; INSIDE NORTH VIETHAM (US, Felix Greene, 1967) ; JOANNA (UK, Michael Same, 1968) ; ODD COUPLE, THE (US, Gene Saks, 1968) ; OLIVER (UK, Carol Reed, 1968) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; PETULIA (US, Richard Lester, 1968) ; PRODUCERS, THE (US, Mel Brooks, 1967) ; RACHEL, RACHEL (US, Paul Newman, 1968) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; SULT (DE/NO/SW, Henning Carlsen, 1966) ; TARGETS (US, Peter Bogdanovich, 1968) ; TELL ME LIES (UK/US, Peter Brook, 1968) ; THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; UP TIGHT! (US, Jules Dassin, 1968) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968) ; TANTE ZITA (FR, Robert Enrico, 1968) ; SULT (DE/NO/SW, Henning Carlsen, 1966) ; STAR (US, Robert Wise, 1968) Summary: Review of Films produced in the years 1968-69Notes: Includes indexISSN: 0071-4860 0015-1076LON: 68019946; 894646Contents: -- Shame / John Simon, Hollis Alpert, Wilfrid Sheed -- Weekend / Pauline Kael, Andrew Sarris -- Belle De Jour / Andrew Sarris -- Rosemary's Baby / Andrew Sarris -- 2001: A Space Odyssey / Penelope Gilliatt, Hollis Alpert, Joseph Morgenstern -- Planet Of The Apes / Philip T. Hartung -- La Chinoise / Pauline Kael, Andrew Sarris -- China Is Near / Pauline Kael, Andrew Sarris -- Up Tight / Stanley Kauffmann -- For Love Of Ivy And Dark Of The Sun / Philip T. Hartung -- The Charge Of The Light Brigade / Stanley Kauffmann, John Simon -- Les Carabiniers / Penelope Gilliatt -- A Face Of War / Richard Schickel -- Tell Me Lies, The Anderson Platoon, And Inside North Vietnam / Stanley Kauffmann -- The Green Berets / Penelope Gilliatt -- Petulia / Richard Schickel, Wilfrid Sheed -- The Thomas Crown Affair / Wilfrid Sheed, Stefan Kanfer -- Joanna / Hollis Alpert, Joseph Morgenstern -- Rachel, Rachel / Arthur Knight, Richard Schickel -- Zita / John Simon -- Faces / Andrew Sarris, Arthur Schlesinger, Jr. -- Hunger / Penelope Gilliatt -- Hour Of The Wolf / John Simon, Richard Schickel -- Charlie Bubbles / Andrew Sarris, Richard Schickel -- The Odd Couple And Others / Wilfrid Sheed -- The Producers / Arthur Schlesinger, Jr. -- I Love You, Alice B. Toklas / Arhur Knight -- Candy / Stefan Kanfer -- Barbarell / John Simon -- Yellow Submarine / Stanley Kauffmann, John Simon -- You Are What You Ear / Wilfrid Sheed -- Star! / Arthur Schlesinger, Jr. -- Finian's Rainbow / Arthur Knight -- Oliver! / Joseph Morgenstern -- The Bride Wore Black / Andrew Sarris -- Bullitt / Hollis Alpert -- Targets / Penelope Gilliatt -- Wild 90 / Hollis Alpert -- Beyond The Law / Stanley Kauffmann -- Will Penny / Arthur Knight -- Wild In The Streets / Joseph Morgenstern, Wilfrid Sheed -- Pretty Poison / Joseph Morgenstern -- First In His Pocket / Stanley Kauffmann -- Young Torless / Penelope Gilliatt -- Charly / Arthur Knight -- The Boston Strangler / Philip T. Hartung, Wilfrid Sheed -- No Way To Treat A Lady And Rod Steiger / Stefan Kanfer -- Warrendale / Joseph Morgenstern, Stanley Kauffmann -- The Fox / Pauline Kael -- The Lion In Winter / Philip T. Hartung, Arthur Schlesinger, Jr., John Simon -- Romeo And Juliet / Philip T. Hartung, John Simon -- The Killing Of Sister George / Harold Clurman -- The Birthday Party / Harold Clurman, Wilfrid Sheed, Hollis Alpert -- War And Peace / Philip T. Hartung, Stanley Kauffmann, Richard Schickel -- The Heart Is A Lonely Hunter / Richard Schickel -- The Fixer / Richard Schickel, Arthur Schlesinger, Jr. -- The Sea Gull / Arthur Schlesinger, Jr., John Simon -- The Graduate Makes Out / Hollis Alpert -- Burton And Taylor Must Go / Wilfrid Sheed -- The Student Movie-Makers / Stefan Kanfer -- The Late Show As History / Stefan Kanfer -- L'Affaire Langlois / Arthur Knight -- Oscar Wiles / Andrew Sarris
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Film 69/70 : an anthology by the National Society of Film Critics / edited by Joseph Morgenstern and Stefan Kanfer New York: Simon and Schuster, c1970.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1970PhysDes: 286 p. ; 22 cmSubject: INDUSTRY, FILM. USA ; MUSICALS ; VIETNAM WAR IN FILMS ; POLITICS IN FILMS ; PORNOGRAPHY AND THE CINEMA ; FELLINI, FEDERICO ; STREISAND, BARBRA ; WAYNE, JOHN ; CHE! (US, Richard Fleischer, 1969) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; GOODBYE COLUMBUS (US, Larry Peerce, 1969) ; IF... (UK, Lindsay Anderson, 1968) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; INTIMNI OSVETLENI (CZ, Ivan Passer, 1969) ; GURU, THE (US/II, James Ivory, 1968) ; HAR HAR DU DITT LIV (SW, Jan Troell, 1966) ; AKAHIGE [RED BEARD] (JA, Akira Kurosawa, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; PUTNEY SWOPE (US, Robert Downey, 1969) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; IN THE YEAR OF THE PIG (US, Emile de Antonio, 1968) ; HIGH SCHOOL (US, Frederick Wiseman, 1969) ; ISADORA (UK, Karel Reisz, 1968) ; GOODBYE MR CHIPS (UK, Herbert Ross, 1969) ; FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968) Summary: Critical reviews of films produced 1969/1970Notes: Includes indexISBN: 671-20608-7Contents: I. Pick of the Litter -- Z / Pauline Kael, Arthur Schlesinger, Jr. -- Easy Rider / Joseph Morgenstern, Penelope Gillatt, Stefan Kanfer, Richard Schickel -- Bob & Carol & Ted & Alice / Hollis Alpert, Pauline Kael, Arthur Schlesinger, Jr., John Simon -- Alice's Restaurant / Robert Hatch, John Simon / If... / Arthur Schlesinger, Jr., Pauline Kael -- They Shoot Horses, Don't They? / Stefan Kanfer, John Simon -- II. Advance Obit. -- Hollywood: Myth, Fact and Trouble / Joseph Morgenstern -- The Studio by John Gregory Dunne / Stanley Kauffmann -- Paint Your Wagon / Pauline Kael -- III. Auteurisms -- Intimate Lighting / Andrew Sarris -- La Femme Infidele / Andrew Sarris -- Stolen Kisses / Joseph Morgenstern, Hollis Alpert, Robert Kotlowitz -- Here's Your Life / Stanley Kauffmann -- Pierrot Le Fou / Joseph Morgenstern -- The Red and the White / Penelope Gilliatt, Richard Schickel, John Simon -- Putney Swope / Arthur Knight, Penelope Gilliattt, Richard Schickel -- Medium Cook / John Simon, Andrew Sarris -- IV. On Location -- The Making of The Angel Levine / Robert Kotlowitz -- Fellini at Work / Hollis Alpert -- Che! / Joseph Morgenstern, Robert Hatch -- V. Documentarians -- Salesman / Harold Clurman, Joseph Morgenstern -- In the Year of the Pig / Pauline Kael -- High School / Richard Schickel -- VI. Performers and Performances -- The Loves of Isadora / Richard Schickel, Stanley Kauffmann, Stefan Kanfer, Hollis Alpert, Penelope Gilliatt -- Goodbye, Mr. Chips / Pauline Kael, Stefan Kanfe -- Superstar: The Streisand Story / Joseph Morgenstern -- John Wayne as the Last Hero / Stefan Kanfer -- VII. Skin -- I Am Curious (Yellow) / John Simon, Penelope Gilliatt, Hollis Alpert -- Coming Apart / Joseph Mergenstern, Richard Schickel
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Film 70/71 : an anthology by the National Society of Film Critics / edited by David Denby New York: Simon and Schuster, c1971.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1971PhysDes: 319 p. ; 22 cmSubject: WAR FILMS ; REVOLUTION AND THE CINEMA ; MUSIC AND THE CINEMA ; POLITICS IN FILMS ; ADAPTATIONS ; MUSICALS ; PORNOGRAPHY AND THE CINEMA ; DISASTERS IN FILMS ; BERGMAN, INGMAR ; ANTONIONI, MICHELANGELO ; Keaton, Buster ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; JOE (US, John G. Avildsen, 1970) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; HUSBANDS (US, John Cassavetes, 1970) ; PATTON (US, Franklin J. Schaffner, 1970) ; M*A*S*H (US, Robert Altman, 1969) ; CATCH 22 (US, Mike Nichols, 1970) ; SOLDIER BLUE (US, Ralph Nelson, 1970) ; MOLLY MAGUIRES, THE (US, Martin Ritt, 1969) ; BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970) ; ICE (US, Robert Kramer, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970) ; PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970) ; OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970) ; LOVE STORY (US, Arthur Hiller, 1970) ; QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970) ; WINTER WIND (HU, Miklos Jancso, 1969) ; SIROKKO (HU, Miklos Jancso, 1969) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969) ; MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; TRISTANA (SP/IT/FR, Luis Bunuel, 1970) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; GREAT WHITE HOPE, THE (US, Martin Ritt, 1970) ; BOYS IN THE BAND, THE (US, William Friedkin, 1970) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; SCROOGE (UK, Ronald Neame, 1970) ; TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970) ; RYAN'S DAUGHTER (UK, David Lean, 1970) ; AIRPORT (US, George Seaton, 1970) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; CONFESSION, THE (FR/IT, Costa-Gavras, 1970) ; AVEU, L' (FR/IT, Costa-Gavras, 1970) Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]Notes: Includes indexISBN: 671210483Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern
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Film 73/74 : an anthology by the National Society of Film Critics / edited by Jay Cocks and David Denby Indianapolis ; New York: Bobbs-Merrill Company, 1974.
Call No: 67(04) FILSource: USPlace: Indianapolis ; New YorkPublisher: Bobbs-Merrill CompanyPubDate: 1974PhysDes: xl, 369 p. ; 23 cm.Subject: THEATRE AND THE CINEMA ; POLICE IN FILMS ; MASCULINITY IN FILMS ; WOMEN IN FILMS ; POLITICS IN FILMS ; MONROE, MARILYN ; FORD, JOHN ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; WEDDING IN WHITE (CN, William Fruet, 1972) ; KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971) ; KID BLUE (US, James Frawley & Dennis Hopper, 1973) ; PULP (US/UK, Mike Hodges, 1972) ; DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968) ; JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973) ; GODSPELL (US, David Greene, 1973) ; DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973) ; ICEMAN COMETH, THE (US, John Frankenheimer, 1980) ; SLITHER (US, Howard Zieff, 1973) ; TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973) ; WALKING TALL (US, Phil Karlson, 1973) ; LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973) ; BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975) ; DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973) ; YEAR OF THE WOMAN (US, Sandra Hochman, 1973) ; NYBYGGARNA (SW, Jan Troell, 1972) ; PAYDAY (US, Daryl Duke, 1972) ; NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973) ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970) ; SZERELEM (HU, Karoly Makk, 1971) ; SANMA NO AJI (JA, Yasujiro Ozu, 1962) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; MEAN STREETS (US, Martin Scorsese, 1973) ; BANG THE DRUM SLOWLY (US, John Hancock, 1973) ; HEAVY TRAFFIC (US, Ralph Bakshi, 1973) ; SISTERS (US, Brian De Palma, 1972) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; WAY WE WERE, THE (US, Sydney Pollack. 1973) ; SAVE THE TIGER (US, John G. Avildsen, 1973) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968) ; ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973) ; LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973) ; BLUME IN LOVE (US, Paul Mazursky, 1973) ; DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973) ; I.F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972) ; BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972) ; SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973) ; SCARECROW (US, Jerry Schatzberg, 1973) ; STING, THE (US, George Roy Hill, 1973) ; PAPILLON (US, Franklin J. Schaffner, 1973) ; DEEP THROAT (US, Jerry Gerard, 1972) ; LIVE AND LET DIE (US, Guy Hamilton, 1973) ; TANG SHAN DA XIONG (HK, Lo Wei, 1971) ; SERPICO (US, Sidney Lumet, 1973) ; MAGNUM FORCE (US, Ted Post, 1973) ; SEVEN-UPS, THE (US, Philip D'Antoni, 1973) ; HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972) ; ARANYER DIN RATRI (II, Satyajit Ray, 1970) ; PRATIDWANDI (II, Satyajit Ray, 1971) ; FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973) ; CHARLEY VARRICK (US, Donald Siegel, 1973) ; SLEEPER (US, Woody Allen, 1973) ; PLAYTIME (FR, Jacques Tati, 1967) ; KING IN NEW YORK (US, Charles Chaplin, 1957) ; TOUCH OF CLASS, A (UK, Melvin Frank, 1973) ; EXORCIST, THE (US, William Friedkin, 1973) ; JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973) ; DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973) Summary: Collection of essays of films that were released in America in 1973/1974.Notes: Includes index.ISBN: 0672519895Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew SarrisID2: 291
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Film 1900 : technology, perception, culture / edited by Annemone Ligensa and Klauss Kreimeier New Barnet, Herts: John Libbey ; Chatswood, N.S.W. : Distributed in Australia by Elsevier, c2009.
Call No: 70 (04) FILAuthor: Ligensa, Annemone ; Kreimeier, Klaus Place: New Barnet, HertsPublisher: John Libbey ; Chatswood, N.S.W. : Distributed in Australia by ElsevierPubDate: c2009PhysDes: vi, 250 p. : ill., tables, maps, ports ; 23 cmSubject: CULTURE AND THE CINEMA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. ENGLAND ; MUNSTERBERG, HUGO Summary: "The current digital revolution has sparked a renewed interest in the origins and trajectory of modern media, particularly in the years around 1900 when the technology was rapidly developing. This collection aims to broaden our understanding of early cinema as a significant innovation in media history. Joining traditional scholarship with fresh insights from a variety of disciplines, this book explains the aesthetic and institutional characteristics in early cinema within the context of the contemporary media landscape. It also addresses trans-cultural developments such as scientific revolutions, industrialization, urbanization, and globalization, as well as differing attitudes toward modernization. Film 1900 is an important reassessment of early cinema's position in cultural history."--BACK COVERISBN: 9780861966967Contents: Introduction. Triangulating a turn: Film 1900 as technology, perception and culture / Annemone Ligensa -- Chapter 1. Archaeologies of interactivity: early cinema, narrative and spectatorship / Thomas Elsaessar -- Chapter 2. Viewing change, changing views: the 'history of vision' debate / Frank Kessler -- Chapter 3. The ambimodernity of early cinema: problems and paradoxes of the film-and-modernity discourse / Ben Singer -- Chapter 4. Mind, the gap: the discovery of physiological time / Henning Schmidgen -- Chapter 5. 'Is everything relative?': cinema and the revolution of knowledge around 1900 / Harro Segeberg -- Chapter 6. The aesthetic idealist as efficiency engineer: Hugo Munsterberg's theories of perception, psychotechnics and cinema / Jorg Schweinitz -- Chapter 7. Between observation and spectatorship: medicine, movies and mass culture in imperial Germany / Scott Curtis -- Chapter 8. The scene of the crime: psychiaztric discourses on the film audience in early twentieth century Germany / Andreas Killen -- Chapter 9. Seen through the eyes of Simmel: The cinema programme as a 'modern' experience / Andrea Haller -- Chapter 10. 'Under the sign of the cinematograph': urban mobility and cinema location in Wilhelmine Berlin / Pelle Snickars -- Chapter 11. Perceptual environments for films: the development of cinema in Germany, 1895-1914 / Joseph Garncarz -- Chapter 12. 'Fumbling towards some new form of art?': the changing composition of film programmes in Britain, 1908-1914 / Ian Christie and John Sedgwick -- Chapter 13. The attraction of motion: modern representation and the image of movement / Tom Gunning -- Chapter 14. 'Dashing down upon the audience': notes on the genesis of filmic perception / Laus Kreimeier -- Chapter 15. German Tonbilder of the 1900s: advanced technology and national brand / Martin Loiperdinger -- Chapter 16. Sculpting with light: early film style, stereoscopic vision and the idea of a 'plastic art in motion' / Michael Wedel -- Chapter 17. 'A cinematograph of feminine thought': the dangerous age, cinema and modern women / Annemone Ligensa -- Chapter 18. Cinema as a mode(l) of perception: Dorothy Richardson's novels and essays / Nicola Glaubitz
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Film 1962 / a cura di Vittorio Spinzzola Milano: Feltrinelli, 1962.
Call No: 67(04) FILAuthor: Spinazzola, Vittorio Place: MilanoPublisher: FeltrinelliPubDate: 1962PhysDes: 273 p. 24 plates, 18 cm.Subject: ITALY ; SPAIN ; BUNUEL, LUIS ; BROOK, PETER ; DAMIANI, DAMIANO ; DE SICA, VITTORIO ; MORIN, EDGAR ; OLMI, ERMANNO ; PETRI, ELIO ; PONTECORVO, GILLO ; ROGOSIN, LIONEL ; WEISS, JIRI ; VIRIDIANA (SP/MX, Luis Bunuel, 1961) ; BREVE VACANZA, UNA (IT/SP, Vittorio De Sica, 1973) ; VIRIDIANA (SP/MX, Luis Bunuel, 1961) Language: Italian
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Film 1964 / a cura di Vittorio Spinazzola Milano: Feltrinelli, 1964.
Call No: 67(04) FILAuthor: Spinazzola, Vittorio Place: MilanoPublisher: FeltrinelliPubDate: 1964PhysDes: 236 p. 24 plates, 18cm.Subject: BOLOGNINI, MAURO ; DE SICA, VITTORIO ; MONICELLI, MARIO ; ROSI, FRANCESCO ; VISCONTI, LUCHINO ; CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; NOTTI BIANCHE, LE (IT/FR, Luchino Visconti, 1957) ; ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960) ; SENSO (IT, Luchino Visconti, 1954) ; TERRA TREMA, LA (IT, Luchino Visconti, 1948) Language: Italian
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Film analysis : a Norton reader / edited by Jeffrey Geiger and R.L. Rutsky New York : London: W. W. Norton & Company, Inc.,
Call No: 66(049.3)Author: Geiger, Jeffrey ; Rutsky, R.L. Edition: 2013Place: New York : LondonPublisher: W. W. Norton & Company, Inc.PhysDes: 1152 pp ; 23 cmSubject: VOYAGE A PAIMPOL, LE (FR, John Berry, 1985) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; NANIWA EREJI NANIWA HIKA (JA, Kenji Mizoguchi, 1936) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953) ; SHICHININ NO SAMURAI (JA, Akira Kurosawa, 1954) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; DO MA DAN (HK, Tsui Hark, 1986) ; NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) Notes: Fifty essays on fifty films—by a who’s-who of film studies. Film Analysis offers concise analyses of fifty diverse and historically significant films—each written exclusively for the text by a leading scholar. Written with the undergraduate in mind, the essays are clear, readable, and great models for students to follow in helping them to hone their own writing. The Second Edition includes six new essays, a new, detailed guide to writing film analysis, and an extensive, up-to-date glossary of critical film terms. -- publisher's web site.ISBN: 9780393923247Contents: Preface -- Introduction -- Arrival of a Train at La Ciotat (1895-1897), Lumière Brothers / Karin Littau -- A Trip to the Moon (1902), Georges Méliès / Tom Gunning -- The Birth of a Nation (1915), D. W. Griffith / Daniel Bernardi -- The Cabinet of Dr. Caligari (1920), Robert Wiene / Paul Coates -- Nanook of the North (1922), Robert J. Flaherty / Jeffrey Geiger -- Sherlock, Jr. (1924), Buster Keaton / Hal Gladfelder -- Battleship Potemkin (1926), Sergei Eisenstein / Bill Nichols -- Metropolis (1927), Fritz Lang / R. L. Rutsky -- Un chien andalou (1929), Luis Buñuel and Salvador Dalí / Tom Conley -- It Happened One Night (1934), Frank Capra / Richard Maltby -- Modern Times (1936), Charlie Chaplin / Charles J. Maland -- Osaka Elegy (1936), Mizoguchi Kenji / Joanne Bernardi -- Bringing Up Baby (1938), Howard Hawks / S. I. Salamensky -- The Rules of the Game (1939), Jean Renoir / Christopher Faulkner -- Stagecoach (1939), John Ford / Matthew Bernstein -- Citizen Kane (1941), Orson Welles / James Naremore -- Casablanca (1942), Michael Curtiz / Dana Polan -- Meshes of the Afternoon (1943), Maya Deren and Alexander Hammid / Juan A. Suarez -- Double Indemnity (1944), Billy Wilder / Gaylyn Studlar -- Rome Open City (1945), Roberto Rossellini / Marcia Landy -- Bicycle Thieves (1948), Vittorio De Sica / Geoffrey Nowell-Smith -- The Red Shoes (1948), Michael Powell and Emeric Pressburger / Ian Christie -- Rashomon (1950), Kurosawa Akira / Aaron Kerner -- Singin’ in the Rain (1952), Stanley Donen and Gene Kelly / Jane Feuer -- Tokyo Story (1953), Ozu Yasujiro / David Desser -- Rear Window (1954), Alfred Hitchcock / Elizabeth Cowie -- Seven Samurai (1954), Kurosawa Akira / Mitsuhiro Yoshimoto -- Pather Panchali (1955), Satyajit Ray / Neepa Majumdar -- The Seventh Seal (1956), Ingmar Bergman / Marilyn Johns Blackwell -- The 400 Blows (1959), François Truffaut / Alastair Phillips -- Breathless (1960), Jean-Luc Godard / Richard Neupert -- 8 1/2 (1963), Federico Fellini / Kriss Ravetto-Biagioli -- 2001: A Space Odyssey (1968), Stanley Kubrick / Robert Kolker -- The Godfather (1972), Francis Ford Coppola / Jon Lewis -- Ali: Fear Eats the Soul (1974), Rainer Werner Fassbinder / Shohini Chaudhuri -- Chinatown (1974), Roman Polanski / Steve Neale -- The Last Supper (1976), Tomás Gutiérrez Alea / Gilberto M. Blasini -- Taxi Driver (1976), Martin Scorsese / Cynthia Fuchs -- Ceddo (1977), Ousmane Sembene / Philip Rosen -- Peking Opera Blues (1986), Tsui Hark / Jenny Kwok Wah Lau -- Yeelen (1987), Souleymane Cissé / N. Frank Ukadike -- Do the Right Thing (1989), Spike Lee / Sharon Willis -- Close-up (1989), Abbas Kiarostami / Hamid Naficy -- To Sleep with Anger (1990), Charles Burnett / Valerie Smith -- Raise the Red Lantern (1991), Zhang Yimou / Shuqin Cui -- Daughters of the Dust (1991), Julie Dash / Anna Everett -- Pulp Fiction (1994), Quentin Tarantino / A. J. Haynes -- All About My Mother (1999), Pedro Almodóvar / Paul Julian Smith -- In the Mood for Love (2000), Wong Kar Wai / Gina Marchetti -- Caché (Hidden) (2005), Michael Haneke / Kevin Sherman -- / Film Analysis: Approaches and Strategies -- Glossary of Critical TermsID2: 182
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Film and phenomenology : toward a realist theory of cinematic representation / Allan Casebier Cambridge New York: Cambridge University Press, 1991.
Call No: 626:165.62 CASAuthor: Casebier, Allan Place: Cambridge New YorkPublisher: Cambridge University PressPubDate: 1991PhysDes: vii, 165 p. ; 24 cmSeries: Cambridge studies in filmSubject: HUSSERL, EDMUND ; PHILOSOPHY AND THE CINEMA ; DOCUMENTARY FILMS ; BORDWELL, DAVID ; BAZIN, ANDRE ; MARKER, CHRIS ; KUROSAWA AKIRA ; LACAN, JACQUES ; METZ, CHRISTIAN ; OSHIMA NAGISA ; YASUJIRO OZU ; TOUCH OF EVIL (US, Orson Welles, 1958) Notes: Includes index; Bibliography: p. 159-160; Filmography: p. 161-162ISBN: 0521411327 (hardback)LON: 7950801
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Film and Reality in Montage (March 1963) vol.2 iss.1 p.3-4
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Film and reality : an historical survey / Roy Armes Harmondsworth, Middlesex: Penguin, 1974.
Call No: 62 ARMAuthor: Armes, Roy Place: Harmondsworth, MiddlesexPublisher: PenguinPubDate: 1974PhysDes: 254 p. ; 18 cmSubject: MODERNISM AND THE CINEMA ; REALISM IN FILMS ; DOCUMENTARIES ; DOCUMENTARY FILMS ; CINEMA VERITE ; NEOREALISM ; EXPRESSIONISM ; SURREALISM AND THE CINEMA ; UNDERGROUND FILMS ; ANIMATION ; HISTORY OF CINEMA. SILENT PERIOD ; STUDIO SYSTEM ; NARRATIVE IN FILMS ; STARS ; AUTHORSHIP ; WALT DISNEY PRODUCTIONS ; WESTERNS ; LUMIERE, AUGUSTE & LOUIS ; MELIES, GEORGES ; FLAHERTY, ROBERT ; VERTOV, DZIGA ; VON STROHEIM, ERICH ; RENOIR, JEAN ; ROSSELLINI, ROBERTO ; EDISON, THOMAS ALVA ; GRIFFITH, DAVID WARK ; HITCHCOCK, ALFRED ; BUNUEL, LUIS ; RESNAIS, ALAIN ; GODARD, JEAN-LUC ; ANGER, KENNETH ; LOACH, KENNETH ; CHAPLIN, CHARLES Summary: Explores the history of cinema by looking at three broad areas - Film Realism, Film Illusion, and Film Modernism, and describes within these areas the most important film-makers, directors and companies within the film industry.Notes: contains index; contains bibliography with descriptions and recommendations for the books sourced.ISBN: 0140217010URL status: URL: 'http://-'
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Film and revolution / James Roy MacBean Bloomington: Indiana University Press, c1975.
Call No: 745.1 MACAuthor: MacBean, James Roy Place: BloomingtonPublisher: Indiana University PressPubDate: c1975PhysDes: viii, 339 p. : ill. ; 29 cmSubject: REVOLUTIONARY THEMES IN FILMS ; MARXISM AND THE CINEMA ; REVOLUTION AND THE CINEMA ; GORIN, JEAN-PIERRE ; GODARD, JEAN-LUC ; METZ, CHRISTIAN ; VERTOV, DZIGA ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969) ; PRISE DE POUVOIR PAR LOUIS XIV, LA (FR, Roberto Rossellini, 1966) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; MADE IN U.S.A. (FR, Jean-Luc Godard, 1966) ; ICE (US, Robert Kramer, 1970) ; CLASSE OPERAIA VA IN PARADISO, LA (IT, Elio Petri, 1971) ; LETTER TO JANE (FR, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969) ; ONE PLUS ONE (UK, Jean-Luc Godard, 1968) Notes: Includes bibliographical references and indexISBN: 0253321891; 0253201918(pbk.)LON: 737743URL status: URL: 'http://-'
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The film and television production industry in Victoria : report of the Victorian Film & Television Industry Task Force Melbourne, Australia: Victorian Film & Television Task Force, September 2000.
Call No: 201(945) VICCorpAuthor: Victorian Film & Industry Task ForceSource: ATPlace: Melbourne, AustraliaPublisher: Victorian Film & Television Task ForcePubDate: September 2000PhysDes: 99 leaves ; 30 cmSubject: INDUSTRY, FILM. AUSTRALIA : VICTORIA ; INDUSTRY, FILM. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA : VICTORIA ; Film Victoria ; CINEMEDIA ; MELBOURNE FILM OFFICE ; EDUCATION, FILM. AUSTRALIA Summary: A report to review and recommend a strategic framework for the Victorian Film and Television Industry. Government support for retaining and securing production investment is important for a knowledge economy. The report looks at different requirments to achieve this including: reinvigorating state film and television funding, advocacy to the Federal government about national policy, adopting a government approach to the industry, adding infrustructure and expanding education and training opportunities. Various proposals are also put forward.Notes: Includes preface letter by Sigrid Thornton -- Includes table of contents -- Ring binding -- Additional catalogue information added 28 August 2019Language: EnglishContents: The Victorian Film and Television Industy - a vision for the future -- Executive summary -- The review process -- The industry nationally -- The industry in Victoria today -- Federal government support for the industry -- Government support for the industry in other states -- Victorian government support for the industry -- Industry infrustructure in Victoria -- Education and training in Victoria -- The global operating environment -- Overseas government funding programs -- The stategic framework for the Victorian industry -- The best position for the Victorian industry in relation to other Australian states and overseas industries -- The effectiveness of current state government programs in addressing the requirements needed to ensure the Victorian industry is a centre for excellence -- The requirements and initiatives needed to ensure that the Victorian industry is a centre for excellence
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Film and the critical eye / Dennis DeNitto and William Herman New York: Macmillan, 1975.
Call No: 62 DENAuthor: DeNitto, Dennis ; Herman, William Source: USPlace: New YorkPublisher: MacmillanPubDate: 1975PhysDes: xii, 543 p. : ill. ; 24 cmSubject: CRITICISM ; NARRATIVE IN FILMS ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) ; LAST LAUGH, THE (G, Friedrich Wilhelm Murnau, 1924) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; M (G, Fritz Lang, 1931) ; RULES OF THE GAME, THE (FR, Jean Renoir, 1939) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; RASHOMON (JA, Akira Kurosawa, 1950) ; RONDE, LA (FR, Max Ophuls, 1950) ; SEVENTH SEAL, THE (SW, Ingmar Bergman, 1957) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; WILD STRAWBERRIES (SW, Ingmar Bergman, 1957) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; ASHES AND DIAMONDS [POPIOL I DIAMENT] (PL, Andrzej Wajda, 1959) ; JULES AND JIM (FR, Francois Truffaut, 1962) ; JULES ET JIM (FR, Francois Truffaut, 1962) Notes: Bibliography: p. 527-536
Includes filmographies and indexISBN: 002328370XContents: --Part one -- 1: viewing a film -- 2: interpreting a film -- Part two -- 3: the language of film -- 4: the rhetoric of film -- Part three -- 5: The Last Laugh, Murnau -- 6: The Gold Rush, Chaplin -- 7: M Lang -- 8: Grand Illusion, Renoir -- 9: The Rules of the Game, Renoir -- 10: Beauty and the Beast, Cocteau -- 11: Rashomon Kurosawa -- 12: La Ronde, Ophuls -- 13: The Seventh Seal, Bergman -- 14: Wild Strawberries, Bergman -- 15: Ashes and Diamonds, Wajda -- 16: L'avventura, Anotonioni -- 17: Il Posto, Olmi -- 18: Jules and Jim, Truffaut -- 19: Notes on Six films -- Biographies and filmographies -- bibliographies --index --URL status: URL: 'http://-'
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Film and the narrative tradition / John L. Fell Berkeley: University of California Press, 1986.
Call No: 632.2 FELAuthor: Fell, John L. (John Lewis), 1927 Edition: 1st edPlace: BerkeleyPublisher: University of California PressPubDate: 1986PhysDes: xx, 284 pages : illustrations ; 23 cmSubject: NARRATIVE IN FILMS ; HISTORY OF CINEMA. SILENT PERIOD ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; COMIC STRIPS AND THE CINEMA ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; MELIES, GEORGES Notes: Previously published: Norman : University of Oklahoma Press, 1974. -- Includes appendices -- Bibliography: p. 258-271 -- Index: p. 273 -284 -- c1974ISBN: 0520053680 (paper)LON: abn90010427; 6864524Contents: Introduction -- I. VERBAL ARTS : 1. Mise en scene -- 2. Dissolves by gaslight -- 3. It is not a good book, my son -- 4. Space, time, and Victorian prose -- II. GRAPHIC ARTS : 5. Mr. Griffith, meet Winsor McCay -- 6. The picture in our heads -- 7. Art, photography, and the shape of things to come -- III. THE MOVIES : 8. Ten cent palace life -- 9. A particular phase of perception -- APPENDICES : I. Early development of American sheet music -- II. Twenty representative British and American melodramas -- III. Subliterature in the Nineteenth Century -- IV. Lenses -- V. The phasmatrope -- VI. Nineteenth-century developments in printing -- VII. Winsor McCay -- VIII. Musical machines -- IX. Chronological listing in Niver In the Beginning Collection.
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Film appreciation / Allan Casebier New York: Harcourt Brace Jovanovich, c1976.
Call No: 62 CASAuthor: Casebier, Allan Place: New YorkPublisher: Harcourt Brace JovanovichPubDate: c1976PhysDes: ix, 207 p., [2] leaves of plates : col. ill. ; 23 cmSubject: THEORY ; AESTHETICS ; SOUND ; AUDIENCES ; REALISM IN FILMS ; SURREALISM AND THE CINEMA ; EXPRESSIONISM ; MYTH AND THE CINEMA ; STRUCTURALISM ; CRITICISM ; WELLES, ORSON ; BUNUEL, LUIS ; KUBRICK, STANLEY ; BAZIN, ANDRE ; ARNHEIM, RUDOLF ; GODARD, JEAN-LUC ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) Notes: Includes index; "Bibliography/filmography": p. [183]-190ISBN: 0155273701Order Received: 2000Order Type: DonationLON: 746910URL status: URL: 'http://-'
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Film art : an introduction / David Bordwell, Kristin Thompson New York: Knopf Distributed by Random House, 1986.
Call No: 62 BORAuthor: Bordwell, David, 1947 ; Thompson, Kristin, 1950 Edition: 2nd edPlace: New YorkPublisher: Knopf Distributed by Random HousePubDate: 1986PhysDes: xiii, 400 p., [2] p. of plates : ill. (some col.) ; 26 cmSubject: PRODUCTION ; NARRATIVE IN FILMS ; CINEMATOGRAPHY ; EDITING ; SOUND ; CRITICISM ; HISTORY OF CINEMA ; MOVEMENTS IN FILM HISTORY ; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924) ; CITIZEN KANE (US, Orson Welles, 1941) Notes: Includes index; Bibliography: p. 387-389ISBN: 0394352378 (pbk.)LON: 85018198; 4389326URL status: URL: 'http://-'
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Film as a subversive art / Amos Vogel New York: Random House, [1974].
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Film as social practice / Graeme Turner London New York: Routledge, 1988.
Call No: 408 TURAuthor: Turner, Graeme Place: London New YorkPublisher: RoutledgePubDate: 1988PhysDes: xv, 187 p. : ill. ; 20 cmSeries: Studies in communicationSubject: POPULAR CULTURE AND THE CINEMA ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; AUTEUR THEORY ; NARRATIVE IN FILMS ; STARS ; SPECTATORSHIP ; AUDIENCES ; AUSTRALIA ; IDEOLOGY AND THE CINEMA ; BAZIN, ANDRE ; WRIGHT, WILL ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; METROPOLIS (G, Fritz Lang, 1926) Summary: “Explores the feature film as entertainment, as narrative, and as cultural event. Graeme Turner discusses the major theoretical issues surrounding the history of film production and film studies, using them to examine the cultural function of film and its place in our popular culture. This updated third edition includes: discussion of classical and popular contemporary films, updated and expanded discussion of debates surrounding film narrative and arguments revised throughout to take into account recent developments in film and cultural theory and changing cinematic trends.” [Taken from back cover]Notes: Includes index; Bibliography: p. 180-184ISBN: 0415007348; 0415007356 (pbk.)LON: 5742606
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Film as text / Geoff Mayer Milton, Qld.: Jacaranda Press, 1991.
Call No: 512.1 MAYAuthor: Mayer, Geoff Place: Milton, Qld.Publisher: Jacaranda PressPubDate: 1991PhysDes: 51 p. : ill. ; 28 cmSubject: NARRATIVE IN FILMS ; MELODRAMA ; ADAPTATIONS ; ETHICS IN FILMS ; CRY FREEDOM (UK, Richard Attenborough, 1987) ; RADIO DAYS (US, Woody Allen, 1987) ; ACCIDENTAL TOURIST, THE (US, Lawrence Kasdan, 1988) ; SHAME (AT, Steve Jodrell, 1988) ; YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987) Notes: For senior secondary school students; Includes bibliographical referencesISBN: 0701628782 (pbk.)LON: 7685541ID2: 290
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Film at the intersection of high and mass culture / Paul Coates Cambridge [England] New York: Cambridge University Press, 1994.
Call No: 408 COAAuthor: Coates, Paul, 1953 Place: Cambridge [England] New YorkPublisher: Cambridge University PressPubDate: 1994PhysDes: xvii, 201 p. ; 24 cmSeries: Cambridge studies in filmSubject: POPULAR CULTURE AND THE CINEMA ; SCIENCE-FICTION FILMS ; MELODRAMA ; WESTERNS ; FILM NOIR ; ETHNIC GROUPS IN FILMS ; STARS ; GENRES ; HORROR FILMS ; VOICE OVER ; MUSIC TELEVISION ; SIRK, DOUGLAS ; MARKER, CHRIS ; TARKOVSKY, ANDREI ; KIESLOWSKI, KRZYSZTOF ; FRANJU, GEORGES ; STALLONE, SYLVESTER ; VALENTINO, RUDOLPH ; LANG, FRITZ ; LEE, SPIKE ; MADONNA ; MONROE, MARILYN ; POTTER, DENNIS ; BEDROOM WINDOW, THE (US, Curtis Hanson, 1986) ; FLY, THE (US, David Cronenberg, 1986) ; JETEE, LA (FR, Chris Marker, 1963) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; AUFZEICHNUNGEN ZU KLEIDERN UND STADTEN (GW, Wim Wenders, 1989) ; OUT OF THE PAST (US, Jacques Tourneur, 1947) ; ROCKY IV (US, Sylvester Stallone, 1985) ; OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986) ; SEARCHERS, THE (US, John Ford, 1956) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) ; SOLARIS (UR, Andrei Tarkovsky, 1972) ; WESELE (PL, Andrzej Wajda, 1972) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; REAR WINDOW (US, Alfred Hitchcock, 1954) Notes: Includes bibliographical references (p. 182-194) and indexISBN: 0521444721 (hardback)LON: 10419843
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Film at wit's end : eight avant-garde filmmakers / Stan Brakhage Kingston, N.Y.: Documentext, 1989.
Call No: 771.1 BRAAuthor: Brakhage, Stan Edition: 1st edPlace: Kingston, N.Y.Publisher: DocumentextPubDate: 1989PhysDes: 183 p., [16] p. of plates : ill. ; 24 cmSubject: AVANT-GARDE FILMS ; BRAKHAGE, STAN ; BROUGHTON, JAMES ; CONNER, BRUCE ; DEREN, MAYA ; HILL, JEROME ; JACOBS, KEN ; MACLAINE, CHRISTOPHER ; MEKEN, MARIE ; PETERSON, SIDNEY Notes: Includes index; Filmographies: p. 171-177ISBN: 092970116x (pbk.); 0914232991 (alk. paper)LON: 6319522
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journal article
Film Australian will film migrant stories in Australasian Cinema (14/5/1982) vol.11 iss.8 p.5
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Old collection
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Film: Book 1 : the audience and the filmmaker / edited by Robert Hughes New York: Grove Press, 1959.
Call No: 62 FILAuthor: Hughes, Robert Source: USPlace: New YorkPublisher: Grove PressPubDate: 1959PhysDes: v. : ill., ports ; 20 cm.Series: Evergreen Books E140Subject: PERIODICALS, FILM ; ART AND THE CINEMA ; SPECTATORSHIP ; ANDERSON, LINDSAY ; BARDEM, JUAN ANTONIO ; BUNUEL, LUIS ; CLEMENT, RENE ; MEYERS, SIDNEY ; DREYER, CARL TH. ; HENNING-JENSEN, BJARNE ; KAZAN, ELIA ; Lean, David ; SATYAJIT, RAY ; RENOIR, JEAN ; FLAHERTY, ROBERT ; Fellini, Federico ; AGEE, JAMES ; ZAVATTINI, CESARE ; MEKAS, JONAS ; MAN OF ARAN (UK, Robert Flaherty, 1934) ; ALL OF MY BABIES : A MIDWIFE'S OWN STORY (US, George Stoney, 1952) ISBN: 0195018346
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Interim
book
Film: Book 2 : films of peace and war / edited by Robert Hughes New York: Grove Press, Inc., 1962.
Call No: 45:355 FILAuthor: Hughes, Robert Source: USPlace: New YorkPublisher: Grove Press, Inc.PubDate: 1962PhysDes: 255 p. ill. ; 21cmSubject: POLITICS AND THE CINEMA ; HUSTON, JOHN ; MCLAREN, NORMAN ; RESNAIS, ALAIN ; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959) ; LET THERE BE LIGHT (US, John Huston, 1946) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) Notes: First printing
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Interim
book
The film cultures reader / Graeme Turner (ed.) New York: Routledge, 2002.
Call No: 408 TURAuthor: Graeme Turner (ed.) Place: London; New YorkPublisher: RoutledgePubDate: 2002PhysDes: 524 p. ; 24 cmSubject: CULTURE AND THE CINEMA ; GENRES ; AESTHETICS ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; SPECTATORSHIP ; AUDIENCE RECEPTION ; AUDIENCE RESEARCH ; SOUND ; THEORY ; CREED, BARBARA ; KUHN, ANNETTE ; NATIONAL CULTURE AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; GLOBALISATION ; USA ; MONROE, MARILYN ; SEX IN FILMS ; HORROR FILMS ; ACTION FILMS ; HOMOSEXUALITY IN FILMS ; THRILLERS ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; PIANO, THE (AT, Jane Campion, 1993) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; TECHNOLOGY AND THE CINEMA ; INDUSTRY, FILM Summary: This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon. Key features of the reader include: thematic sections, each with an introduction by the editor; a general introduction by Graeme Turner; sections on understanding film, film technology, film industries, meanings and pleasures, identities, audiences and consumption.ISBN: 0415252822
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The film director as superstar London: Secker and Warburg, 1971.
Call No: 802.25 GELAuthor: Gelmis, Joseph, 1935 Place: LondonPublisher: Secker and WarburgPubDate: 1971PhysDes: xx, 316 p., 12 plates; illus., ports. 22 cmSubject: MCBRIDE, JIM ; DE PALMA, BRIAN ; DOWNEY, ROBERT ; MAILER, NORMAN ; WARHOL, ANDY ; CASSAVETES, JOHN ; ANDERSON, LINDSAY ; BERTOLUCCI, BERNARDO ; FORMAN, MILOS ; POLANSKI, ROMAN ; CORMAN, ROGER ; COPPOLA, FRANCIS FORD ; PENN, ARTHUR ; LESTER, RICHARD ; NICHOLS, MIKE ; KUBRICK, STANLEY ISBN: 0436173700LON: 210670 210670
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Film ecology : defending the biosphere - doughnut economics and film theory and practice / Susan Hayward London, New York: Routledge,
Call No: 738.1 HAYAuthor: Hayward, Susan Edition: 2020Place: London, New YorkPublisher: RoutledgePhysDes: 116 pages : figures ; 23cmSubject: ECOLOGY FILMS ; MILDRED PIERCE (US, Michael Curtis, 1945) ; GIANT (US, George Stevens, 1956) ; ERIN BROKOVICH (US, Stephen Soderbergh, 2000) ; WALL STREET (US, Oliver Stone, 1987) ; WOLF OF WALL STREET, THE (US, Martin Scorsese, 2013) ; HOTEL RWANDA (SA/UK/IT/US, Terry George, 2004) Summary: Using the Regenerative economic model – also known as Doughnut Economics – Susan Hayward offers a thought-provoking sketch for a renewed, tentatively revolutionary approach to both film theory and film practice.
This book attempts to answer the questions posed by T.J. Demos (in Against the Anthropocene, 2017): how do we find a way to address planetary harm and the issues it raises within the field of Film Studies? How do we construct a theoretical model that allows us to visualize the ecological transgressions brought about by the growth-model of capitalism which is heavily endorsed by mainstream narrative cinema? By turning to the model set out in Kate Raworth’s book Doughnut Economics (2017) and adapting its fundamental principles to a study of narrative cinema, Film Ecology proposes to show how, by using this model, we can usefully plot and investigate films according to criteria that are not genre/star/auteur-led, nor indeed embedded in anthropocentric theoretical models, but principles which are ecologically based. These arguments are brought to life with examples from mainstream narrative films such as The Giant (1956), Mildred Pierce (1945), Erin Brockovich (2000), Wall Street (1987), Hotel Rwanda (2004), and Missing Figures (2016).
This approach will inspire film practitioners, film theorists, critics and analysts, film students and film lovers alike to consider how they might integrate this Doughnut model into their thinking or work as part of their process. -- publisher's web siteISBN: 9780367265519Contents: Introduction -- Chapter One: Film and ecology, Doughnut Economics, and film theory -- Chapter Two: Film and the Anthropocene: dirty Capitalism – Mildred Pierce (1945), Tulsa (1949), and Giant (1956) -- Chapter Three: Where we are now and where we need to be: from Source and Sink to Take > Make > Use > Re-use – Erin Brockovich (2000), Wall Street (1987), and The Wolf of Wall Street (2013) -- Chapter Four: A moral imperative to REVOLT: Hotel Rwanda (2004) and Caphernaum (2018)
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Film fables / Jacques Rancier ; translated by Emiliano Battista New York: Berg Publishers, 2006.
Call No: 63 RANAuthor: Rancier, Jacques ; Battista, Emiliano Source: FR/USPlace: New YorkPublisher: Berg PublishersPubDate: 2006PhysDes: viii, 196 pages ; 24 cmSubject: AESTHETICS ; ART AND THE CINEMA ; ART CINEMA ; AUTEUR THEORY ; CINEMATOGRAPHY ; DOCUMENTARY FILMS ; HISTORY AND THE CINEMA ; HISTORY OF CINEMA ; NARRATIVE IN FILMS ; PHILOSOPHY AND THE CINEMA ; SYMBOLISM IN FILMS ; BRESSON, ROBERT ; DELEUZE, GILLES ; EPSTEIN, JEAN ; EISENSTEIN, SERGEI M. ; GODARD, JEAN-LUC ; HITCHCOCK, ALFRED ; LANG, FRITZ ; MANN, ANTHONY ; MARKER, CHRIS ; MEDVEKIN, ALEXANDER ; MURNAU, FRIEDRICH WILHELM ; YASUJIRO OZU ; RAY, NICHOLAS ; ROSSELLINI, ROBERTO ; VERTOV, DZIGA ; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; FAUST (G, Friedrich Wilhelm Marnau, 1926) ; WHILE THE CITY SLEEPS (US, Fritz Lang, 1955) Summary: "Film Fables traces the history of modern cinema, moving effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema and Marker's documentaries."Notes: Includes indexISBN: 9781845201685ID2: 291
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The film factory : Russian and Soviet cinema in documents 1896-1939 / Edited by Richard Taylor and Ian Christie London: Routledge, 1988.
Call No: 71(47) TAYAuthor: Taylor, Richard ; Christie, Ian Edition: 1988Place: LondonPublisher: RoutledgePubDate: 1988PhysDes: 458 pages : illustrated ; 25 cmSubject: USSR ; KULESOV, LEV ; MEYERHOLD, VSEVOLOD ; KOZINTSEV, GRIGORI ; VERTOV, DZIGA ; EISENSTEIN, SERGEI M. ; SHKLOVSKY, VICTOR ; SHUB, ESTHER ; DOVZENKO, ALEKSANDR ; PUDOVKIN, VSEVELOD ; STALIN [J.] IN FILMS ; LENIN [V.I.] IN FILMS ISBN: 9780415052986Donation: Adrian Miles
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Film fatales : independent women directors / Judith M. Redding and Victoria A. Brownworth Seattle: Seal Press, 1997.
Call No: 802.253 REDAuthor: Redding, Judith M ; Brownworth, Victoria A Place: SeattlePublisher: Seal PressPubDate: 1997PhysDes: 293 p. : ill. ; 24 cmSubject: DIRECTORS ; CAMPION, JANE ; LIGHT, ALLIE ; PARMAR, PRATIBHA ; Lupino, Ida ; PARKERSON, MICHELLE ; SAALFIELD, CATHERINE ; HAMMER, BARBARA ; FRIEDRICH, SU ; TRINH, T. MINH-HA ; NEGRON-MUNTANER, FRANCES ; MOHABEER, MICHELLE ; TAIT, MARGARET ; WELBON, YVONNE ; AYOKA, CHENZIRA ; BENNING, SADIE ; BORDEN, LIZZIE ; SEIDELMAN, SUSAN ; NAIR, MIRA ; GORRIS, MARLEEN ; ANDERS, ALLISON ; DASH, JULIE ; ROZEMA, PATRICIA ; PORTILLO, LOURDES ; DAVIS, ZEINABU IRENE ; DEITCH, DONNA ; BHARADWAJ, RADHA ; OXENBERG, JAN ; MEHTA, VIJAYA ; BALLETBO-COLL, MARTA ; ZIMMERMAN, DEBRA ; VACHON, CHRISTINE ; GRIFFIN, ADA GAY ; GRIER, BARBARA Notes: Filmography: p; Includes bibliographical referencesISBN: 1878067974LON: 97029205; 13395017
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FIlm follies : the cinema out of order / by Stuart Klawans London: Cassell, 1999.
Call No: 740 KLAAuthor: Klawans, Stuart Edition: 1999Place: LondonPublisher: CassellPubDate: 1999PhysDes: 188pages : illustrated ; 22 cmSubject: EPIC FILMS ; GRIFFITH, DAVID WARK ; INTOLERANCE (US, David Wark Griffith, 1916) ; LUDWIG (IT/FR/GW, Luchino Visconti, 1973) ; STROHEIN, ERICH VON ; FOOLISH WIVES (US, Erich Von Stroheim, 1922) ; GREED (US, Erich von Stroheim, 1925) ; LANG, FRITZ ; METROPOLIS (G, Fritz Lang, 1926) ; DUEL IN THE SUN (US, King Vidor, 1946) ; CLEOPATRA (US, Joseph L. Mankiewicz, 1963) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; FITZCARRALDO (GW, Werner Herzog, 1982) ; ISHTAR (US, Elaine May, 1987) ; I AM CUBA [SOY CUBA] (CU/UR, Mihail Kalatozov, 1964) Notes: A history and theory of going too far, "Film Follies" examines those rare pictures that are both cinematic landmarks and monuments to a director's hybris, from Griffith's "Intolerance" through to Coppola's "Apocalypse Now" and Carax's "Les Amants du Pont-Neuf". Seeming madness and wasteful extravagance, fantastic architecture and the haphazard structure of a musical revue: such are the landmarks of those improbably great (and greatly improbable) films Klawans calls "follies" -- publisher's web siteISBN: 9780304700547
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Film: form and function / by George Wead and George Lellis Boston: Houghton Mifflin Co., 1981.
Call No: 62 WEAAuthor: Lellis, George ; Wead, George Source: USPlace: BostonPublisher: Houghton Mifflin Co.PubDate: 1981PhysDes: x, 502 p. : ill. ; 23 cmSubject: FILMMAKING ; NARRATIVE IN FILMS ; AESTHETICS Notes: Includes bibliographical references and index.ISBN: 0395297400Contents: --chapter 1 introduction: the instrument of communication -- part one the techniques of communication; stylized perceptions-- chapter two: movement -- chapter three: space -- chapter four: continuity -- chapter five: sound -- chapter six: colour -- part two: the hollywood narrative tradition -- chapter seven: hollywood's social aspect -- chapter eight: hollywood's artistic -- chapter nine: the distinctive mode of comedy -- part three: alternatives to the hollywood tradition -- chapter ten: realist cinema -- chapter eleven: persuasive cinema -- chapter twelve: personal cinmea -- chapter thirteen: esthetic cinema -- chapter fourteen: summary: cinema and our sense of balance -- index --
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Film, form, and phantasy : Adrian Stokes and film aesthetics / Michael O'Pray Houndmills, Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2004.
Call No: 626 [159.964.2] OPRAuthor: O'Pray, Michael Source: USPlace: Houndmills, Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2004PhysDes: xiv, 252 p. ; 23 cmSeries: Language, Discourse, SocietySubject: AESTHETICS ; EXPRESSIONISM ; B-MOVIES ; PSYCHOANALYSIS AND THE CINEMA ; MONTAGE ; FORD, JOHN ; HITCHCOCK, ALFRED ; ROSSELLINI, ROBERTO ; ANTONIONI, MICHELANGELO ; DREYER, CARL TH. Summary: The critical writings of Adrian Stokes, based on the psychoanalyst Melanie Klein's innovative theories, were enormously influential on visual art and culture during his lifetime, but have rarely been applied to film. In this first major study of Stokes, his ideas and those of the philosopher Richard Wolheim are considered in relation to two central issues in current film theory - film as representation and as expression. Stokes fundamental distinction between carving and modelling which reflects Klein's own division in mental life between paranoid-schizoid and depressive positions is explored in relation to the traditional division in film theory between montage and realism. At the core of this study is the role of the Kleinian notion of phantasy in understanding film as an art form. To this end, the carving and modelling modes are applied to the films of Ford, Hitchcock, Rossellini, Antonioni, Dreyer, Eisenstein and American B movies. [ Taken from the back of the book.]Notes: Bibliography : p.237-245; Includes indexDonation: donated by Senses of Cinema, 2009
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Film, form & feeling / Dennis DeNitto New York: Harper & Row, c1985.
Call No: 62 DENAuthor: DeNitto, Dennis, Place: New YorkPublisher: Harper & RowPubDate: c1985PhysDes: xv, 544 p. : ill. ; 23 cmSubject: THEORY ; CRITICISM ; EDITING ; HISTORY OF CINEMA ; REALISM IN FILMS ; EXPRESSIONISM ; MONTAGE ; NEOREALISM ; NOUVELLE VAGUE ; COMEDIES ; DOCUMENTARY FILMS ; CINEMA VERITE ; PROPAGANDA FILMS ; WESTERNS ; MUSICALS ; VARIETE (G, E.A. Dupont, 1925) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; PRODUCERS, THE (US, Mel Brooks, 1967) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; BROKEN BLOSSOMS (US, David Wark Griffith, 1919) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; MAN OF ARAN (UK, Robert Flaherty, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; STAGECOACH (US, John Ford, 1939) ; SHANE (US, George Stevens, 1953) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; TOP HAT (US, Mark Sandrich, 1935) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; WEST SIDE STORY (US, Robert Wise, 1961) ; SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956) Notes: Includes indexes; Bibliography: p. 493-503ISBN: 0060416297 (pbk.)Order Received: 2000Order Type: DonationLON: 3664711
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Film genre 2000 : new critical essays / edited by Wheeler Winston Dixon Albany: State University of New York Press, c2000.
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Film genre reader / edited by Barry Keith Grant Austin: University of Texas Press, 1986.
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Film genre reader II / edited by Barry Keith Grant Austin: University of Texas Press, 1995.
Call No: 64GEN FILAuthor: Grant, Barry Keith, 1947 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1995PhysDes: viii, 581 p. : ill. ; 24 cmSubject: GENRES ; WESTERNS ; GANGSTER FILMS ; FILM NOIR ; DISASTER FILMS ; EPIC FILMS ; HORROR FILMS ; MELODRAMA ; COMEDIES ; TRANSVESTISM ; WOMEN IN FILMS ; VIETNAM WAR FILMS ; MUSICALS ; ETHNIC GROUPS IN FILMS ; CANADA ; AUTEUR THEORY ; NARRATIVE IN FILMS ; DETECTIVE FILMS ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HISTORICAL FILMS ; PHILOSOPHY AND THE CINEMA ; PORNOGRAPHY AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; SCIENCE-FICTION FILMS ; SEMIOLOGY ; STRUCTURALISM ; HITCHCOCK, ALFRED ; MICHEAUX, OSCAR ; CRONENBERG, DAVID ; FORD, JOHN ; PENN, ARTHUR ; SIRK, DOUGLAS ; CAVELL, STANLEY ; CHANDLER, RAYMOND ; FRYE, NORTHROP ; MINNELLI, VINCENTE ; TODOROV, TZVETAN ; ZOO LA NUIT, UN (CN, Jean-Cluade Lauzon, 1987) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949) ; YENTL (US, Barbara Streisand, 1983) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; STAGECOACH (US, John Ford, 1939) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THING, THE (US, Christian Nyby, 1951) ; [TWENTY] 20 MILLION MILES TO EARTH (US, Nathan Juran, 1957) ; VICTOR VICTORIA (UK, Blake Edwards, 1982) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; FLY, THE (US, David Cronenberg, 1986) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; CHINATOWN (US, Roman Polanski, 1974) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; CHINATOWN (US, Roman Polanski, 1974) Notes: Includes bibliographical references (p. [495]-559) and indexISBN: 0292727771 (cloth : alk. paper); 029272778X (pbk. : alk. paper)LON: 11563059
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Film Genres in Wide Angle (January 1992) vol.14 iss.1 p.[whole issue]
Author: Hall, Jeanne (ed) PhysDes: ArticleSubject: GENRES ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; FILM NOIR ; FLY, THE (US, Kurt Neumann, 1958) ; TRANSVESTISM ; MELODRAMA ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; HORROR FILM Summary: Wide Angle issue on Genre films. Articles on Film Noir and 'Kiss Me Deadly', 'The Fly', temporary transvestitism in films, melodrama and 'That Hamilton Woman', and feminism and horror film in 'The Night of the Living Dead'.
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Film in Australia : an introduction / Albert Moran and Errol Vieth Port Melbourne: Cambridge University Press, 2006.
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Film in Finland 1986 / Erkki Astala (editor-in-chief) / Taneli Eskola (art director) / Kirsi Tykkylainen (editorial) / Satu Pusa (editorial) Helsinki, Finland: Suomen elokuvasaatio, Finnish Film Foundation, 1986.
Call No: 71(480)FILAuthor: Astala, Erkki CorpAuthor: Suomen elokuvasaatio; Finnish Film FoundationSource: FIPlace: Helsinki, FinlandPublisher: Suomen elokuvasaatio; Finnish Film FoundationPubDate: 1986PhysDes: 55 p. : ill. ; 28 cmSubject: FINLAND ; NATIONAL CULTURE AND THE CINEMA ; TRAVEL IN FILMS ; DONNER, JORN ; ENGSTROM, INGEMO ; HALLSTROM, ARTO AF ; HARTZELL, PAIVI ; HONKASALO, PIRJO ; HUMANLOJA, TIMO ; KASSILA, MATTI ; KAURISMAKI, AKI ; KAURISMAKI, MIKA ; KURKVAARA, MAUNU ; KYRONSEPPA, KARI ; LEHMUSKALLIO, MARKKU ; LEHTINEN, VIRKE ; MANTTARI, ANSSI ; MOLLBERG, RAUNI ; NISKANEN, MIKKO ; NISKANEN, TUIJA-MAIJA ; PAKKASVIRTA, JAAKKO ; PARTANEN, HEIKKI ; PEIPPO, ANTTI ; PYHALA, JAAKKO ; ROSMA, JUHA ; TORHONEN, LAURI ; VAANANEN, KARI ; TUNTEMATON SOTILAS (FI, Rauni Mollberg, 1986) ; SININEN IMETTAJA (FI, Markku Lehmuskallio, 1986) ; FLUCHT IN DEN NORDEN (FI, Ingemo Engstrom, 1986) ; NYKYTAITEEN MUSEO (FI, Antti Peippo, 1986) ; MORENA (FI, Anssi Manttari, 1986) ; YLOSNOUSEMUS (FI, Anssi Manttari, 1985) ; RIISUMINEN (FI, Lauri Torhonen, 1986) ; ROSSO (FI, Mika Kaurismaki, 1985) ; HUOMENNA (FI, Juha Rosma, 1986) ; HARMAGEDON (FI, Juha Rosma, 1986) ; VALKOINEN KAAPIO (FI, Timo Humanloja, 1986) ; DA CAPO (FI, Pirjo Honkasalo, 1985) ; SUURI ILLUSIONI (FI, Tuija-Maija Niskanen, 1985) ; LAULU (FI, Arto af Hallstrom, 1986) ; PERHOSEN UNI (FI, Maunu Kurkvaara, 1986) ; NISKAVUORI (FI, Matti Kassila, 1984) ; CALAMARI UNION (FI, Aki Kaurismaki, 1985) ; PESSI JA ILLUSIA (FI, Heikki Partanen, 1983) ; En SMUTSIG HISTORIA (FI, Jorn Donner, 1984) ; KLAANI TARINA SAMMAKOITTEN SUVUSTA (FI, Mika Kaurismaki, 1984) ; JON - KERTOMUS MAAILMAN LOPUSTA (FI, Jaakko Pyhala, 1983) ; RIKOS JA RANGAISTUS (FI, Aki Kaurismaki, 1983) ; ARVOTTOMAT (FI, Mika Kaurismaki, 1982) ; SKIERRI, VAIVAISKOIVUJEN MAA (FI, Markku Lehmuskallio, 1982) ; RAKKAUSELOKUVA (FI, Anssi Manttari, 1984) ; KUNINGAS JOLLA EI OLLUT SYDANTA (FI, Paivi Hartzell, 1982) ; KOLME MIESTA (FI, Virke Lehtinen, 1984) ; LINNA (FI, Jaakko Pakkasvirta, 1986) ; KUNINGAS LAHTEE RANSKAAN (FI, Anssi Manttari, 1986) ; LUMIKUNINGATAR (FI, Paivi Hartzell, 1986) ; URSULA (FI, Jaakko Pyhala, 1986) ; JAAN KAABTOPIIRI (FI, Lauri Torhonen, 1987) ; VARJOJA PARATIISISSA (FI, Aki Kaurismaki, 1986) ; ELAMAN VONKAMIES (FI, Mikko Niskanen, 1986) ; V.Y. VIHDOINKIN YHDESSA (FI, Kari Kyronseppa, 1986) Notes: Translation: Ukka and Mark ShackletonISBN: 9519349421
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The film in history : restaging the past / Pierre Sorlin Oxford: Blackwell, 1980.
Call No: 45:93 SORAuthor: Sorlin, Pierre Source: UKPlace: OxfordPublisher: BlackwellPubDate: 1980PhysDes: xii, 226 p., [8] p. of plates : ill. ; 22 cmSubject: HISTORY AND THE CINEMA ; GRAND ILLUSION, LA (FR, Jean Renoir, 1937) ; MARSEILLAISE, LA (FR, Jean Renoir, 1938) ; NAPOLEON BONAPARTE (FR, Abel Gance, 1935) ; ALDO'S SAYING (IT, unknown, 1945) ; BRIGAND OF THE WOLF CAVE (IT, Pietro Germi, 1952) ; GIORNI DI GLORIA (IT, Mario Serandrei and Giuseppe de Santis, 1945) ; [EIGHTEEN-SIXTY] 1860 (IT, Alessandro Blasetti, 1933) ; GATTOPARDO, IL (IT/FR, Luchino Visconti, 1962) ; LONG LIVE ITALY (IT, Roberto Rossellini, 1960) ; LOST PATROL, THE (IT, Piero Nelli, 1953) ; CAMICIE ROSSE (IT, Goffredo Alessandrini and Franco Rosi, 1952) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; SUN RISES AGAIN, THE (IT, Aldo Vergano, 1946) ; SENSO (IT, Luchino Visconti, 1954) ; KONETS SANKT-PETERSBURGA (UR, Vsevolod Pudovkin, 1927) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; HORSE SOLDIERS, THE (US, John Ford, 1959) Notes: Historical films,. 1914-1962 - Critical studies (BNB/PRECIS); Bibliography: pF218-221. - Includes indexesISBN: 0631195106LON: 1853214Donation: donated by the family of Wayne Levy, 2006
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Film in society / edited by Arthur Asa Berger New Brunswick, USA: Transaction Books, 1980.
Call No: 67(049.32) BERAuthor: Berger, Arthur Asa Source: USPlace: New Brunswick, USAPublisher: Transaction BooksPubDate: 1980PhysDes: 151 p. : ill. ; 23 cmSubject: CRITICISM ; NASHVILLE (US, Robert Altman, 1975) ; CHINATOWN (US, Roman Polanski, 1974) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; THX 1138 4EB (US, George Lucas, 1967) ; CHARME DISCRET DE LA BOURGEOISIE, LE (FR/SP, Luis Bunuel, 1972) ; AMARCORD (IT/FR, Frederico Fellini, 1973) Summary: "Every important genre found in film has been reviewed during the past fifteen years in Society magazine, as has the art of significant directors and pictures. Many of these reviews, compiled here for the first time, have a societal focus and are concerned with what the films reveal or reflect about the societies in which they were produced. They recognise, however, the aesthetic and social dimensions of film and do not neglect such matters as performance, editing and style. Throughout these reviews are discussions of images, symbolism, techniques employed by directors and genre analyses. This collection explores and is concerned with the sociopolitical and aesthetic impact of this art form and its effect on such topics as socialization, technology, racism, and sexuality. Readers will find reviews by sociologists, psychologists, pyschiatrists, political scientists and others- each offering illuminating insights and revealing analyses of these important films. An introduction by the editor focuses on the different techniques used in analyzing films. Important stills from many of the films are also included. This book will stimulate the scholar, the student, and the layman interested in film and the society behind and reflected in the films. " - BOOK BLURBNotes: Consists of reviews originally published in Society magazine.ISBN: 0878552456Donation: donated by Senses of Cinema, 2010Contents: Berger, A. A. Introduction: Society on film, film in Society.--Coles, R. Hollywood's new social criticism.--Peterson, R. A. Nashville and America in one dimension.--Walling, W. Chinatown.--Silver, I. All in the Mafia family: The Godfather.--Beck, B. The overdeveloped society: THX 1138.--Hecht, C. Total institutions on celluloid: Wiseman Films.--Rubenstein, R. E. Sputtering fires of Black revolution: BURN!--Horowitz, I. L. The discreet charm of the bourgeoisie.--Ledeen, M. A. Amarcord.--Mellen, J. On Lina Wertmuller.--Lewis, G. H. Culture, Kubrick, and Barry Lyndon.--Clavir, J. Black spookery: Blacula, Dracula A.D. 1972.--Slade, J. W. Recent trends in pornographic films.--Shatzkin, R. Disaster epics: cashing in on vicarious experience.--Jowett, G. Bibliography: a selected group of books on film and society (p. 143-151)
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Film in South East Asia : views from the region : - essays on film in 10 South East Asia-Pacific Countries / edited by David Hanan Hanoi: South East Asia-Pacific Audio Visual Archive Association, 2001.
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Film in the aura of art / Dudley Andrew Princeton, N.J.: Princeton University Press, 1984.
Call No: 62 ANDAuthor: Andrew, Dudley, 1945 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1984PhysDes: xiv, 207 p., [17] p. of plates : ill. (some col.) ; 23 cmSubject: Mizoguchi, Kenji ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) ; BROKEN BLOSSOMS (US, David Wark Griffith, 1919) ; ATALANTE, L' (FR, Jean Vigo, 1934) Notes: Includes bibliographical references and indexISBN: 0691065853 : $22.50LON: 84001788; 3055205URL status: URL: 'http://-'
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Film-induced tourism Clevedon: Channel View Publications, 2005.
Call No: 230:33 BEEAuthor: Sue Beeton Place: ClevedonPublisher: Channel View PublicationsPubDate: 2005PhysDes: 270 p. ; 23 cmSeries: Aspects of TourismSubject: TRAVEL IN FILMS ; LOCATION SHOOTING. AUSTRALIA ; LOCATION SHOOTING. USA ; LOCATION SHOOTING. UK ; ADVERTISING FOR FILMS ; NEW ZEALAND ; STUDIOS, FILM. AUSTRALIA Summary: Tourism to places where movies and television series have been filmed is not a new phenomenon, having its roots in literary tourism. Whilst there is a growing recognition of the significance of film as a motivator for tourism, studies in this field are limited. However, film is more than a simple place promotion tool. Representing over five years of study into film-induced tourism, this publication considers aspects of tourism to film studios as well as film sites. Genres and styles of film considered include popular fictional movies, cult movies, television series and animation, and covers destinations form New York to Scotland, England and rural Australia. The potential of film-induced tourism as a motivator is explored, along with more negative effects, particularly in relation to small communities. The study of this complex field draws on elements of sociology and psychology, destination marketing, community development and strategic planning. [Taken from back cover.]ISBN: 1845410149
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The Film Inquiry in Lumiere (December, 1972) iss.19 p.26-30
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Der Film Lateinamerikas : eine dokumentation. Retrospektive zur XXIX. / Internationale Filmwoche Manheim Internationale Filmwoche Manheim, 1980.
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Film/literature/heritage : a sight and sound reader / edited by Ginette Vincendeau London: British Film Institute, 2001.
Call No: 753 FILAuthor: Vincendeau, Ginette, 1948 CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 284p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. JAMES, HENRY ; ADAPTATIONS. LEONARD, ELMORE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. THOMPSON, JIM ; HISTORICAL FILMS ; LITERATURE AND THE CINEMA ; ARMSTRONG, GILLIAN ; BASS, RON ; TARANTINO, QUENTIN ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; AMERICAN PSYCHO (US, Mary Harron, 1999) ; BEACH, THE (US, Danny Boyle, 1999) ; BELLE EPOQUE (SP/PO/FR, Fernando Trueba, 1992) ; BOSSU, LE (FR/IT/GG, Philippe de Broca, 1997) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; CARRINGTON (UK/FR, Christopher Hampton, 1995) ; COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992) ; CRASH (CN, David Cronenberg, 1996) ; CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; EDWARD II (UK, Derek Jarman, 1991) ; ELIZABETH (UK, Shekhar Kapur, 1998) ; END OF THE AFFAIR, THE (UK, Neil Jordan, 1999) ; GERMINAL (FR, Claude Berri, 1993) ; GRIFTERS, THE (US, Stephen Frears, 1990) ; HOWARDS END (UK, James Ivory, 1992) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LOLITA (US, Adrian Lyne, 1997) ; MADAME BOVARY (FR, Claude Chabrol, 1991) ; MADNESS OF KING GEORGE, THE (US, Nicholas Hytner, 1994) ; MAESTRO DE ESGRIMA, EL (SP, Pedro Olea, 1992) ; MANSFIELD PARK (UK/US, Patricia Rozema, 1999) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; MASK OF ZORRO (US, Martin Campbell, 1998) ; MISERABLES, LES (FR, Claude Lelouch, 1995) ; MRS BROWN (UK, John Madden, 1997) ; MRS DALLOWAY (US, Marleen Gorris, 1997) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991) ; REINE MARGOT, LA (FR/GG/IT, Patrice Chereau, 1994) ; REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993) ; RIDICULE (FR, Patrice Leconte, 1996) ; SECRET GARDEN, THE (US, Agnieszka Holland, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAKESPEARE IN LOVE (UK, John Madden, 1998) ; SHORT CUTS (US, Robert Altman, 1993) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; TEA WITH MUSSOLINI (IT, Franco Zeffirelli, 1997) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; THREE MUSKETEERS, THE (US, Stephen Herek, 1993) ; TITUS (US, Julie Taymor, 1999) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Summary: "Period costume dramas are major box office commodities, exploiting the lucrative gap between the blockbuster and art film with their mixture of rich visuals, popular sensibility and literary association. But 'heritage cinema' is all too often discussed from literary (not cinematic) perspectives, and criticism of the films has long been overshadowed by the question of a film's fidelity to the original text. This volume of essays, reviews, and interviews seeks to redress this imbalance, by examining the often antagonistic relationship between literature and film - presenting both sides of the argument about whether heritage cinema's elaborate aesthetics owe more to nostalgia than to historical accuracy. In her challenging introduction to the volume, Ginette Vincendeau sketches the terms of the debate, arguing that the genre is an important, but often critically neglected, form of popular cinema. Film/Literature/Heritage, the latest in a series of 'Sight and Sound Readers', embraces a wide range of literary adaptation, from William Shakespeare to William Burroughs, covering films from Orlando to LA Confidential, and directors from Martin Scorcese to Peter Greenaway." - BOOK BLURBISBN: 0851708420; 0851708412(pbk.) : ¦13.99LON: 22285912
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Film marketing into the twenty-first century / by Nolwenn Mingant, Cecilia Tirtaine, Joel Augros London: BFI book published by Palgrave, 2015.
Call No: 33 MINAuthor: Mingant, Nolwenn ; Tirtaine, Cecilia ; Augros, Joel Source: UKPlace: LondonPublisher: BFI book published by PalgravePubDate: 2015PhysDes: xii, 200 pages : illustrations ; 24 cmSubject: ADVERTISING FOR FILMS ; ADVERTISING ; DIGITAL TECHNOLOGY ; TRANSNATIONAL CINEMA ; DISTRIBUTION ; INTERNET AND THE CINEMA ; COMPUTERS AND THE CINEMA ; MY BIG FAT GREEK WEDDING (US, Joel Zwick, 2002) ; MY LIFE IN RUINS (US, Donald Petrie, 2009) ; ICE AGE (US, Chris Wedge & Carlos Saldanha, 2002) ; ICE AGE: CONTINENTAL DRIFT (US, Steve Martino/Michael Thurmeier, 2012) ; HOBBIT, THE: AN UNEXPECTED JOURNEY (US/NZ, Peter Jackson, 2012) ; HOBBIT, THE: THE DESOLATION OF SMAUG (US/NZ, Peter Jackson, 2013) ; HOBBIT, THE: THE BATTLE OF THE FIVE ARMIES (US/NZ , Peter Jackson, 2014) ; BAIT (AT, Kimble Rendall, 2012) ; AVATAR (US, James Cameron, 2009) Summary: "How do you sell English humour to a French audience? Could piracy actually be good for the film business? Why are the revolutionary technologies used in the making of The Hobbit not mentioned in some adverts? Exploring these questions and many more, Film Marketing into the Twenty-First Century draws on insights from renowned film scholars and leading industry professionals to chart the evolution of modern film marketing.
The first part of the book focuses on geographical considerations, showing how marketers have to adapt their strategies locally as films travel across borders. The second covers new marketing possibilities offered by the Internet, as Vine, Facebook and other participative websites open new venues for big distributors and independents alike. Straddling practical and theoretical concerns and including case studies that take us from Nollywood to Peru, this book provides an accessible introduction to the key issues at stake for film marketing in a global era." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9781844578382Contents: -- acknowledgments -- notes on contributors -- foreword / Janet Wasko -- 1: introduction / Nolwenn Mingant, Cecilia Tirtaine and Joel Augros -- `My job is to find the right signals at the right moment for the right people' an interview with Benoit Mely / Laurent Creton and Nolwenn Mingant -- I.MARKETING AND FILM CULTURE -- `There simply Isn't one-shape-fits-all for film' an interview with Michael Williams-Jones / Nolwenn Mingant -- And Tom Cruise Climbed the Burj Khalifa, or How Marketing Shapes Hollywood Film Production / Nolwenn Mingant -- `My Big Fat Life in Ruins' Marketing Greekness and the Contemporary US Independent Film / Yannis Tzioumakis and Lydia Papadimitriou -- Carry On Laughing Selling English Humour in France / Cecilia Tirtaine and Joel Augros -- Hearing Voices Dubbing and Marketing in the Ice Age Series A case study / Nolwenn Mingant -- Hollywood in China Continuities and Disjunctures in Film Marketing / Michael Curtin, Wesley Jacks and Yongli Li -- Film Marketing in Nollywood A case study / Alessandro Jedlowski -- Marketing High Frame Rate in The Hobbit Trilogy A Spectacular Case of Promoting and Un-promoting New Cinema Technology / Miriam Ross -- Niche Marketing in Peru An Interview / Nolwenn Mingant -- II.MARKETING FOR AND BY THE CONSUMER -- Leaked Information and Rumours The Buzz Effect A case study / Joel Augros -- Brave New Films, Brave New Ways The Internet and the Future of Low- to No Budget Film Distribution and Marketing / Hayley Trowbridge -- Between Storytelling and Marketing, the SocialSamba Model An Interview with Aaron Williams / Nolwenn Mingant -- Promoting in Six Seconds New Advertising Strategies Using the Video Social Network Vine in Spain A case study / Javier Lozano Delmar and Jose Antonio Muniz-Velazquez -- Piracy and Promotion Understanding the Double-edged Power of Crowds / Ramon Lobato -- Marketing Bait (2012) Using SMART Data to Identify e-guanxi Among China's `Internet Aborigines' / Brian Yecies, Jie Yang, Matthew Berryman and Kai Soh -- From Marketing to Performing the Market The Emerging Role of Digital Data in the Independent Film Business / Michael Franklin, Dimitrinka Stoyanova Russell and Barbara Townley -- POSTSCRIPT: THE INVISIBLE SIDE OF BUSINESS: B-TO-B MARKETING -- marketing the `Avatar Revolution', or How to Sell Digital Technology to Exhibitors / Kira Kitsopanidou -- `It's Africa. It's Arizona. It's Antarctica. It's Afghanistan. Actually, it's Alberta' Marketing Locations to Film Producers / Ben Goldsmith -- select bibliography -- index --
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Film narrative in VCE Media in Metro Education (2000) iss.13 p.37-38
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Film noir production : the whodunit of the classic American mystery film / David Landau New York: Routledge, 2017.
Call No: 734.1 LANAuthor: Landau, David Source: USPlace: New YorkPublisher: RoutledgePubDate: 2017PhysDes: xi, 170 pages : illustrations ; 20 cmSubject: FILM NOIR ; NEO-NOIR ; PRODUCTION ; STUDIO SYSTEM ; CRIME IN FILMS ; GANGSTER FILMS ; DETECTIVE FILMS ; FEMME FATALE Summary: "Film Noir Production...is a book for those who like a good character-driven story -- and the noir films always deliver. The book contains behind-the-scenes tales of the productions of hard-boiled film classics and the prime players involved in their creation, from Darryl Zanuck and Raymond Chandler to John Seitz and Billy Wilder." -- BOOK BLURBNotes: Includes bibliographical references, appendices and indexISBN: 9781138201484Donation: donated by Senses of CinemaContents: Noir Comes to Light (The Maltese Falcon) -- The Noir Hero (Murder my sweet) -- The Noir Anti-Hero (This Gun for Hire) -- The Femmes of Noir: They Aren't Always Fatale (Double Indemnity) -- Directors and Studios: A Noir Relationship (Laura) -- The Noir Cast (The Big Sleep) -- Noir Themes (Macao) -- Noir Style; Music, Costumes and Art Direction (My Favorite Brunette) -- Noir Imagery: Lighting and Cinematography (The Big Combo) -- Noir Speak: Dialog & First Person Narrative (Kiss Kiss Bang Bang) -- Noir's Rebirth & Neo Noir (House of Games) -- Cross Genre Noir & Noir Influence (Brick)
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Film noir reader / edited by Alain Silver and James Ursini New York: Limelight Editions, 1996.
Call No: 734 FILAuthor: Silver, Alain, 1947 ; Ursini, James Edition: 1st Limelight edPlace: New YorkPublisher: Limelight EditionsPubDate: 1996PhysDes: x, 343 p. : ill. ; 23 cmSubject: FILM NOIR ; FEMME FATALE ; MANN, ANTHONY ; ANGEL FACE (US, Otto Preminger, 1952) ; KILLERS, THE (US, Robert Siodmak, 1946) ; PHANTOM LADY (US, Robert Siodmak, 1944) ; NIGHT AND THE CITY (US, Jules Dassin, 1950) ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; HICKEY AND BOGGS (US, Robert Culp, 1972) Notes: Includes bibliographical references; Film noirISBN: 0879101970LON: 12195770
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Film on 4 [four] : Bad Hats (L'Amour fugitif) in NFT (October/November 1983) p.8-12
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Film on the left : American documentary film from 1931 to 1942 / William Alexander Princeton, N.J.: Princeton University Press, c1981.
Call No: 761(73) ALEAuthor: Alexander, William, 1938 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: c1981PhysDes: xviii, 355 p., [6] leaves of plates : ill. ; 24 cmSubject: DOCUMENTARY FILMS. USA ; FASCISM AND THE CINEMA ; WORKER'S FILM & PHOTO LEAGUE ; WORLD WAR II AND THE CINEMA ; VAN DYKE, WILLARD ; IVENS, JORIS ; LORENTZ, PARE ; KLINE, HERBERT ; NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942) Notes: Includes index; Bibliography: p. [327]-340ISBN: 0691046786 : $27.50; 0691101116 (lim. print. ed.) : $12.50LON: 1856120URL status: URL: 'http://-'
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Film out of bounds : essays and interviews on non-mainstream cinema worldwide / edited by Matthew Edwards Jefferson, North Carolina, and London: McFarland & Company Inc, 2007.
Call No: 722.731 FILSource: US/UKPlace: Jefferson, North Carolina, and LondonPublisher: McFarland & Company IncPubDate: 2007PhysDes: viii, 255 p. : ill. ; 23 cmSubject: NORTH KOREA ; PORNOGRAPHIC FILMS. JAPAN ; ARGENTO, DARIO ; THRILLERS. SPAIN ; HILLS, PAUL ; JORDAN, NEIL ; LEWIS, HERSCHELL GORDON ; MADDIN, GUY ; MULLOY, PHIL ; SATSUMA, KENPACHIRO ; TOMASELLI, DANTE ; BARAKU EMPERORU (JA, Mitsuo Yanagimachi, 1976) ; GODSPEED YOU! BLACK EMPEROR (JA, Mitsuo Yanagimachi, 1976) ; THUNDERCRACK (US, Curt McDowell, 1976) ISBN: 9780786429707Donation: donated by Senses of Cinema, 2010Contents: "Don't stray from the path" : sexuality, dreams and eroticism in Neil Jordan's The company of wolves / Matthew Edwards -- In the company of the wolf : an interview with Neil Jordan / Matthew Edwards -- Close to the bone : an interview with Paul Hills / Matthew Edwards -- The 2001st maniac : an interview with Herschell Gordon Lewis / Matthew Edwards -- Inside pink / Jasper Sharp -- Thundercrack! and a brief overview and appreciation of the golden age of porn / Mark Edwards -- An interview with Melinda McDowell / Mark Edwards -- Animating the extreme : the animation of Phil Mulloy / Matthew Edwards -- Between the frames : an interview with Phil Mulloy / Matthew Edwards -- Writing argento / Maitland McDonagh -- Requiems for abandoned souls : the new wave of Spanish mystery thrillers / Marcus Stiglegger -- The new throwback : the films of Dante Tomaselli / Matthew Edwards -- Godspeed you! black emperor and the Japanese underground biker phenomenon / Matthew Edwards -- A permanent state of war : a short history of North Korean cinema / Johannes Scho¨nherr -- Godzilla goes to North Korea : an interview with Kenpachiro Satsuma / Johannes Scho¨nherr -- The Winnipeg wonder : an interview with Guy Maddin / Matthew Edwards
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Film policy : an Australian reader / edited by Albert Moran [Queensland], Australia: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith University, 1994.
Call No: 205.1(94) FILAuthor: Moran, Albert CorpAuthor: Griffith University. Institute for Cultural Policy Studies; Film Policy Conference (1991 : Griffith University)Place: [Queensland], AustraliaPublisher: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith UniversityPubDate: 1994PhysDes: iii, 193 p. ; 30 cmSeries: Special publication of the Institute for Cultural Policy Studies, Faculty of Humanities, Griffith UniversitySubject: STATE AND THE CINEMA. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. UK ; INDUSTRY, FILM. NEW ZEALAND ; INDUSTRY, TV. AUSTRALIA ; QUOTA. AUSTRALIA ; NATIONAL CONTENT. AUSTRALIA ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND TV ; MAORI CINEMA ; ADVERTISING FOR FILMS. AUSTRALIA ; INDEPENDENT PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES ; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND ; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA ; NEW SOUTH WALES FILM AND TELEVISION OFFICE ; QUEENSLAND FILM DEVELOPMENT OFFICE Notes: "These papers were originally presented at the Film Policy Conference hosted by the Institute for Cultural Policy Studies at Griffith University in Brisbane in 1991"--Cover p. [4]; Includes bibliographical referencesISBN: 0868575453LON: 9849431
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Film & politics in the Third World / edited by John D.H. Downing Brooklyn, NY, USA: Autonomedia, 1987.
Call No: 71(-77) FILAuthor: Downing, John D. H Place: Brooklyn, NY, USAPublisher: AutonomediaPubDate: 1987PhysDes: 317 pSubject: THIRD WORLD ; POLITICS AND THE CINEMA ; AFRICAN COUNTRIES ; MOROCCO ; TURKEY ; IRAN ; INDIA ; CITY OF SADNESS, A [ ; PHILIPPINES ; CHILE ; BRAZIL ; CUBA ; NATIVE AMERICAN CINEMA ; SEMBENE, OUSMANE ; XIE, JIN ; SANJINES, JORGE ; ALEA, TOMAS GUTIERREZ ; CEDDO (SG, Ousmane Sembene, 1977) Notes: Includes bibliographical referencesISBN: 0936756314LON: 6649099
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Film propaganda : Soviet Russia and Nazi Germany / Richard Taylor London: Croom Helm, 1979.
Call No: 411.1 TAYAuthor: Taylor, Richard, 1946- Source: UKPlace: LondonPublisher: Croom HelmPubDate: 1979PhysDes: 265 pages , plates : illustrations, portaits : 23 cmSubject: PROPAGANDA FILMS. USSR ; PROPAGANDA FILMS. GERMANY ; NAZIS IN FILMS ; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) Summary: "Lenin, Stalin, Trotsky, Hitler and Goebbels shared a common interest in film: they all regarded the cinema as the most important weapon at their dispodal for mass polical propaganda. This book examins the methods that they used and suggests some tentative lessons that we may draw from their experience" -- taken from inside sleeveNotes: Index ; Bibliography: p. 238-257ISBN: 0856640999Donation: Henry Mayer CollectionContents: Acknowledgements -- Note -- Part One: Introduction -- Preface -- Propaganda and Film -- Part Two: Soviet Russia -- Russia: The Historical Background -- Russa: The Needs of Revolution -- Russia: Themes and Variations -- Mother -- October -- Three Songs of Lenin -- Alexander Nevsky -- Part Three: Nazi Germany -- Germany: The Historical Background -- Germany: The Needs of Revolution -- Germany: Themes and Variations -- Triumph of the Will -- The Wandering Jew -- Uncle Kruger -- Kolberg -- Conclusions -- Filmography -- Bibliography -- Conclusions
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Film reviews in Sequential (Summer 1989) iss.1 p.26-32
PhysDes: ArticleSubject: INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988) ; JOE LEAHY'S NEIGHBOURS (AT, Robin Anderson & Bob Connolly, 1989) ; BODYWORK (AT, David Caesar, 1989) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; MULL (AT, Don McLennan, 1988) ; SWEETIE (AT, Jane Campion, 1989) ; SPIRITS OF THE AIR, GREMLINS OF THE CLOUDS (AT, Alex Proyas, 1988) ; DEAD CALM (AT, Phillip Noyce, 1989) Summary: Review, credits and images of Australian releases
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Film Score Monthly Culver City, CA: Vineyard Haven LLC, 1993.
Call No: Incomplete v. 3 , no. 4 onwards.; v.3, no's 4&10; v. 4, no's 4-7, 10; v. 5, no's 1, 3-9/10; v. 6, No's 1-2, 5-10; v. 7, No's 1, 7-9; V. 8, No's 1-10
v. 9, No's 1, 3-10
v. 10, no's 1, 3-6 (final) became solely online pub; -- IN STORAGE. OVERNIGHT RETRIEVALSource: USPlace: Culver City, CAPublisher: Vineyard Haven LLCPubDate: 1993Subject: MUSIC AND THE CINEMA ; MUSIC FOR ANIMATED FILMS ; MUSIC FOR SILENT FILMS ; MUSIC, FILM ; COMPOSERS ; SOUND TRACKS ISSN: 10774289Order Notes: Current
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Film Society 98 : permanent collection sound features / featurettes catalogue / New Zealand Federation of Film Societies Wellington, New Zealand: New Zealand Federation of Film Societies, [1998?].
Call No: REFERENCE SECTION; 027(931) LANCorpAuthor: New Zealand Federation of Film SocietiesSource: NZPlace: Wellington, New ZealandPublisher: New Zealand Federation of Film SocietiesPubDate: [1998?]PhysDes: 1 v.Subject: NEW ZEALAND ; DISTRIBUTION. NEW ZEALAND ; SOCIETIES, FILM Notes: Catalogue for NZFFS' permanent collection of films. Includes features introductions and filmographies of filmmakers.
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Film, television, and stage music on phonograph records : a discography / by Steve Harris Jefferson, NC: McFarland & Company Inc., 1988.
Call No: (019)098.2 HARAuthor: Harris, Steve Source: USPlace: Jefferson, NCPublisher: McFarland & Company Inc.PubDate: 1988PhysDes: ix, 445 p. ; 24 cmSubject: MUSIC IN FILMS Summary: A catalog of recorded music from film, television, and stage productions in the United States and the United Kingdom.ISBN: 0899502512
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Film theory : an introduction / Robert Lapsley and Michael Westlake Manchester, UK New York: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press, 1988.
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Film Theory : an introduction / by Robert Stam Malden, MA ; Oxford: Blackwell Publishing, 2000. Available at ProQuest (RMIT login required)
Call No: 62 STAAuthor: Stam, Robert Source: US/UK/ATPlace: Malden, MA ; OxfordPublisher: Blackwell PublishingPubDate: 2000PhysDes: x, 381 pages ; 23 cmSubject: FILM ; THEORY ; AUTEUR THEORY ; FORMALISM ; MOVEMENTS AND STYLES IN FILM HISTORY ; MOVEMENTS IN FILM HISTORY ; STRUCTURALISM ; REALISM IN FILMS ; POSTMODERNISM AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; RACIAL ISSUES AND THE CINEMA ; POSTCOLONIALISM AND THE CINEMA ; PHILOSOPHY AND THE CINEMA Summary: " Film Theory: An Introduction offers a comprehensive history of film theory during the "century of cinema." The book moves all the way from silent-era theorists like Vachel Lindsay and Hugo Munsterberg through to the latest developments in film theory and cultural studies (cognitive theory, Deleuze, queer theory, postcolonial theory, digital theory), international in scope, the volume ranges over developments in such countries as France, Germany, Russia, Italy, Great Britain, the United States, Mexico, Brazil and Argentina, trying always to stress the links between these developments. The book also contextualizes film theory within larger historical and philosophical currents.Written in sophisticated yet accessible language, Film Theory: An Introduction provides a lucid and coherent introduction to a rich and variegated field. " -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9780631206545Contents: -- preface -- introduction -- The antecedents of film theory -- Film and film theory : the beginnings -- Early silent film theory -- The essence of cinema -- The Soviet montage-theorists -- Russian formalism and the Bakhtin School -- The historical avant-gardes -- The debate after sound -- The Frankfurt School -- The phenomenology of realism -- The cult of the auteur -- The Americanization of auteur theory -- Third world film and theory -- The advent of structuralism -- The question of film language -- Cinematic specificity revisited -- Interrogating authorship and genre -- 1968 and the leftist turn -- The classic realist text -- The presence of Brecht -- The politics of reflexitivity -- The search for alternative aesthetics -- From linguistics to psychoanalysis -- From feminist intervention -- The postsructuralist mutation -- Textual analysis -- Interpretation and its discontents -- From text to intertext -- The amplification of sound -- The rise of cultural studies -- The birth of the spectator -- Cognitive and analytic theory -- Semiotics revisited -- Just in time : the impact of Deleuze -- The coming out of queer theory -- Multiculturalism, race, and representation -- Third cinema revisited -- Film and the postcolonial -- The poetics and politics of postmodernism -- The social valence of mass-culture -- Post-cinema : digital theory and the new media -- The pluralization of film theory -- notes -- select bibliography -- index --
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Film theory : the basics / Kevin McDonald Abingdon, Oxon.: Routledge, 2016.
Call No: 62 MCDAuthor: McDonald, Kevin Edition: 2016Place: Abingdon, Oxon.Publisher: RoutledgePubDate: 2016PhysDes: x, 196 pages ; 21 cmSeries: The BasicsSubject: THEORY ; ALTHUSSER, LOUIS ; AVANT-GARDE FILMS ; BAZIN, ANDRE ; BENJAMIN, WALTER ; CAHIERS DU CINEMA ; COMOLLI, JEAN-LOUIS ; MULVEY, LAURA ; VERTOV, DZIGA ; WOLLEN, PETER ISBN: 9781138797345Donation: Adrian Miles
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Film tricks : special effects in the movies / Harold Schechter and David Everitt New York: Harlin Quist, 1980.
Call No: 236 SCHAuthor: Schechter, Harold ; Everitt, David Source: USPlace: New YorkPublisher: Harlin QuistPubDate: 1980PhysDes: 218 p. : ill. ; 28 cmSubject: SPECIAL EFFECTS ; MOTION CONTROL ; ANIMATION Summary: A history and examination of special effects used in movies that includes descriptions of how special effects are achievedISBN: 082522599XDonation: donated by the family of Wayne Levy, 2006
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A film trilogy : Through a glass darkly, The communicants (Winter light), The silence / translated from the Swedish by Paul Britten Austin London: Calder & Boyars, 1967.
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The film yearbook 1985 / edited by Al Clark South Yarra, Vic: Currey O'Neil Ross, 1984.
Call No: 058 FIL "1985"Author: Clark, Al Source: ATPlace: South Yarra, VicPublisher: Currey O'Neil RossPubDate: 1984PhysDes: 208 p.: ill. ; 28 cmSubject: HARGREAVES, JOHN ; HUGHES, WENDY ; SHEPARD, SAM ; CRUISE, TOM ; WOODS, JAMES ; QUAID, DENNIS ; EVERETT, RUPERT ; BEDELIA, BONNIE ; CONTI, TOM ; LITHGOW, JOHN ; HAZLEHURST, NONI ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983) ; SUR, EL (SP/FR, Victor Erice, 1983) ; SILKWOOD (US, Mike Nichols, 1983) ; OSTERMAN WEEKEND, THE (US, Sam Peckinpah, 1983) ; TRADING PLACES (US, John Landis, 1983) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; SPLASH (US, Ron Howard, 1984) ; RIGHT STUFF, THE (US, Philip Kaufman, 1983) ; STRANGERS KISS (US, Matthew Chapman, 1983) ; STAYING ALIVE (US, Sylvester Stallone, 1983) ; TOY, THE (US, Richard Donner, 1982) ; KRULL (UK, Peter Yates, 1983) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; HONORARY CONSUL, THE (US, John MacKenzie, 1983) ; BRAINSTORM (US, Douglas Trumbull, 1983) ; AGAINST ALL ODDS (US, Taylor Hackford, 1984) ; BREATHLESS (US, Jim McBride, 1983)
LUNE DANS LA CANIVEAU, LA ; YENTL (US, Barbara Streisand, 1983) ; FOOTLOOSE (US, Herbert Ross, 1984) ; MOON IN THE GUTTER, THE (FR/IT, Jean-Jacques Beineix, 1983)
SEE ; GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES (US/UK, Hugh Hudson, 1984) ; PHAR LAP (AT, Simon Wincer, 1983) ; RAZORBACK (AT, Russell Mulcahy, 1984) Summary: The film yearbook contains stills, credits and reviews of all films released betweenJuly 1983 and July1984. In-depth features by the world's leading film critics on the movies they've enjoyed most, the ones they've liked least and the newcomers they think will succeed. Reports from around the world. Articles about the film industry. Quotes of the year. Awards list, box-office charts, reference section... and even more than before. Taken from back cover of the book.Notes: On cover: with special Australian sectionISBN: 0859021548Language: EnglishDonation: donated by the family of Wayne Levy, 2006
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Filming Batavia in Lumiere (March, 1973) iss.21 p.16-19
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Filming feminist frontiers/frontier feminisms 1979-1993 / Kathleen Cummins Toronto, Ontario: York University, [2014].
Call No: 626[396] CUMAuthor: Cummins, Kathleen Source: CNPlace: Toronto, OntarioPublisher: York UniversityPubDate: [2014]PhysDes: 344 pages : illustrations ; 30 cmSubject: FEMINISM AND THE CINEMA ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; BEDEVIL (AT, Tracey Moffat, 1993) ; MY AMERICAN COUSIN (US, Sandy Wilson, 1985) ; LOYALTIES (CN, Anne Wheeler, 1986) ; PIANO, THE (AT, Jane Campion, 1993) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; THOUSAND PIECES OF GOLD (US/UK, Nancu Kelly, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) Summary: "A dissertation submitted to the faculty of graduate studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy." - taken from title page.Notes: Bibliography: pages 330-344.Contents: Introduction: Filming Feminist Frontiers/Frontier Feminisms (1979-1993) -- Why These Ten Films? -- Secondary Literature on Films -- Methodology -- Chapter 1: Women's Storytelling: Narrative, Genre and Voice -- Women's Storytelling and Feminism -- Genre: An Overview -- Conclusion -- Chapter 2 - Filming Homes on the Range: Revisioning Melodrama, the Western and Horror -- Revisioning and Deconstructing Frontier Stories -- The Decolonizing Frontier Films -- The Revisionist Frontier Films -- Revisioning the Myth of the Frontier Through a Decolonizing Lens: White Complicity -- Conclusion -- Chapter 3: Filming Frontier Spaces Through the Lens of Motherhood -- The Motherhood Debates -- Frontier Narratives Through a Maternal Gaze -- The Anti-Racist/Colonial Motherhood Narrative: Subaltern Mothers Saving the Threatened Subaltern Family/Community -- The Anti-Patriarchal Maternal Narratives -- Conclusion -- Chapter 4: Filming "Women's Work" in Gendered Frontier Economies -- Feminist Scholarship on Women's Work and Gendered Economies -- The White Settler Household Narrative -- The Wage Labour Narrative -- Subaltern Settlement Narrative -- Conclusion -- Chapter 5: Filming Female Sexuality in a "Women-less Milieu": Through Her Desiring Gaze -- Feminist Scholarship on Sexuality and Desire -- Frontier Sexuality and Desire Narratives -- Conclusion -- Conclusion: Filming Feminist Frontiers/Frontier Feminisms -- Recommendations for Future Research -- Notes
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Filming the modern Middle East : politics in the cinemas of Hollywood and the Arab world London ; New York: I.B. Tauris ; New York : Distributed in the USA by Palgrave Macmillan, 2006.
Call No: 71(53) KHAAuthor: Khatib, Lina Source: UKPlace: London ; New YorkPublisher: I.B. Tauris ; New York : Distributed in the USA by Palgrave MacmillanPubDate: 2006PhysDes: viii, 242 p. : ill. ; 24 cmSubject: ARAB COUNTRIES ; MIDDLE EASTERN COUNTRIES ; MIDDLE EASTERN COUNTRIES IN FILMS ; WORLD CINEMA ; POLITICAL FILMS ; POLITICS AND THE CINEMA ; POLITICS IN FILMS ; TERRORISM AND THE CINEMA ; RELIGION IN FILMS Summary: "Today the world's media have a pressing need to understand and interpret the modern Middle East. In this timely book, Lina Khatib examines how contemporary American cinema and the cinemas of the Arab world contribute to this global preoccupation in their representations of Middle Eastern politics. This examination of Hollywood as the dominant Western interpreter of the Arab World also views the Arab world in terms of how it perceives itself and others through its films." -- BOOK BLURBNotes: Includes bibliographic references and index; Includes filmographyISBN: 9781845111915Contents: Introduction: Orientalism and the Cinematic Middle East --; Chapter I: The Politicized Landscape -- Why space matters -- Hollywood's spatial political stage -- The spatial contradictions of Arab cinemas -- Conclusion --; Chapter II: Gendered Tools of Nationalism -- The changing face of the American male/nation -- The female nations of Arab cinema -- Conclusion --; Chapter III: Conflicts Within and Without: The Arab-Israeli Conflict (and the Gulf War) -- Hollywood's America: world police -- Arab cinemas: nostalgia and resistence -- Conclusion --; Chapter IV: From the Other Outside to the Other Within: Representing Islamic Fundementalism -- Why fundamentalism matters -- Hollywood's fundamentalist terrorists -- Islamic fundamentalism in Egyptian and Algerian cinemas: the Other within -- Conclusion; Epilogue: On Difference, Resistance, and Nationalism -- On difference -- On resistance -- On nationalism -- Beyond the East/West divide
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journal article
Filmmaker in Lumiere (September, 1973) iss.27 p.30
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Filmmakers latch onto music to trap the youth market in Australian film review (Nov 10-23 1983) vol.1 iss.20 p.18
Author: Roberts, Margaret PhysDes: ArticleSubject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984) ; STREET HERO (AT, Michael Pattinson, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; ONE NIGHT STAND (AT, John Duigan, 1984) ; FAST TALKING (AT, Ken Cameron, 1984) ; SLIM DUSTY MOVIE, THE (AT, Rob Stewart, 1989) ; J O' K - THE WILD ONE [TV] (AT, Glenn A. Baker, 1984) ; MUSIC IN FILMS. AUSTRALIA Summary: Write up on the trend for Australian feature films in 1984 to place a high emphasis on music, and also a speight of documentary-style films on music making.
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Filmmakers on filmmaking : the American Film Institute seminars on motion pictures and television. volume 1 / edited by Joseph McBride Los Angeles Boston: J.P. Tarcher Distributed by Houghton Mifflin Co., c1983.
Call No: 802 FIL vol.1Author: McBride, Joseph CorpAuthor: American Film InstituteEdition: 1st edPlace: Los Angeles BostonPublisher: J.P. Tarcher Distributed by Houghton Mifflin Co.PubDate: c1983PhysDes: ports. ; 24 cmSubject: WALLIS, HAL B. ; ZANUCK, RICHARD ; BROWN, DAVID ; BERGMAN, INGMAR ; WILDER, BILLY ; POITIER, SIDNEY ; BALL, LUCILLE ; HOWE, W.J. ; PLATT, POLLY ; BEATTY, WARREN ; BOGDANOVICH, PETER ; SILVER, JOAN MICKLIN ; SPIELBERG, STEVEN ; DIAMOND, I. A. L. ; ROSENMAN, LEONARD ; FIELDS, VERNA ; SYLBERT, ANTHEA ; MENGERS, SUE ; EAST OF EDEN (US, Elia Kazan, 1955) ; JAWS (US, Steven Spielberg, 1975) ; SHAMPOO (US, Hal Ashby, 1975) ; TARGETS (US, Peter Bogdanovich, 1968) Notes: Includes bibliographies and indexesISBN: 0874772664 (v. 1) : $15.95 (per vol.); 0874772672 (v. 2); 0874772494 (pbk. : v. 1) : $7.95 (per vol.); 0874772508 (pbk. : v. 2)LON: 2606290
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Filmmakers on filmmaking : the American Film Institute seminars on motion pictures and television. volume 2 / edited by Joseph McBride Los Angeles Boston: J.P. Tarcher Distributed by Houghton Mifflin Co., c1983.
Call No: 802 FIL vol.2Author: McBride, Joseph CorpAuthor: American Film InstituteEdition: 1st edPlace: Los Angeles BostonPublisher: J.P. Tarcher Distributed by Houghton Mifflin Co.PubDate: c1983PhysDes: ports. ; 24 cmSubject: LEAR, NORMAN ; LEVINE, JOSEPH E. ; RENOIR, JEAN ; TOWNE, ROBERT ; HESTON, CHARLTON ; DAVIS, BETTE ; GOLDSMITH, JERRY ; HEAD, EDITH ; SELZNICK, DAVID O. ; BRAKHAGE, STAN ; DE HAVILLAND, OLIVIA ; MORRISSEY, PAUL ; NICHOLSON, JACK ; POLANSKI, ROMAN ; SCHAFFNER, FRANKLIN J. ; WYLER, WILLIAM ; ALONZO, JOHN ; HORNER, HARRY ; GOOD TIMES (US, William Friedkin, 1967) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; CHINATOWN (US, Roman Polanski, 1974) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; HEIRESS, THE (US, William Wyler, 1949) ; HUSTLER, THE (US, Robert Rossen, 1961) ; TOUCH OF EVIL (US, Orson Welles, 1958) Notes: Includes bibliographies and indexesISBN: 0874772664 (v. 1) : $15.95 (per vol.); 0874772672 (v. 2); 0874772494 (pbk. : v. 1) : $7.95 (per vol.); 0874772508 (pbk. : v. 2)LON: 2606290
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Filmmaking : narrative & structural techniques / Bob Foss Los Angeles Hollywood, CA: Silman-James Press Distributed by Samuel French Trade, 1992.
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Filmmaking by committee : John Lord interviews John B. Murray, co-producer of Libido in Lumiere (May, 1973) iss.23 p.4-7
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Films : a quarterly of discussion and analysis New York: Arno Press, 1968.
Call No: held Vol. 1, no. 1 (Nov. 1939)-v. 1, no. 4 (Winter 1940) - completeSource: USPlace: New YorkPublisher: Arno PressPubDate: 1968Subject: DOCUMENTARY FILMS ; SOUND ; MUSIC IN FILMS ; STATE AND THE CINEMA. USA ; STATE AND THE CINEMA. CANADA ; STATE AND THE CINEMA. BRAZIL ; STATE AND THE CINEMA. MEXICO ; TRADE UNIONS. USA ; POTAMKIN, HARRY ALAN ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; FANTASIA (US, Walt Disney, 1940) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; SHCHORS (UR, Alexander Dovzhenko, 1939) ; CONFESSIONS OF A NAZI SPY (US, Anatole Litvak, 1939) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937) Notes: Reprint. Originally published : New York : Kamin Publishers.
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Films and values / Peter Malone MSC [Melbourne]: Chevalier Press, [1979].
Call No: 412.53 MALAuthor: Malone, Peter Edition: [1979]Place: [Melbourne]Publisher: Chevalier PressPubDate: [1979]PhysDes: 192 pages ; 20 cmSubject: ETHICS IN FILMS ; ETHICS AND THE CINEMA ; POINT BLANK (US, John Boorman, 1967) ; HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; GOODBYE COLUMBUS (US, Larry Peerce, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; M*A*S*H (US, Robert Altman, 1969) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ISBN: 0869400169Donation: SFC LibraryContents: A study of what the author terms high quality entertainment films, which provide some ethical and moral challenges for audiences whilst also being popular. An essay from the author where he examines a number of ideas pertaining to: Christianinty, religion, Athienists, Humanism, and Future Shock preceeds the film reviewsAFIRC Location: Stacks
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Old collection
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Films from The Netherlands Amsterdam: Nederlandse Bioscoopbond,
Call No: REFERENCE SECTION; 023(492) "year" FILCorpAuthor: Nederlandse BioscoopbondPlace: AmsterdamPublisher: Nederlandse BioscoopbondSubject: NETHERLANDS Notes: held 1944/55-73 [incomplete]
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Films from the women's film fund / Women's film fund of the Australian film commission Marrickville, NSW: Southwood Press, 1984.
Call No: 744.7(94) WOMAuthor: Women's film fund of the Australian film commission Source: ATPlace: Marrickville, NSWPublisher: Southwood PressPubDate: 1984PhysDes: 39 pages : illustrations ; 21cm. + bulletin number 1 (1985) and bulletin number 2 (1986)Subject: WOMENS FILM FUND ; AUSTRALIAN FILM COMMISSION. WOMEN'S FILM FUND ; AGE BEFORE BEAUTY (AT, Sarah Gibson, 1980) ; AUSTRALIAN WOMEN COMPOSERS (AT, Adele Sztar, 1983) ; BREAD AND DRIPPING (AT, Wendy Brady & Donna Foster & Margot Nash & Elizabeth Schaffer & Vic Smith, 1982) ; CLIMBERS (AT, Rosalind Gillespie, 1979?) ; CONSOLATION PRIZE (AT, Rivka Hartman, 1979) ; EATING YOUR HEART OUT (AT, Chris Warner, 1984) ; EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984) ; FLAMINGO PARK (AT, Clytie Jessop, 1980) ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982) ; KEEP MOVING (AT,Ronesia Hamilton Metcalfe, 1984) ; MUM'S THE WORD (AT, Carol Kostanish, 1982) ; NED WEATHERED (AT, Lee Whitmore, 1984) ; ON GUARD (AT, Susan Lambert, 1984) ; PINS AND NEEDLES (AT, Barbara A. Chobocky, 1980) ; ROMA (AT, Jane Oehr, 1980) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; TISSUE (AT, Ros Horin, 1982) ; TIGHTROPE WATER (AT, Annie Duncan & Anna Kannava, 1983) ; WOODEN FOREST, THE (AT, Penne West, ?) ; WORKING UP (AT, Chris Warner & Maureen McCarthy, 1979) Summary: "This booklet brings together the titles of completed films now in circulation which have recieved women's film fund funding." -- FROM INTRODUCTIONNotes: There are two copies (second copy in clippings file) -- Includes film indexISBN: 0642959595Language: ENDonation: Megan McMurchyContents: Introduction -- Age Before Beauty -- As a Matter of Fact -- Australian Women Composers -- Awake and Aware -- Bread and Dripping -- Changing Places -- Climers -- Consolation Prize -- Eating Your Heart Out -- Every Day, Every Night -- Flamingo Park -- For Love or Money -- Greetings from Wollongong -- Just Friends -- Keep Moving -- Loyal Tub Thumper -- Mum's the Word -- Ned Wethered -- On Guard -- Pins and Needles -- Roll Call -- Roma - Serious Undertakings -- Small Changes -- Tissue -- Tight Rope Water -- The Wooden Forrest -- Women, Aid and Development -- Working Up -- Directory of Distributers.
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Films in distribution winter '76-77 / Artificial Eye Film Company 1977.
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The films of Audie Murphy / by Bob Larkins [[Melbourne?]: [s.n], 0197-?].
Call No: 81MUR LARAuthor: Larkins, Bob Place: [[Melbourne?]Publisher: [s.n]PubDate: 0197-?]PhysDes: viii, 232 p. : ill. ; 26 cmSubject: MURPHY, AUDIE
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The films of Carl-Theodor Dreyer / David Bordwell Berkley: University of California Press, c1981.
Call No: 81DRE BORAuthor: Bordwell, David Source: USPlace: BerkleyPublisher: University of California PressPubDate: c1981PhysDes: 251 p. : ill., ports. ; 26 cmSubject: DREYER, CARL TH. ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932) ; VREDENS DAG (DK, Carl Th. Dreyer, 1943) ; ORDET (DK, Carl Th. Dreyer, 1955) ; GERTRUD (DK, Carl Theodor Dreyer, 1964) ; AESTHETICS ; STRUCTURALISM ; NARRATIVE IN FILMS Summary: Includes index.
Bibliography: p. 242-248.
Filmography: p. 202-227ISBN: 0520039874Language: English
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journal article
Films of Change in Lumiere (September, 1973) iss.27 p.28-30
Author: Taylor, Barbara PhysDes: ArticleSubject: NATIONAL FILM BOARD OF CANADA ; GOVERNMENT AID Summary: Article on the National Film Board of Canada's 'Challenge for Change' programme. The programme allows for government support for Canadian filmmakers who highlight poverty, and also gives them a viewing platform for their films.
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The films of Claire Denis : intimacy on the border / edited by Marjorie Vecchio ; with a foreword by Wim Wenders New York: I.B. Tauris, 2014.
Call No: 81DEN FILAuthor: Vecchio, Marjorie ; Wenders, Wim Source: USPlace: New YorkPublisher: I.B. TaurisPubDate: 2014PhysDes: xxiii, 237 pages : illustrations ; 24 cmSubject: AESTHETICS ; AFRICA ; ART CINEMA ; CANNIBALISM IN FILMS ; CRITICISM ; DANCE IN FILMS ; DIRECTORS ; DIRECTORS. FRANCE ; FAMILY IN FILMS ; IMPERIALISM AND THE CINEMA ; LANDSCAPES IN FILMS ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; NATIONAL CULTURE AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; TIME IN FILMS ; WORKERS IN FILMS ; WORKING CLASS IN FILMS ; DENIS, CLAIRE ; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988) ; INTRUDER, THE (FR, Claire Denis, 2004)
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INTRUS, L' ; INTRUS, L' (FR, Claire Denis, 2004) ; J'AI PAS SOMMEIL (FR/SZ, Claire Denis, 1994) ; I CAN'T SLEEP (FR/SZ, Claire Denis, 1994) ; NENETTE AND BONI (FR, Claire Denis, 1996)
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NENETTE ET BONI ; NENETTE ET BONI (FR, Claire Denis, 1996) ; BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999) ; FRIDAY NIGHT (FR, Claire Denis, 2002)
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VENDREDI SOIR ; VENDREDI SOIR (FR, Claire Denis, 2002) ; WHITE MATERIAL (FR/CM, Claire Denis, 2009) Summary: "The films of Claire Denis probe the idea of global citizenship and trace the borderlines of family, desire, nationality and power. Her films, including 'Chocolat', 'Beau travail' and 'White Material' explore connections between national experience and individual circumstance, visualising the complications of such dualities. Following a foreword by Wim Wenders, international contributors explore the themes she addresses in her films, such as kinship and landscape, neo-colonialism and New French Extremity. Original interviews with an editor, actor and two composers familiar with Denis's working style and with Denis herself, also reveal fresh facets of this intrepid filmmaker." - BOOK BLURBNotes: Includes list of illustrations, bibliographic references and indexISBN: 9781848859548Contents: --List of illustrations -- Notes on contributors -- Preface -- Foreword: 'Klarchen'
--Part I Interviews -- 'To let the image sing': Conversations with Dickon Hinchliffe and Stuart Staples: Martine Beugnet -- Interview with Nelly Quettier: Kirsten Johnson -- Interview with Alex Descas: Kirsten Johnson -- Interview with Claire Denis: Jean-Luc Nancy --
-- Part II Relations -- La famille Denis: Catherine Wheatley -- Reinventing community, or non-relational relations in Claire Denis's 'I Can't Sleep': Sam Ishii-Gonzales -- Beyond the other: grafting relations in the films of Claire Denis: James S. Williams --
-- Part III Global citizenship -- Beyond postcolonialism? From 'Chocolat' to 'White Material': Cornelia Ruhe -- 'Trouble Every Day: the neo-colonialists bite back: Florence Martin -- Forgiveness and employment: a study of the role of work in the films of Claire Denis: Rafael Ruiz Pleguezuelos -- 'The Intruder' according to Claire Denis: Jean-Luc Nancy --
--Part IV Within film -- Delivering: Claire Denis's opening sequences: Noelle Rouxel-Cubberly -- Rhythms of nationality: Denis and dance: Laura McMahon -- That interrupting feeling: interstitial disjunctions in Claire Denis's 'L'Intrus': Firoza Elavia -- Points of flight, lines of fracture: Claire Denis's uncanny landscape: Henrik Gustafsson -- Arthouse/grindhouse: Claire Denis and the 'New French Extremity': Adam Nayman and Andrew Tracy
--Bibliography -- Index
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Films of commitment : socialist cinema in Eastern Europe / Karoly Nemes ; [translated by AndrGas Boros-Kazai] [Budapest]: Corvina, c1985.
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The films of Elaine May / edited by Alexandra Heller-Nicholas, Dean Brandum Edinburgh: Edinburgh University Press, 2019.
Call No: 81 MAY HELAuthor: Heller-Nicholas, Alexandra ; Brandum, Dean Place: EdinburghPublisher: Edinburgh University PressPubDate: 2019PhysDes: 249 pages, illustrations (black and white) ; 24 cm.Series: ReFocusSubject: MAY, ELAINE ; NEW LEAF, A (US, Elaine May, 1970) ; MIKEY AND NICKY (US, Elaine May, 1976) ; ISHTAR (US, Elaine May, 1987) Notes: Includes indexISBN: 9781474440189Contents: Teenagers on Stage - The Comedy of Elaine May and Mike Nichols, Mark Freeman -- Hollywood Can't Wait: Elaine May and the Delusions of 1970s American Cinema, Maya Montanez Smukler -- Dangerous Business - Elaine May as Existential Improviser, Jake Wilson -- Kneeling on Glass - Elaine May's A New Leaf (1971) as Screwball Black Comedy, Samm Deighan -- "Don't Put A Milky Way in Someone's Mouth When They Don't Want It": A Contemporary Feminist Rereading of Elaine May's The Heartbreak Kid (1972), Clem Bastow -- Mikey and Nicky (1976) -- Elaine May and the Cassavetes Connection, Jeremy Carr -- Cartographies of Catastrophe - Elaine May's Ishtar (1987), Dean Brandum -- In/Significant Gestures - Elaine May, Screen Performance, and Embodied Collaboration, Alexandra Heller-Nicholas -- Otto E. May(zo) - Elaine May's Screenplay of Otto Preminger's Such Good Friends (1971) as Affirmation that Hell is Other People, Paul Jeffery -- Spectral Elaine May - The Later Mike Nichols Collaboratoins and the Myth of the Recluse, Tim O'Farrell -- When in Doubt, Seduce: An Interview with Screenwriter Allie Hagan, Alexandra Heller-Nicholas and Dean Brandum
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The films of Gillian Armstrong / by Felicity Collins St Kilda, Vic.: ATOM, 1999.
Call No: 81ARM COLAuthor: Collins, Felicity CorpAuthor: Australian Teachers of MediaPlace: St Kilda, Vic.Publisher: ATOMPubDate: 1999PhysDes: 98 p. : ill. ; 22 cmSeries: Moving image ; no. 6Subject: ARMSTRONG, GILLIAN ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; MRS SOFFEL (US, Gillian Armstrong, 1984) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; NOT FOURTEEN AGAIN (AT, Gillian Armstrong, 1996) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; STARSTRUCK (AT, Gillian Armstrong, 1982) Notes: Includes bibliographical references (p. 95-98)ISBN: 1876467037LON: 20015377
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The films of Howard Hawks / by Donald C. Willis Metuchen, NJ: Scarecrow Press, 1975.
Call No: 81HAW WILAuthor: Willis, Donald C. Place: Metuchen, NJPublisher: Scarecrow PressPubDate: 1975PhysDes: viii, 235 p. : ill. ; 22 cm.Subject: HAWKS, HOWARD ; BRINGING UP BABY (US, Howard Hawks, 1938) ; HIS GIRL FRIDAY (US, Howard Hawks, 1940) ; I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949) ; MONKEY BUSINESS (US, Howard Hawks, 1952) ; TWENTIETH CENTURY (US, Howard Hawks, 1934) ; BALL OF FIRE (US, Howard Hawks, 1942) ; SONG IS BORN, A (US, Howard Hawks, 1947) ; FIG LEAVES (US, Howard Hawks, 1926) ; MAN'S FAVORITE SPORT? (US, Howard Hawks, 1963) ; RED RIVER (US, Howard Hawks, 1948) ; RIO BRAVO (US, Howard Hawks, 1959) ; RIO LOBO (US, Howard Hawks, 1970) ; EL DORADO (US, Howard Hawks, 1966) ; BIG SKY, THE (US, Howard Hawkes, 1952) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; ONLY ANGELS HAVE WINGS (US, Howard Hawks, 1939) ; CEILING ZERO (US, Howard Hawks, 1936) ; CROWD ROARS, THE (US, Howard Hawks, 1932) ; GIRL IN EVERY PORT, A (US, Howard Hawks, 1928) ; TIGER SHARK (US, Howard Hawks, 1932) ; BARBARY COAST (US, Howard Hawks, 1935) ; COME AND GET IT (US, Howard Hawks and William Wyler, 1936) ; SCARFACE (US, Howard Hawks, 1932) ; GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953) ; CRIMINAL CODE, THE (US, Howard Hawks, 1931) ; LAND OF THE PHARAOHS (US, Howard Hawks, 1955) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; AIR FORCE (US, Howard Hawks, 1943) ; SARGEANT YORK (US, Howard Hawks, 1941) ; ROAD TO GLORY, THE (US, Howard Hawks, 1936) Summary: The films of Howard Hawks are organised by genre and reviewed to give a sense of the director as auteur.Notes: Includes bibliographical references and index.ISBN: 0810808609
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The films of Jean-Luc Godard : seeing the invisible / David Sterritt Cambridge: Cambridge University Press, 1999.
Call No: 81GOD STEAuthor: Sterritt, David Source: UK/USPlace: CambridgePublisher: Cambridge University PressPubDate: 1999PhysDes: xiv, 297 p. : ill. ; 23 cmSeries: Cambridge film classicsSubject: CRITICISM ; AESTHETICS ; NOUVELLE VAGUE ; POSTMODERNISM AND THE CINEMA ; MODERNISM AND THE CINEMA ; GODARD, JEAN-LUC ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; MY LIFE TO LIVE (FR, Jean-Luc Godard, 1962)
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VIVRE SAVIE ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985)
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JE VOUS SALUE MARIE ; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985) ; NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990) Summary: "The films of Jean-Luc Godard examines the work of one of the most versatile and influential filmmakers in the history of cinema. With a career ranging from France's revolutionary New Wave movement in the early 1960s, through a period of drastic political experimentation in the late 1960s and 1970s, to a current introspective period in which he explores issues of spirituality, sexuality, and the aesthetics of sound, image, and montage, Godard's work defies easy categorization. In this study, David Sterritt offers an introductory overview of Godard's work as a filmmaker, critic, and video artist. He then traces Godard's visionary ideas through six of his key films: Breathless, My Life to Live, Weekend, Numero deux, Hail Mary, and Nouvelle Vague. Also included is a concise analysis of his work in video, television, and mixed-media formats. Linking works by Godard to key social and cultural developments, The Films of Jean-Luc Godard explains their importance in modernist and postmodernist art of the last half century. " -- BOOK BLURBNotes: Filmography: p. 281-290
Includes bibliographical references (p. 279-280) and indexISBN: 0521589711Contents: -- list of illustrations -- acknowledgments -- 1. Introduction -- 2. Breathless -- 3. My Life to Live -- 4. Weekend -- 5. Numero deux -- 6. Hail Mary -- 7. Nouvelle Vague -- 8. Video and Television -- notes -- select bibliography -- filmography -- index --
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The films of John Hughes : a history of independent screen production in Australia / by John Cumming St Kilda West, Vic.: Australian Teachers of Media (ATOM), c2014.
Call No: 81HUG CUMAuthor: Cumming, John Source: ATPlace: St Kilda West, Vic.Publisher: Australian Teachers of Media (ATOM)PubDate: c2014PhysDes: 298p. : 24cmSeries: The Moving ImageSubject: PRODUCTION ; HISTORY OF CINEMA. AUSTRALIA ; AUSTRALIA ; HUGHES, JOHN (AT) ; MENACE (AT, John Hughes, 1977) ; NOVEMBER ELEVEN (AT, ?, 1978?) ; FILM WORK (AT, John Hughes, 1981) ; TRAPS (AT, John Hughes, 1985) ; ALL THAT IS SOLID (AT, John Hughes, 19887) ; ONE WAY STREET: FRAGMENTS FOR WALTER BENJAMIN (AT, John Hughes, 1992) ; WHAT I HAVE WRITTEN (AT, John Hughes, 1996) ; ARCHIVE PROJECT THE (AT, John Hughes, 2005) ; INDONESIA CALLING : JORIS IVENS IN AUSTRALIA (AT, John Hughes, 2009) ; LOVE & FURY: JUDITH WRIGHT & 'NUGGET' COOMBS (AT, John Hughes, 2013) Summary: "John Cumming's superb book is not only about the prodigous, exploratory, challenging films, videos and TV programs made by John Hughes - an underrated canny maverick of our national scene; it is also about what it takes to keep moving and changing with the times, how to negotiate with institutions and collaborate with sympathetic minds from other art forms, how to research and teach and theorise on the spot. Only after that concerted effort can a big picture - involving, in Hughes' case, a multimedia aesthetic of collage-design, and a long view of generations, conflicts, and transmissions in social history - be dscerned." -- BOOK BLURBISBN: 9781876467234Contents: -- acknowledgements -- introduction -- chapter 1: cybernetic synergies -- chapter 2: menace -- chapter 3: november eleven -- chapter 4: film-work -- chapter 5: traps -- chapter six: all that is solid -- chapter 7: one way street -- chapter 8: what I have written -- chapter nine: some aspects of Australian racism -- chapter 10: the archive project -- chapter 11: Indonesia calling and love & fury -- appendix 1: acronyms and abbreviations -- appendix II: filmography and media works - John Hughes -- appendix III: bibliography - John Hughes -- appendix: references -- appendix V: index --
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