personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DIEBERT, BRAD
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still
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 4 photographs : b&w and col. ; 11 x 16 cmSubject: DISAPPEARED (AT, Cathy Johnstone, 2001) Summary: Three black and white photographs and one colour photograph relating to the short film Disappeared
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diary of a teenage girl, the (us, marielle heller, 2015)
in Sunday Herald Sun [Arts & entertainment] (20 Sep 15) p.89
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35mm dreams / Sue Mathews Ringwood, Vic.: Penguin, 1984.
Call No: 802.25(94) MATAuthor: Mathews, Sue, 1952 Source: ATPlace: Ringwood, Vic.Publisher: PenguinPubDate: 1984PhysDes: 295 p. : ill., ports. ; 20 cmSubject: DIRECTORS. AUSTRALIA ; DIRECTION ; INDUSTRY, FILM. AUSTRALIA ; SCHEPISI, FRED ; WEIR, PETER ; ARMSTRONG, GILLIAN ; DUIGAN, JOHN ; MILLER, GEORGE Summary: "In this collection of interviews, five of Australia's most successful film directors discuss Australian cinema - from the startling resurgence of the industry to their roles as directors compared with those overseas. They talk about how films actually get made, their individual cinematic aspirations, and discuss issues such as whether Australian films should become more 'international'. These interviews make up a portion of new Australian cinema." [Book blurb]Notes: Australian cinema films. Directors. Interviews (ANB/PRECIS SIN 0699594); Australian cinema films (ANB/PRECIS SIN 0390917); Cover subtitle: Conversations with five directors about the Australian film revival; Filmography: p. 279-293ISBN: 0140067094 : $9.95 AustLON: anb14006709; 3025187ID2: 161
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100 westerns / Edward Buscombe London: British Film Institute, 2006.
Call No: 736.1 BUSAuthor: Buscombe, Edward CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 248 p. : 17 cmSeries: BFI Screen GuidesSubject: WESTERNS ; NATIVE AMERICANS IN FILMS ; GENRES ; BUSCOMBE, EDWARD ; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIG SKY, THE (US, Howard Hawkes, 1952) ; BROKEN ARROW (US, Delmer Daves, 1950) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CALAMITY JANE (US, David Butler, 1953) ; COWBOY (US, Delmer Davies, 1958) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DEAD MAN (US, Jim Jarmusch, 1995) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DUEL IN THE SUN (US, King Vidor, 1946) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; FORT APACHE (US, John Ford, 1948) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; GO WEST (US, Buster Keaton, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; GREY FOX, THE (CN, Philip Borsos, 1982) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; IRON HORSE, THE (UK, John Ford, 1924) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LONG RIDERS, THE (US, Walter Hill, 1980) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MAN FROM LARAMIE, THE (US, Anthony Mann, 1955) ; MAN OF THE WEST (US, Anthony Mann, 1958) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; MISSOURI BREAKS, THE (US, Arthur Penn, 1976) ; MONTE WALSH (US, William A. Fraker, 1970) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; OPEN RANGE (US, Kevin Costner, 2003) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RAMROD (US, Andre de Toth, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RED RIVER (US, Howard Hawks, 1948) ; RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962) ; RIO BRAVO (US, Howard Hawks, 1959) ; SEARCHERS, THE (US, John Ford, 1956) ; SHANE (US, George Stevens, 1953) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; SHOOTING, THE (US, Monte Hellman, 1966) ; SHOOTIST, THE (US, Donald Siegel, 1976) ; STAGECOACH (US, John Ford, 1939) ; SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969) ; FA TALAI JONE (TH, Wisit Sasanatieng, 2000) ; TWO RODE TOGETHER (US, John Ford, 1961) ; ULZANA'S RAID (US, Robert Aldrich, 1972) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; VIVA MARIA (US, Louis Malle, 1965) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; DAVES, DELMER ; WAYNE, JOHN ; Stewart, James ; EASTWOOD, CLINT ; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]ISBN: 1844571122
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journal article
The 1933 show in National Film Theatre (September/October 1983) p.10-15
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Abel Ferrara / Nicole Brenez ; translated from the French by Adrian Martin Urbana, Ill ; Chicago: University of Illinois Press, 2007.
Call No: 81FER BREAuthor: Brenez, Nicole Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of Illinois PressPubDate: 2007PhysDes: xii, 210 p. : ill. ; 22 cmSeries: Contemporary film directors / edited by Jame NaremoreSubject: DIRECTORS. USA ; CRITICISM ; FERRARA, ABEL Notes: Includes filmography (pp. [173]-191).
Includes bibliographical references (pp. [193]-197) and index.ISBN: 9780252074110 (pbk. : alk. paper) - ISBN 13
0252074114 (pbk. : alk. paper) - ISBN 19
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journal article
About "Le Viol" in Melbourne Film Bulletin (April 1968) iss.2 p.26-27
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journal article
L'acte cinemtographique in Vertigo (1991) iss.6/7 p.59-64
Author: Alain Bergala Subject: DIRECTION ; EDITING ; THEORY Summary: Examines the enormous number of cinematic choices which must be decided on in filming even the most banal situation, from shooting through to the editing process. In French.
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book
Acting male : masculinities in the films of James Stewart, Jack Nicholson, and Clint Eastwood / Dennis Bingham New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01 BINAuthor: Bingham, Dennis, 1954 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: x, 271 p. : ill. ; 24 cmSubject: MEN IN FILMS ; GENDER AND THE CINEMA ; WESTERNS ; SADISM / MASOCHISM IN FILMS ; HITCHCOCK, ALFRED ; Stewart, James ; NICHOLSON, JACK ; EASTWOOD, CLINT ; LAST DETAIL, THE (US, Hal Ashby, 1973) ; BEGUILED, THE (US, Don Siegel, 1971) ; CHINATOWN (US, Roman Polanski, 1974) ; DIRTY HARRY (US, Don Siegel, 1971) ; HARVEY (US, Henry Koster, 1950) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; TIGHTROPE (US, Richard Tuggle, 1984) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) Notes: Includes bibliographical references (p. [253]-263) and indexISBN: 0813520738; 0813520746 (pbk.)LON: 10548892
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serial
Action / Directors Guild of America Hollywood, Calif.: The Guild, 1966-78.
Call No: held v.5, no.1-v.11, no.9 Jan./Feb. 1970-Nov./Dec. 1978 lacks v.7, no.6; v.11, no.4-5; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: Directors Guild of America; Action (Hollywood, Calif.)Source: USPlace: Hollywood, Calif.Publisher: The GuildPubDate: 1966-78PhysDes: 11 v. : ill. ; 28 cmSubject: DIRECTORS. USA Notes: Issues for Sept./Oct. 1966- have subtitle "the magazine of the Directors Guild of America."ISSN: 0001-7361Frequency: BimonthlyLON: sn 95006971; 12188595
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title clippings file
ADD TOVABB, SZAMAR A VEGALLOMAS : (HU, Marcell Jancovics, 1974)
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Aim for the heart : the films of Clint Eastwood / Howard Hughes London ; New York: I.B. Tauris, 2009.
Call No: 81EAS HUGAuthor: Hughes, Howard Source: US/UKPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2009PhysDes: xxxi, 252 p. : ill. ; 25 cm.Subject: EASTWOOD, CLINT ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; TWO MULES FOR SISTER SARA (US, Don Siegel, 1969) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; COOGAN'S BLUFF (US, Don Siegel, 1968) ; DIRTY HARRY (US, Don Siegel, 1971) ; MAGNUM FORCE (US, Ted Post, 1973) ; ENFORCER, THE (US, James Fargo, 1976) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; TIGHTROPE (US, Richard Tuggle, 1984) ; CITY HEAT (US, Richard Benjamin, 1984) ; DEAD POOL, THE (US, Buddy Van Horn, 1988) ; ROOKIE, THE (US, Clint Eastwood, 1990) ; IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993) ; PERFECT WORLD, A (US, Clint Eastwood, 1993) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; PLAY MISTY FOR ME (US, Clint Eastwood, 1971) ; BREEZY (US, Clint Eastwood, 1973) ; BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; BRONCO BILLY (US, Clint Eastwood, 1980) ; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980) ; PINK CADILLAC (US Buddy van Horn, 1989) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; BIRD (US, Clint Eastwood, 1988) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) ; SPACE COWBOYS (US, Clint Eastwood, 2000) ; MYSTIC RIVER (US, Clint Eastwood, 2003) ; MILLION DOLLAR BABY (US, Clint Eastwood, 2004) ; THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974) ; EIGER SANCTION, THE (US, Clint Eastwood, 1975) ; ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979) ; ABSOLUTE POWER (US, Clint Eastwood, 1997) ; TRUE CRIME (US, Clint Eastwood, 1999) ; BLOOD WORK (US, Clint Eastwood, 2002) ; WHERE EAGLES DARE (US, Brian G. Hutton, 1969) ; KELLY'S HEROES (US, Brian G. Hutton, 1970) ; FIREFOX (US, Clint Eastwood, 1982) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006) ; LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006) Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story.
Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURBNotes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and indexISBN: 9781845119027Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.
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Alfred Hitchcock and the making of Psycho / Stephen Rebello London: Mandarin, 1992.
Call No: 79 PSY REBAuthor: Rebello, Stephen Place: LondonPublisher: MandarinPubDate: 1992PhysDes: x, 224 p., [16] p. of plates : ill., ports ; 20 cm.Subject: BLOCH, ROBERT ; HITCHCOCK, ALFRED ; BASS, SAUL ; STEFANO, JOEY ; HERRMANN, BERNARD ; MILES, VERA ; PSYCHO (US, Alfred Hitchcock, 1960) ; DIABOLIQUES, LES (FR, Henri-Georges Clouzot 1955) Notes: Originally published: London : Boyars, 1990.
Bibliography: p. 207-211. Includes index.ISBN: 0749309709Contents: Foreword -- 1. The Awful Truth -- 2. The Novel -- 3. The Director -- 4. The Deal -- 5. The Screenplays -- 6. Preproduction -- 7. Shooting -- 8. Postproduction -- 9. Publicity -- 10. The Release -- 11. Afterglow and Aftermath
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Alien zone II : the spaces of science-fiction cinema / edited by Annette Kuhn London New York: Verso, 1999.
Call No: 735.1 KUHAuthor: Kuhn, Annette Place: London New YorkPublisher: VersoPubDate: 1999PhysDes: 308 p. : ill. ; 20 cmSubject: SCIENCE-FICTION FILMS ; CITIES IN FILMS ; BODY IN FILMS ; DIGITAL TECHNOLOGY ; UTOPIA IN FILMS ; FANS ; INTERNET AND THE CINEMA ; MASCULINITY IN FILMS ; POSTMODERNISM AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; SPECTATORSHIP ; ADAPTATIONS. WELLS, H.G. ; VAN DAMME, JEAN-CLAUDE ; SCHWARZENEGGER, ARNOLD ; CREED, BARBARA ; TRUMBULL, DOUGLAS ; JOHNNY MNEMONIC (US, Robert Longo, 1995) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; BLADE RUNNER (US, Ridley Scott, 1982) ; ALIEN [...] (UK/US, 1979-92) ; ALIEN (UK, Ridley Scott, 1979) ; ALIENS (US, James Cameron, 1986) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; BRAZIL (UK, Terry Gilliam, 1985) ; DEMOLITION MAN (US, Marco Brambilla, 1993) ; MAX HEADROOM [TV] (US, 1987-89) ; METROPOLIS (G, Fritz Lang, 1926) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and indexISBN: 1859842593 (paper); 1859847463 (cloth)LON: 20466609
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The American cinema : directors and directions, 1929-1968 New York: Dutton, 1968.
Call No: 802.25(73) SARAuthor: Sarris, Andrew Edition: [1st ed.]Place: New YorkPublisher: DuttonPubDate: 1968PhysDes: 383 p. 22 cmSubject: DIRECTORS. USA ; LUBITSCH, ERNST ; LOSEY, JOSEPH ; FORD, JOHN ; GRIFFITH, DAVID WARK ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; OPHULS, MAX ; VON STERNBERG, JOSEF ; PREMINGER, OTTO ; STURGES, PRESTON ; WALSH, RAOUL ; LEWIS, JERRY ; WELLES, ORSON LON: 31835
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American cinematographer : Shooting in the U.K. July 1998.
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American directors : volume 1 / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.1Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; BERKELEY, BUSBY ; BORZAGE, FRANK ; BROWN, CLARENCE ; CAPRA, FRANK ; CHAPLIN, CHARLES ; CUKOR, GEORGE ; CURTIZ, MICHAEL ; DAVES, DELMER ; DEMILLE, CECIL B. ; DWAN, ALLAN ; FLEMING, VICTOR ; FORD, JOHN ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; KING, HENRY ; LA CAVA, GREGORY ; LANG, FRITZ ; LEROY, MERVYN ; LEWIS, JOSEPH H. ; LUBITSCH, ERNST ; MAMOULIAN, ROUBEN ; MANN, ANTHONY ; MCCAREY, LEO ; PREMINGER, OTTO ; SHERMAN, VINCENT ; SIRK, DOUGLAS ; STAHL, JOHN M. ; VON STERNBERG, JOSEF ; STEVENS, GEORGE ; STURGES, PRESTON ; TOURNEUR, JACQUES ; ULMER, EDGAR G. ; VIDOR, KING ; WALSH, RAOUL ; WELLMAN, WILLIAM ; WILDER, BILLY ; WYLER, WILLIAM Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.2Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; ALDRICH, ROBERT ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOETTICHER, BUDD ; BOGDANOVICH, PETER ; BROOKS, RICHARD ; CASSAVETES, JOHN ; CASTLE, WILLIAM ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DASSIN, JULES ; DE PALMA, BRIAN ; DMYTRYK, EDWARD ; DONEN, STANLEY ; EASTWOOD, CLINT ; EDWARDS, BLAKE ; FLEISCHER, RICHARD ; FRANKENHEIMER, JOHN ; FULLER, SAMUEL ; HARRINGTON, CURTIS ; KAZAN, ELIA ; KELLY, GENE ; KERSHNER, IRVIN ; KUBRICK, STANLEY ; LEWIS, JERRY ; LOGAN, JOSHUA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; Lupino, Ida ; MANKIEWICZ, JOSEPH L. ; MINNELLI, VINCENTE ; PARRISH, ROBERT ; Peckinpah, Sam ; PENN, ARTHUR ; POLLACK, SYDNEY ; POLONSKY, ABRAHAM ; RAFELSON, BOB ; RAFELSON, BOB ; RAY, NICHOLAS ; RITCHIE, MICHAEL ; ROSSEN, ROBERT ; SCORSESE, MARTIN ; SIDNEY, GEORGE ; SIEGEL, DON ; SPIELBERG, STEVEN ; STURGES, JOHN ; TASHLIN, FRANK ; WELLES, ORSON ; WISE, ROBERT ; ZINNEMANN, FRED Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American-Jewish filmmakers : traditions and trends / David Desser and Lester D. Friedman Urbana: University of Illinois Press, 1993.
Call No: 802.25-054(=924) DESAuthor: Desser, David ; Friedman, Lester D Place: UrbanaPublisher: University of Illinois PressPubDate: 1993PhysDes: x, 318 p. : ill. ; 23 cmSubject: ALLEN, WOODY ; BROOKS, MEL ; LUMET, SIDNEY ; MAZURSKY, PAUL ; JEWS AND THE CINEMA. USA ; DIRECTORS. USA ; JEWS IN FILMS. USA Notes: "An Illini book"--Cover; Includes bibliographical references (p. [297]-307) and indexISBN: 0252015649 (cl : acid-free paper); 0252063015 (pb : acid-free paper)LON: 9606171Contents: Woody Allen, p36-104 -- Mel Brooks, p105-159 -- Sidney Lumet, p160-223 -- Paul Mazursky, p224-279
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The American vein : directors and directions in television / Christopher Wicking and Tise Vahimagi London: Talisman Books, 1979.
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journal article
The animation festival at Annecy in Film News (1981) vol.38 iss.2 p.28-29
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Animation from script to screen / Shamus Culhane London: Columbus, 1989, c1988.
Call No: 246CULAuthor: Culhane, Shamus Source: UKPlace: LondonPublisher: ColumbusPubDate: 1989, c1988PhysDes: xv, 336 p., [2] p. of plates : ill.(some col.) ; 24 cmSubject: ANIMATION ; ANIMATORS ; CARTOONS. USA ; DIRECTORS. USA ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS Summary: The book covers all areas of animation: the basic mechanics of animation, expressing creativity through animation, writing, recording, acting and dialogue in the area of animation, and finally it deals with managing an animation studio. It contains the work of 130 leading animators, worldwide.Notes: Includes indexISBN: 0862879590
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Anxious cinephilia : pleasure and peril at the movies / Sarah Keller New York: Columbia University Press,
Call No: 412.3 KELAuthor: Keller, Sarah Edition: 2020Place: New YorkPublisher: Columbia University PressPhysDes: vii, 302 pages : illustrated ; 24 cmSubject: APOCALYPSE IN FILMS ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; BAZIN, ANDRE ; FILM CULTURE ; CINEPHILIA ; DIGITAL CINEMA ; FRANCE ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; STAR WARS [...] (US, 1977-2015) ; WAR OF THE WORLDS (US, Steven Spielberg, 2005) ; WORLD WAR Z (US/MT, Marc Forster, 2013) Summary: The advent of new screening practices and viewing habits in the twenty-first century has spurred a public debate over what it means to be a “cinephile.” In Anxious Cinephilia, Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the content and impermanence of cinematic images.
Keller reframes the history of cinephilia from the earliest days of film through the French New Wave and into the streaming era, arguing that love and fear have shaped the cinematic experience from its earliest days. This anxious love for the cinema marks both institutional practices and personal experiences, from the curation of the moviegoing experience to the creation of community and identity through film festivals to posting on social media. Through a detailed analysis of films and film history, Keller examines how changes in cinema practice and spectatorship create anxiety even as they inspire nostalgia. Anxious Cinephilia offers a new theoretical approach to the relationship between spectator and cinema and reimagines the concept of cinephilia to embrace its diverse forms and its uncertain future. -- publisher's web siteISBN: 9780231180870Contents: Acknowledgments -- Introduction -- 1. Ardor and Anxiety: The History of Cinephilia -- 2. Enchanting Images -- 3. Cinephilia and Technology: Anxieties and Obsolescence -- 4. The Exquisite Apocalypse -- Conclusion: Anxious Times, Anxious Cinema -- Notes -- Selected Bibliography -- Index
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Apocalypse in Australian fiction and film : a critical study / by Roslyn Weaver Jefferson, N.C.: McFarland & Company Inc., c2011.
Call No: 408.1(94) WEAAuthor: Weaver, Roslyn Source: USPlace: Jefferson, N.C.Publisher: McFarland & Company Inc.PubDate: c2011PhysDes: x, 230 p. : ill., maps ; 23 cmSeries: Critical explorations in science fiction and fantasy ; 28Subject: APOCALYPSE IN FILMS ; DISASTERS IN FILMS ; SCIENCE-FICTION FILMS. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; MAD MAX [...] (AT, 1979-85) ; TOMORROW, WHEN THE WAR BEGAN (AT, Stuart Beattie, 2010) Summary: "This volume explores the role of Australia in apocalyptic literature and film. Works and genres covered include Nevil Shute's popular novel On the Beach, Mad Max, children's literature, Indigenous writing, and cyberpunk. The text examines ways in which apocalypse undermines complacency, foretells environmental disasters, critiques colonization, and serves as a vehicle of protest for minority groups"--Provided by publisherNotes: Includes bibliographic references and indexISBN: 978-0-7864-6051-9Contents: 1. An apocalyptic map: new worlds and the colonization of Australia -- 2. The shield of distance: apocalypse in Australian literature after 1945 -- 3. An apocalyptic landscape: the Mad max films -- 4. Children of the apocalypse: Australian children's literature -- 5. (Re)writing the end of the world: apocalypse, race and indigenous literature -- 6. The end of the human: apocalypse, cyberpunk and the Parrish Plessis novelsID2: 189
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The apocalypse in film : dystopias, disasters, and other visions about the end of the world / edited by Karen A. Ritzenhoff, Angela Krewani London: Lanham Rowman & Littlefield, c2016.
Call No: 740.1 APOSource: UKPlace: LondonPublisher: Lanham Rowman & LittlefieldPubDate: c2016PhysDes: xxii, 231 pages : illustrations ; 24 cm.Subject: APOCALYPSE IN FILMS ; DISASTER FILMS ; CIVILISATION (US, Raymond B. West, 1916) ; [FOUR] 4 HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921) ; BED SITTING ROOM, THE (UK, Richard Lester, 1969) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011) ; OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986) Summary: We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future.
The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties—ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays.
As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science. -- taken from publisher's siteNotes: Includes bibliographical references and indexISBN: 9781442260276Donation: donated by Senses of Cinema, 2016Contents: Introduction / Karen A. Ritzenhoff and Angela Krewani -- THE EARLY DEPICTIONS OF DISASTER. World War One and Hollywood's First Modern Armageddon: Understanding Wartime and Post-Conflict Representations of a Global Cataclysm in Civilization (1916) and The Four Horsemen of the Apocalypse (1921) / Cle´mentine Tholas-Disset -- The end of the world: loss and redemption in Four horsemen of the apocalypse / Karen Randell -- GLOBAL DEMISE AND COLD WAR. "Radiation's rising, but one mustn't grumble too much": nuclear apocalypse played as farce in Richard Lester's The bed-sitting room / Thomas Prasch -- The legacy of Dr. Strangelove: Stanley Kubrick, science fiction blockbusters and the future of humanity / Peter Kra¨mer -- "Gentleman, you can't fight in here": gender symbolism and the end of the world in Dr. Strangelove and Melancholia / Catriona Mcavoy -- MELANCHOLIA AND OTHER REPRESENTATIONS OF THE APOCALYSPE. Is there an end to it? fictional shelters and shelter-fiction / Solvejg Nitzke -- Melancholia and the apocalypse within / Pierre Floquet -- Eco apocalypse: environmentalism, political alienation and therapeutic agency / Philip Hammond and Hugh Ortega Breton --POLOITICS OF SHOWING THE UNTHINKABLE. Disaster films: the end of the world and the risk society hero / Frederick Wasser -- The (gender) politics of disaster in 2012 / Charles Antoine Courcoux -- Tarkovsky's The sacrifice: a religious humanist apocalypse / Tatjana Ljuji -- Dead narratives: defining humanity through stories / A. Fiona Pearson and Scott Ellis -- MOVING BEYOND THE END OF THE WORLD. Opposing Thatcherism: filmic apocalypse as a political strategy in 1980s Britain / Angela Krewani -- Painting in time: on the use of digital visual effects in Melancholia / Andreas Kirchner -- The corporate and corporeal: min(d)ing the body conscience and consumption in early 21st century Hollywood dystopia / Wendy Sterba.
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Around the world, films by women from Europe and elsewhere : Aloïse in NFT (May 1982) p.5
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The art of the sound effects editor / Marvin M. Kerner Boston ; London: Focal Press, 1989.
Call No: 242 KERAuthor: Kerner, Marvin M. Place: Boston ; LondonPublisher: Focal PressPubDate: 1989PhysDes: ix, 107 p. : ill. ; 24 cm.Subject: SOUND EFFECTS ; SOUND EDITING ; SOUND ; DIRTY HARRY (US, Don Siegel, 1971) Summary: Begins with the history and purpose of sound effects in film and television but is primarily a technical guide to the creation, use, and organisation of effects. A critical case study is provided in the form of the film Dirty Harry.Notes: Includes index.ISBN: 0240800087
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The artist between images and across media : James Clayden in Studies in Australasian cinema (2009) vol.3 iss.2 p.179-189
Author: Martin, Adrian PhysDes: ArticleSubject: DIGITAL CINEMA ; EXPERIMENTAL FILMS. AUSTRALIA ; CLAYDEN, JAMES Summary: There has been no shortage of proposals in recent years about what might constitute the ‘digital aesthetics’ of the audio-visual media. Most often these proposals of new aesthetic models are conceived in terms of a sharp break with conventional narrative form — where convention is yoked to Hollywood on the one hand, and a certain tradition of European art cinema on the other. However, a largely unexplored connection is the very fertile link between digital work and the traditions of experimental cinema. The prolific film-maker-painter — dramaturg, James Clayden, active since the early 1970s, is an especially important figure in the crossover from film to digital in Australia. With small amounts of government subsidy and finance raised from other sources, he has made several experimental features and a myriad of shorts in recent years. These have received more attention and acclaim at overseas film festivals than in Australia, where the experimental exhibition scene has largely atrophied. Intriguingly, Clayden has gone back to celluloid works (on Super 8 or 16mm) and re-fashioned them in a radical way for several digital projects; he has also been preparing a more conventional narrative art-cinema project. This article will use these rich intersections of forms, gauges and modes in Clayden's recent career as a way of approaching a new theorization of digital aesthetics in Australian cinema. -- AbstractNotes: Part of a special issue on digital cinema in Australia and New Zealand
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Artlines : a bulletin on art & law in the digital age Wooloomooloo, N.S.W.: Arts Law Centre of Australia, 1995.
Call No: held Vol.1, No.1-Vol.4, No.2 1995-1999CorpAuthor: Artlines (Wooloomooloo, N.S.W.)Source: ATPlace: Wooloomooloo, N.S.W.Publisher: Arts Law Centre of AustraliaPubDate: 1995PhysDes: v. : ill. ; 30 cmSubject: DIGITAL TECHNOLOGY. AUSTRALIA Notes: Ceased publication with Vol.4, No.2 (1999); Caption title; Issues also available in an electronic version at http://www.artslaw.asn.au/Sartslaw/artlines.htmlISSN: 1324-695XFrequency: Qarterly issue 2.1 (Mar./Apr. 1997)LON: abn95350455; 11953243
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At full speed : Hong Kong cinema in a borderless world / Esther C.M. Yau, editor Minneapolis, Minn.: University of Minnesota Press, 2001.
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Atlab splits digital services in Encore (Feb 11, 1998) vol.15 iss.22 p.5
Author: Harty, Jason PhysDes: ArticleSubject: ATLAB ; DFILM SERVICES Summary: Film laboratory and post production facility Atlab announced that it will split Sydney-based digital film house Dfilm Services into two distinct operations. Atlab.dfb will service the industry, and Dfilm will provide in house digital effects for projects.
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Audiences being taken for a pricing ride in Encore (November 2012) p.9
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Aural Auteur : sound in the films of Rolf De Heer / David Bruno Starrs Brisbane, Queensland: 2009.
Call No: 81:634DEH STAAuthor: Starrs, David Bruno Source: ATPlace: Brisbane, QueenslandPubDate: 2009PhysDes: 263 p. : ill. ; 30 cmSubject: AUTEUR THEORY ; DIRECTORS. AUSTRALIA ; SOUND ; THEORY ; DE HEER, ROLF ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; PROPOSITION, THE (AT/UK, John Hillcoat, 2005) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: "An interpretative methodology for understanding meaning in cinema since the 1950s, auteur analysis is an approach to film studies in which an individual, usually the director, is studied as the author of his or her films. The principal argument of this thesis is that proponents of auteurism have privileged examination of the visual components in a film-makers' body of work, neglecting the potentially significant role played by sound.
The thesis seeks to address this problematic imbalance by interrogating the creative use of sound in the films written and directed Rolf de Heer, asking the question, "Does his use of sound make Rolf de Heer and aural auteur?" In so far as the term 'aural' encompasses everything in the film that is heard by the audience, the analysis seeks to discover if de Heer has, as Peter Wollen suggests of the auteur and her or his directing of the visual components (1968, 1972 and 1998), unconsciously left a detectable aural signature on his films.
The thesis delivers an innovative outcome by demonstrating that auteur analysis that goes beyond the mise-en-scene (i.e. visuals) is productive and worthwhile as an interpretative response to film. De Heer's use of the aural point of view and binaural sound recording, his interest in providing a 'voice' for marginalised people, his self-penned song lyrics, his close and early collaboration with composer Graham Tardif and sound desinger Jim Currie, his 'hands-on' approach to sound recording and sound editing and his predilection for making films about sound are all shown to be examples of de Heer's aural auteurism.
As well as the three published (or accepted for publication) interviews with de Heer, Tardif and Currie, the dissertation consists of seven papers refereed and published (or accepted for publication) in journals and internatiional conference proceedings, a literature review and a unifying essay. The papers presented are close textual analyses of de Heer's films which, when considered as a whole, support the thesis' overall argument and serve as comprehensive auteur analysis, the first such sustained study of his work, and the first with an emphasis on the aural. " -- ABSTRACTNotes: Presented to the Creative Industries Faculty, Queensland University of Technology. Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2009; Includes bibliographical references (p. 213-231)Contents: -- part one: introduction -- chapter 1: the research problem, objective/aims, subject and methodologies -- chapter 2: the literature and contextual review -- part two: the seven refereed and published papers of the thesis -- chapter 3: a paper utilising genre analysis and signalling an interest in the auteurism of Rolf de Heer -- chapter 4: the first of two papers utilising standard auteur analysis -- chapter 5: the second of two papers utilising standard auteur analysis -- chapter 6: a paper arguing for the methodological innovation of the thesis: aural auteur analysis -- chapter 7: the first of three papers utilising aural auteur analysis -- chapter 8: the second of three papers utilising aural auteur analysis -- chapter 9: the third of three papers utilising aural auteur analysis -- part three: conclusion -- chapter 10: the unifying essay -- 11: references/bibliography and filmography -- 12: appendicies -- list of figures --
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Aussies make Hollywood sit up and take notice in Encore (May 2000) vol.18 iss.4 p.14
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Aussiewood : Australia's leading actors and directors tell how they conquered Hollywood Crows Nest, NSW: Allen & Unwin, 2004.
Call No: 802 BOLAuthor: Boland, M. ; Bodey, M. Place: Crows Nest, NSWPublisher: Allen & UnwinPubDate: 2004PhysDes: 294 p. ; ill. ; 23 cmSubject: ACTORS. AUSTRALIA ; INDUSTRY, FILM. USA ; DIRECTORS. AUSTRALIA Summary: Australia’s leading actors and directors tell how they conquered Hollywood. Includes chapters on Nicole Kidman, Eric Bana, Geoffrey Rush, Naomi Watts, Anthony LaPaglia, Phillip Noyce, Paul Hogan and more.Notes: Bibliogrpahy
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Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001.
Call No: 71(94) AUSAuthor: Craven, Ian Place: LondonPublisher: Frank CassPubDate: 2001PhysDes: 239 p. ; 22 cmSubject: AUSTRALIA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ABORIGINAL AUSTRALIANS ON TV ; GONSKI REPORT ; INDUSTRY, FILM. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; SUBURBS IN FILMS. AUSTRALIA ; SOCIETY AND TV ; DINGO, ERNIE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BABE (AT, Chris Noonan, 1995) ; BIG STEAL, THE (AT, Nadia Tass, 1990) ; CASTLE, THE (AT, Rob Sitch, 1997) ; DEATH IN BRUNSWICK (AT, John Ruane, 1991) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; HEARTLAND [TV] (AT, 1994) ; IDIOT BOX (AT, David Caesar, 1996) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; LOVE SERENADE (AT, Shirley Barrett, 1996) ; METAL SKIN (AT, Geoffrey Wright, 1994) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliographyISBN: 0714649740; 0714680346(pbk.) : ª16.50LON: 21663632Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda SmithID2: 306
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Australian comedy films of the 1930s : modernity, the urban and the international / Lesley Speed St. Kilda, Vic.: Australian Teachers of Media (ATOM), c2015.
Call No: 732(94) SPEAuthor: Speed, Lesley Source: ATPlace: St. Kilda, Vic.Publisher: Australian Teachers of Media (ATOM)PubDate: c2015PhysDes: 128 pages : illustrations ; 24 cm.Subject: COMEDIES. AUSTRALIA ; HISTORY AND THE CINEMA. AUSTRALIA ; EFFTEE STUDIO ; CINESOUND STUDIOS ; HANNA, PAT ; WALLACE, GEORGE ; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931) ; DIGGERS (AT, F.W. Thring, 1931) ; HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931) ; SHOWGIRL'S LUCK (AT, Norman Dawn, 1931) ; SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) ; HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932) ; DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933) ; HARMONY ROW (AT, F.W. Thring, 1933) ; HAYSEEDS, THE (AT, Beaumont Smith, 1933) ; TICKET IN TATTS, A (AT, F.W. Thring, 1934) ; CLARA GIBBINGS (AT, F.W. Thring, 1934) ; STRIKE ME LUCKY (AT, Ken G. Hall, 1935) ; SPLENDID FELLOWS (AT, Beaumont Smith, 1934) ; GRANDAD RUDD (AT, Ken G. Hall, 1935) ; WHITE DEATH (AT, Edwin G. Bowen, 1936) ; RANGLE RIVER (AT, Clarence G. Badger, 1936) ; IT ISN'T DONE (AT, Ken G. Hall, 1937) ; TALL TIMBERS (AT, Ken G. Hall, 1937) ; LET GEORGE DO IT (AT, Ken G. Hall, 1938) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; GONE TO THE GOGS (AT, Ken G. Hall, 1939) ; ANTS IN HIS PANTS (AT, William Freshman, 1939) Summary: Comedy has been a perpetual part of Australian film, in which humour reflects Australia's adaptation in times of crisis, social change and technological advances. This was never more so than in the 1930s, when Australia produced more comedy feature films than in any other decade before 1970. These films of the 1930s embraced the new technology of sound, made local vaudeville performers into movie stars, offered escape from the Depression and revealed a diverse and international Australia. In these films, Australia moved further from Empire and the bush, forged the Digger legend, responded to cultural diversity and viewed itself as a modern, urban nation. Influenced by Hollywood, Australian comedies of the 1930s adapted international styles to local points of view. Based on research at the National Film and Sound Archive, Lesley Speed's book provides new insight into Australian comedy films of the 1930s and the extraordinary period of social change in which they were produced. [taken from the back cober]ISBN: 9781876467258Contents: Contents: Introduction -- Comedy films and 1930s Australia -- Comedian comedies, Pat Hanna and George Wallace -- 'The best men in the metropolis' : Speech and language in films of Pat Hanna and George Wallace -- Strike me lucky, silly ass: Ethnicity and class difference -- From bush to the city: The Dad and Dave films -- Looking at home for 'something really ultra': Modernity, gender and the international -- Select filmography -- Select bibliography -- Notes
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Australian delegation to American Film Market in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.3
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Australian directors : a quick reference guide / Australian Film Commission Sydney: Australian Film Commission, 1997.
Call No: 802.25(94) AUSCorpAuthor: Australian Film CommissionPlace: SydneyPublisher: Australian Film CommissionPubDate: 1997Subject: DIRECTORS. AUSTRALIA
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Australian directors : a quick reference guide / Australian Film Commission Sydney: Australian Film Commission, 1999.
Call No: 802.25(94) AUSCorpAuthor: Australian Film CommissionPlace: SydneyPublisher: Australian Film CommissionPubDate: 1999Subject: DIRECTORS. AUSTRALIA
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Australian feature (fiction) films written, directed and produced by women 1970-1995 / Lisa French 1995.
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Australian film / Saskia Vanderbent Harpenden, UK: Pocket Essentials, 2006. Available at ProQuest (RMIT login required)
Call No: 71(94) VANAuthor: Vanderbent, Saskia Source: AUPlace: Harpenden, UKPublisher: Pocket EssentialsPubDate: 2006PhysDes: 160 p. ; 18 cmSubject: DIRECTORS. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; HISTORY AND THE CINEMA. AUSTRALIA Summary: This book analyses over 80 significant works from silent through to contemporary themes. The author examines how directors have used the medium of film to explore and come to terms with their problematic past, in particular British colonialism and the treatment of indigenous Ausralians, and dramatise issues of landscape, masculinity, anti-authoritarianism and the pioneering spirit. The careers of several actors are also traced. [Adapted from back cover.]Notes: Cover title: The pocket essential Australian film.ISBN: 1904048587URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=282644'
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Australian film studies : Efftee Productions / by Ina Bertrand Bundoora, Vic.: Centre for the Study of Educational Communication and Media, La Trobe University, 1977.
Call No: 19EFF BERAuthor: Bertrand, Ina, 1939 CorpAuthor: La Trobe University. Centre for the Study of Educational Communication and MediaPlace: Bundoora, Vic.Publisher: Centre for the Study of Educational Communication and Media, La Trobe UniversityPubDate: 1977PhysDes: 26p. ; 30cmSeries: Media Centre papers ; 7Subject: EFFTEE STUDIO ; THRING, F.W. ; DIGGERS (AT, F.W. Thring, 1931) ; TICKET IN TATTS, A (AT, F. W. Thring, 1934) ; HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932) ; CLARA GIBBINGS (AT, F.W. Thring, 1934) ; HARMONY ROW (AT, F.W. Thring, 1933) ; STREETS OF LONDON (AT, F.W. Thring, 1935) ; SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932) ; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931) ; HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931) ; DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933) Notes: Bibliography: p.16ISBN: 0858161141 : unpricedLON: 1653335 1622627
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Australian media's treatment of the developing world : how does it rate? / Australian International Development Assistance Bureau Canberra: Australian Government Publishing Service, 1989.
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Australian motion picture yearbook 1980 / edited by Peter Beilby ; associate editor: Scott Murray North Melbourne, Victoria: Cinema Papers Pty Ltd, 1980.
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The Australian screen : a pictorial history of Australian film making / [by] Eric Reade Melbourne: Lansdowne, 1975.
Call No: 71(94) REACopy Management: Copy 1; Copy 2Author: Reade, Eric, 1912-1978 Place: MelbournePublisher: LansdownePubDate: 1975PhysDes: 308 p. : ill. ; 27 x 34 cmSubject: AUSTRALIA ; AUSTRALIA. 1895-1930 ; HISTORY OF TV. AUSTRALIA ; HALL, KEN G. ; CHAUVEL, CHARLES ; LONGFORD, RAYMOND ; SMITH, BEAUMONT ; THRING, F.W. ; THOMPSON, JACK ; HIGGINS, ARTHUR ; HURLEY, FRANK ; RAFFERTY, CHIPS ; SPENCER, CHARLES COZENS ; EFFTEE STUDIO ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; DIGGERS (AT, F.W. Thring, 1931) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) Notes: Australian cinema films, 1896-1974 (ANB/PRECIS SIN 0101729); Index; Parts of the text and some of the photographs in this volume were first published in "Australian silent films: a pictorial history, 1896-1929' and "The talkies era: a pictorial history of Australian sound film making, 1930-1960' by the same authorISBN: 0701803193 : $15.00 AustLON: anb70180319; 791305
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An autobiography of British cinema as told by the filmmakers and actors who made it / Brian McFarlane ; foreward by Julie Christie London: Methuen, 1997.
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Bad faith in AFR Weekend (06/02/2016) p.51
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Bangkok action-comedy a bright and colourful trifle in The Age (21/01/2016) p.30
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Behind a velvet light trap : a filmmaker's journey from Cinesound to Cannes / Anthony Buckley Prahran, Vic.: Hardie Grant, 2009.
Call No: 81BUC BUCAuthor: Buckley, Anthony Source: ATPlace: Prahran, Vic.Publisher: Hardie GrantPubDate: 2009PhysDes: x, 406 p. : ill. (some col.), ports. ; 26 cmSubject: BUCKLEY, ANTHONY ; PRODUCERS ; DIRECTORS. AUSTRALIA ; FILM WORKERS ; FILM WORKERS. AUSTRALIA ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) Summary: Almost from the inception of movies, the Buckley family were involved, so it was natural for the young Tony Buckley to get a job at a film laboratory, and move into film editing. Despite being warned by a veteran of film, "There's no future in it", Buckley began a career that was to involve a cast of thousands including Australian film pioneers, Raymond Longford and Ken G. Hall, Australian and international stars, and the pick of the Australian film and television industry. As an acclaimed editor, then producer, Tony Buckley's films have attracted numerous accolades and awards. In Behind a Velvet Light Trap, Buckley chronicles the frequent disasters on the set and the antics of actors and film crew with wry humour and a firm sense of professionalism. It is an insider's view of Australian movies and television where we get to meet some of the vivid personalities including Rudolf Nureyev, Michael Powell, Patrick White, James Mason, Ruth Park, Leo McKern and Joan Sutherland. --BOOK JACKETISBN: 9781740667906Contents: -- Preface -- Acknowledgement -- PART ONE -- 1 -- Saturdays At The Sesqui -- 2 --The Sentimental Bloke - Meeting Raymond Longford -- 3 -- Discovering 'The Hidden Power' -- 4 -- The Voice Of Australia -- 5 -- 'There's No Future In It, Son!' -- 6 -- Seven Miles From Sydney And 10,000 Miles From Care -- 7 -- Letters Home: 189 Cromwell Road - 'Hurry, My Milliner Is Waiting!' -- 8 -- Five For Europe: A Telegram From Home -- 9 -- Another Cinesound Excusive! -- 10 -- Forgotten Cinema And The Australian Renaissance -- 11-- Michael Powell and S.Y.M -- 12 -- Home to Avening -- 13 -- 'The Locomotive that Drives Everything Else -- 14 -- Mercer Clips and Hollywood -- 15 -- Le Reveil Dans La Terreur - Wake in Fright -- 16 -- Ballet in the Bedroom -- 17 -- Insular Fairyland - anyone for Croquet? -- 18 -- ...'You wanna make a film about a woman???!!' -- 19 -- My Sons, My Horses - The Anatomy of a Motion Picture -- 20 -- 'This Bizarre Work' - The Night of the Prowler -- 21 -- The very strange case of the Unknown Industrial Prisoner -- 22 -- Not In The Public Interest - the Juanita Factor -- 23 -- Flight Ten From Honolulu - A complete Change Of Direction -- 24 -- A Landmark Australian Film -- PART TWO -- 25 -- ...And Now For Something Completely Different - Television! -- 26 -- The Tree Of Humankind - Man On A Limb! -- 27 -- The Heroes Of The Miniseries -- 28 -- Prostitution - Adapting Bryce Courtenay - And The Mysterious Case Of The Stolen Logie -- PART THREE -- 29 -- Back To The Reel World -- 30 -- On Their Selection - The $24,000 Lunch! -- 31 -- A Celebration - Then Shadows Fall -- 32 -- 'That Resilient Little Beast' - But Not Quite A Heart Stopper! -- 33 -- An Apple For The Teacher - Food for thought -- 34 -- Shattered Dreams - Broken Promises -- The Final Reel - The Full Circle
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Being connected : the studio in the networked age : The Australian Film Commission's Multimedia Conference, 9-11 July 1998. Program and abstracts [Sydney]: Australian Film Commission, 1998.
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The best American movie writing 1999 / edited by Peter Bogdanovich New York: St. Martin's, 1999.
Call No: 67(04) BESPlace: New YorkPublisher: St. Martin'sPubDate: 1999PhysDes: 280 p.Subject: WOMEN IN FILMS ; RELIGION AND THE CINEMA ; ADAPTATIONS ; HISTORY OF CINEMA. SOUND PERIOD ; ETHNIC GROUPS IN FILMS ; GAZE IN FILMS ; FAMILY IN FILMS ; WAR FILMS ; BOORMAN, JOHN ; FRANKENHEIMER, JOHN ; SINATRA, FRANK ; FORD, JOHN ; THOMPSON, KAY ; YASUJIRO OZU ; MANGOLD, JAMES ; RISKIN, ROBERT ; SPIELBERG, STEVEN ; SCORSESE, MARTIN ; SARRIS, ANDREW ; MCCAREY, LEO ; BOGDANOVICH, PETER ; CAPRA, FRANK ; VIDAL, GORE ; DOVE, BILLIE ; GRANT, CARY ; BURNETT, CHARLES ; HAPPINESS (US, Todd Solondz, 1998) ; SEARCHERS, THE (US, John Ford, 1956) ; EVE'S BAYOU (US, Kasi Lemons, 1997) ; TOUCH OF EVIL (US, Orson Welles, 1958) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; GENERAL, THE (UK, John Boorman, 1998) ; RONIN (US, John Frankenheimer, 1998) ; STARDUST MEMORIES (US, Woody Allen, 1980) ; TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932) ; RED RIVER (US, Howard Hawks, 1948) ; DETOUR (US, Edgar G. Ulmer, ,1946) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; LADY EVE, THE (US, Preston Sturges, 1941) ; M (G, Fritz Lang, 1931) ; WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) ISBN: 0312244832ID2: 291
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The best film I never made : and other stories about a life in the arts / by Bruce Beresford Melbourne, Victoria: The Text Publishing Company, 2017.
Call No: 81BER BERAuthor: Beresford, Bruce Source: ATPlace: Melbourne, VictoriaPublisher: The Text Publishing CompanyPubDate: 2017PhysDes: 281 pages ; 24 cmSubject: INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; PRODUCERS ; DIRECTORS ; AUSTRALIA ; BERESFORD, BRUCE Summary: "This entertaining collection of stories by the acclaimed director of Breaker Morant, Driving Miss Daisy and Mao’s Last Dancer includes memoirs, brief lives and revealing accounts of the film world and beyond.
Alongside unsung heroes from behind the camera and producers of dubious repute are Madeleine St John and Clive James, Margaret Olley and Jeffrey Smart, as well as a particularly seductive 1963 EH Holden—and Bruce Beresford’s father, whose strange and startling decline in old age is charted in a brilliant, poignant essay." -- BOOK BACK COVERISBN: 9781925603101Contents: -- I -- family, journeys, memories -- family tree -- my parents -- out of Toongabbie -- the end of the Roxy -- the lure of the EH -- in Guatemala -- pass the passport -- the age of memoirs -- inadvertant meetings - and premonitions -- II -- making and not making movies -- stumbling towards directing -- a career of sorts -- thoughts about actors and acting -- financing movies -- the Hubert Opperman saga -- the best film i never made -- III -- behind the screen -- the two Barrys -- memories of Horton Foote -- John Simon on film: an introduction -- Dino De Laurentiis, producer -- Tony Scott, director -- Robert Krasker: a sketch -- Sven Nykvist: an appreciation -- Don McAlpine, cameraman -- Ken Adam: a personal memoir -- Georges Delerue, composer -- Erich Korngold: a sketch -- IV-- opera, painters, writers -- a brief guide to American opera -- smart lessons -- a memory of Margaret Olley -- forgotten - and in Mildura -- Caravaggio and the cinema -- remembering B.S, Johnson -- Madeleine and me -- a remarkable man -- Australian literature and Film --
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Best of the worst in Interview iss.25 p.52
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Betty Balfour in "Little Devil-May-Care" in Classix images (Nov 1984) vol.113 p.27-28, 54
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Beyond document : essays on nonfiction film / edited by Charles Warren Hanover, NH: University Press of New England, 1996.
Call No: 761(04) BEYAuthor: Warren, Charles, 1948 Place: Hanover, NHPublisher: University Press of New EnglandPubDate: 1996PhysDes: xxviii, 366 p. : ports. ; 24 cmSubject: DOCUMENTARY FILMS ; CINEMA VERITE ; DIRECTORS ; DOCUMENTARY DRAMAS ; NEWSREELS ; MEMORY IN FILMS ; ETHNOGRAPHIC FILMS ; BIOGRAPHICAL FILMS ; GENOCIDE IN FILMS ; WORLD WAR II FILMS ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; OPHULS, MARCEL ; RESNAIS, ALAIN ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; BOOMERANG (US, Elia Kazan, 1947) ; VERTOV, DZIGA ; MARKER, CHRIS ; FILM PORTAIT (US, Jerome Hill, 1972) ; GARDNER, ROBERT ; MCELWEE, ROSS ; ZERKALO (UR, Andrei Tarkovsky, 1975) Summary: "In essays by eleven of America's foremost writers, critics and filmmakers, Beyond Document explores the full spectrum on nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema verite, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who..., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss.
Representations of reality are increasingly contested, in courtrooms and Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve"; and poet Susan Howe explores structures of mourning in several filmmakers. All of the books essays provide deeply felt understandings of documentary film, and of how we live with, and within, images." -- BOOK BLURBNotes: Includes bibliographical references (p. 345-350) and indexISBN: 0819552879 (cl : alk. paper); 0819562904 (pbk. : alk. paper)LON: 11642141Contents: Words of welcome / Stanley Cavell -- Introduction, with a brief history of nonfiction film / Charles Warren -- Death and the image / Jay Cantor -- Memory's movies / Patricia Hampl -- Eternal Verites / William Rothman -- The toil of thought: on several nonfiction films by women / Helene Keyssar -- The camera people / Eliot Weinberger -- The impulse to preserve / Robert Gardner -- You are there / Maureen Howard -- Earth and beyond: Dusan Makaveyev's WR: Mysteries of the Organism / Charles Warren -- In search of the centaur: the essay film / Phillip Lopate -- Vertov's cinematic transposition of reality / Vlada Petric -- Sorting facts; or, nineteen ways of looking at marker / Susan Howe
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Beyond formula : American film genres / Stanley J. Solomon New York: Harcourt Brace Jovanovich, 1976.
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Beyond the screen : emerging cinema and engaging audiences / Sarah Atkinson New York: Bloomsbury Academic, 2014.
Call No: 409(-017.2) ATKAuthor: Atkinson, Sarah Source: USPlace: New YorkPublisher: Bloomsbury AcademicPubDate: 2014PhysDes: xiv, 293 pages ; 24 cm.Subject: AUDIENCES ; DIGITAL MEDIA AND THE CINEMA ; MOBILE AND ONLINE MEDIA ; MOBILE CINEMAS ; POPULAR CULTURE AND THE CINEMA ; SOCIETY AND THE CINEMA ; TECHNOLOGY AND THE CINEMA Summary: This book presents an expanded conceptualization of cinema which encompasses the myriad ways film can be experienced in a digitally networked society where the auditorium is now just one location amongst many in which audiences can encounter and engage with films. It includes considerations of mobile, web, social media and live cinema through numerous examples and case studies of recent and near-future developments. -- taken from the back coverNotes: Includes bibliographical references, filmography and index.ISBN: 9781501308659Donation: donated by Senses of Cinema, 2016Contents: Introduction -- Extending cinema -- Mobile cinema -- Socially layered cinema -- The ethics of emerging cinema -- The business of emerging cinema -- The grammar of emerging cinema -- Epilogue.
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The big picture : filmmaking lessons from a life on the set / Tom Reilly New York: Thomas Dunne Books, 2009.
Call No: 222.22 REIAuthor: Reilly, Tom Edition: 1st edSource: USPlace: New YorkPublisher: Thomas Dunne BooksPubDate: 2009PhysDes: xi, 239 p. ; 22 cmSubject: LOCATION PRODUCTION ; LOCATION SHOOTING ; DIRECTORS ; FILM WORKERS ; REILLY, TOM Summary: This is a must-have book for any aspiring filmmaker who wants to know the secrets of the pros, or for movie buffs who want to know what really happens on the sets of their favourite films.ISBN: 9780312380380Donation: donated by Senses of Cinema, 2012
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Big screen small picture in Encore (Apr 2000) vol.18 iss.3 p.18-19
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Interim
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Billy Wilder : AFI Souvenir Edition / Edited by Jeffrey Lane and Dougloas Borton [USA]: American Film Institute, [1986?].
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Black Sunday : Reinventing The Mask Of Satan in Metro (1997) iss.110 p.45-49
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still
[Blackfellas : stills title]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 20 photographs : b&w ; 13 x 18 cmSubject: PARFITT, TREVOR ; NANNUP, FRANK ; MOORE, JOHN ; NGOOMBUJARRA, DAVID ; WILKES, JUDITH ; HUDSPETH, JULIE ; CHARLES, JACK ; RILEY, JAYLENE ; KINCHELA, LISA ; DINGO, ERNIE ; RICKETSON, JAMES ; HARGREAVES, JOHN ; BLACKFELLAS (AT, James Ricketson, 1992) Summary: 20 black and white photographs relating to the film BlackfellasNotes: Some black and white photographs contain duplicates
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Blond Venus : a life of Marlene Dietrich Lond.: MacGibbon & Kee, 1955.
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Blood cinema : the reconstruction of national identity in Spain / by Marsha Kinder Berkeley: University of California Press, 1993.
Call No: 408.1(46) KINAuthor: Kinder, Marsha Place: BerkeleyPublisher: University of California PressPubDate: 1993PhysDes: xi, 553 p. : ill. ; 24 cmSubject: SPAIN ; INDUSTRY, FILM. UK ; NATIONAL CULTURE AND THE CINEMA. SPAIN ; NATIONAL IDENTITY IN FILMS. SPAIN ; SPAIN: CATALONIA ; VIOLENCE IN FILMS. SPAIN ; DIRECTORS. USA ; ERICE, VICTOR ; SAURA, CARLOS ; ALMODOVAR, PEDRO ; BUNUEL, LUIS ; SURCOS (SP, Jose Antonio Nieves Conde, 1951) ; MUERTE DE UN CICLISTA (SP, Juan Antonio Bardem, 1955) ; GOLFOS, LOS (SP, Carlos Saura, 1959) ; COCHECITO, EL (SP, Marco Ferreri, 1959) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; RIO ABAJO (SP, Jose Luis Borau, 1984) Notes: "A Centennial book."; Includes bibliographical references (p. 507-522) and indexISBN: 0520081536 (alk. paper); 0520081579 (pbk. : alk. paper)LON: 9293143
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The Blue angel : (Der Blaue engel) / By S.S. Prawer London: bfi Publishing, 2002.
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Bollywood and its other(s) : towards new configurations / edited by Vikrant Kishore, Amit Sarwal and Parichay Patra Houndmills. Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2014.
Call No: 71(540) BOLAuthor: KIshore, Vikrant (ed.) ; Patra, Parichay (ed.) ; Sarwal, Amit (ed.) Source: US/UK/ATPlace: Houndmills. Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2014PhysDes: xii, 229 pages ; 23 cmSubject: INDIA ; INDIA IN FILMS ; BOLLYWOOD ; INDIAN CINEMA ; HISTORY OF CINEMA. INDIA ; THEORY ; DIASPORIC CINEMA ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; SEX IN FILMS ; HOMOSEXUALITY IN FILMS ; HOMOSEXUALITY AND THE CINEMA ; AESTHETICS ; PHILOSOPHY AND THE CINEMA ; SCIENCE-FICTION FILMS Summary: "How do we define the globalized cinema and media cultures of Bollywood in an age when it has become part of the cultural diplomacy of an emerging superpower? Is it still an 'other' industry in a world dominated by American Cinemas? Bollywood and Its Other(s) aims to compensate for the lack of scholarly literature on Bollywood studies by opening up hitherto unexplored sites or sites that are in formation. One of the most comprehensive volumes on Bollywood so far, it focuses on the aesthetic-philosophical questions of the other, Indian diaspora's negotiations with national identity, alternative reading strategies/research methods, marginal genres (sci-fi, horror), marginal characters (flaneuse, vamps), marginal gender (non-normative sexualities), marginal cinema (Hindi avant-garde), marginal language (Hinglish), and marginal regions (the Kashmir valley). It intends to address film scholars, South Asian studies researchers, cinephiles and lay readers alike.- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9781137426499Donation: Senses of CinemaContents: -- list of figures -- notes on contributors -- introduction: Vikrant Kishore, Amit Sarwal and Parichay Patra -- Section I Exploring the Other: Cinema, Aesthetics, Philosophy -- 1.Self, Other and Bollywood: The Evolution of the Hindi Film as a Site of Ambivalence / Dibyakusum Ray -- 2.Bombay Cinema's Aesthetic Other: Hindi Shastriya Cinema in Retrospect / Parichay Patra -- Section II Diaspora and the Formation of the Global Bollywood -- 3.Transgressing the Moral Universe: Bollywood and the Terrain of the Representable / Sarah A. Joshi -- 4.A Perfect Match: Entertainment and Excess of Cricket within the Diasporic Experience of Bollywood / Sanchari De and Manas Ghosh -- Section III The Musicality of Bollywood: Possibilities of Alternative Reading(s) -- 5.Hindi Popular Cinema and Its Peripheries: Of Female Singers, Performances and the Presence/Absence of Suraiya / Madhuja Mukherjee -- 6.'Dil Dance Maare Re': Bollywoodisation of the Indian Folk Dance Forms / Vikrant Kishore -- 7.The Systems Model of Creativity and Indian Film: A Study of Two Young Music Directors from Kerala, India / Phillip McIntyre, Bob Davis and Vikrant Kishore -- Section IV Bollywood's Other(s): Sexuality, B Movie, Queerness -- 8.Sugar and Spice: The Golden Age of the Hindi Movie Vamps, 1960s--1970s / Suneeti Rekhari -- 9.Popular Forms, Altering Normativities: Queer Buddies in Contemporary Mainstream Hindi Cinema / Aneeta Rajendran -- 10.Hinglish Cinema: The Confluence of East and West / Amit Sarwal -- 11.The Ramsay Chronicles: Non-normative Sexualities in Purana Mandir and Bandh Darwaza / Mithuraaj Dhusiya -- 12.Bollywood's Encounters with the Third Kind: A Critical Catalogue of Hindi Science Fiction Films / Sami Ahmad Khan -- Section V Bollywood's Other, India's Other -- 13.Death Becomes Her: Bombay Cinema, Nation and Kashmir: In Conversation with the Desire Machine Collective, Guwahati / Kaushik Bhaumik -- afterword: Anupam Sharma -- index --
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Bringing Up Daddy : fatherhood and masculinity in post-war Hollywood / Stella Bruzzi London: British Film Institute, 2005.
Call No: 451 (-01) (-055.52) BRUAuthor: Bruzzi, Stella Place: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 217 p. ; 23 cmSubject: MASCULINITY IN FILMS ; MEN IN FILMS. USA ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; DIE HARD (US, John McTiernan, 1988) ; THREE MEN AND A BABY (US, Leonard Niimoy, 1987) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) Summary: The father is one of the central figures of Hollywood narrative. Despite this, this is the first book to examine cinematic representations of the father. Brining Up Daddy offers a broad perspective on the Hollywood dad looking at important Hollywood fathers from World War II to the present and discusses films for a variety of genres. The book looks at films decade by decade and adopts a multi-faceted theoretical approach, making use of psychoanalysis, sociology and masculinity studies and contextualising the father figure within both Hollywood and American history. Key films include Since You Went Away, The Search, Rebel without a Cause, The Man in the Gray Flannel Suit, Cape Fear, Kramer vs Kramer, Die Hard, Three Men and a Baby, Boyz n the Hood and Magnolia. In its treatment of the father this unique study discusses why the father is such a seminal character in so many narratives and what he has come to symbolise and represent. [Taken from back cover]ISBN: 1844571106
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British feature directors : an index to their work [London?]: [British Film Institute?], [1958?].
Call No: 71(410)BRIEdition: [1958?]Place: [London?]Publisher: [British Film Institute?]PubDate: [1958?]PhysDes: 16 p : illus. ; 28 cmSubject: DIRECTORS. UK Summary: Short biographies (each with filmography and photograph) of eighty British directorsNotes: Little bibliographic information on item. Possibly a supplement to Monthly FIlm Bulletin
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Broadband in Australia : Tales from the frontier / by Marion Jacko Sydney, N.S.W.: Australian Film Commission, Creative Industries Research and Applications Centre, Australian Key Centre for Cultural and Media Policy, 2001.
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newspaper article
Broadcaster deveson dies just days after her daughter / Michael Idato in The Age (14/12/2016) p.11
Call No: PERSONALITY CLIPPINGS FILE; DEVESON, ANNEAuthor: Idato, Michael PhysDes: Clippings File ArticleSubject: DEVESON, ANNE Summary: Report on the death of broadcaster, writer and filmmaker Anne Deveson at the age of 86
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Broadcasting : draft report Melbourne: Productivity Commission, 1999.
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Old collection
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Bulgarian film directors : a dialogue with the foreign spectator / issued by the editotrial board of the review "Bulgarian Films" Sofia: Filmbulgaria, [1976].
Call No: 71(497.2) BULSource: BUPlace: SofiaPublisher: FilmbulgariaPubDate: [1976]PhysDes: [p.] : ill. ; 22 x 23 cmSubject: BULGARIA ; DIRECTORS. BULGARIA Summary: Profiles on a number of Bulgarian film directorsNotes: Title also in RussianLanguage: Russian, English
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Il cacciatore di uomini in Foreign Sales Italian Movie Trade (Oct 1980) p.18
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Camera politica : the politics and ideology of contemporary Hollywood film / by Michael Ryan and Douglas Kellner Bloomington, Ind.: Indiana University Press, 1988.
Call No: 409(73) RYACopy Management: Copy 1; Copy 2Author: Ryan, Michael, 1951 ; Kellner, Douglas, 1943 Place: Bloomington, Ind.Publisher: Indiana University PressPubDate: 1988PhysDes: xiii, 328 p. : ill. ; 25 cmSubject: DISASTERS IN FILMS. USA ; SOCIAL PROBLEMS IN FILMS. USA ; WORKING CLASS IN FILMS. USA ; ETHNIC GROUPS IN FILMS. USA ; SOUTH IN FILMS. USA ; WOMEN IN FILMS. USA ; BUDDY FILMS. USA ; FAMILY IN FILMS. USA ; VIETNAM WAR IN FILMS ; HORROR FILMS. USA ; VIETNAM WAR FILMS ; POLITICS AND THE CINEMA. USA ; FANTASY FILMS. USA ; UTOPIA IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; TECHNOLOGY AND THE CINEMA. USA ; CONSPIRACY FILMS. USA ; SPIELBERG, STEVEN ; COPPOLA, FRANCIS FORD ; BORDEN, LIZZIE ; CIMINO, MICHAEL ; Peckinpah, Sam ; Reagan, Ronald ; ROMERO, GEORGE ; SCORSESE, MARTIN ; HOOPER, TOBE ; FRIEDKIN, WILLIAM ; BROOKS, JAMES L. ; DE PALMA, BRIAN ; LUCAS, GEORGE ; KUBRICK, STANLEY ; MILIUS, JOHN ; PAKULA, ALAN J. ; SCOTT, RIDLEY ; STAR WARS (US, George Lucas, 1977) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; DEATH WISH (US, Michael Winner, 1974) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; JAWS (US, Steven Spielberg, 1975) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; DIRTY HARRY (US, Don Siegel, 1971) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; KLUTE (US, Alan J. Pakula, 1971) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes index; Bibliography: p. 321-324ISBN: 0253313341LON: 5193671
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title clippings file
diary of a teenage girl, the (us, marielle heller, 2015)
Candid approach to youthful experiments in Weekend Australian [Review] (19 Sep 15) p.15
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diary of a teenage girl, the (us, marielle heller, 2015)
Carnal Clock in AFR Weekend [Weekend Fin] (26/9/15) p.51
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special effects
Cause and effects in Weekend Australian [Review] (02/09/2017) p.12
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Celluloid Immigrant : Italian Australian filmmaker Giorgio Mangiamele / by Gaetano Rando and Gino Moliterno St Kilda, Vic: Australian Teachers of Media (ATOM), c2011.
Call No: 81MAN RANAuthor: Moliterno, Gino ; Rando, Gaetano Source: ATPlace: St Kilda, VicPublisher: Australian Teachers of Media (ATOM)PubDate: c2011PhysDes: 145 p. : ill. ; 24 cmSeries: The moving image ; no. 10, 2011Subject: CINEMATOGRAPHY ; CINEMATOGRAPHY. AUSTRALIA ; DIRECTORS. AUSTRALIA ; FILM AUSTRALIA ; FILMMAKING ; FILMMAKING. AUSTRALIA ; MIGRATION ; MANGIAMELE, GIORGIO ; SPAG, THE (AT, Giorgio Mangiamele, 1962) ; CLAY (AT, Giorgio Mangiamele, 1964) ; BEYOND REASON (AT, Giorgio Mangiamele, 1970) Summary: " Giorgio Mangiamele is one of the most under-estimated figures in Australian cinema history. Soon after his arrival in Australia in 1952 as a migrant from Italy, he began making films at a time when feature film production in Australia was almost non-existent. His films were seldom seen in Australia, although one - Clay (1965) - was applauded overseas as an official selection in the Cannes Film Festival. " -- BOOK BLURB (last page of book)Notes: "Published biannually by Australian Teachers of Media in association with its publishing partners, National Film & Sound Archive (NSFA), the Australian Film Institute (AFI) and RMIT University (School of Media and Communications)" -- Verso t.p; Includes bibliographical references and indexISBN: 1876467215Contents: -- notes on the text -- introduction -- chapter one: a celluloid life: a brief biography of Giorgio Mangiamele -- chapter two: foto studio Mangiamele: serving Melbourne's Italian community -- chapter three: Mangiamele's migrant movies -- chapter four: Clay and Cannes: the beginnings of art cinema in Australia -- chapter five: beyond Cannes and Beyond Reason -- chapter six: beyond Beyond Reason: towards Papua New Guinea -- chapter seven: back in oz and more unrealised projects -- conclusion -- Giorgio Mangiamele filmography -- bibliography -- index --
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Censorship and sexuality in Bombay cinema / Monika Mehta Austin, TX: University of Texas, 2011.
Call No: 440.2(540) MEHAuthor: Mehta, Monika Edition: 1stSource: USPlace: Austin, TXPublisher: University of TexasPubDate: 2011PhysDes: xi, 304 p. : ill. ; 24 cmSubject: SEXUALITY AND THE CINEMA ; CENSORSHIP. INDIA ; BOLLYWOOD ; WOMEN IN FILMS. INDIA ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; GUPT GYAN (II, B. K. Adarsh, 1974) ; KHAL NAYAK (II, Subhash Ghai, 1993) Summary: "India produces an impressive number of films each year in a variety of languages. Here, Monika Mehta breaks new ground by analyzing Hindi films and exploring the censorship of gender and heterosexuality in Bombay cinema. She studies how film censorship on various levels makes the female body and female sexuality pivotal in constructing national identity, not just through the films themselves but also through the heated debates that occur in newspapers and other periodicals. The standard claim is that the state dictates censorship and various prohibitions, but Mehta explores how relationships among the state, the film industry, and the public illuminates censorships' role in identity formation, while also examining how desire, profits, and corruption are generated through the act of censoring.
Committed to extending a feminist critique of mass culture in the global south, Mehta situates the story of censorship in a broad social context and traces the intriguing ways in which the heated debates on sexuality in Bombay cinema actually produce the very forms of sexuality they claim to regulate. She imagines afresh the theoretical field of censorship by combining textual analysis, archival research, and qualitative fieldwork (personal interviews and direct observation of censorship committees). By employing this interdisciplinary methodology and mobilizing Michel Foucault's insights on micropractices, Mehta places concerns of representation, film production, film reception, and state interventions in a productive dialogue. Her analysis reveals how central concepts of film studies, such as stardom, spectacle, genre, and sound, are employed and (re)configured within the ambit of state censorship, thereby expanding the scope of their application and impact." -- BOOK BLURBNotes: Based on the author's thesis (doctoral)--University of Minnesota, 2001 -- Includes bibliographical references and index.ISBN: 9780292726925Donation: donated by Senses of Cinema, 2013Contents: Beginning -- Revisiting the history of film censorship -- Close-up: the Central Board of Film Certification -- The first sex-education film: a classification conundrum -- Satyam shivam sundaram: (im)proper suturing of sound, scar, and stardom -- An anomalous dilemma: to ban or to certify the self-sacrificial wife in Pati parmeshwar -- Tracking the twists and turns in the Khalnayak -- Debates on censorship -- Dilwale dulhania le jayenge: certifying a "family love" story -- From censorship to selections
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Christmas at the movies : images of Christmas in American, British and European cinema / edited by Mark Connelly London ; New York: I.B. Tauris, 2000.
Call No: 743 CONPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2000PhysDes: 242 p. : ill. ; 24 cm.Subject: CHRISTMAS IN FILMS ; REMEMBER THE NIGHT (UK, Mitchell Leisen, 1939) ; SCROOGE (UK, Henry Edwards, 1935) ; CHRISTMAS CAROL, A (US, Edwin L. Marin, 1938) ; SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951) ; SCROOGE (UK, Ronald Neame, 1970) ; CHRISTMAS CAROL, A (UK, Clive Donner, 1984) ; SCROOGED (US, Richard Donner, 1988) ; MUPPET CHRISTMAS CAROL, THE (US, Brian Henson, 1992) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MAN WHO CAME TO DINNER, THE (US, William Keighley, 1941) ; HOLIDAY INN (US, Mark Sandrich, 1942) ; CHRISTMAS UNDER FIRE (UK, Harry Watt, 1941) ; TURKEY TIME (UK, Tom Walls, 1933) ; HOLLY AND THE IVY, THE (UK, George More O'Ferrall, 1953) ; CHEATERS, THE (US, Joe Kane, 1945) ; MIRACLE ON 34TH STREET (US, Les Mayfield, 1994) ; MIRACLE ON 34TH STREET (US, George Seaton, 1947) ; SANTA CLAUSE, THE (US, John Pasquin, 1994) ; ERNEST SAVES CHRISTMAS (US, John Cherry, 1988) ; SANTA CLAUSE: THE MOVIE (US, Jeannot Szwarc, 1985) ; GREMLINS (US, Joe Dante, 1984) ; SILENT NIGHT, DEADLY NIGHT (US, Charles E. Sellier Jr., 1984) ; SILENT NIGHT, DEADLY NIGHT PART II (US, Lee Harry, 1987) ; TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS (US, Harry Selick, 1993) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; LETHAL WEAPON (US, Richard Donner, 1987) ; DIE HARD (US, John McTiernan, 1988) ; DIE HARD 2 (US, Renny Harlin, 1990) ; HOME ALONE (US, Chris Columbus, 1990) ; HOME ALONE 2: LOST IN NEW YORK (US, Chris Columbus, 1992) ; LONG KISS GOODNIGHT, THE (US, Renny Harlin, 1996) ; JINGLE ALL THE WAY (US, Brian Levant, 1996) ; MERLUSSE (FR, Marcel Pagnol, 1935) ; CHATEAU DE MA MERE, LE (FR, Yves Robert, 1990) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; VIE EST UN LONG FLEUVE TRANQUILLE, LA (FR, Etienne Chatiliez, 1988) ; ELISA (FR, Jean Becker, 1994) ; KARNAVALNAIA NOCH (UR, Eldar Ryazanov, 1956) ; IRONIYA SUDBY ILI S LYOGKIM PAROM (UR, Eldar Ryazanov, 1975) ; PLACIDO (SP, Luis Garcia Berlanga, 1961) Summary: A look at depictions of Christmas across various national cinemas and genres throughout the 20th century.Notes: Includes bibliographical references and indexes.
Filmography: p. ([223]-232)ISBN: 1860643973Contents: -- God Bless Us, Every One: Movie Adaptations Of A Christmas Carol / James Chapman -- A Hollywood Carol's Wonderful Life / Jonathan Munby -- Dreaming Of Christmas: Hollywood And The Second World War / H. Mark Glancy -- Christmas Under Fire: The Wartime Christmas In Britain / Sarah Street -- Crisis At Christmas: Turkey Time, The Holly And The Ivy, The Cheaters / Jeffrey Richards -- Santa Claus: The Movie / Mark Connelly -- You Better Watch Out: Christmas In The Horror Film / Kim Newman -- 'Peace On Earth, Goodwill To All Men': The Depiction Of Christmas In Moden Hollywood Films / Rowana Agajanian -- Christmas In French Cinema / Guy Austin -- Father Frost On 31 December: Christmas And New Year In Soviet And Russian Cinema / Birgit Beumers -- Satirizing The Spanish Christmas: Placido / Peter William Evans
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CILECT : list of important Australian films / compiled by Denny Lawrence [North Ryde, NSW?]: Australian Film and Television School, [1980?].
Call No: 675.1(94) LAWAuthor: Lawrence, Denny Source: ATPlace: [North Ryde, NSW?]Publisher: Australian Film and Television SchoolPubDate: [1980?]PhysDes: 60 leaves : 30 cmSubject: AUSTRALIAN FILM AND TELEVISION SCHOOL ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921) ; KID STAKES, THE (AT, Tal Ordell, 1927) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; BETWEEN WARS (AT, Michael Thornhill, 1974) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PURE S (AT, Bert Deling, 1976) ; CADDIE (AT, Donald Crombie, 1976) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; MAD MAX (AT, George Miller, 1979) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PALM BEACH (AT, Albie Thoms, 1979) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; JEDDA (AT, Charles Chauvel, 1955) ; THREE IN ONE (AT, Cecil Holmes, 1956) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; CASTOR AND POLLUX (AT, Phillip Noyce, 1973) ; MOVING ON (AT, Richard Mason, 1974) ; PETERSEN (AT, Tim Burstall, 1974) ; LEISURE (AT, Bruce Petty, 1976) ; STORM BOY (AT, Henri Safran, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977) ; SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MOUTH MUSIC (NZ, Gregor Nichlas, 1981) ; MOUTH TO MOUTH (AT, John Duigan, 1978) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STEPPING OUT (AT, Chris Noonan, 1980) ; STIR (AT, Stephen Wallace, 1980) ; BEST FILMS. AUSTRALIA Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.Notes: Reprinted October 1980Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir
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journal article
Cine-art film appraisals January 1982 in Filmviews (Mar 1982) vol.27 iss.1 p.24-26
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Cinema and social change in Latin America : conversations with filmmakers / edited by Julianne Burton Austin: University of Texas Press, 1986.
Call No: 802.25(8=6) CINAuthor: Burton, Julianne Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1986PhysDes: xvi, 302 p. : ports. ; 24 cmSubject: LATIN AMERICAN COUNTRIES ; DOCUMENTARY FILMS. LATIN AMERICAN COUNTRIES ; BOLIVIA ; CHILE ; NICARAGUA ; MEXICO ; CUBA ; BIRRI, FERNANDO ; SANJINES, JORGE ; GUZMAN, PATRICIO ; ROCHA, GLAUBER ; ALEA, TOMAS GUTIERREZ ; SANTOS, NELSON PEREIRA DOS ; SOLAS, HUMBERTO ; DIEGUES, CARLOS ; RUIZ, RAUL ; GUMUCIO DAGRON, ALFONZO ; HANDLER, MARIO ; SILVA, JORGE ; RODRIGUEZ, MARTA ; VAZQUEZ, EMILIO RODRIGUEZ ; IBARRA, CARLOS VICENTE ; SOLBERG-LADD, HELENA ; EGUINO, ANTONIO ; VILLAGRA, NELSON ; FERNANDEZ VIOLANTE, MARCELA ; ACHUGAR, WALTER ; COLINA, ENRIQUE ; GARCIA ESPINOSA, JULIO Notes: Includes indexes; Bibliography: p. [285]-286ISBN: 0292724535; 0292724543 (pbk.)LON: 4568383
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book
Cinema at the edges : new encounters with Julio Medem, Bigas Luna and Jose Luis Guerin New York: Berghahn Books, 2014.
Call No: 802.25(460) LOXAuthor: Loxham, Abigail Source: USPlace: New YorkPublisher: Berghahn BooksPubDate: 2014PhysDes: vii, 193 pages : illustrations ; 24 cmSubject: MEDEM, JULIO ; BIGAS LUNA ; GUERIN, JOSE ; SPAIN ; EUROPEAN COUNTRIES ; DIRECTORS. SPAIN Summary: "The works of popular Spanish film directors Julio Medem, Juan Jose Bigas Luna and Jose Guerin are newly appraised in relation to their engagement with alternative national and cinematic subjectives. Their films examine the limitations of the cinematic gaze, as the author shows, highlighting the ways in which these directors make recourse to hybridity, contact and interface to overcome the binary power dynamic previously thought to be a feature of cinema. This book explores their status as solely 'Spanish' filmmakers while focusing on their diverse and immensely creative output, offering new readings that engage with current debates in visual culture surrounding psychoanalytic theory, phenomenology and theories of documentary practice." -- BOOK BLURBNotes: Includes bibliographical references and index; Includes filmographyISBN: 9781782383048Donation: donated by Senses of Cinema, 2014Contents: Introduction: Defining the Edge -- Chapter 1. (Re-)Defining Spanish Cinema? -- Chapter 2. Julio Medem: At the Margins of the Self -- Chapter 3. Bigas Luna: Physical Frontiers -- Chapter 4. Jose Luis Guerin: Between Reality and Fiction -- Conclusion: Looking Forward to the Past
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Interim
book
Cinema futures : Cain, Abel or cable?: the screen arts in the digital age / edited by Thomas Elsaesser and Kay Hoffmann Amsterdam: Amsterdam University Press, 1998.
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book
Cinema futures: Cain, Abel or cable? : The screen arts in the digital age / Thomas Elsaesser
Kay Hoffmann Amsterdam: Amsterdam University Press, 1998.
Call No: 202 CINAuthor: Elsaesser, Thomas
Hoffmann, Kay Place: AmsterdamPublisher: Amsterdam University PressPubDate: 1998PhysDes: 312 pages : ill. ; 25 cmSeries: Film culture and translationSubject: DIGITAL CINEMA ; DIGITAL DISTRIBUTION ; DIGITAL MEDIA AND THE CINEMA ; DIGITAL TELEVISION ; COMPUTERS AND THE CINEMA ; TELEVISION AND THE CINEMA ; TELEVISION AND THE ARTS ; TELEVISION, FILMS SHOWN ON ; VIRTUAL REALITY Summary: "Cinema Futures: Cain, Abel or Cable? presents a careful and forceful argument about predictions that tend to be made when new technologies appear. Examining the complex dynamics of convergence and divergence among the audio-visual media, the authors are realistic in their estimate of the future of the cinema's aesthetic identity, and robustly optimistic that the different social needs audiences bring to the public and domestic media will ensure their distinctiveness, as well as the necessary openness of cultural meaning and creative input" -- BlurbNotes: Includes bibliographical references, notes and indexISBN: 9053563121Donation: Adrien MilesContents: 1. Preface / Thomas Elsaesser and Kay Hoffmann -- Introduction -- 2. Cinema futures: Convergence, divergence, difference / Thomas Elsaesser -- Sectio one: Media archaeologies -- 3. Towards an archaeology of the computer screen / Lev Manovich -- 4. Louis Lumiere - the cinema's first virtualist? / Thomas Elsaesser -- 5. Speed is the mother of cinema / Edgar Reitz -- 6. Fin de Siecle of television / Siegfried Zielinski -- 7. Theseus and Ariadne: For a counter-history of the cinema-television relationship? / Vito Zagarrio -- Section two: Cinema and television -- 8. Scanning the horizon: A film is a film is a film / Conrad Schoeffter -- 9. Television and the close-up: Interference or correspondence? / Pierre Sorlin -- 10. Cinema and television: Laios and Oedipus / John Ellis -- 11. Cinema and television: From Eden to the land of nod? / Michael Eaton -- 12. Fantasy island: Dream logic as production logic / Thomas Elsaesser -- Section three: Documentary: the digital age's first casualty -- 13. 'I See, if I Believe it' - Documentary and the digital / Kay Hoffmann. -- 14. Theatrical and Television Documentary: The sound of one hand clapping / Brian Winston -- 15. On the big screen every doctor gets a Starring Role / Joyce Roodnat -- 16. From butterflies and bees to Roger and me / Stan Lapinski and Rene van Uffelen -- 17. To lie and to act: Cinema and telepresence / Ley Manovich -- Section four: Digital futures for cinema -- 18. Digital cinema: Delivery, event, time / Thomas Elsaesser
19. The television screen: from spoil-sport to game-maker / Ed Tan
20. Random access rules / Grahame Weinbren
21. Electronic cinema: On the way to the digital / Kay Hoffmann
22. The assault of computer-generated worlds on the rest of time / Martin Emele
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book
Cinema in Australia : an industry profile / written and researched by Jock Given, Rosemary Curtis and Mary McCutcheon Hawthorn, Victoria: Swinburne University of Technology, June 2013.
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Cinema in the digital age / Rombes, Nicholas New York: New York Columbia University Press, 2017.
Call No: 62 ROMAuthor: Rombes, Nicholas Edition: Revised editionPlace: London; New YorkPublisher: New York Columbia University PressPubDate: 2017PhysDes: 22 b& w illustrationsSubject: DIGITAL CINEMA ; NOSTALGIA ; FILMMAKING ; DISTRIBUTION ; DIGITAL DISTRIBUTION ; MEDIA AND THE CINEMA ; EDITING ; PHILOSOPHY AND THE CINEMA ; VIDEO FORMATS ; PARANORMAL ACTIVITY : THE MARKED ONES ( US, Christopher Landon, 2014) ; THEORY ; SPECTATORSHIP ; BLUE VELVET (US, David Lynch, 1986) ; APPLE ; COMPUTER GENERATED IMAGERY ; POSTMODERNISM AND THE CINEMA ; FORMATS ; CINEMATOGRAPHY Summary: Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes-blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera.With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)-both shot digitally-have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization.Notes: Includes bibliographical references.ISBN: 9780231167550Donation: Senses of CinemaContents: Machine generated contents note: 1.Accelerationism
2.The Adorno Paradox
3.Against Method
4.Analog/ Digital Splice
5.Blood, Simple
6.Boredom and Analog Nostalgia
7.The Digital Spectacular
8.Disposable Aesthetics
9.DV Humanism
10.Filmless Films
11.Frame Dragging
12.The Ideology of the Long Take
13.Image/ Text
14.Incompleteness
15.Interfaces
16.iPod Experiment
17.Ironic Mode
18.Looking at Yourself Looking
19.The Lost Underground
20.Love in the Time of Fragments
21.Media as Its Own Theory
22.Mobile Viewing
23.Moving Space in the Frame, and a Note on Film Theory
24.Natural Time
25.Nonlinear
26.Paranormal Activity 2
27.Pausing
28.Punk
29.Realism
30.Real Time
31.The Real You
32.The Reality Industrial Complex
33.Remainders
34.Sampling
35.Secondary Becomes Primary
36.Self-Deconstructing Narratives
37.Shaky Camera
38.Shoot!
39.Simultaneous Cinema
40.Small Screens
Contents note continued: 41.Target Video
42.Time, Memory
43.Time-Shifting
44.Tmesis: Skimming and Skipping
45.Undirected Films
46.Viewer Participation
47.Virtual Humanism: Part 1
48.Virtual Humanism: Part 2
49.Visible Language, Spring 1977
50.Interpreting Film Images Through Randomized Constraint: The Blue Velvet Project
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Cinema in the Federal Republic of Germany : the new German film, origins and present situation : a handbook / Hans GFunther Pflaum, Hans Helmut Prinzler ; [translation, Timothy Nevill] Bonn: Inter Nationes, 1983.
Call No: 71(430.1) PFLAuthor: Pflaum, Hans GFunther ; Prinzler, Hans Helmut Place: BonnPublisher: Inter NationesPubDate: 1983PhysDes: 180 p. : ill. ; 21 cmSubject: GERMANY ; GERMAN FEDERAL REPUBLIC ; DIRECTORS. GERMANY ; ACHTERNBUSCH, HERBERT ; ACKEREN, ROBERT VAN ; FASSBINDER, RAINER WERNER ; GEISSENDORFER, HANS W. ; HERZOG, WERNER ; KLUGE, ALEXANDER ; WILDENHAHN, KLAUS ; ZIEWER, CHRISTIAN ; SCHROETER, WERNER ; STRAUB, JEAN-MARIE ; THOME, RUDOLPH ; SANDER, HELKE ; SCHILLING, NIKLAUS ; NEKES, WERNER ; COSTARD, HELLMUTH ; HAUFF, REINHARD ; LILIENTHAL, PETER ; OTTINGER, ULRIKE ; PETERSEN, WOLFGANG ; PRAUNHEIM, ROSA VON ; SANDERS-BRAHMS, HELMA ; SCHLONDORFF, VOLKER ; SYBERBERG, HANS JURGEN ; TROTTA, MARGARETHE VON ; Wenders, Wim Notes: Translation of: Film in der Bundesrepublik Deutschland; Bibliography: p. 179LON: 3594169
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Le Cinema indien / sous la direction de Jean-Loup Passek ; textes de Raphael Bassan ... [et al.] Paris: L'Equerre Centre Georges Pompidou, c1983.
Call No: 71(540) CINAuthor: Passek, Jean Loup ; Bassan, Raphael CorpAuthor: Centre Georges PompidouPlace: ParisPublisher: L'Equerre Centre Georges PompidouPubDate: c1983PhysDes: 228 p. : ill. ; 24 cmSeries: Cinema/plurielSubject: INDIA ; DIRECTORS. INDIA Notes: "Livre ... concu a l'occasion de la retrospective consacree au cinema indien au Centre Pompidou du 26 mars au 21 juin 1983"--T.p. verso; Includes index; Bibliography: p. 219ISBN: 2864250373 : 159FLanguage: FrenchLON: 3068080
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book
Cinema novo x 5 : masters of contemporary Brazilian film / by Randal Johnson Austin, Tex.: University of Texas Press, 1984.
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The cinema of Satyajit Ray / Chidananda Das Gupta New Delhi: National Book Trust, India, 1994.
Call No: 81RAY DASAuthor: Das Gupta, Chidananda Edition: rev. and enl. ed.Place: New DelhiPublisher: National Book Trust, IndiaPubDate: 1994PhysDes: xv, 204 p., [48] p. of plates : ill. ; 24 cmSubject: Ray, Satyajit ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; APARAJITO (II, Satyajit Ray, 1957) ; PARASH PATHAR (II, Satyajit Ray, 1958) ; JALSAGHAR (II, Satyajit Ray, 1958) ; APUR SANSAR (II, Satyajit Ray, 1958) ; DEVI (II, Satyajit Ray, 1960) ; TEEN KANYA (II, Satyajit Ray, 1961) ; RABINDRANATH TAGORE (ii, Satyajit Ray, 1961) ; KANCHENJUNGHA (II, Satyajit Ray, 1962) ; ABHIJAN (II, Satyajit Ray, 1962) ; MAHANAGAR (II, Satyajit Ray, 1963) ; CHARULATA (II, Satyajit Ray, 1964) ; TWO (II, Satyajit Ray, 1964) ; KAPURAUSH O MAHAPURUSH (II, Satyajit Ray, 1965) ; NAYAK (II, Satyajit Ray, 1966) ; CHIRIAKHANA (II, Satyajit Ray, 1967) ; GOOPY GYNE BAGHA BYNE (II, Satyajit Ray, 1968) ; ARANYER DIN RATRI (II, Satyajit Ray, 1970) ; PRATIDWANDI (II, Satyajit Ray, 1971) ; SEEMABADDHA (II, Satyajit Ray, 1971) ; JANA ARANYA (II, Satyajit Ray, 1975) ; SHATRANJ KE KHILARI (II, Satyajit Ray, 1977) ; JOI BABA FELUNATH (II, Satyajit Ray, 1978) ; HOME AND THE WORLD, THE [ ; SHAKHA PROSHAKHA (II/FR, Satyajit Ray, 1990) ; AGANTUK (II, Satyajit Ray, 1991) ; INNER EYE, THE (II, Satyajit Ray, 1972) ; ASANI SANKET (II, Satyajit Ray, 1973) ; SONAR KELLA (II, Satyajit Ray, 1975) ; BALA (II, Satyajit Ray, 1976) ; JOI BABA FELUNATH (II, Satyajit Ray, 1978) ; HIRAK RAJAR DESHE (II, Satyajit Ray, 1980) ; PIKOO (II, Satyajit Ray, 1980) ; SADGATI (II, Satyajit Ray, 1981) ; SUKUMAR RAY (II, Satyajit Ray, 1988) ; GANASHATRU (II, Satyajit Ray, 1989) Notes: Includes bibliographical references (p. [201]-204)ISBN: 8123707533Donation: donated by the family of Wayne Levy, 2006
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The cinema of Tom DiCillo : include me out / Wayne Byrne; foreword by Steve Buscemi Chichester, U.K.: Wallflower Press published by Columbia University Press,
Call No: 81 DIC BYRAuthor: Byrne, Wayne ; Buscemi, Steve Place: New York; Chichester, U.K.Publisher: Wallflower Press published by Columbia University PressPhysDes: x,210 p. : illus. ; 24 cmSeries: Director's CutsSubject: DICILLO, TOM ; JOHNNY SUEDE (US, Tom DiCillo, 1991) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; BOX OF MOONLIGHT (US, Tom DiCillo, 1996) ; REAL BLONDE, THE (US, Tom DiCillo, 1997) ; DELIRIOUS (US, Tom Di Cillo, 2006) ; WHEN YOU'RE STRANGE: A FILM ABOUT THE DOORS (US, Tom DiCillo, 2009) ; DOWN IN SHADOWLAND (US, Tom Di Cillo, 2014) Summary: This volume considers for the first time in a single collection this acclaimed, award-winning director's entire oeuvre, addressing and analysing themes such as identity, family, and masculinity, supported by in-depth coverage of the generic and aesthetic aspects of DiCillo's distinctive and influential film style. Through detailed chapters on each of DiCillo's feature films, presented here is a candid look behind-the-scenes of both the American independent film industry - from the No Wave movement of the 1980s, through the Indie boom of the 1990s, to the contemporary milieu - and the Hollywood studio system. This study documents the writing, production, and release of every DiCillo picture, each followed by an extensive Q&A with the director. Also featured are exclusive interviews and commentary with many cast members and collaborators, and members of legendary rock group, The Doors. Films covered include Johnny Suede, Living In Oblivion, Box of Moonlight, The Real Blonde, Double Whammy, Delirious, When You're Strange, and Down in Shadowland. -- publisher's web siteISBN: 9780231185356Donation: Senses of CinemaContents: Acknowledgments
Foreword
Introduction
1. The Language of Dream: Deciphering DiCillo
2. Johnny Suede (1991)
3. Living in Oblivion (1995)
4. Box of Moonlight (1996)
5. The Real Blonde (1997)
6. Double Whammy (2001)
7. Delirious (2006)
8. When You’re Strange: A Film About The Doors (2009)
9. Down in Shadowland (2014)
Notes
Filmography
Bibliography
Index
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Cinematic encounters 2 : portraits and polemics / Jonathan Rosenbaum Urbana, Chicago, and Springfield: University of Illinois Press, 2019.
Call No: 670 ROSAuthor: Rosenbaum, Jonathan Edition: 2019Place: Urbana, Chicago, and SpringfieldPublisher: University of Illinois PressPubDate: 2019PhysDes: 312 pages ; 23cmSubject: DIRECTORS ; AKERMAN, CHANTAL ; BROOKS, JAMES L. ; BUNUEL, LUIS ; DEMY, JACQUES ; DREYER, CARL TH. ; GIANVITO, JOHN ; JARMUSCH, JIM ; LEWIS, JERRY ; LINKLATER, RICHARD ; MADDIN, GUY ; MAY, ELAINE ; OLIVEIRA, MANOEL DE ; OLMI, ERMANNO ; YASUJIRO OZU ; POTTER, SALLY ; RAPPAPORT, MARK ; RESNAIS, ALAIN ; RIVETTE, JACQUES ; TARR, BELA ; MING-LIANG, TSAI ; WELLES, ORSON Summary: Eschewing the idea of film reviewer-as-solitary-expert, Jonathan Rosenbaum continues to advance his belief that a critic's ideal role is to mediate and facilitate our public discussion of cinema. Portraits and Polemics presents debate as an important form of cinematic encounter whether one argues with filmmakers themselves, on behalf of their work, or with one's self.
Rosenbaum takes on filmmakers like Chantal Akerman, Richard Linklater, Manoel De Oliveira, Mark Rappaport, Elaine May, and Béla Tarr. He also engages, implicitly and explicitly, with other writers, arguing with Pauline Kael—and Wikipedia—over Jacques Demy, with the Hollywood Reporter and Variety reviewers of Jarmusch’s The Limits of Control, with David Thomson about James L. Brooks, and with many American and English film critics about misrepresented figures from Jerry Lewis to Yasujiro Ozu to Orson Welles. Throughout, Rosenbaum mines insights, pursues pet notions, and invites readers to join the fray. -- publisher's web siteISBN: 9780252084386Contents: Introduction: In Defense of Polemical Criticism -- 1. Chantal Akerman -- 2. James L. Brooks -- 3. Luis Buñuel -- 4. Pedro Costa -- 5. André Delvaux -- 6. Jacques Demy -- 7. Carl Dreyer -- 8. John Gianvito -- 9. Jim Jarmusch -- 10. Jia Zhangke -- 11. Jerry Lewis -- 12. Richard Linklater -- 13. Guy Maddin -- 14. Elaine May -- 15. Manoel de Oliveira -- 16. Ermanno Olmi -- 17. Yasujiro Ozu -- 18. Sally Potter -- 19. Mark Rappaport -- 20. Alain Resnais -- 21. Jacques Rivette -- 22. Béla Tarr -- 23. Tsai Ming-liang -- 24. Orson Welles – Index.
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Old collection
book
Cinemaworkshop / Jo¨rn Donner Carlton, Vic.: Federation of Victorian Film Societies, 1967.
Call No: 81DON CINAuthor: Donner, Jorn Source: ATPlace: Carlton, Vic.Publisher: Federation of Victorian Film SocietiesPubDate: 1967PhysDes: 10 1. ; 26 cm.Subject: DONNER, JORN ; FESTIVALS. MELBOURNE ; DIRECTORS. SWEDEN Notes: Edited transcript of working workshop session organised by the Melbourne Film Festival hold in June 1967.
Processed.
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Cinesonic : cinema and the sound of music / edited by Philip Brophy North Ryde, N.S.W. St. Leonards, N.S.W.: Australian Film Television & Radio School Allen & Unwin, 2000.
Call No: 634 CINAuthor: Brophy, Philip CorpAuthor: Australian Film, Television and Radio SchoolSource: ATPlace: North Ryde, N.S.W. St. Leonards, N.S.W.Publisher: Australian Film Television & Radio School Allen & UnwinPubDate: 2000PhysDes: vii, 224 p. : ill. ; 21cmSubject: SOUND ; NATIVE AMERICAN CINEMA ; MUSIC IN FILMS ; FILM NOIR ; JAZZ IN FILMS ; WESTERNS ; DIALOGUE ; NAZIS IN FILMS ; PROMOTIONAL VIDEOS ; LANG, FRITZ ; WILLIAMS, HYPE ; THOM, RANDY ; MUSY, FRANCOIS ; GODARD, JEAN-LUC ; SHEA, DAVID ; WELLES, ORSON ; KWAIDAN (JA, Masaki Kobayashi, 1964) ; NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittoria Taviani, 1982) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BLACK RIVER (AT, Kevin Lucas, 1991) ; MAN CALLED HORSE, A (US, Elliot Silverstein, 1970) Notes: Includes index; BibliographyISBN: 1876351098 : $24.95; 1876351098; 1876351098 (Pbk); 1876351098LON: 21470326Contents: Part 1: Issues in sound design and film scores -- Designing a movie for sound: randy Thom in conversation -- Recording for Godard: Francois Musy in conversation -- Sampling the cinema: David Shea in conversation -- Part 2: Transmission from beyond the cinema -- The kinematic pneumacosm of Hype Williams: the rhythm of vision is a dancer / Kodwo Eshun -- My aisles of golden dreams: the beauty of supermarket music / Joseph Lanza -- Sonic darkness: notes towards an aesthetic of jazz in American film noiw / John Conomos -- Part 3: Encodings of orchestral statement -- Drums along the LA river: scoring the Indian / Claudia Gorbman -- The world heard: music, nature, film / Evan Eisenberg -- The original Ludwig van (and others): classical music as cultural marker / Roger Hillman - Part 4: Constructs of recorded sound -- Lang's sound / Adrian Martin -- Orson Welles' turn from live recording to postsynchronization: a technical and aesthetic evolution / Francois Thomas -- How sound floats on land: the suppression and release of folk and indigenous musics in the cinematic terrain / Philip Brophy
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City on fire : Hong Kong cinema / Lisa Odham Stokes and Michael Hoover New York: Verso, 1999.
Call No: 71(512.317) STOAuthor: Stokes, Lisa Odham ; Hoover, Michael Place: New YorkPublisher: VersoPubDate: 1999PhysDes: p. cmSubject: FOOD IN FILMS ; CHAN, JACKIE ; CHAN, PETER ; CHOW, YUN-FAT ; CHIAU, STEPHEN ; DOYLE, CHRISTOPHER ; HUI, ANN ; KWAN, STANLEY ; LAM, RINGO ; LAW, CLARA ; TSUI, HARK ; WONG KAR-WAI ; TONG, STANLEY [pseud. of Tony Kwei Lai] ; WOO, JOHN [pseud. of Wu Yusen] ; Yeoh, Michelle ; Yu, Ronnie ; YINGXIONG BENSE II (HK, John Woo [pseud. of Wu Yusen], 1988) ; BALLISTIC KISS [SAT SAT YAN, TIU TIU MO / SHA SHA REN TIAO TIAO MIU] (HK, Donnie Yen, 1998) ; ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994) ; GAMYUK MUNTONG (HK, Tsui Hark, 1996) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; TIAN MIMI (HK, Peter Chan, 1997) ; CHEUN GWONG TSA SIT (HK, Wong Kar-Wai, 1997) ; HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997) ; LASHOU SHENTAN (HK, John Woo [pseud. of Wu Yusen], 1992) ; DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989) Notes: Includes bibliographical references and indexISBN: 1859847161 (cloth); 1859842038 (pbk.)LON: 20214722ID2: 291
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Clint Eastwood : sexual cowboy / Douglas Thompson London: Warner, 1993.
Call No: 81EAS THOAuthor: Thompson, Douglas Source: UKPlace: LondonPublisher: WarnerPubDate: 1993PhysDes: vii, 231 p., [8]p of plates : ill., ports ; 18cmSubject: ACTORS. USA ; ACTORS AS DIRECTORS ; DIRECTORS. USA ; WARNER BROS. ; BOGART, HUMPHREY ; BURTON, RICHARD ; EASTWOOD, CLINT ; COOPER, GARY ; HOLDEN, WILLIAM ; LOCKE, SONDRA ; NEWMAN, PAUL ; REYNOLDS, BURT ; SIEGEL, DON ; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIRD (US, Clint Eastwood, 1988) ; BREEZY (US, Clint Eastwood, 1973) ; BRONCO BILLY (US, Clint Eastwood, 1980) ; CITY HEAT (US, Richard Benjamin, 1984) ; DIRTY HARRY (US, Don Siegel, 1971) ; ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PINK CADILLAC (US Buddy van Horn, 1989) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; TIGHTROPE (US, Richard Tuggle, 1984) ; TWO MULES FOR SISTER SARA (US, Don Siegel, 1969) ; WHERE EAGLES DARE (US, Brian G. Hutton, 1969) Notes: First published London : Smith Graphon, 1992; Filmography: p 215-224.; Includes index.ISBN: 0751503878Donation: donated by the family of Wayne Levy, 2006
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[Clowning around II : stills file] / Skip Watkins Barron Films,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Barron FilmsPhysDes: 12 photographs : b&w ; 13 x 18 cmSubject: WILLIAMSON, CLAYTON ; DINGO, ERNIE ; FOUCHE, FREDERIQUE ; BLACKWELL, PAUL ; OVERTON, VERONICA ; DAGORY, JEAN-MICHEL ; KERR, BILL ; FORD, MARGARET ; CLOWNING AROUND II [TV] (AT, George Whaley, 1993) Summary: Twelve black and white photographs relating to the film Clowning around 2
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Color : the film reader / Angela Dalle Vacche (editor) New York, London: Routledge, 2006.
Call No: 633.22 COLAuthor: Dalle Vacche, Angela ; Brian Price Source: USPlace: New York, LondonPublisher: RoutledgePubDate: 2006PhysDes: x, 214 p, [6] p. of plates : col. ill. ; 24 cmSeries: In focus - Routledge film readersSubject: COLOUR ; AESTHETICS ; CINEMATOGRAPHY ; TECHNICOLOR ; BAZIN, ANDRE ; ARNHEIM, RUDOLF ; ROHMER, ERIC ; BATCHELOR, JOHN ; OSHIMA, NAGISA ; BRAKHAGE, JANE ; HITCHCOCK, ALFRED ; ANDERSON, PAUL THOMAS ; HOU HSIAO-HSIEN ; GODARD, JEAN-LUC ; ANTONIONI, MICHELANGELO ; JARMAN, DEREK ; MAMOULIAN, ROUBEN ; SIRK, DOUGLAS ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; DIAL M FOR MURDER (US, Alfred Hitchcock, 1954) ; GIGI (US, Vincente Minnelli, 1958) ; IMITATION OF LIFE (US, Douglas Sirk, 1959) ; REBECCA (US, Alfred Hitchcock, 1940) ; VERTIGO (US, Alfred Hitchcock, 1958) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "The first anthology devoted to the subject of color in film. Thematic sections will address the development of color technology and how visual style was affected by the shift from black and white to color; look at color in film theory, including writings from auteurs such as Bresson, Eisenstein and Oshima on the subject; and finally, there will be a number of case studies of color in films by Godard, Hitchcock, Almodovar and others."[ Taken from the back of the book]Notes: Bibliography: (p [202]-205); Includes indexISBN: 0415324424; 9780415324427
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A companion to Alfred Hitchcock / edited by Thomas Leitch and Leland Poague Chichester, U.K. ; Malden, MA: Wiley-Blackwell, 2011.
Call No: 81HIT COMSource: UKPlace: Chichester, U.K. ; Malden, MAPublisher: Wiley-BlackwellPubDate: 2011PhysDes: xiv, 610 pages ; 25 cmSeries: Wiley Blackwell companions to film directorsSubject: THEORY ; DIRECTORS. UK ; HITCHCOCK, ALFRED Summary: "A Companion to Alfred Hitchcock is the most ambitious and comprehensive volume ever published on the Master of Suspense, considering the full range of his career--from his earliest contributions to other directors' silent films to his own uncompleted last effort. Thirty chapters by the world's leading Hitchcock experts cover well-established approaches and cutting-edge scholarship, and tackle the most puzzling and complex problems in Hitchcock's films and contemporary film studies. Placing Hitchcock and his works in their cultural and intellectual contexts, contributors to the volume explore the genres with which his work is most closely associated; his relationships with his performers and other leading collaborators; the verbal and visual style of his films; Hitchcock's rise to prominence as the quintessential Hollywood auteur; the ideological and ethical implications of his films; and the enduring legacy he left to filmmakers and audiences alike." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9781118797006Contents: pt. I Background -- 1.Hitchcock's Lives / Thomas Leitch -- 2.Hitchcock's Literary Sources / Ken Mogg -- 3.Hitchcock and Early Filmmakers / Charles Barr -- 4.Hitchcock's Narrative Modernism: Ironies of Fictional Time / Thomas Hemmeter -- pt. II Genre -- 5.Hitchcock and Romance / Lesley Brill -- 6.Family Plots: Hitchcock and Melodrama / Richard R. Ness -- 7.Conceptual Suspense in Hitchcock's Films / Paula Marantz Cohen -- pt. III Collaboration -- 8."Tell Me the Story So Far": Hitchcock and His Writers / Leland Poague -- 9.Suspicion: Collusion and Resistance in the Work of Hitchcock's Female Collaborators / Tania Modleski -- 10.A Surface Collaboration: Hitchcock and Performance / Susan White -- pt. IV Style -- 11.Aesthetic Space in Hitchcock / Brigitte Peucker -- 12.Hitchcock and Music / Jack Sullivan -- 13.Some Hitchcockian Shots / Murray Pomerance -- pt. V Development -- 14.Hitchcock's Silent Cinema / Sidney Gottlieb --
Contents note continued: 15.Gaumont Hitchcock / Tom Ryall -- 16.Hitchcock Discovers America: The Selznick-Era Films / Ina Rae Hark -- 17.From Transatlantic to Warner Bros. / David Sterritt -- 18.Hitchcock, Metteur-en-scene: 1954-60 / Joe McElhaney -- 19.The Universal Hitchcock / William Rothman -- pt. VI Auteurism -- 20.French Hitchcock, 1945-55 / James M. Vest -- 21.Lost in Translation? Listening to the Hitchcock-Truffaut Interview / Janet Bergstrom -- 22.Robin Wood's Hitchcock / Harry Oldmeadow -- pt. VII Ideology -- 23.Accidental Heroes and Gifted Amateurs: Hitchcock and Ideology / Toby Miller -- 24.Hitchcock and Feminist Criticism: From Rebecca to Marnie / Florence Jacobowitz -- 25.Queer Hitchcock / Alexander Doty -- pt. VIII Ethics -- 26.Hitchcock and Philosophy / Richard Gilmore -- 27.Hitchcock's Ethics of Suspense: Psychoanalysis and the Devaluation of the Object / Todd McGowan --
Contents note continued: 28.Occasions of Sin: The Forgotten Cigarette Lighter and Other Moral Accidents in Hitchcock / George Toles -- pt. IX Beyond Hitchcock -- 29.Hitchcock and the Postmodern / Angelo Restivo -- 30.Hitchcock's Legacy / Richard Allen
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A concise handbook of movie industry economics / Charles C. Moul (ed.) New York: Cambridge University Press, 2005.
Call No: 203 CONAuthor: Charles C. Moul (ed.) Place: New YorkPublisher: Cambridge University PressPubDate: 2005PhysDes: 23 cm ; 214 pSubject: EXHIBITION ; EXHIBITION. USA ; INDUSTRY, FILM ; INDUSTRY, FILM. USA ; FINANCING. USA ; ADVERTISING FOR FILMS ; ADVERTISING. USA ; USA ; PRODUCTION ; PRODUCTION COSTS ; DIGITAL TECHNOLOGY ; INCOME ; AWARDS. ACADEMY ; STUDIO SYSTEM ; GOVERNMENT CONTROL. USA ; BOX OFFICE. USA Summary: This concise handbook collects essays on all aspects of the motion picture industry by leading authorities in political economy, economics, accounting, financing, and marketing. In addition to bringing the reader an up-to-date perspective on what is known and what has been accomplished, it includes both new findings on a variety of topics and directions for additional research. Topics include the estimation of theatrical and ancillary demand, profitability studies, resolution of evident paradoxes in studio executive behaviour, interaction of the industry and government, impacts of the most recent changes in accounting standards, and the role and importance of participation contracts. New results include findings on the true nature of the seasonality of theatrical demand, the predictive power of surveys based upon trailers, the impact of the Academy Awards, the effectiveness of prior history measures to gauge cast members and directors, and the substitutability of movies across different genres. [Taken from inner jacket sleeve].ISBN: 0521843847
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Confronting the digital deadlock in Lumina (Summer 2010) iss.2 p.252-260
Author: Wilson, Jennifer PhysDes: ArticleSubject: DIGITAL TECHNOLOGY ; DISTRIBUTION ; COPYRIGHT ; LAW AND THE CINEMA. AUSTRALIA Summary: New digital techologies allow the creation of new forms of content, including games, websites, mobile and interactive stories. They also allow the repurposing of heritage media - content originally intended for film or telelvision screen. Wilson argues that current copyright legislation has failed to keep up with these technological innovations, thus impeding their uptake. She proposes several models of distribution online.
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Contemporary New Zealand cinema : : from new wave to blockbuster / edited by Ian Conrich and Stuart Murray London: I.B. Tauris, 2008.
Call No: 71 (931) NEWAuthor: Conrich, Ian (ed) ; Murray, Stuart(ed) Place: LondonPublisher: I.B. TaurisPubDate: 2008PhysDes: xiv, 273 p. : ill. ; 24 cmSeries: I.B Taruris world cinema seriesSubject: FEMINISM AND THE CINEMA ; FESTIVALS. NEW ZEALAND ; MAORI CINEMA ; MASCULINITY IN FILMS ; NEW ZEALAND FILM COMMISSION ; NEW ZEALAND IN FILMS ; REALISM IN FILMS ; RELIGION IN FILMS ; BARCLAY, BARRY ; CAMPION, JANE ; CURTIS, CLIFF ; DUFF, ALAN ; DONALDSON, ROGER ; DENNIS, JONATHAN ; Grierson, John ; JACKSON, PETER (NZ) ; LAWRENCE, BRUNO ; MUNE, IAN ; MURPHY, GEOFFREY ; LANGE, DAVID ; MACLEAN, ALISON ; MITA, MERATA ; MORRIESON, RONALD HUGH ; MORRISON, TEMUERA ; MULDOON, ROBERT ; NEILL, SAM ; PRESTON, GAYLENE ; SARGESTON, FRANK ; SARKIES, ROBERT ; TAMAHORI, LEE ; WARD, VINCENT ; BAISE-MOI (FR, Virginie Despentes, 2000) ; BRAINDEAD (NZ, Peter Jackson, 1992) ; CAME A HOT FRIDAY (NZ, Ian Mune, 1985) ; CHANNELLING BABY (NZ, Christine Parker, 1999) ; CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995) ; CRUSH (NZ, Alison MacLean, 1992) ; DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993) ; END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991) ; GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000) ; JUBILEE (NZ, Michael Hurst, 2000) ; LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003) ; MAGIK AND ROSE (NZ, Vanessa Alexander, 1999) ; NGATI (NZ, Barry Barclay, 1987) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PIANO, THE (AT, Jane Campion, 1993) ; PRICE OF MILK, THE (NZ, Harry Sinclair, 2000) ; QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985) ; RAIN (NZ, Christine Jeffs, 2001) ; SAVING GRACE (NZ, Costa Botes, 1997) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; SCARFIES (NZ, Robert Sarkies, 1999) ; SKIN DEEP (NZ, Geoff Steven, 1978) ; SNAKESKIN (NZ, Gillian Ashurst, 2001) ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; SMASH PALACE (NZ, Roger Donaldson, 1981) ; TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997) ; UTU (NZ, Geoffrey Murphy, 1983) ; VIGIL (NZ, Vincent Ward, 1984) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKETNotes: Filmography: p.[239]-253
Bibliography: p. 255- 258; Includes indexISBN: 9781845118372
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A conversation on film, acting and multimedia : an interview with Ross Gibson in Practice (1998) iss.3 p.3-14
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Costume and cinema : dress codes in popular Film / Sarah Street London: Wallflower, 2001.
Call No: 226.4 STRAuthor: Street, Sarah Source: UKPlace: LondonPublisher: WallflowerPubDate: 2001PhysDes: 112 p. : ill. ; 20 cmSeries: Short CutsSubject: COSTUMES ; FASHION AND THE CINEMA ; TITANIC (US, James Cameron, 1997) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; WONDERLAND (UK, Michael Winterbottom, 1999) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) Summary: Presents an overview of the literature on film costume, together with a series of detailed case studies which highlight how costume relates in fundamental ways to the study of film narrative and mise-en-scene, in some cases constituting a language of its own. In particular the book foregrounds the related issues of adaptation and embodiment in a variety of different genres and films.Notes: Glossary: p.105-108
Bibliography: p.109-112ISBN: 1903364183 (pbk.)
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The crime films of Anthony Mann / by Max Alvarez Jackson, Miss.: University Press of Mississippi, 2014.
Call No: 81MAN ALVAuthor: Alvarez, Max Source: USPlace: Jackson, Miss.Publisher: University Press of MississippiPubDate: 2014PhysDes: 324 pages ; 24 cmSubject: CRIME FILMS ; FILM NOIR ; MANN, ANTHONY ; [DOCTOR] DR BROADWAY (US, Anthony Mann, 1942) ; STRANGERS IN THE NIGHT (US, Anthony Mann, 1944) ; TWO O'CLOCK COURAGE (US, Anthony Mann, 1945) ; GREAT FLAMARION, THE (US, Anthony Mann, 1945) ; STRANGE IMPERSONATION (US, Anthony Mann, 1946) ; DESPERATE (US, Anthony Mann, 1947) ; RAILROADED! (US, Anthony Mann, 1947) ; T-MEN (US, Anthony Mann, 1947) ; RAW DEAL (US, Anthony Mann, 1948) ; HE WALKED BY NIGHT (US, Alfred L. Werker and Anthony Mann, 1948) ; FOLLOW ME QUIETLY (US, Richard Fleischer, 1949) ; BORDER INCIDENT (US, Anthony Mann, 1949) ; SIDE STREET (US, Anthony Mann, 1950) ; TALL TARGET, THE (US, Anthony Mann, 1951) Summary: "Anthony Mann (1906-1967) is renowned for his outstanding 1950s westerns starring James Stewart (Winchester '73, The Naked Spur, The Man from Laramie). But there is more to Mann's cinematic universe than those tough Wild West action dramas featuring conflicted and secretive heroes. This brilliant Hollywood craftsman also directed fourteen electrifying crime thrillers between 1942 and 1951, among them such towering achievements in film noir as T-Men, Raw Deal, and Side Street. Mann was as much at home filming dark urban alleys in black-and-white as he was the prairies and mountains in Technicolor, and his protagonists were no less conflicted and secretive than his 1950s cowboys.In these Mann crime thrillers we find powerful stories of sexual obsession (The Great Flamarion), the transforming images of women in wartime and postwar America (Strangers in the Night, Strange Impersonation), exploitation of Mexican immigrants (Border Incident), studies of the criminal mind (He Walked by Night), and Civil War bigotry (The Tall Target). Mann's forceful camera captured such memorable and diverse stars as Erich von Stroheim, Farley Granger, Dennis O'Keefe, Claire Trevor, Richard Basehart, Ricardo Montalba´n, Ruby Dee, and Raymond Burr.The Crime Films of Anthony Mann features analysis of rare documents, screenplays, story treatments, and studio memoranda and reveals detailed behind-the-scenes information on preproduction and production on the Mann thrillers. Author Max Alvarez uses rare and newly available sources to explore the creation of these noir masterworks. Along the way, the book exposes secrets and solves mysteries surrounding the mercurial director and his remarkable career, which also included Broadway and early live television"-- LIBRARIES AUSTRALIANotes: Includes bibliographical references, filmography and indexISBN: 9781617039249Contents: -- introduction -- 1: From Lomaland to Broadway -- 2: From Broadway to Hollywood -- 3: Dr. Broadway (1942) -- 4: Strangers in the Night (1944) -- 5: Two O'Clock Courage (1945) -- 6: The Great Flamarion (1945) -- 7: Strange Impersonation (1946) -- 8: Desperate (1947) -- 9:Railroaded! (1947) -- 10: T-Men (1947) -- 11: Raw Deal (1948) -- 12: He Walked By Night (1948) -- 13: Follow Me Quietly (1949) -- 14: Border Incident (1949) -- 15: Side Street (1950) -- 16: The Tall Target (1951) -- 17: The Lost Noir of Anthony Mann -- postscript -- acknowledgments -- Anthony Mann crime filmography -- notes -- archival sources -- bibliography -- index --
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Crime wave : the filmgoers' guide to the great crime movies / written by Howard Hughes London: I.B.Taurus, 2006.
Call No: 734 HUGAuthor: Hughes, Howard Edition: 1st ed.Source: UKPlace: LondonPublisher: I.B.TaurusPubDate: 2006PhysDes: xxviii, 236 p. : ill., ports. ; 25 cmSubject: GANGSTER FILMS ; DETECTIVE FILMS ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; WHITE HEAT (US, Raoul Walsh, 1949) ; ASPHALT JUNGLE, THE (US, John Huston, 1950) ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; BIG COMBO, THE (US, Joseph H. Lewis, 1955) ; POINT BLANK (US, John Boorman, 1967) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; ON HER MAJESTY'S SECRET SERVICE (UK, Peter Hunt, 1969) ; GET CARTER (UK, Mike Hodges, 1971) ; SHAFT (US, Gordon Parks Jr., 1971) ; DIRTY HARRY (US, Don Siegel, 1971) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; CHINATOWN (US, Roman Polanski, 1974) ; GODFATHER PART II, THE (US, Francis Ford Coppola, 1974) ; ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984) ; LETHAL WEAPON (US, Richard Donner, 1987) ; GOODFELLAS (US, Martin Scorsese, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; OCEAN'S ELEVEN (US, Steven Soderbergh, 2001) Summary: "Crime movies inhabit dark and desperate worlds, yet they account for many of Hollywood's most triumphant successes. In full acknowledgement of this achievement, Crime Wave offers an authoritative and informative, stimulating and entertaining guide to the crime movie phenomenon, from its early days to the present, charting its history and celebrating the people who have given it a special and enduring place in cinema goers' affections. Chapters focus on landmark Hollywood films - from 1931's The Public Enemy, through The Maltese Falcon, Point Blank, Dirty Harry, The Godfather trilogy and Goodfellas, to LA Confidential and Oceans 11 - telling their stories and on the way discussing many more crime movies, both major and lesser known." "Crime Wave represents and investigates gangster and heist movies, blaxploitation and noir, murder mysteries, vehicles for vigilante or buddy cops, even a gangster love story. It features biographies and filmographies detailing the key participants and background details of the film's making, locations and sets. It also explores each film's sources and influences, its impact on the crime genre and current fashion, including spin-offs, copies and sequels. It examines the films' themes, style and box office fortunes."--BOOK JACKET.Notes: Includes bibliographical references (p. 221-224) and index; Includes bibliographical references (p. 221-224) and index; Filmography: p. 213-220ISBN: 9781845112196Donation: Donated by Senses Of Cinema, 2009
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Crisis cinema : the apocalyptic idea in postmodern narrative film / edited by Christopher Sharrett Washington, D.C.: Maisonneuve Press, 1993.
Call No: 64POS CRIAuthor: Sharrett, Christopher Place: Washington, D.C.Publisher: Maisonneuve PressPubDate: 1993PhysDes: 282 p. : ill. ; 24 cmSubject: POSTMODERNISM AND THE CINEMA ; DISASTERS IN FILMS ; DISASTER FILMS ; SEX AND THE CINEMA ; DEATH IN FILMS ; REPO MAN (US, Alex Cox, 1984) ; RUMBLE FISH (US, Francis Ford Coppola, 1983) ; CASANOVA (IT, Federico Fellini, 1976) ; BRAZIL (UK, Terry Gilliam, 1985) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; BLADE RUNNER (US, Ridley Scott, 1982) ; MAD MAX (AT, George Miller, 1979) Notes: Includes bibliographical references and indexISBN: 0944624189 (cloth); 0944624197 (paper)LON: 9605442
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A critical cinema : interviews with independent filmmakers / Scott MacDonald Berkeley: University of California Press, c1988-Call No: 802.25 MACAuthor: MacDonald, Scott, 1942 Place: BerkeleyPublisher: University of California PressPubDate: c1988-PhysDes: v. <1-3 > : ill. ; 24 cmSubject: FRAMPTON, HOLLIS ; IIMURA, TAKAHIKO ; B, BETH & SCOTT ; WATERS, JOHN (US) ; CONNER, BRUCE ; NELSON, ROBERT ; MANGOLTE, BABETTE ; KUCHAR, GEORGE ; DE LANDA, MANUEL ; FISHER, MORGAN ; GOTTHEIM, LARRY ; HUOT, ROBERT ; SCHNEEMANN, CAROLEE ; CHOMONT, TOM ; MURPHY, J. J. ; DICK, VIVIENNE ; BARRIE, DIANA Notes: Includes bibliographical references and index; Includes filmographiesISBN: 0520079183 (v. 2 : pbk.); 0520058011 (v. 1 : pbk.); 0520079175 (v. 2 : cloth); 0520087054 (v. 3 : cloth); 0520209435 (v. 3 : pbk.); 0520058003 (v. 1 : cloth)LON: 5271962
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A critical history of the British cinema / [by] Roy Armes London: Secker and Warburg, 1978.
Call No: 71(41) ARMAuthor: Armes, Roy, 1937 Place: LondonPublisher: Secker and WarburgPubDate: 1978PhysDes: [9], 374 p. : ill., ports ; 22cmSeries: Cinema twoSubject: UNITED KINGDOM ; FREE CINEMA ; RANK ORGANISATION ; KORDA, ALEXANDER ; Grierson, John ; JENNINGS, HUMPHREY ; BALCON, MICHAEL ; Powell, Michael ; DICKINSON, THOROLD ; LOSEY, JOSEPH ; KUBRICK, STANLEY ; RUSSELL, KEN ; LOACH, KENNETH ; WATKINS, PETER Notes: Bibl.: p.345-355. - IndexISBN: 0436018020; 0436018039 (Pbk)LON: 2723294
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Crossing the digital threshold / Scott McQuire Brisbane: Australian Key Centre for Cultural and Media Policy, Faculty of Humanities, Griffith University, 1997.
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Crossing the digital threshold in Practice (1998) iss.3 p.58-62
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Culture, technology & creativity in the late twentieth century / edited by Philip Hayward London: J. Libbey, 1990].
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Cyberfeminism : colonising cyberspace with feminist poetics in Practice (Spring/Summer 1997) iss.2 p.19-26
Author: Arnold, Josie PhysDes: Article; Bibliography; Illustration(s)Subject: DIGITAL TECHNOLOGY ; MULTIMEDIA Summary: This paper addresses some of the theories of postmodern textuality from a feminist perspective. It applies a feminist postmodern critique to the deliveries of electronic culture, particularly in relation to interactive multi-media.
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Dancing to his song : the singular cinema of Rolf de Heer / by Jane Freebury Straberry Hills, NSW: Currency Press, 2015.
Call No: 81DEH FREAuthor: Freebury, Jane Source: ATPlace: Straberry Hills, NSWPublisher: Currency PressPubDate: 2015PhysDes: 351 pages : illustrations, portraits, photographs ; 24 cmSubject: DE HEER, ROLF ; TAIL OF THE TIGER (AT, Rolf de Heer, 1984) ; INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988) ; DINGO (AT/FR, Rolf de Heer, 1991) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996) ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; TRACKER (AT, Tina Dalton & Gary Steer, 1996) ; ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003) ; TEN CANOES (AT, Rolf De Heer, 2006) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) ; KING IS DEAD, THE (AT, Rolf de Heer, 2012) ; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) Summary: Dancing to His Song, is the first comprehensive review of the work of Rolf de Heer, Australia's most prolific auteur, an idiosyncratic filmmaker famed for never repeating himself. Film by film, Jane Freebury searches for the sources of de Heer's inspiration and finds the secret to his success in an ethic of hard work, flexibility and self-reliance that meets challenges and obstacles with in genuity without ever losing sight of his vision. His remarkable career as an independent filmmaker has much to teach young producers and directors. [Taken from the back of the book]Notes: Includes bibliographical references (pages 287-348)ISBN: 9781925005585Contents: Introducing Rolf de Heer -- Tail of a Tiger: under the radar -- Incident at Raven's Gate: encounters with critics -- Dingo: jamming in the wilderness -- Bad Boy Bubby: do or die -- Epsilon: African Queen with a cosmic lean? -- The Quiet Room -- through the eyes of a child -- Dance Me To My Song: taking it to the audience -- The Old Man Who Read Love Stories: overseas partners -- The Tracker: how the West was lost -- Alexandra's Project: unhappily ever after -- Ten Canoes: the Ramo Mob, indigenous partners -- Dr. Plonk: seriously comedy -- The King is Dead! Ah'ma tha one! -- Charlie's Country: between two worlds -- The wrap
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Database economy and transnational cinema in Studies in Australasian cinema (2009) vol.3 iss.2 p.155-166
Author: Cubitt, Sean PhysDes: ArticleSubject: DIGITAL TECHNOLOGY. AUSTRALIA ; DIGITAL TECHNOLOGY. NEW ZEALAND ; DIGITAL PROJECTION ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND Summary: Digital or electronic cinemas are dependent on a global regime of standards covering such features as aspect ratios, colour gamuts, screen resolution and compression-decompression algorithms. These standards are worked out by a variety of intersecting organizations representing a variety of interests. This article argues that such standardization is isomorphic with the convergence of biopolitical and commodity forms in an emergent political economy that can be described as a database economy. This infrastructure of standards and ordering principles constitutes an actually existing transnational public sphere. The article discusses the possibilities for developing an alter-globalizing public sphere in digital cinemas, testing three possible avenues: cinemas of the silent majority, new modes of distribution and content-driven approaches. It concludes by asking whether vanguard practices of building new forms of cinema apparatus may be essential to the construction of alter-globalizing transnational cinemas. -- AbstractNotes: Part of a special issue on digital cinema in Australia and New Zealand
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David Minter on "Hel Al Baby" in Melbourne Film Bulletin (April 1968) iss.2 p.9-10
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The death of broadcasting : media's digital future / Jock Given Sydney: UNSW Press, 1998.
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The death of cinema : history, cultural memory and the digital dark age / Paolo Cherchi Usai ; foreword by Martin Scorsese London: British Film Institute, 2001.
Call No: 62 CHEAuthor: Cherchi Usai, Paolo Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 144p. : ill. ; 24 cmSubject: PRESERVATION OF FILMS ; DIGITAL TECHNOLOGY ISBN: 0851708382; 0851708374(pbk.) : ¦13.99LON: 22295593URL status: URL: 'http://-'
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DEMANTY NOCI [DIAMONDS OF THE NIGHT] : (CS, Jan Nemec, 1964)
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book
The Dendy collection '03 : A collection of new cinema from around the Globe Artarmon, NSW: [Dendy Films], [2003].
Call No: F(027)(94)DENCorpAuthor: [Dendy Films]Edition: [2003]Place: Artarmon, NSWPublisher: [Dendy Films]PubDate: [2003]PhysDes: 24 unnumbered pages : illustrated ; 28 cmSubject: DISTRIBUTION. AUSTRALIA ; DENDY FILMS ; DENDY CINEMAS ; MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002) ; SWIMMING POOL (FR/UK, Francois Ozon, 2003) ; IN THIS WORLD (UK, Michael Winterbottom, 2002) ; DOGVILLE (DK, Lars Von Trier, 2002) ; TRAVELLING LIGHT (AT, Kathryn Millard, 2003) ; DIARIOS DE MOTOCICLETA (US/AG/CL/PE, Walter Salles, 2004) ; MORVERN CALLAR (UK/CN, Lynne Ramsay, 2002) ; IDOLE, L' (FR, Samantha Lang, 2002)
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title clippings file
DESPERATE MAN BLUES: DISCOVERING THE ROOTS OF AMERICAN MUSIC : (AT, Edward Gillian, 2003)
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DESPERATE MEASURES : (US, Barbet Schroeder, 1998)
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title clippings file
DESPERATE REMEDIES : (NZ, Stewart Main & Peter Wells, 1993)
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[Desperate remedies : poster]
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DESPERATELY SEEKING SHEILA : [TV] (AT/UK, Russell Vines/Janine Hosking/Kay Pavlou/Mira King/Mark Powell/Ariel White, 2004)
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book
Desperately seeking susan : the novel / by Susan Dworkin ; based on the screenplay by Leora Barish London: Arrow Books, 1985.
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journal article
'Desperately seeking Susan'? in Filmnews (Aug 1985) vol.15 iss.6 p.17
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journal article
Desperately seeking Susan in Cinema Papers (Sep 1985) vol.53 p.68-72
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DESPERATELY SEEKING SUSAN : US, Susan Seidelman, 1985
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DESPICABLE ME : (US, Pierre Coffin/Chris Renaud, 2010)
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DESPICABLE ME 2 : (US, Pierre Coffin & Chris Renaud, 2013)
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DESPICABLE ME 3 : (US, Kyle Balda / Pierre Coffin / Eric Guillon, 2017)
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DESPITE THE GODS : (AT, Penny Vozniak, 2012)
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DESPLECHIN, ARNAUD
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DESPLECHIN, ARNAUD
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journal article
Dessero Rosso in Movie (Summer 1965) vol.13 p.10-13
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DESTIN DE JULIETTE, LE : (FR, Aline Issermann, 1983)
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DESTINATION : (AT, Tracie Mitchell, 2000)
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DESTINATION AUSTRALIA: THE MIGRANT STORY : (AT, 2001)
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DESTINATION WEDDING : (US, Victor Levin, 2018)
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journal article
Destinies in Movie/TV Marketing vol.33 iss.12 p.38
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DESTINO : (US, Dominique Monfery, 2003)
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DESTINY TO ORDER : CN, Jim Purdy, 1989
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DESTINY TURNS ON THE RADIO : US, Jack Baran, 1995
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DESTRICTED : (UK/US, various, 2006)
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journal article
Destroy she said: An interview with Marguerite Duras in Film Festival p.29-33
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DESTROYER : (US, Karyn Kusama, 2018)
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title clippings file
DET AR LANGT TILL NEW YORK : (SW, Bengt Danneborn, 1988)
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DETECTIVE : (FR, Jean-Luc Godard, 1985)
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DETECTIVE CONAN THE BRIDE OF HALLOWEEN : (JP, Gosho Aoyama/Susumu Mitsunaka, 2022) Digital clippings file available
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DETECTIVE SADIE AND SON : (US, John Llewellyn Moxey, 1987)
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DETECTIVES ON TV
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DETECTORISTS [TV] : (UK, 2014-)
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journal article
Detenuto in Attesa di Giudizio in Filmfacts (1972) vol.15 iss.24 p.681-683
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DETERRENCE (US, Rod Lurie, 1999)
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DETOROITO METARU SHITI : (JA, Toshio Lee, 2008)
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DETOUR : (US, Edgar G. Ulmer, ,1946)
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Detour in International Photographer (Feb 1980) p.17
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DETOUR : (UK/ SA, Christopher Smith, 2016) Digital clippings file available
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title clippings file
DETOUR (IN THE WHEELIE OF LIFE) : (AT, Jim Flowers, 2001)
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digital clippings file
DETROIT : (US, Kathryn Bigelow, 2017) Digital clippings file available
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title clippings file
DETROIT 9000 : (US, Arthur Marks, 1973)
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title clippings file
DETROIT ROCK CITY : (US, Adam Rifkin, 1999)
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DETRUIRE, DIT-ELLE : (FR, Marguerite Duras, 1969)
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title clippings file
DEUCE BIGALOW: EUROPEAN GIGOLO : (US, Mike Bigelow, 2005)
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title clippings file
DEUCE BIGALOW: MALE GIGOLO : (US, Mike Mitchell, 1999)
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DEUCE, THE [TV] : (US, 2017 - )
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title clippings file
DEUDA INTERNA, LA : (AG/UK, Miguel Pereira, 1988)
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journal article
Eine Deutsche revolution in Kino (Export-Union des Deutschen film) vol.2 iss.82 p.25-26
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title clippings file
DEUTSCHLAND 83 [TV] : (GG, 2015 - )
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title clippings file
DEUTSCHLAND IM HERBST : (GW, Alf Brustellin & Bernhard Sinkel & Rainer Werner Fassbinder & Alexander Kluge & Beate Mainka-Jellinghaus & Maximiliane Mainka & Peter Schubert & Edgar Reitz & Katja Rupe & Hans Peter Cloos & Volker Schlondorff, 1978)
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title clippings file
DEUTSCHLAND PRIVAT : (GW, Robert van Ackeren, 1980)
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DEUX DE LA VAGUE : (FR, Emmanuel Laurent, 2010)
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title clippings file
DEUX FOIS : (FR, Jacqueline Raynal, 1970)
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title clippings file
DEUX LIONS AU SOLEIL : (FR, Claude Faraldo, 1980)
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title clippings file
DEVDAS : (II, Sanjay Leela Bhansali, 2002)
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book
Development of the film : an interpretive history / Alan Casty New York: Harcourt Brace Jovanovich, 1973.
Call No: 70 CASAuthor: Casty, Alan Source: USPlace: New YorkPublisher: Harcourt Brace JovanovichPubDate: 1973PhysDes: 425 p. ; 23 cmSubject: EDITING ; HISTORICAL FILMS ; HISTORY AND THE CINEMA ; PRODUCTION TECHNOLOGY ; GENRES ; SOCIAL HISTORY AND THE CINEMA ; BOGART, HUMPHREY ; BRECHT, BERTOLT ; BUNUEL, LUIS ; CAPRA, FRANK ; CARNE, MARCEL ; CHAPLIN, CHARLES ; CLAIR, RENE ; COOPER, GARY ; CURTIZ, MICHAEL ; DEMILLE, CECIL B. ; DE SICA, VITTORIO ; DIETRICH, MARLENE ; DOVZENKO, ALEKSANDR ; DREYER, CARL TH. ; DUVIVIER, JULIEN ; Fellini, Federico ; FLAHERTY, ROBERT ; FORD, JOHN ; GARBO, GRETA ; GODARD, JEAN-LUC ; GRIFFITH, DAVID WARK ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; HAWKS, HOWARD ; KINGSLEY, STANLEY ; KAZAN, ELIA ; LANG, FRITZ ; Lean, David ; LEROY, MERVYN ; LUBITSCH, ERNST ; MCCREA, JOEL ; MAMOULIAN, ROUBEN ; MARX BROTHERS ; MILESTONE, LEWIS ; MURNAU, FRIEDRICH WILHELM ; NEWMAN, PAUL ; PABST, GEORG WILHELM ; Pasolini, Pier Paolo ; Peckinpah, Sam ; PUDOVKIN, VSEVELOD ; REED, CAROL ; RENOIR, JEAN ; ROSSELLINI, ROBERTO ; ROSSEN, ROBERT ; Stewart, James ; TOLAND, GREGG ; TRUFFAUT, FRANCOIS ; VIGO, JEAN ; VISCONTI, LUCHINO ; VON STERNBERG, JOSEF ; VON STROHEIM, ERICH ; WAYNE, JOHN ; WELLES, ORSON ; WELLMAN, WILLIAM ; WILDER, BILLY ; WISE, ROBERT ; WYLER, WILLIAM ; ZOLA, EMILE ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; INTOLERANCE (US, David Wark Griffith, 1916) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; STRAW DOGS (UK, Sam Peckinpah, 1971) Summary: The development of the cinemictic styles and genres in films worldwide and the important professical within the film industry.ISBN: 0155176226
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personality microfilm collection
DEVEREAUX, ED
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DEVEREAUX, ED
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personality microfilm collection
DEVERS, CLAIRE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DEVERS, CLAIRE
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personality microfilm collection
DEVESON, ANNE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DEVESON, ANNE
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title clippings file
DEVETI KRUG : (YU, France Stiglic, 1960)
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DEVI : (II, Satyajit Ray, 1960)
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DEVIL : (US, John Erick Dowdle, 2010)
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DEVIL AND DANIEL JOHNSTON, THE : (US, Jeff Feuerzeig, 2005)
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title clippings file
DEVIL AND MAX DEVLIN, THE : (US, Steven Hilliard Stern, 1981)
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journal article
The devil bat in Photon iss.19 p.29
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journal article
Devil Bat's daughter in Photon iss.19 p.31
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digital clippings file
DEVIL IN A BLUE DRESS : (US, Carl Franklin, 1995) Digital clippings file available
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subject clippings file
DEVIL IN FILMS
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: DEVIL IN FILMS
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DEVIL IN THE FLESH : (AT, Scott Murray, 1986)
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journal article
Devil in the flesh in Cinema Papers (Jan 1989) vol.71 p.54-55
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journal article
the devil in the flesh in Filmviews (Summer 1987/88) vol.32 iss.134 p.11-14
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journal article
Devil in the flesh in Cinema D'Oggi (21 May 1986) vol.10 iss.9 p.12
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poster
[Devil in the flesh : poster]
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still
[Devil in the flesh : stills file]
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title clippings file
DEVIL IS A WOMAN, THE : (IT, Josef von Sternberg, 1935)
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journal article
The Devil Rides out in Cinefantastique (Fall 1973) vol.3 iss.1 p.13
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title clippings file
DEVIL RIDES OUT, THE : (UK, Terence Fisher, 1968)
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DEVIL'S ADVOCATE : (GW, Guy Green, 1977)
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DEVIL'S ADVOCATE, THE : (US, Taylor Hockford, 1997)
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DEVIL'S CANDY, THE : (US, Sean Byrne, 2015)
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DEVIL'S DOORWAY : (US, Anthony Mann, 1950)
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DEVIL'S DUST [TV] : (AT, Jessica Hobbs, 2012)
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DEVIL'S GATE : (UK, Stuart St. Paul, 2002)
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title clippings file
DEVIL'S GATE : (CN/US, Clay Staub, 2017)
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journal article
The Devil's holiday in Film in review (Mar 1979) p.141
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digital clippings file
DEVIL'S KNOT : (US, Atom Egoyan, 2013) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: DEVIL'S KNOT (US, Atom Egoyan, 2013) URL status: URL: 'http://file://Q:/T/DEVIL'S_KNOT.zip'
Checked: 31/08/2021 1:32:16 PM
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journal article
The Devil's mistress in Photon iss.19 p.43
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digital clippings file
DEVIL'S OWN, THE : (US, Alan J. Pakula, 1997) Digital clippings file available
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title clippings file
DEVIL'S PLAYGROUND : (AT, Fred Schepisi, 1976)
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Interim
book
The Devil's playground / by Christos Tsiolkas Strawberry Hills, N.S.W.: Currency Press, ScreenSound Australia, 2002.
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script
Devil's playground : episode 4 - the forgiveness of sins / written by Tommy Murphy 15-May-13. Digital clippings file available
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script
Devil's playground : episode 5 / written by Cate Shortland 13th May 2013. Digital clippings file available
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dvd
The devil's playground [DVD] [Australia]: Umbrella Entertainment, c.2008..
Call No: D The devil's playgroundPlace: [Australia]Publisher: Umbrella EntertainmentPubDate: c.2008.PhysDes: 1 videodisc (DVD) (ca. 95 min.) : sd., col. ; 4 3/4 in.Subject: DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) Summary: Tom Allen (Simon Burke) is a 13-year-old postulant at a Catholic seminary outside Melbourne. It is 1953, when boys still began training for religious orders in their early teens. Tom is constantly in trouble – for wetting his bed, showering in the nude, being late. He spends long hours in the chapel, praying for guidance, but his impure thoughts terrify him. The priests and brothers who teach him struggle with their own desires, and argue about the need for repressive discipline. Most of them, staff and boys, have doubts about their vocation. Through the loneliness, fear and shame, Tom begins to ponder his future. --Australian Screen website.Notes: DAVID1430Contents: Special features: Exclusive new widescreen telecine transfer -- DVD cover.; Featurette with director Fred Schepisi and key cast and crew; Interview with Fred Schepisi; Stills gallery; Theatrical trailer.Technical Details: PAL ; All regions.Credits: Producer/director: Fred Schepisi.Standard Number: 3000000070123Performer: Arthur Dignam, Nick Tate, Simon Burke.
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newspaper article
Devil's Playground revisited 40 years on in The Australian (27/05/2016) p.17
Call No: TITLE CLIPPINGS FILE; DEVIL'S PLAYGROUND, THE [TV] (AT, 2014)Author: Blundell, Graeme PhysDes: Clippings File ArticleSubject: DEVIL'S PLAYGROUND, THE [TV] (AT, 2014) Summary: Positive review of the TV series DEVIL'S PLAYGROUND, which is a continuation of the 1976 Australian film of the same name
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still
[Devil's playground : stills file]
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title clippings file
DEVIL'S PLAYGROUND, THE : (AT, Victor Bindley, 1928)
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still
[Devil's playground, the : stills file]
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title clippings file
DEVIL'S PLAYGROUND, THE [TV] : (AT, 2014)
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title clippings file
DEVIL'S REJECTS, THE : (US, Rob Zombie, 2005)
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title clippings file
THE DEVIL TO PAY : AT, Bruce Beresford, 1962
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title clippings file
DEVIL WEARS PRADA THE : (US, David Frankel, 2006)
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title clippings file
DEVIL YOU DON'T KNOW, THE : (AT, Claire Calzoni, 1985)
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book
The Devils / Darren Arnold Leighton Buzzard: Auteur, 2019.
Call No: 79 DEV ARNAuthor: Arnold, Darren Edition: 2019Place: Leighton BuzzardPublisher: AuteurPubDate: 2019PhysDes: 120 pages : illustrated ; 20 cmSeries: Devil's AdvocatesSubject: DEVILS, THE (UK, Ken Russell, 1971) Summary: Undoubtedly the most notorious title in director Ken Russell's controversial filmography, The Devils (1973) caused a real furor on its initial theatrical release, only to largely disappear for many years. This Devil's Advocate considers the film's historical context, as the timing of the first appearance of The Devils is of particular importance, its authorship and adaptation (Russell's auteur reputation aside, the screenplay is based on John Whiting's 1961 play of the same name, which was in turn based on Aldous Huxley's 1952 book The Devils of Loudun), and its generic hybridity. Darren Arnold goes on to examine the themes prevalent in the film-this is the only film of Russell's which the director considered to be political-and considers the representation of gender and sexuality, gender fluidity, and how sex and religion clash to interesting and controversial effect. He concludes by revisiting the film's censorship travails and the various versions of The Devils that have appeared on both big and small screens, and the film's legacy and influence. -- publisher's web siteISBN: 9781911325758Donation: Senses of Cinema
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journal article
Devils of Darkness in Photon iss.19 p.42
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DEVILS, THE : (UK, Ken Russell, 1971)
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personality microfilm collection
DEVINE, DANIEL HUGH
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personality microfilm collection
DEVINE, KIT
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DEVINE, KIT
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personality microfilm collection
DEVITO, DANNY
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DEVITO, DANNY
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personality clippings file
DEVLIN, DEAN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DEVLIN, DEAN
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personality clippings file
DEVO
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DEVO
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journal article
Devojacki Most in News (Jugoslavija film) vol.122 p.2
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title clippings file
DEVOT : (G, Igor Zaritzky, 2003)
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book
Devotion : the book of the film / by Warwick Mannon London: Hollywood Publications, 1946.
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DEVOTION : (US, J.D. Dillard, 2022) Digital clippings file available
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title clippings file
DEVRIM : (AT, Amelia Flores & Zynet Kesting & Mandy King, 1984)
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journal article
Devrim in Filmviews (Winter 1985) vol.30 iss.124 p.28-30
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still
[Devrim : stills file]
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digital clippings file
DEVS [TV] : (UK/US, 2020) Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: DEVS [TV] (UK/US, 2020) Cross Reference: DEVS [TV] (UK/US, 2020)
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title clippings file
DEVUSHKA S KOROBKOY : (RU, Boris Barnet, 1927)
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personality microfilm collection
DEWHURST, COLLEEN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DEWHURST, COLLEEN
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title clippings file
DEXTER [TV] : (US, 2006)
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DEY, SUSAN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DEY, SUSAN
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personality clippings file
DEY, TOM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DEY, TOM
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title clippings file
DEZESSEIS ZERO SESSANTA : (BL, Vinicius Mainardi, 1995)
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DFILM SERVICES
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: DFILM SERVICES
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DHAKIYARR VS THE KING : (AT, Allan Collins & Tom Murray, 2003)
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DHANRAJ, DEEPA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DHANRAJ, DEEPA
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title clippings file
DHARMAGA TONGJOGURO KAN KHADALGUN? : (KO, Bae Yong Kyun, 1989)
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digital clippings file
DHEEPAN : (FR, Jacques Audiard, 2015) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: DHEEPAN (FR, Jacques Audiard, 2015) URL status: URL: 'http://file://Q:/T/DHEEPAN.zip'
Checked: 31/08/2021 1:38:52 PM
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title clippings file
DHISKOLOI APOHAIRETISMOI: O BABAS MOU : (GR/G, Penny Panayotopoulou, 2002)
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title clippings file
DHRUPAD : (II, Mani Kaul, 1982)
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title clippings file
DHUWAY : (AT, Lew Griffiths & Noel Pearson, 1996)
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still
[Dhuway : an Australian diaspora and homecoming]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 5 x 4 cm + 2 business cards ; 10 x 6 cm.Subject: DHUWAY (AT, Lew Griffiths & Noel Pearson, 1996) Summary: One black and white photograph of the director Lew Griffiths, and two business cards for Oziris Pty Limited (Oziris Television Productions & Media Communications).
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personality microfilm collection
DI CHIERA, FRANCO
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DI CHIERA, FRANCO
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journal article
Di padre in figlio in Cinema d' oggi (24 Nov 1982) vol.XVI iss.20 p.111-112
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title clippings file
DI RENJIE : (CC/HK, Hark Tsui, 2010)
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title clippings file
DIA DE LA BESTIA, EL : (SP, Alex de la Iglesia, 1995)
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title clippings file
DIA DE SUERTE, UN : (AG, Sandra Gugliotta, 2002)
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title clippings file
DIABLE AU COEUR, LE : (FR, Bernard Queysanne, 1976)
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title clippings file
DIABLE PROBABLEMENT, LE : (FR, Robert Bresson, 1977)
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title clippings file
DIABLO IS DONE FOR : (AT, Esben Storm, 1993)
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still
[Diablo is done for : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 4 photographs : b&w ; 13 x 18 cmSubject: DIABLO IS DONE FOR (AT, Esben Storm, 1993) Summary: Four black and white photographs relating to the film Diablo is done for
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title clippings file
DIABLO MENTHE : (FR, Diane Kurys, 1977)
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title clippings file
DIABOLIQUE : (US, Jeremiah S. Chechik, 1996)
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title clippings file
DIABOLIQUEMENT VOTRE : (FR/IT/GW, Julian Duvivier, 1967)
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title clippings file
LES DIABOLIQUES : FR, Henri-Georges Clouzot 1955
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title clippings file
DIAKRITIKI GOITIA TON ARSENIKON, I : (GR, Olga Malea, 1998)
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title clippings file
DIAL-A-CLICHE : (AT, Alex Chomicz, 1994?)
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title clippings file
DIAL H-I-S-T-O-R-Y : (BE/FR, Johan Grimonprez, 1997)
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title clippings file
DIAL M FOR MURDER : (US, Alfred Hitchcock, 1954)
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subject clippings file
DIALOGUE
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: DIALOGUE
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title clippings file
DIALOGUE : (AT, Rosalind Gillespie, 1978)
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title clippings file
DIALOGUE WITH A WOMAN DEPARTED : (US, Leo Hurwitz, 1980)
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title clippings file
DIALOGUE WITH MADWOMEN : (US, Allie Light, 1993)
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journal article
Diamanti Sporchi di Sangue in Foreign Sales Italian Movie Trade (1978) vol.4 iss.6 p.6-7
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title clippings file
DIAMANTINO : (PO/FR/BL, Gabriel Abrantes & Daniel Schmidt, 2018)
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title clippings file
DIAMANTS DU KILAMANJARO, LES : (FR, Claude Pialat, 1987)
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journal article
Diamond Handcuffs in Film in Review (May 1979) p.279
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personality clippings file
DIAMOND, NEIL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DIAMOND, NEIL
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personality clippings file
DIAMOND PHILLIPS, LOU
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DIAMOND PHILLIPS, LOU
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title clippings file
DIAMOND QUEEN : (II, Homi Wadia, 1940)
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title clippings file
DIAMOND SKULLS : (UK, Nick Broomfield, 1989)
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title clippings file
DIAMONDS : (US/GG, John Asher, 1999)
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title clippings file
DIAMONDS : (SZ/IS/US, Menahem Golan, 1975)
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journal article
Diamonds of the night in Cekoslovensky film vol.2 iss.64 p.11-12
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title clippings file
DIANA : UK/US/SW, Oliver Hirschbiegel, 2013
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title clippings file
DIANA: A TRIBUTE TO THE PEOPLE'S PRINCESS : (UK, Gabrielle Beaumont, 1998)
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title clippings file
DIANA AND ME : (AT, David Parker, 1997)
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poster
[Diana and me : poster] AT:
Call No: P DIAPlace: ATPhysDes: 1 poster : colour ; 100 cm x 70 cmSubject: DIANA AND ME (AT, David Parker, 1997) Summary: Face shot of Diana Spencer (Toni Collette).
Comments: She met someone who changed her life... forever!
Featuring the music of: The Prodigy, Spiderbait, Supergrass, Portishead, Merril Bainbridge, Rebecca's Empire, Gene Monaco, Paul Anka, Monique Brumby.Notes: Tear in lower left hand corner.
Good condition.Donation: Nicole Benson
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title clippings file
DIANA: LAST DAYS OF A PRINCESS : [TV](UK, RICHARD DALL, 2007)
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digital clippings file
DIANA'S DECADES [TV] : (UK, 2021) Digital clippings file available
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title clippings file
DIANA VREELAND: THE EYE HAS TO TRAVEL : US, Lisa Immordino Vreeland, Bent-Jorgen Perlmutt, Frédéric Tcheng, 201
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DIARIES : (US, Ed Pincus, 1971-76)
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title clippings file
DIARIES OF VASLAV NIJINSKY, THE : (AT, Paul Cox, 2002)
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DIARIOS DE MOTOCICLETA : (US/AG/CL/PE, Walter Salles, 2004)
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DIARY FOR TIMOTHY, A : (UK, Humphrey Jennings, 1946)
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DIARY OF A HIT MAN : (US, Roy London, 1992)
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DIARY OF A MAD HOUSEWIFE : (US, Frank Perry, 1970)
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DIARY OF A TEENAGE GIRL, THE : (US, Marielle Heller, 2015)
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DIARY OF A WELSH SWAGMAN, A : (UK, Paul Turner, 2002)
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DIARY OF A WIMPY KID : (US, Thor Freudenthal, 2010)
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DIARY OF A WIMPY KID : THE LONG HAUL : (US, David Bowers, 2017)
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DIARY OF JACK THE RIPPER: BEYOND REASONABLE DOUBT?, THE : (UK, Martin Howells and Chris Short, 1993)
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DIAVOLO IN CORPO, IL : (IT/FR, Marco Bellocchio, 1986)
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DIAZ, CAMERON
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DIBBLE, JAMES
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DICAPRIO, LEONARDO
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DICE RULES : (US, Jay Dubin, 1991)
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DICILLO, TOM
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DICK : (US, Jo Mennell, 1990)
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DICK : (US, Andrew Fleming, 1999)
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Dick the magic dragon in Filmviews (Jan/Feb 1985) vol.15 iss.1 p.15, 19
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DICK TRACY : (US, Warren Beatty, 1990)
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DICKERSON, ERNEST R.
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DICKEY, JAMES
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Dickie, John
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DICKIE, OLGA
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DICKIE ROBERTS: FORMER CHILD STAR : (US, Sam Weisman, 2003)
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DICKINS, BARRY
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DICKINSON, ANGIE
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DICKINSON, JANICE
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DICKINSON, LEO
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DICKSON, IAN
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DICKSON, NGILA
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DICKSON, NICOLLE
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DICKSON, PATRICK
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DICKSON, PATRICK
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DICKSON, ROB
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DICTATOR, THE : (US, Larry Charles, 2012)
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DID WE GO? : (US, Aron Ranen, 2000)
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DID YOU HEAR ABOUT THE MORGANS : (US, Marc Lawrence, 2009)
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Didi-der doppelganger in Kino (1984) vol.3 p.1
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DIDIER : (FR, Alain Chabat, 1997)
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DIDION, JOAN
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DIDN'T DO IT FOR LOVE? : (GG, Monika Treut, 1998)
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DIE ANOTHER DAY : (US, Lee Tamahori, 2002)
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DIE HARD : (US, John McTiernan, 1988)
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DIE HARD 2 : (US, Renny Harlin, 1990)
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DIE HARD 4.0 : US, Len Wiseman, 2007
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DIE HARD WITH A VENGEANCE : (US, John McTiernan, 1995)
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Die laughing in International Photographer (May 1980) p.13
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DIEDRICH, JOHN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DIEDRICH, JOHN
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DIEGO MARADONA : (UK, Asif Kapadia, 2019)
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DIEGO RIVERA: I PAINT WHAT I SEE : (US, Mary Lance & Eric Breitbart, 1989)
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DIEM, MIKE VAN
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DIEN BIEN PHU : (FR, Pierre Schoendoerffer, 1992)
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DIESEL, VIN
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book
Dietrich : the story of a star / Leslie Frewin London: Frewin, 1967.
Call No: 81DIE FREAuthor: Frewin, Leslie, 1916 Edition: Rev. edPlace: LondonPublisher: FrewinPubDate: 1967PhysDes: 192 p., [28] p. of plates : ill. ; 22 cmSubject: Dietrich, Marlene, 1901 Notes: First published in 1955 under the title : "Blond Venus"; Includes appendicesLON: abn87059485; 5180660
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DIETRICH, MARLENE
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DIEU EST GRAND ET JE SUIS TOUTE PETITE : (FR, Pascale Bailly, 2001)
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DIEXUE SHUANG XIONG : (HK, John Woo [pseud. of Wu Yusen], 1989)
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DIFFERENT FOR GIRLS : (UK, Richard Spence, 1996)
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DIFFERENT LOYALTY A : (CN/UK, Mark Kanievska, 2004)
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A different story in Video Age (July 1984) vol.3 iss.7 p.34-35
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DIFFERENT STORY, A : (US, Paul Aaron, 1978)
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DIFFERENT WORLD : (US, 1987 - )
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DIFFICULT PLEASURE: A PORTRAIT OF BRETT WHITELEY : (AT, Don Featherstone, 1990)
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DIFFICULT WOMAN, A : [TV] (AT, Tony Tilse, 1998)
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DIG! : (US, Ondi Timonek, 2004)
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DIG, THE : (UK, Simon Stone, 2021) Digital clippings file available
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DIG [TV] : (US, 2015-)
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DIGBY, THE BIGGEST DOG IN THE WORLD : (UK, Joseph McGrath, 1973)
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DIGGING TO CHINA : (US, Timothy Hutton, 1998)
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DIGGS, TAYE
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DIGGSTOWN : (US, Michael Ritchie, 1992)
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DIGI SPAA
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DIGIAMO, LOUIS
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DIGIMON: THE MOVIE : (JA/US, Mamoru Hosoda & Shigeyasu Yamauchi, 2000)
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DIGITAL ATHLETES : THE ROAD TO SEAT LEAGUE : (AT, Josh Hale, 2017)
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DIGITAL BROADCASTING
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DIGITAL BROADCASTING. AUSTRALIA
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DIGITAL BROADCASTING.US
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journal article
Digital cinemas move back in Movie Trader (October 11 2000)
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DIGITAL COPY
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book
Digital disruption : Cinema moves on-line / Edited by Dina Iordanova and Stuart Cunningham St Andrews, Scotland: St Andrews Film Studies, 2012.
Call No: 301(-5) IOREdition: 2012Place: St Andrews, ScotlandPublisher: St Andrews Film StudiesPubDate: 2012PhysDes: viii, 223 p. ; 23 cmSubject: DIGITAL DISTRIBUTION ; INTERNET AND THE CINEMA ; DISTRIBUTION ; COPYRIGHT ; YOUTUBE Summary: ‘Nobody knows anything’, said William Goldman of studio filmmaking. The rule is ever more apt as we survey the radical changes that digital distribution, along with the digitisation of production and exhibition, is wreaking on global film circulation.
Digital Disruption: Cinema Moves On-line helps to make sense of what has happened in the short but turbulent history of on-line distribution. It provides a realistic assessment of the genuine and not-so-promising methods that have been tried to address the disruptions that moving from ‘analogue dollars’ to ‘digital cents’ has provoked in the film industry. Paying close attention to how the Majors have dealt with the challenges – often unsuccessfully – it focuses as much attention on innovations and practices outside the mainstream. Throughout, it is alive to, and showcases, important entrepreneurial innovations such as Mubi, Jaman, Withoutabox and IMDb.
Written by leading academic commentators that have followed the fortunes of world cinema closely and passionately, as well as experienced hands close to the fluctuating fortunes of the industry, Digital Disruption: Cinema Moves On-line is an indispensable guide to great changes in film and its audiences. -- publisher's web siteISBN: 9780956373076Donation: donated by Senses of Cinema, 2014Contents: Digital Disruption: Technological Innovation and Global Film Circulation / Dina Iordanova -- On-line Film Distribution: Its History and Global Complexion / Stuart Cunningham and Jon Silver -- Digital Revolution: Active Audiences and Fragmented Consumption / Michael Gubbins -- Internet-enabled Dissemination: Managing Uncertainty in the Film Value Chain / Michael Franklin -- Convergence, Digitisation and the Future of Film Festivals / Marijke De Valck -- Mission Unreachable: How Jaman Is Shaping the Future of On-line Distribution / Jon Silver, Stuart Cunningham, Mark David Ryan -- ‘IMDb Helps Me Sleep at Night’: How a Simple Database Changed the World of Film / Alex Fischer -- ‘The Fully Clickable Submission’: How Withoutabox Captured the Hearts and Minds of Film Festivals Everywhere / Alex Fischer -- Spotlight on MUBI: Two Interviews with Efe Cakarel, Founder and CEO of MUBI / Paul Fileri and Ruby Cheung -- ‘What Do You Do with What You See?’: Patterns and Uses of Cinéphilia, Then and Now / Ben Slater -- Appendix 1: Timeline – On-line Distribution of Feature Films / Stuart Cunningham and Jon Silver -- Appendix 2: A Selection of / Mostly Legal) VOD and On-line Content Providers / Stuart Cunningham and Jon Silver -- Appendix 3: Comparative Internet Rankings: 40 International On-line Movies-on-demand Sites / Stuart Cunningham and Jon Silver -- Appendix 4: Comparative Deal Terms in 2009 / Stuart Cunningham and Jon Silver -- Appendix 5: Related Websites / Alexander Marlow-Mann
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DIGITAL DREAMS : (US, Robert Dornhelm, 1983)
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DIGITAL EDITING
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Digital filmmaking : the changing art and craft of making motion pictures / Thomas A. Ohanian, Michael E. Phillips ; cover art by Jeffrey Krebs Boston: Focal Press, c1996.
Call No: 220"313" OHAAuthor: Ohanian, Thomas A ; Phillips, Michael E Place: BostonPublisher: Focal PressPubDate: c1996PhysDes: xxiv, 267 p. : ill. (some col.) ; 28 cmSubject: DIGITAL TECHNOLOGY ; EDITING ; PRODUCTION ; POST-PRODUCTION ; LUCAS, GEORGE ; CAMERON, JAMES ; BAKER, RICK ; JONES, ED Summary: Digital Filmmaking is the professional "bible" of the new era in filmmaking. This book details the procedural, creative, and technical aspects of preproduction, production, and postproduction within a digital filmmaking environment. Readers will understand not only what new digital methods and techniques are redefining the filmmaking process, but also how the evolution into digital filmmaking can be used to achieve greater creative flexibility as well as cost and time savings. Digital Filmmaking: The Changing Art and Craft of Making Motion Pictures thoroughly explains vital concepts, including digitization, compression, digital compositing, nonlinear editing, and on-set digital production and relates traditional film production and editing processes to those of digital techniques [taken from cover]Notes: Includes bibliographical references (p. 257) and indexISBN: 0240802195 (paper : alk. paper)LON: 12009091
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DIGITAL HARBOUR
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DIGITAL LIVES : (AT, Elise Green, 2002)
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digital media and documentary : Antipodean approaches / edited by Adrian Miles Cham, Switzerland: Palgrave Macmillan,
Call No: 632.22(94) MILAuthor: Miles, Adrian Edition: 2018Place: Cham, SwitzerlandPublisher: Palgrave MacmillanPhysDes: x, 114 pages : illustrated ; 21 cmSubject: DOCUMENTARIES. AUSTRALIA ; INTERACTIVE CINEMA ; DIGITAL MEDIA AND THE CINEMA Summary: This collection of essays by Australian based practitioner-theorists brings together new research on interactive documentary making. The chapters explore how documentary theory and practice is influenced by digitisation, mobile phones, and new internet platforms. The contributors highlight the questions raised for documentary makers and scholars as new production methods, narrative forms, and participation practices emerge. The book presents an introduction to documentary techniques shaped by new digital technologies, and will appeal to documentary scholars, students, and film-makers alike. -- publisher's web siteISBN: 9783319686424
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book
Digital media quicklist. / Australian Film Television & Radio School. Jerzy Toeplitz Library. 1997.
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Digital p/reservations : Kirsten Krauth reports from the Australian International Documentary Conference in Adelaide in Realtime (Dec 1999-Jan 2000) iss.34 p.12-13
Author: Krauth, Kirsten PhysDes: Conference report; Illustration(s)Subject: CONFERENCES. AUSTRALIA. DOCUMENTARY. 1999 ; DIGITAL BROADCASTING ; SEX: THE ANNABEL CHONG STORY (CN, Gough Lewis, 1999) ; AMERICAN LOVE STORY, AN (US, Jennifer Fox, 1999) Summary: Report on the Australian International Documentary Conference held in Adelaide, November 1999, which focused on the issues of ethics, globalism and the impact of digital technologies. The article also looks at new avenues of distribution for documentary films, the Internet and CD/DVD-ROM. A given example is Film Australia's The Mabo CD-ROM Online project.
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book
The digital producer : getting it done with computer-based tools / Curtis Poole, Ellen Feldman Boston: Focal Press, c2000.
Call No: 220 POOAuthor: Poole, Curtis, 1958 ; Feldman, Ellen, 1948 Place: BostonPublisher: Focal PressPubDate: c2000PhysDes: xvii, 345 p. : ill. ; 24 cm. + 1 computer optical disc (4 3/4 in.)Subject: DIGITAL TECHNOLOGY ; PRODUCING ; PRODUCTION Summary: "The Digital Producer is the first comprehensive introduction to the world of digital video production methods from the producer's point of view. Whether you sit in the producer's chair or assist in the production process in some way, this book will provide you with a broad understanding of the digital tools and techniques, as well as specific tips and guidelines, to use during every phase of the production process, from scripting to finishing. While many books have been published covering specific areas of the digital production workflow, such as nonlinear editing or pre-production methods, no single comprehensive volume has yet been published. This book will fill that gap, providing professionals and students alike with a useful guide to the many changes taking place."--BOOK JACKETNotes: "An AvidPress book"--Cover; Includes indexISBN: 0240803957 (pbk. : alk. paper)LON: 20260276
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DIGITAL PROJECTION
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DIGITAL RADIO
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: DIGITAL RADIO
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digital clippings file
DIGITAL TECHNOLOGY Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: DIGITAL TECHNOLOGY
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DIGITAL TECHNOLOGY. AUSTRALIA
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DIGITAL TELEVISION
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DIGITAL TELEVISION. AUSTRALIA
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Digital terrestrial television broadcasting : digital channel plan and explanatory paper : Western Australia: Part 1., Perth / Australian Broadcasting Authority The Authority, 2000.
Call No: 237(94) ABASource: ATPublisher: The AuthorityPubDate: 2000PhysDes: [32] p. ; 30 cmSubject: DIGITAL TELEVISION. AUSTRALIA Summary: Technical and explanatory papers on the introduction of digital television to the Western Australia city of PerthNotes: "February 2000"
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digital clippings file
DIGNAM, ARTHUR Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: Stills; ClippingsSubject: DIGNAM, ARTHUR URL status: URL: 'http://file://Q:/P/DIGNAM,_ARTHUR.zip'
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DIGNAM, MATT
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DIGNAM, MATT
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DILLANE, STEPHEN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DILLANE, STEPHEN
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DILLER, BARRY
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DILLER, BARRY
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DILLER, PHYLLIS
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DILLER, PHYLLIS
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DILLINGER : (US, John Milius, 1973)
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DILLMAN, BRADFORD
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DILLON, ANDREW
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DILLON, CARMEN
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DILLON, MATT
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DILLON, MATT
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DILLON, MICHAEL
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Interim
book
Dilwale dulhania le jayenge : (the brave-hearted will take the bride) / Anupama Chopra London: bfi Publishing, 2002.
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journal article
Dim Sum in Cinema Papers (September 1987) iss.65 p.50-51
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DIM SUM A LITTLE BIT OF HEART : (US, Wayne Wang, 1985)
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DIMANCHE A LA CAMPAGNE, UN : (FR, Bertrand Tavernier, 1984)
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DIMARCO, DANIEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DIMARCO, DANIEL
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script
Dimboola [1978?].
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title clippings file
DIMBOOLA : (AT, John Duigan, 1979)
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book
Dimboola / [by] Tim Robertson South Melbourne, Vic.: Sun Books, 1978.
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book
Dimboola : a wedding reception play / Jack Hibberd Harmondsworth, England: Penguin Books, 1979.
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Dimboola in Empire (Australian Ed.) (January 2007) iss.70 p.112
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dvd
Dimboola [DVD] [Northcote, Vic.]: Umbrella Entertainment, c.2006.
Call No: D DimboolaPlace: [Northcote, Vic.]Publisher: Umbrella EntertainmentPubDate: c.2006PhysDes: 2 videodiscs (DVD) (94 min.) : sd., col. ; 4 3/4 in.Subject: DIMBOOLA (AT, John Duigan, 1979) Summary: A comedy that traces the events in a small country town over the three days that lead up to the marriage of Maureen Delaney to Morrie McAdam. -- Libraries Australia.Notes: DAVID0486Contents: Special features: widescreen transfer; Audio commentary with playwright and screenwriter Jack Hibberd, associate producer John Timlin and cast member Bill Garner; Dimboola - the stage play; Pram Factory - documentary; Original theatrical trailer; Umbrella trailersTechnical Details: PAL ; All regions.Credits: Produced by John Weiley ; directed by John Duigan.Standard Number: 3000000061503Performer: Bruce Spence (Morrie), Natalie Bate (Maureen), Bill Garner (Dangles), Max Gillies (Vivian Worcester-Jones), Chad Morgan (Bayonet), Tim Robertson (Father O'Shea).
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Dimensione Violenza in Cinema D'Oggi (12 September 1984) vol.XVIII iss.15 p.6
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DIMENTICARE VENEZIA : (IT/FR, Franco Brusati, 1979)
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DIMITRIADES, ALEX
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; StillsSubject: DIMITRIADES, ALEX
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DIMITRIADES, MELINDA
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DIMSEY, ROSS
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DIN NABOS SON : (SW/DK, Jorgen Flindt Pederson & Erik Stephensen, 1981)
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DINATA, NIA
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book
Dindo - the memory composer / by Cecile Kung Zurich : Pro Helvetia Press, 1993:
Call No: 81DIN RICAuthor: Kung, Cecile Place: Zurich : Pro Helvetia Press, 1993PhysDes: 35 p. : illSubject: DINDO, RICHARD Notes: Title from coverLON: abn99019411; 14370208Donation: donated by the Consulate-General of Switzerland, December 1998
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DINEEN, KAYE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DINEEN, KAYE
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DINEEN, MOLLY
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title clippings file
DINER : (US, Barry Levinson, 1982)
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DINER DES CONS, LE : (FR, Francis Veber, 1998)
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DINESCU, MARIA CALLAS
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DINGLE WALL, MARTIN
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book
Dingo / by Marc Rosenberg Sydney: Currency Press, 1992.
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title clippings file
DINGO : (AT/FR, Rolf de Heer, 1991)
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script
DINGO [1989].
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digital clippings file
DINGO, ERNIE Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: Clippings; StillsSubject: DINGO, ERNIE URL status: URL: 'http://file://Q:/P/DINGO,_ERNIE.zip'
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poster
[Dingo : poster] AT: 1991.
Call No: P DINPlace: ATPubDate: 1991PhysDes: 1 poster : colour ; 62 x 46 cmSubject: DINGO (AT/FR, Rolf de Heer, 1991) Summary: Text: Selections from the motion picture soundtrack Music composed by Miles Davis & Michel LeGrand.
Image: An abstract painted image of a barefoot man bending forward in an angle while playing a trumpet. The trumpeter wears black sunglasses, a hat, and a white shirt and pants. Above him is a blue background with two faces, a figure holding a suitcase which appears to walk on the trumpeter's back, a metal windmill, a moon, stars, and a planetary shape. Below the trumpeter is an earthy red background with what appear to be rocks, a dog-like animal with its mouth open, two figures dancing in front of a sun-like/planetary form, and a kangaroo.Notes: The poster has been previously stored in a rolled position. Worn edges, particularly the lower left edge, small tears, and creases.
On the lower right edge, there are some words written in texter which appear to be the signatures of Rolf de Heer and Miles Davis.
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DINGO PRINCIPLE, THE : [TV] (AT, Ted Robinson, 1988)
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still
[Dingo : stills file]
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DINGWALL, JOHN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DINGWALL, JOHN
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title clippings file
DINKI DI'S, THE : (AT, Mel Bradford, 1988)
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DINKLAGE, PETER
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DINKLAGE, PETER
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title clippings file
DINKUM BLOKE, THE : (AT, Raymond Longford, 1923)
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still
[Dinkum bloke, the : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 image : b&w ; 21 x 26 cmSubject: DINKUM BLOKE, THE (AT, Raymond Longford, 1923) Summary: Black and white image relating to the film The Dinkum BlokeNotes: An image taken from the journal "Everyones" 9 May 1923 pg 52. It appears as though this image has been printed on photographic paper.
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DINNER FOR SCHMUCKS : (US, Jay Roach, 2010)
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The Dinner game in If magazine (Dec 1999-Jan 2000) iss.20 p.24
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DINNER, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DINNER, MICHAEL
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DINNER PARTY, THE : (AT, Scott Murden, 2009)
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DINNER, THE : (US, Oren Moverman, 2017) Digital clippings file available
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DINNER WITH FRIENDS [TV] : (US, Norman Jewison, 2001)
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DINOSAUR : (US, Ralph Zondag & Eric Leighton, 2000)
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DIOR AND I : (FR, Frederic Tcheng, 2014) Digital clippings file available
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DIPEGO, GERALD
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The Diplomat in Metro (2000) iss.124/125 p.24-29
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DIPLOMAT, THE : (AT, Tom Zubrycki, 2000)
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DIPUTADO, EL : (SP, Eloy de la Iglesia, 1979)
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DIRANI, FIRASS
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DIRECTED BY WILLIAM WYLER : (US, Aviva Slesin, 1986)
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Directing actors : creating memorable performances for film and television / by Judith Weston Studio City, CA: M. Wiese Productions, c1996.
Call No: 225 WESAuthor: Weston, Judith Source: USPlace: Studio City, CAPublisher: M. Wiese ProductionsPubDate: c1996PhysDes: xiv, 314 p. : ill. ; 21 cmSubject: PRODUCTION ; DIRECTION ; ACTORS ; SCRIPTS ; CASTING ; FILM ; TELEVISION Summary: "Directing Actors is a method for establishing creative, collaborative relationships with actors, getting the most out of rehearsals, troubleshooting poor performances, and giving briefer directions."--BOOK JACKET. "Ms. Weston discusses what constitutes a good performance, what actors want from a director, what directors do wrong, script analysis, how actors work, and the director/actor relationship. This book is based on the author's twenty years of professional acting and eight years of teaching Acting for Directors."--BOOK JACKET.Notes: Includes bibliographical references (p. 311-314); Filmography (p. 308-310)ISBN: 0941188248Contents: -- acknowledgments -- introduction -- I. result direction and quick fixes -- II. moment by moment -- III. listening and talking -- IV. actors' choices -- V. structure: transitions, events and through-lines -- VI. actors' resources and training -- VII. script analysis -- VIII. casting -- IX. rehearsal -- X. shooting -- spp. A. children and nonprofessional actors -- app. B. comedy -- app. C. short list of action verbs sample simple objectives more action verbs -- filmography -- bibliography -- further acknowledgments --
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Directing bibliography. / Australian Film Television & Radio School. Jerzy Toeplitz Library. 1997.
Call No: FRONT DESKCorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.PubDate: 1997Subject: DIRECTION ; ACTING ; CONTINUITY
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Directing the documentary / Michael Rabiger Boston: Focal Press, c1987.
Call No: 761 RABAuthor: Rabiger, Michael Place: BostonPublisher: Focal PressPubDate: c1987PhysDes: xii, 316 p. : ill. ; 26 cmSubject: DIRECTION ; PRODUCTION ; EDITING ; AESTHETICS ; DOCUMENTARY FILMS ; COMMENTARY ; INTERVIEWS IN FILMS ; RABIGER, MICHAEL Summary: "Directing the Documentary discusses the necessary technical basics you need to know before shooting, and describes with astonishing clarity the concepts and human processes behing the making of the film. From preproduction considerations, such as research or choosing a subject, to production and postproduction factors like shooting an interview or assembling the sound track, Directing the Documentary keeps the final goal always in sightL the creation of an effective documentary film.
Structured witha focus on specific stages of the process, this book allows flexible use through a series of project designed to teach necessary skills through action. Valuable summaries provide checkliests of immeasurable help for those involved in actual production work. The coverage is complete in the discussions of the documentary's history and development, of the issues of aesthetics and authorship, and of education and careers in documentary films." -- Taken from back cover.Notes: Includes index; Bibliography: p. [306]-309ISBN: 0240517946 (pbk.)LON: 4791160
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DIRECTION
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DIRECTOR'S CUT
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DIRECTOR, THE : (AT, Patrick Hughes, 1999)
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DIRECTORS. AUSTRALIA Digital clippings file available
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DIRECTORS. CZECHOSLOVAKIA
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DIRECTORS. GERMANY
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Directors in British and Irish Cinema : a reference companion / edited by Robert Murphy London: British Film Institute, 2006.
Call No: (03)802.25(41) DIRAuthor: Murphy, Robert Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: xxviii, 644 p. ; b+w ill. : 25 cmSubject: DIRECTORS. UK Summary: Dictionary of directors in Britain and Ireland.ISBN: 1844571262
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DIRECTORS. ITALY
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DIRECTORS TALENT LIBRARY
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DIRECTORS. UK
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DIRECTORS. USA
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DIRIE, WARIS
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DIRIGENTERNA : (SW, Christina Olofson, 1987)
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DIRIGIBLE, EL : (UY/CU/MX/UK, Pablo Dotta, 1994)
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DIRT CHEAP : (AT, Marg Clancy & David Hay & Ned Lander, 1980)
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DIRT GAME [TV] : (AT, Grant Brown & Brendan Maher, 2009)
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DIRT MUSIC : (AT/UK, Gregor Jordan,2019) Digital clippings file available
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DIRTGIRLWORLD [TV] : (AT/CN, 2009-10)
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DIRTWATER DYNASTY : [TV] (AT, John Power & Michael Jenkins, 1988)
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DIRTY BLACK BAG, THE [TV] : (IT/FR/US, 2022) Digital clippings file available
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DIRTY BUSINESS : (AT, Robert Grant, 1979)
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[Dirty business : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 13 x 18 cmSubject: DIRTY BUSINESS (AT, Robert Grant, 1979) Summary: One black and white photograph relating to the Swinburne student film Dirty business
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DIRTY DANCING : (US, Emile Ardolino, 1987)
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DIRTY DANCING: HAVANA NIGHTS : (US, Guy Ferland, 2004)
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DIRTY DEEDS : (AT, David Caesar, 2002)
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Dirty Deeds : the screenplay / David Caesar Strawberry Hills, N.S.W.: Currency Press, 2002.
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Dirty Deeds 2001.
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Dirty Deeds in Empire (Australian Ed.) (August 2002) iss.17 p.44
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Dirty Deeds in Empire (Australian Ed.) (March 2003) iss.24 p.92
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Dirty deeds [DVD] Momentum Pictures, [2004?].
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DIRTY DISHES : (AT, Joanne Lee, 199?)
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DIRTY DISHES : (US, Joyce Bunuel, 1983)
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Dirty Dishes in Facets Features (June 1983) p.14-15
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DIRTY DOZEN, THE : (US, Robert Aldrich, 1967)
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DIRTY GRANDPA : (US/UK, Dan Mazer, 2016) Digital clippings file available
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DIRTY HARRY : (US, Don Siegel, 1971)
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DIRTY JOHN [TV] : (US, 2018)
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DIRTY MARY CRAZY LARRY : (US, John Hough, 1974)
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DIRTY MONEY : (US, James Bruce, 1994)
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DIRTY PRETTY THINGS : (UK, Stephen Frears, 2002)
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DIRTY ROTTEN SCOUNDRELS : (US, Frank Oz, 1988)
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DIRTY SHAME, A : (US John Waters, 2004)
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DIRTY STORY : (FI/SW/GW, Jorn Donner, 1985)
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DIRTY WARS : (US, Rick Rowley, 2013)
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DIRTY WORK : (US, Bob Saget, 1998)
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DIS BONJOUR A LA DAME : (FR, Michel Gerard, ?)
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DISAMOE, SITTHIPHON KI
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DISAPPEARANCE OF ALICE CREED, THE : (UK, J Blakeson, 2010)
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DISAPPEARANCE OF AZARIA CHAMBERLAIN [TV] : AT, Michael Thornhill, 1983
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DISAPPEARANCE OF ELEANOR RIGBY, THE : (US, Ned Benson, 2014) Digital clippings file available
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DISAPPEARANCE OF FINBAR, THE : (UK/IE/SW, Susan Clayton, 1996)
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DISAPPEARANCE OF GARCIA LORCA, THE : (SP?, Marcos Zurinaga, 1997)
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DISAPPEARANCE, THE : (UK/CN, Stuart Cooper, 1977)
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DISAPPEARANCE [TV] : (US, Walter Klenhard, 2002)
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DISAPPEARED : (AT, Cathy Johnstone, 2001)
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DISASTER ARTIST, THE : ( US, James Franco, 2017)
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DISASTER AT SILO 7 : (US, Larry Elikann, 1988)
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DISASTER CAPITALISM : (AT, Matthew Saville, 2016)
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Disaster flick on shaky ground in Sunday Telegraph [Insider] (31/05/2015) p.118
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DISASTER MOVIE : (US, Jason Friedberg & Aaron Seltzer, 2008)
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DISASTER ON THE COASTLINER : (US, Richard C. Sarafian, 1979)
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Disasters - national preparedness [1980?].
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DISASTERS ON TV.AUSTRALIA
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DISCESA DI ACLA A FLORISTELLA, LA : (IT, Aurelio Grimaldi, 1992)
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DISCESA DI ACLA A FLORISTELLA, LA : (IT, Aurelio Grimaldi, 1992)
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DISCLOSURE : (US, Barry Levinson, 1994)
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DISCO PIGS : (IE, Kirsten Sheridan, 2001)
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La Discoteca (Disco Story) in Foreign Sales (1984) iss.X/3 p.6
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DNEVNIK : (YU, Nedeljko Dragic, 1974)
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Do not adjust your set yet, Netflix is no game changer in Weekend Australian [Inquirer] (28/03/2015) p.17
Call No: SUBJECT CLIPPINGS FILE; NETFLIXAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: NETFLIX ; PAY TV. AUSTRALIA ; DIGITAL DISTRIBUTION ; INDUSTRY, TV. AUSTRALIA Summary: Opinon piece stating that Netflix's arrival in Australia is not as big a deal as has been made out, and that TV watching is still the main way people connect with media.Notes: Term Subscription Video On Demand (SVOD) used
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Documentary and the mass media / edited by John Corner London: Edward Arnold, 1986.
Call No: 761 DOCAuthor: Corner, John (ed.) Source: UKPlace: LondonPublisher: Edward ArnoldPubDate: 1986PhysDes: 178 p. : 22 cmSeries: Stratford-upon-Avon Studies; Second seriesSubject: MEDIA ; DOCUMENTARIES ; DOCUMENTARY FILMS ; CINEMA VERITE ; DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946) ; LISTEN TO BRITAIN (UK, Humphrey Jennings/Stewart McAllister, 1942) ; ROSES IN DECEMBER (US, Ana Carrigan and Bernard Stone, 1982) ; WORDS FOR BATTLE (UK, Humphrey Jennings, 1941) Summary: "The studies in this book investigate documentary forms and methods as they have developed in film, radio and television, placing emphasis on the use of documentary approaches within the context of a national media system. They link together political and social factors with matters of 'documentary language', addressing the particular questions of representational realism and of public communication which documentaries so sharply raise but which are relevant to a far wider range of mass media activities.
The specially commissioned essays in this volume offer a stimulating exploration of a lively and powerful mode; several indeed open up entirely new areas of media analysis. All are likely to offer the reader fresh insights." -- BOOK BLURBNotes: Mass media. Documentaries (BNB/PRECIS); Includes bibliographical references and index; Includes indexISBN: 071316493XDonation: donated by the family of Wayne Levy, 2006Contents: -- select bibliography -- preface -- 1: 'the stuff of radio': developments in radio features and documentaries before the war : Paddy Scannell -- 2: authorship in documentary : sociology as an art form in mass observation : David Chaney and Michael Pickering -- 3: the documentary aesthetics of Humphrey Jennings : Bjorn Sorenssen -- 4: the origin of British television documentary: the BBC 1946-55 : Elaine Bell -- 5: the agnostic narratives of television science : Roger Silverstone -- 6: questions of magnitude : Bill Nichols -- 7: seeing is believing: the ideology of naturalism : Richard Collins -- 8: documentary meanings and the discourse of interpretation : John Corner and Kay Richardson -- 9: notes on the ascent of a ficticious mountain : Dai Vaughan -- notes on contributors -- index --
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The documentary tradition / selected arranged, and introduced by Lewis Jacobs New York: W. W. Norton, c1979.
Call No: 761 JACAuthor: Jacobs, Lewis, comp Edition: 2nd edPlace: New YorkPublisher: W. W. NortonPubDate: c1979PhysDes: 594 p. : ill. ; 24 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS. USSR ; HISTORY OF CINEMA ; NEWSREELS ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; VERTOV, DZIGA ; RIEFENSTAHL, LENI ; LEACOCK, RICHARD ; WISEMAN, FREDERICK ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; GRASS (US, Ernest B. Schoedsack, 1926) ; CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927) ; MOANA (US, Robert Flaherty, 1926) ; RAIN (US, Louis Milestone, 1932) ; STARK LOVE (US, Karl Brown, 1927) ; TURKSIB (US, Victor A. Turin, 1929) ; DRIFTERS (SW, John Grierson, 1929) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937) ; OLYMPIA (G, Leni Riefenstahl, 1938) ; TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; SPANISH EARTH, THE (US, Joris Ivens, 1937) ; FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940) ; RIVER, THE (US, Pare Lorentz, 1938) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933) ; LAND, THE (US, Robert Flaherty, 1942) ; NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942) ; NEGRO SOLDIER, THE (US, Frank Capra, 1944) ; DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946) ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; SAVAGE EYE, THE (US, Ben Maddow, Sidney Meyers, Joseph Strick, 1959) ; JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; MARRIED COUPLE, A (CN, Allan King, 1969) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; HEARTS AND MINDS (US, Peter Davis, 1974) ; HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976) Summary: "Originally published in 1971, The Documentary Tradition is the essential survey of development and achievements of one of the most distinctive and influential genres of film. Edited by the distinguished filmmaker and historian Lewis Jacobs, the book has become an indispensable reference for both students and practitioners of documentary. This new edition brings The Documentary Tradition up to date and includes the writings of almost 100 filmmakers and critics. To the five parts which trace the development of the genre from the 1920s Jacobs has added a new section of seven essays on the documentaries of the 1970s. The section is introduced by his own survey of the filmmaking of the period, "From Political Activism to Women's Consciousness," and accompanied by a selected list of documentaries of the 1970s together with photographs from a number of these films. The bibliography of works on documentary films and filmmakers has been expanded." -- BOOK BLURBNotes: Includes index; Bibliography: p. 577-579ISBN: 0393950425LON: 1437994URL status: URL: 'http://-'
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Domitor witnesses the first complete public presentation of the 'Dickson experimental sound film' in the 20th century in Film History (1999) vol.11 iss.4 p.400-403
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The Don in Melbourne Film Bulletin (October 1968) iss.6 p.20-23
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Don Siegel in Interview iss.21 p.11-15
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Done dirt cheap in Empire (Australian Ed.) (August 2002) iss.17 p.34-40
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Dot.com special Cannes 2000.
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Down and dirty pictures : Miramax, Sundance and the rise of independent film / Peter Biskind London: Bloomsbury, 2004.
Call No: 721.3(73) BISAuthor: Biskind, Peter Place: LondonPublisher: BloomsburyPubDate: 2004PhysDes: 24 cm ; 545 pSubject: DIRECTORS. USA ; USA ; AWARDS. ACADEMY ; INDEPENDENT DISTRIBUTION ; INDEPENDENT FILMS. USA ; INDEPENDENT PRODUCTION ; INDEPENDENT PRODUCTION. USA ; DISTRIBUTION. USA ; FESTIVALS. PARK CITY. SUNDANCE ; MIRAMAX FILMS ; AFFLECK, BEN ; ALTMAN, ROBERT ; ANDERS, ALLISON ; ANDERSON, PAUL THOMAS ; ANDERSON, WES ; ARAKI, GREGG ; ARONOFSKY, DARREN ; ARTETA, MIGUEL ; WEINSTEIN, BOB ; WEINSTEIN, HARVEY ; ALLEN, WOODY ; ALL THE PRETTY HORSES (US, Billy Bob Thornton, 2000) ; FABULEUX DESTIN D'AMELIE POULAIN, LE (FR/GG, Jean-Pierre Jeunet, 2001) ; APOSTLE, THE (US, Robert Duvall, 1997) ; AMERICAN BEAUTY (US, Sam Mendes, 1999) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) Summary: In Down and Dirty Pictures, Peter Biskind tells the story of the filmmakers and the independent distributors who revitalised Hollywood in the 1990s. He follows the growth of Sundance from a regional film festival to the premier showcase of independent film that it became, showing how it succeeded almost despite Robert Redford, whose visionary plans were often thwarted by his quixotic personality. He charts the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul who, with his brother Bob, left a trail of carnage in his wake, yet created an Oscar factory that is the envy of the studios. [Taken from inner jacket sleeve].ISBN: 0747565708ID2: 341
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Drawings by film directors / introduction: Stephen Frears London: Redstone Press, 1994.
Call No: 919(084.1) DRACorpAuthor: RedstoneSource: UKPlace: LondonPublisher: Redstone PressPubDate: 1994PhysDes: 188 unnumbered pages : illustrations ; 25 cmSubject: DIRECTORS ; ART AND THE CINEMA Summary: A Redstone diary for 1995 interspersed with copies of drawings made by famous film directors including Sergei Eisenstein, John Huston, Jane Campion, Akira Kurosawa, Emile Cohl, Norman McLaren, Ettore Scola, Jacques Tati, Federico Fellini, Alexandre Dovzhenko, Luis Bunuel, Fritz Lang, Maya Deren, Jean Renoir, Francois Truffaut, Martin Scorsese, Jean Cocteau, Dziga Vertov, Alan Parker, Alfred Hitchcock, Luchino Visconti, Lev Kouleshov, Satyaji Ray, Charles Chaplin, Rainer Werner Fassbinder, Alan Rudolph, Humphrey Jennings, Fred Zinnemann, Walerian Borowczyk, Mal St. Clair, Andrei Tarkovsky, and Orson WellesISBN: 9781870003766Language: English/French/German/SpanishDonation: Liz Oley
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The dream life : movies, media and the mythology of the sixties / by J. Hoberman New York: New Press, 2005.
Call No: 71"196"(73) HOBAuthor: Hoberman, J. Source: USPlace: New YorkPublisher: New PressPubDate: 2005PhysDes: 461 p. ; 20 cmSubject: USA ; USA. 1960's ; POLITICS AND THE CINEMA ; POLITICS AND THE CINEMA. USA ; CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA. USA ; HISTORY AND THE CINEMA. USA ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. USA ; SPARTACUS (US, Stanley Kubrick, 1960) ; ALAMO, THE (US, John Wayne, 1960) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; SEVEN DAYS IN MAY (US, John Frankenheimer, 1963) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; CHASE, THE (US, Arthur Penn, 1966) ; EASY RIDER (US, Dennis Hopper, 1969) ; COOGAN'S BLUFF (US, Don Siegel, 1968) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; PATTON (US, Franklin J. Schaffner, 1970) ; DIRTY HARRY (US, Don Siegel, 1971) ; SHAMPOO (US, Hal Ashby, 1975) Summary: "Here is a major new cultural history of the Sixties. J. Hoberman delivers a brilliant and witty look at the decade when politics and pop culture became one. This was the era of the Missile Gap and the Space Race, the Black and Sexual Revolutions, the Vietnam War and Watergate - as well as the tele-saturation of the American market and the advent of Pop art. In "elegant, epigrammatic prose" (A.O Scott), Hoberman moves from the political histories of movies to the theater of wars, national political campaigns, and pop-culture events. With entertaining reinterpretations of key Hollywood movies such as Bonnie and Clyde, The Wild Bunch, and Shampoo, and meditations on personages ranging from John Wayne and Patty Hearst to Jane Fonda, Ronald Reagan, and Che Guevara. Hoberman reconstructs the hidden poltical history of 1960s cinema and the spectacular formation of America's mass-mediated politics" -- BOOK BLURBNotes: Originally published: 2003ISBN: 1565849787Contents: -- acknowledgments -- introduction: "suddenly...It's 1960!" -- I. Making pre-history, A.D. 1960 -- Enter the Hollywood Freedom fighter -- sputnik and the Spector of communist earth control -- when Superman came to the supermarket -- october 1960: Spartacus vs. The Alamo -- the year's best western: the new frontier and The Magnificent Seven -- II. Glamour and anxiety: The Kennedy scenario, 1961-63 -- camelot year one: into the twilight zone -- camelot year two: the president's double lives -- The Manchurian Candidate = the secret agent of history -- camelot down: thinking about the unthinkable -- coups d'etat:four days in November, Seven Days in May -- Dr. Strangelove's Prescription -- III. South by southwest: Lyndon Johnson's trip, 1964-66 -- jet-age bronco busters and twilight westerns -- the cowboy election of 1964 -- Major Dundee - great society abroad -- The Chase -- great society at home -- vietnam: "an oriental western" -- gathering the tribes: diggers, panthers, outlaws -- IV. Born to be wild: Outlaws of America, 1967-69 -- if you are a Bonnie-and-Clyder...: the birth of radical chic -- spring 1968": shooting Easy Rider, going Wild in the Streets -- creating our own reality: The Green Berets and the Battle of Chicago -- the election: calling Coogan's Bluff -- No future: the Children of Bonnie and Clyde -- V. Nixon time: The war at home, 1969-71 -- the end of the sixties -- America's Night of the Living Dead (My Lai, manson, Myra Breckinridge) -- spring 1970: Patton over Cambodia -- generational war in the dream life: hey Joe (where you goin' with that gun in your hand?) -- the last round-up: counterculture psychodrama and hippie westerns, 1971 -- the legal vigilante: Dirty Harry and Tricky Dick -- VI. After the orgy, from blowup to blow out -- flash forward to 1968: Shampoo -- the 1972 campaign: Warren, George, Jane, and The Candidate -- the Nixon Western -- Cine paranoia: conspiracies unmasked, 1973-75 -- freedomland 1981: Ronald Reagan and the Last Sixties Movie -- source notes -- index --
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Dutch tilt, Aussie auteur : the films of Rolf De Heer / D. Bruno Starrs Saarbrucken, Germany: VDM, Verlag Dr Muller, 2009.
Call No: 81DEH STAAuthor: Starrs, D. Bruno Source: GPlace: Saarbrucken, GermanyPublisher: VDM, Verlag Dr MullerPubDate: 2009PhysDes: 105 p. ; 23 cmSubject: AUTEUR THEORY ; DE HEER, ROLF ; TAIL OF THE TIGER (AT, Rolf de Heer, 1984) ; INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988) ; DINGO (AT/FR, Rolf de Heer, 1991) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996) ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; TRACKER, THE (AT, Rolf de Heer, 2002) ; ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003) ; TEN CANOES (AT, Rolf De Heer, 2006) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) Summary: " 'Dutch Tilt, Aussie Auteur: the Films of Rolf De Heer' is an auteur analysis of the twelve feature films directed (mostly written and produced) by Holland-born Australian Rolf De Heer. From the children's story about the restoration of a Tiger Moth biplane, "Tail of a Tiger "(1984), to his break-out cult sensation " Bad Boy Bubby" (1993) which "tore Venice apart," to the first Aboriginal Australian language film "Ten Canoes" (2006) which scooped the pool at the AFI awards and won the Special Jury prize at Cannes Film Festival, de Heer has been consistently unpredictable. However, Starr's close study of his work suggests that Australia's most innovative and respected Arthouse film-maker has a signature pre-occupation with giving a voice to marginalized, non-hyper-masculine protagonists. Demonstrating a propensity to write and direct in a European-like style, de Heer's "Dutch tilt" is very much non-mainstream Hollywood, but is nevertheless representative of a typically Australian world-view." -- BOOK BLURBNotes: Includes bibliographical references (p. 90-104)ISBN: 9783639168341
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Easy riders, raging bulls : how the sex-drugs-and-rock-'n'-roll generation saved Hollywood / Peter Biskind New York, NY: Simon & Schuster, 1998.
Call No: 71(73) BISAuthor: Biskind, Peter Place: New York, NYPublisher: Simon & SchusterPubDate: 1998PhysDes: 506 p. : ill. ; 25 cmSubject: USA. 1970's ; COLUMBIA PICTURES ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; UNIVERSAL PICTURES ; WARNER BROS. ; ZOETROPE STUDIOS ; ALTMAN, ROBERT ; ASHBY, HAL ; BEATTY, WARREN ; BEGELMAN, DAVID ; BLATTY, WILLIAM PETER ; BOGDANOVICH, PETER ; BRANDO, MARLON ; BROWN, DAVID ; BURSTYN, ELLEN ; CALLEY, JOHN ; CHRISTIE, JULIE ; COPPOLA, ELEANOR ; COPPOLA, FRANCIS FORD ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DILLER, BARRY ; EVANS, ROBERT ; FONDA, PETER ; FRIEDKIN, WILLIAM ; GEFFEN, DAVID ; HAWKS, HOWARD ; HOPPER, DENNIS ; IRVING, AMY ; KAEL, PAULINE ; KIDDER, MARGOT ; LUCAS, GEORGE ; LUCAS, MARCIA ; MILIUS, JOHN ; NEWMAN, DAVID ; NICHOLSON, JACK ; PENN, ARTHUR ; PHILLIPS, JULIA ; PLATT, POLLY ; POLANSKI, ROMAN ; RAFELSON, BOB ; SCHNEIDER, BERT ; SCHRADER, LEONARD ; SCHRADER, PAUL ; SCORSESE, MARTIN ; SHEPHERD, CYBILL ; SIMPSON, DON ; SPIELBERG, STEVEN ; SYLBERT, RICHARD ; TANEN, NED ; TOWNE, ROBERT ; WEINTRAUB, SANDRA ; YABLANS, FRANK ; ZANUCK, RICHARD ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; EASY RIDER (US, Dennis Hopper, 1969) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CHINATOWN (US, Roman Polanski, 1974) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; EXORCIST, THE (US, William Friedkin, 1973) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; JAWS (US, Steven Spielberg, 1975) ; LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; M*A*S*H (US, Robert Altman, 1969) ; MEAN STREETS (US, Martin Scorsese, 1973) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; PERSONAL BEST (US, Robert Towne, 1982) ; RAGING BULL (US, Martin Scorsese, 1980) ; REDS (US, Warren Beatty, 1981) ; SHAMPOO (US, Hal Ashby, 1975) ; SORCERER (US, William Friedkin, 1977) ; STAR WARS (US, George Lucas, 1977) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448ISBN: 0684809966LON: 98002919; 13698645
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Edgar G. Ulmer : a filmmaker at the margins / by Noah Isenberg Berkeley and Los Angeles, California: University of California Press, c2014.
Call No: 81ULM ISEAuthor: Isenberg, Noah Source: US/UKPlace: Berkeley and Los Angeles, CaliforniaPublisher: University of California PressPubDate: c2014PhysDes: xiv, 365 pages : illustrations ; 24 cmSubject: ULMER, EDGAR G. ; DETOUR (US, Edgar G. Ulmer, ,1946) Summary: "Edgar G. Ulmer is perhaps best known today for Detour, considered by many to be the epitome of a certain noir style that transcends its B-list origins. But in his lifetime he never achieved the celebrity of his fellow Austrian and German e´migre´ directors-Billy Wilder, Otto Preminger, Fred Zinnemann, and Robert Siodmak. Despite early work with Max Reinhardt and F.W. Murnau, his auspicious debut with Siodmak on their celebrated Weimar classic People on Sunday, and the success of films like Detour and Ruthless, Ulmer spent most of his career as an itinerant filmmaker earning modest paychecks for films that have been either overlooked or forgotten. " -- BOOK BACK COVERNotes: Weimar and now : German cultural criticismISBN: 97805202357779Contents: -- list of illustrations -- Preface -- Traces of a Viennese youth -- Toward a cinema at the margins -- Hollywood horror -- Songs of exile -- Capra of PRC -- Back in black -- Independence days -- Postscript -- filmography -- notes -- select bibliography -- acknowledgments -- index --
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The Edison motion picture myth Berkeley: Calif. U.P., 1961.
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Edward Yang / John Anderson Urbana, Ill ; Chicago: University of Illinois Press, 2005.
Call No: 81YAN ANDAuthor: Anderson, John Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of Illinois PressPubDate: 2005PhysDes: x, 128 p. : ill. ; 21 cmSeries: Contemporary film directors / edited by James NaremoreSubject: DIRECTORS.TAIWANESE ; CRITICISM ; YANG, EDWARD Notes: Includes filmograghy (pp.[117]-121)
Includes bibliographical references (pp.[123]-124) and indexISBN: 0252072367 (pbk. : alk. paper)
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The electric bookshop : research into current and future markets for interactive multimedia publications on cd rom Woolloomooloo, N.S.W.: Australian Film Commission, 1995.
Call No: 775(94) BRICorpAuthor: Australian Film Commission; Brigalow Digital PublishingPlace: Woolloomooloo, N.S.W.Publisher: Australian Film CommissionPubDate: 1995PhysDes: v, 68 p. : ill. ; 30 cmSubject: DIGITAL TECHNOLOGY. AUSTRALIA ; CD-ROM AND THE CINEMA. AUSTRALIA ; MULTIMEDIA. AUSTRALIA Notes: "March 1995"; "Commissioned ... by Australian Film Commission"; "A report for the Australian Film Commission by Brigalow Digital Publishing, March 1995"--Cover; Bibliography: p. 68ISBN: 0642226148LON: 11462529
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Electronic/digital rights : a handbook for authors / by Lynne Spender ; illustrations by Veronica Jones Strawberry Hills, N.S.W.: Australian Society of Authors, 1997.
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An encyclopaedia of Australian film / John Stewart Frenchs Forest, NSW: Reed, 1984.
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still
[Escape from Jupiter : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 3 photographs : b&w ; 13 x 18 cm - 21 x 26 cmSubject: ROSNIAK, JUSTIN ; TAYLOR, DANIEL ; KANTS, IVAR ; WILKINSON, LINDEN ; BABA, SAEMI ; MUROYAMA, KAZUHIRO ; BISLEY, STEVE ; DIGNAM, ARTHUR ; TENNEY, ANNE ; RADLEY, KEN ; CHOY, ANNA ; ESCAPE FROM JUPITER [TV] (AT/JA, Kate Wood & Fumitaka Tamura, 1994) Summary: Three black and white photographs from the television series Escape from Jupiter
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European television industries / Petros Iosifidis, Jeanette Steemers and Mark Wheeler London: bfi Publishing, 2005.
Call No: 20(4)"313" IOFAuthor: Iosifidis, Petros ; Steemers, Jeanette ; Wheeler, Mark Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2005PhysDes: 186 p. : ill., ports. ; 24 cmSubject: PUBLIC BROADCASTING ; DIGITAL TELEVISION ; EUROPEAN COUNTRIES ; NEWS CORPORATION ; ADVERTISING ; CANAL PLUS ; WHO WANTS TO BE A MILLIONAIRE (AT, 1999-) Summary: Television in Europe operates in an increasingly globalised communications market characterised by commercialisation, fragmentation and transnational ownership. Digital transmission has resulted in an abundance of televisual offerings, operating in a less heavily regulated dual system of competitive private and publicly owned television channels.Concentrating on the historical , economic, cultural, technological, and political factors behind change, the book provides an opportunity to construct a conceptual and analytical base on which to judge future developments in television in Europe.[taken from back cover]Notes: Includes bibliographical references and indexISBN: 1844570592
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newspaper article
Everest in Sunday Herald Sun [Arts & Entertainment] (13/09/2015) p.83
Call No: TITLE CLIPPINGS FILE; EVEREST (US/UK, Baltasar Kormakur, 2015)Author: Dent, Nick PhysDes: Clippings File ArticleSubject: DRAMAS ; THRILLERS ; DISASTER FILMS ; CLARKE, JASON ; GYLLENHAAL, JAKE ; WORTHINGTON, SAM ; BROLIN, JOSH ; WATSON, EMILY ; KNIGHTLEY, KEIRA ; EVEREST (US/UK, Baltasar Kormakur, 2015) Summary: A review of the recently released film 'Everest' about the 1996 Mount Everest disaster. The review summarises the plot and gives a rundown of the cast members and the characters they play.Rating: 4 out of 5 stars
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Everest through the lens in Sunday Herald Sun [Escape] (26/07/2015) p.31
Call No: PERSONALITY CLIPPINGS FILE; DILLON, MICHAELAuthor: Parratt, Charnel [interview] PhysDes: Clippings File ArticleSubject: DILLON, MICHAEL Summary: Interview with Michael Dillon about his cinematography career, particularly his work filming expeditions of Mt Everest
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Everything is cinema : the working life of Jean-Luc Godard / by Richard Brody New York: Metropolitan Books / Henry Holt and Company, 2009.
Call No: 81GOD BROAuthor: Brody, Richard Edition: 1st Paperback editionSource: USPlace: New YorkPublisher: Metropolitan Books / Henry Holt and CompanyPubDate: 2009PhysDes: xv, 701 p. : ill. ; 24 cmSubject: CRITICISM ; GODARD, JEAN-LUC ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963) ; WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961) ; FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; CONTEMPT (FR/IT, Jean-Luc Godrad, 1963)
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MEPRIS, LE ; CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963) ; MARRIED WOMAN, THE (FR, Jean-Luc Godard, 1964)
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FEMME MARIEE, UNE ; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966) ; MASCULINE FEMININE (FR, Jean-Luc Godard, 1966) ; TWO OR THREE THINGS I KNOW ABOUT HER (FR, Jean-Luc Godard, 1967)
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[DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978) ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985)
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JE VOUS SALUE MARIE ; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985) ; DETECTIVE (FR, Jean-Luc Godard, 1985) ; SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987) ; KING LEAR (US/SZ, Jean-Luc Godard, 1987) ; HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997) ; NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990) ; GERMANY YEAR 90 (FR, Jean-Luc Godard, 1991)
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ALLEMAGNE NEUF ZERO ; ALLEMAGNE NEUF ZERO (FR, Jean-Luc Godard, 1991) ; HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983) ; FOR EVER MOZART (SZ/FR, Jean-Luc Godard, 1996) ; ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001) Summary: "Shifting fluidly from fiction to documentary, from criticism to art, the films of Jean-Luc Godard changed the nature of cinema. Godard's own persona - cultural hero, fierce loner, shrewd businessman - projects similarly shifting images. In the modern canon, he is a figure as mysterious as he is indispensible. Now, acclaimed critic Richard Brody offers the fullest picture yet of Godard's life and work, demsytifying the elusive filmmaker through hundreds of interviews with friends, relatives, and collaborators. He vividly depicts Godard's wealthy family, his changeable and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women. Tracing an arc from the director's early writing, through his popular success with Breathless and Contempt, to the grand vision of his later years, Everything Is Cinema shows decisively that Godard's films have left their mark on all screens, everywhere. -- BOOK BLURBNotes: "NBCC Award. Criticism. Nominees" -- Awards website; Includes bibliographical references (p. [635]-675) and index; We have a duplicate copy of this bookISBN: 9780805080155Contents: -- preface -- 1: We do not think, we are thought -- 2: A matter of loving or dying -- 3: Breathless -- 4: Le petit soldat -- 5: A woman is a woman -- 6: Vivre sa vie, le nouveau monde, les carabiniers -- 7: Contempt -- 8: Montparnasse et levallois, band of outsiders -- 9: A married woman -- 10: The American business -- 11: Alphaville -- 12: Pierrot le fou -- 13: Masculine feminine -- 14: Made in USA, two or three things I know about her -- 15: La chinoise, weekend -- 16: Revolution (1968-1972) -- 17: Restoration (1973-1977) -- 18: France tour de´tour deux enfants, et al., 1978-1979 -- 19: Sauve qui peut (la vie) -- 20: Passion and first name: Carmen -- 21: Hail Mary -- 22: Detective and soigne ta droite -- 23: King Lear -- 24: Histoire(s) du cine´ma, part I -- 25: Nouvelle vague -- 26: Germany year 90 nine zero -- 27: He´las pour moi, JLG/JLG, histoire(s) du cine´ma, parts 2 and 3 -- 28: For ever Mozart, histoire(s) du cine´ma, part 4 -- 29: Eloge de l'amour -- 30: Notre musique -- epilogue -- acknowledgments -- notes -- index --
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Experimental Cinema In The Digital Age / Malcolm Grice London: British Film Institute, 2001.
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Experimental filmmaking and punk : feminist audio visual culture in the 1970s and 1980s / Rachel Garfield London: Bloomsbury Academic, 2022.
Call No: 771-02 GARAuthor: Garfield, Rachel Edition: 2021Place: LondonPublisher: Bloomsbury AcademicPubDate: 2022PhysDes: xiv, 274 pages : illustrated ; 24 cmSubject: CHILD, ABIGAIL ; DICK, VIVIENNE ; BENNING, SADIE ; THORNTON, LESLIE ; WOMEN FILMMAKERS ; NIGHTCLEANERS (UK, Berwick Street Film Collective, 1975) ; BORN IN FLAMES (US, Lizzie Borden, 1983) ; RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977) Summary: Just as punk created a space for bands such as the Slits and Poly Styrene to challenge 1970s norms of femininity, through a transgressive, strident new female-ness, it also provoked experimental feminist film makers to initiate a parallel, lens-based challenge to patriarchal modes of film making.
In this book, Rachel Garfield breaks new ground in exploring the rebellious, feminist punk audio-visual culture of the 1970s, tracing its roots and its legacies. In their filmmaking and their performed personae, film and video artists such as Vivienne Dick, Sandra Lahire, Betzy Bromberg, Ruth Novaczek, Sadie Benning, Leslie Thornton, Abigail Child and Anne Robinson offered a powerful, deliberately awkward alternative to hegemonic conformist femininity, creating a new “punk audio visual aesthetic”. A vital aspect of our vibrant contemporary digital audio visual culture, Garfield argues, can be traced back to the techniques and forms of these feminist pioneers, who like their musical contemporaries worked in a pre-digital, analogue modality that nevertheless influenced the emergent digital audio visual culture of the 1990s and 2000s. -- publisher's web siteISBN: 9781350293083Contents: Introduction -- 1. Do it Yourself and the Amateur -- 2. The Last of the Modern Two - Visualizing Women, Otherness and the Cosmopolitan Punk -- 3. Feminism, Visualising the Kitchen Table and Do-It-Yourself: in Praise of the Fragment Part 1 -- 4. Kracauer Disintegration and Punk: In Praise of the Fragment Part 2 -- 5. Representation and the Inability to Situate: the Undecidability of Women's Punk -- Conclusion – Bibliography -- Index.
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Explorations in national cinemas : editors, Ben Lawton, Janet Staiger ... et al. , contributors, Marc Glasser ... et al Pleasantville, N.Y.: Redgrave, 1977.
Call No: 62(04) EXPAuthor: Staiger, Janet ; Lawton, Ben ; Glasser, Marc Source: USPlace: Pleasantville, N.Y.Publisher: RedgravePubDate: 1977PhysDes: 160 pSeries: Film studies annual ; 1977 ; 1Subject: AESTHETICS ; DIALOGUE ; VERTOV, DZIGA ; BARRY LYNDON (UK, Stanley Kubrick, 1975) ; CLOWNS, I (IT/FR/GW, Federico Fellini, 1970) ; EDVARD MUNCH (SW/NO, Peter Watkins, 1974) ; FORT APACHE (US, John Ford, 1948) ; HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; LAST MOVIE, THE (US, Dennis Hopper, 1971) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; SALAMANDRE, LA (SZ, Alain Tanner, 1971) ; SCEICCO BIANCO, LO (IT, Federico Fellini, 1951) Notes: Papers from the 1977 Purdue University Conference on FilmOrder Received: 2000Order Type: DonationLON: 4015698
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newspaper article
Extras needed for new film about sensational crime in Canberra Times (25/04/2015) p.8
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Eye on the world : conversations with international filmmakers / by Judy Stone Los Angeles: Silman-James Press, 1997.
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Fabrications : costume and the female body / edited by Jane Gaines and Charlotte Herzog New York: Routledge, 1990.
Call No: 626:396 FABAuthor: Gaines, Jane, 1943 ; Herzog, Charlotte, 1946 Place: New YorkPublisher: RoutledgePubDate: 1990PhysDes: vii, 295 p. : ill. ; 24 cmSeries: AFI film readersSubject: FEMINISM AND THE CINEMA ; WOMEN AND THE CINEMA ; WOMEN IN FILMS ; BODY IN FILMS ; COSTUMES ; FASHION AND THE CINEMA ; NARRATIVE IN FILMS ; DIETRICH, MARLENE ; FAME (US, Alan Parker, 1980) ; FLASHDANCE (US, Adrian Lyne, 1983) ; FIG LEAVES (US, Howard Hawks, 1926) Notes: Includes bibliographical references (p. 278-294)ISBN: 0415900611; 041590062X (pbk.)LON: 6468521
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Fair dealing in the digital age Redfern, N.S.W.: Australian Copyright Council, 1996.
Call No: 432.4(94) ACCCorpAuthor: Australian Copyright CouncilPlace: Redfern, N.S.W.Publisher: Australian Copyright CouncilPubDate: 1996PhysDes: 68 p. ; 30 cmSubject: COPYRIGHT. AUSTRALIA ; DIGITAL TECHNOLOGY. AUSTRALIA ISBN: 1875833277LON: 12447895
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Falling in love again, Marlene Dietrich / Donald Spoto Boston: Little, Brown, 1985.
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Fame games : the production of celebrity in Australia / Graeme Turner, Frances Bonner, P. David Marshall Cambridge: Cambridge University Press, 2000.
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Crawford collection
still
[Far country, The : albums #1 & #2] / Forrester, Terry Crawford Productions [distributor], [1987?].
Call No: CRAWFORD STILL FARSource: ATPublisher: Crawford Productions [distributor]PubDate: [1987?]PhysDes: 48 photographs : b&w ; 26 x 21 cm + 33 photographic sheets : b&w ; 26 x 21 cmSubject: THORNTON, SIGRID ; YORK, MICHAEL ; EDWARDS, MAUREEN ; TREVARTHEN, NOEL ; BARNINGHAM, JOHN ; BARKER, DON ; RODGERS, ILONA ; JACKSON, SYDNEY ; FERGUSON, MARK ; ROWE, WILLIAM ; STEVENSON, CHRIS ; BRITTINGHAM, TERRY ; CARROLL, GREG ; MILLER, GEORGE T. ; JAMES, BRIAN ; WABIK, SWAWOMIR ; TINGWELL, CHARLES (BUD) ; DICKIE, OLGA ; LUBOMIR, YARICK ; DUGGAN, GERRY ; FAR COUNTRY, THE [TV] (AT, George T. Miller, 1987) Summary: Black and white photographs and proof sheets relating to the mini- series The Far CountryNotes: Photographs are each accompanied by promotional sheets with descriptive captions -- Numbers on sheets assigned by Crawford ProductionsDonation: Gift of Crawford Productions
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Interim
book
Fashioning film stars / Rachel Moseley ed. London: British Film Institute, 2005.
Call No: 226.4 MOSAuthor: Moseley, Rachel Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 188 p. ; 23 cmSubject: FASHION AND THE CINEMA ; SHEARER, NORMA ; DIETRICH, MARLENE ; PECK, GREGORY ; DAY, DORIS ; PITT, BRAD ; CLOONEY, GEORGE ; JACKSON, SAMUEL L. ; HEPBURN, AUDREY ; KENDALL, KAY ; BARDOT, BRIGITTE ; CONNERY, SEAN ; BEMBERG, MARIA LUISA Summary: Brings together a range of theoretical and methodological frameworks from textual analysis, archival research and audience study to offer, for the first time, a detailed consideration of the importance of the fashioning of film stars. Fashioning Film Stars asks: how does film costume operate in relation to stardom to articulate particular identities – gendered, national, classed, ethnic, sexual?Notes: Includes: index p.181-188;
bibliography p.172-180ISBN: 1844570681
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Fast times and excellent adventures : the surprising hisory of the '80s teen movie / James King London: Constable, 2018.
Call No: 451-058.6 KINAuthor: King, James Source: UKPlace: LondonPublisher: ConstablePubDate: 2018PhysDes: xi, 452 pages, 16 unnumbered pages of plates : illustrations, portraits ; 24 cmSubject: TEEN FILM ; TEEN FILMS ; YOUNG PEOPLE AND THE CINEMA ; YOUNG PEOPLE IN FILMS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA ; HISTORY OF CINEMA. 1980's ; BACON, KEVIN ; COPPOLA, FRANCIS FORD ; BRODERICK, MATTHEW ; CROWE, CAMERON ; CRUISE, TOM ; DILLON, MATT ; ESTEVEZ, EMILIO ; FOSTER, JODIE ; HECKERLING, AMY ; HUGHES, JOHN (US) ; LEE, SPIKE ; LOWE, ROB ; MUSIC TELEVISION ; PENN, SEAN ; RINGWALD, MOLLY ; TRAVOLTA, JOHN ; ZEMECKIS, ROBERT ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; FAST TIMES AT RIDGEMONT HIGH (US, Amy Heckerling, 1982) ; GREASE (US, Randal Kleisner, 1978) ; GREMLINS (US, Joe Dante, 1984) ; LOST BOYS, THE (US, Joel Schumacher, 1987) ; OUTSIDERS, THE (US, Francis Ford Coppola, 1983) ; PRETTY IN PINK (US, Howard Deutch, 1986) ; RISKY BUSINESS (US, Paul Brickman, 1983) ; RIVER'S EDGE (US, Tim Hunter, 1986) ; SATURDAY NIGHT FEVER (US, John Badham, 1977) ; SIXTEEN CANDLES (US, John Hughes, 1984) Summary: "Take a trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap and Ridgemont High; of MTV, VHS and 'Axel F'; of outsiders, lost boys and dead poets; of Bill and Ted, Brooke Shields and the Brat Pack; of three Porky's, two Coreys and one summer when everyone called her Baby . . .
Fast Times and Excellent Adventures goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers and where ambitious future superstars Sean, Demi and Tom all got their big break. Music, comedy and politics - all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain a magnet to all ages. Time of your life, huh kid?
From a late '70s Hollywood in flux to an early '90s indie scene that gave youth cinema a timely reboot, respected film expert James King smartly highlights the personal struggles, the social changes and the boardroom shake-ups that produced an iconic time in movie history" -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9781472123725
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journal article
Feature - digital effects in Encore (Feb 2000) vol.18 iss.1 p.21-30
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Featuring Australia : the cinema of Charles Chauvel / Stuart Cunningham Sydney: Allen & Unwin, 1991.
Call No: 81CHA CUNAuthor: Cunningham, Stuart Source: ATPlace: SydneyPublisher: Allen & UnwinPubDate: 1991PhysDes: x, 214 p. : ill. ; 22 cmSeries: Australian cultural studiesSubject: DIRECTORS. AUSTRALIA ; HISTORY OF CINEMA. AUSTRALIA ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA ; NATIONALISM AND THE CINEMA ; WORLD WAR II AND THE CINEMA. AUSTRALIA ; CHAUVEL, CHARLES ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; GREENHIDE (AT, Charles Chauvel, 1926) ; HERITAGE (AT, Charles Chauvel, 1935) ; IN THE WAKE OF THE BOUNTY (AT, Charles Chauvel, 1933) ; JEDDA (AT, Charles Chauvel, 1955) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) ; UNCIVILISED (AT, Charles Chauvel, 1936) ; WALKABOUT (AT, Charles Chauvel, 1958) Summary: "FEATURING AUSTRALIA follows the exceptional career of Charles Chauvel and the films he made over a thirty-year span in the battling Australian film industry of the 1920s to the 1950s. Stuart Cunningham probes the work of Chauvel to examine his strange, ambitious and fascinating films and the industrial and cultural environment from which they emerged - giving an appreciation of the films which has never before been available. This book also offers new approaches to understanding Australian cinema, and show how Australian culture and society changed during the period of Chauvel's work. Running through these changes, however, are continuities based on Australia's status as an 'import culture' and the consequent frailties of its cultural identity." [Taken from book blurb]Notes: Includes index; Includes bibliographical references (p. 178-196); Bibliography: p. 197-201; Filmography: p. 175-177ISBN: 0044422547 : price unknownLON: anb04442254; 7520705 7514911
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Female spectators : looking at film and television / edited by E. Deidre Pribram London New York: Verso, 1988.
Call No: 632.53 FEMAuthor: Pribram, E. Deidre Place: London New YorkPublisher: VersoPubDate: 1988PhysDes: vii, 199 p., [12] p. of plates : ill. ; 24 cmSeries: Questions for feminismSubject: FEMINISM AND THE CINEMA ; WOMEN AND THE CINEMA ; SPECTATORSHIP ; PSYCHOANALYSIS AND THE CINEMA ; MUSIC TELEVISION ; DIRECTORS ; WOMEN ON TV ; FEMINISM AND TV ; BODY ON TV ; MILDRED PIERCE (US, Michael Curtis, 1945) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) Notes: Bibliography: p. 196-197ISBN: 0860912043; 0860919226 (pbk.)LON: 5927013
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Festival Jeni film Thornley Sydney goes to in Filmnews (Jul/Aug 1980) vol.x iss.7 p.9
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Film : readings in the mass media / Allen Kirschner and Linda Kirschner New York: The Odyssey Press, c1971.
Call No: 62(04) KIRAuthor: Kirschner, Allen
Kirschner, Linda Place: New YorkPublisher: The Odyssey PressPubDate: c1971PhysDes: 315 pages : 23 cmSubject: CRITICISM ; HISTORY OF CINEMA ; AUDIENCES ; RATING FOR FILMS. USA ; INDUSTRY, FILM. USA ; COMEDIES ; DIRECTION ; GRADUATE, THE (US, Mike Nichols, 1967) Summary: A collection of essays on the history, art and effects of film separated into 3 sections (form and technique, audience and effects, and critics and criticism) with the final section focussing largely on the film The GraduateNotes: Bibliography: p. 313-315.Contents: Movies: the reel world / Marshall McLuhan -- Comedy's greatest era / James Agee -- from King of comedy / Mack Sennett -- The movies 100 years from now / David Wark Griffith -- The modern photoplay / Irving Thalberg -- The movies / H.L. Mencken -- Film and reality / Rudolf Arnheim -- Direction / Alfred Hitchcock -- Reflections on the film actor / Michelangelo Antonioni -- What is "film making"? / Ingmar Bergman -- The reality of New Cinema / Ken Kelman -- Where are we, the underground? / Jonas Mekas -- What makes a good screen story? / Mervyn LeRoy -- The writer and the film / Dudley Nichols -- The movies are now high art / Richard Schickel -- The movies are better than the theater / Walter Kerr -- The film generation / Stanley Kauffmann -- Engaging the eye-minded / Arthur Knight -- Movies: morals, violence, sex: anything goes / Judith Christ -- Film as environment / Anthony Schillaci -- Loverboy of the bourgeoisie / Tom Wolfe -- Freedom of speech in a mass medium / Richard S. Randall -- Rating code / Motion Picture Association of America -- Movies, the desperate art / Pauline Kael -- Should American films be subsidized? / William Fadiman -- The movie industry and the film culture / Ernest Callenbach -- On reviewing, I: Turnstiles / Renata Adler -- Is film criticism only propaganda? / Parker Tyler -- The graduate: four reviews. The graduate makes out / Hollis Alpert ; Tales out of school / Bosley Crowther ; Summa cum laude / Joseph Morgenstern ; The graduate / Stephen Farber and Estelle Changas -- Mike Nichols talks about The graduate / Joseph Gelmis -- The future of film / Members of the National Society of Film Critics: Hollis Alpert ; Brendan Gill ; Philip T. Hartung ; Stanley Kauffmann ; Arthur Knight ; Joseph Morgenstern ; Andrew Sarris ; Richard Schickel ; Wilfrid Sheed ; John Simon
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Film : an introduction / John L. Fell New York: Praeger Publishers, 1975.
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Film 67/68 : An anthology by the National Society of Film Critics / edited by Richard Schickel and John Simon Indianapolis [etc.]: Bobbs-Merrill Co. [etc.], c1968.
Call No: 67(04) FILAuthor: Schickel, Richard (ed) ; Simon, John (ed) CorpAuthor: National Society of Film Critics (U.S.)Place: Indianapolis [etc.]Publisher: Bobbs-Merrill Co. [etc.]PubDate: c1968PhysDes: 320 p. ; 22 cmSubject: ACCIDENT (UK, Joseph Losey, 1967) ; BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966) ; BEDAZZLED (US, Stanely Donen, 1967) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967) ; CHAPPAQUA (US, Conrad Rooks, 1966) ; COMEDIANS, THE (US, Peter Glenville, 1967) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967) ; DIRTY DOZEN, THE (US, Robert Aldrich, 1967) ; [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967) ; DUTCHMAN (UK, Anthony Harvey, 1967) ; EL DORADO (SP/FR, Carlos Saura, 1988) ; ELVIRA MADIGAN (SE/DA, Bo Widerberg, 1967) ; DIVORCE, AMERICAN STYLE (US, Bud Yorkin, 1967) ; FAMILY WAY, THE (UK, Ray Boultng, 1967) ; FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; HUNT, THE [CAZA, LA] (SP, Carlos Saura, 1966) ; HURRY SUNDOWN (US, Otto Preminger, 1967) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; IN LIKE FLINT (US, Gordon Douglas, 1967) ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) ; JOKERS, THE (UK, Michael Winner, 1967) ; ROI DE COUER, LE (FR/IT, Philippe de Broca, 1966) ; WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966) ; LUV (US, Clive Donner, 1967) ; MARAT/SADE (UK, Peter Brook, 1967) ; PERSONA (SW, Ingmar Bergman, 1966) ; POINT BLANK (US, John Boorman, 1967) ; PRESIDENT'S ANALYST, THE (US, Theodoro J.Flicker, 1967) ; PRIVILEGE, THE (UK, Peter Watkins, 1967) ; STRANGER, THE (US/AG, Adolfo Aristarain, 1987) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; TO SIR, WITH LOVE (UK, James Clavell, 1967) ; TRIP, THE (US, Roger Corman, 1967) ; ULYSSES (UK/US, Joseph Strick, 1967) ; UP THE DOWN STAIRCASE (US, Robert Mulligan, 1967) ; WAR GAME, THE (UK, Peter Watkins, 1966) ; WHISPERERS, THE, (UK, Byan Forbes, 1967) ; YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966) ; YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967) Summary: Review of films produced in 1966-1967ISSN: 0071-4860 0015-1076LON: 68019946; 894646Contents: -- Bonnie And Clyde / Joseph Morgenstern, John Simon, Stanley Kauffmann And Pauline Kael -- Point Blank / Richard Schickel And Andrew Sarris -- In Cold Blood / Arthur Knight And Andrew Sarris -- A Countess From Hong Kong / Wilfrid Sheed, Philip T. Hartung And Andrew Sarris -- Falstaff / Joseph Morgenstern, Andrew Sarris, Stanley Kauffmann, Pauline Kael And John Simon -- The Exterminating Angel / Richard Schickel -- Two For The Road / Pauline Kael -- A Guide For The Married Man, Divorce American Style And Luv / Wilfrid Sheed -- Elvira Madigan / Stanley Kauffmann -- Accident / Brendan Gill, Pauline Kael And John Simon -- The Family Way / Richard Schickel -- You're A Big Boy Now / Hollis Alpert And Richard Schickel -- The Graduate / Joseph Morgenstern And Richard Schickel -- Closely Watched Trains / Joseph Morgenstern And John Simon -- The War Game / Richard Schickel And Wilfrid Sheed -- La Guerre Est Finie / Brendan Gill And John Simon -- The Dirty Dozen / Richard Schickel -- King Of Hearts / Wilfrid Sheed -- The Battle Of Algiers / Joseph Morgenstern And Stanley Kauffmann -- How I Won The War / Stanley Kauffmann And John Simon -- In Like Flint / Arthur Knight -- Casino Royale / Wilfrid Sheed -- You Only Live Twice / Pauline Kael -- The Jokers / Philip T. Hartung -- Bedazzled / Stanley Kauffmann -- The President's Analyst / Andrew Sarris -- Ulysses / Brendan Gill, John Simon And Brad Darrach / The Taming Of The Shrew -- Hollis Alpert And Wilfrid Sheed -- Marat/Sade / Phillip T. Hartung, Brendan Gill And Brad Darrach -- The Comedians / Stanley Kauffmann -- Far From The Maddening Crowd / Hollis Alpert And Richard Schickel -- Dr. Dolittle / Joseph Morgenstern -- El Dorado / Andrew Sarris -- The War Wagon / Richard Schickel -- El Dorado, The War Wagon And The Way West / Pauline Kael -- Persona / John Simon And Pauline Kael -- The Stranger / Stanley Kauffmann And Joseph Morgenstern -- The Trip / Hollis Alpert -- The Trip And Chappaqua / Wilfrid Sheed -- Dutchman / Brendan Gill And John Simon -- In The Heat Of The Night / Andrew Sarris -- To Sir, With Love And In The Heat Of The Night / Hollis Alpert -- Hurry Sundown, In The Heat Of The Night And Cool Hand Luke / Wilfrid Sheed -- Cool Hand Luke / Andrew Sarris -- Guess Who's Coming To Dinner / Wilfrid Sheed -- Up The Down Staircase / Arthur Knight And Andrew Sarris -- Privilege / John Simon And Arthur Knight -- The Hunt / Richard Schickel -- The Whisperers / Andrew Sarris -- Goal! / Brendan Gill -- Africa Addio / Joseph Morgenstern -- A King's Story / Philip T. Hartung -- Lenny Bruce / Wilfrid Sheed -- The Koumiko Mystery And Echoes Of Silence / Brendan Gill -- The Titicut Follies / Richard Schickel -- Don't Look Back / Andrew Sarris -- Portrait Of Jason / Joseph Morgenstern -- The Underground Film / Brad Darrach -- Expo 67 / Joseph Morgenstern And Arthur Knight -- Blow-Up / Stanley KauffmannID2: 277
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Film 70/71 : an anthology by the National Society of Film Critics / edited by David Denby New York: Simon and Schuster, c1971.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1971PhysDes: 319 p. ; 22 cmSubject: WAR FILMS ; REVOLUTION AND THE CINEMA ; MUSIC AND THE CINEMA ; POLITICS IN FILMS ; ADAPTATIONS ; MUSICALS ; PORNOGRAPHY AND THE CINEMA ; DISASTERS IN FILMS ; BERGMAN, INGMAR ; ANTONIONI, MICHELANGELO ; Keaton, Buster ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; JOE (US, John G. Avildsen, 1970) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; HUSBANDS (US, John Cassavetes, 1970) ; PATTON (US, Franklin J. Schaffner, 1970) ; M*A*S*H (US, Robert Altman, 1969) ; CATCH 22 (US, Mike Nichols, 1970) ; SOLDIER BLUE (US, Ralph Nelson, 1970) ; MOLLY MAGUIRES, THE (US, Martin Ritt, 1969) ; BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970) ; ICE (US, Robert Kramer, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970) ; PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970) ; OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970) ; LOVE STORY (US, Arthur Hiller, 1970) ; QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970) ; WINTER WIND (HU, Miklos Jancso, 1969) ; SIROKKO (HU, Miklos Jancso, 1969) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969) ; MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; TRISTANA (SP/IT/FR, Luis Bunuel, 1970) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; GREAT WHITE HOPE, THE (US, Martin Ritt, 1970) ; BOYS IN THE BAND, THE (US, William Friedkin, 1970) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; SCROOGE (UK, Ronald Neame, 1970) ; TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970) ; RYAN'S DAUGHTER (UK, David Lean, 1970) ; AIRPORT (US, George Seaton, 1970) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; CONFESSION, THE (FR/IT, Costa-Gavras, 1970) ; AVEU, L' (FR/IT, Costa-Gavras, 1970) Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]Notes: Includes indexISBN: 671210483Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern
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Film and television after DVD / edited by James Bennett and Tom Brown Routledge, 2009.
Call No: 701 FILAuthor: Bennett, James ; Brown, Tom Publisher: RoutledgePubDate: 2009PhysDes: viii, 201 p. : ill. ; 24 cmSubject: DIGITAL MEDIA AND THE CINEMA ; DIGITAL PROJECTION ; DIGITAL TECHNOLOGY ; DVD, FILMS ON Summary: Brings together a group of internationally renowned scholars to provide the first focused academic inquiry into this important technology. The book picks up on key issues within contemporary media studies, making a particularly significant contribution to debates about convergence and interactivity in the digital media landscape. Essays consider DVD as a technology that exists outside the boundaries of new and old media, examining its place within longer histories of home film cultures and production practices of the film and television industries, whilst also critically evaluating what is genuinely new about digital media technologies. From DVDs to downloading, peer-to-peer networking and HD-DVD, this book speaks of the rapidly evolving digital mediascape. Ultimately, Film and Television After DVD is a book that considers the convergence of film, television and new media and their academic disciplines through the DVD as a distinct cultural object, pointing to persistent questions in the study of audiovisual culture that will remain intriguing long after the shelf-life of the DVD itself.Notes: First published in 2008; includes bibliographical references and indexISBN: 9780415878340
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Film and the director / Don Livingston New York: Macmillan, 1953.
Call No: 225 LIVAuthor: Livingston, Don Place: New YorkPublisher: MacmillanPubDate: 1953PhysDes: x, 209 p. : ill. ; 22 cmSubject: DIRECTION Notes: Includes index; Bibliography: p. 203LON: 3279992
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Film as social practice / Graeme Turner London New York: Routledge, 1988.
Call No: 408 TURAuthor: Turner, Graeme Place: London New YorkPublisher: RoutledgePubDate: 1988PhysDes: xv, 187 p. : ill. ; 20 cmSeries: Studies in communicationSubject: POPULAR CULTURE AND THE CINEMA ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; AUTEUR THEORY ; NARRATIVE IN FILMS ; STARS ; SPECTATORSHIP ; AUDIENCES ; AUSTRALIA ; IDEOLOGY AND THE CINEMA ; BAZIN, ANDRE ; WRIGHT, WILL ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; METROPOLIS (G, Fritz Lang, 1926) Summary: “Explores the feature film as entertainment, as narrative, and as cultural event. Graeme Turner discusses the major theoretical issues surrounding the history of film production and film studies, using them to examine the cultural function of film and its place in our popular culture. This updated third edition includes: discussion of classical and popular contemporary films, updated and expanded discussion of debates surrounding film narrative and arguments revised throughout to take into account recent developments in film and cultural theory and changing cinematic trends.” [Taken from back cover]Notes: Includes index; Bibliography: p. 180-184ISBN: 0415007348; 0415007356 (pbk.)LON: 5742606
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Film criticism in the digital age / edited by Mattias Frey and Cecilia Sayad New Brunswick, New Jersey: Rutgers University Press, c2015.
Call No: 62 FILAuthor: Frey, Mattias (ed.) ; Sayad, Cecilia Source: US/UKPlace: New Brunswick, New JerseyPublisher: Rutgers University PressPubDate: c2015PhysDes: vi, 273 pages ; 24 cmSubject: CRITICISM ; DIGITAL TECHNOLOGY ; PHILOSOPHY AND THE CINEMA Summary: "In Film criticism in the Digital Age ten scholars from across the globe come together to consider whether we are witnessing the extinction of serious film criticism or seeing the start of its rebirth in a new form. Drawing from a wide variety of case studies and methodological perspectives, the book's contributors find many signs of the film critic's declining clout, but they also locate surprising examples of how critics--whether moonlighting bloggers or salaried writers--have been able to intervene in current popular discourse about arts and culture." -- BACK COVER BLURBNotes: Includes bibliographical references and indexISBN: 9780813570723Contents: -- acknowledgments -- introduction: critical questions / Mattias Frey -- part I the critic and the audience -- 1 Thumbs in the Crowd: Artists and Audiences in the Postvanguard World / Greg Taylor -- 2 Critics Through Authors: Dialogues, Similarities, and the Sense of a Crisis / Cecilia Sayad -- 3 "The Last Honest Film Critic in America": Armond White and the Children of James Baldwin / Daniel McNeil -- part II new forms and activities -- 4 The New Democracy? Rotten Tomatoes, Metacritic, Twitter, and IMDb / Mattias Frey -- 5 The Price of Conservation: Online Video Criticism of Film in Italy / Giacomo Manzoli and Paolo Noto -- 6 Before and After AfterEllen: Online Queer Cinephile Communities as Critical Counterpublics / Maria San Filippo -- 7 Elevating the "Amateur": Nollywood Critics and the Politics of Diasporic Film Criticism / Noah Tsika -- part III insitutions and the profession -- 8 American Nationwide Associations of Film Critics in the Internet Era / Anne Hurault-Paupe -- 9 Finnish Film Critics and the Uncertainties of the Profession in the Digital Age / Outi Hakola -- 10 The Social Function of Criticism; or, Why Does the Cinema Have (to Have) a Soul? / Thomas Elsaesser -- part IV critics speak -- 11 The Critic Is Dead... / Jasmina Kallay -- 12 What We Don't Talk About When We Talk About Movies / Armond White -- 13 Who Needs Critics? / Nick James -- 14 Excerpts from Cineaste's "Film Criticism in the Age of the Internet: A Critical Symposium" / Theodoros Panayides, Kevin B. Lee, Karina Longworth, the self-styled siren (Farran Smith Nehme), and Stephanie Zacharek -- afterword / Cecilia Sayad -- selected bibliography -- notes on contributors -- index --
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Film directing cinematic motion : a workshop for staging scenes / Steven D. Katz Studio City: M. Wiese Productions, 1992.
Call No: 22(036) KATAuthor: Katz, Steven D. Source: CAPlace: Studio CityPublisher: M. Wiese ProductionsPubDate: 1992PhysDes: xix, 294 p. : ill. ; 26 cmSubject: PRODUCTION ; DIRECTION Summary: Film directing cinematic motion is a staging and blocking guide with 24 basic variations covering many dialogue and dramatic situations. Unique to this approach is the practical evaluation of each staging strategy from the production point of view. The book includes interviews with well-known professionals who comment on the practical aspects of production: John sayles (writer/director), Van Ling (special effects, "T2"), Dusty Smith (key grip), Ralph Singleton (producer), Harold Michelson (art director), Allen Daviau, ASC (cinematographer). [Taken from back cover.]Notes: At head of title: Film directing
Other title: Cinematic motionISBN: 0941188140Donation: donated by the family of Wayne Levy, 2006
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The film director : a practical guide to motion picture and television techniques / [by] Richard L. Bare New York: Macmillan, [1971].
Call No: 225 BARAuthor: Bare, Richard L Place: New YorkPublisher: MacmillanPubDate: [1971]PhysDes: x, 243 p. illus., ports. 24 cmSubject: DIRECTION Notes: Bibliography: p. [229]LON: 779507
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Film fatales : independent women directors / Judith M. Redding and Victoria A. Brownworth Seattle: Seal Press, 1997.
Call No: 802.253 REDAuthor: Redding, Judith M ; Brownworth, Victoria A Place: SeattlePublisher: Seal PressPubDate: 1997PhysDes: 293 p. : ill. ; 24 cmSubject: DIRECTORS ; CAMPION, JANE ; LIGHT, ALLIE ; PARMAR, PRATIBHA ; Lupino, Ida ; PARKERSON, MICHELLE ; SAALFIELD, CATHERINE ; HAMMER, BARBARA ; FRIEDRICH, SU ; TRINH, T. MINH-HA ; NEGRON-MUNTANER, FRANCES ; MOHABEER, MICHELLE ; TAIT, MARGARET ; WELBON, YVONNE ; AYOKA, CHENZIRA ; BENNING, SADIE ; BORDEN, LIZZIE ; SEIDELMAN, SUSAN ; NAIR, MIRA ; GORRIS, MARLEEN ; ANDERS, ALLISON ; DASH, JULIE ; ROZEMA, PATRICIA ; PORTILLO, LOURDES ; DAVIS, ZEINABU IRENE ; DEITCH, DONNA ; BHARADWAJ, RADHA ; OXENBERG, JAN ; MEHTA, VIJAYA ; BALLETBO-COLL, MARTA ; ZIMMERMAN, DEBRA ; VACHON, CHRISTINE ; GRIFFIN, ADA GAY ; GRIER, BARBARA Notes: Filmography: p; Includes bibliographical referencesISBN: 1878067974LON: 97029205; 13395017
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Film genre reader / edited by Barry Keith Grant Austin: University of Texas Press, 1986.
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Film genre reader II / edited by Barry Keith Grant Austin: University of Texas Press, 1995.
Call No: 64GEN FILAuthor: Grant, Barry Keith, 1947 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1995PhysDes: viii, 581 p. : ill. ; 24 cmSubject: GENRES ; WESTERNS ; GANGSTER FILMS ; FILM NOIR ; DISASTER FILMS ; EPIC FILMS ; HORROR FILMS ; MELODRAMA ; COMEDIES ; TRANSVESTISM ; WOMEN IN FILMS ; VIETNAM WAR FILMS ; MUSICALS ; ETHNIC GROUPS IN FILMS ; CANADA ; AUTEUR THEORY ; NARRATIVE IN FILMS ; DETECTIVE FILMS ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HISTORICAL FILMS ; PHILOSOPHY AND THE CINEMA ; PORNOGRAPHY AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; SCIENCE-FICTION FILMS ; SEMIOLOGY ; STRUCTURALISM ; HITCHCOCK, ALFRED ; MICHEAUX, OSCAR ; CRONENBERG, DAVID ; FORD, JOHN ; PENN, ARTHUR ; SIRK, DOUGLAS ; CAVELL, STANLEY ; CHANDLER, RAYMOND ; FRYE, NORTHROP ; MINNELLI, VINCENTE ; TODOROV, TZVETAN ; ZOO LA NUIT, UN (CN, Jean-Cluade Lauzon, 1987) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949) ; YENTL (US, Barbara Streisand, 1983) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; STAGECOACH (US, John Ford, 1939) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THING, THE (US, Christian Nyby, 1951) ; [TWENTY] 20 MILLION MILES TO EARTH (US, Nathan Juran, 1957) ; VICTOR VICTORIA (UK, Blake Edwards, 1982) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; FLY, THE (US, David Cronenberg, 1986) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; CHINATOWN (US, Roman Polanski, 1974) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; CHINATOWN (US, Roman Polanski, 1974) Notes: Includes bibliographical references (p. [495]-559) and indexISBN: 0292727771 (cloth : alk. paper); 029272778X (pbk. : alk. paper)LON: 11563059
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The film handbook / Geoff Andrew Harlow, Essex: Longman Group UK Limited, 1989.
Call No: 03:802.25Author: Andrew, Geoff Edition: 1989Place: Harlow, EssexPublisher: Longman Group UK LimitedPubDate: 1989PhysDes: 362 pages : illustrated ; 22 cmSubject: DIRECTORS Notes: Introduction by Martin ScorceseISBN: 9780582032927Contents: Introduction by Martin Scorcese
How to use The Film Handbook
Directors A-Z
Glossary
Film information
Index
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Film in Australia : an introduction / Albert Moran and Errol Vieth Port Melbourne: Cambridge University Press, 2006.
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Film in the age of digital distribution : the challenge for Australian content / Richard Harris Strawberry Hills, NSW: Currency House, 2007.
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Film marketing into the twenty-first century / by Nolwenn Mingant, Cecilia Tirtaine, Joel Augros London: BFI book published by Palgrave, 2015.
Call No: 33 MINAuthor: Mingant, Nolwenn ; Tirtaine, Cecilia ; Augros, Joel Source: UKPlace: LondonPublisher: BFI book published by PalgravePubDate: 2015PhysDes: xii, 200 pages : illustrations ; 24 cmSubject: ADVERTISING FOR FILMS ; ADVERTISING ; DIGITAL TECHNOLOGY ; TRANSNATIONAL CINEMA ; DISTRIBUTION ; INTERNET AND THE CINEMA ; COMPUTERS AND THE CINEMA ; MY BIG FAT GREEK WEDDING (US, Joel Zwick, 2002) ; MY LIFE IN RUINS (US, Donald Petrie, 2009) ; ICE AGE (US, Chris Wedge & Carlos Saldanha, 2002) ; ICE AGE: CONTINENTAL DRIFT (US, Steve Martino/Michael Thurmeier, 2012) ; HOBBIT, THE: AN UNEXPECTED JOURNEY (US/NZ, Peter Jackson, 2012) ; HOBBIT, THE: THE DESOLATION OF SMAUG (US/NZ, Peter Jackson, 2013) ; HOBBIT, THE: THE BATTLE OF THE FIVE ARMIES (US/NZ , Peter Jackson, 2014) ; BAIT (AT, Kimble Rendall, 2012) ; AVATAR (US, James Cameron, 2009) Summary: "How do you sell English humour to a French audience? Could piracy actually be good for the film business? Why are the revolutionary technologies used in the making of The Hobbit not mentioned in some adverts? Exploring these questions and many more, Film Marketing into the Twenty-First Century draws on insights from renowned film scholars and leading industry professionals to chart the evolution of modern film marketing.
The first part of the book focuses on geographical considerations, showing how marketers have to adapt their strategies locally as films travel across borders. The second covers new marketing possibilities offered by the Internet, as Vine, Facebook and other participative websites open new venues for big distributors and independents alike. Straddling practical and theoretical concerns and including case studies that take us from Nollywood to Peru, this book provides an accessible introduction to the key issues at stake for film marketing in a global era." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9781844578382Contents: -- acknowledgments -- notes on contributors -- foreword / Janet Wasko -- 1: introduction / Nolwenn Mingant, Cecilia Tirtaine and Joel Augros -- `My job is to find the right signals at the right moment for the right people' an interview with Benoit Mely / Laurent Creton and Nolwenn Mingant -- I.MARKETING AND FILM CULTURE -- `There simply Isn't one-shape-fits-all for film' an interview with Michael Williams-Jones / Nolwenn Mingant -- And Tom Cruise Climbed the Burj Khalifa, or How Marketing Shapes Hollywood Film Production / Nolwenn Mingant -- `My Big Fat Life in Ruins' Marketing Greekness and the Contemporary US Independent Film / Yannis Tzioumakis and Lydia Papadimitriou -- Carry On Laughing Selling English Humour in France / Cecilia Tirtaine and Joel Augros -- Hearing Voices Dubbing and Marketing in the Ice Age Series A case study / Nolwenn Mingant -- Hollywood in China Continuities and Disjunctures in Film Marketing / Michael Curtin, Wesley Jacks and Yongli Li -- Film Marketing in Nollywood A case study / Alessandro Jedlowski -- Marketing High Frame Rate in The Hobbit Trilogy A Spectacular Case of Promoting and Un-promoting New Cinema Technology / Miriam Ross -- Niche Marketing in Peru An Interview / Nolwenn Mingant -- II.MARKETING FOR AND BY THE CONSUMER -- Leaked Information and Rumours The Buzz Effect A case study / Joel Augros -- Brave New Films, Brave New Ways The Internet and the Future of Low- to No Budget Film Distribution and Marketing / Hayley Trowbridge -- Between Storytelling and Marketing, the SocialSamba Model An Interview with Aaron Williams / Nolwenn Mingant -- Promoting in Six Seconds New Advertising Strategies Using the Video Social Network Vine in Spain A case study / Javier Lozano Delmar and Jose Antonio Muniz-Velazquez -- Piracy and Promotion Understanding the Double-edged Power of Crowds / Ramon Lobato -- Marketing Bait (2012) Using SMART Data to Identify e-guanxi Among China's `Internet Aborigines' / Brian Yecies, Jie Yang, Matthew Berryman and Kai Soh -- From Marketing to Performing the Market The Emerging Role of Digital Data in the Independent Film Business / Michael Franklin, Dimitrinka Stoyanova Russell and Barbara Townley -- POSTSCRIPT: THE INVISIBLE SIDE OF BUSINESS: B-TO-B MARKETING -- marketing the `Avatar Revolution', or How to Sell Digital Technology to Exhibitors / Kira Kitsopanidou -- `It's Africa. It's Arizona. It's Antarctica. It's Afghanistan. Actually, it's Alberta' Marketing Locations to Film Producers / Ben Goldsmith -- select bibliography -- index --
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Film noir production : the whodunit of the classic American mystery film / David Landau New York: Routledge, 2017.
Call No: 734.1 LANAuthor: Landau, David Source: USPlace: New YorkPublisher: RoutledgePubDate: 2017PhysDes: xi, 170 pages : illustrations ; 20 cmSubject: FILM NOIR ; NEO-NOIR ; PRODUCTION ; STUDIO SYSTEM ; CRIME IN FILMS ; GANGSTER FILMS ; DETECTIVE FILMS ; FEMME FATALE Summary: "Film Noir Production...is a book for those who like a good character-driven story -- and the noir films always deliver. The book contains behind-the-scenes tales of the productions of hard-boiled film classics and the prime players involved in their creation, from Darryl Zanuck and Raymond Chandler to John Seitz and Billy Wilder." -- BOOK BLURBNotes: Includes bibliographical references, appendices and indexISBN: 9781138201484Donation: donated by Senses of CinemaContents: Noir Comes to Light (The Maltese Falcon) -- The Noir Hero (Murder my sweet) -- The Noir Anti-Hero (This Gun for Hire) -- The Femmes of Noir: They Aren't Always Fatale (Double Indemnity) -- Directors and Studios: A Noir Relationship (Laura) -- The Noir Cast (The Big Sleep) -- Noir Themes (Macao) -- Noir Style; Music, Costumes and Art Direction (My Favorite Brunette) -- Noir Imagery: Lighting and Cinematography (The Big Combo) -- Noir Speak: Dialog & First Person Narrative (Kiss Kiss Bang Bang) -- Noir's Rebirth & Neo Noir (House of Games) -- Cross Genre Noir & Noir Influence (Brick)
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Film noir RKO in Filmviews (Mar 1982) vol.27 iss.1 p.9-17
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Film on 4 in National Film Theatre (October/November 1983) p.8-12
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Film production management / Bastian Cleve Boston: Focal Press, 1994.
Call No: 222.2 CLEAuthor: Cleve, Bastian Source: USPlace: BostonPublisher: Focal PressPubDate: 1994PhysDes: xiii, 217 p. : ill. ; 26 cmSubject: PRODUCTION ; DIRECTION Summary: "With its practical, hands on approach, Film Production Management shows what it takes to get a screenplay produced in Hollywood and onto the big screen or television. Film students, as well as professionals starting a new phase in thier careers, will find invaluable, easy-to understand information on standards and practices in daily use in production departments. Film Production management explains in step-by-step detail how to:
--Breakdown a screenplay
--organise a shooting schedule
--create a realistic budget
-- find and secure locations
--network with agents to find actors, and
--hire a crew and communicate effectively with unions.
Also included are chapters on contracts, insurance, and special tips for low-budget films, as well as sample forms and charts used regularly in production offices. Film Production Management is an invaluable resource for anyone who wants to work in a Hollywood production department, from assistant directors to production managers to line producers." -- BOOK BLURBNotes: Includes index.ISBN: 0240801067Contents: 1. The Production Manager -- 2. The Business of Film -- 3. Preparing for Production -- 4. Special Tips for Low-Budget Productions -- 5. Locations -- 6. Unions -- 7. The Cast and Crew -- 8. Contracts, Agreements, and Working Permits -- 9. The Budget and Production Budget Forms -- 10. Insurance -- 11. Completion Bonds.
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Film Production Management 101 : management and coordination in a digital age / Deborah Patz Studio City, CA: Michael Wiese Productions, c2010.
Call No: 21 PATAuthor: Patz, Deborah Source: USPlace: Studio City, CAPublisher: Michael Wiese ProductionsPubDate: c2010PhysDes: xviii, 535 p. ; 26 cmSubject: PRODUCTION ; DIRECTION ; FILM ; TELEVISION ; INDUSTRY, FILM ; INDUSTRY, TV. Summary: "Known as "the Swiss Army knife of production management," Film Production Management 101 is actually two books in one - the essential open-on-the-desk guide for Production Managers and Production Coordinators. Patz takes you on a journey from development through pre-visualization to postproduction through the audit, covering everything with detailed insights, humorous production stories, and the inside scoop on working in film and television." -- BOOK BACK COVERNotes: Includes indexISBN: 9781932907773Donation: Donated by Michael SmithContents: -- I: Project development -- 1 Getting hired -- 2 Before official prep -- 3 Budgeting & breakdowns -- 4.Your kit & online resources II: Preproduction 5 Setting up the production office -- 6 Hiring crew -- 7 Crew departments -- 8 Work space organizatiion -- 9 Telephone etiquette -- 10 Setting up a filing system -- 11 Forms, memos, logs, checklists -- 12 Countdown to production III: Production 13 The shoot day & call sheets -- 14 Daily production reports -- 15 Countdown through production IV: More management & money issues 16 Locatiion management -- 17 Production insurance -- 18 Completion bonds -- 19 Petty cash & purchase orders -- 20 Cash flows -- 21 Interim financing -- 22 Official & PM-only cost reports V: More contracting issues 23 Deal memos & long forms -- 24 Cast contracts & immigration -- 25 Supplier agreements -- 26 The special departments VI: More production & coordination issues. 27 Script format & revisions -- 28 Production scheduling -- 29 Credits -- 30 Documentation distribution VII: Ongoing special issues 31 Publicity & the audience -- 32 Couriers & customs -- 33 Script, music & other legal clearances VIII: Postproduction 34, Wrap & wrap party -- 35 Postproduction -- 36. Audit -- closing notes --
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Film rhythm after sound : technology, music, and performance / Lea Jacobs Oakland, California: University of California Press, [2015].
Call No: 70"1" JACAuthor: Jacobs, Lea Source: USPlace: Oakland, CaliforniaPublisher: University of California PressPubDate: [2015]PhysDes: xii, 266 pages : illustrations, music ; 24 cmSubject: DAWN PATROL, THE (US, Edmund Goulding, 1938) ; DIALOGUE ; EISENSTEIN, SERGEI M. ; HAWKS, HOWARD ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; SCARFACE (US, Howard Hawks, 1932) ; TWENTIETH CENTURY (US, Howard Hawks, 1934) ; WALT DISNEY PRODUCTIONS ; SOUND Summary: The seemingly effortless integration of sound, movement, and editing in films of the late 1930s stands in vivid contrast to the awkwardness of the first talkies. Film Rhythm after Sound analyzes this evolution via close examination of important prototypes of early sound filmmaking, as well as contemporary discussions of rhythm, tempo, and pacing. Jacobs looks at the rhythmic dimensions of performance and sound in a diverse set of case studies: the Eisenstein-Prokofiev collaboration Ivan the Terrible, Disney's Silly Symphonies and early Mickey Mouse cartoons, musicals by Lubitsch and Mamoulian.- from Publisher website.Notes: Includes bibliographical references (pages 245-252, filmography (pages 253-256) and index.ISBN: 9780520279650Contents: Introduction : film rhythm and the problem of sound -- A lesson with Eisenstein : rhythm and pacing in Ivan the Terrible, Part I -- Mickey Mousing reconsidered -- Lubitsch and Mamoulian -- Dialogue timing and performance in Hawks.
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Film technique and film acting : The cinema writings of V.I. Pudovkin / V. I. Pudovkin New York: Bonanza Books, 1959.
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Film technology in post production / Dominic Case Jordan Hill, Oxford: Focal Press, 1997.
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Filming "We Are None of Us Perfect" in Melbourne Film Bulletin (1968) iss.2 p.11-13
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Filmmakers call 'lights, Apples, action' in Canberra Times [TV Guide] (13/04/2015) p.8
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Filmmakers call 'lights, Apples, action' in Sydney Morning Herald [TV Guide] (13/04/2015) p.8
Call No: SUBJECT CLIPPINGS FILE; DIGITAL TECHNOLOGY. AUSTRALIAAuthor: Barker, Gary PhysDes: Clippings File ArticleSubject: DIGITAL TECHNOLOGY. AUSTRALIA Summary: Ben Allan and Clara Chong have made a feature film 'X was here' on a tight budget helped by Apple technology.
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Filmmakers on filmmaking : the American Film Institute seminars on motion pictures and television. volume 1 / edited by Joseph McBride Los Angeles Boston: J.P. Tarcher Distributed by Houghton Mifflin Co., c1983.
Call No: 802 FIL vol.1Author: McBride, Joseph CorpAuthor: American Film InstituteEdition: 1st edPlace: Los Angeles BostonPublisher: J.P. Tarcher Distributed by Houghton Mifflin Co.PubDate: c1983PhysDes: ports. ; 24 cmSubject: WALLIS, HAL B. ; ZANUCK, RICHARD ; BROWN, DAVID ; BERGMAN, INGMAR ; WILDER, BILLY ; POITIER, SIDNEY ; BALL, LUCILLE ; HOWE, W.J. ; PLATT, POLLY ; BEATTY, WARREN ; BOGDANOVICH, PETER ; SILVER, JOAN MICKLIN ; SPIELBERG, STEVEN ; DIAMOND, I. A. L. ; ROSENMAN, LEONARD ; FIELDS, VERNA ; SYLBERT, ANTHEA ; MENGERS, SUE ; EAST OF EDEN (US, Elia Kazan, 1955) ; JAWS (US, Steven Spielberg, 1975) ; SHAMPOO (US, Hal Ashby, 1975) ; TARGETS (US, Peter Bogdanovich, 1968) Notes: Includes bibliographies and indexesISBN: 0874772664 (v. 1) : $15.95 (per vol.); 0874772672 (v. 2); 0874772494 (pbk. : v. 1) : $7.95 (per vol.); 0874772508 (pbk. : v. 2)LON: 2606290
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Filmmaking : narrative & structural techniques / Bob Foss Los Angeles Hollywood, CA: Silman-James Press Distributed by Samuel French Trade, 1992.
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Filmmaking by committee : John Lord interviews John B. Murray, co-producer of Libido in Lumiere (May, 1973) iss.23 p.4-7
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Films from Kit Parker in American Classic Screen (Spring 1980) vol.4 iss.3 p.12
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The films of Claire Denis : intimacy on the border / edited by Marjorie Vecchio ; with a foreword by Wim Wenders New York: I.B. Tauris, 2014.
Call No: 81DEN FILAuthor: Vecchio, Marjorie ; Wenders, Wim Source: USPlace: New YorkPublisher: I.B. TaurisPubDate: 2014PhysDes: xxiii, 237 pages : illustrations ; 24 cmSubject: AESTHETICS ; AFRICA ; ART CINEMA ; CANNIBALISM IN FILMS ; CRITICISM ; DANCE IN FILMS ; DIRECTORS ; DIRECTORS. FRANCE ; FAMILY IN FILMS ; IMPERIALISM AND THE CINEMA ; LANDSCAPES IN FILMS ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; NATIONAL CULTURE AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; TIME IN FILMS ; WORKERS IN FILMS ; WORKING CLASS IN FILMS ; DENIS, CLAIRE ; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988) ; INTRUDER, THE (FR, Claire Denis, 2004)
SEE
INTRUS, L' ; INTRUS, L' (FR, Claire Denis, 2004) ; J'AI PAS SOMMEIL (FR/SZ, Claire Denis, 1994) ; I CAN'T SLEEP (FR/SZ, Claire Denis, 1994) ; NENETTE AND BONI (FR, Claire Denis, 1996)
SEE
NENETTE ET BONI ; NENETTE ET BONI (FR, Claire Denis, 1996) ; BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999) ; FRIDAY NIGHT (FR, Claire Denis, 2002)
SEE
VENDREDI SOIR ; VENDREDI SOIR (FR, Claire Denis, 2002) ; WHITE MATERIAL (FR/CM, Claire Denis, 2009) Summary: "The films of Claire Denis probe the idea of global citizenship and trace the borderlines of family, desire, nationality and power. Her films, including 'Chocolat', 'Beau travail' and 'White Material' explore connections between national experience and individual circumstance, visualising the complications of such dualities. Following a foreword by Wim Wenders, international contributors explore the themes she addresses in her films, such as kinship and landscape, neo-colonialism and New French Extremity. Original interviews with an editor, actor and two composers familiar with Denis's working style and with Denis herself, also reveal fresh facets of this intrepid filmmaker." - BOOK BLURBNotes: Includes list of illustrations, bibliographic references and indexISBN: 9781848859548Contents: --List of illustrations -- Notes on contributors -- Preface -- Foreword: 'Klarchen'
--Part I Interviews -- 'To let the image sing': Conversations with Dickon Hinchliffe and Stuart Staples: Martine Beugnet -- Interview with Nelly Quettier: Kirsten Johnson -- Interview with Alex Descas: Kirsten Johnson -- Interview with Claire Denis: Jean-Luc Nancy --
-- Part II Relations -- La famille Denis: Catherine Wheatley -- Reinventing community, or non-relational relations in Claire Denis's 'I Can't Sleep': Sam Ishii-Gonzales -- Beyond the other: grafting relations in the films of Claire Denis: James S. Williams --
-- Part III Global citizenship -- Beyond postcolonialism? From 'Chocolat' to 'White Material': Cornelia Ruhe -- 'Trouble Every Day: the neo-colonialists bite back: Florence Martin -- Forgiveness and employment: a study of the role of work in the films of Claire Denis: Rafael Ruiz Pleguezuelos -- 'The Intruder' according to Claire Denis: Jean-Luc Nancy --
--Part IV Within film -- Delivering: Claire Denis's opening sequences: Noelle Rouxel-Cubberly -- Rhythms of nationality: Denis and dance: Laura McMahon -- That interrupting feeling: interstitial disjunctions in Claire Denis's 'L'Intrus': Firoza Elavia -- Points of flight, lines of fracture: Claire Denis's uncanny landscape: Henrik Gustafsson -- Arthouse/grindhouse: Claire Denis and the 'New French Extremity': Adam Nayman and Andrew Tracy
--Bibliography -- Index
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The films of Douglas Sirk : exquisite ironies and magnificent obsessions / Tom Ryan Jackson, Mississippi: University Press of Mississippi, [2019].
Call No: 81SIR RYAAuthor: Ryan, Tom Source: USPlace: Jackson, MississippiPublisher: University Press of MississippiPubDate: [2019]PhysDes: 309 pages : illustrations ; 23 cmSubject: FILM ; GERMANY ; CRITICISM ; DIRECTORS ; SIRK, DOUGLAS ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; IMITATION OF LIFE (US, Douglas Sirk, 1959) Summary: "Best known for powerful 1950s melodramas like All That Heaven Allows, Written on the Wind, The Tarnished Angels, and Imitation of Life, Douglas Sirk (1897-1987) brought to all his work a distinctive style that led to his reputation as one of twentieth-century film's great directors. Sirk worked in Europe during the 1930s, mainly for Germany's UFA studios, and then in America in the 1940s and '50s. The Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions provides an overview of his entire career, including Sirk's work on musicals, comedies, thrillers, war movies, and westerns. One of the great ironists of the cinema, Sirk believed rules were there to be broken. Whether defying the decrees of Nazi authorities trying to turn film into propaganda or arguing with studios that insisted characters' problems should always be solved and that endings should always restore order, what Sirk called "emergency exits" for audiences, Sirk always fought for his vision. Offering fresh insights into all of the director's films and situating them in the culture of their times, critic Tom Ryan also incorporates extensive interview material drawn from a variety of sources, including his own conversations with the director. Furthermore, his enlightening study undertakes a detailed reconsideration of the generally overlooked novels and plays that served as sources for Sirk's films, as well as providing a critical survey of previous Sirk commentary, from the time of the director's "rediscovery" in the late 1960s up to the present day." -- Provided by publisher.Notes: Includes bibliographical references and index.
Filmography: pages 257-265.ISBN: 9781496822376Contents: Chapter One: Detlef Sierck in Europe -- Chapter Two: American Beginnings: The European Legacy -- Chapter Three: In the Shadows: Sirk and the Noir Inclination -- Chapter Four: The Uncomfortable Comedies -- Chapter Five: Sirk and God: 'The Pure Ambiguity of Experience' -- Chapter Six: Pastoral Yearnings: Sirk and the Musical -- Chapter Seven: Hollywood, Rock Hudson, and the Idea of the Hero -- Chapter Eight: Sirk, the Family Melodrama, and the Production Code -- Chapter Nine: Sirk and John M. Stahl: Adaptations and Remakes -- Chapter Ten: Out of the Past -- Chapter Eleven: Into the Future: Sirk's Legacy.
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The films of Marlene Dietrich New York: Citadel Press, [c1968].
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Find the director and other Hitchcock games / Thomas M. Leitch Athens: University of Georgia Press, 1991.
Call No: 81HIT LEIAuthor: Leitch, Thomas M Place: AthensPublisher: University of Georgia PressPubDate: 1991PhysDes: x, 296 p. ; 24 cmSubject: HITCHCOCK, ALFRED ; DIRECTION Notes: Includes bibliographical references (p. [267]-286) and indexISBN: 0820312940 (alk. paper); 0820313416 (pbk. : alk. paper)LON: 90045353; 7506102
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Fire and brimstone in Sun Herald [Inside out] (25/09/2016) p.1
Call No: SUBJECT CLIPPINGS FILE; DISASTER FILMSAuthor: Byrnes, Paul PhysDes: Clippings File ArticleSubject: DISASTER FILMS Summary: A general article on the disaster film genre with mention of the upcoming film DEEPWATER HORIZON
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First watch : bloke named Jack in Weekend Australian [Review] (06/02/2016) p.23
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First watch : chasing a killer in Paris in Weekend Australian [Review] (11/06/2016) p.23
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Focus on reel Australia : a collection of early Australian feature films / presented by the Australian Council of Government Film Libraries in association with the National Film & Soung Archive Hendon, S. Aust.: Australian Council of Government Film Libraries, 1990.
Call No: 71(94) FOCCorpAuthor: Australian Council of Government Film Libraries; National Film and Sound Archive (Australia)Place: Hendon, S. Aust.Publisher: Australian Council of Government Film LibrariesPubDate: 1990PhysDes: 64 p. : ill. ; 30 cmSubject: AUSTRALIA ; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920) ; DEVIL'S PLAYGROUND, THE (AT, Victor Bindley, 1928) ; ENEMY WITHIN, THE (AT, Rowland Stavely, 1918) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921) ; HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932) ; MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; PAINTED DAUGHTERS (AT, F. Stuart-Whyte, 1925) ; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906) ; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920) ; SILKS AND SADDLES (AT, John K. Wells, 1921) ; NATION IS BUILT, A (AT, Frank Hurley, 1937) ; PEARLS AND SAVAGES (AT, Frank Hurley, 1921) ; CHEATERS, THE (AT, Paulette McDonagh, 1930) ; HERO OF THE DARDANELLES, THE (AT, Alfred Rolfe, 1915) ; HOME OF THE BLIZZARD (AT, Frank Hurley, 1913) Notes: Includes bibliographiesISBN: 0730817245 : price unknownLON: abn90241521; 7460866
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Focus on the science fiction film / William Johnson (ed.) Englewood Cliffs, NJ: Prentice Hall, 1972.
Call No: 735.1 JOHSource: USPlace: Englewood Cliffs, NJPublisher: Prentice HallPubDate: 1972PhysDes: 182 p. ; 21 cmSeries: Film FocusSubject: SCIENCE-FICTION FILMS ; MELIES, GEORGES ; SIEGEL, DON ; TIME MACHINE, THE (US, George Pal, 1960) ; FRAU IM MOND, DIE (G, Fritz Lang, 1929) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; [DOCTOR] DR CYCLOPS (US, Ernest B. Schoedsack,1940) ; DESTINATION MOON (US, Irving Pichel, 1950) ; WHEN WORLDS COLLIDE (US, Rudolph Maté, 1951) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; TIME MACHINE, THE (US, George Pal, 1960) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ISBN: 0137951612Donation: donated by the family of Wayne Levy, 2006
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Footnotes to the film / edited by Charles Davy London: Lovat Dickson Ltd, Readers' Union, 1938.
Call No: REFERENCE SECTION; 003 FOOAuthor: Davy, Charles Source: UKPlace: LondonPublisher: Lovat Dickson Ltd; Readers' UnionPubDate: 1938PhysDes: 334 p. : ill. ; 21 cmSubject: PRODUCTION ; INDUSTRY, FILM ; DIRECTION ; ACTING ; CINEMATOGRAPHY ; SCRIPTWRITING ; COMEDIES ; CARTOONS ; COSTUMES ; COSTUME DESIGNING ; SET DESIGNING ; SETS ; ART DIRECTION ; MUSIC IN FILMS ; COLOUR ; REALISM IN FILMS ; UNITED KINGDOM ; USA ; THEATRE AND THE CINEMA ; AUDIENCES ; CRITICISM ; CENSORSHIP ; SOCIETIES, FILM Notes: Includes contributor biographies and indexDonation: donated by the family of Wayne Levy, 2006Contents: Includes essays by Alfred Hitchcock, Robert Donat, Basil Wright, Graham Greene, Alberto Cavalcanti, John Betjeman, Maurice Jaubert, Paul Nash, John Grierson, Alexander Korda, Basil Dean, Maurice Kann, Elizabeth Bowen, Sidney L. Bernstein, Alistair Cooke, Forsyth Hardy, Charles Davy
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Fosse / Sam Wasson, author of Fifth Avenue, 5am Boston ; New York: Houghton Mifflin Harcourt, 2013.
Call No: 81FOS WASAuthor: Wasson, Sam Source: USPlace: Boston ; New YorkPublisher: Houghton Mifflin HarcourtPubDate: 2013PhysDes: 723 pages : illustrations ; 24 cmSubject: ACADEMY AWARDS ; BURLESQUE ; CHOREOGRAPHY ; CULTURE AND THE CINEMA. USA ; DANCE IN FILMS ; DIRECTORS ; INDUSTRY, FILM. USA ; MUSICALS. USA ; UNITED ARTISTS ; FOSSE, BOB ; ASTAIRE, FRED ; CHAYEFSKY, PADDY ; DREYFUSS, RICHARD ; HEIM, ALAN ; MINNELLI, LIZA ; SONDHEIM, STEPHEN ; ALL THAT JAZZ (US, Bob Fosse, 1979) ; CABARET (US, Bob Fosse, 1972) ; LENNY (US, Bob Fosse, 1974) ; NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; STAR 80 (US, Bob Fosse, 1983) ; SWEET CHARITY (US, Bob Fosse, 1969) Summary: "We see Bob Fosse's legacy everywhere--from Broadway to "Billy Jean" to Beyonce;'s moves in the "Single Ladies" video. Yet in spite of Fosse's deep cultural significance, no biography has ever brought him fully to life, unveiling the man behind the bowler hat and the swaggering sex appeal. Now, acclaimed cultural historian Sam Wasson traces Fosse's numberless reinventions of himself over a career that would spawn The Pajama Game, Cabaret, Pippin, Chicago, All That Jazz, and other iconic works of art and earn him Tonys, Emmys, and an Oscar. Wasson traces not only Fosse's prodigious professional life, but his intense relationships with everyone from Liza Minnelli, Fred Astaire, and Neil Simon to Shirley MacLaine, Jessica Lange, and Dustin Hoffman. Through extensive interviews with collaborators and lovers and unprecedented access to Fosse's archives, Wasson also reveals the deep wounds that propelled his subject's excessive appetites--for spotlights, women, and life itself. In Fosse, Wasson's stylish, effervescent prose proves the ideal vehicle for reanimating Bob Fosse as he truly was--after hours, close up, and in vibrant color" -- FROM TROVENotes: Contains photos and indexISBN: 9780547553290
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Fossicking friends in Weekend Australian [Review] (7/11/2015) p.23
Call No: TITLE CLIPPINGS FILE; DETECTORISTS [TV] (UK, 2014-)Author: Blundell, Graeme PhysDes: Clippings File ArticleSubject: DETECTORISTS [TV] (UK, 2014-) Summary: Blundell reviews British television comedy series DETECTORISTS.
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Four video streamers not sustainable, says Hollywood expert in The Age (4/05/2015) p.27
Call No: SUBJECT CLIPPINGS FILE; DIGITAL DISTRIBUTIONAuthor: Lynch, Jared PhysDes: Clippings File ArticleSubject: DIGITAL DISTRIBUTION Summary: Seth Shapiro says that Australia's Subscriber Video On Demand companies will struggle to gain a foothold in the competitive market.
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Foxtel makes it hard for ACCC to say no in Encore (October 2002) vol.20 iss.9 p.10, 12
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Francis Ford Coppola Springfield, Illinois.: University of Illinois Press, 2014.
Call No: 81COP MENAuthor: Menne, Jeff Edition: 1st ed.Source: USPlace: Urbana, Illinois.; Chicago, Illinois.; Springfield, Illinois.Publisher: University of Illinois PressPubDate: 2014PhysDes: 168 pages ; 21 cmSeries: Contemporary Film DirectorsSubject: AUTEUR THEORY ; DIRECTORS. USA ; COPPOLA, FRANCIS FORD Summary: "Analyzing films like The Godfather (1972) and the overlooked Tucker: The Man and His Dream (1988) through Coppola's use of opera, Menne illustrates how Coppola developed a defining musical aesthetic while making films that reflected the idea of a corporation as family - and how his studio, American Zoetrope, came to represent a new brand of auteurism and the model for post-Fordist Hollywood." -- BOOK BLURBNotes: Contains twenty black and white photographs. -- Includes contents, bibliographic references and indexISBN: 9780252080371
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Francois Ozon / Andrew Asibong Manchester, UK: Manchester University Press, c2008.
Call No: 81OZO ASIAuthor: Asibong, Andrew Source: UKPlace: Manchester, UKPublisher: Manchester University PressPubDate: c2008PhysDes: viii, 157 p. : ill. ; 21 cmSeries: French Film DirectorsSubject: DIRECTORS. FRANCE ; OZON, FRANCOIS ; SITCOM (FR, Francois Ozon, 1998) ; REGARDE LA MER (FR, Francois Ozon, 1997) ; GOUTTES D'EAU SUR PIERRES BRULANTES (FR, Francois Ozon, 2000) ; SOUS LE SABLE (FR, Francois Ozon, 2000) ; SWIMMING POOL (FR/UK, Francois Ozon, 2003) ; [FIVE TIMES TWO] 5 X 2 [CINQ FOIS DEUX] (FR, Francois Ozon, 2004) Summary: "This book is the first full-length study of the films of Francios Ozon. From his clutch of provocative and award-winning shorts in the mid-1990s to his increasingly celebrated features, including Swimming Pool, Les Amants criminels, and 5x2, as well as the star-studded, millenial classic of high camp, 8 femmes, Ozon's films have remaned silmultaneously seductive and experimental, playful and gruesome. What emerges from Andrew Asibong's passionate and highly engaged scrutiny of Ozon's cinema, however, is the extent to which the director's breezily confrontational work throws up urgent and unavoidable questions about the cinematic representation of pyschic, familial, social, and even ontological transformation. Asibong considers how Ozon's apparently subversive explorations of feminine and 'queer' desire, as well as his ongoing fascination with sadomasochistic power relations, all operate at a far more ambivalent psychoanalytic and political level than either Ozon's champions or detractors seem willing to admit. He then goes on to suggest that what may be at stake in Ozon's alternatively utopian and cynical flirtation with the construction and deconstruction of contemporary human relationships on film." BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. [150]-151) and index; Includes filmographyISBN: 9780719074233Contents: -- list of plates -- series editors' foreword -- acknowledgements -- -- family filmmaker: an introduction to Francois Ozon -- 1: desire unlimited: sexualities on the move? -- 2: master and servant: society, spectacle and sadomasochistic cinema -- 3: shadow of the spectre: cinema beyond relation? -- 4: blood, tears, and song: genre and the shock of over-stimulation -- a drop in the ocean: concluding remarks -- filmography -- select biography -- index --
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Frank Capra : the catastrophe of success / by Joseph McBride New York: Simon & Schuster, 1992.
Call No: 81CAP MCBAuthor: McBride, Joseph Source: USPlace: New YorkPublisher: Simon & SchusterPubDate: 1992PhysDes: 768 p. : ill. ; 26 cmSubject: COMEDIES ; AUTHORSHIP ; COLUMBIA PICTURES ; DIRECTORS ; COMMUNISM AND THE CINEMA. USA ; Metro-Goldwyn-Mayer ; CAPRA, FRANK ; COHN, HARRY ; RISKIN, ROBERT ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; LADY FOR A DAY (US, Frank Capra, 1933) ; LOST HORIZON (US, Frank Capra, 1937) ; MEET JOHN DOE (US, Frank Capra, 1941) ; [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; WHY WE FIGHT SERIES (US, 1942-44) ; YOU CAN'T TAKE IT WITH YOU (US, Frank Capra, 1938) Summary: "FRANK CAPRA: THE CATASTROPHE OF SUCCESS is the first major biography of one of the greatest directors in Hollywood history, the man behind such classic films as IT HAPPENED ONE NIGHT, MR. DEEDS GOES TO TOWN, YOU CAN'T TAKE IT WITH YOU, MR. SMITH GOES TO WASHINGTON, and IT'S A WONDERFUL LIFE [...] FRANK CAPRA: THE CATASTROPHE OF SUCCESS is the result of more than seven years of work. It is drawn from extensive archival research and interviews with 175 people who knew or worked with Capra, as well as many hours of interviews with Capra himself. In this biography, Joseph McBride gives us the definitive portrait of one of our greatest filmmakers." [Taken from book jacket]Notes: Filmography: p. [117]-731; Includes bibliographical references and indexISBN: 0671797883 (pbk.); 0671734946 : $27.50LON: abn92038576; 8711584
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Fred Schepisi : interviews / edited by Tom Ryan Jackson: University Press of Mississippi, c2017.
Call No: 81SCH FREAuthor: Ryan, Tom (ed.) Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: c2017PhysDes: xxxvi, 200 pages : illustrations ; 24 cmSeries: Conversations with filmmakers seriesSubject: FILM ; AUSTRALIA ; SCHEPISI, FRED ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; BARBAROSA (US, Fred Schepisi, 1982) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; LAST ORDERS (UK, Fred Schepisi, 2001) ; IT RUNS IN THE FAMILY (US, Fred Schepisi, 2003) Summary: In the New Yorker, Stephen Schiff has described Fred Schepisi (b. 1939) as "probably the least-known great director working in the mainstream American cinema--a master storyteller with a serenely muscular style that can make more flamboyant moviemakers look coarse and overweening." Schepisi's launch in Australia during the country's film renaissance of the 1970s and his ongoing international work have rightfully earned him a reputation as an actors' director. But he has also become a skillful stylist, forging his own way as he works alongside a talented team of collaborators.
This volume includes twenty interviews with Schepisi and two with longtime collaborators, cinematographer Ian Baker and composer Paul Grabowsky. The interviews trace the filmmaker's career from his beginnings in advertising, through his two early Australian features--The Devil's Playground and The Chant of Jimmie Blacksmith--to his subsequent work in the United States and beyond on films as various as Plenty, Roxanne, A Cry in the Dark, The Russia House, Six Degrees of Separation, Empire Falls, Last Orders, and Eye of the Storm. Schepisi's films are diverse thematically and visually. In what is effectively a master class on film direction, Schepisi discusses his creative choices and his work with actors and collaborators behind the scenes. In the process, he provides a goldmine of insights into his films, his filmmaking style, and what makes him tick as an artist." -- BOOK BACK COVERNotes: Formerly CIP; Includes bibliographical references and index; Includes filmography; Also published electronicallyISBN: 9781496811479Contents: -- foreword by Gillian Armstrong -- introduction -- chronology -- filmology -- Fred Schepisi / Sue Mathews (1984) -- Devil's playground: an interview with Fred Schepisi / Brian McFarlane ( 2015) -- Playboy interview: Fred Schepisi / Rennie Ellis (1982) -- Fred Schepisi: the Australian director talks about his new controversial film, Barbarosa / Michael Sragow (1982) -- Altered states in The great white north / James Verniere (1983) -- Fred Schepisi: taking Hollywood by drizzle / David Edelstein (1984) -- Man of plenty / Brent Lewis (1985) -- Man of plenty / David Stratton (1986) -- Dialogue on film: Fred Schepisi / American film (1987) -- The making of Evil angels: director Fred Schepisi talks about private moments, public realities and dingoes / Philippa Hawker (1988) -- The man Meryl Streep trusts / Rennie Ellis (1989) -- Fred Schepisi / Peter Malone (1998) -- Fred Schepisi: pushing the boundaries / Scott Murray (1990) -- A cinematic gallant / Stephen Schiff (1993) -- Last orders: an interview with Fred Schepisi / Cynthia Fuchs ( 2001) -- Fred Schepisi on last orders / Tom Ryan (2001) -- Fred Schepisi on It runs in the family / Tom Ryan (2003) -- Shooting dialogue as action: an interview with Fred Schepisi / Fincina Hopgood ( 2011) -- All against one and one against all: Fred Schepisi's outsiders / Dan Callahan (2014) -- Fred Schepisi on making movies, "what I'm most interested in 'always" is the humanity of the piece" / Tom Ryan ( 2015) -- appendicies -- planning and problem solving : an interview with Ian Baker / Tom Ryan (2016) -- key notes: an interview with Paul Grabowsky / Tom Ryan (2016) -- additional resources -- index --
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French cinema since 1946 London: Zwemmer : Cranbury (N. J.) : Barnes, 1966-.
Call No: 71(44) ARMAuthor: Armes, Roy, 1937 Place: LondonPublisher: Zwemmer : Cranbury (N. J.) : BarnesPubDate: 1966-PhysDes: 2 v. : 20 plates (incl. ports.) ; 16 cmSubject: FRANCE ; DIRECTORS. FRANCE ; CLAIR, RENE ; RENOIR, JEAN ; CARNE, MARCEL ; OPHULS, MARCEL ; COCTEAU, JEAN ; CLOUZOT, HENRI-GEORGES ; CLEMENT, RENE ; BECKER, JACQUES ; BRESSON, ROBERT ; TATI, JACQUES ; GREMILLON, JEAN ; LEENHARDT, ROGER ; ROUQUIER, GEORGES ; AUTANT-LARA, CLAUDE Notes: Two volumes - Voume 1: the great tradition Volume 2: the personal styleLON: 4021093 4021093
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French release for Devils in the flesh in Encore (5-12 Dec 1985) vol.3 iss.21 p.6
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The French through their films / Robin Buss London: Batsford, 1988.
Call No: 408.1(44) BUSAuthor: Buss, Robin Place: LondonPublisher: BatsfordPubDate: 1988PhysDes: 165 p., [32] p. of plates : ill. ; 25 cmSubject: NATIONAL CULTURE AND THE CINEMA. FRANCE ; FRANCE ; SOCIETY AND THE CINEMA. FRANCE ; FILMOGRAPHIES. FRANCE ; HISTORICAL FILMS. FRANCE ; FAMILY IN FILMS. FRANCE ; BRESSON, ROBERT ; CHABROL, CLAUDE ; GODARD, JEAN-LUC ; MALLE, LOUIS ; PAGNOL, MARCEL ; RENOIR, JEAN ; CARNE, MARCEL ; CLAIR, RENE ; DEMY, JACQUES ; DUVIVIER, JULIEN ; GABIN, JEAN ; GANCE, ABEL ; TRUFFAUT, FRANCOIS ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; DIMANCHE A LA CAMPAGNE, UN (FR, Bertrand Tavernier, 1984) Notes: French cinema films,. 1900-1985. Social aspects (BNB/PRECIS); Includes index; Filmography: p. 91-156ISBN: 0713453605LON: 5952835
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From Great Heights in Australian Cinematographer (September 2013) iss.59 p.38-49
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From here to eternity : what virtual worlds can teach us about creating infinite participant experiences in Lumina (Winter 2009) iss.1 p.161-168
Author: Lucas, Rachael PhysDes: ArticleSubject: CONVERGENCE ; DIGITAL TECHNOLOGY ; INTERACTIVE CINEMA ; INTERACTIVE TV Summary: DIY filmmaker Rachael Lucas has been researching a critical pathway for the conceptual development of new media and vitual world. Her report entitled 'The Ego's Journey' obeserves a copmmong trajectory of 'self' in our current society, that also applies to how we relate to interactive media. Here, she observes what screen practitioners can read from this new media zeitgeist and apply to their own projects. -- Taken from the abstract
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From Hitler to Heimat : the return of history as film / Anton Kaes Cambridge, Mass.: Harvard University Press, 1989.
Call No: 744(=924)(430) KAEAuthor: Kaes, Anton Place: Cambridge, Mass.Publisher: Harvard University PressPubDate: 1989PhysDes: xiii, 273 p. : ill. ; 25 cmSubject: GERMANY ; NATIONAL CULTURE AND THE CINEMA. GERMANY ; NATIONAL IDENTITY IN FILMS. GERMANY ; MYTH AND THE CINEMA. GERMANY ; HEIMAT FILMS ; GENOCIDE IN FILMS ; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979) ; PATRIOTIN, DIE (GW, Alexander Kluge, 1979) ; DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) ; HEIMAT: A CHRONICAL OF GERMANY [HEIMAT: EINE DEUTSCHE CHRONIK] [TV] (GW, Edgar Reitz, 1984) ; HEIMAT: A CHRONICAL OF GERMANY [HEIMAT: EINE DEUTSCHE CHRONIK] [TV] (GW, Edgar Reitz, 1984) Notes: Rev. and enl. translation of: Deutschlandbilder; Includes indexISBN: 0674324552 (alk. paper)LON: 6295319
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From reel to unreal : Future opportunities for Australia's film, animation, special effects and electronic games industries / The Parliament of the Commonwealth of Australia Canberra, Australia: The Parliament of the Commonwealth of Australia, 2004.
Call No: 205.1(94) FROCorpAuthor: The Parliament of the Commonwealth of AustraliaPlace: Canberra, AustraliaPublisher: The Parliament of the Commonwealth of AustraliaPubDate: 2004PhysDes: 24 cm; 250 ppSubject: AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA : ACT ; ANIMATION. AUSTRALIA ; SPECIAL EFFECTS. AUSTRALIA ; VIDEO GAMES. AUSTRALIA ; DIGITAL TECHNOLOGY. AUSTRALIA ; INTERNET ; LABOUR. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA Summary: This report, made to the House of Representatives Standing Committee on Communications, Information Technology and the Arts, is concerned with (a) the current size and scale of Australia’s film, animation, special effects and electronic games industries, (b) the economic, social and cultural benefits of these industries, (c) future opportunities for further growth of these industries, including through the application of advanced digital technologies, online interactivity and broadband, (d) the current and likely future infrastructure needs of these industries, including access to bandwidth, (e) the skills required to facilitate future growth in these industries and the wider cultural and information technology sectors; (g) how Australia’s capabilities in these industries, including in education and training, can be best leveraged to maximize export and investment opportunities, and (h) whether any changes should be made to existing government support programs to ensure they are aligned with the future opportunities and trends in these industries.Notes: Government reportISBN: 0642784698
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From reverence to rape : the treatment of women in the movies / Molly Haskell Harmondsworth Eng. Baltimore: Penguin, 1974.
Call No: 451-02 HASAuthor: Haskell, Molly Place: Harmondsworth Eng. BaltimorePublisher: PenguinPubDate: 1974PhysDes: xiv, 388 p., [12] leaves of plates : ill. ; 20 cmSubject: WOMEN IN FILMS ; ASTOR, MARY ; BERGMAN, INGMAR ; BOW, CLARA ; Crawford, Joan ; CUKOR, GEORGE ; DAY, DORIS ; DIETRICH, MARLENE ; HAWKS, HOWARD ; HEPBURN, KATHARINE ; HOLLIDAY, JUDY ; LUBITSCH, ERNST ; MONROE, MARILYN ; RUSSELL, ROSALIND ; VON STERNBERG, JOSEF ; WILDER, BILLY ; DUNNE, IRENE ; WOMEN, THE (US, George Cukor, 1939) ; BEYOND THE FOREST (US, King Vidor, 1949) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) ; DESIGN FOR LIVING (US, Ernst Lubitsch, 1933) ; ADAM'S RIB (US, George Cukor, 1949) ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) Notes: Includes indexISBN: 0140039465 : ª0.95 ($3.95 U.S.)LON: 74194670; 352052
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The future of an illusion : film, feminism, and psychoanalysis / Constance Penley London: Routledge, 1989.
Call No: 626:396 PENAuthor: Penley, Constance, 1948 Place: LondonPublisher: RoutledgePubDate: 1989PhysDes: xx, 207 p. : ill. ; 23 cmSubject: FEMINISM AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; THEORY ; WOMEN IN FILMS ; DIRECTORS ; AVANT-GARDE FILMS ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978) ; JETEE, LA (FR, Chris Marker, 1963) ; TERMINATOR, THE (US, James Cameron, 1984) ; PEE-WEE'S PLAYHOUSE [TV] (US, 1986-91) Summary: "'The future of an illusion' documents the pivotal role Constance Penley has played in the development of feminist film theory. Penley analyzes the primary movements that have shaped the field: the conjunction of feminism, film theory, and psychoanalysis, and the inherent debates surrounding the politics of women and representation. These debates centre on the position of women in the classical Hollywood narrative, the construction of the spectator's desire in pornography and eroticism and the implicit male bias in the psychoanalytically oriented film theory." -- BOOK COVERNotes: Women. Portrayal by mass media (BNB/PRECIS); Includes bibliographical references and indexISBN: 0415041546 (pbk) : ª7.95 : CIP confirmedLON: bnb41504154; 6267645Contents: Feminism and the avant-garde: 1. The avant-garde and its imaginary -- 2. The avant-garde: histories and theories --
Feminism and film theory: 3. "A certain refusal of difference": feminism and film theory -- 4. Feminism, film theory, and the bachelor machines --
Feminism and femininity in Godard: 5. Pornography, eroticism (on 'Every man for himself') -- 6. Les enfants de la patrie (on 'France/tour/detour/two children') --
Sexual difference in popular culture -- 7. Time travel, primal scene, and the critical dystopia (on 'The terminator' and 'La jetee') -- 8. The cabinet of Dr. Pee-wee: consumerism and sexual terror --
Feminism and pedagogy: 9. Teaching in your sleep: feminism and psychoanalysis
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The future of the movies : interviews with Martin Scorsese, Steven Spielberg, and George Lucas / by Roger Ebert and Gene Siskel Kansas City, Missouri: Andrews and McMeel, c1991.
Call No: 802.25 EBEAuthor: Ebert, Roger ; Siskel, Gene Source: USPlace: Kansas City, MissouriPublisher: Andrews and McMeelPubDate: c1991PhysDes: xii, 116 p. : ill. ; 22 cmSubject: FILM ; PRODUCERS ; DIRECTORS ; USA ; SPIELBERG, STEVEN ; SCORSESE, MARTIN ; LUCAS, GEORGE Summary: "Behind-the-scenes conversations with movie critics Roger Ebert and Gene Siskel reveal the personal visions of three of America's best and most innovative directors, Martin Scorsese, Steven Spielberg, and George Lucas, and the technological challenges they face in forging the future of movies. " -- BOOK BLURBISBN: 0836262166Contents: -- acknowledgments -- introduction by Roger Ebert -- Gene Siskel and Roger Ebert interview Martin Scorsese -- Gene Siskel interviews Steven Spielberg -- Roger Ebert interviews George Lucas -- afterword by Gene Siskel --
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Future visions : new technologies of the screen / edited by Philip Hayward & Tana Wollen London: BFI Pub. Arts Council of Great Britain, 1993.
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The game changer in Daily Telegraph [Hit] (10/09/2015) p.31
Call No: PERSONALITY CLIPPINGS FILE; DINKLAGE, PETERAuthor: Johnson, Neala PhysDes: Clippings File ArticleSubject: DINKLAGE, PETER Summary: An interview with Peter Dinklage. He talks about his role in Pixels and his breakthrough role in Game of Thrones
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Genre and Hollywood / Steve Neale London: Routledge, 2000.
Call No: 64GEN NEAAuthor: Neale, Steve Place: LondonPublisher: RoutledgePubDate: 2000PhysDes: viii, 336 p. ; 25 cmSubject: GENRES ; FILM NOIR ; MELODRAMA ; ACTION FILMS ; ADVENTURE FILMS ; BIOGRAPHICAL FILMS ; COMEDIES ; CRIME FILMS ; DETECTIVE FILMS ; EPIC FILMS ; FORMALISM ; FRONTIERS IN FILMS ; GANGSTER FILMS ; GENDER AND THE CINEMA ; HORROR FILMS ; MUSICALS ; USA ; SCIENCE-FICTION FILMS ; SOCIAL PROBLEMS IN FILMS ; STUDIO SYSTEM ; THRILLERS ; WAR FILMS ; WESTERNS ; WOMEN, FILMS FOR ; WOMEN IN FILMS ; YOUNG PEOPLE IN FILMS ; YOUNG PEOPLE, FILMS FOR ; TODOROV, TZVETAN ; ALTMAN, ROBERT ; BASINGER, JEANINE ; DOHERTY, THOMAS ; SCHATZ, THOMAS Summary: "Steve Neale provides a comprehensive introduction to genre and Hollywood cinema. He discusses all the major concepts, theories and accounts of Hollywood and genre, an the key genres which theorists and critics have tended to write about - from musicals to horror films, from action-adventure to the western. He also offers detailed revisionist accounts of melodrama and 'film noir', and puts forward new arguments about the place and importance of genre in understanding Hollywood cinema." -- Taken from back cover.Notes: Includes bibliography and indexISBN: 0415026059 : No price; 0415026067(pbk.)LON: 21413450
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George Lucas : the making of his movies / Chris Salewicz London: Orion, 1998.
Call No: 81LUC SALAuthor: Salewicz, Chris Source: UKPlace: LondonPublisher: OrionPubDate: 1998PhysDes: 143 p. : ill. (some col.) ; 20 cmSubject: DIRECTORS. USA ; LUCASFILM ; SCRIPTWRITERS. USA ; WARNER BROS. ; COPPOLA, FRANCIS FORD ; KURTZ, GARY ; LUCAS, GEORGE ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; KAGEMUSHA (JA, Akira Kurosawa, 1980) ; RETURN OF THE JEDI (US, Richard Marquand, 1983) ; STAR WARS (US, George Lucas, 1977) ; THX 1138 4EB (US, George Lucas, 1967) Notes: Bibliography: p.[140]-141ISBN: 0752813188Donation: donated by the family of Wayne Levy, 2006
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Gerard Philipe in National Film Theatre (Oct/Nov 1983) p.2-7
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Interim
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The German cinema book / edited by Tim Bergfelder, Erica Carter and Deniz Gokturk London: bfi Publishing, 2002.
Call No: 71(430) GERAuthor: Bergfelder, Tim ; Carter, Erica ; Gokturk, Deniz Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2002PhysDes: xi 291p. : illus. : 25cmSubject: EXHIBITION ; UFA ; GOVERNMENT AID. GERMANY ; GOVERNMENT CONTROL ; GERMANY ; HISTORY OF CINEMA ; CULTURE AND THE CINEMA ; HEIMAT FILMS ; COMEDIES. GERMANY ; CRIME FILMS ; HOMOSEXUALITY AND THE CINEMA ; POLITICS AND THE CINEMA ; HISTORY OF CINEMA ; DIETRICH, MARLENE ; LANG, FRITZ ; LUBITSCH, ERNST ; MUELLER-STAHL, ARMIN ; OTTINGER, ULRIKE ; RUHMANN, HEINZ ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24) Notes: Includes bibliography and resources and indexISBN: 085170946X
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German film & literature : adaptations and transformations / edited by Eric Rentschler New York: Methuen, 1986.
Call No: 71(430) GERAuthor: Rentschler, Eric Place: New YorkPublisher: MethuenPubDate: 1986PhysDes: x, 385 p. : ill. ; 24 cmSubject: GERMANY ; ADAPTATIONS. GERMANY ; STUDENT VON PRAG, DER (G, Stellan Rye, 1913) ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929) ; BLAUE ENGEL, DER (G, Josef von Sternberg, 1930) ; LIEBELEI (G, Max Ophuls, 1933) ; LEBENZEICHEN (GW, Werner Herzog, 1968) ; LOTTE IN WEIMAR (GE, Egon Gunther, 1975) ; LINKSHANDIGE FRAU, DIE (GW, Peter Handke, 1977) ; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979) ; DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) ; BERLIN ALEXANDERPLATZ (GW/IT, Rainer Werner Fassbinder, 1980) ; HISTORY LESSONS [GESCHICHTSUNTERRICHT / LECONS D'HISTOIRE] (GW/IT, Jean-Marie Straub/Daniele Huillet, 1972) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; HAUPTMANN VON KOPENICK, DER (GW, Helmut Kautner, 1956) ; JUNGE TORLESS, DER (GW, Volker Schlondorff, 1966) ; WOZZECK (G, Georg C. Klaren, 1947) ; UNTERTAN, DER (GE, Wolfgang Staudte, 1951) ; FRAULEIN VON BARNHELM, DAS (G, Hans Schweikart, 1940) ; ZERBROCHENE KRUG, DER (G, Gustav Ucicky, 1937) Notes: Includes index; Bibliography: p. [366]-378ISBN: 0416603416 (pbk.); 0416603319LON: 4216378
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Gorky Trilogy in Films and Filming (January 1955) vol.1 iss.4 p.14
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Gorky Trilogy in Sight and Sound (October-December 1954) vol.24 iss.2 p.87-88
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Great Hollywood movies / Ted Sennett New York: Abradale Press/H.N. Abrams, 1986.
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Great Movie Directors / by Ted Sennett New York: Harry N. Abrams, 1986.
Call No: 802.25 SENAuthor: Sennett, Ted Source: USPlace: New YorkPublisher: Harry N. AbramsPubDate: 1986PhysDes: 320 p. : ill. (some col.) ; 29 cmSubject: DIRECTORS ; FILM Summary: Contains a short bio of many different movie directorsNotes: "Times Mirror books; Includes index; Bibliography: p. 290; Filmography: p. 291-306ISBN: 0810907186Contents: -- acknowledgments -- foreword by Gilbert Cates, president of the Directors Guild of America -- introduction : directing movies -- the directors -- appendixes: winners of the directors guild of America award for theatrical direction -- recipients of the D.W. Griffith Award -- honorary life members of the directors guild of America -- selected bibliography -- filmographies -- index -- credits --
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Griselda: Diary of a mad housewife in Interview (1970) vol.1 iss.10 p.23
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Hands on : new technology in documentary making / by Marcus Gillezeau ; edited by Jane Oehr and Gill McKinlay Sydney: Australian Film Commission, 1997.
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Hard bodies : Hollywood masculinity in the Reagan era / Susan Jeffords New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01(73) JEFAuthor: Jeffords, Susan, 1953 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: 212 p. : ill. ; 23 cmSubject: Reagan, Ronald ; POLITICS AND THE CINEMA. USA ; MEN IN FILMS. USA ; COLD WAR AND THE CINEMA. USA ; COLD WAR FILMS. USA ; HERO IN FILMS ; FAMILY IN FILMS. USA ; NATIONAL IDENTITY IN FILMS. USA ; TECHNOLOGY AND THE CINEMA. USA ; BODY IN FILMS. USA ; UNFORGIVEN (US, Clint Eastwood, 1992) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; BATMAN (US, Tim Burton, 1989) ; BEAUTY AND THE BEAST (US, Gary Trousdale & Kirk Wise, 1991) ; CASUALITIES OF WAR (US, Brian De Palma, 1989) ; DIE HARD (US, John McTiernan, 1988) ; FIRST BLOOD (US, Ted Kotcheff, 1982) ; KINDERGARTEN COP (US, Ivan Reitman, 1990) ; LETHAL WEAPON [...] (US, Richard Donner, 1987-92) ; MISSISSIPPI BURNING (US, Alan Parker, 1988) ; RAMBO [...] (US, 1982-1988) ; ROBOCOP (US, Paul Verhoeven, 1987) ; TWINS (US, Ivan Reitman, 1988) Notes: Includes bibliographical references (p. [205]-208) and indexISBN: 0813520029; 0813520037 (pbk.)LON: 9874831
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The haunted screen : expressionism in the German cinema and the influence of Max Reinhardt / [by] Lotte H. Eisner [translated from the French by Roger Greaves] London: Thames & Hudson, 1969.
Call No: 71(430) EISAuthor: Eisner, Lotte H Place: LondonPublisher: Thames & HudsonPubDate: 1969PhysDes: 360 p. illus. 25 cmSubject: GERMANY ; EXPRESSIONISM ; LUBITSCH, ERNST ; BRECHT, BERTOLT ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) ; METROPOLIS (G, Fritz Lang, 1926) ; FAUST (G, Friedrich Wilhelm Marnau, 1926) ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24) ; SCHATZ, DER (G, Georg Wilhelm Pabst, 1923) ; TARTUFF (G, Friedrich Wilhelm Murnau, 1926) ; DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921) ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) Notes: Originally published as L'Ecran demoniaque, revised ed. Paris, Bonne, 1965; List of films p. 348-354; Bibliography: p. 346-347ISBN: 0500500010LON: 110813 110813
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The haunted screen : expressionism in the German cinema and the influence of Max Reinhardt / by Lotte H. Eisner Berkeley: University of California Press, 1973, c1969.
Call No: 71(430) EISAuthor: Eisner, Lotte H Edition: 1st California pbk. edPlace: BerkeleyPublisher: University of California PressPubDate: 1973, c1969PhysDes: 360 p. : ill., portsSubject: GERMANY ; EXPRESSIONISM ; LUBITSCH, ERNST ; BRECHT, BERTOLT ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) ; METROPOLIS (G, Fritz Lang, 1926) ; FAUST (G, Friedrich Wilhelm Marnau, 1926) ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24) ; SCHATZ, DER (G, Georg Wilhelm Pabst, 1923) ; TARTUFF (G, Friedrich Wilhelm Murnau, 1926) ; DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921) ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) Notes: Translation of: L'ecran demoniaque; Bibliography: p. 346-347; Filmography: p. 348-354ISBN: 0520024796LON: 8931538
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[Head on : stills file] / John Tsiavis
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[Heartbreak high : stills file]
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[Heartbreak kid, the : stills file] / Jennifer Mitchell Jennifer Mitchell Photography
Roadshow Film Distributors (distributor),
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[Heartland : stills file]
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Hector : the story of Hector Crawford and Crawford Productions North Melbourne, Victoria: ARCADIA, the general books' imprint of Australian Scholarly Publishing, 2015.
Call No: 81CRA BAZAuthor: Bazzani, Rozzi Source: ATPlace: North Melbourne, VictoriaPublisher: ARCADIA, the general books' imprint of Australian Scholarly PublishingPubDate: 2015PhysDes: xvii, 331 pages, 34 unnumbered pages of plates : illustrations, portraits, photographs ; 24 cmSubject: TELEVISION ; AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; INDUSTRY, TELEVISION. AUSTRALIA ; PRODUCERS ; PRODUCING. AUSTRALIA ; DIRECTORS ; BROADCASTING ; CRAWFORD PRODUCTIONS ; CRAWFORD, HECTOR ; HOMICIDE [TV] (AT, 1964-1975) ; BOX, THE [TV] (AT, 1974-77) ; BOX, THE [TV] (AT, 1974-77) ; SULLIVANS, THE [TV] (AT, 1975-1982) ; CARSON'S LAW [TV] (AT, 1983) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) Summary: "Hector Crawford - the name remains synonymous with Australian television.The tag line 'This has been a Crawford Production' still resonates with generations of Australians who grew up with his cops, the Sullivan family or any of the long line of productions that flowed from his legendary company. His public facade is part of our collective memory but the man behind it, and how his passion and determination changed Australian culture forever is revealed in 'Hector'. Rozzi Bazzani recounts vividly how, as Crawford's influence grew, the off-screen politics employed by the TV networks and rivals to diminish his company's power became as exciting as any of his on-screen dramas." -- BOOK BACK COVER BLURBNotes: Incudes bibliographical references (pages 303-315) and indexISBN: 9781925003734Contents: -- part one -- the high seas -- the first family -- choir of angels -- sweet inspiration -- young lives -- searching Hart's heart -- 'music for the people' -- music changes everything -- war torn -- words and music -- no place like home -- classical gas -- heartache and hope -- the first big talent show -- testing times -- love and marriage -- sneak preview -- nuts and bolts -- the spoken word -- the boys in blue -- an identity crisis -- the big picture -- the lobbyist -- game rules -- part two -- television reality -- down to business -- quiz bang -- dirty dancing -- television tease -- all out -- was I dreaming? -- it's an emergency -- all in the family -- overshadowed -- pushing the limit -- fizzled -- the little yellow booklet -- political art -- olderfleet building -- consider it done -- new horizons -- loss and gain -- the bid -- the decision -- back to the drawing board -- homicide -- family business -- a new podium -- pioneering pictures -- forward push -- a sister's heartbreak -- striking a balance -- hunting all over -- 'divvy four' -- fighting words -- head on -- variety is the spice -- new faces -- the art of tennis -- up, up and away -- the bush on television -- drawing power -- actors act : tv: make it Australian -- a sparkling piano man to the rescue -- acting out -- hollywood on the Yarra -- a new way -- a seniors film moment -- hands across the ocean -- hoist on his petard -- sex, lies and videotape -- the flood gates open -- boys' toys -- the box -- local features feature -- the empire strikes back -- last of the Australians -- where to from here? -- everybody wants to get in on the act -- slip sliding away -- a friend in deed -- the axe falls hard -- blockade -- the comeback -- a family in war: the Sullivans -- interlude -- leaving home -- part three -- together at last -- repeat with movement -- no new tricks -- all the rivers run -- carson's law -- the flying doctors -- da capo -- palace coup -- the last act of a mogul --
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High anxiety : catastrophe, scandal, age & comedy / Patricia Mellencamp Bloomington: Indiana University Press, 1992.
Call No: 632.46 MELAuthor: Mellencamp, Patricia Place: BloomingtonPublisher: Indiana University PressPubDate: 1992PhysDes: xvi, 414 p. : ill. ; 25 cmSeries: Arts and politics of the everydaySubject: POPULAR CULTURE AND TV ; IMPERIALISM AND TV ; COMMERCIALS, TV ; GOVERNMENT CONTROL. USA ; PSYCHOANALYSIS AND TV ; DISASTERS ON TV ; LAWSUITS ; NARRATIVE IN TV ; SEX AND TV ; SITUATION COMEDY ; GULF WAR ON TV ; WOMEN ON TV ; TALK SHOWS. USA ; RIVERA, GERALDO ; DURAS, MARGUERITE ; BALL, LUCILLE ; BENSON, SUSAN PORTER ; RIVERS, JOAN ; ARNOLD, ROSEANNE ; BURNS, GEORGE ; DONAHUE, PHIL ; FAGIN, STEVE ; WAGNER, JANE ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; GEORGE BURNS AND GRACIE ALLEN SHOW, THE [TV] (US, 1950-1958?) ; ETERNAL FRAME [MM] (US, 1975?) ; OPRAH WINFREY SHOW, THE [TV] (US, 1986- ) ; ROSEANNE [TV] (US, 1988- ) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; YOUNG AND THE RESTLESS, THE [TV] (US, 1973- ) ; MURDER, SHE WROTE [TV] (US, 1984- ) ; MAJOR DAD [TV] (US, 1989- ) ; I LOVE LUCY [TV] (US, 1951-57) ; CURRENT AFFAIR, A [TV] (US, 1986- ) Notes: Includes bibliographical references (p. [381]-408) and indexISBN: 0253207355 (pbk.); 0253337445 (alk. paper)LON: 8666545
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High contrast : race and gender in contemporary Hollywood film / Sharon Willis Durham, N.C.: Duke University Press, 1997.
Call No: 451-054(73) WILAuthor: Willis, Sharon Place: Durham, N.C.Publisher: Duke University PressPubDate: 1997PhysDes: 266 p. ; 24 cmSubject: RACIAL ISSUES AND THE CINEMA ; ACTION FILMS ; GENDER AND THE CINEMA. USA ; MEN IN FILMS ; WOMEN IN FILMS ; LEE, SPIKE ; LYNCH, DAVID ; TARANTINO, QUENTIN ; DIE HARD (US, John McTiernan, 1988) ; LETHAL WEAPON [...] (US, Richard Donner, 1987-92) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; WILD AT HEART (US, David Lynch, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) Summary: In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on the screen - most often with little apparent regard for the political context in which they operate - Willis restores that context through close readings of a range of movies from cinematic blockbusters to the work of the new auteurs, Spike Lee, David Lynch, and Quentin TarantinoNotes: Includes bibliographical references (p. [217]-257) and indexISBN: 0822320290 (cloth : acid-free paper); 082232041X (pbk. : acid-free paper)LON: 97013147; 13158378Contents: Part 1. Battles of the sexes -- 1. Mutilated Masculinties and Their Prostheses: Die Hards and Lethal Weapons -- 2. Insides Out: Public and Private Exchanges from Fatal Attraction to Basic Instinct -- 3. Combative Femininity: Thelma and Louise and Terminator 2 -- Part II. Ethnographies of the "White" Gaze -- 4. Do the Wrong Thing: David Lynch's Perverse Style -- 5. Tell the Right Story: Spike Lee and the Politics of Representative Style -- 6. Borrowed "Style": Quentin Tarantino's Figures of Masculinity
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Hitchcock / by Francois Truffaut with the collaboration of Helen G. Scott New York: Simon and Schuster, 1967].
Call No: 81HIT TRUAuthor: Truffaut, Francois, 1932 ; Hitchcock, Alfred, 1899 Place: New YorkPublisher: Simon and SchusterPubDate: 1967]PhysDes: 256 p. illus., ports. 28 cmSubject: HITCHCOCK, ALFRED ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; FARMER'S WIFE, THE (UK, Alfred Hitchcock, 1928) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936) ; THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935) ; LADY VANISHES (US, Alfred Hitchcock, 1938) ; REBECCA (US, Alfred Hitchcock, 1940) ; SUSPICION (US, Alfred Hitchcock, 1941) ; LIFEBOAT (US, Alfred Hitchcock, 1944) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; VERTIGO (US, Alfred Hitchcock, 1958) ; ROPE (US, Alfred Hitchcock, 1948) ; UNDER CAPRICORN (UK, Alfred Hitchcock, 1949) ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; BIRDS, THE (US, Alfred Hitchcock, 1963) ; PSYCHO (US, Alfred Hitchcock, 1960) ; I CONFESS (US, Alfred Hitchcock, 1953) ; DIAL M FOR MURDER (US, Alfred Hitchcock, 1954) ; TO CATCH A THIEF (US, Alfred Hitchcock, 1955) ; WRONG MAN, THE (US, Alfred Hitchcock, 1957) ; NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959) ; MARNIE (US, Alfred Hitchcock, 1964) ; REAR WINDOW (US, Alfred Hitchcock, 1954) Summary: Dialogue between Truffaut and HitchcockNotes: Translation of Le cinema selon Hitchcock; Bibliography: p. 254LON: 67016729; 1121663ID2: 206
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Hitchcock film festival / St. Lucia University College Queensland: University of Queensland, 1966.
Call No: 81HIT HITCorpAuthor: St. Lucia University CollegeSource: ATPlace: QueenslandPublisher: University of QueenslandPubDate: 1966PhysDes: 50 p. ; 24cmSubject: HITCHCOCK, ALFRED ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935) ; LADY VANISHES (US, Alfred Hitchcock, 1938) ; REBECCA (US, Alfred Hitchcock, 1940) ; SABOTEUR (US, Alfred Hitchcock, 1942) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; ROPE (US, Alfred Hitchcock, 1948) ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; I CONFESS (US, Alfred Hitchcock, 1953) ; DIAL M FOR MURDER (US, Alfred Hitchcock, 1954) ; TO CATCH A THIEF (US, Alfred Hitchcock, 1955) ; WRONG MAN, THE (US, Alfred Hitchcock, 1957) ; PSYCHO (US, Alfred Hitchcock, 1960) ; BIRDS, THE (US, Alfred Hitchcock, 1963) ; MARNIE (US, Alfred Hitchcock, 1964) Notes: Incudes festival programme
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Hitchcockian haberdashery in Hitchcock annual (1995-96) p.23-37
Author: Street, Sarah PhysDes: SerialSubject: SYMBOLISM IN FILMS ; FEMININITY IN FILMS ; HITCHCOCK, ALFRED ; DIAL M FOR MURDER (US, Alfred Hitchcock, 1954) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; VERTIGO (US, Alfred Hitchcock, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; MARNIE (US, Alfred Hitchcock, 1964) Summary: Looks at the symbolism of the "feminine object" of the handbag in Hitchcock's films; most notably in "Dial M for Murder", "Rear Window", "Vertigo", "Psycho", and "Marnie." Discusses the representation of femininity and the ways in which it can be used in a powerful, resourceful and often subversive manner in the context of the patriarchal, pre-second-wave-feminism society in which Hitchcock's films were made.
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Hollywood and the holocaust / Henry Gonshak Lanham, Maryland: Rowman & Littlefield, [2015].
Call No: 744(=924)(73) GONAuthor: Gonshak, Henry Place: Lanham, MarylandPublisher: Rowman & LittlefieldPubDate: [2015]PhysDes: x, 357 pages : illustrations ; 24 cmSeries: Film and HistorySubject: WORLD WAR II FILMS ; WORLD WAR II FILMS. USA ; WORLD WAR II AND THE CINEMA ; JEWS IN FILMS. USA ; JEWS AND THE CINEMA ; HOLOCAUST IN FILMS ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942) ; HITLER'S CHILDREN (US, Edward Dymtryk, 1943) ; DIARY OF ANNE FRANK, THE (US, Geoarge Stevens, 1959) ; JUDGEMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; CABARET (US, Bob Fosse, 1972) ; ODESSA FILE, THE (UK/GW, Ronald Neame, 1974) ; MARATHON MAN (US, John Schlesinger, 1976) ; BOYS FROM BRAZIL, THE (US, Franklin J. Schaffner, 1978) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; ENEMIES, A LOVE STORY (US, Paul Mazursky, 1989) ; TRIUMPH OF THE SPIRIT (US, Robert M. Young, 1989) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; MOTHER NIGHT (US, Keith Gordon, 1996) ; GREY ZONE, THE (US, Tim Blake Nelson, 2001) Summary: "Looking at a wide range of films in various genres that are representative of the evolution of Hollywood's depictions of the Jewish Holocaust and to examine the American public's perspective of the Holocaust" -- from the IntroductionNotes: Includes bibliographical references (pages 343-349) and indexContents: Introduction: Can Hollywood get it right? -- The little tramp battles Hitler: The great dictator -- Actors versus Nazis: to be or not to be -- Hollywood fights World War II: Hitler's madman; Hitler's children; tomorrow, the world! -- Hollywood discovers the Holocaust: The diary of Anne Frank -- Hollywood judges the Germans: Judgment at Nuremberg -- Hollywood's Holocaust survivor: The pawnbroker -- The Holocaust on the horizon: Cabaret -- Hollywood Holocaust thrillers: The Odessa file; Marathon man; The boys from Brazil -- The Holocaust's non-Jewish victims: Sophie's choice -- Choiceless choice: Enemies, a love story and triumph of the spirit -- Spielberg reinvents the Holocaust: Schindler's list -- Moral ambiguity in the Holocaust: Mother night and The grey zone -- White lies: Life is beautiful and Jakob the liar -- The Nazis' successors: Apt pupil -- Mutant Holocaust survivors, or the anti-American sin of pessimism: X-men -- Kids befriending kids in the Holocaust: The boy in the striped pajamas -- Shagging Nazis and other post-war German adventures: The reader -- No sheep to the slaughter: Defiance -- Cartoon Jewish revenge: Inglourious basterds -- Conclusion: Where do we go from here?
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Hollywood androgyny / Rebecca Bell-Metereau New York: Columbia University Press, 1993.
Call No: 749.5 BELAuthor: Bell-Metereau, Rebecca Louise Edition: 2nd edPlace: New YorkPublisher: Columbia University PressPubDate: 1993PhysDes: xxii, 345 p. : ill. ; 23 cmSubject: TRANSVESTISM ; AIDS IN FILMS ; ART CINEMA. EUROPEAN COUNTRIES ; UNDERGROUND FILMS ; HOMOSEXUALITY IN FILMS ; SEX IN FILMS ; WESTERNS ; WILDER, BILLY ; GARBO, GRETA ; HEPBURN, KATHARINE ; CURTIS, TONY ; DIETRICH, MARLENE ; MADONNA ; MONROE, MARILYN ; SCOTT, RIDLEY ; ADLER, LOU ; DAY, DORIS ; CROSBY, BING ; EDWARDS, BLAKE ; GRANT, CARY ; LEMMON, JACK ; REA, STEPHEN ; SHERIDAN, ANN ; YENTL (US, Barbara Streisand, 1983) ; VICTOR VICTORIA (UK, Blake Edwards, 1982) ; ALIEN [...] (UK/US, 1979-92) ; CAGE AUX FOLLES, LA (FR/IT, Edouard Molinaro, 1978) ; CALAMITY JANE (US, David Butler, 1953) ; COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949) ; KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; PSYCHO (US, Alfred Hitchcock, 1960) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; BLUE VELVET (US, David Lynch, 1986) ; WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982) ; TOOTSIE (US, Sydney Pollack, 1982) ; SYLVIA SCARLETT (US, George Cukor, 1935) ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; QUEEN CHRISTINA (US, Rouben Mamoulian, 1934) ; PLAINSMAN, THE (US, Cecil B. DeMille, 1936) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; NO WAY TO TREAT A LADY (US, Jack Smight, 1968) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) Notes: Includes bibliographical references (p. [315]-327) and indexISBN: 0231084676 (acidb-sfree paper)LON: 10110408
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Hollywood color portraits / by John Kobal, Introduction by Carlos Clarens New York: Quill, c1981.
Call No: 802.27(084.2) KOBAuthor: Kobal, John Edition: 1st Quill ed.Source: USPlace: New YorkPublisher: QuillPubDate: c1981PhysDes: 159 p. : col. ill. ; 30cmSubject: ACTORS ; PHOTOGRAPHY ; PHOTOGRAPHY AND THE CINEMA ; FIELDS, W.C. ; WEST, MAE ; COLBERT, CLAUDETTE ; DIETRICH, MARLENE ; LAMOUR, DOROTHY ; SWANSON, GLORIA ; SOTHERN, ANN ; MACDONALD, JEANETTE ; Stewart, James ; YOUNG, LORETTA ; COOPER, GARY ; LEIGH, VIVIEN ; TURNER, LANA ; GARLAND, JUDY ; ROONEY, MICKEY ; MONTEZ, MARIA ; DE HAVILLAND, OLIVIA ; FONTAINE, JOAN ; FAIRBANKS, DOUGLAS ; DAVIS, BETTE ; BOGART, HUMPHREY ; LAMARR, HEDY ; SHERIDAN, ANN ; TIERNEY, GENE ; LAKE, VERONICA ; LADD, ALAN ; CAGNEY, JAMES ; BERGMAN, INGRID ; GODDARD, PAULETEE ; WAYNE, JOHN ; GRABLE, BETTY ; COOPER, GARY ; TAYLOR, ROBERT ; POWER, TYRONE ; HUTTON, BETTY ; ASTAIRE, FRED ; DARNELL, LINDA ; SINATRA, FRANK ; ROGERS, ROY ; TRIGGER (Horse) ; PAL (Canine actor) ; BACALL, LAUREN ; LANCASTER, BURT ; SCOTT, LIZABETH ; DOUGLAS, KIRK ; MIRANDA, CARMEN ; JONES, JENNIFER ; FORD, GLENN ; BALL, LUCILLE ; OBERON, MERLE ; PECK, GREGORY ; DIETRICH, MARLENE ; GRAHAME, GLORIA ; GRANT, CARY ; HAYWORTH, RITA ; VALLI, ALIDA ; JOURDAN, LOUIS ; TAYLOR, ELIZABETH ; ROBERT, RYAN ; MITCHUM, ROBERT ; CHARISSE, CYD ; BARKER, LEX ; RUSSELL, JANE ; GARBO, GRETA ; CLIFT, MONTGOMERY ; GARDNER, AVA ; TURNER, LANA ; MONROE, MARILYN ; CRAWFORD, JOAN ; DEAN, JAMES ; NOVAK, KIM ; MANSFIELD, JAYNE ; PRESLEY, ELVIS ; BRANDO, MARLON Summary: "John Kobal, the world's foremost film archivist, has amassed an unrivaled photographic treasure of Hollywood glamour portraits. As an author and noted film historian, he has also been a major force behind the tremendous revival of interest in the work of the great studio photographers such as George Hurrell, Ted Allan, Lazlo Willinger, and Clarence Sinclair Bull.
The selection of photographs in this book extends from the mid-1930s to the 1950s, the period in which color photography became established in Hollywood, and contains 74 spectacular images of the major stars." -- BOOK JACKETNotes: Includes bibliographical references (p. 17); Book contains pictures of various Hollywood actorsISBN: 0688007538
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Hollywood directors, 1914-1940 / [compiled by] Richard Koszarski New York: Oxford University Press, 1976.
Call No: 802.25(73) KOSAuthor: Koszarski, Richard Place: New YorkPublisher: Oxford University PressPubDate: 1976PhysDes: xx, 364 p. : ill. ; 22 cmSubject: DIRECTORS. USA ; PORTER, EDWIN S. ; GUY-BLACHE, ALICE ; BLACKTON, J. STUART ; GRIFFITH, DAVID WARK ; HART, WILLIAM S. ; WEBER, LOIS ; SENNETT, MACK ; INCE, THOMAS HARPER ; INGRAM, REX ; NEILAN, MARSHALL ; CHAPLIN, CHARLES ; FLAHERTY, ROBERT ; LLOYD, HAROLD ; Keaton, Buster ; DWAN, ALLAN ; DEMILLE, CECIL B. ; VON STROHEIM, ERICH ; LANGDON, HARRY ; CAPRA, FRANK ; FORD, JOHN ; MURNAU, FRIEDRICH WILHELM ; BORZAGE, FRANK ; LUBITSCH, ERNST ; VIDOR, KING ; ROACH, HAL ; MAMOULIAN, ROUBEN ; DEMILLE, WILLIAM ; MILESTONE, LEWIS ; CUKOR, GEORGE ; VAN DYKE, W.S. ; HOWARD, WILLIAM K. ; TUTTLE, FRANK ; SCHOEDSACK, ERNEST B. ; GARNETT, TAY ; CROMWELL, JOHN ; OLCOTT, SIDNEY ; HORNE, JAMES W. ; FITZMAURICE, GEORGE ; PARK, IDA MAY ; TOURNEUR, MAURICE ; FLOREY, ROBERT ; MENZIES, WILLIAM CAMERON ; VORKAPICH, SLAVKO ; BRENNON, HERBERT ; CAREWE, EDWIN ; NIBLO, FRED ; GOULDING, EDMUND ; FEJOS, PAUL ; BELL, MONTA Notes: Includes indexISBN: 0195020855 : $13.95LON: 761206
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Hollywood directors, 1941-1976 / [compiled by] Richard Koszarski New York: Oxford University Press, 1977.
Call No: 802.25(73) HOLAuthor: Koszarski, Richard Place: New YorkPublisher: Oxford University PressPubDate: 1977PhysDes: xvii, 426 p. : ill. ; 22 cmSubject: DIRECTORS. USA ; WELLES, ORSON ; LEWIN, ALBERT ; VIDOR, KING ; HUSTON, JOHN ; ROSSEN, ROBERT ; CAPRA, FRANK ; JONES, CHUCK ; WYLER, WILLIAM ; RENOIR, JEAN ; LANG, FRITZ ; ZINNEMANN, FRED ; MILESTONE, LEWIS ; HITCHCOCK, ALFRED ; BROWN, CLARENCE ; SIDNEY, GEORGE ; BROOKS, RICHARD ; DIETERLE, WILLIAM ; FLEISCHER, RICHARD ; VON STERNBERG, JOSEF ; CURTIZ, MICHAEL ; RAY, NICHOLAS ; KAZAN, ELIA ; WILDER, BILLY ; LEROY, MERVYN ; ALDRICH, ROBERT ; KUBRICK, STANLEY ; LOGAN, JOSHUA ; STURGES, JOHN ; KING, HENRY ; MANN, ANTHONY ; FULLER, SAMUEL ; FRANKENHEIMER, JOHN ; KELLY, GENE ; PENN, ARTHUR ; SAKS, GENE ; Lupino, Ida ; DMYTRYK, EDWARD ; CORMAN, ROGER ; FRIEDKIN, WILLIAM ; RITCHIE, MICHAEL ; GRINDE, NICK ; PICHEL, IRVING ; SEATON, GEORGE ; BENEDEK, LASLO ; KOSTER, HENRY ; OBOLER, ARCH ; SANDERS, TERRY ; SIODMAK, ROBERT ; MARTON, ANDREW ; DEATH OF A SALESMAN (US, Laslo Benedek, 1951) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; SMILE (US, Michael Ritchie, 1975) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; BEN HUR (US, William Wyler, 1959) Notes: Includes indexISBN: 0195022173 : $15.00; 0195022181(pbk. :) $4.95LON: 851041
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Hollywood now / William Fadiman; foreword by Irving Wallace New York: Liveright, 1972.
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Hollywood's dirtiest secret : the hidden environmental costs of the movies / Hunter Vaughan New York: Columbia University Press, 2019.
Call No: 738.1 VAUAuthor: Vaughan, Hunter Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2019PhysDes: 243 pages : illustrations ; 23 cmSeries: Film and culture seriesSubject: ENVIRONMENTAL ISSUES IN FILMS ; AVATAR (US, James Cameron, 2009) ; DAY AFTER TOMORROW, THE (US, Roland Emmerich, 2004) ; DISASTER FILMS ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; TWISTER (US, Jan De Bont, 1996) ; ZERO DARK THIRTY (US, Kathryn Bigelow, 2012) Summary: "In an era when many businesses have come under scrutiny for their environmental impact, the film industry has for the most part escaped criticism and regulation. Its practices are more diffuse; its final product, less tangible; and Hollywood has adopted public-relations strategies that portray it as environmentally conscious. In Hollywood's Dirtiest Secret, Hunter Vaughan offers a new history of the movies from an environmental perspective, arguing that how we make and consume films has serious ecological consequences." - taken from back cover.Notes: Includes bibliographical references, filmography and index -- subtitle on verso 'the hidden environmental costs of our screen culture'ISBN: 9780231182416Contents: Introduction: The Big Picture -- Chapter 1: Burning down the house: fire, the eco-ethics of destruction, and authorship in the film spectacle -- Chapter 2: "Five Hundred Thousand Kilowatts of Stardust:" resource use and the formula for packaging nature in Singin' in the rain -- Chapter 3: Winds of change: twister and the visualization of environmental disaster in the digital age -- Chapter 4: Apocalypse tomorrow: Avatar and the myth of Earth's end in the digital era -- Chapter 5: The fifth element: production culture studies, relational values, and the human side of environmental media -- Conclusion: An element of hope
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Hollywood speaks! : an oral history / Mike Steen New York: G.P. Putnam's Sons, 1974.
Call No: 71(73) STEAuthor: Steen, Mike Source: USPlace: New YorkPublisher: G.P. Putnam's SonsPubDate: 1974PhysDes: 379 p. ; 21 cmSubject: FILM WORKERS ; ACTORS ; ACTING ; CHARACTER ACTORS ; SCRIPTWRITERS ; SCRIPTWRITING ; DIRECTION ; PRODUCERS ; PRODUCING ; PRODUCTION MANAGERS ; PRODUCTION MANAGING ; ASSISTANT DIRECTORS ; CINEMATOGRAPHERS ; CINEMATOGRAPHY ; ART DIRECTION ; ART DIRECTORS ; SET DESIGNING ; SET DESIGNERS ; COSTUME DESIGNERS ; COSTUME DESIGNING ; MAKE-UP ARTISTS ; MAKE-UP ; SPECIAL EFFECTS DESIGNERS ; SPECIAL EFFECTS ; MUSICALS ; CHOREOGRAPHY ; EDITING ; EDITORS ; SOUND ; MUSIC IN FILMS ; PRE-PRODUCTION ; CASTING ; PRODUCTION, TV ; FONDA, HENRY ; RUSSELL, ROSALIND ; MOOREHEAD, AGNES ; CANNON, DAVID ; STERN, STEWART ; WELLMAN, WILLIAM ; BERMAN, PANDRO S. ; PRATT, JAMES ; MOONJEAN, HANK ; HENDERSON, RANDELL ; HOWE, JAMES WONG ; AMES, PRESTON ; KRAMS, ARTHUR ; HEAD, EDITH ; WESTMORE, PERC ; MANLEY, NELLIE ; GILLESPIE, A. ARNOLD ; BERKELEY, BUSBY ; SMITH, FREDERICK Y. ; FREERICKS, BERNARD ; GREEN, JOHN ; LAWRENCE, CATALINA ; BURCH, RUTH ; ROACH, HAL ; MCCLEERY, ALBERT Summary: "'Hollywood Speaks' is a fascinating collection of interviews with the dazzled and the dazzlers, the multitalented professionals - stars and stagehands alike - who make up the motion-picture industry. Each interview follows the same general format: an extensive autobiographical sketch, the 'big break, or how I got into Hollywood', followed by the techniques and problems, the tricks and plain hard work, that go into the making of movies. The interviews are loaded with humour, bitter feuds, and personal anecdotes of the great and near great." (Taken from back cover)ISBN: 39911162XDonation: donated by the family of Wayne Levy, 2006
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Hong Kong action cinema / Bey Logan London: Titan Books, 1995.
Call No: 736.35(512.317) LOGAuthor: Logan, Bey Place: LondonPublisher: Titan BooksPubDate: 1995PhysDes: 191 p. ; ill. (some col.) ; 28cmSubject: ACTION FILMS. HONG KONG ; WOMEN IN FILMS. HONG KONG ; CHAN, JACKIE ; WOO, JOHN [pseud. of Wu Yusen] ; CHOW, YUN-FAT ; LEE, BRUCE ; LAU KAR LEUNG ; HUNG, SAMO ; CHENG PEI PEI ; ROTHROCK, CYNTHIA ; PENN, KIM MAREE ; CRAWFORD, SOPHIA ; ACES GO PLACES (HK, Tsang Chi Wai, 1982) ; ARMOUR OF GOD, THE [ ; JINGCHA GUSHI (HK, Jackie Chan [pseud. of Cheng Long], 1985) ; [BIG BOSS, THE] (HK, Lo Wei, 1971) ; [FIST OF FURY] (HK, Lo Wei, 1972) ; LASHOU SHENTAN (HK, John Woo [pseud. of Wu Yusen], 1992) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; [CITY ON FIRE] (HK, Ringo (Ling-Tung) Lam, 1987) ; [DRUNKEN MASTER, THE] (HK, Yuen Woo-Ping, 1978) ; [EASTERN CONDORS] (HK, Samo Hung, 1987) ; [PEDICAB DRIVER] (HK, Samo Hung, 1990) ; ENTER THE DRAGON (US/HK, Robert Clouse, 1973) ; WAY OF THE DRAGON, THE (HK, Bruce Lee, 1973) ; YINGXIONG BENSE (HK, John Woo [pseud. of Wu Yusen], 1986) ; [BULLET IN THE HEAD] (HK, John Woo [pseud. of Wu Yusen], 1990) ; DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989) Notes: Includes index; Bibliography: p. 188ISBN: 1852865407 (pbk)LON: 11245180
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Hotel features a fresh view of Miss Marple in The Australian [Arts & Entertainment] (16/03/2015) p.18
Call No: SUBJECT CLIPPINGS FILE; DETECTIVES ON TVAuthor: Blundell, Graeme PhysDes: Clippings File ArticleSubject: DETECTIVES ON TV Summary: Review of Agatha Christie's Marple: At Bertram Hotel [TV]
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Humor in Middle Eastern cinema / edited by Gayatri Devi and Najat Rahman Detroit: Wayne State University Press, c2014.
Call No: 732(5-011) HUMAuthor: Revi, Gayatri (ed.) ; Rahman, Najat (ed.) Source: USPlace: DetroitPublisher: Wayne State University PressPubDate: c2014PhysDes: 282 pages ; 23 cmSeries: Contemporary approaches to film and mediaSubject: AFGHANISTAN ; ARAB COUNTRIES ; AUDIENCE RECEPTION ; BOLLYWOOD ; CENSORSHIP ; COMEDIES. MIDDLE EASTERN COUNTRIES ; CULTURAL IMPERIALISM. US ; EGYPT ; HUMOUR IN FILMS ; INDIA ; IRAN ; IRAQ ; ISRAEL ; IRONY IN FILMS ; NATIONAL CULTURE AND THE CINEMA ; PALESTINE ; POLITICAL FILMS ; ETHNIC GROUPS IN FILMS ; SATIRE IN FILMS ; TYPE CHARACTERS IN FILMS ; PAKISTAN ; CHAHINE, YOUSSEF ; DHOUIB, MONCEF ; KIAROSTAMI, ABBAS ; ZARHIN, SHEMI ; AMERIKALI (TU, Serif Gören, 1993) ; BAD MA RA KHAHAD BORD (IR/FR, Abbas Kiarostami, 1999) ; DIVINE INTERVENTION (FR/MR/G/PA, Elia Suleiman, 2002) ; ALEXANDRIA... WHY? [ISKANDARIYA....LEEH?] (UA/AE, Youssef Chahine, 1978) ; ALEXANDRIA... WHY? [ISKANDARIYA....LEEH?] (UA/AE, Youssef Chahine, 1978) ; TELE ARRIVE, LA (TI, Moncef Dhouib, 2006) ; TERE BIN LADEN (II, Abhishek Sharma, 2010) ; TV IS COMING, THE (TI, Moncef Dhouib, 2006) Summary: "While Middle Eastern culture does not tend to be associated with laughter and levity in the global imagination, humor—often satirical—has long been a staple of mainstream Arabic film. In Humor in Middle Eastern Cinema, editors Gayatri Devi and Najat Rahman shed light on this tradition, as well as humor and laughter motivated by other intent—including parody, irony, the absurd, burlesque, and dark comedy. Contributors trace the proliferation of humor in contemporary Middle Eastern cinema in the works of individual directors and from the perspectives of genre, national cinemas, and diasporic cinema. Humor in Middle Eastern Cinema explores what humor theorists have identified as an “emancipatory,” “liberatory,” even “revolutionary” function to humor. Among the questions contributors ask are: How does Middle Eastern cinema and media highlight the stakes and place of humor in art and in life? What is its relation to the political? Can humor in cinematic art be emancipatory? What are its limits for its intervention or transformation? Contributors examine the region’s masterful auteurs, such as Abbas Kiarostami, Youssef Chahine, and Elia Suleiman and cover a range of cinematic settings, including Egypt, Iran, Israel, Lebanon, Palestine, Syria, Tunisia, and Turkey. They also trace diasporic issues in the distinctive cinema of India and Pakistan. This insightful collection will introduce readers to a variety of contemporary Middle Eastern cinema that has attracted little critical notice. Scholars of cinema and media studies as well as Middle Eastern cultural history will appreciate this introduction to a complex and fascinating cinema." -- GOOGLE BOOKSNotes: Contains bibliography and filmography -- contains index -- contains list of contributorsISBN: 9780814339374Contents: Introduction / Gayatri Devi and Najat Rahman -- Humor, loss, and the possibility for politics in recent Palestinian cinema / Najat Rahman -- Strategies of subversion in Ben Ali's Tunisia: allegory and satire in Moncef Dhouib's TV Is Coming / Robert Lang -- Satiric traversals in the comedy of Mehran Modiri: space, irony, and national allegory on Iranian television / Cyrus Ali Zargar -- Ethnic humor, stereotypes, and cultural power in Israeli cinema / Elise Burton -- The laughter of Youssef Chahine / Najat Rahman -- Comedic meditations: war and genre in The Outcasts / Somy Kim -- Humor and the cinematic sublime in Kiarostami's The Wind Will Carry Us / Gayatri Devi -- America the oppressively funny: humor and anti-americanisms in modern Turkish cinema / Perin Gurel -- Laughter across borders: the case of the Bollywood film Tere Bin Laden / Mara Matta
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Humphrey Jennings / Keith Beattie Manchester ; New York: Manchester University Press, 2010.
Call No: 81JEN BEAAuthor: Beattie, Keith Place: Manchester ; New YorkPublisher: Manchester University PressPubDate: 2010PhysDes: xii, 171 p. ; 23 cm.Series: British Film MakersSubject: JENNINGS, HUMPHREY ; SPARE TIME (UK, Humphrey Jennings, 1939) ; WORDS FOR BATTLE (UK, Humphrey Jennings, 1941) ; LISTEN TO BRITAIN (UK, Humphrey Jennings/Stewart McAllister, 1942) ; FIRES WERE STARTED [I WAS A FIREMAN] (UK, Humphrey Jennings, 1943) ; SILENT VILLAGE, THE (UK, Humphrey Jennings, 1943) ; DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946) ; FAMILY PORTRAIT (UK, Humphrey Jennings, 1950) Summary: An examination of the aesthetic qualities and theoretical ideas that run through the works of Humphrey Jennings, with contextual reference to British film and cultures.Notes: Includes index, filmography and bibliographic references.ISBN: 978071907855
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I, Phoolan Devi : the autobiography of India's Bandit Queen / Phoolan Devi with Marie-Therese Cuny and Paul Rambali London: Warner Books, 1997.
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Images of dignity : Barry Barclay and fourth cinema / Stuart Murray Wellington: Huia, 2008.
Call No: 81BAR MURAuthor: Murray, Stuart Source: NZPlace: WellingtonPublisher: HuiaPubDate: 2008PhysDes: xiv, 108 p., [12] p. of plates : ill. (chiefly col.) ; 24 cmSubject: CRITICISM ; PRODUCTION ; DIRECTION ; DOCUMENTARY FILMS ; NEW ZEALAND ; MAORI CINEMA ; MAORI IN FILMS ; BARCLAY, BARRY ; MATTER OF TASTE, A (NZ, Barry Barclay,1968) ; SPINNINING A YARN (NZ, Barry Barclay, 1971)
ALL THAT WE NEED (NZ, Barry Barclay, 1972)
THERE'S A PROBLEM HERE (NZ, Barry Barclay, 1972 ) TOWN THAT LOST A MIRACLE, THE [TV](NZ,1972)
IN THE COMPANY OF TREES (NZ, Barry Barclay, ; ASHES (NZ,1975) [TV] ; HUNTING HORNS [TV] (NZ,1976) ; WOMEN IN POWER: INDIRA GANDHI (NZ, 1976) [TV] ; IN SEARCH OF PAKEHATANGA: AUTUMN FIRES [TV] (NZ,1977) ; AKU MAHI WHATU MAORI (NZ, 1977) [TV] ; MY ART OF MAORI WEAVING (NZ,1977) [TV] ; MAHAWELI (NZ, Barry Barclay,1979)
NEGLECTED MIRACLE ,THE (NZ, Barry Barclay, 1985) ; KAMATE! KAMATE! (NZ, Barry Barclay, 1987) ; NGATI (NZ, Barry Barclay, 1987) ; TE UREWERA (NZ, 1987) [TV] ; TE RUA(NZ/G Barry Barclay, 1991) ; STOREHOUSE, THE( NZ, Barry Barclay,1991) ; FEATHERS OF PEACE, THE (NZ, Barry Barclay, 2000) ; KAIPARA AFFAIR, THE (NZ, Barry Barclay, 2005) Summary: The book looks at the films, television work and documentaries of Barry Barclay, and presents him as a film maker who made a significant contribution to New Zealand's understanding of both its Maori community and bicultural character.Notes: Bibliography: p. 99-103; Includes filmography; Includes indexISBN: 9781869693282
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Imagining reality : the Faber book of the documentary / [edited by] Kevin Macdonald and Mark Cousins London: Faber and Faber, 1996.
Call No: 761 MACAuthor: Macdonald, Kevin, 1967- ; Cousins, Mark Place: LondonPublisher: Faber and FaberPubDate: 1996PhysDes: xii, 400 p. : ill. ; 24 cmSubject: DOCUMENTARY FILMS ; CINEMA VERITE ; CINEMA-DIRECT ; GENOCIDE IN FILMS ; NEWSREELS ; PROPAGANDA FILMS ; SOCIAL PROBLEMS IN FILMS ; WAR IN FILMS ; VERTOV, DZIGA ; ROUCH, JEAN ; IMAMURA, SHOHEI ; KIESLOWSKI, KRZYSZTOF ; MALLE, LOUIS ; MARKER, CHRIS ; OPHULS, MARCEL ; Grierson, John ; HUSTON, JOHN ; ANDERSON, LINDSAY ; BUNUEL, LUIS ; ALVAREZ, SANTIAGO ; ANTONIO, EMILE DE ; BALAZS, BELA ; BLUE, JAMES ; BROOMFIELD, NICK ; CAVALCANTI, ALBERTO ; COLINA, JOSE DE LA ; COOPER, MERIAN C. ; DIETRICH, MARLENE ; FLAHERTY, ROBERT ; IVENS, JORIS ; IWASAKI, AKIRA ; JENNINGS, HUMPHREY ; KAUFMAN, MIKHAIL ; KAUL, MANI ; LANZMANN, CLAUDE ; LEACOCK, RICHARD ; MAYSLES, ALBERT & DAVID ; MORRIS, ERROL ; RIEFENSTAHL, LENI ; SCHELL, MAXIMILIAN ; SHUB, ESTHER ; TSUCHIMOTO, NORIAKI ; WISEMAN, FREDERICK ; WRIGHT, BASIL ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; WITH LAWRENCE IN ARABIA (US, Lowell Thomas, 1919) ; PHANTOM INDIA [INDE FANTOME, L'] [TV] (FR, Louis Malle, 1969) ; LET THERE BE LIGHT (US, John Huston, 1946) ; MARLENE (GW, Maximilian Schell, 1984) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; REGEN (NE, Joris Ivens, 1929) ; SONG OF CEYLON (UK, Basil Wright, 1934) ; SPANISH EARTH, THE (US, Joris Ivens, 1937) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; CRUMB (US, Terry Zwigoff, 1994) ; HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935) ; YUKI YUKITE SHINGUN (JA, Kazuo Hara, 1987) ; FIRST LOVE (US, Joan Darling, 1977) ; GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970) ; HOOP DREAMS (US, Steve James, 1994) ; LAS HURDES (SP, Luis Bunuel, 1932) Summary: Imagining Reality takes the reader on a tour of the evolution of documentary film as an increasingly vibrant, polemical, experimental and entertaining form. It gathers a wide-ranging collection of writings by and about such groundbreaking documentary-makers as Vertov, Flaherty, Marcel Ophuls, Chris Marker, Kieslowski, Claude Lanzmann, and Nick Broomfield.
The story is carried up to date by attention to the success documentaries have had among mainstream movie audiences in recent years, including Michael Moore's Bowling For Columbine and Fahrenheit 9/11, The Buena Vista Social Club, Spellbound, Capturing The Friedmans, Être Et Avoir, and The Fog Of War. --TAKEN FROM PUBLISHER'S SITENotes: Includes bibliographical references and index; Faber book of the documentaryISBN: 0571177239LON: 13068333Contents: Part 1. -- 1.The Kingdom of Shadows -- 2. Going to Extremes -- 3. Kino Eyes and Agit Trains -- 4. Documentary and the Avante Guarde -- Part 2. -- 5. The British Movement -- 6. Battling for minds -- 7. Aspects of Asia -- Part 3. -- 8. The Essayists -- 9. The Grain of Truth -- Part 4. -- 10. The Cinema of Social Concern -- 11. Diversity -- 12. The Burning QuestionID2: 47
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Immersed in technology : art and virtual environments / edited by Mary Anne Moser with Douglas MacLeod for the Banff Centre for the Arts Cambridge, Mass.: MIT Press, c1996.
Call No: 409(04) IMMAuthor: Moser, Mary Anne
MacLeod, Douglas Source: USPlace: Cambridge, Mass.Publisher: MIT PressPubDate: c1996PhysDes: xxv, 339p. : ill. ; 24cmSubject: VIRTUAL REALITY ; TECHNOLOGY AND THE CINEMA ; DIGITAL TECHNOLOGY Summary: Collection of essays examining the effects of cyberspace on society and culture.Notes: Includes bibliographical references and indexISBN: 0262133148Language: EnglishContents: Contents: Preface / Douglas MacLeod -- Introduction / Mary Anne Moser -- Embodied Virtuality: Or How to Put Bodies Back Into the Picture / N. Katherine Hayles -- Virtual Skin: Articulating Race in Cyberspace / Cameron Bailey -- Mysteries of the Bioapparatus / Nell Tenhaaf -- When Is the Ear Pierced?: The Clashes of Sound, Technology, and Cyberculture / Frances Dyson -- Cyberdammerung at Wellspring Systems / Allucquere Rosanne Stone -- A Disappearance of Community / Avital Ronell -- Fascination, Masculinity, and Cyberspace / Rob Milthorp -- A City for Bachelors / Jeanne Randolph -- Aboriginal Narratives in Cyberspace / Loretta Todd -- Nature Morte: Landscape and Narrative in Virtual Environments / Margaret Morse -- Time Traveling in the Gallery: An Archeological Approach in Media Art / Erkki Huhtamo -- Objects of Ritual / Will Bauer and Steve Gibson -- Archeology of a Mother Tongue / Toni Dove and Michael Mackenzie.
Dancing with the Virtual Dervish: Virtual Bodies / Diane J. Gromala and Yacov Sharir -- Bar Code Hotel / Perry Hoberman -- VR on $5 a Day / Ron Kuivila -- Placeholder / Brenda Laurel and Rachel Strickland -- Field Recording Studies / Michael Naimark -- Dancing with the Virtual Dervish: Worlds in Progress / Marcos Novak -- Topological Slide / Michael Scroggins and Stewart Dickson -- Inherent Rights, Vision Rights / Lawrence Paul Yuxweluptun.
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In short : a guide to short film-making in the digital age / Eileen Elsey and Andrew Kelly with a forward by Gareth Evans London: bfi Publishing, 2002.
Call No: 222(-091) ELSAuthor: Elsey, Eileen ; Kelly, Andrew Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2002PhysDes: xvi, 171p. : illus. : 24cm.Subject: DIGITAL TECHNOLOGY ; SHORT FILMS ; CALDER, EMMA ; GLAZER, JONATHAN ; HARDWICK, JOHN ; MINGHELLA, ANTHONY ; O'DONNELL, DAMIEN ; PARK, NICK ; RAMSAY, LYNNE ; SHERIDAN, TESSA ; SMITH, JOHN ; WRIGHT, KEITH ; YOHANNES, WINTA Notes: Includes a short film-making resource guide, bibliography, filmographies of contributing film-makers and index.; Forward - Glimpse culture: celebrating short film - Gareth EvansISBN: 0851708935
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In the realm of pleasure : Von Sternberg, Dietrich, and the masochistic aesthetic / Gaylyn Studlar New York: Columbia University Press, 1992?], c1988.
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In the vernacular : a generation of Australian culture and controversy / Stuart Cunningham St Lucia, Qld: University of Queensland Press, 2008.
Call No: 40(04)(94) CUNAuthor: Cunningham, Stuart Place: St Lucia, QldPublisher: University of Queensland PressPubDate: 2008PhysDes: xxxix, 294 p. ; 23 cmSubject: CULTURE AND THE CINEMA. AUSTRALIA ; IMPERIALISM AND TV. AUSTRALIA ; TELEVISION AND THE CINEMA. AUSTRALIA ; BAXTER, JOHN ; MURDOCH, RUPERT ; BODYLINE [TV] (AT, Carl Schultz & George Ogilvie & Lex Marinos & Denny Lawrence, 1984) ; COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985) ; DIRTWATER DYNASTY [TV] (AT, John Power & Michael Jenkins, 1988) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; EUREKA STOCKADE [TV] (AT, Rod Hardy, 1984) ; IN THE WAKE OF THE BOUNTY (AT, Charles Chauvel, 1933) ; LAST BASTION, THE (AT, Chris Thomson and Dr. George Miller, 1984) ; LAST FRONTIER, THE [TV] (AT, Simon Wincer, 1986) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; MAD MAX II (AT, George Miller, 1981) ; NEIGHBOURS [TV] (AT, 1985-) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987) Summary: "These essays, written over a twenty year period, bring together important works from one of Australias leading cultural studies thinkers. The selected papers map the trajectory of our changing culture and the way the field of cultural, media and communication studies have adapted to accommodate these changes."--Provided by publisherNotes: Includes bibliographical references and indexISBN: 9780702236709
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Independent filmmaking around the Globe / edited by Doris Baltruschat and Mary P. Erickson Toronto: University of Toronto Press, c2015.
Call No: 210.4 INDAuthor: Baltruschat, Doris (ed.) ; Erickson, Mary P. (ed.) Source: USPlace: TorontoPublisher: University of Toronto PressPubDate: c2015PhysDes: xii, 313 pages : illustrations ; 23 cm.Subject: FILMMAKING ; INDEPENDENT FILMMAKERS ; INDEPENDENT FILMS ; INDEPENDENT PRODUCTION ; INDEPENDENT DIRECTORS ; DIRECTORS ; PRODUCERS ; CRITICISM ; EUROPEAN CINEMA ; BRITISH CINEMA ; UNITED KINGDOM ; AUSTRALIA ; PERU ; GREECE ; TURKEY ; IRAQ ; CITY OF SADNESS, A [ ; AFRICA ; MALAYSIA ; CANADA ; USA Summary: "Independent Filmmaking around the Globe calls attention to the significant changes taking place in independent cinema today, as new production and distribution technology and shifting social dynamics make it easier for independent filmmakers to produce films outside both the mainstream global film industry and their own national film systems. Identifying and analyzing the many complex forces that shape the production and distribution of feature films, the authors detail how independent filmmakers create work that reflects independent voices and challenges political, economic, and cultural constraints.
With chapters on the under-explored cinemas of Greece, Turkey, Iraq, China, Malaysia, Peru, and West Africa, as well as traditional production centres such as the United States, the United Kingdom, Canada, and Australia, Independent Filmmaking around the Globe explores how contemporary independent filmmaking increasingly defines the global cinema of our time." -- TAKEN FROM FIRST PAGE OF BOOKNotes: Includes bibliographical references and filmographyISBN: 9781442626836Donation: Senses of CinemaContents: -- foreword: producing independently in global industry / David Hamilton -- ackowledgments -- 1.The Meaning of Independence: Concepts, Contexts, and Interpretations / Mary P. Erickson -- pt. One Independent Film vis-a-vis the Local and Global Mainstream -- 2.An Increasingly Global Presence: Contemporary American Independent Cinema outside the United States / Yannis Tzioumakis -- 3.European Union Initiatives for Independent Filmmakers across Europe / Teresa Hoefert de Turegano -- 4.Dependency and Independence in British Independent Film / Erik Knudsen -- 5.From Aussiewood Movies to Guerrilla Filmmaking: Independent Filmmaking and Contemporary Australian Cinema / Mark David Ryan -- 6.Independent Filmmaking in the Peruvian Context: Seeking Meaning / Gabriela Martinez -- pt. Two The Meaning of Independence in Regions of Conflict and Change -- 7.In the Shadow of the Studios, the State, and the Multiplexes: Independent Filmmaking in Greece / Lydia Papadimitriou -- 8.Turkish Independent Cinema: Between Bourgeois Auteurism and Political Radicalism / Murat Akser -- 9.Filmmaking in Iraq: A Rebirth / Mary P. Erickson -- 10.The Grassroots Perspective: Sixth Generation Cinema and Independent Filmmaking in China / Hongwei Lu -- 11.Independent Filmmaking in Africa: New Voices and Challenges / Martin Mhando -- pt. Three Digital Media and the Independent Voice -- 12.Syiok Sendiri? Independent Filmmaking in Malaysia / Gaik Cheng Khoo -- 13.Independent Filmmaking in the Canadian Arctic / Doris Baltruschat -- 14.Digital Video Films as "Independent" African Cinema / Sheila Petty -- glossary -- filmography -- bibliography -- contributors --
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Independent visions : a critical introduction to recent independent American film / Donald Lyons New York: Ballantine, 1994.
Call No: 71(73) LYOAuthor: Lyons, Donald Place: New YorkPublisher: BallantinePubDate: 1994PhysDes: xiv, 337 p., [8] p. of plates : ports. ; 21 cmSubject: INDEPENDENT FILMS. USA ; ALMEREYDA, MICHAEL ; ANDERS, ALLISON ; COEN, JOEL & ETHAN ; CRONENBERG, DAVID ; DASH, JULIE ; DAVIS, JUDY ; EGOYAN, ATOM ; FERRARA, ABEL ; HARTLEY, HAL ; LEE, SPIKE ; LINKLATER, RICHARD ; PHOENIX, RIVER ; SODERBERGH, STEVEN ; Tarantino, Quentin ; VAN SANT, GUS ; ARAKI, GREGG ; BIGELOW, KATHRYN ; DICKERSON, ERNEST R. ; GOMEZ, NICK ; JARMUSCH, JIM ; LEHMANN, MICHAEL ; MORRISSEY, PAUL ; O'BRIEN, JOHN ; COCHRAN, STACY ; COOLIDGE, MARTHA ; DAVIS, TAMRA ; FRANKLIN, CARL ; HARRIS, LESLIE ; LEGROS, JAMES ; LYNCH, DAVID ; MCNAUGHTON, JOHN ; MUNCH, CHRISTOPHER ; THORNTON, BILLY BOB ; RODRIGUEZ, ROBERT ; ROCKWELL, ALEXANDRE ; SINGLETON, JOHN ; SAYLES, JOHN ; SAVOCA, NANCY ; GAS FOOD LODGING (US, Allison Anders, 1992) ; MARIACHI, EL (US, Robert Rodriguez, 1992) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; BODIES, REST & MOTION (US, Michael Steinberg, 1993) ; BARTON FINK (US, Joel Cohen, 1991) ; PASSION FISH (US, John Sayles, 1992) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; MYSTERY TRAIN (US, Jim Jarmusch, 1989) ; MY NEW GUN (US, Stacy Cochran, 1992) ; MS 45 (US, Abel Ferrara, 1981) ; METROPOLITAN (US, Whit Stillman, 1990) ; MALA NOCHE (US, Gus Van Sant, 1986) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ; JUICE (US, Ernest R. Dickerson, 1992) ; IN THE SOUP (US, Alexandre Rockwell, 1992) ; HOURS AND TIMES, THE (US, Christopher Munch, 1992) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; HEATHERS (US, Michael Lehmann, 1989) ; GUN CRAZY (US, Joseph H.Lewis, 1949) ; LIVING END, THE (US, Gregg Araki, 1992) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; DRUGSTORE COWBOY (US, Gus Van Sant, 1989) ; RAMBLING ROSE (US, Martha Coolidge, 1991) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; SHE'S GOTTA HAVE IT (US, Spike Lee, 1986) ; SIMPLE MEN (US, Hal Hartley, 1992) ; SLACKER (US, Richard Linklater, 1990) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; TRUE LOVE (US, Nancy Savoca, 1989) ; TRUST (US, Hal Hartley, 1990) ; UNBELIEVABLE TRUTH, THE (US, Hal Hartley, 1989) ; VERMONT IS FOR LOVERS (US, John O'Brien, 1992) ; WILD AT HEART (US, David Lynch, 1990) Notes: Includes filmography and indexISBN: 0345382498 (pbk.)LON: 11029535
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An index to Czechoslovak directors / Lang Dewey London: Federation of Film Societies, 1968.
Call No: 71(437) (03) INDAuthor: Dewey, Lang Source: UKPlace: LondonPublisher: Federation of Film SocietiesPubDate: 1968PhysDes: 22 p. : ill. ; 13 x 20 cmSubject: DIRECTORS. CZECHOSLOVAKIA
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Indian cinema / edited by Paul Willemen and Behroze Gandhy [London]: British Film Institute, 1982.
Call No: 71(540) INDAuthor: Willemen, Paul ; Gandhy, Behroze Edition: Rev. edPlace: [London]Publisher: British Film InstitutePubDate: 1982PhysDes: 48 p. : map ; 30 cmSeries: BFI dossierSubject: INDIA ; DIRECTORS. INDIA Notes: Bibliography: p. 48LON: 3147967 3147967
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Interim
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The Influence of the world cinema heritage on the education and training of film/television directors and communicators / Edited by Timothy J. Lyons, with Donald E. Staples and Robert W. Wagner. Translated by Carole Lawson Houston, Texas: University of Houston, Fall 1979.
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Infog97 proceedings : a conference on the impact of recent developments in digital technology on screen culture practice / edited by Chris Brophy Melbourne: Australian Film Institute Research & Centre and ANSPAG, 1998.
Call No: 408 INFPlace: MelbournePublisher: Australian Film Institute Research & Centre and ANSPAGPubDate: 1998PhysDes: 130 p. ; 30 cmSubject: DIGITAL TECHNOLOGY ; CULTURE AND THE CINEMA ; CONFERENCES. AUSTRALIA. INFOG Notes: Papers from the Second Information Gathering Conference, State Film Theatre, May 8 & 9, 1997ISBN: 0908023170LON: abn98404759; 14277110
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Inquiry into the effects of government-funded national broadcasting on Victoria / Economic Development Committee Melbourne: Economic Development Committee, 1999.
Call No: 205.1(94) AUSCorpAuthor: Victoria. Parliament. Economic Development CommitteeSource: ATPlace: MelbournePublisher: Economic Development CommitteePubDate: 1999PhysDes: xviii, 267 p. ; 25 cmSeries: Parliamentary paper (Victoria. Parliament) ; no. 49Subject: TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; GOVERNMENT AID. AUSTRALIA ; DIGITAL BROADCASTING. AUSTRALIA ; WILDSIDE [TV] (AT, 1997-9) ; NEWS PROGRAMMES. AUSTRALIA Summary: The report examines: The current and long-term distribution of government-funded national broadcasting resources and the effect of this distribution in Victoria; the effects on industry, including broadcasting, film and video production and mulitmedia; the effects on the arts and cultural life in Victoria including whether government-funded national broadcasters adequately service Victoria, and Melbourne, as Australia's second largest city; and the programming mix available from government-funded national broadcasters and how programming decisions are made and whether the programming which is delivered is geographically balanced. -from Terms of Reference, page vii.Notes: "Final report"ISBN: 0731152646LON: 20167830
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Inside stories : diaries of British film-makers / edited by Duncan Petrie, assistant editor Nick Pettigrew London: British Film Institute, 1996.
Call No: 792(41)(088.94) INSAuthor: Petrie, Duncan (ed) ; Pettigrew, Nick (ed) Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 1996PhysDes: x, 205 p. ; 24 cmSubject: FILM WORKERS. UK ; PRODUCERS. UK ; DIRECTORS. UK Summary: "Inside Stories reveals the fascinating diaries of key film-makers working today - all with a British connection. It takes you behind the scenes and gives a gripping account of pre-production (Hollow Reed), shooting (Crash, Breaking the Waves), post-production (Twelve Monkeys), certification (from Tank Girl to soft-porn videos) and exhibition. For those who make films, want to make them, or simply love to watch them, Inside Stories is an unmissable read. " -- BOOK BLURBNotes: Includes filmography (p. 202-205)ISBN: 0851705839Contents: Introductions. Stephen Woolley. David Aukin -- The Producer. Nik Powell. Mark Shivas. Simon Relph. Julie Baines. Keith Griffiths. Christopher Wicking -- The Director. Gillies MacKinnon. Michael Apted. Gary Sinyor -- The Writer. Peter Capaldi. Allan Shiach. Richard Curtis -- The Actor. Alfred Molina. Katrin Cartlidge -- The Cinematographer. Peter Suschitzky. Seamus McGarvey -- The Designer. John Bloomfield. Christopher Hobbs -- The Editor. Mick Audsley. Anne Sopel -- The Composer. Simon Fisher Turner -- The Distributor. Pam Engel -- The Exhibitor. Philip Grey. Jim Hamilton -- The Censor. Richard Falcon -- The Journalist. Neil McCartney -- The Television Documentarist. David Thompson -- Checklist of films.
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The insider's guide to independent film distribution / Stacey Parks Amsterdam: Elsevier, 2007.
Call No: 301.4 PARAuthor: Parks, Stacey Place: AmsterdamPublisher: ElsevierPubDate: 2007PhysDes: xi, 202 p. ; 23 cmSubject: ADVERTISING FOR FILMS ; ADVERTISING ; DISTRIBUTION ; INDEPENDENT FILMS ; PRODUCTION ; DIRECTION Summary: "This comprehensive manual for filmmakers and producers dedicated to film distribution and the marketplace could mean the difference between getting your film out to the public and keeping it "in the can." Learn how to sell your movie to a studio, a cable network, a video distributor, or international buyers. Self-distribution and other alternatives to traditional distribution are also considered. As well, you'll hear some success stories from producers and hear directly from buyers what they are seeking."--BOOK JACKET.Notes: Includes index.ISBN: 9780240809229Contents: Introduction -- 1: History of distribution and state of the market -- a recent history of distribution -- the current state of the market: a reality check -- suggested exercises for part one -- 2: Before you start production: Getting a leg up on distribution -- get in touch with the market -- carefully consider genre and format -- casting for distribution -- hire a casting director -- submit offers to agents -- exploit your contacts and go for out-of-work actors -- financing strategies for distribution -- set money aside for the last mile -- how much money will I make? realsitic sales projections for your film -- make a business plan for your film -- suggested exercises for part two -- 3: Production geared toward distribution -- shooting format -- the importance of stills --starting publicity during producation: get the buz going -- suggested exercises for part three -- 4: Postproduction with an eye toward distribution -- get objective third-party feedback -- licence stock footage -- build your press kit -- suggested exercises for part four -- 5: It's in the can-now what? how to create a campaign -- appyling to film festivals: your strategy -- finding producer reps and sales agents - sales agencies to consider -- filmmaker case study: Percy Angress, in his own words -- Navigating international fim markets -- a film-market prep guide -- Some do's and don'ts when atending a film market -- should I have a distributor screening for my film? suggested exercises for part five -- 6: Getting a distribution deal -- the U.S. distribution deal and what to expect -- how to approach U.S. distributors yourself -- filmmaker case study: David Basulto, in his own words -- Foreign distribution and what to expect -- expenses required to market and distribute a film -- filmmaker case study: Robert Brinkmann, in his own words -- suggested exercises for part six -- 7: After the distribution deal -- when will I get paid?: distribution cash flow -- suggested exercises for part seven -- 8: Self-distribution and other alternatives to traditional distribution -- filmmaker case study: Tamar Halpern, in her own words -- on-demand DVD distribution -- internet distribution/Video on demand (VOD) -- posting your trailer -- online film markets -- filmmaker case study: Bradley Beesley, on his Okie Noodling Microcinema Tour -- art-house cinemas at which my films have screened -- platform theatrical release -- hybrid distribution model suggested exercises for part eight -- my very best advice to you -- Appendix A: anatomy of a distribution agreement -- Appendix B: sample U.S. distribution contract -- Appendix C: twelve ways to market your film for self-distribution -- Appendix D: more sample contracts -- Index
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Interfacing with the on-line world : pay TV, broadband, standards and access / by Ross Kelso and Mark Armstrong Melbourne VIC: Media and Telecommunications Policy Group, 1997.
Call No: 39(94) KELAuthor: Kelso, Ross ; Armstrong, Mark Source: ATPlace: Melbourne VICPublisher: Media and Telecommunications Policy GroupPubDate: 1997PhysDes: 62 pages : illustrated ; 30 cmSubject: PAY TV. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; DIGITAL BROADCASTING. AUSTRALIA ; GOVERNMENT CONTROL, TV. AUSTRALIA ; TECHNOLOGY AND TV Summary: "This research report deals with some issues which are vital to the development of our communications system. Networks have been buit to deliver broadband services, and more will be built before the year 2000. The financing and growth of the networks depend on business and domestic consumers, who will use the networks to access information and entertainment or to communicate with others. The underlying question is how conveniently a user can access the on-line world from any device, be it a TV receiver, a computer or a new multimedia device; and at what price." -from the preface.Notes: Spiral boundContents: Preface; Summary -- Consumer needs: towards a universal interface -- Will the pathways to the consumer converge? -- The role of standards -- Regulation: the access regime -- Competition; The round table -- The transcript -- About the participants; The research paper -- Introduction -- The role of standards -- Government policies affecting competition and access -- Capacity limitations: bandwidth versus technology -- Broad issues -- Appreciating conditional access -- Australian policy development -- Pay TV carrier associate services -- Proposed access regime post-1997 -- Digital terrestrial television broadcasting -- Australian digital video standards for pay TV & other services -- Overseas developments -- European standards and regulations affecting access -- Regulating access in the United Kingdom -- US video dialtone and open video system policies; Figures -- Fig 1 Typical arrangement for conditional access -- Fig 2 Comparison of Optus Vision and Moco (Telstra Multimedia/Foxtel) proposals -- Fig 3 Desirable open access regime for digital terrestrial television broadcasting -- Fig 4 Illustrative compromise underpinning the European digital video broadcasting standards -- Fig 5 Chart of the relationships under the proposed framework for digital terrestrial broadcasting in the UK -- Fig 6 Possible 'level one' gateway configurations
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An Interview with Arthur Penn in Melbourne Film Bulletin (June 1968) iss.3 p.3-17
Author: Hanson, Curtis Lee PhysDes: ArticleSubject: PENN, ARTHUR ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CHASE, THE (US, Arthur Penn, 1966) ; LEFT-HANDED GUN, THE (US, Arthur Penn, 1958) ; VIOLENCE IN FILMS ; VIOLENCE IN FILMS. USA ; CITIZEN KANE (US, Orson Welles, 1941) ; DIRECTORS. USA Summary: Interview with filmmaker Arthur Penn, where in the wake of "Bonnie and Clyde", he remarks on claims that his films are 'distinctly American', as well as his influences as a director. Reprinted from "Cinema" with kind permission of the Editor.
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An Interview with Satyajit Ray in Melbourne Film Bulletin (July 1968) iss.4 p.3-16
Author: Mogg, Ken and Gardner, Geoffrey PhysDes: ArticleSubject: Ray, Satyajit ; INDIA ; DIRECTORS. INDIA ; DEVI (II, Satyajit Ray, 1960) ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; APARAJITO (II, Satyajit Ray, 1957) ; APU SANSAR (II, Satyajit Ray, 1958) ; RENOIR, JEAN ; GHATAK, RITWIK Summary: Interview with Bengali filmmaker Satyajit Ray discussing his past and current works.
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Into oblivion : Dancing around the fires of apocalyptic cinema in If magazine (Dec 1999-Jan 2000) iss.20 p.57-58
Author: Graham, Rhys PhysDes: Article; Illustration(s)Subject: DISASTERS IN FILMS Summary: Discusses a genre of films depicting apocalyptic, post-apocalyptic and post-millennial scenarios.
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An introduction to film studies / edited by Jill Nelmes London: Routledge, 1999.
Call No: 62 INTAuthor: Nelmes, Jill, 1954 Edition: 2nd edPlace: LondonPublisher: RoutledgePubDate: 1999PhysDes: xviii, 522 p. : ill. ; 26 cmSubject: WARNER BROS. ; STUDIO SYSTEM ; AUDIENCES ; GENRES ; DOCUMENTARY FILMS ; ANIMATION ; COMPUTERS AND THE CINEMA ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; UNITED KINGDOM ; INDIA ; USSR ; GERMANY ; NARRATIVE IN FILMS ; SPECTATORSHIP ; CENSORSHIP ; STARS ; AUTEUR THEORY ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; KULESOV, LEV ; KAPOOR, RAJ ; Ray, Satyajit ; DOVZENKO, ALEKSANDR ; SHUB, ESTHER ; FLAHERTY, ROBERT ; JENNINGS, HUMPHREY ; RIEFENSTAHL, LENI ; WISEMAN, FREDERICK ; POTTER, SALLY ; TOCCAFONDO, GIANLUIGI ; FELLOW TRAVELLER (UK/US, Philip Saville, 1990) ; DUCK AMUCK (US, Chuck Jones, 1953) ; GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987) ; COLOUR BOX, A (UK, Len Lye, 1935) ; DEADSY (UK, David Anderson, 1989) ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; JAWS (US, Steven Spielberg, 1975) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; PLATOON (US, Oliver Stone, 1986) ; MARS ATTACKS! (US, Tim Burton, 1996) ; ROBOCOP (US, Paul Verhoeven, 1987) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; IF... (UK, Lindsay Anderson, 1968) ; PULP FICTION (US, Quentin Tarantino, 1994) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; HOOP DREAMS (US, Steve James, 1994) ; WHEN WE WERE KINGS (US, Leon Gast, 1996) ; GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997) ; CREATURE COMFORTS (UK, Nick Park, 1991) ; NEIGHBOURS (US, Norman McLaren, 1952) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; VICTIM (UK, Basil Dearden, 1961) ; DESERT HEARTS (US, Donna Deitch, 1985) ; LIVING END, THE (US, Gregg Araki, 1992) ; LOOKING FOR LANGSTON (UK, Isaac Julien, 1989) ; GO FISH (US, Rose Troche, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FULL MONTY, THE (UK/US, Robert Cattaneo, 1997) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977) ; DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) Notes: Includes bibliographical references and indexISBN: 0415173094 (hb); 0415173108 (pb)LON: 14043939URL status: URL: 'http://-'
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An introduction to film studies / edited by Jill Nelmes London: Routledge, 2003.
Call No: 62 INTAuthor: Nelmes, Jill, 1954 Edition: 3rd edPlace: LondonPublisher: RoutledgePubDate: 2003PhysDes: xviii, 522 p. : ill. ; 26 cmSubject: WARNER BROS. ; STUDIO SYSTEM ; AUDIENCES ; GENRES ; DOCUMENTARY FILMS ; ANIMATION ; COMPUTERS AND THE CINEMA ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; UNITED KINGDOM ; INDIA ; USSR ; GERMANY ; NARRATIVE IN FILMS ; SPECTATORSHIP ; CENSORSHIP ; STARS ; AUTEUR THEORY ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; KULESOV, LEV ; KAPOOR, RAJ ; Ray, Satyajit ; DOVZENKO, ALEKSANDR ; SHUB, ESTHER ; FLAHERTY, ROBERT ; JENNINGS, HUMPHREY ; RIEFENSTAHL, LENI ; WISEMAN, FREDERICK ; POTTER, SALLY ; TOCCAFONDO, GIANLUIGI ; FELLOW TRAVELLER (UK/US, Philip Saville, 1990) ; DUCK AMUCK (US, Chuck Jones, 1953) ; GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987) ; COLOUR BOX, A (UK, Len Lye, 1935) ; DEADSY (UK, David Anderson, 1989) ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; JAWS (US, Steven Spielberg, 1975) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; PLATOON (US, Oliver Stone, 1986) ; MARS ATTACKS! (US, Tim Burton, 1996) ; ROBOCOP (US, Paul Verhoeven, 1987) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; IF... (UK, Lindsay Anderson, 1968) ; PULP FICTION (US, Quentin Tarantino, 1994) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; HOOP DREAMS (US, Steve James, 1994) ; WHEN WE WERE KINGS (US, Leon Gast, 1996) ; GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997) ; CREATURE COMFORTS (UK, Nick Park, 1991) ; NEIGHBOURS (US, Norman McLaren, 1952) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; VICTIM (UK, Basil Dearden, 1961) ; DESERT HEARTS (US, Donna Deitch, 1985) ; LIVING END, THE (US, Gregg Araki, 1992) ; LOOKING FOR LANGSTON (UK, Isaac Julien, 1989) ; GO FISH (US, Rose Troche, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FULL MONTY, THE (UK/US, Robert Cattaneo, 1997) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977) ; DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.ISBN: 0415173094 (hb); 0415173108 (pb)LON: 14043939
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title clippings file
INVITE, L' : (FR, Laurent Bouhnik, 2007)
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Issues in feminist film criticism / edited by Patricia Erens Bloomington: Indiana University Press, 1990.
Call No: 626:396 EREAuthor: Erens, Patricia, 1938 Place: BloomingtonPublisher: Indiana University PressPubDate: 1990PhysDes: xxvi, 450 p. : 24 cmSubject: FEMINISM AND THE CINEMA ; THEORY ; WOMEN IN FILMS ; MELODRAMA ; ETHNIC GROUPS IN FILMS ; HOMOSEXUALITY IN FILMS ; DIRECTORS ; SPECTATORSHIP Summary: "Issues in Feminist Film Criticism brings together a wide variety of theoretical writings and methodologies by U.S. and British feminist film scholars. The twenty-seven essays represent some of the most influential work on Hollywood film, women's cinema, and documentary filmmaking to appear during the last decade and beyond.
Among the subjects treated are images of women on the screen; questions of film realism; the notion of counter-cinema; the concept of "reading against the grain"; the use of psychoanalytic theories; concerns over female spectatorship; women's place in specific genres, especially film melodrama; and issues related to the representations of lesbians and women of color." -- BACK COVERNotes: Includes bibliographical references (p. 425-438) and indexISBN: 0253319641 (alk. paper); 0253206103 (pbk. : alk. paper)LON: 89046336; 7125665
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newspaper article
It's the peak of disaster flicks in Sunday Telegraph [Insider] (13/09/2015) p.120
Call No: TITLE CLIPPINGS FILE; EVEREST (US/UK, Baltasar Kormakur, 2015)Author: Dent, Nick PhysDes: Clippings File ArticleSubject: ADVENTURE FILMS ; DRAMAS ; THRILLERS ; DISASTER FILMS ; CLARKE, JASON ; BROLIN, JOSH ; GYLLENHAAL, JAKE ; WORTHINGTON, SAM ; WATSON, EMILY ; KNIGHTLEY, KEIRA ; EVEREST (US/UK, Baltasar Kormakur, 2015) Summary: A review of the recently released film 'Everest' by Icelandic filmmaker Baltasar Kormakur documenting the story of the 1996 Mount Everest disaster.Rating: 4 out of 5 stars
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Italian directors / Unitalia Film Rome: Unitalia Film, 1958.
Call No: 71 (45) UNICorpAuthor: Unitalia FilmEdition: 1958Place: RomePublisher: Unitalia FilmPubDate: 1958PhysDes: 21 cm ; 204 pagesSubject: DIRECTORS. ITALY AFIRC Location: Stacks
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J.J. Abrams : interviews / Edited by Brent Dunham The United States: University Press of Mississippi, 2019.
Call No: 81ABR INTAuthor: Dunham, Brent, (editor.) Source: USPlace: The United StatesPublisher: University Press of MississippiPubDate: 2019PhysDes: xlviii, 182 pages ; 23 cm.Series: Conversations with filmmakers seriesSubject: DIRECTORS ; PRODUCERS ; SCRIPTWRITERS ; USA ; ABRAMS, J.J ; LOST [TV] (US, 2004 -) ; LOST [TV], (US, 2004 -) ; MISSION IMPOSSIBLE III (US, J. J. Abrams. 2006) ; STAR TREK (US/G, J.J. Abrams, 2009) ; STAR TREK INTO DARKNESS (US, J.J.Abrams, 2013) ; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015) ; SUPER 8 (US, J.J. Abrams, 2011) Summary: "Jeffrey Jacob "J. J." Abrams (b. 1966) decided to be a filmmaker at the age of eight after his grandfather took him on the back-lot tour of Universal Studios. Throughout his career, Abrams has dedicated his life to storytelling and worked tirelessly to become one of the best-known and most-successful creators in Hollywood. The thirty interviews collected in this volume span Abrams's entire career, covering his many projects from television and film to video games and theater. The volume also includes a 1982 article about Abrams as a teen sensation whose short film High Voltage won the Audience Award at a local film festival and garnered the attention of Steven Spielberg. Beginning his career as a screenwriter on films like Regarding Henry and Armageddon, Abrams transitioned into a TV mogul with hit shows like Alias and Lost. Known for his imaginative work across several genres, from science fiction and horror to action and drama, Abrams's most successful films include Mission: Impossible III; Star Trek; and Star Wars: The Force Awakens, which went on to become the highest grossing film of all time in the United States. His production company, Bad Robot, has produced innovative genre projects like Cloverfield and Westworld. Abrams also cowrote a novel with Doug Dorst called S. and, most recently, he produced the Broadway run of The Play That Went Wrong. In conversations with major publications and independent blogs, Abrams discusses his long-standing collaborations with others in the field, explains his affinity for mystery, and describes his approach to creating films like those he gravitated to as a child, revealing that the award-winning director-writer-producer is a fan before he is a filmmaker."-- FROM BLURB.Notes: Includes index, includes filmography, includes chronology.ISBN: 9781496820426Donation: Senses of CinemaContents: Beardless Wonders of Film Making - Robert Young/1982 -- From the Archives: J. J. Abrams Interview Regarding Superman - Ed Gross/2002 --
TV Producer J. J. Abrams on Creating Lost - David Bianculli/2004 --
J. J. Abrams - Mission: Impossible III - Peter Canavese/2006 --
Interview: J. J. Abrams and Michelle Monaghan - Clint Morris/2006 --
J. J. Abrams - George Stephanopoulas/2006 --
The Mystery Box - J. J. Abrams/2007 --
J. J. Abrams - Noel Murray/2008 --
Star Trek: J. J. Abrams Interview - John Hiscock/2009 --
J. J. Abrams Takes on a Soaring Franchise - Paul Fischer/2009 --
Star Trek: 3. J. Abrams Interview - Rob Carnevale/2009 --
J. J. Abrams - Charlie Rose/2009 --
Director of Star Trek: Into Darkness, Star Wars, and the Lost Finale - Paul Byrne/2009
J. J. Abrams Not Worried about Writer's Block on Fringe - Tyrone Warner/2010 --
An Interview with Super 8 Director J. J. Abrams - Matthew Pejkovic/2011 -- An Interview with J. J. Abrams, Director of Super 8 - Matthew Toomey/2011 --
Contents note continued: Interview: Super 8 Director J. J. Abrams! - Chris Eggertsen/2011 --
J. J. Abrams Talks Super 8, Bad Robot, Lens Flares, Lost, Spielberg, and the Mystery Box - Peter Sciretta/2011
J. J. Abrams: The "Super" Career of a Movie-Crazed Kid - Terry Gross/2011
J. J. Abrams Interview - Abbie Bernstein/2011 --
Interview: J. J. Abrams
-Star Trek: Into Darkness - Iamag.co/2013 --
J. J. Abrams Interview for Star Trek: Into Darkness - John Hiscock/2013 --
Meet the Author: Jonathan Tropper, J. J. Abrams, and Doug Dorst - Jonathan Tropper/2013 --
J. J. Abrams: Hollywood's Renaissance Man - Horatia Harrod/2014 --
Believe: J. J. Abrams Interview UKTV/2014 --
Interview with J. J. Abrams - Andrew Fish/2015 --
J. J. Abrams: The Force Awakens Interview - Tara Salinas/2015
J. J. Abrams Talks 10 Cloverfield Lane, the "Clover-Verse," Cannibal Airlines, and More - Peter Sciretta/2016
J. J. Abrams Interview / Erik Nagel/2017.
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James Bond in the cinema / John Brosnan London: Tantivy Press, 1972.
Call No: 757JAM BROAuthor: Brosnan, John Source: UKPlace: LondonPublisher: Tantivy PressPubDate: 1972PhysDes: 176 p. : illus. ; 21 cmSubject: ADAPTATIONS. FLEMING, IAN ; JAMES BOND IN FILMS ; LITERATURE AND THE CINEMA ; DIAMONDS ARE FOREVER (UK, Guy Hamilton, 1971) ; [DOCTOR] DR NO (US, Terence Young, 1962) ; FROM RUSSIA WITH LOVE (UK, Terence Young, 1963) ; GOLDFINGER (UK, Guy Hamilton, 1964) ; ON HER MAJESTY'S SECRET SERVICE (UK, Peter Hunt, 1969) ; THUNDERBALL (UK, Terence Young, 1965) ; YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967) Summary: Early James Bond filmsDonation: Donated by the family of Wayne LevyContents: Introduction --1. Why so popular? -- 2. Dr No -- 3. From Russia with love -- 4. Goldfinger -- 5. Thunderball -- 6. You only live twice -- 7. On her majesty's secret service -- 8. Diamonds are forever -- Appendices
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Jan Svankmajer / by Keith Leslie Johnson Urbana, Illinois: University of Illinois Press, c2017.
Call No: 81 SVA JOHAuthor: Johnson, Keith Leslie, 1974-, (author) Source: USPlace: Urbana, IllinoisPublisher: University of Illinois PressPubDate: c2017PhysDes: xii, 191 pages : illustrations ; 21 cmSeries: Contemporary Film DirectorsSubject: SVANKMAJER, JAN ; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988) ; FAUST (FR/CZ/UK/GG, Jan Svankmajer, 1994) ; CONSPIRATORS OF PLEASURE (CS/SZ/UK, Jan Srankmajer, 1996) ; SURVIVING LIFE (THEORY AND PRACTICE) [PREZIT SVUJ ZIVOT (TEORIE A PRAXE)] (CZ/SO/JA, Jan Svankmajer, 2010) ; LAST TRICK OF MR. SCHWARCEWALLDE AND MR. EDGAR, THE [POSLEDNI TRIK PANA SCHWARCEWALLDEA A PANA EDGARA] (CS, Jan Svankmajer, 1964) ; ET CETERA (CS, Jan Svankmajer, 1967) ; OSSUARY, THE [KOSTNICE] (CS, Jan Svankmajer, 1970) ; HISTORIA NATURAE, SUITA (CS, Jan Svankmajer, 1967) ; PICKNICK MIT WEISMANN (AU, Jan Svankmajer, 1969) ; DIMENSIONS OF DIALOGUE [MOZNOSTI DIALOGU] (CS, Jan Svankmajer, 1983) ; DEATH OF STALINISM IN BOHEMIA, THE [KONEC STALINISMU V CECHACH] (CS, Jan Svankmajer, 1991) ; ANIMATION Summary: "Jan Svankmajer enjoys a curious sort of anti-reputation: he is famous for being obscure. Unapologetically surrealist. Svankmajer draws on the traditions and techniques of stop-motion animation, collage, montage, puppetry, and clay to craft bizarre filmscapes.... In Johnson's view, Svankmajer implores us to reprogram our relationship with the vital matter all around us, including ourselves and our bodies." - BOOK BLURBNotes: Includes bibliographical references (pages 177-185) and index.
Includes filmography.ISBN: 9780252083020Donation: Senses of CinemaContents: Animist cinema -- humiliation, or object life -- Wunderkammer, or Creaturely Life -- Haptics, or Animal Life -- Imagination, or Political Life -- Stalinism in Bohemia -- Survival, or Ecological Life -- Interviews with Jan S vankmajer.
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Jane Campion / Deb Verhoeven London: Routledge, 2009.
Call No: 81CAM VERAuthor: Verhoeven, Deb Source: UKPlace: LondonPublisher: RoutledgePubDate: 2009PhysDes: xii, 273 p. : ill. ; 20 cmSeries: Routledge film guidebooksSubject: WOMEN AND THE CINEMA ; DIRECTORS ; WOMEN FILMMAKERS. AUSTRALIA ; CAMPION, JANE Summary: Featuring a career overview, a filmography, scene-by-scene analysis and an extended interview with Jane Campion on her approach to creativity, this is a great introductin to one of the most important directors of contempoarary cinema.ISBN: 9780415262750Contents: --Introduction: Being Jane Campion in a post-Campion world? -- Chapter 1 Becoming Jane Campion: modes of auteurism and the medias -- Chapter 2: Realizing Jane Campion: the industry, politics and economics of contemporary auteurism -- Chapter 3: Disciplining Jane Campion: auteurism and the knowing audience -- Chapter 4: Jane Campion on Jane Campion: one more interview --Chronology -- Filmography -- Bibliographic resources -- Glossary -- Index
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Jane Campion : cinema, nation, identity / edited by Hilary Radner, Alistair Fox and Irene Bessiere Detroit, Mich: Wayne State University Press, 2009.
Call No: 81CAM JANAuthor: Radner, Hilary ; Fox, Alistair ; Bessiere, Irene Place: Detroit, MichPublisher: Wayne State University PressPubDate: 2009PhysDes: xiv, 329 p. : ill. ; 23 cmSeries: Contemporary approaches to film and televisionSubject: CAMPION, JANE ; DIRECTORS ; WOMEN FILM WORKERS. AUSTRALIA ; WOMEN AND THE CINEMA ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) Notes: Includes bibliographical references, filmography and indexISBN: 9780814334324Contents: Introduction: an antipodean filmmaker in an international context / Alistair Fox and Hilary Radner -- Subjectivities and the construction of identity in Jane Campion's films. "In extremis": Jane Campion and the woman's film / Hilary Radner -- Her-land: Jane Campion's cinema, or another poetic of the inner sense / Muriel Andrin -- The Campions indulge in the audition / Harriet Margolis -- Campion-Keitel Connections, a.k.a. "We are the piano" / Chris Holmlund -- Jane Campion and her sources. "I can really see myself in her story": Jane Campion's adaptation of Janet Frame's autobiography / Lawrence Jones -- Puritanism and the erotics of transgression: the New Zealand influence in Jane Campion's thematic imaginary / Alistair Fox -- Portraits of a woman: Jane Campion and Henry James / Irene Bessiere -- Jane Campion: adaptation, signature, autobiography / Kathleen A. McHugh -- Jane Campion's "Geographies". Jane Campion and the international theme: from The portrait of a lady to An angel at my table / Jean Bessiere -- The suburb in Jane Campion's films / Rochelle Simmons -- From antipodean cinema to international art cinema / Raphaelle Moine -- Viewers respond to Jane Campion. "Comme une invitation au voyage": French reception of Jane Campion, An angel at my table, and The piano / Simon Sigley -- "The piano is mine. It's mine." My (free association with) Jane Campion, or, the child in the spectator / Sue Gillett -- Jane Campion and the moral occult / Ann Hardy -- On viewing Jane Campion as an antipodean / Annabel Cooper
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Jane Campion and adaptation : angels, demons and unsettling voices / Estella Tincknell Basingstoke, Hampshire: Palgrave Macmillan, 2013.
Call No: 753CAM TINAuthor: Tincknell, Estella Source: UKPlace: Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2013PhysDes: 139 pages : illustrated ; 22 cmSeries: The adaptation seriesSubject: ADAPTATIONS ; ADAPTATIONS. JAMES, HENRY ; AUTEUR THEORY ; AUTHORSHIP ; DIRECTORS ; FEMINISM AND THE CINEMA ; GENRES ; LITERATURE AND THE CINEMA ; MYTH AND THE CINEMA ; CAMPION, JANE ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; BRIGHT STAR (UK/AT/FR, Jane Campion, 2009) ; IN THE CUT (US/AT, Jane Campion, 2003) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; SWEETIE (AT, Jane Campion, 1989) ; TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013) Summary: "In Jane Campion and Adaptation Estella Tincknell presents a compelling analysis of the interplay between literature and cinema in relation to Campion's work. The text takes a distinct approach to understanding Campion's films, positioning them not simply as the work of a cinematic auteur, but as the culmination of a complex set of textual relationships and practices. In doing so, Tincknell argues persuasively that the director's use of adaptation goes well beyond the conventionally respectful approach to literary texts, opting instead for a playful, subversive and challenging re-imagining of the connections between literature, myth, cultural identity and cinema." -- PORTION OF BOOK BLURBNotes: Contains bibliographic references and index -- list of illustrations included as looseleaf in front of bookISBN: 9780230229006Contents: -- pt. One Versions -- `A Jane Campion film': authorships and adaptations -- Collaborations, credibility, creativity -- Cultural value and the fidelity question -- `Adding to' not taking from: textual ontologies redux -- pt. Two Visions and Voices -- Multiple voices, different visions -- Gothic visions, feminine fables -- Shadow Males and Super Males -- Angels, fairies, demons -- Demythologising space and place -- Attending to the past -- pt. Three Genres -- Art cinema or feminist cinema? -- Re-articulating film genres one: the anti-heritage text - The Portrait of a Lady -- Playfulness and respect -- Costume drama, feminism and the `affect' of history -- Indexing the past -- Adapting the self -- Auditory affect, musical boxes -- Re-articulating film genres two: The Piano as melodrama -- Re-articulating film genres three: An Angel at My Table and the biopic - public lives, private selves -- From the margins to the centre - Bright Star as biopic --
Re-articulating film genres four: In the Cut's rewriting of film noir -- conclusion -- notes -- bibliography -- index --
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Japanese film directors / Audie Bock ; preface by Donald Richie New York: Published for the Japan Society by Kodansha International, 1978.
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Jean- Pierre Melville : An American in Paris London: British Film Institue, 2003.
Call No: 81MEL VINAuthor: Vincendeau, Ginette Source: UKPlace: LondonPublisher: British Film InstituePubDate: 2003PhysDes: vii, 278 p. : ill. ; 24cm.Subject: MELVILLE, JEAN-PIERRE ; [VINGT-QUATRE] 24 HEURES DE LA VIE D'UN CLOWN (FR, Jean-Pierre Melville, 1946) ; ENFANTS TERRIBLES, LES (FR, Jean-Pierre Melville, 1950) ; QUAND TU LIRAS CETTE LETTRE (FR, Jean-Pierre Melville, 1953) ; SILENCE DE LA MER, LE (FR, Jean-Pierre Melville, 1949) ; DOULOS, LE (FR/IT, Jean-Pierre Melville, 1962) ; LEON MORIN, PRETRE (FR, Jean-Pierre Melville, 1961) ; ARMEE DES OMBRES, L' (FR/IT, Jean-Pierre Melville, 1969) ; BOB LE FLAMBEUR (FR, Jean-Pierre Melville, 1956) ; AINE DES FERCHAUX, L' (FR, Jean-Pierre Melville, 1963) ; DEUX HOMMES DANS MANHATTAN (FR, Jean-Pierre Melville, 1959) ; SAMOURAI, LE (FR/IT, Jean-Pierre Melville, 1967) ; CERCLE ROUGE, LE (FR/IT, Jean-Pierre Melville, 1970) ; [SECOND] 2ND WIND [DEUXIEME SOUFFLE, LE] (FR, Jean-Pierre Melville, 1966) ; FLIC, UN (FR/IT, Jean-Pierre Melville, 1972) ISBN: 0851709494
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Jean Renoir : the world of his films / Leo Braudy Garden City, N.Y.: Doubleday, 1972.
Call No: 81REN BRAAuthor: Braudy, Leo Edition: 1st EditionSource: USPlace: Garden City, N.Y.Publisher: DoubledayPubDate: 1972PhysDes: 286 p. : ill. ; 22 cmSubject: RENOIR, JEAN ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; MARSEILLAISE, LA (FR, Jean Renoir, 1938) ; BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932) ; CHIENNE, LA (FR, Jean Renoir, 1931) ; BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932) ; CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936) ; VIE EST A NOUS, LA (FR, Jean Renoir & others, 1936) ; DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]) ; BETE HUMAINE, LA (FR, Jean Renoir, 1938) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; DIARY OF A CHAMBERMAID, A [JOURNAL D'UNE FEMME CHAMBRE, LE] (FR/IT, Luis Bunuel, 1964) ; GOLDEN COACH, THE [CARROSSE D'OR, LE] (FR/IT, Jean Renoir, 1952) ; FRENCH CANCAN (FR/IT, Jean Renoir, 1955) ; ELENA ET LES HOMMES (FR, Jean Renoir, 1956) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) Summary: Leo Braudy examines the films of Jean Renoir, and the variety of different forms these films take - farces, epics, detective stories, and paradoxes. He examines each of the thirty six films individually, but also in the context of Jean Renoir's overall visionNotes: Bibliography: p. [272]-276
Filmography: p. 219-271
Includes indexISBN: 0860510050LON: 71171280; 558387
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Joe and Marilyn : a memory of love / Roger Kahn London: Sidgwick & Jackson, 1987.
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Joel and Ethan Coen / R. Barton Palmer Urbana, Ill ; Chicago: University of Illinois Press, 2004.
Call No: 81COE PALAuthor: Palmer, R. Barton Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of Illinois PressPubDate: 2004PhysDes: 207 p. : ill. ; 22 cm.Series: Contemporary film directors / edited by James NaremoreSubject: DIRECTORS. USA ; CRITICISM ; COEN, JOEL & ETHAN Notes: Includes filmography (pp. [193]-199).
Includes bibliographical references (p. [201]) and indexISBN: 0252071859 (pbk. : alk. paper)
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[Jog's trot : stills file]
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John Grierson : film master / James Beveridge New York: Macmillan Publishing Co., Inc.,
Call No: 81GRI BEVAuthor: Beveridge, James Place: New YorkPublisher: Macmillan Publishing Co., Inc.PhysDes: xix, 362 p. : ill. ; 24 cmSubject: DOCUMENTARY FILMS ; DIRECTORS. UK ; Grierson, John Summary: Interviews and essays, most of which were done for the film 'Grierson'.Notes: Includes index.ISBN: 0025105302Donation: donated by the family of Wayne Levy, 2006
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John Huston / by Axel Madsen London: Robson, 1979.
Call No: 81HUS MADAuthor: Madsen, Axel Source: UKPlace: LondonPublisher: RobsonPubDate: 1979PhysDes: vii,280p,[24]p of plates : ill, ports ; 23cmSubject: DIRECTORS ; LOCATION SHOOTING ; Metro-Goldwyn-Mayer ; HUSTON, JOHN ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; BEAT THE DEVIL (UK/IT/US, John Huston, 1953) ; FREUD (US, John Huston, 1962) ; MISFITS, THE (US, John Huston, 1961) ; MOBY DICK (UK, John Huston, 1956) ; MOULIN ROUGE (US, John Huston, 1952) ; NIGHT OF THE IGUANA, THE (US, John Huston, 1964) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) Summary: "JOHN HUSTON is a colourful biography of one of Hollywood's most celebrated and prolific film-makers. An epic tale of a man whose own life has been as vivid and dramatic as any of his films, it takes the reader from the family vaudeville tours of his youth, through his five marriages and world-wide travels up to the present day." [Taken from book jacket]Notes: Originally published: Garden City, N.Y. : Doubleday, 1978; Bibl.: p.266-267. - List of films: p.258-265. - IndexISBN: 0860510743LON: isb86051074; 2613950
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John Woo : the films / by Kenneth E. Hall North Carolina: McFarland & Company, Inc., Publishers, 1999.
Call No: 81WOO HALAuthor: Hall, Kenneth E. Source: USPlace: North CarolinaPublisher: McFarland & Company, Inc., PublishersPubDate: 1999PhysDes: 239 p. :illus. filmog. : 24 cmSubject: ACTION FILMS. HONG KONG ; DIRECTORS. CHINA ; WOO, JOHN [pseud. of Wu Yusen] ; BROKEN ARROW (US, John Woo [pseud. of Wu Yusen], 1996) ; DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989) ; FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997) ; HARD TARGET (US, John Woo [pseud. of Wu Yusen], 1993) ; YINGXIONG BENSE (HK, John Woo [pseud. of Wu Yusen], 1986) ; YINGXIONG BENSE II (HK, John Woo [pseud. of Wu Yusen], 1988) Notes: Includes filmography, bibliographical references and index.ISBN: 0786406194
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Jonas Mekas as filmmaker in Interview (1970) vol.1 iss.5 p.10-11
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JOURNAL INTIME D'UNE NYMPHMANE, LE : (FR, Jesus Franco, 1973)
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JOURNE D'UNE FEMME CHAMBRE, LE : (FR/IT, Luis Bunuel, 1964)
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Journey to a legend and back : the British realistic film / Eva Orbanz ; Ed., Stiftung Dt. Kinemathek, Berlin (West) essays by Klaus Wildenhahn ... [et al.] ; [Transl. from the German by Stuart Hood] Berlin: Spiess, 1977.
Call No: 761(41) ORBAuthor: Orbanz, Eva CorpAuthor: Stiftung Deutsche KinemathekPlace: BerlinPublisher: SpiessPubDate: 1977PhysDes: 213 p. : ill. ; 21 cmSubject: DOCUMENTARY FILMS ; DIRECTORS. UK ; ROTHA, PAUL ; ANDERSON, LINDSAY ; REISZ, KAREL ; WATT, HARRY ; ANSTEY, EDGAR ; BROOMFIELD, NICK ; BOND, RALPH ; WRIGHT, BASIL ; GRIGSBY, MIKE ; FORMAN, DENIS ; GARNETT, TONY ; STEWART, CHARLES Notes: Translation of Eine Reise in die Legende und zuruckISBN: 3920889517 : DM12.80LON: 1264498
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JUST ASK FOR DIAMOND : (UK, Stephen Bayly, 1988)
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Just watch! : Sternberg, Paramount and America / Peter Baxter London: British Film Institute, 1993.
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Ken Russell / edited by Thomas R. Atkins New York: Monarch Press, 1976.
Call No: 81RUS KENAuthor: Atkins, Thomas R., 1939 Source: USPlace: New YorkPublisher: Monarch PressPubDate: 1976PhysDes: xi, 132 p. : ill. ; 24 cmSubject: DIRECTORS. UK ; SEXUALITY AND THE CINEMA ; TELEVISION, FILMS MADE FOR ; ADAPTATIONS ; RUSSELL, KEN ; AMELIA AND THE ANGEL (UK, Ken Russell, 1959) ; DEVILS, THE (UK, Ken Russell, 1971) ; MUSIC LOVERS, THE (UK, Ken Russell, 1971) ; PEEP SHOW (UK, Ken Russell, 1956) ; POET'S LONDON (UK, Ken Russell, 1959) ; SAVAGE MESSIAH (UK, Ken Russell, 1972) ; TOMMY (UK, Ken Russell, 1975) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; OMNIBUS [TV](UK, 1967-2003) Summary: "The films of Britain's most famous director have been praised and condemned; Russell's intentions distorted and misunderstood. With his popularity continuously growing, serious critical consideration of him has been long overdue. Covering all of Russell's work from his early amateur efforts to his films for the BBC and his features such as WOMEN IN LOVE, THE DEVILS, THE MUSIC LOVERS, and TOMMY, this anthology is a comprehensive sourcebook on Russell's cinema, an inquiry into the personal nature of his art, and a look at his working methods. Complete with biographical information, excerpts from the films TOMMY and MAHLER, filmography, bibliography, numerous production shots and scenes from his filoms, this volume presents us with an extraordinary picture of an immense talent." [Book blurb]Notes: Bibliography: p. 131-132ISBN: 0671081020 : $2.95LON: 75023545; 741449Contents: Contributors -- Acknowledgements -- Preface --; Ballet fantastique: scenario for an imaginary bio-pic of Ken Russell / Thomas R. Atkins -- The early films: Peep Show and Amelia and the Angel / Gene D. Phillips -- The television films: Poet's London to Dance of the Seven Veils / John Baxter -- Three masterpieces of sexuality: Women in Love, The Music Lovers, and The Devils / Jack Fisher -- Russell's methods of adaptation: Savage Messiah and Tommy / Joseph A. Gomez -- Excerpts of Russe; Excerpts from Russell's screenplays of Mahler and Tommy -- Biography -- Filmography -- Selected bibliography
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Kestie Morassi in Empire (Australian Ed.) (April 2005) iss.49 p.38
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diary of a teenage girl, the (us, marielle heller, 2015)
Kid is all right as grown-ups prove feckless in the face of teen sexuality in Sydney Morning Herald [Arts & entertainment] (24/9/2015) p.20
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L.A. Confidential / Manohla Dargis London: British Film Institute,
Call No: 79LAC DARAuthor: Dargis, Manohla CorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: British Film InstitutePhysDes: 95 p. : ill. ; 19 cmSeries: BFI Modern ClassicsSubject: L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; HANSON, CURTIS ; HOLLYWOOD IN FILMS ; PEARCE, GUY ; CROWE, RUSSELL ; SPACEY, KEVIN ; BASINGER, KIM ; DEVITO, DANNY ; DIRECTORS. USA Summary: Explores the careers of Curtis Hanson, director, and James Ellroy, novelist, drawing on interviews with both men, to dig deep into the film's obssession with the twinned, equally troubled histories of the Hollywood studio system and the city of Los Angeles.Notes: Notes: p.85-87
Credits: p.88-93
Bibliography: p.94-95ISBN: 0851709443
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Lana and Lilly Wachowski / Cael M. Keegan Urbana: University of Illinois Press, 2018.
Call No: 81WAC KEEAuthor: Keegan, Cael M. Place: UrbanaPublisher: University of Illinois PressPubDate: 2018PhysDes: x, 180 pages : illustrations ; 21 cm.Series: Contemporary film directorsSubject: FILM ; DIRECTORS ; PRODUCERS ; CRITICISM ; TRANSGENDER AND THE CINEMA ; TRANSGENDERISM IN FILMS ; CONTROVERSIAL ISSUES IN FILMS ; WACHOWSKI, LANA ; WACHOWSKI, LILLY ; WACHOWSKI, LARRY ; WACHOWSKI, ANDREW ; ANIMATRIX, THE (US, Peter Chung & Andy Jones & Yoshiaki Kawajiri & Takeshi Koike & Mahiro Maeda & Kouji Morimoto & Shinichiro Watanabe, 2003) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MATRIX REVOLUTIONS, THE (US, Andy Wachowski & Larry Wachowski, 2003) ; V FOR VENDETTA (US/GG, James McTeigue, 2005) ; SPEED RACER (US, ANDY WACHOWSKI, LARRY WACHOWSKI, 2008) ; CLOUD ATLAS (G/US/HK/SI, Tom Tykwer/Andy Wachowski, 2012) ; JUPITER ASCENDING (US, The Wachowskis, 2015) ; SENSE8 [TV] (US, 2015-2018) Summary: "Lana and Lilly Wachowski are intensely political film writers, directors, and producers whose work has made an indelible impact on American popular culture. From The Matrix (1999) to Cloud Atlas (2012), they have left their mark as innovators in the industry, consistently pushing the boundaries of what is perceived as technically and topically possible in studio film. They are also the world's first major transgender film directors and arguably the most influential transgender cultural producers in human history. Their coming out makes possible a reevaluation of the Wachowskis' entire oeuvre as curating alternate approaches to gender, emobodiment, and perception, that might be retrospectively theorized as "trans." In this study, Cael Keegan will argue that the Wachowskis' work can be read as an aesthetic history of transgender political consciousness as it has evolved in popular media. He explores the significance of the Wachowskis as film and genre innovators who have permanently altered the technology and aesthetics of mainstream Hollywood cinema. Keegan sees the radical identities at play in many of their early films as emerging from a queer sensibility and and a hoped-for sense of the body's plasticity. Moving chronologically through the Wachowskis' filmography, he uses the films' theorization of gender and embodied identity at the intersection of convergence, virtuality, biopolitical surveillance and capitalist realism to open these much-discussed works to new modes of analysis" --Notes: "Lilly Wachowski was born in 1967 in Chicago as Andrew Wachowski" -- Libraries Australia; Lana Wochowski was born as Larry Wochowski - Libraries Australia; Alternate Names: The Wachowski Brothers or The Wachowskis; Includes bibliographical references, filmography, and index.ISBN: 9780252083839Contents: Trans opt: Received -- "You can believe what you feel": Bound -- Ecstatic passages: The Matrix -- Redpill -- Adventures in transreality: The animatrix -- Heroic ends: The matrix reloaded and The matrix revolutions -- Revolutionary guises: V for Vendetta -- Sensorial assault -- Fixed races: Speed racer -- Escaping history: Cloud atlas -- Speculative heights: Jupiter ascending -- Epilogue: event horizon: Sense8 --
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The language of new media / Lev Manovich Cambridge, Mass. London: MIT Press, c2001.
Call No: 775 MANAuthor: Manovich, Lev Source: USPlace: Cambridge, Mass. LondonPublisher: MIT PressPubDate: c2001PhysDes: xxxix, 354 p. : ill. ; 24 cmSeries: LeonardoSubject: DIGITAL BROADCASTING ; DIGITAL TECHNOLOGY ; MEDIA ; INTERACTIVE CINEMA ; INTERNET AND THE CINEMA ; INTERNET AND TV ; COMPUTER GRAPHICS ; COMPUTER GAMES ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; COMPUTERS AND THE CINEMA ; ANIMATION ; VIRTUAL REALITY ; LOOP FILMS ; NARRATIVE IN FILMS ; BARTHES, ROLAND ; BENJAMIN, WALTER ; COMOLLI, JEAN-LOUIS ; MELIES, GEORGES ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; JURASSIC PARK (US, Steven Spielberg,, 1993) Notes: Includes bibliographical references and indexISBN: 0262133741 : No priceLON: 21628309
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Last-minute deal keeps Nine in Tassie in The Australian [Business News] (1/07/2016) p.21
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: Mitchell, Jake PhysDes: Clippings File ArticleSubject: NINE NETWORK ; DIGITAL BROADCASTING. AUSTRALIA Summary: Nine Network has signed a deal to have its signal televised in Tasmania, preventing a blackout of metro network content such as The Voice and The Block.
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Life in the Desert : An Interview with Ian Dunlop in Melbourne Film Bulletin (October 1968) iss.6 p.3-16
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Life to those shadows / by Noe¨l Burch ; translated and edited by Ben Brewster Berkeley: University of California Press, 1990.
Call No: 62 BURAuthor: Burch, Noe¨l ; Brewster, Ben Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 1990PhysDes: 317 pages : illustrations ; 23 cmSubject: THEORY ; BURCH, NOEL ; HISTORY OF CINEMA. SILENT PERIOD ; BIOGRAPH ; LUMIERE, LOUIS ; DEMILLE, CECIL B. ; DREYER, CARL TH. ; DOCUMENTARIES ; DICKSON, W. K. L. ; EDISON, THOMAS ALVA ; GANCE, ABEL ; GORKY, MAXIM ; GRIFFITH, DAVID WARK ; GUY-BLACHE, ALICE ; HEPWORTH, CECIL ; PATHE ; PORTER, EDWIN S. ; VITAGRAPH ; ZECCA, FERDINAND Summary: "Noel Burch's new book is a critique of the assumptions underlying 'classical' approaches to film history: the assumption that what we call the language of film was a natural, organic development, that it lay latent from the outset in the basic technology of the camera, waiting for the prescient pioneers to bring it into being; and the assumption that this language was a unversal, neutral medium, innocent of any social or historical meaning in itself. His major thesis is that, on the contrary, film language has a social and economic history, that it evolved in the way it did because of when and where it was constructed - in the capitalist and imperialist west between 1892 and 1929. The book examines the chronology of the emergence of what it defines as cinema's Institutional Mode of Representation and the socio-historical circumstances in which this took place. It examines the principles of visualisation - camera placement and movement, lighting, editing, mise-en-scene - that film-makers and audiences came to internalize over the first three decades. Special emphasis is laid on the all-important change that occurred in the imaginary placing of the spectator, from a position of exteriority to the film image, implicit in both film-form and viewing conditions during the primitive era (pre-1909), to the imaginary centering of the spectator-subject, completed only with the generalisation of lip-synch sound after 1929. It is the contention of this book that this imaginary centering of a sensorily isolated spectator is the keystone of the cinematic illustion of reality, still achieved today by the same means as it was sixty years ago." - taken from back coverNotes: Revised versions of papers written 1976-1981, some of which have appeared in English and French magazines -- Includes bibliographical references (p. 274-283) and index -- Filmography: p. 284-305.ISBN: 0520071441Contents: Introduction -- Charles Baudelaire versus Doctor Frankenstein -- Life to Those Shadows -- The Wrong Side of the Tracks -- Those Gentlemen of the Lantern and the Parade -- Business is Business: An Invisible Audience -- Passions and Chases-A Certain Linearisation -- Building a Haptic Space -- A Primitive Mode of Representation? -- The Motionless Voyage: Constitution of The Ubiquitous Subject -- Beyond the Peephole, the Logos -- Narrative, Diegesis: Thresholds, Limits -- Conclusion -- Bibliography -- Filmography -- Index
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Lights, camera, masala : making movies in Mumbai / [photographs], Sheena Sippy ; text, Naman Ramachandran ; design, Divya Thakur Mumbai: India Book House, 2006.
Call No: 210.1(540) SIPSource: IIPlace: MumbaiPublisher: India Book HousePubDate: 2006PhysDes: 246 p., [2] leaves of plates : ill. (chiefly col.) ; 27 cmSubject: INDIA ; BOLLYWOOD ; STARS. INDIA ; STAR SYSTEM ; INDUSTRY, FILM. INDIA ; PRODUCTION. INDIA ; ACTORS. INDIA ; DIRECTORS. INDIA Summary: An exploration of how films are made in 'Bollywood' that uses interviews with famous stars and well known film workers in the industry during a few months of 2005 and 2006. The fictional characters Vijay and Ravi go through the process of making a Bollywood film, including screenwriting, the Bollywood star system, pre-production, marketing and promotion, and audience receptionNotes: 246 p., [2] leaves of plates : ill. (chiefly col.) ; 27 cmISBN: 8175084413Donation: Alex Gionfriddo
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The limits of auteurism : case studies in the critically constructed New Hollywood / Nicholas Godfrey New Brunswick: Rutgers University Press, 2018.
Call No: 11339Author: Godfrey, Nicholas Edition: 2018Place: New BrunswickPublisher: Rutgers University PressPubDate: 2018PhysDes: xii, 270 pages : illustrated ; 24 cmSubject: AUTEUR THEORY ; EASY RIDER (US, Dennis Hopper, 1969) ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; TWO-LANE BLACKTOP (US, Monte Hellman, 1971) ; VANISHING POINT (UK, Richard C. Sarafian, 1971) ; LITTLE FAUSS AND BIG HALSY (US, Sydney J. Furie, 1970) ; ADAM AT SIX AM (US, Robert Scheerer, 1970) ; DIRTY HARRY (US, Don Siegel, 1971) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; LAST MOVIE, THE (US, Dennis Hopper, 1971) ; HIRED HAND, THE (US, Peter Fonda, 1971) Summary: The New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history, celebrated for its stylistic boldness, thematic complexity, and the unshackling of directorial ambition. The Limits of Auteurism aims to challenge many of these assumptions. Beginning with the commercial success of Easy Rider in 1969, and ending two years later with the critical and commercial failure of that film’s twin progeny, The Last Movie and The Hired Hand, Nicholas Godfrey surveys a key moment that defined the subsequent aesthetic parameters of American commercial art cinema.
The book explores the role that contemporary critics played in determining how the movies of this period were understood and how, in turn, strategies of distribution influenced critical responses and dictated the conditions of entry into the rapidly codifying New Hollywood canon. Focusing on a small number of industrially significant films, this new history advances our understanding of this important moment of transition from Classical to contemporary modes of production. -- publisher's web siteISBN: 9780813589145
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A look inside fashion's revered halls in Sydney Morning Herald [Arts & Entertainment] (26/03/2015) p.31
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I lost it at the movies / Pauline Kael London: Cape, 1966.
Call No: 67(04) KAEAuthor: Kael, Pauline Place: LondonPublisher: CapePubDate: 1966PhysDes: ix, 365 p. ; 22 cm.Subject: CRITICISM ; GOLDEN COACH, THE [CARROSSE D'OR, LE] (FR/IT, Jean Renoir, 1952) ; SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; SCIUSCIA (IT, Vittorio De Sica, 1946) ; SHICHININ NO SAMURAI (JA, Akira Kurosawa, 1954) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; WEST SIDE STORY (US, Robert Wise, 1961) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; ONE, TWO, THREE (US/GW, Billy Wilder, 1961) ; MARK, THE (UK, Guy Green, 1961) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; TASTE OF HONEY, A (UK, Tony Richardson, 1961) ; VICTIM (UK, Basil Dearden, 1961) ; LOLITA (US, Stanley Kubrick, 1962) ; JULES ET JIM (FR, Francois Truffaut, 1962) ; NOBI (JA, Kon Ichikawa, 1959) ; BILLY BUDD (UK, Peter Ustinov, 1962) ; YOJIMBO (JA, Akira Kurosawa, 1961) ; DEVI (II, Satyajit Ray, 1960) ; [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963) Summary: A collection of Kael's writings on cinema including reviews mostly from 1961-1963.Notes: Includes index.LON: nun00460852; 4159070
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diary of a teenage girl, the (us, marielle heller, 2015)
Love, lust and '70s teen angst in The Age [Arts & Entertainment] (24/9/2015) p.33
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Mad dog's tale in The Australian [Review] (19/05/2012) p.16
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Mad mix : dabbling in flicks in The Australian (03/05/2003) p.32
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Brown, Bina Subject: MACQUARIE NINE FILM AND TELEVISION FUND, THE ; INVESTING. AUSTRALIA ; DIRTY DEEDS (AT, David Caesar, 2002) Summary: Looks at the process of investing in film in Australia, in particular the Macquarie Nine Film and Television Fund.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- Jennie Hughes Exec V-Pres. MNFTF...says that four to nine months after a film performs well at the box office there may be sales of 30,000 to 45,000 videos and DVDs to stores at about $50 a copy. A further 10,000 to 50,000 videos and DVDs could be sold through retail outlets for $20 each."
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The magic of the muse in Saturday Age [Spectrum] (26/12/2015) p.12
Call No: SUBJECT CLIPPINGS FILE; DIRECTORSAuthor: Bunbury, Stephanie Subject: DIRECTORS Summary: Actors can be recognised as muses. This article lightly explores the working partnerships between directors and actors, which can last through several films or even entire careers.
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Making film and television histories : Australia and New Zealand / edited by James E. Bennett and Rebecca Beirne London: I.B. Tauris, 2012.
Call No: 49[930.2](93/94) MAKSource: UKPlace: LondonPublisher: I.B. TaurisPubDate: 2012PhysDes: xxiii, 296 p. : ill. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; HISTORY AND TV. AUSTRALIA ; HISTORY AND THE CINEMA. NEW ZEALAND ; HISTORY AND TV. AUSTRALIA ; JEDDA (AT, Charles Chauvel, 1955) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; BUFFALO LEGENDS (AT, Desmond Kootji Raymond & Paul Roberts, 1997) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; BRA BOYS (AT, Sunny Abberton, 2007) ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; CAMERA NATURA (AT, Ross Gibson, 1986) ; CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GALLIPOLI (AT, Peter Weir, 1981) ; COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985) ; REVEALING GALLIPOLI (AT, Wain Fimeri, 2005) ; SMILEY (UK, Anthony Kimmins, 1956) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; ONE SUMMER AGAIN [TV] (AT, Mark Callan, 1985) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PIANO, THE (AT, Jane Campion, 1993) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; NED KELLY (AT/UK, Gregor Jordan, 2003) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; WITCHES AND FAGGOTS - DYKES AND POOFTERS (AT, 'One in Seven', 1980) ; LOVE THE BEAST (AT, Eric Bana, 2009) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; THEY'RE A WEIRD MOB (AT/UK, Michael Powell, 1966) ; ILLUSTRIOUS ENERGY (NZ, Leon Narbey, 1987) ; SERENADES (AT, Mojgan Khadem, 2000) ; PACIFIC SOLUTION (AT/NZ, James Frankham, 2005) ; FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996) ; ROSIE'S SECRET (AT, Lisa Matthews, 1994) ; OUTBACK HOUSE [AT] (AT, 2005-) ; COLONY, THE [TV] (AT/UK, Malcolm McDonald, 2005) ; NGATI (NZ, Barry Barclay, 1987) ; UTU (NZ, Geoffrey Murphy, 1983) ; RIVER QUEEN (NZ/UK, Vincent Ward, 2005) Summary: "Making Film and Television Histories: Australian and New Zealand considers film and television texts as primary historical media with the potential to bring historical topics alive through their interplay between past and present" - TAKEN FROM BACK COVERContents: Section One Aboriginal Narratives -- Introduction / Suneeti Rekhari -- Jedda / Suneeti Rekhari -- The Making of Lousy Little Sixpence / Alec Morgan -- Buffalo Legends / Shane Motlap -- Rabbit Proof Fence / Kathy Butler -- Blood is Thicker than Water: Stains on the Land in Bra Boys / Henk Huijser -- Australia / Ann McGrath -- Section Two Maori Narratives -- Introduction / Jennifer Gauthier -- Milies in Maoriland: The Making of the First New Zealand Feature Films / Mark Derby -- Patu! / Geraldene Peters -- Ngati / Jennifer Gauthier -- Once Were Warriors / Stuart Murray -- Section Three The New Zealand Wars -- Introduction / Annabel Cooper -- `Magnificent Failure' or Subversive Triumph?: The Governor / Trisha Dunleavy -- Making Nation: Utu / Hester Joyce -- Nga Pakanga Nunui o Aotearoa/ The New Zealand Wars / Annabel Cooper -- Reconciling History in Vincent Ward's River Queen / Cherie Lacey -- Section Four Imaging the Nation -- Contents note continued: Introduction / Mark Derby -- Romantic New Zealand: 1920s and 1930s' NZ Government Publicity Office Travelogues / Alfio Leotta -- From Colony to Nation in One Hundred Crowded Years: A Narrative on Civilisation, Progress and Modernity / Lars Weckbecker -- Camera Natura / Deane Williams -- Cinema of Unease / Brenda Allen -- Seeing Bed in 1949 and 1995 / Alan Wright -- Section Five War and Society -- Introduction / Daniel Reynaud -- Breaker Morant / Craig Wilcox -- Gallipoli / Daniel Reynaud -- The Cowra Breakout / Belinda Smaill -- War Stories Our Mothers Never Told Us / Gabrielle A. Fortune -- Revealing Revealing Gallipoli / Peter Stanley -- Section Six Stories of Adolescence -- Introduction / Emma Hamilton -- Smiley / Emma Hamilton -- The Devil's Playground: Coming-of-Age as National Cinema / Josephine May -- Sex and Subculture: Bruce Beresford's Puberty Blues / Lisa Featherstone -- Whale Rider / Jennifer Gauthier -- Section Seven Icons, Crime and the Imagination -- Introduction / Michelle Arrow -- One Summer Again: The Dramatising of the Heidelberg School / Bill Garner -- Witnessing Innocence: Fred Schepisi's Evil Angels / Michelle Arrow -- An Angel at My Table / Fincina Hopgood -- The Piano / Harriet Margolis -- Heavenly Creatures: The 1954 Parker-Hulme Case / James E. Bennett -- Ned Kelly (2003) / Sarah Pinto -- Section Eight Explorations of Gender and Sexuality -- Introduction / Rebecca Beirne -- Dad and Dave Come to Town: Mr Entwhistle and Male Homosexuality / Yorick Smaal -- My Brilliant Career / Jill Roe -- Witches, Faggots, Dykes and Poofters / Scott McKinnon -- Love the Beast / Kirsten Stevens -- Section Nine Immigrants, Refugees and Multicultural Narratives -- Introduction / Michelle Langford -- Who's the Weird Mob Anyway? Assimilation and Authenticity in They're A Weird Mob / Jessica Carniel -- Illustrious Energy / Brenda Allen -- Serenades / Michelle Langford -- Pacific Solution: From Afghanistan to Aotearoa / Annie Goldson -- Section Ten Playing with the Past
Introduction / James E. Bennett -- Forgotten Silver / Craig Hight -- Rosie's Secret / Nancy Cushing -- Revisioning the Australian Outback House of 1861 / Anthony Corones -- Living History: The Colony / Claire Lowrie
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Making movies / Sidney Lumet London: Bloomsbury, 1997.
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The making of a television series : a case study in the sociology of culture / Philip Elliott London: Constable and Co., 1972.
Call No: 761 ELLAuthor: Elliott, Philip Source: UKPlace: LondonPublisher: Constable and Co.PubDate: 1972PhysDes: x, 180p. ; 22 cmSeries: Communication and SocietySubject: PRODUCTION ; DIRECTION ; PROGRAMME CONTENT ; SOCIOLOGY AND TV ; NATURE OF PREJUDICE, THE [TV](UK, 1968) Summary: "This blow-by-blow account of the making of television documentary series, The Nature of Prejudice, traces the evolution of the programmes through all the processes of selection from the emergence of an idea, through the recruitment of the production team and the collection of a wide range of material to their final realisation in the studio, The results of the study are surprising and the implications disturbing. Mr Elliot shows how haphazard the process of programme production is and how much it is constrained by the social and organisational framework in which it takes place. Of absorbing interest to all sociologists and students of the mass media as well as the general public, this book raises the challenging question of whether it is inevitable that television should be a reflective medium, or whether it can be a vehicle for the communication of new ideas and experiences. " -- BOOK BLURBNotes: Includes bibliographical references and index.; Includes bibliography.ISBN: 0094584001Donation: donated by the family of Wayne Levy, 2006Contents: -- acknowledgements -- introduction -- 1: a case study of the television production -- 2: starting work on the series -- 3: collecting programme material -- 4: preparing programme outlines and scripts -- 5: the presenter and the studio guests -- 6: the audience and the nature of prejudice (by Roger. L. Brown) -- 7: the organization of television production -- 8: mass communication - a contradiciton in terms? -- appendix A programme outlines -- appenidx B the research method -- index --URL status: URL: 'http://-'
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The man who met Raymond Longford / Anthony Buckley Australia: ScreenSound Australia, 2001.
Call No: 802.25 (94) BUCAuthor: Buckley, Anthony Edition: 1st ed.Source: AustraliaPlace: AustraliaPublisher: ScreenSound AustraliaPubDate: 2001PhysDes: [24] p. : ill., ports., facsims.Series: Inaugural Longford Lyall lecture 2001; ScreenSound Australia Monograph no.3Subject: AUSTRALIA ; AUSTRALIA IN FILMS ; AUSTRALIA. 1895-1930 ; AUSTRALIA. 1927-1932 ; AUSTRALIAN CINEMA PIONEERS, THE ; AUSTRALIAN FILM STUDIOS ; AUSTRALIAN SCREEN EDITORS ; WOMEN AND THE CINEMA ; WOMEN FILMMAKERS. AUSTRALIA ; WOMEN IN FILMS. AUSTRALIA ; WOMEN, FILMS MADE BY ; PRODUCERS. AUSTRALIA ; DIRECTORS. AUSTRALIA ; BUCKLEY, ANTHONY ; LONGFORD, RAYMOND ; LYELL, LOTTIE ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; MUTINY ON THE BOUNTY, THE (AT, Raymond Longford, 1916) ; CHURCH AND THE WOMAN, THE ( AT, Raymond Longford, 1917) ; WOMAN SUFFERS, THE (AT, Raymond Longford, 1918) ; DINKUM BLOKE, THE (AT, Raymond Longford, 1923) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Anthony Buckley is regarded as one of the leaders of the Australian Film industry having worked as a documentary film maker, director and producer. In this lecture Buckley talks about the life and times of Longford and Lyell as well as his own extraordinary meeting with the legendary Longford at the age of fifteen.Notes: Includes filmography of Anthony Buckley's works. -- Includes bibliographic references.ISBN: 0642365180
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'Marie-Claire'...or the devil in flesh in Encore (9-22 May 1985) vol.3 iss.6 p.26
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Marlene : the life of Marlene Dietrich / by Charles Higham London [etc.]: Hart-Davis MacGibbon, 1978.
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Marlene Dietrich London: Studio Vista, 1968.
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Marlene Dietrich : eine Legende in bildern Munchen: Goethe-Institut, 1998.
Call No: 81DIECorpAuthor: Goethe-InstitutSource: GPlace: MunchenPublisher: Goethe-InstitutPubDate: 1998PhysDes: illus., ports ; 16 cmSubject: DIETRICH, MARLENE Notes: Includes filmographyLanguage: English, German, French and Spanish
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Marlene Dietrich / Werner Sudendorf Berlin: [Stiftung Deutsche Kinemathek], 1978.
Call No: 81DIE SUD v.2Author: Sudendorf, Werner Source: GWPlace: BerlinPublisher: [Stiftung Deutsche Kinemathek]PubDate: 1978PhysDes: 224p. : ill. ; 21cmSubject: DIETRICH, MARLENE ISBN: 3446124640Language: German
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Marlene Dietrich / Werner Sudendorf Berlin: [Stiftung Deutsche Kinemathek], 1977.
Call No: 81DIE SUD v.1Author: Sudendorf, Werner Source: GWPlace: BerlinPublisher: [Stiftung Deutsche Kinemathek]PubDate: 1977PhysDes: 222 p. : ill. ; 21cmSubject: DIETRICH, MARLENE ISBN: 3446124632Language: German
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Masters of the Soviet cinema ; crippled creative biographies / Herbert Marshall London Boston: Routledge & K. Paul, 1983.
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The Media reader / edited by Manuel Alvarado and John O. Thompson London: BFI Pub., 1990.
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Media streaming and broadband in Australia : report to the Australian Broadcasting Authority / prepared by the Centre for Telecommunications Information Networking Sydney: Australian Broadcasting Authority, 2002.
Call No: 30(94) MEDSource: ATPlace: SydneyPublisher: Australian Broadcasting AuthorityPubDate: 2002PhysDes: 80 pages : illustration ; 30 cmSubject: DIGITAL TECHNOLOGY. AUSTRALIA ; INTERNET AND THE CINEMA. AUSTRALIA ; INTERNET AND TV. AUSTRALIA ; MOBILE AND ONLINE MEDIA ; MOBILE ONLINE MEDIA. AUSTRALIA ; VIDEO ON DEMAND Summary: A study on the potential uses of streaming technology and how this compares with other viewing technological advances that will become available mainly due to broadband technologyContents: About CTIN -- Executive summary -- 1. Introduction -- 2. The techologies of streaming and broadband -- 3. Estimates of streaming demand in Australia -- 4. The potential impact of corporate strateigs on streaming in Australia -- 5. Regulatory presssure points -- 6. Appendix 1: Packet versus circuit networks -- Appendix 2: identitites and links among existing corporations -- Bibliography -- Glossary
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Mediawatch '99 March 1999.
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Melbourne Film Society Film Appraisals in Filmviews (Autumn 1986) vol.31 iss.127 p.45
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The men who mad the movies : interviews with Frank Capra, George Cukor, Howard Hawks, Alfred Hitchcock, Vincente Minnelli, King Vidor, Raoul Walsh, and William A. Wellman New York: Atheneum, 1975.
Call No: 802.25 SCHEdition: 1975Place: New YorkPublisher: AtheneumPubDate: 1975PhysDes: x, 308 pages : illustrations ; 27 cmSubject: DIRECTORS ; CAPRA, FRANK ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; MINNELLI, VINCENTE ; VIDOR, KING ; WALSH, RAOUL ; WELLMAN, WILLIAM Summary: [This book] evolved from the memorable television series that was named by the New York Times as one of the outstanding television programs of 1973. Eight directors were encouraged by Schickel to reminisce about their working lives, which spanned the most intriguing decades of American film. In speaking with them, he found in these men a special quality: 'They felt in their bones the character and quality of a vanished America.' There was something valuable to be learned from them, not merely about the cinema, but about the conduct of life. They would, as Schickel says, be worthy of study even 'if they had been engaged in the manufacture of widgets, let alone something as intrinsically interesting as movies.' Each director created a canon of work that even today sustains critical analysis without sacrificing popular appeal. Moreover, each maintained his artistic integrity while working in an atmosphere generally credited with ruining rather than nurturing talent--Hollywood. The format of these interviews allows the directors to talk about preplanned issues without interruption. And the topics discussed deal with the directors' lives and attitudes rather than with the technical nature of their work; in fact, any questions which seemed too specifically technical were often greeted by them with snorts of contempt. The book is rich in behind-the-scenes stories about such modern classics as 'It Happened One Night', 'Dawn Patrol', 'The Champ', 'Born Yesterday', 'Father of the Bride', 'Shadow of a Doubt', and 'The Roaring Twenties', as well as in anecdotes about the lives of men who not only 'made the movies' but who made Hollywood the glamour capital of the world. -- publisher's blurbISBN: 9780689106316Donation: Paul Anderson
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Men, women, and chainsaws : gender in the modern horror film / by Carol J. Clover London: B.F.I. Publishing, 1992.
Call No: 735.2 CLOAuthor: Clover, Carol J., 1940 Place: LondonPublisher: B.F.I. PublishingPubDate: 1992PhysDes: 260 p. : ill. ; 25 cmSubject: HORROR FILMS ; SLASHER FILMS ; CRIME IN FILMS ; AUDIENCES ; DEVIL IN FILMS ; ENDINGS OF FILMS ; EXPLOITATION FILMS ; FAMILY IN FILMS ; LOOK IN FILMS ; HOMOSEXUALITY IN FILMS ; IDENTIFICATION ; REPRODUCTION IN FILMS ; SADISM / MASOCHISM IN FILMS ; SUPERNATURAL IN FILMS ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; ALIEN [...] (UK/US, 1979-92) ; DELIVERANCE (US, John Boorman, 1972) ; EXORCIST, THE (US, William Friedkin, 1973) ; FRIDAY THE 13TH [...] (US, 1980-) ; HALLOWEEN (US, John Carpenter, 1978) ; HILLS HAVE EYES, THE (US, Wes Craven, 1978) ; HUNTER'S BLOOD (US, Robert C. Hughes, 1986) ; MS 45 (US, Abel Ferrara, 1981) ; PEEPING TOM (UK, Michael Powell, 1960) ; POLTERGEIST (US, Tobe Hooper, 1982) ; PSYCHO (US, Alfred Hitchcock, 1960) ; SCANNERS (CN, David Cronenberg, 1981) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; WITCHBOARD (US, Kevin S. Tenney, 1987) Notes: Includes bibliographical references (p. [237]-253) and indexISBN: 0851704190 (pbk.); 0851703313LON: 8882059
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Merchants of Menace : the Business of Horror Cinema / edited by Richard Nowell New York: Bloomsbury, 2014.
Call No: 735.2:203 MERAuthor: Nowell, Richard (ed.) Source: US/UKPlace: New YorkPublisher: BloomsburyPubDate: 2014PhysDes: xiv, 264 pages : illustrations (black and white) ; 23 cmSubject: HORROR FILMS ; ECONOMICS AND THE CINEMA ; PRODUCTION ; HORROR FILMS. AUSTRALIA ; CRITICISM ; DIRECTION ; LITERATURE AND THE CINEMA ; THEORY ; DISTRIBUTION ; ADVERTISING FOR FILMS ; SCREAM (US, Wes Craven, 1996) ; SCREAM 2 (US, Wes Craven, 1997) ; SCREAM 3 (US, Wes Craven, 2000) ; SCREAM 4 (US, Wes Craven, 2011) Summary: "Even though horror has been a key component of media output for almost a century, the genre's industrial character remains under explored and poorly understood. Merchants of Menace: The Business of Horror Cinema responds to a major void in film history by shedding much-needed new light on the economic dimensions of one of the world's most enduring audiovisual forms. Given horror cuts across budgetary categories, industry sectors, national film cultures, and media, Merchants of Menace also promises to expand understandings of the economics of cinema generally. Covering 1930-present, this groundbreaking collection boasts fourteen original chapters from world-leading experts taking as their focus such diverse topics as early zombie pictures, post-WWII chillers, Civil Rights-Era marketing, Hollywood literary adaptations, Australian exploitation, "torture-porn" Auteurs, and twenty-first-century remakes." - Publisher's WebsiteNotes: Formerly CIP; Includes bibliographical references and index; Also issued onlineISBN: 9781623564209Contents: -- Production lines, trends, and cycles. "House of horrors": corporate strategy at Universal Pictures in the 1930s / Kyle Edwards -- The undead of Hollywood and poverty row: the influence of studio-era industrial patterns on zombie film production, 1932-46 / Todd K. Platts -- By the book: American horror cinema and horror literature of the late 1960s and 1970s / Peter Hutchings -- Risen from the vaults: recent horror film remakes and the American film industry / Kevin Heffernan -- Monster factory: international dynamics of the Australian horror movie industry / Mark David Ryan -- Film content, style, and themes. "Bad medicine": the psychiatric profession's interventions into the business of postwar horror / Tim Snelson -- Horror film atmosphere as anti-narrative (and vice versa) / Robert Spadoni --"A kind of Bacall quality?: Jamie Lee Curtis, stardom, and gentrifying non-Hollywood horror / Richard Nowell -- "New decade, new rules": rebooting the scream franchise in the digital age / Valerie Wee -- Movie marketing, branding, and distribution. "Hot profits out of cold shivers!": horror, the first run market, and the Hollywood studios, 1938-42 / Mark Jancovich -- Strange enjoyments: the marketing and reception of horror in the civil rights era black press / Mikal J. Gaines -- Bids for distinction: the critical-industrial function of the horror auteur / Joe Tompkins -- Low budgets, no budgets, and digital-video nasties: recent British horror and informal distribution / Johnny Walker -- Hammer 2.0: legacy, modernization, and hammer horror as a heritage brand / Matt Hills --
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The Mexican cinema : interviews with thirteen directors / by Beatriz Reyes Nevares ; introd. by E. Bradford Burns ; translators, Elizabeth Gard and Carl J. Mora Albuquerque: University of New Mexico Press, c1976.
Call No: 71(72) NEVAuthor: Reyes Nevares, Beatriz Edition: 1st edPlace: AlbuquerquePublisher: University of New Mexico PressPubDate: c1976PhysDes: xix, 176 p. : ill. ; 24 cmSubject: MEXICO ; DIRECTORS. MEXICO Notes: Translation of Trece directores del cine mexicano; Includes index; Bibliography: p. 171ISBN: 0826304109 : $9.95; 0826304117(pbk. :) 4.50LON: 746146
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Mind over matter in Weekend Australian [Review] (23/05/2015) p.23
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Mise en scene and film style : From classical Hollywood to new media art / Adrian Martin Basingstoke [England]: Palgrave Macmillan, 2014.
Call No: 635.25 MARAuthor: Martin, Adrian Edition: 2014Place: Basingstoke [England]Publisher: Palgrave MacmillanPubDate: 2014PhysDes: xvi, 236 p. : illus. ; 22 cmSeries: Palgrave close readings in film and televisionSubject: DIRECTION ; GHATAK, RITWIK ; GODARD, JEAN-LUC ; SKOLIMOWSKI, JERZY ; REALITY TV Summary: Styles of filmmaking have changed greatly from classical Hollywood through to our digital era. So, too, have the ways in which film critics and scholars have analysed these transformations in film style. This book explores two central style concepts, mise en scène and dispositif, to illuminate a wide range of film and new media examples. -- publisher's web siteISBN: 9781349444175Contents: Contents
List of Figures
Acknowledgements
Prologue: At the Ballet Ruse
1. A Term That Means Everything, and Nothing Very Specific
2. Aesthetic Economies: The Expressive and the Excessive
3. What Was Mise en scene?
4. The Crises (1): Squeezed and Stretched
5. The Crises (2): The Style It Takes
6. Sonic Spaces
7. A Detour via Reality: Social Mise en scene
8. Cinema, Audiovisual Art of the 21st Century
9. The Rise of the Dispositif
Epilogue: Five Minutes and 15 Seconds with Ritwik Ghatak
Notes
Bibliography
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Mizoguchi and Japan / Mark Le Fanu London: British Film Institute, 2005.
Call No: 81MIZ FANAuthor: Mark Le Fanu Source: British Film InstitiutePlace: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 218 p ; 23 cmSubject: MIZOGUCHI KENJI ; JAPAN ; DIRECTORS. JAPAN ; WOMEN AND THE CINEMA ; CRITICISM Summary: Mizoguchi and Japan is the first full-length study for over twenty years of a director hailed by Cahiers du Cinema recently as "the greatest of all cineastes". On the surface such a claim might be considered controversial since, for a majority of Western cinema-goers, the names more usually associated with classic Japanese cinema are those of Kurosawa and Ozu. Mark Le Fanu's admiration for Kurosawa and Ozu is second to none, but here, in his long-awaited new study, he makes the case for placing Mizoguchi at the very pinnacle of Japanese film achievement.[Taken from back cover].ISBN: 1844570576ID2: 291
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Modern European filmmakers and the art of adaptation / edited by Andrew S. Horton and Joan Magretta New York: F. Ungar Pub. Co., 1981.
Call No: 753 MODAuthor: Horton, Andrew S. ; Magretta, Joan Source: USPlace: New YorkPublisher: F. Ungar Pub. Co.PubDate: 1981PhysDes: xiv, 383 p. : ill. ; 22 cmSubject: ADAPTATIONS ; EUROPEAN CINEMA ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CET OBSCUR OBJET DU DESIR (FR/SP, Luis Bunuel, 1977) ; CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960) ; TWO WOMEN (IT/FR, Vittorio De Sica, 1960) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; DECAMERON, THE [DECAMERON, IL] (IT/FR/GW, Pier Paolo Pasolini, 1971) ; EFFI BRIEST (GW, Rainer Werner Fassbinder, 1974) ; FALSCHE BEWEGUNG (GW, Wim Wenders, 1975) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; FEMME DOUCE, UNE (FR, Robert Bresson, 1969) ; HORLOGER DE SAINT-PAUL, L' (FR, Bertrand Tavernier, 1974) ; DIARY OF A COUNTRY PRIEST [ ; JULES ET JIM (FR, Francois Truffaut, 1962) ; LIAISONS DANGEREUSES, LES (FR, Roger Vadim, 1960) ; MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975) ; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963) ; RONDE, LA (FR, Max Ophuls, 1950) ; SUZANNE SIMONIN, LA RELIGIEUSE DE DIDEROT (FR, Jacques Rivette, 1967 [prod. 1965]) ; SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946) ; TRISTANA (SP/IT/FR, Luis Bunuel, 1970) ; VERLORENE EHRE DER KATHARINA BLUM, DIE (GW, Volker Schlondorff & Margarethe von Trotta, 1975) ; LOST HONOUR OF KATHARINA BLUM, THE (GW, Volker Schlondorff & Margarethe von Trotta, 1975) ; WILDENTE, DIE (GW/AU, Hans W. Geissendorfer, 1976) ; WILD DUCK, THE (GW/AU, Hans W. Geissendorfer, 1976) ; ZAZIE DANS LE METRO (FR, Louis Malle, 1960) ; MARQUIS OF O..., THE (GW/FR, Erich Rohmer, 1975) Summary: Adaptation as an art in itself is the theme of these original essays by leading film scholars and critics. Starting with some of the finest European films produced since World War II, they investigate the literary source of each. But their emphasis is on film, and their writing challenges the conventional assumption that a great book must inevitably make an inferior movie. It is the editors' premise that adaptation, especially in the hands of a gifted director, can be a lively and creative art. The essays offer a fresh perspective on both films and their directors - among them Antonioni, Bertolucci, Bunuel, Fassbinder, Godard, Ophuls, Truffaut. The genesis of films such as Blow-Up, The Conformist, and Jules et Jim is explored often frame-by-frame, for a fuller understanding of the creative process of filmmaking." - BOOK BLURBNotes: Includes index; Bibliography: p. [369]-371; Filmography: p. [357]-367ISBN: 0804424039 : $14.95; 0804462771 (pbk.) : $6.95LON: 79048073; 1813405Contents: Delannoy's La Symphonie Pastorale (1946) from the novel by Andre Gide / Dudley Andrew -- Bresson's Diary of a Country Priest (1951) from the novel by Georges Bernanos / Dudley Andrew -- Ophul's La Ronde (1959) from the play by Arthur Schnitzler / Alan Williams -- Vadim's Les Liaisons Dangereuses 1960 (1959) from the novel by Pierre Choderlos de Laclos / John F. Fell -- Malle's Zazie dans le Metro (1960) from the novel by Raymond Queneau / Andrew Horton -- De Sica's Two Women (1961) from the novel by Alberto Moravia / Ruth Prigozy -- Truffaut's Jules et Jim (1961) from the novel by Henri-Pierre Roche / Stuart Y. MacDougal -- Godard's Le Mepris (1963) from the novel A Ghost at Noon by Alberto Moravia / Marsha Kinder -- Rivette's Le Religieuse (1966) from the novel by Denis Diderot / Ira Konigsberg -- Antonioni's Blow-Up (1966) from the short story by Julio Cortazar / Neil D. Isaacs -- Fellini Satyricon (1969) from the "novel" by Petronius / Bernard F. Dick -- Bresson's Une Femme Douce (1969) from the story "The Gentle Creature" by Fyodor Dostoevsky / Lindley Hanlon -- Bunuel's Tristana (1970) from the novel by Benito Perez Galdos / Charles Eidsvik -- Wender's The Goalie's Anxiety at the Penalty Kick (1971) from the novel by Peter Handke / Peter Brunette -- Pasolini's Decameron (1971) from The Decameron by Giovanni Boccaccio / Ben Lawton -- Bertolucci's The Conformist (`97`) from the novel by Alberto Moravia / T. Jefferson Kline -- Tavernier's The Clockmaker (1973) from the novel The Clockmaker of Everton by Georges Simenon / William R. Magretta and Joan Magretta -- Fassbinder's Effi Briest (1974) from the novel by Theodore Fontane / William R. Magretta -- Wender's Wrong Movement (1974) freely based on Wilhelm Meister's Apprenticeship by Johann Wolfgang Goethe / Peter Harcourt -- Schlondorff & von Trotta's The Lost Honor of Katharina Blum (1975) from the novel by Heinrich Boll / William R. Magretta and Joan Magretta -- Geissendorfer's The Wild Duck (1976) from the play by Henrik Ibsen / Birgitta Steene -- Rohmer's The Marquise of O... (1976) from the story by Heinrich von Kliest / Alan Spiegel -- Bunuel's That Obscure Object of Desire (1977) from the novel The Woman and the Puppet by Pierre Louys / Michael Wood
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A month of madness : Cambodia, Dillinger is dead, Kent State, Seed of Man, Strike, Hi Mom in Interview (1970) vol.1 iss.8 p.4, 13
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The Morals of Shooting War, Famines and Disasters : A difficult journey with a gentle man - David Brill in Australian Cinematographer (December 2012) iss.56 p.10-21
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More murders, she wrote in Weekend Australian [Review] (03/09/2016) p.24
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More than night : film noir in its contexts / James Naremore Berkeley: University of California Press, c1998.
Call No: 734.1 NARAuthor: Naremore, James Place: BerkeleyPublisher: University of California PressPubDate: c1998PhysDes: xiv, 345 p. : ill. ; 24 cmSubject: FILM NOIR ; BLACKLISTING. USA ; B-MOVIES ; ETHNIC GROUPS IN FILMS ; CENSORSHIP ; HERO IN FILMS ; MODERNISM AND THE CINEMA ; FILMS IN FILMS ; DRUGS IN FILMS ; POLITICS AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; DETECTIVE FILMS ; SOCIAL-REALISM IN FILMS ; CRIMINALS IN FILMS ; VIOLENCE IN FILMS ; WAR VETERANS IN FILMS ; SOCIAL PROBLEMS IN FILMS ; WASHINGTON, DENZEL ; ALDRICH, ROBERT ; CHANDLER, RAYMOND ; DUNAWAY, FAYE ; MUSURACA, NICHOLAS ; FRANKLIN, CARL ; FRANKENHEIMER, JOHN ; GREENE, GRAHAM ; HAMMETT, DASHIELL ; JACKSON, SAMUEL L. ; LADD, ALAN ; BLUE DAHLIA, THE (US, George Marshall, 1946) ; PULP FICTION (US, Quentin Tarantino, 1994) ; CHINATOWN (US, Roman Polanski, 1974) ; CROSSFIRE (US, Edward Dmytryk, 1947) ; DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; MALTESE FALCON, THE (US, John Huston, 1941) ; OUT OF THE PAST (US, Jacques Tourneur, 1947) Notes: Includes bibliographical references (p. 309-318) and indexesISBN: 0520212932 (alk. paper); 0520212940 (pbk. : alk. paper)LON: 13441055
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Motion picture directing : the facts and theories of the newest art New York: Falk Publishing Co, [c1922].
Call No: 225 MILAuthor: Milne, Peter, 1896 CorpAuthor: New York institute of photographyPlace: New YorkPublisher: Falk Publishing CoPubDate: [c1922]PhysDes: 234 p. illus. 24 cmSubject: DIRECTION ; DEMILLE, CECIL B. ; GRIFFITH, DAVID WARK ; BORZAGE, FRANK ; INCE, THOMAS HARPER ; LUBITSCH, ERNST ; DEMILLE, WILLIAM ; INGRAM, REX ; MAY, JOE ; NEILAN, MARSHALL Notes: "Used as a supplementary text in New York institute of photography."LON: 1091908
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MOULIN DEVELEY SIS A LA QUIELLE, LE : (SZ, Claude Champion, 1971)
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The movie book of the western / edited by Ian Cameron and Douglas Pye London: Cassell, 1996.
Call No: 736.1 MOVAuthor: Cameron, Ian ; Pye, Douglas Place: LondonPublisher: CassellPubDate: 1996PhysDes: 320 p.: ill. ; 26 cmSubject: WESTERNS ; FORD, JOHN ; CIMINO, MICHAEL ; CUKOR, GEORGE ; DIETRICH, MARLENE ; Peckinpah, Sam ; WAYNE, JOHN ; DAVES, DELMER ; MANN, ANTHONY ; BOETTICHER, BUDD ; COSTNER, KEVIN ; BROKEN ARROW (US, Delmer Daves, 1950) ; DRUM BEAT (US, Delmer Daves, 1954) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; JUBAL (US, Delmer Daves, 1956) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; [THREE TEN] 3:10 TO YUMA (US, Delmer Daves, 1957) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DRUMS ALONG THE MOHAWK (US, John Ford, 1939) ; FORT APACHE (US, John Ford, 1948) ; DUEL IN THE SUN (US, King Vidor, 1946) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962) ; HUD (US, Martin Ritt, 1962) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LEFT-HANDED GUN, THE (US, Arthur Penn, 1958) ; MISFITS, THE (US, John Huston, 1961) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RIO BRAVO (US, Howard Hawks, 1959) ; SHANE (US, George Stevens, 1953) ; VERA CRUZ (US, Robert Aldrich, 1954) ; WESTWARD THE WOMEN (US, William Wellmann, 1951) ; LONELY ARE THE BRAVE (US, David Miller, 1962) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; SEARCHERS, THE (US, John Ford, 1956) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) Notes: Includes indexISBN: 0289801400LON: abn95121731; 11553420
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Movie Christs and antichrists / Peter Malone Eastwood, N.S.W.: Parish Ministry Publications, 1988.
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The movie directors story / Joel W. Finler London: Octopus Books, 1985.
Call No: 802.25 FIN; FOLIOAuthor: Finler, Joel W. (Joel Waldo), 1938 Source: UKPlace: LondonPublisher: Octopus BooksPubDate: 1985PhysDes: 272 p. : ill. ; 33 cmSubject: DIRECTORS ; FILM WORKERS ; HISTORY OF CINEMA ; INDUSTRY, FILM. USA ; STAR SYSTEM Summary: "Since the earliest days of cinema, the director has combined and controlled all the elements of film-making. His status and independence have waxed and waned but he has always - rightly or wrongly - been credited with a film's success or blamed for its failure. Here is the absorbing account of 140 careers, ranging across the spectrum from studio work-horse to acknowledged genius. The famous director-star partnerships, such as Clarence Brown and Greta Garbo, John Ford and John Wayne, Josef von Sternberg, and Marlene Dietrich, Martin Scorsese and Robert de Niro are all here, as are the unknown but invaluable contract directors, the great innovators, the writer-directors and the rebels. Each entry is generously illustrated with pictures of the directors themselves, as well as scenes from their most characteristic movies. The selection has been made to give a has been made to give a varied and representative view of the director's contribution to the English speaking cinema in general and Hollywood in particular." [Taken from book jacket]Notes: Includes indexesISBN: 0706422880LON: 4458266 4458266
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Movie love in the fifties / James Harvey New York: Alfred A. Knopf,
Call No: 733.3(73)"5" HARAuthor: Harvey, James Edition: 2001Place: New YorkPublisher: Alfred A. KnopfPhysDes: 464 pages : illustrated ; 25 cmSubject: ACTORS ; STARS ; DIRECTORS ; HITCHCOCK, ALFRED ; RAY, NICHOLAS ; KAZAN, ELIA ; SIRK, DOUGLAS ; SIODMAK, ROBERT Summary: From the author of Romantic Comedy (“brilliant, meticulous, a monumental work of scholarship” —Margo Jefferson, New York Times), a fresh, illuminating look at the films of the 1950s.
Harvey begins by mapping the progression from 1940s film noir to the living-room melodramas of the 1950s. He shows us the femme fatale of the 1940s (Barbara Stanwyck, Joan Bennett) becoming blander and blonder (Doris Day, Debbie Reynolds) and younger and more traditionally sexy (Marilyn Monroe, Grace Kelly) in the 1950s. And he shows us how women were finally replaced as objects of desire by the new boy-men—Clift, Brando, Dean, and other rebels without causes.
Harvey discusses the films of Hitchcock (Vertigo), Ophuls (The Reckless Moment), Siodmak (Christmas Holiday), and Welles (Touch of Evil, perhaps the single greatest influence on the “post-classical” movies). He writes about the quintessential 1950s directors: Nicholas Ray, who made movies in the old Hollywood tradition (In a Lonely Place, Johnny Guitar), and Douglas Sirk, who portrayed suburbia as an emotional deathtrap (Imitation of Life, Magnificent Obsession). And he discusses the “serious” directors, such as Stanley Kramer and Elia Kazan, whose films exhibited powerful new realism.
Comprehensive, insightful, written with intelligence, humor, and affection, Movie Love in the Fifties is a masterful work of American film, and cultural, history. -- publisher's blurbISBN: 9780394585918Donation: James Sabine
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Movie magic : the story of special effects in cinema / John Brosnan London: Abacus, 1977.
Call No: 236 BROAuthor: Brosnan, John Source: UKPlace: LondonPublisher: AbacusPubDate: 1977PhysDes: 207 p. : ill. ; 20 cmSubject: SPECIAL EFFECTS ; HORROR FILMS ; SCIENCE-FICTION FILMS ; FANTASTIC FILMS ; DISASTER FILMS ; MODEL WORK ; MONSTERS IN FILMS ; WAR FILMS ; ANIMATION ; MONSTER DESIGN ; MINIATURE WORK ; OPTICAL EFFECTS ; MATTES ; FRONT PROJECTION ; CINEMATOGRAPHY ; HIGH-SPEED CINEMATOGRAPHY ; MAKE-UP ; SPLIT SCREEN ; STOP-MOTION TECHNIQUE ; STUNTS ; CAMERAS ; TRAVELLING MATTE ; EXPLOSIONS IN FILMS ; HARRYHAUSEN, RAY ; PAL, GEORGE ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; POSEIDON ADVENTURE, THE (US, Ronald Neame, 1972) Notes: first published in Great Britain by Macdonald and Jane's 1974; Includes: Appendix with Academy Awards winners and nominees for Engineering Effects/Special Effects from 1927-8 to 1975-6; References; Bibliography; Index of Names; Index of Film Titles; Index of Subjects and TechniquesISBN: 0349103682Donation: donated by the family of Wayne Levy, 2006
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Movie star : a look at the women who made Hollywood / by Ethan Mordden New York: St. Martin's Press, 1983.
Call No: 451-02 MORAuthor: Mordden, Ethan, 1947 Place: New YorkPublisher: St. Martin's PressPubDate: 1983PhysDes: xii, 296 p., [40] p. of plates : ports. ; 24 cmSubject: WOMEN IN FILMS ; STAR SYSTEM ; ACTORS ; BOW, CLARA ; SWANSON, GLORIA ; PICKFORD, MARY ; GISH, LILLIAN ; GAYNOR, JANET ; SHEARER, NORMA ; GARBO, GRETA ; Crawford, Joan ; LOY, MYRNA ; GARSON, GREER ; DIETRICH, MARLENE ; HARLOW, JEAN ; WEST, MAE ; Lombard, Carole ; DAVIES, MARION ; BALL, LUCILLE ; HEPBURN, KATHARINE ; RUSSELL, ROSALIND ; FAYE, ALICE ; Stanwyck, Barbara ; DAVIS, BETTE ; TEMPLE, SHIRLEY ; GARLAND, JUDY ; TAYLOR, ELIZABETH ; HAYWORTH, RITA ; GRABLE, BETTY ; GARDNER, AVA ; MONROE, MARILYN ; MANSFIELD, JAYNE ; NOVAK, KIM ; HOLLIDAY, JUDY ; HEPBURN, AUDREY ; DAY, DORIS ; ANDREWS, JULIE ; STREISAND, BARBRA ; MINNELLI, LIZA ; BERGMAN, INGRID ; WELCH, RAQUEL ; Keaton, Diane ; FONDA, JANE ; DRESSLER, MARIE ; DUNNE, IRENE ; LAWRENCE, FLORENCE ; BARA, THEDA ; MURRAY, MAE ; MOORE, COLLEEN ; ALLEN, GRACIE ; BLONDELL, JOAN ; TOMLIN, LILY Notes: Includes index; Bibliography: p. [285]-289ISBN: 0312550502 (pbk.); 0312550499LON: 83003024; 2457302
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Old collection
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Movies / Manny Farber New York: Hillstone,
Call No: 67(04) FARAuthor: Farber, Manny Place: New YorkPublisher: HillstonePhysDes: viii, 288 p., [18] of plates : ill. ; 21 cm.Subject: ACTORS ; EXPERIMENTAL FILMS ; FESTIVALS. NEW YORK ; UNDERGROUND FILMS ; AGEE, JAMES ; ALDRICH, ROBERT ; ANTONIONI, MICHELANGELO ; BERGMAN, INGMAR ; BOGARDE, DIRK ; BOGART, HUMPHREY ; BRESSON, ROBERT ; BUNUEL, LUIS ; BURTON, RICHARD ; DENEUVE, CATHERINE ; FONDA, HENRY ; FORD, JOHN ; FULLER, SAMUEL ; GODARD, JEAN-LUC ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; KAZAN, ELIA ; MANN, ANTHONY ; MOREAU, JEANNE ; SIEGEL, DON ; SNOW, MICHAEL ; STEVENS, GEORGE ; STURGES, PRESTON ; TAYLOR, ELIZABETH ; ASPHALT JUNGLE, THE (US, John Huston, 1950) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) ; BIG CLOCK, THE (US, John Farrow, 1947) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BODY SNATCHER, THE (US, Robert Wise, 1945) ; CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944) ; DETECTIVE STORY (US, William Wyler, 1951) ; FLAMING STAR (US, Don Siegel, 1960) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; HIS KIND OF WOMAN (US, John Farrow, 1951) ; HIS GIRL FRIDAY (US, Howard Hawks, 1940) ; KILLERS, THE (US, Robert Siodmak, 1946) ; ODD MAN OUT (UK, Carol Reed, 1947) ; LADY FROM SHANGHAI, THE (US, Orson Welles, 1948) ; PICKUP ON SOUTH STREET (US, Samuel Fuller, 1953) ; PROWLER, THE (US, Joseph Losey, 1950) ; RED RIVER (US, Howard Hawks, 1948) ; ROARING TWENTIES, THE (US, Raoul Walsh, 1939) ; SCAR OF SHAME, THE (US, Frank Peregini, 1927) ; SET-UP (US, Kathryn Bigelow, 1978) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; SULLIVAN'S TRAVELS (US, Preston Sturges, 1942) ; SUNSET BOULEVARD (US, Billy Wilder, 1950) ; THIRD MAN, THE (UK, Carol Reed, 1949) Notes: Includes index.; Orginally published as: Negative space
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The movies begin : making movies in New Jersey 1887-1920 / Paul C. Spehr Newark, New Jersey: Newark Museum, 1977.
Call No: 70"00:01" SPEAuthor: Spehr, P.C. Source: USPlace: Newark, New JerseyPublisher: Newark MuseumPubDate: 1977PhysDes: 191 p. : illustrations ; 26 cmSubject: HISTORY AND THE CINEMA. USA ; HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. USA ; HISTORY OF EXHIBITION ; EDISON, THOMAS ALVA ; DICKSON, W. K. L. ; DICKSON EXPERIMENTAL SOUND FILM (US, W.K.L. Dickson, 1894) Summary: "Stills, production photographs, and rare portraits are featured in a study of Edison's development of movie equipment and the stars, studios, and events that marked the growth of the movie industry in New Jersey" -- From Internet Archive https://archive.org/details/moviesbeginmakin0000spehNotes: Includes bibliography; Includes indexISBN: 0871001217Contents: Introduction: Samual C. Miller -- Acknowledgement: Paul C. Spehr -- Pre-Cinema: The Times and the man, Making pictures move, Photography and motion -- Invention and early development: Thomas A. Edison and William K. Dickson, THomas A. Edison: the first films, Edison and Dickson: what did they contribute to movies?, Film theatres and early filmmaking -- Early filmmaking in New Jersey: On location in New Jersey, The Motion Picture Patents Co. and The Independents -- The Studios -- The Personalities
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journal article
Movies On My Mind : An Interview with Stig Bjorkman in Melbourne Film Bulletin (July 1969) iss.9 p.3-8
Author: Gardner, Geoffrey and Mogg, Ken and Simpson, Brian PhysDes: ArticleSubject: BJORKMAN, STIG ; DIRECTORS. SWEDEN ; BERGMAN, INGMAR ; SWEDEN ; GODARD, JEAN-LUC Summary: Interview with Swedish director Stig Bjorkman, who comments not only on his film "I Love, You Love", but on the work of his contempories, especially Bergman and Godard.
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The moving image : a guide to cinematic literacy / Robert Gessner New York: Dutton, 1970.
Call No: 62 GESAuthor: Gessner, Robert, 1907-1968 Place: New YorkPublisher: DuttonPubDate: 1970PhysDes: 444 p. : ill. ; 21 cmSubject: SCRIPTWRITING ; DIALOGUE Notes: Includes index; Bibliography: p. [409]-420ISBN: 0525472754LON: abn87068222; 5186711URL status: URL: 'http://-'
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still
[Mr Electric : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 13 x 18 cmSubject: DINGO, ERNIE Summary: Black and white photograph of Ernie Dingo dressed in a slouch hat and presumably in the outback
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Mr Showbiz : the biography of Robert Stigwood / by Stephen Dando-Collins North Sydney: Penguin Random House Australia Pty Ltd, 2017.
Call No: 81STI DANAuthor: Dando-Collins, Stephen Source: ATPlace: North SydneyPublisher: Penguin Random House Australia Pty LtdPubDate: 2017PhysDes: xi, 418 pages, 16 unnumbered pages of plates : illustrations (some in colour), portraits ; 24 cm.Subject: PRODUCERS ; DIRECTORS ; THEATRE AND THE CINEMA ; AUSTRALIA ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; STIGWOOD, ROBERT Summary: "In the 1970s, Australian entrepreneur Robert Stigwood was the entertainment industry's most powerful tycoon. This is his largest-than-life story. Stiggy's ability to pick and promote talent was astounding. He came to renown managing the careers of the Bee Gees, Cream and Eric Clapton and Grease, and was behind the massive West End and Broadway musicals Hair and Jesus Christ Superstar. There were also great crashes, including an infamous Chuck Berry tour that failed to attract audiences and forced the Australian impresario into bankruptcy. The failure of the big-budget musical film of the Beatles' album Sgt. Pepper's Lonely Hearts Club Band also cut deep. Throughout it all, Stigwood lived it up with champagne, staff, private planes, yachts and luxury penthouses. The parties he hosted were legendary, as was his ability to party all night long and pull off a substantial business deal the next morning. Great rifts arose in almost all of his closest personal and professional relationships, but his gift for friendship and enormous talents in the entertainment business generally saw rapprochement. Not for nothing was Robert Stigwood dubbed "Mt Showbiz". "-- BOOK BACK COVERNotes: Includes bibliographical references (pages 404-407) and indexISBN: 9781925324747Contents: -- acknowledgments -- preface -- act one: the rise and fall of a bloke called bob -- Jesus Christ, a Superstar! -- a starmaker is born -- king of the arts -- chasing a dream -- becoming the starmaker -- on the up -- going bust -- act two: the remaking of Robert -- cream of the crop -- getting into bed with Brian Epstein -- three brothers with the voices of angels -- save the Bee Gees! -- the king is dead, long live the king -- the irresistable rise of RSO -- hair, there and everywhere -- forging ahead with blind faith -- all in the family -- enter Rice and Lloyd Webber -- Joseph, Jeeves, Evita and a red crow -- Tommy brings back Clapton -- conquering America -- the Travolta trilogy -- greasing the wheels -- Sgt. Pepper's, a business deal set to music -- a racehorse, a yacht, an island -- a year of love and war -- upping anchor -- act three: Stiggy sails into the sunset -- not so plain sailing -- lord of the manor -- the last lap -- Stiggy's final after party -- bibliography -- index --
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title clippings file
MUDE TOD, DER : (G, Fritz Lang, 1921)
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Multiple voices in feminist film criticism / Diane Carson,Linda Dittmar, and Janice R. Welsch, editors Minneapolis: University of Minnesota Press, 1994.
Call No: 626:396 MULAuthor: Carson, Diane ; Dittmar, Linda, 1938 ; Welsch, Janice R Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1994PhysDes: ix, 547 p. : ill. ; 24 cmSubject: FEMINISM AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; WOMEN IN FILMS. MEXICO ; WOMEN IN FILMS. CHINA ; WOMEN IN FILMS. THIRD WORLD ; WOMEN IN FILMS. CUBA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; ETHNIC GROUPS IN FILMS ; BORDEN, LIZZIE ; DASH, JULIE ; DIETRICH, MARLENE ; DOANE, MARY ANN ; GARBO, GRETA ; GORRIS, MARLEEN ; GUY-BLACHE, ALICE ; MULVEY, LAURA ; TRINH, T. MINH-HA ; BAHTIN, MIHAIL ; ARZNER, DOROTHY ; FIELD, CONNIE ; CHENZIRA, AYOKA ; SAYONARA (US, Joshua Logan, 1957) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; SWING SHIFT (US, Jonathan Demme, 1984) ; SUZANNE, SUZANNE (US, Camille Billops & James Hatch, 1982) ; RAMPARTS D'ARGILE (FR/AE, Jean-Louis Bertuccelli, 1970) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; BORN IN FLAMES (US, Lizzie Borden, 1983) ; DRY WHITE SEASON, A (US, Euzhan Palcy, 1989) ; MARRYING KIND, THE (US, George Cukor, 1952) ; MARTY (US, Delbert Mann, 1954) ; MOROCCO (US, Josef von Sternberg, 1930) ; PILLOW TALK (US, Michael Gordon, 1959) ; RETRATO DE TERESA (CU, Pastor Vega, 1979) ; QINGCHUN JI (CC, Zhang Nuanxin, 1986) ; SURNAME VIET GIVEN NAME NAM (US, Trinh T. Minh-ha, 1989) ; BLACK FURY (US, Michael Curtiz, 1934) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) Notes: Includes bibliographical references and indexISBN: 0816622728(acid-free paper); 0816622736 (pbk.)LON: 10052767
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Music, sound and filmmakers : sonic style in cinema / edited by James Wierzbicki New York : London: Routledge, 2012.
Call No: 634 MUSAuthor: Wierzbicki, James (ed.) Source: US/UKPlace: New York : LondonPublisher: RoutledgePubDate: 2012PhysDes: xv, 210 p. : ill. ; 23 cmSeries: Routledge music and screen media seriesSubject: DIRECTORS ; FILM ; FILM WORKERS ; LYNCH, DAVID ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; PRODUCERS ; SOUND ; SOUND EDITING ; SOUND EFFECTS ; SOUND RECORDING ; ANDERSON, WES ; BERGMAN, INGMAR ; COEN, JOEL & ETHAN ; GREENAWAY, PETER ; KIESLOWSKI, KRZYSZTOF ; KUBRICK, STANLEY ; SELZNICK, DAVID O. ; TARANTINO, QUENTIN ; TARKOVSKY, ANDREI ; VAN SANT, GUS Summary: "Music, Sound and filmmakers: Sonic Style in Cinema examines the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieslowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music Coursework, or stand on its own among a body of research. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780415898942Contents: -- series foreword -- preface -- acknowledgments -- 1: sonic style in cinema / James Wierzbicki -- 2: Music, sound, and silence in the films of Ingmar Bergman / Per F. Broman -- 3: Andrey Tarkovsky : the refrain of the sonic fingerprint / Elizabeth Fairweather -- 4: "It's all really happening" : sonic shaping in the films of Wes Anderson / Ben Winters -- 5: Kieslowski's musique concre`te / Joseph G. Kickasola -- 6: Gus Van Sant's soundwalks and audio-visual musique concre`te / Danijela Kulezic-Wilson -- 7: Blowin' in the wind : music and meaning in the Coen Brothers' films / Matthew McDonald -- 8: Sound and uncertainty in the horror films of the Lewton Unit / Michael Lee -- 9: Conducting the composer : David O. Selznick and the Hollywood film score / Nathan Platte -- 10: The Stanley Kubrick experience : music, firecrackers, disorientation, and you / Kate McQuiston -- 11: The filmmaker's contract : controlling sonic space in the films of Peter Greenaway / Ian Sapiro -- 12: The attractions of repetition : Tarantino's sonic style / Lisa Coulthard -- 13: Dream timbre : notes on Lynchian sound design / Isabella van Elferen -- list of contributors -- bibliography -- index --
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Interim
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My first movie / edited by Stephen Lowenstein London: Faber and Faber Limited, 2000.
Call No: 802.25 MYFAuthor: Lowenstein, Stephen Source: UKPlace: LondonPublisher: Faber and Faber LimitedPubDate: 2000PhysDes: xiv, 360 p. ; [12 plates]Subject: ALMODOVAR, PEDRO ; ANDERS, ALLISON ; BUSCEMI, STEVE ; COEN, JOEL & ETHAN ; DICILLO, TOM ; FIGGIS, MIKE ; FREARS, STEPHEN ; HOGAN, P.J. ; JORDAN, NEIL ; LEE, ANG ; LEIGH, MIKE ; LEVINSON, BARRY ; LOACH, KENNETH ; MANGOLD, JAMES ; MINGHELLA, ANTHONY ; NAIR, MIRA ; OLDMAN, GARY ; SMITH, KEVIN ; STONE, OLIVER ; TAVERNIER, BERTRAND ; BLOOD SIMPLE (US, Joel Coen, 1984) ; GAS FOOD LODGING (US, Allison Anders, 1992) ; JOHNNY SUEDE (US, Tom DiCillo, 1991) ; CLERKS (US, Kevin Smith, 1994) ; DINER (US, Barry Levinson, 1982) ; SALVADOR (US, Oliver Stone, 1986) ; ANGEL [DANNY BOY] (IE/UK, Neil Jordan, 1982) ; TRULY, MADLY, DEEPLY (UK, Anthony Minghella, 1990) ; SALAAM BOMBAY! (II/UK/FR, Mira Nair, 1988) ; STORMY MONDAY (UK, Mike Figgis, 1988) ; PEPI, LUCI, BOM Y OTRAS CHICAS DEL MONTON (SP, Pedro Almodovar, 1980) ; TREES LOUNGE (US, Steve Buscemi, 1996) ; NIL BY MOUTH (UK, Gary Oldman, 1997) ; TUI SHOU (TZ, Ang Lee, 1992) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; HEAVY (US, James Mangold, 1995) ; HORLOGER DE SAINT-PAUL, L' (FR, Bertrand Tavernier, 1974) ; BLEAK MOMENTS (UK, Mike Leigh, 1971) ; POOR COW (UK, Kenneth Loach, 1967) ; GUMSHOE (UK, Stephen Frears, 1971) Summary: Interviews with film-makers about making their first film.ISBN: 0571196691
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journal article
Myst opportunities : Infog97 in Practice (Spring/Summer 1997) iss.2 p.27-28
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Myth & meaning : Australian film directors in their own words / Peter Malone Sydney: Currency Press, 2000.
Call No: 802.25(94) MALAuthor: Malone, Peter (Peter J.) Source: ATPlace: SydneyPublisher: Currency PressPubDate: 2000PhysDes: 1 vSubject: DIRECTORS. AUSTRALIA ; ARMSTRONG, GILLIAN ; BERESFORD, BRUCE ; BURSTALL, TIM ; CROMBIE, DONALD ; DE HEER, ROLF ; HICKS, SCOTT ; MILLER, GEORGE ; NOYCE, PHIL ; PARSONS, NICHOLAS ; RUANE, JOHN ; SCHEPISI, FRED ; STORM, ESBEN ; TASS, NADIA ; THORNHILL, MICHAEL ; WALLACE, STEPHEN ; WINCER, SIMON Notes: Includes indexISBN: 0868196096 : $27.50LON: 21841061
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journal article
The myth of apocalypse and the horror film : the primacy of Psycho and The Birds in Hitchcock annual (1995-96) p.38-60
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Mythopoetic cinema : on the ruins of European identity / Ravetto-Biagioli, Kriss New York: Columbia University Press, 2017.
Call No: 408.1(4) RAVAuthor: Ravetto-Biagioli, Kriss CorpAuthor: ProQuestPlace: New YorkPublisher: Columbia University PressPubDate: 2017PhysDes: 314 pages : illustrations ; 24 cm.Subject: NATIONAL IDENTITY AND THE CINEMA. EUROPEAN COUNTRIES ; RUSSKIJ KOVCHEG (RU, Aleksandr Sokurov, 2002) ; DESTRICTED (UK/US, various, 2006) ; NOTRE MUSIQUE (FR/SZ, Jean-Luc Godard, 2004) ; MEGALEXANDROS, O (GR/IT, Theo Angelopoulos, 1980) Summary: "In Mythopoetic Cinema, Kriss Ravetto-Biagoli explores how contemporary European filmmakers treat mythopoetics as a critical practice that questions the constant need to provide new identities in a new Europe, and with it a new European cinema after the fall of the Soviet Union. Examining the work of Alexander Sokurov, Theodoros Angelopoulos, Marina Abramovic, and Jean-Luc Godard, she analyzes the ways in which these filmmakers engage and evaluate the recent reconceptualization of Europe's borders, mythic figures, and identity paradoxes, as well as how their work questions the ability of the moving image to challenge conventional ways of understanding history."Notes: Also issued online.
ProQuest Ebook Central Rental.
Includes bibliographical references (pages 277-304) and index.
In English.ISBN: 9780231182195Contents: Introduction
Floating on the borders of Europe : Aleksandr Sokurov's Russian ark
O Megalexandros : falling in and out of dreams
In Balkan : Marina Abramovic and the politics of the suffering body
Notre musique : on the ruins of the divine
Epilogue : the politics of confrontation.
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Naked Hollywood : money, power, and the movies / Nicolas Kent London: BBC Books, 1991.
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The name above the title : an autobiography New York: Macmillan, c1971.
Call No: 81CAP CAPAuthor: Capra, Frank, 1897 Place: New YorkPublisher: MacmillanPubDate: c1971PhysDes: xii, 513 p. illus., ports. 24 cmSubject: DIRECTORS ; HISTORY OF CINEMA ; CAPRA, FRANK ; COHN, HARRY ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; WHY WE FIGHT SERIES (US, 1942-44) Summary: "THE NAME ABOVE THE TITLE provides a star vehicle for one of the few really great men of moviedom. The history of Hollywood and the story of Frank Capra's forty-year career there run parallel: the rise of the motion picture from Mack Sennett's Keystone Klown Kollege through the triumphant years of the best and most loved movies ever made - many of them with Capra's name above the title." [Taken from book jacket]Notes: Contains indexLON: 72135643; 602321
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NAPLO GYERMEKEIMNEK : (HU, Marta Meszaros, 1984)
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Narration in light : Studies in cinematic point of view / George M. Wilson Baltimore: The John Hopkins University Press, 1986.
Call No: 632.51 WILAuthor: Wilson, M. George Source: USPlace: BaltimorePublisher: The John Hopkins University PressPubDate: 1986PhysDes: x, 223 p. : ill. ; 24 cmSubject: POINT-OF-VIEW ; NARRATIVE IN FILMS ; COMMENTARY ; SPECTATORSHIP ; PERCEPTION ; MCCABE, COLIN ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) ; DEVIL IS A WOMAN, THE (IT, Josef von Sternberg, 1935) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) Notes: Includes index; Bibliography: p. 209-219ISBN: 0801831377Contents: Film, perception, and point of view -- Fritz Lang's You only live once -- Coherence and transparency in classical narrative film -- Alfred Hitchcock's North by Northwest -- Some modes of nonomniscience -- Max Ophuls' Letter from an unknown woman -- On narrators and narration in film -- Josef von Sternberg's The devil is a woman -- Nicholas Ray's Rebel without a cause -- Morals for method
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Nature of film : the redemption of physical reality / Siegfried Kracauer London: Dennis Dobson, 1961.
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Negative space : Manny Farber on the movies / new preface by Robert Walsh New York: Da Capo Press, 1998.
Call No: 67(04) FARAuthor: Farber, Manny Edition: Expanded edPlace: New YorkPublisher: Da Capo PressPubDate: 1998PhysDes: xiv, 412 p. ; 21 cmSubject: FESTIVALS. NEW YORK ; HAWKS, HOWARD ; HUSTON, JOHN ; LEWTON ,VAL ; AGEE, JAMES ; STURGES, PRESTON ; CAPRA, FRANK ; SIEGEL, DON ; FULLER, SAMUEL ; SNOW, MICHAEL ; GODARD, JEAN-LUC ; BUNUEL, LUIS ; WALSH, RAOUL ; ROEG, NICOLAS ; HERZOG, WERNER ; FASSBINDER, RAINER WERNER ; FARBER, MANNY ; AKERMAN, CHANTAL ; JONES, CHUCK ; Stewart, James ; FORD, JOHN ; WALSH, RAOUL ; WARHOL, ANDY ; PATTERSON, PATRICIA ; WAVELENGTH (US, Michael Snow, 1967) ; FAR COUNTRY, THE (US, Anthony Mann, 1954) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; DETECTIVE STORY (US, William Wyler, 1951) ; HOME OF THE BRAVE (US, Mark Robson, 1949) ; SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; CITIZEN KANE (US, Orson Welles, 1941) ; GRADUATE, THE (US, Mike Nichols, 1967) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) Summary: Manny Farber, one of the most important and entertaining critics in movie history, championed the American action film - the bravado of Howard Hawks, the art brut styling of Samuel Fuller, the crafty, sordid entertainments of Don Siegel - at a time when other critics dismissed the genre. His witty, incisive criticism later worked exacting language into an exploration of the feelings and strategies that went into low-budget and radical films as diverse as Michael Snow's Wavelength, Werner Herzog's Fata Morgana, and Shantal Akerman's Jeanne Dielman. Expanded with an in-depth interview and seven essays written in collaboration with his wife, artist Patricia Patterson, Negative Space gathers Farber's most influential writings, making this an indispensable collection for all lovers of filmNotes: "First Da Capo Press edition"--T.p. verso; Includes indexISBN: 0306808293 (pbk. : alk. paper)LON: 13667387
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Netflix CEO 'unconcerned' about local use of VPNs in Australian Financial Review [Technology] (17/03/2015) p.26
Call No: SUBJECT CLIPPINGS FILE; NETFLIXAuthor: Chow, Ky PhysDes: Clippings File ArticleSubject: NETFLIX ; DIGITAL DISTRIBUTION Summary: Netflix talks about the Australian digital television market and how they are poised to enter that market
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Netflix nation : the geography of digital distribution / Ramon Lobato New York: New York University Press,
Call No: 386.5-5 LOBAuthor: Lobato, Ramon Edition: 2019Place: New YorkPublisher: New York University PressPhysDes: xii, 236 pages : illustrated ; 21 cmSeries: Critical Cultural CommunicationSubject: NETFLIX ; VIDEO ON DEMAND ; DIGITAL DISTRIBUTION Summary: Television, once a broadcast medium, now also travels through our telephone lines, fiber optic cables, and wireless networks. It is delivered to viewers via apps, screens large and small, and media players of all kinds. In this unfamiliar environment, new global giants of television distribution are emerging—including Netflix, the world’s largest subscription video-on-demand service.
Combining media industry analysis with cultural theory, Ramon Lobato explores the political and policy tensions at the heart of the digital distribution revolution, tracing their longer history through our evolving understanding of media globalization. Netflix Nations considers the ways that subscription video-on-demand services, but most of all Netflix, have irrevocably changed the circulation of media content. It tells the story of how a global video portal interacts with national audiences, markets, and institutions, and what this means for how we understand global media in the internet age.
Netflix Nations addresses a fundamental tension in the digital media landscape – the clash between the internet’s capacity for global distribution and the territorial nature of media trade, taste, and regulation. The book also explores the failures and frictions of video-on-demand as experienced by audiences. The actual experience of using video platforms is full of subtle reminders of market boundaries and exclusions: platforms are geo-blocked for out-of-region users (“this video is not available in your region”); catalogs shrink and expand from country to country; prices appear in different currencies; and subtitles and captions are not available in local languages. These conditions offer rich insight for understanding the actual geographies of digital media distribution.
Contrary to popular belief, the story of Netflix is not just an American one. From Argentina to Australia, Netflix’s ascension from a Silicon Valley start-up to an international television service has transformed media consumption on a global scale. Netflix Nations will help readers make sense of a complex, ever-shifting streaming media environment. -- publisher's web siteISBN: 9781479804948
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New American filmmakers : selections from the Whitney Museum of American Art Film Program New York, N.Y.: American Federation of Arts, c1976.
Call No: 802.25(73) NEWCorpAuthor: Whitney Museum of American Art. Film ProgramPlace: New York, N.Y.Publisher: American Federation of ArtsPubDate: c1976PhysDes: 95 p. : illSubject: DIRECTORS. USA Notes: Bibliography: p. 90LON: 2453599
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New Aussie Pics at AFM in Variety (19/02/1986) vol.322 iss.4 p.146, 163, 177
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; AMERICAN FILM MARKET ; MALCOLM (AT, Nadia Tass, 1986) ; BLISS (AT, Ray Lawrence, 1985) ; ARCHER (AT, Denny Lawrence, 1985) ; AUSTRALIAN DREAM (AT, Jack McKimmie, 1986) ; DEVIL IN THE FLESH (AT, Scott Murray, 1986) ; DOT AND KEETO (AT, Yoram Goss, 1986) ; FAIR GAME (AT, Mario Andreacchio, 1986) ; KANGAROO (AT, Tim Burstall, 1986) ; PERFECTIONIST, THE (AT, Chris Thomson, 1985) ; TWELFTH NIGHT (AT, Neil Armfield, 1986) Summary: List of Australian productions screening at the American Film Market. Later pages include posters for MALCOM and BLISS.
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New documentary : a critical introduction / Stella Bruzzi London New York: Routledge, 2000.
Call No: 761 BRUAuthor: Bruzzi, Stella, 1962 Place: London New YorkPublisher: RoutledgePubDate: 2000PhysDes: 199 p. : ill. ; 24 cmSubject: CINEMA VERITE ; DOCUMENTARIES ; GENOCIDE IN FILMS ; KENNEDY [JOHN FITZGERALD] IN FILMS ; SOAP OPERAS ; ANTONIO, EMILE DE ; BROOMFIELD, NICK ; DINEEN, MOLLY ; LANZMANN, CLAUDE ; MARKER, CHRIS ; MAYSLES, ALBERT & DAVID ; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982) ; CRUISE, THE (US, Bennet Miller, 1998) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) Summary: "New Documentary: A Critical Introduction provides a contemporary look at documentary and fresh and challenging ways of theorising the non-fiction film. This engaging textbook brings the study of documentary up to date by examining critical issues of performance, gender, authorship and spectatorship and suggests how these are important to an understanding of documentary cinema. Areas addressed include: key texts such as Zapruder's film of Kennedy's Assassination, Shoah, The Leader, His Driver and the Driver's Wife and the Atomic Cafe; the works of filmmakers such as Emile de Antonio, Chris Marker, Nicholas Barker, Nick Broomfield, Molly Dineen and Patrick Kieller; an analysis of the key aspects of documentary such as the use of voice-over and archive, American cinema verite, docusoaps and political image-making; an innovative examination of the importance of performance to documentary; interviews with contemporary documentary filmmakers." -- BOOK BLURBNotes: Includes bibliographical referencesISBN: 0415182956 (alk. paper); 0415182964 (pbk. : alk paper)LON: 21418546
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The new German cinema / John Sandford London: Eyre Methuen, 1981.
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New German filmmakers : from Oberhausen through the 1970s / edited by Klaus Phillips New York: Ungar Pub. Co., c1984.
Call No: 802.25(430.1) HEWAuthor: Phillips, Klaus Place: New YorkPublisher: Ungar Pub. Co.PubDate: c1984PhysDes: xxv, 462 p. : ill., ports. ; 22 cmSubject: DIRECTORS. GERMANY ; ACHTERNBUSCH, HERBERT ; BRUSTELLIN, ALF ; COSTARD, HELLMUTH ; FASSBINDER, RAINER WERNER ; GEISSENDORFER, HANS W. ; HAUFF, REINHARD ; HERZOG, WERNER ; KLUGE, ALEXANDER ; LILIENTHAL, PETER ; SCHLONDORFF, VOLKER ; TROTTA, MARGARETHE VON ; STOCKL, ULA ; STRAUB, JEAN-MARIE ; HUILLET, DANIELE ; SYBERBERG, HANS JURGEN ; Wenders, Wim ; BOHM, HARK ; SINKEL, BERNHARD ; REITZ, EDGAR ; SPILS, MAY ; ENKE, WERNER Notes: Includes index; Bibliography: p. 428-462ISBN: 0804426880 : $16.95; 0804466483 (pbk.) : $9.95LON: 3146469
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New media : Theories and practices of digitextuality / Anna Everett & John T. Caldwell (eds) New York: Routledge, 2003.
Call No: 401"313" EVEPlace: New YorkPublisher: RoutledgePubDate: 2003PhysDes: 23 cm; 274 ppSeries: AFI Film ReadersSubject: MEDIA ; DIGITAL TECHNOLOGY ; PIXAR Summary: The mushroom-like growth of new media technologies is radically challenging traditional media outlets. The proliferation of DVDs, MP3s, the Internet, and other technologies has freed the public from what we used to understand as “mass media”. These seismic shifts and ruptures have shaken to their core the theoretical and pedagogical foundations of film and TV studies. The concept of “new media” demands a necessary rethinking of the field. Writing from a range of disciplines and perspectives, the contributors to New Media propose theses and conceptual frameworks capable of engaging the numerous facets of emerging digital technology. [Taken from back cover.]ISBN: 41593995X
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The New media book / Edited by Dan Harries London: bfi Publishing, 2002.
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New media technologies / edited by Ross Harley North Ryde, N.S.W. North Sydney: Australian Film Television & Radio School Australian Film Commission, 1993.
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New screen media : cinema/art/narrative / edited by Martin Reiser and Andrea Zapp London: bfi Publishing, 2002.
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New Zealand a digital dinosaur? in Encore (Apr 2000) vol.18 iss.3 p.21
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Not at a cinema near you : Australia's film distribution problem / Lauren Carroll Harris Strawberry Hills, N.S.W.: Currency House, November 2013.
Call No: 301.1-4(94)Author: Harris, Lauren Carrol Place: Strawberry Hills, N.S.W.Publisher: Currency HousePubDate: November 2013PhysDes: 90 p. ; 21cmSeries: Platform papers ; no.37Subject: DISTRIBUTION ; DISTRIBUTION. AUSTRALIA ; DIGITAL DISTRIBUTION ; VIDEODISCS ; VIDEO ON DEMAND Summary: "Lauren Carroll Harris' treatise on the state of distribution in Australia for locally produced feature films is a timely and provocative analysis of the existing structures and a powerful argument for adjustment and change in this post digital world.
Her reflections on a distribution led industry potentially replacing a production development led industry need to be seriously debated given our recent change of government and new management and key personnel at Screen Australia".
Antony I. Ginnane. -- publisher's web siteNotes: Includes reader's responses to previous Platform Papers.ISBN: 9780987211477
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O lucky man in Empire (Australian Ed.) (August 2002) iss.17 p.37
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Odeon Cinemas : 1: Oscar Deutsch entertains our nation / Alan Eyles London: Cinema Theatre Association, 2002.
Call No: 38(41) EYLAuthor: Eyles, Allen Edition: Volume OneSource: UKPlace: LondonPublisher: Cinema Theatre AssociationPubDate: 2002PhysDes: 256 p. : ill. ; 20 cmSubject: CINEMAS. UK ; CINEMAS. UK. ODEON ; DEUTSCH, OSCAR Notes: Distributed by British Film Institute PublishingISBN: 0851708137
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Offscreen onscreen : the inside stories of 60 great films / Peter van Gelder London: Aurum, 1990.
Call No: 792(047.1) GELAuthor: Van Gelder, Peter Place: LondonPublisher: AurumPubDate: 1990PhysDes: 288 p. : ill. ; 24 cmSubject: FLYING HIGH II [ ; ANNIE HALL (US, Woody Allen, 1977) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BATMAN (US, Tim Burton, 1989) ; BEVERLY HILLS COP (US, Martin Brest, 1984) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CARRY ON CLEO (UK, Gerald Thomas, 1964) ; CASABLANCA (US, Michael Curtiz, 1942) ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; CITIZEN KANE (US, Orson Welles, 1941) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; DAM BUSTERS, THE (UK, Michael Anderson, 1955) ; DIRTY HARRY (US, Don Siegel, 1971) ; DUCK SOUP (US, Leo McCarey, 1933) ; EASY RIDER (US, Dennis Hopper, 1969) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; EXORCIST, THE (US, William Friedkin, 1973) ; FANTASIA (US, Walt Disney, 1940) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933) ; FRANKENSTEIN (US, James Whale, 1931) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; GENEVIEVE (UK, Henry Cornelius, 1953) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; GOLDFINGER (UK, Guy Hamilton, 1964) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GREASE (US, Randal Kleisner, 1978) ; HARD DAY'S NIGHT, A (UK, Richard Lester, 1964) ; HENRY V (UK, Laurence Olivier, 1944) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH SOCIETY (US, Charles Walters, 1956) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951) ; LAWRENCE OF ARABIA (UK, David Lean, 1962) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MALTESE FALCON, THE (US, John Huston, 1941) ; M*A*S*H (US, Robert Altman, 1969) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PINK PANTHER, THE (US, Blake Edwards, 1964) ; PSYCHO (US, Alfred Hitchcock, 1960) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; ROAD TO MOROCCO (US, David Butler, 1942) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; STAGECOACH (US, John Ford, 1939) ; STAR WARS (US, George Lucas, 1977) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; TOOTSIE (US, Sydney Pollack, 1982) ; TOP HAT (US, Mark Sandrich, 1935) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmedLON: bnc85410161; 7335916
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On directing film / David Mamet London: Faber and Faber,
Call No: 802.25 MAMAuthor: Mamet, David Edition: 1991Place: LondonPublisher: Faber and FaberPhysDes: 108 pages : 22 cmSubject: DIRECTION ; MAMET, DAVID ISBN: 9780571165490
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On film in print : Forty five years on the road with cameras, skis, boats, and windsurfers / Warren Miller Colorado: Ritem and Printem, Inc., copyright 1994.
Call No: 81MIL MILAuthor: Miller, Warren Edition: First editionSource: USPlace: ColoradoPublisher: Ritem and Printem, Inc.PubDate: copyright 1994PhysDes: 268 pages: illustrations ; 22 cmSubject: DIRECTORS. USA ; SPORTS AND THE CINEMA ; SPORTS FILMS ; OLYMPICS IN FILMS ; MILLER, WARREN Summary: "In fifty years, a lot has happened to [Warren Miller]; this is a collection of stories about a few of those happenings, stories about brief moments in time that are frozen in his memory bank while he lurched from one near disaster to the next." - BOOK BLURBISBN: 096361441X
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Once upon a time in Bollywood : the global swing in Hindi cinema / edited by Gurbir Jolly, Zenia Wadhwani, and Deborah Barretto Toronto: Tsar, 2007.
Call No: 408.1(540) ONCSource: CNPlace: TorontoPublisher: TsarPubDate: 2007PhysDes: xiv, 192 p. ; 23 cmSubject: BOLLYWOOD ; INDIA ; CULTURE AND THE CINEMA. INDIA ; GLOBALISATION ; JOLLY, GURBIR ; DEWEY, SUSAN ; MEHTA, MONIKA ; DESAI, RADHIKA ; DECKHA, NITIN ; SHARPE, JENNY ; KAUR, RAVINDER ; ANSARI, USAMAH ; BENJAMIN, SONIA ; SAIDULLAH, AHMAD ; DEVI, PHOOLAN ; KAPUR, SHEKHAR ; THOMAS, JENNIFER ; KHAN, MENBOOB ; RUSHDIE, SALMAN ; STADTLER, FLORIAN ; MONSOON WEDDING (US/II, Mira Nair, 2001) ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; BHARAT MATA (II, Mehboob, 1957) ; MOOR'S LAST SIGH, THE Summary: "Once Upon a Time in Bollywood presents an extravaganza of essays on globalization and contemporary Hindi cinema ("Bollywood"). The wide-ranqinq analytic strategies in the collection - including ethnographic self-reflection, literary comparison, economic contextualization, and biographic study - bear witness to Hindi cinema's aesthetically elaborate and politically entangled treatment of postcolonial concerns. Together, these essays invite fresh, critically informed engagements with many of the key issues and creative tensions that continue to shape the world's most prolific film industry. For connoisseurs and critics of Hindi cinema alike, Once Upon a Time in Bollywood presents stirring insights into popular culture"--BOOK JACKETNotes: Includes bibliographical references and indexISBN: 9781894770408Contents: Introduction: Globalization: The Musical / Gurbir Jolly -- Doing Bombay Darshan: The IMF, Structural Adjustment and National Identity in the Hindi Film Industry / Susan Dewey -- Globalizing Bombay Cinema: Reproducing the Indian State and Family / Monika Mehta -- Imagi Nation: The Reconfiguration of National Identity in Bombay Cinema in the 1990s / Radhika Desai -- From Artist-as-Hero to the Creative Young Man: Bollywood and the Aestheticization of Indian Masculinity / Nitin Deckha -- Gender, Nation, and Globalization in Monsoon Wedding and Dilwale Dulhania Le jayenge / Jenny Sharpe -- Viewing the West Through Bollywood: A Celluloid Occident in the Making / RAVlNDER KAUR -- Tempting Sights and Seven Seas: The Diasporic Self, Bollywood and the Gendered Politics of National Longing / Usamah Ansari -- The Trials of a Faithful Brahmin Wife, or How I Learned to Stop Worrying and Love Roja / Sonia Benjamin -- Power and Representation in Modern Indian Cinema: Case Studies from the Toronto Film Festival (1994) / Ahmad Saidullah -- Phoolan Devi's Open Letter to the Director of the Toronto International Film Festival -- Statement From the Director of the Toronto International Film Festival -- Defining Truth: An Interview with Shekhar Kapur -- Bollywood's Female Fantasies of Resistance: Online Fan Discourse and Modern Indian Identity / Jennifer Thomas -- Nargis and Aurora Zogoiby: Imaging Mother and Nation in Mehboob Khan's Mother India and Salman Rushdie's The Moor's Last Sigh / Florian Stadtler
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One on one: David Caesar in Empire (Australian Ed.) (August 2001) iss.5 p.86-90
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PAML From live performance to the digital stage : a 5 step guide to contracting and copyright management of digital recording for the live performing arts. / Produced by the Performing Arts Multimedia Library (PAML) Pilot Project Melbourne: Cinemedia, 1999.
Call No: 432.4 PAMCopy Management: Copy 1; Copy 2CorpAuthor: CinemediaPlace: MelbournePublisher: CinemediaPubDate: 1999PhysDes: 75 p.Subject: DIGITAL TECHNOLOGY ; COPYRIGHT ; CINEMEDIA ISBN: 0646378953
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Panorama of Indian cinema / [designed and produced by the Directorate of Advertising & Visual Publicity, Ministry of I. & B. ; visualiser, M. L. Dutta Gupta and J. D. Virlley.] [New Delhi: The Directorate, 1969].
Call No: 71(540) GARCorpAuthor: India. Directorate of Advertising and Visual PublicityPlace: [New DelhiPublisher: The DirectoratePubDate: 1969]PhysDes: [80] p. : ill. ; 26 cmSubject: ACCHUT KANYA (II, Franz Osten, 1936) ; INDIA ; DO BIGHA ZAMIN (II, Bimal Roy, 1953) ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; APARAJITO (II, Satyajit Ray, 1957) ; BHARAT MATA (II, Mehboob, 1957) ; SAHIB BIBI AUR GHULAM (II, Abrar Alvi, 1962) ; CHEMMEEN (II, Ramu Kariat, 1966) ; APUR SANSAR (II, Satyajit Ray, 1958) ; SAGAR SANGAME (II, Debaki Bose, 1959) ; KALPANA (II, Uday Shankar, 1948) ; ACCHUT KANYA (II, Franz Osten, 1936) ; KUNKU (II, V. Shantaram, 1937) ; PRESIDENT (II, Nitin Bose, 1937) ; DEVDAS (II, P.C. Barua, 1935) ; PREM SANYAS (II, Franz Osten, 1926) Notes: Cover titleLON: 377470
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Paris Hollywood : writings on film / Peter Wollen London ; New York: Verso, 2002.
Call No: 67(04) WOLAuthor: Wollen, Peter Source: UK/USPlace: London ; New YorkPublisher: VersoPubDate: 2002PhysDes: vi, 314 p. ; 21 cmSubject: ARCHITECTURE IN FILMS ; DIRECTORS ; FILM ; THEORY ; MOVEMENTS IN FILM HISTORY ; MOVEMENTS AND STYLES IN FILM HISTORY ; BURROUGHS, WILLIAM ; EGGELING, VIKING ; GODARD, JEAN-LUC ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; ROUCH, JEAN ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982) ; FREUD (US, John Huston, 1962) ; RULES OF THE GAME, THE (FR, Jean Renoir, 1939) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) Summary: "In this new collection of essays on the cinema, all written over the last ten years, Peter Wollen explores an extraordinarily wide range of topics, stretching from an analysis of time in film and video art to a study of Riff-Raff Realism in British film. Provocative essays discuss the work both of established auteur directors such as Howard Hawks and Alfred Hitchcock as well as the filmmaking careers of such experimental moviemakers as William Burroughs and Viking Eggeling, the dadaist pioneer of abstract film. The collection also includes fascinating studies of a number of film classics, such as John Huston's Freud, Jean Renoir's Rules of the Game and Ridley Scott's Blade Runner.".
"Paris Hollywood suggests new approaches to thinking about film and many unexpected connections between film studies and the history of such strangely related activities as espionage, psychoanalysis, dance, architecture, anthropology, Stalinism, love of speed and digital technology. Wollen's book is based on the premise that there are no fixed ways of writing about the cinema but, rather, a plethora of paths leading in very different directions, each contributing to a new understanding of the 20th century's major art form."--BOOK JACKETNotes: Includes bibliographical references and indexes
Includes filmographyISBN: 1859843913Contents: -- 1: an alphabet of Cinema -- Part 1: directors and filmmakers -- 2: guerilla conditions: the cinema of William Seward Burroughs -- 3: viking eggeling -- 4: who the hell is Howard Hawks? -- 5: hitch: a tale of two cities (London and Los Angeles) -- 6: JLG -- 7: Jean Rouch -- part 2: films and movements -- 8: Freud as adventurer -- 9: Blade Runner -- 10: spies ansd spivs: an anglo-austrian engagement -- 11: rules of the game -- 12: the last new wave -- 13: riff-raff realism -- 14: architecture and film: places and non-places -- 15: the canon -- 16: time in film and video art -- 17: mismatches (& Acousmetres) -- 18 back to the future -- 19: speed and the cinema -- notes -- film-makers/director index -- filmography -- general index --
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Passport to Hollywood : Film immigrants : anthology / Don Whittemore, Philip Alan Cecchettini, and the Regents of the University of California New York: McGraw-Hill, c1976.
Call No: 802.25(73) WHIAuthor: Whittemore, Don ; Cecchettini, Philip Alan CorpAuthor: University of California, Berkeley; Film immigrantsPlace: New YorkPublisher: McGraw-HillPubDate: c1976PhysDes: ix, 558 p. : ill. ; 23 cmSubject: DIRECTORS. USA ; CHAPLIN, CHARLES ; VON STROHEIM, ERICH ; LUBITSCH, ERNST ; CURTIZ, MICHAEL ; SJOSTROM, VICTOR ; WHALE, JAMES ; HITCHCOCK, ALFRED ; MURNAU, FRIEDRICH WILHELM ; FEJOS, PAUL ; VORKAPICH, SLAVKO ; LANG, FRITZ ; PREMINGER, OTTO ; FORMAN, MILOS Notes: A book of readings for the Introduction to film course to accompany the PBS film series Film immigrants; Includes bibliographical referencesISBN: 0070700532; 0070700524 : $10.00LON: 768655
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PDGA news : Producers and Directors Guild of Australia / Producers & Directors Guild of Australia St. Leonards, N.S.W.: The Guild, 1994.
Call No: held Nov.1966- spring 1994CorpAuthor: Producers and Directors Guild of AustraliaSource: ATPlace: St. Leonards, N.S.W.Publisher: The GuildPubDate: 1994Subject: DIRECTORS. AUSTRALIA ; PRODUCERS. AUSTRALIA Notes: Caption titleLON: abn94381827; 11279171
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Pedro Almodo´var / Marvin D'Lugo Urbana, Ill ; Chicago: University of Illinois Press, 2006.
Call No: 81ALM DLUAuthor: D'Lugo, Marvin Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of Illinois PressPubDate: 2006PhysDes: x, 176 p. : ill. ; 21 cmSeries: Contemporary film directors / edited by James NaremoreSubject: DIRECTORS. SPAIN ; CRITICISM ; ALMODOVAR, PEDRO Notes: Includes bibliographical references (p. [159]-164) and index.
Includes filmography: p. [153]-158.ISBN: 9780252073618 (pbk.) - ISBN 13
0252073614 (pbk.) - ISBN 10
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A personal journey with Martin Scorsese through American movies / Martin Scorsese and Michael Henry Wilson London: Faber, 1997.
Call No: 71(73) SCOAuthor: Scorsese, Martin ; Wilson, Michael Henry Place: LondonPublisher: FaberPubDate: 1997PhysDes: 191 p. : ill. ; 26 cmSubject: SCORSESE, MARTIN ; USA ; DIRECTORS. USA ; WESTERNS ; MUSICALS. USA ; GANGSTER FILMS. USA Summary: "From one of the world's most acclaimed directors comes an absorbing and informative look at American film and its practitioners, from silents to the movies of the 1970s, and how it shaped Martin Scorsese's own artistic vision." [Taken from book jacket]Notes: Originally published: New York : Hyperion, 1997; Filmography (p. 170-189)ISBN: 0571192424 (cased); 0571194559 (pbk)LON: abn97323264; 13458435
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Personal visions : conversations with contemporary film directors / by Mario Falsetto Los Angeles: Silman-James, 2000.
Call No: 802.25 FALAuthor: Falsetto, Mario Edition: 1st ed.Source: USPlace: Los AngelesPublisher: Silman-JamesPubDate: 2000PhysDes: xviii, 529 p. ; 23 cmSubject: INDEPENDENT DIRECTORS ; STOPKEWICH, LYNNE ; RADFORD, MICHAEL ; HYTNER, NICHOLAS ; ALMEREYDA, MICHAEL ; CAMPION, ANNA ; DAVIES, TERENCE ; DICILLO, TOM ; EGOYAN, ATOM ; GORDON, KEITH ; JORDAN, NEIL ; LINKLATER, RICHARD ; MACLEAN, ALISON ; MCNAUGHTON, JOHN ; RIDLEY, PHILIP ; ROSS, BENJAMIN ; RUDOLPH, ALAN ; TOLKIN, MICHAEL Summary: A collection of interviews with seventeen contemporary independent filmmakers, who discuss their creative visions, careers, and the film industry.ISBN: 9781879505513Contents: -- Michael Almereyda -- Anna Campion -- Terence Davies -- Tom DiCillo -- Atom Egoyan -- Keith Gordon -- Nicholas Hytner -- Neil Jordan -- Richard Linklater -- Alison Maclean -- John McNaughton -- Michael Radford -- Philip Ridley -- Benjamin Ross -- Alan Rudolph -- Lynne Stopkewich -- Michael Tolkin
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Peter Weir : interviews / edited by John C. Tibbetts ; foreword by David Thomson Jackson, Mississippi: University Press of Mississippi, 2014.
Call No: 81WEI PETAuthor: Tibbetts, John C ; Thomson, David Source: USPlace: Jackson, MississippiPublisher: University Press of MississippiPubDate: 2014PhysDes: xlii, 261 pages ; 24 cmSeries: Conversations with filmmakers seriesSubject: ADAPTATIONS ; AUTEUR THEORY ; DIRECTORS ; EDITING ; INTERVIEWING ; REALITY TV ; WAR IN FILMS ; WEIR, PETER ; BOYD, RUSSELL ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; FEARLESS (US, Peter Weir, 1993) ; GALLIPOLI (AT, Peter Weir, 1981) ; GREEN CARD (AT/FR, Peter Weir, 1990) ; HOMESDALE (AT, Peter Weir, 1971) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD (US, Peter Weir, 2003) ; MOSQUITO COAST, THE (US, Peter Weir, 1986) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PLUMBER, THE (AT, Peter Weir, 1980) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; WAY BACK, THE (US, Peter Weir, 2010) ; WITNESS (US, Peter Weir, 1985) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) Summary: 'Peter Weir: Interviews' is the first volume of interviews to be published on the esteemed Australian director. Although Weir (b. 1944) has acquired a reputation of being guarded about his life and work, these interviews by archivists, journalists, historians, and colleagues reveal him to be a most amiable and forthcoming subject. [...] Interviews discuss Weir's diverse and impressive range of work - his earlier films 'Picnic at Hanging Rock', 'The Last Wave', 'Gallipoli', and 'The Year of Living Dangerously', as well as Academy Award-nominated 'Witness', 'Dead Poets Society', 'Green Card', 'The Truman Show', and 'Master and Commander'. This book confirms the trajectory of Weir's life and work parallels and embodies Australia's quest to define and express a historical and cultural identity." -- BOOK BLURBNotes: Includes chronology and filmography for Peter Weir's work; includes indexISBN: 9781617038976Contents: Foreword by David Thomson -- Introduction: "unmet friends": encounters with Peter Weir -- Chronology -- Filmography -- Peter Weir: reclaiming a Sydney boyhood: John C. Tibbetts / 2012 -- Peter Weir: snapshots in time: John C. Tibbetts / 2012 -- Peter Weir: early days: Sue Mathews / 1985 -- Small screens and big screens: television and film: Graham Shirley / 1991 -- The first features: 'The Cars That Ate Paris: Tom Hogan / 1973 -- "Weir, weird, and weirder still": the riddle of Hanging Rock: David Castell / 1976 -- Years of living dangerously: 'The Last Wave', 'The Plumber', 'Gallipoli', 'The Year of Living Dangerously': Sue Mathews / 1985 -- Interview with Peter Weir: Luisa Ceretto and Andrea Morini / 1999 -- Peter Weir: master of unease: Terry Dowling and George Mannix / 1980 -- Towards the center: Tom Ryan and Brian McFarlane / 1981 -- The swizzle stick: Peter Weir and Hollywood genres: Jonathan Rayner / 1993 -- The iceman cometh: 'Mosquito Coast': Digby Diehl / 1986 -- 'Fearless': the poetry of apocalypse: John C. Tibbetts / 1993 -- Poetry man: 'Dead Poets Society': Nancy Griffin -- Weir's worlds: 'The Truman Show': Virginia Campbell -- This is your life: 'The Truman Show': Eric Rudolph / 1998 -- He's fought his own way back to work: Terence Rafferty / 2011 -- "I am your eyes": interviews with Russell Boyd, ACS, ASC: John C. Tibbetts / 2012 -- Appendix: Notes on 'Gallipoli -- Interview with executive producer Francis O'Brien -- Peter Weir's Anzac lecture -- additional sources -- index
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Philosophy goes to the movies : an introduction to philosophy / Christopher Falzon London: Routledge, 2002.
Call No: 626 FALAuthor: Falzon, Christopher Edition: third editionPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 330p. : illustrations ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; THEORY ; FOUCAULT, MICHEL ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; AGNES OF GOD (US, Norman Jewison, 1985) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; ALL OF ME (US, Carl Reiner, 1984) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; AMADEUS (US, Milos Forman, 1984) ; AMATEUR (US, Hal Hartley, 1994) ; ANGEL HEART (US, Alan Parker, 1987) ; ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996) ; BEDAZZLED (US, Stanely Donen, 1967) ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BEING THERE (US, Hal Ashby, 1979) ; BIG (US, Penny Marshall, 1988) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLAISE PASCAL (IT, Roberto Rossellini, 1972) ; BLUE VELVET (US, David Lynch, 1986) ; BOB ROBERTS (US, Tim Robbins, 1992) ; BRAZIL ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; CABARET (US, Bob Fosse, 1972) ; CASABLANCA (US, Michael Curtiz, 1942) ; CASPER (US, Brad Silberling, 1995) ; CHANCES ARE (US, Emile Ardolino, 1989) ; CHINATOWN (US, Roman Polanski, 1974) ; CINEMA PLUS ; CITIZEN KANE (US, Orson Welles, 1941) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; CRIMES OF PASSION (US, Ken Russell, 1984) ; CRUCIBLE, THE (US, Nicholas Hytner, 1996) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; DANGEROUS LIAISONS (US, Stephen Frears, 1988) ; DARK CITY (US, Alex Proyas, 1997) ; DARK STAR (US, John Carpenter, 1974) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DRACULA (US, Tod Browning, 1931) ; EASY RIDER (US, Dennis Hopper, 1969) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; ELEPHANT MAN, THE (US, David Lynch, 1980) ; ENEMY OF THE STATE (US, Tony Scott, 1998) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; FLY, THE (US, David Cronenberg, 1986) ; FORTRESS (AT/US, Stuart Gordon, 1993) ; FRANKENSTEIN (US, James Whale, 1931) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GATTACA (US, Andrew Niccol, 1997) ; GHOST (US, Jerry Zucker, 1990) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991) ; HIGH HOPES (UK, Mike Leigh, 1988) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HILARY AND JACKIE (UK, Anand Tucker, 1998) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; IF... (UK, Lindsay Anderson, 1968) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; INTERIORS (US, Woody Allen, 1978) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; KOYAANISQATSI (US, Godfrey Reggio, 1982) ; LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; LOVE AND DEATH (US, Woody Allen, 1975) ; M (G, Fritz Lang, 1931) ; MAD MAX (AT, George Miller, 1979) ; MALTESE FALCON, THE (US, John Huston, 1941) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MATEWAN (US, John Sayles, 1987) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; METROPOLIS (G, Fritz Lang, 1926) ; MISSION, THE (UK, Roland Joffe, 1986) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; MY FAIR LADY (US, George Cukor, 1964) ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; NORMA RAE (US, Martin Ritt, 1979) ; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992) ; ON THE BEACH (US, Stanley Kramer, 1959) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996) ; PLAYER, THE (US, Robert Altman, 1992) ; PLAYTIME (FR, Jacques Tati, 1967) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; QUIZ SHOW (US, Robert Redford, 1994) ; RAIN (US, Louis Milestone, 1932) ; RAIN MAN (US, Barry Levinson, 1988) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; ROBOCOP (US, Paul Verhoeven, 1987) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SEA OF LOVE (US, Harold Becker, 1989) ; SEVEN [SE7EN] (US, David Fincher, 1995) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SHOCKER (US, Wes Craven, 1989) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SLEEPER (US, Woody Allen, 1973) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982) ; STAR TREK ; STAR WARS (US, George Lucas, 1977) ; SUTURE (US, Scott McGehee & David Siegel, 1993) ; SWITCH (US, Blake Edwards, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; THREE FACES OF EVE (US, Nunnally Johnson, 1957) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; VICE VERSA (US, Brian Gilbert, 1988) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) ; WAG THE DOG (US, Barry Levinson, 1997) ; WALL STREET (US, Oliver Stone, 1987) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; WITTGENSTEIN (UK, Derek Jarman, 1993) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking.
Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films.
The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web siteNotes: Includes glossaryISBN: 9780415538169Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index
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The politics of digital distribution : exclusionary structures in online cinema in Studies in Australasian cinema (2009) vol.3 iss.2 p.167-178
Author: Lobato, Ramon PhysDes: ArticleSubject: INTERNET AND THE CINEMA. AUSTRALIA ; INTERNET AND THE CINEMA ; DIGITAL DISTRIBUTION ; DISTRIBUTION. AUSTRALIA Summary: The hype around digital film distribution is now at fiver pitch, with promises of a brave new world of instant delivery, unfettered consumer choice and new revenue streams for film-makers. Surveying the current array of commercial online video-on-demand (VOD) services, this article offers some critical reflections on these emerging circulatory models. The focus is on power relations within the online VOI industry and on issues of audience access and equity. The article argues that distribution should be a key concern for contemporary film researchers, given the power of distributors to determine the range of films available to viewers and the conditions under which they are accessible. While the ‘democratizing’ potential of online distribution may be appealing, it is important to recognize that digital delivery infrastructures may not result in any real diversification of film culture, that much of the Australian audience will be excluded from their reach and that the vast majority of online film consumption will continue to take place in the extralegal realm. -- AbstractNotes: Part of a special issue on digital cinema in Australia and New Zealand
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Popcorn Venus / Marjorie Rosen New York: Avon, 1974, c1973.
Call No: 451-02 ROSAuthor: Rosen, Marjorie Place: New YorkPublisher: AvonPubDate: 1974, c1973PhysDes: 448 p. : ill. ; 18 cmSubject: WOMEN IN FILMS ; ACTORS ; ARZNER, DOROTHY ; BOW, CLARA ; Crawford, Joan ; DAVIS, BETTE ; DIETRICH, MARLENE ; GARBO, GRETA ; GISH, LILLIAN ; GRIFFITH, DAVID WARK ; HAYWORTH, RITA ; Lupino, Ida ; MONROE, MARILYN ; NEGRI, POLA ; PICKFORD, MARY ; WEST, MAE Notes: Includes index; Bibliography: p.412-424ISBN: 0380001772LON: 1231170
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Postmodernism and popular culture : a cultural history / John Docker Cambridge New York Melbourne: Cambridge University Press, 1994.
Call No: 64POS DOCAuthor: Docker, John Place: Cambridge New York MelbournePublisher: Cambridge University PressPubDate: 1994PhysDes: xxi, 313 p. : ill., ports. ; 24 cmSubject: POSTMODERNISM AND THE CINEMA ; POPULAR CULTURE AND THE CINEMA ; MODERNISM AND THE CINEMA ; STRUCTURALISM ; MELODRAMA ; SOAP OPERAS ; DETECTIVE FILMS ; GENRES ; THEORY ; BRERETON, LAURIE ; FISKE, JOHN ; KENNEDY, GRAHAM ; MACCABE, COLIN ; MULVEY, LAURA ; JAMESON, FREDRIC ; BAHTIN, MIHAIL ; ADORNO, THEODOR W. ; BENJAMIN, WALTER ; DERRIDA, JACQUES ; PRISONER [TV] (AT, 1979-86) Notes: Includes index; Bibliography: p. 285-306ISBN: 0521465982 (pbk.); 052146045XLON: abn97324302; 13458960
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Postmodernism in the cinema / edited by Cristina Degli-Esposti New York: Berghahn Books, 1998.
Call No: 61 POS DEGAuthor: Degli-Esposti, Christina Source: USPlace: New YorkPublisher: Berghahn BooksPubDate: 1998PhysDes: viii, 264 p. : ill. ; 22 cmSubject: POSTMODERNISM AND THE CINEMA ; POSTMODERNISM AND TV/VIDEO ; POSTMODERNISM AND TV/VIDEO. USA ; POSTMODERNISM AND THE CINEMA. USA ; POSTMODERNISM AND THE CINEMA. JAPAN ; POSTMODERNISM AND THE CINEMA. POLAND ; POLAND ; TRAVEL IN FILMS ; FRANCE ; IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES ; IMPERIALISM AND THE CINEMA. FRANCE ; HISTORY AND THE CINEMA ; ETHNIC GROUPS IN FILMS ; ANIMATION ; YOUNG PEOPLE, FILMS FOR ; ADAPTATIONS. FORSTER, E. M. ; ADAPTATIONS. GENET, JEAN ; AUTEUR THEORY ; DEGLI-ESPOSTI, CHRISTINA ; BARON, CYNTHIA ; KRAIDY, MARWAN ; WEINSTEIN, DAVID ; SHARY, TIMOTHY ; BRUNS, JOHN ; MAULE, ROSANNA ; FALKOWSKA, JANINA ; STRAIN, ELLEN ; BOLUS-REICHERT, CHRISTINE ; LAGA, BARRY ; DEUTELBAUM, MARSHALL ; HOLDEN-MOSES, PHILIP ; WILES, MARY ; ALTMAN, ROBERT ; JAMESON, FREDRIC ; ITAMI, JUZO ; FORSTER, E. M. ; COEN, JOEL & ETHAN ; KUROSAWA AKIRA ; GREENAWAY, PETER ; FASSBINDER, RAINER WERNER ; PLAYER, THE (US, Robert Altman, 1992) ; ALADDIN (US, John Musker & Ron Clements, 1992) ; SIMPSONS, THE [TV] (US, 1989-) ; BILL AND TED'S EXCELLENT ADVENTURE (US, Stephen Herek, 1989) ; WAYNE'S WORLD (US, Penelope Spheeris, 1992) ; SINGLES (US, Cameron Crowe, 1992) ; REALITY BITES (US, Ben Stiller, 1994) ; TAMPOPO (JA, Juzo Itami, 1986) ; A NOS AMOURS (FR, Maurice Pialat, 1983) ; MESSA E FINITA, LA (IT, Nanni Moretti, 1985) ; QUE HE HECHO PARA MERECER ESTO!! (SP, Pedro Almodovar, 1984) ; PSY (PL, Wladyslaw Pasikowski, 1993) ; CZLOWIEK Z ... (PL, Konrad Szolajski, 1993) ; WHERE ANGELS FEAR TO TREAD (UK, Charles Sturridge, 1991) ; ROOM WITH A VIEW, A (UK, James Ivory, 1986) ; PASSAGE TO INDIA, A (US/UK, David Lean, 1984) ; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988) ; BARTON FINK (US, Joel Cohen, 1991) ; DREAMS (US, Akira Kurosawa, 1990) ; DROWNING BY NUMBERS (UK, Peter Greenaway, 1988) ; QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982) Summary: By offering sophisticated and multi-faceted, yet highly accessible discussions on a number of key issues, Postmodernism in the Cinema presents new strategies for reading and understanding postmodernism and opens up the horizons of investigation to address the dynamic relationship between the art of moving images and complex concepts of postmodern theory. Organized according to specific themes such as auteurism, metacinema, national cinema, and the parodic, this anthology includes thirteen essays and examines films including The Player, Aladdin, Singles, Reality Bites, Wayne’s World, Tampopo, A Room with a View, Barton Fink, Akira Kurosawa’s Dreams, Drowning by Numbers, Coup de torchon, Querelle, and more. [Taken from back cover]Notes: Papers from a conference held in 1994 at Kent State University, Kent, Ohio.; Includes bibliographical references and index.ISBN: 1571811060Contents: Introduction: Postmodernism(s) Cristina Degli-Esposti -- Chapter 1: The Player's parody of Hollywood: A different kind of suture - Cynthia Baron -- Chapter 2: Intertextual maneuvers around the subaltern: Aladdin as postmodern text - Marwan Kraidy -- Chapter 3: Of Mice and Bart: The Simpsons and the postmodern - David Weinstein -- Chapter 4: Reification and loss in postmodern puberty: The cultural logic of Fredric Jameson and American youth movies - Timothy Shary -- Chapter 5: Refiguring pleasure: Itami and the postmodern Japanese film - John Bruns -- Chapter 6: De-authorizing the auteur: postmodern politics of interpellation in contemporary European cinema - - Rosanna Maule -- Chapter 7: Postmodernist condition in post-socialist eastern European films: the case of a political pastiche and the socialist-hollywood thriller in recent films of Polish filmmakers - Janina Falkowska -- Chapter 8: E.M. Forster's anti-touristic tourism and the sightseeing gaze of cinema - Ellen Strain -- Chapter 9: Imaginary geographies: the colonial subjects in contemporary French cinema - Christine Bolus-Reichert -- Chapter 10: Decapitated spectators: Barton Fink, (Post)history, and cinematic pleasure - Barry Laga -- Chapter 11: Something like an autobiography in Akira Kurosawa's Dreams - Marshall Deutelbaum -- Chapter 12: Not waving but drowning by numbers: Peter Greenaway's cautionary tale - Philip Holden-Moses -- Chapter 13: A double voice: the dual paternity of Querelle - Mary WilesID2: 291
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Preparing for convergence in Encore (Online)
Call No: DVD RESEARCH FOLDERAuthor: Borella, Sonia ; Robertson, Ian Subject: DIGITAL TECHNOLOGY. AUSTRALIA Summary: Looking at how new technologies in the media can effect the negotiation of contracts in terms of how revenue for products is divided. The term used is a convergent technologies. The authors take a legal position on convergence, stating that contracts should take into account future technologies in terms of sharing revenue.Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (13 June 2007).
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Producers and Directors Guild of Victoria newsletter : quarterly Melbourne, Vic. : The Guild:
Call No: held vol.1, no.2- winter 1997- incompleteCorpAuthor: Producers and Directors Guild of VictoriaSource: ATPlace: Melbourne, Vic. : The GuildPhysDes: vSubject: PRODUCERS. AUSTRALIA ; DIRECTORS. AUSTRALIA Notes: Description based on: vol.1 no.2, winter 1997LON: 14167769
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Projected Backwards into the Future : Cinemedia's Platform 1.0 on Federation Square in Wide Angle (January 1999) vol.21 iss.1 p.168-180
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The projected muse : extracts from six Australian film scripts / [compiled by] Peter McFarlane Adelaide: Rigby, 1977.
Call No: 792 PROAuthor: McFarlane, Peter, 1940-, comp Place: AdelaidePublisher: RigbyPubDate: 1977PhysDes: viii,133p. : ill. ; 23cmSubject: PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; CADDIE (AT, Donald Crombie, 1976) ; STORM BOY (AT, Henri Safran, 1976) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; FOURTH WISH, THE (AT, Don Chaffey, 1976) ISBN: 072700560X : $4.95 AustLON: 1361887
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Projections 4 1/2 : film-makers on film-making / edited by John Boorman and Walter Donohue London: Faber and Faber, 1995.
Call No: 802 PRO v.4 1/2Author: Boorman, John, 1933 ; Donohue, Walter CorpAuthor: PositifPlace: LondonPublisher: Faber and FaberPubDate: 1995PhysDes: vii, 312 p. : ill., ports. ; 24 cmSubject: Keaton, Buster ; ALTMAN, ROBERT ; ASSAYAS, OLIVIER ; WARHOL, ANDY ; BOORMAN, JOHN ; COEN, JOEL & ETHAN ; PRICE, VINCENT ; LANG, FRITZ ; EASTWOOD, CLINT ; FREARS, STEPHEN ; FULLER, SAMUEL ; ALLEN, WOODY ; KIESLOWSKI, KRZYSZTOF ; MALLE, LOUIS ; MARKER, CHRIS ; OPHULS, MARCEL ; REISZ, KAREL ; VON STROHEIM, ERICH ; RUIZ, RAUL ; SEN, MRINAL ; TAVERNIER, BERTRAND ; ALMEREYDA, MICHAEL ; JARMAN, DEREK ; LOWENSTEIN, RICHARD ; POTTER, SALLY ; ROUSSELOT, PHILIPPE ; TOLKIN, MICHAEL ; WARD, VINCENT ; ZINNEMANN, FRED ; ANGELOPOULOS, THEO ; AVATI, PUPI ; MARVIN, LEE ; BREILLAT, CATHERINE ; BRISSEAU, JEAN-CLAUDE ; CAVALIER, ALAIN ; CHABROL, CLAUDE ; BUGIN, HARRY ; COMENCINI, LUIGI ; DE FILIPPO, EDUARDO ; CORMAN, ROGER ; CORNEAU, ALAIN ; DEVILLE, MICHEL ; DIEGUES, CARLOS ; EGOYAN, ATOM ; MACKENDRICK, ALEXANDER ; GAAL, ISTVAN ; GREENAWAY, PETER ; HARRIS, JAMES B. ; HELLMAN, MONTE ; IOSELIANI, OTAR ; BARNET, BORIS ; KAZAN, ELIA ; KEZDI-KOVACS, ZSOLT ; KIAROSTAMI, ABBAS ; KLOPCIC, MATJAZ ; A TOUT ALLURE (FR, Robert Kramer, 1982) ; LATTUADA, ALBERTO ; LECONTE, PATRICE ; LEIGH, MIKE ; LOACH, KENNETH ; MAKAVEJEV, DUSAN ; PEREIRA DOS SANTOS, NELSON ; MINGOZZI, GIANFRANCO ; MONICELLI, MARIO ; PARRISH, ROBERT ; PENN, ARTHUR ; PINTILIE, LUCIAN ; POLANSKI, ROMAN ; RIPSTEIN, ARTURO ; RISI, DINO ; RISSIENT, PIERRE ; ROHMER, ERIC ; ROSI, FRANCESCO ; RUDOLPH, ALAN ; SARMIENTO, VALERIA ; SAUTET, CLAUDE ; SCHATZBERG, JERRY ; SCHRADER, PAUL ; SIJAN, SLOBODAN ; STEVENIN, JEAN-FRANCIS ; TAVIANI, PAOLO & VITTORIO ; VARDA, AGNES ; YANG, EDWARD ; ZANUSSI, KRZYSZTOF ; ZULAWSKI, ANDREJ ; KERRIGAN, LODGE ; LINKLATER, RICHARD ; RIDLEY, PHILIP ; ROBERTS, JULIA ; RUSSELL, DAVID O. ; SHERMAN, VINCENT ; DAVIS, BETTE ; SIEGEL, DAVID ; MCGEHEE, SCOTT ; SODERBERGH, STEVEN ; TOBACK, JAMES ; BABY DOLL (US, Elia Kazan, 1956) ; TEOREMA (IT, Pier Paolo Pasolini, 1968) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; SZEGENYLEGENYEK (HU, Miklos Jancso, 1966) ; ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978) ; VERTIGO (US, Alfred Hitchcock, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; HUSTLER, THE (US, Robert Rossen, 1961) ; MIRAGE (US, Edward Dmytryk, 1965) ; BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964) ; POSITIF Notes: "In association with Positif."; "Centenary edition"--P. viiISBN: 0571176097LON: abn96057645; 12129416
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Projections 6 : film-makers on film-making / edited by John Boorman and Walter Donohue London: Faber and Faber, 1996.
Call No: 802 PRO v.6Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: Faber and FaberPubDate: 1996PhysDes: 346 p. : ill., ports. ; 24 cmSubject: DICILLO, TOM ; KIESLOWSKI, KRZYSZTOF ; HAWKS, HOWARD ; VERTOV, DZIGA ; BOORMAN, JOHN ; FIGGIS, MIKE ; BENDER, LAWRENCE ; COPPOLA, ELEANOR ; DONEN, STANLEY ; IMAMURA, SHOHEI ; TOWNE, ROBERT ; COEN, JOEL & ETHAN ; MURCH, WALTER ; DAVIES, TERENCE ; MARTIN, STEVE ; MACKINNON, GILLIES ; BROWN, KARL ; YOUNG, FREDDIE ; KELBER, MICHEL ; STORARO, VITTORIO ; EDWARDS, ERIC ALAN ; CECCHI D'AMICO, SUSO ; KIDS (US, Larry Clark, 1995) ; BOX OF MOONLIGHT (US, Tom DiCillo, 1996) ISBN: 0571178537(pbk)LON: abn96395771; 12885714
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Projections 9 : French film-makers on film-making / in association with Positif ; edited by Michel Ciment and Noel Herpe ; translated by Pierre Hodgson ; executive editors, John Boorman and Walter Donohue London: Faber and Faber, 1999.
Call No: 802 PRO v.9Author: Herpe, Noel ; Boorman, John, 1933 ; Ciment, Michel ; Donohue, Walter Place: LondonPublisher: Faber and FaberPubDate: 1999PhysDes: x, 193 p. : ill., ports. ; 23cmSubject: FRANCE ; DIRECTORS. FRANCE ; ASSAYAS, OLIVIER ; [TRENTE-SIX] 36 FILLETTE (FR, Catherine Breillat, 1988) ; THERESE (FR, Alain Cavalier, 1986) ; GARDE A VUE (FR, Claude Miller, 1981) ; ARGENT, L' (SZ/FR, Robert Bresson, 1983) ; CONTE D'ETE (FR, Eric Rohmer, 1996) ; CEREMONIE, LA (FR/GG, Claude Chabrol, 1995) ; AU REVOIR LES ENFANTS (FR/GW Louis Malle, 1987) ; COEUR EN HIVER, UN (FR, Claude Sautet, 1992) ; VAN GOGH (FR, Maurice Pialat, 1991) ; DIMANCHE A LA CAMPAGNE, UN (FR, Bertrand Tavernier, 1984) ; RIDICULE (FR, Patrice Leconte, 1996) ; HOTEL TERMINUS: KLAUS BARBIE, HIS LIFE AND TIMES (US, Marcel Ophuls, 1988) ; FAVOURITES OF THE MOON [FAVORIS DE LA LUNE, LES] (FR, Otar Iosseliani, 1984) ; DELICATESSEN (FR, Jean-Pierre Jeunet & Marc Caro, 1991) ; SENTINELLE, LA (FR, Arnaud Desplechin, 1992) ; WESTERN (FR, Manuel Poirier, 1997) ; HEROS TRES DISCRET, UN (FR, Jacques Audiard, 1996) ; HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995) ISBN: 0571193560 (pbk.)LON: 20163202
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The ragman's story : an autobiography / Kirk Douglas London: Simon and Schuster, 1988.
Call No: 81DOU DOUAuthor: Douglas, Kirk Source: UKPlace: LondonPublisher: Simon and SchusterPubDate: 1988PhysDes: 510 pages : black and white illustrations ; 24 cmSubject: ACTING ; DIRECTION ; DIRECTORS ; NEW YORK IN FILMS ; ANGELI, PIER ; DOUGLAS, ERIC ; DOUGLAS, KIRK ; DOUGLAS, MICHAEL ; LANCASTER, BURT ; LUST FOR LIFE (US, Vincente Minelli and George Cukor, 1956) ; SPARTACUS (US, Stanley Kubrick, 1960) Summary: "Most autobiographies by movie stars are ghost-written and bland. This one is neither. In his powerful, angry and passionate book, Kirk Douglas tells the story of his life in his own words, holding back nothing. Born Issur Danielovitch Demsky, the son of an illiterate immigrant Russian-Jewish ragman, in Amsterdam, New York, Douglas paints a searing and unforgettable picture of an almost Dickensian childhood of brutal poverty - the background that has dominated his life as an actor, father and man, fuelling the great creative anger that has added such depth to his performances. With profound and moving insight, he shows how the determination to overcome that childhood and succeed on his own terms led him to take on roles that most stars of his magnitude would never have risked - Van Gogh, in LUST FOR LIFE; Spartacus the slave; the courageous, conscience-stricken Colonel Dax, in PATHS OF GLORY; the agonized boxer Midge, in CHAMPION, to name only a few - and to fight the studios and the Hollywood establishment for the right to control and produce his own movies, long before it was common practice for stars to do so." [Taken from book jacket]Notes: Includes indexISBN: 0671699598; 9780671699598Donation: Simon Wincer
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[Rainbow's end : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 5 photographs: b&w ; 13 x 18 - 26 x 21 cmSubject: DINGO, ERNIE ; RAINBOW'S END (AT, Denny Lawrence, 1996) Summary: 5 black and white photographs of Ernie Dingo, Dean Coach and Rhona Rees in the children's film, Rainbow's End.
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Raising the dead, again in Weekend Australian [Review] (26/07/2014) p.14
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[Rancho Notorious : Arthur Kennedy, Marlene Dietrich and Mel Ferrer in a scene from 'Rancho Notorious']
Call No: TITLE STILL INTERNATIONALSource: ATPhysDes: 1 photograph : b&w ; 13 x 18 cm.Subject: RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; DIETRICH, MARLENE ; KENNEDY, ARTHUR ; FERRER, MEL ; LANG, FRITZ Summary: Production still taken from the film 'Rancho Notorious' in which Marlene Dietrich stands between Arthur Kennedy on the left and Mel Ferrer on the right.Notes: Two stickers on the back of photograph - 1st sticker includes information about the actors,the title and director of the film.; 2nd sticker is from the AFIRC.
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Interim
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Reading the figural : or, philosophy after the new media / by D.N. Rodowick London: Duke University Press, 2001.
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journal article
Recent releases in Cinema D'Oggi (25 January 1984) vol.XVIII iss.2 p.11
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Recent releases in Cinema d'Oggi (12 Oct 1983) vol.XVII iss.17 p.11-12
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Reel black talk : a source book of 50 American filmmakers / Spencer Moon, foreward by George Hill Westport, Conn: Greenwood Press, 1997.
Call No: 802(73) MOOAuthor: Moon, Spencer Source: USPlace: Westport, ConnPublisher: Greenwood PressPubDate: 1997PhysDes: xvi, 396 p. : ill., ports. ; 25 cmSubject: PRODUCERS. USA ; ALEXANDER, WILLIAM ; BOURNE, ST. CLAIR ; BURNETT, CHARLES ; CHENZIRA, AYOKA ; DASH, JULIE ; DUKE, BILL ; FANAKA, JAMAA ; FRANKLIN, CARL ; GREAVES, WILLIAM ; HAMPTON, HENRY ; HUDLIN, REGINALD ; HUDLIN, WARRINGTON ; JACKSON, GEORGE ; LEE, SPIKE ; MICHEAUX, OSCAR ; PARKERSON, MICHELLE ; PARKS, GORDON ; RIGGS, MARLON ; ROBERTSON, HUGH A. ; SINGLETON, JOHN ; TOWNSEND, ROBERT ; WARREN, MARK ; WAYANS, KEENEN IVORY ; WAYANS, MARLON ; WAYANS, SHAWN ; WILLIAMS, SPENCER ; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994) ; AMAZING GRACE AND CHUCK (US, Mike Newell, 1987) ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; BEAT STREET (US, Stan Lathan, 1984) ; BETTER OFF DEAD (US, Savage Steve Holland, 1985) ; BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984) ; BRIDE PRICE (KE, Shatrujit Paul, 1991) ; CARBON COPY (US, Michael Schultz, 1981) ; CEMETERY CLUB, THE (US, Bill Duke, 1993) ; CHILD SAVER, THE [TV] (US, Stan Lathan, 1988) ; P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992) ; CROOKLYN (US, Spike Lee, 1994) ; DEEP COVER (US, Bill Duke, 1992) ; DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995) ; DISORDERLIES (US, Michael Schultz, 1987) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; RAW (US, Robert Townsend, 1987) ; EYES ON THE PRIZE [TV] (US, 1987-1990) ; [FIVE] 5 HEARTBEATS, THE (US, Robert Townsend, 1991) ; GLASS SHIELD, THE (US, Charles Burnett, 1994) ; GREASED LIGHTNING (US, Michael Schultz, 1977) ; HIGHER LEARNING (US, John Singleton, 1994) ; HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987) ; INKWELL, THE (US, Matty Rich, 1994) ; JASON'S LYRIC (US, Doug McHenry, 1994) ; KILLING FLOOR, THE (US, Bill Duke, 1985) ; KRUSH GROOVE (US, Michael Schultz, 1985) ; LAUREL AVENUE (US, Carl Franklin, 1993) ; MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993) ; OBEAH (US, Hugh A. Robertson, 1986) ; PANTHER (US, Mario Van Peebles, 1995) ; PENITENTIARY II (US, Jamaa Fanaka, 1982) ; POETIC JUSTICE (US, John Singleton, 1993) ; QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]) ; RAISIN IN THE SUN, A (US, Daniel Petrie, 1961) ; SCAVENGER HUNT (US, Michael Schultz, 1979) ; SHAFT (US, Gordon Parks Jr., 1971) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968) ; STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991) ; VEILED ARISTOCRATS (US, Oscar Micheaux, 1932) ; WHICH WAY IS UP? (US, Michael Schultz, 1977) ; WITHIN OUR GATES (US, Oscar Micheaux, 1919) Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.Notes: Includes filmographies, bibliographical references (p. [385] - 386) and indexISBN: 0313298300Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis
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Reel meals set meals : food in film and theatre / [by] Gaye Poole Sydney: Currency Press, 1999.
Call No: 45:641 POOAuthor: Poole, Gaye Place: SydneyPublisher: Currency PressPubDate: 1999PhysDes: xiv, 280p. : ill., ports. ; 21 cmSubject: FOOD IN FILMS ; SEX IN FILMS ; LEIGH, MIKE ; NOWRA, LOUIS ; DAMAGE (UK/FR/GG, Louis Malle, 1992) ; DIMBOOLA (AT, John Duigan, 1979) ; FATHER (AT, John Power, 1990) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; FRIED GREEN TOMATOES (US, John Avnet, 1991) ; HOTEL SORRENTO (AT, Richard Franklin, 1995) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; LIFE IS SWEET (UK, Mike Leigh, 1990) ; COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992) Summary: CannibalismNotes: Includes index; Includes bibliographical references: p. 265-269ISBN: 0868195782 : $24.95LON: 14096514
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Reel schools : schooling and the nation in Australian cinema / Josephine May Bern, Switzerland: Peter Lang, 2013.
Call No: 755.71(94) MAYAuthor: May, Josephine Edition: 2013Place: Bern, SwitzerlandPublisher: Peter LangPubDate: 2013PhysDes: x, 286 pages : illustrated ; 23 cmSubject: EDUCATION IN FILMS. AUSTRALIA ; CHILDREN IN FILMS. AUSTRALIA ; CELIA (AT, Ann Turner, 1988) ; FAST TALKING (AT, Ken Cameron, 1984) ; HEY, HEY, ITS ESTHER BLUE BURGER (AT, Cathy Randall, 2007) ; LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000) ; MULL (AT, Don McLennan, 1988) ; SMILEY (UK, Anthony Kimmins, 1956) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; EVERLASTING SECRET FAMILY, THE (AT, Michael Thornhill, 1988) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987) Summary: Reel Schools takes a fresh look at the history of Australian schooling through the lens of Australian cinema from the silent era until 2010. In exploring the relationship between cinematic representation and educational history, Josephine May shows how numerous Australian feature and documentary films offer access to powerful vernacular imaginings about school education in Australia. May argues that the cinematic school is a pervasive metaphor for the Australian nation. She demonstrates that, while Australian films about schooling have consistently commented on the relationship of schooling to the Australian class structure, they also increasingly explored gender, race and ethnicity at school, especially after the 1970s. From then on the egalitarian dream of school education and the nation’s capacity to generate meaningful futures for the young became increasingly contested. -- publisher's web siteISBN: 9783034306324
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Reel women : working in film and television / Julie James Bailey Sydney: Australian Film, Television and Radio School, 1999.
Call No: 462-02(94) BAIAuthor: James Bailey, Julie Place: SydneyPublisher: Australian Film, Television and Radio SchoolPubDate: 1999PhysDes: xii, 408 p. : ports. ; 21 cmSubject: WOMEN FILM WORKERS. AUSTRALIA ; KENNY, JAN ; THORNBURN, GRETCHEN ; COCKSEDGE, ANNIE ; BILCOCK, JILL ; PRYOR, SALLY ; DEVINE, KIT ; ARMSTRONG, GILLIAN ; MCKIMMIE, JACKIE ; BROWNE, DINA ; PHILLIPSON, MARGOT ; MURPHY, BRONWYN ; KERR, SUE ; SHEEHAN, ANNABELLE ; TYSON-CHEW, NERIDA ; COOPER, DANY ; SMITH, MANDY ; GAYNOR, HELEN ; REID, CAROLYN ; WOOD, SUSAN ; BENNETT, SARA ; CARTWRIGHT, LYNNE ; RUDD, CAMILLA ; GIL, GLENYS Notes: Includes bibliographical references (p. [391]-394) and indexISBN: 1876351047LON: 20169058
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Religion in film / edited by John R. May and Michael Bird Knoxville: University of Tennessee Press, c1982.
Call No: 45:2 MAYAuthor: Bird, Michael (Michael S.), 1941 ; May, John R Edition: 1st edPlace: KnoxvillePublisher: University of Tennessee PressPubDate: c1982PhysDes: xviii, 257 p. : ill. ; 23 cmSubject: RELIGION AND THE CINEMA ; RELIGIOUS FILMS ; DEVIL IN FILMS ; CENSORSHIP ; ALLEGORY IN FILMS ; ALTMAN, ROBERT ; BERGMAN, INGMAR ; BRESSON, ROBERT ; BUNUEL, LUIS ; CHAPLIN, CHARLES ; COPPOLA, FRANCIS FORD ; Fellini, Federico ; HITCHCOCK, ALFRED ; JUTRA, CLAUDE ; KUBRICK, STANLEY ; Peckinpah, Sam ; RUSSELL, KEN ; TRUFFAUT, FRANCOIS ; WERTMULLER, LINA ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; EXORCIST, THE (US, William Friedkin, 1973) ; NASHVILLE (US, Robert Altman, 1975) ; NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957) ; QUINTET (US, Robert Altman, 1979) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) Notes: Includes index; Bibliography: p. 242-244ISBN: 0870493523LON: 2165498
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Renoir on Renoir : interviews, essays and remarks / Jean Renoir; translated by Carol Volk Cambridge; New York: Cambridge University Press, 1989.
Call No: 81REN RENAuthor: Renoir, Jean Place: Cambridge; New YorkPublisher: Cambridge University PressPubDate: 1989PhysDes: xiii, 288 p. : ill. ; 24 cm.Series: Cambridge studies in filmSubject: FILM ; FRANCE ; DIRECTORS ; PRODUCERS ; RENOIR, JEAN Notes: Translation of: Entretiens et propos.
Filmography: p. 264-279.
Includes indexISBN: 0521385938Contents: Part I. Interviews in Cahiers du Cinema -- 1. First interview, by Jacques Rivette and Frano is Truffaut -- 2. Second interview, by Jacques Rivette and Frano is Truffaut -- 3. Third interview: My next films, by Michel Delahaye and Jean-Andre; Fieschi -- 4. Fourth interview: The progression of ideas, by Michel Delahaye and Jean Narboni -- Part II. Television Interviews -- 5. Jean Renoir talks about his art -- 6. Jean Renoir the boss, the search for relativity, the rule and its exception -- Part III. Remarks -- 7. Jean Renoir presents twenty of his films [for television] -- 8. Hollywood conversations [from Cahiers du cinema] -- Afterword -- Filmography -- Name index -- Title index
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journal article
Rental giant combats VOD with rival deilvery service in Encore (Online)
Call No: DVD RESEARCH FOLDERAuthor: Hull, David Subject: VIDEO ON DEMAND ; DIGITAL TECHNOLOGY. AUSTRALIA ; SET-TOP BOX ; VIDEO EZY ; UNIACKE, PAUL Summary: The Video Ezy rental chain is trying to secure it's position in the marketplace by introducing a video download system where customers can use a portable hard disk device (such as a memory stick) to download a film from a kiosk in store. Uniacke belives this will work in Australia as the video on demand (VOD) opportunities in Australia are not really there yet due to slow broadband. Very in depth article on new scheme.Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (13 June 2007).
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Representing the rural : space, place, and identity in films about the land / edited by Catherine Fowler & Gillian Helfield Detroit Mich.: Wayne State University Press, 2006.
Call No: 738.6 FOWAuthor: Fowler, Catherine ; Helfield, Gillian Source: USPlace: Detroit Mich.Publisher: Wayne State University PressPubDate: 2006PhysDes: ix, 369 p. : ill. ; 23 cmSeries: Contemporary approaches to film and television seriesSubject: CRITICISM ; LAND IN FILM ; CINEMAS. SPANISH ; HISTORY OF CINEMA ; TERRE, LA (FR, André Antoine, 1921) ; SANTOS INOCENTES, LOS (SP, Mario Camus, 1984) ; ASHANI SANKET (II, Satyajit Ray, 1973) ; HORA DA ESTRELA, A (BL, Suzana Amaral, 1985) ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; BIQUEFARRE (FR, Georges Rouquier, 1983) ; DHIL AL ARDH (TI/FR, Taieb Louhichi, 1982) ; BILLY ELLIOT (UK, Stephen Daldry, 2000) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; THIASSOS, O (GR, Theo Angelopoulos, 1975) ; QIU JU DA GUANSI (CC/HK, Zhang Yimou, 1992) ; YI GE DOU BU NENG SHAO (CC, Zhang Yimou, 1999) ; WO DE FU QIN MU QIN (CC, Zhang Yimou, 1999) ; ROAD HOME, THE (CC, Zhang Yimou, 1999) Summary: Representing the Rural breaks new ground in the writing of cinema history, offering fresh perspectives on the character and place of national identity in cinematic explorations of the land, peasants, landscapes, and culture caught up in the transition from rural to metropolitan spaces [taken from back cover]Notes: Formerly CIP
Includes bibliographical references and index
Includes filmography: p. 341-343ISBN: 0814333052
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Reverse shots : indigenous film and media in an international context / edited by Wendy Gay Pearson and Susan Knabe Waterloo, Ontario, Canada: Wilfred Laurier University Press, c2015.
Call No: 451-054 (=1-81)(71):(93):(94) REVAuthor: Pearson, Wendy Gay (ed.) ; Knabe, Susan (ed.) Source: CNPlace: Waterloo, Ontario, CanadaPublisher: Wilfred Laurier University PressPubDate: c2015PhysDes: xi, 372 pages : illustrations ; 23 cmSeries: Film and media studies series; Film + media studiesSubject: CRITICISM ; MEDIA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; INDIGENOUS PEOPLE'S CINEMA. CANADA ; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND ; INDIGENOUS ; AUSTRALIA ; NEW ZEALAND ; NEW ZEALAND
MAORI CINEMA ; NORWAY ; CANADA ; DIGITAL TECHNOLOGY ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS AND TV ; ABORIGINAL AUSTRALIANS IN FILMS ; ABORIGINAL AUSTRALIANS ON TV ; ETHNIC GROUPS IN FILMS Summary: "From the dawn of cinema, images of Indigenous peoples have been dominated by Hollywood stereotypes and often negative depictions from elsewhere around the world. With the advent of digital technologies, however, many Indigenous peoples are working to redress the imbalance in numbers and counter the negativity.
The contributors to Reverse Shots offer a unique scholarly perspective on current work in the world of Indigenous film and media. Chapters focus primarily on Canada, Australia, and New Zealand and cover areas as diverse as the use of digital technology in the creation of Aboriginal art, the healing effects of Native humour in First Nations documentaries, and the representation of the pre-colonial in films from Australia, Canada, and Norway. "
--BOOK BACK COVERNotes: Formerly CIP; Includes bibliographical references and index; Also issued onlineISBN: 9781554583355Contents: -- pt. I dream makers -- Introduction Globalizing Indigenous Film and Media / Susan Knabe -- One: He Who Dreams: Reflections on an Indigenous Life in Film / Michael Greyeyes -- pt. II decolonizing histories -- Two: Speakin' Out Blak: New and Emergent Aboriginal Filmmakers Finding Their Voices / Ernie Blackmore -- Three:Taking Pictures B(l)ack: The Work of Tracey Moffatt / Susan Knabe -- Four.The Journals of Knud Rasmussen: Arctic History as Post/Colonial Cinema / Kerstin Knopf -- Five: Australian Indigenous Short Film as a Pedagogical Device: Introducing Wayne Blair's The Djarn Djarns and Black Talk / Colleen McGloin -- Six."Once upon a Time in a Land Far, Far Away": Representations of the Pre-Colonial World in Atanarjuat, Ofelas, and 10 Canoes / Wendy Gay Pearson -- pt. III mediating practices -- Seven: Ka Whawhai Tonu Matou: Indigenous Television in Aotearoa/New Zealand / jo smith and Sue Abel -- Eight: Superhighway across the Sky ... Aboriginal New Media Arts in Australia: A Remix and Email Conversation between Adam Szymanski and Jenny Fraser / Jenny Fraser and Adam Szymanski -- Nine: On Collectivity and the Limits of Collaboration: Caching Igloolik Video in the South / Erin Morton and Taryn Sirove -- pt. IV documentary approaches -- Ten: The Prince George Metis Elders Documentary Project: Matching Product with Process in New Forms of Documentary / Stephen Foster and Mike Evans -- Eleven: "Whacking the Indigenous Funny Bone": Native Humour and Its Healing Powers in Drew Hayden Taylor's Redskins, Tricksters, and Puppy Stew / Ute Lischke -- Twelve: Situating Indigenous Knowledges: The Talking Back of Alanis Obomsawin and Shelley Niro / Maeghan Pirie -- Thirteen:"I Wanted to Say How Beautiful We Are": Cultural Politics in Loretta Todd's Hands of History / Gail Vanstone -- pt. V other perspectives --Fourteen: Filming Indigeneity as Flanerie: Dialectic and Subtext in Terrance Odette's Heater / Tanis MacDonald -- Fifteen: Playing with Land Issues: Subversive Hybridity in The Price of Milk / Davinia Thornley -- glossary -- bibliography -- index --
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Reviews in Lumiere (May, 1973) iss.23 p.28-33
PhysDes: ArticleSubject: LIBIDO (AT, John B. Murray & others, 1973) ; ANDROMEDA STRAIN, THE (US, Robert Wise, 1971) ; DIRTY LITTLE BILLY (US, Stan Dragoti, 1972) ; DUEL (US, Steven Spielberg, 1972) ; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972) ; THOMS, ALBIE Summary: Reviews of LIBIDO, SUNSHINE CITY, THE ANDROMEDA STRAIN, EVERYTHING YOU'VE ALWAYS WANTED TO KNOW ABOUT SEX, DIRTY LITTLE BILLY, DUEL, SLAUGHTERHOUSE-FIVE, and DORIAN GRAY.
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Rock to the rescue : San Andreas in Sydney Morning Herald [Arts and Entertainment] (28/05/2015) p.20
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newspaper article
Rollcall of the weird in Weekend Australian [Review] (07/03/2015) p.15
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Romantic comedy in Hollywood : from Lubitsch to Sturges / James Harvey New York: Knopf, 1987.
Call No: 732(73) HARAuthor: Harvey, James, 1929 Edition: 1st edSource: USPlace: New YorkPublisher: KnopfPubDate: 1987PhysDes: xii, 716 p. : ill. ; 25 cmSubject: ACTORS ; COMEDIES ; DIRECTORS ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. 1940's ; Metro-Goldwyn-Mayer ; ROMANTIC COMEDY ; ROMANTIC FILMS. USA ; PARAMOUNT STUDIOS ; STAR SYSTEM ; ARTHUR, JEAN ; ASTAIRE, FRED ; BRACKEN, EDDIE ; CAGNEY, JAMES ; CAPRA, FRANK ; COLBERT, CLAUDETTE ; COOPER, GARY ; DUNNE, IRENE ; GABLE, CLARK ; GRANT, CARY ; HARLOW, JEAN ; HAWKS, HOWARD ; LA CAVA, GREGORY ; Lombard, Carole ; LOY, MYRNA ; LUBITSCH, ERNST ; MCCAREY, LEO ; MCCREA, JOEL ; POWELL, WILLIAM ; ROGERS, GINGER ; Stanwyck, Barbara ; STEVENS, GEORGE ; STURGES, PRESTON ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; [FIFTH] 5TH AVENUE GIRL (US, Gregory La Cava, 1939) ; HIS GIRL FRIDAY (US, Howard Hawks, 1940) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; LADY EVE, THE (US, Preston Sturges, 1941) ; LOVE PARADE, THE (US, Ernst Lubitsch, 1929) ; NINOTCHKA (US, Ernst Lubitsch, 1939) ; PALM BEACH STORY, THE (US, Preston Sturgess, 1942) ; SHOP AROUND THE CORNER, THE (US, Ernst Lubitsch, 1940) ; TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932) ; UNFAITHFULLY YOURS (US, Preston Sturges, 1948) Summary: "Reading ROMANTIC COMEDY is like going to the movies. It recreates for us movies we've come to love: movies the way they were when, in 1934, four in particular - IT HAPPENED ONE NIGHT, TWENTIETH CENTURE, THE THIN MAN, and THE GAY DIVORCEE - heralded the arrival of the golden age of Hollywood romantic ("screwball") comedy. Over the next ten years, some of Hollywood's brightest directors and stars turned out some of America's most enduring and beloved films. The screwballs - slangy, irreverent, playful, skeptical, and "powerfully, glamorously in love with love" - constitute a genre of American film unique in its combination of the innocent and the worldly, of swank and slapstick. Now critic James Harvey - writing with brilliance and humor - gives us the first truly comprehensive book about these movies and the people who made them." [Taken from book jacket]Notes: Includes indexISBN: 0394503392LON: 5273661
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Scenes from a revolution : the birth of the new Hollywood / Mark Harris Edinburgh: Canongate, 2008.
Call No: 71 (73) HARAuthor: Harris Mark Place: EdinburghPublisher: CanongatePubDate: 2008PhysDes: 490 p., [16] p. of plates : ill. ; 25 cmSubject: COLUMBIA PICTURES ; CRITICISM ; CRITICS ; DIRECTORS. USA ; HISTORY AND THE CINEMA. USA ; HOLLYWOOD IN FILMS ; JAMES BOND IN FILMS ; TWENTIETH CENTURY-FOX ; WALT DISNEY PRODUCTIONS ; ALLEN, WOODY ; ANTONIONI, MICHELANGELO ; ASHBY, HAL ; BANCROFT, ANNE ; BEATTY, WARREN ; BENTON, ROBERT ; BERGMAN, INGRID ; BLAKE, ROBERT ; BRANDO, MARLON ; BURTON, RICHARD ; CAINE, MICHAEL ; CARON, LESLIE ; CUKOR, GEORGE ; COLLINS, JOAN ; CONNERY, SEAN ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DANIELS, WILLIAM ; DAVIS, SAMMY, Jr. ; DAY, DORIS ; DUNAWAY, FAYE ; DUVALL, ROBERT ; FELLINI, FEDERICO ; FLEISCHER, RICHARD ; FONDA, JANE ; FRANKOVICH, MIKE ; GODARD, JEAN-LUC ; HARRISON, REX ; HENRY, BUCK ; HEPBURN, KATHARINE ; HOFFMAN, DUSTIN ; NEWMAN, DAVID ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CAMELOT (US, Joshua Logan, 1967) ; CLEOPATRA (US, Joseph L. Mankiewicz, 1963) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967) ; KAEL, PAULINE ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) Summary: In this book, Mark Harris looks at 1967, and marks it as a pivotal moment in Hollywood's history: the shift from studio -generated epics, westerns and musicals, such as "Doctor Doolitle"to the director-centred European aesthetic seen in "Bonnie & Clyde" and "The Graduate". It was the birth of the New Hollywood. The book look at five films made in this year- "Bonnie & Clyde", "In the heat of the night", "Doctor Doolittle" "The Graduate" and "Guess who's coming to dinner" from the. first draft of the scripts to the impact of their release. The author interviews most of the actors in volved in the making of these films and presents a book about Hollywood and the United States at a critical juncture in their history. [Taken from the cover]Notes: Includes bibliographical references (p. [432]-438) and index.ISBN: 9781847671028ID2: 277
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Screen adaptations : Charles Dickens' Great Expectations : the relationship between text and film / by Brian McFarlane and edited by Imelda Whelehan London: Methuen Drama: A & C Black Publishers, 2008.
Call No: 79GRE MCFAuthor: McFarlane, Brian Source: UKPlace: LondonPublisher: Methuen Drama: A & C Black PublishersPubDate: 2008PhysDes: xx, 186 p. ; 20 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; CRITICISM ; DICKENS, CHARLES ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; GREAT EXPECTATIONS (UK, Joseph Hardy, 1975) ; GREAT EXPECTATIONS (US, Alfonso Cuaron, 1998) Summary: " Dickens has been immensely popular with filmmakers and Great Expectations has an unusual hold on the popular imagination. This book addresses in detail numerous adaptations with particular emphasis on the two television serials and four film versions including David Lean's celebrated 1946 classic and a modern re-working starring Gwyneth Paltrow. A fascinating study that is accessibly written from both a literature and film perspective. " -- BOOK BLURBNotes: Includes bibliographical references (p. [174]-179) and indexISBN: 9780713679090Contents: -- introduction and acknowledgements -- filmography and credits for key films -- part one: literary contexts -- an enduringly popular novel -- part two: from text to screen -- adaptations and extrapolations across the media -- Great Expectations on television -- Great Expectations(1934) : a Hollywood studio romance -- Great Expectations(1975): a musical sans songs -- Great Expectations(1998): from estuary to gulf, to Manhattan and back -- Great Expectations(1946): something like a classic -- part three: the afterlife of Lean's film -- a film of its time - and for other times -- bibliography -- index --
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Screen culture in the digital age : multimedia for filmmakers, artists and the community / Garry Brennan Melbourne, Vic.: Open Channel Co-operative Limited, 1995.
Call No: 775(94) BREAuthor: Brennan, Garry CorpAuthor: Australian Film Commission; Open Channel (Television station : Melbourne, Vic.); Perth Institute of Film and Television; Metro Television; Brisbane Independent Filmmakers; Media Resource Centre (Adelaide, S. Aust.)Place: Melbourne, Vic.Publisher: Open Channel Co-operative LimitedPubDate: 1995PhysDes: 74 p. ; 30 cmSubject: MULTIMEDIA. AUSTRALIA ; DIGITAL TECHNOLOGY. AUSTRALIA Notes: Cover title; "A report to the Australian Film Commission from the screen culture organisations : Open Channel, Melbourne ; Media Resource Centre, Adelaide ; Film and Television Institute, Perth ; Metro Television, Sydney ; Brisbane Independent Filmmakers, Brisbane" -- Cover; Available from, Open Channel Co-operative Limited, 13 Victoria Street, Fitzroy Vic. 3065ISBN: 0646263781LON: 11907082
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Screen director : newsletter of the Australian Screen Directors Association Rozelle [NSW]: ASDA, 1997.
Call No: held June/July 1997-Spring 2007 (incomplete)CorpAuthor: Australian Screen Directors AssociationSource: ATPlace: Rozelle [NSW]Publisher: ASDAPubDate: 1997PhysDes: v. ; 30 cmSubject: DIRECTORS. AUSTRALIA Notes: Continues: ASDA newsletterOrder Notes: CurrentLON: abn97271993; 13382299
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Screening strangers : migration and diaspora in contemporary European cinema / Yosefa Loshitzky Bloomington IN: Indiana University Press, c2010.
Call No: 744.9[325.1](4) LOSAuthor: Loshitzky, Yosefa Source: USPlace: Bloomington INPublisher: Indiana University PressPubDate: c2010PhysDes: 214 p. ; 23 cmSeries: New directions in national cinemasSubject: CULTURAL IMPERIALISM ; EUROPEAN CINEMA ; IMMIGRATION IN FILMS AND TELEVISION ; NATIONAL IDENTITY AND THE CINEMA. EUROPEAN COUNTRIES ; RACIAL ISSUES AND THE CINEMA ; REFUGEES ; WINTERBOTTOM, MICHAEL ; BESIEGED (IT, Bernardo Bertolucci, 1998) ; CODE 46 (UK/US, Michael Winterbottom, 2003) ; DIRTY PRETTY THINGS (UK, Stephen Frears, 2002) ; HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995) ; IN THIS WORLD (UK, Michael Winterbottom, 2002) ; ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006) Summary: "Yosefa Loshitzky challenges the utopian notion of a post-national "New Europe" by focusing on the waves of migrants and refugees that some view as a potential threat to European identity, a concern heightened by the rhetoric of the war on terror, the London Underground bombings, and the riots in Paris's banliues. Opening a cinematic window onto this struggle, Loshitzky determines patterns in the representation and negotiation of European identity in several European films from the late twentieth and early twenty-first centuries, including Bernardo Bertolucci's Besieged, Stephen Frears's Dirty Pretty Things, Mathieu Kassovitz's La Haine, and Michael Winterbottom's In This World, Code 46, and The Road to Guantanamo." - BOOK BLURBNotes: Includes notes and indexISBN: 9780253221827
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Screening the holocaust : cinema's images of the unimaginable / Ilan Avisar Bloomington: Indiana University Press, c1988.
Call No: 744(=924) AVIAuthor: Avisar, Ilan, 1951 Place: BloomingtonPublisher: Indiana University PressPubDate: c1988PhysDes: xi, 212 p., [6] p. of plates : ill. ; 25 cmSeries: Jewish literature and cultureSubject: GENOCIDE IN FILMS ; CZECHOSLOVAKIA ; NAZIS IN FILMS ; PONTECORVO, GILLO ; RIEFENSTAHL, LENI ; ULICA GRANICZNA (PL, Aleksander Ford, 1948) ; DIARY OF ANNE FRANK, THE (US, Geoarge Stevens, 1959) ; A PATY JEZDEC JE STRACH (CS, Zbynek Brynych, 1964) ; OSTATNI ETAP (PL, Wanda Jakubowska, 1948) ; OBCHOD NA KORZE (CS, Jan Kadar & Elmar Klos, 1965) ; SHOP ON MAIN STREET, THE (CS, Jan Kadar & Elmar Klos, 1965) ; TRANSPORT Z RAJE (CS, Zbynek Brynych, 1962) ; KAPO (IT/FR/YU, Gillo Pontecorvo, 1960) ; [MISTER] MR KLEIN [M. KLEIN] (FR/IT, Joseph Losey, 1976) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; NIGHT AND FOG (FR, Alain Resnais, 1995) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; DALEKA CESTA (CS, Alfred Radok, 1949) Summary: "Over the past four decades filmmakers have struggled with the task of depicting the atrocities of the Holocaust - the unimaginable brutalities of the Nazis and the incredible suffering of their victims. Avisar bases his discussion of these filmic efforts on the assumption that the Holocaust was a unique and unprecedented historical experience and that as such it poses special problems for those, particularly artists, who seek to reflect upon this historical event. He disagrees with theorists who believe that art cannot deal with the Holocaust in a meaningful way. This study examines how cinematic art meets the challenge of dealing with the extraordinary nature of the Holocaust. Avisar uses the concepts of representation, presentation, and comprehension to analyze a select number of Holocaust films. The cinematic medium offers a wide range of artistic visions of historical events. Avisar combines theoretical concepts peculiar to the nature of cinema with arguments on the uniqueness of Hitler's Final Solution in presenting detailed analyses of such remarkable films as Night and Fog, The Damned, The Great Dictator, The Diary of Anne Frank, The Shop on Main Street, The Garden of the Finzi-Continis, and Mr. Klein." -- BOOK BLURBNotes: Includes index; Bibliography: p. [194]-200; Filmography: p. [201]-205ISBN: 0253303761; 0253204755 (pbk.)LON: 5515271
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Screening the novel : rediscovered American fiction in film / Gabriel Miller New York: F. Ungar Pub. Co., 1980.
Call No: 753.4 MILAuthor: Miller, Gabriel, 1948 Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: 1980PhysDes: xv, 208 p. : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; AUTHORSHIP ; DIRECTORS ; LITERATURE AND THE CINEMA ; HESTER STREET (US, Joan Micklin Silver, 1975) ; GANGSTER, THE (US, Gordon Wiles, 1947) ; PATHS OF GLORY (US, Stanley Kubrick, 1957) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; POSTMAN ALWAYS RINGS TWICE, THE (US, Tay Garnett, 1946) ; SUSAN LENOX: HER FALL AND RISE (US, Robert Z. Leonard, 1931) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) Summary: "This book retrieves the lost literary treasures that inspired eight popular films. Prompted by the widespread success of these films, Gabriel Miller here re-evaluates the careers of the eight neglected novelists whose works inspired eight different directors - among them Sidney Lumet, Stanley Kubrick, John Huston, and Sidney Pollack. Each chapter offers a detailed interpretation of a particular film, its literary source, and the overall career of the novelist [...] Some of these interesting novels have never been dealt with at all; others have only recently attracted critical attention. The films, too, benefit from extended reassessment. Despite the fact that the movies were successful, moreso than the novels, they have attracted little in the way of useful analysis. Taken together, the double examination of the novel and film raises some important questions about the nature and problems of cinematic adaptation." -- BOOK BLURBNotes: Includes index; Bibliography: p. 199-203; Filmography: p. 196-198; Typo in the table of contents gives 'The Gangster' release date as 1957, it is actually 1947ISBN: 0804426228 : $9.95LON: 79048071; 1682173
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Screening the Red Army Faction : historical and cultural memory / Christine Gerhardt United States: 2018.
Call No: 745.9[323.28](430.1)Author: Gerhardt, Christine Place: United StatesPubDate: 2018PhysDes: xii, 308 pages : illustrated ; 25cmSubject: TERRORISM AND THE CINEMA ; FASSBINDER, RAINER WERNER ; VERLORENE EHRE DER KATHARINA BLUM, DIE (GW, Volker Schlondorff & Margarethe von Trotta, 1975) ; DEUTSCHLAND IM HERBST (GW, Alf Brustellin & Bernhard Sinkel & Rainer Werner Fassbinder & Alexander Kluge & Beate Mainka-Jellinghaus & Maximiliane Mainka & Peter Schubert & Edgar Reitz & Katja Rupe & Hans Peter Cloos & Volker Schlondorff, 1978) ; BAADER MEINHOF KOMPLEX, DER
see BAADER MEINHOF COMPLEX, THE (G/F/CZ, Uli Edel, 2008) ; STILLE NACH DEM SCHUSS, DIE (GG, Volker Schlondorff, 2000) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; MUTTER KUSTERS FAHRT ZUM HIMMEL (GW, Rainer Werner Fassbinder, 1975) ; ZWEITE ERWACHEN DER CHRISTA KLAGES, DAS (GW, Margarethe von Trotta, 1978) Summary: Screening the Red Army Faction: Historical and Cultural Memory explores representations of the Red Army Faction (RAF) in print media, film and art, locating an analysis of these texts in the historical and political context of unfolding events. In this way, the book contributes both a new history and a new cultural history of post-fascist era West Germany that grapples with the fledgling republic's most pivotal debates about the nature of democracy and authority; about violence, its motivations and regulation; and about its cultural afterlife. Looking back at the history of representations of the RAF in various media, this book considers how our understanding of the Cold War era, of the long sixties and of the RAF is created and re-created through cultural texts. -- publisher's web siteISBN: 9781501336676Donation: Arian DanksContents: Introduction -- 1. Looking Back: The Political and Historical Context, 1945-1970 -- 2. Print Media and Social Movements in West Germany, 1967-1972 -- 3. The RAF, Surveillance and the German Autumn in Cinema, 1966-1978 -- 4. Diverging Trajectories: The RAF and Political Alternatives in New German Cinema, 1972-1982 -- 5. Terrorism and the Cold War: The RAF and East Germany's The Ministry of State Security, 1982-1990 -- 6. Terrorism and Memory: Gerhard Richter's October 18, 1977 and the Kunst-Werke Exhibit Myth of the RAF -- Bibliography -- Filmography -- Index
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Screening the sacred : religion, myth, and ideology in popular American film / edited by Joel W. Martin, Conrad E. Ostwalt, Jr Boulder: Westview Press, c1995.
Call No: 45:2 SCRAuthor: Ostwalt, Conrad Eugene, 1959 ; Martin, Joel W., 1956 Place: BoulderPublisher: Westview PressPubDate: c1995PhysDes: x, 193 p. ; 24 cmSubject: MYTH AND THE CINEMA. USA ; RELIGION AND THE CINEMA. USA ; IDEOLOGY AND THE CINEMA. USA ; DISASTERS IN FILMS ; ALLEGORY IN FILMS ; WOMEN IN FILMS ; HERO IN FILMS ; RACIAL ISSUES AND THE CINEMA ; ALIENS IN FILMS ; VIETNAM WAR IN FILMS ; NINE 1/2 WEEKS (US, Adrian Lyne, 1986) ; PSYCHO (US, Alfred Hitchcock, 1960) ; BLOOD SIMPLE (US, Joel Coen, 1984) ; PLATOON (US, Oliver Stone, 1986) ; STAR WARS (US, George Lucas, 1977) ; ALIEN (UK, Ridley Scott, 1979) ; ALIENS (US, James Cameron, 1986) ; ROCKY (US, John G. Avildsen, 1976) ; IRONWEED (US, Hector Babenco, 1987) ; BLUE VELVET (US, David Lynch, 1986) Notes: Includes bibliographical references (p. 161-182) and indexISBN: 0813388295 (alk. paper); 0813388309 (pbk. : alk. paper)LON: 11259176
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Second take : Australian film-makers talk / edited by Geoff Burton and Raffaele Caputo St Leonards, N.S.W.: Allen & Unwin, 1999.
Call No: 802.25(94) SECAuthor: Burton, Geoff ; Caputo, Raffaele Place: St Leonards, N.S.W.Publisher: Allen & UnwinPubDate: 1999PhysDes: x, 342 : ill. ; 23 cmSubject: DIRECTORS. AUSTRALIA ; PREVIEWS ; EALING STUDIOS ; FOX STUDIOS AUSTRALIA ; DUIGAN, JOHN ; WATT, HARRY ; ROWE, GLENYS ; MILLER, GEORGE ; CAMPION, JANE ; BERESFORD, BRUCE ; ARMSTRONG, GILLIAN ; FRANKLIN, RICHARD ; ROEG, NICOLAS ; ZUBRYCKI, TOM ; RUBBO, MICHAEL ; NOONAN, CHRIS ; BENNETT, BILL ; LOWENSTEIN, RICHARD ; HICKS, SCOTT ; SIRENS (AT/UK, John Duigan, 1994) ; YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987) ; MAD MAX (AT, George Miller, 1979) ; BABE (AT, Chris Noonan, 1995) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; KISS OR KILL (AT, Bill Bennett, 1997) ; SHINE (AT/UK, Scott Hicks, 1996) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; DOCUMENTARY FILMS. AUSTRALIA ; EUREKA STOCKADE (UK, Harry Watt, 1949 [prod. 1948]) ; FLIRTING (AT, John Duigan, 1991) ; DOGS IN SPACE (AT, Richard Lowenstein, 1986) ; MYTH AND THE CINEMA. AUSTRALIA ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; RACE AROUND THE WORLD [TV] (AT, John Lander, 1997-) ; STRIKEBOUND (AT, Richard Lowenstein, 1984) Notes: Includes indexISBN: 1864487658 : $19.95LON: 14469038URL status: URL: 'http://-'
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Selected plays / Jack Hibberd Sydney: Currency Press, 2000.
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Seoul stirring : 5 Korean directors / by Tony Rayns ; edited by Simon Field London: Institute of Contemporary Arts, 1996.
Call No: 802.25(519) RAYAuthor: Rayns, Tony ; Field, Simon CorpAuthor: Institute of Contemporary Arts (London, England)Place: LondonPublisher: Institute of Contemporary ArtsPubDate: 1996PhysDes: 54 p. : ill. ; 21 cmSubject: KOREA ; DIRECTORS. KOREA ; KWON-TAEK, IM ; JANG, SUN-WOO ; KIM UI-SEOK ; LEE MYUNG-SE ; PARK KWANG-SU Notes: "In association with the Korean Motion Picture Promotion Corporation."; "Seoul Stirring: 5 Korean directors, a Festival of Korean Cinema, ICA Cinema, 21 October-10 November 1994"--P. 2ISBN: 0905263790LON: 12180416
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journal article
Set Visit: Dirty Deeds in Empire (Australian Ed.) (January 2002) iss.10 p.14
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Sex and Zen & a bullet in the head : the essential guide to Hong Kong's mind-bending movies / Stefan Hammond & Mike Wilkins London: Titan Books, 1997.
Call No: 71(512.317) HAMAuthor: Hammond, Stefan ; Wilkins, Mike Place: LondonPublisher: Titan BooksPubDate: 1997PhysDes: 272 p. : ill., ports. ; 19 cmSubject: SHAW BROTHERS ; WOO, JOHN [pseud. of Wu Yusen] ; TSUI, HARK ; CHAN, JACKIE ; LAM, RINGO ; HUNG, SAMO ; ARMOUR OF GOD, THE [ ; DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989) ; SHENG GANG QI BING (HK, Johnny Mak, 1985) Notes: Includes indexISBN: 1852867752 (pbk.)LON: 13257301
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Shadow economies of cinema : mapping informal film distribution / Ramon Lobato London: Palgrave macmillan [on behalf of the] bfi, 2012.
Call No: 301.76 LOBAuthor: Lobato, Ramon Source: UKPlace: LondonPublisher: Palgrave macmillan [on behalf of the] bfiPubDate: 2012PhysDes: viii, 168 p. ; 24 cmSeries: Cultural histories of cinemaSubject: DISTRIBUTION ; PIRACY ; DIGITAL DISTRIBUTION ; COPYRIGHT ; INTERNET Summary: "How do people access movies today?; What are the most popular and powerful channels for media distribution on a global scale?; How are film industries changing in the face of media convergence and digitisation?
To answer questions such as these, argues Ramon Lobato, we must shift our gaze away from the legal film business and toward cinema's shadow economies. All around the world, films are bought from roadside stalls, local markets, and grocery stores; they are illegally downloaded and streamed; they are watched in makeshift video clubs, on street corners, and in restaurants, shops and bars. International film culture in its actually-existing forms is a messy affair; and it relies to a great extent on black and grey media markets. Examining the industrial dynamics of these subterranean film networks across a number of different sites-from Los Angeles to Lagos, Melbourne to Mexico City-this book shows how they constitute a central rather than marginal part of audiovisual culture and commerce.
Combining film industry analysis with cultural theory, Shadow Economies of Cinema opens up a new area of inquiry for cinema studies, putting industry research into dialogue with wider debates about economic informality and commodity circulation. Written in an accessible style, this book offers an original 'bottom-up' perspective on the global cinema industry for researchers and students in film studies, cultural studies, and media and communications."-BOOK BLURBNotes: includes appendix: Film Distribution Research Guide; includes bibliographical references; includes indexISBN: 9781844574117Contents: Machine generated contents note: Why distribution? -- Formal and informal film economies -- Shadows, sites and circuits -- 1.Distribution from Above and Below -- Redefining distribution: theory and practice -- Distribution from below -- The cultural politics of distribution -- Conclusion -- 2.The Straight-to-video Slaughterhouse -- `Anything with sprocket holes' -- The STV aesthetic -- Transnational STV circuits -- Shooting and selling STV action in the Asia-Pacific -- The slaughterhouse of cinema -- Conclusion -- 3.Informal Media Economies -- The formal and the informal -- The centrality of informality -- Informal economies of cinema -- Informality, cinema and the state -- Between formal and informal distribution: Tropa de elite -- 4.Nollywood at Large -- A short history of the Nigerian video boom -- The formalising imperative -- Formalising international distribution -- Conclusion -- 5.Six Faces of Piracy -- Copyright and the construction of piracy -- Piracy as theft --
Contents note continued: Piracy as free enterprise -- Piracy as free speech -- Piracy as authorship -- Piracy as resistance -- Piracy as access -- Everyday ethics of piracy in Tepito, Mexico City -- Tepito postscript 2010 -- 6.The Grey Internet -- Mapping the online distribution ecology -- Linking sites -- Video-hosting sites -- Cyberlockers -- Informal enforcement on the digital frontier -- Conclusion -- Conclusion: Coordinates for Studying Distribution in a Digital Age -- From pipelines to swarms -- Rethinking informational freedom
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Shakespeare on film / Jack J Jorgens Bloomington: Indiana University Press, c1977.
Call No: 753SHA JORAuthor: Jorgens, Jack.J Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: c1977PhysDes: xii, 337 p. : ill. ; 24cmSubject: FILM STUDY AND RESEARCH ; SHAKESPEARE [WILLIAM] IN FILMS ; SHAKESPEARE, WILLIAM ; EDUCATION AND THE CINEMA ; DIETERLE, WILLIAM ; ZEFFIRELLI, FRANCO ; MANKIEWICZ, JOSEPH L. ; WELLES, ORSON ; OLIVIER, LAURENCE ; SCHAEFER, GEORGE ; KUROSAWA AKIRA ; KOZINTSEV, GRIGORI ; MIDSUMMER NIGHT'S DREAM, A (SP/UK, Celestino Coronado, 1984) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953) ; HENRY V (UK, Laurence Olivier, 1944) ; RICHARD III (UK, Laurence Olivier, 1955) ; MACBETH ; KUMONOSU-JO (JA, Akira Kurosawa, 1957) ; HAMLET [GAMLET] (UR, Grigori Kozintsev, 1964) ; OTELLO (IT, Franco Zeffirelli, 1986) ; KING LEAR (UK, Peter Brook, 1953) Summary: This book looks at films made of Shakespeare plays and is an evaluation of such films and focuses on what is good and interesting about them as well attemping to interpret them.It is ultimately an appreciation of the films made of Shakespeare's plays. It provides the reader with the vocabulary of film and a cinematic way of expressing Shakespeare's characters, settings, themes, structures and verbal and dramatic styles.It looks at the strenghts of the works of filmakers such as Zeffirelli, or OlivierNotes: Includes bibliographical references and indexISBN: 0253351960ID2: 291
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Shelley : also known as Shirley / Shelley Winters New York: Ballantine, 1981, c1980.
Call No: 81SHE WINAuthor: Winters, Shelley Source: USPlace: New YorkPublisher: BallantinePubDate: 1981, c1980PhysDes: 500 p., [32] p. of plates : ill., ports ; 18cmSubject: WINTERS, SHELLEY ; ACTORS ; STEVENS, GEORGE ; CLIFT, MONTGOMERY ; GREAT GATSBY, THE (US, Elliott Nugent, 1949) ; NIGHT OF THE HUNTER THE (US, Charles Laughton, 1955) ; DIARY OF ANNE FRANK, THE (US, Geoarge Stevens, 1959) ; POSEIDON ADVENTURE, THE (US, Ronald Neame, 1972) ; HARPER (US, Jack Smight, 1966) Summary: The book dealswith the rise of Shelley Winters from a small starlet to the winner of two oscars, and a star of the Broadway stage. It also deals with her friendships with Marilyn Monroe, Marlon Brando, and Howard HughesISBN: 0345295064Donation: donated by the family of Wayne Levy, 2006
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Shining in shadows : movie stars of the 2000s / edited by Murray Pomerance New Brunswick, N.J.: Rutgers University Press, c2012.
Call No: 802.27 SHIAuthor: Pomerance, Murray Source: US/UKPlace: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: c2012PhysDes: ix, 268 p. : ill. ; 24 cmSeries: Star decades: American culture/American cinemaSubject: ACTORS ; STARS ; HISTORY OF CINEMA ; DAMON, MATT ; DEPP, JOHNNY ; DOWNEY, ROBERT, Jr. ; EASTWOOD, CLINT ; FREEMAN, MORGAN ; Aniston, Jennifer ; FEY, TINA ; BLACK, JACK ; SANDLER, ADAM ; STILLER, BEN ; BARDEM, JAVIER ; DEL TORO, BENICIO ; HOFFMAN, PHILIP ; SWANK, HILARY ; ZELLWEGER, RENEE ; LEDGER, HEATH ; DICAPRIO, LEONARDO ; PENN, SEAN ; WINSLET, KATE ; BLANCHETT, CATE ; PITT, BRAD ; JOLIE, ANGELINA ; CLOONEY, GEORGE ; FERRELL, WILL ; GYLLENHAAL, MAGGIE Summary: "In the 2000s, new technologies transformed the experiences of movie-going and movie-making, giving us the first generation of stars to be just as famous on the computer screen as on the silver screen. Shining in Shadows examines a wide range of Hollywood icons from a turbulent decade for the film industry and for America itself.
Perhaps reflecting our own cultural fragmentation and uncertainty, Hollywood's star personas sent mixed messages about Americans' identities and ideals. Disheveled men-children like Will Ferrell and Jack Black shared the multiplex with debonair old-Hollywood standbys like George Clooney and Morgan Freeman. Iconic roles for women ranged from Renee Zellwegers's dithering romantics to Tina Fey's neurotic professionals to Hilary Swank's vulnerable boyish characters. And in this age of reality TV and TMZ, stars like Jennifer Aniston and "Brangelina" became more famous for their real-life romantic dramas - at the same time that former tabloid fixtures like Johnny Depp and Robert Downey Jr. reinvented themselves as dependable leading men.
With a multigenerational, international cast of stars, this collection presents a fascinating composite portrait of Hollywood stardom today. " -- BOOK BLURBNotes: Formerly CIP
Includes bibliographical references and indexISBN: 9780813551487Donation: Donated by Senses of Cinema, 2013Contents: -- acknowledgments -- Introduction: stardom in the 2000s / Murray Pomerance -- The wonder boys: Matt Damon, Johnny Depp, and Robert Downey, Jr. / Dominic Lennard -- Clint Eastwood and Morgan Freeman: million dollar seniors / Robert Eberwein -- Jennifer Aniston and Tina Fey: girls with glasses / Victoria E. Johnson -- Puerile pillars of the Frat Pack: Jack Black, Will Ferrell, Adam Sandler, and Ben Stiller / Brenda R. Weber -- Javier Bardem and Benicio Del Toro: beyond machismo / Mary C. Beltra´n -- Philip Seymour Hoffman: a´ Jesus of uncool / Jerry Mosher -- A postfeminist primer: Maggie Gyllenhaal, Hilary Swank, and Rene´e Zellweger / Corinn Columpar -- Heath Ledger: I'm not there / Claire Perkins -- Leonardo DiCaprio and Sean Penn: acting authentic / Michael K. Hammond -- Kate Winslet and Cate Blanchett: the performance is the star / Charlie Keil -- Brangelina: celebrity, credibility, and the composite u ¨berstar / Linda Ruth Williams -- George Clooney: The Issues Guy / David Sterritt -- In the Wings / Murray Pomerance -- works cited -- contributors -- index --
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Shirley Temple in "Dimples" : A 20th Century Fox Motion Picture / Screenplay by Arthur Sheekman and Nat Perrin Akron, Ohio: Saalfield Publishing Company, [1936?].
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Shooting stars Blue Heeler style in Encore (Apr 2000) vol.18 iss.3 p.14
Author: Anderson, Brett PhysDes: Article; Illustration(s)Subject: DIRECTION ; COURSES, FILM. AUSTRALIA Summary: The Australian Film, Television and Radio School, Southern Star and Channel Seven jointly run a unique "Directing Multi-camera Television" course.
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Short cuts : Australian foreign aid wastage 'huge' in The Age [Arts & Entertainment] (07/04/2016) p.20
Call No: TITLE CLIPPINGS FILE; DISASTER CAPITALISM (AT, Matthew Saville, 2016)Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: DISASTER CAPITALISM (AT, Matthew Saville, 2016) Summary: Documentary film Disaster Capitalism has been selected for screening at Toront's Hot Docs. The film features Afghanistan, Haiti and Papua New Guinea and issues related to aid, development and resources.
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Short notices in Cinefantastique (Spring 1974) vol.3 iss.2 p.31
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Show of the week : Wastelander Panda in The Age [Green Guide] (18/09/2014) p.14
Call No: SUBJECT CLIPPINGS FILE; DIGITAL TELEVISION. AUSTRALIAAuthor: Northover, Kylie PhysDes: Clippings File ArticleSubject: DIGITAL TELEVISION. AUSTRALIA Summary: All episodes of Wastelander Pander are available on ABC iview
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Skywalking : the life and films of George Lucas / Dale Pollock London: Elm Tree, 1983.
Call No: 81LUC POLAuthor: Pollock, Dale Source: UKPlace: LondonPublisher: Elm TreePubDate: 1983PhysDes: xvi, 304 p., [16] p. of plates : ill., ports. ; 24 cmSubject: AUTOMOBILES IN FILMS ; DIRECTORS ; LUCASFILM ; PRODUCTION. USA ; COPPOLA, FRANCIS FORD ; LADD, ALAN, Jr. ; TANEN, NED ; LUCAS, GEORGE ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; STAR WARS (US, George Lucas, 1977) ; THX 1138 4EB (US, George Lucas, 1967) Summary: "SKYWALKING is the story of one of the most creative visionaries in all film history. George Lucas was a typical Californian child of no great promise - he read comic books and watched TV; no one guessed that his imagination would inspire millions of people. Dale Pollock brilliantly tells the story of Lucas's legendary days at USCinema and his tangles with Francis Coppola and Universal Pictures. Pollock was one of the few reporters allowed on the set of RETURN OF THE JEDI, and he takes us behind the scenes of Lucas's movies. We find out how Artoo-Detoo got his name, how the Force came to be, and many other surprising revelations. Complete with photographs from Lucas's private collection, SKYWALKING is a powerful biography about a man who is setting the future course of film for years to come." [Taken from book jacket]Notes: Also published: New York, N.Y. : Harmony, 1983; Includes bibliographical references and index; Filmography: p. 279-289ISBN: 0241110343 : ª9.95LON: abn84206746; 3369213
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So what's this all about then? : a non-users guide to digital effects in filmmaking / Shilo T. McClean North Ryde, N.S.W.: Australian Film, Television & Radio School, 1998.
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Some digital answers in Movie Trader (Jun 1999) p.16
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Sound : dialogue, music, and effects / edited by Kathryn Kalinak London: I.B. Tauris, 2015.
Call No: 244 SOUAuthor: Kalinak, Kathryn (ed.) Source: US/UKPlace: LondonPublisher: I.B. TaurisPubDate: 2015PhysDes: 222 pages : illustrations ; 24 cmSeries: Behind the silver screen ; 10Subject: SOUND ; SOUND EFFECTS ; SOUND EDITING ; SOUND RECORDING ; SOUND TRACK ; SOUNDTRACKS ; MUSIC IN FILMS ; MUSIC AND THE CINEMA ; DIALOGUE ; CINEMATOGRAPHY ; HISTORY OF CINEMA ; POST-PRODUCTION ; PRODUCTION Summary: "This innovative book highlights the workers who collaborated inside and outside Hollywood to produce dialogue, sound effects and music for motion pictures. It demonstrates the transformative powers of sound as they shape the specific ways in which film meaning is made." -- BOOK BACK COVERNotes: Includes bibliographical references (pages 203-206) and indexISBN: 9781784534059Contents: -- Introduction / Kathryn Kalinak -- The silent screen, 1894-1927 / James Wierzbicki -- Classical Hollywood, 1928-1946 / Kathryn Kalinak -- Postwar Hollywood, 1947-1967 / Nathan Platte -- The auteur renaissance, 1968-1980 / Jeff Smith -- The new Hollywood, 1981-1999 / Jay Beck with Vanessa Theme Ament -- The modern entertainment marketplace, (2000-present) / Mark Kerins -- Academy Awards for sound -- Academy Awards for music -- notes -- glossary -- selected bibliography -- notes on contributors -- index --
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Speaking in images : interviews with contemporary Chinese filmmakers / Michael Berry New York: Columbia University Press, 2005.
Call No: 802.25 (51) BERAuthor: Berry, Michael Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2005PhysDes: x, 568 p. : ill. ; 24 cmSeries: Global Chinese cultureSubject: DIRECTORS. CHINA ; DIRECTORS.TAIWANESE ; DIRECTORS. HONG KONG ; CITY OF SADNESS, A [ ; TAIWAN ; CHEN, KAIGE ; XIE, JIN ; TIAN, ZHUANGZHUANG ; ZHANG, YIMOU ; ZHANG, YUAN ; WANG, XIAOSHUAI ; JIA, ZHANG KE ; LI, YANG ; HOU HSIAO-HSIEN ; CHU, TIEN-WEN ; YANG, EDWARD ; WU, NIEN-JEN ; LEE, ANG ; TSAI, MING LIANG ; CHANG, TSO-CHI ; HUI, ANN ; KWAN, STANLEY ; CHAN, FRUIT ; HO-SUN CHAN, PETER ; CHAN, EVANS ISBN: 9780231133319Contents: Foreword / Martin Scorsese -- Introduction : speaking in images -- Pt. I. Voices from China -- Xie Jin : six decades of cinematic innovation -- Tian Zhuangzhuang : stealing horses and flying kites -- Chen Kaige : historical revolution and cinematic rebellion -- Zhang Yimou : flying colors -- Zhang Yuan : working up a sweat in a celluloid sauna -- Wang Xiaoshuai : banned in China -- Jia Zhangke : capturing a transforming reality -- Li Yang : the future of Chinese cinema? -- Pt. II. Voices from Taiwan -- Hou Hsiao-hsien with Chu T'ien-wen : words and images -- Edward Yang : luckily unlucky -- Wu Nien-jen : writing Taiwan in the shadows of cultural colonialism -- Ang Lee : freedom in film -- Tsai Ming-liang : trapped in the past -- Chang Tso-chi : shooting from the margins -- Pt. III. Voices from Hong Kong -- Ann Hui : living through films -- Stanley Kwan : from spectral nostalgia to corporeal desire -- Fruit Chan : Hong Kong independent -- Peter Ho-sun Chan : pioneering Pan-Asian cinema -- Evans Chan : the last of the Chinese
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Speaking in subtitles : revaluing screen translation / Tessa Dwyer Edinburgh: Edinburgh University Press,
Call No: 224.6 DWYAuthor: Dwyer, Tessa Edition: 2017Place: EdinburghPublisher: Edinburgh University PressPhysDes: viii, 228 pages : illustrated ; 25 cmSubject: SUBTITLES ; KUBELKA, PETER ; TANG SHOU TAI QUAN DAO [CRUSH] (HK, Kuang-Chi Tu, 1972) ; DIALECTIQUE PEUT-ELLE CASSER DES BRIQUES?, LA [CAN DIALECTICS BREAK BRICKS?] (FR, René Viénet [?], 1973) Summary: With over 6000 languages in the world today, media speak is far from universal, yet the complexities of translation are rarely acknowledged by the industry, or by audiences and scholars. Redressing this neglect, Speaking in Subtitles argues that the oddities and idiosyncrasies of translation are vital to screen media’s global storytelling. Examining a range of examples from crowdsourced subtitling to avant-garde dubbing to the growing field of ‘fansubbing’, Tessa Dwyer proposes that film, television and video are fundamentally ‘translational' media. -- publisher's web siteISBN: 9781474410946Contents: Introduction
Section 1: Devaluation to Deconstruction -- 1. Sub/Dub Wars -- 2. Vanishing Subtitles: The Invisible Cinema (New York, 1970-1974) -- 3. Dubbing Undone: Can Dialectics Break Bricks? (1973)
Section 2: Errant and Emergent Practices -- 4. Mistranslation and Misuse -- 5. Fansubbing and Abuse -- 6. Streaming, Subbing, Sharing: Viki Global TV
Conclusion: Error Screens
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Special : Fred Freed and the television documentary / David G. Yellin New York London: Macmillan Collier-Macmillan, 1973.
Call No: 761 YELAuthor: Yellin, David G Place: New York LondonPublisher: Macmillan Collier-MacmillanPubDate: 1973PhysDes: x, 289 p. : ill., ports ; 25cmSubject: DIRECTORS ; DOCUMENTARIES ; DOCUMENTARY DRAMAS ; HISTORY OF TV ; PRODUCERS ; TELEVISION JOURNALISM ; FREED, FRED Summary: "Special chronicles the development of the television documentary - from its beginnings after World War II to the present - through the life and work of Fred Freed, pioneer in the radio and television documentary [...] In tracing Freed's career, David G. Yellin presents much more than a fascinating biography of a master documentary film producer. His unique book also discusses the documentary's form, from conception to telecast, and will prove illuminating not only to those with a professional interest in the field of broadcasting, but to every viewer who has ever seen a documentary and wondered how it was put together." -- BOOK BLURBNotes: Television programmes. Documentaries. Production. Freed, Fred (BNB/PRECIS); Includes indexISBN: 0026329700 : ª4.95LON: 3518634
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Special effects : creating movie magic / by Christopher Finch New York: Abbeville Press, c1984.
Call No: 236 FINAuthor: Finch, Christopher Source: USPlace: New YorkPublisher: Abbeville PressPubDate: c1984PhysDes: 252 p. : ill. (some col.) ; 27 cmSubject: COMPUTER GRAPHICS ; DIGITAL TECHNOLOGY ; COMPUTERS AND THE CINEMA ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; COMPUTER GENERATED IMAGERY ; COSTUME DESIGNING ; TECHNICAL DEVELOPMENTS ; MOTION CONTROL ; MAKE UP ; TECHNOLOGY AND THE CINEMA ; PRODUCTION TECHNOLOGY ; SPECIAL EFFECTS ; CINEMATOGRAPHY ; SET DESIGNING ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982) ; BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982) ; TRON (US, Steven Lisberger, 1982) Summary: "Special effects is an art that sets itself the task of putting on screen anything a filmmaker can imagine, however strange or fantastic. From King Kong to Star Wars, this book details the secrets behind the magic that has thrilled and delighted generations of movie-goers." -- BOOK BLURBNotes: Includes index; Bibliography: p. 244ISBN: 0896594521Contents: -- acknowledgements -- prologue -- part 1: the art of deception -- 1: tricks and treats -- 2: masks and mirrors -- 3: silent magic -- 4: the coming of sound -- 5: king kong -- 6: invisible effects -- 7: new aspects -- 8: monsters and myths -- part II: odysseys -- 9: new beginnings -- 10: the making of 2001 -- 11: back to earth -- 12: pitching -- 13: star wars -- 14: close encounters -- 15: phone home -- 16: innovations -- 17: blade runner -- 18:state of the art -- part III: sons of hal -- 19: coordinates -- 20: the making of tron -- 21: simulation -- 22: the future -- bibliography -- glossary -- index --
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Crawford collection
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[Special Squad : album #1] Crawford Productions [distributor],
Call No: CRAWFORD STILL SPESource: ATPublisher: Crawford Productions [distributor]PhysDes: 86 photographs : b&w ; 16 x 26 cm - 21 x 26 cmSubject: SALTMARSH, KIER ; DIEDRICH, JOHN ; KENT, TREVOR ; LINDEMAN, SUSAN ; KAYE, KEITH ; ZAPPA, WILLIAM ; FAYE, GLENNEN ; GAIGALAS, REGINA ; HUGHES, TIM ; LOBEZ, SUSANNA ; CASSELL, ALAN ; HAWKINS, ANTHONY ; CONNELLY, CHRIS ; FURNESS, DEBORRA-LEE ; HAYWOOD, CHRIS ; STRATFORD, PETER ; BARRY, BRUCE ; SPECIAL SQUAD [TV](AT, 1984-1985) Summary: Photographs relating to the TV series ' Special Squad'Notes: Album 1 contains photographs from the following episodes: 'Easy Street', 'Counterfeit Lady', and ''The Long Secret'Donation: Gift of Crawford Productions
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[Special squad : album #2] Crawford Productions [distributor],
Call No: CRAWFORD STILL SPESource: ATPublisher: Crawford Productions [distributor]PhysDes: 105 photographs : b&w ; 16 x 26 cm - 21 x 26 cmSubject: ALDENHOVEN, LISA ; MAGUIRE, GERARD ; QUAST, PHILLIP ; WOOD, JOHN ; DUNCAN, CARMEN ; FINCH, STUART ; LESLEY, LORNA ; SMILLIE, JIM ; DIEDRICH, JOHN ; SYMONS, RED ; HOLDEN, FRANKIE J. ; HAWKINS, ANTHONY ; LANDIS, NINA ; GILLING, REBECCA ; TABOR, KEVIN ; JAYME, DEBORAH ; KERR, BRUCE ; MCKAY, KERRY ; ANDREWS, GAEL ; CHILVERS, SIMON ; REDSHAW, MARIE ; BRYON, ANTOINETTE ; SPECIAL SQUAD [TV](AT, 1984-1985) Summary: Photographs relating to the TV series 'Special Squad'Notes: Album 2 contains photographs from the following episodes of Special Squad: 'The Wurzburg Link', 'Same Time Friday', 'Duel', 'The Set-Up' and , 'Golden Run',Donation: Gift of Crawford Productions
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Crawford collection
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[Special Squad : album # 3] Crawford Productions [distributor],
Call No: CRAWFORD STILL SPESource: ATPublisher: Crawford Productions [distributor]PhysDes: 79 photographs : b&w ; 18 x 26 cm - 21 x 26 cm + 9 photographic sheets : b&w ; 21 x 26 cm + 13 photographs : col. ; 13 x 9 cmSubject: HAWKINS, ANTHONY ; FAHEY, MURRAY ; BLAKE, JON ; TIGHE, ANDREW ; GALLACHER, FRANK ; DIEDRICH, JOHN ; CASSELL, ALAN ; SPECIAL SQUAD [TV](AT, 1984-1985) Summary: Photographs relating to the TV series 'Special Squad'Notes: Album 3 consists of photographs relating to the Special Squad episodes: 'Jacko', 'Earlybird','The Patchwork' and 'Pigs' -- Included in this album are a grouping of photos that have been collected for Crawford Productions showing highlights from a variety of episodes -- Included is a grouping of colour photos labelled Special Squad, Falls Creek'Donation: Gift of Crawford Productions
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[Special Squad : album #4] Crawford Productions [distributor],
Call No: CRAWFORD STILL SPESource: ATPublisher: Crawford Productions [distributor]PhysDes: 81 slides : col. + 23 transparencies : b&w ; 120 mm + 1 transparency : col. ; 120 mm + 9 negatives : b&w ; 35 mmSubject: HAWKINS, ANTHONY ; CASSELL, ALAN ; DIEDRICH, JOHN ; GILLING, REBECCA ; MORTIMER, IAN ; BANNISTER, KERRIE ; WINCHESTER, ARNA-MARIA ; UPJOHN, WILLIAM ; GILL, VINCE ; MCKAY, KERRY ; CHILVERS, SIMON ; ANDREWS, GAEL ; LOBEZ, SUSANNA ; LESLEY, LORNA ; DUNCAN, CARMEN ; SMILLIE, JIM ; HAGAN, JENNIFER ; WOODBURNE, JACKIE ; OLIVER, TOM ; CRAWFORD, ANNA ; ALDENHOVEN, LISA ; MAGUIRE, GERARD ; QUAST, PHILIP ; TAYLOR, GRIGOR ; ARNOLD, RONNIE ; ABIGAIL ; HANNAN, JOHN ; SALTMARSH, KIER ; DEANS, JUDITH ; DAHLSEN , PETER ; SCOTT, RENEE ; GALLACHER, FRANK ; BISLEY, STEVE ; GREGG, JOHN ; HAYWOOD, CHRIS ; FURNESS, DEBORRA-LEE ; MCLUSKIE, KASSIE ; SPECIAL SQUAD [TV](AT, 1984-1985) Summary: Photographs, slides and negatives relating to the series 'Special Squad'Notes: Images are arranged in groupings as received by Crawford Productions with their accompanying promotional sheetsDonation: Gift of Crawford Productions
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crawford publicity spe
[Special squad. Publicity materials]
Call No: CRAWFORD PUBLICITY SPEPhysDes: 1 folder ; 34 cm + 1 lateral fileSubject: DIEDRICH, JOHN ; HAWKINS, TONY ; CASSELL, ALAN ; SPECIAL SQUAD [TV](AT, 1984-1985) Summary: Publicity materials and media clippings about Crawford productions series 'Special Squad'Donation: Gift of Crawford ProductionsContents: 1 file containing promotional brochures, press kit and synopses -- 1 green folder containing newspaper and magazine clippings
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The St. James women filmmakers encyclopedia : women on the other side of the camera / edited by Amy L. Unterburger ; foreword by Gwendolyn Audrey Foster Detroit: Visible Ink Press, c1999.
Call No: 802.253 STJAuthor: Unterburger, Amy L Place: DetroitPublisher: Visible Ink PressPubDate: c1999PhysDes: xxvi, 568 p. : ill. ; 24 cmSubject: DIRECTORS ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; CANTRILL, ARTHUR & CORINNE ; LAW, CLARA ; LYELL, LOTTIE ; MCDONAGH, PAULETTE ; MCDONAGH, PHYLLIS ; MCDONAGH, ISABEL ISBN: 1578590922 (softcover)LON: 20020284
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Starting point : 1979-1996 / by Hayao Miyazaki ; translated by Beth Cary and Frederik L. Schodt San Francisco, California: VIZ Media, c2009.
Call No: 81MIY MIYAuthor: Miyazaki, Hayao Edition: English editionSource: JA/USPlace: San Francisco, CaliforniaPublisher: VIZ MediaPubDate: c2009PhysDes: 461 pages : colour illustrations ; 23 cmSubject: ANIMATION. JAPAN ; ANIMATORS ; AUTHORSHIP ; DIRECTION ; DIRECTORS. JAPAN ; JAPAN ; MANGA ; STUDIO GHIBLI ; MIYAZAKI, HAYAO Summary: "In the first two decades of his career, filmmaker Hayao Miyazaki laid the groundwork for his legendary movies. Starting Point: 1979-1006 is a collection of essays, interviews, and memoirs that go back to the roots of Miyazaki's childhood, the formulation of his theories of animation, and the founding of Studio Ghibli. Before directing such acclaimed films as Spirited Away, Miyazaki was just another salaried animator, but with a vision of his own. Follow him as he takes his first steps on the road to success; experience his frustrations with the manga and animation industries that often suffocate creativity; and realise the importance of bringing the childhood dreams of the world to life." -- BOOK BLURBNotes: Originally published: Japan : Tokuma Shoten, 1996. -- includes biographical chronology -- translated into English from the Japanese -- Miyazaki's second autobiography, Turning Point, is also available in the collectionISBN: 9781421561042Language: English
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Steven Spielberg / Donald R. Mott, Cheryl McAllister Saunders Bromley, Kent: Columbus, 1986.
Call No: 81SPI MOTAuthor: Mott, Donald R ; Saunders, Cheryl McAllister Source: UKPlace: Bromley, KentPublisher: ColumbusPubDate: 1986PhysDes: xv, 199 p. ; 22 cmSeries: Columbus filmmakersSubject: DIRECTORS ; SUBURBS IN FILMS ; YOUNG PEOPLE AND THE CINEMA ; SPIELBERG, STEVEN ; LUCAS, GEORGE ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; DUEL (US, Steven Spielberg, 1972) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; JAWS (US, Steven Spielberg, 1975) ; [NINETEEN FORTY-ONE] 1941 (US, Steven Spielberg, 1979) ; POLTERGEIST (US, Tobe Hooper, 1982) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; TWILIGHT ZONE THE MOVIE (US, John Landis & Steven Spielberg & George Miller & Joe Dante, 1983) Summary: "Steven Spielberg (1947 - ) made his first film at the age of 12, and by age 27 his second film for the commercial cinema, JAWS, was breaking all existing box-office records. In the decade since then, his reputation as an inventive filmmaker with an unerring gift for knowing what will attract the paying customer has gone from strength to strength. Spielberg's technical assurance and gift for creating dazzling special effects are matched by his ability to interpret stories with the kind of pace and style that brooks no resistance. He has with some justification been called 'a magician in the age of the movies', yet despite his phenomenal success as a commercial filmmaker (no less than four of his films are among the top fifteen top money-making films of all time), he has been conspicuous by his absence in the lists of Academy Award winners. Is he, as some critics claim, merely the 'General Motors of kids movies', or will the next decade see him make a successful move into directing films with adult themes?" [Book blurb]Notes: American cinema films. Directing. Spielberg, Steven. - Critical studies (BNB/PRECIS); Includes Index; Bibliography: p. 170-176; Filmography: p. 177-187ISBN: 0862872375 (pbk) : ª5.95LON: bnb86287237; 4636614
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Storming the magic kingdom : Wall Street, the raiders and the battle for Disney / John Taylor New York: Alfred A. Knopf, 1987.
Call No: 19DIS TAYAuthor: Taylor, John Source: USPlace: New YorkPublisher: Alfred A. KnopfPubDate: 1987PhysDes: x, 261 p., [16] p. of plates : ill. ; 26 cmSubject: WALT DISNEY PRODUCTIONS ; INDUSTRY, FILM ; PRODUCTION COMPANIES & STUDIOS. USA ; PRODUCTION COSTS ; PRODUCTION DEALS ; WALT DISNEY PRODUCTIONS ; AHMANSON, CAROLINE ; BAGNALL, MICHAEL ; BALDWIN, ROBERT ; BASS, SID RICHARDSON ; BERGER, RICHARD ; BOESKY, IVAN ; CHAMBERS, RICHARD ; CHECCHI, ALFRED ; COBB, CHARLES ; DAILY, PETER ; DAVIS, MARTIN ; DAVIS, MARVIN ; DILLER, BARRY ; DISNEY, ROY EDWARD ; DISNEY, WALT ; DRAPKIN, DONALD ; EISNER, MICHAEL ; FLOM, JOSEPH ; GOLD, STANLEY ; JACOBS, IRWIN ; HAWLEY, PHILIP ; KELLNER. PETER ; MILLER, RONALD ; RAINWATER, RICHARD ; STEINBURG, SAUL ; WATSON, RAYMOND L Summary: "The riveting account of how a covey of corporate raiders and Wall Street mercenaries launched an assault on that bastion of American values, Walt Disney Productions, and of the furious combat that followed" - BOOK JACKETNotes: Includes indexISBN: 0394546407Donation: donated by the family of Wayne Levy, 2006
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Story : substance, structure, style, and the principles of screenwriting London: Methuen, 1999.
Call No: 224 MCKAuthor: McKee, Robert, 1941 Source: UKPlace: LondonPublisher: MethuenPubDate: 1999PhysDes: [xi], 466 p. ; 23 cmSeries: MethuenfilmSubject: SCRIPTWRITING ; DIALOGUE ; ENDINGS OF FILMS ; AUDIENCES ; ADAPTATIONS ; SASOM I EN SPEGEL (SW, Ingmar Bergman, 1961) ; ALIEN (UK, Ridley Scott, 1979) ; CASABLANCA (US, Michael Curtiz, 1942) ; CHINATOWN (US, Roman Polanski, 1974) ; LOVE STORY (US, Arthur Hiller, 1970) Notes: Includes index; Bibliography: p. 421-422; Filmography: p. 423-455ISBN: 0413715604 (pbk.) : ¦12.99LON: 20148607
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Storytelling in the new Hollywood : understanding classical narrative technique / Kristin Thompson Cambridge, MA: Harvard University Press, 1999.
Call No: 632.2(73) THOAuthor: Thompson, Kristin, 1950 Place: Cambridge, MAPublisher: Harvard University PressPubDate: 1999PhysDes: 398 p. : ill. ; 23 cmSubject: NARRATIVE IN FILMS ; TOOTSIE (US, Sydney Pollack, 1982) ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; AMADEUS (US, Milos Forman, 1984) ; HUNT FOR RED OCTOBER, THE (US, John McTiernan, 1990) ; PARENTHOOD (US, Ron Howard, 1989) ; ALIEN (UK, Ridley Scott, 1979) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; FIELD, SYD ; JAWS (US, Steven Spielberg, 1975) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references and indexISBN: 0674839749 (cl. : alk. paper); 0674839757 (pbk. : alk. paper); 0674839757(pbk.) : ª15.50; 0674839749(cased) : ª30.95LON: 14524218
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The strange case of Alfred Hitchcock : or the plain man's Hitchcock / Raymond Durgnat London: Faber and Faber, 1974.
Call No: 81HIT DURAuthor: Durgnat, Raymond Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 1974PhysDes: 419 p. ; 24 cmSubject: HITCHCOCK, ALFRED ; PLEASURE GARDEN, THE (UK, Alfred Hitchcock, 1925) ; MOUNTAIN EAGLE, THE (UK/GG, Alfred Hitchcock, 1926) ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; DOWNHILL (UK, Alfred Hitchcock, 1927) ; EASY VIRTUE (UK, Alfred Hitchcock, 1927) ; RING, THE (UK, Alfred Hitchcock, 1927) ; FARMER'S WIFE, THE (UK, Alfred Hitchcock, 1928) ; CHAMPAGNE (UK, Alfred Hitchcock, 1928) ; MANXMAN, THE (UK, Alfred Hitchcock, 1929) ; JUNO AND THE PAYCOCK (UK, Alfred Hitchcock, 1930) ; MURDER (UK, Alfred Hitchcock, 1930) ; SKIN GAME, THE (UK, Alfred Hitchcock, 1931) ; RICH AND STRANGE (UK, Alfred Hitchcock, 1932) ; NUMBER SEVENTEEN (UK, Alfred Hitchcock, 1932) ; LORD CAMBER'S LADIES (UK, Alfred Hitchcock, 1933) ; WALTZES FROM VIENNA (UK, Alfred Hitchcock, 1934) ; MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936) ; THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935) ; SECRET AGENT, THE (UK, Alfred Hitchcock, 1936) ; SABOTAGE (UK, Alfred Hitchcock, 1936) ; YOUNG AND INNOCENT (UK, Alfred Hitchcock, 1937) ; LADY VANISHES (US, Alfred Hitchcock, 1938) ; JAMAICA INN (UK, Alfred Hitchcock, 1939) ; REBECCA (US, Alfred Hitchcock, 1940) ; FOREIGN CORRESPONDENT (US, Alfred Hitchcock, 1940) ; [MISTER] MR AND MRS SMITH (US, Alfred Hitchcock, 1941) ; SUSPICION (US, Alfred Hitchcock, 1941) ; SABOTEUR (US, Alfred Hitchcock, 1942) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; LIFEBOAT (US, Alfred Hitchcock, 1944) ; BON VOYAGE (UK, Alfred Hitchcock, 1944) ; AVENTURE MALGACHE (UK, Alfred Hitchcock, 1944) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; ROPE (US, Alfred Hitchcock, 1948) ; UNDER CAPRICORN (UK, Alfred Hitchcock, 1949) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; I CONFESS (US, Alfred Hitchcock, 1953) ; DIAL M FOR MURDER (US, Alfred Hitchcock, 1954) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; TO CATCH A THIEF (US, Alfred Hitchcock, 1955) ; TROUBLE WITH HARRY, THE (US, Alfred Hitchcock, 1955) ; MAN WHO KNEW TOO MUCH, THE (US, Alfred Hitchcock, 1955) ; WRONG MAN, THE (US, Alfred Hitchcock, 1957) ; VERTIGO (US, Alfred Hitchcock, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; BIRDS, THE (US, Alfred Hitchcock, 1963) ; MARNIE (US, Alfred Hitchcock, 1964) ; TORN CURTAIN (US, Alfred Hitchcock, 1966) ; TOPAZ (US, Alfred Hitchcock, 1969) ; FRENZY (US, Alfred Hitchcock, 1972) ; NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959) ISBN: 0571099661
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Interim
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Stuff it: the video essay in the digital age. / edited by Ursula Biemann. Zurich [Switzerland]: [Voldemeer Zurich?], 2003.
Call No: 771 BIEAuthor: Biemann, Ursula CorpAuthor: Institute for Theory of Art and DesignSource: SZPlace: Zurich [Switzerland]Publisher: [Voldemeer Zurich?]PubDate: 2003PhysDes: 166 p. ; ill. ; 24 cmSeries: Theorie: GestaltungSubject: VIDEO ART ; DIGITAL TECHNOLOGY ; LITERATURE AND THE CINEMA ; EXPERIMENTAL FILMS ; AESTHETICS Summary: 'Stuff it is a profusely illustrated collection of texts by video artists and cultural theorists who illuminate the video essay in its role as crossover and communicator between art, theory and critical practice in all its variations: from monologues of disembodyment to cartographies of diaspora experiences and transnational conditions, from the essay as the organisation of complex social shifts to its technological mutation and increasing digitisation. ' (back cover)Notes: Includes selected bibliography & videographyISBN: 9 783211 203187
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Sublime Marlene. English / Thierry de Navacelle ; translated from the French by Carey L. Smith London: Sidgwick & Jackson, 1984.
Call No: 81DIE NAVAuthor: Navacelle, Thierry de Place: LondonPublisher: Sidgwick & JacksonPubDate: 1984PhysDes: 158 p. : ports. ; 30 cmSubject: DIETRICH, MARLENE Notes: "Photographs from the Kobal Collection."; Translation of: Sublime Marlene. Paris : Editions Ramsay, c1982; Includes index; Filmography: p. 154-155; Bibliography: p. 156ISBN: 0283990422 : ª8.95LON: abn84263089; 3585848
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Subversive pleasures : Bakhtim, cultural criticism, and film / Robert Stam Baltimore: John Hopkins University Press, 1989.
Call No: 620 BAK STAAuthor: Stam, Robert Place: BaltimorePublisher: John Hopkins University PressPubDate: 1989PhysDes: xiii, 274 pages ; 24 cm.Series: ParallaxSubject: BAHTIN, MIHAIL ; ALLEN, WOODY ; BUNUEL, LUIS ; CANNIBALISM IN FILMS ; BRAZIL ; SEMIOLOGY ; DIALOGUE ; FORMALISM ; GODARD, JEAN-LUC ; PORNOGRAPHY ; SHAKESPEARE, WILLIAM ; ZELIG (US, Woody Allen, 1983) Summary: Applying Bakhtin's critical methods to film, mass-media and cultural studies, Stam draws on Bakhtin's corporal semiotics of "the grotesque body" to analyze eroticism in the cinema, and explores issues including the "translinguistic" critique of Saussurean semiotics and Russian formalism.Notes: Includes bibliographical references (pages 241-258) and index.ISBN: 0801845092Donation: Adrian MilesContents: Translinguistics and Semiotics -- Language, Difference, and Power -- Film, Literature, and the Carnivalesque -- Of Cannibals and Carnivals -- The Grotesque Body and Cinematic Eroticism -- From Dialogism to Zelig -- Envoi: Bakhtin and Mass-Media Critique.ID2: 343
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journal article
Success for educational programs in AFC Information update (Dec 1985) vol.33 p.2
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journal article
A Sunday in the country in Fade-In (February 1987) vol.27 iss.2 p.1
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Sundays and Cybele in University Film Group Bulletin (1964) iss.7 p.6-7
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book
Swedish films / Introd. by Richard Griffith New York: Museum of Modern Art Film Library, [1962].
Call No: 71(485) LAUAuthor: Lauritzen, Einar Place: New YorkPublisher: Museum of Modern Art Film LibraryPubDate: [1962]PhysDes: 32 p. : illusSubject: SWEDEN ; DIRECTORS. SWEDEN Notes: "Biographies of directors": p. 31-32LON: 2044281 2044281
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Take ten : contemporary British film directors / Jonathan Hacker and David Price Oxford [England] New York: Clarendon Press Oxford University Press, 1991.
Call No: 802.25(41) HACAuthor: Hacker, Jonathan ; Price, David Place: Oxford [England] New YorkPublisher: Clarendon Press Oxford University PressPubDate: 1991PhysDes: xiv, 434 p. : ill. ; 25 cmSubject: DIRECTORS. UK ; ANDERSON, LINDSAY ; Attenborough, Richard ; FORSYTH, BILL ; FREARS, STEPHEN ; GREENAWAY, PETER ; JARMAN, DEREK ; LOACH, KENNETH ; PARKER, ALAN ; ROEG, NICOLAS ; SCHLESINGER, JOHN Notes: Includes filmographies; Includes bibliographical references and indexISBN: 0198112173 : ª17.50 (est.)LON: 7550685 7550685
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journal article
Taking the Outback to the nation's capital in Australasian Cinema (12/11/1982) vol.11 iss.20 p.6-7
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title clippings file
TANG REN JIE TAN AN : (CC, Chen Sicheng, 2015)
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title clippings file
TANG REN JIE TAN AN 2 : (CC, Sicheng Chen, 2018)
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book
Television : The director's viewpoint Boulder, Colarado: Westview Press,
Call No: 225 RAVAuthor: Ravage, John W. Edition: 1978Place: Boulder, ColaradoPublisher: Westview PressPhysDes: 184 p. ; 24 cmSeries: Westview special studies in communicationSubject: TELEVISION ; DIRECTION ISBN: 0891583378
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book
Television writing : the ground rules of series, serials and sitcom / Linda Aronson North Ryde, N.S.W.: Australian Film, Television and Radio School, 2000.
Call No: 224 AROAuthor: Aronson, Linda, 1950 CorpAuthor: Australian Film, Television and Radio SchoolPlace: North Ryde, N.S.W.Publisher: Australian Film, Television and Radio SchoolPubDate: 2000PhysDes: iv, 71 p. : ports. ; 25 cmSubject: AUSTRALIAN BROADCASTING CORPORATION ; SCRIPTWRITING ; SITUATION COMEDY ; SIMPSON, ROGER ; EDWARDS, JOHN ; MASTERS, SUE ; DEVENISH, LUKE ; SEACHANGE [TV] (AT, 1998-) ; BREAKERS [TV] (AT, 1998-) ; BLUE HEELERS [TV] (AT, 1994-2006) Notes: Includes index; BibliographyISBN: 1876351101 : $12.95; 1876351101; 1876351101LON: 21527934
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newspaper article
Telstra targets 70 per cent pay TV in Canberra Times [Business news] (16/02/2015) p.9
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Crawford collection
crawford publicity fly
[The flying doctors. Publicity material] AT:
Call No: CRAWFORD PUBLICITY FLYPlace: ATPhysDes: 3 boxes ; 39 x 17 x 27 cmSubject: CRAWFORD PRODUCTIONS ; AUDIENCE RECEPTION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA: VICTORIA ; SOAP OPERAS. AUSTRALIA ; LEE, SOPHIE ; DIPIERDOMENICO, ROBERT ; SMITH, LENORE ; JELLAY, VAL ; FIELDS, MAURIE ; MCFARLANE, ANDREW ; GRUBB, ROBERT ; KAPINIARIS, GEORGE ; GIBNEY, REBECCA ; O'BRIEN, PETER ; PAPPS, ALEX ; MACINTOSH, TAMMY ; FLYING DOCTORS, THE [TV] (AT, 1986-91) Summary: Publicity, media clippings and periodicals about Crawford Productions' series The flying doctors. Material is organised primarily in date order. Additional files cover production and location shooting. Where possible Crawford Productions' original ordering system has been retained.Notes: Annotations on some clippings -- Labels follow Crawfords designations unless provided by cataloguerDonation: Donation of Crawford ProductionsContents: 3 archive boxes containing material from Australia, New Zealand and the Netherlands
Folders as listed:
Box 1: Locations; Production publicity; Show-Series; Series generally; [March 1991]; [April 1991]; Press cuttings July [1991]; Press cuttings Mar-Oct 1991 -- Press cuttings Jan-Mar 1991 -- Press clippings Mar Apr May 1991 -- [April 1991] file has attached memo card -- Also contains periodicals: TV soap (July 1991); Margriet (30 Apr 1991); The Flying Doctors Story; Additional photocopies of press clippings -- Royal Flying Doctor Service of Australia Fanclub Germany n. 16, June 2003 [79 leaves]; n. 17, December 2003 [85 leaves]; n. 18, June 2004 [66 leaves]; n. 19, December 2004 [74 leaves]
Box 2: Press clippings Originals 1988 -- Original press clippings Jan-June 1989 -- Press clippings originals July-Dec 1989 -- Press clippings, originals Jan-May 1990 -- Press cuttings May-Dec 1990 -- [Press clippings April 1990, photocopies] --Also contains: TV Week (Feb 13 1988); Humo (Maart 31 1988; Mei 12 1988); TV magazine (Mei 14 1988); TV week (June 4 1988); Dag (n. 230 April 9 1989); TV Guide (August 14 1989); Woman's own (April 10 1989); Star! (Summer 1989); Australia now (v. 13 n. 4 1989); Stars of Oz (August 1990) -- Additional photocopies of Australian press clippings -- Clippings from Dutch language magazines
Box 3: Photocopies of press cuttings 1982-1990 covering location, general production, notable guests and publicity for individual actors -- Facsimile copies of press from UK -- (17 leaves) Fan produced materials -- Fan produced Reserapport [Trip report] 1988 (39 leaves) -- Telegrams (6 leaves)
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book
Theorizing digital cultural heritage : a critical discourse / edited by Fiona Cameron & Sarah Kenderdine Cambridge, Mass: MIT Press, 2006.
Call No: 110-4 THE; NEW HOLDINGS SHELVESAuthor: Cameron, Fiona ; Kenderdine, Sarah Source: USPlace: Cambridge, MassPublisher: MIT PressPubDate: 2006PhysDes: x, 465 p. : ill. ; 24 cmSubject: DIGITAL TECHNOLOGY ; ARCHIVES & INSTITUTES, FILM Summary: "In Theorizing Digital Cultural Heritage, experts offer a critical and theoretical appraisal of the uses of digital media by cultural heritage institutions. Previous discussions of cultural heritage and digital technology have left the subject largely unmapped in terms of critical theory; the essays in this volume offer this long-missing perspective on the challenges of using digital media in the research, preservation, management, interpretation, and representation of cultural heritage. The contributors--scholars and practitioners from a range of relevant disciplines--ground theory in practice, considering how digital technology might be used to transform institutional cultures, methods, and relationships with audiences. The contributors examine the relationship between material and digital objects in collections of art and indigenous artifacts; the implications of digital technology for knowledge creation, documentation, and the concept of authority; and the possibilities for "virtual cultural heritage"--the preservation and interpretation of cultural and natural heritage through real-time, immersive, and interactive techniques. The essays in Theorizing Digital Cultural Heritage will serve as a resource for professionals, academics, and students in all fields of cultural heritage, including museums, libraries, galleries, archives, and archaeology, as well as those in education and information technology. The range of issues considered and the diverse disciplines and viewpoints represented point to new directions for an emerging field."Notes: Formerly CIP.; Includes bibliographical references and index.ISBN: 9780262033534Contents: 1. Rise and fall of the post-photographic museum : technology and the transformation of art / Peter Walsh -- 2. The materiality of virtual technologies : a new approach to thinking about the impact of multimedia in museums / Andrea Witcomb -- 3. Beyond the cult of the replicant - museums and historical digital objects : traditional concerns, new discourses / Fiona Cameron -- 4. Te Ahu Hiko : digital cultural heritage and indigenous objects, people, and environments / Deidre Brown -- 5. Redefining digital art : disrupting borders / Beryl Graham -- 6. Online activity and offline community : cultural institutions and new media art / Sarah Cook -- 7. A crisis of authority : new lamps for old / Susan Hazan -- 8. Digital cultural communication : audience and remediation / Angelina Russo and Jerry Watkins -- 9. Digital knowledgescapes : cultural, theoretical, practical, and usage issues facing museum collection databases in a digital epoch / Fiona Cameron and Helena Robinson -- 10. Art is redeemed, mystery is gone : the documentation of contemporary art / Harold Kraemer -- 11. Cultural information standards - political territory and rich rewards / Ingrid Mason -- 12. Finding a future for digital cultural heritage resources using contextual information frameworks / Gavan McCarthy -- 13. Engaged dialogism in virtual space : an exploration of research strategies for virtual museums / Suhas Deshpande, Kati Geber and Corey Timpson -- 14. Localized, personalized, and constructivist : a space for online museum learning / Ross Parry and Nadia Arbach -- 15. Speaking in Rama : panoramic vision in cultural heritage visualization / Sarah Kenderdine -- 16. Dialing up the past / Erik Champion and Bharat Dave -- 17. The morphology of space in virtual heritage / Bernadette Flynn -- 18. Toward tangible virtualities : tangialities / Slavko Milekic -- 19. Ecological cybernetics, virtual reality, and virtual heritage / Maurizio Forte -- 20. Geo-storytelling : a living archive of spatial culture / Scot T. Refsland, Marc Tuters and Jim Cooley -- 21. Urban heritage representations in hyperdocuments / Rodrigo Paraizo and Jose Ripper Kos -- 22. Automatic archaeology : bridging the gap between virtual reality, artificial intelligence, and archaeology / Juan Antonio Barcelo
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Old collection
book
Theory of film : the redemption of physical reality / Siegfried Kracauer New York: Oxford University Press, 1965.
Call No: 62 KRAAuthor: Kracauer, Siegfried Place: New YorkPublisher: Oxford University PressPubDate: 1965PhysDes: xix, 364 p. ill., 20 cm.Subject: ACTORS ; ADAPTATIONS ; EXPERIMENTAL FILMS ; THEORY ; AGEE, JAMES ; ALEXANDROV, GROGORIO ; ANGER, KENNETH ; ANSTEY, EDGAR ; ARNHEIM, RUDOLF ; ASTAIRE, FRED ; BALAZS, BELA ; BENJAMIN, WALTER ; BERGMAN, INGMAR ; BOGART, HUMPHREY ; BRAKHAGE, STAN ; BRANDO, MARLON ; BUNUEL, LUIS ; CAGNEY, JAMES ; CAPRA, FRANK ; CASTELLANI, RENATO ; CAVALCANTI, ALBERTO ; CHANEY, LON ; CHAPLIN, CHARLES ; CLAIR, RENE ; CLEMENT, RENE ; CLOUZOT, HENRI-GEORGES ; COCTEAU, JEAN ; DALI, SALVADOR ; DE FILIPPO, EDUARDO ; DEMILLE, CECIL B. ; DE SICA, VITTORIO ; DISNEY, WALT ; DOVZENKO, ALEKSANDR ; DREYER, CARL TH. ; DUCHAMP, MARCEL ; DUVIVIER, JULIEN ; ELTON, ARTHUR ; ENGEL, MORRIS ; EPSTEIN, JEAN ; FELLINI, FEDERICO ; FEUILLADE, LOUIS ; FEYDER, JACQUES ; FISCHINGER, OSKAR ; FLAHERTY, ROBERT ; FORD, JOHN ; FRANJU, GEORGES ; FREUD, SIGMUND ; GANCE, ABEL ; GARNETT, GALE ; GIDE, ANDRE ; GREENE, GRAHAM ; GRIERSON, JOHN ; GRIFFITH, DAVID WARK ; GRIFFITHS, RICHARD ; GUITRY, SACHA ; HARRINGTON, CURTIS ; HILL, DAVID ; HITCHCOCK, ALFRED ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; VITELLONI, I (IT, Federico Fellini, 1953) ; VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932) ; VARIETE (G, E.A. Dupont, 1925) ; VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940) ; UMBERTO D. (IT, Vittorio De Sica, 1952) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; OKTIABR (UR, Sergei M. Eisenstein, 1928) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946) ; SWING TIME (US, George Stevens, 1936) ; STRADA, LA (IT, Federico Fellini, 1954) ; ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936) ; MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946) ; SPIONE (G, Fritz Lang, 1928) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931) ; SHANE (US, George Stevens, 1953) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926) ; SCARFACE (US, Howard Hawks, 1932) ; SANG DES BETES, LE (FR, Georges Franju,1949) ; SAN FRANCISCO (US, W.S. Van Dyke, 1936) ; ROUE, LA (FR, Abel Gance, 1922) ; ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954) ; RICHARD III (UK, Laurence Olivier, 1955) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REGEN (NE, Joris Ivens, 1929) ; PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; PARIS 1900 (FR, Nicole Vedres, 1948) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; OTELLO (UR, Sergej Jutkevic, 1956) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; OLVIDADOS, LOS (MX, Luis Bunuel, 1951) ; OF MEN AND MUSIC (US, Irving Reis, 1950) ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; NIGHT AT THE OPERA, A (US, Sam Wood, 1935) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; MOULIN ROUGE (UK, E.A. Dupont, 1928) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MOBY DICK (UK, John Huston, 1956) ; MOANA (US, Robert Flaherty, 1926) ; MILLION, LE (FR, Rene Clair, 1931) ; METROPOLIS (GG, Fritz Lang, 1927) ; MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943) ; MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929) ; MARTY (US, Delbert Mann, 1954) ; MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936) ; MAJOR BARBARA (UK, Gabriel Pascal, 1941) ; MADAME BOVARY (FR, Claude Chabrol, 1991) ; MACBETH (US, Orson Welles, 1948) ; M (G, Fritz Lang, 1931) ; LOVE PARADE, THE (US, Ernst Lubitsch, 1929) ; LIMELIGHT (US, Charles Chaplin, 1952) ; LIFEBOAT (US, Alfred Hitchcock, 1944) ; OSTATNI ETAP (PL, Wanda Jakubowska, 1948) ; LADY IN THE LAKE (US, Robert Montgomery, 1946) ; KID, THE (US, Charles Chaplin, 1921) ; JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; INVISIBLE MAN, THE (US, James Whale, 1933) ; INTOLERANCE (US, David Wark Griffith, 1916) ; HUMAN DESIRE (US, Fritz Lang, 1954) ; HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935) ; HOTEL DES INVALIDES (FR, Georges Franju, 1952) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HENRY V (UK, Laurence Olivier, 1944) ; HEIRESS, THE (US, William Wyler, 1949) ; HATFUL OF RAIN, A (US, Fred Zinnemann, 1957) ; HAMLET (UK, Laurence Olivier, 1948) ; HALLELUJAH (US, King Vidor, 1929) ; GREED (US, Erich von Stroheim, 1925) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; GLASS MENAGERIE, THE (US, Irving Rapper, 1950) ; VORMITTAGSSPUK (G, Hans Richter, 1928) ; GHOST GOES WEST, THE (UK, Rene Clair, 1935) ; GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947) ; GERVAISE (FR, Rene Clement, 1956) ; JIGOKUMON (JA, Teinosuke kinugasa, 1953) ; FURY (US, Fritz Lang, 1936) ; [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962) ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; FANTASIA (US, Walt Disney, 1940) ; ZEMLJA (UR, Alexksandr Dovzenko, 1930) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921) ; DEATH OF A SALESMAN (US, Laslo Benedek, 1951) ; DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945) ; CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; CITIZEN KANE (US, Orson Welles, 1941) ; CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) ; BROKEN BLOSSOMS (US, David Wark Griffith, 1919) ; BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BOOMERANG (US, Elia Kazan, 1947) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; BEZZERIDES, A.I. ; BEN HUR (US, Fred Niblo, 1925) ; BAMBI (US, David Hand, 1942) ; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924) ; BACK STREET (US, John M. Stahl, 1932) ; ATALANTE, L' (FR, Jean Vigo, 1934) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; APARAJITO (II, Satyajit Ray, 1957) ; ANNA CHRISTIE (US, Clarence Brown, 1930) ; ANATOMY OF A MURDER (US, Otto Preminger, 1959) ; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931) ; ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938) ; BROADWAY MELODY, THE (US, Harry Beaumont, 1929) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes indexURL status: URL: 'http://-'
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Interim
book
Third take : Australian film-makers talk / edited by Raffaele Caputo and Geoff Burton Crows Nest, NSW: Allen & Unwin, 2002.
Call No: 802.25(94) THIAuthor: Caputo, Raffaele ; Burton, Geoff Source: ATPlace: Crows Nest, NSWPublisher: Allen & UnwinPubDate: 2002PhysDes: xiii, 215 p. : ill. ; 23 cmSubject: PRODUCERS. AUSTRALIA ; PRODUCTION ; DIRECTION ; DIRECTORS. AUSTRALIA ; DE HEER, ROLF ; DOMINIK, ANDREW ; ELLIS, BOB ; HUNTER, BILL ; LEVY, CURTIS ; NOYCE, PHIL ; O'ROURKE, DENNIS ; SEALE, JOHN ; WEIR, PETER ; NEWSFRONT (AT, Phillip Noyce, 1978) Notes: Includes index.ISBN: 1865085073
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book
Those who made it : speaking with the legends of Hollywood / by John C. Tibbets, foreword by David Thomson Basingstoke, Hampshire: Palgrave Macmillan, 2015.
Call No: 802(047.53) TIBAuthor: Tibbetts, John C. ; Thomson, David (foreword) Source: UK/USPlace: Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2015PhysDes: xi, 235 pages : illustrations (black and white) ; 23 cmSubject: DIRECTORS ; FILM WORKERS ; PRODUCERS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA Summary: "Those Who Made It is a collection of original interviews conducted over a span of more than thirty-five years by film historian, educator and broadcaster, John C. Tibbetts. Captured are the voices of prominent film personnel chronicling at first-hand the behind-the-scenes story of Hollywood in its classical studio period. Interviewees include Steven Spielberg, Robert Altman, Bernardo Bertolucci, Terry Gilliam, Jim Henson, and Philip Glass. "
-- BOOK BACK COVER BLURBNotes: Includes bibliographical references and indexISBN: 9781137541901Contents: -- List of Figures -- Foreword by David Thomson-- Acknowledgments -- Introduction: Interviews and Conversations -- 1 Innovations in 1920s and 1930s Hollywood Cinematography, Sound Technology, and Feature-Length Animation -- Cinematographer Glen MacWilliams: “We were trained by trial and error!” -- Sound engineer Bernard B. Brown: “Now hear this!” -- Animator Ollie Johnston: “We are just actors with a pencil!” -- 2 Hollywood at Home and at War in the 1940s -- Producer John Houseman: “It was a great magic act!” -- Catherine Wyler and the crew of The Memphis Belle: “In the crossfire of history and fiction” -- 3 Cold War Film and Television in the 1950s -- Writer Ray Bradbury: “All my short stories can be shot right off the page!” -- Television showman “Buffalo Bob” Smith: “Fifty years later Howdy is still just ten years old!” -- Hollywood stuntman Richard Farnsworth: “The ground got too hard!” -- 4 “New Hollywood” Filmmakers in the 1970s and 1980s -- Director Robert Altman: “My films are not factual; they are truthful!” (Additional remarks from set designer Stephen Altman) -- Director Steven Spielberg on The Color Purple: “I didn’t want to make another E.T.!” (Additional remarks from actress Whoopi Goldberg) -- Cinematographer Allen Daviau: “Every film I do is a year out of my life!” -- Director Terry Gilliam: “I see things with cartoonist’s eyes!” -- Director Michael Moore: “I’m supposed to be making a Buick!” (Additional remarks from producer Wendey Stanzler) -- Producer Jim Henson: “Kermit is always here!” (Additional remarks from production assistant Cheryl Henson) -- Special effects producer Richard Edlund: “You only see the stars from the dark side of the moon!” -- Film editor Neal Travis: “I’m creating a pattern!” -- 5 Late Twentieth Century Cultural Inclusion -- Director Bernardo Bertolucci: “Movies are my sand mandalas!” -- Director Wayne Wang: “Epic radiance!” -- Director Mira Nair: “I love to choreograph the chaos!” -- Director George Miller: “People understand car crashes in any language!” -- Composer Philip Glass: “Films become history quicker than any other art!” -- Film critic Roger Ebert: “Everybody’s a critic!” -- 6 Epilogue: Past is Prologue 197 Film preservationist Kevin Brownlow: “I never expected to make my living at film preservation!” -- Composer Carl Davis: “Why don’t I try to score a complete silent film?” -- Notes -- Index --
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The total film-maker / by Jerry Lewis London: Vision, 1974.
Call No: 21(73) LEWAuthor: Lewis, Jerry Source: UKPlace: LondonPublisher: VisionPubDate: 1974PhysDes: 208p. : ill. ; 22cmSubject: DIRECTION ; INDUSTRY, FILM. USA ; PRODUCTION ; BRANDO, MARLON ; CHAPLIN, CHARLES ; HARDY, OLIVER ; LAUREL, STAN ; LEWIS, JERRY ; WISE, ROBERT ; WYLER, WILLIAM ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; MODERN TIMES (US, Charles Chaplin, 1936) Summary: "Adapted from his lectures to university post-graduate students, The Total Film-Maker is Jerry Lewis's frank, sometimes irreverent account, from the director's viewpoint, of the splendours and miseries of film-making. Replete with anecdotes and asides, the book details almost every aspect of the production of a motion picture, including the marshalling of actors and technicians, the preparation for filming itself, the cutting and editing processes, and the not always amicable transactions with distributors and would-be exploiters that follow the making of a film. The final section deals with the art of film comedy: how it is created, what makes it work, and who the great comedians are and why" -Book blurbISBN: 01854780238Donation: donated by the family of Wayne Levy, 2006Contents: To the reader -- Prologue -- Part one - production -- The humanities of film -- The total film-maker -- The money man -- Script and writer -- Actors -- The million-dollar hug -- Pre-production chores -- The crew -- Homework -- Filming it! -- Part two - post-production -- Editing -- Music and dubbing -- distribution and exploitation -- Other film-makers, other films -- Part three - comedy -- Laughs are our thing -- The visuals of comedy -- The comedians -- Kind of a wrap
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Towards an Australian Humanities Digital Archive : a report on a scoping study for the establishment of a national digital research resource for the humanities / prepared by Professor Graeme Turner Faha with the assistance of Lesley Pruitt Canberra: Australian Academy of the Humanities, 2008.
Call No: 116(94) FAH; IN REPAIRAuthor: Faha, Graeme Turner Source: ATPlace: CanberraPublisher: Australian Academy of the HumanitiesPubDate: 2008PhysDes: 26p. ; 30cmSubject: ARCHIVES & INSTITUTES, FILM ; ARCHIVES & INSTITUTES, FILM. AUSTRALIA ; DIGITAL TECHNOLOGY ; DIGITAL TECHNOLOGY. AUSTRALIA Summary: "The Australian Academy of the Humanities is pleased to present this report on its scoping study on the development of a national scholarly digital archive in the humanities. The primary aim of the scoping study was to establish exactly what materials would need to be included in such an archive. The resulting report provides rational, evidence-based advice leading towards an answer to that question. " -- OVERVIEW (page 4)Contents: -- overview and recommendations -- introduction -- method -- the need for an Australian Digital Archive for the Humanities -- preservation and access -- governance -- principles for selection -- collaboration -- technology: possibilities for innovation and challenges -- researcher engagement. education and training -- references -- appendix A: digital humanities outside Australia: a selection -- appendix B: list of those interviewed for this scoping study -- appendix C: suggested non-electronic resources suitable for high priority --
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Transnational cinema : the film reader / Edited by Elizabeth Ezra and Terry Rowden Abingdon, Oxon, UK: Routledge, 2006.
Call No: 408.3 TRAAuthor: Ezra, Elizabeth (ed.)
Rowden, Terry (ed.) Source: UKPlace: Abingdon, Oxon, UKPublisher: RoutledgePubDate: 2006PhysDes: 244 pages ; 25 cmSeries: in focus: Routledge film readersSubject: TRANSNATIONAL CINEMA ; TRANSNATIONALISM AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA ; DIASPORIC CINEMA ; TERRORISM AND THE CINEMA ; INDIGENOUS ; MIGRATION ; GLOBALISATION ; WORLD CINEMA Summary: "Transnational Cinema: The Film Reader provides an overview of the key concepts and debates within the developing field of transnational cinema.
Bringing together seminal essays from a wide range of sources, this volume engages with films that fashion their narrative and aesthetic dynamics in relation to more than one national or cultural community. The reader is divided into four sections: From National to Transnational Cinema / Global Cinema in the Digital Age / Motion Pictures: Film, Migration and Diaspora / Tourists and Terrorists." -- PUBLISHERS WEB SITEISBN: 9780415371589Contents: Introduction: What is Transnational Cinema? / Elizabeth Ezra and Terry Rowden -- Introduction to Section I: From National to Transnational Cinema -- The Limiting Imagination of National Cinema? / Andrew Higson -- Africans Filming Africa: Questioning Theories of an Authentic African Cinema / David Murphy -- Post-Third-Worldist Culture: Gender, Nation, and the
Cinema / Ella Shohat -- Bombay Boys and Girls: Transnational Gender and Sexual Politics in the New Indian Cinema in English / Jigna Desai --
Introduction to Section II: Global Cinema in the Digital Age -- The Instantaneous Worldwide Release: Coming Soon to Everyone, Everywhere / Robert E. Davis -- Lord of the Rings, Star Wars, and Participatory Fandom:
Mapping New Congruencies Between the Internet and Media Entertainment
Culture /Elana Shefrin -- Transnational Documentary: A
Manifesto / John Hess and Patricia R. Zimmermann --
Introduction to Section III: Motion Pictures: Film, Migration, and
Diaspora -- Situating Accented Cinema? / Hamid Naficy -- Beur Cinema and the Politics of Location: French Immigration Politics and the Naming of a Film Movement / Peter Bloom -- Diaspora and National Identity: Exporting 'China' through the Hong Kong Cinema / David Desser -- Migrancy and the Latin American Cinemascape: Towards a Post-National Critical Praxis / Ann Marie Stock --
Introduction to Section IV: Tourists and Terrorists -- Romance And/As Tourism: Heritage Whiteness and the (Inter)National Imaginary in the New Woman's Film? / Diane Negra -- Four Forms for Terrorism: Horror, Dystopia, Thriller, and Noir / John S. Nelson -- Terror and After... / Homi K. Bhabha --
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[True believers, the : stills file]
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Turning Off the Television : Broadcasting's Uncertain Future / Jock Given Sydney, NSW: University of New South Wales Press, 2003.
Call No: 220"313"(94) GIVAuthor: Given, Jock Source: ATPlace: Sydney, NSWPublisher: University of New South Wales PressPubDate: 2003PhysDes: 328 p. ; 23 cmSubject: BROADCASTING ; BROADCASTING. AUSTRALIA ; TELEVISION AND MEDIA SERVICES ; TELEVISION. AUSTRALIA ; STATE AND TV. AUSTRALIA
STATE AND TV. US ; STATE AND TV. UK ; PROGRAMME POLICY ; DIGITAL TECHNOLOGY ; DIGITAL TECHNOLOGY. AUSTRALIA Summary: About tomorrow's braodcasting. From the dot-com crash to Marconi and back, from the digital age forward into an uncertain future, Jock Given expores the constant shifts in the technologies, business models and social uses of TV and radio. He explains the enduring aspects of broadcast media that have attracted so much government policy attention, and what might happen to them in the future. Sceptical about the hype, optimistic about the possibilities, honest about the scale of the policy challenges, it is essential reading for anyone interested in the future of media.Notes: Notes: p.283-306
Selected Bibliography: p.307-312
Acronyms and Abbreviations: p.313-314
Acknowledgments: p.315-316
Index: p.317-327ISBN: 0868405000
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Turning point : 1997-2008 / by Hayao Miyazaki ; translated by Beth Cary and Frederik L. Schodt San Francisco, California: VIZ Media, c2014.
Call No: 81MIY MIYAuthor: Hayao Miyazaki Edition: English editionSource: JA/USPlace: San Francisco, CaliforniaPublisher: VIZ MediaPubDate: c2014PhysDes: 452 pages : colour illustrations ; 24 cmSubject: ANIMATION. JAPAN ; ANIMATORS ; AUTHORSHIP ; DIRECTION ; DIRECTORS. JAPAN ; JAPAN ; MANGA ; STUDIO GHIBLI ; MIYAZAKI, HAYAO ; PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997) ; MONONOKE HIME (JA, Hayao Miyazaki, 1997) ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) ; SPIRITED AWAY (JA, Hayao Miyazaki, 2001) ; PONYO (JP, Hayao Miyazaki, 2008) ; GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008) Summary: "In the mid-1990s, filmmaker Hayao Miyazaki moved from success to success as his work found an audience outside of Japan. His animated films of the era, including Princess Mononoke, Howl's Moving Castle, and Ponyo, were internationally lauded, and Miyazaki won an Academy Award in 2003 for his popular and critical hit Spirited Away. Follow Miyazaki as his vision matures, as cinema-lovers worldwide embrace his creations, and critics such as Roger Ebert take up the cause of animation and Miyazaki's films." -- BOOK BLURBNotes: Originally published in Japan as Orikaeshiten, 1997-1998, by Iwanami Shoten, Publishers, 2008 -- Miyazaki's first autobiography, Starting Point, also available in the collectionISBN: 9781421560908Language: English
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TV at the edge in If magazine (Dec 1999-Jan 2000) iss.20 p.63-64
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The TV crime drama / Sue Turnbull [Edinburgh]: Edinburgh University Press, c2014.
Call No: 734 TURAuthor: Turnbull, Sue Source: UKPlace: [Edinburgh]Publisher: Edinburgh University PressPubDate: c2014PhysDes: vii, 216 pages : illustrations ; 22 cmSeries: TV genresSubject: ADAPTATIONS. DOYLE, ARTHUR CONAN ; AUDIENCE RECEPTION ; CRIME DRAMAS ; CRIME DRAMAS. AUSTRALIA ; CRIME ON TV ; CRITICISM, TV. ; DETECTIVES ON TV ; POLICE ON TV ; PROGRAMME GENRES ; PSYCHOLOGICAL EFFECTS OF TV ; RATINGS. USA ; TELEVISION ; TELEVISION. UK ; TELEVISION. USA ; WOMEN ON TV ; CSI: CRIME SCENE INVESTIGATION [TV] (US/CA, 2000-) ; DRAGNET [TV] (US, 1951-59, 1967-70) ; HILL STREET BLUES [TV] (US, 1980-87) ; LAW AND ORDER [TV] (US, 1990-) ; POLICE STORY: COP KILLER [TV] (US, Larry Shaw, 1988) ; SOPRANOS, THE [TV] (US, 1999-) Summary: "What are the characteristic features of the crime drama as a television genre? What is the relationship between crime in the real world and the representation of crime on television? What are the merits of TV crime drama as a genre? The TV Crime Drama offers a genealogical account of the television crime drama, from its origins in popular culture of the 19th and 20th century to its most recent manifestations, as a genre enjoying transnational circulation and popularity. Exploring the key features of this genre in terms of format and style, it pays particular attention to the role of the investigators, the police, the private investigators and the specialists in forensic science and psychology, as well as the debates which have circulated about the role and representation of women. Covering classic series such as The Sweeney and Dragnet as well as contemporary crime dramas including The Wire, The Killing and Luther, this book is an essential read for students and scholars in television studies." -- BOOK BLURBNotes: Includes bibliographical references (pages 195-209) and indexISBN: 9780748640874
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TV guru to launch director action campaign in The Australian (21/02/2017) p.7
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The unconventional path to the director's chair in Encore (May 2012) p.18-20
Author: Pearson, Georgina PhysDes: ArticleSubject: DIRECTORS. AUSTRALIA ; SHAW, JULIAN ; JONES, ALETHEA ; TOOGOOD, DAMIEN ; HOBBS, JESSICA ; KURZEL, JUSTIN ; STENDERS, KRIV ; ARMSTRONG, GILLIAN Summary: Georgina Pearson speaks with seven directors in different roles and at very different stages of their career. Directors include: Julian Shaw, Alethea Jones, Damien Toogood, Jessica Hobbs, Justin Kurzel, Kriv Stenders and Gillian Armstrong.
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Underbelly in Empire (Australian Ed.) (July 2008) iss.88 p.119
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Understanding digital cinema : : a professional handbook / edited by Charles S. Swartz Amsterdam: Focal Press, 2005..
Call No: 22 SWASource: NEPlace: AmsterdamPublisher: Focal PressPubDate: 2005.PhysDes: xvi, 327 p. : ill. (some col.) ; 25 cm.Subject: DIGITAL TECHNOLOGY ; DIGITAL MEDIA AND THE CINEMA Summary: "Understanding Digital Cinema: A Professional Handbook, is a comprehensive resource on all aspects of finishing, distributing, and displaying film digitally. For technical professionals as well as non-technical decision-makers, the book is a detailed exploration of every component of the process, from mastering to theater management."--BOOK JACKET.Notes: Includes bibliographical references and (p. 307-311) and index.; Online Resource: Table of contents
http://www.loc.gov/catdir/toc/els051/2004021603.html
Publisher description
http://www.loc.gov/catdir/description/els051/2004021603.htmlISBN: 0-240-80617-4
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Understanding film texts / Patrick Phillips London: British Film Institute, 2000.
Call No: 512.1 PHIAuthor: Phillips, Patrick Place: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: xiii, 158 p. : ill. ; 24 cmSubject: AESTHETICS ; METHODOLOGY OF FILM CRITICISM ; AUDIENCE RECEPTION ; COSTUMES ; DIALOGUE ; EDITING ; EXHIBITION ; NARRATIVE IN FILMS ; PERCEPTION ; REALISM IN FILMS ; SPECTATORSHIP ; VIRTUAL REALITY ; DICAPRIO, LEONARDO ; MUNSTERBERG, HUGO ; AFTER LIFE (JA, Hirokazu Kore-eda, 1998) ; AMERICAN BEAUTY (US, Sam Mendes, 1999) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; C`EST ARRIVE PRES DE CHEZ VOUS (BE, Remy Belvaux & Andre Bonzel & Benoit Poelvoorde, 1992) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FESTEN (DK, Thomas Vinterberg, 1998) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; LOLA RENNT (G, Tom Tykwer, 1998) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PSYCHO (US, Alfred Hitchcock, 1960) ; SECRETS & LIES (FR/UK, Mike Leigh, 1996) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; SLIDING DOORS (US, Peter Howitt, 1998) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ISBN: 085170798X; 0851707998(pbk.)LON: 21445642
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Understanding movies / Louis Giannetti Englewood Cliffs, N.J.: Prentice-Hall, 1987.
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Undressing cinema : clothing and identity in the movies / Stella Bruzzi London New York: Routledge, 1997.
Call No: 226.4 BRUAuthor: Bruzzi, Stella, 1962 Place: London New YorkPublisher: RoutledgePubDate: 1997PhysDes: xxi, 226 p. : ill. ; 24 cmSubject: COSTUMES ; FASHION AND THE CINEMA ; GANGSTER FILMS ; ETHNIC GROUPS IN FILMS ; FEMME FATALE ; TRANSVESTISM ; GENDER AND THE CINEMA ; SHAFT (US, Gordon Parks Jr., 1971) ; SABRINA (US, Billy Wilder, 1954) ; PRETTY WOMAN (US, Garry Marshall, 1990) ; TROP BELLE POUR TOI (FR, Bertrand Blier, 1989) ; READY TO WEAR (US, Robert Altman, 1994) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; PIANO, THE (AT, Jane Campion, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; LEON (FR, Luc Besson, 1994) ; NEW JACK CITY (US, Mario Van Peebles, 1991) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; WAITING TO EXHALE (US, Forest Whitaker, 1995) ; DISCLOSURE (US, Barry Levinson, 1994) ; SINGLE WHITE FEMALE (US, Barbet Schroeder, 1992) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; GLEN OR GLENDA (US, Edward D. Wood, 1953) ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; MRS DOUBTFIRE (US, Chris Columbus, 1993) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) Notes: Includes bibliographical references (p. 208-216) and index; Filmography: p. 204-207ISBN: 0415139562 (hbk : alk. paper); 0415139570 (pbk : alk. paper)LON: 97007260; 13082009ID2: 38
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Unsettling scores : German film, music, and ideology / Roger Hillman Bloomington, Indiana: Indiana University Press, 2005.
Call No: 634.6 HILAuthor: Hillman, Roger Source: USPlace: Bloomington, IndianaPublisher: Indiana University PressPubDate: 2005PhysDes: 219 p. : ill. ; 24 cmSubject: MUSIC AND THE CINEMA ; GERMANY ; NEW GERMAN CINEMA ; CLASSICAL MUSIC IN FILMS ; MOVEMENTS IN FILM HISTORY ; MUSIC IN FILMS ; NATIONAL CULTURE AND THE CINEMA. GERMANY ; FASCISM AND THE CINEMA. GERMANY ; NATIONALISM AND THE CINEMA. GERMANY ; POLITICS AND THE CINEMA. GERMANY ; SYBERBERG, HANS JURGEN ; KLUGE, ALEXANDER ; FASSBINDER, RAINER WERNER ; HERZOG, WERNER ; VISCONTI, LUCHINO ; DIE PATRIOTIN (GW, Alexander Kluge, 1979) ; LILI MARLEEN (GW, Rainer Werner Fassbinder, 1981) ; SENSO (IT, Luchino Visconti, 1954) ; WOYZECK (GW, Werner Herzog, 1979) ; FITZCARRALDO (GW, Werner Herzog, 1982) ; LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992) ; DIE ALLSEITIG REDUZIERTE PERSÖNLICHKEIT - REDUPERS (GW, Helke Sander, 1977) ; NOSTALGHIA (IT, Andre Tarkovsky, 1983) ; COVEK NIJE TICA (YU, Dusan Makavejev, 1965) ; STALKER (UR, Andrei Tarkovsky, 1979) Summary: "'Unsettling Scores: German Film, Music, and Ideology' examines the use of classical music in film, particularly in the New German Cinema of the 1970s and early 1980s. By integrating the music of Beethoven, Mahler, and others into their films, directors such as Fassbinder, Kluge, and Syderberg consciously called attention to its cultural significance. Through this music their films could reference and, in some cases, explore an embedded cultural tradition that included German nationalism and the rise of Nazism, especially during a period when German films were gaining international attention for the first time since the 1920s. Classical music conditioned the responses of German audiences in the 1970s and 1980s and was, in turn, reinterpreted in new cinematic contexts. In this pioneering volume, Hillman enriches our understanding of the powerful effects of music in cinema and the aesthetic and dramatic concerns of postwar German filmmakers." (Taken from back cover)Notes: Includes selected bibliography, indexISBN: 0253217547Donation: Donated by Senses of Cinema, 2009
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Variety- Australia/New Zealand section in Variety (22/10/1986) vol.324 iss.13 p.71, 413-420
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; DIRECTORS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; BOX OFFICE. AUSTRALIA ; WINDRIDER (AT, Vincent Monton, 1986) ; GALLAGHER'S TRAVELS [TV] (AT, Michael Caulfield, 1986) ; AROUND THE WORLD IN 80 WAYS (AT, Stephen Maclean, 1986) ; QUEEN CITY ROCKERS (NZ, Bruce Morrison, 1987) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on Australian directors currently active, Australian films in production, expected effects of changes in exchange rates and local distribution on purchasing at MIFED, Australian box office takings, and Australian organisations at MIFED.
New Zealand article focuses on films to be screened at MIFED.
Advertising posters for WINDRIDER, GALLAGHER'S TRAVELS, AROUND THE WORLD IN EIGHTY WAYS, and QUEEN CITY ROCKER.
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Variety international film guide 2006 : the definitive annual review of world cinema / edited by Daniel Rosenthal; founding editor Peter Cowie London; Los Angeles: Button; Silman-James, 2006.
Call No: REFERENCE SECTION; 058 INT "2006"Edition: 43rd ed.Source: USPlace: London; Los AngelesPublisher: Button; Silman-JamesPubDate: 2006PhysDes: 432 p. : col. ill. ; 24 cm.Subject: PERIODICALS, FILM ; INDUSTRY, FILM ; INDUSTRY, FILM. IRELAND ; DIGITAL TECHNOLOGY ; CHEREAU, PATRICE ; CRONENBERG, DAVID ; HANEKE, MICHAEL ; Mehta, Deepa ; SORIN, CARLOS Summary: Includes articles on directors of the year, features on Irish cinema and digital cinema, a round-up of DVDs and books, a survey of film production in each country, and directories of festivals and organisations around the world.Notes: Other title: International film guide 2006ISBN: 0954876628
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VaultAge : digitizing and contextualizing Australian audio-visual content: Australianscreen online (aso.gov.au) in Studies in Australasian cinema (2009) vol.3 iss.2 p.205-222
Author: Aveyard, Karina PhysDes: ArticleSubject: DIGITAL CINEMA ; DIGITAL DISTRIBUTION ; DIGITAL TECHNOLOGY. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NATIONAL FILM AND SOUND ARCHIVE ; EXHIBITION. AUSTRALIA Summary: Australia is on the path to achieving a full-scale conversion to digital cinema exhibition probably within the next five to ten years. Despite early optimism that digitization could provide a catalyst for greater democratization of the Australian exhibition market by creating more opportunities for audiences to see independent and alternate films, this outcome now appears far from certain. The launch and ongoing roll-out of the international standard for digital exhibition, which is now firmly controlled by the major American studios, is intensifying, rather than diminishing, the market dominance of these media conglomerates and their local allies, the major Australian exhibition chains. Independent film exhibition and alternative presentation formats, on the other hand, are being pushed even further to the periphery by these increasingly centralized market forces. While independent and major exhibitors have historically coexisted, although at times in a somewhat uneasy relationship, the financial imperatives of digital cinema now threaten to drive many independent cinemas to the edge, and with them the ongoing diversity of cinema culture in Australia. Of particular concern is the late of independent theatres in regional and rural locations where many provide the only public screening opportunities within large geographic areas. This article outlines digital developments in Australia's commercial cinema industry within a national and international context, and in doing so considers the impact of digital exhibition technologies on Australia's independent cinema sector. -- AbstractNotes: Part of a special issue on digital cinema in Australia and New Zealand
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I wake up screening! : everything you need to know about making independent films including a thousand reasons not to / Frank D. Gilroy Carbondale: Southern Illinois University Press, 1993.
Call No: 210.4(047.1) GILAuthor: Gilroy, Frank D. Source: USPlace: CarbondalePublisher: Southern Illinois University PressPubDate: 1993PhysDes: xiv, 361 p. ; 25 cmSubject: FILMMAKING ; INDEPENDENT FILMS ; PRODUCTION ; DIRECTION ; GILROY, FRANK D. Summary: The book offers answers to such questions as... How do you raise money for an independent film? How do you work upa budget? How do you shoot in Super 16 and blow up to 35? How do you find a distributor? [Taken from back cover.]Notes: Includes filmography (p. 349-351) and index.ISBN: 0809319187Donation: donated by the family of Wayne Levy, 2006
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Walt Disney's new coming of age adventure in Australasian Cinema (10/9/1982) vol.11 iss.16 p.9
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[Waltz through the hills : stills file] Barron Films,
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Warner Brothers directors : the hard-boiled, the comic, and the weepers / William R. Meyer New Rochelle, N.Y.: Arlington House, c1978.
Call No: 802.25(73) MEYAuthor: Meyer, William R., 1949 Place: New Rochelle, N.Y.Publisher: Arlington HousePubDate: c1978PhysDes: 381 p. : ill. ; 26 cmSubject: WARNER BROS. ; BERKELEY, BUSBY ; BERNHARDT, CURTIS ; DAVES, DELMER ; HAWKS, HOWARD ; RAPPER, IRVING ; SHERMAN, VINCENT ; WALSH, RAOUL ; WELLMAN, WILLIAM ; HUSTON, JOHN ; LEROY, MERVYN ; NEGULESCO, JEAN ; BACON, LLOYD ; DIETERLE, WILLIAM ; GODFREY, PETER ; GOULDING, EDMUND ; KEIGHLEY, WILLIAM ; LITVAK, ANATOLE Notes: Includes index; Includes filmographiesISBN: 0870003976 : $20.00LON: 957367
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[We of the Never Never : stills file]
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Wesley finishes two more religious series in Encore (24 April - 7 May 1986) vol.4 iss.6 p.40
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West German filmmakers on film : visions and voices / edited by Eric Rentschler New York: Holmes & Meier, c1988.
Call No: 71(430) RENAuthor: Rentschler, Eric Place: New YorkPublisher: Holmes & MeierPubDate: c1988PhysDes: xxv, 262 p. ; 23 cmSeries: Modern German voices seriesSubject: GERMANY ; DIRECTORS. GERMANY Notes: Includes index; Bibliography: p. 243-254ISBN: 0841909857 (pbk. : alk. paper); 0841909849 (hard)LON: 5360462
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The western in the 70s in Lumiere (March, 1974) iss.32 p.15-19
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White noise / edited by Ernest Edmonds and Mike Stubbs Melbourne: Australian Centre for the Moving Image, 2005.
Call No: 175 WHIAuthor: Edmonds, Ernest ; Stubbs, Mike Source: ATPlace: MelbournePublisher: Australian Centre for the Moving ImagePubDate: 2005PhysDes: 103 p. : ill. ; 20 cmSubject: AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI] ; EXHIBITION ; DIGITAL MEDIA AND THE CINEMA ; STUBBS, MIKE Notes: "First published in 2005 ... on the occasion of the Screen Gallery exhibition White Noise, Thursday 18 August - Sunday 23 October 2005" -- p. 6.
"Essayists: Ernest Edmonds ... [et al.]" -- p. 6.
includes bibliographical referencesISBN: 1920805125Contents: -- White noise: the question of economy / Ernest Edmonds -- Suprematism as pure creativity / Patricia Railing -- "Space light art" - Early abstract cinema and multimedia , 1900-1959 / Cindy Keeper -- Abstraction and complexity / Lev Manovich -- Exhibition -- A leap into the light / Mike Stubbs -- Peter Bosch & Simone Simons -- Jonathon Duckworth -- Ernest Edmonds & Mark Fell -- Ryoji Ikeda -- Keiko Kimoto -- Ulf Langheinrich -- Online projects -- Screening room program -- Contributors
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Who Directs The Art Director? in Lumiere (August 1970) vol.1 iss.3 p.11-13
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Who killed Hollywood? : - and put the tarnish on tinseltown / Peter Bart Los Angeles, CA: Renaissance Books, c1999.
Call No: 210.31(73) BARAuthor: Bart, Peter Edition: 1st edSource: USPlace: Los Angeles, CAPublisher: Renaissance BooksPubDate: c1999PhysDes: 399 p. ; 24 cmSubject: INDUSTRY, FILM. USA ; DIRECTORS. USA ; PRODUCERS. USA ; SCRIPTWRITERS. USA ; ACTORS ; BASS, RON ; BEATTY, WARREN ; COPPOLA, FRANCIS FORD ; COSTNER, KEVIN ; EISNER, MICHAEL ; Gibson, Mel ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; KATZENBERG, JEFFREY ; NICHOLS, MIKE ; NICHOLSON, JACK ; OVITZ, MIKE ; POLANSKI, ROMAN ; REDFORD, ROBERT ; RIFKIN, ARNOLD ; SCHWARZENEGGER, ARNOLD ; SPIELBERG, STEVEN ; STALLONE, SYLVESTER ; WILDER, BILLY Summary: "Who killed hollywood? is a passionate love/hate letter to the film industry. In it, Peter Bart pulls together his best columns from Variety and GQ. He groups them, juxtaposes them, and interprets them, outlining in detail the history and inner workings of Hollywood. This could only be done by someone powerful enough to phone any star or head of studio and have his calls taken on the first ring. In story after story, Bart shows how the major studios haver diverted thie energies away from production of the shrewdly crafted pictures that once made the industry powerful. There isn't, for example, much range or innovation in the movies of salable objects- natural disasters, aliens, dinosaurs, ghosts, monsters, or any combination thereof. All are subjects easily parlayed into theme-park environments, action figures, video games, and clothing lines. Similarly, since Jaws twenty years ago, there's been a very short list of acceptable settings. The 1998 Academy Award nominations for best picture all went to films set in Elizabethian times or during World War II. A few years ago it looked as though Pulp Fiction and other independent films were going to save showbiz. Now independent producers like Miramax and New Line have been acquired by the conglomerates. Who and what will resurrect Hollywood? Peter Bart has the answers." - BOOK JACKETNotes: Includes indexISBN: 1580631169LON: 21362029
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journal article
Who's who in the digital media zoo? in Lumina (Winter 2009) iss.1 p.171-179
Author: McCarthy, Paul PhysDes: ArticleSubject: DIGITAL TECHNOLOGY. AUSTRALIA Summary: The 'ANZ Digital Universe' is a new index of the 100 largest and arguably most interesting organisations active in digital media and information services in Australia and New Zealand in 2009. The list is a weighted raning based on: 1. organisation size, 2. global community interest and 3. industry recognition. This article details methodology and records the list.
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Who the hell's in it : portraits and conversations / Peter Bogdanovich London: Faber and Faber Limited, 2004.
Call No: 802.27 BOGAuthor: Bogdanovich, Peter Edition: 2005Place: LondonPublisher: Faber and Faber LimitedPubDate: 2004PhysDes: 528 pages ; illustrated ; 20 cmSubject: ACTING ; BOGDANOVICH, PETER ; GISH, LILLIAN ; BOGART, HUMPHREY ; BRANDO, MARLON ; ADLER, STELLA ; CLIFT, MONTGOMERY ; GRANT, CARY ; LEMMON, JACK ; LEWIS, JERRY ; MARTIN, DEAN ; MINEO, SAL ; Stewart, James ; WAYNE, JOHN ; FONDA, HENRY ; KARLOFF, BORIS ; CASSAVETES, JOHN ; CHAPLIN, CHARLES ; CAGNEY, JAMES ; DIETRICH, MARLENE ; Perkins, Anthony ; SINATRA, FRANK ; GAZARRA, BEN ; HEPBURN, AUDREY ; POITIER, SIDNEY ; PHOENIX, RIVER ; MONROE, MARILYN Summary: From Peter Bogdanovich - director, screenwriter, actor, and cinema scholar - 26 fascinating portraits of Hollywood's most acclaimed movie actors and actresses: stars whom he has known, admired, and occasionally worked with.
Within these pages is Bogdanovich on Charlie Chaplin, Humphrey Bogart, Audrey Hepburn, James Cagney, John Wayne, Henry Fonda, Marlene Dietrich, Jack Lemmon, Boris Karloff, Dean Martin, Marilyn Monroe, James Stewart, Frank Sinatra, and many more. With an acute and affectionate eye, Bogdanovich shows us Lillian Gish, the first virginal hearth goddess of the silver screen; Marlon Brando, refusing to play the same from one picture to the next, yet ever recognisable as the great actor, in spite of himself; Jerry Lewis, whose goofy comedy represented the nine-year-old in all of us; and Cary Grant, the epitome of screen elegance, benignly aware that in life even he could never live up to his own legend. Bogdanovich captures brilliantly - in their own words and his - the personality, the work, the style and the enduring iconic appeal of America's movie greats. -- publisher's web siteISBN: 9780571224319Donation: James Sabine
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still
[Wild duck, the : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 9 photographs : b&w ; 13 x 18 - 21 x 26 cmSubject: IRONS, JEREMY ; ULLMANN, LIV ; MEILLON, JOHN ; JONES, LUCINDA ; PATE, MICHAEL ; DIGNAM, ARTHUR ; MCCONNOCHIE, RHYS ; WILD DUCK, THE (AT, Henri Safran, 1983) Summary: 9 black and white photographs of actors from the film
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still
[William Shakespeare's Romeo and Juliet : stills file] 20th Century Fox,
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book
The woman at the keyhole : feminism and women's cinema / Judith Mayne Bloomington: Indiana University Press, 1990.
Call No: 626:396 MAYAuthor: Mayne, Judith Place: BloomingtonPublisher: Indiana University PressPubDate: 1990PhysDes: x, 260 p. : ill. ; 25 cmSeries: Theories of representation and differenceSubject: WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; GAZE IN FILMS ; DIRECTORS Summary: This book examines how contemporary women filmmakers working in North America, Europe, and Australia have attempted to reinvent cinema as a narrative and visual form. It analyzes 'women's films' within the context of film histories, genres, theories and feminist thinking through study of the techniques, themes and images of both mainstream and avant-garde filmmaking.Notes: Includes bibliographical references (p. 229-253) and indexISBN: 0253337194 (alk. paper); 0253206065 (pbk. : alk. paper)LON: 90034125; 7165246Contents: I. Spectacle and narrative -- Spectacle, narrative and screen -- Screen tests -- II. Female authorship -- Female authorship reconsidered -- Mistresses of discrepancy -- III. Early cinema and women's films -- "Primitive narration" -- Revising the "primative"
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newspaper article
The woman who changed a film industry in Sydney Morning Herald (25/04/2017) p.8
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book
Women do animate : Interviews with 10 Australian animators / Marian Quigley Mentone, Vic.: Insight, 2005.
Call No: 246 QUIAuthor: Quigley, Marian Place: Mentone, Vic.Publisher: InsightPubDate: 2005PhysDes: vi, 160 p. : ill. ; 22 cm + 1 DVDSubject: WOMEN FILM WORKERS ; WOMEN AND TV. AUSTRALIA ; WOMEN AND TV ; DIRECTORS ; ANIMATION ; ANIMATORS ; JOLLIFFE, ANNE ; CARTER-HANSEN, JILL ; WHITMORE, LEE ; STARKIEWICZ, ANTOINETTE ; SHENFIELD, ANN ; CLUTTERBUCK, LUCINDA ; SMITH, KATHY ; CHANDLER, WENDY ; PARKER, SHARON LEE ; KIM, SUSAN Summary: This work presents the story of Australian women animators. It introduces the work and views of independent women animators in Australia and the factors that have contributed to their emergence, growth and development. -Libraries AustraliaISBN: 1-921088-14-1Contents: Acknowledgements -- glossary -- chapter : Introduction by Marian Quigley -- Interviews and filmographies -- Chapter 2: Anne Jollife -- Chapter 3: Jill Carter-Hansen -- Chapter 4: Lee Whtimore -- Chapter 5: Antoinette Starkiewicz -- Chapter 6: Ann Shenfield -- Chapter 7: Lucinda Clutterbuck -- Chapter 8: Kathy Smith -- Chapter 9: Wendy Chandler -- Chapter 10: Sharon Lee Parker -- Chapter 11: Susan Kim -- Resources
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Women film-makers in Australia : (1920 - 1933) / Sally Speed [Australia] : [s.n.], 1984:
Call No: 462-02(94) SPEAuthor: Speed, Sally Place: [Australia] : [s.n.], 1984PhysDes: 64 leaves ; 30 cmSubject: WOMEN FILMMAKERS. AUSTRALIA ; LYELL, LOTTIE ; LOVELY, LOUISE ; MCDONAGH, PAULETTE ; MCDONAGH, ISABEL ; PAVIS, YVONNE ; HOWARD, KATE ; MALLON, MARY ; DE LA RUZE, JULIETTE ; KELLERMAN, ANNETTE ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; THOSE WHO LOVE (AT, Paulette McDonagh, 1926) ; FAR PARADISE, THE (AT, Paulette McDonagh, 1928) ; CHEATERS, THE (AT, Paulette McDonagh, 1930) ; TWO MINUTES SILENCE (AT, Paulette McDonagh, 1933) ; POSSUM PADDOCK (AT, Kate Howard, 1921) ; BLUE MOUNTAINS MYSTERY, THE (AT, Raymond Longford & Lottie Lyell, 1921) ; DINKUM BLOKE, THE (AT, Raymond Longford, 1923) ; FISHERS GHOST (AT, Lottie Lyell, 1924) ; PETER VERNON'S SILENCE (AT, Lottie Lyell, 1925) ; CIRCUMSTANCE (AT, Yvonne Pavis, 1922) ; DAUGHTER OF AUSTRALIA (AT, Yvonne Pavis, 1922) ; SUNSHINE SALLY (AT, Yvonne Pavis, 1922) ; JEWELLED NIGHTS (AT, Louise Lovely & Wilton Welch, 1925) ; CHEATERS, THE (AT, Paulette McDonagh, 1930) ; HISTORY OF CINEMA. AUSTRALIA ; HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. TRANSITION SILENT-SOUND ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. 1930's ; EXHIBITION OF SILENT FILMS LON: abn98267376; 14063689
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Online resource
digital clippings file
WOMEN FILMMAKERS Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: DIRECTORS
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book
Women in focus / Jeanne Betancourt Dayton, Ohio: Pflaum Pub., c1974.
Call No: 802.253 BETAuthor: Betancourt, Jeanne Source: USPlace: Dayton, OhioPublisher: Pflaum Pub.PubDate: c1974PhysDes: xxii, 186 p. : ill. ; 23 cmSubject: WOMEN IN FILMS ; WOMEN FILMMAKERS ; BRAKHAGE, STAN ; DEREN, MAYA ; VARDA, AGNES ; WINDOW WATER BABY MOVING (US, Stan Brakhage, 1959) ; CLEO FROM 5 TO 7 [CLEO DE 5 A 7] (FR, Agnes Varda, 1962) ; CLEO FROM 5 TO 7 [CLEO DE 5 A 7] (FR, Agnes Varda, 1962) ; DIARY OF A PREGNANT WOMAN (FR, Agnes Varda, 1958) ; OPERA MOUFFE, L' (FR, Agnes Varda, 1958) ; MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943) ; RITUAL IN TRANSFIGURED TIME (US, Maya Deren, 1946) ; THIGH LYNE LYRE TRIANGULAR (US, Stan Brakhage, 1961) ; AT LAND (US, Maya Deren, 1944) Summary: "I hope Women in focus can serve many people. By reading about and seeing films that present real women, those who have been oblivious to the stereotypes of women in film may begin to recognize them by the contrast offered in the films I suggest. " -- Introduction, Women in FocusNotes: Reviews of films; Includes indexes; Bibliography: p. 168-181ISBN: 0827802609LON: 74078728; 462301Contents: -- introduction -- the films index -- the filmmakers -- the films -- thematic index -- program possibilities -- bibliography -- distributors of the films --
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book
Women Make Movies ... film & video catalogue New York: Women Make Movies, Inc.,
Call No: REFERENCE SECTION; 027(73) WOM
Held 1992, 92/93, 2000, 2001CorpAuthor: Women Make Movies (Firm)Source: USPlace: New YorkPublisher: Women Make Movies, Inc.PhysDes: v. : ill. ; 28 cmSubject: DIRECTORS ; DISTRIBUTORS Notes: Some vols. called "... anniversary ..." e.g. 1992 called 20th anniversary, 1997 called 25th anniversary; Description based on: 1992Frequency: AnnualLON: 13765914
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book
Women's film list London: British Film Institute, Educational Advisory Service, 1977?].
Call No: 721-02(02) WOMCorpAuthor: British Film Institute. Educational Advisory ServicePlace: LondonPublisher: British Film Institute, Educational Advisory ServicePubDate: 1977?]PhysDes: 67 p. ; 21 x 30 cmSubject: DIRECTORS ; WOMEN IN FILMS Notes: Cover titleLON: abn84266522; 3587994
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Interim
book
Women's film list / compiled by Jane Root London: BFI Education, 1985.
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book
Women's pictures : feminism and cinema / Annette Kuhn London New York: Verso, 1994.
Call No: 626:396 KUHAuthor: Kuhn, Annette Edition: 2nd edPlace: London New YorkPublisher: VersoPubDate: 1994PhysDes: xiv, 285 p. : ill. ; 23 cmSubject: FEMINISM AND THE CINEMA ; WOMEN AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; DIRECTORS ; SEMIOLOGY ; THEORY Summary: "This pioneering and influential work of feminist theory has been extensively updated by the author to chart the changes in feminist film theory and practice between the eighties and the nineties...the author discusses and demystifies the current methods of analysis, including semiotic and psychoanalytical approaches.
The films used as points of discussion are drawn from both mainstream adn alternative cinema, institutions which are themselves examined in relation to their production, distribution and exhibition practices." -- BACK COVERNotes: Includes bibliographical references (p. 262-273) and indexISBN: 1859840108 (pbk.) : $17.95; 1859849105 : $59.95LON: 94011624; 10900045
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Women's reflections : the feminist film movement / by Jan Rosenberg Ann Arbor, Mich.: UMI Research Press, 1983.
Call No: 626:396 ROSAuthor: Rosenberg, Jan Place: Ann Arbor, Mich.Publisher: UMI Research PressPubDate: 1983PhysDes: viii, 143 p. ; 24 cmSeries: Studies in cinema ; no. 22Subject: FEMINISM AND THE CINEMA ; WOMEN AND THE CINEMA ; DIRECTORS ; HISTORY OF CINEMA ; CLASS AND THE CINEMA ; DOCUMENTARIES ; AVANT-GARDE FILMS ; POLITICS AND THE CINEMA ; YUDIE (US, Mirra Banks, 1974) Notes: Revision of the author's thesis, University of Massachusetts, 1979; Includes index; Bibliography: p. [137]-139ISBN: 0835714004LON: 83001271; 2470905Contents: Part 1. Introduction: an overview of political film movements in America -- Introduction: culture and politics -- Political film in America: the larger historical context -- Part 2. Feminism and film -- Introduction -- Women's rights and the movies -- Women's liberation and the feminist film movement -- Part 3. The filmmakers -- Introduction -- Class, family, and education -- Class and film culture -- Age and generational experience -- Older filmakers: the documentarists -- Older filmmakers: the avant-garde -- Younger filmmakers: documentarists and avant-gardists -- Part 4. The films -- Introduction -- The larger political context -- Population and sample -- Feminist films; issue, portrait, and avant-garde -- Part 5. Inventing and routinizing a market -- Introduction -- Processes -- Institutionalization of the economics of the feminist film movement: changes across the decade -- Conclusion by way of an example: the history of a feminist film -- Part 6. Conclusion
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book
Women who make movies / Sharon Smith New York: Hopkinson and Blake, [1975].
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Interim
book
Wong Kar-wai London: British Film Institute, 2005.
Call No: 81KAR TEOAuthor: Teo, Stephen Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2005Series: World directorsSubject: WONG KAR-WAI ; DIRECTORS. HONG KONG ; CRITICISM ; AS TEARS GO BY (HK, Wong Kar-Wai, 1989) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004) Summary: A study of film director Wong Kar-wai, looking at his films, advertising work, and music videos he has directed. It explores how he draws from various film and literary elements that influence his work and examines his legacy amongst Hong Kong, and world, cinema.ISBN: 1844570290ID2: 291
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Wong Kar-wai / Peter Brunette Urbana: University of Illinois Press, 2005.
Call No: 81KAR BRUAuthor: Brunette, Peter Source: USPlace: UrbanaPublisher: University of Illinois PressPubDate: 2005PhysDes: xviii, 149 p. : ill. ; 21cm.Series: Contemporary Film DirectorsSubject: DIRECTORS. CHINA ; WONG KAR WAI ; DOYLE, CHRISTOPHER ; LEUNG, TONY ; CHEUNG, MAGGIE ; WONG GOK KA MOON (HK, Wong Kar-Wai, 1988) ; DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991) ; ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995) ; CHEUN GWONG TSA SIT (HK, Wong Kar-Wai, 1997) ; HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004) Summary: Taken from backcover: This book traces film director, Wong Kar-wai's themes of time, love, and loss, and examines the political implications of his films, especially concerning the handover of Hong Kong to the People's Republic of China.Notes: Includes transcripts of interviews with Wong Kar-wai.
Filmography: p.[135] - 141.
Includes bibliography and index.ISBN: 9780252072376
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Working in Hollywood / Alexandra Brouwer and Thomas Lee Wright New York: Crown Publishers, c1990.
Call No: 22(73) BROAuthor: Brouwer, Alexandra ; Wright, Thomas Lee Source: USPlace: New YorkPublisher: Crown PublishersPubDate: c1990PhysDes: xii, 546 pages ; 25 cmSubject: ADVERTISING FOR FILMS ; ANIMALS IN FILMS ; ART DIRECTION ; CAMERAS ; CASTING ; CHOREOGRAPHY ; CINEMATOGRAPHY ; COMPOSERS ; COSTUME DESIGNERS ; DIRECTION ; DISTRIBUTION ; EDITING ; EXHIBITION ; FINANCING ; LAW AND THE CINEMA ; LOCATION HUNTING ; LOCATION SHOOTING ; MAKE-UP ARTISTS ; MUSIC IN FILMS ; POST-PRODUCTION ; PRE-PRODUCTION ; PRODUCERS ; PRODUCING ; PRODUCTION ; PROJECTION ; SCRIPTWRITING ; SET DESIGNING ; SOUND ; SPECIAL EFFECTS ; STUNTS Summary: "Now appearing for the first time ever: WORKING IN HOLLYWOOD, the definitive book that reveals how major movie studios are made, fromn the first glimmer of an idea to the final cut, to sales and marketing. Here is moviemaking told in the words of the people who do it: the deal makers, directors, artists, craftspeople, technicians, and executives." [Taken from book jacket]Notes: Includes indexISBN: 0517574012; 9780517574010Donation: Simon WincerContents: 1. The helmsmen -- 2. The deal -- 3. The guardians -- 4. The money -- 5. The talent -- 6. The look -- 7. The artists -- 8. The movers -- 9. The camera -- 10. The print -- 11. The magicians -- 12. The sound -- 13. The fury -- 14. The salesmen --
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newspaper article
Worlds Apart in Australian Financial Review [Weekend] (2/4/2015) p.59
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Writing dialogue for scripts / Rib Davis London: A & C Black, 2003.
Call No: 224.4 DAVAuthor: Davis, Rib Edition: Second editionPlace: LondonPublisher: A & C BlackPubDate: 2003PhysDes: 184 pages : ilustrated ; 22 cmSubject: SCRIPTWRITING ; DIALOGUE ISBN: 9780713663808Donation: Sue Hardisty
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book
Writing the short film / Pat Cooper and Ken Dancyger Boston: Focal Press, c2000.
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Interim
book
Yash Chopra / Rachel Dwyer London: British Film Institute, 2002.
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Yet to catalogue
book
Young film makers / Sidney Rees and Don Waters London: Society for Education in Film and Television, 1963.
Author: Rees, Sidney ; Waters, Don CorpAuthor: Society for Education in Film and TelevisionEdition: rev.Source: UKPlace: LondonPublisher: Society for Education in Film and TelevisionPubDate: 1963PhysDes: 20 p. ; 20 cmSubject: DICKSON, W. K. L. ; EDISON, THOMAS ALVA ; CHAPLIN, CHARLES ; EDISON, THOMAS ALVA ; HEPWORTH, CECIL ; PAUL, ROBERT ; PICKFORD, MARY ; REYNAUD, EMILE ; SENNETT, MACK Donation: donated by the family of Wayne Levy, 2006
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Youtube : online video and participatory culture / Jean Burgess and Joshua Green Cambridge: Polity Press, 2009.
Call No: 19YOUAuthor: Burgess, Jean ; Green, Joshua Source: UKPlace: CambridgePublisher: Polity PressPubDate: 2009PhysDes: xi, 172 p. : ill. ; 21 cmSeries: Digital media and society seriesSubject: YOUTUBE ; INTERNET ; MEDIA ; MEDIA DEVELOPMENTS ; DIGITAL TECHNOLOGY Summary: " Youtube is one of the most well-known and widely discussed sites of participatory media in the contemporary online environment, and it is the first genuinely mass-popular platform for user-created video. In this timely and comprehensive introduction to how Youtube is being used and why it matters, Burgess and Green discuss the ways that it relates to wider transformations in culture, society, and the economy. The book critically examines the public debates surrounding the site, demonstrating how it is central to struggles for authority and control in the new media environment. Drawing on a range of theoretical sources and empirical research, the authors discuss how Youtube is being used by the media industries, by audiences and amateur producers, and by particular communities of interest, and the ways in which these uses challenge existing ideas about cultural 'production' and 'consumption' "-- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. 152-169) and indexISBN: 9780745644790Contents: Contents: 1. How YouTube matters -- 2. YouTube and the mainstream media -- 3. YouTube's popular culture -- 4. YouTube's social network -- 5. YouTube's cultural politics -- 6. YouTube's uncertain futures -- What happened before YouTube / Henry Jenkins -- Uses of YouTube : digital literacy and the growth of knowledge / John Hartley.
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