Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL POWER TO THE PEOPLE! THE BLACK PANTHER PARTY AND BEYOND (US, Lee Lew-Lee, 1997)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BLACK PANTHER (US, Ryan Coogler, 2018)
ID2: 374

Call No: S BLA
Author: Coogler, Ryan; Cole, Joe Robert
Place: US
PubDate: [2018]
PhysDes: 62 leaves ; 30 cm
Subject: BLACK PANTHER (US, Ryan Coogler, 2018)
Notes: Unpublished script

Call No: 79 BLA BUK
Author: Bukatman, Scott
Edition: 2022
Place: Austin
Publisher: University of Texas Press
PubDate: 2022
PhysDes: 222 pages
Subject: BLACK PANTHER (US, Ryan Coogler, 2018); BOSEMAN, CHADWICK; FRUITVALE STATION (US, Ryan Coogler, 2013); MARVEL ENTERTAINMENT; SUPERHEROES IN FILMS; RACIAL ISSUES AND THE CINEMA
Summary: Black Panther was the first Black superhero in mainstream American comics. Black Panther was a cultural phenomenon that broke box office records. Yet it wasn’t just a movie led by and starring Black artists. It grappled with ideas and conflicts central to Black life in America and helped redress the racial dynamics of the Hollywood blockbuster. Scott Bukatman, one of the foremost scholars of superheroes and cinematic spectacle, brings his impeccable pedigree to this lively and accessible study, finding in the utopianism of Black Panther a way of re-envisioning what a superhero movie can and should be while centering the Black creators, performers, and issues behind it. He considers the superheroic Black body; the Pan-African fantasy, feminism, and Afrofuturism of Wakanda; the African American relationship to Africa; the political influence of director Ryan Coogler’s earlier movies; and the entwined performances of Chadwick Boseman’s T’Challa and Michael B. Jordan’s Killmonger. Bukatman argues that Black Panther is escapism of the best kind, offering a fantasy of liberation and social justice while demonstrating the power of popular culture to articulate ideals and raise vital questions. -- publisher's web site
ISBN: 9781477325353
Contents: Preface -- Introduction: Tell Me a Story -- The Road to Wakanda -- Black Panther’s Black Body -- The Wakandan Dream -- The Killmonger Problem -- Conclusion: Why Do We Hide? -- -- Appreciations -- Notes -- Index

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BLACK PANTHER TWO (US, Ryan Coogler, 2022)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BLACK PANTHER WOMAN (AT/US, Rachel Perkins, 2014)

Call No: 81EDW LUH
Author: Lehman, Peter
Source: US
Place: Athens: Ohio
Publisher: Ohio University Press
PubDate: c1981
PhysDes: 268p. : ill., ports. ; 24 cm
Subject: EDWARDS, BLAKE; PINK PANTHER, THE (US, Blake Edwards, 1964); SHOT IN THE DARK, A (UK, Blake Edwards, 1964); TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982); REVENGE OF THE PINK PANTHER (UK, Blake Edwards, 1978); SELLERS, PETER; PSYCHOANALYSIS AND THE CINEMA
Notes: Includes index. Filmography: v.1 p. 267-283, Bibliography: v.1 p. 263-265,.
ISBN: 0821406167
Language: English

PhysDes: Article
Subject: TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982); CURSE OF THE PINK PANTHER (US, Blake Edwards, 1983); SELLERS, PETER
Summary: Announcement of the end-of-filming for 'Trail of the Pink Panther' and 'Curse of the Pink Panther', and synopsis of each film.

PhysDes: Article
Subject: TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982); EDWARDS, BLAKE; KWOUK, BURT; SELLERS, PETER; Metro-Goldwyn-Mayer; UNITED ARTISTS
Summary: Confirmation of Burt Kwouk returning to play Cato in the latest Pink Panther installment, 'Trail of the Pink Panther'.

PhysDes: Article
Subject: TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982); SELLERS, PETER; PINEWOOD STUDIOS
Summary: Article on Capucine returning to the 'Pink Panther' films.

PhysDes: Article
Subject: DAY OF THE PANTHER, THE (AT, Brian Trenchard Smith, 1987)
Summary: Director and cast changes on 'The Day of the Panther' and 'The Strike of ther Panther'

Call No: 227.01(73) CLO
Place: UK
Publisher: Edinburgh University Press
PubDate: 2018
Series: International film stars
Subject: ACTORS; CHARACTER ACTORS; STARS; WOMEN IN FILMS. USA; WATERS, ETHEL; DUNNE, IRENE; GRANT, CARY; GAYNOR, JANET; HEPBURN, KATHARINE; DAVIS, BETTE; CLIFT, MONTGOMERY; CURTIS, TONY; SELLERS, PETER; Stewart, James; Lombard, Carole; MASON, JAMES; BURTON, RICHARD; LEWIS, JERRY; POITIER, SIDNEY; HACKMAN, GENE; ROWLANDS, GENA; NICHOLSON, JACK; HOFFMAN, DUSTIN; GOULD, ELLIOTT; PACINO, AL; GOLDBERG, WHOOPI; BLANCHETT, CATE; ISAAC, OSCAR; STEWART, KRISTEN; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014); MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014); BLUE JASMINE (US, Woody Allen, 2013); COLOR PURPLE, THE (US, Steven Spielberg, 1985); DONNIE BRASCO (US, Mike Newell, 1997); LONG GOODBYE, THE (US, Robert Altman, 1973); RAIN MAN (US, Barry Levinson, 1988); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); GLORIA (US, John Cassavetes, 1980); CONVERSATION, THE (US, Francis Ford Coppola, 1974); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); KING OF COMEDY, THE (US, Martin Scorsese, 1983); SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965); PINK PANTHER, THE (US, Blake Edwards, 1964); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); PLACE IN THE SUN, A (US, George Stevens, 1951); LOLITA (US, Stanley Kubrick, 1962); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); VERTIGO (US, Alfred Hitchcock, 1958); LION IN WINTER, THE (UK, Anthony Harvey, 1968); HIS GIRL FRIDAY (US, Howard Hawks, 1940); AWFUL TRUTH, THE (US, Leo McCarey, 1937); MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952); DANGEROUS (US, Alfred E. Green, 1935); SUNRISE (US, Friedrich Wilhelm Murnau, 1927)
Summary: "Examines the significance of women's participation in popular genres. Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover.
Notes: Includes bibliographical references and index.
ISBN: 9781474417006
Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success. Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index.
ID2: 362

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CURSE OF THE PINK PANTHER (US, Blake Edwards, 1983)

PhysDes: Article
Subject: TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982); NIVEN, DAVID
Summary: Announcement of David Niven in 'Trail of the Pink Panther'.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAY OF THE PANTHER, THE (AT, Brian Trenchard Smith, 1987)

PhysDes: Article
Subject: LOM, HERBERT; SELLERS, PETER; LUMLEY, JOANNA; TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982)
Summary: Article on the upcoming Pink Panther film, 'Trail of the Pink Panther', and the announcement of Herbert Lom reprising his role.

Call No: 792(047.1) GEL
Author: Van Gelder, Peter
Place: London
Publisher: Aurum
PubDate: 1990
PhysDes: 288 p. : ill. ; 24 cm
Subject: FLYING HIGH II [; ANNIE HALL (US, Woody Allen, 1977); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BATMAN (US, Tim Burton, 1989); BEVERLY HILLS COP (US, Martin Brest, 1984); BONNIE AND CLYDE (US, Arthur Penn, 1967); BRIEF ENCOUNTER (UK, David Lean, 1945); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CARRY ON CLEO (UK, Gerald Thomas, 1964); CASABLANCA (US, Michael Curtiz, 1942); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); CITIZEN KANE (US, Orson Welles, 1941); CROCODILE DUNDEE (AT, Peter Faiman, 1986); DAM BUSTERS, THE (UK, Michael Anderson, 1955); DIRTY HARRY (US, Don Siegel, 1971); DUCK SOUP (US, Leo McCarey, 1933); EASY RIDER (US, Dennis Hopper, 1969); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EXORCIST, THE (US, William Friedkin, 1973); FANTASIA (US, Walt Disney, 1940); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); FRANKENSTEIN (US, James Whale, 1931); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GENEVIEVE (UK, Henry Cornelius, 1953); GODFATHER, THE (US, Francis Ford Coppola, 1972); GOLDFINGER (UK, Guy Hamilton, 1964); GONE WITH THE WIND (US, Victor Fleming, 1939); GRADUATE, THE (US, Mike Nichols, 1967); GREASE (US, Randal Kleisner, 1978); HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); HENRY V (UK, Laurence Olivier, 1944); HIGH NOON (US, Fred Zinnemann, 1952); HIGH SOCIETY (US, Charles Walters, 1956); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951); LAWRENCE OF ARABIA (UK, David Lean, 1962); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MALTESE FALCON, THE (US, John Huston, 1941); M*A*S*H (US, Robert Altman, 1969); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PINK PANTHER, THE (US, Blake Edwards, 1964); PSYCHO (US, Alfred Hitchcock, 1960); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); ROAD TO MOROCCO (US, David Butler, 1942); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SOME LIKE IT HOT (US, Billy Wilder, 1959); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAGECOACH (US, John Ford, 1939); STAR WARS (US, George Lucas, 1977); THIRD MAN, THE (UK, Carol Reed, 1949); TOOTSIE (US, Sydney Pollack, 1982); TOP HAT (US, Mark Sandrich, 1935); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmed
LON: bnc85410161; 7335916

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PANTHER (UK/US, Mario Van Peebles, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: PANTHER SQUAD (BE/FR, Peter Knight, 1986)

Author: Schembri, Jim
PhysDes: Article
Subject: DAY OF THE PANTHER, THE (AT, Brian Trenchard Smith, 1987)
Summary: Review; Credits

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PINK PANTHER 2 (US, Herald Zwart, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PINK PANTHER STRIKES AGAIN (UK/US, Blake Edwards, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PINK PANTHER THE (US, Shawn Levy, 2006)

Call No: 802(73) MOO
Author: Moon, Spencer
Source: US
Place: Westport, Conn
Publisher: Greenwood Press
PubDate: 1997
PhysDes: xvi, 396 p. : ill., ports. ; 25 cm
Subject: PRODUCERS. USA; ALEXANDER, WILLIAM; BOURNE, ST. CLAIR; BURNETT, CHARLES; CHENZIRA, AYOKA; DASH, JULIE; DUKE, BILL; FANAKA, JAMAA; FRANKLIN, CARL; GREAVES, WILLIAM; HAMPTON, HENRY; HUDLIN, REGINALD; HUDLIN, WARRINGTON; JACKSON, GEORGE; LEE, SPIKE; MICHEAUX, OSCAR; PARKERSON, MICHELLE; PARKS, GORDON; RIGGS, MARLON; ROBERTSON, HUGH A.; SINGLETON, JOHN; TOWNSEND, ROBERT; WARREN, MARK; WAYANS, KEENEN IVORY; WAYANS, MARLON; WAYANS, SHAWN; WILLIAMS, SPENCER; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994); AMAZING GRACE AND CHUCK (US, Mike Newell, 1987); AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53); BEAT STREET (US, Stan Lathan, 1984); BETTER OFF DEAD (US, Savage Steve Holland, 1985); BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984); BRIDE PRICE (KE, Shatrujit Paul, 1991); CARBON COPY (US, Michael Schultz, 1981); CEMETERY CLUB, THE (US, Bill Duke, 1993); CHILD SAVER, THE [TV] (US, Stan Lathan, 1988); P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992); CROOKLYN (US, Spike Lee, 1994); DEEP COVER (US, Bill Duke, 1992); DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995); DISORDERLIES (US, Michael Schultz, 1987); DO THE RIGHT THING (US, Spike Lee, 1989); RAW (US, Robert Townsend, 1987); EYES ON THE PRIZE [TV] (US, 1987-1990); [FIVE] 5 HEARTBEATS, THE (US, Robert Townsend, 1991); GLASS SHIELD, THE (US, Charles Burnett, 1994); GREASED LIGHTNING (US, Michael Schultz, 1977); HIGHER LEARNING (US, John Singleton, 1994); HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987); INKWELL, THE (US, Matty Rich, 1994); JASON'S LYRIC (US, Doug McHenry, 1994); KILLING FLOOR, THE (US, Bill Duke, 1985); KRUSH GROOVE (US, Michael Schultz, 1985); LAUREL AVENUE (US, Carl Franklin, 1993); MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993); OBEAH (US, Hugh A. Robertson, 1986); PANTHER (US, Mario Van Peebles, 1995); PENITENTIARY II (US, Jamaa Fanaka, 1982); POETIC JUSTICE (US, John Singleton, 1993); QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]); RAISIN IN THE SUN, A (US, Daniel Petrie, 1961); SCAVENGER HUNT (US, Michael Schultz, 1979); SHAFT (US, Gordon Parks Jr., 1971); TO SLEEP WITH ANGER (US, Charles Burnett, 1990); STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968); STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991); VEILED ARISTOCRATS (US, Oscar Micheaux, 1932); WHICH WAY IS UP? (US, Michael Schultz, 1977); WITHIN OUR GATES (US, Oscar Micheaux, 1919)
Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.
Notes: Includes filmographies, bibliographical references (p. [385] - 386) and index
ISBN: 0313298300
Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis

Call No: 81EDW LUH
Author: Lehman, Peter
Source: US
Place: Athens: Ohio
Publisher: Ohio University Press
PubDate: c1989
PhysDes: 268p. : ill., ports. ; 24 cm
Subject: EDWARDS, BLAKE; S.O.B. (US, Blake Edwards, 1981); VICTOR/VICTORIA (UK, Blake Edwards, 1982); PINK PANTHER, THE (US, Blake Edwards, 1964); SHOT IN THE DARK, A (UK, Blake Edwards, 1964); MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983); TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982); MICKI AND MAUDE (US, Blake Edwards, 1984); REVENGE OF THE PINK PANTHER (UK, Blake Edwards, 1978)
Notes: Includes index. Filmography: v.2 p. 253-260. Bibliography: v.2 p. 249-251.
ISBN: 0821409182
Language: English

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: REVENGE OF THE PINK PANTHER (UK, Blake Edwards, 1978)

PhysDes: Article
Subject: TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982); SELLERS, PETER
Summary: Announcement of Richard Mulligan appearing in 'Trail of the Pink Panther'.

Call No: 749.0 SEX
Author: Basaran, Aylin ; Köhne, Julia B ; Sabo, Klaudija ; Wieder, Christina
Place: Berlin
Publisher: Mandelbaum
PubDate: 2018
PhysDes: 400 pages : illustrations ; 24 cm
Subject: SEX IN FILMS; PORNOGRAPHIC FILMS; PORNOGRAPHY AND THE CINEMA; PORNOGRAPHY IN FILMS; SCIENTISTS IN FILMS; SCIENCE IN FILMS; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; ECSTASY [EKSTASE] (CZ/AU, Gustav Machaty, 1933); BERKELEY, BUSBY; EISENSTEIN, SERGEI M.; JOHNNY GUITAR (US, Nicholas Ray, 1954); SUNA NO ONNA (JA, Hiroshi Teshigahara, 1964); RANI RADOVI (YU, Zelmir Zilnik, 1969); YUGOSLAVIA; REPRODUCTION IN FILMS; TANGOS - L'EXIL DE GARDEL (FR/AG, Fernando E. Solanas, 1985); ZOMBIES IN FILMS AND TV; BLACK PANTHER (US, Ryan Coogler, 2018)
Summary: "Wie inszeniert das Medium Film das Zusammenspiel von Sexualität, Widerstand und Körperpolitiken? Welche Formen von Sexualität und erotischer Sinnlichkeit, die entweder als widerständige Handlungsweisen oder als Teil von politischem Widerstand adressiert werden können, wurden in den vergangenen Jahrzehnten in internationalen Filmkulturen visualisiert und damit hervorgehoben? Kann die Darstellung des sexualisierten Körpers oder sexuellen Akts in bestimmten Kontexten zu einer politischen Waffe werden? Welchen Raum erhalten dabei divergierende sexuelle Orientierungen und Praktiken etwa im Verbund mit homosexuellem Begehren? Der Sammelband vereint eine Mischung aus interdisziplinären und künstlerischen Zugängen zum Thema Sexualität und Widerstand und spürt seinen (audio-)visuellen Vermittlungen aus lokaler und transnationaler Perspektive nach. Das breite Spektrum an Text­genres reicht von akademischen Reflexionen über Malerei bis hin zu Dichtkunst und Bildcollagen. Fragen der Film-, ­Medien-, Kultur- und Literaturwissenschaft sowie Geschlechterforschung und Zeitgeschichte treffen in diesem Band auf sexualwissenschaftliche und medizinhistorische Ansätze." -- FROM BLURB
Notes: In German and English
ISBN: 9783854768265
Language: German and English
Donation: Senses of Cinema
Contents: Sexualität und Widerstand : Internationale Filmkulturen / Aylin Basaran, Julia B. Köhne, Klaudija Sabo, Christina Wieder -- "Aufklärung? Abschreckung? in der mit Sexualität gespannten Atmosphäre des Kinos?" : Sexualität in Wiener klinischen und populärwissenschaftlichen Filmen der Moderne / Katrin Pilz -- 'Die neue Frau' oder 'die verlorene Rebellion' / Karin Moser -- Experiment : Projektionenserie / Barbara Eichinger -- From Siegfried Kracauer to Busby Berkeley : Ornamental Bodies in 1930 's film / Isabel Capeloa Gil -- Eisensteins sexuelle Politiken / Peter Grabher -- Sex als Tauschmittel : Beispiele aus Mauthausen / Helga Amesberger und Brigitte Halbmayr -- "That's big talk for a little gun" : Geschlechterrollenwechsel in Nicholas Rays "Johnny Guitar" (1954) / Klaus S. Davidowicz -- Treibsand und Abgrund : Sexualität und Geschlechterkampf in Hiroshi Teshigaharas "Die Frau in den Dünen" (1964) / Gerda Klingenböck -- Erotik, Gewalt und Folklore : die Inszenierung geschlechtlicher und ethnischer Differenz im jugoslawischen Kino um 1968 / Anna Schober -- Die Revolution nach der Revolution : die jugoslawische Jugend im Aufbruch im Film "Rani Radovi" (1961 von Želimir Žilnik / Klaudija Sabo -- Absentes vergegenwärtigen : Schwangerschafisabbruch und Fötalimagologie in westlichen Filmkulturen seit den 1960er Jahren / Julia Barbara Köhne -- Ästhetische Grenzüberschreitungen und widerständige Körper in Fernando Solanas' "Tangos : El Exilio de Gardel" (1985) / Christina Wieder -- Vor der Vertreibung aus dem Paradies : Živko Nikolic' "Lepota Poroka" ["Die Schönheit der Sünde"] (1986) / Andreas Filipovic -- Sexy Zombies? : On the Improbable Possibility of Loving the Undead / Kobi Kabalek -- Goldene Zitronen : Körperpolitiken in Beyoncés "Lemonade" (2016) / Marietta Kesting -- Figurationen der Unkalkulierbarkeit : Maren Ades "Toni Erdmann" (2016) / Monika Bernold -- Wie man Körper wahrnimmt : eine Einübung nach Lukrez / Thomas Ballhausen -- What If the Revolution could be Televised? : "Black Panther" (2018) and the Utopia of Wakanda / Aylin Basaran and Justin Leggs -- Come on Baby, Light my Fire / Sonja Gassner -- Frank Stern zum 75sten / Andreas Huyssen -- Verzeichnis der Autorinnen und Autoren.

Call No: 71(94) SMA
Author: Arrow, Michelle, (editor) -- Baker, Jeannine, (editor) -- Monagle, Clare, (editor)
Source: AT
Place: Clayton, Vic.
Publisher: Monash University Publishing
PubDate: [2016]
PhysDes: xii, 192 pages ; 21 cm
Series: Cultural studies
Subject: TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; COOKERY PROGRAMMES; COOKING PROGRAMMES. AUSTRALIA; POLITICS AND TV. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; SPECIAL BROADCASTING SERVICE; BIOGRAPHICAL PROGRAMMES. AUSTRALIA; FEMINISM AND TV. AUSTRALIA; BRIDGES, MICHELLE; RINEHART, GINA; MAKING AUSTRALIA GREAT: INSIDE OUR LONGEST BOOM [TV] (AT, 2015); KILLING SEASON, THE [TV] (AT, 2015); [FOUR] 4 CORNERS [TV] (AT, 1961-); GALLIPOLI (AT, Peter Weir, 1981); GALLIPOLI [TV](AT, Glendyn Ivin, 2015); DEADLINE GALLIPOLI [TV] (AT, 2015); WORLD WAR I ON TV; [SIXTY] 60 MINUTES (AT, 1979-); KITCHEN CABINET [TV] (AT, 2012 - ); KATERING SHOW, THE [TV](AT, 2015-); BACHELOR AUSTRALIA, THE [TV] (AT, 2013); BACHELORETTE, THE [TV] (AT, 2015-); PRISON SONGS (AT, Kelrick Martin, 2015); BLACK PANTHER WOMAN (AT/US, Rachel Perkins, 2014); ONCE MY MOTHER (AT/PL/UE, Sophia Turkiewicz, 2014); NEIGHBOURS [TV] (AT, 1985-); PETER ALLEN : NOT THE BOY NEXT DOOR [TV] (AT, 2015); JUDITH LUCY IS ALL WOMAN [TV](AT, 2015); HITTING HOME [TV](AT, 2015); Q & A [TV] (AT, 2008-); HOUSE OF HANCOCK [TV] (AT, 2015); BANISHED [TV] (UK, 2015-); SECRET RIVER, THE [TV](AT, Daina Reid, 2015); STRUGGLE STREET [TV](AT, 2015-)
Summary: There has been a lot happening on Australia’s small screens. Neighbours turned 30. Struggle Street was accused of poverty porn. Pete evangelised Paleo. Gina got litigious. Netflix muscled in. The Bachelor spawned The Bachelorette. Peter Allen’s maraccas were exhumed. The Labor Party ate itself. Anzac was an anti-climax. Join us as we survey the Australian televisual landscape, and try to make sense of the myriad changes transforming what and how we watch. We’ve come a long way since Bruce Gyngell welcomed us to television in 1956. We now watch on demand and wherever we want, in our lounge rooms and on our devices. But some things stay the same. The small screen is still a place for imagining Australia, for better or for worse. Small Screens challenges and celebrates our contemporary TV worlds. -- taken from back cover
ISBN: 9781925377101
Contents: 1. The Televisual Landscape Today / Nick Herd -- 2. A Bitter Pill to Swallow: Food on Australian TV / Clare Monagle -- 3. Broadcasting Disruption / Mark Hearn -- 4. Anzac on TV / Carolyn Holbrook -- 5. Take One Sip When Someone Says 'Connection': Passion versus Intimacy in The Bachelor/ette Australia / Jodi McAlister -- 6. 'Gaps in the National Family Album': Australian Documentaries on the ABC and SBS / Jeannine Baker -- 7. Neighbours, the Soap that Whitens: 30 Years of Ramsay Street / David Nichols -- 8. Not the Boy Next Door: Reconsidering Television in the Musical Miniseries / Liz Giuffre -- 9. I Am Woman, Redux: Feminism on Television in 2015 / Michelle Arrow -- 10. Mining for Drama: House of Hancock, Gina Rinehart and the Law / David Rolph -- 11. Dramatising Australia's Colonisation: White Men's Stories in Banished (Foxtel) and The Secret River (ABC TV) / Sarah Pinto -- 12. Struggle Street ... Poverty Porn? / Zora Simic.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SON OF THE PINK PANTHER (US, Blake Edwards, 1993)

Call No: 81EDW WAS
Author: Wasson, Sam
Source: US
Place: Middletown, Connecticut
Publisher: Wesleyan University Press
PubDate: 2009
PhysDes: xii, 353 p. : ill. ; 24 cm
Subject: EDWARDS, BLAKE; CRITICISM; BLIND DATE (US, Blake Edwards, 1987); BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961); CAREY TREATMENT, THE (US, Blake Edwards, 1972); CURSE OF THE PINK PANTHER (US, Blake Edwards, 1983); FINE MESS, A (US, Blake Edwards, 1986); GREAT RACE, THE (US, Blake Edwards, 1965); MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983); MICKI AND MAUDE (US, Blake Edwards, 1984); PARTY, THE (US, Blake Edwards, 1968); PINK PANTHER, THE (US, Blake Edwards, 1964); REVENGE OF THE PINK PANTHER (UK, Blake Edwards, 1978); SHOT IN THE DARK, A (UK, Blake Edwards, 1964); SKIN DEEP (US, Blake Edwards, 1989); S.O.B. (US, Blake Edwards, 1981); SON OF THE PINK PANTHER (US, Blake Edwards, 1993); SUNSET (US, Blake Edwards, 1988); SWITCH (US, Blake Edwards, 1991); TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982); VICTOR/VICTORIA (UK, Blake Edwards, 1982)
Summary: "With one of the longest and most controversial careers in Hollywood history, it's about time for Blake Edwards, a director of raving chutzpuh, to take hist seat at the table of greats. His rambunctious filmography remains an artistic force on par with Hollywood's greatest comic directors: Chaplin, Lubitsch, Sturges, and Wilder. Like Wilder, Edward's propensity for hilarity is double-helixed with pain, and in films like Breakfast at Tiffany's, The Pink Panther, and even days of Wine and Roses, we can hear him off-screen, laughing in the dark. And yet, despite those enormous successes, he was at one time considered a Hollywood villain. After his marriage to Julie Andrews, Edwards's Darling Lili nearly sunk both of them and brought Paramount Pictures to its knees. Almost overnight, Blake became an industry pariah, which ironically fortified his sense of satire, and allowed him to simultaneously fight the Hollywood tide as he rode it. Employing keen visual analysis, meticulous research, and troves of interviews and production files, Sam Wasson delivers the first complete account of one of the maddest figures Hollywood has ever known." - BOOK JACKET
Notes: Includes filmography.; Includes bibliographical references and index.
ISBN: 9780819569158
Donation: Donated by Senses Of Cinema, 2009
Contents: Prologue: Breaking in, 1922-1955 -- Blake begins, 1955-1959 -- Blake builds, 1959-1962 -- Blake blossoms, 1963-1968 -- Blake burns, 1968-1974 -- Panther pictures (Blake banks) -- Blake booms, 1979-1982 -- Blake breaks, 1983-1988 -- Blake bows, 1988-1991 -- Epilogue: Making out, October 24, 1993.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982)

PhysDes: Article
Subject: TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982); CURSE OF THE PINK PANTHER (US, Blake Edwards, 1983); EDWARDS, BLAKE; Metro-Goldwyn-Mayer; UNITED ARTISTS; SELLERS, PETER
Summary: Article on two new Pink Panther films to be directed by Blake Edwards: 'Trail of the Pink Panther' and 'Curse of the Pink Panther'.