Search Catalogue

Call No: S 99.9
Author: Smith, Meghan
PubDate: [1996]
PhysDes: 114 leaves
Subject: RAW FM (AT, 1997)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: TITLE CLIPPINGS FILE; RAW [GRAVE] (FR/BE, Julia Ducournau, 2016)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: RAW [GRAVE] (FR/BE, Julia Ducournau, 2016)
Summary: Review of the film RAW
Notes: I
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE; RAW [GRAVE] (FR/BE, Julia Ducournau, 2016)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: RAW [GRAVE] (FR/BE, Julia Ducournau, 2016)
Summary: Review of the film RAW (original language title GRAVE)
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE; RAW [GRAVE] (FR/BE, Julia Ducournau, 2016)
Author: Philippa Hawker
PhysDes: Clippings File Article
Subject: RAW [GRAVE] (FR/BE, Julia Ducournau, 2016)
Summary: Interview with filmmaker Julia Ducoumau where she discusses the making of the film RAW (original language title GRAVE)

Author: Parish, James R.; Pitts, Michael R.
PhysDes: Article
Subject: RAW MEAT (UK, Gary Sherman, 1972); DEATH LINE (UK, Gary Sherman, 1972)
Summary: Looks at Christopher Lee's career in films, including 'Death Line'
Notes: Death Line is also known as Raw Meat (US release)

Call No: 81MAN ALV
Author: Alvarez, Max
Source: US
Place: Jackson, Miss.
Publisher: University Press of Mississippi
PubDate: 2014
PhysDes: 324 pages ; 24 cm
Subject: CRIME FILMS; FILM NOIR; MANN, ANTHONY; [DOCTOR] DR BROADWAY (US, Anthony Mann, 1942); STRANGERS IN THE NIGHT (US, Anthony Mann, 1944); TWO O'CLOCK COURAGE (US, Anthony Mann, 1945); GREAT FLAMARION, THE (US, Anthony Mann, 1945); STRANGE IMPERSONATION (US, Anthony Mann, 1946); DESPERATE (US, Anthony Mann, 1947); RAILROADED! (US, Anthony Mann, 1947); T-MEN (US, Anthony Mann, 1947); RAW DEAL (US, Anthony Mann, 1948); HE WALKED BY NIGHT (US, Alfred L. Werker and Anthony Mann, 1948); FOLLOW ME QUIETLY (US, Richard Fleischer, 1949); BORDER INCIDENT (US, Anthony Mann, 1949); SIDE STREET (US, Anthony Mann, 1950); TALL TARGET, THE (US, Anthony Mann, 1951)
Summary: "Anthony Mann (1906-1967) is renowned for his outstanding 1950s westerns starring James Stewart (Winchester '73, The Naked Spur, The Man from Laramie). But there is more to Mann's cinematic universe than those tough Wild West action dramas featuring conflicted and secretive heroes. This brilliant Hollywood craftsman also directed fourteen electrifying crime thrillers between 1942 and 1951, among them such towering achievements in film noir as T-Men, Raw Deal, and Side Street. Mann was as much at home filming dark urban alleys in black-and-white as he was the prairies and mountains in Technicolor, and his protagonists were no less conflicted and secretive than his 1950s cowboys.In these Mann crime thrillers we find powerful stories of sexual obsession (The Great Flamarion), the transforming images of women in wartime and postwar America (Strangers in the Night, Strange Impersonation), exploitation of Mexican immigrants (Border Incident), studies of the criminal mind (He Walked by Night), and Civil War bigotry (The Tall Target). Mann's forceful camera captured such memorable and diverse stars as Erich von Stroheim, Farley Granger, Dennis O'Keefe, Claire Trevor, Richard Basehart, Ricardo Montalba´n, Ruby Dee, and Raymond Burr.The Crime Films of Anthony Mann features analysis of rare documents, screenplays, story treatments, and studio memoranda and reveals detailed behind-the-scenes information on preproduction and production on the Mann thrillers. Author Max Alvarez uses rare and newly available sources to explore the creation of these noir masterworks. Along the way, the book exposes secrets and solves mysteries surrounding the mercurial director and his remarkable career, which also included Broadway and early live television"-- LIBRARIES AUSTRALIA
Notes: Includes bibliographical references, filmography and index
ISBN: 9781617039249
Contents: -- introduction -- 1: From Lomaland to Broadway -- 2: From Broadway to Hollywood -- 3: Dr. Broadway (1942) -- 4: Strangers in the Night (1944) -- 5: Two O'Clock Courage (1945) -- 6: The Great Flamarion (1945) -- 7: Strange Impersonation (1946) -- 8: Desperate (1947) -- 9:Railroaded! (1947) -- 10: T-Men (1947) -- 11: Raw Deal (1948) -- 12: He Walked By Night (1948) -- 13: Follow Me Quietly (1949) -- 14: Border Incident (1949) -- 15: Side Street (1950) -- 16: The Tall Target (1951) -- 17: The Lost Noir of Anthony Mann -- postscript -- acknowledgments -- Anthony Mann crime filmography -- notes -- archival sources -- bibliography -- index --

Call No: TITLE CLIPPING FILE
Subject: DEATH LINE [RAW MEAT] (UK, Gary Sherman, 1972)

Author: Humphries, Reynold
PhysDes: Article
Subject: DEATH LINE (UK, Gary Sherman, 1972); RAW MEAT (UK, Gary Sherman, 1972)
Summary: Review
Notes: Death Line is also known as Raw Meat (US release)

Call No: TITLE CLIPPINGS FILE; RAW [GRAVE] (FR/BE, Julia Ducournau, 2016)
Author: Paatsch, Leigh
PhysDes: Clippings File Article
Subject: RAW [GRAVE] (FR/BE, Julia Ducournau, 2016)
Summary: Review of the film RAW [GRAVE]
Notes: I
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RAW [GRAVE] (FR/BE, Julia Ducournau, 2016)

Call No: S JAP
Author: Howes, Oliver
PubDate: [1982?]
PhysDes: 36 leaves
Subject: JAPAN: RAW FISH AND PICKLE (AT, Oliver Howes, 1982)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RAW (US, Robert Townsend, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RAW DEAL (US, John Irvin, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: RAW DEAL (AT, Russell Hagg, 1977)

Call No: N79RAW DEL
Author: De la Pesca, Magda
Source: UK; Australia
Place: London; Melbourne
Publisher: Corgi Books
PubDate: 1976
PhysDes: 148 p. ; 18 cm
Subject: RAW DEAL (AT, Russell Hagg, 1977)
ISBN: 0552103403

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RAW DEAL: A QUESTION OF CONSENT (US, Billy Corben, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RAW FM (AT, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: RAW NERVE (AT, Tony Wellington, 1990)

Call No: TITLE STILL AUSTRALIA
Source: AT
PubDate: [1990?]
PhysDes: 1 photograph : b&w ; 18 x 13 cm.
Subject: RAW NERVE (AT, Tony Wellington, 1990)
Summary: Film still of Rebbecca Rigg (Michelle) and Kelly Dingwall(?) (David). Rebecca Rigg is wearing an evening gown with silk gloves and diamante jewellery.She is leaning against Kelly Dingwall who is sitting down and she is stroking his hair.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 13 x 18 cm
Subject: RAW NERVE (AT, Tony Wellington, 1990)
Summary: Black and white photograph of a man and a woman.

Call No: 802(73) MOO
Author: Moon, Spencer
Source: US
Place: Westport, Conn
Publisher: Greenwood Press
PubDate: 1997
PhysDes: xvi, 396 p. : ill., ports. ; 25 cm
Subject: PRODUCERS. USA; ALEXANDER, WILLIAM; BOURNE, ST. CLAIR; BURNETT, CHARLES; CHENZIRA, AYOKA; DASH, JULIE; DUKE, BILL; FANAKA, JAMAA; FRANKLIN, CARL; GREAVES, WILLIAM; HAMPTON, HENRY; HUDLIN, REGINALD; HUDLIN, WARRINGTON; JACKSON, GEORGE; LEE, SPIKE; MICHEAUX, OSCAR; PARKERSON, MICHELLE; PARKS, GORDON; RIGGS, MARLON; ROBERTSON, HUGH A.; SINGLETON, JOHN; TOWNSEND, ROBERT; WARREN, MARK; WAYANS, KEENEN IVORY; WAYANS, MARLON; WAYANS, SHAWN; WILLIAMS, SPENCER; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994); AMAZING GRACE AND CHUCK (US, Mike Newell, 1987); AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53); BEAT STREET (US, Stan Lathan, 1984); BETTER OFF DEAD (US, Savage Steve Holland, 1985); BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984); BRIDE PRICE (KE, Shatrujit Paul, 1991); CARBON COPY (US, Michael Schultz, 1981); CEMETERY CLUB, THE (US, Bill Duke, 1993); CHILD SAVER, THE [TV] (US, Stan Lathan, 1988); P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992); CROOKLYN (US, Spike Lee, 1994); DEEP COVER (US, Bill Duke, 1992); DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995); DISORDERLIES (US, Michael Schultz, 1987); DO THE RIGHT THING (US, Spike Lee, 1989); RAW (US, Robert Townsend, 1987); EYES ON THE PRIZE [TV] (US, 1987-1990); [FIVE] 5 HEARTBEATS, THE (US, Robert Townsend, 1991); GLASS SHIELD, THE (US, Charles Burnett, 1994); GREASED LIGHTNING (US, Michael Schultz, 1977); HIGHER LEARNING (US, John Singleton, 1994); HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987); INKWELL, THE (US, Matty Rich, 1994); JASON'S LYRIC (US, Doug McHenry, 1994); KILLING FLOOR, THE (US, Bill Duke, 1985); KRUSH GROOVE (US, Michael Schultz, 1985); LAUREL AVENUE (US, Carl Franklin, 1993); MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993); OBEAH (US, Hugh A. Robertson, 1986); PANTHER (US, Mario Van Peebles, 1995); PENITENTIARY II (US, Jamaa Fanaka, 1982); POETIC JUSTICE (US, John Singleton, 1993); QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]); RAISIN IN THE SUN, A (US, Daniel Petrie, 1961); SCAVENGER HUNT (US, Michael Schultz, 1979); SHAFT (US, Gordon Parks Jr., 1971); TO SLEEP WITH ANGER (US, Charles Burnett, 1990); STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968); STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991); VEILED ARISTOCRATS (US, Oscar Micheaux, 1932); WHICH WAY IS UP? (US, Michael Schultz, 1977); WITHIN OUR GATES (US, Oscar Micheaux, 1919)
Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.
Notes: Includes filmographies, bibliographical references (p. [385] - 386) and index
ISBN: 0313298300
Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis

Call No: 744.7 CRE
Author: Creed, Barbara
Edition: 2022
Place: New York
Publisher: Routledge
PubDate: 2022
PhysDes: x, 168 pages
Subject: FEMINISM AND THE CINEMA; HORROR FILMS; BABADOOK , THE (AT, Jennifer Kent, 2014); HANDMAID'S TALE, THE [TV] (US, 2017 - ); PROMISING YOUNG WOMAN, A (UK/US, Emerald Fennell, 2020); REVENGE (FR, Coralie Fargeat, 2017); NIGHTINGALE, THE (AT, Jennifer Kent, 2017); NOMADLAND (US/GG, Chloé Zhao, 2020); CAROL (UK/US/FR, Todd Haynes, 2015); ASSISTANT, THE (US, Kitty Green, 2019); GIRL WALKS HOME ALONE AT NIGHT, A ( US, Ana Lily Amirpour, 2014); UNDER THE SKIN (UK/US/SZ, Jonathan Glazer, 2013); JENNIFER'S BODY (US, Karyn Kusama, 2009); LURE, THE [CORKI DANCINGU] (PL, Agnieszka Smoczynska, 2015); THELMA (NO/FR/DK/SW, Joachim Trier, 2017); RAW [GRAVE] (FR/BE, Julia Ducournau, 2016); BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999); IN MY SKIN [DANS MA PEAU] (FR, Marina de Van, 2002); SPOOR [POKOT] (PL/GG/CZ/SW/SO, Agnieszka Holland & Kasia Adamik, 2017); WOMAN AT WAR (IC/FR/UE, Benedikt Erlingsson, 2018); MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: This follow-up to the classic text of The Monstrous-Feminine analyses those contemporary films which explore social justice issues such as women’s equality, violence against women, queer relationships, race and the plight of the planet and its multi-species. Examining a new movement – termed by Creed as Feminist New Wave Cinema – The Return of the Monstrous-Feminine explores a significant change that has occurred over the past two decades in the representation of the monstrous-feminine in visual discourse. The Monstrous-Feminine is a figure in revolt on a journey through the dark night of abjection. Taking particular interest in women directors who create the figure of the Monstrous-Feminine, in cinema that foregrounds everyday horrors in addition to classic horror, Creed looks at a range of diverse films including The Babadook, A Girl Walks Home Alone at Night, Nomadland, Carol, Raw, Revenge, and the television series The Handmaid’s Tale. These films center on different forms of revolt, from inner revolt to social, supernatural and violent revolt, which appear in Feminist New Wave Cinema. These relate in the main to the emergence of a range of social protest movements that have gathered momentum in the new millennium and given voice to new theoretical and critical discourses. These include: third and fourth wave feminism, the #MeToo movement, queer theory, race theory, the critique of anthropocentrism and human animal theory. These theoretical discourses have played a key role in influencing Feminist New Wave Cinema whose films are distinctive, stylish and diverse. This is an essential companion to the original classic text and is ideal for students in Gender and Media, Gender and Horror, Gender and Film and Feminist Film theory courses. -- publisher's web site
ISBN: 9780367478162
Contents: Introduction: The Monstrous-Feminine In Feminist New Wave Cinema -- The Monstrous Mother As Magician: The Babadook -- Unwomen: Dare To Revolt – The Handmaid’s Tale, Film & Tv Series -- #Metoo: Rape & Revolt: Promising Young Woman, Revenge, The Nightingale. -- The Monstrous-Feminine Forgets Her Manners: Nomadland, Carol, The Assistant -- Vampires, Feminism & Ethnicity: A Girl Walks Home Alone At Night -- The Monstrous-Feminine As Femme Fatale, Alien & Black: Under The Skin -- Queering The Monstrous-Feminine: Jennifer’s Body, The Lure, Thelma -- Female Cannibalism & Eating The Other: Raw, Trouble Everyday, In My Skin -- Furiosa: Eco-Horror & The Woman Warrior: Spoor, Woman At War, Mad Max: Fury Road – Filmography -- Index

Call No: 734 SHA
Author: Copjec, Joan
Place: London ; New York
Publisher: Verso
PubDate: 1993
PhysDes: xii, 300 p. : ill. ; 23 cm
Subject: FILM NOIR; FEMME FATALE; WOMEN IN FILMS; CHANDLER, RAYMOND; BLUE GARDENIA, THE (US, Fritz Lang, 1953); RAW DEAL (US, Anthony Mann, 1948); SECRET BEYOND THE DOOR... (US, Fritz Lang, 1948); DOUBLE INDEMNITY (US, Billy Wilder, 1944); RAGE IN HARLEM, A (UK/US, Bill Duke, 1991); BLUE VELVET (US, David Lynch, 1986); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes bibliographical references
ISBN: 0860914607 : $59.85; 0860916251 (pbk.) : $18.95
LON: bnb86091460; 10424769

Call No: 735.27 AIO
Author: Aiossa, Elizabeth
Edition: 2018
Place: Jefferson, North Carolina
Publisher: McFarland & Company Inc
PhysDes: 186 pages ; 23 cm
Series: contributions to zombie studies
Subject: ZOMBIES IN FILMS AND TV; ROMERO, GEORGE; DAWN OF THE DEAD (US, George A. Romero, 1979); DAWN OF THE DEAD (US, Zack Snyder, 2004); DAY OF THE DEAD (US, George A. Romero, 1985); DEAD GIRL, THE (US, Karen Moncrieff, 2006); GIRL WITH ALL THE GIFTS, THE (UK/US, Colm McCarthy, 2016); IN THE FLESH [TV] (UK, 2013-2015); LAND OF THE DEAD (CN/FR/US, George Romero, 2005); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990); RAW [GRAVE] (FR/BE, Julia Ducournau, 2016); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); WALKING DEAD, THE [TV] (US, 2010 - ); WARM BODIES (US/CN, Jonathan Levine, 2013); WORLD WAR Z (US/MT, Marc Forster, 2013)
Summary: Historically, zombies have been portrayed in films and television series as mindless, shuffling monsters. In recent years, this has changed dramatically. The undead are fast and ferocious in 28 Days Later… (2002) and World War Z (2013). In Warm Bodies (2013) and In the Flesh (2013–2015), they are thoughtful, sensitive and capable of empathy. These sometimes radically different depictions of the undead (and the still living) suggest critical inquiries: What does it mean to be human? What makes a monster? Who survives the zombie apocalypse, and why? Focusing on classic and current movies and TV shows, the author reveals how the once-subversive modern zombie, now more popular than ever, has been co-opted by the mainstream culture industry. -- publisher's web site
ISBN: 978147666730
Contents: Acknowledgments -- Preface: Dawn of a Zombie Scholar -- Introduction: The Shifting Culture of the Modern Zombie -- 1. Romero and the Modern American Zombie -- 2. The Evolution of Women in Romero’s Dead Series -- 3. Of Monsters and Men: Flipping the Script on Masculinity and Monstrosity -- 4. For the Love of Zombies: The Return of Heteronormativity in Zombie Works -- 5. Heteronormative Heroics in AMC’s The Walking Dead -- 6. Zombie Women Take the Lead -- 7. Embodying the Zombie In the Flesh -- Conclusion: Zombies Past and Future! -- Chapter Notes -- Works Cited -- Index

Call No: TITLE CLIPPINGS FILE; RAW [GRAVE] (FR/BE, Julia Ducournau, 2016)
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: RAW [GRAVE] (FR/BE, Julia Ducournau, 2016)
Summary: Interview with Julia Ducoumau, the director of the horror film RAW (title in French GRAVE)