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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: CLERKS (US, Kevin Smith, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CLERKS II (US, Kevin Smith, 2006)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: CLERKS THREE (US, Kevin Smith, 2022)

Call No: 802.25 MYF
Author: Lowenstein, Stephen
Source: UK
Place: London
Publisher: Faber and Faber Limited
PubDate: 2000
PhysDes: xiv, 360 p. ; [12 plates]
Subject: ALMODOVAR, PEDRO; ANDERS, ALLISON; BUSCEMI, STEVE; COEN, JOEL & ETHAN; DICILLO, TOM; FIGGIS, MIKE; FREARS, STEPHEN; HOGAN, P.J.; JORDAN, NEIL; LEE, ANG; LEIGH, MIKE; LEVINSON, BARRY; LOACH, KENNETH; MANGOLD, JAMES; MINGHELLA, ANTHONY; NAIR, MIRA; OLDMAN, GARY; SMITH, KEVIN; STONE, OLIVER; TAVERNIER, BERTRAND; BLOOD SIMPLE (US, Joel Coen, 1984); GAS FOOD LODGING (US, Allison Anders, 1992); JOHNNY SUEDE (US, Tom DiCillo, 1991); CLERKS (US, Kevin Smith, 1994); DINER (US, Barry Levinson, 1982); SALVADOR (US, Oliver Stone, 1986); ANGEL [DANNY BOY] (IE/UK, Neil Jordan, 1982); TRULY, MADLY, DEEPLY (UK, Anthony Minghella, 1990); SALAAM BOMBAY! (II/UK/FR, Mira Nair, 1988); STORMY MONDAY (UK, Mike Figgis, 1988); PEPI, LUCI, BOM Y OTRAS CHICAS DEL MONTON (SP, Pedro Almodovar, 1980); TREES LOUNGE (US, Steve Buscemi, 1996); NIL BY MOUTH (UK, Gary Oldman, 1997); TUI SHOU (TZ, Ang Lee, 1992); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); HEAVY (US, James Mangold, 1995); HORLOGER DE SAINT-PAUL, L' (FR, Bertrand Tavernier, 1974); BLEAK MOMENTS (UK, Mike Leigh, 1971); POOR COW (UK, Kenneth Loach, 1967); GUMSHOE (UK, Stephen Frears, 1971)
Summary: Interviews with film-makers about making their first film.
ISBN: 0571196691

Call No: 210.2(73) PIE
Author: Pierson, John
Place: London
Publisher: Faber and Faber
PubDate: 1996, c1995
PhysDes: 374 p., [16] p. of plates : ill., ports ; 24 cm
Subject: INDEPENDENT FILMS. USA; INDEPENDENT PRODUCTION. USA; FESTIVALS. PARK CITY. SUNDANCE; WARNER BROS.; MIRAMAX FILMS; SMITH, KEVIN; WEISS, ROB; MOORE, MICHAEL; TROCHE, ROSE; TURNER, GUINEVERE; LEE, SPIKE; LINKLATER, RICHARD; BORDEN, LIZZIE; Pierson, John; GOMEZ, NICK; JARMUSCH, JIM; MORRIS, ERROL; AMONGST FRIENDS (US, Rob Weiss, 1993); ANNA (US, Yurek Bogayevicz, 1987); CLERKS (US, Kevin Smith, 1994); MALLRATS (US, Kevin Smith, 1995); GO FISH (US, Rose Troche, 1994); PARTING GLANCES (US, Bill Sherwood, 1986); STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984); WORKING GIRLS (US, Lizzie Borden, 1986); ROGER AND ME (US, Michael Moore, 1989); SHE'S GOTTA HAVE IT (US, Spike Lee, 1986); HOOP DREAMS (US, Steve James, 1994); SLACKER (US, Richard Linklater, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988)
Notes: First published in the USA in 1995 by Hyperion/Miramax; Includes index
ISBN: 0571179142 (pbk.)
LON: 13149590

Call No: 729.1REA(075) ARM
Author: Armstrong, Richard
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2005
PhysDes: 141 p. : ill. ; 24 cm
Series: Understanding the Moving Image
Subject: REALISM IN FILMS; REALISM IN FILMS. UK; REALISM ON TV. UK; GENRES; PROGRAMME GENRES; CLERKS (US, Kevin Smith, 1994); ONE FINE DAY (US, Michael Hoffman, 1996)
Summary: Understanding Realism aims to explain and make accessible a concept central to the understanding of film and television studies. It is the second in a series of short orientation texts geared to the formal study of the moving image. Using a selection of the critical approaches, it examines the complex relationship between the moving image and appearance. Richard Armstrong's in depth treatment considers in turn the roles that narrative, genre, audience and ideology play in relation to realism in mainstream Hollywood and US independent film. He also discusses how it is possible to reconcile the impression that what is being watched is reality with the knowledge that it is not. This introductory book, written by an experienced film studies tutor, provides an accessible overview of a concept key to the understanding of contemporary media. [Taken from back cover.]
ISBN: 1844570622