journal article
CATs and madmen in Metro education (1999) iss.17/18 p.12-15
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Crime wave : the filmgoers' guide to the great crime movies / written by Howard Hughes London: I.B.Taurus, 2006.
Call No: 734 HUGAuthor: Hughes, Howard Edition: 1st ed.Source: UKPlace: LondonPublisher: I.B.TaurusPubDate: 2006PhysDes: xxviii, 236 p. : ill., ports. ; 25 cmSubject: GANGSTER FILMS ; DETECTIVE FILMS ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; WHITE HEAT (US, Raoul Walsh, 1949) ; ASPHALT JUNGLE, THE (US, John Huston, 1950) ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; BIG COMBO, THE (US, Joseph H. Lewis, 1955) ; POINT BLANK (US, John Boorman, 1967) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; ON HER MAJESTY'S SECRET SERVICE (UK, Peter Hunt, 1969) ; GET CARTER (UK, Mike Hodges, 1971) ; SHAFT (US, Gordon Parks Jr., 1971) ; DIRTY HARRY (US, Don Siegel, 1971) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; CHINATOWN (US, Roman Polanski, 1974) ; GODFATHER PART II, THE (US, Francis Ford Coppola, 1974) ; ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984) ; LETHAL WEAPON (US, Richard Donner, 1987) ; GOODFELLAS (US, Martin Scorsese, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; OCEAN'S ELEVEN (US, Steven Soderbergh, 2001) Summary: "Crime movies inhabit dark and desperate worlds, yet they account for many of Hollywood's most triumphant successes. In full acknowledgement of this achievement, Crime Wave offers an authoritative and informative, stimulating and entertaining guide to the crime movie phenomenon, from its early days to the present, charting its history and celebrating the people who have given it a special and enduring place in cinema goers' affections. Chapters focus on landmark Hollywood films - from 1931's The Public Enemy, through The Maltese Falcon, Point Blank, Dirty Harry, The Godfather trilogy and Goodfellas, to LA Confidential and Oceans 11 - telling their stories and on the way discussing many more crime movies, both major and lesser known." "Crime Wave represents and investigates gangster and heist movies, blaxploitation and noir, murder mysteries, vehicles for vigilante or buddy cops, even a gangster love story. It features biographies and filmographies detailing the key participants and background details of the film's making, locations and sets. It also explores each film's sources and influences, its impact on the crime genre and current fashion, including spin-offs, copies and sequels. It examines the films' themes, style and box office fortunes."--BOOK JACKET.Notes: Includes bibliographical references (p. 221-224) and index; Includes bibliographical references (p. 221-224) and index; Filmography: p. 213-220ISBN: 9781845112196Donation: Donated by Senses Of Cinema, 2009
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GoodFellas / Martin Scorsese and Nicholas Pileggi ; based on the book Wiseguy by Nicholas Pileggi ; edited with an introduction by David Thompson London Boston: Faber and Faber, 1990.
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digital clippings file
GOODFELLAS : (US, Martin Scorsese, 1990) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Press kit; ClippingsSubject: GOODFELLAS (US, Martin Scorsese, 1990) URL status: URL: 'http://file://Q:/T/GOODFELLAS.zip'
Checked: 31/08/2021 1:04:28 PM
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Details: Failed to send HTTP request (WinHttpSendRequest)
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[Goodfellas : Ray Liotta as Henry Hill sits at a dining table with Lorraine Bracco as Karen Hill] Warner Bros, Roadshow distributors, c. 1990.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Warner Bros; Roadshow distributorsPubDate: c. 1990PhysDes: 1 photograph : b&w ; 13 x 18 cm.Subject: GOODFELLAS (US, Martin Scorsese, 1990) ; LIOTTA, RAY ; SCORSESE, MARTIN Summary: "Ray Liotta as Henry Hill and Lorraine Bracco as Karen Hill, enjoying a night on the town in 'Goodfellas'.Notes: Slight paper clip damage to upper left corner; Label attached to reverse of photograph
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[Goodfellas : Ray Liotta as Henry Hill yelling at Lorraine Bracco as Karen Hill] / Directed by Martin Scorsese Warner bros, Roadshow distributors, c. 1990.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Warner bros; Roadshow distributorsPubDate: c. 1990PhysDes: 1 photograph : b&w ; 13 x 18 cm.Subject: GOODFELLAS (US, Martin Scorsese, 1990) ; LIOTTA, RAY ; SCORSESE, MARTIN Summary: Ray Liotta wearing a sportjacket yelling and pointing at Lorraine Bracco, in a scene from 'Goodfellas'.Notes: Slight fingerprint on photograph; Label adhered to reverse of photograph with adhesive tape which is yellowing as it is aging
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Martin Scorsese : the making of his movies / Andy Dougan London: Orion, 1997.
Call No: 81SCO DOUAuthor: Dougan, Andy Source: UKPlace: LondonPublisher: OrionPubDate: 1997PhysDes: 144 p. : ill., ports. ; 20 cm.Subject: SCORSESE, MARTIN ; AFTER HOURS (US, Martin Scorsese, 1985) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CASINO (US, Martin Scorsese, 1995) ; GOODFELLAS (US, Martin Scorsese, 1990) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; LAST WALTZ, THE (US, Martin Scorsese, 1978) ; KUNDUN (US, Martin Scorsese, 1997) ; MEAN STREETS (US, Martin Scorsese, 1973) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; RAGING BULL (US, Martin Scorsese, 1980) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; WHO'S THAT KNOCKING AT THE DOOR (US, Martin Scorsese, 1968) ; ALICE DOESN'T LIVE HERE ANY MORE (US, Martin Scorsese, 1974) ; BOXCAR BERTHA (US, Martin Scorsese, 1972) ; COLOUR OF MONEY,THE (US, Martin Scorsese, 1986) ; NEW YORK STORIES (US, Woody Allen, Martin Scorsese, Francis Ford Coppola, 1989) Summary: Complete "Variety" unabridged reviews for all Scorsese films inc. full credit listsISBN: 0752811754
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Martin Scorsese : interviews / Edited by Robert Ribera Jackson: University Press of Mississipp, 2017.
Call No: 81 SCO SCOAuthor: Ribera, Robert ; Scorsese, Martin Edition: Revised and updated editionPlace: JacksonPublisher: University Press of MississippPubDate: 2017PhysDes: xxxi, 250 pages ; 24 cm.Subject: CRITICISM ; HISTORY OF CINEMA. 1970's ; UNDERGROUND FILMS. USA ; SCORSESE, MARTIN ; TAXI DRIVER (US, Martin Scorsese, 1976) ; RAGING BULL (US, Martin Scorsese, 1980) ; COLOR OF MONEY, THE (US, Martin Scorsese, 1986) ; MEAN STREETS (US, Martin Scorsese, 1973) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; GOODFELLAS (US, Martin Scorsese, 1990) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; DEPARTED, THE (US, Martin Scorsese, 2006) ; HUGO (US, Martin Scorsese, 2011) ; WOLF OF WALL STREET, THE (US, Martin Scorsese, 2013) ; NO DIRECTION HOME [TV] (UK/US, Martin Scorsese, 2005) ; BLUES, THE [TV] (US, 2003) Summary: Many critics and film historians throughout the world praise Martin Scorsese as the greatest living American director. In this collection of interviews covering a period of two decades Scorsese's own words, sometimes emotionally direct and always revealing, trace his astonishing career. Like a Scorsese film, a Scorsese interview is daring and impassioned and is charged with his trademark wit and brilliance.Notes: Includes index.
Formerly CIP.
Includes filmography.
Also issued online.ISBN: 9781496809476Donation: Senses of CinemaContents: Martin Scorsese and the American Underground / Doris Freedman (1970) -- Dialogue on Film: Martin Scorsese The American Film Institute (1975) -- Taxi Dancer: Martin Scorsese Interviewed / Jonathan Kaplan (1977) -- Raging Bull / Michael Henry (1981) --Taxi Driver / Paul Schrader (1982) -- Chalk Talk / Peter Biskind and Susan Linfield (1986) -- Martin Scorsese: In the Streets / Peter Occhiogrosso (1987) -- And Blood / Richard Corliss (1988) -- Scorsese: A Bicoastal Story / Amy Taubin (1988) -- What the Streets Mean / Anthony DeCurtis (1990) -- Martin Scorsese Interviewed / Gavin Smith (1993) -- Martin Scorsese's Testament / Ian Christie (1996) -- Everything Is Form / Amy Taubin (1998) -- Fresh Air: Director Martin Scorsese / Terry Gross (2003) -- 2006 Charles Guggenheim Symposium Honoring Martin Scorsese / Jim Jarmusch (2006) -- Martin Scorsese on The Departed / Michael Goldman (2006) -- Docufictions: An Interview with Martin Scorsese on Documentary Film / Raffaele Donato (2007) -- In Hugo, Martin Scorsese Salutes a Movie Magician / Melissa Block (2011) -- The Art of Martin Scorsese / Jim Leach (2013) -- DP/ 30: Scorsese on The Wolf of Wall Street / David Poland (2014).
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Projections 7 : film-makers on film-making in association with Cahiers du Cinéma / edited by John Boorman and Walter Donohue London: Faber & Faber, 1997.
Call No: 802 PRO v.7Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: Faber & FaberPubDate: 1997PhysDes: x, 301 p. : ill., ports. ; 24 cmSubject: SCORSESE, MARTIN ; CAPRA, FRANK ; BARRON, BEBE ; DORMAEL, JACO VAN ; SCHOONMAKER, THELMA ; DE NIRO, ROBERT ; FORD, JOHN ; ROCHA, GLAUBER ; BERTOLUCCI, BERNARDO ; RENOIR, JEAN ; OPHULS, MAX ; MASTROIANNI, MARCELLO ; FERRARA, ABEL ; ASSAYAS, OLIVIER ; CURTIS, JAMIE LEE ; LEIGH, JANET ; BURNS, LILLIAN ; GIRARDOT, HIPPOLYTE ; MCDORMAND, FRANCES ; MITCHUM, ROBERT ; HODGSON, PIERRE ; COX, BRIAN ; CARON, LESLIE ; SYMS, SYLVIA ; WRIGHT, TERESA ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; SPIELBERG, STEVEN ; LUCAS, GEORGE ; Tarantino, Quentin ; WALSH, RAOUL ; HUSTON, JOHN ; MCCAREY, LEO ; Lupino, Ida ; CASSAVETES, JOHN ; WELLES, ORSON ; HITCHCOCK, ALFRED ; WOO, JOHN [pseud. of Wu Yusen] ; DAFOE, WILLEM ; SIRK, DOUGLAS ; ALMEREYDA, MICHAEL ; BOORMAN, JOHN ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; CASINO (US, Martin Scorsese, 1995) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; MEAN STREETS (US, Martin Scorsese, 1973) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; RAGING BULL (US, Martin Scorsese, 1980) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; GOODFELLAS (US, Martin Scorsese, 1990) ; CAPE FEAR (US, Martin Scorsese, 1991) ; MANHUNTER (US, Michael Mann, 1986) ; L-SHAPED ROOM, THE (UK, Bryan Forbes, 1962) ; VICTIM (UK, Basil Dearden, 1961) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956) ; DEAD MAN (US, Jim Jarmusch, 1995) ; CAHIERS DU CINEMA Notes: Filmography: p. 300-301ISBN: 0571190332LON: abn97280608; 13386768
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Scorsese's men : melancholia and the mob Melbourne, Australia: Pluto Press, 2004.
Call No: 81:747.5SCO NICAuthor: Mark Nicholls CorpAuthor: Pluto PressPlace: Melbourne, AustraliaPublisher: Pluto PressPubDate: 2004PhysDes: 24 cm; 191 ppSubject: SCORSESE, MARTIN ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; RAGING BULL (US, Martin Scorsese, 1980) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; GOODFELLAS (US, Martin Scorsese, 1990) ; CAPE FEAR (US, Martin Scorsese, 1991) ; MEN IN FILMS. USA Summary: Martin Scorsese is the most influential director of his generation and, with his work regularly included among the top twenty films of all time, his place in cinema history is indisputable. Scorsese’s films have defined the cinematic essence of each decade since the 1960s and have set the standard of New Hollywood cinema. Join author Mark Nicholls as he traces Martin Scorsese’s central theme of melancholia, nostalgia and loss through five films from the legendary director: The Age of Innocence, Raging Bull, Taxi Driver, Goodfellas and Cape Fear. Scorsese’s melancholic hero, Nicholls argues, is the Hamlet of Hollywood cinema. His journey is driven by an encounter with a corrupt and conservative mob and by his own overpowering experience of loss. Refusing to renounce that loss, under pressure from the mob, Scorsese’s men construct an elaborate and intriguing fantasy of perverse male desire. [Taken from back cover.]ISBN: 1864031565ID2: 45
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