Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Programme
Subject: ADIEU, VOYAGES LENTS (FR, Marie-Genevieve Ripeau, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BALLAD OF GENESIS AND LADY JAYE, THE (US/G/UK/NE/BE/FR, Marie Losier, 2011)

PhysDes: Article
Subject: BARNFORBJUDET (SW, Marie-Louise De Greer Bergenstrahle, 1979)
Notes: Swedish Film Institute

PhysDes: Article
Subject: BARNFORBJUDET (SW, Marie-Louise De Greer Bergenstrahle, 1979)
Notes: Swedish Film Institute

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLACK WIDOWER (AT, Marie Budimir, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GROUND BENEATH MY FEET, THE [BODEN UNTER DEN FUSSEN, DER] (AU, Marie Kreutzer, 2019)
Notes: Simon import_04/07/19

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BRYAN, ANN MARIE

Call No: 67(44) CAH
Source: UK/US
Place: London; New York
Publisher: Routledge, British Film Institute
PubDate: 2000
PhysDes: xi, 323 p. ; 24 cm
Series: Cahiers du Cinema selections
Subject: CULTURE AND THE CINEMA; POLITICS AND THE CINEMA; IDEOLOGY AND THE CINEMA; HISTORY AND THE CINEMA; THEORY; CRITICISM; CAHIERS DU CINEMA; ALAOUIE, BORHAN; ALLIO, RENE; DOUGLAS, JOHN; FERRO, MARC; GODARD, JEAN-LUC; HUILLET, DANIELE; A TOUT ALLURE (FR, Robert Kramer, 1982); LITTIN, MIGUEL; DUPONT LAJOIE (FR/IT, Yves Boisset, 1975); DERSU UZALA (UR/JA, Akira Kurosawa, 1975); INDIA SONG (FR, Marguerite Duras, 1975); KING KONG (US, John Guillermin, 1976); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); KAFR KASSEM (LE/SY, Borhan Alaouié, 1973); MILESTONES (US, Robert Kramer & John Douglas, 1975); MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975); NUMERO DEUX (FR, Jean-Luc Godard, 1975); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974); STAR WARS (US, George Lucas, 1977); SIX FOIS DEUX (FR, Jean-Luc Godard, 1976); TIERRA PROMETIDA, LA (CL, Miguel Littin, 1973); XALA (SG, Ousmane Sembene, 1974)
Summary: This volume covers the vibrant and turbulent period from 1973 to 1978, in which the issues of theory, history and politics dominated critical debate. The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and Therese Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre Padrone and Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensible contribution to debates in film and cultural politics. [Taken from back cover.]
ISBN: 0415029880
Contents: Introduction - Cahiers Du Cinema 1972-1978 - Berenice Reynaud -- Part I - Interventions and Cultural Politics -- Editorial - Cahiers Today - Cahiers du Cinema -- The Critical Function - Serge Daney -- A particular trend in French Cinema - Serge Daney, pascal Kane, Jean-Pierre Oudart, Serge Toubiana -- Round table on Chris Marker's Le Found de l'air est rouge - Jean-Paul Fargier, Therese Giraud, Sege Le Peron, Jean Narboni, Serge Daney -- Part II - Perspectives -- A matter of chance - Serge Toubiana -- Return of the same - Therese Giraud -- Theorize/terrorize - Godardian pedagogy -- On Sur et sous la communication: three questions on Six fois deux - Gilles Deleuze -- Family, history, romance - Louis Seguin -- Round table: Milestones and us - Pascal Bonitzer, Dominique Villain, Serge Daney, Jean Narboni, Serge Le Peron, Therese Giraud, Serge Toubiana -- The Aquarium (Milestones) - Serge Daney -- Part III - Theory and History -- Anti-retro - Michel Foucault in interview with Pascal Bonitzer and Serge Toubiana -- I, Pierre Riviere, having slaughtered my mother, my sister and my brother...by Rene Allio - Jean Jourdheuil, Serge Toubiana, Pascal Bonitzer, Rene Allio, Pascal Kane, Michel Foucault -- Defamations (fragments). Pretext: Karl May by H.-J. Syberberg - Jean-Pierre Oudart -- Cinema and history - Marc Ferro in interview with Serge Daney and Ignacio Ramonet -- Deframings - Pascal Bonitzer -- Cold Sex (on pornography and beyond) - Yann Lardeau -- Part IV - Third Cinema -- Our Cinema - Sidney Sokhona -- Interview with Abdelaziz Tolbi - Therese Giraud, Mohand Ben Salama -- The promised land - Serge Toubiana, Pascal Bonitzer -- The feminine eye of the Town (El Chergui) - Abdelwahab Meddeb -- Blood into sign - Jean Narboni -- Xala - Daniele Dubroux -- Part V - Reviews -- On Avanti - Pascale Kane -- An India and its other (India Song) - Pascal Bonitzer -- An uncanny familiarity (Jeanne Dielman) - Daniele Dubroux -- The sign and the ape (King Kong) - Serge Toubiana -- One more bear (Dersu Uzala) - Serge Daney -- Curdled milk (Padre padrone) - Daniele Dubroux -- America without fear or favour (Star Wars) - Serge Le Peron -- Francois Truffaut La Chambre verte - Pascal Bonitzer -- An active fear (The Passion of Joan of Arc) - Jean-Pierre Oudart -- Appendix: Cahiers du Cinema in the 1950s, the 1960s and the early 1970s

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 22 x 17 cm
Subject: LORRAINE, MARIE; CHEATERS, THE (AT, Paulette McDonagh, 1930)
Summary: One black and white photograph relating to the film The cheaters

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHRONICLE OF ANNA MAGDALENA BACH, THE [CHRONIK DER ANNA MAGDALENA BACH] (GW/IT, Danièle Huillet / Jean-Marie Straub, 1968)

PhysDes: Article
Subject: FORTINI/CANI (IT, Jean-Marie Straub & Daniele Huillet, 1976)
Summary: Reviews and Credits

Call No: 62(081) COM
Author: Comolli, Jean-Louis
Place: Amsterdam
Publisher: Amsterdam University Press
PubDate: 2015
PhysDes: 345 pages : illustrations ; 24 cm.
Series: Film theory in media history
Subject: COMOLLI, JEAN-LOUIS; BAZIN, ANDRE; EISENSTEIN, SERGEI M.; GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; LUMIERE, AUGUSTE & LOUIS; MITRY, JEAN; STRAUB, JEAN-MARIE; VERTOV, DZIGA; WELLES, ORSON
Notes: Includes bibliographical references and index.
ISBN: 9789089645548
Contents: Cinema against Spectacle -- I.Opening the Window? -- II.Inventing the Cinema? -- III.Filming the Disaster? -- IV.Cutting the Figure? -- V.Changing the Spectator? -- Technique and Ideology: Camera, Perspective, Depth of Field -- I.On a Dual Origin, The ideological place of the "base apparatus", Birth = deferral: The invention of the cinema -- II.Depth of Field: The Double Scene, Bazin's "surplus realism", The work of "transparency", For a materialist history of the cinema, "For the first time..." -- III."Primitive" Depth of Field -- IV.Effacement of Depth/ Advent of Speech -- V.Which Speech?.

Call No: 451-054(=1=81)(71):(93):(94) THO
Author: Thornley, Davinia
Source: UK/US
Place: Houndmills, Basingstoke, Hampshire ; New York
Publisher: Palgrave Macmillan
PubDate: 2014
PhysDes: xi, 134 pages : illustrations ; 23 cm
Series: Palgrave pivot
Subject: INDIGENOUS PEOPLE'S CINEMA. CANADA; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND; DOCUMENTARIES; BEFORE TOMORROW [JOUR AVANT LE LENDEMAIN, LE](CN Marie-Hélène Cousineau and Madeline Ivalu, 2008); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); TATTOOIST, THE (NZ/SI, Peter Berger, 2007); WHALE RIDER (NZ/GG, Niki Caro, 2002); NO. 2 (NZ, Toa Fraser, 2006); APRON STRINGS (NZ, Sima Urale, 2008)
Summary: This book is a manifesto for a developing area, one that provides a new model for reading films about indigeneity. Davinia Thornley investigates specific production partnerships in Canada, Australia and Aotearoa New Zealand, using the framework of scholarly and popular criticism to draw conclusions from these collaborative case studies
Notes: Formerly CIP -- Includes bibliographical references and index -- Also issued online
Contents: Machine generated contents note: 1.Introduction -- Cinematic Cross-Cultural Collaboration: Filming on an Uneven Field -- 2."An Instrument of Actual Change in the World": Engaging a New Collaborative Criticism through Isuma/Arnait Productions' Film, Before Tomorrow -- 3."My Whole Area Has Started to Be about What's Left Over": Alec Morgan, "Stolen Histories," and Critical Collaboration on the Australian Aboriginal Documentary, Lousy Little Sixpence -- 4."A Space Being Right on That Boundary": Critiquing Cross-Cultural Collaboration in Aotearoa New Zealand Cinema -- 5.Conclusion -- Modelling Collaborative Criticism: What Does It Mean to Collaborate Cross-Culturally in Cinema?

Call No: 71(430.1) PFL
Author: Pflaum, Hans GFunther; Prinzler, Hans Helmut
Place: Bonn
Publisher: Inter Nationes
PubDate: 1983
PhysDes: 180 p. : ill. ; 21 cm
Subject: GERMANY; GERMAN FEDERAL REPUBLIC; DIRECTORS. GERMANY; ACHTERNBUSCH, HERBERT; ACKEREN, ROBERT VAN; FASSBINDER, RAINER WERNER; GEISSENDORFER, HANS W.; HERZOG, WERNER; KLUGE, ALEXANDER; WILDENHAHN, KLAUS; ZIEWER, CHRISTIAN; SCHROETER, WERNER; STRAUB, JEAN-MARIE; THOME, RUDOLPH; SANDER, HELKE; SCHILLING, NIKLAUS; NEKES, WERNER; COSTARD, HELLMUTH; HAUFF, REINHARD; LILIENTHAL, PETER; OTTINGER, ULRIKE; PETERSEN, WOLFGANG; PRAUNHEIM, ROSA VON; SANDERS-BRAHMS, HELMA; SCHLONDORFF, VOLKER; SYBERBERG, HANS JURGEN; TROTTA, MARGARETHE VON; Wenders, Wim
Notes: Translation of: Film in der Bundesrepublik Deutschland; Bibliography: p. 179
LON: 3594169

Call No: 67(04) TYL
Author: Tyler, Parker
Edition: [1st ed.]
Place: New York
Publisher: Citadel Press
PubDate: [1962]
PhysDes: 253 p. : illus. ; 29 cm
Subject: CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); NAPOLEON (FR, Abel Gance, 1927); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); VARIETE (G, E.A. Dupont, 1925); CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927); METROPOLIS (G, Fritz Lang, 1926); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); BLAUE ENGEL, DER (G, Josef von Sternberg, 1930); ZEMLJA (UR, Alexksandr Dovzenko, 1930); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); AGE D'OR, L' (FR, Luis Bunuel, 1930); MADCHEN OHNE GRENZEN (DK, Geza Radvanyi, 1958); DREIGROSCHENOPER, DIE (G/US, Georg Wilhelm Pabst, 1931); M (G, Fritz Lang, 1931); A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); ZERO DE CONDUITE (FR, Jean Vigo, 1945 [prod 1933]); MATERNELLE, LA (FR, Marie Epstein & Jean Benoit-Levy, 1933); KERMESSE HEROIQUE, LA (FR, Jacques Feyder, 1935); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); OLYMPIA (G, Leni Riefenstahl, 1938); DYBUK (PL, Michal Waszynski, 1938); ALEX & EVE (AT, Peter Andrikidis, 2015); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); REGLE DU JEU, LA (FR, Jean Renoir, 1939); VREDENS DAG (DK, Carl Th. Dreyer, 1943); ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); SCIUSCIA (IT, Vittorio De Sica, 1946); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); FROKEN JULIE (SW, Alf Sjoberg, 1950); RASHOMON (JA, Akira Kurosawa, 1950); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); JIGOKUMON (JA, Teinosuke kinugasa, 1953); STRADA, LA (IT, Federico Fellini, 1954); KUMONOSU-JO (JA, Akira Kurosawa, 1957); ASHES AND DIAMONDS [POPIOL I DIAMENT] (PL, Andrzej Wajda, 1959); HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); PICKPOCKET (FR, Robert Bresson, 1959); LIAISONS DANGEREUSES, LES (FR, Roger Vadim, 1959); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960); YOJIMBO (JA, Akira Kurosawa, 1961); SANG DES BETES, LE (FR, Georges Franju,1949); VIRIDIANA (SP/MX, Luis Bunuel, 1961); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); TYSTNADEN (SW, Ingmar Bergman, 1963)
Summary: "This pictorial history of some of the great foreign classics of the last half-century was compiled by a distinguished film historian and critic, for whom the cinema at its best is a genuine art-form; and the special success of the book is the way in which the author evokes the 'feeling' of the films which have aroused his keenest interest and admiration." -- BOOK JACKET
LON: 712285
Contents: The cabinet of Dr Caligari -- The story of Gosta Berling -- The last laugh -- Napoleon -- Battleship Potemkin -- Variety -- The Italian straw hat -- Metropolis -- The passion of Joan of Arc -- Storm over Asia -- The blue angel -- Earth -- Le sang d'un Poete -- Chien Andalou and L'age d'or -- Madchen in uniform -- The threepenny opera -- M -- A nous la liberte -- Que viva Mexico! -- Don Quixote -- Marius trilogy 00 Zero de conduite -- Ecstasy -- Poil de carotte - La maternelle -- La kermess heroique -- The eternal mask -- La grande illusion -- Olympia -- The childhood of Maxim Gorky -- La femme de boulanger -- The dybbuk -- Alexander Nevsky -- La regle du jeu -- Day of wrath -- Frenzy -- Les enfants du paradis -- Open city -- Ivan the terrible, parts I & II -- Shoe shine -- La belle et la bete -- Monsieur Vincent -- Bicycle thieves -- Miss Julie -- OPrphee -- Rashomon -- Infidelity -- The seven deadly sins -- The forbidden Christ -- Le Plaisir -- Ugetsu Monogatari -- Gate of hell -- Love in the city -- La strada -- Throne of blood -- Ashes and diamonds -- Hiroshima, mon amour -- Apu trilogy -- Wild Strawberries -- Pickpocket -- Les liaisons dangereuses -- L'avventura -- La dolce vita -- La notte -- Rocco and his brothers -- Yojimbo -- Le sang des betes & Mondo Cane -- Viridiana -- L'eclisse -- The silence

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMMENT CA VA (FR, Jean-Luc Godard and Anne-Marie Mieville, 1976); HOW IS IT GOING? (FR, Jean-Luc Godard and Anne-Marie Mieville, 1976)

Call No: 761 SPE
Author: Spence, Louise; Navarro, Vinicius
Source: US/UK
Place: New Brunswick, NJ
Publisher: Rutgers University Press
PubDate: c2011
PhysDes: x, 281 p. : ill. ; 26 cm
Subject: AESTHETICS; AUTHORSHIP; BIOGRAPHICAL FILMS; CINEMATOGRAPHY; COMMENTARY; CONSTRUCTIVISM; CONTINUITY; CINEMA-DIRECT; DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; ETHNOGRAPHIC FILMS; HISTORY AND THE CINEMA; INTERVIEWING; INTERVIEWS IN FILMS; LIGHTING; LOCATION SHOOTING; MEMORY IN FILMS; MUSIC IN FILMS; NARRATIVE IN FILMS; NON-FICTION FILMS; PALESTINE; PHOTOGRAPHY AND THE CINEMA; REALISM IN FILMS; SOUND; SOUND EQUIPMENT; THEORY; TRUTH IN FILMS; VOICE OVER; WORLD WAR II AND THE CINEMA; AFRIQUE, JE TE PLUMERAI (CM/FR/G, Jean-Marie Téno, 1992); GOKUSHITEKI EROSU: RENKA 1974 (JA, Kazuo Hara, 1974); FAR FROM POLAND (US, Jill Godmilow, 1984); HALVING THE BONES (US, Ruth Ozeki Lounsbury, 1995); HANDSWORTH SONGS (UK, John Akomfrah, 1986); HEARTS AND MINDS (US, Peter Davis, 1974); JOYCE AT 34 (US, Joyce Chopra, 1972); LESSONS OF DARKNESS (GG, Werner Herzog, 1992); LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NEKAM ACHAT MISHTEY EYNAY (FR/IS, Avi Mograbi, 2005); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PRELUDE TO WAR (US, Frank Capra & Anatole Litvak, 1942); SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); TIES THAT BIND, THE (US, Su Friedrich, 1984); TITICUT FOLLIES (US, Frederick Wiseman, 1967); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: "Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a naive concept of "reality"- for them, documentaries are sources of information. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of reality? What aesthetic means are used to build these illusions? Crafting truth illuminates the way these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of those choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction cinema. " -- BOOK BLURB
ISBN: 9780813549033
Contents: -- acknowledgments -- Introduction -- Authenticity -- Evidence -- Authority -- Responsibility -- Argument -- Dramatic stories, poetic and essay documentaries -- Editing -- Camerawork -- The profilmic -- Sounds / coauthored with Carl Lewis --index --
ID2: 90

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DUNGEONMASTER, THE (US, Rose-Marie Turko, John Carl Buechler, Charles Band, David Allen, Steve Ford, Peter Manoogian, Ted Nicolaou, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ONCE UPON A TIME : ROME, OPEN CITY [ETAIT UNE FOIS, IL: ROME, VILLE OURVERTE] (FR, Marie Genin/Serge July, 2006)

Call No: 81GOD BRO
Author: Brody, Richard
Edition: 1st Paperback edition
Source: US
Place: New York
Publisher: Metropolitan Books / Henry Holt and Company
PubDate: 2009
PhysDes: xv, 701 p. : ill. ; 24 cm
Subject: CRITICISM; GODARD, JEAN-LUC; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963); WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961); FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CONTEMPT (FR/IT, Jean-Luc Godrad, 1963) SEE MEPRIS, LE; CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963); MARRIED WOMAN, THE (FR, Jean-Luc Godard, 1964) SEE FEMME MARIEE, UNE; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); ALPHAVILLE (FR, Jean-Luc Godard, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); MASCULINE FEMININE (FR, Jean-Luc Godard, 1966); TWO OR THREE THINGS I KNOW ABOUT HER (FR, Jean-Luc Godard, 1967) SEE [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985) SEE JE VOUS SALUE MARIE; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); DETECTIVE (FR, Jean-Luc Godard, 1985); SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987); KING LEAR (US/SZ, Jean-Luc Godard, 1987); HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990); GERMANY YEAR 90 (FR, Jean-Luc Godard, 1991) SEE ALLEMAGNE NEUF ZERO; ALLEMAGNE NEUF ZERO (FR, Jean-Luc Godard, 1991); HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983); FOR EVER MOZART (SZ/FR, Jean-Luc Godard, 1996); ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001)
Summary: "Shifting fluidly from fiction to documentary, from criticism to art, the films of Jean-Luc Godard changed the nature of cinema. Godard's own persona - cultural hero, fierce loner, shrewd businessman - projects similarly shifting images. In the modern canon, he is a figure as mysterious as he is indispensible. Now, acclaimed critic Richard Brody offers the fullest picture yet of Godard's life and work, demsytifying the elusive filmmaker through hundreds of interviews with friends, relatives, and collaborators. He vividly depicts Godard's wealthy family, his changeable and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women. Tracing an arc from the director's early writing, through his popular success with Breathless and Contempt, to the grand vision of his later years, Everything Is Cinema shows decisively that Godard's films have left their mark on all screens, everywhere. -- BOOK BLURB
Notes: "NBCC Award. Criticism. Nominees" -- Awards website; Includes bibliographical references (p. [635]-675) and index; We have a duplicate copy of this book
ISBN: 9780805080155
Contents: -- preface -- 1: We do not think, we are thought -- 2: A matter of loving or dying -- 3: Breathless -- 4: Le petit soldat -- 5: A woman is a woman -- 6: Vivre sa vie, le nouveau monde, les carabiniers -- 7: Contempt -- 8: Montparnasse et levallois, band of outsiders -- 9: A married woman -- 10: The American business -- 11: Alphaville -- 12: Pierrot le fou -- 13: Masculine feminine -- 14: Made in USA, two or three things I know about her -- 15: La chinoise, weekend -- 16: Revolution (1968-1972) -- 17: Restoration (1973-1977) -- 18: France tour de´tour deux enfants, et al., 1978-1979 -- 19: Sauve qui peut (la vie) -- 20: Passion and first name: Carmen -- 21: Hail Mary -- 22: Detective and soigne ta droite -- 23: King Lear -- 24: Histoire(s) du cine´ma, part I -- 25: Nouvelle vague -- 26: Germany year 90 nine zero -- 27: He´las pour moi, JLG/JLG, histoire(s) du cine´ma, parts 2 and 3 -- 28: For ever Mozart, histoire(s) du cine´ma, part 4 -- 29: Eloge de l'amour -- 30: Notre musique -- epilogue -- acknowledgments -- notes -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: FAIRE LA FETE (SZ/FR, Anne Marie Mieville, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FALSE CONFESSIONS [FAUSSES CONFIDENCES, LES] (FR, Luc Bondy & Marie-Louise Bischofberger, 2017)

Author: Bennet, Gretchen [translator]
PhysDes: Article
Subject: ADIEU, VOYAGES LENTS (FR, Marie-Genevieve Ripeau, 1978); FAREWELL JOURNEYS (FR, Marie-Genevieve Ripeau, 1978)
Notes: Information in article supplied by Unifrance. - credits. - synopsis. - filming and initial screening information. - "Farewell Journeys" (English title). - "Farewell Endless Journeys" (alternative English title)

Call No: 761-02 FRE
Author: French, Lisa
Edition: 2021
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PhysDes: 276 pages : illustrated ; 22 cm
Subject: WOMEN FILMMAKERS; DOCUMENTARIES; FEMINISM AND THE CINEMA; HONKASALO, PIRJO; LONGINOTTO, KIM; JAIN, NISHTHA; MANDY, MARIE; KATES, NANCY; ARMSTRONG, GILLIAN
Summary: The Female Gaze in Documentary Film – an International Perspective makes a timely contribution to the significant rise in interest in recent times in the status, presence, achievements and issues for women in contemporary screen industries. It examines the works, contributions and participation of female documentary directors globally. The central preoccupation of the book is to consider what might constitute a ‘female gaze’, an inquiry that has had a long history in filmmaking, film theory and women’s art. It fills a gap in the literature which to date has not substantially examined the work of female documentary directors. Moreover, research on sex, gender and the gaze has been relatively infrequently the subject of scholarship on documentary film, particularly in comparison to narrative film or television drama. A distinctive feature of the book is that it is based on interviews with significant female documentarians from Europe, Asia and North America. -- publisher's web site
ISBN: 9783030680930
Contents: Front Matter – Introduction. PART ONE -- Women’s Documentary Practice, Theory and Histories -- Women and Documentary -- The ‘Female Gaze’ -- Aesthetics and the Influence of Gender -- Feminisms, Feminist Theory and Documentary Practice. PART TWO -- Case Studies: Female Documentary Directors in Focus -- Documentary as Artform: Pirjo Honkasalo’s Cinematic Poetics -- Transnational Feminism in the Cinema of Kim Longinotto -- Nishtha Jain: An Auto-ethnographic and a Postcolonial Feminist Gaze -- Marie Mandy: Female Subjectivity and Aesthetics -- A View from the Margins: The Films of Nancy D Kates -- Gillian Armstrong: The Line Between Fact and Fiction. Conclusion: Rendering Female Reality.

Call No: 744.7 FEM
Author: Radner, Hilary; Stringer, Rebecca
Source: US
Place: London ; New York
Publisher: Routledge
PubDate: 2011
PhysDes: ix, 310 pages : illustrations ; 23 cm
Subject: FEMINISM AND THE CINEMA; GENRES; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; IDENTITY IN FILMS; JAMES BOND IN FILMS; MARRIAGE IN FILMS; MASCULINITY IN FILMS; MUSIC IN FILMS; POPULAR CULTURE AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SEXUALITY AND THE CINEMA; WOMEN AND THE CINEMA; WOMEN DIRECTORS; WOMEN FILMMAKERS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; [THIRTEEN] 13 GOING ON 30 (US, Gary Winick, 2004); BABY MAMA (US, Michael McCullers, 2008); BEND IT LIKE BECKHAM (UK, Gurinda Chadha, 2002); BRAVE ONE, THE (US/AT, Neil Jordan, 2007); BRIDE WARS (US, Gary Winick, 2009); CASINO ROYALE (CZ/US/UK, Martin Campbell, 2006); ENCHANTED (US, KEVIN LIMA, 2007); [FORTY] 40 YEAR OLD VIRGIN, THE (US, Judd Apatow, 2005); FRIENDS WITH MONEY (US, Nicole Holofcener, 2006); HARD CANDY (US, David Slade, 2005); JUNO (US/CN, Jason Reitman 2007); KISSING JESSICA STEIN (US, Charles Herman-Wurmfeld, 2001); MARIE ANTOINETTE (US, Sofia Coppola, 2006); MICHAEL CLAYTON (US, Tony Gilroy, 2007); MISS CONGENIALITY (US, Donald Petrie, 2000); SECRET LIFE OF BEES (US, Gina Prince-Bythewood, 2008); SEX AND THE CITY: THE MOVIE (US, MICHAEL PATRICK KING, 2008); SINGLE MAN, A (US, Tom Ford, 2009); SISTERHOOD OF THE TRAVELLING PANTS, THE (US, Ken Kwapis, 2005); WAR OF THE WORLDS (US, Steven Spielberg, 2005)
Summary: "Feminism at the Movies: Understanding Gender in Contemporaty Popular Cinema examines the way that contemporary film reflects today's changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of masculinity as well as femininity, reflecting on the interface of popular cinema with gendered realities and feminist ideas. Topics include the gendered political economy of cinema, the female director as auteur, postfeminist fatherhood, consumer culture, depictions of professional women, transgender, sexuality, gendered violence, and the intersections of gender, race, and ethnic identities." - BOOK BLURB
Notes: Includes list of figures, bibliographical references and index
ISBN: 9780415895880
Contents: List of figures -- Acknowledgements; Introduction: "Re-vision"?: Feminist film criticism in the twenty-first century / Hilary Radner and Rebecca Stringer; Part I: Masculinity in question -- "The first Bond who bleeds, literally and metaphorically": gendered spectatorship for "pretty boy" action movies / Janet Staiger -- Queer memories and universal emotions: A Single Man (2009) / Michael DeAngelis -- "Lad flicks": discursive reconstruction of masculinity in popular film / David Hansen-Miller and Rosalind Gill -- Transamerica (2005): the road to the multiplex after New Queer Cinema / Gary Needham; Part II: New feminine subjects: a space for women? -- Enchanted (2007) by postfeminism: gender, irony, and new romantic comedy / Yvonne Tasker -- Neoliberal feminism in Miss Congeniality (2000) / Yael D Sherman -- Girls' sexualities in The Sisterhood of the Travelling Pants universe: feminist challenges and missed opportunities / Sarah Projansky -- Michael Clayton (2007): women lawyers betrayed - again / Taunya Lovell Banks -- Crossing race, crossing sex in Gurinder Chadha's Bend It Like Beckham (2002): managing anxiety in multicultural Britain / Mridula Nath Chakraborty -- Speaking the name of the father in the neo-romantic comedy: 13 Going On 30 (2004) / Hilary Radner; Part III: Consuming culture(s) -- No country for old women: gendering cinema in conglomerate Hollywood / Rob Schaap -- Music and the woman's film: Sex and the City: The Movie (2008) / Peter Stapleton -- Independence at what cost? Economics and desire in Nicole Holofcener's Friends With Money (2006) / Michele Schreiber -- The feminist politics of Sofia Coppola: spectacle and self-consciousness in Marie Antoinette (2006) / Christine Lane and Nicole Richter; Part IV: Relationships, identity and family -- "Eggs in many baskets": Juno (2007), Baby Mama (2008), and the new intimacies of reproduction / JaneMaree Maher -- Temporarily Kissing Jessica Stein (2001): negotiating (and negating) lesbian sexuality in popular film / Kelly Kessler -- "Die, Bridezilla, die!": Bride Wars (2009), wedding envy, and chick flicks / Heather Brook -- Extreme parenting: recuperating fatherhood in Steven Spielberg's War of the Worlds (2005) / Hannah Hamad; Part V: Gender and violence -- Kinship and racist violence in Gina Prince-Blythwood's The Secret Life of Bees (2008) / Ewa Plonowska Ziarek -- From victim to vigilante: gender, violence, and revenge in The Brave One (2007) and Hard Candy (2005) / Rebecca Stringer -- "When the woman looks": Haute Tension (2003) and the horrors of heteronormativity / Barry Keith Grant; Contributors -- Index

Call No: 771 ROS
Author: Rosenbaum, Jonathan
Place: Denver, Colo.
Publisher: Arden
PubDate: 1983
PhysDes: 238 p. : ill. ; 24 cm
Subject: EXPERIMENTAL FILMS; MEKAS, JONAS; AKERMAN, CHANTAL; B, BETH & SCOTT; BENNING, JAMES; GIDAL, PETER; JOST, JON; OTTINGER, ULRIKE; RAINER, YVONNE; RAPPAPORT, MARK; RIVETTE, JACQUES; SNOW, MICHAEL; STRAUB, JEAN-MARIE; HUILLET, DANIELE; BREER, ROBERT; DE LANDA, MANUEL; DRIVER, SARA; HOCK, LOUIS; RAYNAL, JACKIE; THORNTON, LESLIE; GIDAL, PETER
Notes: Includes indexes
ISBN: 0912869038
LON: 3461214

Call No: 771.1 BRA
Author: Brakhage, Stan
Edition: 1st ed
Place: Kingston, N.Y.
Publisher: Documentext
PubDate: 1989
PhysDes: 183 p., [16] p. of plates : ill. ; 24 cm
Subject: AVANT-GARDE FILMS; BRAKHAGE, STAN; BROUGHTON, JAMES; CONNER, BRUCE; DEREN, MAYA; HILL, JEROME; JACOBS, KEN; MACLAINE, CHRISTOPHER; MEKEN, MARIE; PETERSON, SIDNEY
Notes: Includes index; Filmographies: p. 171-177
ISBN: 092970116x (pbk.); 0914232991 (alk. paper)
LON: 6319522

Author: Zaagsma, Frank
PhysDes: Article
Subject: HISTORY LESSONS [GESCHICHTSUNTERRICHT / LECONS D'HISTOIRE] (GW/IT, Jean-Marie Straub/Daniele Huillet, 1972); STRAUB, JEAN-MARIE
Summary: Article on Straub's latest film GESCHICHTSUNERRICHT. Includes extracts from the director on his approach to filmmaking.

Call No: F027(41) ARTIFICIAL "1976/7" ART
PubDate: 1977
Subject: ANGELOPOULOS, THEO; BERTOLUCCI, BERNARDO; GODARD, JEAN-LUC; MEKAS, JONAS; Mizoguchi, Kenji; STRAUB, JEAN-MARIE; DISTRIBUTORS
Notes: catalogue pamphlet

Call No: 81GOD STE
Author: Sterritt, David
Source: UK/US
Place: Cambridge
Publisher: Cambridge University Press
PubDate: 1999
PhysDes: xiv, 297 p. : ill. ; 23 cm
Series: Cambridge film classics
Subject: CRITICISM; AESTHETICS; NOUVELLE VAGUE; POSTMODERNISM AND THE CINEMA; MODERNISM AND THE CINEMA; GODARD, JEAN-LUC; BREATHLESS (FR, Jean-Luc Godard, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); MY LIFE TO LIVE (FR, Jean-Luc Godard, 1962) SEE VIVRE SAVIE; VIVRE SAVIE (FR, Jean-Luc Godard, 1962); WEEK-END (FR/IT, Jean-Luc Godard, 1968); NUMERO DEUX (FR, Jean-Luc Godard, 1975); NUMERO DEUX (FR, Jean-Luc Godard, 1975); HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985) SEE JE VOUS SALUE MARIE; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990)
Summary: "The films of Jean-Luc Godard examines the work of one of the most versatile and influential filmmakers in the history of cinema. With a career ranging from France's revolutionary New Wave movement in the early 1960s, through a period of drastic political experimentation in the late 1960s and 1970s, to a current introspective period in which he explores issues of spirituality, sexuality, and the aesthetics of sound, image, and montage, Godard's work defies easy categorization. In this study, David Sterritt offers an introductory overview of Godard's work as a filmmaker, critic, and video artist. He then traces Godard's visionary ideas through six of his key films: Breathless, My Life to Live, Weekend, Numero deux, Hail Mary, and Nouvelle Vague. Also included is a concise analysis of his work in video, television, and mixed-media formats. Linking works by Godard to key social and cultural developments, The Films of Jean-Luc Godard explains their importance in modernist and postmodernist art of the last half century. " -- BOOK BLURB
Notes: Filmography: p. 281-290 Includes bibliographical references (p. 279-280) and index
ISBN: 0521589711
Contents: -- list of illustrations -- acknowledgments -- 1. Introduction -- 2. Breathless -- 3. My Life to Live -- 4. Weekend -- 5. Numero deux -- 6. Hail Mary -- 7. Nouvelle Vague -- 8. Video and Television -- notes -- select bibliography -- filmography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARIE'S SONS [FILS DE MARIE, LES] (FR/CA, Carole Laure, 2002)

Call No: 738(71) MAC
Author: MacDonald, Scott
Place: Berkeley, California
Publisher: University of California Press
PubDate: 2001
PhysDes: xxvi, 461 p. : ill. (some colour) ; 24cm
Subject: INDEPENDENT FILMS; NATURE IN FILMS; PLACE IN FILMS; PLACE IN FILMS. USA; CITIES IN FILMS; NEW YORK IN FILMS; GOTTHEIM, LARRY; COLE, THOMAS; MURPHY, J. J.; ANGER, KENNETH; MENKEN, MARIE; SCHNEEMANN, CAROLEE; BRAKHAGE, STAN; KELLER, MARJORIE; ROBERTSON, ANNE CHARLOTTE; LOWDER, ROSE; MANGOLTE, BABETTE; BENNING, JAMES; STONE, OLIVER; SPIRO, ELLEN; DEBONT, JAN; KUCHAR, GEORGE; BURCKHARDT, RUDY; WEEGEE; THOMPSON, FRANCIS; MENKEN, MARIE; HARRIS, HILARY; LEE, SPIKE; STAUFFACHER, FRANK; BAILLIE, BRUCE; RUDNICK, MICHAEL; GEHR, ERNIE; O'NEILL, PAT; MARTIN, EUGENE; MEKAS, JONAS; GREAVES, WILLIAM; FRAMPTON, HOLLIS; HUOT, ROBERT; DORSKY, NATHANIEL; HUTTON, PETER; DASH, JULIE; FRANKLIN, CARL; CONNER, BRUCE; HERZOG, WERNER; LANZMANN, CLAUDE; STRAND, CHICK; NOREN, ANDREW; PIERCE, LEIGHTON; GATTEN, DAVID
Summary: "Explores the evocations of place, and particularly American place, that have become so central to the representational and narrative strategies of alternative and mainstream film and video. Scott MacDonald contextualises his discussion with wide-ranging and deeply informed analysis of the depiction of place in nineteenth and twentieth-century literature, painting and photography. Examining the representation of nature and landscape in particular, and location in general, MacDonald offers new readings of films under consideration as well as an expanded sense of modern film history."
Notes: Includes distribution sources for films and videos (in US), notes and index
ISBN: 0520227387

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: GENESIS (FR/IT, Claude Nuridsany and Marie Perennoy, 2004)
ID2: 76

Call No: 71(430) GER
Author: Rentschler, Eric
Place: New York
Publisher: Methuen
PubDate: 1986
PhysDes: x, 385 p. : ill. ; 24 cm
Subject: GERMANY; ADAPTATIONS. GERMANY; STUDENT VON PRAG, DER (G, Stellan Rye, 1913); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929); BLAUE ENGEL, DER (G, Josef von Sternberg, 1930); LIEBELEI (G, Max Ophuls, 1933); LEBENZEICHEN (GW, Werner Herzog, 1968); LOTTE IN WEIMAR (GE, Egon Gunther, 1975); LINKSHANDIGE FRAU, DIE (GW, Peter Handke, 1977); EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980); BERLIN ALEXANDERPLATZ (GW/IT, Rainer Werner Fassbinder, 1980); HISTORY LESSONS [GESCHICHTSUNTERRICHT / LECONS D'HISTOIRE] (GW/IT, Jean-Marie Straub/Daniele Huillet, 1972); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); HAUPTMANN VON KOPENICK, DER (GW, Helmut Kautner, 1956); JUNGE TORLESS, DER (GW, Volker Schlondorff, 1966); WOZZECK (G, Georg C. Klaren, 1947); UNTERTAN, DER (GE, Wolfgang Staudte, 1951); FRAULEIN VON BARNHELM, DAS (G, Hans Schweikart, 1940); ZERBROCHENE KRUG, DER (G, Gustav Ucicky, 1937)
Notes: Includes index; Bibliography: p. [366]-378
ISBN: 0416603416 (pbk.); 0416603319
LON: 4216378

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HISTORY LESSONS [GESCHICHTSUNTERRICHT / LECONS D'HISTOIRE] (GW/IT, Jean-Marie Straub/Daniele Huillet, 1972)
Notes: Simon import_04/07/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GHOSTS OF THE GULF [TV] (AT, Marie Ferris, 2007)

Call No: 451-015 MAL
Author: Maltin, Leonard
Place: New York
Publisher: Crown Publishers
PubDate: 1978
PhysDes: xvii, 238 p. : ill. ; 26 cm
Subject: COMEDIANS; CHAPLIN, CHARLES; ARBUCKLE, ROSCOE "FATTY"; LLOYD, HAROLD; ROGERS, WILL; FIELDS, W.C.; THREE STOOGES; HOPE, BOB; KAYE, DANNY; SKELTON, RED; LEWIS, JERRY; ALLEN, WOODY; LAUREL, STAN; HARDY, OLIVER; NORMAND, MABEL; LANGDON, HARRY; CHASE, CHARLEY [psued. of Charles Parrott]; GRIFFITH, RAYMOND; DRESSLER, MARIE; BROWN, JOE E.; MARX BROTHERS; COSTELLO, LOU
Notes: Includes filmographies and index
ISBN: 0517532417
LON: 77020233; 1040069

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HISTOIRE DE MARIE ET JULIEN (FR, Jacques Rivette, 2003)
Cross Reference: STORY OF MARIE AND JULIEN, THE (FR, Jacques Rivette, 2003) SEE HISTORIE DE MARIE ET JULIEN
CrossTag: 1

Call No: 45:93 HIS
Author: O'Regan, Tom, 1956; Shoesmith, Brian
CorpAuthor: Australian History and Film Conference (3rd :, 1985 : Perth (W.A.)); History and Film Association of Australia (W.A.)
Place: Perth, [W.A.]
Publisher: History and Film Association of Australia (W.A.)
PubDate: 1987
PhysDes: 180 p. ; 30 cm
Subject: HISTORY AND THE CINEMA; HISTORICAL FILMS; EUROPEAN COUNTRIES; FRANCE; INDIA; JAPAN; COMMONWEALTH FILM UNIT; HISTORY OF EXHIBITION. AUSTRALIA; AUSTRALIA. 1970's; FASCISM AND THE CINEMA; MARXISM AND THE CINEMA; Grierson, John; CHAUVEL, CHARLES; HEIMAT [TV] (GW, Edgar Reitz, 1984); SHOAH (FR/SZ, Claude Lanzmann, 1985); SEE IT NOW (US, Edward Murrow, 1954?); ROMAN SCANDALS (US, Frank Tuttle, 1933); ASSAULT ON SALAMAUA (AT, 1943); FORTINI/CANI (IT, Jean-Marie Straub & Daniele Huillet, 1976)
Notes: Cover subtitle : Proceedings of the 3rd History and Film Conference, Perth, 1985
ISBN: 0729800563 (pbk.)
LON: 5567713

Call No: 71(73) "1938" JUR
Author: Jurca, Catherine
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: c2012
PhysDes: x, 272 p. : ill. ; 23 cm
Subject: USA; USA. 1930's; INDUSTRY, FILM. USA; FILM; HISTORY OF CINEMA. 1930's; [FOUR] 4 DAUGHTERS (US, Michael Curtiz, 1938; BOYS TOWN (US, Norman Taurog, 1938); YOU CAN'T TAKE IT WITH YOU (US, Frank Capra, 1938); MARIE ANTOINETTE (US, W.S. Van Dyke, 1938)
Summary: "In Hollywood 1938, Catherine Jurca brings to light a tumultuous year of crisis that has been neglected in histories of the studio era. With attendance in decline, negative publicity about stars who were "poison at the box office", and a spate of bad films, industry executives decided that the public was fed up with the movies. Jurca describes their desperate attempt to win back audiences by launching Motion Pictures' Greatest Year, a massive, and unsuccessful, public relations campaign conducted in theaters and newspapers across North America. Drawing on the records of studio personnel, independent exhibitors, movie-goers, and the motion pictures themselves, she analyzes what was wrong - and right - with Hollywood at the end of a heralded decade and how the industry's troubles changed the making and marketing of films in 1938 and beyond." -- BOOK BLURB
Notes: Formerly CIP; "Fletcher Jones Foundation humanities imprint"; Includes bibliographical references (p. 231-261), index and filmography
ISBN: 9780520271807
Donation: Donated by Senses of CInema, 2013
Contents: -- list of illustrations -- acknowledgments -- Introduction: Hollywood looks at its audience -- The campaign -- Annus horribilis -- Goldwyn's folly -- Such a thing as bad publicity -- The moviegoing habit -- Exhibitors, the movie quiz contest, and a divided industry -- the minds of exhibitors -- The carrot and the stick -- The quiz contest on the ground -- What the contest did for me -- Independents rebel -- The campaign and the press -- The film industry speaks its mind -- Marginal moviegoers -- The gossip columnists -- The dailies have their say -- The films -- "The finest array of productions" -- Ninety-four films -- The death of glamour -- Human films -- The human side of screwball -- You can't take it with you -- Four daughters -- Boys town -- Marie Antoinette -- That's entertainment -- The fourth estate -- Conclusion: motion pictures' worst year -- appendix 1 -- appendix 2 -- notes -- index --

PhysDes: Article
Subject: STRAUB, JEAN-MARIE; JANCSO, MIKLOS; ROCHA, GLAUBER; CLEMENTI, PIERRE
Summary: Transcription of a discussion between Jean-Marie Straub, Miklos Jancso, Glauber Rocha and Pierre Clementi. Artistic and commercial trends in cinema in the early 1970s is discussed.
Notes: Transcribed from film by Patrick Letessier, translated by John Mathews and published in 'Cinematics' no.4

Call No: 771.3(73) REN
Author: Renan, Shelton
Edition: 1st ed.
Place: New York
Publisher: E.P. Dutton
PubDate: 1967
PhysDes: 318 p. : ill. ; 19 cm.
Subject: EXPANDED CINEMA; UNDERGROUND FILMS. USA; EXPERIMENTAL FILMS. USA; AVANT-GARDE FILMS. USA; ANGER, KENNETH; BAILLIE, BRUCE; BELSON, JORDAN; BRAKHAGE, STAN; BRANAMAN, ROBERT; BREER, ROBERT; BURCKHARDT, RUDY; CONNER, BRUCE; CONRAD, TONY; D'AVINO, CARMEN; EMSHWILLER, ED; GOLDMAN, PETER EMANUEL; JACOBS, KEN; JORDAN, LARRY; KAYE, STANTON; KUCHAR, GEORGE; KUCHAR, MIKE; LANDOW, GEORGE; MARKOPOULOS, GREGORY; MEKAS, JONAS; MENKEN, MARIE; NELSON, ROBERT; RICE, RON; SMITH, HARRY; SMITH, JACK; VAN DER BEEK, STAN; WARHOL, ANDY
Summary: A study of the American Underground Film, its subject matter and stylistic elements. Also a history of avant garde film in America with director and actor profiles.
Notes: Bibliography: p. 295-296 Includes index.
Contents: -- What is the underground film? -- A history of the avant-garde/experimental/underground film in America -- A gallery of film-makers -- Stars of the underground films -- The underground establishment -- Expanded Cinema

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985)

Call No: 81GOD JEA
Source: UK
Place: New York
Publisher: Museum of Modern Art : Distributed by H.N. Abrams
PubDate: c1992
PhysDes: 240 p. : ill. (some col.) ; 32 cm
Subject: NOUVELLE VAGUE; CAHIERS DU CINEMA; POLITICS AND THE CINEMA; SPECTATORSHIP; THEORY; PSYCHOANALYSIS AND THE CINEMA; TELEVISION AND THE ARTS; AUTEUR THEORY; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961); WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963); BANDE A PART (FR, Jean-Luc Godard, 1964); FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); ALPHAVILLE (FR, Jean-Luc Godard, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); WEEK-END (FR/IT, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); ONE PLUS ONE (UK, Jean-Luc Godard, 1968); ONE A.M. (FR/US, Jean-Luc Godard, 1968); BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969); PRAVDA (FR, Jean-Luc Godard, 1970); VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); WEEK-END (FR/IT, Jean-Luc Godard, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); LUTTES EN ITALIE (FR/IT Jean-Luc Godard & Jean-Pierre GORIN, 1969); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); PASSION (FR/SZ, Jean-Luc Godard, 1982); JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990); PRENOM CARMEN (FR/SW, Jean-Luc Godard, 1983)
Notes: "Published on the occasion of the exhibition ... October 30-November 30, 1992, organized by Mary Lea Bandy, director, Laurence Kardish, curator, and Barbara London, assistant curator, video ... and Colin MacCabe, guest curator"--T.p. verso. Filmography: p. 232-235. Includes bibliographical references (p. 236-238) Some articles translated from the French.
ISBN: 0810961148
Language: English

Call No: 81GOD MOR
Author: Morrey, Douglas
Source: UK/US
Place: Manchester and New York
Publisher: Manchester University Press
PubDate: 2005
PhysDes: 271 p : ill. ; 22 cm
Series: French film directors
Subject: CRITICISM; FRANCE; THEORY; GODARD, JEAN-LUC; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); CHINOISE, LA (FR, Jean-Luc Godard, 1967); WEEK-END (FR/IT, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); PRAVDA (FR, Jean-Luc Godard, 1970); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); ICI ET AILLEURS (FR, Jean-Luc Godard & Anne-Marie Mieville, 1976); NUMERO DEUX (FR, Jean-Luc Godard, 1975); NUMERO DEUX (FR, Jean-Luc Godard, 1975); HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983); HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997); ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001)
Summary: "This volume offers a new interpretation of one of the most innovative directors in the history of cinema. It is the first book to cover the whole of Godard's career, from the early successes of the French New Wave, through the political works of the late 1960s and 1970s and the difficult films of the 1980s, to the recent triumphs of Histoire(s) du cinema and Eloge de l'amour. Drawing on a wide range of literary, filmic and philosophical texts, the book places Godard's work within its intellectual context in France, examining how developments in French culture and thought since 1950 have been mirrored in - and sometimes anticipated by - Godard's films. At the same time, numerous sequences from Godard's films are singled out for close analysis in order to demonstrate how the director's radical approaches to narrative, editing, sound and shot composition have made the cinema into an analytical tool in its own right - a machine for thinking. The book will be useful to all students of Godard's films, and of interest to scholars of modern and contemporary French cinema, culture and thought. " -- BOOK BLURB
Notes: Formerly CIP; Filmography: p. [244]-262; Includes bibliographical references (p. [263]-264) and index
ISBN: 0719067596
Contents: -- list of plates -- series editors' foreword -- acknowledgments -- 1. necessity or contingency: Godard as film critic, 1950-59 -- 2. scenes from domestic life: 1960-65 -- 3. outside: 1960-62 -- 4. end of the beginning/beginning of the end: 1966-67 -- 5. schooling: 1968-72 -- 6. home movies: 1974-78 -- 7. love and work: 1979-84 -- 8. smiling with regret: 1984-90 -- 9. the sense of an ending: 1991-96 -- 10. old man river: 1998- -- conclusion -- filmography -- select bibliography -- index --

Call No: 81STR ROU
Author: Roud, Richard
Place: London
Publisher: Secker and Warburg [for] the British Film Institute
PubDate: 1971
PhysDes: 176 p. illus., port. 20 cm
Subject: STRAUB, JEAN-MARIE
ISBN: 0436099225 0436099253 (pbk)
LON: 72192794; 625310

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TREAT ME LIKE FIRE [JOEUERS] (FR, Marie Monge, 2018)
Notes: Simon import_20/06/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOUR DES ROIS, LE (FR, Marie-Claude Treilhou, 1991)

PhysDes: Article
Subject: HOMMES PREFERENT LES GROSSES, LES (FR, Jean-Marie Poire, 1981)
Summary: review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JUST VISITING (US/FR, Jean-Marie Gaubert, 2001)

Call No: 802.25(4) BYG
Author: Byg, Barton, 1953
Place: Berkeley
Publisher: University of California Press
PubDate: 1995
PhysDes: xiii, 303 p. : ill. ; 24 cm
Subject: STRAUB, JEAN-MARIE; HUILLET, DANIELE
Notes: Includes bibliographical references (p. 249-292) and index; Filmography: p. 293-299
ISBN: 0520089081 (acid-free paper)
LON: 95007214; 11513356

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIVRE DE MARIE, LE (FR/SZ, Anne-Marie Meiville, 1984)

Author: Hibberd, Jack
PhysDes: Article
Subject: GODARD, JEAN-LUC; STRAUB, JEAN-MARIE; HORI, MA PANENKO! (CS/IT, Milos Forman, 1967); ONE PLUS ONE (UK, Jean-Luc Godard, 1968); LEBENZEICHEN (GW, Werner Herzog, 1968); CHRONICLE OF ANNA MAGDALENA BACH, THE [CHRONIK DER ANNA MAGDALENA BACH] (GW/IT, Danièle Huillet / Jean-Marie Straub, 1968)
Summary: A negative review of the London Film Festival and of some of the films shown.

Call No: 79 MAG FLE
Author: Fleming, Ann Marie
Edition: 2007
Place: New York
Publisher: Riverhead Books
PubDate: 2007
PhysDes: 170 pages : Illustrated ; 23 cm
Subject: MAGICAL LIFE OF LONG TACK SAM, THE (CN, Ann Marie Fleming, 2004)
ISBN: 9781594482649

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAIDENHEAD (AT, Marie Craven, 1995)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MALCOM AND MARIE (US, Sam Levinson, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: MARIE (US, Roger Donaldson, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: MARIE-ANNE (CN, R. Martin Walters, 1978)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: MARIE ANTOINETTE (US, Sofia Coppola, 2006)
URL status: URL: 'http://file://Q:/T/MARIE_ANTOINETTE.zip' Checked: 31/08/2021 1:13:30 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARIE BAIE DES ANGES (FR, Manuel Pradal, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARIE-JO ET SES DEUX AMOURS (FR, Robert Guediguian, 2002)

Call No: 745.2 MAR
Edition: 2015
Place: London; New York
Publisher: Berghahn Books
PubDate: July 2015
PhysDes: 290 p. : illus. ; 23 cm
Subject: MEDVEKIN, ALEXANDER; GODARD, JEAN-LUC; MARKER, CHRIS; STRAUB, JEAN-MARIE; HUILLET, DANIELE; HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1968); PALESTINE
Notes: In Theses on Feuerbach, Marx writes, “The philosophers have only interpreted the world differently; the point is to change it.” This collection examines how filmmakers have tried to change the world by engaging in emancipatory politics through their work, and how audiences have received them. It presents a wide spectrum of case studies, covering both film and digital technology, with examples from throughout cinematic history and around the world, including Soviet Russia, Palestine, South America, and France. Discussions range from the classic Marxist cinema of Aleksandr Medvedkin, Chris Marker, and Jean-Luc Godard, to recent media such as 5 Broken Cameras (2010), the phenomena of video-blogging, and bicycle activism films. -- publisher's web site
ISBN: 9781782386421
Contents: CONTENTS List of Figures Introduction -- Ewa Mazierska and Lars Kristensen PART I: PAST ACTIVISM Chapter 1. Between socialist modernisation and cinematic modernism: the revolutionary politics of aesthetics of Medvedkin’s cinema-train -- Gal Kirn Chapter 2. Politics and Aesthetics within Godard’s Cinema -- Jeremy Spence Chapter 3. Marker, Activism and Melancholy: Reflections on the Radical ‘60s in the later films of Chris Marker. -- Jon Kear Chapter 4. Marx Immemorial: workers and peasants in the cinema of Jean-Marie Straub and Danièle Huillet -- Manuel Ramos Martinez Chapter 5. In the Heat of the Factory: The Global Fires of The Hour of the Furnaces -- Bruce Williams PART II: PRESENT ACTIVISM Chapter 6. Contemporary political cinema: the impossibility of passivity -- William Brown Chapter 7. Cultural resistance through film: The case of Palestinian cinema -- Haim Bresheeth Chapter 8. The Contemporary Landscape of Video-Activism in Britain -- Steve Presence Chapter 9. Marxist Resistance at Bicycle Speed: Screening the Critical Mass Movement -- Lars Kristensen Chapter 10. Tales of a video blogger -- Michael Chanan Chapter 11. Recovering the Future: Marxism and Film Audiences -- Martin Barker Notes on Contributors Index

Call No: 62 PER
Author: Perez, Gilberto, 1943
Place: Baltimore
Publisher: Johns Hopkins University Press
PubDate: 1998
PhysDes: xi, 465 p. : ill. ; 24 cm
Subject: AESTHETICS; CRITICISM; ALPHAVILLE (FR, Jean-Luc Godard, 1965); ANTONIONI, MICHELANGELO; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); BAZIN, ANDRE; BRECHT, BERTOLT; CHAPLIN, CHARLES; NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); COLLEGE (US, James W. Horne, 1927); DOVZENKO, ALEKSANDR; FLAHERTY, ROBERT; FORD, JOHN; FORTINI/CANI (IT, Jean-Marie Straub & Daniele Huillet, 1976); GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HUILLET, DANIELE; KARINA, ANNA; Keaton, Buster; KIAROSTAMI, ABBAS; HISTORY LESSONS [GESCHICHTSUNTERRICHT / LECONS D'HISTOIRE] (GW/IT, Jean-Marie Straub/Daniele Huillet, 1972); MURNAU, FRIEDRICH WILHELM; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]); RENOIR, JEAN; STRAUB, JEAN-MARIE; ZEMLJA (UR, Alexksandr Dovzenko, 1930)
Summary: Summary: In The Material Ghost, Perez draws on his life-long love of the movies as well as his work as a film scholar to write an engaging study of films and filmmakers and the nature of the art form.
Notes: Includes bibliographical references (p. [417]-448) and indexes
ISBN: 0801856736 (alk. paper)
LON: 21392968

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MATERNELLE, LA (FR, Marie Epstein & Jean Benoit-Levy, 1933)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: MES MEILLEURS COPAINS (FR, Jean-Marie Poire, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: MIREILLE DANS LA VIE DES AUTRES (BE, Jean-Marie Buchet, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MOLOM, CONTE DE MONGOLIE (FR, Marie-Jaoul de Poncheville, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MON CHER SUJET (SZ/FR, Anne-Marie Mieville, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: MORGAN'S WALL (UK, Caroline Goldie & Ron Orders & Geoff Richman & Marie Richman, 1978)

Call No: 451-02 MOR
Author: Mordden, Ethan, 1947
Place: New York
Publisher: St. Martin's Press
PubDate: 1983
PhysDes: xii, 296 p., [40] p. of plates : ports. ; 24 cm
Subject: WOMEN IN FILMS; STAR SYSTEM; ACTORS; BOW, CLARA; SWANSON, GLORIA; PICKFORD, MARY; GISH, LILLIAN; GAYNOR, JANET; SHEARER, NORMA; GARBO, GRETA; Crawford, Joan; LOY, MYRNA; GARSON, GREER; DIETRICH, MARLENE; HARLOW, JEAN; WEST, MAE; Lombard, Carole; DAVIES, MARION; BALL, LUCILLE; HEPBURN, KATHARINE; RUSSELL, ROSALIND; FAYE, ALICE; Stanwyck, Barbara; DAVIS, BETTE; TEMPLE, SHIRLEY; GARLAND, JUDY; TAYLOR, ELIZABETH; HAYWORTH, RITA; GRABLE, BETTY; GARDNER, AVA; MONROE, MARILYN; MANSFIELD, JAYNE; NOVAK, KIM; HOLLIDAY, JUDY; HEPBURN, AUDREY; DAY, DORIS; ANDREWS, JULIE; STREISAND, BARBRA; MINNELLI, LIZA; BERGMAN, INGRID; WELCH, RAQUEL; Keaton, Diane; FONDA, JANE; DRESSLER, MARIE; DUNNE, IRENE; LAWRENCE, FLORENCE; BARA, THEDA; MURRAY, MAE; MOORE, COLLEEN; ALLEN, GRACIE; BLONDELL, JOAN; TOMLIN, LILY
Notes: Includes index; Bibliography: p. [285]-289
ISBN: 0312550502 (pbk.); 0312550499
LON: 83003024; 2457302

Call No: 81DRE DRE
Author: Dressler, Marie
Source: UK
Place: London
Publisher: Hurst & Blackett
PubDate: 1935
PhysDes: 257p. : ill. ; 22cm
Subject: DRESSLER, MARIE
Language: English

Call No: 71(430.1) FRA
Author: Franklin, James, 1943
Place: London
Publisher: Columbus
PubDate: 1986, c1983
PhysDes: [230] p. : ill., ports ; 22cm
Subject: GERMANY; KLUGE, ALEXANDER; HUILLET, DANIELE; SCHLONDORFF, VOLKER; HERZOG, WERNER; FASSBINDER, RAINER WERNER; Wenders, Wim; SYBERBERG, HANS JURGEN; STRAUB, JEAN-MARIE
Notes: German cinema films,. 1950-1980 - Critical studies (BNB/PRECIS); Originally published: Boston, Mass.: Twayne, 1983; Includes bibliography and index
ISBN: 086287209X : ª5.95 : CIP confirmed
LON: 4636613

Call No: 71(430.1) SAN
Author: Sandford, John, 1944
Place: London
Publisher: Eyre Methuen
PubDate: 1981
PhysDes: 180p : ill ; 24cm
Subject: GERMANY; DIRECTORS. GERMANY; WOMEN IN FILMS. GERMANY; KLUGE, ALEXANDER; SCHLONDORFF, VOLKER; HERZOG, WERNER; FASSBINDER, RAINER WERNER; Wenders, Wim; SYBERBERG, HANS JURGEN; STRAUB, JEAN-MARIE
Notes: Includes bibliography
ISBN: 041348890X
LON: 2273202 2273202 2383809

Call No: 802.25(430.1) HEW
Author: Phillips, Klaus
Place: New York
Publisher: Ungar Pub. Co.
PubDate: c1984
PhysDes: xxv, 462 p. : ill., ports. ; 22 cm
Subject: DIRECTORS. GERMANY; ACHTERNBUSCH, HERBERT; BRUSTELLIN, ALF; COSTARD, HELLMUTH; FASSBINDER, RAINER WERNER; GEISSENDORFER, HANS W.; HAUFF, REINHARD; HERZOG, WERNER; KLUGE, ALEXANDER; LILIENTHAL, PETER; SCHLONDORFF, VOLKER; TROTTA, MARGARETHE VON; STOCKL, ULA; STRAUB, JEAN-MARIE; HUILLET, DANIELE; SYBERBERG, HANS JURGEN; Wenders, Wim; BOHM, HARK; SINKEL, BERNHARD; REITZ, EDGAR; SPILS, MAY; ENKE, WERNER
Notes: Includes index; Bibliography: p. 428-462
ISBN: 0804426880 : $16.95; 0804466483 (pbk.) : $9.95
LON: 3146469

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOT RECONCILED [NICHT VERSOHNT ODER ES HILFT NUR GEWALT, WO GEWALT HERRSCHT] (GW, Jean-Marie Straub, 1965)

Call No: 79ONT BRA
Author: Braudy, Leo
Edition: 1st ed
Source: UK
Place: London, UK
Publisher: British Film Institute, London
PubDate: 2005
PhysDes: 88p ; 18.5 cm + b&w ill.
Series: BFI Film Classics
Subject: SOCIETY AND THE CINEMA. USA; CLASS AND THE CINEMA; POLITICS AND THE CINEMA. USA; WORKING CLASS IN FILMS. USA; TYPE CHARACTERS IN FILMS; COMMUNISM AND THE CINEMA. USA; PRODUCTION. USA; FINANCING. USA; IMAGE ANALYSIS; LABOUR; FINANCING; LABOUR ISSUES IN FILMS; HUMAN RELATIONS IN FILMS; RELIGION IN FILMS; KAZAN, ELIA; BRANDO, MARLON; SAINT, EVA MARIE; MILLER, ARTHUR; BERNSTEIN, LEONARD; SCHULBERG, BUDD; SPIEGEL, SAM; MALDEN, KARL; STEIGER, ROD; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951); GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947); TREE GROWS IN BROOKLYN, A (US, Elia Kazan, 1945); BABY DOLL (US, Elia Kazan, 1956)
Summary: With director Elia Kazan’s death in 2003 and actor Marlon Brando’s in 2004, a reappraisal of this classic film is timely and necessary. In this definitive study, Leo Braudy tells the complicated story of the film’s production. He revisits the facts behind the controversy of Kazan’s infamous ‘naming of names’ during the McCarthy communist trials of the 1950s. But above all this is an analysis of the enduring appeal of On the Waterfront: the method inspired acting, the music and cinematography, the use of authentic locations and its powerfully symbolic depiction of post-war American values. [Taken from back cover].
Notes: includes film credits
ISBN: 184457072X

Call No: 771.1 OTH
Author: Cornwell, Regina, 1941
CorpAuthor: American Federation of Arts
Place: New York, N.Y.
Publisher: The Federation
PubDate: c1983
PhysDes: 91 p. : ill. ; 23 cm
Subject: AVANT-GARDE FILMS. EUROPEAN COUNTRIES; HEIN, BIRGIT & WILHEIM; KREN, KURT; NEKES, WERNER; POTTER, SALLY; SCHROETER, WERNER; STRAUB, JEAN-MARIE; HUILLET, DANIELE; TAIT, MARGARET; Wenders, Wim; ZWARTJES, FRANS; WELSBY, CHRIS; WYBORNY, KLAUS; SMITH, JOHN; LEGGETT, MIKE; LE GRICE, MALCOM; MOMMARTZ, LUTZ; O., DORE; GOTOVAC, TOMISLAV; KRISTL, VLADO; NOOIJER, PAUL DE; BODY, GABOR; BOLTANSKI, CHRISTIAN; BARUCHELLO, GIANFRANCO
Notes: Bibliography: p. 88-89; Includes filmographies
ISBN: 0917418743 (pbk.)
LON: 3032991

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EYES DO NOT WANT TO CLOSE AT ALL TIMES… [OTHON] (GW, Jean-Marie Straub / Daniele Huillet, 1969)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: PALE BLACK (AT, Marie Craven, 1992)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: VELVET QUEEN, THE [PANTHERE DES NEIGES, LA] (FR, Marie Amiguet/Vincent Munier, 2021)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: PARTY GIRL (FR, Marie Amachoukeli, Claire Burger, Samuel Theis, 2014)
Cross Reference: PARTY GIRL

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PETITS CALINS, LES (FR, Jean-Marie Poire & others, 1978); LITTLE WHEEDLERS, THE (FR, Jean-Marie Poire & others, 1978)

Call No: 67(081) PLA
Author: Rosenbaum, Jonathan
Place: Berkeley
Publisher: University of California Press
PubDate: 1995
PhysDes: ix, 337 p. ; 24 cm
Subject: CRITICISM; GODARD, JEAN-LUC; BARTHES, ROLAND; CASSAVETES, JOHN; TATI, JACQUES; WELLES, ORSON; RESNAIS, ALAIN; RUIZ, RAUL; ALLEN, WOODY; ANTONIONI, MICHELANGELO; FARBER, MANNY; TARR, BELA; RIVETTE, JACQUES; GERTRUD (DK, Carl Th. Dreyer, 1964); OHAYO (JA, Ozu Yasujiro, 1959); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); OTHELLO (MR, Orson Welles, 1951); MELO (FR, Alain Resnais, 1986); HARDLY WORKING (US, Jerry Lewis, 1980); AMOR DE PERDICAO (PO, Manoel de Oliveira, 1979); BIRD (US, Clint Eastwood, 1988); WHITE DOG (US, Samuel Fuller, 1982); JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975); SPEAKING DIRECTLY: SOME AMERICAN NOTES (US, Jon Jost, 1974); RAMEAU'S NEPHEW BY DIDEROT (THANX TO DENNIS YOUNG) BY WILMA SCHOEN (CN, Michael Snow, 1974); MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975); DEEP COVER (US, Bill Duke, 1992); PANAMA DECEPTION, THE (US, Barbara Trent, 1992); SAGA OF ANATAHAN, THE (JA, Josef von Sternberg, 1953); BARTON FINK (US, Joel Cohen, 1991); ATALANTE, L' (FR, Jean Vigo, 1934); GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953); KING LEAR (US/SZ, Jean-Luc Godard, 1987); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981)
Notes: Includes bibliographical references (p. 315-321) and index
ISBN: 0520086325 (alk. paper); 0520086333 (pbk. : alk. paper)
LON: 93042954; 10612641
ID2: 291

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: POIRE, JEAN-MARIE

Call No: 027(410) POL
CorpAuthor: Politkino Ltd
Edition: 1973-4
Place: London
Publisher: Politkino Ltd
PubDate: [1973?]
PhysDes: 24 p. ; 30cm
Subject: POLITICAL FILMS; BLACK POWER FILMS; BARRAVENTO (BL, Glauber Rocha, 1962); NOIRE DE..., LA (SG, Ousmane Sembene, 1965); CHRONICLE OF ANNA MAGDALENA BACH, THE [CHRONIK DER ANNA MAGDALENA BACH] (GW/IT, Danièle Huillet / Jean-Marie Straub, 1968); VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: QUESTERBERT, MARIE-CHRISTINE

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: REDSHAW, MARIE

Call No: 744 HOO
Author: Hooks, Bell
Place: New York, NY
Publisher: Routledge
PubDate: 1996
PhysDes: 244 p. ; 24 cm
Subject: RACIAL ISSUES AND THE CINEMA; SEX AND THE CINEMA; CLASS AND THE CINEMA; ETHNIC GROUPS IN FILMS; AVANT-GARDE FILMS; FAMILY IN FILMS; LOOK IN FILMS; SPECTATORSHIP; DEATH IN FILMS; HOMOSEXUALITY IN FILMS; STRIPTEASE IN FILMS; YOUNG PEOPLE IN FILMS; FEMINISM AND THE CINEMA; Tarantino, Quentin; LEE, SPIKE; DASH, JULIE; CLARK, LARRY; JAFFA, ARTHUR; BURNETT, CHARLES; BILLOPS, CAMILLE; ALDERMAN, MARIE-FRANCE; WANG, WAYNE; LIVINGSTON, JENNIE; KILLER OF SHEEP (US, Charles Burnett, 1978); GIRL SIX (US, Spike Lee, 1996); CROOKLYN (US, Spike Lee, 1994); WAITING TO EXHALE (US, Forest Whitaker, 1995); LEAVING LAS VEGAS (US, Mike Figgis, 1995); EXOTICA (CN, Atom Egoyan, 1994); ATTENDANT, THE (UK, Isaac Julien, 1992); FINDING CHRISTA (US, Camille Billops/James Hatch, 1991); KIDS (US, Larry Clark, 1995); HOOP DREAMS (US, Steve James, 1994); PARIS IS BURNING (US, Jennie Livingston, 1990); SHE'S GOTTA HAVE IT (US, Spike Lee, 1986); PULP FICTION (US, Quentin Tarantino, 1994)
Notes: Includes index
ISBN: 0415918235 (HB : acid-free cover); 0415918243 (PB : acid-free cover)
LON: 96026474; 12664107

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RHINOSKIN: THE MAKING OF A MOVIE STAR (US, Tod De Pree & Dina Marie Chapman, 1994)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: RIVIERE, MARIE

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: SAINT, EVA MARIE

Call No: 792 SCR
Author: MacDonald, Scott, 1942
Place: Berkeley
Publisher: University of California Press
PubDate: 1995
PhysDes: ix, 339 p. : ill. ; 24 cm
Subject: SCRIPTS; INDEPENDENT FILMS; MULVEY, LAURA; WOLLEN, PETER; SNOW, MICHAEL; TRINH, T. MINH-HA; FRIEDRICH, SU; ONO, YOKO; GREAVES, WILLIAM; BENNING, JAMES; ROSE, PETER; FISHER, MORGAN; FLEMING, ANN MARIE; RAINER, YVONNE; FRAMPTON, HOLLIS; REASSEMBLAGE (US, Trinh T. Minh-ha, 1983); NAKED SPACES (US, Trinh T. Minh-ha, 1985); PRIVILEGE (US, Yvonne Rainer, 1990); NEW SHOES : AN INTERVIEW IN EXACTLY 5 MINUTES (CN?, Ann Marie Fleming, 1990); YOU TAKE CARE NOW (CN?, Ann Marie Fleming, 1989); SYMBIOPSYCHOTAXIPLASM : TAKE ONE (US, William Greaves, 1991 [prod.1967]); ZORNS LEMMA (US, Hollis Frampton, 1970); POETIC JUSTICE (US, Hollis Frampton, 1972); GLORIA! (US, Hollis Frampton, 1979); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977); GRAND OPERA (US, James Benning, 1979); HIM AND ME (GW, James Benning, 1982); SO IS THIS (CN, Michael Snow, 1982); PLEASURES OF THE TEXT (US, Peter Rose, 1985); SECONDARY CURRENTS (US, Peter Rose, 1983); STANDARD GAUGE (US, Morgan Fisher, 1985?); GENTLY DOWN THE STREAM (US, Su Friedrich, 1983); SINK OR SWIM (US, Su Friedrich, 1981)
Notes: Includes bibliographical references (p. 337-339)
ISBN: 0520080246 (cloth : alk. paper); 0520080254 (pbk. : alk. paper)
LON: 9335490

Call No: 115 287 (430.1) GRA
Author: Gramann, Karola
Edition: 1st ed.
Source: Federal Republic of Germany
Place: Munich
Publisher: Goethe Institute
PubDate: 1987
PhysDes: 52 p ; 20cm + b&w ill.
Subject: SHORT FILMS; GERMAN FEDERAL REPUBLIC; NON-FICTION FILMS; WORKERS IN FILMS; WOMEN IN FILMS; FEMINISM AND THE CINEMA; POLITICAL FILMS; NAZIS IN FILMS; HISTORICAL FILMS; WORLD WAR II AND THE CINEMA; PEWAS, PETER; WILMS, ELISABETH; KOERBER, MARTIN; TICHAWSKY, HEINRICH; NESTLER, PETER; HERZ, HORST; DOERRIES, BERNHARD; KLUGE, ALEXANDER; SCHAMONE, PETER; STRAUB, JEAN-MARIE; KRISTL, VLADO; THOME, RUDOLPH; FASSBINDER, RAINER WERNER; STOCKL, ULA; OTTINGER, ULRIKE; HERBST, HELMUT; SANDERS-BRAHMS, HELMA; FAROCKI, HARUN; GIEFER, THOMAS; BERSWORDT-WALLRABE, VON, ALEXANDER; MERBACH, ROSEMARIE; SCHUBERT, DIETRICH; WINZENSTEN, FRANZ; LANG, MARIA; NOLL BRINCKMANN; JORITZ, CATHY; MIKESCH, ELFI; KLEINE CHAOS, DAS (GR, Rainer Werner Fassbinder, 1966); MENSCHEN, STADTEN, SCHIENEN (GR,Peter Pewas, 1949); DORTMUND DAMALS (GR, Elisabeth Wilms, 1947); HERBSTBEDANKEN (GR, Peter Pewas, 1950); VELORENES BERLIN, EIN (GR,Richard Kostelanetz, Martin Koerber, 1983); NOTIZEN AUS DEM ALTMUHTAL (GR,Hans Rolf Strobel, Heinrich Tichawsky, 1961); MULHEIM/RUHR (GR, Peter Nestler, 1964); ES LOBT DEN MANN DIE ARBEIT UND DIE TAT (GR, Horst Herz, 1982); MANNEQUIN, DAS (GR, Bernhard Doerries, 1960); BRUTALITAT IN STEIN - DIE EWIGKEIT VON GESTERN (GR, Alexander Kluge, Peter Schamoni, 1960); MACHORKA MUFF (GR, Jean-Marie Straub, 1962); MADELEINE-MADELEINE (GR, Vlado Kristl, 1963); VERSOHNUNG, DIE (GR, Rudolf Thome, 1964/65); ANTIGONE (GR, Ula Stockl, 1964); SUPERBIA (GR, Ulrike Ottinger, 1986); SCHWARZ, WEISS, ROT (GR, Helmut Herbst, 1964); INDUSTRIELLE RESERVEARMEE, DIE, Helena Sanders-Brahms, 1970/71); NICHT LOSCHBARES FEUER (GR, Harun Farocki, 1969); TERROR AUCH IM WESTERN (GR, Thomas Giefer, 1968); ABSTECHER NACH ENKBACH, EIN (GR, Alexander von Berswordt-Wallrabe, 1979); MAMMA HEMMERS GEHT MIT IHREM PASTOR ZUM LETZEN MAL UBER'N HEINRICHPLATZ; KREUZBERG ADIO (GR, S.M Rosi, 1979); GEHT UM MEHR ALS NUR UMS UBERLEBEN, ES (GR, Dietrich Schubert, 1982); ANPROBE, DIE - 1938 (GR, Franz Winzenstein, 1985); ANGELIKA URBAN, VERKAUFERIN, VERLOBT (GR, Helma Sanders-Brahms, 1969); FAMILY CRYPT [FAMILIENGRUFT: EIN LIEBESGEDICHT AN MEINE MUTTER] (GW, Maria Lang, 1982); HALF A LIFE [HALBES LEBEN, EIN] (GW, Christine Noll Brinckmann, 1983); NEGATIVE MAN (GR, Cathy Joritz, 1985); EXECUTION-A STUDY OF MARY (GR, Elfi Mikesch, 1979)
Summary: This program presents a comprehensive survey of the Federal Republic of Germany’s contribution to the field of short films. Among other things it is a journey through the history of the former West Germany and the social changes it underwent, reflected in the various forms of political documentation and aesthetic innovation in the films.

Author: Riley, Vicki
PhysDes: Article
Subject: INFORMO (AT, Marie Hoy, 1987)
Summary: Reviews of short films 'The Invisible Girl,' 'Morena,' 'Informo', and 'painting the town.'

PhysDes: Article
Subject: JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985)
Summary: Article on the sales performance of Godard's 'Hail Mary'

Call No: 761 SHO
Author: Waugh, Thomas, 1948
Place: Metuchen, N.J.
Publisher: Scarecrow Press
PubDate: 1984
PhysDes: xxvii, 508 p. : ill. ; 23 cm
Subject: NEWSREELS; FEMINISM AND THE CINEMA; DOCUMENTARY FILMS; DOCUMENTARY FILMS. THIRD WORLD; ALVAREZ, SANTIAGO; VERTOV, DZIGA; SHUB, ESTHER; BRECHT, BERTOLT; GODARD, JEAN-LUC; IVENS, JORIS; RENOIR, JEAN; SOLANAS, FERNANDO E.; VAN DONGEN, HELEN; STRAND, PAUL; SCHEUMANN, PETER; MIEVILLE, ANNE-MARIE; KOPPLE, BARBARA; GUZMAN, PATRICIO; GETINO, OCTAVIO; ELAM, JOANN; ALLENDE, SALVADOR; BIRRI, FERNANDO; HURWITZ, LEO; VIE EST A NOUS, LA (FR, Jean Renoir & others, 1936); FINALLY GOT THE NEWS (US, League of Revolutionary Black Workers, 1970); NIGHTCLEANERS (UK, Berwick Street Film Collective, 1975); HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976); SANRIZUKA: DAINI TORIDE NO HITOBITO (JA, Shinsuke Ogawa, 1971); HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969); ICI ET AILLEURS (FR, Jean-Luc Godard & Anne-Marie Mieville, 1976); WAVES OF REVOLUTION (II, Arnaud Patwardhan, 1975); HABLANDO DEL PUNTO CUBANO (CU, Octavio Cortazar, 1972); POR PRIMERA VEZ (CU, Octavio Cortazar, 1967); NOW (CU, Santiago Alvarez, 1965); NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942); RAPE (US, JoAnn Elam, 1975); KRIEG DER MUMIEN, DER (GE, Walter Heynowski & Gerhard Scheumann, 1974); SPANISH EARTH, THE (US, Joris Ivens, 1937)
Summary: "This anthology of 25 articles is both historical and cross- cultural, covering the pioneering period of the twenties and thirties and the dynamic growth of committed documentary since the sixties; recent feminist initiatives in North America and Britain; committed documentary in the Third World over the last 25 years; the use of film within the American 'New Left;' and the particular problematic of radical film distribution. Contributors include such well-known activists and scholars as Joan Braderman, Julianne Burton, Guy Hennebelle, John Hess, Claire Johnstone, E. Ann Kaplan, Chuck Kleinhans, Julia Lesage, Steve Neale, Bill Nichols, Anand Patwardhan, and Paul Willemen. Filmmakers and collectives discussed include Dziga Vertov, Joris Ivens, Jean Renoir, Frontier Films, Newsreel, Chris Marker, Barbara Kopple, JoAnn Elam, Michelle Citron, Shinsuke Ogawa, Fernando Birri, Patricio Guzman, Santiago Alvarez, Fernando Solanas, Jean-Luc Godard, Anand Patwardhan, and the Nicaraguan Studio 'Incine.'" -- AMAZON BOOKS
Notes: Includes bibliographies and indexes
ISBN: 0810822172 (pbk.); 0810817063
LON: 84005603; 3178777
Contents: Introduction: why documentary filmmakers keep trying to change the world, or why people changing the world keep making documentaries / Thomas Waugh; Part 1: Pioneers -- "Cinema Weekly" and "Cinema Truth": Dziga Vertov and the Leninist Proportion / Seth Feldman -- Esther Shub: Film as a historical discourse / Vlada Petric -- Workers' newsreels in Germany, the Netherlands, and Japan during the Twenties and Thirties / Bert Hogenkamp -- Radical documentary in the United States, 1930-1942 / Russell Campbell -- The Communist Party and La Vie est a nous: document and fiction, poetics and politics / Daniel Serceau -- Joris Iven's The Spanish Earth: committed documentary and the popular front / Thomas Waugh --; Part 2: Contemporaries: The West -- Newsreel, 1967-1972: film and revolution / Bill Nichols -- Finally Got the News: the making of a radical documentary / Dan Georgakas -- French radical documentary after May 1968 / Guy Hennebelle -- Brecht in Britain: The Nightcleaners and the independent political film / Claire Johnston and Paul Willemen -- Theory and practice of the realist documentary form in Harlan County, U.S.A. / E. Ann Kaplan -- Feminist documentary: aesthetics and politics / Julia Lesage -- Talking about our lives and experiences: some thoughts about feminism, documentary, and "talking heads" / Barbara Halpern Martineau -- Shinsuke Ogawa's Peasants of the Second Fortress: guerrilla documentary in Japan / Joan Braderman -- Committed documentary in Quebec: a still-birth? / Real La Rochelle -- The challenge of radical film distribution: Conversations with Toronto's DEC Films Collective / Margaret Cooper -- Forms, politics, makers and contexts: basic issues for a theory of radical political documentary / Chuck Kleinhans --; Part 3: Contemporaries: The Third World -- Democratizing documentary: modes of address in the Latin American cinema, 1958-72 / Julianne Burton -- Santiago Alvarez: Cine-agitator for the Cuban Revolution and the Third World / John Hess -- Democracy as participation: the Battle of Chile / Victor Wallis and John D. Barlow -- Children of Vertov in the land of Brecht / Pierre Veronneau -- Notes and questions on political cinema: from Hours of the Furnaces to Ici et ailleurs / Steve Neale -- The guerrilla film, underground and in exile: a critique and a case study of Waves of Revolution / Anand Patwardhan -- The Sandinista documentary: a historical contextualization / John Ramirez
URL status: URL: 'http://-' Checked: 31/08/2021 12:36:45 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SICILIA! (FR/IT, Jean-Marie Straub & Daniele Huillet, 1999)

Call No: 631.11 SLO
Author: de Luca, Tiago; Jorge, Nuno Barradas
Edition: 2016
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2016
PhysDes: xx, 332 pages ; illustrated : 24 cm
Subject: TIME IN FILMS; DREYER, CARL TH.; STRAUB, JEAN-MARIE; HUILLET, DANIELE; MING-LIANG, TSAI; WEERASETHAKUL, APICHATPONG; KIAROSTAMI, ABBAS; TARR, BELA; BENNING, JAMES; WARHOL, ANDY; SNOW, MICHAEL; CONRAD, TONY; INNOCENCE (FR, Lucile Hadzihalilovic, 2004); MEEK'S CUTOFF (US, Kelly Reichardt, 2011); JAPON (MX/GG/NE/SP, Carlos Reygadas, 2002)
Summary: In the context of a frantic world that celebrates instantaneity and speed, a number of cinemas steeped in contemplation, silence and duration have garnered significant critical attention in recent years, thus resonating with a larger sociocultural movement whose aim is to rescue extended temporal structures from the accelerated tempo of late-capitalism. Although not part of a structured film movement, directors such as Carlos Reygadas, Tsai Ming-liang, Béla Tarr, Pedro Costa and Kelly Reichardt have been largely subsumed under the term ‘slow cinema’. But what exactly is slow cinema? Is it a strictly recent phenomenon or an overarching cinematic tradition? And how exactly do slow cinemas interrelate on an aesthetic, technical and political level? Deploying the concept of slowness as an umbrella category under which filmmakers and traditions from different historical and geographical backgrounds can fruitfully converge, this innovative collection of essays interrogates and expands the frameworks that have generally informed slow cinema debates. Repositioning the term in a broader theoretical space, the book combines an array of fine-grained studies that will provide valuable insight into the notion of slowness in the cinema, while mapping out past and contemporary slow films across the globe. -- publisher's web site
ISBN: 9780748696048
Contents: Table Of Contents -- Illustrations -- Foreword / Julian Stringer -- Introduction: From Slow Cinema to Slow Cinemas / Tiago De Luca & Nuno Barradas Jorge -- Part I: Historicising Slow Cinema -- 1: The Politics of Slowness and the Traps of Modernity / Lúcia Nagib -- 2: The Slow Pulse of the Era: Carl Th. Dreyer’s Film Style / C. Claire Thomson -- 3: The First Durational Cinema and the Real of Time / Michael Walsh -- 4: ‘The Attitude of Smoking and Observing’: Slow Film and Politics in the Cinema Of Jean-Marie Straub and Danièle Huillet / Martin Brady -- Part II: Contextualising Slow Cinema -- 5: Temporal Aesthetics of Drifting: Tsai Ming-Liang and a Cinema of Slowness / Song Hwee Lim -- 6: Stills and Stillness in Apichatpong Weerasethakul’s Cinema / Glyn Davis -- 7: Melancholia: The Long, Slow Cinema of Lav Diaz / William Brown -- 8: Exhausted Drift: Austerity, Dispossession and the Politics of Slow in Kelly Reichardt’s Meek’s Cutoff / Elena Gorfinkel -- 9: If These Walls Could Speak: From Slowness to Stillness in the Cinema of Jia Zhangke / Cecília Mello -- Part III: Slow Cinema And Labour -- 10: Wastrels of Time: Slow Cinema’s Labouring Body, The Political Spectator, and the Queer / Karl Schoonover -- 11: Living Daily, Working Slowly: Pedro Costa’s in Vanda’s Room / Nuno Barradas Jorge -- 12: Working/Slow: Cinematic Style as Labour in Wang Bing’s Tie Xi Qu: West Of The Tracks / Patrick Brian Smith -- 13: ‘Slow Sounds’: Duration, Audition and Labour in Liu Jiayin’s Oxhide and Oxhide II / Philippa Lovatt -- Part IV: Slow Cinema and the Nonhuman -- 14: It’s About Time: Slow Aesthetics in Experimental Ecocinema and Nature Cam Videos / Stephanie Lam -- 15: Natural Views: Animals, Contingency and Death in Carlos Reygadas’s Japón and Lisandro Alonso’s Los Muertos / Tiago de Luca -- 16: The Sleeping Spectator: Nonhuman Aesthetics in Abbas Kiarostami’s Five: Dedicated to Ozu / Justin Remes -- Part V: The Ethics and Politics of Slowness -- 17: Béla Tarr: The Poetics and the Politics of Fiction / Jacques Rancière -- 18: Ethics of the Landscape Shot: A.K.A Serial Killer and James Benning's Portraits of Criminals / Julian Ross -- 19: Slow Cinema and the Ethics of Duration / Asbjørn Grønstad -- Part VI: Beyond ‘Slow Cinema’ -- 20: Performing Evolution: Immersion / Unfolding and Lucile Hadžihalilovic’s Innocence / Matilda Mroz -- 21: The Slow Road to Europe: The Politics and Aesthetics of Stalled Mobility in Hermakono and Morgen / Michael Gott -- 22: Crystallising the Past: Slow Heritage Cinema / Rob Stone and Paul Cooke

Call No: 81COP HAN
Author: Handyside, Fiona
Source: UK/US
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2017
PhysDes: ix, 201 pages : illustrations ; 24 cm
Series: International Library of the Moving Image ; 39
Subject: COPPOLA, SOFIA; STARS. USA; FEMININITY IN FILMS; FEMINISM AND THE CINEMA; HOUSES AND GARDENS IN FILMS; VIRGIN SUICIDES, THE (US, Sofia Coppola, 2000); LOST IN TRANSLATION (US, Sofia Coppola, 2003); MARIE ANTOINETTE (US, Sofia Coppola, 2006); SOMEWHERE (US/UK/IT/JA, Sofia Coppola, 2010); BLING RING, THE (US/UK/G/FR, Sofia Coppola, 2013)
Summary: Sofia Coppola is widely regarded as one of the most astute, provocative and visionary directors in the contemporary film industry. She has received numerous accolades including an Academy Award and two Golden Globes, and in 2004 became the first ever American woman to be nominated for a Best Director Oscar. From 'The Virgin Suicides' to 'The Bling Ring', her work carves out new spaces for the expression of female subjectivity that embraces rather than rejects femininity. Fiona Handyside here considers the careful counter-balance of vulnerability with the possibilities and pleasures of being female in Coppola's films - albeit for the white and the privileged - through their recurrent themes of girlhood, fame, power, sex and celebrity
ISBN: 9781784537159
Contents: Machine generated contents note: 1.Sofia Coppola: Postfeminist [d]au[gh]te[u]r? -- 2.Luminous Girlhoods: Sparkle and Light in Coppola's Films -- 3.`There's No Place Like Home!' The Exploded Home as Postfeminist Chronotope -- 4.Dressing Up and Playing About: Costume and Fashion

Call No: 81COP BAC
Author: Backman Rogers, Anna
Source: US
Place: New York; Oxford
Publisher: Berghahn Books
PubDate: [2019]
PhysDes: 177 pages : illustrations ; 23 cm
Subject: WOMEN, FILMS MADE BY; WOMEN AND THE CINEMA; WOMEN DIRECTORS; WOMEN IN FILMS; FEMINISM AND THE CINEMA; CRITICISM; USA; COPPOLA, SOFIA; VIRGIN SUICIDES, THE (US, Sofia Coppola, 2000); BEGUILED, THE (US, Sofia Coppola, 2017); LOST IN TRANSLATION (US, Sofia Coppola, 2003); SOMEWHERE (US/UK/IT/JA, Sofia Coppola, 2010); MARIE ANTOINETTE (US, Sofia Coppola, 2006); BLING RING, THE (US/UK/G/FR, Sofia Coppola, 2013)
Summary: "All too often, the movies of Sofia Coppola have been dismissed as "all style, no substance." But such an easy caricature, as this engaging and accessible survey of Coppola's oeuvre demonstrates, fundamentally misconstrues what are rich, ambiguous, meaningful films. Drawing on insights from feminist philosophy and psychology, the author here takes an original approach to Coppola, exploring vital themes from the subversion of patriarchy in The Virgin Suicides to the "female gothic" in The Beguiled. As Rogers shows, far from endorsing a facile and depoliticized postfeminism, Coppola's films instead deploy beguilement, mood, and pleasure in the service of a robustly feminist philosophy." - taken from back cover.
ISBN: 9781785339752
Contents: Introduction : the surface of the image is political -- Part I. Imaging absence as abjection and imaging the female gothic as rage. Chapter 1. The Virgin Suicides (1999) -- Chapter 2. The Beguiled (2017) -- Part II. Empty subjectivities and masculinity as void. Chapter 3. Lost in Translation (2003) -- Chapter 4. Somewhere (2010) -- Part III. The female body as patriarchal currency and the commodification of female identity. Chapter 5. Marie Antoinette (2006) -- Chapter 6. The Bling Ring (2013) -- Conclusion : On Beguilement.

Call No: CRAWFORD STILL SPE
Source: AT
Publisher: Crawford Productions [distributor]
PhysDes: 105 photographs : b&w ; 16 x 26 cm - 21 x 26 cm
Subject: ALDENHOVEN, LISA; MAGUIRE, GERARD; QUAST, PHILLIP; WOOD, JOHN; DUNCAN, CARMEN; FINCH, STUART; LESLEY, LORNA; SMILLIE, JIM; DIEDRICH, JOHN; SYMONS, RED; HOLDEN, FRANKIE J.; HAWKINS, ANTHONY; LANDIS, NINA; GILLING, REBECCA; TABOR, KEVIN; JAYME, DEBORAH; KERR, BRUCE; MCKAY, KERRY; ANDREWS, GAEL; CHILVERS, SIMON; REDSHAW, MARIE; BRYON, ANTOINETTE; SPECIAL SQUAD [TV](AT, 1984-1985)
Summary: Photographs relating to the TV series 'Special Squad'
Notes: Album 2 contains photographs from the following episodes of Special Squad: 'The Wurzburg Link', 'Same Time Friday', 'Duel', 'The Set-Up' and , 'Golden Run',
Donation: Gift of Crawford Productions

Call No: 732.1-02 HEN
Author: Hennefeld, Maggie
Edition: 2018
Place: New York
Publisher: Columbia University Press
PubDate: 2018
PhysDes: xvii, 364 pages : illustrated ; 23 cm
Series: Film and culture
Subject: HISTORY OF CINEMA. SILENT PERIOD; WOMEN AND THE CINEMA; GRIFFITH, DAVID WARK; DRESSLER, MARIE; FEMINISM AND THE CINEMA; GENDER AND THE CINEMA; GISH, LILLIAN; NORMAND, MABEL; PATHE; SENNETT, MACK; TURNER, FLORENCE; VITAGRAPH
Summary: Women explode out of chimneys and melt when sprayed with soda water. Feminist activists play practical jokes to lobby for voting rights, while overworked kitchen maids dismember their limbs to finish their chores on time. In early slapstick films with titles such as Saucy Sue, Mary Jane’s Mishap, Jane on Strike, and The Consequences of Feminism, comediennes exhibit the tensions between joyful laughter and gendered violence. Slapstick comedy often celebrates the exaggeration of make-believe injury. Unlike male clowns, however, these comic actresses use slapstick antics as forms of feminist protest. They spontaneously combust while doing housework, disappear and reappear when sexually assaulted, or transform into men by eating magic seeds—and their absurd metamorphoses evoke the real-life predicaments of female identity in a changing modern world. Specters of Slapstick and Silent Film Comediennes reveals the gender politics of comedy and the comedic potentials of feminism through close consideration of hundreds of silent films. As Maggie Hennefeld argues, comedienne catastrophes provide disturbing but suggestive images for comprehending gendered social upheavals in the early twentieth century. At the same time, slapstick comediennes were crucial to the emergence of film language. Women’s flexible physicality offered filmmakers blank slates for experimenting with the visual and social potentials of cinema. Specters of Slapstick and Silent Film Comediennes poses major challenges to the foundations of our ideas about slapstick comedy and film history, showing how this combustible genre blows open age-old debates about laughter, society, and gender politics. -- publisher's web site
ISBN: 9780231179478
Donation: Senses of Cinema
Contents: List of Illustrations -- Acknowledgments -- Introduction -- Part I. Early Film Combustion -- 1. Early Cinema and the Comedy of Female Catastrophe -- 2. Female Combustion and Feminist Film Historiography -- Part II. Transitional Film Metamorphosis -- 3. Slapstick Comediennes in Transitional Cinema: Between Body and Medium -- 4. The Geopolitics of Transitional Film Comedy: American Vitagraph Versus French Pathé-Freres -- 5. D. W. Griffith’s Slapstick Comediennes: Female Corporeality and Narrative Film Storytelling -- Part III. Feminist Slapstick Politics -- 6. Film Comedy Aesthetics and Suffragette Social Politics -- 7. Radical Militancy and Slapstick Political Violence -- Postscript: Haunted Laughter at Late Comediennes -- Annotated Filmography -- Notes -- Bibliography -- Index

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: STRAUB, JEAN-MARIE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Stills
Subject: TENO, JEAN-MARIE

Call No: 626:396(44) FLI
Author: Flitterman-Lewis, Sandy, 1946
Place: Urbana
Publisher: University of Illinois Press
PubDate: 1990
PhysDes: xii, 340 p. : ill. ; 23 cm
Subject: FEMINISM AND THE CINEMA; THEORY; INDUSTRY, FILM. FRANCE; HISTORY OF CINEMA; VARDA, AGNES; DULAC, GERMAINE; EPSTEIN, MARIE
Summary: Using biographic, historical, and textual analyses to elaborate an alternative, feminist cinematic tradition, this groundbreaking study presents an exploration of the impact of three French women filmmakers: Germaine Dulac, Marie Epstein, and Agnes Varda.
Notes: Originally presented as the author's thesis (Ph. D.--University of California, Berkeley); Includes index; Bibliography: p. [321]-332
ISBN: 0252016548 (alk. paper)
LON: 89031664; 6319232
Contents: 1. Introduction -- 2. Germaind Dulac: first feminist of the avant-garde -- 3. Dulac in context: French film production in the twenties -- 4. From fantasy to structure of the fantasm: 'The smiling mme Beudet' and 'The seashell and the clergyman' -- Marie Epstein: a woman in the shadows -- 6. Epstein in context: French film production in the thirties -- 7. Nursery/rhymes: primal scenes in 'La maternelle' -- 8. Agnes Varda and the woman seen -- 9. Varda in context: French film production in the early sixties - the new wave -- 10. From deesse to idee: 'Cleo from 5-7' -- 11. The "impossible portrait" of femininity: 'Vagabond' -- 12. Conclusion

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: TRINTIGNANT, MARIE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TROP TOT, TROP TARD (GG, Danielle Huillet & Jean-Marie Straub, 1981)

Call No: 81 VIR WYA
Author: Wyatt, Justin
Edition: 2018
Place: New York and London
Publisher: Routledge
PubDate: 2018
PhysDes: 110 pages : illustrated ; 23 cm
Series: cinema and youth cultures; 7
Subject: VIRGIN SUICIDES, THE (US, Sofia Coppola, 2000); MARIE ANTOINETTE (US, Sofia Coppola, 2006); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); COPPOLA, SOFIA
Summary: Based on the best-selling novel by Jeffrey Eugenides, The Virgin Suicides is director Sofia Coppola’s evocative debut feature of young love, sex, loss and family pressures in mid-1970s America. Acclaimed by both critics and audiences on release, the film is now viewed as a remarkable and bold feature by a significant female director addressing many issues related to youth, female sexuality and family. This book helps readers understand the film’s significance and the stylistic and storytelling choices made by director Coppola. The analysis of the film occurs around three interlocking arguments: the unusual structuring absence in the film, the intricate manner through which music is used in the drama, communication and character creation, and the film’s careful and specific referencing of advertising in the 1970s (the decade of the film’s narrative). The film’s enigmatic structure and unique storytelling devices and their relationship to female adolescence, sexuality and ideology are also considered in depth. Without solving the mysteries of the film, the book is designed to uncover the reasons why the film continues to fascinate viewers so many years after its release. -- publisher's web site
ISBN: 9781138046443
Contents: Introduction -- Chapter 1: 1990s Indie Cinema and the Path to The Virgin Suicides -- Chapter 2: Next Gen Coppola: Legacy, Loss and the Burden of Biography -- Chapter 3: The Enigma of The Virgin Suicides -- Chapter 4: Music, Storytelling and Young Love -- Chapter 5: The Advertising Aesthetic and Youth Culture of The Virgin Suicides -- Chapter 6: Sofia Coppola: The Virgin Suicides, Identity and Difference.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VISITORS, THE [VISITEURS, LES] (FR, Jean-Marie Poire, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VON HEUTE AUF MORGEN (FR/GG, Daniele Huillet & Jean-Marie Straub, 1997)

PhysDes: Article
Subject: WHITE FIRE (UK/FR, Jean-Marie Pallardy, 1984)
Summary: Announcement of the filming for 'White Fire'. Lists main stars and producers from the newly-formed independent production and distribution company, Film Centre International Ltd.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: WILD BLUE, NOTES A QUELQUES VOIX (BE, Thierry Knauff & Antoine-Marie Meert, 2000)

Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: WINDSOR, MARIE

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: WINNINGHAM, MARIE

Call No: 771-02 WOM
Author: Blaetz, Robin
Source: US
Place: Durham
Publisher: Duke University Press
PubDate: 2007
PhysDes: viii, 421 p. : ill., ports. ; 24 cm
Subject: WOMEN, FILMS MADE BY; WOMEN, FILMS FOR; EXPERIMENTAL FILMS; CRITICISM; BLAETZ, ROBIN; RAGONA, MELISSA; ARTHUR, PAUL; MENKEN, MARIE; WIELAND, JOYCE; HOLMLUND, CHRIS; NELSON, GUNVOR; CARROLL, NOEL; SERRA, M.M; RAMEY, KATHRYN; SCHNEEMANN, CAROLEE; OSTERWEIL, ARA; RUBIN, BARBARA; HALLER, ROBERT; GREENFIELD, AMY; KLEINHANS, CHUCK; HAMMER, BARBARA; PRAMAGGIORE, MARIA; STRAND, CHICK; KELLER, MARJORIE; DOANE, MARY ANN; THORNTON, LESLIE; TURIM, MAUREEN; CHILD, ABIGAIL; WEES, WILLIAM C; CUTLER, JANET; FRIEDRICH, SU; MCHUGH, KATHLEEN; MACDONALD, SCOTT
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9780822340447
Contents: Swing and sway / Melissa Ragona -- Different/same/both/neither / Paul Arthur -- Excavating visual fields, layering auditory frames / Chris Holmlund -- Moving and moving / Noel Carroll -- Eye/body / M. M. Serra and Kathryn Ramey -- 'Absently enchanted' / Ara Osterweil -- Amy Greenfield / Robert A. Haller -- Barbara Hammer / Chuck Kleinhans -- Chick Strand's experimental ethnography / Maria Pramaggiore -- Amnesis time / Robin Blaetz -- In the ruins of the image / Mary Ann Doane -- Sounds, intervals, and startling images in the films of Abigail Child / Maureen Turim -- Peggy's playhouse / William C. Wees -- Su Friedrich / Janet Cutler -- The experimental 'dunyementary' / Kathleen McHugh -- Women's experimental cinema / Scott MacDonald.
URL status: URL: 'https://library.oapen.org/handle/20.500.12657/25768' Checked: 31/08/2021 1:18:26 PM Status: Live Details: HTTP status 200 - Usual success response