book
100 westerns / Edward Buscombe London: British Film Institute, 2006.
Call No: 736.1 BUSAuthor: Buscombe, Edward CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 248 p. : 17 cmSeries: BFI Screen GuidesSubject: WESTERNS ; NATIVE AMERICANS IN FILMS ; GENRES ; BUSCOMBE, EDWARD ; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIG SKY, THE (US, Howard Hawkes, 1952) ; BROKEN ARROW (US, Delmer Daves, 1950) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CALAMITY JANE (US, David Butler, 1953) ; COWBOY (US, Delmer Davies, 1958) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DEAD MAN (US, Jim Jarmusch, 1995) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DUEL IN THE SUN (US, King Vidor, 1946) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; FORT APACHE (US, John Ford, 1948) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; GO WEST (US, Buster Keaton, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; GREY FOX, THE (CN, Philip Borsos, 1982) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; IRON HORSE, THE (UK, John Ford, 1924) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LONG RIDERS, THE (US, Walter Hill, 1980) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MAN FROM LARAMIE, THE (US, Anthony Mann, 1955) ; MAN OF THE WEST (US, Anthony Mann, 1958) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; MISSOURI BREAKS, THE (US, Arthur Penn, 1976) ; MONTE WALSH (US, William A. Fraker, 1970) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; OPEN RANGE (US, Kevin Costner, 2003) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RAMROD (US, Andre de Toth, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RED RIVER (US, Howard Hawks, 1948) ; RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962) ; RIO BRAVO (US, Howard Hawks, 1959) ; SEARCHERS, THE (US, John Ford, 1956) ; SHANE (US, George Stevens, 1953) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; SHOOTING, THE (US, Monte Hellman, 1966) ; SHOOTIST, THE (US, Donald Siegel, 1976) ; STAGECOACH (US, John Ford, 1939) ; SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969) ; FA TALAI JONE (TH, Wisit Sasanatieng, 2000) ; TWO RODE TOGETHER (US, John Ford, 1961) ; ULZANA'S RAID (US, Robert Aldrich, 1972) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; VIVA MARIA (US, Louis Malle, 1965) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; DAVES, DELMER ; WAYNE, JOHN ; Stewart, James ; EASTWOOD, CLINT ; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]ISBN: 1844571122
More info
journal article
The Adventures of Ruth (1919) in Australian film guide vol.1 iss.12 p.40
Author: Reid, John Howard [editor, annotator & reviewer] PhysDes: ArticleSubject: ROLAND, RUTH ; ADVENTURES OF RUTH, THE (US, George Marshall, 1919) Summary: Article discusses Ruth Roland and her serial production "The Adventures of Ruth", which fallaciously advertised as being also written and directed by Roland. Article also provides the following listing of chapter titles: 1. The Wrong Countess; 2. The Celestial Maiden; 3. The Bewitching Spy; 4. The Stolen Picture; 5. The Bank Robbery; 6. The Border Fury; 7. The Substitute Messenger; 8. The Harem Model; 9. The Cellar Gangsters; 10. The Forged Check; 11. The Trap; 12. The Vault of Terror; 13. Within Hollow Walls; 14. The Fighting Chance; 15. The Key to VictoryNotes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer)
More info
title clippings file
ALIVE : (US, Frank Marshall, 1993)
More info
book
American ethnographic film and personal documentary : the Cambridge turn / Scott MacDonald Berkeley: University of California Press, 2013.
Call No: 769(73) MACAuthor: MacDonald, Scott Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2013PhysDes: viii, 415 pages : ill. ; 24 cmSubject: ETHNOGRAPHIC FILMS ; DOCUMENTARIES. USA ; MARSHALL, JOHN ; GARDNER, ROBERT ; ASCH, TIMOTHY ; PINCUS, ED ; WEINSTEIN, MIRIAM ; GUZZETTI, ALFRED ; MCELWEE, ROSS ; MOSS, ROBB ; DAVENPORT, NINA ; ASCHER, STEVEN ; JORDAN, JEANNE ; NEGROPONTE, MICHEL ; GIANVITO, JOHN ; OLCH, ALEXANDER ; SIEGEL, AMIE ; BARBASH, ILISA ; CASTAING-TAYLOR, LUCIEN Summary: "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. "--ISBN: 9780520275621Contents: Machine generated contents note: A Tentative Overview of Boston-Area Documentary Filmmaking -- Ethnographic Film and Personal Documentary -- Pragmatism: Learning from Experience -- The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn -- Subjects for Further Research -- Acknowledgments -- 1.Lorna and John Marshall -- Beginnings: Lorna Marshall and First Film -- John Marshall: The Hunters -- Idylls of the !Kung -- Pedagogy -- Expulsion from Eden: Bitter Melons and Nlai, the Story of a !Kung Woman -- The Pittsburgh Police Films and Brakhage's Eyes -- Putting Down the Camera and Picking Up the Shovel -- The Road Taken: A Kalahari Family -- A Process in Time -- 2.Robert Gardner -- East Coast/West Coast: Early Experiments -- Gardner and the Marshalls -- Dead Birds -- The Experience of Filmmaking as Thought Process -- Robert Fulton: Reality's Invisible---"Serious Playing Around" -- Screening Room: Midnight Movies -- City Symphony: Forest of Bliss --
Contents note continued: The Return of the Repressed: Ika Hands -- Still Journeying On: Unfinished Examinations of a Life -- Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence -- 3.Timothy Asch -- Dodoth Morning and the Ethnographic Deadpan -- Asch and the Yanomamo -- The Ax Fight -- 4.Ed Pincus and the Emergence of Personal Documentary -- The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument -- Ed Pincus's Diaries (1971--1976) -- Alfred Guzzetti: Family Portrait Sittings -- Guzzetti: It's a Small World -- Guzzetti: Time Exposure -- 5.Alfred Guzzetti and Personal Cinema -- Air -- Experimental Video: "Language Lessons" -- Scylla and Charybdis -- Still Point -- 6.Ross McElwee -- Finding a Muse: Charleen -- Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's Backyard -- Doppleganger: Sherman's March -- Nesting Dolls: Time Indefinite -- On the Road Again: Six O'Clock News --
Contents note continued: Occupational Hazards: Bright Leaves -- Orpheus: In Paraguay and Photographic Memory -- 7.Robb Moss -- Riverdogs: A Possible Eden -- The Tourist: "Freelance Editing" -- Voyage of Life: The Same River Twice -- 8.Panorama: Other Approaches to Personal Documentary -- Steven Ascher and Jeanne Jordan: Families in Transition -- Michel Negroponte: Getting Involved -- Leacock and Lalonde -- The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the Attic -- The Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies -- Alexander Olch's The Windmill Movie: "This Little Seance of Flickering Light" -- Amie Siegel's DDR/DDR -- 9.Lucien Castaing-Taylor and Sensory Ethnography -- Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass -- "Sheeple": Castaing-Taylor's Audio-Video Installations --
Contents note continued: The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Verena Paravel, and Leviathan
More info
title clippings file
ARACHNOPHOBIA : (US, Frank Marshall, 1990)
More info
book
Art and the moving image : A critical reader / Tanya Leighton London: Tate Publishing in association with Afterall, 2008.
Call No: 771 ARTAuthor: Leighton, Tanya Source: UKPlace: LondonPublisher: Tate Publishing in association with AfterallPubDate: 2008PhysDes: 496 p. Ilustrations (some color) ; 25cmSubject: ACCONCI, VITO ; BARTHES, ROLAND ; BELLOUR, RAYMOND ; BENJAMIN, WALTER ; BRAKHAGE, STAN ; CONRAD, TONY ; DANEY, SERGE ; DEBORD, GUY ; DELEUZE, GILLES ; DUCHAMP, MARCEL ; EXPANDED CINEMA ; EXPERIMENTAL FILMS ; EXPORT, VALIE ; FAROCKI, HARUN ; GODARD, JEAN-LUC ; HUYGHE, PIERRE ; KUBELKA, PETER ; MCLUHAN, MARSHALL ; MEKAS, JONAS ; ONO, YOKO ; PAIK, NAM JUNE ; RESNAIS, ALAIN ; SCHNEEMANN, CAROLEE ; SNOW, MICHAEL ; STRUCTURAL FILMS ; STRUCTURALISM ; VIDEO ART ; VIOLA, BILL ; WARHOL, ANDY ; WOLLEN, PETER Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.Notes: Includes bibliographical references and index.ISBN: 9781854376251Donation: Adrian MilesContents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.
More info
title clippings file
AWAKENINGS : (US, Penny Marshall, 1990)
More info
title clippings file
BEACHES : (US, Garry Marshall, 1988)
More info
Online resource
digital clippings file
BEE GEES HOW CAN YOU MEND A BROKEN HEART : (US, Frank Marshall, 2020) Digital clippings file available
More info
title clippings file
BIENVENIDO MISTER MARSHALL : (SP, Luis Garcia Belanga, 1953)
More info
title clippings file
BIG : (US, Penny Marshall, 1988)
More info
still
[Big steal, the : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 16 photographs : b&w ; 21 x 26 cm + 1 photograph : b&w ; 13 x 18 cmSubject: KARVAN, CLAUDIA ; MENDELSOHN, BEN ; NAPIER, MARSHALL ; HERRIMAN, DAMON ; ROBERTSON, TIM ; BISLEY, STEPHEN ; BIG STEAL, THE (AT, Nadia Tass, 1990) Summary: 17 black and white photographs of scenes from the film starring Claudia Karvan, Ben Mendelsohn and Steve Bisley.Notes: 1 image donate by Brian McFarlane
More info
book
The blue dahlia : a screenplay / Raymond Chandler ; with a memoir by John Houseman ; edited, with an afterword by Matthew J. Bruccoli Carbondale: Southern Illinois University Press, 1976.
Call No: 79 BLU CHAAuthor: Chandler, Raymond Source: USPlace: CarbondalePublisher: Southern Illinois University PressPubDate: 1976PhysDes: xxi, 139 pages : illustrations, plates, portraits ; 23 cmSubject: BLUE DAHLIA, THE (US, George Marshall, 1946) ; CHANDLER, RAYMOND Notes: Filmography: p. 138-139ISBN: 0809307669Contents: Lost fortnight, a memoir by John Houseman -- Editorial Note -- The Blue Dahlia, a screenplay by Raymond Chandler -- Afterword: Raymond Chandler and Hollywood by Matthew J. Bruccoli -- Appendix: Chandler on Hollywood, movies made from Chandler's plays, and screenplays written by Chandler
More info
journal article
Boy, Did I get a wrong number! in Australian Film Guide (1967) iss.February p.19
More info
personality microfilm collection
BRICKMAN, MARSHALL
More info
title clippings file
CENTRAL INTELLIGENCE : (US, Rawson Marshall Thurber, 2016)
More info
Online resource
digital clippings file
CENTURION : (UK, Neil Marshall, 2010) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kit; Press kitSubject: CENTURION (UK, Neil Marshall, 2010) ID2: 62URL status: URL: 'http://file://Q:/T/CENTURION.zip'
Checked: 31/08/2021 1:20:30 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
More info
title clippings file
CHICAGO : (US, Rob Marshall, 2002)
More info
journal article
Chris Collet for 'The Manhattan Project' in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.4
More info
book
Cinematic canines : Dogs and their work in the fiction film / Edited by Adrienne L. McLean New Brunswick, N.J.: Rutgers University Press, 2014.
Call No: 738.66 CINAuthor: McLean, Adrienne L. (ed.) Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 2014PhysDes: x, 272 p. ; 24 cm ;Subject: DOGS IN MOTION PICTURES ; LASSIE COME HOME (US, Fred M. Willcox, 1943) ; BABE (AT, Chris Noonan, 1995) ; BABE: PIG IN THE CITY (AT, George Miller, 1998) ; THING, THE (US, John Carpenter, 1982) ; HITCHCOCK, ALFRED ; RED DOG (AT, Kriv Stenders, 2011) ; [EIGHT] 8 BELOW (US, Frank Marshall, 2006) ; SOUTH AFRICA ; ANTARCTICA Summary: Dogs have been part of motion pictures since the movies began. They have been featured onscreen in various capacities, from any number of “man’s best friends” (Rin Tin Tin, Asta, Toto, Lassie, Benji, Uggie, and many, many more) to the psychotic Cujo. The contributors to Cinematic Canines take a close look at Hollywood films and beyond in order to show that the popularity of dogs on the screen cannot be separated from their increasing presence in our lives over the past century.
The representation and visualization of dogs in cinema, as of other animals, has influenced our understanding of what dogs “should” do and be, for us and with us. Adrienne L. McLean expertly shepherds these original essays into a coherent look at “real” dogs in live-action narrative films, from the stars and featured players to the character and supporting actors to those pooches that assumed bit parts or performed as extras. Who were those dogs, how were they trained, what were they made to do, how did they participate as characters in a fictional universe? These are a just a few of the many questions that she and the outstanding group of scholars in this book have addressed.
Often dogs are anthropomorphized in movies in ways that enable them to reason, sympathize, understand and even talk; and our shaping of dogs into furry humans has had profound effects on the lives of dogs off the screen. Certain breeds of dog have risen in popularity following their appearance in commercial film, often to the detriment of the dogs themselves, who rarely correspond to their idealized screen versions. In essence, the contributors in Cinematic Canines help us think about and understand the meanings of the many canines that appear in the movies and, in turn, we want to know more about those dogs due in no small part to the power of the movies themselves. -- publisher's web siteISBN: 9780813563558Contents: Acknowledgments -- Introduction: Wonder Dogs / Adrienne L. McLean -- Answering a Growl: Roscoe Arbuckle’s Talented Canine Co-Star, Luke / Joanna E. Rapf -- The Dogs Who Saved Hollywood: Strongheart and Rin Tin Tin / Kathryn Fuller-Seeley and Jeremy Groskopf -- Asta the Screwball Dog: Hollywood’s Canine Sidekick / Sara Ross and James Castonguay -- Promoting Lassie: The Animal Star and Constructions of “Ideal” American Heroism / Kelly Wolf -- Dogs at War: Military Dogs in Film / Aaron Skabelund -- Loaded Dogs: Dogs, Domesticity, and “the Wild” in Australian Cinema / Jane O’Sullivan -- Bullies and Curs: Overlords and Underdogs in South African Cinema / Giuliana Lund -- Things from Another World: Dogs, Aliens, and Antarctic Cinema / Elizabeth Leane and Guinevere Narraway -- Hitchcock’s Canine Uncanny / Murray Pomerance -- The Dog at the Side of the Shot: Incongruous Dog (Canisfamiliaris) Behavior in Film / Alexandra Horowitz -- Afterword: Dogs at the Digital Divide / Adrienne L. McLean -- Works Cited -- Notes on Contributors -- Index
More info
newspaper article
Comic performance saves thin plot in Canberra Times [Panorama] (2/7/2016) p.20
More info
title clippings file
COMRADES IN ARMS : (UK, Stuart Marshall, 1990)
More info
title clippings file
CONGO : (US, Frank Marshall, 1995)
More info
personality microfilm collection
CRENSHAW, MARSHALL
More info
title clippings file
CULTURE WARRIORS [TV] : (AT, James Marshall, 2009)
More info
journal article
Cynthia Nixon signed for "The Manhattan Project" in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.4
More info
title clippings file
DANGEROUS BEAUTY : (US, Marshall Herskovitz, 1998)
More info
journal article
David Begelman's 'The Manhattan Project' in Australasian Cinema (Friday, 26/10/1984) vol.13 iss.18 p.2
More info
title clippings file
DEAR GOD : (US, Garry Marshall, 1996)
More info
title clippings file
DESCENT THE : (UK, Neil Marshall, 2005)
More info
newspaper article
Disjointed plot saved by comedy chops in The Age [Arts & Entertainment] (30/06/2016) p.27
More info
title clippings file
DODGEBALL: A TRUE UNDERDOG STORY : (US, Rawson Marshall Thurber, 2004)
More info
title clippings file
DOG SOLDIERS : (UK/LU, Neil Marshall, 2001)
More info
journal article
Doing the rounds in Filmnews (Jun 1985) vol.15 iss.5 p.16-17
More info
newspaper article
Dumb's the word despite a stellar cast in Sunday Telegraph [Insider] (01/05/2016) p.137
Call No: TITLE CLIPPINGS FILE; MOTHER'S DAY (US,Garry Marshall, 2016)Author: Dent, Nick PhysDes: Clippings File ArticleSubject: MOTHER'S DAY (US,Garry Marshall, 2016) Summary: Film review of MOTHER'S DAY directed by Gary MarshallRating: 2.5 out of 5 stars
More info
title clippings file
EIGHT BELOW : (US, Frank Marshall, 2006)
More info
title clippings file
EXIT TO EDEN : (US, Garry Marshall, 1994)
More info
book
Featuring film : film study in the classroom / Peter Cox and Fred Goldsworthy Melbourne: Oxford University Press, 1995.
Call No: 512.1 COXAuthor: Cox, Peter, 1953 ; Goldsworthy, Fred Place: MelbournePublisher: Oxford University PressPubDate: 1995PhysDes: vi, 202 p. : ill. ; 26 cmSubject: MACBETH (US/UK, Roman Polanski, 1971) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; MAN WITHOUT A FACE, THE (US, Mel Gibson, 1993) ; MASK (US, Peter Bogdanovich, 1985) ; OUTSIDERS, THE (US, Francis Ford Coppola, 1983) ; PLAYING BEATIE BOW (AT, Donald Crombie, 1986) ; POWER OF ONE, THE (US, John G. Avildsen, 1992) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PROJECT X (US, Johnathan Kaplan, 1987) ; RADIO FLYER (US, Richard Donner, 1992) ; SILVER BRUMBY, THE (AT, John Tatoulis, 1993) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) ; BENNY AND JOON (US, Jeremiah S. Chechick, 1993) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; BREAKFAST CLUB, THE (US, John Hughes, 1985) ; CHOCOLATE WAR, THE (US, Keith Gordon, 1988) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DANNY THE CHAMPION OF THE WORLD (UK/US, Gavin Millar, 1989) ; EDWARD SCISSORHANDS (US, Tim Burton, 1990) ; FLIRTING (AT, John Duigan, 1991) ; FREE WILLY (US, Simon Wincer, 1993) ; HAMLET (US, Franco Zeffirelli, 1990) ; INTO THE WEST (UK/US, Mike Newell, 1992) ; LADYHAWKE (US, Richard Donner, 1985) ; LEAGUE OF THEIR OWN, A (US, Penny Marshall, 1992) ; LEAN ON ME (US, John G. Avildsen, 1989) Notes: CIP confirmed; Includes index; For secondary school students; BibliographyISBN: 0195536452LON: 11238278
More info
title clippings file
FLAMINGO KID : (US, Garry Marshall, 1984)
More info
title clippings file
FORGETTING SARAH MARSHALL : (US, Nicholas Stoller, 2008)
More info
title clippings file
FRANKIE AND JOHNNY : (US, Garry Marshall 1991)
More info
Online resource
book
Gendering history on screen : women filmmakers and historical films / Julia Erhart London: I.B. Tauris & Co. Ltd., 2018. Available at ProQuest (RMIT login required)
Call No: 721-02 ERHAuthor: Erhart, Julia Source: UKPlace: LondonPublisher: I.B. Tauris & Co. Ltd.PubDate: 2018Series: Library of gender and popular cultureSubject: FEMINISM AND THE CINEMA ; WOMEN AND THE CINEMA ; WOMEN DIRECTORS ; WOMEN FILMMAKERS ; LEAGUE OF THEIR OWN, A (US, Penny Marshall, 1992) ; MONSTER (US, Patty Jenkins, 2003) ; IRON LADY, THE (UK, Phyllida Lloyd, 2011) Notes: Includes bibliographical references (pages 159-195), filmography (pages 197-200), and index.ISBN: 978784535285Contents: Introduction; Chapter Summary --1 Women Writing History Through Film; Women Writing History: Contexts and Opportunities; Performative Authorship; History on Film: from Robert Rosenstone to A League of Their Own; 'Citable in all its Moments': In-between Spaces and Sewing Machines; Conclusion --2 Reclaiming Undeserving Women: Contemporary Female Biopics. From Positive Images to Undeserving Subjects: A Place for Women?; Oppositional Medicine: The Case of Augustine; Class and Voice: Ambiguity in Monster; Affect and Ageing: The Iron Lady --3 Feminist First-Person Documentaries: Migration, Internment, Reconciliation; First-Person Documentary: Terms and Terrain; First-Person Documentary: Women Directors; Performing Memory --4 Revisiting Resistance and Occupation in Holocaust Films; Complicating Collaboration; Europeanising the Holocaust; Reconfiguring Resistance; Women and Resistance; Mimicry and Doubling; Vergangenheitsbewa¨ltigung.--5 Gendering Iraq and Afghanistan War Movies; The Paradox of Exceptionalism; Gendering the War 'Back Home'; Movies from the Periphery: Occupation; Conclusion --Conclusion
More info
personality clippings file
GEORGIA RULE : (US, Garry Marshall, 2007)
More info
still
[Girl from tomorrow, the : stills file]
More info
title clippings file
GOLDWYN FOLLIES, THE : (US, George Marshall, 1938)
More info
book
Happiness by design : modernism and media in the Eames era / Justus Nieland Minneapolis: University of Minnesota Press, 2020.
Call No: 226 NIEAuthor: Nieland, Justus Edition: 2020Place: MinneapolisPublisher: University of Minnesota PressPubDate: 2020PhysDes: 424 pages : illustrated ; 23 cmSubject: ART DIRECTION ; MODERNISM AND THE CINEMA ; BARTHES, ROLAND ; COMMUNICATIONS ; DEREN, MAYA ; EISENSTEIN, SERGEI M. ; MCLUHAN, MARSHALL ; VAN DER BEEK, STAN ; WOLLEN, PETER Summary: Happiness by Design offers a fresh cultural history of midcentury modernism through the film and multimedia experiments of Charles and Ray Eames and their peers. Justus Nieland traces how Cold War designers engaged in creative activities that spanned disciplines and blended art and technoscience while reckoning with the environmental reach of media at the dawn of the information age. -- publisher's web siteISBN: 9781517902056Contents: Contents -- Introduction -- 1. Happy Furniture: On the Media Environments of the Eames Chair -- 2. The Scale Is the World: Designer Pedagogy and Expanded Cinema -- 3. Management Cinema: Film, Communication, and Postwar World-Making in Aspen -- 4. Memories of Overdevelopment: The Vision Conferences and the Fate of Environmental Design -- 5. Designer Film Theory: Techniques of Happiness -- 6. Designer Film Theory, II: Media Pedagogy and Modernist Information Aesthetics -- Coda: The Norton Chair, Circa 1970: Trilling or Eames? -- Acknowledgments -- Notes -- Index
More info
title clippings file
HELLBOY : (US/UK/BU, Neil Marshall, 2019)
More info
personality microfilm collection
HERSKOVITZ, MARSHALL
More info
book
Hollywood directors, 1914-1940 / [compiled by] Richard Koszarski New York: Oxford University Press, 1976.
Call No: 802.25(73) KOSAuthor: Koszarski, Richard Place: New YorkPublisher: Oxford University PressPubDate: 1976PhysDes: xx, 364 p. : ill. ; 22 cmSubject: DIRECTORS. USA ; PORTER, EDWIN S. ; GUY-BLACHE, ALICE ; BLACKTON, J. STUART ; GRIFFITH, DAVID WARK ; HART, WILLIAM S. ; WEBER, LOIS ; SENNETT, MACK ; INCE, THOMAS HARPER ; INGRAM, REX ; NEILAN, MARSHALL ; CHAPLIN, CHARLES ; FLAHERTY, ROBERT ; LLOYD, HAROLD ; Keaton, Buster ; DWAN, ALLAN ; DEMILLE, CECIL B. ; VON STROHEIM, ERICH ; LANGDON, HARRY ; CAPRA, FRANK ; FORD, JOHN ; MURNAU, FRIEDRICH WILHELM ; BORZAGE, FRANK ; LUBITSCH, ERNST ; VIDOR, KING ; ROACH, HAL ; MAMOULIAN, ROUBEN ; DEMILLE, WILLIAM ; MILESTONE, LEWIS ; CUKOR, GEORGE ; VAN DYKE, W.S. ; HOWARD, WILLIAM K. ; TUTTLE, FRANK ; SCHOEDSACK, ERNEST B. ; GARNETT, TAY ; CROMWELL, JOHN ; OLCOTT, SIDNEY ; HORNE, JAMES W. ; FITZMAURICE, GEORGE ; PARK, IDA MAY ; TOURNEUR, MAURICE ; FLOREY, ROBERT ; MENZIES, WILLIAM CAMERON ; VORKAPICH, SLAVKO ; BRENNON, HERBERT ; CAREWE, EDWIN ; NIBLO, FRED ; GOULDING, EDMUND ; FEJOS, PAUL ; BELL, MONTA Notes: Includes indexISBN: 0195020855 : $13.95LON: 761206
More info
title clippings file
HOOK, LINE AND SINKER : (US, George Marshall, 1968)
More info
title clippings file
HOW THE WEST WAS WON : (US, Henry Hathaway & John Ford & George Marshall, 1962)
More info
How the West Was Won in University Film Group Bulletin (1964) iss.1 p.14
More info
journal article
How the west was won in Movie (Jan 1963) vol.6 p.28-29
More info
book
Identifying Hollywood's audiences : cultural identity and the movies / edited by Melvyn Stokes and Richard Maltby London: British Film Institute, 1999.
Call No: 410(73) IDEAuthor: Maltby, Richard, 1952 ; Stokes, Melvyn Place: LondonPublisher: British Film InstitutePubDate: 1999PhysDes: 209 p. ; 24 cmSubject: AUDIENCES ; AUDIENCE RESEARCH. USA ; WOMEN AND THE CINEMA ; FAMILY, FILMS FOR ; VIOLENCE IN FILMS ; HORROR FILMS ; SCIENCE-FICTION FILMS ; RKO ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; JUDGE DREDD (US, Danny Cannon, 1995) ; MAYTIME (US, Robert Z. Leonard, 1937) ; PRETTY WOMAN (US, Garry Marshall, 1990) ISBN: 0851707386; 0851707394(pbk.)LON: 20062600 21256904
More info
title clippings file
IF IN FITS : (??, John Marshall & Mark Erder, ??)
More info
serial
Incredible shrinking man in Stills (Jul-Aug 1983) iss.7 p.82
More info
journal article
'Indiana Jones and the Temple of Death' lensing in April in Australasian Cinema (25/3/1983) vol.12 iss.5 p.2
More info
title clippings file
INTO THE WOODS : (US/UK, Rob Marshall, 2014)
More info
poster
[Into the woods : poster]
Call No: P INTPhysDes: 1 poster : col. ; 101 x 68 cm.Subject: INTO THE WOODS (US/UK, Rob Marshall, 2014) Summary: Two of the posters have a large image of Meryl Streep's face as the witch peering through the branches surrounded by a dark forest. The third poster features the face of each main character of the cast (Meryl Streep, Emily Blunt, James Corden, Anna Kendrick, Chris Pine, Johnny Depp, Mackenzie Mauzy) amidst forest branches with Lilla Crawford as Little Red Riding Hood standing in the centre below the title.
Text: 'Into the Woods. Be careful what you wish for.'Notes: Have three copies. Two of the posters are identical (just featuring Meryl Streep on the front). The other is a variation, featuring other members of the cast. In fairly good condition with the exception of some tears at the top and at the bottom. Has a reverse side.Donation: Cinema Nova
More info
title clippings file
JACK THE BEAR : (US, Marshall Herskovitz, 1993[prod. 1991])
More info
book
John Ford / Andrew Sinclair London: Allen and Unwin, 1979.
Call No: 81FOR SINAuthor: Sinclair, Andrew Source: UKPlace: LondonPublisher: Allen and UnwinPubDate: 1979PhysDes: xii, 305 p. [32] p. of plates : ill., ports. ; 24 cmSubject: FORD, JOHN ; IRON HORSE, THE (UK, John Ford, 1924) ; MEN WITHOUT WOMEN (US, John Ford, 1929) ; UP THE RIVER (US, John Ford, 1930) ; PILGRIMAGE (US, John Ford, 1933) ; LOST PATROL, THE (US, John Ford, 1934) ; JUDGE PRIEST (US, John Ford, 1934) ; WHOLE TOWN'S TALKING, THE (US, John Ford, 1935) ; WEE WILLIE WINKIE (US, John Ford, 1937) ; STAGECOACH (US, John Ford, 1939) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; TOBACCO ROAD (US, John Ford, 1941) ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; THEY WERE EXPENDABLE (US, John Ford, 1945) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; FORT APACHE (US, John Ford, 1948) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; RIO GRANDE (US, John Ford, 1950) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; MOGAMBO (US, John Ford, 1953) ; WINGS OF EAGLES, THE (US, John Ford, 1956) ; LAST HURRAH, THE (US, John Ford, 1958) ; HORSE SOLDIERS, THE (US, John Ford, 1959) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962) ; YOUNG CASSIDY (UK, Jack Cardiff, 1965) ; SEVEN WOMEN (US, John Ford, 1965) Summary: Andrew Sinclair uses his access to the papers and photographs of John Ford, and to his work colleagues, ranging from actors to camera and stuntmen, to build a complete picture of the man. He shows John Ford to be a very successful director, from 1917, the period of silent movies, to 1966, a time when movies had become an important means of entertainment. He shows John Ford as a cantankerous, wily and brave man, who had a big influence on American cinema, and American social history, as a person who opposed McCarthyism, and who was wounded in the Second World War making documentary and propaganda films [Taken from the cover of the book]Notes: Also published : New York : Dial Press, 1979; Includes index; Filmography: p.229- 291ISBN: 0047910380
More info
book
John Ford / by Joseph McBride and Michael Wilmington New York: Da Capo Press, 1975.
Call No: 81FOR MCBAuthor: McBride, Joseph ; Wilmington, Michael Edition: 1st American ed.Source: USPlace: New YorkPublisher: Da Capo PressPubDate: 1975PhysDes: 234 p. : ill. ; 21 cmSeries: A Da Capo paperbackSubject: FORD, JOHN ; STAGECOACH (US, John Ford, 1939) ; WAGON MASTER (US, John Ford, 1950) ; THEY WERE EXPENDABLE (US, John Ford, 1945) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; FORT APACHE (US, John Ford, 1948) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; RISING OF THE MOON, THE (IE/US, John Ford, 1957) ; SUN SHINES BRIGHT, THE (US, John Ford, 1953) ; SEARCHERS, THE (US, John Ford, 1956) ; SERGEANT RUTLEDGE (US, John Ford, 1960) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; SEVEN WOMEN (US, John Ford, 1965) ; STRAIGHT SHOOTING (U.S, John Ford, 1917) ; HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962) ; CIVIL WAR, THE (US, John Ford, 1962) Summary: "McBride and Wilmington examine key Ford films, from his first feature-length film, the recently discovered Straight Shooting, to his last, the controversial Seven Women, pointing out recurring Fordian themes and ideals and relating each film to others of the same genre. A filmography gives the vital statistics for each of Ford's Films. " -- BOOK BLURBNotes: Filmography: p. 213-226; Bibliography: p. 227-233ISBN: 0306800160Contents: -- bringing in the sheaves -- half genius, half Irish -- himself -- the noble outlaw: Straight Shooting, Stagecoach, Wagon Master -- men at war: they were expendable , my darling clementine, fort apache -- ireland: the quiet man, the rising of the moon -- rebels: ther sun shines bright -- the searchers -- what really happened: segeant rutledge, the man who shot liberty valance, the civil war -- the last place on earth: seven women -- filmography -- bibliography -- acknowledgements --
More info
journal article
John Lithgow to star in 'The Manhattan Project' in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.2
More info
title clippings file
JUMPIN' JACK FLASH : (US, Penny Marshall, 1986)
More info
title clippings file
KEEPING UP WITH THE STEINS : (US, Scott Marshall, 2006)
More info
book
Ladd : The life, the legend, the legacy of Alan Ladd / Beverly Linet New York: Berkley Books, 1980.
Call No: 81LAD LINAuthor: Linet, Beverly Source: USPlace: New YorkPublisher: Berkley BooksPubDate: 1980PhysDes: xxv, 291 p.,[8] leave of plates : ill., ports, ; 24 cmSubject: LADD, ALAN ; THIS GUN FOR HIRE (US, Frank Tuttle, 1942) ; CHINA (US, John Farrow,1943) ; BLUE DAHLIA, THE (US, George Marshall, 1946) ; GREAT GATSBY, THE (US, Elliott Nugent, 1949) ; SHANE (US, George Stevens, 1953) ; DRUM BEAT (US, Delmer Daves, 1954) ; BIG LAND, THE (US, Gordon Douglas, 1957) Summary: The book deals with the life, career, and tragic death of the enigmatic star, Alan Ladd. It deals with his lifelong love affair with his agent/wife, Sue Carol, and his "secret " son who became president of a major Hollywood studio. The book also deals with the inner workings of the studio system itself; the deals and mis-deals, the movie mags, and the fan machines, the front office, and the back lot.ISBN: 0425057313
More info
title clippings file
LEAGUE OF THEIR OWN, A : (US, Penny Marshall, 1992)
More info
Online resource
digital clippings file
LITTLE MERMAID, THE : (US, Rob Marshall, 2022) Digital clippings file available
More info
title clippings file
LOVESICK : (US, Marshall Brickman, 1983)
More info
title clippings file
MANHATTAN PROJECT, THE : (US, Marshall Brickman, 1986)
More info
title clippings file
MARSHALL : (US, Reginald Hudlin, 2017)
More info
personality microfilm collection
MARSHALL, ALAN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MARSHALL, ALAN
More info
personality microfilm collection
MARSHALL, ANNIE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MARSHALL, ANNIE
More info
personality microfilm collection
MARSHALL, BRYAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MARSHALL, BRYAN
More info
personality microfilm collection
MARSHALL, E. G.
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MARSHALL, E. G.
More info
personality microfilm collection
MARSHALL, FRANK
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MARSHALL, FRANK
More info
personality microfilm collection
MARSHALL, GARRY
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MARSHALL, GARRY
More info
script
[Marshall law] Leather and silk. Ep. 8, Altered states : Script, final draft AT:
More info
title clippings file
MARSHALL LAW [TV] : (AT, 2002)
More info
personality clippings file
MARSHALL, NEIL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MARSHALL, NEIL
More info
personality microfilm collection
MARSHALL, NOEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MARSHALL, NOEL
More info
personality microfilm collection
MARSHALL, PAULA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MARSHALL, PAULA
More info
personality microfilm collection
MARSHALL, PENNY
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MARSHALL, PENNY
More info
personality microfilm collection
MARSHALL, RAY
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Stills; ClippingsSubject: MARSHALL, RAY
More info
personality clippings file
MARSHALL, WILLIAM
More info
title clippings file
MARY POPPINS RETURNS : (US, Rob Marshall, 2018)
More info
book
McLuhan / Jonathan Miller London: Fontana, 1971.
Call No: 620MCL MILAuthor: Miller, Jonathan Source: UKPlace: LondonPublisher: FontanaPubDate: 1971PhysDes: 140 p. ; 18 cmSubject: MCLUHAN, MARSHALL Summary: A study on the theories of Marshall McLuhanDonation: donated by the family of Wayne Levy, 2006
More info
Levy Collection
book
McLuhan / Jonathan Miller London: Fontana, 1971.
Author: Jonathan Miller Place: LondonPublisher: FontanaPubDate: 1971PhysDes: 140 p. ; 18 cmSubject: MCLUHAN, MARSHALL Notes: contains bibliographyISBN: 0006324282Donation: donated by the family of Wayne Levy, 2006
More info
book
McLuhan : pro and con / edited by Raymond Rosenthal Baltimore MD: Penguin, 1969.
Call No: 620MCL ROSAuthor: Rosenthal, Raymond Place: Baltimore MDPublisher: PenguinPubDate: 1969PhysDes: 308 p. ; 18 cmSubject: MCLUHAN, MARSHALL Notes: Includes bibliographical referencesDonation: donated by the family of Wayne Levy, 2006
More info
book
McLuhan: hot and cool : a primer for the understanding of and a critical symposium with responses by McLuhan / edited by Gerald Emanuel Stearn Harmondsworth, Middlesex: Penguin, 1968.
Call No: 620MCL MCLAuthor: edited by Gerald Emanuel Stearn Source: UKPlace: Harmondsworth, MiddlesexPublisher: PenguinPubDate: 1968PhysDes: 350 p. ; 18 cmSubject: MCLUHAN, MARSHALL Notes: contains bibliographyDonation: donated by the family of Wayne Levy, 2006
More info
personality microfilm collection
MCLUHAN, MARSHALL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MCLUHAN, MARSHALL
More info
journal article
Melbourne Film Society film appraisals in Filmviews (Autumn 1986) vol.31 iss.127 p.45
More info
title clippings file
MEMOIRS OF A GEISHA : (US, Rob Marshall, 2005)
More info
book
Memoirs of a geisha : a portrait of the film / introductions by Rob Marshall and Arthur Golden, photographs by David James, text by Peggy Mulloy New York: New Market Press, c2005.
Call No: 79(084.2)MEM JAMAuthor: James, David (photos) ; Mully, Peggy (text) Edition: First editionSource: USPlace: New YorkPublisher: New Market PressPubDate: c2005PhysDes: 144 p. : col. ill. ; 24 x 31 cmSubject: MEMOIRS OF A GEISHA (US, Rob Marshall, 2005) Summary: "With exquisite lyricism, Oscar-nominated director Rob Marshall (Chicago) has brought Arthur Golden's beloved literary sensation to the screen. In Memoirs of a geisha: a portrait of the film we go far behind the scenes to discover firsthand how the filmmaker and his team re-created the romantic, mysterious, and exotic world of the geisha in Japan during the 1930s and '40s.This book features a stunning visual essay of 127 full-color photographs by David James, many of which have never been seen in any other publication." -- BOOK JACKETISBN: 1557046832Contents: -- introductions -- Rob Marshall -- Arthur Golden -- the life of a geisha -- portrait of the film -- making memoirs -- credits -- acknowledgments --
More info
book
More than night : film noir in its contexts / James Naremore Berkeley: University of California Press, c1998.
Call No: 734.1 NARAuthor: Naremore, James Place: BerkeleyPublisher: University of California PressPubDate: c1998PhysDes: xiv, 345 p. : ill. ; 24 cmSubject: FILM NOIR ; BLACKLISTING. USA ; B-MOVIES ; ETHNIC GROUPS IN FILMS ; CENSORSHIP ; HERO IN FILMS ; MODERNISM AND THE CINEMA ; FILMS IN FILMS ; DRUGS IN FILMS ; POLITICS AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; DETECTIVE FILMS ; SOCIAL-REALISM IN FILMS ; CRIMINALS IN FILMS ; VIOLENCE IN FILMS ; WAR VETERANS IN FILMS ; SOCIAL PROBLEMS IN FILMS ; WASHINGTON, DENZEL ; ALDRICH, ROBERT ; CHANDLER, RAYMOND ; DUNAWAY, FAYE ; MUSURACA, NICHOLAS ; FRANKLIN, CARL ; FRANKENHEIMER, JOHN ; GREENE, GRAHAM ; HAMMETT, DASHIELL ; JACKSON, SAMUEL L. ; LADD, ALAN ; BLUE DAHLIA, THE (US, George Marshall, 1946) ; PULP FICTION (US, Quentin Tarantino, 1994) ; CHINATOWN (US, Roman Polanski, 1974) ; CROSSFIRE (US, Edward Dmytryk, 1947) ; DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; MALTESE FALCON, THE (US, John Huston, 1941) ; OUT OF THE PAST (US, Jacques Tourneur, 1947) Notes: Includes bibliographical references (p. 309-318) and indexesISBN: 0520212932 (alk. paper); 0520212940 (pbk. : alk. paper)LON: 13441055
More info
title clippings file
MOTHER'S DAY : (US, Garry Marshall, 2016)
More info
book
Motion picture directing : the facts and theories of the newest art New York: Falk Publishing Co, [c1922].
Call No: 225 MILAuthor: Milne, Peter, 1896 CorpAuthor: New York institute of photographyPlace: New YorkPublisher: Falk Publishing CoPubDate: [c1922]PhysDes: 234 p. illus. 24 cmSubject: DIRECTION ; DEMILLE, CECIL B. ; GRIFFITH, DAVID WARK ; BORZAGE, FRANK ; INCE, THOMAS HARPER ; LUBITSCH, ERNST ; DEMILLE, WILLIAM ; INGRAM, REX ; MAY, JOE ; NEILAN, MARSHALL Notes: "Used as a supplementary text in New York institute of photography."LON: 1091908
More info
book
The movie book of the western / edited by Ian Cameron and Douglas Pye London: Cassell, 1996.
Call No: 736.1 MOVAuthor: Cameron, Ian ; Pye, Douglas Place: LondonPublisher: CassellPubDate: 1996PhysDes: 320 p.: ill. ; 26 cmSubject: WESTERNS ; FORD, JOHN ; CIMINO, MICHAEL ; CUKOR, GEORGE ; DIETRICH, MARLENE ; Peckinpah, Sam ; WAYNE, JOHN ; DAVES, DELMER ; MANN, ANTHONY ; BOETTICHER, BUDD ; COSTNER, KEVIN ; BROKEN ARROW (US, Delmer Daves, 1950) ; DRUM BEAT (US, Delmer Daves, 1954) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; JUBAL (US, Delmer Daves, 1956) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; [THREE TEN] 3:10 TO YUMA (US, Delmer Daves, 1957) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DRUMS ALONG THE MOHAWK (US, John Ford, 1939) ; FORT APACHE (US, John Ford, 1948) ; DUEL IN THE SUN (US, King Vidor, 1946) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962) ; HUD (US, Martin Ritt, 1962) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LEFT-HANDED GUN, THE (US, Arthur Penn, 1958) ; MISFITS, THE (US, John Huston, 1961) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RIO BRAVO (US, Howard Hawks, 1959) ; SHANE (US, George Stevens, 1953) ; VERA CRUZ (US, Robert Aldrich, 1954) ; WESTWARD THE WOMEN (US, William Wellmann, 1951) ; LONELY ARE THE BRAVE (US, David Miller, 1962) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; SEARCHERS, THE (US, John Ford, 1956) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) Notes: Includes indexISBN: 0289801400LON: abn95121731; 11553420
More info
personality clippings file
NAPIER, MARSHALL
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: Clippings; StillsSubject: NAPIER, MARSHALL
More info
book
New Artists Video : a critical anthology / edited by Gregory Battcock New York: E. P. Dutton, 1978.
Call No: 771(73) BATAuthor: Battcock, Gregory Edition: First editionPlace: New YorkPublisher: E. P. DuttonPubDate: 1978PhysDes: xxii, 198 p. : ill. ; 21 cm.Series: A Dutton paperbackSubject: VIDEO ART ; PAIK, NAM JUNE ; MCLUHAN, MARSHALL ISBN: 9780525474616Donation: J. SabineContents: Negative Videology / Vicky Alliata -- Poetry and Video Tape: A Suggestion / Michael Benedikt -- Video: The Art of Observable Dreams / Mona Da Vinci -- The End of Video: White Vapor / Douglas Davis -- Reflections on the Electric Mirror / Lynn Hershman -- Literary Video / Richard Kostelanetz -- Video: The Aesthetics of Narcissism / Rosalind Krauss -- Video Art in the TV Landscape: Notes on Southern California / Kim Levin -- One-Gun Video Art / Les Levine -- Epistemological TV / Richard Lorber -- Video Art, the Imaginary and the Parole Vide / Stuart Marshall -- Videa, Vidiot, Videology / Nam June Paik with Charlotte Moorman -- A Provisional Overview of Artists' Television in the U.S. / David Ross -- Kissing the Unique Object Good-bye / Robert Stefanotty -- A Means Toward an End / Judtih Van Baron -- Videospace: Varieties of the Video Installation / Ingrid Wiegand -- Sign-off Devotional (Meditation and Prayer) / Ron Whyte.
More info
journal article
News from Roadshow in Australasian Cinema (27/5/1983) vol.12 iss.9 p.9
More info
journal article
News from Roadshow in Australasian Cinema (16/07/1982) vol.11 iss.12 p.26
More info
title clippings file
NINE : (US/IT, Rob Marshall, 2009)
More info
script
Nine : script, final script / written by Michael Tolkin and Anthony Minghella ; music and lyrices by Maury Yeston ; adaption from the italian by Mario Fratti ; director Rob Marshall IT: 2009 Nov. 11.
More info
newspaper article
No villains, no conflict but cracks in veneer do happen in Saturday Age [Arts & Entertainment] (30/04/2016) p.20
More info
title clippings file
NOTHING IN COMMON : (US, Garry Marshall, 1986)
More info
newspaper article
On the web, it's as easy as ABC in Sydney Morning Herald [Computers] (16/04/2002) p.1
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Ham, Paul Subject: AUSTRALIAN BROADCASTING CORPORATION ; MARSHALL, LYNLEY Summary: ABC's New Media section has a number of successes, in comparision to how the rest of the body is being run. Looking at how New Media is raising revenue through the ABC shop including DVD sales.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
More info
title clippings file
OTHER SISTER, THE : (US, Garry Marshall, 1999)
More info
title clippings file
OVERBOARD : (US, Garry Marshall, 1987)
More info
book
The Oxford handbook of the American musical / Edited by Raymond Knapp, Mitchell Morris, Stacy Wolf Oxford ; New York: Oxford University Press, 2011, 2013.
Call No: 751.1(73) OXFAuthor: Knapp, Raymond ; Morris, Mitchell ; Wolf, Stacy Edition: paperbackSource: US/UKPlace: Oxford ; New YorkPublisher: Oxford University PressPubDate: 2011, 2013PhysDes: x, 470 pages : illustrations ; 25 cmSubject: AUDIENCES ; AUTHORSHIP ; BLACK CINEMA. US ; BOX OFFICE. USA ; COMEDIES ; DANCE IN FILMS ; GENDER AND THE CINEMA ; HISTORY AND THE CINEMA. USA ; HISTORY OF CINEMA ; IDENTITY IN FILMS ; IDEOLOGY IN FILMS ; MEDIA AND THE CINEMA ; MUSIC IN FILMS ; MUSIC AND THE CINEMA ; MUSICALS. USA ; RACIAL ISSUES AND THE CINEMA ; THEATRE AND THE CINEMA ; ANDREWS, JULIE ; ASTAIRE, FRED ; BERLIN, IRVING ; FOSSE, BOB ; HAMMERSTEIN, OSCAR, II ; KERN, JEROME ; MERMAN, ETHEL ; ROBBINS, JEROME ; SONDHEIM, STEPHEN ; BLACK CROOK, THE (US, Robert G. Vignola, 1916) ; CABARET (US, Bob Fosse, 1972) ; CHICAGO (US, Rob Marshall, 2002) ; CHORUS LINE (US, Richard Attenborough, 1985) ; FIDDLER ON THE ROOF (US, Norman Jewison, 1971) ; GUYS AND DOLLS (US, Joseph L. Mankiewicz, 1955) ; GYPSY (US, Emile Ardolino, 1994) ; MY FAIR LADY (US, George Cukor, 1964) ; OKLAHOMA! (US, Fred Zinneman, 1955) ; PRODUCERS, THE (US, Mel Brooks, 1967) ; SHOWBOAT (US, George Sidney, 1951) ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; WEST SIDE STORY (US, Robert Wise, 1961) Summary: "The Oxford Handbook of The American Musical offers new and cutting-edge essays on the most important and compelling issues and topics in the growing, interdisciplinary field of musical-theater and film-musical studies. Taking the form of a "keywords" book, it introduces readers to the concepts and terms that define the history of the musical as a genre and that offer ways to reflect on the specific creative choices that shape musicals and their performance on stage and screen. The handbook offers a cross-section of essays written by leading experts in the field, organized within broad conceptual groups, which together capture the breadth, direction, and tone of musicals studies today." - GOOGLE BOOKSNotes: Includes bibliographic references and indexISBN: 9780199987368Contents: Part I: Historiography. Narratives and values / Mitchell Morris -- Texts and authors / Jim Lovensheimer -- Musical styles and song conventions / Paul R. Laird -- Evolution of dance in the golden age of the American "book musical" / Liza Gennaro; Part II: Transformations. Minstrelsy and theatrical miscegenation / Thomas L. Riis -- Tin Pan Alley songs on stage and screen before World War II / Raymond Knapp and Mitchell Morris -- Integration / Geoffrey Block -- After the "golden age" / Jessica Sternfeld and Elizabeth L. Wollman; Part III: Media. Theater / Tamsen Wolff -- The filmed musical / Raymond Knapp and Mitchell Morris -- The television musical / Robynn J. Stilwell -- The animated film musical / Susan Smith -- The evolution of the original cast album / George Reddick; Part IV: Identities. Race, ethnicity, performance / Todd Decker -- Gender and sexuality / Stacy Wolf -- The politics of region and nation in American musicals / Chase A. Bringardner -- Class and culture / David Savran; Part V: Performance. The institutional structure of the American musical theater / David Sanjek -- Orchestration and arrangement : creating the Broadway sound / Dominic Symonds -- Musical theater directors / Barbara Wallace Grossman -- Sets, costumes, lights, and spectacle / Virginia Anderson -- Acting / John M. Clum -- Singing / Mitchell Morris and Raymond Knapp -- Dance and choreography / Zachary A. Dorsey; Part VI: Audiences. Box office / Steven Adler -- Audiences and critics / Michelle Dvoskin -- Stars and fans / Holley Replogle-Wong -- Knowing your audience / Jennifer Chapman -- Performance, authenticity, and the reflexive idealism of the American musical / Raymond Knapp
More info
book
People will talk / by John Kobal [London]: Aurum Press, 1986.
Call No: 802 (047.53) KOBAuthor: Kobal, John Source: UKPlace: [London]Publisher: Aurum PressPubDate: 1986PhysDes: xvii, 728 p. : ports. ; 25 cmSubject: STARS ; BACLANOVA, OLGA ; BANKHEAD, TALLULAH ; BERGMAN, INGRID ; BLONDELL, JOAN ; BRENT, EVELYN ; BROOKS, LOUISE ; MCCREA, JOEL ; COBURN, BOB ; COLE, JACK ; Crawford, Joan ; DUNNE, IRENE ; DUPREZ, JUNE ; ENGSTEAD, JOAN ; FONTAINE, JOAN ; FREED, ARTHUR ; GISH, DOROTHY ; GODOWSKY, DAGMAR ; HATHAWAY, HENRY ; HAWKS, HOWARD ; HEPBURN, KATHARINE ; HOPKINS, MIRIAM ; HORN, CAMILLA ; HURRELL, GEROGE ; LOOS, ANITA ; LOUIS, JEAN ; LINDSAY, LOIS ; LACEY, MADISON ; Lupino, Ida ; MARSHALL, MELBA ; MILESTONE, LEWIS ; MOORE, COLLEEN ; PAN, HERMES ; YOUNG, LORETTA ; POWELL, ELEANOR ; SHERIDAN, ANN ; SHERMAN, VINCENT ; STANLEY, KIM ; Stanwyck, Barbara ; STEN., ANNA ; WEST, MAE ; WILLINGER, LASZLO Summary: Interviews with past Hollywood starsNotes: Includes indexISBN: 0394536606
More info
book
Philosophy goes to the movies : an introduction to philosophy / Christopher Falzon London: Routledge, 2002.
Call No: 626 FALAuthor: Falzon, Christopher Edition: third editionPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 330p. : illustrations ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; THEORY ; FOUCAULT, MICHEL ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; AGNES OF GOD (US, Norman Jewison, 1985) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; ALL OF ME (US, Carl Reiner, 1984) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; AMADEUS (US, Milos Forman, 1984) ; AMATEUR (US, Hal Hartley, 1994) ; ANGEL HEART (US, Alan Parker, 1987) ; ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996) ; BEDAZZLED (US, Stanely Donen, 1967) ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BEING THERE (US, Hal Ashby, 1979) ; BIG (US, Penny Marshall, 1988) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLAISE PASCAL (IT, Roberto Rossellini, 1972) ; BLUE VELVET (US, David Lynch, 1986) ; BOB ROBERTS (US, Tim Robbins, 1992) ; BRAZIL ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; CABARET (US, Bob Fosse, 1972) ; CASABLANCA (US, Michael Curtiz, 1942) ; CASPER (US, Brad Silberling, 1995) ; CHANCES ARE (US, Emile Ardolino, 1989) ; CHINATOWN (US, Roman Polanski, 1974) ; CINEMA PLUS ; CITIZEN KANE (US, Orson Welles, 1941) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; CRIMES OF PASSION (US, Ken Russell, 1984) ; CRUCIBLE, THE (US, Nicholas Hytner, 1996) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; DANGEROUS LIAISONS (US, Stephen Frears, 1988) ; DARK CITY (US, Alex Proyas, 1997) ; DARK STAR (US, John Carpenter, 1974) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DRACULA (US, Tod Browning, 1931) ; EASY RIDER (US, Dennis Hopper, 1969) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; ELEPHANT MAN, THE (US, David Lynch, 1980) ; ENEMY OF THE STATE (US, Tony Scott, 1998) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; FLY, THE (US, David Cronenberg, 1986) ; FORTRESS (AT/US, Stuart Gordon, 1993) ; FRANKENSTEIN (US, James Whale, 1931) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GATTACA (US, Andrew Niccol, 1997) ; GHOST (US, Jerry Zucker, 1990) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991) ; HIGH HOPES (UK, Mike Leigh, 1988) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HILARY AND JACKIE (UK, Anand Tucker, 1998) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; IF... (UK, Lindsay Anderson, 1968) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; INTERIORS (US, Woody Allen, 1978) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; KOYAANISQATSI (US, Godfrey Reggio, 1982) ; LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; LOVE AND DEATH (US, Woody Allen, 1975) ; M (G, Fritz Lang, 1931) ; MAD MAX (AT, George Miller, 1979) ; MALTESE FALCON, THE (US, John Huston, 1941) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MATEWAN (US, John Sayles, 1987) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; METROPOLIS (G, Fritz Lang, 1926) ; MISSION, THE (UK, Roland Joffe, 1986) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; MY FAIR LADY (US, George Cukor, 1964) ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; NORMA RAE (US, Martin Ritt, 1979) ; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992) ; ON THE BEACH (US, Stanley Kramer, 1959) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996) ; PLAYER, THE (US, Robert Altman, 1992) ; PLAYTIME (FR, Jacques Tati, 1967) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; QUIZ SHOW (US, Robert Redford, 1994) ; RAIN (US, Louis Milestone, 1932) ; RAIN MAN (US, Barry Levinson, 1988) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; ROBOCOP (US, Paul Verhoeven, 1987) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SEA OF LOVE (US, Harold Becker, 1989) ; SEVEN [SE7EN] (US, David Fincher, 1995) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SHOCKER (US, Wes Craven, 1989) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SLEEPER (US, Woody Allen, 1973) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982) ; STAR TREK ; STAR WARS (US, George Lucas, 1977) ; SUTURE (US, Scott McGehee & David Siegel, 1993) ; SWITCH (US, Blake Edwards, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; THREE FACES OF EVE (US, Nunnally Johnson, 1957) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; VICE VERSA (US, Brian Gilbert, 1988) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) ; WAG THE DOG (US, Barry Levinson, 1997) ; WALL STREET (US, Oliver Stone, 1987) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; WITTGENSTEIN (UK, Derek Jarman, 1993) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking.
Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films.
The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web siteNotes: Includes glossaryISBN: 9780415538169Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index
More info
title clippings file
PIRATES OF THE CARIBBEAN: ON STRANGER TIDES : (US, Rob Marshall, 2011)
More info
Online resource
digital clippings file
POINT AND SHOOT : (US, Marshall Curry, 2014) Digital clippings file available
More info
still
[Police rescue : stills file] Australian Broadcasting Corporation,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Australian Broadcasting CorporationPhysDes: 23 photographs : b&w ; 17 x 22 - 21 x 26 cmSubject: SWEET, GARY ; MCKENZIE, TIM ; NAPIER, MARSHALL ; BASTONI, STEVE ; CARIDES, GIA ; TODD, SONIA ; CALLAGHAN, JEREMY ; CLAYTON, JOHN ; MACINTOSH, TAMMY ; POLICE RESCUE [TV] (AT, 1991) Summary: 23 black and white photographs of scenes from the TV series.
More info
book
Postmodernism in the cinema / edited by Cristina Degli-Esposti New York: Berghahn Books, 1998.
Call No: 61 POS DEGAuthor: Degli-Esposti, Christina Source: USPlace: New YorkPublisher: Berghahn BooksPubDate: 1998PhysDes: viii, 264 p. : ill. ; 22 cmSubject: POSTMODERNISM AND THE CINEMA ; POSTMODERNISM AND TV/VIDEO ; POSTMODERNISM AND TV/VIDEO. USA ; POSTMODERNISM AND THE CINEMA. USA ; POSTMODERNISM AND THE CINEMA. JAPAN ; POSTMODERNISM AND THE CINEMA. POLAND ; POLAND ; TRAVEL IN FILMS ; FRANCE ; IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES ; IMPERIALISM AND THE CINEMA. FRANCE ; HISTORY AND THE CINEMA ; ETHNIC GROUPS IN FILMS ; ANIMATION ; YOUNG PEOPLE, FILMS FOR ; ADAPTATIONS. FORSTER, E. M. ; ADAPTATIONS. GENET, JEAN ; AUTEUR THEORY ; DEGLI-ESPOSTI, CHRISTINA ; BARON, CYNTHIA ; KRAIDY, MARWAN ; WEINSTEIN, DAVID ; SHARY, TIMOTHY ; BRUNS, JOHN ; MAULE, ROSANNA ; FALKOWSKA, JANINA ; STRAIN, ELLEN ; BOLUS-REICHERT, CHRISTINE ; LAGA, BARRY ; DEUTELBAUM, MARSHALL ; HOLDEN-MOSES, PHILIP ; WILES, MARY ; ALTMAN, ROBERT ; JAMESON, FREDRIC ; ITAMI, JUZO ; FORSTER, E. M. ; COEN, JOEL & ETHAN ; KUROSAWA AKIRA ; GREENAWAY, PETER ; FASSBINDER, RAINER WERNER ; PLAYER, THE (US, Robert Altman, 1992) ; ALADDIN (US, John Musker & Ron Clements, 1992) ; SIMPSONS, THE [TV] (US, 1989-) ; BILL AND TED'S EXCELLENT ADVENTURE (US, Stephen Herek, 1989) ; WAYNE'S WORLD (US, Penelope Spheeris, 1992) ; SINGLES (US, Cameron Crowe, 1992) ; REALITY BITES (US, Ben Stiller, 1994) ; TAMPOPO (JA, Juzo Itami, 1986) ; A NOS AMOURS (FR, Maurice Pialat, 1983) ; MESSA E FINITA, LA (IT, Nanni Moretti, 1985) ; QUE HE HECHO PARA MERECER ESTO!! (SP, Pedro Almodovar, 1984) ; PSY (PL, Wladyslaw Pasikowski, 1993) ; CZLOWIEK Z ... (PL, Konrad Szolajski, 1993) ; WHERE ANGELS FEAR TO TREAD (UK, Charles Sturridge, 1991) ; ROOM WITH A VIEW, A (UK, James Ivory, 1986) ; PASSAGE TO INDIA, A (US/UK, David Lean, 1984) ; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988) ; BARTON FINK (US, Joel Cohen, 1991) ; DREAMS (US, Akira Kurosawa, 1990) ; DROWNING BY NUMBERS (UK, Peter Greenaway, 1988) ; QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982) Summary: By offering sophisticated and multi-faceted, yet highly accessible discussions on a number of key issues, Postmodernism in the Cinema presents new strategies for reading and understanding postmodernism and opens up the horizons of investigation to address the dynamic relationship between the art of moving images and complex concepts of postmodern theory. Organized according to specific themes such as auteurism, metacinema, national cinema, and the parodic, this anthology includes thirteen essays and examines films including The Player, Aladdin, Singles, Reality Bites, Wayne’s World, Tampopo, A Room with a View, Barton Fink, Akira Kurosawa’s Dreams, Drowning by Numbers, Coup de torchon, Querelle, and more. [Taken from back cover]Notes: Papers from a conference held in 1994 at Kent State University, Kent, Ohio.; Includes bibliographical references and index.ISBN: 1571811060Contents: Introduction: Postmodernism(s) Cristina Degli-Esposti -- Chapter 1: The Player's parody of Hollywood: A different kind of suture - Cynthia Baron -- Chapter 2: Intertextual maneuvers around the subaltern: Aladdin as postmodern text - Marwan Kraidy -- Chapter 3: Of Mice and Bart: The Simpsons and the postmodern - David Weinstein -- Chapter 4: Reification and loss in postmodern puberty: The cultural logic of Fredric Jameson and American youth movies - Timothy Shary -- Chapter 5: Refiguring pleasure: Itami and the postmodern Japanese film - John Bruns -- Chapter 6: De-authorizing the auteur: postmodern politics of interpellation in contemporary European cinema - - Rosanna Maule -- Chapter 7: Postmodernist condition in post-socialist eastern European films: the case of a political pastiche and the socialist-hollywood thriller in recent films of Polish filmmakers - Janina Falkowska -- Chapter 8: E.M. Forster's anti-touristic tourism and the sightseeing gaze of cinema - Ellen Strain -- Chapter 9: Imaginary geographies: the colonial subjects in contemporary French cinema - Christine Bolus-Reichert -- Chapter 10: Decapitated spectators: Barton Fink, (Post)history, and cinematic pleasure - Barry Laga -- Chapter 11: Something like an autobiography in Akira Kurosawa's Dreams - Marshall Deutelbaum -- Chapter 12: Not waving but drowning by numbers: Peter Greenaway's cautionary tale - Philip Holden-Moses -- Chapter 13: A double voice: the dual paternity of Querelle - Mary WilesID2: 291
More info
title clippings file
PREACHER'S WIFE, THE : (US, Penny Marshall, 1996)
More info
title clippings file
PRETTY WOMAN : (US, Garry Marshall, 1990)
More info
book
Prime time, prime movers : from I love Lucy to L.A. law--America's greatest TV shows and the people who created them / David Marc and Robert J. Thompson Syracuse, N.Y.: Syracuse University Press, 1995.
Call No: 802.22(73) MARAuthor: Marc, David ; Thompson, Robert J., 1959 Edition: 1st Syracuse University Press edPlace: Syracuse, N.Y.Publisher: Syracuse University PressPubDate: 1995PhysDes: 340 p. : ill. ; 24 cmSeries: The Television seriesSubject: DRAMAS ; SOAP OPERAS ; GAMES SHOWS ; DOCUMENTARIES ; BROOKS, JAMES L. ; BURNS, KEN ; WOLPER, DAVID ; SPELLING, AARON ; RICH, LEE ; MARTIN, QUINN ; MARSHALL, GARRY ; LINK, WILLIAM ; CHAYEFSKY, PADDY ; CANNELL, STEPHEN J. ; BOCHCO, STEVEN ; BARRIS, CHUCK ; ARNAZ, DESI ; WERNER, TOM ; WEBB, JACK ; SCHWARTZ, SHERWOOD ; PHILLIPS, IRNA ; NIXON, AGNES ECKHARDT ; LEVINSON, RICHARD ; LEAR, NORMAN ; LARSON, GLEN ; HUGGINS, ROY ; HENNING, PAUL ; HARRIS, SUSAN ; GOODSON, MARK ; GLEASON, JACKIE ; ENGLISH, DIANE ; MANN, MICHAEL ; MARY TYLER MOORE SHOW, THE [TV] (US, 1970-77?) ; MIAMI VICE [TV] (US, 1984-90) ; ALAS SMITH AND JONES [TV] (US, 1971-73?) ; ALL IN THE FAMILY [TV] (US, 1971-?) ; BEVERLY HILLBILLIES, THE [TV] (US, 1962-71) ; DRAGNET [TV] (US, 1951-59, 1967-70) ; GILLIGAN'S ISLAND [TV] (US, 1964-66) ; GOLDEN GIRLS, THE [TV] (US, 1985-93) ; HAPPY DAYS [TV] (US, 1974-1984) ; HILL STREET BLUES [TV] (US, 1980-87) ; L.A. LAW [TV] (US, 1986-94) ; I LOVE LUCY [TV] (US, 1951-57) Notes: Originally published: Boston : Little, Brown, 1992; Includes bibliographical references (p. [313]-318) and indexISBN: 0815603118 (paper : acid-free paper)LON: 95001812; 11442893
More info
title clippings file
PRINCESS DIARIES 2, THE : (US, Garry Marshall, 2004)
More info
title clippings file
PRINCESS DIARIES, THE : (US, Garry Marshall, 2001)
More info
book
The producer's medium : conversations with creators of American TV / [edited by] Horace Newcomb, Robert S. Alley New York: Oxford University Press, 1983.
Call No: 802.72 NEWAuthor: Newcomb, Horace ; Alley, Robert S., 1932 Place: New YorkPublisher: Oxford University PressPubDate: 1983PhysDes: xvii, 262 p. : ports. ; 22 cmSubject: PRODUCERS. USA ; VICTOR, DAVID ; MANTLEY, JOHN ; HAMNER, EARL ; BURNS, ALLAN ; TINKER, GRANT ; MARTIN, QUINN ; LEVINSON, RICHARD ; LINK, WILLIAM ; LEAR, NORMAN ; BROOKS, JAMES L. ; MARSHALL, GARRY ; WALTONS, THE [TV] (US, 1972-81) ; GUNSMOKE [TV] (US, 1955-75) ; MARY TYLER MOORE SHOW, THE [TV] (US, 1970-77?) Notes: Includes indexISBN: 0195033477 : $17.95LON: 83010991; 2796260
More info
journal article
Production begins on "Manhattan Project" in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.4
More info
book
Queer looks : perspectives on lesbian and gay film and video / editors Martha Gever, Pratibha Parmar, John Greyson New York: Routledge, 1993.
Call No: 749.4 QUEAuthor: Gever, Martha, 1947 ; Parmar, Pratibha ; Greyson, John, 1960 Place: New YorkPublisher: RoutledgePubDate: 1993PhysDes: xv, 413 p. : ill. ; 24 cmSubject: HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; AIDS IN FILMS ; PORNOGRAPHY AND THE CINEMA ; HOMOSEXUALITY IN FILMS. PHILIPPINES ; CHILD, ABIGAIL ; KUCHAR, GEORGE ; DOUGHERTY, CECILIA ; MCLAUGHLIN, SHEILA ; FRIEDRICH, SU ; ARAKI, GREGG ; RAINER, YVONNE ; HAMMER, BARBARA ; KWIETNIOWSKI, RICHARD ; PARMAR, PRATIBHA ; SAALFIELD, CATHERINE ; GREYSON, JOHN ; DEOCAMPO, NICK ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; BRIGHT EYES (UK, Stuart Marshall, 1984?) ; ECCE HOMO (US, Jerry Tartaglia, 1989?) ; SHE MUST BE SEEING THINGS (US, Sheila McLaughlin, 1987) Notes: Includes bibliographical referencesISBN: 0415907411; 041590742XLON: 93009663; 9906232ID2: 296
More info
title clippings file
RAISING HELEN : (US, Garry Marshall, 2004)
More info
title clippings file
RENAISSANCE MAN : (US, Penny Marshall, 1994)
More info
title clippings file
RIDING IN CARS WITH BOYS : (US, Penny Marshall, 2001)
More info
title clippings file
ROAR : (US, Noel Marshall, 1981)
More info
title clippings file
ROLLERCOASTER RABBIT : (US, Frank Marshall, 1990)
More info
title clippings file
RUNAWAY BRIDE : (US, Garry Marshall, 1999)
More info
title clippings file
SALLY MARSHALL IS NOT AN ALIEN : (AT, Mario Andreacchio, 1999)
More info
journal article
Sally Marshall Is Not An Alien in Movie Trader (Jun 1999) p.19
More info
script
SALLY MARSHALL IS NOT AN ALIEN! / NewVision Films [1996].
More info
book
Scotland : global cinema : genres, modes and identities / David Martin-Jones Edinburgh: Edinburgh University Press, c2010.
Call No: 71(411) MARAuthor: Martin-Jones, David Source: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: c2010PhysDes: ix, 254 p. : ill., ports. ; 24 cmSubject: UNITED KINGDOM : SCOTLAND ; SCOTLAND IN FILMS ; LOCATION SHOOTING. SCOTLAND ; LANDSCAPES IN FILMS. SCOTLAND ; AE FOND KISS (UK, Ken Loach, 2004) ; AMERICAN COUSINS (UK, Don Coutts, 2003) ; BEAUTIFUL CREATURES (UK, Bill Eagles, 2000) ; CARLA'S SONG (UK/GG/SP, Kenneth Loach, 1996) ; DANNY THE DOG (FR/UK/US, Louis Leterrier, 2004) ; UNLEASHED (FR/UK/US, Louis Leterrier, 2004) ; DOG SOLDIERS (UK/LU, Neil Marshall, 2001) ; FESTIVAL (UK, Annie Griffin, 2005) ; GOVERNESS, THE (US, Sandra Goldbacher, 1998) ; GREGORY'S TWO GIRLS (UK/GG, Bill Forsyth, 1999) ; KANDUKONDIAN KANDUKONDAIN (II, Rajiv Menon, 2000) ; KUCH KUCH HOTA HAI (II, Karan Johar, 1998) ; LOCH NESS (UK, John Henderson, 1996) ; NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006) ; PYAAR ISHQ AUR MOHABBAT (II, Rajiv Raj, 2001) ; RED ROAD (UK/DK, Andrea Arnold, 2006) ; SECRET OF THE LOCH, THE (UK, Milton Rosmer, 1934) ; SOFT TOP HARD SHOULDER (UK, Stefan Schwartz, 1993) ; TICKETS (UK/IT/IR, Abbas Kiarostomi/Ken Loach/Ermanno Olmi, 2005) ; WATER HORSE: LEGEND OF THE DEEP, THE (US/UK, Jay Russell, 2007) ; WILD COUNTRY (UK, Craig Strachan, 2005) ; WOMEN TALKING DIRTY (US, Coky Giedroyc, 1999) ; YOUNG ADAM (UK/FR, David Mackenzie, 2003) Summary: 'Scotland: Global cinema is the first book to focus on the explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmkers from all over the world - including Scotland, England, France, the United States, and India who braved the weather to shoot in Scotland.
This book provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema.' - TAKEN FROM BACK COVERISBN: 9780748633920Donation: donated by Senses of Cinema, 2013Contents: 1. Comedy: Global/Local Identities / Gregory's Two Girls (1999), Festival (2005) -- 2. Road Movie: Scotland in the World / Soft Top, Hard Shoulder (1993), Carla's Song (1996), Tickets (2005) -- 3. Bollywood: Non-Resident Indian-Scotland / Kuch Kuch Hota Hai (1998), Kandukondain Kandukondain (2000), Pyaar Ishq aur Mohabbat (2001), Nina's Heavenly Delights (2006) -- 4. (Loch Ness) Monster Movie: A Return to Primal Scotland / The Secret of the Loch (1934), Loch Ness (1996), The Water Horse (2007) -- 5. Horror Film: History Hydes in the Highlands / Dog Soldiers (2002), Wild Country (2005) -- 6. Costume Drama: From Men in Kilts to Developing Diasporas / The Governess (1998), 7. Gangster Film: Glasgow's Transnational Identities / American Cousins (2003), Danny the Dog (2005) -- 8. Social Realist Melodrama: Middle-class Minorities and Floundering Fathers / Ae Fond Kiss (2004), On a Clear Day (2005) -- 9. Female Friendship/US Indie: Women Talking / Women Talking Dirty (1999), Beautiful Creatures (2000) -- 10. Art Cinema: The Global Limits of Cinematic Scotland / Red Road (2006), Young Adam (2003)
More info
newspaper article
Screen grabs : No dodging sequels in Sydney Morning Herald [MET] (26/4/2015) p.9
More info
still
[Shotgun wedding : stills file]
More info
title clippings file
SIMON : (US, Marshall Brickman, 1980)
More info
title clippings file
SKYSCRAPER : (US, Rawson Marshall Thurber, 2018)
More info
book
The subject of documentary / Michael Renov Minneapolis, MN: University of Minnesota Press, 2004.
Call No: 761 RENAuthor: Renov, Michael Place: Minneapolis, MNPublisher: University of Minnesota PressPubDate: 2004PhysDes: xxiv, 286 p. : ill. ; 26 cm.Series: Visible evididence: volume 16Subject: DOCUMENTARIES ; CINEMA VERITE ; BARTHES, ROLAND ; BRECHT, BERTHOLD ; DERRIDA, JACQUES ; FOUCAULT, MICHEL ; FREUD, SIGMUND ; GODARD, JEAN-LUC ; IVENS, JORIS ; LACAN, JACQUES ; MCLUHAN, MARSHALL ; MEKAS, JONAS ; VERTOV, DZIGA ; WEXLER, HASKELL ; MEDIUM COOL (US, Haskell Wexler, 1969) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) Summary: "Michael Renov focuses on how documentary filmmaking has become an important means for both examining and constructing selfhood. Renov analyzes films in which the subjectivity of the filmmaker is expressly defined, from Haskell Wexler's Medium Cool to Jonas Mekas's Lost, Lost, Lost, and contemplates such nontraditional modes of autobiographical practice as the essay film, the video confession, and the personal Web page." -- Publisher's website.Notes: Essays either previously published or previously presented at various conferences.
Includes bibliographical references and index.ISBN: 9780816634415Donation: Adrian MilesContents: Part 1: Social subjectivity -- 1: Early newsreel : the construction of a political imaginary for the new left -- 2. The "real" in fiction : Brecht, Medium cool, and the refusal of incorporation -- 3. Warring images : stereotype and American representations of the Japanese, 1941-1991 -- 4. Lost, lost, lost : Mekas as essayist -- Part 2: The subject in theory -- 5. Charged vision : the place of desire in documentary film theory -- 6. The subject in history : the new autobiography in film and video -- 7. Filling up the hole in the real : death and mourning in contemporary documentary film and video -- 8. Documentary disavowals and the digital -- 9. Technology and ethnographic dialogue -- 10. The address to the other : ethical discourse in Everything's for you -- Part three: modes of subjectivity -- 11. New subjectivities : documentary and self-representation in the post-verite age -- 12. The electronic essay -- 13. Video confessions -- 14. Domestic ethnography and the construction of the "other" self. -- 15. The end of autobiography or new beginnings? (or, everything, you never knew you would know about someone you will probably never meet).
More info
still
[The F.J. Holden : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 3 photographs : b&w ; 13 x 18 cm.Subject: F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; MARSHALL, RAY Summary: Three black and white photographs relating to the film THE F.J. HOLDEN, icludes actors headshot of Ray Marshall.Notes: Images have been donated to the Collection by Brian McFarlane.
More info
Old collection
book
Theory of film : the redemption of physical reality / Siegfried Kracauer New York: Oxford University Press, 1965.
Call No: 62 KRAAuthor: Kracauer, Siegfried Place: New YorkPublisher: Oxford University PressPubDate: 1965PhysDes: xix, 364 p. ill., 20 cm.Subject: ACTORS ; ADAPTATIONS ; EXPERIMENTAL FILMS ; THEORY ; AGEE, JAMES ; ALEXANDROV, GROGORIO ; ANGER, KENNETH ; ANSTEY, EDGAR ; ARNHEIM, RUDOLF ; ASTAIRE, FRED ; BALAZS, BELA ; BENJAMIN, WALTER ; BERGMAN, INGMAR ; BOGART, HUMPHREY ; BRAKHAGE, STAN ; BRANDO, MARLON ; BUNUEL, LUIS ; CAGNEY, JAMES ; CAPRA, FRANK ; CASTELLANI, RENATO ; CAVALCANTI, ALBERTO ; CHANEY, LON ; CHAPLIN, CHARLES ; CLAIR, RENE ; CLEMENT, RENE ; CLOUZOT, HENRI-GEORGES ; COCTEAU, JEAN ; DALI, SALVADOR ; DE FILIPPO, EDUARDO ; DEMILLE, CECIL B. ; DE SICA, VITTORIO ; DISNEY, WALT ; DOVZENKO, ALEKSANDR ; DREYER, CARL TH. ; DUCHAMP, MARCEL ; DUVIVIER, JULIEN ; ELTON, ARTHUR ; ENGEL, MORRIS ; EPSTEIN, JEAN ; FELLINI, FEDERICO ; FEUILLADE, LOUIS ; FEYDER, JACQUES ; FISCHINGER, OSKAR ; FLAHERTY, ROBERT ; FORD, JOHN ; FRANJU, GEORGES ; FREUD, SIGMUND ; GANCE, ABEL ; GARNETT, GALE ; GIDE, ANDRE ; GREENE, GRAHAM ; GRIERSON, JOHN ; GRIFFITH, DAVID WARK ; GRIFFITHS, RICHARD ; GUITRY, SACHA ; HARRINGTON, CURTIS ; HILL, DAVID ; HITCHCOCK, ALFRED ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; VITELLONI, I (IT, Federico Fellini, 1953) ; VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932) ; VARIETE (G, E.A. Dupont, 1925) ; VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940) ; UMBERTO D. (IT, Vittorio De Sica, 1952) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; OKTIABR (UR, Sergei M. Eisenstein, 1928) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946) ; SWING TIME (US, George Stevens, 1936) ; STRADA, LA (IT, Federico Fellini, 1954) ; ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936) ; MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946) ; SPIONE (G, Fritz Lang, 1928) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931) ; SHANE (US, George Stevens, 1953) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926) ; SCARFACE (US, Howard Hawks, 1932) ; SANG DES BETES, LE (FR, Georges Franju,1949) ; SAN FRANCISCO (US, W.S. Van Dyke, 1936) ; ROUE, LA (FR, Abel Gance, 1922) ; ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954) ; RICHARD III (UK, Laurence Olivier, 1955) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REGEN (NE, Joris Ivens, 1929) ; PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; PARIS 1900 (FR, Nicole Vedres, 1948) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; OTELLO (UR, Sergej Jutkevic, 1956) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; OLVIDADOS, LOS (MX, Luis Bunuel, 1951) ; OF MEN AND MUSIC (US, Irving Reis, 1950) ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; NIGHT AT THE OPERA, A (US, Sam Wood, 1935) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; MOULIN ROUGE (UK, E.A. Dupont, 1928) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MOBY DICK (UK, John Huston, 1956) ; MOANA (US, Robert Flaherty, 1926) ; MILLION, LE (FR, Rene Clair, 1931) ; METROPOLIS (GG, Fritz Lang, 1927) ; MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943) ; MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929) ; MARTY (US, Delbert Mann, 1954) ; MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936) ; MAJOR BARBARA (UK, Gabriel Pascal, 1941) ; MADAME BOVARY (FR, Claude Chabrol, 1991) ; MACBETH (US, Orson Welles, 1948) ; M (G, Fritz Lang, 1931) ; LOVE PARADE, THE (US, Ernst Lubitsch, 1929) ; LIMELIGHT (US, Charles Chaplin, 1952) ; LIFEBOAT (US, Alfred Hitchcock, 1944) ; OSTATNI ETAP (PL, Wanda Jakubowska, 1948) ; LADY IN THE LAKE (US, Robert Montgomery, 1946) ; KID, THE (US, Charles Chaplin, 1921) ; JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; INVISIBLE MAN, THE (US, James Whale, 1933) ; INTOLERANCE (US, David Wark Griffith, 1916) ; HUMAN DESIRE (US, Fritz Lang, 1954) ; HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935) ; HOTEL DES INVALIDES (FR, Georges Franju, 1952) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HENRY V (UK, Laurence Olivier, 1944) ; HEIRESS, THE (US, William Wyler, 1949) ; HATFUL OF RAIN, A (US, Fred Zinnemann, 1957) ; HAMLET (UK, Laurence Olivier, 1948) ; HALLELUJAH (US, King Vidor, 1929) ; GREED (US, Erich von Stroheim, 1925) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; GLASS MENAGERIE, THE (US, Irving Rapper, 1950) ; VORMITTAGSSPUK (G, Hans Richter, 1928) ; GHOST GOES WEST, THE (UK, Rene Clair, 1935) ; GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947) ; GERVAISE (FR, Rene Clement, 1956) ; JIGOKUMON (JA, Teinosuke kinugasa, 1953) ; FURY (US, Fritz Lang, 1936) ; [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962) ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; FANTASIA (US, Walt Disney, 1940) ; ZEMLJA (UR, Alexksandr Dovzenko, 1930) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921) ; DEATH OF A SALESMAN (US, Laslo Benedek, 1951) ; DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945) ; CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; CITIZEN KANE (US, Orson Welles, 1941) ; CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) ; BROKEN BLOSSOMS (US, David Wark Griffith, 1919) ; BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BOOMERANG (US, Elia Kazan, 1947) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; BEZZERIDES, A.I. ; BEN HUR (US, Fred Niblo, 1925) ; BAMBI (US, David Hand, 1942) ; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924) ; BACK STREET (US, John M. Stahl, 1932) ; ATALANTE, L' (FR, Jean Vigo, 1934) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; APARAJITO (II, Satyajit Ray, 1957) ; ANNA CHRISTIE (US, Clarence Brown, 1930) ; ANATOMY OF A MURDER (US, Otto Preminger, 1959) ; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931) ; ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938) ; BROADWAY MELODY, THE (US, Harry Beaumont, 1929) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes indexURL status: URL: 'http://-'
Checked: 31/08/2021 1:14:06 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
More info
personality microfilm collection
THOMPSON, MARSHALL
More info
journal article
The True fiction of Sally Marshall in Australian Screen Education (1999) iss.20/21 p.66-71
More info
book
Undressing cinema : clothing and identity in the movies / Stella Bruzzi London New York: Routledge, 1997.
Call No: 226.4 BRUAuthor: Bruzzi, Stella, 1962 Place: London New YorkPublisher: RoutledgePubDate: 1997PhysDes: xxi, 226 p. : ill. ; 24 cmSubject: COSTUMES ; FASHION AND THE CINEMA ; GANGSTER FILMS ; ETHNIC GROUPS IN FILMS ; FEMME FATALE ; TRANSVESTISM ; GENDER AND THE CINEMA ; SHAFT (US, Gordon Parks Jr., 1971) ; SABRINA (US, Billy Wilder, 1954) ; PRETTY WOMAN (US, Garry Marshall, 1990) ; TROP BELLE POUR TOI (FR, Bertrand Blier, 1989) ; READY TO WEAR (US, Robert Altman, 1994) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; PIANO, THE (AT, Jane Campion, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; LEON (FR, Luc Besson, 1994) ; NEW JACK CITY (US, Mario Van Peebles, 1991) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; WAITING TO EXHALE (US, Forest Whitaker, 1995) ; DISCLOSURE (US, Barry Levinson, 1994) ; SINGLE WHITE FEMALE (US, Barbet Schroeder, 1992) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; GLEN OR GLENDA (US, Edward D. Wood, 1953) ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; MRS DOUBTFIRE (US, Chris Columbus, 1993) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) Notes: Includes bibliographical references (p. 208-216) and index; Filmography: p. 204-207ISBN: 0415139562 (hbk : alk. paper); 0415139570 (pbk : alk. paper)LON: 97007260; 13082009ID2: 38
More info
book
The unruly woman : gender and the genres of laughter / by Kathleen Rowe Austin, Tex.: University of Texas Press, 1995.
Call No: 451-025 ROWAuthor: Rowe, Kathleen, 1947 Edition: 1st edPlace: Austin, Tex.Publisher: University of Texas PressPubDate: 1995PhysDes: x, 272 p. : ill. ; 23 cmSeries: Texas film studies seriesSubject: COMEDIENNES ; FEMINISM AND THE CINEMA ; COMEDIES ; TRANSVESTISM ; MELODRAMA ; SITUATION COMEDY ; CARNIVAL AND THE CINEMA ; HEPBURN, KATHARINE ; ARNOLD, ROSEANNE ; MISS PIGGY ; WEST, MAE ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; ROSEANNE [TV] (US, 1988- ) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; BALL OF FIRE (US, Howard Hawks, 1942) ; BORN YESTERDAY (US, George Cukor, 1950) ; LADY EVE, THE (US, Preston Sturges, 1941) ; MOONSTRUCK (US, Norman Jewison, 1987) ; PRETTY WOMAN (US, Garry Marshall, 1990) ; SHE DONE HIM WRONG (US, Lowell Sherman, 1933) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; SYLVIA SCARLETT (US, George Cukor, 1935) ; GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953) Summary: Unruly women have been making a spectacle of themselves in film and on television from Mae West to Roseanne Arnold. In this groundbreaking work, Kathleen Rowe explores how the unruly woman - often a voluptuous, noisy, joke-making rebel or "woman on top" - uses humor and excess to undermine patriarchal norms and authority. At the heart of the book are detailed analyses of two highly successful unruly women - the comedian Roseanne Arnold and the Muppet Miss Piggy. Putting these two figures in a deeper cultural perspective, Rowe also examines the evolution of romantic film comedy from the classical Hollywood period to the present, showing how the comedic roles of actresses such as Katharine Hepburn, Barbara Stanwyck, and Marilyn Monroe offered an alternative, empowered image of women that differed sharply from the "suffering heroine" portrayed in classical melodramas; This feminist study of comedy in film and television offers exciting new opportunities for understanding these media. Written with verve and humor, it will be important reading for a wide popular and scholarly audience in mass communications, gender studies, and popular cultureNotes: Includes bibliographical references (p. [247]-260) and indexISBN: 0292790724; 0292770693 (pbk.)LON: 94013656; 10900401
More info
title clippings file
VALENTINE'S DAY : (US, Gary Marshall, 2010)
More info
title clippings file
VENUS BEAUTE (INSTITUT) : (FR, Tonie Marshall, 1998)
More info
title clippings file
YOUNG DOCTORS IN LOVE : (US, Garry Marshall, 1982)
More info