Search Catalogue

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: WHIPP, SIMON

PhysDes: Article
Subject: PHAR LAP (AT, Simon Wincer, 1983); MAN OF FLOWERS (AT, Paul Cox, 1983); COX, PAUL; SCHULTZ, CARL; WEIR, PETER; AUSTRALIAN FILM INSTITUTE AWARDS; INDUSTRY, FILM. AUSTRALIA
Summary: List of nominees for the 1983 AFI awards

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: ABBOTT AND COSTELLO IN HOLLYWOOD (US, S. Sylvan Simon, 1945)
Notes: Review from "Twelve Thousand Motion Pictures" article. - Barrie Pattison (assistant reviewer)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ACADEMY, THE (AT, Simon Target, 2000)

Call No: TITLE CLIPPINGS FILE; LOVE, SIMON (US, Greg Berlanti, 2018)
Author: Johnson, Neala
PhysDes: Clippings File_Article
Subject: LOVE, SIMON (US, Greg Berlanti, 2018)
Summary: Katherine Langford talks about how important her new film is.

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIA. 2010's
Author: Hawker, Philippa
PhysDes: Clippings File Article
Subject: AUSTRALIA; LOOKING FOR GRACE (AT, Sue Brooks, 2015); DAUGHTER, THE (AT, Simon Stone, 2015); SHERPA (AT/NP, Jennifer Peedom, 2015); MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015); GOLDSTONE (AT, Ivan Sen, 2016); JASPER JONES (AT, Rachel Perkins, 2017); LION (AT, Garth Davis, 2016); RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Summary: Snippets on a number of Australian films that are scheduled to be released in cinemas in 2016

Call No: 79AGA BIN
Author: Binns, Bronwyn; Jones, Ian. joint author; Jones, Ian
Place: Richmond, Vic.
Publisher: Heinemann Educational Australia
PubDate: 1978
PhysDes: 161p. : ill. ; 24cm
Series: Australian theatre workshop ; no.19
Subject: AGAINST THE WIND [TV] (AT, George T. Miller/Simon Wincer, 1978)
Notes: Australian cinema films. Scripts (ANB/PRECIS SIN 0270555); Original Cataloguing-in-Publication had Jones, Ian as main entry
ISBN: 0858591960 : $4.25 Aust
LON: anb85859196; 1653509

Call No: 79AGA COU
Author: Courtis, Brian; White, Graham; Marshall, Ian
CorpAuthor: Seven Network (Australia)
Place: South Melbourne, Vic.
Publisher: HSV7
PubDate: c1978
PhysDes: 80 p. : ill., (some col.), maps ; 27 cm
Subject: AGAINST THE WIND [TV] (AT, George T. Miller/Simon Wincer, 1978)
Notes: Caption title; Maps on endpapers
ISBN: 095917906
Order Received: 2000
Order Type: Donation
LON: 5770946

Call No: S AGA
Author: Green, Cliff
PubDate: [1978]
PhysDes: 80 leaves
Subject: AGAINST THE WIND [TV] (AT, George T. Miller/Simon Wincer, 1978)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: S AGA
Author: Green, Cliff
PubDate: [1978]
PhysDes: 71 leaves
Subject: AGAINST THE WIND [TV] (AT, George T. Miller/Simon Wincer, 1978)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: N79AGA BUT
Author: Butler, Richard
Source: AT
Place: Sydney
Publisher: Transworld Publishers
PubDate: 1978
PhysDes: 236 p. ; 18cm.
Series: Corgi Books
Subject: AGAINST THE WIND [TV] (AT, George T. Miller/Simon Wincer, 1978)
ISBN: 0552110566

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AGAINST THE WIND [TV] (AT, George T. Miller/Simon Wincer, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALLNIGHTER, THE (US, Tamar Simon Hoffs, 1987)

Call No: 71(73) MON
Author: Monaco, James
Source: US
Place: New York
Publisher: New American library
PubDate: 1979
PhysDes: 544 p. : ill. ; 24 cm
Subject: MOTION PICTURES - HISTORY; ALLEN, WOODY; ALTMAN, ROBERT; BOGDANOVICH, PETER; BROOKS, MEL; CASSAVETES, JOHN; COPPOLA, FRANCIS FORD; DE PALMA, BRIAN; LUCAS, GEORGE; MAZURSKY, PAUL; RITCHIE, MICHAEL; SCORSESE, MARTIN; SPIELBERG, STEVEN; SCHRADER, PAUL; SIMON, NEIL
Summary: "Hollywood movies today are bigger - but are they better than ever? In this major examination of modern American cinema, one of our leading film critics ponders this question - and produces a wide-screen picture of the answer. Here in detail are the careers and creative milestones of the new "Whiz Kids" of hollywood - such glittering names as Scorsese, De Palma, Lucas, Spielberg, Altman, Mazursky, and Coppola. Here are the new masters of comedy - Neil Simon, Mel Brooks, Woody Allen. Here are the blockbusters that made fiscal history- Jaws, The Exorcist, the Godfather, Star Wars, Close Encounters of the Third Kind, Nashville, Superman, and all the others. Here, too, are the masterpieces that passed unnoticed, and the disasters that Hollywood would like to forget. Here are the new writers turning out novelizations of screenplays and screenplays of novels, and the current and rising stars who collectively represent America's vision of glamour and aristocracy. Above all, here is a bottom-line report on the new economics that have turned Hollywood from an old-fashioned industry centered on making movies into a "leisure-time" business obsessed with making money for coporate owners. Add to this a complete rundown of the top critics' choice for the best films of the decade, and a comprehensive "Who's Who" in current American filmmaking, and you have American Film Now- the definitve guide to the film industry as it is today and as it will be tomorrow." BOOK BLURB
Notes: Includes index.
Donation: donated by Senses of Cinema, 2010
Contents: -- 1 Properties and packages: Getting started, building "projects", the rules of the game -- 2 Products and profits: conglomeration, the cash flow, slicing the pie, agenting -- 3 The entertainment machine: " Eat, swim, play, not talk!", the family of genres, the quarks of film -- 4: The people who make movies: the assets, Obiter Dicta: major contributors, the rest of the crew -- 5 The Whiz kids: Peter Bogdanovich, Billy Friedkin, Martin Scorsese, Brian De Palma, George Lucas, Steven Spielberg, Paul Schrader -- 6 The black film ( and the black image): Hello, Sam; Ossie davis, Gordon Parks, Melvin Van Peebles, Bill Gunn, Michael Schultz -- 7 The importance of being funny: comics and comedians: whats funny?, the genre and the style, the sunshine boys make movies: Neil Simon, Mel Brooks, Woody Allen -- 8 Myth, reality, and other ways of meaning: Realism and documentary, the mythos and ethos, myth for myth's sake, "If you want to send a message, call Western Union", The way we live now -- 9 Who's talking? Cassavetes, Altman, and Coppola: John Cassavetes and the mystiwue of the actor, Robert Altman and the myth of the character, Francis Coppola: the Stinky Kid as mogul -- 10 Who's talking? Ritchie and Mazursky: Michael Ritchie the ironist, Paul Mazursky the satirist -- 11 The fourth estate: Begelmania, A new constellation, What is to be done? -- The Data -- Critics and critical choices -- the best films of the decade -- ten major filmographies: Woody Allen, Robert Altman, John Cassavetes, Francis Coppola, Brian De Palma, George Lucas, Paul Mazursky, Michael Ritchie, Martin Scorsese, Steven Spielberg -- reading about American film now: a guide -- references -- Who's who in Americn film now?: writers, directors, actors, actresses, producers, cinematographers, composers, designers, special effects, sound -- index -- credits

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: AMERICAN TAIL: FIEVEL GOES WEST, AN (US, Phil Nibbelink & Simon Wells, 1991)

Call No: TITLE CLIPPINGS FILE; DAUGHTER, THE (AT, Simon Stone, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: DAUGHTER, THE (AT, Simon Stone, 2015)
Summary: Stratton reviews the Australian film THE DAUGHTER
Rating: 4.5 out of 5 stars

Author: Schwartz, Eric
PhysDes: Article
Subject: MCGREGOR, ANGELA PUNCH; BREALEY, GIL; ANNIE'S COMING OUT (AT, Gil Brealey, 1984); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); LIGHTHORSEMEN, THE (AT, Simon Wincer, 1987); NEWSFRONT (AT, Phillip Noyce, 1978); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982)
Summary: Overseas correspondent Eric Schwartz interviews director Gil Brealey and star Angela Punch McGregor of the film “Annie's Coming Out”. Altough the article is mainly focused on “Annie’s Coming Out” there is brief discussion of other films either Brealey or McGregor have been involved with
Notes: "Annie's Coming Out" is also known by its US title "A Test of Love"

Author: Cecil, Garth
PhysDes: Article
Subject: DUGGAN, SIMON; HACKSAW RIDGE (US/AT, Mel Gibson, 2016)
Summary: Simon Duggan talks about being the cinematograher on the Mel Gibson directed film Hacksaw Ridge. He talks about the choreography of shooting action scenes and the important role of the editor in these types of scenes. He also talks about shooting in Australia and having it double for American and Japanese locations.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ARTFUL HISTORY: A RESTORATION COMEDY (US, Jason Simon/Mark Dion, 1988)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: ARTHUR THE KING (US , Simon Cellan Jones, 2021)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AT LAST BULLAMAKANKA, THE MOTION PICTURE (AT, Simon Heath, 1985[prod. 1983])

Author: Cecil, Garth
PhysDes: Article
Subject: CHAPMAN, SIMON; GLITCH [TV](AT, 2015-)
Summary: Cinematographer Simon Chapman talks about working on the Australian tv series Glitch. He talks about filming in rural Australia and has favourite shots to set up.

Call No: 735.2 (94) SHE
Author: Shelley, Peter
Source: US/UK
Place: Jefferson, North Carolina, and London
Publisher: McFarland & Company Inc
PubDate: c2012
PhysDes: vi, 320 p. : ill. ; 26 cm
Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1988); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Ann Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1993); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010)
Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB
Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index
ISBN: 9780786461677
Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit
Subject: BACKSLIDING (AT/UK, Simon Target, 1991)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Palace Entertainment
PhysDes: 1 photograph : b&w ; 13 x 19cm
Subject: CLIMO, BRETT; BACKSLIDING (AT/UK, Simon Target, 1991)
Summary: 1 black and white photograph of Brett Climo behind a fence

Call No: TITLE CLIPPINGS FILE; BREATH (in production)
Author: Rawsthorne, Sally; Sharp, Annette; Moran, Jonathon; Halliwell, Elle; Domjen, Briana
PhysDes: Clippings File Article
Subject: BREATH (AT, Simon Baker, 2017)
Summary: Filming has begun on Simon Baker's directional debut, Breath.

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BAKER, SIMON
URL status: URL: 'http://file://Q:/P/BAKER,_SIMON.zip' Checked: 31/08/2021 1:05:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: BALLAD OF THE SAD CAFE (US/UK, Simon Callow, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: BALTO (US, Simon Wells, 1995)

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUFOY, SIMON

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEE MOVIE (US, Steve Hickner & Simon J. Smith, 2007)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BELL, SIMON

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BEUFOY, SIMON

PhysDes: Article
Subject: PHAR LAP (AT, Simon Wincer, 1983); SEXTON, JOHN; WILLIAMSON, DAVID
Summary: Article on the inspiration to film 'Phar Lap'

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BOSSELL, SIMON

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BOURKE, SIMON

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BREATH (AT, Simon Baker, 2017)

Call No: P BRE
Place: AT
PubDate: 2018
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: BREATH (AT, Simon Baker, 2017)
Notes: Image with ocean
Donation: Cinema Nova

Call No: P BRE
Place: AT
PubDate: 2018
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: BREATH (AT, Simon Baker, 2017)
Notes: Image with male characters holding surf boards
Donation: Cinema Nova

Author: Marks, Dick
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : TASMANIA; LEONG, ARON; BREEDING IN CAPTIVITY (AT, Lucien Simon, 2015)
Summary: Director of photography, Aron Leong discusses his work on Tasmanian produced film, 'Breeding in Captivity' (currently in pre-production)
Notes: Interview

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRING ME THE HEAD OF RAFAELLO CARBONI! (AT, Simon Strong, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: BROKEN (UK, Simon Boyes and Adam Mason, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BUCKMINSTER FULLER: THINKING OUT LOUD (US, Karen Goodman & Kirk Simon, 1996)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Ken Newton Media Consultants
PhysDes: 2 photographs : b&w ; 17 x 22 cm - 26 x 18 cm
Subject: FRIELS, COLIN; CHILVERS, SIMON; BUDDIES (AT, Arch Nicholson, 1983)
Summary: Two black and white photographs relating to the film Buddies

Call No: TITLE CLIPPINGS FILE; DAUGHTER, THE (AT, Simon Stone, 2015)
Author: Hall, Sandra
PhysDes: Clippings File Article
Subject: DAUGHTER, THE (AT, Simon Stone, 2015)
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOD'S OFFICES [BUREAUX DE DIEU, LES] (FR/BE, Claire Simon, 2008)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings; Stills
Subject: BURKE, SIMON

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CALLOW, SIMON

Call No: TITLE CLIPPINGS FILE; COMPETITION, THE (AT, Simon Weaving, 2014)
Author: Kennedy, Chris
PhysDes: Clippings
Subject: COMPETITION, THE (AT, Simon Weaving, 2014)
Summary: Review of the Canberra-produced and exhibited film.
ID2: 217
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAUTIONARY TAIL, A (AT, Simon Rippingale, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHARLEY'S WEB (AT, Simon Heath, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY HAPPY FAMILY [CHEMI BEDNIERI OJAKHI] (GO/GG/FR, Nana Ekvtimishvili & Simon Groß, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: CHICKEN CHRONICLES, THE (US, Francis Simon, 1977)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Study guide
Subject: CHILDREN IN THE PICTURES (AT, Akhim Dev/Simon Nasht, 2021)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CHILVERS, SIMON

Call No: PERSONALITY STILL
Source: AT
PhysDes: 1 photograph : b&w ; 25 X 20 cm.
Subject: CHILVERS, SIMON
Summary: Studio headshot of Simon Chilvers
Notes: Image highlights yellowing (oxidising); staple attached to the image

Author: Russell Edwards
PhysDes: Article
Subject: BANA, ERIC; Lyndon, Simon; COLOSIMO, VINCE; CHOPPER (AT, Andrew Dominik, 2000)
Summary: Review of Chopper

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CITY LOVERS (SA, Barney Simon, 1982)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 6 photographs : b&w ; 13 x 18 cm - 21 x 30 cm
Subject: BURKE, SIMON; HAYWOOD, CHRIS; O'DONNELL, MARILYN; CLINIC, THE (AT, David Stevens, 1982)
Summary: Six black and white photographs (including one photocopy) relating to The clinic
Notes: Contains a duplicate

Call No: 806.7 BLA
Author: Blades, Joseph Dalton
Place: New York
Publisher: Arno Press
PubDate: 1976
PhysDes: 227 p. ; 24 cm.
Subject: CRITICISM; CRITICS. USA; KAEL, PAULINE; SIMON, JOHN; KAUFFMANN, STANLEY; SARRIS, ANDREW; CRIST, JUDITH; CANBY, VINCENT
Summary: An analysis of the writing of six American film critics looking at their differences, and the differences between them and their predecessors, and what they contribute to an understanding of film.
Notes: Bibliography: p. 219-227.
ISBN: 0405075324

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMPETITION, THE (AT, Simon Weaving, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CON AIR (US, Simon West, 1997)

Call No: 71(94) HAL
Author: Hall, Sandra, 1942
Place: Adelaide
Publisher: Rigby
PubDate: 1985
PhysDes: 200 p. : ill., ports. ; 22 cm
Subject: AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; GENRES; GENRES. AUSTRALIA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; ROAD MOVIES; ROAD MOVIES. AUSTRALIA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); DON'S PARTY (AT, Bruce Beresford, 1976); CLUB, THE (AT, Bruce Beresford, 1980); PUBERTY BLUES (AT, Bruce Beresford, 1981); BREAKER MORANT (AT, Bruce Beresford, 1980); GALLIPOLI (AT, Peter Weir, 1981); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MONKEY GRIP (AT, Ken Cameron, 1982); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); STORM BOY (AT, Henri Safran, 1976); PHAR LAP (AT, Simon Wincer, 1983); MAD DOG MORGAN (AT, Philippe Mora, 1976); SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); RAZORBACK (AT, Russell Mulcahy, 1984)
ISBN: 0727020102 : $16.95 Aust
LON: anb72702010; 3401972

PhysDes: Article
Subject: CROCODILE DUNDEE IN LOS ANGELES (US/AT, Simon Wincer, 2001)
Summary: Reviewed and listed as #1 in '25 worst movies of all time'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CROCODILE DUNDEE IN LOS ANGELES (US/AT, Simon Wincer, 2001)

Author: Michael Hutak
PhysDes: Article
Subject: CROCODILE DUNDEE IN LOS ANGELES (US/AT, Simon Wincer, 2001)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CUP, THE (AT, Simon Wincer, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CUP, THE (AT, Simon Wincer, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: D.A.R.Y.L. (UK, Simon Wincer, 1985)

Author: Stratton, David
PhysDes: Article
Subject: D.A.R.Y.L. (UK, Simon Wincer, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity
Subject: DAISY AND SIMON (HK/AT, Stasch Radwanski Jr., 1989)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 5 photographs : b&w ; 20 x 26 cm
Subject: SCULLY, SEAN; ADELE, JAN; McEWAN, COLIN; DAISY AND SIMON (HK/AT, Stasch Radwanski Jr., 1989)
Summary: 5 black and white photographs of various characters and scenes from the film.

Call No: DIGITAL FILE
Author: Stone, Simon
Edition: shooting script
Place: Woollahra, NSW
PubDate: Sep-14
PhysDes: 98 leaves
Subject: DAUGHTER, THE (AT, Simon Stone, 2015)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAUGHTER, THE (AT, Simon Stone, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAY OF THE BROKEN, THE (AT, Simon J. Dutton, 2014)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 43 photographs : b&w ; 13 x 18 cm.-21 x 26 cm
Subject: SCHEPISI, FRED; DIGNAM, ARTHUR; BURKE, SIMON; TATE, NICK; HARDY, JONATHAN; FRAWLEY, JOHN; LINDSAY, DANEE; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976)
Summary: Forty three photographs relating to the film The devil's playground
Notes: Contains multiple duplicates. Single image donated by Brian McFarlane

Call No: 734-01 MAR
Author: Martin, Brett
Source: US
Place: New York
Publisher: Penguin Books
PubDate: [2013]
PhysDes: 303 pages : illustrations ; 22 cm
Subject: CRIME DRAMAS; TELEVISION. USA; CABLE TV. USA; HBO; BREAKING BAD [TV] (US, 2008-2013); DEADWOOD [TV] (US, 2004); SHIELD, THE [TV] (US, 2002-); SOPRANOS, THE [TV] (US, 1999-); WIRE, THE [TV] (US, David Simon, 2002)
Summary: "In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows on cable channels dramatically stretched television's narrative inventiveness, emotional resonance, and artistic ambition. Combining deep reportage with cultural analysis and historical context, Brett Martin recounts the rise and inner workings of a genre that represents not only a new golden age for TV, but also a cultural watershed." - taken from back cover.
Notes: Includes bibliographical references (pages 293-295) and index.
ISBN: 9780143125693
Contents: Prologue -- Part One: Previously On -- One. In This Maligned Medium -- Two. Which Films? -- Three. A Great Notion -- Four. Should We Do This? Can We Do This? -- Part Two: The Beast in He -- Five. Difficult Men -- Six. The Arguer -- Seven. The Magic Hubig's -- Eight. Being The Boss -- Nine. A Big Piece Of Equipment -- Ten. Have A Take. Try Not To Suck -- Part Three: The Inheritors -- Eleven. Shooting The Dog -- Twelve. See You At The Emmys -- Thirteen. The Happiest Room In Hollywood. -- Epilogue

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: DIG, THE (UK, Simon Stone, 2021)

Call No: TITLE CLIPPINGS FILE; GENERATION KILL [TV] (US/UK, Susanna White, Simon Cellan Jones, 2008)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: GENERATION KILL [TV] (US/UK, Susanna White, Simon Cellan Jones, 2008); WAR ON TV
Summary: Review of the HBO miniseries Generation Kill, made by the creators of The Wire. Based on the memoir by Evan Wright, it documents the experiences of a journalist during the early days of the Iraq War.

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: DOWNTON ABBEY A NEW ERA (UK/US, Simon Curtis, 2022)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DUST AND GLORY (AT, Simon West, 2013)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: DUTTON, SIMON

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: EAU DE LA VIE (NZ, Simon Bare, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ECHO OF THUNDER, THE [TV] (AT, Simon Wincer, 2000)

PhysDes: Article
Subject: HOYTS; MICHAEL EDGLEY INTERNATIONAL; PHAR LAP (AT, Simon Wincer, 1983); ONE NIGHT STAND (AT, John Duigan, 1984); COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); INDECENT OBSESSION, AN (AT, Lex Marinos, 1985)
Summary: Article on the new $25-30million deal between Hoyts and Michael Edgley International to produce four australian feature films.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EDIE (UK, Simon Hunter, 2017)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: ELIZABETH THE UNSEEN QUEEN (UK , Simon Finch, 2022)

PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE AWARDS; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); WILD DUCK, THE (AT, Henri Safran, 1983); CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983); MOLLY (AT, Ned Lander, 1983); PHAR LAP (AT, Simon Wincer, 1983); CITY'S EDGE, THE (AT, Ken Quinnell, 1983)
Summary: List of films, along with the director and producer, nominated for an AFI Award

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 13 photographs : b&w ; 13 x 18 cm - 28 x 21 cm
Subject: MOTHERWELL, PHIL; DALY, JIM; FIELD, DAVID [actor]; MORGAN, ROBERT; HUNTER, BILL; WOODWARD, SIMON; SHAW, JAMES; OLIVER, TOBY; EVERYNIGHT, EVERYNIGHT (AT, Alkinos Tsilimidos, 1994)
Summary: Thirteen black and white photographs relating to the film Everynight, everynight (including two photocopies of original files which are under the Oliver, Toby and Shaw, James files)
Notes: Contains duplicates

Author: Cecil, Garth
PhysDes: Article
Subject: COMMIS, ANDREW; DAUGHTER, THE (AT, Simon Stone, 2015)
Summary: Cinematographer Andrew Commis ACS talks about shooting the Australian drama The Daugher directed by Simon Stone. He talks about location filming and working on the post production among other things.

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Royall, Ian
Subject: DISTRIBUTION. DVD. AUSTRALIA; HOME VIDEO MARKETING; AUSTRALIAN VISUAL SOFTWARE DISTRIBUTORS ASSOCIATION; BUSH, SIMON
Summary: The slashing of DVD prices fuels high sales of the product. The article looks at the shortening of cinema to DVD sales release and why DVD is a popular format. Good article!
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- "Big chains such as Big W, Kmart and Target are driving prices on DVDs and CDs down to bare margins to lure customers. Full retail price for a new movie is usually more than $40, but the chains are marking them down to about $27, while the same titles sell in specialist retailers for $36 to $40."; -- ""Studios are making decisions now as to whether to fund movies, based on follow-through sales to DVD and video" Mr Bush said."; -- "Distributors also have shortened the time between cinema release and DVD release. Initially it was to beat piracy, but the extra incentive is to get the movie out while it's still fresh in the public's mind. A few years ago, the gap between cinema and DVD release was as much as 18 months. Now, it can be as brief as three months, depending on the studio and the type of movie."

Call No: 512.1 COX
Author: Cox, Peter, 1953; Goldsworthy, Fred
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1995
PhysDes: vi, 202 p. : ill. ; 26 cm
Subject: MACBETH (US/UK, Roman Polanski, 1971); TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962); MAN WITHOUT A FACE, THE (US, Mel Gibson, 1993); MASK (US, Peter Bogdanovich, 1985); OUTSIDERS, THE (US, Francis Ford Coppola, 1983); PLAYING BEATIE BOW (AT, Donald Crombie, 1986); POWER OF ONE, THE (US, John G. Avildsen, 1992); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PROJECT X (US, Johnathan Kaplan, 1987); RADIO FLYER (US, Richard Donner, 1992); SILVER BRUMBY, THE (AT, John Tatoulis, 1993); STRICTLY BALLROOM (AT, Baz Luhrmann, 1992); BENNY AND JOON (US, Jeremiah S. Chechick, 1993); JURASSIC PARK (US, Steven Spielberg,, 1993); BREAKER MORANT (AT, Bruce Beresford, 1980); BREAKFAST CLUB, THE (US, John Hughes, 1985); CHOCOLATE WAR, THE (US, Keith Gordon, 1988); DANCES WITH WOLVES (US, Kevin Costner, 1990); DANNY THE CHAMPION OF THE WORLD (UK/US, Gavin Millar, 1989); EDWARD SCISSORHANDS (US, Tim Burton, 1990); FLIRTING (AT, John Duigan, 1991); FREE WILLY (US, Simon Wincer, 1993); HAMLET (US, Franco Zeffirelli, 1990); INTO THE WEST (UK/US, Mike Newell, 1992); LADYHAWKE (US, Richard Donner, 1985); LEAGUE OF THEIR OWN, A (US, Penny Marshall, 1992); LEAN ON ME (US, John G. Avildsen, 1989)
Notes: CIP confirmed; Includes index; For secondary school students; Bibliography
ISBN: 0195536452
LON: 11238278

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: FEMALE (AT, Simon Burton, 1987)

Call No: 753 LEI
Author: Leitch, Thomas
Edition: John Hopkins paperback edition, 2009
Source: US
Place: Baltimore MD
Publisher: John Hopkins University Press
PubDate: 2007
PhysDes: xi, 354 p. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. DOYLE, ARTHUR CONAN; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. DICKENS, CHARLES; AUTEUR THEORY; AUTHORSHIP; LITERATURE AND THE CINEMA; STONE, OLIVER; GONE WITH THE WIND (US, Victor Fleming, 1939); PASSION OF THE CHRIST, THE (US, Mel Gibson, 2004); PRIDE AND PREJUDICE [TV] (UK/US, Simon Langton, 1995)
Summary: "Most books on film adaptation - the relation between films and their literary sources - focus on a series of close one-to-one comparisons between specific films and canonical novels. This volume identifies and investigates a far wider array of problems posed by the process of adaptation. Thomas Leitch considers how the creators of short silent films attempted to give them the weight of literature, what sorts of fidelity are possible in an adaptation of sacred scripture, what it means for an adaptation to pose as an introduction to, rather than a transcription of, a literary classic, and why and how some films have sought impossibly close fidelity to their sources. Leitch's analysis moves beyond literary sources to consider why a small number of adaptors have risen to the status of auteurs and how illustrated books, comic strips, video games, and true stories have been adaptated to the screen." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. [325]-338) and index
ISBN: 9780801892714
Contents: -- acknowledgments -- 1: Literature versus literacy -- 2: One-reel epics -- 3: The word made film -- 4: Entry-level Dickens -- 5: Between adaptation and allusion -- 6: Exceptional fidelity -- 7: Traditions of quality -- 8: Streaming pictures -- 9: The hero with a hundred faces -- 10: The adapter as auteur -- 11: Postliterary adaptation -- 12: Based on a true story -- notes -- bibliography -- index --

Call No: 058 FIL "1985"
Author: Clark, Al
Source: AT
Place: South Yarra, Vic
Publisher: Currey O'Neil Ross
PubDate: 1984
PhysDes: 208 p.: ill. ; 28 cm
Subject: HARGREAVES, JOHN; HUGHES, WENDY; SHEPARD, SAM; CRUISE, TOM; WOODS, JAMES; QUAID, DENNIS; EVERETT, RUPERT; BEDELIA, BONNIE; CONTI, TOM; LITHGOW, JOHN; HAZLEHURST, NONI; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983); MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983); SUR, EL (SP/FR, Victor Erice, 1983); SILKWOOD (US, Mike Nichols, 1983); OSTERMAN WEEKEND, THE (US, Sam Peckinpah, 1983); TRADING PLACES (US, John Landis, 1983); TERMS OF ENDEARMENT (US, James L. Brooks, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); SPLASH (US, Ron Howard, 1984); RIGHT STUFF, THE (US, Philip Kaufman, 1983); STRANGERS KISS (US, Matthew Chapman, 1983); STAYING ALIVE (US, Sylvester Stallone, 1983); TOY, THE (US, Richard Donner, 1982); KRULL (UK, Peter Yates, 1983); SUDDEN IMPACT (US, Clint Eastwood, 1983); HONORARY CONSUL, THE (US, John MacKenzie, 1983); BRAINSTORM (US, Douglas Trumbull, 1983); AGAINST ALL ODDS (US, Taylor Hackford, 1984); BREATHLESS (US, Jim McBride, 1983) LUNE DANS LA CANIVEAU, LA; YENTL (US, Barbara Streisand, 1983); FOOTLOOSE (US, Herbert Ross, 1984); MOON IN THE GUTTER, THE (FR/IT, Jean-Jacques Beineix, 1983) SEE; GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES (US/UK, Hugh Hudson, 1984); PHAR LAP (AT, Simon Wincer, 1983); RAZORBACK (AT, Russell Mulcahy, 1984)
Summary: The film yearbook contains stills, credits and reviews of all films released betweenJuly 1983 and July1984. In-depth features by the world's leading film critics on the movies they've enjoyed most, the ones they've liked least and the newcomers they think will succeed. Reports from around the world. Articles about the film industry. Quotes of the year. Awards list, box-office charts, reference section... and even more than before. Taken from back cover of the book.
Notes: On cover: with special Australian section
ISBN: 0859021548
Language: English
Donation: donated by the family of Wayne Levy, 2006

Author: Delaney, Colin
PhysDes: Article
Subject: DIX, JUSTIN; KEARNEY, LIZ; AVERY, JULIUS; LEE, SIMON; ERVINE, JEREMY; CAMPBELL, DAVID
Summary: Colin Delaney speaks with five filmmakers about making their first feature: Justin Dix who wrote, directed and produced Crawlspace; Liz Kearney producer of These Final Hours; Julius Avery who directed Son of a Gun; Simon Lee director of documentary Dream Racer; and pair Jeremy Ervine and David Campbell writer directors of Lemon Tree Passage.

Call No: TITLE CLIPPINGS FILE; HOWARD ON MENZIES: BUILDING MODERN AUSTRALIA [TV](AT, Simon Nasht, 2016)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: HOWARD ON MENZIES: BUILDING MODERN AUSTRALIA [TV](AT, Simon Nasht, 2016)
Summary: Postive review of the TV documentary HOWARD ON MENZIES: BUILDING MODERN AUSTRALIA

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: FISHER-TURNER, SIMON

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FLIGHT FOR LIFE [TV] (AT, Simon Taget, 1999)

Author: Salter, Denbeigh
PhysDes: Article
Subject: BLUE THUNDER (US, John Badham, 1983); PHAR LAP (AT, Simon Wincer, 1983); PSYCHO II (US, Richard Franklin, 1983)
Summary: Reviews of 'Blue Thunder', 'Phar Lap', 'Psycho II', and 'The Draughtsman's Contract'

Author: McMahon, Jenna
PhysDes: Article
Subject: OZOLINS, SIMON; TOMORROW WHEN THE WAR BEGAN [TV] (AT, 2016-); CINEMATOGRAPHY
Summary: Cinematographer Simon Ozlins ACS talks about the TV adaptation of Tomorrow When the War Began directed by Brendan Maher. He talks about camera equipment used and working closely with the director.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRANK HURLEY: THE MAN WHO MADE HISTORY [TV] (UK/AT, Simon Nasht, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: FRAU UND DER FREMDE, DIE (GE, Rainer Simon, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: FREE WILLY (US, Simon Wincer, 1993)

Call No: PERSONALITY CLIPPINGS FILE; STONE, SIMON
Author: Albert, Jane
PhysDes: Clippings File Article
Subject: STONE, SIMON
Summary: Interview with theatre and film director Simon Stone, where he mentions his film work THE DAUGHTER

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: GENERAL'S DAUGHTER, THE (US, Simon West, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GENERATION KILL [TV] (US/UK, Susanna White, Simon Cellan Jones, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GET POLSON (AT, Simon Chapman & Jason Glover, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Study guide
Subject: GET REAL (UK, Simon Shore, 1998)

Author: White, Merran
PhysDes: Interview; Review; Illustration(s)
Subject: SHORE, SIMON; GET REAL (UK, Simon Shore, 1998)

Author: Tudball, Libby
PhysDes: Study guide; Illustration(s)
Subject: GET REAL (UK, Simon Shore, 1998)

PhysDes: Article
Subject: LIGHTHORSEMEN, THE (AT, Simon Wincer, 1987)
Summary: Location report on 'The Lighthorsement'

PhysDes: Article
Subject: MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); INDUSTRY, FILM. AUSTRALIA; WINCER, SIMON; PREMIERES. AUSTRALIA; BIRCH CARROLL AND COYLE
Summary: Article and photographs from Queensland premiere of 'The Man From Snowy River'.

Call No: 67 (049.32) KAE
Author: Kael, Pauline
Edition: 1st
Source: US
Place: Boston
Publisher: Little Brown & Co.
PubDate: c1968
PhysDes: xiii, 304 p. ; 22 cm.
Subject: CRITICISM; BARBARELLA (FR/IT, Roger Vadim, 1967); BIRTHDAY PARTY, THE (UK, William Friedkin, 1968); BOSTON STRANGLER, THE (US, Richard Fleischer, 1968); BROTHERHOOD, THE (US, Martin Ritt, 1968); BULLITT (US, Peter Yates, 1968); BYE BYE BRAVERMAN (US, Sidney Lumet, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); CHARLIE BUBBLES (UK, Albert Finney, 1967); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); CHARLY (US, Ralph Nelson, 1968); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); FACES (US, John Cassavetes, 1968); FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968); FIXER, THE (US, John Frankenheimer, 1968); FUNNY GIRL (US, William Wyler, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); ICE STATION ZEBRA (US, John Sturges, 1968); IF... (UK, Lindsay Anderson, 1968); I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968); JOANNA (UK, Michael Same, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); MODEL SHOP, THE ( FR/US, Jacques Demy, 1969); NIGHT OF THE FOLLOWING DAY, THE (US, Hubert Cornfield, 1968); NIGHT THEY RAIDED MINSKY'S, THE (US, William Friedkin, 1968); NO WAY TO TREAT A LADY (US, Jack Smight, 1968); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); POOR COW (UK, Kenneth Loach, 1967); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); PRODUCERS, THE (US, Mel Brooks, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); SECRET CEREMONY (UK, Joseph Losey, 1969); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SPLIT, THE (US, Gordon Flemyng, 1968); STALKING THE MOON (US, Robert Mulligan, 1969); BAISERS VOLES (FR, Francois Truffaut, 1968); SUBJECT WAS ROSES, THE (US, Ulu Grosbard, 1968); SWEET NOVEMBER (US, Robert Ellis Miller, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968)
Notes: "An Atlantic monthly press book"; "Movie reviews originally published in the New Yorker, Jan. 1968-Mar. 1969"
Donation: Donated by Senses Of Cinema, 2009
Contents: --foreword -- 1: movies by the week: first sequence p1 -- Movies as Opera , 'China is Near' p3 -- Celebrities make spectacles of themselves, 'Wild 90' p9 -- Ciphers, 'How to save a marriage- and ruin your life'/ 'Sebastian' p18 -- Intentions, 'Poor cow' p25 -- Making Lawrence more Lawrentian, 'The Fox' p29 -- Apes Must Be Remembered, Charlie, 'Planet of the Apes'/ 'Sweet November'/' Doctor Faustus' p36 -- A Great Folly, and a Small One, Mae March's death and 'Intolerance'/'Charlie Bubbles' p42 -- That Clean Old Peasant Again, 'The Two of Us'/'Bye Bye Braverman'/ 'The Good, the Bad and the Ugly' / 'A Matter of Innocence' p49 -- Business as Usual, 'We Still Kill the Old Way' / 'The Secret War of Harry Frig' p55 -- The Freedom to Make Product, '30 is a Dangerous Age, Cynthia' / 'Here We Go Round the Mulberry Bush' p59 -- O Pioneer!, 'The Producers' / 'Op the Junction' / 'A Midsummer Night's Dream' p66 -- The Old Wave, 'Benjamin '/ 'No Way to Treat a Lady' p72 -- A Minority Movie,'La Chinoise' p76 -- 2: Trash, Art, and the Movies p85 -- 3: Movies by the Week: Second Sequence p131 -- Bravo!, 'Funny girl' p132 -- Weekend in Hell, 'Weekend' p138 -- War as Vaudeville, 'The Charge of the Light Brigade' / 'Les Biches' / 'You are What You Eat' / 'Duffy' / 'Charly' p145 -- 'She Came at Me in Sections', 'Romeom and Juliet' / 'I Love You, Alice b. Toklas!' / ' Finian's Rainbow' / 'The Subject was Roses' p153 -- Cripes!, 'Star!' / 'Bullit" / 'The Boston Strangler' p161 -- A Fresh Start, 'Pretty Poison' / 'Secret Ceremony' / 'Barbarella' p168 -- Lioness in Winter, 'The Lion in Winter' p174 -- Muddling Through, 'The Shoes of the Fisherman' / 'The Split' / 'Head' p179 -- Metamorphosis of the Beatles, 'Yellow Submarine' p187 -- the Corrupt and the Primitive, 'Joanna' / 'Faces ' p193 -- The Concealed Art of Carol Reed, 'Oliver!' p200 -- Frightening the Horses, 'The Killing of Sister Geroge' / 'The Fixer' / 'The Girl on a Motorcycle' / 'A Flea in Her Ear' / 'The Magus' / 'The Birthday Party' / 'Greetings ' p206 -- A Sign of Life, 'Shame' p214 -- Big Misses, 'Ice Station Zebra' / 'Candy' / Chitty Chitty Bang Bang' p222 -- Filmed Theatre, 'the Sea Gull' p228 -- Baggy Pants, 'The Night they Raided Minsky's' / 'The Sergeant' p237 -- Son of Little Ceaser, 'The Brotherhood' p243 -- Overkill? 'The Stalking Moon' p248 -- Saintliness, 'Simon of the Desert' p254 -- The Lady from Across the Sea, 'Model Shop' p263 -- He Walks in Beauty, 'Mayerling' / 'Hell in the Pacific' p273 -- The Small Winner, 'Stolen Kisses' / 'Three in the Attic' / 'the Night of the Following Day' p273 -- SChool Days, School Days 'If...' / 'The Prime of Miss Jean Brodie' p279 -- index p289 --

Call No: TITLE CLIPPINGS FILE; WOMAN IN GOLD (US/UK, Simon Curtis, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: ART IN FILMS; NAZIS IN FILMS; WOMAN IN GOLD (US/UK, Simon Curtis, 2015)
Summary: Review of 2015 film WOMAN IN GOLD, starring Helen Mirren as a Jewish victim of Nazi persecution who claims her family are the rightful owners of Klimt's famous painting, 'Woman in Gold'
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE; WOMAN IN GOLD (US/UK, Simon Curtis, 2015)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: ART AND THE CINEMA; ART IN FILMS; WOMAN IN GOLD (US/UK, Simon Curtis, 2015)
Summary: Interview with director of WOMAN IN GOLD Simon Curtis about his experiences working on the film and working with Helen Mirren. The article draws parallels between the film and other recent real-life scandals surrounding artworks.

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GOODBYE CHRISTOPHER ROBIN (UK, Simon Curtis, 2017)

Call No: TITLE CLIPPINGS FILE; WOMAN IN GOLD (US/UK, Simon Curtis, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: WOMAN IN GOLD (US/UK, Simon Curtis, 2015); NAZIS IN FILMS
Summary: Review of 2015 film Woman in Gold, starring Helen Mirren as a Jewish victim of Nazi persecution who claims her family are the rightful owners of Klimt's famous painting, 'Woman in Gold'
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GRZELI NATELI DGEEBI (GO/GG/FR, Nana Ekvtimishvilli &Simon Gross, 2013); IN BLOOM (GO/GG/FR, Nana Ekvtimishvilli &Simon Gross, 2013)

Call No: S HAR
Author: De Roche, Everett
PubDate: [1979?]
PhysDes: 123 leaves
Subject: HARLEQUIN (AT, Simon Wincer, 1980)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HARLEQUIN (AT, Simon Wincer, 1980)

Call No: N79HAR HET
Author: Hetherington, Keith
Source: AT
Place: East Melbourne, Vic.
Publisher: Unicorn Books
PubDate: 1980
PhysDes: 184p. ; 18cm.
Subject: HARLEQUIN (AT, Simon Wincer, 1980)
Summary: "Gregory Wolfe is the Harlequin, the modern day Rasputin. Nick Rast is a wealthy government senator who is being groomed as the new head of government. His son is dying of leukaemia. The Harlequin enters his life, appears to cure his son, and steals his wife away from him. The establishment who is grooming Nick attempts to present Wolfe as a fraud, but when that fails, tries to have him killed. Wolfe retaliates with supernatural power in the spell-binding climax." - BOOK BLURB
ISBN: 0867570032
Donation: donated by the family of Wayne Levy, 2006

Author: Ginnane, Antony I
PhysDes: Article
Subject: HARLEQUIN (AT, Simon Wincer, 1980)

Author: Schwartz,
PhysDes: Article
Subject: HARLEQUIN (AT, Simon Wincer, 1980)

PhysDes: Article
Subject: HARLEQUIN (AT, Simon Wincer, 1980)
Summary: Review

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Guo Gilm Distributors (distributor)
PhysDes: 4 photographs : b&w ; 21 x 26 cm
Subject: POWELL, ROBERT; HEMMINGS, DAVID; CRAWFORD, BRODERICK; SPAIN, MARK; HARLEQUIN (AT, Simon Wincer, 1980)
Summary: Four black and white photographs from the film Harlequin

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HARLEY DAVIDSON & THE MARLBORO MAN (US, Simon Wincer, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: I HAVE NEVER FORGOTTEN YOU: THE LIFE AND LEGACY OF SIMON WIESENTHAL (US, Richard Trank, 2007)
ID2: 82

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HOENGER, SIMON

Author: Reid, Mary Anne
PhysDes: Article
Subject: LAST FRONTIER, THE [TV] (AT, Simon Wincer, 1986)
Summary: Location report on 'The Last Frontier' Credits

Call No: TITLE CLIPPINGS FILE in production; BREATH in production
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: BREATH (AT, Simon Baker, 2017)
Summary: Interview with veteran producer Mark Johnson and his thoughts on working to get the film BREATH into production and his relationship with the film's director Simon Baker

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOWARD ON MENZIES: BUILDING MODERN AUSTRALIA [TV](AT, Simon Nasht, 2016)

PhysDes: Article
Subject: HOYTS; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); PARADISE (CN, Stuart Gillard, 1982); ONE FROM THE HEART (US, Francis Ford Coppola, 1982); BARBAROSA (US, Fred Schepisi, 1982); STARSTRUCK (AT, Gillian Armstrong, 1982); ON GOLDEN POND (US, Mark Rydell, 1981); VICE SQUAD (US, Gary Sherman, 1982); INSIDE MOVES (US, Richard Donner, 1980); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); MOONLIGHTING (UK, Jerzy Skolimowski, 1982); BRIMSTONE AND TREACLE (UK, Richard Loncraine, 1982); GINGER MEGGS (AT, Jonathan Dawson, 1982); WHO DARES WIN (UK, Ian Sharp, 1982); SLUMBER PARTY MASSACRE, THE (US, Amy Jones, 1982); BEACH GIRLS, THE (US, Pat Townsend, 1982); SOLDIER, THE (US, James Glickenhaus, 1982); ESCAPE ARTIST, THE (US, Caleb Deschanel, 1982); HAMMETT (US, Wim Wenders, 1982); ZAPPED ! (US, Robert J. Rosenthal, 1982); ENIGMA (UK/FR, Jeannot Szwarc, 1983); HUMONGOUS (CN, Paul Lynch, 1982); PHAR LAP (AT, Simon Wincer, 1983)
Summary: List of current and coming Hoyts productions.

Call No: 40(04)(94) CUN
Author: Cunningham, Stuart
Place: St Lucia, Qld
Publisher: University of Queensland Press
PubDate: 2008
PhysDes: xxxix, 294 p. ; 23 cm
Subject: CULTURE AND THE CINEMA. AUSTRALIA; IMPERIALISM AND TV. AUSTRALIA; TELEVISION AND THE CINEMA. AUSTRALIA; BAXTER, JOHN; MURDOCH, RUPERT; BODYLINE [TV] (AT, Carl Schultz & George Ogilvie & Lex Marinos & Denny Lawrence, 1984); COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985); DIRTWATER DYNASTY [TV] (AT, John Power & Michael Jenkins, 1988); DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983); EUREKA STOCKADE [TV] (AT, Rod Hardy, 1984); IN THE WAKE OF THE BOUNTY (AT, Charles Chauvel, 1933); LAST BASTION, THE (AT, Chris Thomson and Dr. George Miller, 1984); LAST FRONTIER, THE [TV] (AT, Simon Wincer, 1986); MAD MAX (AT, George Miller, 1979); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); MAD MAX II (AT, George Miller, 1981); NEIGHBOURS [TV] (AT, 1985-); OVERLANDERS, THE (UK, Harry Watt, 1946); VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987)
Summary: "These essays, written over a twenty year period, bring together important works from one of Australias leading cultural studies thinkers. The selected papers map the trajectory of our changing culture and the way the field of cultural, media and communication studies have adapted to accommodate these changes."--Provided by publisher
Notes: Includes bibliographical references and index
ISBN: 9780702236709

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters
Subject: INSIDE ADAM SWIT [MY MAN ADAM] (US, Roger L. Simon, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INVASION PLANET EARTH (UK/FR, Simon Cox, 2019)
Notes: Simon_Batch 17_191210

Call No: 753AUS JAN
Author: Greenfield, Sayre N., 1956; Troost, Linda, 1957
Source: US
Place: Lexington
Publisher: University Press of Kentucky
PubDate: c1998
PhysDes: 202 p., [16] p. of plates : ill. ; 24 cm
Subject: ADAPTATIONS. AUSTEN, JANE; FEMINISM AND THE CINEMA; MASCULINITY IN FILMS; WOMEN AND THE CINEMA; MEN IN FILMS; WOMEN IN FILMS; THOMPSON, EMMA; EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); SENSE AND SENSIBILITY (US, Ang Lee, 1995); PRIDE AND PREJUDICE (US, Robert Z. Leonard, 1940); PRIDE AND PREJUDICE [TV] (UK/US, Simon Langton, 1995); PERSUASION (UK, Roger Michell, 1995)
Summary: "In 1995 and 1996 six film or television adaptations of Jane Austen's novels were produced - an unprecedented number. More amazing, all were critical and/or box office successes. What accounts for this explosion of interest? Much of the appeal of these films lies in our nostalgic desire at the end of the millenium for an age of greater politeness and sexual reticence. Austen's ridicule of deceit and pretentiousness also appeals to our fin de siècle sensibilities. The novels were changed, however, to enhance their appeal to a wide popular audience, and the revisions reveal much about our own culture and its values. These recent productions espouse explicitly twentieth-century feminist notions and reshape the Austenian hero to make him conform to modern expectations. Linda Troost and Sayre Greenfield present fourteen essays examining the phenomenon of Jane Austen as cultural icon, providing thoughtful and sympathetic insights on the films through a variety of critical approaches. The contributors debate whether these productions enhance or undercut the subtle feminism that Austen promoted in her novels." - BOOK JACKET
Notes: Includes bibliographical references (p. 186-187) and index
ISBN: 0813120845 (alk. paper)
LON: 13891695
Contents: Introduction: watching ourselves watching / Linda Troost and Sayre Greenfield -- Out of the drawing room, onto the lawn / Rachel M. Brownstein -- Balancing the courtship hero: masculine emotional display in film adaptation of Austen's novels / Cheryl L. Nixon -- Misrepresenting Jane Austen's ladies: revising texts (and history) to sell films / Rebecca Dickson -- Austen, class and the American market / Carol M. Dole -- Jane Austen, film, and the pitfalls of postmodern nostalgia / Amanda Collins -- "A correct taste in landscape": Pemberley as fetish and commodity / H. Elisabeth Ellington -- Mr. Darcy's body: privileging the female gaze / Lisa Hopkins -- Emma becomes Clueless / Suzanne Ferriss -- "As if!": translating Austen's ironic narrator to film / Nora Nachumi -- Emma Thompson's Sense and Sensibility as gateway to Austen's novel / M. Casey Diana -- "Piracy is our only option": postfeminist intervention in Sense and Sensibility / Kristin Flieger Samuelian -- Feminist implications of the silver screen Austen / Devoney Looser -- Mass marketing Jane Austen: men, women, and courtship in two film adaptations / Deborah Kaplan

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 12 photographs : b&w ; 21 x 26 cm ; 2 film transparency : 2 x 4 cm
Subject: MCDONNELL, LEVERNE; MCCLORY, BELINDA; WESTAWAY, SIMON; MANN, TRACY; NOBIS, FELIX; JANUS [TV] (AT, 1994)
Summary: 12 black and white photographs of scenes from the TV series and 2 film transparencies

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 17 x 22 cm
Subject: SHEERIN, JOHN; JARRATT, JOHN; TAYLOR, NOAH; HUDSON, ELAINE; YEMM, NORMAN; HAMILTON, JULIE; RIGG, REBECCA; HOWARD, JOHN; COOK, PENNY; LUCAS, BETTY; KENNARD, MALCOLM; BOSELL, SIMON; JOH'S JURY [TV] (AT, Ken Cameron, 1993)
Summary: One black and white photograph of the cast of the television mini-series Joh's Jury

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHN BELL: ONE MAN SHOW (AT, Simon Target, 2016)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 11 photographs : b&w ; 13 x 18 cm - 22 x 30 cm
Subject: GRAHAM, MARCUS; ARMSTRONG, KERRY; WESTAWAY, SIMON; LONEY, MICHAEL; SHEVTSOV, GEORGE; ELLIOTT, RON; BLACK, LAURA; GRAHAM, MARCUS; ANDERS, JAMES; JUSTICE (AT, Ron Elliott, 1998)
Summary: 11 photographs relating to the film Justice.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: KING'S SCHOOL [TV] (AT, Simon Target, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: KNOTS (UK, Simon Perry, 1972)

PhysDes: Article
Subject: KOEPUTKIAIKUINEN JA SIMON ENKELIT (FI, Spede Pasanen, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KORIAM'S LAW AND THE DEAD WHO GOVERN (AT/US, Gary Kildea/Andrea Simon, 2006)
Notes: Simon-Batch 16B_Nov 26, 2019

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LAHERTY, SIMON

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LARA CROFT: TOMB RAIDER (US, Simon West, 2001)

Call No: N79LAS SAY
Author: Sayle, Amanda
Source: UK
Place: London ; Melbourne
Publisher: Arrow Books
PubDate: 1986
PhysDes: 286 p. ; 18 cm
Subject: LAST FRONTIER, THE [TV] (AT, Simon Wincer, 1986)
ISBN: 0099516209
Donation: donated by the family of Wayne Levy, 2006

Call No: D LAST FRONTIER, THE
Source: AT
Place: [Northcote, Vic]
Publisher: Umbrella Entertainment
PubDate: c2009
PhysDes: 1 videodisc (DVD) (ca. 180 min.) : sd., col ; 4 3/4 in
Subject: LAST FRONTIER, THE [TV] (AT, Simon Wincer, 1986)
Summary: "An American woman's courageous struggle to carve out a new life for herself and her family amid the harsh splendour of great Australian outback. Made in 1986 by the producer of Picnic at Hanging Rock, - this classic mini-series stars Linda Evans (Dynasty) as an American divorcee who marries a handsome Australian cattleman (Tony Bonner - Skippy). She makes the tough decision to shift her family to the the unforgiving Australian bush, but soon finds herself and her two teenage children stranded on a drought and debt-ridden ranch. Caught in a feud between a local land baron (Jason Robards - All The President's Men) and his idealistic son (Jack Thompson - Breaker Morant, Australia ), Evans refuses to get involved but soon falls on the side of love. This classic mini-series sees an all-star cast play out an epic tale of romance and drama in the forbidding beauty of the Australian outback. " - DVD BLURB
Notes: Originally released as a mini-series; Censorship classification: PG
Technical Details: All regions ; PAL
Credits: Directed by Simon Wincer ; executive producer Hal McElroy ; produced by Tim Sanders ; written by Michael Laurence ; from an original story by Michael Laurence and Hal McElroy
Standard Number: 3000000071823
Performer: Linda Evans, Jason Robards, Jack Thompson, Judy Morris, Tony Bonner

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST FRONTIER, THE [TV] (AT, Simon Wincer, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIFE OF STUFF, THE (UK, Simon Donald, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIFE OF STUFF, THE (UK, Simon Donald, 1997)

Call No: N79 LIG MIT
Author: Mitchell, Elyne
Source: AT
Place: Ringwood, Vic.
Publisher: Penguin Books
PubDate: 1987
PhysDes: 208 p. : 1 map ; 19 cm
Subject: LIGHTHORSEMEN, THE (AT, Simon Wincer, 1987)
ISBN: 0140103880

Author: Courkis, Brian
PhysDes: Article
Subject: LIGHTHORSEMEN, THE (AT, Simon Wincer, 1987)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Prospectus; Press kit; Clippings
Subject: LIGHTHORSEMEN, THE (AT, Simon Wincer, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIGHTHOUSE (US, Simon Hunter, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Prospectus
Subject: LIGHTNING JACK (AT, Simon Wincer, 1994)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 13 x 18 cm
Subject: HOGAN, PAUL; LIGHTNING JACK (AT, Simon Wincer, 1994)
Summary: Black and white photograph of Paul Hogan as Lightning Jack Kane, the Australian larrikin who is seeking fame in the Wild West

Call No: 81MCM MCM
Author: McMurty, Larry
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: 2009
PhysDes: 175 pages ; 23 cm
Subject: CRITICISM; FILM WORKERS; SCRIPTWRITERS; SCRIPTWRITING; BOGDANOVICH, PETER; MCMURTRY, LARRY; LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971); LONESOME DOVE (US, Simon Wincer, 1989)
Summary: "Larry McMurtry is that rarest of artists, a prolific and genre-transcending writer who has delighted generations with his witty and elegant prose. In LITERARY LIFE, the sequel to BOOKS, he expounds on the private trials and triumphs of being a writer. From his earliest inkling of his future career while at Rice University, to his tenure as a Wallace Stegner fellow at Stanford with Ken Kesey in 1960, to his incredible triumphs as a best-selling author, this intimate and charming autobiography is replete with literary anecdotes and packed with memorable observations about writing, writers, and the author himself. It is a work to be cherished not only by McMurtry's admirers, but by the innumerable aspiring writers who seek to make their own mark on American literature." [BOOK BLURB]
ISBN: 9781439159941
Donation: Simon Wincer

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: LONESOME DOVE (US, Simon Wincer, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOVE NEVER DIES (AT, Brett Sullivan, Simon Phillips, 2012)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: LOVE, SIMON (US, Greg Berlanti, 2018)

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: Lyndon, Simon

PhysDes: Article
Subject: MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); MILLER, GEORGE T.; WINCER, SIMON; DOUGLAS, KIRK; HOYTS; INDUSTRY, FILM. AUSTRALIA
Summary: Synopsis and cast listing for 'The Man from Snowy River'.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARC & ANN (US, Les Blank & Maureen Gosling & Chris Simon, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARS NEEDS MOMS (US, Simon Wells, 2011)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: MCDONALD, SIMON

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MECHANIC, THE (US, Simon West, 2011)

Call No: 19DRE LAP
Author: LaPorte, Nicole
Source: US
Place: Boston ; New York
Publisher: Mariner Books
PubDate: 2011
PhysDes: xix, 491 pages ; 21 cm
Subject: DREAMWORKS SKG; PRODUCERS; PRODUCTION CENTRES : HOLLYWOOD; EISNER, MICHAEL; GEFFEN, DAVID; KATZENBERG, JEFFREY; SPIELBERG, STEVEN; AMERICAN BEAUTY (US, Sam Mendes, 1999); AMISTAD (US, Steven Spielberg, 1997); PRINCE OF EGYPT, THE (US, Brenda Chapman, Steve Hickner & Simon Wells, 1998); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SHREK (US, Kelly Asbury & Andrew Adamson, 2001)
Summary: "For sixty years, the lineup of Hollywood's major studios varied little. Then came the Circus Maximus created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg (who gave the world The Lion King). Nothing in decades had approached the excitement surrounding the empire called DreamWorks, where hype, glory, and investors vying to kick in billions gave way to blowups, battles, and betrayals worthy of THE GODFATHER. Nicole LaPorte reveals for the first time the delicious truths of what happened behind the scenes. Readers will feel they are part of the creative calamities of moviemaking as LaPorte's fly-on-the-wall detail shows us Hollywood's bizarre rules of business. We see clashes between the often otherworldly Spielberg's troops and Katzenberg's warriors, the debacles and disasters, but also the Oscar-winning triumphs, such as SAVING PRIVATE RYAN. We see Geffen seducing investors and watch as the studio burns through billions while its rich owners get richer and everybody else suffers. Here is Hollywood - up close, glamorous, and gritty." [TAKEN FROM BOOK BLURB]
Notes: Includes index
ISBN: 9780547520278
Donation: Simon Wincer

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: MIDNIGHT SPECIAL (AT, Simon Klaebe, 1994)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 7 photographs : b&w ; 13 x 18 cm
Subject: CALLAGHAN, JEREMY; MIDNIGHT SPECIAL (AT, Simon Klaebe, 1994)
Summary: 7 black and white photographs of scenes from the film and scenes being filmed. Halloween ghouls.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MIL GRITOS TIENE LA NOCHE (SP/US, Juan Piquer Simon, 1982 [prd. 1981])

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MORTAL KOMBAT (AT/US, Simon McQuoid, 2021)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MUNNERY, SIMON

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY WEEK WITH MARILYN (UK/US, Simon Curtis, 2011)
ID2: 96

Call No: S MY
Author: Hodges, Adrian
Edition: Shooting script [blue revisions]
PubDate: 2010 Oct. 5
PhysDes: 59 leaves
Subject: MY WEEK WITH MARILYN (UK/US, Simon Curtis, 2011)
Notes: Unpublished script

Call No: 802.25(94) MAL
Author: Malone, Peter (Peter J.)
Source: AT
Place: Sydney
Publisher: Currency Press
PubDate: 2000
PhysDes: 1 v
Subject: DIRECTORS. AUSTRALIA; ARMSTRONG, GILLIAN; BERESFORD, BRUCE; BURSTALL, TIM; CROMBIE, DONALD; DE HEER, ROLF; HICKS, SCOTT; MILLER, GEORGE; NOYCE, PHIL; PARSONS, NICHOLAS; RUANE, JOHN; SCHEPISI, FRED; STORM, ESBEN; TASS, NADIA; THORNHILL, MICHAEL; WALLACE, STEPHEN; WINCER, SIMON
Notes: Includes index
ISBN: 0868196096 : $27.50
LON: 21841061

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings, Press kit
Subject: THE NAKED LUNCH AND THE NAKED THE NAKED LUNCH, THE (AT, Simon Strong, 2008); CRONENBERG, DAVID; NAKED LUNCH (CN/UK, David Cronenberg, 1991)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: NASCAR 3D: THE IMAX EXPERIENCE (US, Simon Wincer, 2004)

Call No: TITLE CLIPPINGS FILE; WOMAN IN GOLD (US/UK, Simon Curtis, 2015)
Author: -
PhysDes: Clippings File Article
Subject: WOMAN IN GOLD (US/UK, Simon Curtis, 2015); NAZIS IN FILMS
Summary: Review of 2015 film WOMAN IN GOLD
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: NEIL SIMON'S THE ODD COUPLE II (US, Howard Deutch, 1998)

Call No: PERSONALITY CLIPPINGS FILE; BAKER, SIMON
Author: Hooton, Amanda
PhysDes: Clippings File Article
Subject: BAKER, SIMON; RIGG, REBECCA; BREATH (AT, Simon Baker, 2017)
Summary: In depth interview with Simon Baker, discussing his life and career, particularly the upcoming film BREATH, which he will be the star, director and producer of

Author: Roberts, Margaret
PhysDes: Article
Subject: CHARLY'S WEB [TV] (AT, Simon Heath, 1986)
Summary: Production report; ill; cred.

Call No: 753.1 GER
Author: Geraghty, Christine
Source: US
Place: Lanham, MD
Publisher: Rowman & Littlefield
PubDate: 2008
PhysDes: vii, 223 p. ; ill. ; 23 cm
Series: Genre and beyond
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. BECKETT, SAMUEL; ADAPTATIONS. PROUST, MARCEL; ADAPTATIONS. WOOLF, VIRGINIA; ADAPTATIONS. WILLIAMS TENNESSEE; BAZIN, ANDRE; PRIDE AND PREJUDICE (US, Robert Z. Leonard, 1940); PRIDE AND PREJUDICE [TV] (UK/US, Simon Langton, 1995); PRIDE AND PREJUDICE (UK, Joe Wright, 2005); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); BROKEBACK MOUNTAIN (US, Ang Lee, 2005)
Summary: "Going beyond the process of adaptation of literature to film, Geraghty is more interested in the films themselves and how they draw on our sense of recall. While a film reflects its literary source, it also invites comparisons to our memories of and associations with other versions of the original. For example, a viewer may watch the 2005 big-screen production of Pride and Prejudice and look back on the BBC's 1995 mini-series as well as Jane Austen's novel. Adaptations also rely on the conventions of genre, editing, acting, and sound to engage with our recollections-elements that many movie critics tend to forget when focusing solely on faithfulness to the written word."-BOOK JACKET
Notes: includes filmography; includes bibliographical references; includes index
ISBN: 9780742538214
Donation: donated by Senses of Cinema
Contents: -- Acknowledgments -- Introduction -- 1. Narrative and Characterization in Classic Adaptations: David Copperfield, Oliver Twist, and Pride and Prejudice -- 2. Art Cinema, Authorship, and the Impossible Novel: Adaptations of Proust, Woolf, and Joyce -- 3. Tennessee Williams on Film: Space, Melodrama, and Stardom -- 4. Feminism, Authorship, and Genre: Adaptations of the Novels of Edna Ferber and Pearl S. Buck -- 5. Revising the Western: Movement and Description in The Last of the Mohicans and Brokeback Mountain -- 6. Space, Setting, and Mobility in Old New York: The Heiress, The House of Mirth, and Gangs of New York -- Conclusion -- Filmography -- Selected Bibliography -- Index -- About the Author --
ID2: 87

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings
Subject: OPERATION DUMBO DROP (US, Simon Wincer, 1995)

Author: Trustrum, Jenny
PhysDes: Article
Subject: LAST FRONTIER, THE [TV] (AT, Simon Wincer, 1986)
Summary: Location report on 'The Last Frontier'

Call No: TITLE CLIPPINGS FILM; LOVE, SIMON (US, Greg Berlanti, 2018)
Author: Stratton, David
PhysDes: Clippings File_Article
Subject: LOVE, SIMON (US, Greg Berlanti, 2018); EARLY MAN (US/UK/FR, Nick Park, 2018); ENDLESS, THE (US, Justin Benson / Aaron Moorhead, 2017)
Summary: David Stratton reviews the new releases.
Rating: 3.5 out of 5 stars; 3 out of 5 stars; 3 out of 5 stars

Call No: D OZploitation volume 1
Source: AT
Place: [Australia]
Publisher: Umbrella Entertainment
PubDate: 2004
PhysDes: 6 videodiscs (DVD) (ca. 701 min.) : sd., col. with b&w sequences ; 4 3/4 in.
Subject: ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); HARLEQUIN (AT, Simon Wincer, 1980); NAKED BUNYIP, THE (AT, John B. Murray, 1970); ROADGAMES, (AT, Richard Franklin, 1981); NIGHT OF FEAR (AT, Terry Bourke, 1973); INN OF THE DAMNED (AT, Terry Bourke, 1974)
Summary: Includes seven films from the Australian genre cinema of the '70s and early '80s.
Notes: DAVID1434. Rated M.
Contents: The adventures of Barry McKenzie (1972); Roadgames (1981); Turkey shoot (1981); Harlequin (1980); The naked bunyip (1970); Night of fear (1973); Inn of the damned (1974)
Technical Details: PAL ; All regions.
Credits: Directors, Bruce Beresford, Richard Franklin, Simon Wincer, John B. Murray, Brian Trenchard-Smith, Terry Bourke.
Also Titled: The adventures of Barry McKenzie.; Roadgames.; Harlequin.; The naked bunyip.; Turkey shoot.; Inn of the damned.; Night of fear.
Standard Number: 3000000070161
Performer: The adventures of Barry McKenzie: Barry Crocker, Barry Humphries ; Roadgames: Stacy Keach, Jamie-Lee Curtis ; Harlequin: Robert Powell, David Hemmings ; The naked bunyip: Graeme Blundell, Gordon Rumph ; Turkey shoot: Steve Railsback, Olivia Hussey ; Night of fear: Norman Yemm, Carla Hoogeveen ; Inn of the damned: Judith Anderson, Alex Cord.

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: PALOMARES, SIMON

PhysDes: Article
Subject: GET REAL (UK, Simon Shore, 1998); WILDE, PATRICK
Summary: Writer Patrick Wilde talks about "Get real".

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PEGG, SIMON

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PENGUINS OF MADAGASCAR (US, Eric Darnell / Simon J. Smith, 2014)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: PERRY, SIMON

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PHANTOM, THE (AT/US, Simon Wincer, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills; Study guide; Publicity; Press kit
Subject: PHAR LAP (AT, Simon Wincer, 1983)

PhysDes: Article
Subject: PHAR LAP (AT, Simon Wincer, 1983); HOYTS; PREMIERES. AUSTRALIA
Summary: Report on the world premiere of 'Phar Lap' in Sydney

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 19 photographs : b&w ; 14 x 9 - 26 x 21 cm
Subject: WOODCOCK, TOMMY; BURLINSON, TOM; VAUGHAN, MARTIN; DE BURGH, CELIA; MORRIS, JUDY; MORGAN, RICHARD; PHAR LAP (AT, Simon Wincer, 1983)
Summary: 19 black and white photographs of scenes from the film and the director. Includes Lachlan McKinnon, Dave Davis, and Harry Telford.

Call No: 79PHA WIL
Author: Wilkinson, Michael
Place: Sydney
Publisher: Budget Books
PubDate: 1983
PhysDes: 252 p., [12] p. of plates ; 18 cm
Subject: PHAR LAP (AT, Simon Wincer, 1983)
Notes: Racehorses: Phar Lap. Australia (ANB/PRECIS SIN 0661899); First published: Melbourne : Schwarz, 1980
ISBN: 0868010898 : $4.95 Aust
LON: 2855744 2855744

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PONDEROSA [TV] (US, Kevin James Dobson, Declan Eames, Chris Langman, Mark Piper & Simon Wincer, 2001)

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. SYDNEY
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: LAST CAB TO DARWIN (AT, Jeremy Sims, 2015) [copyright 2014]; FESTIVALS. SYDNEY; RUBEN GUTHRIE (AT, Brendan Cowell, 2015); HOLDING THE MAN (AT, Neil Armfield, 2015); DAUGHTER, THE (AT, Simon Stone, 2015)
Summary: Report on Australian features showing at the Sydney Film Festival, with a focus on four adaptations of plays that have been adapted for the cinema screen
Notes: located in the FESTIVALS. SYDNEY. 2015-2019 file

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PRIDE AND PREJUDICE [TV] (UK/US, Simon Langton, 1995)

Call No: PERSONALITY CLIPPINGS FILE; CHAPMAN, JAN
Author: Law, Benjamin
PhysDes: Clippings File Article
Subject: CHAPMAN, JAN; DAUGHTER, THE (AT, Simon Stone, 2015)
Summary: Interview with Australian producer Jan Chapman, where she discusses her career and her latest producer role for the film THE DAUGHTER

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: PRINCE OF EGYPT, THE (US, Brenda Chapman, Steve Hickner & Simon Wells, 1998)

PhysDes: Article
Subject: HAIRCUT, THE (US, Tamar Simon Hoffs, 1983)
Summary: Review; Ill.

Call No: 802 PRO v.5
Author: Boorman, John, 1933; Donohue, Walter
Place: London
Publisher: Faber and Faber
PubDate: 1996
PhysDes: viii, 312 p. : ill. ; 24 cm
Subject: CURTIS, JAMIE LEE; DE PALMA, BRIAN; Tarantino, Quentin; Stewart, James; VACHON, CHRISTINE; CURTIS, TONY; HARRYHAUSEN, RAY; PARK, NICK; SELICK, HENRY; WELLMAN, WILLIAM; MALLE, LOUIS; STAREVITCH, LADISLAS; PUMMELL, SIMON; ANNAUD, JEAN-JACQUES; ZINNEMANN, FRED; HAYNES, TODD; MOORE, JULIEANNE; WINGS (US, William Wellmann, 1927); SAFE (US, Todd Haynes, 1995); BEYOND RANGOON (US, John Boorman, 1995)
Notes: Includes filmography
ISBN: 0571178111 (pbk.)
LON: abn96281398; 12597197

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PUAMANA (US, Les Blank, Meleanna Meyer & Chris Simon, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: QUEEN S SISTER THE [TV] (UK, Simon Cellan Jones, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: QUEEN, THE (US, Frank Simon, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: QUIGLEY DOWN UNDER (US, Simon Wincer, 1990)

Call No: D QUIGLEY DOWN UNDER
Source: AT
Publisher: Metro Goldwyn Mayer
PubDate: [2003?]
PhysDes: 1 videodisc (DVD) (115 min.) : sd., col. ; 4 3/4 in
Subject: QUIGLEY DOWN UNDER (US, Simon Wincer, 1990)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: QUOLL FARM (AT, Simon Plowright, 2021)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED WHITE & BLUE (UK, Simon Rumley, 2010)

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA 2015
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: INDUSTRY, FILM. AUSTRALIA; THESE FINAL HOURS (AT, Zak Hilditch, 2013); NUMBSKULL (in production); MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015); DAUGHTER, THE (AT, Simon Stone, 2015); DRESSMAKER, THE (AT, Jocelyn Moorhouse, 2015); AWARDS. AUSTRALIAN WRITERS GUILD
Summary: Film industry news: These Final Hours will be atapted into a television series; Josh Lawson's Little Death is also being adapted by European filmmakers; Numbskull is in production; Early Winter has won the Venice Days Award written and directed by Michael Rowe; Postive reviews have been sited for Australian films A Month of Sundays, The Daughter and The Dressmaker. Nicole Kidman has also recieved positive reviews for her stage performance in Photograph 51; and the 2015 AWGIE awards announced.

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM & TV. AUSTRALIA (WEEKLY SUMMARIES)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: BREATH (AT, Simon Baker, 2017); SEE PICTURES; TICKET TO RIDE [company]; WALT DISNEY PRODUCTIONS; BOX OFFICE. AUSTRALIA; FESTIVALS. AUSTRALIA. ESSENTIAL INDEPENDENTS; WATTS, NAOMI; GYPSY [TV] in production; AVATAR sequels in production; JUSTICE LEAGUE, THE in production; STUFFED (AT, Warwick Young, 2014)
Summary: Round-up of film/tv industry news stories for the week, including: Simon Baker starting shooting of the film BREATH, AVATAR sequels production has begun, THE JUSTICE LEAGUE film starting shooting with well-known producers onboard including Dr George Miller Doug Mitchell, Barrie Osbourne, Managing Director of Australia/NZ Disney Catherine Powell is moving just as Disney's box office share in Australia is growing, Richard Sowada has put together a festival of American Independent cinema, Warwick Young has won Best Foreign Film category at the Beverly Hills Film Festival for his film STUFFED, Naomi Watts will produce and act in the Netflix series GYPSY

Call No: PERSONALITY CLIPPINGS FILE; REYNOLDS, RYAN
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: REYNOLDS, RYAN; DEADPOOL in production; WOMAN IN GOLD (US/UK, Simon Curtis, 2015); X-MEN ORIGINS: WOLVERINE (US/NZ/AT, Gavin Hood, 2009)
Summary: Interview with actor Ryan Reynolds about his performance in the 2015 film WOMAN IN GOLD, filming for his upcoming film DEADPOOL and his potential plans to retire once DEADPOOL is completed

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: REVOLT INTO STYLE (AT, Simon Burton, 1995)

Call No: 71(73) SEP
Author: Sepinwall, Alan
Edition: Updated edition
Source: US
Place: New York
Publisher: Touchstone
PubDate: [2012]
PhysDes: 451 pages ; 22 cm
Subject: OZ [TV](US, 1997-2003); SOPRANOS, THE [TV] (US, 1999-); WIRE, THE [TV] (US, David Simon, 2002); DEADWOOD [TV] (US, 2004); SHIELD, THE [TV] (US, 2002-); LOST [TV] (US, 2004 -); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); 24 [TWENTY-FOUR] [TV] (US, 2001-); BATTLESTAR GALACTICA [TV] (US, 2004-2009); FRIDAY NIGHT LIGHTS [TV] (US, 2006-2011); MAD MEN [TV] (US, 2007); BREAKING BAD [TV] (US, 2008-2013)
Summary: "In The Revolution Was Televised, celebrated TV critic Alan Sepinwall chronicles the remarkable transformation of the small screen over the past fifteen years. Focusing on twelve innovative television dramas that changed the medium and the culture at large forever, including The Sopranos, Oz, The Wire, Deadwood, The Shield, Lost, Buffy the Vampire Slayer, 24, Battlestar Galactica, Friday Night Lights, Mad Men, and Breaking Bad, Sepinwall weaves his trademark incisive criticism with highly entertaining reporting about the real-life characters and conflicts behind the scenes." - taken from back cover.
ISBN: 9781476739670
Contents: Previously, in The Revolution Was Televised... -- Introduction -- Prologue: Let's be careful out there... The shows that paved the way -- Ch. 1: What we were don't matter... Oz blazes a trail -- Ch. 2: All due respect... The Sopranos changes everything -- Ch. 3: All the pieces matter... The Wire as the Great American Novel for television -- Ch. 4: A lie agreed upon... The profane poetry of Deadwood -- Ch. 5: I'm a different kind of cop... The Shield takes anti-heroism to the limit -- Ch. 6: Do you want to know a secret?... The perfect storm of Lost -- Ch. 7: She saved the world. A lot... Buffy the Vampire Slayer gives teen angst some fangs -- Ch. 8: Tell me where the bomb is!... 24 goes to war on terror, boredom -- Ch. 9: So say we all... The thinking man's sci-fi of Battlestar Galactica -- Ch. 10: Clear eyes, full hearts... Friday Night Lights goes deep -- Ch. 11: It's a time machine... AMC gets into the game with Mad Men -- Ch. 12: I am the one who knocks!... Breaking Bad gives the recession the villain it needs -- Epilogue: Don't stop believing... The lasting legacy of the revolution -- Epilogue, Take Two: Listen to the thunder... How TV drama's Wild Wild West has only gotten wilder -- Where are they now? -- Acknowledgments

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: ROBSON, SIMON

Call No: TITLE CLIPPINGS FILE; BREATH (in production)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: BREATH (AT, Simon Baker, 2017)
Summary: Casting for the film BREATH

Call No: TITLE CLIPPINGS FILE; BOXTROLLS, THE (US, Graham Annable and Anthony Stacchi, 2014)
Author: Hardie, Giles
PhysDes: Clippings File Article
Subject: FROST, NICK; PEGG, SIMON; BOXTROLLS, THE (US, Graham Annable and Anthony Stacchi, 2014)
Summary: Interview with comic duo Simon Pegg and Nick Frost in regards to an animated film they provided voices for, The Boxtrolls. Some discussion about the upcoming Star Wars films

Call No: 71(94) DER v.2
Author: Dermody, Susan; Jacka, Elizabeth
Place: Sydney
Publisher: Currency Press
PubDate: 1987-<1988
PhysDes: v. <1-2 > ; 21 cm
Series: Australian screen series
Subject: BUDDY FILMS. AUSTRALIA; AUSTRALIA; THEORY. AUSTRALIA; CULTURAL IMPERIALISM. AUSTRALIA; CLASS AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; COMEDIES. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; MEN IN FILMS. AUSTRALIA; POLITICAL FILMS. AUSTRALIA; SEX IN FILMS. AUSTRALIA; REALISM IN FILMS. AUSTRALIA; AUSTRALIAN FILM COMMISSION; BREAKER MORANT (AT, Bruce Beresford, 1980); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983); GALLIPOLI (AT, Peter Weir, 1981); MAD MAX (AT, George Miller, 1979); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); MY BROTHER JACK (AT, Gil Brealey, 1965); ALVIN PURPLE (AT, Tim Burstall, 1973); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); FAR EAST (AT, John Duigan, 1982); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); HEATWAVE (AT, Phillip Noyce, 1981); KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981); MAD MAX II (AT, George Miller, 1981); NEWSFRONT (AT, Phillip Noyce, 1978); PALM BEACH (AT, Albie Thoms, 1979); PHAR LAP (AT, Simon Wincer, 1983); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); TOWN LIKE ALICE, A (AT, David Stevens, 1980); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982)
Notes: Includes bibliographies and index
ISBN: 0861911876 (v. 2); 0868191876 (v. 2)
LON: 5369777

Call No: TITLE CLIPPINGS FILE; WOMAN IN GOLD (US/UK, Simon Curtis, 2015)
Author: Romei, Stephen
PhysDes: Clippings File Article
Subject: WOMAN IN GOLD (US/UK, Simon Curtis, 2015)
Summary: Reviews of 2015 film WOMAN IN GOLD
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHED, THE (AT, Simon Humphries, 1997)

Call No: TITLE CLIPPINGS FILE in production; BREATH in production
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: BAKER, SIMON; BREATH (AT, Simon Baker, 2017)
Summary: Brief interview with Simon Baker, discussing directing his first feature film, Breath and well as his salary as star of TV show The Mentalist

Call No: TITLE CLIPPINGS FILE; BREATH in production
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: BAKER, SIMON; BREATH (AT, Simon Baker, 2017)
Summary: Report on the development of the Australian film BREATHE, to be directed by Australian actor Simon Baker

Call No: TITLE CLIPPINGS FILE; DAUGHTER, THE (AT, Simon Stone, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: DAUGHTER, THE (AT, Simon Stone, 2015)
Summary: Details for Q&A sessions in Sydney for the film THE DAUGHTER

Call No: TITLE CLIPPINGS FILE; DAUGHTER, THE (AT, Simon Stone, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: DAUGHTER, THE (AT, Simon Stone, 2015)
Summary: Details of the Q&A's in Melbourne to be held for the film THE DAUGHTER

Call No: TITLE CLIPPINGS FILE; DAUGHTER, THE (AT, Simon Stone, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: DAUGHTER, THE (AT, Simon Stone, 2015); STONE, SIMON

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SILENT MADNESS (US, Simon Nuchtern, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit
Subject: SIMON (US, Marshall Brickman, 1980)

Call No: TITLE CLIPPINGS FILE in production; BREATH in production
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: SCREEN AUSTRALIA; BAKER, SIMON; BREATH (AT, Simon Baker, 2017)
Summary: Brief interview with Simon Baker, discussing the funding approval from Screen Australia for directing his first feature film, Breath. Other funded films listed are: Berlin Syndrome, Circle Work. Tv dramas to be funded are: Mary - Making of a Princess, and Peter Brock

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SIMON BIRCH (US, Mark Steven Johnson, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SIMON DEL DESIERTO (MX, Luis Bunuel, 1965)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SIMON DEL DESIERTO (MX, Luis Bunuel, 1965)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SIMON MAGUS (UK/GG/IT/FR, Ben Hopkins, 1999)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SIMON, NEIL

Call No: SUBJECT CLIPPINGS FILE; AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS.(7th)
Author: Moran, Jonathon
PhysDes: Clippings File Article
Subject: AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS; BAKER, SIMON
Summary: Simon Baker received the 2017 AACTA Trailblazer Award

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SIMON SEZ (US, Kevin Elders, 1999)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: SKYFIRE (CC, Simon West, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: SNAPSHOT (AT, Simon Wincer, 1978)

Call No: 79SNA HET
Author: Hetherington, Keith
Source: AT
Place: Melbourne
Publisher: Sun Books
PubDate: 1979
PhysDes: 161p. ; 18cm
Subject: SNAPSHOT (AT, Simon Wincer, 1978)
Notes: Based on an original screenplay by Everett de Roche.
ISBN: 0725103256

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 19 x 24 cm
Subject: KEAYS-BYRNE, HUGH; THORNTON, SIGRID; SNAPSHOT (AT, Simon Wincer, 1978)
Summary: Three photographs relating to the film 'Snap-shot'

Call No: CRAWFORD STILL SPE
Source: AT
Publisher: Crawford Productions [distributor]
PhysDes: 105 photographs : b&w ; 16 x 26 cm - 21 x 26 cm
Subject: ALDENHOVEN, LISA; MAGUIRE, GERARD; QUAST, PHILLIP; WOOD, JOHN; DUNCAN, CARMEN; FINCH, STUART; LESLEY, LORNA; SMILLIE, JIM; DIEDRICH, JOHN; SYMONS, RED; HOLDEN, FRANKIE J.; HAWKINS, ANTHONY; LANDIS, NINA; GILLING, REBECCA; TABOR, KEVIN; JAYME, DEBORAH; KERR, BRUCE; MCKAY, KERRY; ANDREWS, GAEL; CHILVERS, SIMON; REDSHAW, MARIE; BRYON, ANTOINETTE; SPECIAL SQUAD [TV](AT, 1984-1985)
Summary: Photographs relating to the TV series 'Special Squad'
Notes: Album 2 contains photographs from the following episodes of Special Squad: 'The Wurzburg Link', 'Same Time Friday', 'Duel', 'The Set-Up' and , 'Golden Run',
Donation: Gift of Crawford Productions

Call No: CRAWFORD STILL SPE
Source: AT
Publisher: Crawford Productions [distributor]
PhysDes: 81 slides : col. + 23 transparencies : b&w ; 120 mm + 1 transparency : col. ; 120 mm + 9 negatives : b&w ; 35 mm
Subject: HAWKINS, ANTHONY; CASSELL, ALAN; DIEDRICH, JOHN; GILLING, REBECCA; MORTIMER, IAN; BANNISTER, KERRIE; WINCHESTER, ARNA-MARIA; UPJOHN, WILLIAM; GILL, VINCE; MCKAY, KERRY; CHILVERS, SIMON; ANDREWS, GAEL; LOBEZ, SUSANNA; LESLEY, LORNA; DUNCAN, CARMEN; SMILLIE, JIM; HAGAN, JENNIFER; WOODBURNE, JACKIE; OLIVER, TOM; CRAWFORD, ANNA; ALDENHOVEN, LISA; MAGUIRE, GERARD; QUAST, PHILIP; TAYLOR, GRIGOR; ARNOLD, RONNIE; ABIGAIL; HANNAN, JOHN; SALTMARSH, KIER; DEANS, JUDITH; DAHLSEN , PETER; SCOTT, RENEE; GALLACHER, FRANK; BISLEY, STEVE; GREGG, JOHN; HAYWOOD, CHRIS; FURNESS, DEBORRA-LEE; MCLUSKIE, KASSIE; SPECIAL SQUAD [TV](AT, 1984-1985)
Summary: Photographs, slides and negatives relating to the series 'Special Squad'
Notes: Images are arranged in groupings as received by Crawford Productions with their accompanying promotional sheets
Donation: Gift of Crawford Productions

Call No: TITLE STILL AUSTRALIA
Source: AT
Publisher: Dendy films
PubDate: [1994?]
PhysDes: 2 photographs : b&w ; 21 x 26 cm.
Subject: SPIDER & ROSE (AT, Bill Bennett, 1994); CRACKNELL, RUTH; BOSSELL, SIMON
Summary: Production still of Simon Bossell and Ruth Cracknell
Notes: 2 Photographs; 2 labels on reverse of photograph; White border surrounds image

Call No: TITLE STILL AUSTRALIA
Source: AT
Publisher: Dendy films
PubDate: [1994?]
PhysDes: 1 photograph : b&w ; 21 x 26 cm.
Subject: SPIDER & ROSE (AT, Bill Bennett, 1994); CRACKNELL, RUTH; BOSSELL, SIMON
Summary: Simon Bossell dressed as a ambulance officer talking to Ruth Cracknell. They stand outside a ambulance or other van.
Notes: Right edge reinforced with adhesive tape which is yellowing; Ball point pen annotation on reverse of right edge; Adhesive label on reverse; Significant damage from adhesive adhered to surface of the photograph.

Call No: TITLE STILL AUSTRALIA
Source: AT
Publisher: Dendy films
PubDate: [1994?]
PhysDes: 1 photograph : b&w ; 26 X 21 cm.
Subject: SPIDER & ROSE (AT, Bill Bennett, 1994); BOSSELL, SIMON
Summary: Simon Bossell wearing a black t-shirt sits at a dinner table with a plate of food in front of him.
Notes: White border surrounds image; Slight discolouration on lower right reverse; Adhesive label on reverse of photograph

Call No: TITLE STILL AUSTRALIA
Source: AT
PubDate: [1994?]
PhysDes: 1 photograph : b&w ; 21 x 26 cm.
Subject: SPIDER & ROSE (AT, Bill Bennett, 1994); BOSSELL, SIMON
Summary: Simon Bossell is sitting in a car. He is wearing a white singlet and sun glasses and his mid length hair is tussled, on his hands he wears gloves and an amulet hangs from the rear view mirror.
Notes: Adhesive label attached to reverse of photograph; White border surrounds image

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 14 photographs : b&w ; 21 x 26 cm
Subject: CRACKNELL, RUTH; BOSSELL, SIMON; CULLEN, MAX; BENNETT, BILL; SPIDER & ROSE (AT, Bill Bennett, 1994)
Summary: Fourteen black and white photographs from the film 'Spider and Rose'

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SPINNING MAN (SW/US, Simon Kaijser, 2018)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 25 X 20 cm.
Subject: CHAMP, SIMON; SPINNING OUT (AT, Anne Deveson, 1991)
Summary: Photograph/still image of Simon Champ from the documentary film.
ID2: 192

Call No: 739(94) FOT
Author: Fotheringham, Richard, 1947
Place: Cambridge, England Melbourne
Publisher: Cambridge University Press
PubDate: 1992
PhysDes: 268 p. : ill., ports. ; 24 cm
Subject: SPORTS FILMS. AUSTRALIA; SPORTS AND THE CINEMA. AUSTRALIA; COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); PHAR LAP (AT, Simon Wincer, 1983)
Notes: Includes index; Bibliography: p. [238]-268
ISBN: 0521401569
LON: abn91222197; 8176908

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: STONE, SIMON

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STORY OF NED, THE (AT, Simon Weaving, 2007)

Call No: TITLE CLIPPINGS FILE; JOHN BELL: ONE MAN SHOW (AT, Simon Target, 2016)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: JOHN BELL: ONE MAN SHOW (AT, Simon Target, 2016)
Summary: Blundell reviews Simon Target's documentary film JOHN BELL: ONE MAN SHOW

Call No: REFERENCE SECTION; 036-02 STR
Author: Clarke, Nicola; Gordon, Stephen; Johnston, Louise; Khan, Ayesha; Smart, Emma
Source: UK
Place: London
Publisher: BFI National Library
PubDate: c2001
PhysDes: 77 p ; 30 cm
Series: National Library 16+ guides
Subject: WOMEN IN FILMS; FEMINISM AND THE CINEMA; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999); ALLY MCBEAL [TV] (US, 1997-); BASIC INSTINCT (US, Paul Verhoeven, 1992); BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993); BOUND (AT, Serhat Caradee, 2000); BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); CHARLIE'S ANGELS (US, McG, 2000); WO HU ZANG LONG (HK, Ang Lee, 2000); ELIZABETH (UK, Shekhar Kapur, 1998); ERIN BROKOVICH (US, Stephen Soderbergh, 2000); LARA CROFT: TOMB RAIDER (US, Simon West, 2001); LAST SEDUCTION, THE (US, John Dahl, 1994); NIKITA (FR/IT, Luc Besson, 1990); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); ROSEANNE [TV] (US, 1988- ); RUN LOLA RUN (G, Tom Tykwer, 1998); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); WAITING TO EXHALE (US, Forest Whitaker, 1995); XENA: WARRIOR PRINCESS [TV] (US, 1995-); X-FILES, THE [TV] (US, 1993-); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000)
Notes: This and other bfi National Library 16+ Guides available from http://www.bfi.org.uk/16+
ID2: 150

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STUDIO A WITH SIMON BURKE [TV](AT, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STUMBLING IN HILLARY'S FOOTSTEPS (AT, Simon Cunich, 2013)

Call No: SUBJECT CLIPPINGS FILE; FUNDING. AUSTRALIA
Author: Domjen, Briana -- Sharp, Annette -- Moran, Johnathan -- Reines, Ros
PhysDes: Clippings File Article
Subject: SCREEN AUSTRALIA; FUNDING. AUSTRALIA; BAKER, SIMON; BREATH (AT, Simon Baker, 2017)
Summary: Round up of Screen Australia funded projects from May 2015, including some quotes from Simon Baker. Films listed are: Breath, The Berlin Syndrome. TV shows to be funded are: Maray: Making of a Princess, Peter Brock, Barracuda

Call No: TITLE CLIPPINGS FILE; WOMAN IN GOLD (US/UK, Simon Curtis, 2015)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: ART IN FILMS; WOMAN IN GOLD (US/UK, Simon Curtis, 2015)
Summary: Review of 2015 film WOMAN IN GOLD
Rating: 2.5 out of 5 stars

Call No: 81 HOG HOG
Author: Hogan, Paul; Murphy, Dean
Edition: 2020
Place: Sydney, NSW
Publisher: HarperCollins Publishers Australia
PubDate: 2020
PhysDes: 372 pages : illustrated ; 25 cm
Subject: HOGAN, PAUL; CROCODILE DUNDEE (AT, Peter Faiman, 1986); CROCODILE DUNDEE II (AT, John Cornell, 1988); ALMOST AND ANGEL (US, John Cornell, 1990); LIGHTNING JACK (AT, Simon Wincer, 1994); CHARLIE AND BOOTS (AT, Dean Murphy, 2009); VERY EXCELLENT MR DUNDEE, THE (US/AT, Dean Murphy, 2020)
Summary: Paul Hogan first appeared on Australia's screens in 1971 as a 'tap-dancing knife thrower' on TV talent show New Faces. The then father of four and Sydney Harbour Bridge rigger from Granville did it as a dare, but when the network's switchboard lit up, he was invited back. So popular was he with viewers, Hogan became a regular on Mike Willesee's A Current Affair. The rest, as they say, is history. In collaboration with his business partner and best friend, John Cornell (who played his sidekick, Strop), 'Hoges' went on to become Australia's favourite TV comedian. His hugely popular comedy shows and appearances in unforgettable and ground-breaking ads for cigarettes, beer and tourism, came to personify Australia and Australians here and overseas, helping to change the perception of who we are as people and as a nation. Then, in 1986, Crocodile Dundee, the movie he conceived, co-wrote and starred in, became an international smash hit and earned its star a Golden Globe Award, as well as Oscar and BAFTA nominations. Despite the fact that Hoges claimed to have retired, many more successful movies followed. Yet even as his star rose ever higher, he always expected someone to grab him by the arm and say, 'What are you doing here? You're just a bloody rigger!' The Tap-Dancing Knife Thrower is a funny and candid account of the astonishing life of this 'lucky bastard', as Hoges describes himself. Full of stories never previously shared, and recounted in the comedian's inimitable, funny and self-deprecating style, The Tap-Dancing Knife Thrower is Paul Hogan's story told his way – 'without the boring bits'. -- publisher's web site
ISBN: 9781460759295

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: TARGET, SIMON

PhysDes: Article
Subject: MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); MILLER, GEORGE T.; BURROWES, GEOFF; THORNTON, SIGRID; BURLINSON, TOM; DOUGLAS, KIRK; WINCER, SIMON; INDUSTRY, FILM. AUSTRALIA
Summary: Background development and synopsis of the up-coming 'The Man From Snowy River'.

Call No: P VIE
Place: AT
PubDate: 2008
PhysDes: 1 poster : colour ; 84 x 60cm
Subject: VIEW FROM GREENHAVEN, THE (AT, Kenn Macrae and Simon Macrae, 2008)
Summary: Image: A colour photograph of Dashiell (Chris Haywood) and Dorothy (Wendy Hughes) standing by each other and looking in opposite directions. Lower on the poster is a vertically-narrow camera shot of four couples on a train in different windows holding sunflowers. Text: Sometimes, the life you're waiting for is waiting for you.
Notes: Fair condition, creases, worn edges, fold in upper left corner.
ID2: 337

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THIS BEAUTIFUL FANTASTIC (UK/US, Simon Aboud, 2016)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: TIGER RAID (UK/IE, Simon Dixon, 2016)
Cross Reference: TIGER RAID

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TIME MACHINE, THE (US, Simon Wells, 2002)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: TOWNSEND, SIMON

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 21 x 26 cm.
Subject: TRUE BELIEVERS, THE (AT, Peter Fisk, 1988); BONNEY, JOHN; DEVEREAUX, ED; CHILVERS, SIMON
Summary: Black and white photographs relating to the TV mini-series The True Believers

Call No: TITLE CLIPPINGS FILE
PhysDes: Programme
Subject: TURNING AWAY THE EFFECT OF A MYSTERY, PART 2 (AT, Simon Burton, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TYPEWRITER THE RIFLE & THE MOVIE CAMERA, THE (UK/US, Adam Simon, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: UNDER SUSPICION (UK, Simon Moore, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNI [TV] (AT, Simon Target, 1997)

Call No: TITLE CLIPPINGS FILE; DAUGHTER, THE (AT, Simon Stone, 2015)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: DAUGHTER, THE (AT, Simon Stone, 2015)
Summary: John McDonald reviews THE DAUGHTER

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; CANNES FILM FESTIVAL; ADVERTISING FILMS; THIRST (AT, Rod Hardy, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); JOURNALIST, THE (AT, Micheal Thornhill, 1979); GOVERNMENT AID. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Summary: Collection of articles featuring information on Australian and New Zealand films and film industries. Includes articles on Australian Government industry support, and Australian films at Cannes. Includes list of current New Zealand films, list of Australian films in production, and advertisements for THIRST, PATRICK and SNAPSHOT.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VIEW FROM GREENHAVEN, THE (AT, Kenn Macrae and Simon Macrae, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: VILAINES MANIERES, LES (SZ, Simon Edelstein, 1973)