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Call No: 753(510) DEP
Author: Deppman, Hsiu-Chuang
Source: US
Place: Honolulu
Publisher: University of Hawai'i Press
PubDate: c2010
PhysDes: viii, 243 p. : ill. ; 23 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; LITERATURE AND THE CINEMA. CHINA; CITY OF SADNESS, A [; CHINA IN FILMS; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); WO HU ZANG LONG (HK, Ang Lee, 2000); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991) SEE DAHONG DENGLONG GAOGAO GUA; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); RED ROSE WHITE ROSE (HK/TZ, Stanley Kwan, 1994) SEE HONG MEI GUI BAI MEI GUI; HONG MEI GUI BAI MEI GUI (HK/TZ, Stanley Kwan, 1994); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000) SEE FA YEUNG NIN WA; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); LITTLE CHINESE SEAMSTRESS (FR, Dai Sijie, 2002) SEE BALZAC ET LA PETITE TAILLEUSE CHINOISE; BALZAC ET LA PETITE TAILLEUSE CHINOISE (FR, Dai Sijie, 2002); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986) SEE TONG NIEN WANG SHI; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); PERSONALS, THE (TW, Kuo-fu Chen, 1998) SEE ZHENG HUN QI SHI; ZHENG HUN QI SHI (TW, Kuo-fu Chen, 1998)
Summary: "This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Delving equally into the individual approaches of directors and writers, Hsiu-Chuang Deppman initiates readers into the exciting possibilities emanating from the world of Chinese cinema. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the U.S. and Europe and reflect the growing international resources of Chinese-language cinema." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. 215-233) and index
ISBN: 9780824834548
Donation: donated by Senses of Cinema 2013
Contents: -- acknowledgments -- introduction -- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern -- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose -- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love -- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress -- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die -- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals -- conclusion -- notes -- bibliography -- selected filmography -- index --

Author: Rothschild, Wayne (ed)
PhysDes: Article
Subject: INDUSTRY, FILM. ASIAN COUNTRIES; INDUSTRY, FILM. JAPAN; INDUSTRY, FILM. ISRAEL; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. HONG KONG
Summary: Articles on Asian cinema. 'Reconsidering Modernism: Japanese Film and the Postmodern Context', 'Back to Japan: Militarism and Monumentalism in Prewar Japanese Cinema', 'Accomodation and Resistance: Expression of Working-Class Values Through Tamil Cinema', 'Anomalies of the National: Representing Israel/Palestine', 'Towards a Cultural Understanding of Cinema: A Comparison of Contemporary Films from the People's Republic of China and Hong Kong'.

PhysDes: Article
Subject: COPRODUCTION. CHINA; BARNARD, ANTONIA; PAINTED VEIL, THE (C/US, John Curran, 2006)
Summary: A series of short articles that refer to the Australian co-production treaty. Tracey Prisk reports on co-productions with China and Singapore with comments from AFC's Catherine Waters. Producer Antonia Barnard, THE PAINTED VEIL and Flying Bark Productions also comment on their experience of being involved in co-productions in Asia.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG TROUBLE IN LITTLE CHINA (US, John Carpenter, 1986)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: BOX OFFICE. CHINA

PhysDes: Article
Subject: BREAKER MORANT (AT, Bruce Beresford, 1980); INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. CHINA; DISTRIBUTION; BOX OFFICE
Summary: Article on China buying the screening rights of 'Breaker Morant' after the success it has received in America.

Call No: SUBJECT CLIPPINGS FILE; COPRODUCTION. AUSTRALIA
Author: Callick, Rowan
PhysDes: Clippings File Article
Subject: COPRODUCTION. AUSTRALIA; COPRODUCTION. CHINA
Summary: Report on how Australia and China are planning to undertake numerous film coproductions together. Quotes from Lily Li, Mark Lazarus from Arclight Films, Screen Australia, Ausfilm, Tim White from Southern Light Films, Song Weinan from Sydney Films

Call No: TITLE CLIPPINGS FILE in production; AODALIYA GOLD [AUSTRALIA GOLD] in production
Author: -
PhysDes: Clippings File Article
Subject: COPRODUCTION. AUSTRALIA; COPRODUCTION. CHINA; AODALIYA GOLD [AUSTRALIA GOLD] in production
Summary: Film based upon Australia's sole Chinese bushranger is to go into production in Canberra. It is being funded by the Canberra companies JIA Films and SilverSun Pictures, and the Chinese comapny Yuezhong Pictures

Call No: 71(51) CAT
Author: Wong Ain-ling (ed)
CorpAuthor: Hong Kong Film Archive
Place: Hong Kong
Publisher: Hong Kong Film Archive
PubDate: 2002
PhysDes: 414p ; 26 cm
Subject: CHINA IN FILMS; CITY OF SADNESS, A [; TAIWAN; GENRES; ASIAN COUNTRIES; SINGAPORE; GENDER AND THE CINEMA. CHINA; MASCULINITY IN FILMS; STUDIO SYSTEM; SHAW BROTHERS
Summary: The productions of Cathay / MP & GI have themselves become a myth of Hong Kong cinema. What accounts for its radiance and elegance? And why was the audience broken-hearted to see its decline? The Cathay Story may offer a little clue.... 400 pages thick with 16 colour pages.
ISBN: 9628050168
Language: Chinese and English

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: CENSORSHIP.CHINA

Call No: 71(51) CEN
CorpAuthor: Hong Kong Film Archive
Source: HK
Place: Hong Kong
Publisher: Leisure and Cultural Services Department
PubDate: 2001
PhysDes: 56 p. : b&w ill. ; 25 cm
Subject: CITY OF SADNESS, A [; CHINA IN FILMS; TAIWAN
Summary: Analytical essays of 25 classic Chinese films from the last century, written by notable film critics and directors such as Gordon Chan, Evans Chan and Eddie Fong; critic Reeve Wong, and Hu Ke. In Chinese and English. Taken from http://www.lcsd.gov.hk/CE/CulturalService/HKFA/english/newsletter/nl16_2.html
ISBN: 9628050117

Author: Keogh, Max
PhysDes: Article
Subject: INDUSTRY, FILM. CHINA; SPECTATORSHIP; ENTERTAINMENT
Summary: Interview with Don Kennedy, technical advisor for Film Australia, on his recent trip to China. Kennedy reflects on the Chinese filmmaking and entertainment industries.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHINA BEACH [TV] (US, 1988-91)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHINA CRY (US, James F. Collier, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHINA DOLLS (AT, Tony Ayres, 1997)

Call No: 71(510) CHI
Author: Fu, Poshek (editor)
Source: US
Place: Urbana
Publisher: University of Illinois
PubDate: 2008
PhysDes: 270 p. : ill., maps ; 23 cm
Series: Popular culture and politics in Asia Pacific
Subject: CITY OF SADNESS, A [; SHAW BROTHERS; HISTORY AND THE CINEMA. CHINA
Notes: Includes bibliographical references and index.; Includes filmography: (p. [255]-256)
ISBN: 9780252075001
Contents: Introduction: The Shaw Brothers diasporic cinema / Poshek Fu -- Shaw cinema enterprise and understanding cultural industries / Lily Kong -- Shaw's Cantonese productions and their interactions with contemporary local and Hollywood cinema / Law Kar -- Embracing glocalization and Hong Kong-made musical film / Siu Leung Li -- Three readings of Hong Kong nocturne / Paul G. Pickowicz -- The black-and-white Wenyi films of Shaws / Wong Ain-Ling -- Territorialization and the entertainment industry of the Shaw Brothers in Southeast Asia / Sai-shing Yung -- The Shaw Brothers' Malay films / Timothy P. Barnard -- Bridging the Pacific with Love eterne / Ramona Curry -- Black audiences, blaxploitation and kung fu films, and challenges to white celluloid masculinity / Sundiata Keita Cha-Jua -- Shaw Brothers cinema and the hip-hop imagination / Fanon Che Wilkins -- Reminiscences of the life of an actress in Shaw Brothers' movietown / Cheng Pei-pei ; translated by Jing Jing Chang and Jeff McClain.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHINA GIRL (US, Paolo Uccello, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHINA GIRL (US, Abel Ferrara, 1987)
Notes: Import_Batch 11 32 titles_simon strong

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHINA IN REVOLUTION, 1911-1949 [TV] (US, 1989)

Call No: 71(51) SIL
Author: Silbergeld, Jerome
Place: London
Publisher: Reaktion
PubDate: 1999
PhysDes: 352 p. : ill. (some col.) ; 24 cm
Subject: CITY OF SADNESS, A [; ALLEGORY IN FILMS; WOMEN IN FILMS. CHINA; MELODRAMA. CHINA; CHEN, KAIGE; XIE, JIN; ZHANG, YIMOU; QIU JU DA GUANSI (CC/HK, Zhang Yimou, 1992); HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987); HUANG TUDI (CC, Chen Kaige, 1985); HONG GAOLIANG (CC, Zhang Yimou, 1988); QINGCHUN JI (CC, Zhang Nuanxin, 1986); LUN HUI (CC, Huang Jianxin, 1989); BAWANG BIEJI (HK, Chen Kaige, 1993); HEI PAO SHI JIAN (CC, Huang Jianxin, 1986); BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986); DA YUE BING (CC, Chen Kaige, 1986); HAIZI WANG (CC, Chen Kaige, 1988); JU DOU (CC/JA, Zhang Yimou, 1990); DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991)
ISBN: 1861890508(pbk.)
LON: 20259534 20259534

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHINA LAKE MURDERS, THE [TV] (US, Alan Metzger, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHINA: LAND OF MY FATHER (US, Felicia Lowe, 1979)

Call No: SUBJECT CLIPPINGS FILE; CHINA
Author: Lin, Lilian
PhysDes: Clippings File Article
Subject: INDUSTRY, FILM. CHINA; CITY OF SADNESS, A [; EXHIBITION. CHINA
Summary: Report on the slowdown to box office growth in China. Speculation was that heavy discounts in previous years boosted box office sales but with the discounting over the attendences and box office has stablised. Chinese companies are looking to purchase Hollywood businesses and the USA are looking to get their film's shown in China

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHINA LOVE (AT, Olivia Martin McGuire, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: CHINA MOON (US, John Bailey, 1994)

Call No: SUBJECT CLIPPINGS FILE; CHINA
Author: Schwartzel, Erich
PhysDes: Clippings File Article
Subject: EXHIBITION. CHINA; CITY OF SADNESS, A [
Summary: Looking at how China's exhibition industry is starting to influence how Hollywood blockbusters are made
Notes: I

Call No: 71(51) BER
Author: Berry, Chris
Place: New York
Publisher: Columbia University Press
PubDate: 2006
PhysDes: xi, 313 p. ; 23 cm
Series: Film and Culture
Subject: CITY OF SADNESS, A [; TAIWAN; MASCULINITY IN FILMS; FAMILY IN FILMS; INDUSTRY, FILM. CHINA; HISTORICAL FILMS. CHINA; WOMEN IN FILMS. CHINA; REALISM IN FILMS. CHINA; OPERA IN FILMS; LEE, ANG; LINGYU, RUAN
Summary: Explores Chinese cinema from its beginnings to the present day in relation to how China depicts its national identity.
ISBN: 0231137079
Contents: 1. Introduction: cinema and the national -- 2. Time and the National: History, Historiology, Haunting -- 3. Operatic Modes: Opera Film, Martial Arts, and Cultural Nationalism -- 4. Realist Modes: Melodrama, Modernity, and Home -- 5. How Should a Chinese Woman Look? Woman and Nation -- 6. How Should Chinese Men Act? Ordering the Nation -- 7. Where Do You Draw the Line? Ethnicity in Chinese Cinemas -- 8. The National in the Transnational

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CHINA, PAUL

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHINA RUN (US, Mickey Grant, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHINA'S THREE DREAMS (AT/CC, Nick Torrens, 2014)

PhysDes: Article
Subject: INDUSTRY, FILM. CHINA; DOCUMENTARY FILMS. AUSTRALIA
Summary: Article on China's film industry, their approach to cinema, and what they hope to achieve in the future.

Call No: SUBJECT CLIPPINGS FILE; CHINA
Author: Schwartzel, Erich -- Chu, Kathy
PhysDes: Clippings File Article
Subject: CITY OF SADNESS, A [; COPRODUCTION. CHINA; INDUSTRY, FILM. USA; INDUSTRY, FILM. CHINA; WANDA GROUP
Summary: Report on the importance of China's financial support to Hollywood cinema, and how this is impacting the way blockbuster films are now made due to the sheer size of Chinese cinema exhibition

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHINA SYNDROME, THE (US, James Bridges, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHINA: THE PANDA ADVENTURE (US, Robert M. Young, 2001)

Call No: SUBJECT CLIPPINGS FILE; SPORT ON TV. AUSTRALIA
Author: Lane, Samantha
PhysDes: Clippings File Article
Subject: TELEVISION. CHINA; AUSTRALIAN FOOTBALL LEAGUE; SPORT ON TV. AUSTRALIA
Summary: Discussion about the viewing numbers of the Australian Football League match that was broadcasted into China on the China Central Television (CCTV) network and the possible amount of people who watched the match in China

Call No: 71(51) CLA
Author: Clark, Paul, 1949
Place: Cambridge [Cambridgeshire] New York
Publisher: Cambridge University Press
PubDate: 1987
PhysDes: vii, 243 p. : ill., ports. ; 24 cm
Series: Cambridge studies in film
Subject: CITY OF SADNESS, A [; POLITICS AND THE CINEMA. CHINA
Notes: Includes index; Bibliography: p. 227-235
ISBN: 0521326389
LON: 5540259

Call No: 71(51) CHI
Author: Lim, Song Hwee (ed.); Ward, Julian (ed.)
Source: UK
Place: London
Publisher: Palgrave Macmillan on behalf of the British Film Institute
PubDate: 2011
PhysDes: x, 218 p. : ill. ; 25 cm
Subject: CITY OF SADNESS, A [; HISTORY AND THE CINEMA. CHINA; HISTORY OF CINEMA. CHINA
Summary: "The Chinese Cinema Book provides an essential guide to the cinemas of the People's Republic of China, Hong Kong, Taiwan and the Chinese diaspora, from early cinema to the present day. With contributions from leading international scholars, the book is structured around five thematic sections: Territories, Trajectories, Historiographies; Early Cinema to 1949; the Forgotten Period: 1949-80; The New Waves; and Stars, Auteurs and Genres. This important collection addresses issues of film production and exhibition and places Chinese cinema in its national and transnational contexts. Individual chapters examine major film movements such as the Shanghai cinema of the 1930s, Fifth Generation film-makers and the Hong Kong New Wave, as well as key issues such as stars and auteurs. The book will be an invaluable resource for students and scholars, as well as for anyone wanting to deepen their understanding of the Cinemas of Greater China." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index; Includes filmography
ISBN: 9781844573448
Contents: -- Introduction: the Coming of Age of Chinese Cinemas Studies / Song Hwee Lim and Julian Ward -- Territories, Trajectories, Historiographies. Transnational Chinese Cinema Studies / Chris Berry -- National Cinema as Translocal Practice: Reflections on Chinese Film Historiography / Yingjin Zhang -- Cinemas of the Chinese Diaspora / Gina Marchetti -- Six Chinese Cinemas in Search of a Historiography / Song Hwee Lim -- Early Cinema to 1949. Shadow Magic and the Early History of Film Exhibition in China / Xuelei Huang and Zhiwei Xiao -- The Making of a National Cinema: Shanghai Films of the 1930s / Laikwan Pang -- Wartime Cinema: Reconfiguration and Border Navigation / Yiman Wang -- Chinese Film-making on the Eve of the Communist Revolution / Paul G. Pickowicz -- The Forgotten Period: 1949-80. The Remodelling of a National Cinema: Chinese Films of the 17 Years (1949-66) / Julian Ward -- Healthy Realism in Taiwan, 1964-80: Film Style, Cultural Policies, and Mandarin Cinema / Guo-Juin Hong -- The Hong Kong Cantonese Cinema: Emergence, Development and Decline / Stephen Teo -- The New Waves. The Fifth Generation: a Re-assessment / Wendy Larson -- Taiwan New Cinema and Its Legacy / Tonglin Lu -- The Hong Kong New Wave: A Critical Reappraisal / Vivian P. Y. Lee -- Stars, Auteurs and Genres. Dragons Forever: Chinese Martial Arts Stars / Leon Hunt -- The Contemporary Wuxia Revival: Genre Remaking and the Hollywood Transnational Factor / Kenneth Chan -- On the Shoulders of Giants: Tsai Ming-liang, Jia Zhangke, Fruit Chan and the Struggles of Second Generation Auteurism / James Udden -- The Urban Generation: Underground and Independent Films from the PRC / Jason McGrath -- Contemporary Mainstream PRC Cinema / Yomi Braester -- Contemporary Meta Chinese Film Stardom and Transnational Transmedia Celebrity / Anne Ciecko -- Afterword: Liquidity of Being / Rey Chow -- appendix 1: book-length studies of Chinese Cinema in the English language / Wan-Jui Wang, Louise Williams and Song Hwee Lim -- appendix 2: Chinese names / Zou Yijie -- index --

Call No: SUBJECT CLIPPINGS FILE; COPRODUCTION. AUSTRALIA
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: CITY OF SADNESS, A [; PRODUCTION. CHINA; COPRODUCTION. AUSTRALIA; COPRODUCTION. CHINA
Summary: In depth report on Australian producers trying to make inroads into the lucrative but tightly controlled Chinese film market. Article ties into an Australia-China Co-production forum held in Sydney as part of the International Chinese Film Festival

Author: Rothschild, Wayne (ed)
PhysDes: Article
Subject: INDUSTRY, FILM. CHINA; INDUSTRY, FILM. ASIAN COUNTRIES; WOMEN IN FILMS. CHINA
Summary: Issue on Chinese films with articles focusing on the representation of women, cultural identity, and an analysis of Leftist films of the 1930s.

PhysDes: Article
Subject: NATIONAL FILM AND SOUND ARCHIVE; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. AUSTRALIA; PRESERVATION OF FILMS
Summary: Article on the success of two Chinese film archivests to Australia.

Call No: 71(51) CHI
Author: Berry, Chris
Edition: Second Edition
Source: UK
Place: Basingstoke [England] ; New York
Publisher: British Film Institute/Palgrave Macmillan
PubDate: 2008
PhysDes: 287 pages : illustrations ; 24 cm
Subject: CITY OF SADNESS, A [; TAIWAN; CULTURE AND THE CINEMA. CHINA; [FIFTEEN] 15 (SI, Royston Tan, 2003); BIG SHOT'S FUNERAL (HK/CC, Feng Xiaogang, 2002); DA WAN (HK/CC, Feng Xiaogang, 2002); BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986); HEI PAO SHI JIAN (CC, Huang Jianxin, 1986); MANG JING (CC/G/HK, Yang Li, 2003); BLIND SHAFT [MANG JING] (CC/GG/HK, Li Yang, 2003); BOAT PEOPLE (HK, Ann Hui, 1982); TOU-PEN NU-HAI (HK, Ann Hui, 1982); CENTER STAGE (HK, Stanley Kwan, 1991); RUAN LINGYU (HK, Stanley Kwan, 1991); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); ERMO (HK/CC, Zhou Xiaowen, 1994); FAREWELL MY CONCUBINE (HK, Chen Kaige, 1993); GODDESS, THE (C, Yonggang Wu, 1934); HERO (HK/C, Yimou Zhang, 2002); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YELLOW EARTH (CC, Chen Kaige, 1985); WAN ZHONG (CC, Wu Ziniu, 1989); FLOATING LIFE (AT, Clara Law, 1996); HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999); TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969); AIQING WANSUI (TZ, Tsai Ming-Liang, 1994); HSI YEN (TZ, Ang Lee, 1993); HUANG TUDI (CC, Chen Kaige, 1985); YI YI (JA/TZ, Edward Yang, 2000)
Summary: "Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger, Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focu: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present." -- BOOK BLURB
Notes: Includes list of illustrations and index -- includes lists of Chinese names and Chinese film titles
ISBN: 9781844572373
Contents: Notes on contributors -- Introduction: one film at a time - again / Chris Berry -- 15: The Singapore failure story, 'slanged up' / Song Hwee Lim -- Big Shot's Funeral: Performing a post-modern cinema of attractions / Yingjin Zhang -- Black Cannon Incident: Countering the counter-espionage fantasy / Jason McGrath -- Blind Shaft: Performing the 'underground' on and beyond the screen / Jonathan Noble -- Boat People: Second thoughts on text and context / Julian Springer -- Centre Stage: A shadow in reverse / Berenice Reynaud -- A Chinese Ghost Story: Ghostly counsel and innocent man / John Zou -- Chungking Express: Time and its displacements / Janice Tong -- Crouching Tiger, Hidden Dragon: Cultural migrancy and translatability / Felicia Chan -- Crows and Sparrows: Allegory on a historical threshold / Yiman Wang -- Durian Durian: Defamiliarisation of the 'real' / Esther M. K. Cheung -- Ermo: (Tele)visualising urban/rural transformation / Ping Fu -- Farewell My Concubine: National myth and city memories / Yomi Braester -- Flowers of Shanghai: Visualising ellipses and (colonial) absence / Gary G. Xu -- Formula 17: Mainstream in the margins / Brian Hu -- The Goddess: Fallen woman of Shanghai / Kristine Harris -- Hero: The return of a traditional masculine ideal in China / Kam Louie -- In the Mood for Love: Intersections of Hong Kong modernity / Audrey Yue -- Kekexili: Mountain Patrol: Moral dilemma and a man with a camera / Shuqin Cui -- The Love Eterne: Almost a (heterosexual) love story / Tan See-Kam and Annette Aw -- Not One Less: The fable of a migration / Rey Chow -- The Personals: Backwards glances, knowing looks and the voyuer film / Margaret Hillenbrand -- PTU: Re-mapping the cosmopolitan crime zone / Vivian Lee -- The Red Detachment of Women: Resenting, regendering, remembering / Robert Chi -- Riding Alone for Thousands of Miles: Redeeming the father by way of Japan? / Faye Hui Xiao -- Spring in a Small Town: Gazing at Ruins / Carolyn FitzGerald -- A Time to Live, A Time to Die: A time to grow / Corrado Neri -- A Touch of Zen: Action in martial arts movies / Mary Farquhar -- Vive L'Amour: Eloquent Emptiness / Fran Martin -- Wedding Banquet: A family (melodrama) affair / Chris Berry -- Woman, Demon, Human: The spectral journey home / Haiyan Lee -- Xiao Wu: Watching time go by / Chris Berry -- Yellow Earth: Hesitant apprenticeship and bitter agency / Helen Hok-sze Leung -- Yi Yi: Reflections on modernity in Taiwan / David Leiwei Li

Call No: 71(51) ZHA
Author: Zhang, Yingjin
Source: US
Place: New York
Publisher: Routledge
PubDate: 2004
PhysDes: 328 p. ; ill. ; 24 cm
Subject: CITY OF SADNESS, A [; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. HONG KONG; HISTORY OF CINEMA; NATIONAL CULTURE AND THE CINEMA. CHINA
Summary: ‘This introduction to Chinese national cinema, by a leading critic, covers three ‘Chinas’: mainland China, Hong Kong and Taiwan. It traces the formation, negotiation and problematization of the national on the Chinese screen over ninety years. Historical and comparative perspectives bring out the parallel developments in the three Chinas, while critical analysis explores thematic and stylistic changes over time…’ (Back cover)
ISBN: 041517290
Contents: 1. Introduction: National cinema and China -- 2. Cinema and national traditions, 1896-1929 -- 3. Cinema and the nation-people, 1930-49 -- 4. Cinematic reinvention of the national in Taiwan, 1896-1978 -- 5. Cinematic revival of the regional in Hong Kong, 1945-78 -- 6. Cinema and the nation-state in the PRC, 1949-78 -- 7. Cinema and national/regional cultures, 1979-89 -- 8. Cinema and the transnational imaginary, 1990-2002

Call No: SUBJECT CLIPPINGS FILES; EXHIBITION. CHINA
Author: Burkitt, Laurie
PhysDes: Clippings File Article
Subject: EXHIBITION. CHINA
Summary: Investigation into claims that some Chinese distributors are artificially infalting box office results

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CHOW, CHINA

Call No: 408.1(5) CIN
Author: Dissanayake, Wimal
CorpAuthor: Institute of Culture and Communication (East-West Center)
Place: Lanham, MD
Publisher: University Press of America
PubDate: 1988
PhysDes: vii, 214 p. ; 24 cm
Subject: INDUSTRY, FILM. ASIAN COUNTRIES; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. JAPAN; INDUSTRY, FILM. INDIA; WOMEN IN FILMS; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; GENRES; SAMURAI FILMS; RAY, SATYAJIT
Notes: "Co-published by arrangement with the East-West Center, Institute of Culture and Communication"--T.p. verso; Includes bibliographies and index
ISBN: 0819169455 (alk. paper); 0819169463 (pbk.)
LON: 5986435
Contents: PART I. JAPAN -- 1. Viewing Japanese film: some considerations / Donald Richie -- 2. The destiny of Samurai films / Michitaro Tada -- 3. The multilayered nature of the tradition of acting in Japanese cinema / Tadao Sato -- 4. Japanese film genres / Audie Bock -- 5. Change in the image of mother in Japanese cinema and television / Tadao Sato -- PART 2. INDIA -- 6. Innovation and imitation in the Indian cinema / Mira Reym Binford -- 7. Art, vision, and culture: Satiyajit Ray's Apu trilogy revisited / Wimal Dissanayake -- 8. The woman: myth and reality in Indian cinema / Aruna Vasudev -- 9. The painted face of politics: the actor politicians of South India / Chidananda Das Gupta -- 10. Songs in Hindi films: nature and function / Teri Skillman -- PART 3. CHINA -- 11. The Chinese film in the 1980s: art and industry / Ma Qiang -- 12. The sinification of cinema: the foreignness of film in China / Paul Clark -- 13. The position of women in new Chinese cinema / Tony Rayns -- 14. Chinese films amidst the tide of reform / Shao Mujun

Call No: 626(51) FAN
Author: Fan, Victoria
Source: US
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2015
PhysDes: xii, 277 pages : illustrations ; 22 cm
Subject: POLITICS AND THE CINEMA; CRITICISM. CHINA; THEORY; HISTORY OF CINEMA. CHINA; HISTORY OF CINEMA. HONG KONG; BAZIN, ANDRE
Summary: Examines ways in which Chinese and Euro-American film theorists conceptualize reality and cinema. In Cinema Approaching Reality, Victor Fan brings together, for the first time, Chinese and Euro-American film theories and theorists to engage in critical debates about film in Shanghai and Hong Kong from the 1920s through the 1940s. The result is an eye-opening exploration of the potentialities in approaching cinema anew, especially in the photographic materiality following its digital turn. -- taken from the publisher's site
Notes: Includes bibliographical references, filmography (253-255) and index.
ISBN: 9780816693573
Contents: Introduction -- Approaching reality: Chinese ontology and the potentiality of time -- Cinema of thought: directed consciousness in Chinese Marxist film theory -- Soft film theory: life in all its presence and concreteness -- Fey Mou: the presence of an absence -- Cinema of ideation, cinema of play: the early Cantonese sound film -- Conclusion

Call No: 81TRI TRI
Author: Trinh, T. Minh-Ha (Thi Minh-Ha), 1952
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xiv, 274 p., [16] p. of plates : ill. (some col.) ; 23 cm
Subject: TRINH, T. MINH-HA; IMPERIALISM AND THE CINEMA; CHINA IN FILMS; VOYEURISM AND THE CINEMA; VERHOEVEN, DEB; REYNAUD, BERENICE; SHOOT FOR THE CONTENTS (US, Trinh T. Minh-ha, 1991); TALE OF LOVE, A (US, Trinh T. Minh-ha, 1995)
Notes: Includes index
ISBN: 0415922011(pbk.) : ª14.99; 0415922003(cased) : ª50.00
LON: 14606477

Call No: 408.3(5) CIN
Author: Ehrlich, Linda C. (Linda Channah), 1952; Desser, David
Edition: 1st ed
Place: Austin, Tex.
Publisher: University of Texas Press
PubDate: 1994
PhysDes: xii, 345 p., [4] leaves of plates : ill. ; 25 cm
Subject: CITY OF SADNESS, A [; JAPAN; NATIONAL CULTURE AND THE CINEMA. CHINA; NATIONAL CULTURE AND THE CINEMA. JAPAN; HUANG TUDI (CC, Chen Kaige, 1985); HEI PAO SHI JIAN (CC, Huang Jianxin, 1986); BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986); HAIZI WANG (CC, Chen Kaige, 1988); JU DOU (CC/JA, Zhang Yimou, 1990); GENROKU CHUSHINGURA (JA, Kenji Mizoguchi, 1942); YUKINOJO HENGE (JA, Kon Ichikawa, 1964)
Summary: China and Japan both have traditional art forms that have been highly developed and long studied. Noted film and art scholars explore how the spatial consciousness, compositionaltechniques and construciton of images in thesetraditional and moderm art forms also inform filmmaking in these two countries, so that film and art share the same culturally defined "methods of seeing."Of interest to historians and film scholars with applications beyond the Far Eastern context. It demonstrates that while mainstream Hollywood cinema has influenced filmmaking everywhere, other national cinemas cannot be completely understood without considering their indigenous traditions
Notes: Filmography: p. 323-326; Includes bibliographical references and index
ISBN: 0292720866 (alk. paper); 0292720874 (pbk. : alk. paper)
LON: 10645466

Call No: TITLE CLIPPINGS FILE; COMING WAR ON CHINA, THE (UK, John Pilger, 2016)
Author: [Mathieson, Craig] CM
PhysDes: Clippings File Article
Subject: COMING WAR ON CHINA, THE (UK, John Pilger, 2016)
Summary: Review of the documentary THE COMING WAR ON CHINA
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMING WAR ON CHINA, THE (UK, John Pilger, 2016)

Call No: 212.1 (5-012) DEB
Author: DeBoer, Stephanie
Source: US/UK
Place: Minneapolis; London
Publisher: University of Minnesota Press
PubDate: [2014]
PhysDes: 244 pages : illustrations ; 23 cm
Subject: COPRODUCTION. CHINA; COPRODUCTION. JAPAN
Summary: Based on rare archival research as well as interviews with producers, Coproducing Asia provides compelling frames for understanding the significance of film and media coproduction in East Asia
ISBN: 9780816689507
Contents: Introduction: coproduction and the new East Asia -- The bright Asian market place: regional specters of connection and desire -- Collaboration decentered: technology transfer and the Hong Kong copy -- Sino/Japanese techno-friendship: location, presence, and memory's displacement -- Tokyo on the move: omnibus Asia, media capital, and the limits of the link -- Working through China: scale, place, and new Asian coproduction -- Conclusion. Scaling the frame: genealogies of coproduction and the Asian frontier.

Author: Breheny, Brian
PhysDes: Article
Subject: LOW BUDGET FILMS; BREHENY, BRIAN; CRAWL (AT, Paul China, 2011)
Summary: Cinematographer Brian Breheny describes the filming process involved in shooting low-budget Australian thriller, 'Crawl'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAY ON THE GRAND CANAL WITH THE EMPEROR OF CHINA OR SURFACE IS ILLUSION BUT SO IS DEATH, A (US, Philip Haas, 1988)

Call No: 71(51) LEY
Author: Leyda, Jay, 1910
Place: Cambridge, Mass.
Publisher: MIT Press
PubDate: [1972]
PhysDes: xvii, 515 p. illus. 23 cm
Subject: CITY OF SADNESS, A [; AUDIENCES. CHINA
Notes: Includes bibliographical references
ISBN: 0262120461
LON: 88052

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIGGING TO CHINA (US, Timothy Hutton, 1998)

Call No: 737(5-012) DIV
Source: US
Place: Honolulu
Publisher: University of Hawai'i Press
PubDate: 2016
PhysDes: viii, 331 pages : illustrations ; 24 cm
Subject: WAR AND THE CINEMA; WAR FILMS; WORLD WAR II AND THE CINEMA; WORLD WAR II FILMS; WORLD WAR II FILMS. JAPAN; WORLD WAR II FILMS. USA; WORLD WAR II FILMS. CHINA; KOREAN WAR FILMS; SECOND SINO-JAPANESE WAR FILMS; TAIWAN; MANGA; VIDEO GAMES; COMPUTER GAMES; NATIONALISM AND THE CINEMA; ETHNIC GROUPS IN FILMS; [TWO THOUSAND AND NINE] 2009: LOST MEMORIES [2009 IOSEUTEU MAEMORIJEU] (KO, Si-myung Lee, 2002); BAMBOO HOUSE OF DOLLS [NU JIZHONGYING] (HK, Kuei Chih-Hung, 1973); CHILDREN OF HUANG SHI, THE (AT/CC/GE, Roger Spottiswoode, 2007); FRIENDS (JP/KO, 2002); SCARLET ROSE: THE GODDESSES OF JINLING [XUESE MEIGUI: JINLING NUSHEN] [TV](CC, Yu Liqing, 2007)
Summary: Exploring how the years of 1931-1953 have been recreated and negotiated in cinema. This period saw conflicts such as the Sino-Japanese War, the Pacific War, and the Korean War and events such as the Rape of Nanjing, Pearl harbor, the Battle of Iwo Jima, and the bomibings of Hiroshina and Nagasaki. The films relating to the experiences of the countries China, Japan, Taiwan, Korea, and other Far East countries, as well as the United States of America are examined. - partially taken from cover
Notes: Formerly CIP. -- Includes bibliographical references (pages 291-305), filmography, television and video game lists (pages 281-290) and index
ISBN: 9780824851514
Donation: donated by Senses of Cinema
Contents: Acknowledgments -- Introduction: Divided Lenses / Michael Berry -- Part I : screen histories of war in East Asia -- War, history, and remembrance in Chinese cinema / Yingjin Zhang -- Of female spies and national heroes : a brief history of anti-Japanese films in Taiwan from the 1950s to the 1970s / Wenchi Lin -- The "division blockbuster" in South Korea: the evolution of cinematic representations of war and division / Hyangjin Lee -- Under the flag of the rising sun: imagining and reimagining the Pacific war in the Japanese cinema / David Desser -- Japanese manga and anime on the Asia-Pacific war experience / Kyu Hyun Kim -- Continuity and change in Hollywood's representations of American-Asian relations in war and peace / Robert Brent Toplin -- Part II : reading war trauma -- Oscillating histories : representations of comfort women from Bamboo House of Dolls to Imperial Comfort Women / Lily Wong -- Shooting the enemy : photographic attachment in The Children of Huang Shi and Scarlet Rose / Michael Berry -- War and nationalism in recent Japanese cinema : Yamato, trauma, and forgetting the postwar / Aaron Gerow -- The promise and limits of "pop culture diplomacy" in East Asia : contexts-texts-reception / Chiho Sawada -- History and its alternatives : war games as social form / Eric Hayot

Call No: 761(51) DV-
Source: US
Place: Honolulu
Publisher: University of Hawai'i Press
PubDate: 2015
PhysDes: ix, 397 pages : illustrations ; 23 cm
Series: Critical interventions
Subject: DOCUMENTARIES. CHINA; TIBET
Summary: This volume shows how Chinese independent, amateur, and activist filmmakers energize the tension between old and new media, performance and representation, fiction and non- fiction, art and politics, China and the world. Essays by scholars in cinema and media studies, anthropology, history, Asian and Tibetan studies bring innovative interdisciplinary methodologies to critically expand upon existing scholarship on contemporary Chinese independent documentary. Their inquiries then extend to narrative feature, activist video, animation, and other digital hybrids
Notes: Includes bibliographical references, filmography (pages 347-370 ) and index
ISBN: 9780824846817
Donation: Senses of Cinema
Contents: Marking the body : the axiographics of the visible hidden camera / Abe Mark Nornes -- The cruelty of the social : xianchang, intersubjectivity, and interobjectivity / J.P. Sniadecki -- Filming power and the powerless : Zhao Liang's Crime and punishment (2007) and Petition (2009) / Li Jie -- The spectacular crowd : representing the masses in DV documentary / Shuang Shen -- DV-made Tibet : domestic videos, elite films and the work of Padma Tsedan / Robert Barnett -- Chinese independent cinema in the age of "digital distribution" / Dan Gao -- Chinese digital shadows : hybrid forms, bodily archives and transnational visions / Berenice Reynaud -- The recalcitrance of reality : performances, subjects, and filmmakers in 24 city and tape / Qi Wang -- Crossing cameras in China : Christian aesthetics and realized fictions in a DV world / Angela Zito -- DV and the animateur cinema / Paola Voci -- To whom do our bodies belong? : being queer in Chinese DV documentary / Luke Robinson -- Toward a digital political mimesis : aesthetic of affect and activist video / Zhang Zhen

Call No: 71(51) RAY
Author: Rayns, Tony; Meek, Scott
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1980
PhysDes: 1 v. (various pagings) : ill. ; 30 cm
Series: BFI dossier ; no. 3
Subject: CITY OF SADNESS, A [; INDUSTRY, FILM. CHINA
Notes: Contains two chapters translated from Chinese
LON: 5988816

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: EXHIBITION. CHINA

Call No: 802.25 STO
Author: Stone, Judy, 1924
Place: Los Angeles
Publisher: Silman-James Press
PubDate: 1997
PhysDes: xix, 826 p. : ill. ; 25 cm
Subject: DIRECTORS. BRAZIL; DIRECTORS. CHINA; DIRECTORS. FRANCE; DIRECTORS. UK; DIRECTORS. ISRAEL; DIRECTORS. ITALY; DIRECTORS. JAPAN; DIRECTORS. SPAIN; DIRECTORS. USA; ARMSTRONG, GILLIAN; COX, PAUL; SCHEPISI, FRED; WEIR, PETER; BERESFORD, BRUCE
Notes: Includes filmographies
ISBN: 1879505363 (alk. paper)
LON: 97011401; 13126388

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS CHINA AUSTRALIAN

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. CHINA. VARIOUS

Call No: 67(04) FIL
Author: Alpert, Hollis (ed); Sarris, Andrew (ed)
CorpAuthor: National Society of Film Critics (U.S.)
Place: Indianapolis [etc.]
Publisher: Bobbs-Merrill Co. [etc.]
PhysDes: 281 p. ; 22 cm
Subject: SECTION ANDERSON, LA (FR, Pierre Schoendoerffer, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); FOR LOVE OF IVY (US, Daniel Mann, 1968); BIRTHDAY PARTY, THE (UK, William Friedkin, 1968); BULLITT (US, Peter Yates, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CHARLIE BUBBLES (UK, Albert Finney, 1967); FACE OF WAR, A (US, Eugene S. Jones, 1968); MERCENARIES, THE (UK/US, Jack Cardiff, 1968); FACES (US, John Cassavetes, 1968); FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); VARGTIMMEN (SW, Ingmar Bergman, 1967); I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968); INSIDE NORTH VIETHAM (US, Felix Greene, 1967); JOANNA (UK, Michael Same, 1968); ODD COUPLE, THE (US, Gene Saks, 1968); OLIVER (UK, Carol Reed, 1968); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); PETULIA (US, Richard Lester, 1968); PRODUCERS, THE (US, Mel Brooks, 1967); RACHEL, RACHEL (US, Paul Newman, 1968); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); SKAMMEN (SW, Ingmar Bergman, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); TARGETS (US, Peter Bogdanovich, 1968); TELL ME LIES (UK/US, Peter Brook, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); UP TIGHT! (US, Jules Dassin, 1968); WEEK-END (FR/IT, Jean-Luc Godard, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968); TANTE ZITA (FR, Robert Enrico, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); STAR (US, Robert Wise, 1968)
Summary: Review of Films produced in the years 1968-69
Notes: Includes index
ISSN: 0071-4860 0015-1076
LON: 68019946; 894646
Contents: -- Shame / John Simon, Hollis Alpert, Wilfrid Sheed -- Weekend / Pauline Kael, Andrew Sarris -- Belle De Jour / Andrew Sarris -- Rosemary's Baby / Andrew Sarris -- 2001: A Space Odyssey / Penelope Gilliatt, Hollis Alpert, Joseph Morgenstern -- Planet Of The Apes / Philip T. Hartung -- La Chinoise / Pauline Kael, Andrew Sarris -- China Is Near / Pauline Kael, Andrew Sarris -- Up Tight / Stanley Kauffmann -- For Love Of Ivy And Dark Of The Sun / Philip T. Hartung -- The Charge Of The Light Brigade / Stanley Kauffmann, John Simon -- Les Carabiniers / Penelope Gilliatt -- A Face Of War / Richard Schickel -- Tell Me Lies, The Anderson Platoon, And Inside North Vietnam / Stanley Kauffmann -- The Green Berets / Penelope Gilliatt -- Petulia / Richard Schickel, Wilfrid Sheed -- The Thomas Crown Affair / Wilfrid Sheed, Stefan Kanfer -- Joanna / Hollis Alpert, Joseph Morgenstern -- Rachel, Rachel / Arthur Knight, Richard Schickel -- Zita / John Simon -- Faces / Andrew Sarris, Arthur Schlesinger, Jr. -- Hunger / Penelope Gilliatt -- Hour Of The Wolf / John Simon, Richard Schickel -- Charlie Bubbles / Andrew Sarris, Richard Schickel -- The Odd Couple And Others / Wilfrid Sheed -- The Producers / Arthur Schlesinger, Jr. -- I Love You, Alice B. Toklas / Arhur Knight -- Candy / Stefan Kanfer -- Barbarell / John Simon -- Yellow Submarine / Stanley Kauffmann, John Simon -- You Are What You Ear / Wilfrid Sheed -- Star! / Arthur Schlesinger, Jr. -- Finian's Rainbow / Arthur Knight -- Oliver! / Joseph Morgenstern -- The Bride Wore Black / Andrew Sarris -- Bullitt / Hollis Alpert -- Targets / Penelope Gilliatt -- Wild 90 / Hollis Alpert -- Beyond The Law / Stanley Kauffmann -- Will Penny / Arthur Knight -- Wild In The Streets / Joseph Morgenstern, Wilfrid Sheed -- Pretty Poison / Joseph Morgenstern -- First In His Pocket / Stanley Kauffmann -- Young Torless / Penelope Gilliatt -- Charly / Arthur Knight -- The Boston Strangler / Philip T. Hartung, Wilfrid Sheed -- No Way To Treat A Lady And Rod Steiger / Stefan Kanfer -- Warrendale / Joseph Morgenstern, Stanley Kauffmann -- The Fox / Pauline Kael -- The Lion In Winter / Philip T. Hartung, Arthur Schlesinger, Jr., John Simon -- Romeo And Juliet / Philip T. Hartung, John Simon -- The Killing Of Sister George / Harold Clurman -- The Birthday Party / Harold Clurman, Wilfrid Sheed, Hollis Alpert -- War And Peace / Philip T. Hartung, Stanley Kauffmann, Richard Schickel -- The Heart Is A Lonely Hunter / Richard Schickel -- The Fixer / Richard Schickel, Arthur Schlesinger, Jr. -- The Sea Gull / Arthur Schlesinger, Jr., John Simon -- The Graduate Makes Out / Hollis Alpert -- Burton And Taylor Must Go / Wilfrid Sheed -- The Student Movie-Makers / Stefan Kanfer -- The Late Show As History / Stefan Kanfer -- L'Affaire Langlois / Arthur Knight -- Oscar Wiles / Andrew Sarris

Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. CHINA
Author: Burkitt, Laurie
PhysDes: Clippings File Article
Subject: CITY OF SADNESS, A [; EXHIBITION. CHINA; DISTRIBUTION. CHINA; BOX OFFICE. CHINA; IP MAN 3 [YIP MAN 3] (HK, Wilson Yip, 2015)
Summary: Report on a scandal in the Chinese film industry where the film distributor Dayinmu Film Distribution was caught inflating ticket sales for the film IP MAN 3

Call No: 721.217 DOL
Author: Doll, Susan; Morrow, David
Edition: 1st ed.
Source: US
Place: Gainesville, FL
Publisher: University Press of Florida
PubDate: 2007
PhysDes: xiv, 394 p. : ill. ; 24 cm
Subject: MOTION PICTURES - HISTORY; USA; LOCATION SHOOTING. USA: FLORIDA; BATTLE ROYALE (JA, Kinji Fukasaku, 2000); WHITE ROSE, THE (US, David Wark Griffith, 1923); KEY LARGO (US, John Huston, 1948); PALM BEACH STORY, THE (US, Preston Sturgess, 1942); ROSE TATTOO, THE (US, Daniel Mann, 1955); BODY HEAT (US, Lawrence Kasdan, 1981); CAPE FEAR (US, Martin Scorsese, 1991); CHINA MOON (US, John Bailey, 1994); FLASH OF GREEN, A (US, Victor Nunez, 1984); NIGHT MOVES (US, Arthur Penn, 1975); OUT OF TIME (US, Carl Franklin, 2003); PALMETTO (US, Volker Schlondorff, 1998); WILD THINGS (US, John McNaughton, 1998); ABSENCE OF MALICE (US, Sydney Pollack, 1981); BIRDCAGE, THE (US, Mike Nichols, 1996); FLIPPER (US, Alan Shapiro, 1996); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993); MEAN SEASON, THE (US, Phillip Borsos, 1985); MIAMI BLUES (US, George Armitage, 1990); SCARFACE (US, Brian DePalma, 1984); BRENDA STARR (US, Robert Ellis Miller, 1989 [prod. 1986]); HEALTH (US, Robert Altman, 1980); JAWS 3-D (US, Joe Alves, 1983); SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983); BLOOD AND WINE (US, Bob Rafelson, 1996); COCOON (US, Ron Howard, 1985); CROSS CREEK (US, Martin Ritt, 1983); DAYS OF THUNDER (US, Tony Scott, 1990); JUST CAUSE (US, Arne Glimcher, 1995); ROSEWOOD (US, John Singleton, 1997); STICK (US, Burt Reynolds, 1985); SUNSHINE STATE (US, John Sayles, 2002); ULEE'S GOLD (US, Victor Nunez, 1997); ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994); BAD BOYS (US, Michael Bay, 1995); MATINEE (CN, Richard Wayne Martin, 1989); SOME LIKE IT HOT (US, Billy Wilder, 1959); STRIPTEASE (US, Andrew Bergman, 1996); TRUE LIES (US, James Cameron, 1994); MIDNIGHT COWBOY (US, John Schlesinger, 1969); RUBY IN PARADISE (US, Victor Nunez, 1993); RUNNING SCARED (US, Peter Hyams, 1986); STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984); SUMMER RENTAL (US, Carl Reiner, 1985); AIR FORCE (US, Howard Hawks, 1943); CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954); JEEPERS CREEPERS (US, Victor Salva, 2001); PARENTHOOD (US, Ron Howard, 1989)
Summary: "Florida on Film is a tour of the movies and locations that have made the state famous on the silver screen. Susan Doll and David Morrow discuss more than eighty films, including cast and credits lists and behind-the scenes revelations about the filmmakers and stars. Each section concludes with a detailed Movie Tourist's Guide to sites connected to the films."--BOOK JACKET
Notes: Includes bibliographical references (p. 369-382) and index
ISBN: 9780813030456
Donation: Donated by Senses Of Cinema, 2009

Call No: 82FON COL
Author: Collier, Peter
Source: US
Place: New York
Publisher: G.P. Putnam's Sons
PubDate: c1991
PhysDes: 336 p., [32] p. of plates : ill., ports. ; 24 cm
Subject: ACTORS. USA; Metro-Goldwyn-Mayer; BARDOT, BRIGITTE; BEATTY, WARREN; FONDA, BRIDGET; FONDA, HENRY; FONDA, JANE; FONDA, PETER; HAYDON, TOM; LANE, NATHAN; NICHOLSON, JACK; Stewart, James; STRASBERG, LEE; Sullavan, Margaret; SELZNICK, DAVID O.; SUTHERLAND, DONALD; VADIM, ROGER; WAYNE, JOHN; ZANUCK, DARRYL F.; BARBARELLA (FR/IT, Roger Vadim, 1967); CHINA SYNDROME, THE (US, James Bridges, 1979); EASY RIDER (US, Dennis Hopper, 1969); KLUTE (US, Alan J. Pakula, 1971); ON GOLDEN POND (US, Mark Rydell, 1981); SCANDAL (UK, Michael Caton-Jones, 1989); SHAG (UK, Zelda Barron, 1988)
Notes: Includes index.
ISBN: 0399135928
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FROM MAO TO MOZART: ISAAC STERN IN CHINA (US, Murray Lerner, 1981)

Call No: 408.1(51) MAR
Author: Marchetti, Gina
Place: Philadelphia PA
Publisher: Temple University Press
PubDate: c2006
PhysDes: xviii, 302 p. : ill., ports. ; 24 cm
Subject: CAPITALISM AND THE CINEMA; CENSORSHIP. CHINA; HISTORY AND THE CINEMA. CHINA; POPULAR CULTURE AND THE CINEMA; WOMEN IN FILMS. CHINA; CHAN, EVANS; CHOW, RAYMOND; HOU HSIAO-HSIEN; JAMESON, FREDRIC; KHOO, ERIC; LAW, CLARA; LEE, BRANDON; LEE, BRUCE; YANG, EDWARD; QIUYUE (HK/JA, Clara Law, 1992); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); GATE OF HEAVENLY PEACE, THE (US, Richard Gordon & Carma Hinton, 1995); [TWELVE] 12 STOREYS (SI, Eric Khoo, 1997); WORLD OF SUZIE WONG, THE (UK, Richard Quine, 1960)
ISBN: 18592132782
Donation: donated by Senses of Cinema, 2009
Contents: 1. China and the Chinese on world screens 1989-1997 -- 2. Buying American, consuming Hong Kong: Chungking express, The opium war, These shoes weren't made for walking, and Comrades: almost a love story -- 3. Working women in the people's Republic of China: Out of Phoenix Bridge, Women from the Lake of Scented Souls, and A little life opera -- Gangland Taiwan in the transnational imagination: Mahjong and Goodbye south goodbye -- 5. The postmodern condition in Singapore: Mee Pok Man and Twelve storeys -- 6. Transnational cinema and hybrid identities: To liv(e) and Crossings -- 7. Gender and generation in Clara Law's migration trilogy: Farewell China, Autumn moon, and Floating life -- 8. Fighting diaspora: the legacy of Bruce and Brandon Lee in Rapid fire -- 9. In the space of the Square: The gate of heavenly peace
ID2: 291

Call No: 79HER GLO
Source: UK
Place: Oxon
Publisher: Routledge
PubDate: 2010
PhysDes: xxvi, 226 p. ; 25 cm
Series: Routledge Media, Culture and Social Change in Asia
Subject: CITY OF SADNESS, A [; INDUSTRY, FILM. CHINA; LEUNG, TONY; YIMOU, ZHANG; YING XIONG (HK/C, Yimou Zhang, 2002); HERO (HK/C, Yimou Zhang, 2002)
ISBN: 97880415453158
Donation: donated by Stephanie Hemelryk Donald, 2010
Contents: Changing discourse of national identities and heroism. The political narrative(s) of Hero / GARY D. RAWNSLEY Recycled heroes, invented tradition and transformed identity / YINGJIE GUO The emperor and the assassin: China's national Hero and the myth of state origins / YIYAN WANG The king, the musician and the village idiot: images of manhood / KAM LOUIE Transformations of cultural perception, genre and stardom. Twenty-first century women warriors: variations on a traditional theme / LOUISE EDWARDS On "Tian Xia (All under heaven)" in Zhang Yimou's Hero / XIZOMING CHEN and MING-YEH T. RAWNSLEY Hero: rewriting the Chinese martial arts film genre / HAIZHOU WANG AND MING-YEH T. RAWNSLEY "Would you rather spend more time making serious cinema?": Hero and Tony Leung's polysemic masculinity / MARK GALLAGHER Fifteen minutes of fame: transient/transnational female stardom in Hero / OLIVIA KHOO Local vs. global: deconstructing global Chinese blockbusters. Camp pleasure in an era of Chinese blockbusters: internet reception of Hero in mainland China / SABRINA QIONG YU North American reception of Zhang Yimou's Hero / WENDY LARSON Heroic music: from Hunan to Hollywood and back / KATY GOW Visual effects magic: Hero's Sydney connection / MARY FARQUHAR Towards a global blockbuster: the political economy of Hero's nationalism / ANTHONY FUNG AND JOSEPH M. CHAN.

Call No: 67 (049.32) KAE
Author: Kael, Pauline
Edition: 1st
Source: US
Place: Boston
Publisher: Little Brown & Co.
PubDate: c1968
PhysDes: xiii, 304 p. ; 22 cm.
Subject: CRITICISM; BARBARELLA (FR/IT, Roger Vadim, 1967); BIRTHDAY PARTY, THE (UK, William Friedkin, 1968); BOSTON STRANGLER, THE (US, Richard Fleischer, 1968); BROTHERHOOD, THE (US, Martin Ritt, 1968); BULLITT (US, Peter Yates, 1968); BYE BYE BRAVERMAN (US, Sidney Lumet, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); CHARLIE BUBBLES (UK, Albert Finney, 1967); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); CHARLY (US, Ralph Nelson, 1968); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); FACES (US, John Cassavetes, 1968); FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968); FIXER, THE (US, John Frankenheimer, 1968); FUNNY GIRL (US, William Wyler, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); ICE STATION ZEBRA (US, John Sturges, 1968); IF... (UK, Lindsay Anderson, 1968); I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968); JOANNA (UK, Michael Same, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); MODEL SHOP, THE ( FR/US, Jacques Demy, 1969); NIGHT OF THE FOLLOWING DAY, THE (US, Hubert Cornfield, 1968); NIGHT THEY RAIDED MINSKY'S, THE (US, William Friedkin, 1968); NO WAY TO TREAT A LADY (US, Jack Smight, 1968); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); POOR COW (UK, Kenneth Loach, 1967); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); PRODUCERS, THE (US, Mel Brooks, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); SECRET CEREMONY (UK, Joseph Losey, 1969); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SPLIT, THE (US, Gordon Flemyng, 1968); STALKING THE MOON (US, Robert Mulligan, 1969); BAISERS VOLES (FR, Francois Truffaut, 1968); SUBJECT WAS ROSES, THE (US, Ulu Grosbard, 1968); SWEET NOVEMBER (US, Robert Ellis Miller, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968)
Notes: "An Atlantic monthly press book"; "Movie reviews originally published in the New Yorker, Jan. 1968-Mar. 1969"
Donation: Donated by Senses Of Cinema, 2009
Contents: --foreword -- 1: movies by the week: first sequence p1 -- Movies as Opera , 'China is Near' p3 -- Celebrities make spectacles of themselves, 'Wild 90' p9 -- Ciphers, 'How to save a marriage- and ruin your life'/ 'Sebastian' p18 -- Intentions, 'Poor cow' p25 -- Making Lawrence more Lawrentian, 'The Fox' p29 -- Apes Must Be Remembered, Charlie, 'Planet of the Apes'/ 'Sweet November'/' Doctor Faustus' p36 -- A Great Folly, and a Small One, Mae March's death and 'Intolerance'/'Charlie Bubbles' p42 -- That Clean Old Peasant Again, 'The Two of Us'/'Bye Bye Braverman'/ 'The Good, the Bad and the Ugly' / 'A Matter of Innocence' p49 -- Business as Usual, 'We Still Kill the Old Way' / 'The Secret War of Harry Frig' p55 -- The Freedom to Make Product, '30 is a Dangerous Age, Cynthia' / 'Here We Go Round the Mulberry Bush' p59 -- O Pioneer!, 'The Producers' / 'Op the Junction' / 'A Midsummer Night's Dream' p66 -- The Old Wave, 'Benjamin '/ 'No Way to Treat a Lady' p72 -- A Minority Movie,'La Chinoise' p76 -- 2: Trash, Art, and the Movies p85 -- 3: Movies by the Week: Second Sequence p131 -- Bravo!, 'Funny girl' p132 -- Weekend in Hell, 'Weekend' p138 -- War as Vaudeville, 'The Charge of the Light Brigade' / 'Les Biches' / 'You are What You Eat' / 'Duffy' / 'Charly' p145 -- 'She Came at Me in Sections', 'Romeom and Juliet' / 'I Love You, Alice b. Toklas!' / ' Finian's Rainbow' / 'The Subject was Roses' p153 -- Cripes!, 'Star!' / 'Bullit" / 'The Boston Strangler' p161 -- A Fresh Start, 'Pretty Poison' / 'Secret Ceremony' / 'Barbarella' p168 -- Lioness in Winter, 'The Lion in Winter' p174 -- Muddling Through, 'The Shoes of the Fisherman' / 'The Split' / 'Head' p179 -- Metamorphosis of the Beatles, 'Yellow Submarine' p187 -- the Corrupt and the Primitive, 'Joanna' / 'Faces ' p193 -- The Concealed Art of Carol Reed, 'Oliver!' p200 -- Frightening the Horses, 'The Killing of Sister Geroge' / 'The Fixer' / 'The Girl on a Motorcycle' / 'A Flea in Her Ear' / 'The Magus' / 'The Birthday Party' / 'Greetings ' p206 -- A Sign of Life, 'Shame' p214 -- Big Misses, 'Ice Station Zebra' / 'Candy' / Chitty Chitty Bang Bang' p222 -- Filmed Theatre, 'the Sea Gull' p228 -- Baggy Pants, 'The Night they Raided Minsky's' / 'The Sergeant' p237 -- Son of Little Ceaser, 'The Brotherhood' p243 -- Overkill? 'The Stalking Moon' p248 -- Saintliness, 'Simon of the Desert' p254 -- The Lady from Across the Sea, 'Model Shop' p263 -- He Walks in Beauty, 'Mayerling' / 'Hell in the Pacific' p273 -- The Small Winner, 'Stolen Kisses' / 'Three in the Attic' / 'the Night of the Following Day' p273 -- SChool Days, School Days 'If...' / 'The Prime of Miss Jean Brodie' p279 -- index p289 --

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: GOVERNMENT CONTROL, CHINA

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. CHINA
Author: Byrnes, Paul
PhysDes: Clippings File Article
Subject: INDUSTRY, FILM. CHINA
Summary: An article reporting on the increase of Chinese movie market.

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. CHINA
Author: Byrnes, Paul
PhysDes: Clippings File Article
Subject: INDUSTRY, FILM. CHINA
Summary: An article about the rise of the Chinese film market and box office.

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: HIGH ROAD TO CHINA (US, Brian G. Hutton, 1983)

Author: Bruzenak, Ken
PhysDes: Article
Subject: HIGH ROAD TO CHINA (US, Brian G. Hutton, 1983)
Summary: ill; ports.

Call No: 409.5 (51) BER
Author: Berry, Michael
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: c2008
PhysDes: x, 420 p. : ill. ; 25 cm
Series: Global Chinese culture
Subject: CITY OF SADNESS, A [; VIOLENCE IN FILMS. CHINA; HISTORY AND THE CINEMA. CHINA
Summary: "The portrayal of historical atrocity in fiction, film, and popular culture can reveal much about the function of individual memory and the shifting status of national identity.In the context of Chinese culture, films such as Hou Hsiaso-hsien's City of Sadness and Lou Ye's Summer Palace and novels such as Ye Zhaoyan's Nanjing 1937: A Love Story and Wang Xiaobo's The Golden Age collectively reimagine past horrors and give risen to new historical narratives. Michael Berry takes an innovative look at the representation of six specific traumas in modern Chinese history: the Musha Incident (1930), the Rape of Nanjing (1937-38); the February 28th Incident (1947); the Cultural Revolution (1966-76), Tiananmen Square (1989); and the Handover of Hong Kong (1997). He identifies two primary modes of restaging historical violence: centripetal trauma, or violence inflicted from the outside that inspires a reeexamination of the Chinese nation, and centrifugal trauma, which, originating from within, inspires traumatic narratives that are projected out onto a transnational vision of global dreams and, sometimes, nightmares. These modes allow Berry to connect portrayals of mass violence to ideas of modernity and the nation. He also illuminates the relationship between historical atrocity on a national scale and the pain experienced by the individual; the funtion of film and literature as historical testimony; the intersection between politics and art, history and memory, and the particular advantages of modern media, which have found new means of narrating the burden of historical violence. " -- BOOK JACKET
Notes: Formerly CIP; Includes bibliographical references (p. [365]-408) and index
ISBN: 9780231141628
Contents: Prelude. A history of pain -- 1. Musha 1930 -- 2. Nanjing 1937 -- 3. Taipei 1947 -- 4. Yunnan 1968 -- 5. Beijing 1989 -- Coda. Hong Kong 1997

Call No: 71(512.317) LAW
Author: Law Kar; Bren Frank
Source: US
Place: Lanham, Maryland
Publisher: Scarecrow Press, Inc.
PubDate: 2004
PhysDes: xviii, 375 p. ; 24 cm
Subject: CITY OF SADNESS, A [; WOMEN IN FILMS. CHINA; WOMEN IN FILMS. HONG KONG; ASIAN COUNTRIES; EXHIBITION. CHINA; PRODUCTION ASIA; ENG ESTHER
Summary: Starting with the first “Western shadow plays” shown in the late 1890s, motion pictures have played a significant role in China’s cultural existence for more than a century. Initially centered in Shanghai, Chinese cinema boomed in Hong Kong in the 1930s, aided by the advent of talkies and the influx of talent and investment from mainland China, Southeast Asia, and America. From the late 1940s, Hong Kong supplanted Shanghai as the “Hollywood of China”. In Hong Kong Cinema: A Cross-Cultural View, authors Law Kar and Frank Bren follow the story from Hong Kong’s early silent, Chuang Tsi Tests His Wife, through the martial arts craze of the 1970s, to the medium’s continued appeal for contemporary international audiences. Rather than provide a sweeping history, the authors focus on the impact of individual personalities, particularly local filmmakers and movie stars. They also consider Eastern and Western influences and examine major developments, including the changing role of women. By profiling key figures and events of the 20th century, this overview is the perfect introduction for anyone interested in Hong Kong’s contribution to world cinema. [Taken from back cover.]
ISBN: 0810849860

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HUMAN FACE OF CHINA, THE [TV] (AT, Bob Kingsbury, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GLIMPSES OF CHINA [IMAGES DE CHINE] (CN, Marcel Carriere, 1974)

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: INDUSTRY.FILM.CHINA
URL status: URL: 'http://file://Q:/S/INDUSTRY.FILM.CHINA.zip' Checked: 31/08/2021 12:59:57 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDUSTRY, TV. CHINA

Call No: SUBJECT CLIPPINGS FILE; FINANCING. CHINA
Author: Lin, Lilian
PhysDes: Clippings File Article
Subject: FINANCING. CHINA; INDUSTRY, FILM. CHINA
Summary: China's film industry is going through a boom. Movies have become attractive for high risk financial instruments and ample funding has mean an increase in the number of films made.

Call No: 81WOO HAL
Author: Hall, Kenneth E.
Source: US
Place: North Carolina
Publisher: McFarland & Company, Inc., Publishers
PubDate: 1999
PhysDes: 239 p. :illus. filmog. : 24 cm
Subject: ACTION FILMS. HONG KONG; DIRECTORS. CHINA; WOO, JOHN [pseud. of Wu Yusen]; BROKEN ARROW (US, John Woo [pseud. of Wu Yusen], 1996); DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); HARD TARGET (US, John Woo [pseud. of Wu Yusen], 1993); YINGXIONG BENSE (HK, John Woo [pseud. of Wu Yusen], 1986); YINGXIONG BENSE II (HK, John Woo [pseud. of Wu Yusen], 1988)
Notes: Includes filmography, bibliographical references and index.
ISBN: 0786406194

Call No: 81LAD LIN
Author: Linet, Beverly
Source: US
Place: New York
Publisher: Berkley Books
PubDate: 1980
PhysDes: xxv, 291 p.,[8] leave of plates : ill., ports, ; 24 cm
Subject: LADD, ALAN; THIS GUN FOR HIRE (US, Frank Tuttle, 1942); CHINA (US, John Farrow,1943); BLUE DAHLIA, THE (US, George Marshall, 1946); GREAT GATSBY, THE (US, Elliott Nugent, 1949); SHANE (US, George Stevens, 1953); DRUM BEAT (US, Delmer Daves, 1954); BIG LAND, THE (US, Gordon Douglas, 1957)
Summary: The book deals with the life, career, and tragic death of the enigmatic star, Alan Ladd. It deals with his lifelong love affair with his agent/wife, Sue Carol, and his "secret " son who became president of a major Hollywood studio. The book also deals with the inner workings of the studio system itself; the deals and mis-deals, the movie mags, and the fan machines, the front office, and the back lot.
ISBN: 0425057313

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: LOCATION SHOOTING. CHINA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MADE IN CHINA (US, Lisa Hsia, 1985)

Call No: 733 MEL
Author: Bratton, J. S. (Jacqueline Susan), 1945; Cook, Jim; Gledhill, Christine
Place: London
Publisher: BFI Pub.
PubDate: 1994
PhysDes: xiii, 250 p. : ill. ; 23 cm
Subject: MELODRAMA; MELODRAMA. GERMANY; MELODRAMA. CHINA; FASSBINDER, RAINER WERNER; MICHEAUX, OSCAR; ELSAESSER, THOMAS; COLOR PURPLE, THE (US, Steven Spielberg, 1985); BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984); GASLIGHT (UK, Thorold Dickinson, 1940); GASLIGHT (US, George Cukor, 1944); HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987); EAST LYNNE (US, Frank Lloyd, 1931)
Notes: Includes bibliographical references and index
ISBN: 0851704379; 0851704387 (pbk.)
LON: 11032554

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN WHO WOULD CONQUER CHINA THE (AT, Nick Torrens, 2004)

Call No: 451-054(=95) HAM
Author: Hamamoto, Darrell Y
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1994
PhysDes: xiii, 311 p. ; 24 cm
Subject: ASIAN AMERICANS ON TV; ASIANS ON TV. USA; RACIAL ISSUES ON TV. USA; WAR ON TV. USA; VIETNAM WAR ON TV; CHUNG, CONNIE; HESTON, CHARLTON; LUKE, KEYE; MILTON BERLE SHOW, THE (US, 1954-56); GUNSMOKE [TV] (US, 1955-75); CHINA BEACH [TV] (US, 1988-91); VIETNAM : A TELEVISION HISTORY (US/UK/FR, 1983); TROUBLED PARADISE (US, 1992); TOUR OF DUTY (US, 1987, 1989); MIDNIGHT CALLER (US, 1988-92); KUNG FU (US, 1972-75?); HOW THE WEST WAS WON (US, 1978-79?)
Notes: Includes bibliographical references (p. 255-291) and index
ISBN: 0816623686 (acid-free paper); 0816623694 (pbk. : acid-free paper)
LON: 10581491

Call No: 71(512.317) MON
Author: Donna Chu; Ho Wai-leng; Angel Shing; Wong Ain-ling; Winnie Fu
CorpAuthor: Hong Kong Film Archive
Source: Hong Kong
Place: Hong Kong
PubDate: 2001
PhysDes: 372 p ; 24 cm
Subject: CITY OF SADNESS, A [; POLITICS AND THE CINEMA. CHINA
Summary: Many in Hong Kong cringe at the word "left". But for a group of filmmakers, there was a time when leftist beliefs represented hope - for the future of China and of humankind. Driven by that hope, they dedicated themselves to their art, enriching our cinema with their talent and passion. Here, they look back at those years with fond memories and sincere assessment, offering a glimpse into a page of film history many have forgotten or neglected. [Taken from back cover].
ISBN: 9628050141
Language: Chinese and English.

Call No: 721.303.311 STR
Author: Stinger, Julian (ed.)
Source: UK
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: 276 p. : ill. ; 24 cm
Subject: BLOCKBUSTERS; INDUSTRY, FILM. USA; INDUSTRY, FILM. NEW ZEALAND; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. INDIA; INDUSTRY, FILM. KOREA; INDUSTRY, FILM. ARGENTINA; AWARDS. ACADEMY; SPIELBERG, STEVEN; CAMERON, JAMES; JAWS (US, Steven Spielberg, 1975); JAZZ SINGER, THE (US, Alan Crosland, 1927); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TITANIC (US, James Cameron, 1997); CONTACT (US, Robert Zemeckis, 1997); FUGITIVE, THE (US, Andrew Davis, 1993); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); STAR WARS (US, George Lucas, 1977)
Summary: Big-budget, spectacular films designed to appeal to a mass audience: is this what – or all – blockbusters are? Movie Blockbuster brings together leading film scholars to consider this most high-profile and culturally significant genre. Drawing on a range of critical perspectives, the book traces how and why the ‘even movie’ has played such a large role in popular imagination, tracing a path from the spectacles of the silent era to the effects-laden mega-hits of the digital age.
ISBN: 0415256097

Call No: 67(04) SIM
Author: Simon, John
Source: US
Place: New York
Publisher: Dell Publishing
PubDate: 1971
PhysDes: xiii, 446 p. ; 21 cm
Subject: CRITICISM; SEX IN FILMS; VIOLENCE IN FILMS; MUSICALS; FESTIVALS; AWARDS; ADAPTATIONS; BERGMAN, INGMAR; MARAT/SADE (UK, Peter Brook, 1967); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); ULYSSES (UK/US, Joseph Strick, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967); VOYNA I MIR (RU, Sergei Bondarchuk, 1968); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); JUSTINE (US, George Cukor, 1969); TROPIC OF CANCER (US, Joseph Strick, 1969); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966); DUTCHMAN (UK, Anthony Harvey, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); PATTON (US, Franklin J. Schaffner, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); REVOLUTIONARY, THE (UK, Paul Williams, 1970); JOE (US, John G. Avildsen, 1970); GRADUATE, THE (US, Mike Nichols, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); IF... (UK, Lindsay Anderson, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); LAST SUMMER, THE (US, Frank Perry, 1969); EASY RIDER (US, Dennis Hopper, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969); MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970); LET IT BE (UK, Michael Lindsay-Hogg, 1970); FOX, THE (US, Mark Rydell, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968); TEOREMA (IT, Pier Paolo Pasolini, 1968); COMING APART (US, Milton Moses Ginsberg, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); BONNIE AND CLYDE (US, Arthur Penn, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); IN COLD BLOOD (US, Richard Brooks, 1967); TRUE GRIT (US, Henry Hathaway, 1969); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969); ROSEMARY'S BABY (US, Roman Polanski, 1968); BRIDE WORE BLACK, THE [MARIEE ETAIT EN NOIR] (FR, Francios Truffaut, 1968); BAISERS VOLES (FR, Francois Truffaut, 1968); HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968); SATYRICON (IT/FR, Federico Fellini, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970); PERSONA (SW, Ingmar Bergman, 1966); VARGTIMMEN (SW, Ingmar Bergman, 1967); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BICHES, LES (FR/IT, Claude Chabrol, 1968); CHAMADE, LA (FR/IT, Alain Cavalier, 1968); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); POOR COW (UK, Kenneth Loach, 1967); TANTE ZITA (FR, Robert Enrico, 1968); BULLITT (US, Peter Yates, 1968); FACES (US, John Cassavetes, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); PUTNEY SWOPE (US, Robert Downey, 1969); DOWNHILL RACER (US, Michael Ritchie, 1969); M*A*S*H (US, Robert Altman, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); CAMELOT (US, Joshua Logan, 1967); OLIVER (UK, Carol Reed, 1968); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); HOW I WON THE WAR (UK, Richard Lester, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); PETULIA (US, Richard Lester, 1968); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); CATCH 22 (US, Mike Nichols, 1970); RACHEL, RACHEL (US, Paul Newman, 1968); CHARLIE BUBBLES (UK, Albert Finney, 1967)
Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.
Notes: Includes index.
ISBN: 44005880295
Donation: donated by the family of Wayne Levy, 2006
Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical matters
ID2: 41

Call No: 71(5) MUL
Source: US
Place: Philadelphia PA
Publisher: Temple University Press
PubDate: 2003
PhysDes: 250 p. ; 25 cm
Subject: ASIAN COUNTRIES; GLOBALISATION; CITY OF SADNESS, A [; TAIWAN; JAPAN; KOREA; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; NATIONAL IDENTITY AND THE CINEMA; GENDER AND THE CINEMA. CHINA; KWOK WAH LAU JENNY
Summary: Multiple Modernities explores the cultural terrain of East Asia. Arguing that becoming modern happens differently in different places, the contributors examine popular culture – most notably cinema and television – to see how modernization, as both a response to the West and a process that is unique in its own right in the region, operates on a mass level. Included in this collection are significant explorations of popular culture in East Asia, including Chinese new cinema and rock music, Korean cinema, and Taiwanese television, as well as discussions of alternative arts in general. While each essay focuses on specific nations or cinemas, the collective effect of reading them is to offer a comprehensive, in-depth picture of how popular culture in East Asia operates to both generate and reflect the immense change this significant region of the world is undergoing. [Taken from back cover.]
ISBN: 1566399866

Call No: 626:396 MUL
Author: Carson, Diane; Dittmar, Linda, 1938; Welsch, Janice R
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1994
PhysDes: ix, 547 p. : ill. ; 24 cm
Subject: FEMINISM AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; WOMEN IN FILMS. MEXICO; WOMEN IN FILMS. CHINA; WOMEN IN FILMS. THIRD WORLD; WOMEN IN FILMS. CUBA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; ETHNIC GROUPS IN FILMS; BORDEN, LIZZIE; DASH, JULIE; DIETRICH, MARLENE; DOANE, MARY ANN; GARBO, GRETA; GORRIS, MARLEEN; GUY-BLACHE, ALICE; MULVEY, LAURA; TRINH, T. MINH-HA; BAHTIN, MIHAIL; ARZNER, DOROTHY; FIELD, CONNIE; CHENZIRA, AYOKA; SAYONARA (US, Joshua Logan, 1957); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); SWING SHIFT (US, Jonathan Demme, 1984); SUZANNE, SUZANNE (US, Camille Billops & James Hatch, 1982); RAMPARTS D'ARGILE (FR/AE, Jean-Louis Bertuccelli, 1970); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); BORN IN FLAMES (US, Lizzie Borden, 1983); DRY WHITE SEASON, A (US, Euzhan Palcy, 1989); MARRYING KIND, THE (US, George Cukor, 1952); MARTY (US, Delbert Mann, 1954); MOROCCO (US, Josef von Sternberg, 1930); PILLOW TALK (US, Michael Gordon, 1959); RETRATO DE TERESA (CU, Pastor Vega, 1979); QINGCHUN JI (CC, Zhang Nuanxin, 1986); SURNAME VIET GIVEN NAME NAM (US, Trinh T. Minh-ha, 1989); BLACK FURY (US, Michael Curtiz, 1934); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982)
Notes: Includes bibliographical references and index
ISBN: 0816622728(acid-free paper); 0816622736 (pbk.)
LON: 10052767

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: MY OLD CHINA (AT, Linden Goh, 2001)

Call No: P MYS
PhysDes: 1 poster : colour ; 76 x 52 cm
Subject: CITY OF SADNESS, A [; CHINA IN FILMS; TIBET
Summary: Image: A photograph of two women in the foreground, a photograph of a man cutting a carcase amidst a flock of vultures. Higher up the poster, there is a photograph of Buddhist monks sitting on the snow and a photograph of a large monastery or fortress-like structure near the top of the poster. Text roughly translates to: Not suitable for children. Phoenix Film Company Nanhai Film Co. Ltd. jointly filmed in China's Southwest Frontier... Title roughly translates to Mysterious Tibet.
Notes: Major tears in right corners, worn edges, creases, folds.
Language: Chinese

Call No: 71(51) NEW
Author: Browne, Nick
Edition: New ed
Publisher: Cambridge University Press
PubDate: 1995
PhysDes: [275] p. : ill. ; 23 cm
Subject: CITY OF SADNESS, A [; TAIWAN; POLITICS AND THE CINEMA. CHINA; MELODRAMA. CHINA; XIE, JIN; HOU HSIAO-HSIEN; HUANG, JIANXIN; NILOUHE NUER (TZ, Hou Hsiao-Hsien, 1988); CUO WEI (CC, Huang Jianxin, 1987); SI SHUI LIU NIAN (HK/CC, Yim Ho, 1984); TIANYUNSHAN CHUANQI (CC, Xie Jin, 1980); SHENG GANG QI BING (HK, Johnny Mak, 1985); K'UNG-PU FEN-TZU (TZ/HK, Edward Yang [pseud. of Yang Teh-Chang], 1986); LUN HUI (CC, Huang Jianxin, 1989); DO MA DAN (HK, Tsui Hark, 1986); HEI PAO SHI JIAN (CC, Huang Jianxin, 1986); BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986); HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987)
Notes: I. FILM IN THE PEOPLE'S REPUBLIC: 1. Spatiality and subjectivity in Xie Jin's film melodrama of the new period -- 2. Society and subjectivity: on the political evonomy of Chinese melodrama -- 3. Huang Jianxin and the notion of postsocialism -- 4. Neither one thing nor another: toward a study of the viewing subject and Chinese cinema of the 1980s -- II. FILM IN TAIWAN AND HONG KONG: 5. Remapping Taipei -- 6. The ideology of initiation: the films of Hou Hsiao-hsien -- 7. The return of the father: Hong Kong new wave and its Chinese context in the 1980s -- 8. Border crossing: mainland China's presence in Hong Kong cinema -- 9. Two films from Hong Kong: parody and allegory
ISBN: 0521448778 (pbk)
LON: 11806054

Call No: 71(512.317) CHE
Author: Cheung, Ruby
Source: US
Place: [New York]
Publisher: Berghahn Books
PubDate: 2016
PhysDes: xiv, 273 pages ; 24 cm
Series: Berghahn on film
Subject: CITY OF SADNESS, A [; HISTORY OF CINEMA; HISTORY OF CINEMA. CHINA; HISTORY OF CINEMA. HONG KONG
Summary: "The trajectory of Hong Kong films had been drastically affected long before the city’s official sovereignty transfer from the British to the Chinese in 1997. The change in course has become more visible in recent years as China has aggressively developed its national film industry and assumed the role of powerhouse in East Asia’s cinematic landscape. The author introduces the “Cinema of Transitions” to study the New Hong Kong Cinema and on- and off-screen life against this background. Using examples from the 1980s to the present, this book offers a fresh perspective on how Hong Kong-related Chinese-language films, filmmakers, audiences, and the workings of film business in East Asia have become major platforms on which “transitions” are negotiated." -- BOOK BLURB
Notes: Includes bibliographical references (pages 241-267), filmography (pages 233-240) and index
ISBN: 9781782387039
Donation: Senses of Cinema
Contents: -- list of illustrations -- acknowledgments -- notes on romanization, terminology, and information source -- abbreviations-- Introduction: the new Hong Kong cinema, cinema of transitions and East Asia -- Cinematic journeys and journeying in new Hong Kong films -- Outsider characters: Chineseness, and Hong Kong screen imagination and imageries -- Hong Kong filmmakers: authorial vision, self-inscription and social underdogs -- Ethnic Chinese film audiences: the red cliff experience in East and Southeast Asia -- Film policies and transitional politics: the newest East Asian film business network -- conclusion -- appendix -- filmography -- bibliography -- index --

PhysDes: Article
Subject: ROADSIDE PROPHETS (US, Abbe Wool, 1992); EMBASSY ROADSHOW; TABLE FOR FIVE (US, Robert Lieberman, 1983); CLINIC, THE (AT, David Stevens, 1982); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); HIGH ROAD TO CHINA (US, Brian G. Hutton, 1983)
Summary: Film news from Roadshow

Call No: 71(51) PER
Author: Berry, Chris
Place: London
Publisher: BFI Pub.
PubDate: 1991
PhysDes: vii, 234 p. : ill. ; 23 cm
Subject: CITY OF SADNESS, A [; PEOPLE'S REPUBLIC OF CHINA; TAIWAN; NATIONAL CULTURE IN FILMS; MOVEMENTS AND STYLES IN FILM HISTORY; SOCIAL GROUPS IN FILMS; GENDER AND THE CINEMA; ANIMATED FILMS; ZHUANGZHUANG, TIAN; JUNZHAO, ZHANG; YIGONG, WU; WAN, LAIMING; WAN, GUCHAN; WAN, DIHUAN; WAN, CHAOCHEN; CHUSHENG, CAI; KAIGE, CHEN; HSIAO-HSIEN, HOU; MEI, HU; BAN, LU; DONGSHAN, SHI; HUA, SHUI; YU, SUN; TIANMING, WU; YIGONG, WU; JIN, XIE; YANG, EDWARD; JUNZHAO, ZHANG; YIMOU, ZHANG; JUNLI, ZHENG; LI SHUANG SHUANG (CC, Lu Ren, 1962) SEE LI SHUANGSHUANG; XI YING MEN, (CC, Zhao Huanzhang, 1982); HUANG TUDI (CC, Chen Kaige, 1984); HONG GAOLIANG (CC, Zhang Yimou, 1987)
Notes: First published 1985; Includes bibliographical references, short biographies of major directors, chronology and indexes of names and film titles
ISBN: 0851702716; 0851702724 (pbk.)
LON: 7777062 7777062

Call No: TITLE CLIPPINGS FILE; COMING WAR ON CHINA, THE (UK, John Pilger, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: COMING WAR ON CHINA, THE (UK, John Pilger, 2016)
Summary: Review of the film THE COMING WAR ON CHINA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PLASTIC CHINA (CC, Jiuliang Wang, 2016)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: POLITICS AND THE CINEMA. CHINA

Author: Harris, Paul
PhysDes: Article
Subject: BIG TROUBLE IN LITTLE CHINA (US, John Carpenter, 1986)

Call No: 409(510) MCG
Author: McGrath, Jason
Source: US
Place: Stanford, California
Publisher: Stanford University Press
PubDate: 2008
PhysDes: xii, 300 p. : ill. ; 24 cm
Subject: CITY OF SADNESS, A [; CRITICISM; CULTURE AND THE CINEMA. CHINA; POPULAR CULTURE AND THE CINEMA. CHINA
Summary: "This book examines Chinese culture in the age of market reforms. Beginning in the early 1990s and on into the new century, fields such as literature and film have been fundamentally transformed by the forces of the market as China is integrated ever more closely into the world economic system. As a result, the formerly unified revolutionary culture has been changed into a pluralized state that reflects the diversity of individual experience in the reform era. New autonomous forms of culture that have arisen include avant-garde as well as commercial literature, and independent film as well as a new entertainment cinema. Chinese people find their experiences of postsocialist modernity reflected in all kinds of new cultural products as well as critical debates that often question the direction of Chinese society in the midst of comprehensive and rapid change."--BOOK JACKET.
Notes: Includes bibliographical references and index
ISBN: 978804758741
Contents: 1. Worlds in Fragments: Culture and the Market Under Postsocialist Modernity -- 2. Ideologies of Popular Culture: The "Humanist Spirit" Debate -- 3. Adaptations and Ruptures: Literature in the New Culture Industry -- 4. The Cinema of Infidelity: Gender, Geography, Economics, and Fantasy -- 5. "Independent" Cinema: From Postsocialist Realism to a Transnational Aesthetic -- 6. New Year's Films: Chinese Entertainment Cinema in a Globalized Cultural Market -- 7. Conclusion: Postsocialist Modernity's Futures.

Call No: 408.1(51) CHO
Author: Chow, Rey
Place: New York
Publisher: Columbia University Press
PubDate: 1995
PhysDes: xiv, 252 p. ; 24 cm
Series: Film and culture
Subject: INDUSTRY, FILM. CHINA; CITY OF SADNESS, A [; CHINA IN FILMS; ZHANG, YIMOU; HAIZI WANG (CC, Chen Kaige, 1988); LAO JING (CC, Tianming Wu, 1987); HUANG TUDI (CC, Chen Kaige, 1985)
Notes: Includes bibliographical references (p. [203]-243) and index
ISBN: 0231076827 (acid-free paper); 0231076835 (pbk.)
LON: 94027796; 11040898
Contents: Part 1: Visuality, Modernity, and Primitive Passions -- Part 2: Some Contemporary Chinese Films -- 1. Digging an Old Well: The Labour of Social Fantasy -- 2. Silent is the Ancient Plain: Music, Filmmaking, and the Concept of Social Change in the New Chinese Cinema -- 3. Male Narcissism and National Culture: Subjectivity in Chen Kaige's King of the Children -- 4. The Force of Surfaces: Defiance in Zhang Yimou's Films -- Part 3: Film as Ethnography; or, Translation Between Cultures in the Postcolonial World

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. CHINA
Author: Hoskin, Peter
PhysDes: Clippings File Article
Subject: INDUSTRY, FILM. CHINA; INDUSTRY, FILM. USA; CULTURAL IMPERIALISM. US; COPRODUCTION. CHINA; COPRODUCTION. USA; DAMON, MATT; GREAT WALL, THE (CC/US, Yimou Zhang, 2016)
Summary: The impact of the production and exhibition of the film THE GREAT WALL is examined with a focus on how China's rise as a financial power has affected the way Hollywood makes blockbuster films

Call No: 408.3(51) CHA
Author: Chan, Kenneth
Source: HK
Place: Hong Kong
Publisher: Hong Kong University Press
PubDate: 2009
PhysDes: ix, 259 p. : ill. ; 23 cm
Subject: CITY OF SADNESS, A [; TRANSNATIONAL CINEMA; TRANSNATIONAL CHINESE CINEMA; HISTORY OF CINEMA; HISTORY OF CINEMA. CHINA; REMAKES
Summary: "The dramatic surge of Chinese visibility in Hollywood has been spurred by Sino-chic talents such as directors Ang Lee, John Woo, Wong Kar-wai, Wayne Wang, and Zhang Yimou, and stars such as Jackie Chan, Jet Li, Chow Yun-fat, Gong Li, Zhang Ziyi, and Michelle Yeoh. Analyzing well-known films by Chinese stars and crew, and the influence they have had on Hollywood directors, Kenneth Chan describes how post-1997 notions of Chinese identity and cultural genres have been reinvented and repackaged by major US studios. Highlighting numerous contradictions and cultural anxieties evident in transnational Hollywood films, Chan suggests that many Chinese stars and directors have made painful compromises to get their films successfully launched into the global capitalist stream of cultural commodities. -- BOOK BLURB
Notes: Includes bibliographical references, filmography and index
ISBN: 9789622090569
Contents: -- acknowledgments -- Introduction : remaking Chinese cinemas, Hollywood style -- Visualizing Hong Kong : Hollywood's 1997 response to the Hong Kong handover -- The global return of the Wuxia pian (Chinese sword-fighting movie) -- Enter the triads : American cinema's new racialized criminal other -- Hollywood's Sino-chic : Kung fu parody, mimicry, and play in cross-cultural citationality -- Chinese supernaturalism : mythic ethnography and the mystical other -- Coda : global cinematic technologies of ethnic (un)representation -- coda: global cinematic technologies of ethnic (un)representation -- notes -- filmography -- bibliography -- index --

Call No: 201(51) TAY
Author: Taylor, Jeremy E.
Place: London ; New York
Publisher: Routledge
PubDate: 2011
PhysDes: xviii, 171 p. : ill. ; 24 cm.
Series: Media, culture and social change in Asia
Subject: TRANSNATIONAL CHINESE CINEMA; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. HONG KONG
Summary: An examination of the Amoy-dialect film industry, its history and scope, its place within Chinese and Asian film history, and its cultural, political and economic significance in the region.
Notes: Includes bibliographical references and index.
ISBN: 9780415493550
Contents: -- Rethinking transnationalism -- Defining Amoy-dialect cinema -- Origins and development -- The shaping of a cinema -- The 'new Amoy-dialect films' -- A Cold War industry -- The end of Amoy-dialect cinema -- Conclusion

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA; HIGH ROAD TO CHINA (US, Brian G. Hutton, 1983); LONE WOLF MCQUADE (US, Steve Carver, 1983); NIGHT SHIFT (US, Ron Howard, 1982); FIRST BLOOD (US, Ted Kotcheff, 1982)
Summary: Roadshow at the Sydney and Melbourne box-office.

PhysDes: Article
Subject: VILLAGE ROADSHOW; BOX OFFICE. AUSTRALIA; HOSTAGE: THE CHRISTINE MARESCH STORY (AT, Frank Shields, 1983); HIGH ROAD TO CHINA (US, Brian G. Hutton, 1983); THEY CALL ME BRUCE (US, Elliott Hong, 1982); LONE WOLF MCQUADE (US, Steve Carver, 1983); AMITYVILLE II: THE POSSESSION (US, Damiano Damiani, 1982); RETURN OF THE SOLDIER (UK, Alan Bridges, 1982)
Summary: Box office figures for Roadshow

Call No: TITLE CLIPPINGS FILE in production; INTO THE SOUTH CHINA SEA in production
Author: Hook, Chris
PhysDes: Clippings File Article
Subject: INTO THE SOUTH CHINA SEA in production
Summary: Interview with Robert Cockvburn, the director of a documentary (in production) INTO THE SOUTH CHINA SEA, which is about the Royal Australia Airforce mining harbours to hinder the efforts of the Japanese Navy in World War 2

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHADOW OF CHINA (JA/US, Mitsuo Yanagimachi, 1990)

Call No: SUBJECT CLIPPINGS FILE; COPRODUCTION. AUSTRALIA
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: COPRODUCTION. AUSTRALIA; COPRODUCTION. CHINA; AUSFILM
Summary: Brief article discussing a Chinese industry tour of Australian studios and film houses organised by Ausfilm, in the hope of encouraging co-production between the two countries

Call No: SUBJECT CLIPPINGS FILE; COPRODUCTION. AUSTRALIA
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: AUSFILM; COPRODUCTION. AUSTRALIA; COPRODUCTION. CHINA
Summary: Snippet on a Chinese film delegation visiting Australia. The tour was organised by Ausfilm, who hope that this may spark further Australia/China co-productions

Call No: SUBJECT CLIPPINGS FILE; SCREEN AUSTRALIA
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: SCREEN AUSTRALIA; ARCLIGHT FILMS; GUERILLA FILMS; PRINCESS PICTURES; COPRODUCTION. AUSTRALIA; COPRODUCTION. CHINA
Summary: Snippet on the Screen Australia Enterprise Industry program that will provide $2.6 million in funding to various companies including Arclight Films, which will start a new China co-production project dvision called Chinalight. Other companies to receive funding include: Guerilla Films, and Princess Pictures

Call No: TITLE CLIPPINGS FILE in production; NEST, THE in production
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: CITY OF SADNESS, A [; COPRODUCTION. AUSTRALIA; COPRODUCTION. CHINA; NEST (AT/CC, Kimble Rendall, 2016)
Summary: Report on the Australian and Chinese co-production THE NEST, to be directed by Kimble Rendall, with discussion on the size of the Chinese box office
Notes: same article published: 'Cinema boom', Sydney Morning Herald, p 18

Call No: TITLE CLIPPINGS FILE in production; MONEY PLANE in production
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: CITY OF SADNESS, A [; COPRODUCTION. AUSTRALIA; COPRODUCTION. CHINA; MONEY PLANE in production
Summary: Report on the Australian and Chinese co-production of MONEY PLANE, to be directed by David Hackl
Notes: same article published: 'Chinese heist film for Australia', Sydney Morning Herald, p 18

Call No: TITLE CLIPPINGS FILE in production; PACIFIC RIM: MAELSTROM (in production)
Author: Maddox, Garry
PhysDes: Clippings
Subject: LOCATION SHOOTING. AUSTRALIA: NEW SOUTH WALES; FOX STUDIOS (SYDNEY); WANDA GROUP; LOCATION SHOOTING. CHINA; PACIFIC RIM UPRISING (CC/US, Steven S. DeKnight, 2018)
Summary: Report on Wanda group developing a 30 sound stage studio in Qingdao that is hoping to lure productions away from London and Australia. This has thrown doubt on whether the PACIFIC RIM: MAELSTROM film will be shot in Sydney as planned

Call No: TITLE CLIPPINGS FILE in production; MY EXTRAORDINARY WEDDING (AT/CC, Pauline Chan) in production
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: COPRODUCTION. AUSTRALIA; COPRODUCTION. CHINA; MY EXTRAORDINARY WEDDING (CC/AT, Pauline Chan, 2016?)
Summary: Interview with Pauline Chan about the process undertaken to make the film MY EXTRAORDINARY WEDDING, an Australian and Chinese coproduction

Call No: TITLE CLIPPINGS FILE in production; MY EXTRAORDINARY WEDDING (AT/CC, Pauline Chan) in production
Author: -
PhysDes: Clippings File Article
Subject: COPRODUCTION. AUSTRALIA; COPRODUCTION. CHINA; MY EXTRAORDINARY WEDDING (CC/AT, Pauline Chan, 2016?)
Summary: Short article on the film MY EXTRAORDINARY WEDDING and some details about the coproduction of it between Australia and China

Call No: 408.1-054(=951) SIN
Author: Yue, Audrey (editor); Khoo, Olivia (editor)
Source: AU
Place: London ; New York
Publisher: Palgrave Macmillan
PubDate: 2014
PhysDes: xvi, 231 pages : illustrations ; 23 cm
Subject: CHINA IN FILMS; COPRODUCTION; COPRODUCTION. AUSTRALIA; COPRODUCTION. CHINA; CULTURE AND THE CINEMA. CHINA; CULTURE AND THE CINEMA; LANGUAGE AND THE CINEMA; MASCULINITY IN FILMS; NATIONAL IDENTITY AND THE CINEMA; SHORT FILMS; SINGAPORE; TAIWAN; TRANSNATIONAL CHINESE CINEMA; TRANSNATIONAL CINEMA; TRANSNATIONALISM AND THE CINEMA; SHIH, SHU-MEI; CHILDREN OF THE SILK ROAD, THE (AT/CC/GE, Roger Spottiswoode, 2007); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); FLIGHT OF THE RED BALLOON [VOYAGE DU BALLON ROUGE, LE] (FR, Hsiao-hsien Hou, 2008)
Summary: "Sinophone Cinemas considers a range of multilingual, multidialect and multi-accented cinemas produced in Chinese-language locations outside mainland China. Showcasing a variety of new and fascinating case studies from Britain, Hong Kong, Taiwan, Singapore and Australia, and canvassing a range of formats including commercial co-productions, short films, documentaries and independent films, the book highlights the contemporary screen cultures of Chinese-language communities situated on the margins of China and Chineseness. It engages new sites of localisation, multilingualism and differences that have emerged in Chinese film studies, ones that are not easily contained by the notion of diaspora. The chapters cover a number of historical periods, geographical locations, and critical and methodological perspectives, such as the political economy of Sinophone film production, distribution, consumption and regulation; cinematic practices of Chinese and non-Chinese language resistance, complicity and transformation; and Sinophone communities as sites of cultural production and visual economies." - BOOK BLURB
Notes: Contains list of figures and notes on Chinese names and film titles -- Includes filmography, bibliographic references and index
ISBN: 9781137311191
Contents: Part 1: Theorising Sinophone cinemas -- Framing Sinophone cinemas / Audrey Yue and Olivia Khoo -- Genealogies of four critical paradigms in Chinese-language film studies / Sheldon H. Lu -- Alter-centring Sinophone cinema / Yiman Wang -- Festivals, censorship and the canon: the making of Sinophone cinemas / Yifen T. Beus -- The voice of the Sinophone / Song Hwee Lim -- Singapore, Sinaphone, nationalism: sounds of language in the films of Tan Pin Pin / Olivia Khoo; Part 2: Contemporary Sinophone cinemas -- Mandarin pop-culture meets Tokyo jazz: gender and popular youth culture in late-1960s Hong Kong musicals / Jennifer Feeley -- Sinophone libidinal economy in the age of neoliberalization and mainlandization: masculinities in Hong Kong SAR and New Wave cinema / Mirana M. Szeto -- Singlish and the Sinophone: non-standard (Chinese/English) languages in recent Singaporean cinema / Alison M. Groppe -- British Chinese short films: challenging the limits of the Sinophone / Felicia Chan and Andy Willis -- Contemporary Sinophone cinema: Australia-China coproductions / Audrey Yue

Call No: 802.25 (51) BER
Author: Berry, Michael
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2005
PhysDes: x, 568 p. : ill. ; 24 cm
Series: Global Chinese culture
Subject: DIRECTORS. CHINA; DIRECTORS.TAIWANESE; DIRECTORS. HONG KONG; CITY OF SADNESS, A [; TAIWAN; CHEN, KAIGE; XIE, JIN; TIAN, ZHUANGZHUANG; ZHANG, YIMOU; ZHANG, YUAN; WANG, XIAOSHUAI; JIA, ZHANG KE; LI, YANG; HOU HSIAO-HSIEN; CHU, TIEN-WEN; YANG, EDWARD; WU, NIEN-JEN; LEE, ANG; TSAI, MING LIANG; CHANG, TSO-CHI; HUI, ANN; KWAN, STANLEY; CHAN, FRUIT; HO-SUN CHAN, PETER; CHAN, EVANS
ISBN: 9780231133319
Contents: Foreword / Martin Scorsese -- Introduction : speaking in images -- Pt. I. Voices from China -- Xie Jin : six decades of cinematic innovation -- Tian Zhuangzhuang : stealing horses and flying kites -- Chen Kaige : historical revolution and cinematic rebellion -- Zhang Yimou : flying colors -- Zhang Yuan : working up a sweat in a celluloid sauna -- Wang Xiaoshuai : banned in China -- Jia Zhangke : capturing a transforming reality -- Li Yang : the future of Chinese cinema? -- Pt. II. Voices from Taiwan -- Hou Hsiao-hsien with Chu T'ien-wen : words and images -- Edward Yang : luckily unlucky -- Wu Nien-jen : writing Taiwan in the shadows of cultural colonialism -- Ang Lee : freedom in film -- Tsai Ming-liang : trapped in the past -- Chang Tso-chi : shooting from the margins -- Pt. III. Voices from Hong Kong -- Ann Hui : living through films -- Stanley Kwan : from spectral nostalgia to corporeal desire -- Fruit Chan : Hong Kong independent -- Peter Ho-sun Chan : pioneering Pan-Asian cinema -- Evans Chan : the last of the Chinese

Call No: TITLE CLIPPINGS FILE; COMING WAR WITH CHINA, THE (UK, John Pilger, 2016)
Author: Romei, Stephen
PhysDes: Clippings File Article
Subject: COMING WAR WITH CHINA, THE (UK, John Pilger, 2016)
Summary: Review of the documentary film THE COMING WAR WITH CHINA
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TOP OF THE LAKE: CHINA GIRL [TV] (AT/UK/NZ/US, Jane Campion/Ariel Kleiman, 2017)

Call No: S TOP
Author: Campion, Jane and Lee. Gerard
Edition: Shooting script (Pink amendments)
Place: AT
PubDate: 2016 Mar. 3
PhysDes: 30 leaves ; 30 cm
Subject: TOP OF THE LAKE: CHINA GIRL [TV] (AT/UK/NZ/US, Jane Campion/Ariel Kleiman, 2017)
Notes: Unpublished script -- See-Saw Films
Donation: AFI / AACTA

Call No: SUBJECT CLIPPINGS FILE; WILDBEAR
Author: Lawson, Kirsten
PhysDes: Clippings File Article
Subject: WILDBEAR; COPRODUCTION. AUSTRALIA; COPRODUCTION. CHINA
Summary: Interview with Michael Tear, the CEO of Canberra based production company Wildbear. He discusses the importance of strong business links between Australia and China and talks of Wildbear's success in getting co-productions up with China

Call No: 81KAR BRU
Author: Brunette, Peter
Source: US
Place: Urbana
Publisher: University of Illinois Press
PubDate: 2005
PhysDes: xviii, 149 p. : ill. ; 21cm.
Series: Contemporary Film Directors
Subject: DIRECTORS. CHINA; WONG KAR WAI; DOYLE, CHRISTOPHER; LEUNG, TONY; CHEUNG, MAGGIE; WONG GOK KA MOON (HK, Wong Kar-Wai, 1988); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995); CHEUN GWONG TSA SIT (HK, Wong Kar-Wai, 1997); HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004)
Summary: Taken from backcover: This book traces film director, Wong Kar-wai's themes of time, love, and loss, and examines the political implications of his films, especially concerning the handover of Hong Kong to the People's Republic of China.
Notes: Includes transcripts of interviews with Wong Kar-wai. Filmography: p.[135] - 141. Includes bibliography and index.
ISBN: 9780252072376

Author: Berry, Chris
PhysDes: Book review; Bibliography
Subject: IMPERIALISM AND THE CINEMA; GENDER AND THE CINEMA. CHINA
Summary: A book review of 'Primitive passions: visuality, sexuality, ethnography and contemporary Chinese cinema', by Rey Chow.