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Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: ALICE DARLING (CN/US, Mary Nighy, 2022)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: AMERICAN PSYCHO (US, Mary Harron, 1999)
URL status: URL: 'http://file://Q:/T/AMERICAN_PSYCHO.zip' Checked: 31/08/2021 1:02:54 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: S AME
Author: Harron, Mary & Turner, Guinevere
PubDate: 1997
PhysDes: 111p
Subject: AMERICAN PSYCHO (US, Mary Harron, 1999)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ASSAM GARDEN, THE (UK, Mary McMurray, 1985)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: ASTOR, MARY

Call No: 747.77(73) AUT
Author: Pomerance, Murray; Palmer, R. Barton
Edition: 2022
Place: Austin
Publisher: University of Texas Press
PubDate: April 2022
PhysDes: 324 pages ; 23.5 cm
Subject: PEOPLE WITH DISABILITIES IN FILMS; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994); LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016); RAIN MAN (US, Barry Levinson, 1988); GOOD DOCTOR, THE [TV] ( US, 2017 - ); BIG SHORT, THE (US, Adam McKay, 2015); STRANGER THINGS [TV] (US, 2016); SOCIAL NETWORK, THE (US, David Fincher, 2010); NIGHTCRAWLER (US, Dan Gilroy, 2014); ACCOUNTANT, THE (US, Gavin O'Connor, 2016); BEING THERE (US, Hal Ashby, 1979); PHANTOM THREAD (US, Paul Thomas Anderson, 2017); DAVID AND LISA (US, Frank Perry, 1962); MARY POPPINS (US, Robert Stevenson, 1964)
Summary: Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism. Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism’s portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and “quirky” autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions. -- publisher's web site
ISBN: 9781477324912
Contents: -- -- Preface: Two Meditations: Who Am I? (Murray Pomerance) Before Neurodiversity (R. Barton Palmer) -- 1. Autistic Android? The Curious Instance of Star Trek’s Data (Ina Rae Hark) -- 2. Life, Animated: Adapting a Book about a Hero with Autism (Rebecca Bell-Metereau) -- 3. Where Is the Autism in Rain Man? (Daniel Sacco ) -- 4. The Good Doctor: Images of Autism and Augmented Intelligence (Burke Hilsabeck) -- 5. Oddity and Catastrophe in The Big Short (Jason Jacobs) -- 6. Diagnosing the Detective: Sherlock Holmes and Autism in Contemporary Television (Christina Wilkins) -- 7. She’s So Unusual: The Autist in Stranger Things (Brenda Austin-Smith) -- 8. Autism, Performance, and Sociality: Isolated Attention in The Social Network (Elliott Logan) -- 9. Hidden Worlds of Female Autism (Daniel Varndell) -- 10. Eye Contact in Juárez: Borderline Empathy and the Autistic Detective (Douglas McFarland) -- 11. The Creative Evolution and Reception of Netflix’s Atypical (Christine Becker) -- 12. Community’s Human Laugh Track: Neurodiversity in a Metamodern Sitcom (Joshua Schulze) -- 13. Portrait of the Autist as a Young Man (Fincina Hopgood) -- 14. Due Diligence: Exploring ASD in Nightcrawler and The Accountant (Dominic Lennard) -- 15. Mind the Gap: Autistic Viewpoint in Film (Alex Clayton) -- 16. Performative Restraint and the Challenges of Empathy in Being There and Phantom Thread (Matthew Cipa) -- 17. “A Spoonful of Sugar”: Watching Movies Autistically (Mark Osteen) -- 18. David and Lisa: The Healing Power of the Group (R. Barton Palmer) -- 19. Jesse: Torture That Autist (Murray Pomerance) -- Works Cited and Consulted -- Photo Captions and Credits -- Contributors -- Index.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: BELLS OF ST. MARY'S, THE (US, Leo McCarey, 1945)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BERGMAN, MARY KAY

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLESSED MARY: A SAINT FOR ALL AUSTRALIANS (AT, Serge Ou, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRITISH ISLES A NATURAL HISTORY [TV] (UK, Mary Colwell, 2004)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CALLAGHAN, MARY

Call No: 802(047.53) CAL
Author: Calman, Mel
Place: London
Publisher: Bodley Head
PubDate: 1990
PhysDes: 124 p. : ill. ; 21 cm
Subject: STEIGER, ROD; GUINNESS, ALEC; ANDERSON, LINDSAY; ALTMAN, ROBERT; RINGWOOD, BOB; KLAFF, JACK; NICHOLLS, ALLAN; RAPHAEL, FREDERIC; LAMBERT, VERITY; PUTTNAM, DAVID; PRICE, VINCENT; BROWNE, CAROL; LEWIS, FIONA; PERELMAN, S.J.; YORK, SUSANNAH; HATTON, MAURICE; GOETZ, RUTH; REISZ, KAREL; NORMAN, BARRY; HARWOOD, RONALD; ABBOTT, STEVE; BLAIR, BETSY; STAMP, TERENCE; FREARS, STEPHEN; WYLER, CATHERINE; GRIFFITHS, RICHARD; HART, KITTY CARLISLE; GUARE, JOHN; YATES, PETER; THOMAS, JEREMY; SCHLESINGER, JOHN; MORTIMER, JOHN; CLEMENT, DICK; LA FRENAIS, IAN; COATES, ANNE; PAGE, MARY-ANNE; WALTON, TONY; LYNN, JONATHAN; ADLON, PERCY; ADLER, LEAH; MCDOWALL, RODDY; FISHER, CARRIE; WILDER, BILLY; BASS, SAUL
Notes: Cinema industries (BNB/PRECIS)
ISBN: 0370313917 (pbk)
LON: 7171833

Call No: 210.2(94) TAK
Author: Cruthers, John
CorpAuthor: Australian Film Commission; Australian Film, Television and Radio School
Place: [North Ryde, N.S.W.]
Publisher: Australian Film Television & Radio School and the Australian Film Commission
PubDate: c1988
PhysDes: 107 p. : ill. ; 30 cm
Series: Taking care of business
Subject: INDEPENDENT FILMS. AUSTRALIA; MELBOURNE SUPER 8 FILM GROUP; SUPER-8 MM FILMS. AUSTRALIA; BROPHY, PHILIP; CALLAS, PETER; SCOTT, BILL; RUNNING OUT OF PATIENCE (AT, prod. Chris Brown & Serena Everill, 1987); PALISADE (AT, Laurie McInnes, 1987); HOW THE WEST WAS LOST (AT, David Noakes, 1987); TENDER HOOKS (AT, Mary Callaghan, 1988); IN BETWEEN [TV] (AT, Chris Warner & Mandy Smith, 1987); WITH TIME TO KILL (AT, James Clayden, 1986)
ISBN: 0642139261
LON: 6038265 6487289

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHARLIE SAYS (US, Mary Harron, 2018)
Notes: Simon Strong import 14_Oct2019

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHICAGO CAB (US, Mary Cybulski & John Tintori, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: COTTON MARY (UK, Ismail Merchant, 1999)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: COUSTAS, MARY
URL status: URL: 'http://file://Q:/P/COUSTAS,_MARY.zip' Checked: 31/08/2021 12:55:42 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

PhysDes: Article
Subject: CROSS CREEK (US, Martin Ritt, 1983); STEENBURGEN, MARY; RITT, MARTIN
Summary: cast and crew details for the upcoming 'Cross Creek'

Call No: TITLE CLIPPINGS FILE; MARY, THE MAKING OF A PRINCESS [TV](AT, Jennifer Leacy, 2015)
Author: Byrnes, Holly
PhysDes: Clippings File Article
Subject: MARY, THE MAKING OF A PRINCESS [TV](AT, Jennifer Leacy, 2015)
Summary: Interview with Ryan O'Kane and Emma Hamilton, the stars of the drama MARY, THE MAKING OF A PRINCESS

Call No: PERSONALITY CLIPPINGS FILE; DAVIS, GARTH
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: DAVIS, GARTH; MARY MAGDALENE (UK, Garth Davis, 2017)
Summary: Snippet on the director Garth Davis and how he hopes to collaborate with actor Rooney Mara on what would be his third film
Notes: A

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: DELAHUNTY, MARY

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIEGO RIVERA: I PAINT WHAT I SEE (US, Mary Lance & Eric Breitbart, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIRTY MARY CRAZY LARRY (US, John Hough, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOGS OF DEMOCRACY (AT/GR, Mary Zournazi, 2016)

Call No: 462-02 GLE
Author: Gledhill, Christine; Knight, Julia
Source: US
Place: Urbana
Publisher: University of Illinois Press
PubDate: 2015
PhysDes: 278 pages : illustrations ; 24 cm
Series: Women and film history international
Subject: WOMEN IN FILMS; FEMINISM AND THE CINEMA; FILMMAKING; APTE, SHANTA; KLONARIS, MARIA; THOMADAKI, KATERINA; BIGELOW, KATHRYN; MURILLO, MARY
Summary: "Cutting-edge and inclusive, Doing Women's Film History ventures into topics in the United States and Europe while also moving beyond to explore the influence of women on the cinemas of India, Chile, Turkey, Russia, and Australia. Contributors grapple with historiographic questions that cover film history from the pioneering era to the present day. Their scope and interests encompasses not only different kinds of filmmaking -- mainstream fiction, experimental, and documentary - but also practices -- publicity, journalism, distribution and exhibition -- seldom explored in the past." -- BOOK BLURB
ISBN: 9780252081187
Contents: Searching for Sources, Rewriting Histories. Scandalous Evidence: Looking for the Bombay Film Actress in an Absent Archive (1930s-1940s) / Debashree Mukherjee -- Reading between the Lines: History and the Studio Owner's Wife / Michele Leigh -- Imagining Women at the Movies: Male Writers and Early Film Culture in Istanbul / Canan Balan -- When Iris Skaravaiou Met Iris Barry: The First Greek Film Reviewer and West European Modernity / Eliza Anna Delveroudi -- Searching for Mary Murillo / Luke McKernan -- Feminism, Politics, and Aesthetics. Alice Guy's Great Cinematic Adventure / Kimberly Tomadjoglou -- A Major Contribution to Feminist Film History: Maria Klonaris and Katerina Thomadaki's Cine´ma corporel/Cinema of the Body / Ce´cile Chich -- Feminism and Women's Film History in 1980s Turkey / Eylem Atakav -- Traveling Memories: Women's Reminiscences of Displaced Childhood in Chilean Postdictatorship Documentary / Elizabeth Rami´rez Soto -- Revising the Colonial Past, Undoing "National" Histories: Women Filmmakers in Kannada, Marathi, and Bengali Cinemas / Rashmi Sawhney -- Hollywood Transgressor or Hollywood Transvestite: The Reception of Kathryn Bigelow's The Hurt Locker / Katarzyna Paszkiewicz -- Women at Work. Gossip, Labor, and Female Stardom in Pre-Independence Indian Cinema: The Case of Shanta Apte / Neepa Majumdar -- American Women Screenwriters in the 1920s / Giuliana Muscio -- A Suitable Job for a Woman: Color and the Work of Natalie Kalmus / Sarah Street -- Cinema of Women: The Work of a Feminist Distributor / Julia Knight -- "Our Place": Women at the Cinema in Rural Australia / Karina Aveyard -- Barbara Willis Sweete: Queen of HD Transmissions / Kay Armatage

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: [EIGHT] 8 MINUTES TO MIDNIGHT: A PORTRAIT OF DR. HELEN CALDICOTT (US, Mary Benjamin, 1981)

Call No: 753.4 ENG
Author: Klein, Michael, 1939; Parker, Gillian
Place: New York
Publisher: Ungar
PubDate: c 1981
PhysDes: xi, 383 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; AMANT DE LADY CHATTERLEY, L' (FR, Marc Allegret, 1955); LADY CHATTERLEY'S LOVER (FR, Marc Allegret, 1955); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); ADVENTURES OF ROBINSON CRUSOE; ADVENTURES OF ROBINSON CRUSOE; BARRY LYNDON (UK, Stanley Kubrick, 1975); BECKY SHARP (US, Rouben Mamoulian, 1935); [DOCTOR] DR JEKYLL AND MR HYDE (US, Rouben Mamoulian, 1931); DAVID COPPERFIELD (US, George Cukor, 1935); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); FRANKENSTEIN (US, James Whale, 1931); GREAT EXPECTATIONS (UK, David Lean, 1946); JANE EYRE (US, Robert Stevenson, 1944); JANE EYRE (UK, Delbert Mann, 1971); JOSEPH ANDREWS (UK, Tony Richardson, 1977); MAN WHO WOULD BE KING, THE (US, John Huston, 1975); NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979); OF HUMAN BONDAGE (US, John Cromwell, 1934); OF HUMAN BONDAGE (UK, Ken Hughes, 1964); PASSAGES FROM "FINEGANS WAKE" (US, Mary Ellen Bute, 1965); PORTRAIT OF THE ARTIST AS A YOUNG MAN, A (UK, Joseph Strick, 1977); PRIDE AND PREJUDICE (US, Robert Z. Leonard, 1940); SABOTAGE (UK, Alfred Hitchcock, 1936); SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951); SONS AND LOVERS (UK, Jack Cardiff, 1960); TIME MACHINE, THE (US, George Pal, 1960); TOM JONES (UK, Tony Richardson, 1963); ULYSSES (UK/US, Joseph Strick, 1967); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); WUTHERING HEIGHTS (US, William Wyler, 1939)
Summary: "Are works of literature superior to their movie versions? The successful film is itself a new work of art, as this book affirms, and what it reflects back to its source allows for rewarding analysis - and that is what The English Novel and the Movies is all about. These twenty-seven insightful essays - written expressly for this collection - delve into films based on novels by English and Irish writers ranging from Defoe's Robinson Crusoe to D.H. Lawrence's Lady Chatterley's Lover and Joyce's Portrait of the Artist as a Young Man. Many are recent productions. Directors range from Alfred Hitchcock, John Huston, and Orson Welles to Francis Ford Coppola and Werner Herzog." -- BOOK BLURB
Notes: Includes index; "Selected filmography: film adaptations of English novels, 1719-1930s": p. 323-347; Bibliography: p. 352-368
ISBN: 0804424721 : $13.00; 0804463581 (pbk.) : $5.95
LON: 80005342; 1937478

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: EVANS, MARY

Call No: 81GOD BRO
Author: Brody, Richard
Edition: 1st Paperback edition
Source: US
Place: New York
Publisher: Metropolitan Books / Henry Holt and Company
PubDate: 2009
PhysDes: xv, 701 p. : ill. ; 24 cm
Subject: CRITICISM; GODARD, JEAN-LUC; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963); WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961); FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CONTEMPT (FR/IT, Jean-Luc Godrad, 1963) SEE MEPRIS, LE; CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963); MARRIED WOMAN, THE (FR, Jean-Luc Godard, 1964) SEE FEMME MARIEE, UNE; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); ALPHAVILLE (FR, Jean-Luc Godard, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); MASCULINE FEMININE (FR, Jean-Luc Godard, 1966); TWO OR THREE THINGS I KNOW ABOUT HER (FR, Jean-Luc Godard, 1967) SEE [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985) SEE JE VOUS SALUE MARIE; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); DETECTIVE (FR, Jean-Luc Godard, 1985); SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987); KING LEAR (US/SZ, Jean-Luc Godard, 1987); HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990); GERMANY YEAR 90 (FR, Jean-Luc Godard, 1991) SEE ALLEMAGNE NEUF ZERO; ALLEMAGNE NEUF ZERO (FR, Jean-Luc Godard, 1991); HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983); FOR EVER MOZART (SZ/FR, Jean-Luc Godard, 1996); ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001)
Summary: "Shifting fluidly from fiction to documentary, from criticism to art, the films of Jean-Luc Godard changed the nature of cinema. Godard's own persona - cultural hero, fierce loner, shrewd businessman - projects similarly shifting images. In the modern canon, he is a figure as mysterious as he is indispensible. Now, acclaimed critic Richard Brody offers the fullest picture yet of Godard's life and work, demsytifying the elusive filmmaker through hundreds of interviews with friends, relatives, and collaborators. He vividly depicts Godard's wealthy family, his changeable and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women. Tracing an arc from the director's early writing, through his popular success with Breathless and Contempt, to the grand vision of his later years, Everything Is Cinema shows decisively that Godard's films have left their mark on all screens, everywhere. -- BOOK BLURB
Notes: "NBCC Award. Criticism. Nominees" -- Awards website; Includes bibliographical references (p. [635]-675) and index; We have a duplicate copy of this book
ISBN: 9780805080155
Contents: -- preface -- 1: We do not think, we are thought -- 2: A matter of loving or dying -- 3: Breathless -- 4: Le petit soldat -- 5: A woman is a woman -- 6: Vivre sa vie, le nouveau monde, les carabiniers -- 7: Contempt -- 8: Montparnasse et levallois, band of outsiders -- 9: A married woman -- 10: The American business -- 11: Alphaville -- 12: Pierrot le fou -- 13: Masculine feminine -- 14: Made in USA, two or three things I know about her -- 15: La chinoise, weekend -- 16: Revolution (1968-1972) -- 17: Restoration (1973-1977) -- 18: France tour de´tour deux enfants, et al., 1978-1979 -- 19: Sauve qui peut (la vie) -- 20: Passion and first name: Carmen -- 21: Hail Mary -- 22: Detective and soigne ta droite -- 23: King Lear -- 24: Histoire(s) du cine´ma, part I -- 25: Nouvelle vague -- 26: Germany year 90 nine zero -- 27: He´las pour moi, JLG/JLG, histoire(s) du cine´ma, parts 2 and 3 -- 28: For ever Mozart, histoire(s) du cine´ma, part 4 -- 29: Eloge de l'amour -- 30: Notre musique -- epilogue -- acknowledgments -- notes -- index --

Call No: 19MET BAR
Author: Bart, Peter
Edition: 1st ed
Place: New York
Publisher: Morrow
PubDate: 1990
PhysDes: 304 p. : ill. ; 24 cm
Subject: Metro-Goldwyn-Mayer; UNITED ARTISTS; PARAMOUNT STUDIOS; AUBREY, JAMES T.; YABLANS, FRANK; KERKORIAN, KIRK; ARMSTRONG, GILLIAN; BROOKS, RICHARD; CIMINO, MICHAEL; FIELDS, FREDDIE; GOLDBERG, LEONARD; HUTTON, TIMOTHY; LADD, ALAN, Jr.; SKASE, CHRISTOPHER; LOWE, ROB; MELNICK, DANIEL; MUDOCH, RUPERT; NICHOLSON, JACK; ROSENBERG, STUART; STEENBURGEN, MARY; WEINTRAUB, JERRY; WARGAMES (US, John Badham, 1983); RED DAWN (US, John Milius, 1984); RAIN MAN (US, Barry Levinson, 1988); MRS SOFFEL (US, Gillian Armstrong, 1984)
Notes: Includes index
ISBN: 0688084605 (acid-free paper)
LON: 6934383

Call No: 512.1 COX
Author: Cox, Peter, 1953; Goldsworthy, Fred
Source: AT
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1997
PhysDes: viii, 215 p. : ill. ; 26 cm
Subject: TEACHING MATERIALS; BABE (AT, Chris Noonan, 1995); BRAVEHEART (US, Mel Gibson, 1995); CASABLANCA (US, Michael Curtiz, 1942); CIRCLE OF FRIENDS (US, Pat O'Connor, 1995); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); EDUCATING RITA (UK, Lewis Gilbert, 1983); FORREST GUMP (US, Robert Zemeckis, 1994); FRIED GREEN TOMATOES (US, John Avnet, 1991); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HIGH NOON (US, Fred Zinnemann, 1952); IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993); LITTLE WOMEN (US, Gillian Armstrong, 1994); LORENZO'S OIL (US, George Miller, 1992); MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994); METROPOLIS (G, Fritz Lang, 1926); MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); NELL (US, Michael Apted, 1994); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); OUTBREAK (US, Wolfgang Petersen, 1995); PIANO, THE (AT, Jane Campion, 1993); PROOF (AT, Jocelyn Moorhouse, 1991); PSYCHO (US, Alfred Hitchcock, 1960); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SAINT OF FORT WASHINGTON, THE (US, Tim Hunter, 1993); SEARCHING FOR BOBBY FISCHER (US, Steven Zaillian, 1993); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAWSHANK REDEMPTION, THE (US, Frank Darabont, 1994); SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994); SWING KIDS (US, Thomas Carter, 1993); THAT EYE THE SKY (AT, John Ruane, 1994); UNFORGIVEN (US, Clint Eastwood, 1992); WHAT'S EATING GILBERT GRAPE (US, Lasse Hallstrom, 1993); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); HEIDI CHRONICLES, THE [TV] (US, Peter Bogart, 1995)
Notes: Includes index
ISBN: 0195540190 : $24.95
LON: 12914277

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: FILIPPO, MARY

Call No: 753 FIL
Author: Vincendeau, Ginette, 1948
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: 284p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. JAMES, HENRY; ADAPTATIONS. LEONARD, ELMORE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. THOMPSON, JIM; HISTORICAL FILMS; LITERATURE AND THE CINEMA; ARMSTRONG, GILLIAN; BASS, RON; TARANTINO, QUENTIN; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); AMERICAN PSYCHO (US, Mary Harron, 1999); BEACH, THE (US, Danny Boyle, 1999); BELLE EPOQUE (SP/PO/FR, Fernando Trueba, 1992); BOSSU, LE (FR/IT/GG, Philippe de Broca, 1997); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); CARRINGTON (UK/FR, Christopher Hampton, 1995); COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992); CRASH (CN, David Cronenberg, 1996); CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990); DEAD AGAIN (US, Kenneth Branagh, 1991); EDWARD II (UK, Derek Jarman, 1991); ELIZABETH (UK, Shekhar Kapur, 1998); END OF THE AFFAIR, THE (UK, Neil Jordan, 1999); GERMINAL (FR, Claude Berri, 1993); GRIFTERS, THE (US, Stephen Frears, 1990); HOWARDS END (UK, James Ivory, 1992); JACKIE BROWN (US, Quentin Tarantino, 1997); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); LITTLE WOMEN (US, Gillian Armstrong, 1994); LOLITA (US, Adrian Lyne, 1997); MADAME BOVARY (FR, Claude Chabrol, 1991); MADNESS OF KING GEORGE, THE (US, Nicholas Hytner, 1994); MAESTRO DE ESGRIMA, EL (SP, Pedro Olea, 1992); MANSFIELD PARK (UK/US, Patricia Rozema, 1999); MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994); MASK OF ZORRO (US, Martin Campbell, 1998); MISERABLES, LES (FR, Claude Lelouch, 1995); MRS BROWN (UK, John Madden, 1997); MRS DALLOWAY (US, Marleen Gorris, 1997); NAKED LUNCH (CN/UK, David Cronenberg, 1991); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); OUT OF SIGHT (US, Steven Soderbergh, 1998); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991); REINE MARGOT, LA (FR/GG/IT, Patrice Chereau, 1994); REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993); RIDICULE (FR, Patrice Leconte, 1996); SECRET GARDEN, THE (US, Agnieszka Holland, 1993); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAKESPEARE IN LOVE (UK, John Madden, 1998); SHORT CUTS (US, Robert Altman, 1993); TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999); TEA WITH MUSSOLINI (IT, Franco Zeffirelli, 1997); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); THREE MUSKETEERS, THE (US, Stephen Herek, 1993); TITUS (US, Julie Taymor, 1999); TRAINSPOTTING (UK, Danny Boyle, 1996); WILDE (UK/US/JA/GG, Brian Gilbert, 1997); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
Summary: "Period costume dramas are major box office commodities, exploiting the lucrative gap between the blockbuster and art film with their mixture of rich visuals, popular sensibility and literary association. But 'heritage cinema' is all too often discussed from literary (not cinematic) perspectives, and criticism of the films has long been overshadowed by the question of a film's fidelity to the original text. This volume of essays, reviews, and interviews seeks to redress this imbalance, by examining the often antagonistic relationship between literature and film - presenting both sides of the argument about whether heritage cinema's elaborate aesthetics owe more to nostalgia than to historical accuracy. In her challenging introduction to the volume, Ginette Vincendeau sketches the terms of the debate, arguing that the genre is an important, but often critically neglected, form of popular cinema. Film/Literature/Heritage, the latest in a series of 'Sight and Sound Readers', embraces a wide range of literary adaptation, from William Shakespeare to William Burroughs, covering films from Orlando to LA Confidential, and directors from Martin Scorcese to Peter Greenaway." - BOOK BLURB
ISBN: 0851708420; 0851708412(pbk.) : ¦13.99
LON: 22285912

Call No: 744.7(94) WOM
Author: Women's film fund of the Australian film commission
Source: AT
Place: Marrickville, NSW
Publisher: Southwood Press
PubDate: 1984
PhysDes: 39 pages : illustrations ; 21cm. + bulletin number 1 (1985) and bulletin number 2 (1986)
Subject: WOMENS FILM FUND; AUSTRALIAN FILM COMMISSION. WOMEN'S FILM FUND; AGE BEFORE BEAUTY (AT, Sarah Gibson, 1980); AUSTRALIAN WOMEN COMPOSERS (AT, Adele Sztar, 1983); BREAD AND DRIPPING (AT, Wendy Brady & Donna Foster & Margot Nash & Elizabeth Schaffer & Vic Smith, 1982); CLIMBERS (AT, Rosalind Gillespie, 1979?); CONSOLATION PRIZE (AT, Rivka Hartman, 1979); EATING YOUR HEART OUT (AT, Chris Warner, 1984); EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984); FLAMINGO PARK (AT, Clytie Jessop, 1980); FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983); GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982); KEEP MOVING (AT,Ronesia Hamilton Metcalfe, 1984); MUM'S THE WORD (AT, Carol Kostanish, 1982); NED WEATHERED (AT, Lee Whitmore, 1984); ON GUARD (AT, Susan Lambert, 1984); PINS AND NEEDLES (AT, Barbara A. Chobocky, 1980); ROMA (AT, Jane Oehr, 1980); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); TISSUE (AT, Ros Horin, 1982); TIGHTROPE WATER (AT, Annie Duncan & Anna Kannava, 1983); WOODEN FOREST, THE (AT, Penne West, ?); WORKING UP (AT, Chris Warner & Maureen McCarthy, 1979)
Summary: "This booklet brings together the titles of completed films now in circulation which have recieved women's film fund funding." -- FROM INTRODUCTION
Notes: There are two copies (second copy in clippings file) -- Includes film index
ISBN: 0642959595
Language: EN
Donation: Megan McMurchy
Contents: Introduction -- Age Before Beauty -- As a Matter of Fact -- Australian Women Composers -- Awake and Aware -- Bread and Dripping -- Changing Places -- Climers -- Consolation Prize -- Eating Your Heart Out -- Every Day, Every Night -- Flamingo Park -- For Love or Money -- Greetings from Wollongong -- Just Friends -- Keep Moving -- Loyal Tub Thumper -- Mum's the Word -- Ned Wethered -- On Guard -- Pins and Needles -- Roll Call -- Roma - Serious Undertakings -- Small Changes -- Tissue -- Tight Rope Water -- The Wooden Forrest -- Women, Aid and Development -- Working Up -- Directory of Distributers.

Call No: 81BER QUI
Author: Quirk, Lawrence J.
Source: US
Place: Secaucus, N.J.
Publisher: Citadel Press
PubDate: 1970
PhysDes: 224 p. : ill., ports. ; 28cm
Subject: BERGMAN, INGRID; CASABLANCA (US, Michael Curtiz, 1942); GASLIGHT (US, George Cukor, 1944); BELLS OF ST. MARY'S, THE (US, Leo McCarey, 1945); SPELLBOUND (US, Alfred Hitchcock, 1945); NOTORIOUS (US, Alfred Hitchcock, 1946); STROMBOLI (IT, Roberto Rossellini, 1949); YELLOW ROLLS ROYCE, THE (UK, Anthony Asquith, 1965); VIAGGIO IN ITALIA (IT/FR, Roberto Rossellini, 1953)
Summary: A story of Ingrid Bergman’s life and career. Details of her films and their stories in different time periods are described, from the Swedish period to the renaissance. A summary of information on her stage appearances and television appearances.
ISBN: 0806504803

Call No: 81GOD STE
Author: Sterritt, David
Source: UK/US
Place: Cambridge
Publisher: Cambridge University Press
PubDate: 1999
PhysDes: xiv, 297 p. : ill. ; 23 cm
Series: Cambridge film classics
Subject: CRITICISM; AESTHETICS; NOUVELLE VAGUE; POSTMODERNISM AND THE CINEMA; MODERNISM AND THE CINEMA; GODARD, JEAN-LUC; BREATHLESS (FR, Jean-Luc Godard, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); MY LIFE TO LIVE (FR, Jean-Luc Godard, 1962) SEE VIVRE SAVIE; VIVRE SAVIE (FR, Jean-Luc Godard, 1962); WEEK-END (FR/IT, Jean-Luc Godard, 1968); NUMERO DEUX (FR, Jean-Luc Godard, 1975); NUMERO DEUX (FR, Jean-Luc Godard, 1975); HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985) SEE JE VOUS SALUE MARIE; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990)
Summary: "The films of Jean-Luc Godard examines the work of one of the most versatile and influential filmmakers in the history of cinema. With a career ranging from France's revolutionary New Wave movement in the early 1960s, through a period of drastic political experimentation in the late 1960s and 1970s, to a current introspective period in which he explores issues of spirituality, sexuality, and the aesthetics of sound, image, and montage, Godard's work defies easy categorization. In this study, David Sterritt offers an introductory overview of Godard's work as a filmmaker, critic, and video artist. He then traces Godard's visionary ideas through six of his key films: Breathless, My Life to Live, Weekend, Numero deux, Hail Mary, and Nouvelle Vague. Also included is a concise analysis of his work in video, television, and mixed-media formats. Linking works by Godard to key social and cultural developments, The Films of Jean-Luc Godard explains their importance in modernist and postmodernist art of the last half century. " -- BOOK BLURB
Notes: Filmography: p. 281-290 Includes bibliographical references (p. 279-280) and index
ISBN: 0521589711
Contents: -- list of illustrations -- acknowledgments -- 1. Introduction -- 2. Breathless -- 3. My Life to Live -- 4. Weekend -- 5. Numero deux -- 6. Hail Mary -- 7. Nouvelle Vague -- 8. Video and Television -- notes -- select bibliography -- filmography -- index --

Call No: 802.27(73) HEN
Author: Henderson, Kathy, 1954
Edition: 1st Quill ed
Source: US
Place: New York
Publisher: Quill
PubDate: 1985
PhysDes: 159 p. : ill. ; 28 cm
Subject: WEAVER, SIGOURNEY; BACON, KEVIN; BRODERICK, MATTHEW; CLOSE, GLENN; CROUSE, LINDSAY; HINES, GREGORY; HURT, MARY BETH; HURT, WILLIAM; IVEY, JUDITH; KLINE, KEVIN; LITHGOW, JOHN; MALKOVICH, JOHN; PATINKIN, MANDY; REED, PAMELA; ROBERTS, ERIC; SHEA, JOHN; STREEP, MERYL; WELLER, PETER; WILLIAMS, JOBETH; WILLIAMS, TREAT
Notes: Includes index
ISBN: 0688047009 (pbk.)
LON: 3795658

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: FRAIL MARY (AT, Sandra Scriberras, 1996)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 13 x 19 cm
Subject: FRAIL MARY (AT, Sandra Scriberras, 1996)
Summary: Two black and white photographs, publicity stills, for the film Frail Mary

Call No: 451-02 HAS
Author: Haskell, Molly
Place: Harmondsworth Eng. Baltimore
Publisher: Penguin
PubDate: 1974
PhysDes: xiv, 388 p., [12] leaves of plates : ill. ; 20 cm
Subject: WOMEN IN FILMS; ASTOR, MARY; BERGMAN, INGMAR; BOW, CLARA; Crawford, Joan; CUKOR, GEORGE; DAY, DORIS; DIETRICH, MARLENE; HAWKS, HOWARD; HEPBURN, KATHARINE; HOLLIDAY, JUDY; LUBITSCH, ERNST; MONROE, MARILYN; RUSSELL, ROSALIND; VON STERNBERG, JOSEF; WILDER, BILLY; DUNNE, IRENE; WOMEN, THE (US, George Cukor, 1939); BEYOND THE FOREST (US, King Vidor, 1949); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); DESIGN FOR LIVING (US, Ernst Lubitsch, 1933); ADAM'S RIB (US, George Cukor, 1949); ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955)
Notes: Includes index
ISBN: 0140039465 : ª0.95 ($3.95 U.S.)
LON: 74194670; 352052

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: GAGE, MARY

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL FROM MOGADISHU. A (IE/BE/MR, Mary McGuckian, 2019)

Call No: 45[3-02] GOD
Author: Johnson, Bethan Lloyd; Millikan, Matt
Edition: 2023
Place: Port Melbourne
Publisher: Thames & Hudson
PhysDes: 272 pages : illustrated ; 24cm
Subject: WOMEN AND THE CINEMA; MAGNANI, ANNA; LI, GONG; PICKFORD, MARY; MONROE, MARILYN; LUI, NAKHAH; BERGMAN, INGRID; WEST, MAE; DUNYE, CHERYL; BOW, CLARA; LINGYU, RUAN; COLLINS, JOAN; NORMAND, MABEL; FEARLESS, NADIA; GRIER, PAM; Yeoh, Michelle; THERON, CHARLIE; SEDMIKRASKY (CS, Vera Chytilova, 1966); SWEETIE (AT, Jane Campion, 1989); I WAS A TEENAGE SERIAL KILLER (US, Sarah Jacobson, 1993); MARLINA THE MURDERER IN FOUR ACTS (IO/ FR / MY / TH, Mouly Surya, 2017)
Summary: The screen goddess is a formidable figure, renowned for her power, complexity and so often beauty. From Joan Crawford and Bette Davis to Laverne Cox and Michelle Yeoh, these women disrupted and redefined the female ideal by pushing boundaries, fighting gender stereotypes and transcending tired tropes. Goddess examines cinema history through a feminist lens, charting the evolution of women’s on-screen representation and challenging dominant narratives and misconceptions. Contributors, including film critics, actors, podcasters, journalists and academics, share behind-the-scenes stories and celebrate some of cinema’s most memorable female characters at a time when the film industry is undergoing a long-awaited reckoning. -- publisher's web site
ISBN: 9781760763466

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Press kit; Clippings
Subject: GOOD FIGHT, THE (US, Noel Buckner, Mary Dore & Sam Sills, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Press kit; Clippings
Subject: GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 20 x 25 cm
Subject: PALAMARA, LORRAINE; WALLER, DEBBIE; GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982)
Summary: Four black and white photographs from the short film 'Greetings from Wollongong'
Notes: Contains one duplicate

Call No: 210.31(73) BAR
Author: Bart, Peter
Edition: First Edition
Source: US
Place: New York
Publisher: St. Martin's Griffin
PubDate: February 2000
PhysDes: 337 p. ; 24 cm
Subject: BART, PETER; INDUSTRY, FILM. USA; BOX OFFICE. USA; STUDIOS, FILM. USA; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; SONY CORPORATION; WARNER BROS.; UNIVERSAL PICTURES; SPIELBERG, STEVEN; ARMAGEDDON (US, Michael Bay, 1998); BULWORTH (US, Warren Beatty, 1998); DEEP IMPACT (US, Mimi Leder, 1997); HORSE WHISPERER, THE (US, Robert Redford, 1998); LETHAL WEAPON 4 (US, Richard Donner, 1998); MASK OF ZORRO (US, Martin Campbell, 1998); MULAN (US, Barry Cook & Tony Bancroft, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); SMALL SOLDIERS (US, Joe Dante, 1998); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SIX DAYS, SEVEN NIGHTS (US, Ivan Reitman, 1998); GODZILLA (US/JA, Roland Emmerich, 1998); THERE'S SOMETHING ABOUT MARY (US, Bobby Farrelly & Peter Farrelly, 1998)
Notes: A behind-the-scenes tour of Hollywood during its busiest season - where big-budget blockbusters can make or break a studio, and summer sleepers sneak onto the radar.--BOOK BLURB
ISBN: 0312253915

Call No: 626:396 ROB
Author: Robertson, Pamela, 1964
Place: Durham
Publisher: Duke University Press
PubDate: 1996
PhysDes: ix, 195 p. : ill. ; 24 cm
Subject: CAMP; FEMINISM AND THE CINEMA; SPECTATORSHIP; WOMEN IN FILMS; BURLESQUE; TRANSVESTISM; FANS; MUSICALS; BAXTER, WARNER; CAGNEY, JAMES; DOANE, MARY ANN; DYER, RICHARD; GARBO, GRETA; BERKELEY, BUSBY; FISCHER, LUCY; OTTINGER, ULRIKE; MONROE, MARILYN; MADONNA; Crawford, Joan; WEST, MAE; DESIGNING WOMEN [TV] (US, 1986-89); BELLE OF THE NINETIES (US, Leo McCarey, 1934); FOOTLIGHT PARADE (US, Lloyd Bacon, 1933); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); JOAN DOES DYNASTY [TV] (US, Joan Braderman, 1986); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); JOHNNY GUITAR (US, Nicholas Ray, 1954)
Notes: Originally presented as the author's thesis (Ph.D.--University of Chicago); Includes bibliographical references (p. [175]-187) and index
ISBN: 0822317486 (pa : alk. paper); 0822317516 (cl : alk. paper)
LON: 12009413

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HALE, MARY

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: HARDY, MARY

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: HARRON, MARY

Author: Kimber, Gary
PhysDes: Article
Subject: HELLO MARY LOU: PROM NIGHT II (US, Bruce Pittman, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HELLO MARY LOU: PROM NIGHT II (US, Bruce Pittman, 1987)

Call No: 71(73) HAM
Author: Hampton, Benjamin B. (Benjamin Bowles), 1875-1932
Place: London
Publisher: Noel Douglas
PubDate: 1932
PhysDes: 456 p., 125 p. of illus. 23 cm
Subject: BIOGRAPH; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CHAPLIN, CHARLES; DEMILLE, CECIL B.; FAIRBANKS, DOUGLAS; GOLDWYN, SAMUEL; GRIFFITH, DAVID WARK; HART, WILLIAM S.; HOLLYWOOD MEMORY IN FILMS; LAEMMLE, CARL; LASKY, JESSE; PARAMOUNT STUDIOS; PICKFORD, MARY; SCHENCK, JOSEPH M; SELZNICK, DAVID O.; SENNETT, MACK; ZUKOR, ADOLPH
LON: 13776404 13776404

Call No: 81HOF AGA
Author: Agan, Patrick
Source: UK
Place: London
Publisher: R Hale
PubDate: 1987
PhysDes: x, 166 p, [20] p. of plates : ill. ; 25cm
Subject: HOFFMAN, DUSTIN; TIGER MAKES OUT (US, Arthur Hiller, 1967); GRADUATE, THE (US, Mike Nichols, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); JOHN AND MARY (US, Peter Yates, 1969); LITTLE BIG MAN (US, Arthur Penn, 1970); WHO IS HARRY KELLERMAN AND WHY IS HE SAYING THOSE TERRIBLE THINGS ABOUT ME? (US, Ulu Grosbard, 1971); STRAW DOGS (UK, Sam Peckinpah, 1971); PAPILLON (US, Franklin J. Schaffner, 1973); LENNY (US, Bob Fosse, 1974); ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976); AGATHA (UK, Michael Apted, 1979); KRAMER VS. KRAMER (US, Robert Benton, 1979); TOOTSIE (US, Sydney Pollack, 1982)
Summary: The book deals the life and career of Dustin Hoffman, and the large variety of roles he undertook in the less than 20 films he made. It deals with the academy award, he won in Kramer vs Kramer, and the other 4 nominations he recieved.He is presented as a diminutive perfectionist, or as an unlikely superstar
Notes: Includes index; Filmography: p 151-159
ISBN: 045041731

Call No: 67(04) ROT
Author: Rothman, William
Place: Cambridge [England] New York
Publisher: Cambridge University Press
PubDate: 1988
PhysDes: xix, 210 p. : ill. ; 24 cm
Series: Cambridge studies in film
Subject: USA; THEATRE AND THE CINEMA; ADAPTATIONS; EROTICISM IN FILMS; MELODRAMA; GRIFFITH, DAVID WARK; RENOIR, JEAN; BOGART, HUMPHREY; CHAPLIN, CHARLES; GRANT, CARY; HAWKS, HOWARD; HITCHCOCK, ALFRED; GUZZETTI, ALFRED; BACALL, LAUREN; ASTOR, MARY; JUDITH OF BETHULIA (US, David Wark Griffith, 1913); CITY LIGHTS (US, Charles Chaplin, 1931); RED DUST (US, Victor Fleming, 1932); STELLA DALLAS (US, King Vidor, 1937); BRINGING UP BABY (US, Howard Hawks, 1938); RIVER, THE (II/US, Jean Renoir, 1951); FAMILY PORTRAIT SITTINGS (US, Alfred Guzzetti, 1976); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); TRUE HEART SUSIE (US, David Wark Griffith, 1919); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); REGLE DU JEU, LA (FR, Jean Renoir, 1939); VERTIGO (US, Alfred Hitchcock, 1958)
Notes: Includes index; Bibliography: p. xviii-xix
ISBN: 0521368286 (pbk.); 052136048X
LON: 5831391

Call No: 70"01" IMA
Author: Deutelbaum, Marshall
CorpAuthor: International Museum of Photography at George Eastman House; Image (Rochester, N.Y.)
Place: New York
Publisher: Dover Publications
PubDate: 1979
PhysDes: viii, 248 p. : ill. ; 29 cm
Subject: PRE-CINEMA HISTORY; PROJECTION; EDISON, THOMAS ALVA; LUMIERE, AUGUSTE & LOUIS; HISTORY OF CINEMA. SILENT PERIOD; DENMARK; STILLS; NIELSEN, ASTA; EDISON, THOMAS ALVA; SWEET, BLANCHE; KEYSTONE; LUBITSCH, ERNST; DEMILLE, CECIL B.; PICKFORD, MARY; BROOKS, LOUISE; PABST, GEORG WILHELM; TITLING; RIEFENSTAHL, LENI; Keaton, Buster; LLOYD, HAROLD; HOWE, W.J.; MOHR, HAL; TERRY, ALICE; NOVARRO, RAMON; ANDERSON, BRONCHO BILLY; MIX, TOM; HART, WILLIAM S.; MUYBRIDGE, EADWEARD; INCE, THOMAS HARPER; LONEDALE OPERATOR, THE (US, David Wark Griffith, 1911); WHITE ROSE, THE (US, David Wark Griffith, 1923); PAINTED LADY, THE (US, David Wark Griffith, 1912); CHAMBER MYSTERY, THE (US, Abraham S. Schomer, 1920); SMOULDERING FIRES (US, Clarence Brown, 1925); BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929); GREED (US, Erich von Stroheim, 1925); CROWD, THE (US, King Vidor, 1928)
Notes: "Consists substantially of articles originally published in Image between 1952 and 1977."; Includes index
ISBN: 048623777X : $8.95
LON: 1468042

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IN CROWD, THE (US, Mary Lambert, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IN THE BLINK OF AN EYE (AMPHIBIAN DREAMS) IF I COULD FLY, I WOULD FLY (US, Mary Lucier, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INCREDIBLE JOURNEY OF MARY BRYANT, THE [TV] (AT, Peter Andrikidis, 2005)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JELBART, MARY LOU

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHN AND MARY (US, Peter Yates, 1969)

Author: McDermott, Stephen W
PhysDes: Article
Subject: JOHN AND MARY (US, Peter Yates, 1969)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: JUSTOCOEUR (CN/FR, Mary Stephen, 1980)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LAMBERT, MARY

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIFE AND TIMES OF THE RED DOG SALOON, THE (US, Mary Works, 1996)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MAGUIRE, MARY

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I MARIA KAI OI FTEROTES NYHTES (UK/GR, Eleni Alexandraki, 1985); MARY AND THE FEATHERED NIGHTS (UK/GR, Eleni Alexandraki, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit; Publicity
Subject: MARY (AT, Kay Pavlou, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARY AND JOSEPH: A STORY OF FAITH (US, Eric Till, 1979)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MARY AND MAX (AT, Adam Elliot, 2009)
URL status: URL: 'http://file://Q:/T/MARY_AND_MAX.zip' Checked: 31/08/2021 1:18:01 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: P MAR
Place: AT
PhysDes: 1 poster : col. : double sided ; 70 X 100 cm.
Subject: MARY AND MAX (AT, Adam Elliot, 2009)
Summary: Colour, glossy double-sided poster. Features and image of clay animated character Max sitting at a typewriter. Black and white image except for Max's red hat. Text reads: 'Sometimes perfect strangers make the best friends'. Double-sided poster, reverse image on back.
Notes: Double-sided; Creases and kinks

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARY G SHOW, THE [TV] (AT, Des Kootji Raymond & Graeme Sward, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARY JANE'S NOT A VIRGIN ANYMORE (US, Sarah Jacobson, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARY MAGDALENE (UK, Garth Davis, 2017)

Call No: P MAR
PhysDes: 1 poster : colour ; 100 X 69 cm.
Subject: MARY MAGDALENE (UK, Garth Davis, 2017)
Summary: Text: 'Her story will be told'. Image: head shot of Joaquin Phoenix and Rooney Mara.
Notes: Double sided.
Donation: Cinema Nova.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARY & MAX (AT, Adam Elliot, 2008)

Call No: 81PIC WIN
Author: Windeler, Robert
Source: UK
Place: London
Publisher: W.H. Allen & Co
PubDate: 1973
PhysDes: 226 p. : ill. ; 18cm
Subject: PICKFORD, MARY; UNITED ARTISTS; FAIRBANKS, DOUGLAS
ISBN: 0352300469

Call No: 81PIC NIV
Author: Niver, Kemp R; Bergsten, Bebe, ed
CorpAuthor: Biograph Company
Place: [Los Angeles
Publisher: Locare Research Group
PubDate: 1969]
PhysDes: 156 p. facsims., ports. 29 cm
Subject: PICKFORD, MARY
Summary: Contains photos selected from films made 1909-1912 by the Biograph Company, with the Biograph handbills for each production
LON: 72103050; 599871

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: MARY POPPINS (US, Robert Stevenson, 1964)

Call No: N79MAR TRA
Author: Travers, P.L.
Source: US
Place: London
Publisher: Lions
PubDate: 1981
PhysDes: 188 p. : ill. ; 18 cm.
Subject: MARY POPPINS (US, Robert Stevenson, 1964)
Notes: First published: 1934
ISBN: 0006704271

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARY POPPINS RETURNS (US, Rob Marshall, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARY QUEEN OF SCOTS (UK, Josie Rourke, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: MARY REILLY (US, Stephen Frears, 1996)
ID2: 62

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARY'S PLACE (AT, Melissa Lee, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARY SHELLEY (US/UK/LU, Haifaa Al-Mansour, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARY SHELLEY (US/UK/LU, Haifaa Al-Mansour, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 16 x 21 cm
Subject: BELL, LUCY; MARY (AT, Kay Pavlou, 1994)
Summary: 3 black and white photographs of Lucy Bell as Mary MacKillop dressed in nun clothing and walking through the church amongst other nuns; Lucy Bell discussing the family's dwindling finances, with her mother, Vanessa Downing, and presumably younger brother

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARY, THE MAKING OF A PRINCESS [TV](AT, Jennifer Leacy, 2015)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: MASTERSON, MARY STUART

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: MASTRANTONIO, MARY ELIZABETH

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARY AND THE WITCH'S FLOWER [MEARI TO MAJO NO HANA] (JA, Hiromasa Yonebayashi ,2017)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: MEIGS, MARY

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings; Study guide
Subject: MICROCOSMOS (FR/SZ/IT, Claude Nuridsany & Mary Perennou, 1996)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: MINTER, MARY MILES

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MISS MARY (AC, Maria Luisa Bemberg, 1986)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MOORE, MARY TYLER

Call No: 451-02 MOR
Author: Mordden, Ethan, 1947
Place: New York
Publisher: St. Martin's Press
PubDate: 1983
PhysDes: xii, 296 p., [40] p. of plates : ports. ; 24 cm
Subject: WOMEN IN FILMS; STAR SYSTEM; ACTORS; BOW, CLARA; SWANSON, GLORIA; PICKFORD, MARY; GISH, LILLIAN; GAYNOR, JANET; SHEARER, NORMA; GARBO, GRETA; Crawford, Joan; LOY, MYRNA; GARSON, GREER; DIETRICH, MARLENE; HARLOW, JEAN; WEST, MAE; Lombard, Carole; DAVIES, MARION; BALL, LUCILLE; HEPBURN, KATHARINE; RUSSELL, ROSALIND; FAYE, ALICE; Stanwyck, Barbara; DAVIS, BETTE; TEMPLE, SHIRLEY; GARLAND, JUDY; TAYLOR, ELIZABETH; HAYWORTH, RITA; GRABLE, BETTY; GARDNER, AVA; MONROE, MARILYN; MANSFIELD, JAYNE; NOVAK, KIM; HOLLIDAY, JUDY; HEPBURN, AUDREY; DAY, DORIS; ANDREWS, JULIE; STREISAND, BARBRA; MINNELLI, LIZA; BERGMAN, INGRID; WELCH, RAQUEL; Keaton, Diane; FONDA, JANE; DRESSLER, MARIE; DUNNE, IRENE; LAWRENCE, FLORENCE; BARA, THEDA; MURRAY, MAE; MOORE, COLLEEN; ALLEN, GRACIE; BLONDELL, JOAN; TOMLIN, LILY
Notes: Includes index; Bibliography: p. [285]-289
ISBN: 0312550502 (pbk.); 0312550499
LON: 83003024; 2457302

Call No: 19MTM FEU
Author: Vahimagi, Tise; Feuer, Jane; Kerr, Paul
Place: London
Publisher: BFI Pub.
PubDate: 1984
PhysDes: x, 308 p. : ill. ; 22 cm
Subject: MTM ENTERPRISES; MARY TYLER MOORE SHOW, THE [TV] (US, 1970-77?); LOU GRANT [TV] (US, 1977-82); HILL STREET BLUES [TV] (US, 1980-87)
Notes: Filmography: p. 200-308; Includes bibliographies
ISBN: 0851701620 : ª12.00; 0851701639 (pbk.) : ª6.95
LON: 3425926

Call No: 626:396 MUL
Author: Carson, Diane; Dittmar, Linda, 1938; Welsch, Janice R
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1994
PhysDes: ix, 547 p. : ill. ; 24 cm
Subject: FEMINISM AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; WOMEN IN FILMS. MEXICO; WOMEN IN FILMS. CHINA; WOMEN IN FILMS. THIRD WORLD; WOMEN IN FILMS. CUBA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; ETHNIC GROUPS IN FILMS; BORDEN, LIZZIE; DASH, JULIE; DIETRICH, MARLENE; DOANE, MARY ANN; GARBO, GRETA; GORRIS, MARLEEN; GUY-BLACHE, ALICE; MULVEY, LAURA; TRINH, T. MINH-HA; BAHTIN, MIHAIL; ARZNER, DOROTHY; FIELD, CONNIE; CHENZIRA, AYOKA; SAYONARA (US, Joshua Logan, 1957); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); SWING SHIFT (US, Jonathan Demme, 1984); SUZANNE, SUZANNE (US, Camille Billops & James Hatch, 1982); RAMPARTS D'ARGILE (FR/AE, Jean-Louis Bertuccelli, 1970); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); BORN IN FLAMES (US, Lizzie Borden, 1983); DRY WHITE SEASON, A (US, Euzhan Palcy, 1989); MARRYING KIND, THE (US, George Cukor, 1952); MARTY (US, Delbert Mann, 1954); MOROCCO (US, Josef von Sternberg, 1930); PILLOW TALK (US, Michael Gordon, 1959); RETRATO DE TERESA (CU, Pastor Vega, 1979); QINGCHUN JI (CC, Zhang Nuanxin, 1986); SURNAME VIET GIVEN NAME NAM (US, Trinh T. Minh-ha, 1989); BLACK FURY (US, Michael Curtiz, 1934); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982)
Notes: Includes bibliographical references and index
ISBN: 0816622728(acid-free paper); 0816622736 (pbk.)
LON: 10052767

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MURDER OF MARY PHAGAN, THE [TV] (US, Billy Hale, 1988)

Call No: 81PIC PIC
Place: N.Y.
Publisher: Grosset & Dunlap
PubDate: 1915
Subject: PICKFORD, MARY
LON: nun00325955; 5230641

PhysDes: Article
Subject: GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982)
Summary: Review

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: NORRIS, MARY

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: NOTORIOUS BETTIE PAGE, THE (US, Mary Harron, 2005)
ID2: 83

Call No: 210.2(73) ROS
Author: Rosen, David (David M.); Hamilton, Peter
Edition: 1st ed
Place: New York
Publisher: Grove Weidenfeld
PubDate: 1990
PhysDes: xx, 326 p. : ill. ; 24 cm
Subject: INDEPENDENT PRODUCTION; INDEPENDENT DISTRIBUTION; ADVERTISING FOR FILMS; STAND AND DELIVER (US, Ramon Menendez, 1988); BALLAD OF GREGORIO CORTEZ, THE (US, Robert M. Young, 1983); COLD FEET (US, Bruce van Dusen, 1983); EATING RAOUL (US, Paul Bartel, 1982); NORTE, EL (US, Gregory Nava, 1983); GOOD FIGHT, THE (US, Noel Buckner, Mary Dore & Sam Sills, 1984); HEARTLAND (US, Richard Pearce, 1979); HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987); MY DINNER WITH ANDRE (US, Louis Malle, 1981); OLD ENOUGH (US, Marisa Silver, 1984); RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980); WEAVERS - WASN'T THAT A TIME, THE (US, James B. Brown, 1981); WILD STYLE (US/GW, Charlie Ahearn, 1983)
Notes: "Based on a study originally commissioned by the Sundance Institute and the Independent Feature Project."
ISBN: 0802131875 (pa)
LON: 6416531

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: OLSEN, MARY-KATE & ASHLEY

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: OLSON-KROMOLOWSKI, MARY

Call No: 70"01" BRO
Author: Brownlow, Kevin
Place: Berkeley
Publisher: University of California Press
PubDate: c1968
PhysDes: 577 p. : ill. ; 26 cm
Subject: HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; PICKFORD, MARY; GRIFFITH, DAVID WARK; DWAN, ALLAN; BROWN, CLARENCE; WELLMAN, WILLIAM; DEMILLE, CECIL B.; VON STERNBERG, JOSEF; FAIRBANKS, DOUGLAS; MELODRAMA; BOOTH, MARGARET; SWANSON, GLORIA; MAYER, LOUIS B.; SELZNICK, DAVID O.; Keaton, Buster; CHAPLIN, CHARLES; GANCE, ABEL; ROSHER, CHARLES G.; BLYTHE, BETTY; THALBERG, IRVING; DENNY, REGINALD; HORNBECK, WILLIAM; FARRAR, GERALDINE; KING, HENRY; SLOMAN, EDWARD; LLOYD, HAROLD; BEN HUR (US, Fred Niblo, 1925); ROBIN HOOD (US, Allan Dwan, 1922)
Notes: Includes index
ISBN: 0520030680 : $9.95
LON: 740138 740138

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PARADISE (US, Mary Agnes Donoghue, 1991)

Call No: 19PAR EDM
Author: Edmonds, I. G; Mimura, Reiko, joint author
Edition: 1st ed
Place: San Diego, CA London
Publisher: A.S. Barnes Tantivy Press
PubDate: c1980
PhysDes: 272 p. : ill. ; 29 cm
Subject: PARAMOUNT STUDIOS; ZUKOR, ADOLPH; PICKFORD, MARY
Notes: Includes indexes; Bibliography: p. [263]-264
ISBN: 0498023222
LON: 1580521

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: PARKER, MARY LOUISE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PET SEMATARY (US, Mary Lambert, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PET SEMATARY TWO (US, Mary Lambert, 1992)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: PICKFORD, MARY

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: PLACE, MARY KAY

Call No: 451-02 ROS
Author: Rosen, Marjorie
Place: New York
Publisher: Avon
PubDate: 1974, c1973
PhysDes: 448 p. : ill. ; 18 cm
Subject: WOMEN IN FILMS; ACTORS; ARZNER, DOROTHY; BOW, CLARA; Crawford, Joan; DAVIS, BETTE; DIETRICH, MARLENE; GARBO, GRETA; GISH, LILLIAN; GRIFFITH, DAVID WARK; HAYWORTH, RITA; Lupino, Ida; MONROE, MARILYN; NEGRI, POLA; PICKFORD, MARY; WEST, MAE
Notes: Includes index; Bibliography: p.412-424
ISBN: 0380001772
LON: 1231170

Call No: 61 POS DEG
Author: Degli-Esposti, Christina
Source: US
Place: New York
Publisher: Berghahn Books
PubDate: 1998
PhysDes: viii, 264 p. : ill. ; 22 cm
Subject: POSTMODERNISM AND THE CINEMA; POSTMODERNISM AND TV/VIDEO; POSTMODERNISM AND TV/VIDEO. USA; POSTMODERNISM AND THE CINEMA. USA; POSTMODERNISM AND THE CINEMA. JAPAN; POSTMODERNISM AND THE CINEMA. POLAND; POLAND; TRAVEL IN FILMS; FRANCE; IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES; IMPERIALISM AND THE CINEMA. FRANCE; HISTORY AND THE CINEMA; ETHNIC GROUPS IN FILMS; ANIMATION; YOUNG PEOPLE, FILMS FOR; ADAPTATIONS. FORSTER, E. M.; ADAPTATIONS. GENET, JEAN; AUTEUR THEORY; DEGLI-ESPOSTI, CHRISTINA; BARON, CYNTHIA; KRAIDY, MARWAN; WEINSTEIN, DAVID; SHARY, TIMOTHY; BRUNS, JOHN; MAULE, ROSANNA; FALKOWSKA, JANINA; STRAIN, ELLEN; BOLUS-REICHERT, CHRISTINE; LAGA, BARRY; DEUTELBAUM, MARSHALL; HOLDEN-MOSES, PHILIP; WILES, MARY; ALTMAN, ROBERT; JAMESON, FREDRIC; ITAMI, JUZO; FORSTER, E. M.; COEN, JOEL & ETHAN; KUROSAWA AKIRA; GREENAWAY, PETER; FASSBINDER, RAINER WERNER; PLAYER, THE (US, Robert Altman, 1992); ALADDIN (US, John Musker & Ron Clements, 1992); SIMPSONS, THE [TV] (US, 1989-); BILL AND TED'S EXCELLENT ADVENTURE (US, Stephen Herek, 1989); WAYNE'S WORLD (US, Penelope Spheeris, 1992); SINGLES (US, Cameron Crowe, 1992); REALITY BITES (US, Ben Stiller, 1994); TAMPOPO (JA, Juzo Itami, 1986); A NOS AMOURS (FR, Maurice Pialat, 1983); MESSA E FINITA, LA (IT, Nanni Moretti, 1985); QUE HE HECHO PARA MERECER ESTO!! (SP, Pedro Almodovar, 1984); PSY (PL, Wladyslaw Pasikowski, 1993); CZLOWIEK Z ... (PL, Konrad Szolajski, 1993); WHERE ANGELS FEAR TO TREAD (UK, Charles Sturridge, 1991); ROOM WITH A VIEW, A (UK, James Ivory, 1986); PASSAGE TO INDIA, A (US/UK, David Lean, 1984); CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); BARTON FINK (US, Joel Cohen, 1991); DREAMS (US, Akira Kurosawa, 1990); DROWNING BY NUMBERS (UK, Peter Greenaway, 1988); QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982)
Summary: By offering sophisticated and multi-faceted, yet highly accessible discussions on a number of key issues, Postmodernism in the Cinema presents new strategies for reading and understanding postmodernism and opens up the horizons of investigation to address the dynamic relationship between the art of moving images and complex concepts of postmodern theory. Organized according to specific themes such as auteurism, metacinema, national cinema, and the parodic, this anthology includes thirteen essays and examines films including The Player, Aladdin, Singles, Reality Bites, Wayne’s World, Tampopo, A Room with a View, Barton Fink, Akira Kurosawa’s Dreams, Drowning by Numbers, Coup de torchon, Querelle, and more. [Taken from back cover]
Notes: Papers from a conference held in 1994 at Kent State University, Kent, Ohio.; Includes bibliographical references and index.
ISBN: 1571811060
Contents: Introduction: Postmodernism(s) Cristina Degli-Esposti -- Chapter 1: The Player's parody of Hollywood: A different kind of suture - Cynthia Baron -- Chapter 2: Intertextual maneuvers around the subaltern: Aladdin as postmodern text - Marwan Kraidy -- Chapter 3: Of Mice and Bart: The Simpsons and the postmodern - David Weinstein -- Chapter 4: Reification and loss in postmodern puberty: The cultural logic of Fredric Jameson and American youth movies - Timothy Shary -- Chapter 5: Refiguring pleasure: Itami and the postmodern Japanese film - John Bruns -- Chapter 6: De-authorizing the auteur: postmodern politics of interpellation in contemporary European cinema - - Rosanna Maule -- Chapter 7: Postmodernist condition in post-socialist eastern European films: the case of a political pastiche and the socialist-hollywood thriller in recent films of Polish filmmakers - Janina Falkowska -- Chapter 8: E.M. Forster's anti-touristic tourism and the sightseeing gaze of cinema - Ellen Strain -- Chapter 9: Imaginary geographies: the colonial subjects in contemporary French cinema - Christine Bolus-Reichert -- Chapter 10: Decapitated spectators: Barton Fink, (Post)history, and cinematic pleasure - Barry Laga -- Chapter 11: Something like an autobiography in Akira Kurosawa's Dreams - Marshall Deutelbaum -- Chapter 12: Not waving but drowning by numbers: Peter Greenaway's cautionary tale - Philip Holden-Moses -- Chapter 13: A double voice: the dual paternity of Querelle - Mary Wiles
ID2: 291

PhysDes: Study guide; Illustration(s)
Subject: MICROCOSMOS (FR/SZ/IT, Claude Nuridsany & Mary Perennou, 1996); TEACHING MATERIALS
Summary: Notes for teaching "Microcosmos" to Primary school students

Call No: 412 SKA
Author: Sklar, Robert
Place: New York
Publisher: Oxford University Press
PubDate: 1980
PhysDes: xi, 200 p., [4] leaves of plates : ill. ; 22 cm
Subject: SITUATION COMEDY; CRITICISM; VIOLENCE ON TV; COMMERCIALS, TV; ETHNIC GROUPS AND TV; SOCIETY ON TV; CLASS ON TV; SEX ON TV; CHILDREN'S TELEVISION WORKSHOP; SANDRICH, JAY; LOU GRANT [TV] (US, 1977-82); SCARLETT LETTER, THE [TV] (US, Rick Hauser, 1979); REAL PEOPLE [TV] (US, 1979); FRIENDLY FIRE [ABC THEATRE: FRIENDLY FIRE] [TV] (US, 1979); ROOTS: THE NEXT GENERATION [TV] (David Wolper, 1979); MARY TYLER MOORE SHOW, THE [TV] (US, 1970-77?)
ISBN: 0195027655 : $15.95
LON: 1677348

Call No: 802.22(73) MAR
Author: Marc, David; Thompson, Robert J., 1959
Edition: 1st Syracuse University Press ed
Place: Syracuse, N.Y.
Publisher: Syracuse University Press
PubDate: 1995
PhysDes: 340 p. : ill. ; 24 cm
Series: The Television series
Subject: DRAMAS; SOAP OPERAS; GAMES SHOWS; DOCUMENTARIES; BROOKS, JAMES L.; BURNS, KEN; WOLPER, DAVID; SPELLING, AARON; RICH, LEE; MARTIN, QUINN; MARSHALL, GARRY; LINK, WILLIAM; CHAYEFSKY, PADDY; CANNELL, STEPHEN J.; BOCHCO, STEVEN; BARRIS, CHUCK; ARNAZ, DESI; WERNER, TOM; WEBB, JACK; SCHWARTZ, SHERWOOD; PHILLIPS, IRNA; NIXON, AGNES ECKHARDT; LEVINSON, RICHARD; LEAR, NORMAN; LARSON, GLEN; HUGGINS, ROY; HENNING, PAUL; HARRIS, SUSAN; GOODSON, MARK; GLEASON, JACKIE; ENGLISH, DIANE; MANN, MICHAEL; MARY TYLER MOORE SHOW, THE [TV] (US, 1970-77?); MIAMI VICE [TV] (US, 1984-90); ALAS SMITH AND JONES [TV] (US, 1971-73?); ALL IN THE FAMILY [TV] (US, 1971-?); BEVERLY HILLBILLIES, THE [TV] (US, 1962-71); DRAGNET [TV] (US, 1951-59, 1967-70); GILLIGAN'S ISLAND [TV] (US, 1964-66); GOLDEN GIRLS, THE [TV] (US, 1985-93); HAPPY DAYS [TV] (US, 1974-1984); HILL STREET BLUES [TV] (US, 1980-87); L.A. LAW [TV] (US, 1986-94); I LOVE LUCY [TV] (US, 1951-57)
Notes: Originally published: Boston : Little, Brown, 1992; Includes bibliographical references (p. [313]-318) and index
ISBN: 0815603118 (paper : acid-free paper)
LON: 95001812; 11442893

Call No: 802.72 NEW
Author: Newcomb, Horace; Alley, Robert S., 1932
Place: New York
Publisher: Oxford University Press
PubDate: 1983
PhysDes: xvii, 262 p. : ports. ; 22 cm
Subject: PRODUCERS. USA; VICTOR, DAVID; MANTLEY, JOHN; HAMNER, EARL; BURNS, ALLAN; TINKER, GRANT; MARTIN, QUINN; LEVINSON, RICHARD; LINK, WILLIAM; LEAR, NORMAN; BROOKS, JAMES L.; MARSHALL, GARRY; WALTONS, THE [TV] (US, 1972-81); GUNSMOKE [TV] (US, 1955-75); MARY TYLER MOORE SHOW, THE [TV] (US, 1970-77?)
Notes: Includes index
ISBN: 0195033477 : $17.95
LON: 83010991; 2796260

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PROUD MARY (US, Babak Najafi, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RADIOMAN (UK, Mary Kerr, 2012)

Author: Ayre, S.J.
PhysDes: Article
Subject: KERR, DEBORAH; ASSAM GARDEN, THE (UK, Mary McMurray, 1985)
Summary: S.J. Ayre frames "The Assam Garden" as possessing quiet charm, despite timing issues and the uneasy meshing of the film's two main focuses of the garden and of friendship. The review notes that this was Deborah Kerr's first film for a fifteen year period
Notes: Review

Call No: 62(04)(73) HAR
Author: Harmetz, Aljean
Edition: First edition
Source: US
Place: New York
Publisher: Alfred A. Knopf
PubDate: 1983
PhysDes: xvii, 263 pages ; 22 cm
Subject: BOX OFFICE. USA; CABLE TV. USA; COLUMBIA PICTURES; INDUSTRY, FILM. USA; RATING FOR FILMS. USA; ARKOFF, SAMUEL; ASTAIRE, FRED; BURTT, BEN; DANIELS, ANTHONY; EASTWOOD, CLINT; FONDA, JANE; KASDAN, LAWRENCE; LANGE, JESSICA; LUCAS, GEORGE; NICHOLSON, JACK; Peckinpah, Sam; PICKFORD, MARY; RITT, MARTIN; Stanwyck, Barbara; WILDER, BILLY; ZUKOR, ADOLPH; STAR WARS (US, George Lucas, 1977)
Summary: "From one of the most admired and enjoyed writers on the subject of Hollywood, author of The Making of The Wizard of Oz, and for six years Los Angeles correspondent to The New York Times - her first collection of inside-the-movie-business pieces: interviews (from Jessica Lange, Jack Nicholson, and our Miss Rona, to Mary Pickford and Clint Eastwood); profiles (of the true intergalactic hero of the Star Wars trilogy, George Lucas; the last of the old true larger-than-life producers, Ray Stark; and the genius of B pictures, Sam Arkoff); and piercing in-depth reportage, clarifying and unscrambling the shake-ups and shake-down of current movie business" -Book blurb.
Notes: Many pages have rough edges
ISBN: 0394528867
Contents: Introduction -- Mary Pickford - America's (gothic) sweetheart -- Cocaine and Hollywood -- Ms. Rona: don't call her a gossip -- What price glory at Columbia -- Jack Nicholson - odd man out -- Hollywood's hot new screen writer -- Jessica Lange - film star whose future is here -- Rating the ratings -- Astaire at 80 -- The $110,000 blunder, or the man who couldn't work movie miracles -- ReCooping: the rise and fall and rise of a child star -- Peckinpah: "Man was a killer long before he served a god" -- The dime-store way to make movies -- How Hollywood decides if a film is a hit -- Reap the Wilder wind -- Fonda at Forty -- Video wars: Hollywood's corporate rollerderby -- The man with no name is a big name now -- How a Hollywood rumor was born, flourished, and died -- Barbara Stanwyck: still a golden girl -- Martin Ritt: survivor extraordinaire -- The anatomy of the sneak preview -- Today's hottest movie stars -- From A(dolph) to Z(ukor) -- The great and powerful wizard of Lucasfilm

Call No: 81FAI FAI
Author: Fairbanks Jr., Douglas
Source: UK
Place: London
Publisher: Fontana
PubDate: 1989 c1988
PhysDes: 608 p. [24] p. of plates : ports. ; 18cm
Subject: ACTORS; FAIRBANKS, DOUGLAS; ASTAIRE, FRED; OLIVIER, LAURENCE; PICKFORD, MARY; BAXTER, WARNER; DOVE, BILLIE; GARBO, GRETA; Crawford, Joan; HOWARD, LESLIE; CATHERINE THE GREAT(US, Paul Czinner,1934); LITTLE CAESAR (US, Mervyn LeRoy, 1931); DEAD MAN'S CURVE (US, Dan Rosen, 1997); MORNING GLORY (US, Lowell Sherman, 1933); HAVING WONDERFUL TIME (US, Alfred Santell, 1938); GUNGA DIN (US, George Stevens, 1939)
Summary: The book covers the family of Douglas Fairbanks jnr, the films he made, his leading ladies, and the friends he made from amongst the stars of Hollywood
Notes: Includes index; Includes filmography
ISBN: 0006374875

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: SANTACROCE, MARY NELL

Author: Weiner, Robert
PhysDes: Article
Subject: JOHN AND MARY (US, Peter Yates, 1969)
Summary: Review

Call No: 115 287 (430.1) GRA
Author: Gramann, Karola
Edition: 1st ed.
Source: Federal Republic of Germany
Place: Munich
Publisher: Goethe Institute
PubDate: 1987
PhysDes: 52 p ; 20cm + b&w ill.
Subject: SHORT FILMS; GERMAN FEDERAL REPUBLIC; NON-FICTION FILMS; WORKERS IN FILMS; WOMEN IN FILMS; FEMINISM AND THE CINEMA; POLITICAL FILMS; NAZIS IN FILMS; HISTORICAL FILMS; WORLD WAR II AND THE CINEMA; PEWAS, PETER; WILMS, ELISABETH; KOERBER, MARTIN; TICHAWSKY, HEINRICH; NESTLER, PETER; HERZ, HORST; DOERRIES, BERNHARD; KLUGE, ALEXANDER; SCHAMONE, PETER; STRAUB, JEAN-MARIE; KRISTL, VLADO; THOME, RUDOLPH; FASSBINDER, RAINER WERNER; STOCKL, ULA; OTTINGER, ULRIKE; HERBST, HELMUT; SANDERS-BRAHMS, HELMA; FAROCKI, HARUN; GIEFER, THOMAS; BERSWORDT-WALLRABE, VON, ALEXANDER; MERBACH, ROSEMARIE; SCHUBERT, DIETRICH; WINZENSTEN, FRANZ; LANG, MARIA; NOLL BRINCKMANN; JORITZ, CATHY; MIKESCH, ELFI; KLEINE CHAOS, DAS (GR, Rainer Werner Fassbinder, 1966); MENSCHEN, STADTEN, SCHIENEN (GR,Peter Pewas, 1949); DORTMUND DAMALS (GR, Elisabeth Wilms, 1947); HERBSTBEDANKEN (GR, Peter Pewas, 1950); VELORENES BERLIN, EIN (GR,Richard Kostelanetz, Martin Koerber, 1983); NOTIZEN AUS DEM ALTMUHTAL (GR,Hans Rolf Strobel, Heinrich Tichawsky, 1961); MULHEIM/RUHR (GR, Peter Nestler, 1964); ES LOBT DEN MANN DIE ARBEIT UND DIE TAT (GR, Horst Herz, 1982); MANNEQUIN, DAS (GR, Bernhard Doerries, 1960); BRUTALITAT IN STEIN - DIE EWIGKEIT VON GESTERN (GR, Alexander Kluge, Peter Schamoni, 1960); MACHORKA MUFF (GR, Jean-Marie Straub, 1962); MADELEINE-MADELEINE (GR, Vlado Kristl, 1963); VERSOHNUNG, DIE (GR, Rudolf Thome, 1964/65); ANTIGONE (GR, Ula Stockl, 1964); SUPERBIA (GR, Ulrike Ottinger, 1986); SCHWARZ, WEISS, ROT (GR, Helmut Herbst, 1964); INDUSTRIELLE RESERVEARMEE, DIE, Helena Sanders-Brahms, 1970/71); NICHT LOSCHBARES FEUER (GR, Harun Farocki, 1969); TERROR AUCH IM WESTERN (GR, Thomas Giefer, 1968); ABSTECHER NACH ENKBACH, EIN (GR, Alexander von Berswordt-Wallrabe, 1979); MAMMA HEMMERS GEHT MIT IHREM PASTOR ZUM LETZEN MAL UBER'N HEINRICHPLATZ; KREUZBERG ADIO (GR, S.M Rosi, 1979); GEHT UM MEHR ALS NUR UMS UBERLEBEN, ES (GR, Dietrich Schubert, 1982); ANPROBE, DIE - 1938 (GR, Franz Winzenstein, 1985); ANGELIKA URBAN, VERKAUFERIN, VERLOBT (GR, Helma Sanders-Brahms, 1969); FAMILY CRYPT [FAMILIENGRUFT: EIN LIEBESGEDICHT AN MEINE MUTTER] (GW, Maria Lang, 1982); HALF A LIFE [HALBES LEBEN, EIN] (GW, Christine Noll Brinckmann, 1983); NEGATIVE MAN (GR, Cathy Joritz, 1985); EXECUTION-A STUDY OF MARY (GR, Elfi Mikesch, 1979)
Summary: This program presents a comprehensive survey of the Federal Republic of Germany’s contribution to the field of short films. Among other things it is a journey through the history of the former West Germany and the social changes it underwent, reflected in the various forms of political documentation and aesthetic innovation in the films.

Call No: 462-02(94)SHA
Source: AT
Place: Sydney
Publisher: Australian Film Commission
PubDate: 1999
PhysDes: 135 p.
Subject: WOMEN TV WORKERS; TELEVISION. AUSTRALIA; AUSTRALIAN FILM COMMISSION; MORGAN, LEONIE; FAITHFULL, JANEEN; MARKS, LYNDAL; BROWNE, DINA; JAMES, TARNI; TATARKA, ROS; SCHENKER, VIVIAN; BARNES, PAM; CULLITON, JACQUI; PHILLIPSON, MARGOT; MCCANN, LOUISE; BOTTGER, CHERRIE; BROCKIE, JENNY; KOSTAKIDIS, MARY; JONES, VICKI; ZISKIN, LAURA; BROWN, KAREN; WONFOR, ANDREA; SPERBER, ELAINE; BLONSKI, ANNETTE; EDGAR, PATRICIA; BAKER, FIONA; PERKINS, RACHEL; CHAPMAN, JAN; CHAPMAN, PENNY; HILL, DEBRA
ISBN: 0642487146

Call No: 210.2(73) VAC
Author: Vachon, Christine; Edelstein, David
Place: New York
Publisher: Avon Books
PubDate: c1998
PhysDes: 335 p. : ill. ; 21 cm
Subject: INDEPENDENT PRODUCTION; BUDGETING; DISTRIBUTION; POST-PRODUCTION; FINANCING; HAYNES, TODD; VACHON, CHRISTINE; VELVET GOLDMINE (UK, Todd Haynes, 1998); I SHOT ANDY WARHOL (US, Mary Harron, 1996); KIDS (US, Larry Clark, 1995); SAFE (US, Todd Haynes, 1995); STONEWALL (US/UK, Nigel Finch, 1995)
Notes: Includes index
ISBN: 0380
LON: 13921660

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: I SHOT ANDY WARHOL (US, Mary Harron, 1996)
URL status: URL: 'http://file://Q:/T/I_SHOT_ANDY_WARHOL.zip' Checked: 31/08/2021 1:00:47 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SIESTA (US, Mary Lambert, 1987)

Call No: P SIE
PhysDes: 1 poster : colour ; 98 X 69 cm.
Subject: SIESTA (US, Mary Lambert, 1987)
Summary: Image: A woman in a red dress lying on her side, curled up.
Notes: Fold lines on poster
ID2: 142

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 9 photographs : b&w ; 25 x 20 cm
Subject: DUSTY, SLIM; BLAKE, JON; PAUL, SANDY; CHARLESTON, MARY; STIDWORTHY, DEAN; CHADWICK, KENT; DOUGLAS, BRIAN; STEWART, ROB; SLIM DUSTY MOVIE, THE (AT, Rob Stewart, 1989)
Summary: Nine black and white photographs relating to 'The Slim Dusty movie'

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: STEWART, CATHERINE MARY

Call No: FESTIVAL CATALOGUE SHELVES held 1971, 1973-1974
Place: Canada
Publisher: [s.n.]
PubDate: 1971-1974
PhysDes: 3 v. : ill. ; 28 cm
Subject: FESTIVALS. CANADA; FOREIGN FILMS USE: IMPORT OF FILMS; FAIRBANKS, DOUGLAS; WILLIAMS, RICHARD; PICKFORD, MARY
Notes: The Stratford International Film Festival includes a selection of feature length films, as well as career retrospectives that take into account the films of noted actors such as Douglas Fairbanks and Mary Pickford. The catalogues also contains numerous black and white stills and film summaries and a section that includes press notices and film reviews.
ID2: 100

Call No: 224.6 SUB
Author: Egoyan, Atom (ed); Balfour, Ian (ed)
CorpAuthor: Alphabet City Media, Inc.
Source: Canada
Publisher: Massachusetts Institute of Tecnology
PubDate: 2004
PhysDes: 542 p ; 22 cm x 14 cm
Series: Alphabet City
Subject: TITLING; SUBTITLES; IMPORT OF FILMS; AESTHETICS; SWEET HEREAFTER, THE (CN, Atom Egoyan, 1997); EGOYAN, ATOM; ROZEMA, PATRICIA; DENIS, CLAIRE; BELLOUR, RAYMOND; RICH, B. RUBY; TRINH, T. MINH-HA; JAMESON, FREDRIC; DOANE, MARY ANN; KIAROSTAMI, ABBAS; ETHNOGRAPHIC FILMS; GLOBALISATION; AWARDS. ACADEMY; OTTINGER, ULRIKE; BLUE (UK, Derek Jarman, 1993); MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963)
Summary: "Every film is a foreign film," Atom Egoyan and Ian Balfour tell us in their introduction to Subtitles. How, then, to translate the experience of film - which, as Egoyan says, makes us "feel outside and inside at the same time"? Taking subtitles as their point of departure, the thirty-six contributors to this unique collection consider translation, foreigness and otherness in film culture. Their discussions range from the mechanics and aesthetics of subtitles to the xenophobic reaction to translation, to subtitles as a metaphor for the distance and intimacy of film. [Taken from inside cover].
Notes: Includes bibliographic references.

Call No: 735.2 TOW
Author: Towlson, Jon
Source: US
Place: Jefferson, North Carolina
PubDate: 2014
PhysDes: vii, 246 pages : illustrations ; 26 cm
Subject: HORROR FILMS; FRANKENSTEIN (US, James Whale, 1931); FREAKS (US, Tod Browning, 1932); CAT PEOPLE (US, Jacques Tourneur, 1942); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); CRAZIES, THE (US, George A. Romero, 1973); LAST HOUSE ON THE LEFT (US, Wes Craven, 1972); TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974); PARASITE MURDERS, THE (CN, David Cronenberg, 1975); DAWN OF THE DEAD (US, George A. Romero, 1979); HENRY: PORTRAIT OF A SERIAL KILLER, PART 2 (US, Chuck Parello, 1997); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); AMERICAN PSYCHO (US, Mary Harron, 1999); TEETH (US, Mitchell Lichtenstein, 2007)
Summary: "This book argues that a succession of filmmakers working in horror have used the genre to challenge the status quo. Spanning the decades from the 1930s onwards this critical text examines the work of producers and directors as varied as George A. Romero, Pete Walker, Michael Reeves, Herman Cohen, Wes Craven and Brian Yuzna"-- [Extract taken from the back of the book] --
Notes: Includes bibliographical references and index. Also issued online
ISBN: 9780786474691
Contents: Introduction -- Anti-eugenics: Frankenstein (1931) and Freaks (1932) -- anti-1940s home front propaganda: Cat people (1942) and The curse of the Cat people (1944) -- Anti-1950s Cold War conformity: the films of Herman Cohen -- Anti-establishment 1960s-1970s Britain: the films of Michael Reeves and Pete Walker -- Anti-Vietnam: Night of the living dead (1968), Deathdream (1972) and The crazies (1973) -- Anti-Hollywood violence and dark counterculture: Last house on the left (1972) and The Texas chain saw massacre (1974) -- Counterculture revolution: Shivers (1975), Blue Sunshine (1978) and Dawn of the dead (1978) -- Anti-"reaganomics": Henry-portrait of a serial killer (1986) and American psycho (2000) -- Anti-1990s materialism: Brian Yuzna and Splatstick -- Anti-new puritanism: Teeth (2007) and American Mary (2012) -- Afterword: Subversive horror cinema post-9/11.

Call No: 81PIC PIC
Author: Pickford, Mary, 1893
Place: London
Publisher: Heinemann
PubDate: 1956
PhysDes: 382 p. : ill ; 22 cm
Subject: PICKFORD, MARY
Notes: Autobiography
LON: abn83015666; 2412629

Call No: 81PIC WIN
Author: Windeler, Robert
Place: London
Publisher: W. H. Allen
PubDate: 1973
PhysDes: x, 226, [32] p., leaf : ill., ports. ; 23 cm
Subject: PICKFORD, MARY
Notes: Includes index; Filmography: p. 204-218; Bibliography: p. 219
ISBN: 0491012101 : ª3.25
LON: 75323020; 275768

Call No: TITLE CLIPPINGS FILE in production; MARY MAGDALENE (Garth Davis) in production
Author: Rawsthorne, Sally -- Sharp, Annette -- Moran, Jonathon -- Halliwell, Elle -- Domjen, Briana
PhysDes: Clippings File Article
Subject: MARY MAGDALENE (UK, Garth Davis, 2017)
Summary: Report on Australian producer Liz Watts and her willingness to produce a film on MARY MAGDALENE. The film is to star Rooney Mara, Joaquin Phoenix, and Chiwetel Ejiofor and directed by Australian Garth Davis

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: TENDER HOOKS (AT, Mary Callaghan, 1988)

Call No: P TEN
PhysDes: 1 poster : col. ; 84 X 59 cm.
Subject: TENDER HOOKS (AT, Mary Callaghan, 1988)
Summary: Image: photo of Jo Kennedy and Nique Needles. Text:'Trust me, he said. Are you for real, she said.'

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b& w ; 17 x 22 cm
Subject: KENNEDY, JO; TENDER HOOKS (AT, Mary Callaghan, 1988)
Summary: 1 photograph relating to the film Tender hooks

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THERE'S SOMETHING ABOUT MARY (US, Bobby Farrelly & Peter Farrelly, 1998)

Call No: TITLE STILL INTERNATIONAL
Source: AT
Publisher: Rysher entertainment , roadshow film distributors
PubDate: c. 1995
PhysDes: 1 photograph : b&w ; 18 x 13 cm.
Subject: THREE WISHES (US, Martha Coolidge, 1995); MASTRANTONIO, MARY ELIZABETH
Summary: Family portrait with the mother (played by Elizabeth Mastrantonio) and children.
Notes: 2 adhesive labels attached on top of each other on the reverse of the photograph

Call No: TITLE STILL INTERNATIONAL
Source: AT
Publisher: Rysher entertainment , Roadshow film distributors
PubDate: c. 1995
PhysDes: 1 photograph : b&w ; 18 x 13 cm.
Subject: THREE WISHES (US, Martha Coolidge, 1995); SWAYZE, PATRICK; MASTRANTONIO, MARY ELIZABETH
Summary: A man stands at a table resting his hand on the cheek of a seated female. He is wearing a tartan shirt with dark pants whilst she is dressed in white. In the background is a kitchen with light filtering through a window covered with curtains
Notes: Adhesive note attached to the reverse of the photograph

Call No: TITLE STILL INTERNATIONAL
Source: AT
Publisher: Rysher entertainment , Roadshow film distributers
PubDate: c. 1995
PhysDes: 1 photograph : b&w ; 18 x 13 cm.
Subject: THREE WISHES (US, Martha Coolidge, 1995); MASTRANTONIO, MARY ELIZABETH
Summary: Mary Elizabeth Mastrantonio as Jeanne Holman wearing a white headband and dress with the sun lighting her from behind. She is slightly smiling for the camera
Notes: Label with film synopis on revers.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: TYLER-MOORE, MARY

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Posters
Subject: UNDERGROUND (US, Emile De Antonio & Mary Lampson & Haskell Wexler, 1975)

Call No: 19UNI BAL
Author: Balio, Tino
Place: Madison
Publisher: University of Wisconsin Press
PubDate: 1976
PhysDes: xviii, 323 p. : ill. ; 24 cm
Subject: UNITED ARTISTS; SCHENCK, JOSEPH M.; CHAPLIN, CHARLES; SELZNICK, DAVID O.; PICKFORD, MARY; GRIFFITH, DAVID WARK
Notes: Includes bibliographical references and index
ISBN: 0299069400 : $15.00
LON: 387258

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Stills; Clippings
Subject: UNTIL SHE TALKS (US, Mary Lampson, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: VERY ANNIE-MARY (UK/FR, Sara Sugarman, 2001)

Call No: 721.210.4 VIS
CorpAuthor: Australian Film Institute
Edition: 1984
Place: Sydney
Publisher: Australian Film Institute
PubDate: 1984
PhysDes: 28 p. : illus. ; 21 cm
Subject: INDEPENDENT FILMS; OUT (US, Eli Hollander, 1982); PROSTITUTE (UK, Tony Garnett, 1980); STATIONS (AT, Jackie McKimmie, 1983); THIS WOMAN IS NOT A CAR (AT, Margaret Dodd, 1982); CHAN IS MISSING (US, Wayne Wang, 1982); NIGHT OF SHADOWS (AT, Brian Thompson, 1983); ON GUARD (AT, Susan Lambert, 1984); GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982); GIRL'S OWN STORY, A (AT, Jane Campion, 1983); GHOST DANCE (UK/GW, Ken Mullen, 1983); IMPOSTORS (GW/US, Mark Rappaport, 1979); LAST NIGHT AT THE ALAMO (US, Eagle Pennell, 1983); BUCKEYE AND PINTO (AT, Phil Pinder, 1979); DOZENS, THE (US, Christine Dall and Randall Conrad, 1980); EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984); FORDS ON WATER (UK, Barry Bliss, 1983); KILLER OF SHEEP (US, Charles Burnett, 1978); SLOW MOVES (US, Jon Jost, 1984); ASHES AND EMBERS (US, Haile Gerima, 1982); JOE'S BED-STUY AND BARBERSHOP: WE CUT HEADS (US, Spike Lee, 1983); QUEENSLAND (AT, John Ruane, 1975); BROTHERS AND SISTERS (UK, Richard Woolley, 1980); KING BLANK (US, Michael Oblowitz, 1982); CAFE OF LOVE (AT, Jinks Dulhunty, 1982); EMERALD CITIES (US, Richard R. Schmidt, 1983); VOICE OVER (UK, Chris Monger, 1981); SHADOWPLAY (UK, Oliver Stapleton, 1980); EXITS (AT, Paul Davies & Pat Laughren & Carolyn Howard, 1980); FILLETING MACHINE, THE (UK, Murray Martin, 1981); OUTSIDE IN (UK/GW/NE, Stephen Dwoskin, 1981); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); SMITHEREENS (US, Susan Seidelman, 1982); GOING DOWN (AT, Haydn Keenan, 1982); RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980); AGAINST THE GRAIN (AT, Tim Burns, 1980); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981); PURE S (AT, Bert Deling, 1976); GAL YOUNG UN (US, Victor Nunez, 1979); BURNING AN ILLUSION (UK, Menelik Shabazz, 1981); HEARTLAND (US, Richard Pearce, 1979); LOOKS AND SMILES (UK, Kenneth Loach, 1981)
Notes: Programme for a season of international independent films supporting the 'visions of independence' conference held in Sydney, 29 August - 1 September 1984.

Call No: 81GOL GOL
Author: Goldman, William
Source: UK
Place: London
Publisher: Bloomsbury
PubDate: 2000
PhysDes: 384p. ; 24 cm
Subject: SCRIPTWRITING; GOLDMAN, WILLIAM; PRINCESS BRIDE, THE (US, Rob Reiner, 1987); MISERY (US, Rob Reiner, 1990); YEAR OF THE COMET (US, Peter Yates, 1992); MAVERICK (US, Richard Donner, 1994); GHOST AND THE DARKNESS, THE (US, Stephen Hopkins, 1996); ABSOLUTE POWER (US, Clint Eastwood, 1997); THERE'S SOMETHING ABOUT MARY (US, Bobby Farrelly & Peter Farrelly, 1998); WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); CHINATOWN (US, Roman Polanski, 1974); FARGO (US, Ethan Coen, 1996); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969)
Summary: "The long-awaited sequel to Goldman's cult classic ADVENTURES IN THE SCREEN TRADE, the tell-all that revealed the secrets behind the business of the big Hollywood screen. William Goldman gives us the updated low-down on Hollywood filmmaking, dishing the dirt every one of his films over the past fifteen years." [Book blurb]
Notes: Originally published: New York: Random House
ISBN: 074754977X : ª16.99
LON: 21370633

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: WHITEHOUSE, MARY

Call No: NEW HOLDINGS SHELVES; 722-02KOW
Author: Kowalski, Rosemary Ribich
Source: US
Place: Metuchen, NJ
Publisher: Scarecrow Press
PubDate: 1979
PhysDes: ix, 278 p. ; 23 cm
Subject: WOMEN AND THE CINEMA; ARZNER, DOROTHY; BOW, CLARA; BROOKS, LOUISE; CLARKE, SHIRLEY; DAVIS, ANDREW; DEREN, MAYA; FONDA, JANE; GARBO, GRETA; GARLAND, JUDY; GISH, LILLIAN; HAYES, HELEN; HARLOW, JEAN; HEPBURN, KATHARINE; HORNE, LENA; KAEL, PAULINE; KAPLAN, NELLY; KELLY, GRACE; LEIGH, VIVIEN; LITTLEWOOD, JOAN; LODEN, BARBARA; LOOS, ANITA; LOREN, SOPHIA; LOVE, BESSIE; Lupino, Ida; MCDANIEL, HATTIE; MANSFIELD, JAYNE; MEYER, RUSS; MICHELSON, ANNETTE; MINNELLI, LIZA; MONROE, MARILYN; MOORE, COLLEEN; MOOREHEAD, AGNES; MOREAU, JEANNE; NEGRI, POLA; NELSON, GUNVOR; PERRY, ELEANOR; PICKFORD, MARY; REICHERT, JULIA; RIEFENSTAHL, LENI; ROGERS, GINGER; ROTHSCHILD, AMALIE R.; SCHLONDORFF, VOLKER; SONTAG, SUSAN; SWANSON, GLORIA; TAYLOR, ELIZABETH; VARDA, AGNES; WEBER, LOIS; WEILL, CLAUDIA; WEST, MAE
Notes: Includes index
ISBN: 0810809745

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WOMEN '88 (AT, Tracey Moffatt, Christina Wilcox, Anna Grieve, Liz Stroud, Mary Callaghan, Kris Wyld, Jinks Dulhunty, Ruth Cullen, 1987)

Call No: 462-02(94) SPE
Author: Speed, Sally
Place: [Australia] : [s.n.], 1984
PhysDes: 64 leaves ; 30 cm
Subject: WOMEN FILMMAKERS. AUSTRALIA; LYELL, LOTTIE; LOVELY, LOUISE; MCDONAGH, PAULETTE; MCDONAGH, ISABEL; PAVIS, YVONNE; HOWARD, KATE; MALLON, MARY; DE LA RUZE, JULIETTE; KELLERMAN, ANNETTE; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); THOSE WHO LOVE (AT, Paulette McDonagh, 1926); FAR PARADISE, THE (AT, Paulette McDonagh, 1928); CHEATERS, THE (AT, Paulette McDonagh, 1930); TWO MINUTES SILENCE (AT, Paulette McDonagh, 1933); POSSUM PADDOCK (AT, Kate Howard, 1921); BLUE MOUNTAINS MYSTERY, THE (AT, Raymond Longford & Lottie Lyell, 1921); DINKUM BLOKE, THE (AT, Raymond Longford, 1923); FISHERS GHOST (AT, Lottie Lyell, 1924); PETER VERNON'S SILENCE (AT, Lottie Lyell, 1925); CIRCUMSTANCE (AT, Yvonne Pavis, 1922); DAUGHTER OF AUSTRALIA (AT, Yvonne Pavis, 1922); SUNSHINE SALLY (AT, Yvonne Pavis, 1922); JEWELLED NIGHTS (AT, Louise Lovely & Wilton Welch, 1925); CHEATERS, THE (AT, Paulette McDonagh, 1930); HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; EXHIBITION OF SILENT FILMS
LON: abn98267376; 14063689

Call No: 771-02 WOM
Author: Blaetz, Robin
Source: US
Place: Durham
Publisher: Duke University Press
PubDate: 2007
PhysDes: viii, 421 p. : ill., ports. ; 24 cm
Subject: WOMEN, FILMS MADE BY; WOMEN, FILMS FOR; EXPERIMENTAL FILMS; CRITICISM; BLAETZ, ROBIN; RAGONA, MELISSA; ARTHUR, PAUL; MENKEN, MARIE; WIELAND, JOYCE; HOLMLUND, CHRIS; NELSON, GUNVOR; CARROLL, NOEL; SERRA, M.M; RAMEY, KATHRYN; SCHNEEMANN, CAROLEE; OSTERWEIL, ARA; RUBIN, BARBARA; HALLER, ROBERT; GREENFIELD, AMY; KLEINHANS, CHUCK; HAMMER, BARBARA; PRAMAGGIORE, MARIA; STRAND, CHICK; KELLER, MARJORIE; DOANE, MARY ANN; THORNTON, LESLIE; TURIM, MAUREEN; CHILD, ABIGAIL; WEES, WILLIAM C; CUTLER, JANET; FRIEDRICH, SU; MCHUGH, KATHLEEN; MACDONALD, SCOTT
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9780822340447
Contents: Swing and sway / Melissa Ragona -- Different/same/both/neither / Paul Arthur -- Excavating visual fields, layering auditory frames / Chris Holmlund -- Moving and moving / Noel Carroll -- Eye/body / M. M. Serra and Kathryn Ramey -- 'Absently enchanted' / Ara Osterweil -- Amy Greenfield / Robert A. Haller -- Barbara Hammer / Chuck Kleinhans -- Chick Strand's experimental ethnography / Maria Pramaggiore -- Amnesis time / Robin Blaetz -- In the ruins of the image / Mary Ann Doane -- Sounds, intervals, and startling images in the films of Abigail Child / Maureen Turim -- Peggy's playhouse / William C. Wees -- Su Friedrich / Janet Cutler -- The experimental 'dunyementary' / Kathleen McHugh -- Women's experimental cinema / Scott MacDonald.
URL status: URL: 'https://library.oapen.org/handle/20.500.12657/25768' Checked: 31/08/2021 1:18:26 PM Status: Live Details: HTTP status 200 - Usual success response

Call No: FESTIVALS. MELBOURNE. 2015
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: FESTIVALS. MELBOURNE; SHE'S BEAUTIFUL WHEN SHE'S ANGRY (US, Mary Dore, 2014)
Summary: Review of the documentary SHE'S BEAUTIFUL WHEN SHE'S ANGRY, which looks at the rise of feminism in the 1960s and 1970s

Author: Rees, Sidney; Waters, Don
CorpAuthor: Society for Education in Film and Television
Edition: rev.
Source: UK
Place: London
Publisher: Society for Education in Film and Television
PubDate: 1963
PhysDes: 20 p. ; 20 cm
Subject: DICKSON, W. K. L.; EDISON, THOMAS ALVA; CHAPLIN, CHARLES; EDISON, THOMAS ALVA; HEPWORTH, CECIL; PAUL, ROBERT; PICKFORD, MARY; REYNAUD, EMILE; SENNETT, MACK
Donation: donated by the family of Wayne Levy, 2006