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Call No: FESTIVAL CATALOGUE SHELVESPhysDes: vol.Subject: FILM CULTURE
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in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.10
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in Australasian Cinema (28/1/1983) vol.12 iss.1 p.12
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in Australasian Cinema (24/9/1982) vol.11 iss.17 p.4
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in Australasian Cinema (16/07/1982) vol.11 iss.12 p.4
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$1.5m in film cash in Australasian Cinema (2/4/1982) vol.11 iss.5 p.2
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2SM's unique 'Moving Out' promotional launch in Australasian Cinema (10/6/1983) vol.12 iss.10 p.3
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11 AFI noms for Two Hands in Movie Trader (Nov 1999) p.12
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16mm feature film catalogue / Australian Council of Film Societies Park Orchards, Vic.: Australian Council of Film Societies, 1975.
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16mm feature film catalogue / Australian Council of Film Societies Park Orchards, Vic.: Australian Council of Film Societies, 1979.
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16mm feature film catalogue : first supplement to the fourth edition / John Turner ; editor. Park Orchards, Vic.: Australian Council of Film Societies, 1979.
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16mm feature film catalogue : second supplement to the fourth edition / John Turner ; editor. Park Orchards, Vic.: Australian Council of Film Societies, 1980.
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24 Hours : appointments in Sydney Morning Herald (12/03/2012) p.9
Call No: SUBJECT CLIPPINGS FILE; NATIONAL FILM AND SOUND ARCHIVEAuthor: - PhysDes: Clippings File ArticleSubject: NATIONAL FILM AND SOUND ARCHIVE Summary: The appointments and reappointments of members to the National Film and Sound Archive board
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Interim
book
The 25th Anniversary of the Bulgarian Film : El 25 aniversario del cine Bulgaro / Film Bulgaria Film Distribution State Enterprise, Sofia, 1969 (approx.).
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$26.7m investment down turn in Oz film and T.V. in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.15
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The 33rd Sydney film festival in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.5
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book
35mm dreams / Sue Mathews Ringwood, Vic.: Penguin, 1984.
Call No: 802.25(94) MATAuthor: Mathews, Sue, 1952 Source: ATPlace: Ringwood, Vic.Publisher: PenguinPubDate: 1984PhysDes: 295 p. : ill., ports. ; 20 cmSubject: DIRECTORS. AUSTRALIA ; DIRECTION ; INDUSTRY, FILM. AUSTRALIA ; SCHEPISI, FRED ; WEIR, PETER ; ARMSTRONG, GILLIAN ; DUIGAN, JOHN ; MILLER, GEORGE Summary: "In this collection of interviews, five of Australia's most successful film directors discuss Australian cinema - from the startling resurgence of the industry to their roles as directors compared with those overseas. They talk about how films actually get made, their individual cinematic aspirations, and discuss issues such as whether Australian films should become more 'international'. These interviews make up a portion of new Australian cinema." [Book blurb]Notes: Australian cinema films. Directors. Interviews (ANB/PRECIS SIN 0699594); Australian cinema films (ANB/PRECIS SIN 0390917); Cover subtitle: Conversations with five directors about the Australian film revival; Filmography: p. 279-293ISBN: 0140067094 : $9.95 AustLON: anb14006709; 3025187ID2: 161
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poster
[46th Australian film and television awards 2004 : poster]
Call No: P AWAPhysDes: 2 posters : gold & white ; 61 x 38 cmSubject: AWARDS. AUSTRALIAN FILM INSTITUTE Summary: Image: Lower right of poster features AFI logos arranged into diminishing concentric circles.
Text: "Friday 29 October 2004. Regent Theater Melbourne."Notes: Slightly curled, with light creasing at top of poster. One poster has fold on top left corner.
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1956 Melbourne Olympic games : a collection guide / National Film and Sound Archive Canberra: The Archive, 1998.
Call No: 739.092(94) NATCorpAuthor: National Film and Sound Archive (Australia)Place: CanberraPublisher: The ArchivePubDate: 1998PhysDes: iii, 116, [4] p. ; 30 cmSubject: NATIONAL FILM AND SOUND ARCHIVE Notes: Includes indexISBN: 0642365121LON: abn98308162; 14135445
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journal article
The 1983 AFI nominations in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.8
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'1984' wins awards Best Film, Best Actor in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.4
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1986 challenges showman in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.6
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book
The 1987 filmviews catalogue of new films and videos in Australian distribution / compiled by Peter Tapp with assistance from Paul Harris Albert Park, Vic: Filmviews, c1988.
Call No: 027(94) FILAuthor: Harris, Paul (compiled by) ; Tapp, Peter (compiled by) Source: ATPlace: Albert Park, VicPublisher: FilmviewsPubDate: c1988PhysDes: 297p : ill ; 30 cmSubject: AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; FILM ; FILMOGRAPHIES Summary: "The aim of the catalogue is to bring together, from a large number of independent sources, information on the availability of films and videos that went into Australian distribution in 1987, both Australian produced material and programmes brought in from overseas. This includes title produced on 35mm, 16mm, and all video formats, but not titles produced on Super 8. -- page 3ISSN: 1031-4377Contents: -- introduction -- section 1 - features and shorts (including home video releases) -- section 2 - educational, special interest and business oriented programmes -- title index -- director index -- personality index -- distributor's directory (key to distributors' codes) --
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[1991 AFI awards for sydney : poster] The Australian,
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The 1993 to 1994 Australian and New Zealand catalogue of New Films and Videos Australian Catalogue Publishing,
Call No: 029(94 / 931)CorpAuthor: Film Victoria; South Australian Film Corporation; Australian Film CommissionSource: ATPublisher: Australian Catalogue PublishingPhysDes: 470 p. ; 30 cmSubject: AUSTRALIA ; NEW ZEALAND ; DISTRIBUTION. AUSTRALIA ; FILM ; FILMOGRAPHIES Summary: "The 1993-94 Australian and New Zealand Catalogue of New Films and Videos is a guide to films and videos which Australian and New Zealand distributors have listed as available for loan, hire or sale to the general public" -- IntroductionNotes: Pre-1990/91 eds. entitled: Australian catalogue of new films and videos; Produced with the financial assistance and support of the Australian Film Commission and Film Victoria and South Australian Film CorporationISSN: 1035-8005Contents: -- forward and introduction -- category headings -- distributors' codes and addresses -- section 1 feature films -- section 2 educational and special interest programmes -- title index -- director's index --
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1999 AFI award screenings in Movie Trader (Aug 1999) p.15
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The $5000 indy film that has conquered Hollywood in Sydney Morning Herald (28/03/2017) p.10
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450,000' of historical film located in first year of "Lost Film Search" in Australasian Cinema (29/10/1982) vol.11 iss.19 p.22
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A.F.I. meeting report of the 23rd July in Filmnews (Australia) (Sep-75) vol.V iss.8 p.2
PhysDes: ArticleSubject: AUSTRALIAN FILM INSTITUTE ; CINEMAS. AUSTRALIA Summary: Report on Sydney Filmmakers Co-op contribution to AFI meeting and proposals for co-operation between the two film organizations.Notes: Article
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A.F.I. to open new cinema in Melbourne in Filmnews (Australia) (Dec-75) vol.VI iss.11 p.4
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A.V.A. holds second convention in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4
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ABACUS FILM FUND
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ABC-Netflix deal 'a waste of our taxes' in Daily Telegraph (10/11/2016) p.51
Call No: TITLE CLIPPINGS FILE; GLITCH [TV](AT, 2015-)Author: - PhysDes: Clippings File ArticleSubject: NETFLIX ; FILM VICTORIA ; AUSTRALIAN BROADCASTING CORPORATION ; SEVEN NETWORK ; GLITCH [TV](AT, 2015-) Summary: Comments by Seven West Media chairman Kerry Stokes regarding the funding of TV show GLITCH, which was partially funded by Australian public organisations and streaming company Netflix. Stokes is upset at Netflix co producing a show with Australian government funds that the Australian commercial broadcasters are unable
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ABC OF DANCE[ FOR] 4 FILM, THE [TV] : (AT/UK, 2008)
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ABKO films to make Sam Cooke biopic in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.8
Subject: INDUSTRY, FILM Summary: Article on the announcement of 'A Change Is Gonna Come'
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Academy : the journal of the British Academy of Film & Television Arts London: 2000-.
Call No: held no.1- February 2000-; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: British Academy of Film & Television ArtsSource: UKPlace: LondonPubDate: 2000-Subject: BRITISH ACADEMY OF FILM AND TELEVISION ARTS Missing Issues: Issue 3 June 2000, also Issue 9 June 2001Order Notes: current
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An accented cinema : exilic and diaspora filmmaking / Hamid Naficy Princeton, N.J.: Princeton University Press, 2001.
Call No: 462-054.72 NAFAuthor: Naficy, Hamid Source: USPlace: Princeton, N.J.Publisher: Princeton University PressPubDate: 2001PhysDes: v, 374 p. : ill. ; 24 cmSubject: NATIONAL CULTURE AND THE CINEMA ; EMIGRANT FILM WORKERS ; EGOYAN, ATOM ; KHLEIFI, MICHEL ; NAIR, MIRA ; SOLANAS, FERNANDO E. ; AKERMAN, CHANTAL ; NADERI, AMIR ; MEKAS, JONAS ; MARKER, CHRIS ; GITAI, AMOS ; TARKOVSKY, ANDREI Notes: Includes bibliographical references and index.ISBN: 0691043914
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Access lightbulb moments on tap in Canberra Times (26/10/2016) p.2
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Ace Buys Perth Properties in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.8
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Piece on Ace Theatres' recent peoperty purchases for their offices in Perth, Western Australia
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Ace Promotions for "Stone" and "The Dove" in W.A. in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.9
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Ace Topper- John Pye retires in Australasian Cinema (15/7/1983) vol.12 iss.12 p.28
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ACOFS film society handbook / [prepared by Jacques Soddell] Australian Council of Film Societies, 1982.
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ACOFS film society handbook : programme planning and film presentation Australian Council of Film Societies, 1987.
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Action cameras in Adelaide : Rod Nicholls reports on the rapidly growing South Australian Film Corporation in Lumiere (November, 1973) iss.29 p.16-19
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Des Adams new chairman in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.5
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ADAMS PACKER FILM PRODUCTIONS
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Adaptation and the avant-garde : alternative perspectives on adaptation theory and practice / William Verrone London: Bloomsbury academic, 2013.
Call No: 753.8VERAuthor: Verrone, William Source: UKPlace: LondonPublisher: Bloomsbury academicPubDate: 2013PhysDes: vi, 275 p. ; 24 cmSubject: ADAPTATIONS ; AVANT-GARDE FILMS ; EXPERIMENTAL FILMS ; GREENAWAY, PETER ; GODARD, JEAN-LUC ; MADDIN, GUY ; SVANKMAJER, JAN ; SCORPIO RISING (US, Kenneth Anger, 1964) ; FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970) ; FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970) ; HITLER, A FILM FROM GERMANY (GW/UK/FR, Hans Jurgen Syberberg, 1977)
SEE
HITLER - EIN FILM AUS DEUTSCHLAND ; STREET OF CROCODILES (UK, Brothers Quay, 1986) ; DANTE QUARTET, THE (US, Stan Brakhage, 1987) ; ALICE (SZ/GW/UK, Jan Svankmajor, 1988)
SEE
NECO Z ALENKY ; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988) ; PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991) ; WISCONSIN DEATH TRIP (US, James Marsh, 1999) ; SPECTRES OF THE SPECTRUM (US, Craig Baldwin, 1999) ; DRACULA: PAGES FROM A VIRGIN'S DIARY (CN, Guy Maddin, 2002) Summary: Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-garde directors. Avant-Garde films are often relegated to the margins because they challenge our traditional notions of what film form and style can accomplish. Directors who choose to adapt previous material run the risk of severe critical dismay; making films that are highly subjective interpretations or representations of existing texts takes courage and foresight. An avant-garde adaptation provokes spectators by making them re-think what they know about film itself, just as much as the previous source material.Adaptation and the Avant-Garde examines films by Peter Greenaway, Jean-Luc Godard, Guy Maddin, Jan Svankmajer and many others, offering illuminating insights and making us reconsider the nature of adaptation, appropriation, borrowing, and the re-imagining of previous sources. -- extract taken from the back of the book. --Notes: Formerly CIP. --
Includes bibliographical references and index --ISBN: 9781441163523Contents: -- pt. I Historical and Theoretical Background -- ch. 1 Defining the Avant-Garde Film -- ch. 2 Adaptation Theory and Practice -- ch. 3 Appropriation -- ch. 4 The Exploitative Adaptation -- ch. 5 Why Avant-Garde? -- pt. II A Chronology of Avant-Garde Film Adaptation -- ch. 6 A Brief Narrative History of Avant-Garde Film Adaptation or, Some Instances of Avant-Garde Adaptation -- pt. III Case Studies -- ch. 7 The Fall of the House of Usher -- ch. 8 Scorpio Rising -- ch. 9 Fruit of Paradise -- ch. 10 Hitler: A Film from Germany -- ch. 11 Street of Crocodiles -- ch. 12 The Dante Quartet -- ch. 13 Alice -- ch. 14 Prospero's Books -- ch. 15 Wisconsin Death Trip -- ch. 16 Spectres of the Spectrum -- ch. 17 Dracula: Pages from a Virgin's Diary --
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Address by Alan Finney MPEAQ convention, 1983 in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.14-15
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Address to the 40th Annual Motion Picture Industry Convention / [address by Kim Williams, Chief Executive, Australian Film Commission, late 1985] 1985.
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festival catalogue
Adelaide film event
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Administrators appointed at Total Films in Encore (25 Feb, 1998) vol.16 iss.1 p.5
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'Adroid' to Brazuk wutg 'Harry Tracy' and 'Scarab' in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.19
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The Adventures of Barry McKenzie : Pommy View in Lumiere (December, 1972) iss.19 p.21-22
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The Adventures of Barry McKenzie : Yanky View in Lumiere (December, 1972) iss.19 p.21-22
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The Adventures of Robin Hood (1938) in NFT (December 1973/January 1974) p.4
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AFC and FFC put a new spin on the numbers in Encore (Feb 2000) vol.18 iss.1 p.6
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AFC/AusFilm work AFM in Encore (12 Mar, 1999) vol.17 iss.4 p.5
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AFC commits to QLD in Movie Trader (Mar 2000) p.11
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AFC establishes Policy Secretariat in Australasian Cinema (29/4/1983) vol.12 iss.7 p.1
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AFC future options : small players in the corporation sector in Filmnews (Australia) (May-87) vol.XVII iss.4 p.3
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AFC helps push Australian profile in Encore (May 2000) vol.18 iss.4 p.26
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AFC information tax update in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.19
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AFC information update / Australian Film Commission North Sydney, N.S.W.: AFC, 1983-1986.
Call No: AFC News: held no.1-no.43 Dec 1981-Oct. 1986 lacks no. 25, 32CorpAuthor: Australian Film CommissionSource: ATPlace: North Sydney, N.S.W.Publisher: AFCPubDate: 1983-1986PhysDes: 39 v. ; 30 cmSubject: AUSTRALIAN FILM COMMISSION Notes: Cinema industries. Australia. Serials (ANB/PRECIS SIN 0594482); Caption title; Continued by AFC newsISSN: 0813-720X; 0729-1639LON: abn84084049; 3143815; ans00729163; 2196513ID2: 360
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AFC information update : Number 6 in Australian film review (29th September-12th October 1983) vol.1 iss.17 p.13-16
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AFC news / Australian Film Commission North Sydney: The Commission, 1986.
Call No: AFC News : held no.44- Nov. 1986- no. 196 Jul 2002CorpAuthor: Australian Film CommissionSource: ATPlace: North SydneyPublisher: The CommissionPubDate: 1986PhysDes: v. : ill. ; 28 cmSubject: AUSTRALIAN FILM COMMISSION Notes: Caption title; Publication history includes errors. Overlap of publication from Sept 1994; Previously available in electronic format from no. 144 (Dec. 1995) http://www.afc.gov.au/www/AFCNews/issues.html; Continues AFC information update. Final printed issue is No. 196 July 2002. E-newsletters printed from June 2003 - September 2004ISSN: 0819-4424Order Notes: CurrentLON: abn86330888; 4969711 8003287ID2: 361
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AFC scheme floats 'Wreck' in Encore (Jan 29, 1999) vol.17 iss.1 p.16-17
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AFC stands on its record, Another $500,000 down the drain in Australasian Cinema (Friday, 26/10/1984) vol.13 iss.18 p.2
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Affinity Enterprises joins AFM Association in Australasian Cinema (22/7/1983) vol.12 iss.13 p.5
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reference folder
AFI awards : features & special awards / AFI Research & Information
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AFI awards : non-feature & television / AFI Research & Information
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The AFI awards in If magazine (Dec 1999-Jan 2000) iss.20 p.16
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AFI awards in Filmnews (Australia) (Aug-79) vol.IX iss.8 p.1
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The AFI awards : further comment in Filmnews (Australia) (Jun-82) vol.XII iss.6 p.3
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AFI Awards answer criticism with change in Filmnews (Australia) (Jun-91) vol.XXI iss.5 p.15
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AFI awards heading in right direction in Filmnews (Australia) (Dec-89) vol.XIX iss.11 p.7
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AFI awards now in September in Filmnews (Australia) (Aug-77) vol.VII iss.7 p.3
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AFI awards strong field - shame about the writers in Filmnews (Australia) (Jul-88) vol.XVIII iss.6 p.3
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AFI awards - the discussion goes on in Filmnews (Australia) (Aug-79) vol.XXII iss.7 p.7
Subject: AWARDS. AUSTRALIA ; AWARDS. AUSTRALIAN FILM INSTITUTE ; AUSTRALIAN FILM INSTITUTE Summary: Brief report on the public meeting examining the downgrading of the non-feature category at the '92 Australian Film Institute awards. Includes replies to the coverage and further discussion of this issue by Executive Director of the Australian Film Institute, Vicki Molloy, and Student Film/Video Distribution Manager at the Australian Film, Television and Radio School, Ruth Saunders.Notes: Article
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The AFI awards yearbook South Melbourne, Vic: Australian Film Institute,
CorpAuthor: Australian Film InstituteSource: ATPlace: South Melbourne, VicPublisher: Australian Film InstitutePhysDes: v. : ill., ports. ; 30 cmSubject: AWARDS. AUSTRALIAN FILM INSTITUTE Notes: Title varies according to sponsorship; Former title: Annual AFI awardsMissing Issues: 2009?
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The AFI calls the cops in Filmnews (Australia) (Sep-90) vol.XX iss.8 p.2
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AFI changes, approaches 80s in Filmnews (Australia) (Jun-81) vol.XI iss.6 p.1
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[AFI cinema autumn calendar 89 : poster]
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AFI contracts update in Filmnews (Australia) (Apr-87) vol.XVII iss.3 p.2
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AFI conversations on film : 'blak looks' in Metro (2000) iss.121/122 p.150-153
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AFI education newsletter / National Education Services Program of the American Film Institute Washington, D.C.: The Services, 1978.
Call No: held v.2, no.1-v.6, no.1 Sept.-Oct. 1978-Sept.-Oct. 1982 lacks v.3, no.4-5; v.5, no.2; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: American Film Institute. National Education Services; American Film Institute. Education ServicesSource: USPlace: Washington, D.C.Publisher: The ServicesPubDate: 1978PhysDes: v. : ill. ; 28-35 cmSubject: EDUCATION, FILM Notes: Title from captionISSN: 0883-6213Frequency: BimonthlyLON: sn 85009871; 4329421
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AFI elects directors in Filmnews (Australia) (May-77) vol.VII iss.4 p.10
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AFI Exhibition in Filmnews (Australia) (Nov-Dec 1982) vol.XII iss.11-Dec p.3
PhysDes: ArticleSubject: AUSTRALIAN FILM INSTITUTE Summary: New policy on exhibition at AFI cinemas in Melbourne and Sydney.Notes: Article
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AFI news / The American Film Institute Washington, D.C.: The Institute, 1972.
Call No: held v.1, no.1-v.3, no.2 Oct. 1972-Feb. 1974 lacks v.2, no.6,8; v.3, no.1; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: American Film InstituteSource: USPlace: Washington, D.C.Publisher: The InstitutePubDate: 1972PhysDes: v. ; 65 x 28 cm. folded to 22 x 28 cmSubject: American Film Institute Notes: Title from captionFrequency: MonthlyLON: sn 85015472; 4483196
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AFI news in Filmnews (Australia) (Jan-Feb 1980) vol.X iss.01-Feb p.1
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AFI newsletter / Australian Film Institute [Melbourne]: The Institute, 1988-1993.
Call No: held v.1, no.8-v.5, no.3 Mar. 1988-Sept. 1993CorpAuthor: Australian Film InstituteSource: ATPlace: [Melbourne]Publisher: The InstitutePubDate: 1988-1993PhysDes: v. : ill. ; 30 cmSubject: AUSTRALIAN FILM INSTITUTE Notes: Continues Projections; Continued by Projector; Cover titleLON: abn90155798; 7311212
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AFI-NFT merger set in Filmnews (Australia) (Apr-79) vol.IX iss.4 p.1
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AFI nominations raise concerns in Filmnews (Australia) (Jul-90) vol.XX iss.6 p.3
Subject: AWARDS. AUSTRALIA ; AUSTRALIAN FILM INSTITUTE Summary: Briefly comments on a number of contenders for the '90 Australian Film Institute awards. Includes a list of non-feature film nominations.Notes: Article
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AFI non-feature awards in Filmnews (Australia) (Jul-92) vol.XXII iss.6 p.2
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AFI not to appoint director/Big plans for AFI awards in Filmnews (Australia) (Aug-78) vol.VIII iss.8 p.3
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AFI pre-selections challenged in Filmnews (Australia) (Sep-90) vol.XX iss.8 p.3
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AFI replies in Filmnews (Australia) (Oct-90) vol.XX iss.9 p.2
Author: Molloy, Vicky PhysDes: ArticleSubject: AUSTRALIAN FILM INSTITUTE ; AWARDS. AUSTRALIA Summary: Response to Ry Mitchell's letter in "Filmnews" Sept '90, regarding the new levy for viewing Australian Film Institute award-nominated films by Exectuive Director of the AFI, Vicky Molloy.Notes: Others
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AFI report Washington, D.C.: American Film Institute, 1972.
Call No: held v.4, no.4-v.5,no.2 Jan. 1974-July 1974; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: American Film InstituteSource: USPlace: Washington, D.C.Publisher: American Film InstitutePubDate: 1972PhysDes: v. : ill. ; 24 cmSubject: American Film Institute Notes: Title from coverFrequency: IrregularLON: 91657340; 9428532
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AFI's new cinema soon in Filmnews (Australia) (Jul-76) p.3
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AFI's tasks in Filmnews (Australia) (Feb-90) vol.XX iss.1 p.2
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AFI takes a plunge in Filmnews (Australia) (Apr-88) vol.XVIII iss.3 p.3
PhysDes: ArticleSubject: AUSTRALIAN FILM INSTITUTE ; INDEPENDENT DISTRIBUTION. AUSTRALIA Summary: Discusses AFI Distribution's strategies to gain larger audiences for independent Australian films in 1988, through subject campaigns, publicity to major market segments, an expanded home video rental market, and new pricing policies for home videos.Notes: Article
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AFI takes issue in Filmnews (Australia) (Sep-82) vol.XII iss.9 p.2
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AFM selects Hollywood Palace for opening night in Australasian Cinema (11/2/1983) vol.12 iss.2 p.2
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AFMA elects Andrew Vajna as president in Australasian Cinema (16/7/1982) vol.11 iss.12 p.35
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AFMA reveals sharp increase in new films for 1983 in Australasian Cinema (11/3/1983) vol.12 iss.2 p.1
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Africa at the pictures / [edited by Keith Shiri] London: National Film Theatre, 1993.
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After the Co-op : the AFI or "the Cohen"? in Filmnews (Australia) (May-86) vol.XVI iss.2 p.5-6
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After The Fox : whither film culture? in Metro (2000) iss.121/122 p.9-12
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The AFTRS book : a story about change / Australian Film Television & Radio School [Strawberry Hills, NSW]: Australian Film Television and Radio School,
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AFTRS graduates / Australian Film Television & Radio School North Ryde, NSW: AFTRS Publications, 1991 -.
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Agnes Varda between film, photography, and art / by Rebecca J. DeRoo Oakland, California: University of California Press, c2018.
Call No: 81VAR DERAuthor: DeRoo, Rebecca J. Source: USPlace: Oakland, CaliforniaPublisher: University of California PressPubDate: c2018PhysDes: x, 238 pages : illustrations ; 23 cmSubject: FILM ; CRITICISM ; FEMININITY IN FILMS ; FEMINISM AND THE CINEMA ; NOUVELLE VAGUE ; MOVEMENTS AND STYLES IN FILM HISTORY ; FRANCE ; VARDA, AGNES ; POINTE COURTE, LA (FR, Agnes Varda, 1954) ; BONHEUR, LE (FR, Agnes Varda, 1965) ; ONE SINGS, THE OTHER DOESN’T (FR/BE, Agnes Varda, 1977) ; DAGUERREOTYPES (FR/G, Agnes Varda, 1978) Summary: "Agnes Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture. " -- BOOK BACK COVERNotes: Includes bibliographical references and index; Also issued onlineISBN: 9780520279414Contents: -- Acknowledgments -- Reinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'iIe Et Elle -- Varda now: autobiography, memory, and retrospective -- notes -- bibliography -- index --
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AIC newsletter : Arts Industry Council (Victoria) Melbourne: Arts Industry Council (Victoria),
Call No: held vol.10 no.1- Feb.1999-CorpAuthor: Arts Industry Council (Victoria)Source: ATPlace: MelbournePublisher: Arts Industry Council (Victoria)PhysDes: vol.Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA Order Notes: Current
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AINT IN IT FOR MY HEALTH: A FILM ABOUT LEVON HELM : (US, Jacob Hatley, 2010)
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ALAN SMITHEE FILM - BURN, HOLLYWOOD, BURN, AN : (US, Arthur Hiller, 1997?)
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Alex Massis to produce, Mizrahi to direct "Sutter's Gold" in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.8
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Interim
book
Alice in Movieland / by Alice M. Williamson New York: D. Appleton Company, 1928.
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All investment in $7.3m film filled in Australasian Cinema (15/7/1983) vol.12 iss.12 p.24
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newspaper article
All you ever want to know about SEX - and how it sells in Courier-Mail (28/02/2004) p.75-76
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Allan Collins in Australian Cinematographer (Dec 2014) iss.64 p.10-20
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Allegories of cinema : American film in the sixties / David E. James Princeton, N.J.: Princeton University Press, 1989.
Call No: 771.1(73) JAMAuthor: James, David E., 1945 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1989PhysDes: xiii, 388 p. : ill. ; 26 cmSubject: UNDERGROUND FILMS ; POLITICAL FILMS ; BLACK POWER FILMS ; WOMEN AND THE CINEMA ; ART CINEMA. USA ; VIETNAM WAR FILMS ; BRAKHAGE, STAN ; ANGER, KENNETH ; WARHOL, ANDY ; MEKAS, JONAS ; FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974) ; EASY RIDER (US, Dennis Hopper, 1969) Notes: Includes index; Bibliography: p. 362-377ISBN: 0691047553 (alk. paper); 0691006040 (pbk.)LON: 5820741Contents: Stan Brakage, p29-57 -- Andy Warhol, p58-84 -- Jonas Mekas, p100-118 -- "Film that cannot be one: Kenneth Anger" p149-155 -- "Yvonne Rainer: Film about a woman who...", p326-334 -- "Allegories of production: Easy rider", p12-17 -- "Cinema and black liberation", p177-194 -- "Film and the war: representing Vietnam", p195-212 --
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Allowing young filmmakers to spread their wings : the educational role of the experimental film and television fund / Ken Berryman B.A., B. Ed (Melb.) Melbourne: Centre for the Study of Educational Communication and Media, School of Education, La Trobe University, August, 1985.
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Along film row in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.6, 9
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Brief news items concerning numerous people working in the film industry throughout New South Wales, Victoria and Queensland
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Along film row in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.4,7
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Brief news items concerning people working in the film industry throughout New South Wales, Victoria, Queensland and Western Australia
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Along film row in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.7
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Brief news itemsconcerning numerous people working in the film industry throughout New South Wales, Victoria, Queensland and Western Australia
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Along film row in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.6-7
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Along film row in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.7
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Along film row in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.6-7
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Along Film Row in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.6-7
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Along Film Row in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.6-7
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Along film row in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.6
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Along film row in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.6
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Along film row in Australasian Cinema p.6-7
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Along Film Row in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.6
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Along film row in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.9
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Along film row in Australasian Cinema (16/9/1983) vol.12 iss.17 p.25-27
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Along Film Row in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.4-7
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Along film row in Australasian Cinema (19/8/1983) vol.12 iss.15 p.5-7
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Along film row in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.18-21
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Along film row in Australasian Cinema (15/7/1983) vol.12 iss.12 p.34, 36-37
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Along film row in Australasian Cinema (24/6/1983) vol.12 iss.11 p.5-7
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Along film row in Australasian Cinema (10/6/1983) vol.12 iss.10 p.6-7
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Along Film Row in Australasian Cinema (27/5/1983) vol.12 iss.9 p.10-11
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Along Film Row in Australasian Cinema p.10-12
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Along Film Row in Australasian Cinema (29/4/1983) vol.12 iss.7 p.9-11
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Along Film Row in Australasian Cinema (15/4/1983) vol.12 iss.6 p.14-15
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Along Film Row in Australasian Cinema (25/3/1983) vol.12 iss.5 p.6-7
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Along Film Row in Australasian Cinema (11/3/1983) vol.12 iss.4 p.6-7
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Along Film Row in Australasian Cinema (25/2/1983) vol.12 iss.3 p.6-8
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Along Film Row in Australasian Cinema (11/2/1983) vol.12 iss.2 p.4, 6-7
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Along Film Row in Australasian Cinema (11/2/1983) vol.12 iss.2 p.6-7
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Along Film Row in Australasian Cinema (28/1/1983) vol.12 iss.1 p.14
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Along Film Row in Australasian Cinema (29/10/1982) vol.11 iss.19 p.26-27
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Along Film Row in Australasian Cinema (12/11/1982) vol.11 iss.20 p.10-11
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Along Film Row in Australasian Cinema (15/10/1982) vol.11 iss.18 p.8
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Along Film Row in Australasian Cinema (10/9/1982) vol.11 iss.16 p.10-11
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Along Film Row in Australasian Cinema (27/8/1982) vol.11 iss.15 p.34-36
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Along Film Row in Australasian Cinema (6/8/1982) vol.11 iss.14 p.12, 14-15
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Along Film Row in Australasian Cinema (23/07/1982) vol.11 iss.13 p.6
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Along Film Row in Australasian Cinema (16/7/1982) vol.11 iss.12 p.36-38
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Along Film Row in Australasian Cinema (25/6/1982) vol.11 iss.11 p.6-7
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Along Film Row in Australasian Cinema (18/6/1982) vol.11 iss.10 p.10-11
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Along Film Row in Australasian Cinema (28/5/1982) vol.11 iss.9 p.8-9
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Along the Rialto in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.6
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Alternative Distribution Systems in Lumiere (November, 1972) iss.18 p.25
Author: Thoms, Albie PhysDes: ArticleSubject: DISTRIBUTION. AUSTRALIA ; AUSTRALIAN FILM INSTITUTE Summary: Article on the failings of the current Australian distribution systems and proposed developments. Mentions problems with different and conflicting state-by-state distribution practices within Australia.
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Amalgamated Theatres N.Z. now owned by Chase Holdings Ltd. in Australasian Cinema (10/9/1982) vol.11 iss.16 p.1
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America 3000 : Low-budget Amazon women ride the post-nuclear range for Cannon Films, on location in Israel in Cinefantastique (March 1986) vol.16 iss.1 p.7, 52
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America, Americans : America, America in NFT (August 1983) p.2-8
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America's Film Legacy : the authoritative guide to the landmark movies in the National Film Registry / by Daniel Eagan New York : London: Continuum, 2010.
Call No: 71(73) EAGAuthor: Eagan, Daniel Source: USPlace: New York : LondonPublisher: ContinuumPubDate: 2010PhysDes: xxvii, 818 p. : ill. ; 26 cmSubject: BEST FILMS ; BEST FILMS. US ; CRITICISM ; FILM ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA ; LIBRARY OF CONGRESS ; USA Summary: "America's Film Legacy is a guide to the most significant films ever made in the United States. Unlike opinionated "Top 100" and arbitrary "Best of" lists, these are the real thing: groundbreaking films that make up the backbone of American cinema. Some are well-known, such as Citizen Kane, Casablanca, The Godfather, and Toy Story. Others are more obscure - Blacksmithing Scene, Mom and Dad, Chulas Fronteras, and Free Radicals. Daniel Eagan's beautifully written and authoritative book is for anyone who loves American movies and who wants to learn more about them.
Each of the 500 titles in the National Film Registry is covered in a detailed essay that includes cast, credits, and major awards, as well as screening information. With over 100 illustrations and frame enlargements. " -- BOOK BLURBNotes: Formerly CIPISBN: 9780826429773Contents: -- acknowledgments -- introduction -- how to read the entries -- the 500 films, in chronological order -- an alphabetical list of the films -- the 500 films --
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American cinematographer : Shooting in the U.K. July 1998.
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American essentials film festivsal in Sunday Age [Melbourne: Inside Out] (7/05/2017) p.8
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. AUSTRALIA. AMERICAN ESSENTIALS FILMAuthor: [Mathieson, Craig] CM PhysDes: Clippings File ArticleSubject: FESTIVALS. AUSTRALIA. AMERICAN ESSENTIALS FILM Summary: Preview of the Amnerican Essentials Film Festival screening at Palace Cinemas, with a mention of the documentary DAVID LYNCH: THE ART LIFE
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American export monopoly calls the tune in Australian Financial Review (27/06/1972) p.15
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAAuthor: McGuinness, P. P. PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Summary: Third in a series of articles looking at the state of the Australian film industry in 1972. Analysis of large American film distribution companies and their control of film distribution in Australia.Notes: located in the INDUSTRY, FILM. AUSTRALIA. 1972 clippings file
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festival catalogue
American Film Festival / American Film Festival New York, N.Y.: Educational Film Library Association, 1963-1984.
Call No: FESTIVAL CATALOGUE SHELVES; held 1963, 1979-1984CorpAuthor: American Film Festival; Educational Film Library AssociationSource: USPlace: New York, N.Y.Publisher: Educational Film Library AssociationPubDate: 1963-1984PhysDes: 7 v. : ill. ; 28 cmSubject: FESTIVALS. USA [VARIOUS] ; FESTIVALS. NEW YORK [VARIOUS] ; DOCUMENTARY FILMS ; ANIMATION ; EDUCATIONAL FILM LIBRARY ASSOCIATION ; SHORT FILMS Notes: The American Film Festival includes a showcase of films ranging from documentary to children's, experimental to educational. The catalogue also contains numerous black and white stills, film synopses and title index.LON: 930252ID2: 103
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American Film Genre : An Interview with John Cawelti in Wide Angle (1978) vol.2 iss.2 p.50-57
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The American film heritage : impressions from the American Film Institute archives / Tom Shales... [et. al.] Washington DC: Acropolis Books, 1972.
Call No: 11(73) AMECorpAuthor: American Film InstituteSource: USPlace: Washington DCPublisher: Acropolis BooksPubDate: 1972PhysDes: 184 p. : illus. ; 26 cmSubject: ARCHIVES & INSTITUTES, FILM ; American Film Institute ; HISTORY OF CINEMA. USA Summary: A collection of essays and observations by film critics and historians on films held by the American Film InstituteISBN: 874913365
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The American film industry / edited by Tino Balio Madison, Wis.: University of Wisconsin Press, c1985.
Call No: 71(73) AMEAuthor: Balio, Tino Edition: Rev. edPlace: Madison, Wis.Publisher: University of Wisconsin PressPubDate: c1985PhysDes: xi, 664 p. : ill. ; 23 cmSubject: USA ; INDUSTRY, FILM. USA Notes: Includes indexes; Bibliography: p. 633-643ISBN: 0299098745 (pbk.) : $14.95; 0299098702 (hard) : $32.50LON: 3666491 3666491
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The American film industry : A historical dictionary Westport, Connecticut: Greenwood Press, 1986.
Call No: 201(73) SLIAuthor: Slide, Anthony Place: Westport, ConnecticutPublisher: Greenwood PressPubDate: 1986PhysDes: 24 cm ; x,432 pagesSubject: INDUSTRY, FILM. USA ISBN: 0313246939AFIRC Location: Stacks
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American Film Institute
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annual report
American Film Institute Annual report / the American Film Institute Washington, D.C.: The Institute, Digital clippings file available
Call No: ANNUAL REPORT SHELVES; held 1979/80-1982/83, 1988/89-2001, 2003-5; DIGITAL FILES; held 2002/03-2004/05CorpAuthor: American Film InstitutePlace: Washington, D.C.Publisher: The InstitutePhysDes: v. : ill., ports. ; 23 cmSubject: American Film Institute Notes: Description based on: 1988/89LON: 12347817
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The American film institute catalogue of motion pictures produced in the United States : volume F1: feature films, 1911-1920 credit and subject indexes / Patricia King Hanson (Executive Editor) Berkeley, Calif.: University of California Press, 1988.
Call No: F021 AME"1911/20"CorpAuthor: American Film InstituteSource: USPlace: Berkeley, Calif.Publisher: University of California PressPubDate: 1988PhysDes: 476 p. ; 28 cmSubject: American Film Institute Notes: catalogueISBN: 0520063015
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journal article
American Film Market Assoc. backs int'l. licensing symposium in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.1
PhysDes: ArticleSubject: AMERICAN FILM MARKET ; COPYRIGHT ; CABLE TV Summary: Article on the future American Film Market Association symposium, including a list of topics that will be discussed.
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American Film Market being restricted in Australasian Cinema (28/5/1982) vol.11 iss.9 p.1
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American Film Market sideline in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
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American Film Marketing Assocn. appoints DDA in Australasian Cinema (29/10/1982) vol.11 iss.19 p.11
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Interim
book
Anatomy of the film : an illustrated guide to film appreciation / H.H. Wollenberg London: Marsland Publications Limited, 1947.
Call No: 51 WOLAuthor: Wollenberg, H.H. Source: UKPlace: LondonPublisher: Marsland Publications LimitedPubDate: 1947PhysDes: x, 104p. ; illus. ; 25cm.Subject: FILM STUDY AND RESEARCH Notes: Based on a course of Cambridge University Extenstion Lectures.; With an forward by Oliver Bell M.A., director of The British Film Institute
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Anatomy of the movies / edited by David Pirie London: W. H. Smith & Son Ltd, 1981.
Call No: 201(73) ANAAuthor: Pirie, David Source: UKPlace: LondonPublisher: W. H. Smith & Son LtdPubDate: 1981PhysDes: 320 p. : illus. ; 26 cmSubject: INDUSTRY, FILM. USA Summary: Inside the film industry: the money, the power, the people, the craft, the movies.Notes: Includes index.ISBN: 0711200645ID2: 228
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journal article
And the losers are... in Filmnews (Australia) (Nov-88) vol.XVIII iss.10 p.07-Oct
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Andrew Vial looks at makeup & effects in Australian films in Australasian Cinema (29/10/1982) vol.11 iss.19 p.22
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Andrew Vial writes on world festival round-up in Australasian Cinema (24/9/1982) vol.11 iss.17
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Los Angeles raves over "Starstruck" in Australasian Cinema (28/1/1983) vol.12 iss.1 p.11
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Angus & Robertson video library at two Visionhire branches in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1
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title clippings file
ANIMALS FILM, THE : (UK, Victor Schonfeld & Myriem Alaux, 1981)
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Annie screenwriter turns to the law in Encore (25th October-7th November 1984) vol.2 iss.18 p.10
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Annual report Acton, ACT: National Film & Sound Archive, 2009-.
Call No: ANNUAL REPORT SHELVES; Held 2008/9 -2009/10CorpAuthor: National Film and Sound Archive (Australia)Source: ATPlace: Acton, ACTPublisher: National Film & Sound ArchivePubDate: 2009-Subject: NATIONAL FILM AND SOUND ARCHIVE Notes: Continues ScreenSound Australia. Annual review 1442-9608ISSN: 1837-2260
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Another cinema for another society / Gaston Roberge Calcutta: Seagull Books, 1985.
Call No: 408.1(540) ROBAuthor: Roberge, Gaston Source: IIPlace: CalcuttaPublisher: Seagull BooksPubDate: 1985PhysDes: 151p. : ill. ; 22cmSubject: CRITICISM ; HISTORY OF CINEMA. INDIA ; INDUSTRY, FILM. INDIA ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; POLITICS AND THE CINEMA ; SOCIETY AND THE CINEMA ; BAZIN, ANDRE ; EISENSTEIN, SERGEI M. ; RAY, SATYAJIT ; WELLES, ORSON ; BRON, PETER ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; GANDHI (UK/II, Richard Attenborough, 1982) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NAPOLEON (FR, Abel Gance, 1927) Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurbISBN: 0861320751Donation: donated by the family of Wayne Levy, 2006Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index
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Another winner for Q'Land M.P.E.A. : The 37th "Movie Market '82" Convention hits new triumphant high in Australasian Cinema (6/8/1982) vol.11 iss.14 p.4-5
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ANTHOLOGY FILM ARCHIVES
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Anxious cinephilia : pleasure and peril at the movies / Sarah Keller New York: Columbia University Press,
Call No: 412.3 KELAuthor: Keller, Sarah Edition: 2020Place: New YorkPublisher: Columbia University PressPhysDes: vii, 302 pages : illustrated ; 24 cmSubject: APOCALYPSE IN FILMS ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; BAZIN, ANDRE ; FILM CULTURE ; CINEPHILIA ; DIGITAL CINEMA ; FRANCE ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; STAR WARS [...] (US, 1977-2015) ; WAR OF THE WORLDS (US, Steven Spielberg, 2005) ; WORLD WAR Z (US/MT, Marc Forster, 2013) Summary: The advent of new screening practices and viewing habits in the twenty-first century has spurred a public debate over what it means to be a “cinephile.” In Anxious Cinephilia, Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the content and impermanence of cinematic images.
Keller reframes the history of cinephilia from the earliest days of film through the French New Wave and into the streaming era, arguing that love and fear have shaped the cinematic experience from its earliest days. This anxious love for the cinema marks both institutional practices and personal experiences, from the curation of the moviegoing experience to the creation of community and identity through film festivals to posting on social media. Through a detailed analysis of films and film history, Keller examines how changes in cinema practice and spectatorship create anxiety even as they inspire nostalgia. Anxious Cinephilia offers a new theoretical approach to the relationship between spectator and cinema and reimagines the concept of cinephilia to embrace its diverse forms and its uncertain future. -- publisher's web siteISBN: 9780231180870Contents: Acknowledgments -- Introduction -- 1. Ardor and Anxiety: The History of Cinephilia -- 2. Enchanting Images -- 3. Cinephilia and Technology: Anxieties and Obsolescence -- 4. The Exquisite Apocalypse -- Conclusion: Anxious Times, Anxious Cinema -- Notes -- Selected Bibliography -- Index
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Any year in the MPI is exciting in Australasian Cinema (15/7/1983) vol.12 iss.12 p.3
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Anzac Day March and Re-union 1983 1st Australian Cinema Unit Assoc. in Australasian Cinema (25/3/1983) vol.12 iss.5 p.2
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Anzacs gets Film Victoria approval in Australian film review (8-16th December 1983) vol.1 iss.22 p.3
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Appointments at the AFI in Movie Trader (June 2000) p.10
PhysDes: ArticleSubject: AUSTRALIAN FILM INSTITUTE Summary: The AFI has appointed a new Awards Manager and National Publicist.
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Appointments to the A.F.C. in Australasian Cinema (15/7/1983) vol.12 iss.12 p.25
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Appt. to Council of Aust Film and TV School in Australasian Cinema (29/10/1982) vol.11 iss.19 p.14
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APRA appoints film and tv officer in Encore (July 2000) vol.18 iss.6 p.38
Author: Griffiths, Peter PhysDes: ArticleSubject: MUSIC, FILM Summary: The Australasian Performing Rights Association (APRA) has created a new position to assist its members entering license agreements.
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Archival resources for the film maker / Tom Zubrycki North Ryde [N.S.W.]: Australian Film and Television School, 1982.
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Archive forges bond with VIDA in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.2
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The archive project : the realist film unit in Cold War Australia / by John Hughes John Hughes, Early Works, Australian Teachers of Media Inc (ATOM), c2013.
Call No: 79ARC HUGAuthor: Hughes, John Source: ATPublisher: John Hughes; Early Works; Australian Teachers of Media Inc (ATOM)PubDate: c2013PhysDes: xiii, 146 pages : illustrations (chiefly colour) ; 27 cmSubject: INDEPENDENT FILMMAKERS ; INDEPENDENT FILMMAKERS. AUSTRALIA ; FESTIVALS ; FESTIVALS. AUSTRALIA ; DOCUMENTARY FILMS ; COLD WAR FILMS. AUSTRALIA ; COLD WAR AND THE CINEMA. AUSTRALIA ; REALIST FILM UNIT AND ASSOCIATION, THE ; ARCHIVE PROJECT THE (AT, John Hughes, 2005) Summary: "This 'book of the film' has been a long time in preparation.The Archive Project is an illustrated screenplay of the film of the same name that premiered at the Australian International Documentary Conference in 2006. The film quickly accumulated a number of awards and nominations including a Film Critics Circle of Australia Award for best feature documentary, a NSW Premiers History Prize, and nominations at the 2006 AFI Awards, the Australian Writers Guild Awards and the Australian Directors Guild Awards. The film won Best Tertiary Resource at the 2006 ATOM (Australian Teachers of Media) Awards. The book enhances the experience available through the film with greater editorial detail and rich pictorial documentation. Extra interviews included supplement a pictorial history of film culture and politics during Australia's cultural Cold War. An appendix lists all known screenings of the Melbourne Realist Film Association and breakout texts provide background information and succinct biographies of key players" -- BOOK BLURBNotes: Includes indexISBN: 9781742953281Donation: Donated by John HughesContents: -- acknowledgments -- preface -- introduction: Deane Williams -- the archive project screenplay -- chapter 1 days of hope -- chapter 2 workers' art -- chapter 3 the early films: "realism" -- chapter 4 these are our children -- chapter 5 screenings -- chapter 6 "adversely known" -- chapter 7 prices and the people -- chapter 8 a politics of fear -- chapter 9 phone taps and number plates -- chapter 10 vote 'no!' -- chapter 11 they chose peace -- chapter 12 after '56 -- interviews -- Phillip Adams -- Dick Mason -- Don Munro -- Dot Thompson -- Margaret Walker -- Realist film association screenings 1945-59 --
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Archives index : index to a guide to material on film, broadcasting and television held in the Australian Archives, Canberra branch / Suzanne Ridley (compiler) Sydney: Australian Film and Television School, 1979.
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digital clippings file
ARCHIVES & INSTITUTES, FILM Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: ARCHIVES & INSTITUTES, FILM URL status: URL: 'http://file://Q:/S/ARCHIVES_AND_INSTITUTES.FILM.zip'
Checked: 31/08/2021 1:03:39 PM
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journal article
Around the world, films by women from Europe and elsewhere : Agatha (Agatha et les Lectures Illimitees) in NFT (May 1982) p.5
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Around the world, films by women from Europe and elsewhere : Aloïse in NFT (May 1982) p.5
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Arrows of desire : new directions in British film and video : an international tour / selected by Peter Wollen ; [notes by Michael O'Pray] London: ICA, Institute of Contemporary Arts, 1993?].
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Art history for filmmakers : the art of visual storytelling / Gillian McIver London: Bloomsbury, c2016.
Call No: 61:75 MCIAuthor: McIver, Gillian Source: US/UKPlace: LondonPublisher: BloomsburyPubDate: c2016PhysDes: 256 pages : illustrations (colour) ; 27 cmSubject: THEORY ; ART IN FILMS ; REALISM IN FILMS ; SEX AND THE CINEMA ; SEX IN FILMS ; VIOLENCE IN FILMS ; HORROR FILMS ; LANDSCAPES IN FILMS ; MOVEMENTS IN FILM HISTORY ; MOVEMENTS AND STYLES IN FILM HISTORY ; HEROS IN FILMS ; ART AND THE CINEMA Summary: "Since cinema's earliest days, literary adaptation has provided the movies with stories. But there is another way of looking at film, and that is through its close relationship with the visual arts. Art history for Filmmakers shows how images from art can be used by filmmakers to establish period detail, and to demonstrate composition, color theory and lighting. It reveals how the visual culture that gave rise to cinema has itself been shaped and informed by the development of painting, the oldest of the art forms.Featuring stunning images from classic films and iconic artwork, this book will build your appreciation of the history of art, enrich your understanding of the visual language of film, and help to feed that understanding into your own original filmmaking" -- BACK COVER BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9781472580658Donation: Senses of CinemaContents: Introduction. How does art history relate to cinema history? -- A brief linear (traditional) history of art - -Toward an "alternative" history of art -- Visual culture and storytelling. Narrative and storytelling in art -- Color and narrative -- Kandinsky's color theory in painting and in cinema -- Perspective and composition -- Light -- Case study: Peter Greenaway and Dutch painting -- Realism. What is realism? - -What is representation? -- Art after photography: modern conceptions of realism in art -- Case study: Realism and the camera obscura -- Beyond realism. Fantasy worlds in cinema and art -- Oneiric: the world of dreams -- Surrealism -- Going beyond the real -- Case study: The Archers -- Sex and violence. Sex in art and cinema -- Violence in art and cinema -- Sex and violence -- Case study: Martin Scorsese and Caravaggio -- Horror. Religious horror -- Supernatural horror -- Body horror -- Monsters -- Case study: Guillermo del Toro and Francisco de Goya -- Landscape. Why landscape? -- Beautiful, picturesque, or sublime? -- The American landscape and the American West -- Case study: The road movie -- Heroes and heroic acts. History painting; victory, virtue, and the hero - -Heroism and the Western -- Case study: Subverting the heroic genre -- Modern movements. Culture or mass culture? -- expressionism -- Abstraction -- Abstract expressionism -- Minimalism -- Going "Beyond the West" -- Case study: Hokusai to Disney -- Conclusion. How can we use art history in filmmaking? Case studies --
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The art of horror in Lumina (2009) iss.1 p.84-91
Author: Cameron, Allan PhysDes: ArticleSubject: HORROR FILMS. AUSTRALIA ; GENRES ; INDUSTRY, FILM. AUSTRALIA ; AUDIENCES. AUSTRALIA Summary: Article discussing the tension between government funded films and the so called 'low-brow' films that proved popular with Australian audiences: sex comedies, action thrillers and horror movies. Cameron argues that horror films need not be arthouse to be art so the binary logic of current debates - low 'genuine' horror vs acceptable, well made - is a disservice to the genre.
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The art of the film : an introduction to film appreciation / by Ernest Lindgren London: G. Allen and Unwin, 1948].
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Artburst! : growth in arts demand and supply over two decades, the summary / by Gary Martin Redfern, N.S.W.: Australia Council, 1992.
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Artburst! : growth in arts demand and supply over two decades / by Hans Hoegh Guldberg Redfern, N.S.W.: Australia Council, 1992.
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Arthur Stiles retires : Film man of year 1984 calls it a day- Allan Stiles new chief exec. in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.1
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The Arts : some Australian data Redfern, N.S.W.: Australia Council for the Arts, 1996.
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Arts 21 : the Victorian government's strategy for the arts into the twenty-first century Melbourne: Arts Victoria, 1994.
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Artswork : a report on Australians working in the arts / prepared for the Australia Council by the Australian Bureau of Statistics, National Centre for Culture and Recreation Statistics Strawberry Hills, N.S.W.: Australia Council for the Arts, 1997.
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australian film institute file - restricted access
ASIA-PACIFIC FILM FESTIVAL
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The Asian cinema experience : styles, spaces, theory Oxford [Oxfordshire] ; New York: Routledge, 2013.
Call No: 756(5) TEOAuthor: Teo, Stephen Source: UKPlace: Oxford [Oxfordshire] ; New YorkPublisher: RoutledgePubDate: 2013PhysDes: xv, 269 p. : ill., ports. ; 24 cmSeries: Media, culture and social change in Asia ; 30Subject: INDIAN CINEMA ; CITY OF SADNESS, A [ ; JAPAN ; KOREA ; TAIWAN ; THAILAND ; SINGAPORE ; MALAYSIA ; IRAN ; BOLLYWOOD ; POPULAR CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA ; NATIONALISM AND THE CINEMA ; THEORY ; ASIAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; WORLD CINEMA ; BLOCKBUSTERS ; ANIMATION ; HORROR FILM ; GHOST FILMS ; EROTIC FILMS ; EROTIC FILMS. ASIA Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURBNotes: Includes bibliographic references and index; Includes filmographyISBN: 9781138815780Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.
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Asian Film in Wide Angle (July 1989) vol.11 iss.3 p.[whole issue]
Author: Rothschild, Wayne (ed) PhysDes: ArticleSubject: INDUSTRY, FILM. ASIAN COUNTRIES ; INDUSTRY, FILM. JAPAN ; INDUSTRY, FILM. ISRAEL ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. HONG KONG Summary: Articles on Asian cinema. 'Reconsidering Modernism: Japanese Film and the Postmodern Context', 'Back to Japan: Militarism and Monumentalism in Prewar Japanese Cinema', 'Accomodation and Resistance: Expression of Working-Class Values Through Tamil Cinema', 'Anomalies of the National: Representing Israel/Palestine', 'Towards a Cultural Understanding of Cinema: A Comparison of Contemporary Films from the People's Republic of China and Hong Kong'.
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The Asian film industry / John A. Lent Bromley: Christopher Helm, 1990.
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Asian TV trainees at National Film Archive in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.2
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ASSOCIATION OF FILM COMMISSIONERS INTERNATIONAL
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Attendance at selected cultural venues March 1995 [Canberra]: Australian Bureau of Statistics, 1995.
Call No: 410.3(94) ATTCorpAuthor: Australian Bureau of StatisticsPlace: [Canberra]Publisher: Australian Bureau of StatisticsPubDate: 1995PhysDes: v, 46 p. : ill. ; 30 cmSubject: STATISTICS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA ; AUDIENCES. AUSTRALIA Summary: Contains data on the frequency of attendance and characteristics of people 18 years and over who have attended libraries, museums, art galleries, pop concerts, music, dance, theatre performances and classical musical concerts during the 12 months prior to the surveyNotes: Includes tables; Catalogue no. 4114.0ISBN: 0642206996LON: 12020268
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AUDIO VISUAL FILM ESSAY
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Audiovisual industries in Australia : a discussion paper / [Graeme Taylor, Peter Dempster] Canberra: Bureau of Industry Economics, 1994.
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Aussie, Aussie, Aussie? in Empire (Australian Ed.) (August 2001) iss.5 p.8-9
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Aussie movies sidelined by Hollywood in Sydney Morning Herald [Business News] (07/03/2015) p.2
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Aussiewood : Australia's leading actors and directors tell how they conquered Hollywood Crows Nest, NSW: Allen & Unwin, 2004.
Call No: 802 BOLAuthor: Boland, M. ; Bodey, M. Place: Crows Nest, NSWPublisher: Allen & UnwinPubDate: 2004PhysDes: 294 p. ; ill. ; 23 cmSubject: ACTORS. AUSTRALIA ; INDUSTRY, FILM. USA ; DIRECTORS. AUSTRALIA Summary: Australia’s leading actors and directors tell how they conquered Hollywood. Includes chapters on Nicole Kidman, Eric Bana, Geoffrey Rush, Naomi Watts, Anthony LaPaglia, Phillip Noyce, Paul Hogan and more.Notes: Bibliogrpahy
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Aust. film & television school celebrates ten years in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.6
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Australia's audiovisual markets : key statistics on Australia's cinema, video, television and interactive media markets / edited by Cathy Gray and Rosemary Curtis Sydney [New South Wales]: Australian Film Commission, 2004.
Call No: 20(94) AUSAuthor: Australian Film Commission Edition: 1st editionSource: ATPlace: Sydney [New South Wales]Publisher: Australian Film CommissionPubDate: 2004PhysDes: 96 pages : colour charts ; 30 cmSeries: Get the pictureSubject: INDUSTRY, FILM. AUSTRALIA ; STATISTICS. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; EXHIBITION. AUSTRALIA Summary: Australia's Audiovisual Markets is the first of a new series of publications which feature key data from Get the Picture Online, the Australian Film Commission's comprehensive web-based statistics collection. Its graphic style and short chunks of information complement the detailed data available online to provide a unique perspective on the state of Australia's cinema, video, television and interactive media markets. -Taken from back cover.Notes: Includes an index; Includes a list of abbreviationsISBN: 1920988004ID2: 145
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Australia's film industry / Simon Brand Sydney: Australian Knowledge, 1987.
Call No: 71(94) BRAAuthor: Brand, Simon, 1951 Place: SydneyPublisher: Australian KnowledgePubDate: 1987PhysDes: 16 p. : ill. (some col.), ports. ; 28 cmSeries: Australian knowledge ; no. 10Subject: AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Notes: Cover titleISBN: 0864350104LON: 5446371
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Australia's most liveable city in Encore (May 2012) p.33-41
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book
Australia's oral history collections : a national directory / compiled for Towards Federation 2001 Working group on High Priority Cross-Sectoral Projects ; edited by Martin Woods Canberra: National Library of Australia, 1997.
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Australia to do overseas film processing in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.3
PhysDes: ArticleSubject: RISKY BUSINESS (US, Paul Brickman, 1983) ; INDUSTRY, FILM. AUSTRALIA Summary: Article on how Australian film labs are now able to process foreign film titles such as 'Risky Business' for exhibition and distribution. This is in relation to a government election promise with the hope it will creatre more jobs and imrove local talent.
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Australian alternatives : Against the Grain in NFT (July 1984) p.20-21
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Australian Association of Film and Video Libraries Newsletter / Australian Association of Film and Video Libraries [East Melbourne]: The Association, 1981-.
Call No: held no.12-35 July 1983-Mar. 1993 incompleteCorpAuthor: Australian Association of Film and Video Libraries; Australian Association of Film and Video Libraries. Victorian Branch; Newsletter (Australian Association of Film and Video Libraries)Source: ATPlace: [East Melbourne]Publisher: The AssociationPubDate: 1981-PhysDes: v. ; 21 cmSubject: Australian Association of Film and Video Libraries Periodicals Notes: From no. 5: 32 cm; Some issues have Victorian Branch printed on them; Film & videotape recording libraries: Organisations. Australia. Australian Association of Film and Video Libraries. Serials (ANB/PRECIS SIN 0556726); Caption titleISSN: 0728-3717LON: ans00728371; 2100096 2650292
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Australian box office report in Australasian Cinema (14/5/1982) vol.11 iss.8 p.8
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Australian Box-Office Reports in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.10
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Australian box office reports in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.10
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Australian box office reports in Australasian Cinema (16/9/1983) vol.12 iss.17 p.28
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Australian box office reports in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.24
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Australian box office reports in Australasian Cinema (22/7/1983) vol.12 iss.13 p.8
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australian box office reports in Australasian Cinema (15/7/1983) vol.12 iss.12 p.38
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Australian box office reports in Australasian Cinema (24/6/1983) vol.12 iss.11 p.8
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Australian box office reports in Australasian Cinema (10/6/1983) vol.12 iss.10 p.8
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Australian box office reports in Australasian Cinema (25/2/1983) vol.12 iss.3 p.10
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Australian box office reports in Australasian Cinema (28/1/1983) vol.12 iss.1 p.16
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Australian box office reports in Australasian Cinema (12/11/1982) vol.11 iss.20 p.12
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Australian box office reports in Australasian Cinema (27/8/1982) vol.11 iss.15
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Australian box office reports in Australasian Cinema (23/07/1982) vol.11 iss.13 p.8
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Australian box office reports in Australasian Cinema (16/7/1982) vol.11 iss.12 p.39
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journal article
Australian box office reports in Australasian Cinema (25/6/1982) vol.11 iss.11 p.8
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Australian box office reports in Australasian Cinema (28/5/1982) vol.11 iss.9 p.10
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Australian box office reports in The australasian Cinema (2/4/1982) vol.11 iss.5 p.14
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Australian Broadcasting Tribunal inquiry into film and television co-productions information paper, March 1991, IP/ 91/ 016 - R1 / Australian Broadcasting Tribunal [North Sydney]: Australian Broadcasting Tribunal, 1991.
Call No: 212.1(94) AUSSource: ATPlace: [North Sydney]Publisher: Australian Broadcasting TribunalPubDate: 1991PhysDes: 1 v. (various pagings) ; 30 cmSubject: AUSTRALIAN BROADCASTING TRIBUNAL ; COPRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: Information paper pertaining to an inquiry into Australian film and television co-productions, with a view to invite relevant industry bodies and the public to submit their thoughts on the inquiry's terms of reference. The information paper includes material on; how the Australianess content of tv shows and films are measured for quota purposes, summary of the 1988 Part indigenous drama co-productions inquiry, exisiting film co-production agreements and application guidelinesContents: Terms of reference for inquiry -- Appendix A: Television program standard (TPS) 14. Australian content of television programs -- Appendix B: Australian content inquiry, Part indigenous drama co-productions discussions paper - summary of submissions [1988] -- Appendix C: Films co-production agreement between the government of Australia and the government of the United Kindom of Great Britain and Northern Ireland -- Appendix D: Films co-production agreement between the government of Australia and the government of Canada -- Appendix E: Australian Film Commission international co-production program: Application guidelines, November 1990
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The Australian centre for the moving image East Melbourne, Vic.: State Film Centre of Victoria Council, 1990.
Call No: 11 ACMISource: ATPlace: East Melbourne, Vic.Publisher: State Film Centre of Victoria CouncilPubDate: 1990PhysDes: 21 p. : ill. (some col.) ; 21 x 30 cmSubject: STATE FILM CENTRE OF VICTORIA ; AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI] Summary: Document outlining the benefits of building a 'centre of the moving image' located within Melbourne's 'Southgate'.Notes: Cover title. -- "7 May 1990"--Back of cover.
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Australian cinema : industry, narrative and meaning / John Tulloch Sydney: George Allen & Unwin, 1982.
Call No: 71(94) TULAuthor: Tulloch, John, 1942 Place: SydneyPublisher: George Allen & UnwinPubDate: 1982PhysDes: 272 p. : ill. ; 23 cmSubject: AUSTRALIA ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NARRATIVE IN FILMS. AUSTRALIA ; HALL, KEN G. ; AUSTRALASIAN FILMS ; SMITH, BEAUMONT ; HOWE, W.J. ; DOYLE, STUART ; KRACAUER, SIEGFRIED ; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920) ; HORDEN MYSTERY, THE (AT, Harry Southwell, 1920) ; JUNGLE WOMAN, THE (AT, Frank Hurley, 1926) ; LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921) ; HAYSEEDS, THE (AT, Beaumont Smith, 1933) ; MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and indexISBN: 0868611484 (pbk.); 0868611409 : price unknownLON: 2138387
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Australian cinema : the first eighty years / Graham Shirley & Brian Adams Sydney: Angus & Robertson, 1983.
Call No: 71(94) SHIAuthor: Shirley, Graham, 1949 ; Shirley, Graham, 1949 ; Adams, Brian, 1934 Place: SydneyPublisher: Angus & RobertsonPubDate: 1983PhysDes: x, 325 p., [24] p. of plates : ill. ; 22 cmSubject: AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Notes: Australian cinema films, 1896-1980 (ANB/PRECIS SIN 0622443); Includes index; Includes bibliography: p. 305-308ISBN: 0207145814 : price unknownLON: anb20714581; 2419431ID2: 38URL status: URL: 'http://-'
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Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001.
Call No: 71(94) AUSAuthor: Craven, Ian Place: LondonPublisher: Frank CassPubDate: 2001PhysDes: 239 p. ; 22 cmSubject: AUSTRALIA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ABORIGINAL AUSTRALIANS ON TV ; GONSKI REPORT ; INDUSTRY, FILM. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; SUBURBS IN FILMS. AUSTRALIA ; SOCIETY AND TV ; DINGO, ERNIE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BABE (AT, Chris Noonan, 1995) ; BIG STEAL, THE (AT, Nadia Tass, 1990) ; CASTLE, THE (AT, Rob Sitch, 1997) ; DEATH IN BRUNSWICK (AT, John Ruane, 1991) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; HEARTLAND [TV] (AT, 1994) ; IDIOT BOX (AT, David Caesar, 1996) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; LOVE SERENADE (AT, Shirley Barrett, 1996) ; METAL SKIN (AT, Geoffrey Wright, 1994) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliographyISBN: 0714649740; 0714680346(pbk.) : ª16.50LON: 21663632Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda SmithID2: 306
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Australian cinema's dark sun in Studies in Australasian cinema (2010) vol.4 iss.1 p.23-41
Author: Ryan, Mark David PhysDes: ArticleSubject: HORROR FILMS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; FUNDING. AUSTRALIA ; AUDIENCES. AUSTRALIA ; WOLF CREEK (AT, Greg McLean, 2005) Summary: This article argues that the renaissance of Australian horror films in the 2000s has been driven by intersecting international market forces, domestic financing factors and technological change. It argues for two distinct tiers of production with different financing, production and distribution models.Notes: There has been a boom in Australian horror movie production in recent years.
Daybreakers (2010), Wolf Creek (2005), Rogue (2007), Undead (2003), Black
Water (2008), and Storm Warning (2006), among others, have all experienced
varying degrees of popularity, mainstream visibility and cult success in worldwide
horror markets. While Aussie horror’s renaissance is widely acknowledged in industry
literature, there is limited research into the extent of the boom and the dynamics
of production. Consequently, there are few explanations for why and how this
surge has occurred. This article argues that the recent growth in Australian horror
films has been driven by intersecting international market forces, domestic financing
factors and technological change. In so doing, it identifies two distinct tiers of
Australian horror film production: ‘mainstream’ and ‘underground’ production,
though overlap between these two tiers results in ‘high-end indie’ films capable of
cinema release. Each tier represents the high and low ends of Australian horror film
production, each with different financing, production and distribution models. -- Abstract
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Australian cinemas hopefully riding their own "J" curve in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.3
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Australian Commonwealth Film Unit newsletter / Australian Commonwealth Film Unit Lindfield, N.S.W.: Australian Commonwealth Film Unit, 1968-1973.
Call No: held v.1, no.1-v.2, no.4 Jan. 1968-Nov. 1969CorpAuthor: Australian Commonwealth Film Unit; Newsletter (Australian Commonwealth Film Unit)Source: ATPlace: Lindfield, N.S.W.Publisher: Australian Commonwealth Film UnitPubDate: 1968-1973PhysDes: 4 v. ; 26 cmSubject: Australian Commonwealth Film Unit Periodicals ISSN: 0311-7677LON: nls00005115; 7612692
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Australian Council for Children's Films and Television : a history 1957-1989 / by Betty Rankin Melbourne: The Council, 1990.
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AUSTRALIAN COUNCIL OF FILM SOCIETIES
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Australian Council of Government Film Libraries : minutes of the Bicentennial Conference 1985, held in Canberra 17 April, 1985 to 19 April, 1985 [Canberra]: The Council?, [1985?].
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Australian delegation to American Film Market in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.3
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Australian documentary : history, practices and genres / Trish FitzSimons, Pat Laughren, Dugald Williamson Port Melbourne, Vic.: Cambridge University Press, 2011.
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Australian editions to AFC Office, LA in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
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Australian experimental film : an alternative history / Fiona Hooton Saarbru¨cken, Germany: VDM, 2009.
Call No: 771(94) HOOAuthor: Hooton, Fiona Place: Saarbru¨cken, GermanyPublisher: VDMPubDate: 2009PhysDes: 174 p. : ill. ; 22 cm.Subject: EXPERIMENTAL FILMS. AUSTRALIA ; THOMS, ALBIE ; BERESFORD, BRUCE ; UBU FILM GROUP ; NEWSFRONT (AT, Phillip Noyce, 1978) ; AWARDS. AUSTRALIAN FILM INSTITUTE ; GOD KNOWS WHY, BUT IT WORKS (AT, Phil Noyce, 1976) ; CRYSTAL VOYAGER (AT, David Elfick & Albert Falzon, 1973) ; MORA, PHILIPPE ; NOYCE, PHIL Summary: In Australia art cinema no decade can rival the importace of the 1960s, yet little is still known of it's significance. This book attempempts to fill a current void of research about early Australian Experimental film. This is a significant gap given it was a national movemenent with many international connections. - BLURBNotes: Includes bibliographical references.ISBN: 9783639115932Contents: Introductoin -- 1. Undergound histories -- 2. It droppeth as the gentle rain -- 3. U bu and the counterculture -- 4. The impact of experimental film on mainstream Australian cinema -- Conclusion -- Timeline - Viewing menu -- List of illistrations -- BibliographyID2: 343
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Old collection
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Australian feature (fiction) films written, directed and produced by women 1970-1995 / Lisa French 1995.
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Australian feature films : November 2003 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2003.
Call No: REFERENCE SECTION; 023(94) AUS "2003"CorpAuthor: Australian Film CommissionEdition: 2003Source: ATPlace: Sydney, N.S.W.Publisher: Australian Film CommissionPubDate: 2003PhysDes: 24 p. : ill. ; 26 cmSubject: AUSTRALIAN FILM COMMISSION ; PRODUCTION. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA Notes: Cover title: Recent Australian feature films catalogue November 2003; 2 copies
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Interim
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Australian feature films 93-94 1994.
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Australian feature films, 1930-1939 : a critical bibliography / by Andrea C. Allard Melbourne: Australian Film Institute Research & Information, 1983.
Call No: 71(94)(01) ALLCopy Management: Copy 1; Copy 2; Copy 3Author: Allard, Andrea C CorpAuthor: Australian Film Institute. Research & Information CentrePlace: MelbournePublisher: Australian Film Institute Research & InformationPubDate: 1983PhysDes: xi, 79, [12] p. ; 30 cmSeries: A.F.I. Research & Information bibliographySubject: AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Notes: Australian films, 1930-1939. Documents on Australian films. Lists (ANB/PRECIS SIN 0725129); Cinema industries, 1930-1939. Australia. Bibliographies (ANB/PRECIS SIN 0725137)ISBN: 0908023073LON: 2993513
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Australian feature films 2005 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2005.
Call No: REFERENCE SECTION; 023(94) AUS "2005"CorpAuthor: Australian Film CommissionEdition: 2005Source: ATPlace: Sydney, N.S.W.Publisher: Australian Film CommissionPubDate: 2005PhysDes: 28 p. : ill. ; 26 cmSubject: AUSTRALIAN FILM COMMISSION ; PRODUCTION. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA Notes: Title from cover; Includes plot summary and biographies for Director and Producer of Australian feature films released in 2005
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Australian feature films 2006 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2006.
Call No: REFERENCE SECTION; 023(94) "2006" AUSCorpAuthor: Australian Film CommissionEdition: 2004Source: ATPlace: Sydney, N.S.W.Publisher: Australian Film CommissionPubDate: 2006PhysDes: 48 p. : ill. ; 30 cmSubject: AUSTRALIAN FILM COMMISSION ; PRODUCTION. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA Notes: Title from cover; includes 36 page A5 supplement booklet "Recent Australian feature films catalogue May 2006" in pocket inside back cover.
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Australian feature films 2007-8 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2007.
Call No: REFERENCE SECTION; 023(94) AUSCorpAuthor: Australian Film CommissionEdition: 2007-2008Source: ATPlace: Sydney, N.S.W.Publisher: Australian Film CommissionPubDate: 2007PhysDes: 60 p. : ill. ; 30 cmSubject: AUSTRALIAN FILM COMMISSION ; PRODUCTION. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA Notes: Title from cover; Includes plot summary and biographies for Director and Producer of Australian feature films released in 2007/8
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Australian feature films in production and recently completed : as at May 2007 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2007.
Call No: REFERENCE SECTION; NEW HOLDINGS SHELF; 023(94) AUSCorpAuthor: Australian Film CommissionEdition: 2007Source: ATPlace: Sydney, N.S.W.Publisher: Australian Film CommissionPubDate: 2007PhysDes: 16 p. ; 22 cmSubject: FILMOGRAPHIES. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; PRODUCTION. AUSTRALIA Summary: This booklet provides information on features currently in production and recently completed. It supplements the AFC catalogue Australian Feature Films 2007/08 published in May 2007.--BOOKLET
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Australian feature films mini catalogue January 2006 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2005.
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Australian feature films mini catalogue January 2007 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2006.
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Interim
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Australian features 1970-1990 : a checklist of feature film production 1998.
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subject clippings file
AUSTRALIAN FEDERATION OF FILM AND TELEVISION ASSOCIATIONS
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Interim
book
Australian film 1985-86 [1986?].
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Interim
book
Australian film and television checklist April 1989.
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Interim
book
Australian film and television checklist February 1989.
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Interim
book
Australian film and television checklist : mini-series/telemovies April 1989.
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Australian film and television finance and investment guide / Australian Film Commission Sydney: Australian Film Commission, 1985.
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book
Australian Film and Television School : 1981 handbook Sydney: Australian Film and Television School, 1981.
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annual report
Australian Film and Television School Annual report / Australian Film and Television School [Canberra: Australian Government Publishing Service], 1976-1985.
Call No: ANNUAL REPORT SHELVES; held 1973/74-1981/2, 1984/5CorpAuthor: Australian Film and Television SchoolSource: ATPlace: [CanberraPublisher: Australian Government Publishing Service]PubDate: 1976-1985PhysDes: 10 v. : ill., ports. ; 26 cmSubject: Australian Film and Television School Notes: Continued by Australia Film Television Radio School annual report ID 26917ISSN: 0728-6619 0313-9376Order Notes: CeasedFrequency: AnnualLON: 2377220
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serial
Australian Film and Television School newsletter / Australian Film and Television School Chatswood N.S.W.: Australian Film and Television School, 1977.
Call No: held no.1-no.11 May 1974-Sept. 1977CorpAuthor: Australian Film and Television School; Newsletter (Australian Film and Television School)Source: ATPlace: Chatswood N.S.W.Publisher: Australian Film and Television SchoolPubDate: 1977PhysDes: v. : ill. ; 27 cmSubject: AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL Notes: Caption titleLON: abn89018879; 6176106 6238004
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journal article
Australian Film Awards in Australasian Cinema (29/10/1982) vol.11 iss.19 p.2
PhysDes: ArticleSubject: MAD MAX II (AT, George Miller, 1981) ; LONELY HEARTS (AT, Paul Cox, 1982) ; MILLER, GEORGE ; HAZLEHURST, NONI ; MONKEY GRIP (AT, Ken Cameron, 1982) ; ANGELS OF WAR (AT, Andrew Pike & Hank Nelson & Gavan Daws, 1982) ; AUSTRALIAN FILM INSTITUTE AWARDS Summary: List of winners at the 1982 Australian Film Institute Awards.
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Australian film awards - prizewinners in Filmnews (Australia) (Oct-77) vol.VII iss.9 p.1
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book
Australian film catalogue : television drama / Australian Film Commission [Sydney]: Australian Film Commission, 2000.
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subject clippings file
AUSTRALIAN FILM COMMISSION
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Australian Film Commission : Projects Approved at June, July and August AFCE Meetings in Australasian Cinema (12/11/1982) vol.11 iss.20 p.4
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; FUNDING. AUSTRALIA ; NAKED UNDER CAPRICORN (AT, Rob Stewart, 1988) ; UMBRELLA WOMAN, THE (AT, Ken Cameron, 1986) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; LION IN THE DOORWAY, THE (AT, John Pradhubodh Walker, 1983) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) Summary: Films approved for funding by the Australian Film Commission.
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journal article
Australian Film Commission in Australasian Cinema (10/9/1982) vol.11 iss.16 p.8-9
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annual report
Australian Film Commission Annual report / Australian Film Commission Canberra: A.G.P.S., 1977.
Call No: ANNUAL REPORT SHELVES; held 1975-2007/08CorpAuthor: Australian Film CommissionPlace: CanberraPublisher: A.G.P.S.PubDate: 1977Subject: AUSTRALIAN FILM COMMISSION Notes: Also issued as: Parliamentary paperISSN: 0816-9682 0816-9624LON: 3394907; 3394914; 14169256
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Australian Film Commission Creative Development Branch : annual review 1984/85 / Australian Film Commission Creative Development Branch Australian Film Commission, 1985.
Call No: 201.65(94) AFC CDBSource: ATPublisher: Australian Film CommissionPubDate: 1985PhysDes: 60 pages (various pagings) ; 30 cmSubject: AUSTRALIAN FILM COMMISSION. CREATIVE DEVELOPMENT FUND Contents: 1. Creative Development Branch -- 2. Administration -- 3. CDB production funding -- 3.1 Introduction -- 3.2 Creative Development Fund -- 3.3 Women's Film Fund -- 3.4 No Frills Fund -- 3.5 Low budget features scheme -- 3.6 Bicentennial cinema shorts project -- 4. Distribution -- Cultural activities -- Appendix: A. Creative Development Branch funding 1984/85 -- B. Creative Development Branch completed project profile 1984/85 -- C. Awards to CDB and WFF films 1984/85 -- D. Cultural activities funding 1984/85
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AUSTRALIAN FILM COMMISSION. CREATIVE DEVELOPMENT FUND
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AUSTRALIAN FILM COMMISSION. NO FRILLS FUND
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AUSTRALIAN FILM COMMISSION. PROJECT DEVELOPMENT FUND
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AUSTRALIAN FILM COMMISSION. TELEVISION PRODUCTION FUND
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AUSTRALIAN FILM COMMISSION. WOMEN'S FILM FUND
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journal article
Australian Film Council Newsletter in Lumiere (September 1970) vol.1 iss.4 p.45-48
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AUSTRALIAN FILM CRITICS ASSOCIATION
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journal article
Australian Film Development Corp's financial support of film projects in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.2
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AUSTRALIAN FILM DEVELOPMENT CORPORATION
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annual report
Australian Film Development Corporation Annual report / Australian Film Development Corporation Canberra: Acting Commonwealth Government Printer,
Call No: ANNUAL REPORT SHELVES; held 1973-1974CorpAuthor: Australian Film Development CorporationPlace: CanberraPublisher: Acting Commonwealth Government PrinterPhysDes: v. ; 25 cmSubject: AUSTRALIAN FILM DEVELOPMENT CORPORATION Notes: Description based on: 1974-75LON: 3421946
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journal article
Australian film esthetics in Lumiere (March, 1974) iss.32 p.4-7
Author: Lowe, Barry PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; WALKABOUT (AT, Charles Chauvel, 1958) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; NED KELLY (AT/UK, Gregor Jordan, 2003) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Summary: An analysis of the emerging aesthetics of current Australian films which, Lowe argues, is showing two main themes: mateship and the outback.
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AUSTRALIAN FILM FAIR
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Australian film fair directory / Australian Film Commission Pymble, N.S.W: Playbill in association with the Australian Film Fair, 1983.
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Australian Film Festival : New York 1978 press digest / New South Wales Film Corporation Australian Films Office Inc. New South Wales Film Corporation Australian Films Office Inc., [1978].
Call No: 151(73) AUSTRALIAN "1978"CorpAuthor: New South Wales Film Corporation Australian Films Office Inc.Source: ATPublisher: New South Wales Film Corporation Australian Films Office Inc.PubDate: [1978]PhysDes: 32 leaves : illustrations ; 30 cmSubject: FESTIVALS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NEW SOUTH WALES FILM CORPORATION ; NOYCE, PHILLIP ; SHARMAN, JIM ; THOMPSON, JACK ; CADDIE (AT, Donald Crombie, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STORM BOY (AT, Henri Safran, 1976) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) Summary: A collection of clippings from US print media relating to the Australian Film Festival in 1978.
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festival catalogue
The Australian film festival in New York city : November 27 through December 3, 1978 / Australian Films Office Inc US: [s.n.], 1978.
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AUSTRALIAN FILM FINANCE CORPORATION
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Online resource
annual report
Australian Film Finance Corporation Annual report / Australian Film Finance Corporation Pty Limited [North Sydney]: Australian Film Finance Corporation, c1989-. Digital clippings file available
Call No: ANNUAL REPORT SHELVES; held 1988/89-; DIGITAL FILES; held 1999/2000-2007/08CorpAuthor: Australian Film Finance CorporationPlace: [North Sydney]Publisher: Australian Film Finance CorporationPubDate: c1989-PhysDes: v. : ill., ports. ; 25 cmSubject: AUSTRALIAN FILM FINANCE CORPORATION Notes: Cover titleISSN: 1033-8179LON: 7056208
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subject clippings file
AUSTRALIAN FILM FINANCE CORPORATION. FUNDING APPROVALS
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Australian Film Finance Corporation Newsletter Sydney: The Corporation,
Call No: held Feb. 1992-CorpAuthor: Australian Film Finance CorporationSource: ATPlace: SydneyPublisher: The CorporationPhysDes: v. ; 30 cmSubject: AUSTRALIAN FILM FINANCE CORPORATION Notes: Description based on: June 1992Order Notes: CurrentLON: abn95168318; 11654123
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Australian Film Finance Corporation presentation to producer alumni : 30 March 1995 / Tricia Nolan [Sydney]: Australian Film Finance Corporation, 1995.
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journal article
Australian film industry takes a vigorous and suprising turn in Australasian Cinema (15/7/1983) vol.12 iss.12 p.25
PhysDes: ArticleSubject: YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; MAD MAX II (AT, George Miller, 1981) ; DESOLATION ANGELS (AT, Chris Fitchett, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; AUSTRALIAN FILM INSTITUTE AWARDS Summary: Article on the nominees for the Australian Film Institute Awards, as well as information on the AFI at large and the state of the Australian film industry.
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journal article
Australian Film Industry Trust Fund established in Australasian Cinema (15/7/1983) vol.12 iss.12 p.14
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subject clippings file
AUSTRALIAN FILM INSTITUTE
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The Australian Film Institute : a programme for change / a submission to the board of directors by Murray Brown 1979.
Call No: 11(94)AFI BROPubDate: 1979PhysDes: 30 cmSubject: AUSTRALIAN FILM INSTITUTE Summary: A report on the Australian Film Institute requesting that it endeavours to create a more positive image around it's activities and public standing
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Online resource
annual report
Australian Film Institute Annual report / Australian Film Institute South Melbourne, Vic.: The Institute, [1991]. Digital clippings file available
Call No: ANNUAL REPORT SHELVES; held 1975/76- lacks 1977/78; We have the 05/06,07/08, 08/09, 09/10, 10/11 Financial reports; DIGITAL FILES; held 2008/09-2010/11, 2018/19CorpAuthor: Australian Film InstituteSource: ATPlace: South Melbourne, Vic.Publisher: The InstitutePubDate: [1991]PhysDes: v. : ill. ; 30 cmSubject: AUSTRALIAN FILM INSTITUTE Notes: Downloaded 2008/9, 2009/10; requested hard copies 23 Feb 2011Missing Issues: 2002-->2005; 2006/7Order Notes: CurrentLON: 7691258; 8525121
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poster
[Australian Film Institute autumn calendar 87 : poster]
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poster
[Australian Film Institute calendar August-November 86 : poster]
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book
Australian Film Institute, National Film Archive Conference, Chauvel Cinema - Sydney, 12 September 1983, NFA background papers [1983?].
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serial
Australian Film Institute ... new releases South Melbourne, Vic.: The Institute,
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serial
Australian Film Institute news Carlton, Vic.: A.F.I., 1982.
Call No: held no.20-no.25 Jan./Feb. 1982-Nov./Dec. 1982CorpAuthor: Australian Film InstituteSource: ATPlace: Carlton, Vic.Publisher: A.F.I.PubDate: 1982PhysDes: 6 v. ; 31 cmSubject: AUSTRALIAN FILM INSTITUTE Notes: Cinema films. Serials (ANB/PRECIS SIN 0436666); Caption titleISSN: 0813-3387LON: abn84025790; 3050684
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journal article
Australian Film Institute news in Filmnews (Australia) (Nov-75) vol.V iss.10 p.5
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Australian Film Institute newsletter Carlton, Vic.: A.F.I., 1976-[1981].
Call No: held no.1 July/Aug. 1976 - no.19 Oct./Nov. 1981CorpAuthor: Australian Film InstituteSource: ATPlace: Carlton, Vic.Publisher: A.F.I.PubDate: 1976-[1981]PhysDes: 19 v. : ill. ; 30 cmSubject: AUSTRALIAN FILM INSTITUTE Notes: Caption title; Continued by [Australian Film Institute] NewsletterISSN: 0313-7031LON: abn84000835; 3000140
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annual report
[Australian Film Institute] Newsletter Carlton South, Vic.: Australian Film Institute,
Call No: Held: vol. 1, no.1 (Autmn 1985); vol. 1, no. 2 (Spring 1985); vol. 1, no. 7 (Spring 1987)CorpAuthor: The InstituteSource: ATPlace: Carlton South, Vic.Publisher: Australian Film InstituteSubject: AUSTRALIAN FILM INSTITUTE ; INDUSTRY, FILM. AUSTRALIA Notes: Continues Australian Film Institute newsletter; Continued by AFI Newsletter
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book
Australian Film Institute report : information/education division : the George Lugg Library : May 1981 1981.
Call No: 11(94)AFI INFSource: ATPubDate: 1981Series: 17 p.Subject: AUSTRALIAN FILM INSTITUTE Summary: A report on the George Lugg library in 1981 and projections/recommendations for it's future
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poster
[Australian Film Institute spring calendar '87 : poster]
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poster
[Australian Film Institute summer calendar 86-87 : poster]
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subject clippings file
AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1982
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1983
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1984
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1985
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1986
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1987
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1988
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1989
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1996
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1997
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 1998
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 2000
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AUSTRALIAN FILM INSTITUTE. WEEKS, FILM. 2001
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subject clippings file
AUSTRALIAN FILM STUDIOS
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AUSTRALIAN FILM SYNDICATE
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digital clippings file
AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; PublicitySubject: AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL URL status: URL: 'http://file://Q:/S/AUSTRALIAN_FILM_TELEVISION_AND_RADIO_SCHOOL.zip'
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annual report
Australian Film, Television and Radio School Annual report / Australian Film, Television and Radio School North Ryde, N.S.W.: The School, 1986-. Digital clippings file available
Call No: ANNUAL REPORT SHELVES; held 1990/91-2010/11
missing 04/05?; DIGITAL FILES; held 1997/98-2021/22 lacks 2004/05CorpAuthor: Australian Film, Television and Radio SchoolSource: ATPlace: North Ryde, N.S.W.Publisher: The SchoolPubDate: 1986-PhysDes: v. : ill., ports. ; 24 cmSubject: AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL Notes: Continues Australian Film and Television School annual report ID 26916ISSN: 0819-2316 0313-9376Order Notes: CurrentLON: 4980431
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Australian Film Television & Radio School news North Ryde, N.S.W.: AFTRS, 1990.
Call No: held no.35-no.94 Feb.1990-June 1995) lacks 54, 74CorpAuthor: Australian Film, Television and Radio SchoolSource: ATPlace: North Ryde, N.S.W.Publisher: AFTRSPubDate: 1990Subject: AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL Notes: Continues Monthly news sheet of the Australian Film & Television School; Description based on: No. 44 (Nov. 1990)LON: abn91056869; 7756953
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Australian Film Television & Radio School newsletter [North Ryde, N.S.W.]: AFTRS,
Call No: held Dec 1995-CorpAuthor: Australian Film, Television and Radio SchoolSource: ATPlace: [North Ryde, N.S.W.]Publisher: AFTRSPhysDes: v. : illSubject: AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL Notes: Description based on: Oct. 1996; Continues: Australian Film, Television and Radio School newsLON: abn97041303; 13019075
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Australian film theory and criticism : volume 1 critical positions / Noel King / Constantine Verevis / Deane Williams Bristol, UK; Chicago: Intellect, 2013-.
Call No: 62(94) KIN (v. 1)Author: King, Noel ; Verevis, Constantine ; Williams, Deane Source: UK/USPlace: Bristol, UK; ChicagoPublisher: IntellectPubDate: 2013-PhysDes: xii, 174 pages ; 24 cmSeries: Australian film theory and criticismSubject: CRITICISM ; THEORY. AUSTRALIA ; FILM Summary: The first part of a planned three-volume work devoted to mapping the transnational history of Australian film studies. Australian Film Theory and Criticism, Volume 1 provides an overview of the period between 1975 and 1990, during which the discipline first became established in the academy. Tracing critical positions, people, and institutions across this influential period, contributors examine a multitude of books and journal articles published in Australia and distributed internationally. They offer important insights about the origins of Australian film theory and its relationship to the related disciplines of art history, performance art, and digital media.Notes: Includes bibliographical references and appendix.ISBN: 9781841505817 (v. 1) -- 9781783200375 (v. 2)Contents: Volume 1 -- Preface / Patrice Petro --
Introduction: Chapter one: Australian Film Theory and Criticism / Noel King, Constantine Verevis and Deane Williams --; Part one: Institutions -- Chapter two: Film Theory Goes to Australia / Constantine Verevis -- Chapter three: Writing the Australian Film Revival / Constantine Verevis --; Part two: Personnel -- Chapter four: Cultural Mobility and Film Studies in Australia 1975-1990 / Noel King --; Part three: Criticism -- Chapter five: Shifts and Interventions: Cultural Materialism and Australian Film History / Deane Williams -- Chapter six: Australian Film Theory and Criticism and Cultural Studies / Deane Williams --; Conclusion -- Chapter seven: Contemporary Australian Film Theory and Criticism / Noel King, Constantine Verevis and Deane Williams. --
Volume Two -- Introduction: Serious film studies and magpies / Noel King and Deane Williams -- Part I: Brisbane -- "From 'pictures' to formats" / Albert Moran interviewed by Noel King -- "Everyone's go their favourite periods of Cunningham's career, and it's always something before the present!" / Stuart Cunningham interiewed by Noel King -- "For a lot of people film became a bridge between literary studies and other kinds of cultural studies" / Graeme Turner interviewed by Noel King -- "The circulation of ideas" / Tom O'Regan interviewed by Deane Williams -- "We just thought we were unstoppable" / Colin and Jane Crisp interviewed by Noel King -- "I loved best when really practical solutions had to be found for artistic problems" / Jonathan Dawson interviewed by Noel King -- Part II: Melbourne -- "Early on I'd been an inveterate attender of Saturday matinees" / Mick Counihan interviewed by Noel King -- "Ye, but it never entered my head that it would ever become a field as such ..." / Barbara Creed interviewed by Deane Williams -- "This is all part of the historical process" / Ina Bertrand interviewed by Deane Williams --
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Australian film theory and criticism : volume 2 interviews / [edited by] Noel King and Deane Williams Bristol; Chicago: Intellect Books, 2014.
Call No: 62(94) KIN (v. 2)Source: UK/USPlace: Bristol; ChicagoPublisher: Intellect BooksPubDate: 2014PhysDes: viii, 411 pages ; 24 cmSubject: CRITICISM. AUSTRALIA ; CRITICISM ; THEORY. AUSTRALIA ; FILM STUDY AND RESEARCH. AUSTRALIA Summary: "A three-volume project tracing critical positions, people, and institutions in Australian film, Australian Film Theory and Criticism interrogates both the the origins of Australian film theory and its relationships to adjacent disciplines and institutions. This second volume gathers interviews with national and international film theorists and critics to chart the development of different discourses in Australian film studies through the decades. Seeking to examine the position of film theoriests and their relationship to film industry practitioners and policy-makers, it looks to assert Australian film's place on the international scholarly agenda." -- BOOK BLURBISBN: 9781783200375Contents: Volume Two -- Introduction: Serious film studies and magpies / Noel King and Deane Williams -- Part I: Brisbane -- [Albert Moran, Stuart Cunningham, Graeme Turner, Tom O'Regan, Colin Crisp and Jane Crisp, Jonathan Dawson / interviewed by Noel King] -- Part II: Melbourne [Mick Counihan / interviewed by Noel King -- Barbara Creed, Ina Bertrand, Sam Rohdie, Lesley Stern, Bill Routt, Adrian Martin / interviewed by Deane Williams] -- Part III: Sydney and Newcastle [Ross Gibson / interviewed by Deane Williams -- Meaghan Morris / interviewed by Lauren Bliss -- David Boyd / interviewed by Noel King] -- Part IV: Adelaide and Perth [Brian Shoesmith, Noel Purdon / interviewed by Noel King -- Toby Miller / interviewed by Deane Williams] -- Part V: UK and USA [Paul Willemen, Dana Polan / interviewed by Deane Williams -- Manuel Alvarado, Colin MacCabe, Edward Buscombe, Michael Eaton, Jim Kitses / interviewed by Noel King]
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Australian film theory and criticism : Volume 3 / By Verevis, Constantine and Williams, Deane United Kingdom: Intellect, 2018.
Call No: 67(94) VERAuthor: By Verevis, Constantine and Williams, Deane Place: United KingdomPublisher: IntellectPubDate: 2018Subject: EXPERIMENTAL FILM AND TELEVISION FUND ; BIRTLES, FRANCIS ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; GILDA (US, Charles Vidor, 1946) ; FEMINISM AND THE CINEMA. AUSTRALIA ; PORNOGRAPHY AND THE CINEMA. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; CHAUVEL, CHARLES ISBN: 9781783208371
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Interim
book
Australian films : TV drama & documentaries Woolloomooloo, N.S.W.: Australian Film Commission, 2002.
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Interim
book
Australian films : mini catalogue/features October 2000.
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Interim
book
Australian films April 1999.
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journal article
Australian films at A.F.M. in Australasian Cinema (11/3/1983) vol.12 iss.4 p.1
PhysDes: ArticleSubject: AUSTRALIAN FILM COMMISSION ; NEW SOUTH WALES FILM CORPORATION ; INDUSTRY, FILM. AUSTRALIA ; CLINIC, THE (AT, David Stevens, 1982) ; DUSTY (AT, John Richardson, 1983) ; DEAD EASY (AT, Bert Deling, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; GINGER MEGGS (AT, Jonathan Dawson, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; DOUBLE DEAL (AT, Brian Kavanagh, 1983) ; EARLY FROST (AT, Brian McDuffie, 1981) ; FAR EAST (AT, John Duigan, 1982) ; MIDNITE SPARES (AT, Quentin Masters, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; UNDERCOVER (AT, David Stevens, 1983) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Article on australian films screened at the American Film Market
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Interim
book
Australian films: Australian Film Commission catalogue Sydney: Australian Film Commission, April 1999.
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box office. australia
Australian films bounce back in The Age [The Shortlist] (18 Sep 15) p.5
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAAuthor: Maddox, Garry PhysDes: ClippingsSubject: BOX OFFICE. AUSTRALIA ; ODDBALL (AT, Stuart McDonald, 2015) ; THAT SUGAR FILM (AT, Damon Gameau, 2014) ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; CUT SNAKE (AT, Tony Ayres, 2014) ; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
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book
Australian films catalogue: documentaries 2000.
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Australian films catalogue/features / Australian Film Commission Sydney: Australian Film Commission, 2000.
Call No: REFERENCE SECTION; 023(94) AUSCorpAuthor: Australian Film CommissionPlace: SydneyPublisher: Australian Film CommissionPubDate: 2000PhysDes: v. : ill. ; 25 cmSubject: AUSTRALIAN FILM COMMISSION ; PRODUCTION. AUSTRALIA Notes: Description based on: April 2000; title from cover
Includes plot summary and biogs for Director and Producer of Australian feature films released in 2000.Frequency: Three times a yearLON: 21689856
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Interim
book
Australian films: documentaries [1993?].
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Interim
book
Australian films October 2000 mini catalogue / features / Australian Film Commission [Australia]: Australian Film Commission, 2000.
Call No: REFERENCE SECTION; 023(94) AUSCorpAuthor: Australian Film CommissionSource: ATPlace: [Australia]Publisher: Australian Film CommissionPubDate: 2000PhysDes: 1 v.Subject: AUSTRALIAN FILM COMMISSION
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journal article
Australian films score fest. award in Australasian Cinema (12/11/1982) vol.11 iss.20 p.1
PhysDes: ArticleSubject: ANGELS OF WAR (AT, Andrew Pike & Hank Nelson & Gavan Daws, 1982) ; PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982) ; WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982) ; FESTIVALS ; INDUSTRY, FILM. AUSTRALIA Summary: Article on Australian films at the 14th Nylon International Film Festival in Switzerland.
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book
Australian motion picture yearbook 1980 / edited by Peter Beilby ; associate editor: Scott Murray North Melbourne, Victoria: Cinema Papers Pty Ltd, 1980.
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Interim
book
Australian multimedia catalogue January 2000.
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Interim
book
Australian multimedia catalogue February 1999.
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Interim
book
Australian multimedia catalogue February 1998.
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book
Australian multimedia catalogue 1996 1996.
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Australian national cinema / Tom O'Regan London New York: Routledge, 1996.
Call No: 408.1(94) ORECopy Management: 2 copiesAuthor: O'Regan, Tom, 1956 Place: London New YorkPublisher: RoutledgePubDate: 1996PhysDes: ix, 405 p. ; 24 cmSeries: National cinemas seriesSubject: INDUSTRY, FILM. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA. AUSTRALIA ; SOCIETY AND THE CINEMA. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; CRITICISM. AUSTRALIA Notes: Includes bibliographical references (p. [376]-391) and indexesISBN: 0415057310 (pbk.); 0415057302LON: 12193364Contents: 1. Introducing Australian national cinema -- 2. Theorizing Australian cinema -- 3. A national cinema -- 4. A medium-sized English-language cinema -- 5. Formations of value -- 6. Making meaning -- 7. Diversity -- 8. Unity -- 9. Negotiating cultural transfers -- 10. A distinct place in the cinema -- 11. Problematizing the social -- 12. Problematizing gender -- 13. Problematizing nationhood -- 14. Critical dispositions.
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reference folder
Australian (national & state) funding & development guidelines / AFI Research & Information
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"Australian-ness" and the film industry : between rhetorics of business and national culture / by Susan Dermody in collaboration with Elizabeth Jacka Broadway, [NSW]: News South Wales Institute of Technology,
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Australian popular culture / edited by Ian Craven with Martin Gray and Geraldine Stoneham Melbourne, Australia: Cambridge University Press, published in association with Australian Studies and the British Australian Studies Association, 1994.
Call No: 408.1(94) CRAAuthor: Craven, Ian ; Gray, Martin ; Stoneham, Geraldine Source: UKPlace: Melbourne, AustraliaPublisher: Cambridge University Press, published in association with Australian Studies and the British Australian Studies AssociationPubDate: 1994PhysDes: 228 pages, 2 folded leaves ; 24 cmSeries: Australian cultural studiesSubject: COPRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA. AUSTRALIA ; POPULAR CULTURE AND TV. AUSTRALIA Summary: "Australia's leisure culture is legendary, and as millions of British viewers of Neighbours, fans of Yothu Yindi or drinkers of Castlemaine XXXX would attest, Australian popular culture is popular outside of Australia. Australian Popular Culture is an exciting collection of essays bringing together new perspectives on the nature and meaning of a nation's changing life. The collection also explores the idea of popular culture at large. Leading authors represent a range of approaches, backgrounds and fields to explore subjects of wide interest within the categories of 'the everyday', 'the mass media' and 'critical theory'. Chapters are devoted to the Aussie Back Yard; Vegemite; postage stamps; Australian Rules football; the introduction of television; Crocodile Dundee; The Lindy Chamberlain Affair; Spycatcher; Domesticity, leisure and love and Postmodernism and Australian Culture." -Publisher description.Notes: 2 folded leaves inserted into back of book, entitled "Australian historical studies, style sheet for book reviewers"; Some text highlighted pages 66-76ISBN: 0521466679Contents: Introduction -- Part I. Popular Culture as the Everyday: 1. A brief cultural history of vegemite Robert White -- 2. The Australian back yard George Seddon -- 3. Stamp duty Xavier Pons -- 4. Australian football as secular religion Stephen Alomes -- Part II. Popular Culture and the 'Mass' Media: 5. Controlling the technology of popular culture and the introduction of television to Australia James Walter -- 6. 'Crocodile Dundee': the revival of American virtue Ruth Brown -- 7. The Boys from the Bush: television coproduction in the 1990s Ian Craven -- 8. Patterns of control in Australian crime fiction Stephen Knight -- 9. National fictions and the 'Spycatcher' trial Kevin Foster -- 10. Naturalising 'horror stories': Australian crime news as popular culture Christine Higgins -- Part III. Popular Culture and Critical Theory: 11. How to be a singer though married: domesticity, leisure and modern love Kay Ferres -- 12. The Wild Colonial Boy rides again and again: an Australian legend abroad Grahame Seal -- 13. Shaping the Plain Australian: Social analysis in the 1940s and 1950s Nicholas Brown -- 14. 'On the Beach': Apocalyptic hedonism and the origins of postmodernism Andrew Milner.
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Australian presence in Cannes '82 in The Australasian Cinema (16/07/1982) vol.11 iss.12 p.11
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Australian product Cannes Film Festival, 1982 in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
PhysDes: ArticleSubject: HEATWAVE (AT, Phillip Noyce, 1981) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; INDUSTRY, FILM. AUSTRALIA ; CANNES FILM FESTIVAL ; ADVERTISING FOR FILMS Summary: Article on the Australian Film Commission helping to organise the promotion of numerous Australian films at the Cannes Film Festival.
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The Australian screen in Filmnews (Australia) (Oct-79) vol.IX iss.10 p.5
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Australian short films 1991-1993 [1993?].
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Australian short films 2005/06 / Australian Film Commission Australian Film Commission, 2005.
Call No: REFERENCE SECTION; 023(94)"2005/2006" AUSCorpAuthor: Australian Film CommissionSource: ATPublisher: Australian Film CommissionPubDate: 2005PhysDes: 160 p., ill. : 22 cmSubject: AUSTRALIAN FILM COMMISSION ; SHORT FILMS. AUSTRALIA Summary: This catalogue includes information about Australian short films (fiction films under 60 minutes and documentary films under 30 minutes) made since November 2004 until 2005.Notes: Donation from the Australian Film Commission.
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Australian short films 2006/07 / Australian Film Commission Australian Film Commission, [2006?].
Call No: REFERENCE SECTION; 023(94)"2006/2007" AUSCorpAuthor: Australian Film CommissionSource: ATPublisher: Australian Film CommissionPubDate: [2006?]PhysDes: 176 p., ill. : 22 cmSubject: AUSTRALIAN FILM COMMISSION ; SHORT FILMS. AUSTRALIA Notes: Donation from the Australian Film Commission.
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Australian short works Woolloomooloo, N.S.W.: Australian Film Commission, c1995.
Call No: REFERENCE SECTION; 023(94) AUSCorpAuthor: Australian Film CommissionSource: ATPlace: Woolloomooloo, N.S.W.Publisher: Australian Film CommissionPubDate: c1995PhysDes: v. ; 25 cmSubject: AUSTRALIAN FILM COMMISSION ; SHORT FILMS. AUSTRALIA Frequency: AnnualLON: 12263710 12263710
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Australian short works November 2000.
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Australian short works 1994 August 1995.
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Australian short works 1996-97 June 1997.
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Australian short works 1997-98 Woolloomooloo, NSW: Australian Film Commission, November 1998.
Call No: REFERENCE SECTION; 023(94)"1997/98" AUSCorpAuthor: Australian Film CommissionPlace: Woolloomooloo, NSWPublisher: Australian Film CommissionPubDate: November 1998PhysDes: not paginated ; 25 cmSubject: AUSTRALIAN FILM COMMISSION ; SHORT FILMS. AUSTRALIA Summary: List of short films made in Australia between July 1997/June 1998. Lists productions shot on: film, Betacam, 1 inch video and other video
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Australian short works 1998-99 November 1999.
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Australian short works 1999-2000 November 2000.
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Australian soundtrack recordings 1927-1996 : a discography of soundtracks and associated recordings relating to Australian film and televsion productions / compiled by Dennis Way Nicholson Sydney: Australian Music Centre, 1997.
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Australian tv drama & documentary : a catalogue of tv drama & documentary production October 2002.
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Australian tv drama & documentary catalogue March 2006 / Australian Film Commission Sydney: Australian Film Commission, 2006.
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Australian tv drama & documentary catalogue March 2007 / Australian Film Commission Sydney: Australian Film Commission, 2007.
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Australian tv drama & documentary catalogue September 2005 / Australian Film Commission Sydney: Australian Film Commission, 2005.
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Australian tv drama & documentary catalogue September 2006 / Australian Film Commission Sydney: Australian Film Commission, 2006.
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Australian variety Sydney: Martin C. Brennan, 1913-1916.
Call No: MICROFILM - vol. 1, no. 1 (1913) - May 31, 1916Place: SydneyPublisher: Martin C. BrennanPubDate: 1913-1916Subject: INDUSTRY, FILM. AUSTRALIA Notes: Issues from Jan. 6 1915-Jan 12, 1916 titled: Australian variety and sports gazette
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Australian variety and show world Sydney: Martin C. Brennan, 1916-1921.
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Australian women's film & video : a catalogue of films and video produced or directed by Australian women / compiled and researched by Chris Brophy; edited by Annette Blonski Melbourne: AFI Distribution Ltd, 1988.
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Australians at MIPCOM 2005 / Australian Film Commission Woolloomooloo, NSW: Australian Film Commission, 2005.
Call No: 171(94) "2005" MIPCorpAuthor: Australian Film CommissionEdition: 2005Place: Woolloomooloo, NSWPublisher: Australian Film CommissionPubDate: 2005PhysDes: 72 p. ; 21 cmSubject: MIPCOM ; AUSTRALIAN FILM COMMISSION
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Australians at MIPCOM 2006 / Australian Film Commission Woolloomooloo, NSW: Australian Film Commission, 2006.
Call No: 171(94) "2006" MIPCorpAuthor: Australian Film CommissionEdition: 2006Place: Woolloomooloo, NSWPublisher: Australian Film CommissionPubDate: 2006PhysDes: 72 p. ; 21 cmSubject: MIPCOM ; AUSTRALIAN FILM COMMISSION
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Australians at MIPTV and MILIA 2004 / Australian Film Commission Woolloomooloo, NSW: Australian Film Commission, 2004.
Call No: 171(94) "2004" MIPCorpAuthor: Australian Film CommissionEdition: 2004Place: Woolloomooloo, NSWPublisher: Australian Film CommissionPubDate: 2004PhysDes: 48 p. ; 21 cmSubject: MIP-TV ; AUSTRALIAN FILM COMMISSION
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Australians at MIPTV and MILIA 2006 / Australian Film Commission Woolloomooloo, NSW: Australian Film Commission, 2006.
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Australians at MIPTV and MILIA 2007 / Australian Film Commission Woolloomooloo, NSW: Australian Film Commission, 2007.
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Authorship and criticism / by Dugald Williamson Sydney: Local Consumption Publications, 1989.
Call No: 621 WILAuthor: Williamson, Dugald Edition: [2nd ed.]Place: SydneyPublisher: Local Consumption PublicationsPubDate: 1989PhysDes: 98 p. ; 21 cmSeries: Critical categories series ; no. 1Subject: AUTHORSHIP ; CRITICISM ; METHODOLOGY OF FILM CRITICISM ; WEIR, PETER Notes: Previous ed.: Sydney : Local Consumption Publication, [1986?]; Includes index; Bibliography: p. 89-94ISBN: 0949793167 (pbk.) : $10.00LON: anb94979316; 6320460
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The avocado plantation : boom and bust in the Australian film industry / David Stratton Chippendale, N.S.W.: Pan Macmillan, 1990.
Call No: 71(94) STRAuthor: Stratton, David Place: Chippendale, N.S.W.Publisher: Pan MacmillanPubDate: 1990PhysDes: xiii, 465 p. : ill. ; 25 cmSubject: FILMOGRAPHIES. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; AUSTRALIA ; TAXES. AUSTRALIA ; MILLER, GEORGE ; LAWRENCE, RAY ; COX, PAUL ; BENNETT, BILL ; DOBROWOLSKA, GOSIA ; PARKER, DAVID ; SALVAT, KEITH ; SCHEPISI, FRED ; SCHULTZ, CARL ; SULLIVAN, ERROL ; TASS, NADIA ; TURKIEWICZ, SOPHIA ; WEIR, PETER ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; TIME GUARDIAN, THE (AT, Brian Hannant, 1987) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; MALCOLM (AT, Nadia Tass, 1986) ; BURKE AND WILLS (AT, Graeme Clifford, 1985) ; BLISS (AT, Ray Lawrence, 1985) Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket]Notes: Includes indexISBN: 0732902509LON: 7520974Donation: Simon WincerID2: 255
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Awards in Lumiere (November-December 1970) vol.1 iss.6 p.40-45
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AWARDS. AMERICAN FILM INSTITUTE
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Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: AWARDS. BRITISH ACADEMY OF FILM AND TELEVISION ARTS URL status: URL: 'http://file://Q:/S/AWARDS.BAFTA.zip'
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AWARDS. FILM CRITIC'S CIRCLE OF AUSTRALIA
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AWARDS. YOUNG AT HEART SHORT FILM
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B.C. & C. launches promotion of 'Big Screen Movies' in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.5
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Bad film histories : ethnography and the early archive / Katherine Groo Minneapolis; London: University of Minnesota Press, 2019.
Call No: 769[39] GROAuthor: Groo, Katherine Edition: 2019Place: Minneapolis; LondonPublisher: University of Minnesota PressPubDate: 2019PhysDes: 366 pages : illustrated ; 22 cmSubject: ANIMALS IN FILMS ; ANTHROPOLOGY AND THE CINEMA ; ARCHIVES & INSTITUTES, FILM ; CAVELL, STANLEY ; DANCE IN FILMS ; DERRIDA, JACQUES ; ETHNOGRAPHIC FILMS ; FILM HISTORY ; FOUCAULT, MICHEL Summary: A daring, deep investigation into ethnographic cinema that challenges standard ways of writing film history and breaks important new ground in understanding archives
Bad Film Histories is a vital work that unsettles the authority of the archive, examining the imprecisions and absences that define film history and its archives. Taking ethnographic cinema as a crucial case study, Katherine Groo challenges standard ways of thinking and writing about film history and questions widespread assumptions about what film artifacts are and what makes them meaningful. -- publisher's web siteISBN: 9781517900335Donation: Senses of CinemaContents: Introduction: Untimely Historiographies, Ethnographic Particularities -- 1. Of Other Archives: The Excursive Minors of La Maison Lumière and Les Archives de la Planète -- 2. Historical Figures: Dance and the Unlettered Line -- 3. Following Derrida: Ethnocinematic Animals, Death Effects, and the Supplement of Expedition Cinema -- 4. Language Games, or the World Intertitled -- 5. Ethnography Won’t Wait: New Media and Material Histories -- Acknowledgments -- Notes -- Index
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Bad news for video pirates : Address to Bundaberg Convention by Ray Stevenson, Director Australian Film Secuirty Office in Australasian Cinema (13/5/1983) vol.12 iss.8 p.2
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BAFTA news / the British Academy of Film & Television Arts London: The Academy, 1990.
Call No: held v.1, no.1-v.10, no.6 Feb.1990-Dec 1999 incomplete; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: British Academy of Film and Television ArtSource: UKPlace: LondonPublisher: The AcademyPubDate: 1990PhysDes: v. : illSubject: BRITISH ACADEMY OF FILM AND TELEVISION ARTS Notes: Continues: British Academy of Film and Television Arts newsletter; Continued by: Academy : the new Bafta magazineLON: 13018889
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Barbara Carrera in UK promotes 'Wild Geese II' in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.5
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BARRY JONES IN SEARCH OF LOST TIME: A FILM STORY : (AT, Garry Sturgess, 2018)
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[Barry Jones in search of lost time: a film story : poster]
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BC & C centralise operations in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.2
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BE HERE TO LOVE ME: A FILM ABOUT TOWNES VAN ZANDT : (US, Margaret Brown, 2004)
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Before the rain : a collaboration in Lumina (Summer 2010) iss.2 p.181-190
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Behind a velvet light trap : a filmmaker's journey from Cinesound to Cannes / Anthony Buckley Prahran, Vic.: Hardie Grant, 2009.
Call No: 81BUC BUCAuthor: Buckley, Anthony Source: ATPlace: Prahran, Vic.Publisher: Hardie GrantPubDate: 2009PhysDes: x, 406 p. : ill. (some col.), ports. ; 26 cmSubject: BUCKLEY, ANTHONY ; PRODUCERS ; DIRECTORS. AUSTRALIA ; FILM WORKERS ; FILM WORKERS. AUSTRALIA ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) Summary: Almost from the inception of movies, the Buckley family were involved, so it was natural for the young Tony Buckley to get a job at a film laboratory, and move into film editing. Despite being warned by a veteran of film, "There's no future in it", Buckley began a career that was to involve a cast of thousands including Australian film pioneers, Raymond Longford and Ken G. Hall, Australian and international stars, and the pick of the Australian film and television industry. As an acclaimed editor, then producer, Tony Buckley's films have attracted numerous accolades and awards. In Behind a Velvet Light Trap, Buckley chronicles the frequent disasters on the set and the antics of actors and film crew with wry humour and a firm sense of professionalism. It is an insider's view of Australian movies and television where we get to meet some of the vivid personalities including Rudolf Nureyev, Michael Powell, Patrick White, James Mason, Ruth Park, Leo McKern and Joan Sutherland. --BOOK JACKETISBN: 9781740667906Contents: -- Preface -- Acknowledgement -- PART ONE -- 1 -- Saturdays At The Sesqui -- 2 --The Sentimental Bloke - Meeting Raymond Longford -- 3 -- Discovering 'The Hidden Power' -- 4 -- The Voice Of Australia -- 5 -- 'There's No Future In It, Son!' -- 6 -- Seven Miles From Sydney And 10,000 Miles From Care -- 7 -- Letters Home: 189 Cromwell Road - 'Hurry, My Milliner Is Waiting!' -- 8 -- Five For Europe: A Telegram From Home -- 9 -- Another Cinesound Excusive! -- 10 -- Forgotten Cinema And The Australian Renaissance -- 11-- Michael Powell and S.Y.M -- 12 -- Home to Avening -- 13 -- 'The Locomotive that Drives Everything Else -- 14 -- Mercer Clips and Hollywood -- 15 -- Le Reveil Dans La Terreur - Wake in Fright -- 16 -- Ballet in the Bedroom -- 17 -- Insular Fairyland - anyone for Croquet? -- 18 -- ...'You wanna make a film about a woman???!!' -- 19 -- My Sons, My Horses - The Anatomy of a Motion Picture -- 20 -- 'This Bizarre Work' - The Night of the Prowler -- 21 -- The very strange case of the Unknown Industrial Prisoner -- 22 -- Not In The Public Interest - the Juanita Factor -- 23 -- Flight Ten From Honolulu - A complete Change Of Direction -- 24 -- A Landmark Australian Film -- PART TWO -- 25 -- ...And Now For Something Completely Different - Television! -- 26 -- The Tree Of Humankind - Man On A Limb! -- 27 -- The Heroes Of The Miniseries -- 28 -- Prostitution - Adapting Bryce Courtenay - And The Mysterious Case Of The Stolen Logie -- PART THREE -- 29 -- Back To The Reel World -- 30 -- On Their Selection - The $24,000 Lunch! -- 31 -- A Celebration - Then Shadows Fall -- 32 -- 'That Resilient Little Beast' - But Not Quite A Heart Stopper! -- 33 -- An Apple For The Teacher - Food for thought -- 34 -- Shattered Dreams - Broken Promises -- The Final Reel - The Full Circle
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The best film I never made : and other stories about a life in the arts / by Bruce Beresford Melbourne, Victoria: The Text Publishing Company, 2017.
Call No: 81BER BERAuthor: Beresford, Bruce Source: ATPlace: Melbourne, VictoriaPublisher: The Text Publishing CompanyPubDate: 2017PhysDes: 281 pages ; 24 cmSubject: INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; PRODUCERS ; DIRECTORS ; AUSTRALIA ; BERESFORD, BRUCE Summary: "This entertaining collection of stories by the acclaimed director of Breaker Morant, Driving Miss Daisy and Mao’s Last Dancer includes memoirs, brief lives and revealing accounts of the film world and beyond.
Alongside unsung heroes from behind the camera and producers of dubious repute are Madeleine St John and Clive James, Margaret Olley and Jeffrey Smart, as well as a particularly seductive 1963 EH Holden—and Bruce Beresford’s father, whose strange and startling decline in old age is charted in a brilliant, poignant essay." -- BOOK BACK COVERISBN: 9781925603101Contents: -- I -- family, journeys, memories -- family tree -- my parents -- out of Toongabbie -- the end of the Roxy -- the lure of the EH -- in Guatemala -- pass the passport -- the age of memoirs -- inadvertant meetings - and premonitions -- II -- making and not making movies -- stumbling towards directing -- a career of sorts -- thoughts about actors and acting -- financing movies -- the Hubert Opperman saga -- the best film i never made -- III -- behind the screen -- the two Barrys -- memories of Horton Foote -- John Simon on film: an introduction -- Dino De Laurentiis, producer -- Tony Scott, director -- Robert Krasker: a sketch -- Sven Nykvist: an appreciation -- Don McAlpine, cameraman -- Ken Adam: a personal memoir -- Georges Delerue, composer -- Erich Korngold: a sketch -- IV-- opera, painters, writers -- a brief guide to American opera -- smart lessons -- a memory of Margaret Olley -- forgotten - and in Mildura -- Caravaggio and the cinema -- remembering B.S, Johnson -- Madeleine and me -- a remarkable man -- Australian literature and Film --
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Beyond document : essays on nonfiction film / edited by Charles Warren Hanover, NH: University Press of New England, 1996.
Call No: 761(04) BEYAuthor: Warren, Charles, 1948 Place: Hanover, NHPublisher: University Press of New EnglandPubDate: 1996PhysDes: xxviii, 366 p. : ports. ; 24 cmSubject: DOCUMENTARY FILMS ; CINEMA VERITE ; DIRECTORS ; DOCUMENTARY DRAMAS ; NEWSREELS ; MEMORY IN FILMS ; ETHNOGRAPHIC FILMS ; BIOGRAPHICAL FILMS ; GENOCIDE IN FILMS ; WORLD WAR II FILMS ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; OPHULS, MARCEL ; RESNAIS, ALAIN ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; BOOMERANG (US, Elia Kazan, 1947) ; VERTOV, DZIGA ; MARKER, CHRIS ; FILM PORTAIT (US, Jerome Hill, 1972) ; GARDNER, ROBERT ; MCELWEE, ROSS ; ZERKALO (UR, Andrei Tarkovsky, 1975) Summary: "In essays by eleven of America's foremost writers, critics and filmmakers, Beyond Document explores the full spectrum on nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema verite, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who..., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss.
Representations of reality are increasingly contested, in courtrooms and Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve"; and poet Susan Howe explores structures of mourning in several filmmakers. All of the books essays provide deeply felt understandings of documentary film, and of how we live with, and within, images." -- BOOK BLURBNotes: Includes bibliographical references (p. 345-350) and indexISBN: 0819552879 (cl : alk. paper); 0819562904 (pbk. : alk. paper)LON: 11642141Contents: Words of welcome / Stanley Cavell -- Introduction, with a brief history of nonfiction film / Charles Warren -- Death and the image / Jay Cantor -- Memory's movies / Patricia Hampl -- Eternal Verites / William Rothman -- The toil of thought: on several nonfiction films by women / Helene Keyssar -- The camera people / Eliot Weinberger -- The impulse to preserve / Robert Gardner -- You are there / Maureen Howard -- Earth and beyond: Dusan Makaveyev's WR: Mysteries of the Organism / Charles Warren -- In search of the centaur: the essay film / Phillip Lopate -- Vertov's cinematic transposition of reality / Vlada Petric -- Sorting facts; or, nineteen ways of looking at marker / Susan Howe
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Beyond the looking glass : narcissism and female stardom in studio-era Hollywood New York : Oxford: Berghahn Books, 2014.
Call No: 451-02(73) SALAuthor: Salzberg, Ana Source: USPlace: New York : OxfordPublisher: Berghahn BooksPubDate: 2014PhysDes: viii, 197 pages ; illustrationsSubject: WOMEN IN FILMS ; STUDIOS, FILM. USA ; STARS. USA ; HISTORY OF CINEMA. USA ; FEMININITY IN FILMS Summary: "As living subjects rather than static icons, studio-era Hollywood actresses actively negotiated a balance between their public personas, film roles, and corporeal presence. The contemporary audience's engagement with the experience of these actresses unsettles the traditional model of narcissistic identification, which divides the off-screen spectator from his/her onscreen ideal. Exploring the fan's desire for a material connection to the performer - as well as the star's own dialogue between embodied experience and idealized image - this book traces on- and off-screen representations of narcissistic femininity in classical Hollywood through studies of stars like Greta Garbo, Ava Gardner, and Marilyn Monroe. Merging historical and theoretical concerns, with particular attention to the resonance of golden-age Hollywood in new media, this book explores the movie screen as a medium of shared experience between spectator and star." -- BOOK BLURBNotes: Includes bibliographical references and index -- Includes filmographyISBN: 9781782383994Donation: donated by Senses of Cinema, 2014Contents: Introduction: The Narcissistic Woman: Reflections and Projections -- 1. Garbo Talks: Expectation and Realization -- 2. Katharine Hepburn and a Hollywood Story -- 3. Vanishing Differences in Mildred Pierce (1945) and Leave Her to Heaven (1945) -- 4. One Touch of Venus: Ava Gardner, Rita Hayworth, and the Production Code -- 5. "Wherever There's Magic": Performance Time in Sunset Boulevard (1950) and All About Eve (1950) -- 6. Marilyn Monroe: "The Last Glimmering of the Sacred" -- 7. Neo-Screen Tests, Part One: Grace Kelly and Elizabeth Taylor -- 8. Neo-Screen Tests, Part Two: The Search for Scarlett Continues --
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Beyond the silver screen : a history of women, filmmaking and film culture in Australia 1920-1990 / Mary Tomsic Carlton, Victoria: Melbourne University Press, 2017.
Call No: 71-02(94) TOMAuthor: Tomsic, Mary Edition: 2017Place: Carlton, VictoriaPublisher: Melbourne University PressPubDate: 2017PhysDes: vii, 254 pages : 22 cmSeries: MUP AcademicSubject: WOMEN FILMMAKERS. AUSTRALIA ; WOMEN, FILMS MADE BY. AUSTRALIA ; GRAIL FILM GROUP, THE ; SYDNEY FILMMAKERS CO-OPERATIVE ; INDONESIA CALLING (AT, Joris Ivens, 1948) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; FRAN (AT, Glenda Hambly, 1985) Summary: Beyond the Silver Screen tells the history of women's engagement with filmmaking and film culture in twentieth-century Australia. In doing so, it explores an array of often hidden ways women in Australia have creatively worked with film. Beyond the Silver Screen examines film in a broad sense, considering feature filmmaking alongside government documentaries and political films. It also focuses on women's work regulating films and supporting film culture through organising film societies and workshops to encourage female filmmakers. As such, it tells a new narrative of Australian film history.
Beyond the Silver Screen reveals the variety of roles film has in Australian society. It presents film as a medium of creative and political expression, which women have engaged with in diverse ways throughout the twentieth century. Gender roles and gendered ideologies operating within society at large have influenced women's opportunities to work with film and how their filmwork is… -- publisher's web siteISBN: 9780522871227
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BFI film and television handbook London: British Film Institute, c1992.
Call No: REFERENCE SECTION; 058(41) BRI "1999"; 058(41) BRI "2001"; 058(41) BRI "2002"; 058(41) BRI "2004"CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: c1992PhysDes: v. : ill. ; 25 cmSubject: INDUSTRY, FILM. UK Frequency: AnnualLON: 10454500
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BFI film handbook / edited by Eddie Dyja London: bfi Publishing, 2004.
Call No: REFERENCE SECTION; 058(41) BRI "2005" REF FRONT DESKSource: UKPlace: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: 431 p. ; 25 cmSubject: INDUSTRY, FILM. UK Notes: Index
Formerly compiled in 'BFI Film & Television Handbook'ISBN: 1844570428
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Bibliography : so you want to be in films... or tv... or radio. / Australian Film Television & Radio School. Jerzy Toeplitz Library.
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journal article
Big Brother helps again! : New tax guidlines in Australasian Cinema (28/1/1983) vol.12 iss.1 p.1
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; TAXES. AUSTRALIA Summary: Brief article on the recent amendments to Division 10BA. New amendments will make international resources (directors, actor,s etc.) harder to use, and will also abolish the '12-month rule', allowing filmmakers two years to complete a feature.
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Big city, big potential : Sydney's creative industry in Encore (June 2012) p.29-37
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The big picture in Filmnews (Australia) (Jun-90) vol.XX iss.5 p.Aug-13
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The big picture : filmmaking lessons from a life on the set / Tom Reilly New York: Thomas Dunne Books, 2009.
Call No: 222.22 REIAuthor: Reilly, Tom Edition: 1st edSource: USPlace: New YorkPublisher: Thomas Dunne BooksPubDate: 2009PhysDes: xi, 239 p. ; 22 cmSubject: LOCATION PRODUCTION ; LOCATION SHOOTING ; DIRECTORS ; FILM WORKERS ; REILLY, TOM Summary: This is a must-have book for any aspiring filmmaker who wants to know the secrets of the pros, or for movie buffs who want to know what really happens on the sets of their favourite films.ISBN: 9780312380380Donation: donated by Senses of Cinema, 2012
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Big role for Australian Film Producers' Assoc. in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.3
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A bigger picture for film school in The Australian (22/07/2015) p.15
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOLAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL Summary: Report on the current state of the Australian Film Television and Radio School (AFTRS), with discussion of how important it is to Australian cinema, particularly in regards to film production
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Billy Wilder : AFI Souvenir Edition / Edited by Jeffrey Lane and Dougloas Borton [USA]: American Film Institute, [1986?].
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BIRTH OF A FILM FESTIVAL : (AT, Prod. Lisa French, 2003)
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The black book directory : indigenous arts and media directory / Compiled by Rose Perkins and Hope Perkins Rose Bay, NSW: Blackfella Films, 2000.
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Black film, British cinema London: Institute of Contemporary Arts, 1988.
Call No: 451-054(=9) BLACorpAuthor: Institute of Contemporary Arts (London, England)Place: LondonPublisher: Institute of Contemporary ArtsPubDate: 1988PhysDes: 62 p. : ill. ; 30 cmSeries: ICA documents ; 7Subject: NATIONAL IDENTITY IN FILMS. UK ; BLACK CINEMA. UK ; BLACK FILMMAKERS. UK ; ETHNIC GROUPS IN FILMS. UK ; ASIANS IN FILMS. UK ; BLACK AUDIO FILM COLLECTIVE ; SANKOVA FILM AND VIDEO COLLECTIVE ; CHANNEL FOUR ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; PASSION OF REMEMBRANCE, THE (UK, Maureen Blackwood & Isaac Julien, 1986) Notes: Papers originally presented at a day conference, conducted at ICA, Feb. 1988; Includes bibliographical referencesISBN: 0905263960LON: 6631335
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'Bliss' official Oz entry at Cannes Festival in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.1
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Blockbusters : hit-making, risk-taking, and the big business of entertainment / Anita Elberse New York: Henry Holt and Company, 2013.
Call No: 203 ELBAuthor: Elberse, Anita Source: USPlace: New YorkPublisher: Henry Holt and CompanyPubDate: 2013PhysDes: 307 pages : illustrations ; 25 cmSubject: INDUSTRY, FILM. USA ; INDUSTRY, TV. USA ; WARNER BROS. ; SPORT ON TV ; MARVEL ENTERTAINMENT Summary: Explores "what's behind the phenomenal success of entertainment businesses such as Warner Bros., Marvel Entertainment, and the NFL--along with such stars as Jay-Z, Lady Gaga, and LeBron James--[and] which strategies give leaders in film, television, music, publishing, and sports an edge over their rivals"--Dust jacket flapISBN: 9780805094336Contents: Betting on blockbusters -- Launching and managing blockbusters -- Investing in superstars -- How superstars use their powers -- Will digital technology end the dominance of blockbusters? -- Will digital technology threaten powerful producers? -- The future of blockbuster strategies -- No business like show business?
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Blood cinema : the reconstruction of national identity in Spain / by Marsha Kinder Berkeley: University of California Press, 1993.
Call No: 408.1(46) KINAuthor: Kinder, Marsha Place: BerkeleyPublisher: University of California PressPubDate: 1993PhysDes: xi, 553 p. : ill. ; 24 cmSubject: SPAIN ; INDUSTRY, FILM. UK ; NATIONAL CULTURE AND THE CINEMA. SPAIN ; NATIONAL IDENTITY IN FILMS. SPAIN ; SPAIN: CATALONIA ; VIOLENCE IN FILMS. SPAIN ; DIRECTORS. USA ; ERICE, VICTOR ; SAURA, CARLOS ; ALMODOVAR, PEDRO ; BUNUEL, LUIS ; SURCOS (SP, Jose Antonio Nieves Conde, 1951) ; MUERTE DE UN CICLISTA (SP, Juan Antonio Bardem, 1955) ; GOLFOS, LOS (SP, Carlos Saura, 1959) ; COCHECITO, EL (SP, Marco Ferreri, 1959) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; RIO ABAJO (SP, Jose Luis Borau, 1984) Notes: "A Centennial book."; Includes bibliographical references (p. 507-522) and indexISBN: 0520081536 (alk. paper); 0520081579 (pbk. : alk. paper)LON: 9293143
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Levy Collection
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Bluff your way in the cinema / Ken Wlaschin London: Wolfe Publishing, 1969.
Call No: REFERENCE SECTION; 036 WLAAuthor: Wlaschin, Ken Source: UKPlace: LondonPublisher: Wolfe PublishingPubDate: 1969PhysDes: 64 p. ; 17 cmSeries: The bluffer's guidesSubject: FILM CULTURE Summary: "Do you feel inferior through not knowing what is being discussed? This bluffer's guide will help you halt the flow and sound as bright as they seem to be" - BOOK BLURBISBN: 0723401209Donation: donated by the family of Wayne Levy, 2006
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Bollywood : A guide to popular Hindi Cinema New York: Routledge, 2004.
Call No: 71(540) GANAuthor: Ganti, Tejaswini Place: New YorkPublisher: RoutledgePubDate: 2004PhysDes: 254 p. ; ill. ; 20 cmSubject: POPULAR CULTURE AND THE CINEMA.INDIA ; INDIA ; INDUSTRY, FILM. INDIA Summary: "In 'Bollywood', anthropologist and film scholar Tejaswini Ganti provides a guide to the cultural, social and political significance of Hindii cinema, outlining the history and structure of the Bombay film industry, and the development of popular Hindi filmmaking since the 1930s. Providing information and commentary on the key players in Hollywood including composers, directors and stars, as well as material from current filmmakers themselves. " (back cover)Notes: Index: p.242-254; Bibliography
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Bonanza Year in Australasian Cinema (16/07/1982) vol.11 iss.12 p.4
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BOSS FILM
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: BOSS FILM
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The box office rip-off in Lumiere (September, 1973) iss.27 p.10-11
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Boxed in : the culture of TV / by Mark Crispin Miller Evanston, IL: Northwestern University Press, 1989.
Call No: 62(04)(73) MILAuthor: Miller, Mark Crispin Edition: 3rd ed.Source: USPlace: Evanston, ILPublisher: Northwestern University PressPubDate: 1989PhysDes: 349 p. : ill. ; 23 cmSubject: FILM ; MEDIA ; TELEVISION ; NATIONAL CULTURE AND TV ; USA ; COSBY SHOW, THE [TV] (US, 1984-92) ; SUSPICION (US, Alfred Hitchcock, 1941) Summary: "These twenty essays written over the past decade comprise an unusual study of the American media spectacle. Here are readings of cinema, advertising, rock music, and -above all - television, a force now so pervasive that it almost seems invisible.
The book is divided into four sections. The first and longest - "What's On TV" - is a collection of twelve essays on some of TV's best-known images. The essays in the next section, "Rock Music: A Success Story," define the trajectory of rock and roll from its exhilarating take-off in the Fifties to its eventual descent into just another form of show business. In "The Promise of Cinema" Miller deals variously with the issue of sexism in the movies, then moves on to an analysis of Alfred Hitchcock's particular response to the problem of mass spectatorship. The book ends with "Overviews," two long essays on the elimination of critical consciousness from our culture.
Each pieces not only offers an intensive analysis of some well-known visual moments - a soap commercial, Bill Cosby's face, Darth Vader glimpsed suddenly without his helmet - but also moves far beyond that rich particular to show how it illuminates the larger forces that produced it. Throughout Boxed In Miller sets a critical example - to show we can, and must, think out loud against the universal pressure of TV" -- BOOK BLURBNotes: Includes index; Bibliography: p. 333-335; Includes indexISBN: 080107929Contents: -- list of illustrations -- acknowledgments -- introduction: the hipness unto death -- what's on TV -- massa, coming home -- getting dirty -- "family feud" -- off the prigs -- Cosby knows best -- virtu, inc -- a viewer's campaign diary, 1984 -- sickness on TV -- patriotism without tears -- "the air of expectancy was bursting at the seams" -- black and white -- how TV covers war -- rock music: a success story -- where all the flowers went -- the king -- the promise of cinema -- the lives of the stars -- Tom Mix was a softie -- in memoriam - A.J.H -- Hitchcock's suspicions and Suspicion -- overviews -- the robot in the western mind -- big brother is you, watching -- index --
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Breaker sold to China in Australasian Cinema (28/1/1983) vol.12 iss.1 p.1
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Breaking and entering : land your first job in film production / April Fitzsimmons Los Angeles: Lone Eagle Publishing Co., c1997.
Call No: 209.5 FITAuthor: Fitzsimmons, April Source: USPlace: Los AngelesPublisher: Lone Eagle Publishing Co.PubDate: c1997PhysDes: xx, 204 pages : black and white illustrations : 23 cmSubject: EXTRAS ; FILM WORKERS ; FILMMAKING ; INDUSTRY, FILM ; LABOUR ; PRODUCTION Summary: "BREAKING AND ENTERING is a book designed to give you a general idea about how to break into production and have a good time along the way. With the proper tools and information, your first steps into film production will be a little easier." [TAKEN FROM INTRODUCTION]Notes: includes bibliography and indexISBN: 0945728916Donation: Simon WincerContents: Foreword -- Preface -- Acknowledgements --; Part I -- Chapter 1: the production assistant -- Chapter 2: the production assistant's golden rules --; Part II -- Chapter 3: base camp -- Chapter 4: the set -- Chapter 5: heating and air-conditioning --; Part III -- Chapter 6: a day in the life of a set PA -- Chapter 7: lock ups -- Chapter 8: the shot -- Chapter 9: paperwork --; Part IV -- Chapter 10: the cast -- Chapter 11: the crew -- chapter 12: background (extras) -- Chapter 13: stand-ins (second team) -- Chapter 14: helping out --; Part V -- Chapter 15: communications -- Chapter 16: radios -- Chapter 17: the phone -- Chapter 18: the pager --; Part VI -- Chapter 19: the production kit -- Chapter 20: tools -- Chapter 21: necessities --; Part VII -- Chapter 22: landing your first job in film production -- Chapter 23: future jobs -- Chapter 24: the DGA --; Production forms -- United States film commissions -- Appendix -- Index -- About the author
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The Bredin report : on the future of the French cinema / BFI London: BFI Publishing, c1982.
Call No: 71(44) BREAuthor: Bredin, Jean-Denis CorpAuthor: British Film InstitutePlace: LondonPublisher: BFI PublishingPubDate: c1982PhysDes: 87 p ; 29 cmSubject: FRANCE ; INDUSTRY, FILM. FRANCE Notes: Translation of the French Bredin report, jointly commissioned by the Association of Cinematograph and Television Technicians, the British Film Institute, the National Film Finance Corporation and the Scottish Film Council, from the Department of Trade..LON: 4399957
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Breeding In Captivity in Australian Cinematographer (March 2013) iss.57 p.26-37
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Brian Casey hosts Vic. Cinema Pioneers in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.23
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Brian Griffin appointed programme manager of Ace Theatres in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
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Brian Griffin elected president. W.A.M.P.E.A. in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.2
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Bright light on the horizon in The Australian (15/10/2005) p.23
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Zion, Lawrie Subject: AUSTRALIA 2000s ; BOX OFFICE. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; CONNOLLY, ROBERT ; LANTANA (AT, Ray Lawrence, 2001) ; LOOK BOTH WAYS (AT, Sarah Watt, 2005) ; BANK, THE (AT/IT, Robert Connolly, 2001) Summary: Mainly about the fortunes of the Australian film industry in 2005, in comparison to the earlier years in the decade. Some interesting stats on The Bank which shine a light on the importance of DVD sales and TV sales on top of Box Office.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- Assessing the precise value of these additional revenue streams is difficult, but they are important. The experience of the 2001 film The Bank is instructive. Like several of this year's movies, this financial thriller earned about $2.6 million during its original box-office run, which means that about 260,000 Australians saw it on the big screen. But after being released on home formats, and screen on pay and free-to-air TV, its total audience has built to more than 3 million, according to director Robert Connolly.; -- This "accured interest" suggests that the theatrical release can account for less than 10 per cent of a film's eventual audience reach. "My suspicion is that because of the cost of a movie ticket people are increasingly going to the the cinema to see spectable and choosing to see Australian films at home," says Connolly, who also directed Three Dollars. Still, for most films it is the success, however measured, of the theatrical release that largely determines its subsequent fate in other formats, making a strong splash in cinemas just as critical as ever.
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"BRIGHT LIGHTS, BIG CITY: NEW YORK AND THE MOVIES" 1994.
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Brisbane Film Makers Co-operative newsletter Brisbane: The Co-operative,
Call No: held Jan., Feb., Mar., July, Nov. 1976CorpAuthor: Brisbane Film Makers Co-operativeSource: ATPlace: BrisbanePublisher: The Co-operativePhysDes: v. ; 35 cmSubject: BRISBANE FILM MAKERS CO-OPERATIVE Notes: Reproduced from typescriptLON: qsl03272714; 5633908ID2: 234
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Britain : world film centre / editor Michael Relph London: Film Production Association of Great Britain, [1976].
Call No: REFERENCE SECTION; 023(41) BRIAuthor: Relph, Michael Source: UKPlace: LondonPublisher: Film Production Association of Great BritainPubDate: [1976]PhysDes: [1], 96 p. : ill. (some col.), ports. (some col.) ; 30 cmSubject: UNITED KINGDOM. 1970's ; INDUSTRY, FILM. UK Summary: Brochure listing the British films films of 1975-76 and also provides a detailed overview of the British film industry itself at the time of publicationLanguage: English, German, French, Italian
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British $75 million prod. programmes in Australasian Cinema (Friday, 26/10/1984) vol.13 iss.18 p.1
Subject: GOLDCREST FILMS ; INDUSTRY, FILM. UK ; REVOLUTION (UK/NO, Hugh Hudson, 1985) ; MISSION, THE (UK, Roland Joffe, 1986) ; ABSOLUTE BEGINNERS (UK, Julien Temple, 1986) ; HUDSON, HUGH ; JOFFE, ROLAND Summary: Article on Goldcrest's future planes for British film from directors Hugh Hudson, Roland Joffee and Marek Kanievska.
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serial
British Academy of Film and Television Art newsletter / British Academy of Film and Television Arts [London: The Academy],
Call No: held Oct. 1983-Apr. 1989 incomplete; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: British Academy of Film and Television Art; Newsletter (British Academy of Film and Television Art)Source: UKPlace: [LondonPublisher: The Academy]PhysDes: v. : illSubject: BRITISH ACADEMY OF FILM AND TELEVISION ARTS Notes: Continued by: BAFTA news; Description based on: Oct. 1983LON: abn97041021; 13018918
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BRITISH ACADEMY OF FILM AND TELEVISION ARTS
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British cinema now : Alan Bush--A Life in NFT (December 1983) p.27
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The British documentary film movement, 1926-1946 / Paul Swann Cambridge [England] ; New York: Cambridge University Press, 1989.
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British Film Academy quarterly London: British Film Academy,
Call No: held no. 7-no. 18 Oct. 1949-Jan. 1953 lacks no. 11,13; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: British Film AcademySource: UKPlace: LondonPublisher: British Film AcademyPhysDes: v. : ill. ; 22 cmSubject: BRITISH FILM ACADEMY Notes: Continued by: The British Film Academy newsletter; Description based on: no. 6 (July 1949); Caption titleLON: abn92273808; 9268381
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The British film catalogue : Volume 1. Fiction film, 1895-1994 / Denis Gifford Chicago IL: Fitzroy Dearborn, 2000.
Call No: REFERENCE SECTION; 023 (41) GIFAuthor: Gifford, Denis Edition: Third editionSource: UKPlace: London; Chicago ILPublisher: Fitzroy DearbornPubDate: 2000PhysDes: xxii, 1097 p. ; 31cmSubject: BRITAIN ; FILM STUDY AND RESEARCH ; FILMOGRAPHIES Summary: This is the first complete catalogue of every British film produced for public entertainment since the invention of cinematography over one hundred years ago. The first edition covered the years 1895-1970. This was updated for a second edition covering the years up to 1985, and now this third edition is further revised and updated to cover the years up to the end of 1994, the first one hundred years of cinema. Over one thousand new entries are included – not just films from the 1980s and 1990s; there are many dating from the years covered in the previous editions and catalogued here for the first time. [Taken from preface.]Notes: Includes indexISBN: 1579581994Language: English
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The British film catalogue : Volume 2. Non-fiction films, 1888-1994 London: Fitzroy Dearborn, 2000.
Call No: REFERENCE SECTION; 023 (41) GIFAuthor: Denis Gifford Edition: Gifford, DenisSource: UKPlace: LondonPublisher: Fitzroy DearbornPubDate: 2000PhysDes: xviii, 625p. 31cmSubject: BRITAIN ; DOCUMENTARY FILMS. UK ; FILMOGRAPHIES ; FILM STUDY AND RESEARCH Summary: This is the first attempt to compile a catalogue of every British non-fiction film produced primarily for cinema showings since the invention of cinematography. It forms a companion to [the author’s] British Film Catalogue of fiction (entertainment) films, first published in 1973 (covering the years 1895-1970), updated in a new edition in 1986 (covering the years up to 1985), and now revised, updated to the end of 1994, and published in a third edition by Fitzroy Dearborn alongside this volume. Between them, the two volumes catalogue virtually the entire history of over one hundred years of British films, separated into two main lines of cinema, fact and fiction. [Taken from preface.]Notes: Includes indexISBN: 1579582001Language: English
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The British film industry : a report on its history and present organisation, with special reference to the economic problems of British feature film production. London: P E P (Political & Economic Planning), 1952.
Call No: 201(41) PEPCorpAuthor: PEP (Political & Economic Planning)Source: UKPlace: LondonPublisher: P E P (Political & Economic Planning)PubDate: 1952PhysDes: 307 p. : graphs ; 24 cmSubject: INDUSTRY, FILM. UK Notes: Includes Chronological table of main events and Index.
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British Film Industry : Derek Todd talks with John Boulting in Lumiere (June 1970) vol.1 iss.1 p.33-35
Author: Todd, Derek PhysDes: ArticleSubject: INDUSTRY, FILM. UK ; BOULTING, JOHN Summary: Interview between Derek Todd and British filmmaker John Boulting on the state of the British film industry. Boulting believes that Britain has become too influenced by the American funding and production model.
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BRITISH FILM INSTITUTE
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British national cinema / Sarah Street London New York: Routledge, 1997.
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Broady awaits its screen test in Herald Sun (15/12/2016) p.9
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Brown Brown Brown & Brown in Lumiere (June 1970) vol.1 iss.1 p.28-31
Author: Byrne, T.A. PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; HISTORY OF CINEMA. AUSTRALIA Summary: Article on the Brown family's involvement in the Australian film industry with members being on the first film cesnorship board, producing features for RKO and Warner Bros., making patriotic films in World War I, and pioneering early cinematography.
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Buff's forecast not a curtain call in Sunday Age (26/03/2017) p.16
Call No: SUBJECT CLIPPINGS FILE; FILM BUFF'S FORECASTAuthor: Karl Quinn PhysDes: Clippings File ArticleSubject: FILM BUFF'S FORECAST ; HARRIS, PAUL Summary: Report on the axing and reinstatement of the cinema discussion radio show Film Buff's Forecast. Quotes from the show's long time host Paul Harris
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Building a National Cinema : Soviet Film Education, 1918-1934 in Wide Angle (1987) vol.9 iss.3 p.4-20
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Buoyant trading as video levels off in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.4
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Burning Man in Australian Cinematographer (March 2012) iss.53 p.29-33
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Burning passions : an introduction to the study of silent cinema / Paolo Cherchi Usai ; preface by Kevin Brownlow ; translated by Emma Sansone Rittle London: British Film Institute, 1994.
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BURROWES FILM GROUP
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Busy year for Colorfilm in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.3
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C'est du cinema / Unifrance Paris: Unifrance,
Call No: REFERENCE SECTION; 023(44) CES
Held V.2 1995 - V.1 2000CorpAuthor: UnifranceSource: FRPlace: ParisPublisher: UnifrancePhysDes: 192 p. ills.Subject: FILMOGRAPHIES. FRANCE ; FRANCE ; UNIFRANCE FILM Notes: Description based on V.2 Juillet/Decembre 1999
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CABINET OF JAN SVANKMAJER-PRAGUE'S ALCHEMIST OF FILM, THE : (UK, Brothers Quay & Keith Griffiths, 1984)
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Cable Television, CTV or RSTV, to be $300 mill. or $500 mill.- or not to be? in Australasian Cinema (24/9/1982) vol.11 iss.17 p.3
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Cairns Coral Twin Drive-In opens in Australasian Cinema (18/6/1982) vol.11 iss.10 p.3
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Caligari's children : the film as tale of terror / S. S. Prawer Oxford New York: Oxford University Press, 1980.
Call No: 735.2 PRAAuthor: Prawer, S. S. (Siegbert Salomon), 1925 Place: Oxford New YorkPublisher: Oxford University PressPubDate: 1980PhysDes: 307 p., [8] leaves of plates : ill. ; 22 cmSubject: HORROR FILMS ; HAMMER FILM PRODUCTIONS ; FISHER, TERENCE ; KARLOFF, BORIS ; LANG, FRITZ ; LEWTON ,VAL ; MURNAU, FRIEDRICH WILHELM ; FRANKENSTEIN (US, James Whale, 1931) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) Notes: Includes indexes; Bibliography: p. [283]-292ISBN: 019217584X : ª6.95LON: 1491474
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Call for tax breaks to put us on the big screen in The Australian (05/01/2016) p.17
Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIAAuthor: Shanahan, Leo PhysDes: Clippings File ArticleSubject: BANKS, ANDREW ; TAXES. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Summary: Australian movie producer Andrew Banks comments about the tax rebate for films made in Australia, stating that it should be far higher than the current 16.5 percent. Other issues he comments on are about the quality of Australian screenplays, and the complex formula used to state the Australian quota of a film for tax purposes
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CALLAN PARK FILM PRODUCTIONS
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Came the dawn : memories of a film pioneer ... / illus. with drawings by the author London: Phoenix House, 1951.
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Camera mart rental catalogue 1972 New York: [Camera Mart Inc.], 1972.
Call No: F(017)(73)291CAMCorpAuthor: [Camera Mart Inc.]Edition: 1972Place: New YorkPublisher: [Camera Mart Inc.]PubDate: 1972PhysDes: 52 p. ; 29 cmSubject: CAMERAS ; EQUIPMENT ; INDUSTRY, FILM
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book
Canadian film / David Clandfield Toronto: Oxford University Press, 1987.
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festival catalogue
Canadian film centre's worldwide short film festival Toronto, Ontario: Canadian Film Centre, 2001.
Call No: FESTIVAL CATALOGUE SHELVES held 2001CorpAuthor: Canadian film centreSource: CNPlace: Toronto, OntarioPublisher: Canadian Film CentrePubDate: 2001Subject: FESTIVALS. CANADA. SHORT FILM Order Notes: Current
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CANAL ROAD FILM CENTRE
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: CANAL ROAD FILM CENTRE Notes: import_Batch10C_simon Strong
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Cannes : face and about face in Interview (1970) vol.1 iss.10 p.8-11, 20
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Cannes: Face and about-face in Interview (1970) vol.1 iss.10 p.8-11,20
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Cannes Film Festical 1982 : Australian Films in Australasian Cinema (14/5/1982) vol.11 iss.8 p.3
PhysDes: ArticleSubject: CROSSTALK [HIGH RISE / WALL TO WALL] (AT, Mark Egerton, 1982) ; GOODBYE PARADISE (AT, Carl Schultz, 1982) ; BEST OF FRIENDS, THE (AT, Michael Robertson, 1982) ; DOUBLE DEAL (AT, Brian Kavanagh, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; DARK ROOM, THE (AT, Paul Harmon, 1982) ; DANGEROUS SUMMER, A (AT, Quentin Masters, 1982) ; EARLY FROST (AT, Brian McDuffie, 1981) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; LONELY HEARTS (AT, Paul Cox, 1982) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; DEAD EASY (AT, Bert Deling, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; HEATWAVE (AT, Phillip Noyce, 1981) ; RUNNING ON EMPTY (AT, John Clarke, 1982) ; BREAKFAST IN PARIS (AT, John Lammond, 1982) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; WINTER OF OUR DREAMS (AT, John Duigan, 1981) ; DUSTY (AT, John Richardson, 1983) ; CANNES FILM FESTIVAL Summary: List of Australian films and their credits screening at the 1982 Cannes Film Festival.
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Cannes film festival 1983 Australian participation in Australasian Cinema (15/4/1983) vol.12 iss.6 p.4
PhysDes: ArticleSubject: CANNES FILM FESTIVAL ; BUSH CHRISTMAS (AT, Henri Safran, 1981) ; SETTLEMENT, THE (AT, Gillian Leahy, 1977) ; DUSTY (AT, John Richardson, 1983) ; MOVING OUT (AT, Chris Warner & Mandy Smith, 1986) ; GINGER MEGGS (AT, Jonathan Dawson, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; DARK ROOM, THE (AT, Paul Harmon, 1982) ; MIDNITE SPARES (AT, Quentin Masters, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; DANGEROUS SUMMER, A (AT, Quentin Masters, 1982) ; FAR EAST (AT, John Duigan, 1982) ; CITY'S EDGE, THE (AT, Ken Quinnell, 1983) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) Summary: Article and cast and crew information on Australian filmes selected to screen at Cannes, 1983.
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Cannes Film Festival report in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.5
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Cannon celebrates 1985 AFM. Biggest biz in co's history in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.8
Subject: CANNON FILM GROUP Summary: Brief breakdown of Cannon's business deals and earnings
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Cannon Group picks up Germany's Ewert circuit in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.1
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Cannon's 'Invasion USA' underway in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.2
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Cannon's 'Missing in Action' opens big in France in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.8
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Cannon wraps 'Private Detectives' in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.16
Subject: CANNON FILM GROUP Summary: Report on the completion of filming Private Detectives, along with a review of the film
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Career paths in the Australian film industry : a survey of AFI award nominees, 1988-93 / Annabelle Sheehan Sydney: Australian Film Commission, 1998.
Call No: 209(94) SHEAuthor: Sheehan, Annabelle CorpAuthor: Australian Film CommissionPlace: SydneyPublisher: Australian Film CommissionPubDate: 1998PhysDes: vi, 82 p. : ill. ; 30 cmSubject: AUSTRALIAN FILM INSTITUTE ; FILM WORKERS. AUSTRALIA Notes: Includes bibliographical referencesISBN: 0642487103Order Received: 1999Order Type: DonationLON: abn98410343; 14291647
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Career peaks in Weekend Australian [Review] (26/03/2016) p.12
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"Careful He Might Hear You" voted Top Film, wins 8 Awards in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.1
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CARLTON FILM DISTRIBUTION
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A case of funding cuts deja vu : our national instituions are feeling the pinch as money can only stretch so far in Canberra Times [Saturday Forum] (31/3/2018) p.4
Call No: SUBJECT CLIPPINGS FILE; NATIONAL FILM AND SOUND ARCHIVEAuthor: Pryor, Sally PhysDes: Clippings File_ArticleSubject: NATIONAL FILM AND SOUND ARCHIVE Summary: Long article about need for continued investment in public institutions
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Case studies in independent production / edited by John Cruthers [North Ryde, N.S.W.]: Australian Film Television & Radio School and the Australian Film Commission, c1988.
Call No: 210.2(94) TAKAuthor: Cruthers, John CorpAuthor: Australian Film Commission; Australian Film, Television and Radio SchoolPlace: [North Ryde, N.S.W.]Publisher: Australian Film Television & Radio School and the Australian Film CommissionPubDate: c1988PhysDes: 107 p. : ill. ; 30 cmSeries: Taking care of businessSubject: INDEPENDENT FILMS. AUSTRALIA ; MELBOURNE SUPER 8 FILM GROUP ; SUPER-8 MM FILMS. AUSTRALIA ; BROPHY, PHILIP ; CALLAS, PETER ; SCOTT, BILL ; RUNNING OUT OF PATIENCE (AT, prod. Chris Brown & Serena Everill, 1987) ; PALISADE (AT, Laurie McInnes, 1987) ; HOW THE WEST WAS LOST (AT, David Noakes, 1987) ; TENDER HOOKS (AT, Mary Callaghan, 1988) ; IN BETWEEN [TV] (AT, Chris Warner & Mandy Smith, 1987) ; WITH TIME TO KILL (AT, James Clayden, 1986) ISBN: 0642139261LON: 6038265 6487289
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Cassavetes - lost but found in Filmnews (Australia) (May-89) vol.XIX iss.4 p.6
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Cast of "No. 96" come to Brisbane in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.7
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Catalogue / Documentary Division, Film Victoria / Film Victoria Melbourne: Film Victoria, September 1986.
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Catalogue of 16mm film libraries [no place]: [no date].
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Catalogue of stills, posters and designs / National Film Archive ; edited by Markku Salmi London: British Film Institute, 1982.
Call No: 113.2(41) CATAuthor: Salmi, Markku CorpAuthor: National Film Archive (Great Britain)Place: LondonPublisher: British Film InstitutePubDate: 1982PhysDes: viii, 574 p. ; 30cmSubject: ARCHIVES & INSTITUTES, FILM Notes: Great Britain. Cinema films. Repositories: National Film Archive. Stock. - Catalogues (BNB/PRECIS); Includes indexISBN: 0851701299 (pbk) : Unpriced : CIP revLON: bnb85170129; 2266565
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Caught in time, or, The National Film and Sound Archive / [prepared by the National Film and Sound Archive] [1984?].
Call No: 11(94)NFSA NATSource: ATPubDate: [1984?]PhysDes: 41 leaves ; 30 cmSubject: NATIONAL FILM AND SOUND ARCHIVE Notes: Cover title: Pre-production script, 3 October 1984, caught in time or the National Film and Sound Archive, first and final draft we hope!
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special effects
Cause and effects in Weekend Australian [Review] (02/09/2017) p.12
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Cecil Holmes' Man Alone in Lumiere (December, 1973) iss.30 p.4-8
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Celluloid Dreams : a century of film in New Zealand / editor in chief - Geoffrey B. Churchman Wellington: IPL Publishing Services, 1997.
Call No: 71(931) CHUAuthor: Churchman, Geoffrey B. Source: NZPlace: WellingtonPublisher: IPL Publishing ServicesPubDate: 1997PhysDes: 144 p. ; col. and b+w ill. : 29 cmSubject: INDUSTRY, FILM. NEW ZEALAND ; FILMMAKING Summary: Traces the development of cinema exhibition and filmmaking in New Zealand from its beginnings up to the 90s. Includes filmography and synopses.Notes: Includes select bibliographyISBN: 09088776963Language: English
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Celluloid Immigrant : Italian Australian filmmaker Giorgio Mangiamele / by Gaetano Rando and Gino Moliterno St Kilda, Vic: Australian Teachers of Media (ATOM), c2011.
Call No: 81MAN RANAuthor: Moliterno, Gino ; Rando, Gaetano Source: ATPlace: St Kilda, VicPublisher: Australian Teachers of Media (ATOM)PubDate: c2011PhysDes: 145 p. : ill. ; 24 cmSeries: The moving image ; no. 10, 2011Subject: CINEMATOGRAPHY ; CINEMATOGRAPHY. AUSTRALIA ; DIRECTORS. AUSTRALIA ; FILM AUSTRALIA ; FILMMAKING ; FILMMAKING. AUSTRALIA ; MIGRATION ; MANGIAMELE, GIORGIO ; SPAG, THE (AT, Giorgio Mangiamele, 1962) ; CLAY (AT, Giorgio Mangiamele, 1964) ; BEYOND REASON (AT, Giorgio Mangiamele, 1970) Summary: " Giorgio Mangiamele is one of the most under-estimated figures in Australian cinema history. Soon after his arrival in Australia in 1952 as a migrant from Italy, he began making films at a time when feature film production in Australia was almost non-existent. His films were seldom seen in Australia, although one - Clay (1965) - was applauded overseas as an official selection in the Cannes Film Festival. " -- BOOK BLURB (last page of book)Notes: "Published biannually by Australian Teachers of Media in association with its publishing partners, National Film & Sound Archive (NSFA), the Australian Film Institute (AFI) and RMIT University (School of Media and Communications)" -- Verso t.p; Includes bibliographical references and indexISBN: 1876467215Contents: -- notes on the text -- introduction -- chapter one: a celluloid life: a brief biography of Giorgio Mangiamele -- chapter two: foto studio Mangiamele: serving Melbourne's Italian community -- chapter three: Mangiamele's migrant movies -- chapter four: Clay and Cannes: the beginnings of art cinema in Australia -- chapter five: beyond Cannes and Beyond Reason -- chapter six: beyond Beyond Reason: towards Papua New Guinea -- chapter seven: back in oz and more unrealised projects -- conclusion -- Giorgio Mangiamele filmography -- bibliography -- index --
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Interim
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Celluloid safari : filming big game from Cape to Cairo / by Stirling Gillespie London: Blackie & Son Limited, 1939.
Call No: 738.1 GILAuthor: Gillespie, Stirling Source: UKPlace: LondonPublisher: Blackie & Son LimitedPubDate: 1939PhysDes: x, 278 p. : illusSubject: FILM WORKERS ; ANIMALS IN FILMS Notes: Photographs by J.Blake Dalrymple and the author.; Includes map of Africa showing route of Celluloid Safari.
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The Censored and celebrated film festival : the Sydney Underground: Ubu Films 1965-1970 in Practice (Spring/Summer 1997) iss.2 p.67-69
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Censorship flare-up with "Zorro" explained in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.5
Subject: CENSORSHIP. AUSTRALIA ; FILM Summary: Article explaining the events on 10/10/1974 when a 6pm screening of 'The Erotic Adventures of Zorro' was pulled due to a censorship mix-up
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'Centrespread' movie hits Adelaide with a bang! in Australasian Cinema (16/7/1982) vol.11 iss.12 p.32
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A century of cinema : the life & times of the State Cinema North Hobart: State Cinema, 2013.
Call No: 38(94) CLYAuthor: Clyde, Bill, Source: ATPlace: North HobartPublisher: State CinemaPubDate: 2013PhysDes: 65 pages : illustrations (some colour), facsimiles, plans, portraits ; 18 x 21 cm.Subject: CINEMAS. AUSTRALIA. STATE FILM THEATRE (TAS) Notes: Issued to commemorate the centenary of the State Cinema, North Hobart, Tasmania. Opening as the North Hobart Picture Palace in 1913, it was redeveloped as the Liberty Theatre in 1935, renamed the State Theatre in 1948, and re-opened as the State Cinema in 1976.ISBN: 9780646909677
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A certain tendency of the Hollywood cinema, 1930-1980 / Robert B. Ray Princeton, N.J.: Princeton University Press, 1985.
Call No: 71(73) RAYAuthor: Ray, Robert B. (Robert Beverley), 1943 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1985PhysDes: x, 411 p. : ill. ; 25 cmSubject: WESTERNS ; WORLD WAR II FILMS. USA ; CULT FILMS. USA ; FILM NOIR. USA ; MUSICALS. USA ; CASABLANCA (US, Michael Curtiz, 1942) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes index; Bibliography: p. [389]-397ISBN: 0691047278 (alk. paper); 0691101744 (pbk.)LON: 3400531
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Change of Identity in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
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Changes to TVW management- senior executive resigns in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.1
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Report on re-shuffling after TVW Enterprises loose their secretary and corporation lawyer, general manager of finance and administration, and a group engineer.
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newspaper article
Chaplin-inspired space nurtures future talent in Sydney Morning Herald (19/08/2016) p.11
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Charles Chauvel : epic director : a guide to the National Film and Sound Archive's collection Canberra, A.C.T.: National Film and Sound Archive, 1997.
Call No: 81CHA NATCorpAuthor: National Film and Sound Archive (Australia)Place: Canberra, A.C.T.Publisher: National Film and Sound ArchivePubDate: 1997PhysDes: v, 43 p. : ill., ports. ; 30 cmSubject: CHAUVEL, CHARLES ; NATIONAL FILM AND SOUND ARCHIVE Notes: Includes bibliographical references (p. 39-40)ISBN: 0642274215LON: abn97192300; 13255476
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Charles de Salis appointed NSW sales manager, Roadshow in Australasian Cinema (25/2/1983) vol.12 iss.3 p.2
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Interim
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Chasing the runaways : foreign film production and film studio development in Australia 1988-2002 / Nick Herd Sydney: Currency House, 2004.
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Chief film censor resigns in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.14
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subject clippings file
CHILDREN, EFFECTS OF FILM ON
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China! : Max Keogh interviews Don Kennedy about his recent China trip in Lumiere (January/February, 1974) iss.31 p.4-7
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newspaper article
China loses the force in film market battle in The Australian (21/07/2016) p.25
Call No: SUBJECT CLIPPINGS FILE; CHINAAuthor: Lin, Lilian PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. CHINA ; CITY OF SADNESS, A [ ; EXHIBITION. CHINA Summary: Report on the slowdown to box office growth in China. Speculation was that heavy discounts in previous years boosted box office sales but with the discounting over the attendences and box office has stablised. Chinese companies are looking to purchase Hollywood businesses and the USA are looking to get their film's shown in China
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China on screen : cinema and nation / Chris Berry New York: Columbia University Press, 2006.
Call No: 71(51) BERAuthor: Berry, Chris Place: New YorkPublisher: Columbia University PressPubDate: 2006PhysDes: xi, 313 p. ; 23 cmSeries: Film and CultureSubject: CITY OF SADNESS, A [ ; TAIWAN ; MASCULINITY IN FILMS ; FAMILY IN FILMS ; INDUSTRY, FILM. CHINA ; HISTORICAL FILMS. CHINA ; WOMEN IN FILMS. CHINA ; REALISM IN FILMS. CHINA ; OPERA IN FILMS ; LEE, ANG ; LINGYU, RUAN Summary: Explores Chinese cinema from its beginnings to the present day in relation to how China depicts its national identity.ISBN: 0231137079Contents: 1. Introduction: cinema and the national -- 2. Time and the National: History, Historiology, Haunting -- 3. Operatic Modes: Opera Film, Martial Arts, and Cultural Nationalism -- 4. Realist Modes: Melodrama, Modernity, and Home -- 5. How Should a Chinese Woman Look? Woman and Nation -- 6. How Should Chinese Men Act? Ordering the Nation -- 7. Where Do You Draw the Line? Ethnicity in Chinese Cinemas -- 8. The National in the Transnational
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China's cinema today in Australasian Cinema (16/07/1982) vol.11 iss.12 p.12
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newspaper article
China's influence on Hollywood growing in Weekend Australian (16/07/2016) p.34
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journal article
Chinese Film in Wide Angle (1989) vol.11 iss.2 p.[whole issue]
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Chinese film archivists in Australia in Australasian Cinema (22/7/1983) vol.12 iss.13 p.1
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Chinese national cinema / Yingjin Zhang New York: Routledge, 2004.
Call No: 71(51) ZHAAuthor: Zhang, Yingjin Source: USPlace: New YorkPublisher: RoutledgePubDate: 2004PhysDes: 328 p. ; ill. ; 24 cmSubject: CITY OF SADNESS, A [ ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. HONG KONG ; HISTORY OF CINEMA ; NATIONAL CULTURE AND THE CINEMA. CHINA Summary: ‘This introduction to Chinese national cinema, by a leading critic, covers three ‘Chinas’: mainland China, Hong Kong and Taiwan. It traces the formation, negotiation and problematization of the national on the Chinese screen over ninety years. Historical and comparative perspectives bring out the parallel developments in the three Chinas, while critical analysis explores thematic and stylistic changes over time…’ (Back cover)ISBN: 041517290Contents: 1. Introduction: National cinema and China -- 2. Cinema and national traditions, 1896-1929 -- 3. Cinema and the nation-people, 1930-49 -- 4. Cinematic reinvention of the national in Taiwan, 1896-1978 -- 5. Cinematic revival of the regional in Hong Kong, 1945-78 -- 6. Cinema and the nation-state in the PRC, 1949-78 -- 7. Cinema and national/regional cultures, 1979-89 -- 8. Cinema and the transnational imaginary, 1990-2002
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Chris Bartlett app'd prod. exec., UAA in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.2
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CIBF of Vic. tables 47th annual report in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.5
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CIC's Victor Hoare to retire in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.2
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Announcment of the retirement of Victor Hoare, exectuive director of Cinema International Corporation and president of CIC's theatre division
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CILECT : list of important Australian films / compiled by Denny Lawrence [North Ryde, NSW?]: Australian Film and Television School, [1980?].
Call No: 675.1(94) LAWAuthor: Lawrence, Denny Source: ATPlace: [North Ryde, NSW?]Publisher: Australian Film and Television SchoolPubDate: [1980?]PhysDes: 60 leaves : 30 cmSubject: AUSTRALIAN FILM AND TELEVISION SCHOOL ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921) ; KID STAKES, THE (AT, Tal Ordell, 1927) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; BETWEEN WARS (AT, Michael Thornhill, 1974) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PURE S (AT, Bert Deling, 1976) ; CADDIE (AT, Donald Crombie, 1976) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; MAD MAX (AT, George Miller, 1979) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PALM BEACH (AT, Albie Thoms, 1979) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; JEDDA (AT, Charles Chauvel, 1955) ; THREE IN ONE (AT, Cecil Holmes, 1956) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; CASTOR AND POLLUX (AT, Phillip Noyce, 1973) ; MOVING ON (AT, Richard Mason, 1974) ; PETERSEN (AT, Tim Burstall, 1974) ; LEISURE (AT, Bruce Petty, 1976) ; STORM BOY (AT, Henri Safran, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977) ; SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MOUTH MUSIC (NZ, Gregor Nichlas, 1981) ; MOUTH TO MOUTH (AT, John Duigan, 1978) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STEPPING OUT (AT, Chris Noonan, 1980) ; STIR (AT, Stephen Wallace, 1980) ; BEST FILMS. AUSTRALIA Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.Notes: Reprinted October 1980Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir
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Cinderella betrayed : the shoe won't fit / a response by Archive Forum to the Australian Film Commission's Stage two directions paper concerning the AFC-ScreenSound Australia integration / Archive Forum [Melbourne]: Archive Forum, 2004.
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Cinderella Promotion in Queensland in Australasian Cinema (23/7/1982) vol.11 iss.13 p.2
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journal article
The Cine-sentimental Bloke in Lumiere (October, 1972) iss.17 p.16-18
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Cinema : looking for talent in Lumiere (August, 1972) iss.15 p.8
Author: Rosser, Edward PhysDes: ArticleSubject: DOCUMENTARY FILMS. AUSTRALIA ; EXPERIMENTAL FILM AND TELEVISION FUND ; FESTIVALS. SYDNEY ; COX, PAUL ; EYE TO EYE (AT, Peter Beilby, 1971?) ; JUMPING JEWELLER OF LAVENDER BAY, THE (AT, Gerald Ryan, 1971) ; SKIN DEEP (AT, Paul Cox, 1968) Summary: Reviews a number of experimental films produced with assistance from the Experimental Film and Television Fund, including My University, winner of the Benson and Hedges award at the Sydney Film Festival
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newspaper article
Cinema : Ocean Film Festival Australia in The Australian [Edition Changes - QLD First] (03/03/2015) p.14
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Cinema : the first 75 years / The Sunday Times Magazine London: Times Newspapers, 1970.
Call No: FOLIO SECTION; 70 CINCorpAuthor: The Sunday Times MagazinePlace: LondonPublisher: Times NewspapersPubDate: 1970PhysDes: unpaginated : illustrated ; 34 cmSubject: FILM HISTORY Notes: Ten articles clipped from a weekend colour supplement in a home-made binder.
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Cinema 16 : Documents Toward a History of the Film Society Part 1 in Wide Angle (January 1997) vol.19 iss.1 p.[whole issue]
Author: MacDonald, Scott PhysDes: ArticleSubject: CINEMA 16 ; SOCIETIES, FILM Summary: Documents and provided context relating to the history of Cinema 16, a New York film society screening experimental, and documentary cinema.Notes: For second edition on Cinema 16 see Wide Angle Vol. 19 Iss.2
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The cinema 1951 / edited by Roger Manvell ; associate editor R.K. Neilson Baxter Harmondsworth, Middlesex: Penguin, 1951.
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Cinema and cultural identity : reflections on films from Japan, India, and China / edited by Wimal Dissanayake Lanham, MD: University Press of America, 1988.
Call No: 408.1(5) CINAuthor: Dissanayake, Wimal CorpAuthor: Institute of Culture and Communication (East-West Center)Place: Lanham, MDPublisher: University Press of AmericaPubDate: 1988PhysDes: vii, 214 p. ; 24 cmSubject: INDUSTRY, FILM. ASIAN COUNTRIES ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. JAPAN ; INDUSTRY, FILM. INDIA ; WOMEN IN FILMS ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; GENRES ; SAMURAI FILMS ; RAY, SATYAJIT Notes: "Co-published by arrangement with the East-West Center, Institute of Culture and Communication"--T.p. verso; Includes bibliographies and indexISBN: 0819169455 (alk. paper); 0819169463 (pbk.)LON: 5986435Contents: PART I. JAPAN -- 1. Viewing Japanese film: some considerations / Donald Richie -- 2. The destiny of Samurai films / Michitaro Tada -- 3. The multilayered nature of the tradition of acting in Japanese cinema / Tadao Sato -- 4. Japanese film genres / Audie Bock -- 5. Change in the image of mother in Japanese cinema and television / Tadao Sato -- PART 2. INDIA -- 6. Innovation and imitation in the Indian cinema / Mira Reym Binford -- 7. Art, vision, and culture: Satiyajit Ray's Apu trilogy revisited / Wimal Dissanayake -- 8. The woman: myth and reality in Indian cinema / Aruna Vasudev -- 9. The painted face of politics: the actor politicians of South India / Chidananda Das Gupta -- 10. Songs in Hindi films: nature and function / Teri Skillman -- PART 3. CHINA -- 11. The Chinese film in the 1980s: art and industry / Ma Qiang -- 12. The sinification of cinema: the foreignness of film in China / Paul Clark -- 13. The position of women in new Chinese cinema / Tony Rayns -- 14. Chinese films amidst the tide of reform / Shao Mujun
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Cinema and modernity / John Orr Cambridge, UK: Polity Press, 1993.
Call No: 62 ORRAuthor: Orr, John Source: UKPlace: Cambridge, UKPublisher: Polity PressPubDate: 1993PhysDes: ix, 224 pages, [8] pages of plates : illustrations ; 24 cmSubject: THEORY ; NOUVELLE VAGUE ; FILM NOIR ; AUTOMOBILES IN FILMS Summary: "This book discusses the complex relation between modernity and cinema drawing particularly upon the European and American cinema during the second half of the twentieth century. In this period, the author argues, the terms 'modernist' and 'postmodern' are both inappropriate to the cinema's critical vision of modernity. Instead there emerges a neo-modern movement which subverts American melodrama and supplants Italian neo-realism, yet also echoes the earlier modernisms of Dreyer, Eisenstein, Bunuel and Fritz Lang." - taken from back cover.Notes: Includes index. -- Filmography: p. [202]-218. -- Bibliography: p. [195]-201.ISBN: 0745611869Contents: 1. Film and the Paradox of the Modern -- 2. Tragicomedy and the Cool Apocalypse -- 3. The Double and the Innocent -- 4. The Power of the Gaze -- 5. The Absent Image and the Unreal Object -- 6. Commodified Demons I: The Machine and the Mask -- 7. Commodified Demons II: The Automobile -- 8. The Strange Passions of Film Noir.
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The cinema and social science : a survey of ethnographic and sociological films Paris: Unesco, 1962.
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Cinema and society : France and Germany during the Twenties / Paul Monaco New York ; Oxford ; Amsterdam: Elsevier, c1976.
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Cinema as history : Michel Brault and Modern Quebec / by Andre Loiselle Toronto: Toronto International Film Festival Group, c2007.
Call No: 71(714) LOIAuthor: Loiselle, Andre Edition: 1st ed.Source: CNPlace: TorontoPublisher: Toronto International Film Festival GroupPubDate: c2007PhysDes: xii, 237 p. : ill. ; 21 cmSubject: FILM ; CANADA ; HISTORY AND THE CINEMA ; HISTORY OF CINEMA ; BRAULT, MICHEL Notes: Translation of: Le cine´ma de Michel Brault; Includes bibliographical references (p. 221-236); Translated from the FrenchISBN: 0968913261Donation: Donated by Senses of Cinema, 2013Contents: -- Foreword / Piers Handling -- 1: Michel Brault: a witness to the History of (Cinema in) Quebec -- Le Dement du lac Jean-Jeunes -- Mouvement perpetual -- Matin -- Chronique d'un ete -- Petites Medisances -- La Petite Aurore, l'enfant martyre -- La Lutte -- 2: Images and Sounds of a Collectivity: Les Raquetteurs and the Birth of Modern Quebec Cinema -- The Days before Christmas -- Les Raquetteurs -- Les Mains nettes -- Felix Leclerc, trabadour -- Quebec-USA ou l'invasion pacifique -- Seul ou avec d'autres -- 3: The Cinema of the Quiet Revolution: between Modernity and Tradition -- Pour la suite du monde -- Le Temps perdu -- Genevieve -- Les Enfants du silence -- Entre la mer et l'eau douce -- 4: The October crisis and the transformation of Quebec Nationalism -- Les Ordres -- L'Acadie, l'Acadie?!? -- Eloge du Chiac -- Le Son des Francais d'Amerique -- Le Temps de l'avant -- 5: from one referendum to the other: ethnic diversity and nostalgia -- Les Noces de papier -- Shabbat Shalom! -- Mon amie Max -- Diogene -- La Derniere Partie -- Quand je serai parti... vous vivrez encore -- Ozias Leduc... comme l'espace et le temps -- 6: conclusion: territorial nationalism and La Manic -- La Manic -- endnotes -- filmography -- bibliography --
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The Cinema book / edited by Pam Cook London: BFI, 1985.
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The cinema book / edited by Pam Cook and Mieke Bernink London: British Film Institute, 1999.
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Cinema borealis : Ingmar Bergman and the Swedish ethos / Vernon Young New York: Avon, [c1971].
Call No: 81BER YOUAuthor: Young, Vernon Source: USPlace: New YorkPublisher: AvonPubDate: [c1971]PhysDes: 331 p. [12] leaves of plates : ill., ports ; 21cmSeries: Equinox booksSubject: FILM STUDY AND RESEARCH ; FILMMAKING ; SWEDEN ; SVENSKA FILMINSTITUTET ; BERGMAN, INGMAR ; SASOM I EN SPEGEL (SW, Ingmar Bergman, 1961) ; NATTVARDSGASTERNA (SW, Ingmar Bergman, 1962) ; PERSONA (SW, Ingmar Bergman, 1966) ; VARGTIMMEN (SW, Ingmar Bergman, 1967) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) Summary: Vernon Young provides an analysis of every film made by Ingmar Bergman, and looks at the personal beliefs and values of the film maker and shows how they are reflected in his filmsNotes: Bibliography p. 309 to 310; Filmography p.315 to 320; Includes index p.321 to 331
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Cinema by design : Art nouveau, modernism, & film history / Fischer, Lucy New York: Columbia University Press, 2017.
Author: Fischer, Lucy Place: New YorkPublisher: Columbia University PressPubDate: 2017PhysDes: xvi, 265 pages, 16 unnumbered pages of plates ; 24 cm.Subject: MODERNISM AND THE CINEMA ; MOVEMENTS AND STYLES IN FILM HISTORY ; FILM HISTORY ; RACIAL ISSUES AND THE CINEMA ; ARCHITECTURE AND THE CINEMA ; ART AND THE CINEMA Summary: Art Nouveau thrived from the late 1890s through the First World War. The international design movement reveled in curvilinear forms and both playful and macabre visions and had a deep impact on cinematic art direction, costuming, gender representation, genre, and theme. Though historians have long dismissed Art Nouveau as a decadent cultural mode, its tremendous afterlife in cinema proves otherwise. In Cinema by Design, Lucy Fischer traces Art Nouveau's long history in films from various decades and global locales, appreciating the movement's enduring avant-garde aesthetics and dynamic ideology. Fischer begins with the portrayal of women and nature in the magical "trick films" of the Spanish director Segundo de Chomon; the elite dress and decor design choices in Cecil B. DeMille's The Affairs of Anatol (1921); and the mise-en-sc ne of fantasy in Raoul Walsh's The Thief of Bagdad (1924). Reading Salome (1923), Fischer shows how the cinema offered an engaging frame for adapting the risque works of Oscar Wilde and Aubrey Beardsley.Notes: Includes bibliographical references and index.ISBN: 9780231175036Contents: Introduction
Art Nouveau and the age of attractions
Art nouveau and American film of the 1920s: prestige, class, fantasy, and the exotic
Architecture and the city: Barcelona, Gaudi´, and the cinematic imaginary
Art nouveau, chambers of horror, and "the Jew in the text"
Art nouveau, patrimony, and the art world
Epilogue: the 1960s and the Art nouveau revival.
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Cinema cities, media cities : The contemporary international studio complex / Australian Film Commission Sydney: Australian Film Commission, 2003.
Call No: 210.31 GOLAuthor: Goldsmith, Ben ; O'Regan, Tom Place: SydneyPublisher: Australian Film CommissionPubDate: 2003PhysDes: 28 cm; 117 ppSeries: Screen Industry, Culture and Policy ResearchSubject: STUDIOS, FILM. AUSTRALIA ; STUDIOS, FILM. AUSTRALIA: NEW SOUTH WALES ; STUDIOS, FILM. AUSTRALIA: VICTORIA ; STUDIO SYSTEM ; STUDIO SHOOTING ; PRODUCTION CENTRES : HOLLYWOOD ; PRODUCTION. AUSTRALIA ; PRODUCTION. EUROPEAN COUNTRIES ; PRODUCTION. UK ; PRODUCTION. USA ; PRODUCTION COMPANIES & STUDIOS ; GOVERNMENT AID ; FOX STUDIOS AUSTRALIA Summary: Studio complexes are an important part of the way places around the world compete for and participate in international production. Many studios, in a range of locations, now have the size and sophistication to service large-budget feature film production. This comprehensive study of contemporary international studio considers the circumstances in which this rash of studio complex building and renovating has occurred – in places as diverse as Rome, London, Berlin, Prague, Vancouver, Toronto, Sydney, the Gold Coast and Melbourne. Central to the study is an understanding of studio complexes as cinema and media cities providing not only sound stages but a full range of production and post-production services in the one location. Cinema Cities, Media Cities is the first published analysis of this new international studio system, its origins, its business and its policy contexts. [Taken from back cover.]ISBN: 0958015279
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Cinema examined : selections from Cinema journal / Richard Dyer MacCann, Jack C. Ellis New York: Dutton, 1982.
Call No: 67(04) CINAuthor: MacCann, Richard Dyer ; Ellis, Jack C., 1922 CorpAuthor: Cinema JournalEdition: 1st edPlace: New YorkPublisher: DuttonPubDate: 1982PhysDes: xiii, 300 p., [1] leaf of plates : ill. ; 21 cmSubject: INDUSTRY, FILM. USSR ; SAMURAI FILMS ; CHAPLIN, CHARLES ; VISCONTI, LUCHINO ; HITCHCOCK, ALFRED ; INDUSTRY, TV. USA ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; CET OBSCUR OBJET DU DESIR (FR/SP, Luis Bunuel, 1977) Notes: Includes bibliographical referencesISBN: 0525474641 (pbk.) : $9.95LON: abn83062603; 2630261
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Cinema francais Paris: Unifrance,
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Cinema in Australia : an industry profile / written and researched by Jock Given, Rosemary Curtis and Mary McCutcheon Hawthorn, Victoria: Swinburne University of Technology, June 2013.
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The cinema in Denmark Copenhagen: Danish Government Film Foundation, [1970].
Call No: 71(489) CINCorpAuthor: Danish Government Film FoundationSource: DKPlace: CopenhagenPublisher: Danish Government Film FoundationPubDate: [1970]PhysDes: 35 p. ; 21 cmSubject: DENMARK ; INDUSTRY, FILM. DENMARK Summary: A summary of the Danish film industry at the time of publication.
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Cinema manager is recognised by Rotary in Australasian Cinema (28/1/1983) vol.12 iss.1 p.2
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The cinema of apartheid : race and class in South African film / Keyan Tomaselli Sandton: Radix, 1989.
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Cinema of outsiders : the rise of American independent film / Emanuel Levy New York: New York University Press, c1999.
Call No: 71(73) LEVAuthor: Levy, Emanuel, 1947 Source: USPlace: New YorkPublisher: New York University PressPubDate: c1999PhysDes: xiii, 601 p. : ill. ; 24 cmSubject: INDEPENDENT FILMS. USA ; HOMOSEXUALITY AND THE CINEMA. USA ; OUTSIDERS IN FILMS ; MEN IN FILMS ; FILM NOIR ; FEMINISM AND THE CINEMA. USA ; TYPE CHARACTERS IN FILMS ; COMEDIES. USA ; BLACK CINEMA. US ; ETHNIC GROUPS IN FILMS. USA ; YOUNG PEOPLE AND THE CINEMA ; FESTIVALS. PARK CITY. SUNDANCE ; ARAKI, GREGG ; NUNEZ, VICTOR ; BROOKS, ALBERT ; SMITH, KEVIN ; COEN, JOEL & ETHAN ; FERRARA, ABEL ; WATERS, JOHN (US) ; HARTLEY, HAL ; HAYNES, TODD ; JARMUSCH, JIM ; JOST, JON ; LEE, SPIKE ; LINKLATER, RICHARD ; LYNCH, DAVID ; MAMET, DAVID ; NAIR, MIRA ; SAYLES, JOHN ; CASSAVETES, NICK ; SODERBERGH, STEVEN ; SOLONDZ, TODD ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; BLOOD SIMPLE (US, Joel Coen, 1984) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; IN THE COMPANY OF MEN (US, Neil Labute, 1997) ; GAS FOOD LODGING (US, Allison Anders, 1992) ; PULP FICTION (US, Quentin Tarantino, 1994) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; MEAN STREETS (US, Martin Scorsese, 1973) Summary: "Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarantino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style."--BOOK JACKETNotes: Includes bibliographical references (p. 539-571) and indexISBN: 0814751237 (alk. paper)LON: 20253533
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The cinema of Tom DiCillo : include me out / Wayne Byrne; foreword by Steve Buscemi Chichester, U.K.: Wallflower Press published by Columbia University Press,
Call No: 81 DIC BYRAuthor: Byrne, Wayne ; Buscemi, Steve Place: New York; Chichester, U.K.Publisher: Wallflower Press published by Columbia University PressPhysDes: x,210 p. : illus. ; 24 cmSeries: Director's CutsSubject: DICILLO, TOM ; JOHNNY SUEDE (US, Tom DiCillo, 1991) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; BOX OF MOONLIGHT (US, Tom DiCillo, 1996) ; REAL BLONDE, THE (US, Tom DiCillo, 1997) ; DELIRIOUS (US, Tom Di Cillo, 2006) ; WHEN YOU'RE STRANGE: A FILM ABOUT THE DOORS (US, Tom DiCillo, 2009) ; DOWN IN SHADOWLAND (US, Tom Di Cillo, 2014) Summary: This volume considers for the first time in a single collection this acclaimed, award-winning director's entire oeuvre, addressing and analysing themes such as identity, family, and masculinity, supported by in-depth coverage of the generic and aesthetic aspects of DiCillo's distinctive and influential film style. Through detailed chapters on each of DiCillo's feature films, presented here is a candid look behind-the-scenes of both the American independent film industry - from the No Wave movement of the 1980s, through the Indie boom of the 1990s, to the contemporary milieu - and the Hollywood studio system. This study documents the writing, production, and release of every DiCillo picture, each followed by an extensive Q&A with the director. Also featured are exclusive interviews and commentary with many cast members and collaborators, and members of legendary rock group, The Doors. Films covered include Johnny Suede, Living In Oblivion, Box of Moonlight, The Real Blonde, Double Whammy, Delirious, When You're Strange, and Down in Shadowland. -- publisher's web siteISBN: 9780231185356Donation: Senses of CinemaContents: Acknowledgments
Foreword
Introduction
1. The Language of Dream: Deciphering DiCillo
2. Johnny Suede (1991)
3. Living in Oblivion (1995)
4. Box of Moonlight (1996)
5. The Real Blonde (1997)
6. Double Whammy (2001)
7. Delirious (2006)
8. When You’re Strange: A Film About The Doors (2009)
9. Down in Shadowland (2014)
Notes
Filmography
Bibliography
Index
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Cinema Papers yearbook 1986 / Nick Roddick; editor B. L. Kay Pub. Co. Ltd, [1986].
Call No: 058(94) CIN "1986"Publisher: B. L. Kay Pub. Co. LtdPubDate: [1986]PhysDes: 317 p. : ill. ; 20 cmSubject: FILM WORKERS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: Contains contact details for various people and businesses involved in the film, tv, and video industries in Australia in 1986Notes: Cover title - The 1986 Cinema Papers Australasian production yearbook: film - television - videoISBN: 0946919100
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reference folder
Cinema studies, filmmaking & related course information / AFI Research & Information
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journal article
'Cinema verite' series in AFC information update (22nd February 1985) p.2
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Cinema Without Censor in Lumiere (August 1970) vol.1 iss.3 p.30-31
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Interim
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Cinema Year Book of Japan, 1938 / edited by International Cinema Association of Japan, The (Kokusai Eiga Kyokai) Tokyo: Kokusai Bunka Shinkokai (The Society for International Cultural Relations), 1938.
Call No: 71 (52) CIN; RARE BOOK; FOLIOPlace: TokyoPublisher: Kokusai Bunka Shinkokai (The Society for International Cultural Relations)PubDate: 1938PhysDes: 82 p. : ill., ports. ; 32cmSubject: JAPAN ; NATIONAL CULTURE AND THE CINEMA ; PERIODICALS, FILM ; ORGANIZATIONS ; NEWSREELS ; KOREA ; SHOCHIKU ; TOHO ; NIKKATSU ; KAZE NO NAKA NO KODOMO (JA, Hiroshi Shimizu, 1937) ; KOJO NO TSUKI (JA, Keisuke Sasaki, 1937) ; HANA-KAGO NO UTA (JA, Heinosuke Gosho, 1937) ; ASAKUSA NO HI (JA, Yasujiro Shimazu, 1937) ; SOBO (JA, Hisatora Kumagai, ?) ; TABIJI (JA, Ri Keikwan, ?) ; ATARASHIKI TSUCHI (JA, Mansaku Itami, 1937) ; HADAKA NO MACHI (JA, Tomu Uchida, 1937) ; SHINSEN GUMI (JA, Sotoji Kimura, 1937) ; SHINJITSU ICHIRO (JA, Tomotaka Tasaka, 1937) ; SHUKUJO WA NANI O WASURETA KA (JA, Yasujiro Ozu, 1937) ; OSAKA NATSU NO JIN (JA, Teinosuke Kinugasa, 1937) ; AI EN KYO (JA, Kenji Mizoguchi, 1937) ; WAKAI HITO (JA, Shiro Toyoda, 1937) ; KAGIRINAKI ZENSHIN (JA, Tomu Uchida, 1937)
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CINEMAS. AUSTRALIA. NATIONAL FILM AND SOUND ARCHIVE
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CINEMAS. AUSTRALIA. STATE FILM THEATRE (VIC)
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journal article
Cinemas with a difference in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.4
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Cinematheque goes national in Filmnews (Australia) (May/Apr 1993) vol.XXIII iss.03-Apr p.07-Aug
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Cinesonic : the world of sound in film / edited by Philip Brophy North Ryde, N.S.W.: Australian Film, Television & Radio School, 1999.
Call No: 634 CINAuthor: Brophy, Philip CorpAuthor: Australian Film, Television and Radio SchoolPlace: North Ryde, N.S.W.Publisher: Australian Film, Television & Radio SchoolPubDate: 1999PhysDes: vii, 266 p. : ill. ; 21 cmSubject: SOUND ; COMPOSING ; SHORE, HOWARD ; COEN, JOEL & ETHAN ; SPEECH ; MUSIC, FILM ; ROBBE-GRILLET, ALAIN ; FASSBINDER, RAINER WERNER ; BURWELL, CARTER ; RABEN, PEER ; HISTORY OF CINEMA. SOUND PERIOD ; CAREFUL (CN, Guy Maddin, 1992) ; VOICES ; VOYEURISM AND THE CINEMA ; WELLES, ORSON ; WOMEN IN FILMS ; SYNCHRONIZATION Notes: Includes indexISBN: 187635108XLON: 20110282Contents: Part 1: Issues in film scores and sound design -- Composing with a very wide palette: Howard Shore in conversation -- Music for the films of Joel and Ethan Coen: Carter Burwell in conversation -- From analogue to digital: Yasunori Honda in conversation ; Part 2: Sensations of voice and speech -- I scream in silence: cinema, sex and the sound of women dying -- Eavesdropping: an aural analogue of voyeurism? / Elisabeth Wies -- Genre talk / Sarah Kozloff -- Threads of voice / Adrian Martin ; Part 3: Excursions in music and modernism -- Reelin' in the years: cinematic documentation of American vernacular music / David Sanjek -- The legacy of modernism: Peer Raben, film music and political aftershock / Caryl Flinn -- Sound music in the films of Alain Robbe-Grillet / Royal S Brown -- Part 4: Histories of song and sound -- Ornament, Entrance and the theme song / Will Straw -- The raw and the coded: sound conventions and the transition of talkies / Alan Williams -- Nickelodeons and popular song / Rick Altman
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Cinesonic : cinema and the sound of music / edited by Philip Brophy North Ryde, N.S.W. St. Leonards, N.S.W.: Australian Film Television & Radio School Allen & Unwin, 2000.
Call No: 634 CINAuthor: Brophy, Philip CorpAuthor: Australian Film, Television and Radio SchoolSource: ATPlace: North Ryde, N.S.W. St. Leonards, N.S.W.Publisher: Australian Film Television & Radio School Allen & UnwinPubDate: 2000PhysDes: vii, 224 p. : ill. ; 21cmSubject: SOUND ; NATIVE AMERICAN CINEMA ; MUSIC IN FILMS ; FILM NOIR ; JAZZ IN FILMS ; WESTERNS ; DIALOGUE ; NAZIS IN FILMS ; PROMOTIONAL VIDEOS ; LANG, FRITZ ; WILLIAMS, HYPE ; THOM, RANDY ; MUSY, FRANCOIS ; GODARD, JEAN-LUC ; SHEA, DAVID ; WELLES, ORSON ; KWAIDAN (JA, Masaki Kobayashi, 1964) ; NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittoria Taviani, 1982) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BLACK RIVER (AT, Kevin Lucas, 1991) ; MAN CALLED HORSE, A (US, Elliot Silverstein, 1970) Notes: Includes index; BibliographyISBN: 1876351098 : $24.95; 1876351098; 1876351098 (Pbk); 1876351098LON: 21470326Contents: Part 1: Issues in sound design and film scores -- Designing a movie for sound: randy Thom in conversation -- Recording for Godard: Francois Musy in conversation -- Sampling the cinema: David Shea in conversation -- Part 2: Transmission from beyond the cinema -- The kinematic pneumacosm of Hype Williams: the rhythm of vision is a dancer / Kodwo Eshun -- My aisles of golden dreams: the beauty of supermarket music / Joseph Lanza -- Sonic darkness: notes towards an aesthetic of jazz in American film noiw / John Conomos -- Part 3: Encodings of orchestral statement -- Drums along the LA river: scoring the Indian / Claudia Gorbman -- The world heard: music, nature, film / Evan Eisenberg -- The original Ludwig van (and others): classical music as cultural marker / Roger Hillman - Part 4: Constructs of recorded sound -- Lang's sound / Adrian Martin -- Orson Welles' turn from live recording to postsynchronization: a technical and aesthetic evolution / Francois Thomas -- How sound floats on land: the suppression and release of folk and indigenous musics in the cinematic terrain / Philip Brophy
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Citizen Cannes : the man behind the Cannes Film Festival / Gilles Jacob London; New York: Phaidon, 2011.
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City flicks : Indian cinema and the urban experience / edited by Preben Kaarsholm Oxford: Seagull Books, 2007.
Call No: 408.1(54) KAAAuthor: Kaarsholm, Preben Edition: rev. and updatedSource: UKPlace: OxfordPublisher: Seagull BooksPubDate: 2007PhysDes: ix, 274p. :24cmSubject: INDUSTRY, FILM. INDIA ; BOLLYWOOD ; SOCIETY AND THE CINEMA. INDIA Summary: "The relationship between cinema and modernity in the Indian context is both complex and multifaceted. In this volume, some of the leading names in film and cultural studies explore its many dimensions. The essays range from discussions of urbanity and film language to realism and the Indian city in Bengali film of the 1940s; from the cultural resonances of popular Hindi film songs and the idea of the "city" to realism and fantasy in cinematic representations of metropolitan Indian life; from cinematic aspects of Salman Rushdie's Midnight's Children to genre, narrative form and film style in contemporary Indian urban action films; from the complexities of female spectatorship to an analysis of the current primacy of Bollywood; and finally, to the cultural impact and influence of Indian cinema on audiences outside India." [taken from cover]ISBN: 1905422369Language: EnglishContents: Introduction Unreal City: Cinematic Representation, Globalization and the Ambiguities of Metropolitan Life / Preben Kaarsholm 1 -- Urban Legends: Notes on a Theme in Early Film Theory / Peter Larsen 26 -- The City and the Real: Chhinnamul and the Left Cultural Movement in the 1940s / Moinak Biswas 40 -- Reading a Song of the City-Images of the City in Literature and Films / Sudipta Kaviraj 60 -- Realism and Fantasy in Representations of Metropolitan Life in Indian Cinema / M. Madhava Prasad 82 -- A Close-Up on Salman Rushdie's Midnight's Children / Martin Zerlang 99 -- The 'Bollywoodization' of the Indian Cinema: Cultural Nationalism in a Global
Arena / Ashish Rajadhyaksha 111 -- Chalo Jahaji: Bollywood in the Tracks of Indenture to Globalization / Manas Ray 138 -- Colonialism and the Built Space of Cinema in Nigeria / Brian Larkin 180 -- The Politics of Urban Segregation and Indian Cinema in Durban / Vashna Jagarnath 207 -- The Exhilaration of Dread: Genre, Narrative Form and Film Style in Contemporary Urban Action Films / Ravi S. Vasudevan 219 -- Vigilantism and the Pleasures of Masquerade: The Female Spectator of Vijayasanthi Films / Tejaswini Niranjana 233
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City Theatre's has faced the challenges and won in Australasian Cinema (27/8/1982) vol.11 iss.15 p.3
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journal article
City Theatres a great help in fundraising in Australasian Cinema (27/8/1982) vol.11 iss.15 p.32
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City Theatres: A Western Australia Success Story in Australasian Cinema (27/8/1982) vol.11 iss.15 p.3
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City Theatres Group turned threats into opportunities in Australasian Cinema (27/8/1982) vol.11 iss.15 p.3
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City Theatres hold Charity Preview of Squizzy Taylor in Australasian Cinema (27/8/1982) vol.11 iss.15 p.20
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City Theatres opens its seventh drive-in in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.2
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journal article
City Theatres still pioneer the way : History of City Theatre- 50 years of outstanding achievement in Australasian Cinema (27/8/1982) vol.11 iss.15 p.11, 13
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The clapperboard book of the cinema / Leslie Halliwell and Graham Murray St Albans, UK: Hart Davis, MacGibbon, 1975.
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annual report
Classification Board & Classification Review Board Annual report / Office of Film and Literature Classification Sydney: Office of Film and Literature Classification, 1996. Digital clippings file available
Call No: ANNUAL REPORT SHELVES; held 1995/96-2006/7; DIGITAL FILES; held 1997/98-2021/22CorpAuthor: Australia. Office of Film and Literature Classification; Australia. Classification Review Board; Australia. Classification BoardSource: ATPlace: SydneyPublisher: Office of Film and Literature ClassificationPubDate: 1996PhysDes: v. ; 25 cmSubject: OFFICE OF FILM AND LITERATURE CLASSIFICATION Notes: See also: Office of Film and Literature Classification annual report; D/L copies of 2007/2008 - 2009-2010ISSN: 1327-6182Order Notes: CurrentLON: 12882225 13415328
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newspaper article
Climber back to tackle Totem Pole in Sunday Telegraph [-] (7/05/2017) p.40
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. AUSTRALIA. BANFF MOUNTAIN FILMAuthor: Keoghan, Sarah PhysDes: Clippings File ArticleSubject: FESTIVALS. AUSTRALIA. BANFF MOUNTAIN FILM Summary: Short interview with climber Paul Pritchard about the Banff Mountain Film Festival and his life as a rock climber
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poster
[Close-up: New Iranian cinema : poster]
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journal article
Closure of AFI cinema sparks exhibition action in Filmnews (Australia) (Feb-94) vol.XXIV iss.1 p.3
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journal article
Club film viewers to pay? And hotel lounges hold screenings in Australasian Cinema (18/6/1982) vol.11 iss.10 p.1
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Co-op replies to Cinema Papers in Filmnews (Australia) (Apr-81) vol.XI iss.4 p.1
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newspaper article
The Code unlocks govt funds to return for a second season in Canberra Times [General News] (03/03/2015) p.2
Call No: TITLE CLIPPINGS in production; CODE, THE [TV] (AT, 2014)Author: McIlroy, Tom PhysDes: Clippings File ArticleSubject: CODE, THE [TV] (AT, 2014) ; INDUSTRY, FILM Summary: A second season of The Code will begin in canberra this year along with Joe Cinque's Consolation, Secret City and The Marmalade Files.Notes: 10/03/2015
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The cold war : a listing of the National Film and Sound Archive's holdings / based on research by Lyn Gorman [Canberra: National Film and Sound Archive, 1997].
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Colin Tipping retires in Australasian Cinema (29/10/1982) vol.11 iss.19 p.12
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COLLECTIONS, FILM
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Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake Bloomington: Indiana University Press, 1994.
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Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake Bloomington: Indiana University Press, 1994.
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journal article
Columbia Buys from Young Film Makers in Lumiere (August 1970) vol.1 iss.3 p.38-39
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; COLUMBIA PICTURES Summary: Announcement of a local Melbourne film getting a release through Columbia pictures. Includes notes by the editor on film's production.
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The Coming of Stork in Lumiere (November-December 1971) iss.12 p.24-25
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A commentary on Barrett Hodsdon's report on minority exhibition and distribution / David Roe 1976.
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Commercial pipedreams? in Filmnews (Australia) (Oct-89) vol.XIX iss.10 p.6
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Commercials in Lumiere (January-February, 1972) iss.13 p.34
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COMMONWEALTH FILM UNIT
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Communications and the media in Australia / edited by Ted Wheelwright and Ken Buckley Sydney: Allen & Unwin, 1987.
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Community gets craft awards back in Filmnews (Australia) (May/Apr 1993) vol.XXIII iss.03-Apr p.3
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The community of cinema : how cinema and spectacle transformed the American downtown / James Forsher Westport, CT: Praeger, 2003.
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A companion to Australian cinema / Edited by Felicity Collins, Jane Landman, and Susan Bye Hoboken, New Jersey: Wiley-Blackwell, 2019. Available at ProQuest (RMIT login required)
Call No: 71(94) COMAuthor: Collins, Felicity ; Columpar, Corinn ; Rutherford, Anne ; Ford, Felicity ; Kelada, Odette ; Clark, Maddee ; Verevis, Constantine ; Goldsmith, Ben ; French, Lisa ; David Marshall, P. ; Bennett, James ; Grace, Helen ; Khoo, Olivia ; Yue, Audrey ; Bye, Susan ; Sandars, Diana ; Stadler, Jane ; Gaunson, Stephen ; Trevisanut, Amanda Malel ; Turnbull, Sue ; McCutcheon, Marion ; Goritsas, Helen ; Tiwary, Ana ; Lambert, Anthony ; Gibson, Ross ; Cunningham, Stuart ; Swift, Adam ; Williams, Deane ; Smaill, Belinda ; Neumark, Norie Source: US/UKPlace: Hoboken, New JerseyPublisher: Wiley-BlackwellPubDate: 2019PhysDes: xxii, 581 pages ; 26 cmSeries: Wiley Blackwell companions to national cinemaSubject: AUSTRALIA ; FILM ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; INDIGENOUS ; ABORIGINAL AUSTRALIAN CINEMA ; TRANSNATIONAL CINEMA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; TELEVISION AND THE CINEMA ; TELEVISION AND THE CINEMA. AUSTRALIA ; AUTEUR THEORY ; GENRES ; THEORY ; CAMPION, JANE ; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) ; SPEAR (AT, Stephen Page, 2015) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; MAD MAX II (AT, George Miller, 1981) ; LEGO MOVIE, THE (US/AT/DK, Phil Lord and Christopher Miller, 2014) ; ROCKET, THE (AT/TH/LS, Kim Mordaunt, 2013) ; SERANGOON ROAD [TV] (AT/SI, 2013 -) ; KETTERING INCIDENT, THE [TV](AT, 2015-) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) Summary: The essays assembled here address six thematically organized propositions - that Australian cinema an Indigenous screen culture, an international cinema, a minor transnational imaginary, an auteur-genre-landscape cinema, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and naturecam documentaries. New research on trends such as the Blak Wave, the convergence of television and film, digital transformations of screen production and the shifting roles of women, on and off-screen, highlight how established precedents have been transformed by new realities beyond both cinema and national borders. --
Written in an accessible style that does not require knowledge of cinema studies or Australian studies. --
Presents original research on Australian actors such as Cate Blanchett and Chris Hemsworth, evaluating their training, branding and path from Australia to Hollywood. --
Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity. --
Introduces readers to founding texts in Australian screen studies. --
Felicity Collins is Reader/ Associate Professor in Screen Studies, La Trobe University, Melbourne, Australia --
Jane Landman was Senior Lecturer, Victoria University, Melbourne, Australia --
Susan Bye is Education Programmer, Australian Centre for the Moving Image, Melbourne, Australia. --Book JacketNotes: Includes bibliographical references and index -- signed by Felicity CollinsISBN: 9781118942529Contents: You Are Here: Living Maps of Deep Time, Clock Time / Felicity Collins -- Charlie's Country, Gulpilil's Body / Corinn Columpar -- Ivan Sen's Cinematic Imaginary: Restraint, Complexity, and a Politics of Place / Anne Rutherford
-- Shadowing and Disruptive Temporality in Bangarra Dance Theatre's Spear / Felicity Ford -- Beyond the Wonderland of Whiteness: The Blak Wave of Indigenous Women Shaping Race on Screen / Maddee Clark / Odette Kelada -- Another Green World: The Mad Max Series / Constantine Verevis -- Is Everything Awesome?: The LEGO Movie and the Australian Film Industry / Ben Goldsmith -- Jane Campion: Girlshine and the International Auteur / Lisa French -- Constructing Persona: Mediatisation, Performativity, Quality, and Branding in Australian Film Actors's; Migration to Hollywood / P. David Marshall -- Interpreting Anzac and Gallipoli through a Century of Anglophone Screen Representations / James Bennett -- Unsettling the Suburban: Space, Sentiment, and Migration in National Cinematic Imaginaries / Helen Grace -- The Rocket: Small, Foreign-Language Cinema / Olivia Khoo -- Serangoon Road: The Convergent Culture of Minor Transnationalism / Audrey Yue -- An Independent Spirit: Robert Connolly as Auteur-Producer / Susan Bye -- Disruptive Daughters: The Heroine's Journey in Four Films / Diana Sandars -- Atopian Landscapes: Gothic Tropes in Australian Cinema / Jane Stadler -- Spirits Do Come Back: Bunyips and the European Gothic in The Babadook / Stephen Gaunson -- Between Public and Private: How Screen Australia, the ABC and SBS have shaped Film and Television Convergence / Amanda Malel Trevisanut -- Quality vs Value: The Case of The Kettering Incident / Marion McCutcheon / & Sue Turnbull -- The Evolution of Matchbox Pictures: A New Business Model / Helen Goritsas & Ana Tiwary -- Schapellevision: Screen Aesthetics and Asian Drug Stories / Anthony Lambert -- CHURN: Cinema Made Sometime Last Night / Ross Gibson -- Over the Horizon: YouTube Culture Meets Australian Screen Culture / Adam Swift & Stuart Cunningham -- Digital Transmedia Forms and Transnational Documentary Networks / Deane Williams -- Ecological Relations: FalconCam in Conversation with The Back of Beyond / Belinda Smaill -- Where Am I?: The Terror of Terra Nullius / Norie Neumark
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A companion to contemporary documentary film / edited by Alexandra Juhasz and Alisa Lebow Malden, MA: John Wiley and Sons, 2015.
Call No: 761 COMSource: USPlace: Malden, MAPublisher: John Wiley and SonsPubDate: 2015PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS ; ENVIRONMENTAL ISSUES IN FILMS ; SEA IN FILMS ; IMMIGRATION IN FILMS AND TELEVISION ; WORKERS IN FILMS ; YUGOSLAVIA ; SEX IN FILMS ; WOMEN MAKE MOVIES [organisation] ; DISEASES IN FILMS ; SCIENCE AND THE CINEMA ; SCIENCE IN FILMS ; AIDS ON TV. SOUTH AFRICA ; RELIGION AND THE CINEMA ; WAR FILMS ; BAL, MIEKE ; ZILNIK, ZELIMIR ; TRAN VAN THUY ; FAROCKI, HARUN ; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006) ; CRUDE (US, Joe Berlinger, 2009) ; H [TWO] 2 OIL (CN, Shannon Walsh, 2009) ; PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006) ; INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010) ; OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003) ; OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007) ; OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009) ; INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006) ; SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010) ; CONTAINED MOBILITY (SZ, Ursula Biemann, 2004) ; SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009) ; GHOSTS (UK, Nick Broomfield, 2006) ; LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007) ; TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008) ; WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996) ; H [TWO] 2 WORKER (US, Stephanie Black, 1990) ; LIFE AND DEBT (US, Stephanie Black, 2001) ; MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006) ; DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004) ; WHY CYBRACEROS? (US,Alex Rivera, 1997) ; WHY BRACEROS? (US, 1959) ; VALLEY CENTRO, EL (US, James Benning, 1999) ; LOS (US, James Benning, 2001) ; DOUBLE TIDE (US/AU, Sharon Lockhart, 2009) ; GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000) ; GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002) ; WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005) ; OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009) ; LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000) ; TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002) ; SCARLET ROAD (AT, Catherine Scott, 2011) ; PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991) ; DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002) ; AFRICA RISING (US, Paula Heredia, 2009) ; SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; WILDNESS (US, Wu Tsang, 2012) ; INNER LIFE OF THE CELL (US, XVIVO, 2006) ; BEAT IT! [TV] (SA, 2001) ; MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011) ; GEVALD (IS, Netalie Braun, 2009) ; BLACK BUS (IS, Anat Zuria, 2010) ; REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009) ; STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987) ; NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969) ; IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988) ; SERIOUS GAMES [series] (GG, Harun Farocki, 2009) ; I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002) ; MIRACULOUS BEGINNINGS (LE, Walid Raad) ; SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995) ; DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010) ; [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010) ; ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009) ; DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011) ; SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994) ; OPERATION ATROPOS (CL, Coco Fusco, 2005) ; ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006) ; TAXI TO THE DARK SIDE (US, Alex Gibney, 2007) ; BRIDGE, THE (UK/US, Eric Steel, 2006) Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.ISBN: 9780470671641Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath --
Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.
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Company of heroes : my life as an actor in the John Ford Stock Company / Harrey Carey, Jr. Metuchen, NJ: Scarecrow Press, Inc, 1994.
Call No: 81FOR CARAuthor: Carey, Harry Jr. Source: US/UKPlace: Metuchen, NJPublisher: Scarecrow Press, IncPubDate: 1994PhysDes: 218 p. : 23cmSeries: Filmmakers no.42Subject: WESTERNS ; FILMMAKING ; INDUSTRY, FILM ; INDUSTRY, FILM. USA ; FORD, JOHN ; CAREY, HARRY JR. ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; WAGON MASTER (US, John Ford, 1950) ; RIO GRANDE (US, John Ford, 1950) ; LONG GRAY LINE, THE (US, John Ford, 1954) ; SEARCHERS, THE (US, John Ford, 1956) ; TWO RODE TOGETHER (US, John Ford, 1961) ; CHEYENNE AUTUMN (US, John Ford, 1964) ; [THREE] 3 GODFATHERS (US, John Ford, 1948) ; [MISTER] MR ROBERTS (US, John Ford & Mervyn Le Roy, 1955) Summary: "When Harry Carey, Sr. died in 1947, director John Ford cast Carey's 26 year-old son, Harry Jr. in the role of The Abilene Kid in 3 Godfathers. Ford and the elder Carey had filmed an earlier version of the story, and Ford dedicated the Technicolor remake to his memory.
Company of heroes is the story of the making of that film, as well as the eight subsequent Ford classics. In it, Harry Carey, Jr. casts a remarkably observant eye on the process of filming Westerns by one of the true masters of the form. " -- BOOK JACKETISBN: 0810828650Contents: -- in the beginning-- 3 Godfathers -- Myself When Young With Cowboys and Navajos -- She Wore a Yellow Ribbon -- Paul Fix, the OSS, and Merry Christmas -- Wagonmaster -- Rio Grande -- The Long Gray Line -- Mister Roberts -- The Searchers -- Two Rode Together -- Cheyenne Autumn -- So Long, But Not Good-bye -- Harry Carey, Jr.'s Appearances in John Ford Films -- index --
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A competitive cinema / Terence Kelly with Graham Norton and George Perry London: Institute of Economic Affairs, 1966.
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The complete guide to American film schools and cinema and television courses / Ernest Pintoff New York, N.Y.: Penguin Books, c1994.
Call No: 510.1(73) (058.7) PIN REFAuthor: Pintoff, Ernest Place: New York, N.Y.Publisher: Penguin BooksPubDate: c1994PhysDes: xiii, 510 p. ; 23 cmSubject: COURSES, FILM. USA Notes: Includes indexesISBN: 0140172262LON: 10357844
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journal article
Composer awards in Filmnews (Australia) (Dec-Jan 1992/93) vol.XXII iss.11 p.3,18
Subject: AWARDS. AUSTRALIA ; AUSTRALIAN FILM INSTITUTE Summary: On the dissatisfaction with changes to the music category in the '92 Australian Film Institute awards, and the resultant establishment of the independent Australian Guild of Screen Composer's awards, held in November '92. Includes a list of award winners from a variety of categories.Notes: Article
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Comprehensive Annenberg report on diversity in entertainment : inclusion or invisibility? / Stacy L. Smith, PhD, Marc Choueiti, Katherine Pieper, PhD with assistance from Adriana Case and Artur Tofan. USC Anneberg School of Communication and Journalism, Feb 22 2016.
Call No: 461 COMAuthor: Smith, Stacy L. ; Choueiti, Marc ; Pieper, Katherine Source: USPublisher: USC Anneberg School of Communication and JournalismPubDate: Feb 22 2016Subject: WOMEN FILM WORKERS ; ETHNIC GROUPS AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; FILM WORKERS ; INDUSTRY, FILM Summary: The Comprehensive Annenberg Report on Diversity examines inclusion from CEO to every speaking character across film, television and digital content in America. This report was developed by The Media, Diversity, & Social Change (MDSC) Initiative at USC's Annenberg School for Communication and Journalism dedicated to addressing issues of inequality in entertainment.
"The Comprehensive Annenberg Report on Diversity (CARD) assesses inclusion on screen and behind the camera in fictional films, TV shows, and digital series distributed by 10 major media companies (21st Century Fox, CBS,
Comcast NBC Universal, Sony, The Walt Disney Company, Time Warner, Viacom, Amazon, Hulu, and Netflix). Movies theatrically released in 2014 by the major studios or their art house divisions were included in the sample,
provided they met a certain threshold of domestic box office performance (see Appendix A).¹ Prime-time first run scripted series as well as digital offerings airing from September 1st 2014 to August 31st 2015 were sampled on
broadcast, popular basic cable, premium channels or streaming services associated with the companies listed above (see Appendix B).² In total, the sample included 414 stories or 109 motion pictures and 305 broadcast,
cable, and digital series.
The major unit of analysis was the speaking or named character.³ Each speaking character was assessed for role, demographics, domesticity, and hypersexualization.4 Behind the camera, the gender of directors and writers of
each film and every episode within a sampled series was evaluated. Race/ethnicity was assessed for directors of movies as well as those helming the season premiere episode of television/digital programs. Finally, the gender
composition of CEOs, members of executive suites, boards of directors, and employees at the Executive" [Taken from the executive summary included in the report]Notes: Available at: http://annenberg.usc.edu/pages/~/media/MDSCI/CARDReport%20FINAL%2022216.ashx
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A concise handbook of movie industry economics / Charles C. Moul (ed.) New York: Cambridge University Press, 2005.
Call No: 203 CONAuthor: Charles C. Moul (ed.) Place: New YorkPublisher: Cambridge University PressPubDate: 2005PhysDes: 23 cm ; 214 pSubject: EXHIBITION ; EXHIBITION. USA ; INDUSTRY, FILM ; INDUSTRY, FILM. USA ; FINANCING. USA ; ADVERTISING FOR FILMS ; ADVERTISING. USA ; USA ; PRODUCTION ; PRODUCTION COSTS ; DIGITAL TECHNOLOGY ; INCOME ; AWARDS. ACADEMY ; STUDIO SYSTEM ; GOVERNMENT CONTROL. USA ; BOX OFFICE. USA Summary: This concise handbook collects essays on all aspects of the motion picture industry by leading authorities in political economy, economics, accounting, financing, and marketing. In addition to bringing the reader an up-to-date perspective on what is known and what has been accomplished, it includes both new findings on a variety of topics and directions for additional research. Topics include the estimation of theatrical and ancillary demand, profitability studies, resolution of evident paradoxes in studio executive behaviour, interaction of the industry and government, impacts of the most recent changes in accounting standards, and the role and importance of participation contracts. New results include findings on the true nature of the seasonality of theatrical demand, the predictive power of surveys based upon trailers, the impact of the Academy Awards, the effectiveness of prior history measures to gauge cast members and directors, and the substitutability of movies across different genres. [Taken from inner jacket sleeve].ISBN: 0521843847
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CONFERENCES. AUSTRALIA. AFC. MULTIMEDIA
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CONFERENCES. AUSTRALIA. AFI. INDEPENDENT NARRATIVE FILM MAKING AND TELEVISION MARKETING
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CONFERENCES. AUSTRALIA. CINESONIC
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CONFERENCES. AUSTRALIA. FILM AND HISTORY. 2006
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CONFERENCES. AUSTRALIA. HISTORY AND FILM
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CONFERENCES. AUSTRALIA. MELBOURNE SCIENCE FICTION AND FANTASY FILM
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CONFERENCES. AUSTRALIA. WOMEN IN FILM AND TELEVISION
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journal article
Congratulations to the convenors of the Bundaberg mini convention in Australasian Cinema (13/5/1983) vol.12 iss.8 p.13
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A connection to the sea in Canberra Times [Panorama] (20/02/2016) p.12
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Contemporary Australian cinema : an introduction / Jonathan Rayner Manchester: Manchester University Press, 2000.
Call No: 71(94) RAYAuthor: Rayner, Jonathan Source: UKPlace: ManchesterPublisher: Manchester University PressPubDate: 2000PhysDes: vi, 203 p. : ill. ; 23 cmSubject: AUSTRALIA ; FANTASTIC FILMS. AUSTRALIA ; HISTORICAL FILMS. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; MASCULINITY IN FILMS. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; AUSTRALIAN FILM FINANCE CORPORATION ; ROAD MOVIES. AUSTRALIA ; SCHEPISI, FRED ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; GALLIPOLI (AT, Peter Weir, 1981) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; MAD MAX [...] (AT, 1979-85) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; SIRENS (AT/UK, John Duigan, 1994) ; BETWEEN WARS (AT, Michael Thornhill, 1974) ; ODD ANGRY SHOT, THE (AT, Tom Jeffrey, 1979) Notes: Includes bibliographical references (p. [194]-199) and indexISBN: 0719053269 (hbk.); 0719053277 (pbk.); 0719053269LON: 22455173
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Contemporary cinema / John Orr Edinburgh: Edinburgh University Press, c1998.
Call No: 62 ORRAuthor: Orr, John, 1943 Place: EdinburghPublisher: Edinburgh University PressPubDate: c1998PhysDes: xi,243 p. : ill. ; 24 cmSubject: CANADA ; CITY OF SADNESS, A [ ; MASCULINITY IN FILMS ; RELIGION AND THE CINEMA ; COMMUNISM AND THE CINEMA ; DOUBLES IN FILMS ; EXPRESSIONISM ; FILM NOIR ; POLAND ; PSYCHOLOGY AND THE CINEMA ; SEX IN FILMS ; SURREALISM AND THE CINEMA ; ALLEN, WOODY ; ALTMAN, ROBERT ; ANTONIONI, MICHELANGELO ; BEATTY, WARREN ; BELMONDO, JEAN-PAUL ; BERGMAN, INGMAR ; BINOCHE, JULIETTE ; BONNAIRE, SANDRINE ; BURTON, TIM ; CAGE, NICOLAS ; CAMPION, JANE ; CHABROL, CLAUDE ; CHEUNG, LESLIE ; COPPOLA, FRANCIS FORD ; COSTNER, KEVIN ; CRONENBERG, DAVID ; DAHL, JOHN ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DERN, LAURA ; EGOYAN, ATOM ; FIGGIS, MIKE ; GERE, RICHARD ; GONG, LI ; GREENAWAY, PETER ; HAUER, RUTGER ; JAMESON, FREDRIC ; KIESLOWSKI, KRZYSZTOF ; LYNCH, DAVID ; MALICK, TERRENCE ; Pasolini, Pier Paolo ; ROSSELLINI, ISABELLA ; SCORSESE, MARTIN ; SCOTT, RIDLEY ; STONE, OLIVER ; TRAN, ANH HUNG ; WEIR, PETER ; Wenders, Wim ; WONG KAR-WAI ; YOUNG, SEAN ; ZHANG, YIMOU ; ANDERSSON, BIBI ; AUDRAN, STEPHANE ; DUVALL, SHELLY ; GIDLEY, PAMELA ; JANDA, KRYSTYNA ; KANESHIRO, TANESHI ; LEUNG, TONY ; LIN, BRIGITTE ; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988) ; KILL ME AGAIN (US, John Dahl, 1989) ; DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991) ; WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987) ; ADJUSTER, THE (CN, Atom Egoyan, 1991) ; BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHINATOWN (US, Roman Polanski, 1974) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; DAYS OF HEAVEN (US, Terrence Malick, 1978) ; JFK (US, Oliver Stone, 1991) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; LIEBESTRAUM (US, Mike Figgis, 1991) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; PERSONA (SW, Ingmar Bergman, 1966) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; RAGING BULL (US, Martin Scorsese, 1980) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; STALKER (UR, Andrei Tarkovsky, 1979) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; WILD AT HEART (US, David Lynch, 1990) ; CYCLO [XICH LO] (FR/V, Tran Anh Hung, 1995) Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre."
Taken from back cover.Notes: Includes bibliographical references and indexISBN: 0748608362(pbk.) : No priceLON: 13772409ID2: 291
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Contemporary Hollywood cinema / edited by Steve Neale and Murray Smith London New York: Routledge, 1998.
Call No: 71(73) CONAuthor: Neale, Stephen ; Smith, Murray, 1962 Place: London New YorkPublisher: RoutledgePubDate: 1998PhysDes: xxii, 338 p. : ill. ; 24 cmSubject: USA ; TECHNOLOGY AND THE CINEMA ; DISTRIBUTION. USA ; EXHIBITION. USA ; WIDE-SCREEN SYSTEMS ; SPECTATORSHIP ; MEN IN FILMS. USA ; MELODRAMA ; MUSIC, FILM ; SOUND TRACKS ; TELEVISION AND THE CINEMA ; FAMILY IN FILMS. USA ; NARRATIVE IN FILMS ; BLACK CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLOCKBUSTERS ; FEMINISM AND THE CINEMA ; GENDER AND THE CINEMA ; CENSORSHIP. USA ; INDEPENDENT FILMS. USA ; WOMEN, FILMS FOR ; WOMEN IN FILMS. USA ; HORROR FILMS. USA ; CHILDREN, FILMS FOR ; ACTION FILMS ; AUDIENCES ; MIRAMAX FILMS ; NEW LINE CINEMA ; TIME WARNER ; VERHOEVEN, PAUL ; COPPOLA, FRANCIS FORD ; HAMILTON, LINDA ; MCDORMAND, FRANCES ; ELFMAN, DANNY ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FARGO (US, Ethan Coen, 1996) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; BATMAN (US, Tim Burton, 1989) ; BATMAN RETURNS (US, Tim Burton, 1992) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; LION KING, THE (US, Roger Allers & Rob Minkoff, 1994) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references (p. [312]-318) and indexISBN: 0415170095; 0415170109 (pbk.)LON: 98005952; 13736490
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The contemporary Hollywood film industry / edited by Paul McDonald and Janet Wasko Carlton, Victoria: Blackwell Publishing, 2008.
Call No: 201.1 (73) CONAuthor: McDonald, Paul ; Wasko, Janet Source: USPlace: Malden, Massachusetts; Oxford, UK; Carlton, VictoriaPublisher: Blackwell PublishingPubDate: 2008PhysDes: 326 p. : ill. ; 25 cmSubject: INDUSTRY, FILM ; STUDIO SYSTEM ; FINANCING ; DISTRIBUTION ; PRODUCTION ; ADVERTISING FOR FILMS ; EXHIBITION ; TELEVISION AND THE CINEMA ; VIDEODISCS ; SOUNDTRACKS ; MUSIC AND THE CINEMA ; LABOUR ; STATE AND THE CINEMA ; GLOBALISATION ; COPYRIGHT ; EXPORT OF FILMS ; UNITED KINGDOM ; FRANCE ; GERMANY ; ITALY ; LATIN AMERICAN COUNTRIES ; ASIAN COUNTRIES ; INDIA ; AUSTRALIA ; NEW ZEALAND ; VIDEO GAMES AND THE CINEMA Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades.
"'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)Notes: Includes indexISBN: 9781405133883URL status: URL: 'http://-'
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Contemporary New Zealand cinema : : from new wave to blockbuster / edited by Ian Conrich and Stuart Murray London: I.B. Tauris, 2008.
Call No: 71 (931) NEWAuthor: Conrich, Ian (ed) ; Murray, Stuart(ed) Place: LondonPublisher: I.B. TaurisPubDate: 2008PhysDes: xiv, 273 p. : ill. ; 24 cmSeries: I.B Taruris world cinema seriesSubject: FEMINISM AND THE CINEMA ; FESTIVALS. NEW ZEALAND ; MAORI CINEMA ; MASCULINITY IN FILMS ; NEW ZEALAND FILM COMMISSION ; NEW ZEALAND IN FILMS ; REALISM IN FILMS ; RELIGION IN FILMS ; BARCLAY, BARRY ; CAMPION, JANE ; CURTIS, CLIFF ; DUFF, ALAN ; DONALDSON, ROGER ; DENNIS, JONATHAN ; Grierson, John ; JACKSON, PETER (NZ) ; LAWRENCE, BRUNO ; MUNE, IAN ; MURPHY, GEOFFREY ; LANGE, DAVID ; MACLEAN, ALISON ; MITA, MERATA ; MORRIESON, RONALD HUGH ; MORRISON, TEMUERA ; MULDOON, ROBERT ; NEILL, SAM ; PRESTON, GAYLENE ; SARGESTON, FRANK ; SARKIES, ROBERT ; TAMAHORI, LEE ; WARD, VINCENT ; BAISE-MOI (FR, Virginie Despentes, 2000) ; BRAINDEAD (NZ, Peter Jackson, 1992) ; CAME A HOT FRIDAY (NZ, Ian Mune, 1985) ; CHANNELLING BABY (NZ, Christine Parker, 1999) ; CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995) ; CRUSH (NZ, Alison MacLean, 1992) ; DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993) ; END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991) ; GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000) ; JUBILEE (NZ, Michael Hurst, 2000) ; LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003) ; MAGIK AND ROSE (NZ, Vanessa Alexander, 1999) ; NGATI (NZ, Barry Barclay, 1987) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PIANO, THE (AT, Jane Campion, 1993) ; PRICE OF MILK, THE (NZ, Harry Sinclair, 2000) ; QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985) ; RAIN (NZ, Christine Jeffs, 2001) ; SAVING GRACE (NZ, Costa Botes, 1997) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; SCARFIES (NZ, Robert Sarkies, 1999) ; SKIN DEEP (NZ, Geoff Steven, 1978) ; SNAKESKIN (NZ, Gillian Ashurst, 2001) ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; SMASH PALACE (NZ, Roger Donaldson, 1981) ; TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997) ; UTU (NZ, Geoffrey Murphy, 1983) ; VIGIL (NZ, Vincent Ward, 1984) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKETNotes: Filmography: p.[239]-253
Bibliography: p. 255- 258; Includes indexISBN: 9781845118372
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The content of motion pictures / Edgar Dale New York: Arno Press and the New York Times, 1970.
Call No: 66.01 DALAuthor: Dale, Edgar Edition: March 1935Place: New YorkPublisher: Arno Press and the New York TimesPubDate: 1970PhysDes: xvi,234 ; 23 cmSeries: The Literature of CinemaSubject: FILM STUDY AND RESEARCH ; FILM IMPRESSIONS Notes: Facsimile reprint of 1935 volumeISBN: 0405016441
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CONTINENTAL UN FILM SANS FUSIL [CONTINENTAL A FILM WITHOUT GUNS] : (CN, Stéphane Lafleur, 2007)
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Continued growth of Entertainment Services, Brisbane : A company that sees no gloom for our industry in Australasian Cinema (11/3/1983) vol.12 iss.4 p.5
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Continuity girl : a story of film production / Martha Robinson London: Geoffrey Cumberlege, Oxford University Press, 1946.
Call No: 97 ROBAuthor: Robinson, Martha Source: UKPlace: LondonPublisher: Geoffrey Cumberlege, Oxford University PressPubDate: 1946PhysDes: 181 p. : ill. ; 20 cmSubject: CONTINUITY ; WOMEN FILM WORKERS Summary: Authored by an experienced film worker in continuity this is a fictionalised account of how a young woman interested in the film industry becomes a continuity girlDonation: donated by the family of Wayne Levy, 2006
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Contracting out Hollywood : runaway productions and foreign location shooting / edited by Greg Elmer and Mike Gasher Lanham, MD: Rowman & Littlefield Pub, 2005.
Call No: 217 ELMAuthor: Elmer, Greg ; Gasher, Mike Source: USPlace: Lanham, MDPublisher: Rowman & Littlefield PubPubDate: 2005PhysDes: 189 p. ; 23 cmSubject: LOCATION SHOOTING. AUSTRALIA ; LOCATION SHOOTING. CANADA ; INDIA ; INDUSTRY, FILM. USA ; SERIALS ; STUDIOS, FILM ; LEE, ANG ; NIGHT HEAT [TV] (US, 1994) Summary: The practice of producing American films on foreign shores is examined within this book. The contributing authors explain this phenomenon from historical, political, economic, and cultural perspectives, using case studies; challenges to contemporary screen, media, and globalization theories; and analyses of changing government politics toward cultural industries [taken from back cover]ISBN: 0742536955Contents: Introduction : catching up to runaway productions / Greg Elmer and Mike Gasher -- 1. Divide and conquer : regional competition in a concentrated media industry / Susan Christopherson -- 2. The policy environment of the contemporary film studio / Ben Goldsmith and Tom O'Regan -- 3. Offshore pot o'gold : the political economy of the Australian film industry / Marcus Breen -- 4. Hollywood's effects, Bollywood's FX / Nitin Govil -- 5. Projecting placelessness : industrial television and the "authentic" Canadian city / Sarah Matheson -- 6. The ice storm : Ang Lee, cosmopolitanism, and the global audience / Stephanie Hemelryk Donald -- 7. World-class budgets and big-name casts : the miniseries and international coproductions / Barbara Selznick
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'Coolangatta Gold' wins $2mill. worldwide sale in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.3
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title clippings file
COPY CONFORME
Call No: TITLE CLIPPINGS FILEPhysDes: ClippingsSubject: FILM
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journal article
Copyright broadside aimed at Pirates in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.8
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COURSES, FILM
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: COURSES, FILM
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COURSES, FILM. AUSTRALIA
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journal article
Coverted role for Sydney actress in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.4
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Cracks in the pedestal : ideology and gender in Hollywood / Philip Green Amherst: University of Massachusetts Press, c1998.
Call No: 626:396 GREAuthor: Green, Philip, 1932 Place: AmherstPublisher: University of Massachusetts PressPubDate: c1998PhysDes: viii, 262 p. : ill. ; 25 cmSubject: GENDER AND THE CINEMA. USA ; FEMINISM AND THE CINEMA. USA ; FILM NOIR. USA ; CREED, BARBARA ; MULVEY, LAURA ; STONE, SHARON ; ALIENS (US, James Cameron, 1986) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; FURNESS, DEBORRA-LEE ; GILDA (US, Charles Vidor, 1946) ; IMPULSE (US, Sandra Locke, 1990) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; MS 45 (US, Abel Ferrara, 1981) ; NORMA RAE (US, Martin Ritt, 1979) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; RIVER WILD, THE (US, Curtis Hanson, 1994) ; SHAME (AT, Steve Jodrell, 1988) ; SHAME [TV] (US, 1992) ; SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; VANISHING, THE (US, George Sluizer, 1993) ; SPOORLOOS (NE/FR, George Sluizer, 1988) Summary: Distinguishing his own neo-Marxist approach from that of other media scholars, Philip Green pursues two interrelated themes. In the first part of the book, he looks at the strategies Hollywood has employed to deflect or absorb the ideological challenges posed by the feminist critique of contemporary American society. He demonstrates the ways in which mainstream movies and television programs, no matter how unconventional or "subversive" they may appear, produce and reproduce familiar images of sexuality and gender identity. In the second part, Green highlights instances in which reproduction of the dominant ideology is less successful by examining several recent cinematic genres - the female action movie, the rape-revenge cycle, and the new film noir - that portray the real ambiguities of a social order in upheaval; As a male consumer of the cultural commodities being discussed, the author offers a perspective on American films and television different from that of most other feminist criticsNotes: Includes bibliographical references (p. [213]-248) and indexISBN: 1558491198 (cloth : alk. paper); 1558491201 (pbk. : alk. paper)LON: 13262384ID2: 290
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Creating Australian television drama / Susan Lever North Melbourne, Victoria: Australian Scholarly Publishing, 2020.
Call No: 224(94) LEVAuthor: Lever, Susan Edition: 2020Place: North Melbourne, VictoriaPublisher: Australian Scholarly PublishingPubDate: 2020PhysDes: viii,282 pages ; 24cmSubject: ABORIGINAL AUSTRALIANS AND TV ; ADAPTATIONS ; AUSTRALIAN BROADCASTING CORPORATION ; AUSTRALIAN FILM COMMISSION ; BELLBIRD [TV] (AT, 1967-1977) ; BRITISH BROADCASTING CORPORATION ; COX, DEB ; CRAWFORD PRODUCTIONS ; DOCUMENTARIES. AUSTRALIA ; DOCUMENTARY DRAMAS ; GREEN, CLIFFORD ; HOMICIDE [TV] (AT, 1964-1975) ; HOPGOOD, ALAN ; KELLY, MARGARET ; MELODRAMA. AUSTRALIA ; MORPHETT, TONY ; MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968) ; NINE NETWORK ; POWER WITHOUT GLORY [TV] (AT, 1976) ; SEVEN NETWORK ; SPECIAL BROADCASTING SERVICE ; YELDHAM, PETER Summary: Television drama has been the dominant form of popular storytelling for more than sixty years, shaping the imaginations of millions of people. This book surveys the careers of the central creators of those stories for Australian television—the writers who learnt how to work in a new medium, adapting to its constraints and exploring its creative possibilities. Informed by interviews with many writers, it describes the establishment of Australian television drama production, observing the way writers grasped the creative and business opportunities that television presented. It examines the development of Australian versions of the major television genres—the sitcom, the police drama, the historical series, docudrama, and social drama— presenting a ‘canon’ of significant Australian television drama productions that deserve to be remembered. It offers an account of the emergence of work by Indigenous writers for television and it argues for the consideration of television drama alongside histories of Australian film and stage drama. -- publisher's web siteISBN: 9781925984880
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Creating culture : the new growth industries : conference papers, 11-12 August 1994 / Commonwealth Department of Communications and the Arts [Canberra]: Commonwealth Dept. of Communications and the Arts, 1994].
Call No: 161(94) CRE AUSCorpAuthor: Creating Culture Conference (1994 : Canberra, A.C.T.); Australia. Dept. of Communications and the ArtsPlace: [Canberra]Publisher: Commonwealth Dept. of Communications and the ArtsPubDate: 1994]PhysDes: 195 p. : ill., ports. ; 30 cmSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA Notes: Cover title; "These are the edited transcripts of speeches given at the "Creating Culture - the new growth industries" conference held at Parliament House, Canberra on 11 and 12 August 1994."--P. [1]; Conference organised under the Cultural Industry Development Program of the Dept. of Communications and the ArtsISBN: 0642224307LON: 11325570
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newspaper article
A creative state of mind in Weekend Australian [Supplements] (04/02/2017) p.23
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Credits rolling! : Film & History Conference, Canberra Australia 2-5 December 2004: 12th Biennial conference of the Film and History Assosciation of Australia and New Zealand: conference program / Conference of the Film and History Association of Australia and New Zealand (12th : 2004 : Canberra, A.C.T.) Canberra: National Film and Sound Archive, 2004.
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Crim. conviction for video pirate in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.18
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The crime films of Anthony Mann / by Max Alvarez Jackson, Miss.: University Press of Mississippi, 2014.
Call No: 81MAN ALVAuthor: Alvarez, Max Source: USPlace: Jackson, Miss.Publisher: University Press of MississippiPubDate: 2014PhysDes: 324 pages ; 24 cmSubject: CRIME FILMS ; FILM NOIR ; MANN, ANTHONY ; [DOCTOR] DR BROADWAY (US, Anthony Mann, 1942) ; STRANGERS IN THE NIGHT (US, Anthony Mann, 1944) ; TWO O'CLOCK COURAGE (US, Anthony Mann, 1945) ; GREAT FLAMARION, THE (US, Anthony Mann, 1945) ; STRANGE IMPERSONATION (US, Anthony Mann, 1946) ; DESPERATE (US, Anthony Mann, 1947) ; RAILROADED! (US, Anthony Mann, 1947) ; T-MEN (US, Anthony Mann, 1947) ; RAW DEAL (US, Anthony Mann, 1948) ; HE WALKED BY NIGHT (US, Alfred L. Werker and Anthony Mann, 1948) ; FOLLOW ME QUIETLY (US, Richard Fleischer, 1949) ; BORDER INCIDENT (US, Anthony Mann, 1949) ; SIDE STREET (US, Anthony Mann, 1950) ; TALL TARGET, THE (US, Anthony Mann, 1951) Summary: "Anthony Mann (1906-1967) is renowned for his outstanding 1950s westerns starring James Stewart (Winchester '73, The Naked Spur, The Man from Laramie). But there is more to Mann's cinematic universe than those tough Wild West action dramas featuring conflicted and secretive heroes. This brilliant Hollywood craftsman also directed fourteen electrifying crime thrillers between 1942 and 1951, among them such towering achievements in film noir as T-Men, Raw Deal, and Side Street. Mann was as much at home filming dark urban alleys in black-and-white as he was the prairies and mountains in Technicolor, and his protagonists were no less conflicted and secretive than his 1950s cowboys.In these Mann crime thrillers we find powerful stories of sexual obsession (The Great Flamarion), the transforming images of women in wartime and postwar America (Strangers in the Night, Strange Impersonation), exploitation of Mexican immigrants (Border Incident), studies of the criminal mind (He Walked by Night), and Civil War bigotry (The Tall Target). Mann's forceful camera captured such memorable and diverse stars as Erich von Stroheim, Farley Granger, Dennis O'Keefe, Claire Trevor, Richard Basehart, Ricardo Montalba´n, Ruby Dee, and Raymond Burr.The Crime Films of Anthony Mann features analysis of rare documents, screenplays, story treatments, and studio memoranda and reveals detailed behind-the-scenes information on preproduction and production on the Mann thrillers. Author Max Alvarez uses rare and newly available sources to explore the creation of these noir masterworks. Along the way, the book exposes secrets and solves mysteries surrounding the mercurial director and his remarkable career, which also included Broadway and early live television"-- LIBRARIES AUSTRALIANotes: Includes bibliographical references, filmography and indexISBN: 9781617039249Contents: -- introduction -- 1: From Lomaland to Broadway -- 2: From Broadway to Hollywood -- 3: Dr. Broadway (1942) -- 4: Strangers in the Night (1944) -- 5: Two O'Clock Courage (1945) -- 6: The Great Flamarion (1945) -- 7: Strange Impersonation (1946) -- 8: Desperate (1947) -- 9:Railroaded! (1947) -- 10: T-Men (1947) -- 11: Raw Deal (1948) -- 12: He Walked By Night (1948) -- 13: Follow Me Quietly (1949) -- 14: Border Incident (1949) -- 15: Side Street (1950) -- 16: The Tall Target (1951) -- 17: The Lost Noir of Anthony Mann -- postscript -- acknowledgments -- Anthony Mann crime filmography -- notes -- archival sources -- bibliography -- index --
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Crime movies : from Griffith to the Godfather and beyond / [by] Carlos Clarens London: Secker and Warburg, 1980.
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Crime scenes : movie poster art of the film noir ; the classic period : 1941-1959 / written and collected by Lawrence Bassoff ; foreword with Robert Wise Beverly Hills: Lawrence Bassoff Collection, c1997.
Call No: 915 BASAuthor: Bassoff, Lawrence CorpAuthor: Lawrence Bassoff CollectionSource: USPlace: Beverly HillsPublisher: Lawrence Bassoff CollectionPubDate: c1997PhysDes: 159 pages : illustrations (chiefly colour) ; 28 x 36 cmSubject: FILM NOIR ; CRIME FILMS ; POSTERS ; ADVERTISING FOR FILMS ; MERCHANDISING ; WISE, ROBERT Summary: "Crime Scenes - Movie Poster Art of the Film Noir is the first book to trace the development and history of this intriguing movement by employing original movie poster art from over 100 vintage film noirs from the classic period of 1941 to 1959 including: The Maltese Falcon with Humphrey Bogart and Mary Astor, This Gun for Hire with Alan Ladd and Veronica Lake, Laura with Gene Tierney and Dana Andrews, and The Postman Always Rings Twice with Lana Turner and John Garfield. Originally displayed in movie theatres, these rare, ravishing and valuable posters and lobby cards also illustrate the signature in-house movie poster styles and printing processes utilized by the major studios and leading independents of the day. Academy Award-winning producer and director Robert Wise recalls his experiences as the RKO Radio Pictures contract director of such film noirs as Born to Kill (1947) and The Set Up (1949) in an informative foreword interview." - BOOK BLURBNotes: Contains bibliography and index of movie posters -- Dedicated to the Art Gallery of New South Wales and the Art Gallery Society of New South WalesISBN: 1886310114
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journal article
A Critic for Critics in Australasian Cinema (16/7/1982) vol.11 iss.12 p.36
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The critical practice of film : an introduction / by Elspeth Kydd Houndmills. Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2011.
Call No: 62 KYDAuthor: Kydd, Elspeth Source: UK/USPlace: Houndmills. Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2011PhysDes: xix, 316 p. : ill. ; 26 cmSubject: NARRATIVE IN FILMS ; DOCUMENTARY FILMS ; EXPERIMENTAL FILMS ; CINEMATOGRAPHY ; SOUND ; EDITING ; MUSIC IN FILMS ; FILM ; COSTUMES ; COSTUME DESIGNING ; CRITICISM Summary: "The successful study of film combines criticism, theory and practice. This book covers all three areas and guides the student towards an engaged form of creative expression and an active role as reviewer and critic. Beautifully presented, this ground-breaking text offers all students an integrated understanding of film criticism and production"--Provided by publisher - LIBRARIES AUSTRALIANotes: Includes index; Includes bibliographical references and indexISBN: 9780230229754Contents: -- illustrations -- acknowledgments -- PART I: CRITICAL PRACTICE -- The Critical Practice of Film -- Motion pictures -- PART II: FILM FORM -- Narrative Film -- Documentary Film -- Experimental film -- PART III: TECHNIQUES OF FILM -- Cinematography -- Mise-en-Scene -- Sound -- Editing -- Film music -- PART IV: ANALYSIS AND CRITICAL PRACTICE -- Analysis and interpretation of film -- Critical practice in action -- bibliography -- glossary -- index --
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journal article
The Critics and the Movies in Montage (1967) iss.1 p.22
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journal article
Crystal Film Corp. in Australasian Cinema (16/7/1982) vol.11 iss.12 p.33
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CRYSTAL FILM CORPORATION
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The Cuban Filmography, 1987 though 2001 North Carolina: McFarland and Company, 2003.
Call No: 71(729.1) OSUAuthor: Garcia Osuna, Alfonso j. Source: USPlace: North CarolinaPublisher: McFarland and CompanyPubDate: 2003PhysDes: 216p.Subject: CUBA ; INDUSTRY, FILM. CUBA Summary: On January 24, 1897, an event took place that would change Cuban culture forever: the first moving pictures were shown in Havana. A couple of weeks later, on February 7, the first movie was filmed on the island. Since then, cinematography and Cuba have shared peculiar and innate connections, as their beginnings roughly coincide and Cubans are living in both the age of independence and revolution and the age of film.
This work is a filmography of every Cuban film (including documentaries, shorts, and cartoons) released from 1897, the first year films were shown and made in Cuba, through 2001. Each entry gives the original title of the film, the English translation of it, director, production company or companies, year of release, black and white or color, total running time, writing credits if the film is based on a story or novel, animation credits if the film is a cartoon, music credits if music has been written specifically for the film, cast credits, and a synopsis and short critical evaluation.
The work also provides comments on the relationship between Cuban film and history, and the changes that have taken place over the years in themes, topics, methods, and other aspects of filmmaking in Cuba.
Taken from http://www.mcfarlandpub.com/book-2.php?isbn=0-7864-1275-5ISBN: 0786412755
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Cultural activities policy : for the creative development branch Australian Film Commission / Australian Film Commission. Creative Development Branch North Sydney: The Policy Unit, Executive Branch, Australian Film Commission, 1984.
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Cultural activities policy for the Creative Development Branch, Australian Film Commission North Sydney: The Policy Unit, Executive Branch, Australian Film Commission, 1984.
Call No: 408(94) CULCorpAuthor: Australian Film Commission. Creative Development Branch; Australian Film Commission. Policy UnitPlace: North SydneyPublisher: The Policy Unit, Executive Branch, Australian Film CommissionPubDate: 1984PhysDes: 10 leaves ; 30 cmSubject: AUSTRALIAN FILM COMMISSION ; CULTURE AND THE CINEMA. AUSTRALIA Notes: Spiral bindingISBN: 0642108927 : price unknownLON: 3640037
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Cultural activities review : [draft papers] / prepared by the Policy Unit, Executive Branch of the Australian Film Commission, with the contribution of consultant, Frank Maloney North Sydney: Australian Film Commission, 1984.
Call No: 205.1 CULCorpAuthor: Australian Film CommissionSource: ATPlace: North SydneyPublisher: Australian Film CommissionPubDate: 1984PhysDes: 1 volume (various pagings) ; 30 cmSubject: AUSTRALIAN FILM COMMISSION ; AUSTRALIAN FILM COMMISSION. CREATIVE DEVELOPMENT FUND ; AUSTRALIAN FILM INSTITUTE ; CULTURE AND THE CINEMA. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA Summary: Collection of material pertaining to a review of the cultural activities of the Australian Film Commission and it's relationship (and funding) to various aspects of Australian film culture, including: exhibition, film education, training/production support, state libraries and archives, festivals, distribution, and Australian film publications. Lists of summaries of over 30 submissions to the 'Cultural Activities Review'. Lists a draft policy of the Australian Film Commission: Cultural Activities. --
These papers are to be 'provided in preparation for public meetings to be held in Australian capital cities' held in June 1984, with recommendations 'presented to the Commission in August for later publication and circulation' [quotes from page 6].Contents: 1. Background / page 1 -- 2. An overview / page 10 -- 3. Summaries of submissions / page 69 -- 4. Draft cultural activities policy
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CULTURAL FILM FOUNDATION OF AUSTRALIA
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Cultural funding in Australia : three tiers of government 2004-05 / National Centre for Culture and Recreation Statistics, Australian Bureau of Statistics [Canberra]: Commonwealth of Australia, in conjunction with the Governments of New South Wales, Victoria, Queensland, Western Australia, South Australia, Tasmania, the Northern Territory and the Australian Capital Territory., c2006.
Call No: 205.34(94) NATCorpAuthor: National Centre for Culture and Rectreation Statistics, Australian Bureau of StatisticsSource: ATPlace: [Canberra]Publisher: Commonwealth of Australia, in conjunction with the Governments of New South Wales, Victoria, Queensland, Western Australia, South Australia, Tasmania, the Northern Territory and the Australian Capital Territory.PubDate: c2006PhysDes: vi, 45 pages : illustrations ; 30 cmSubject: GOVERNMENT AID. AUSTRALIA ; STATISTICS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Summary: "This publication is the eleventh in a series of cultural funding reports produced for the Cultural Ministers Council Statistics Working Group (CMC SWG) by the National Centre for Culture and Recreation Statistics (NCCRS), a section of the Australian Bureau of Statistics (ABS). The publication presents information about cultural funding by each level of government." -preface of report.ISBN: 0642753679Contents: Section 1 - main features -- Section 2 - government funding of culture - an overview -- Australian Government funding -- State and Territory Government funding -- Local Government funding -- Funding per person -- Recurrent and capital funding -- Proportion of total government expenses -- Section 3 - cultural funding by Australian Government -- Sources of funding -- Funding by category -- Recurrent and capital funding -- Section 4 - Cultural funding by State and Territory Governments -- Sources of funding -- Funding by category -- Funding per person -- Recurrent and capital funding -- Section 5 - Cultural funding by Local Government -- Funding by state and territory -- Funding per person -- Recurrent and capital funding -- Section 6 - cultural funding over time -- Funding by level of government -- Funding per person -- Recurrent and capital funding -- Funding by state and territory -- New South Wales -- Victoria -- Queensland -- South Australia -- Western Australia -- Tasmania -- Northern Territory -- Australian Capital Territory -- State and territory funding per person -- Funding by Local Government -- Explanatory notes -- Glossary of terms -- Appendix - funding classification -- Related publications
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newspaper article
Cultural institutions take another hit in Canberra Times (04/05/2016) p.2
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newspaper article
'Cultural Stalinism' in screen gender stand in Weekend Australian [-] (6/05/2017) p.3
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Cultures on celluloid / Keith Reader London New York: Quartet Books, 1981.
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newspaper article
Curbs on foreign actors 'counterproductive' in Australian Financial Review [Marketing and Media] (2/03/2015) p.37
Call No: SUBJECT CLIPPINGS FILE; FILM WORKERS. AUSTRALIAAuthor: White, Dominic PhysDes: Clippings File ArticleSubject: FILM WORKERS. AUSTRALIA ; ACTORS ; TRADE UNIONS. AUSTRALIA ; SHERMAN, EMILE Summary: Australian producers are trying to lobby the federal government to deregulate the subclass 420 visa rules so as to allow foreign workers, especially actors, to work on Australian productions. This move is being lobbied against by the Media, Entertainment, and Arts Alliance, who claim that the move will harm the local film industry.
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journal article
Curt Jurgens dies in Australasian Cinema (25/6/1982) vol.11 iss.11 p.7
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festival catalogue
Curta Cinema - Rio de Janeiro International Short Film Festival Rio de Janeiro, Brazil: Centro Cultural Banco Do Brazil, November 1999.
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journal article
Curtain call for Lord Grade : Departs ACC in Australasian Cinema (25/6/1982) vol.11 iss.11 p.1
PhysDes: ArticleSubject: INDUSTRY, FILM. UK Summary: Announcement of Lord Grade's retirement from the company he started, Associated Communications Corporation.
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"Cut! Print!" : the language and structure of filmmaking / by Tony Miller and Patricia George Miller Los Angeles: Ohara Publications, [1972].
Call No: 22(038) MILAuthor: Miller, Tony ; Miller, Patricia George Source: USPlace: Los AngelesPublisher: Ohara PublicationsPubDate: [1972]PhysDes: 188 p. : ill. ; 23 cmSubject: FILM TERMINOLOGY Summary: The bulk of this book is devoted to the language of filmmaking. Many fascinating examples of movie-land terminology make it an essential handbook for all who want to know more about the practical side of filmmaking. [Adapted from back cover.]ISBN: 030680017Donation: donated by the family of Wayne Levy, 2006
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newspaper article
Cuts are frightening : Dressmaker director in Sydney Morning Herald (19/05/2016) p.20
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Cycles, sequels, spin-offs, remakes, and reboots : multiplicities in film and television / edited by Amanda Ann Klein and R. Barton Palmer Austin, TX: University of Texas Press, 2016.
Call No: 753.81 CYCAuthor: Klein, Amanda Ann (ed.) ; Palmer, R. Barton (ed.) Edition: First editionSource: USPlace: Austin, TXPublisher: University of Texas PressPubDate: 2016PhysDes: vi, 357 pages : illustrations (black and white) ; 24 cmSubject: FILM ; CRITICISM ; REMAKES ; SEQUELS Summary: "With sequels, prequels, remakes, spin-offs, or copies of successful films or franchises dominating film and television production, it sometimes seems as if Hollywood is incapable of making an original film or TV show. These textual pluralities or multiplicities—while loved by fans who flock to them in droves—tend to be dismissed by critics and scholars as markers of the death of high culture. Cycles, Sequels, Spin-offs, Remakes, and Reboots takes the opposite view, surveying a wide range of international media multiplicities for the first time to elucidate their importance for audiences, industrial practices, and popular culture.
The essays in this volume offer a broad picture of the ways in which cinema and television have used multiplicities to streamline the production process, and to capitalize on and exploit viewer interest in previously successful and/or sensational story properties. An impressive lineup of established and emerging scholars talk seriously about forms of multiplicity that are rarely discussed as such, including direct-to-DVD films made in Nigeria, cross-cultural Japanese horror remakes, YouTube fan-generated trailer mash-ups, and 1970s animal revenge films. They show how considering the particular bonds that tie texts to one another allows us to understand more about the audiences for these texts and why they crave a version of the same story (or character or subject) over and over again. These findings demonstrate that, far from being lowbrow art, multiplicities are actually doing important cultural work that is very worthy of serious study." -- BOOK BACK COVER BLURBNotes: Formerly CIP; Includes bibliographical references and index; Also published electronicallyISBN: 9781477308172Donation: Senses of cinemaContents: -- ch. 1 Introduction / Amanda Ann Klein and R. Barton Palmer -- ch. 2 The Kissing Cycle, Mashers, and (White) Women in the American City / Amanda Ann Klein -- ch. 3 Descended from Hercules: Masculine Anxiety in the Peplum / Robert Rushing -- ch. 4 The American Postwar Semidocumentary Cycle: Factual Dramatizations / R. Barton Palmer -- ch. 5 Cycle Consciousness and the White Audience in Black Film Writing: The 1949--1950 "Race Problem" Cycle and the African American Press / Steven Doles -- ch. 6 Vicious Cycle: Jaws and Revenge-of-Nature Films of the 1970s / Constantine Verevis -- ch. 7 Familiar Otherness: On the Contemporary Cross-Cultural Remake / Chelsey Crawford -- ch. 8 Anime's Dangerous Innocents: Millennial Anxieties, Gender Crises, and the Shojo Body as a Weapon / Elizabeth Birmingham -- ch. 9 It's Only a Film, Isn't It? Policy Paranoia Thrillers of the War on Terror / Vincent M. Gaine -- ch. 10 Doing Dumbledore: Actor-Character Bonding and Accretionary Performance / Murray Pomerance -- ch. 11 A Lagosian Lady Gaga: Cross-Cultural Identification in Nollywood's Anti-Biopic Cycle / Noah Tsika -- ch. 12 Re-solving Crimes: A Cycle of TV Detective Partnerships / Sarah Kornfield -- ch. 13 Smart TV: Showtime's "Bad Mommies" Cycle / Claire Perkins -- ch. 14 My Generation(s): Cycles, Branding, and Renewal in E4's Skins / Faye Woods -- ch. 15 Extended Attractions: Recut Trailers, Film Promotion, and Audience Desire / Kathleen Williams -- ch. 16 Retro-Remaking: The 1980s Film Cycle in Contemporary Hollywood Cinema / Kathleen Loock -- ch. 17 I Can't Lead This Vacation Anymore: Mumblecore's American Man / Amy Borden -- ch. 18 Serialized Killers: Prebooting Horror in Bates Motel and Hannibal / Andrew Scahill -- list of contributors -- index --
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Cyril Cornish dies in Australasian Cinema (27/8/1982) vol.11 iss.15 p.27
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Daily activity programme : 38th annual motion picture industry convention July 17- July20 1983 Surfers Paradise. Qld. in Australasian Cinema (24/6/1983) vol.12 iss.11 p.2
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Dalmas : the film that freaked out in Lumiere (April, 1973) iss.22 p.22-25
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The dark age of American film : a study of the American "film noir" volume 1 / Robert G. Porfirio Ann Arbor Mich.: University Microfilms International, 1979.
Call No: 734.1 PROAuthor: Profirio, Robert G. Source: USPlace: Ann Arbor Mich.Publisher: University Microfilms InternationalPubDate: 1979PhysDes: 246 p. ; 21 cmSubject: FILM NOIR Notes: Includes index.; A dissertation presented to the Faculty of the Graduate School of Yale University in candidacy for the Degree of Doctor of Philosophy.; Includes bibliographical references.
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The dark side of the screen : film noir / Foster Hirsch San Diego London: A. S. Barnes Tantivy Press, 1981.
Call No: 734 HIRAuthor: Hirsch, Foster Edition: 1st edPlace: San Diego LondonPublisher: A. S. Barnes Tantivy PressPubDate: 1981PhysDes: 229 p. : ill. ; 29 cmSubject: FILM NOIR ; BAD GUYS ; EXPRESSIONISM ; WOMEN IN FILMS ; BOGART, HUMPHREY ; CHANDLER, RAYMOND ; DASSIN, JULES ; HITCHCOCK, ALFRED ; LANG, FRITZ ; HAMMETT, DASHIELL ; MURDER MY SWEET (US, Edward Dmytryk, 1945) ; SORRY, WRONG NUMBER (US, Anatole Litvak, 1948) ; BIG CLOCK, THE (US, John Farrow, 1947) ; BIG HEAT, THE (US, Fritz Lang, 1953) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; KILLERS, THE (US, Robert Siodmak, 1946) ; MALTESE FALCON, THE (US, John Huston, 1941) ; NIGHT AND THE CITY (US, Jules Dassin, 1950) ; PROWLER, THE (US, Joseph Losey, 1950) ; EDGE OF DOOM (US, Mark Robson, 1950) ; MURDER MY SWEET (US, Edward Dmytryk, 1945) ; GUN CRAZY (US, Joseph H. Lewis, 1949) ; BIG COMBO, THE (US, Joseph H. Lewis, 1955) Notes: Includes index; Bibliography: p. 211-212; Filmography: p. 213-220ISBN: 049802234XLON: 80028955; 1868575
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Database economy and transnational cinema in Studies in Australasian cinema (2009) vol.3 iss.2 p.155-166
Author: Cubitt, Sean PhysDes: ArticleSubject: DIGITAL TECHNOLOGY. AUSTRALIA ; DIGITAL TECHNOLOGY. NEW ZEALAND ; DIGITAL PROJECTION ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND Summary: Digital or electronic cinemas are dependent on a global regime of standards covering such features as aspect ratios, colour gamuts, screen resolution and compression-decompression algorithms. These standards are worked out by a variety of intersecting organizations representing a variety of interests. This article argues that such standardization is isomorphic with the convergence of biopolitical and commodity forms in an emergent political economy that can be described as a database economy. This infrastructure of standards and ordering principles constitutes an actually existing transnational public sphere. The article discusses the possibilities for developing an alter-globalizing public sphere in digital cinemas, testing three possible avenues: cinemas of the silent majority, new modes of distribution and content-driven approaches. It concludes by asking whether vanguard practices of building new forms of cinema apparatus may be essential to the construction of alter-globalizing transnational cinemas. -- AbstractNotes: Part of a special issue on digital cinema in Australia and New Zealand
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David Pye appointed managing director Ace Theatres in Australasian Cinema (29/10/1982) vol.11 iss.19 p.2
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Dead on arrival : the fate of Australian film noir in Studies in Australasian cinema (2010) vol.4 iss.3 p.243-253
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The dead that walk / Leslie Halliwell London: Collins, 1986.
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Deadly parallels : film and the left in Britain, 1929-1939 / Bert Hogenkamp London: Lawrence and Wishart, 1986.
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Dear Film News in Filmnews (Australia) (Oct-76) vol.VI iss.10 p.2
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Dear Filmnews in Filmnews (Australia) (Jan-Feb 1980) vol.X iss.01-Feb p.7
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Dear Filmnews in Filmnews (Australia) (Nov-Dec 1982) vol.XII iss.11-Dec p.2
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Death of A. R. Payne in Australasian Cinema (6/8/1982) vol.11 iss.14 p.15
PhysDes: ArticleSubject: OBITUARIES ; INDUSTRY, FILM. AUSTRALIA Summary: Obituary of A. R. Payne, former president of the Motion Picture Exhibitors Association of New South Wales, and member of the Australian Film Protection Association.
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Death of Frank Power in Brisbane in Australasian Cinema (11/2/1983) vol.12 iss.2 p.4
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Death of the birthplace of Dad and Dave in The Australian (17/03/1971) p.-
Call No: SUBJECT CLIPPINGS FILE; AJAX FILM STUDIOSAuthor: Perlez, Jane PhysDes: Clippings File ArticleSubject: AJAX FILM STUDIOS Summary: The closure of the Ajax Film Studios at Bondi Beach, the country's biggest stage, and its move to be a film equipment hire company. Staff to be cut from 30 to 4. Tony Buckley is unhappy at the changesNotes: no page number provided
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A Decade of Women in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.4
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Decision on "Pixote" in Australasian Cinema (6/8/1982) vol.11 iss.14 p.1
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The decline of the cinema : an economist's report / By John Spraos London: Allen & Unwin, 1962.
Call No: 201(41) SPRAuthor: Spraos, John Source: UKPlace: LondonPublisher: Allen & UnwinPubDate: 1962PhysDes: 168 p. : graphs ; 23 cmSubject: INDUSTRY, FILM. UK Notes: Includes index.
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'Defence of the Realm' in production in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.6
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Defining a new genre/ part 1 : The road movie in Lumiere (October, 1973) iss.28 p.22-25
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Deja Vu- With Palms in Lumiere (June 1970) vol.1 iss.1 p.9-10
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DEMAND.FILM
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The Demonstrator in Lumiere (February 1971) iss.7 p.28-29
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Detours and lost highways : a map of neo-noir / Foster Hirsch New York: Limelight Editions, [1999].
Call No: 734.1 HIRAuthor: Hirsch, Foster Edition: [1st Limelight ed.]Place: New YorkPublisher: Limelight EditionsPubDate: [1999]PhysDes: 398 p. : ill. ; 23 cmSubject: FILM NOIR ; FEMME FATALE ; FILM NOIR. FRANCE ; FULLER, SAMUEL ; CHANDLER, RAYMOND ; Wenders, Wim ; WOOLRICH, CORNELL ; Tarantino, Quentin ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; CRISS CROSS (US, Robert Siodmak, 1948) ; GETAWAY, THE (US, Sam Peckinpah, 1972) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; TIREZ SUR LE PIANISTE (FR, Francois Truffaut, 1960) ; AGAINST ALL ODDS (US, Taylor Hackford, 1984) ; BETRAYED (US, Constantin Costa-Gavras, 1988) ; BLUE VELVET (US, David Lynch, 1986) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CHINATOWN (US, Roman Polanski, 1974) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; DEATH WISH (US, Michael Winner, 1974) Notes: SEE REPAIRS; Filmography: p. 329-377; Includes bibliographical references (p. 325-327) and indexISBN: 0879102888Order Received: 2000LON: 20214725
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Developing in schools a critical study of film and television / Australian Unesco Seminar, Melbourne, 1970 Canberra: Australian Government Publishing Service [for Australian National Advisory Committee for Unesco], 1971.
Call No: 510 (94) DEVCorpAuthor: Australian Unesco SeminarSource: ATPlace: CanberraPublisher: Australian Government Publishing Service [for Australian National Advisory Committee for Unesco]PubDate: 1971PhysDes: viii,100 pages ; 25cm. + Report to Director-General of Unesco/ by A.W. Hodkinson (13 pages ; 25cm)Subject: EDUCATION, FILM. AUSTRALIA ; EDUCATION, USE OF FILMS IN. AUSTRALIA ; EDUCATION, USE OF TV IN. AUSTRALIA ; EDUCATION, TV. AUSTRALIA Summary: Notes from the UNESCO seminar on Australian screen education held in 1970Donation: Henry Mayer CollectionContents: Introduction -- Part 1 -- Proceedings of the seminar -- Summary of proceedings -- Present Australian practices in screen education -- visits to schools and teachers college -- Part 2 - Opening and closing remarks -- Opening statement by Mr C. M. Ebert -- Remarks by Mr W. J. Weeden, Introducing Dr H. C. Coombs -- Official opening of seminar by Dr H. C. Coombs -- Final plenary sessions - remarks by Mr C. M. Ebert -- Part 3 - Principal addresses during the seminar -- Film and television as visual arts / Professor A. W. Hodgkinson -- Film and television as dramatic arts / Mr Roy F. Knight -- Screen Education in Britain / Mr Roy F. Knight -- Screen Education - The United States approach / Professor A. W. Hodgkinson -- Television and children / Mr M. F. E. Wright -- Some thoughts about relevant Australian research / Mr D. A. Jose -- A critical study of television programs / Mr Roy F. Knight -- A critical study of television advertising / Mr Phillip Adams -- Part 4 - Draft resolutions -- Reports from the seminar discussion groups -- Part 5 - Summary of recommendations from the seminar -- Appendices - Membership of the seminar planning committee -- Seminar timetable -- Participants in the seminar -- Biographical notes - Professor A. W. Hodgkinson and Mr Roy A. Knight
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Development : a study of Australian and international funding and practice in the feature film industry / Author: Jeremy Bean Sydney: Australian Film Commission, 2000.
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Development demands drive AFC restructure in Encore (12 Feb, 1999) vol.17 iss.2 p.15
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The Devil's playground / by Christos Tsiolkas Strawberry Hills, N.S.W.: Currency Press, ScreenSound Australia, 2002.
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The devil thumbs a ride, and other unforgettable films / Barry Gifford New York: Grove Press,
Call No: 734 GIFAuthor: Gifford, Barry Edition: 1988Place: New YorkPublisher: Grove PressPhysDes: 164 p. ; 21 cmSubject: FILM NOIR ISBN: 080213078X
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The Digi-buds bloom : Simon Enticknap on films from the AFTRS Digital Media Studio in Realtime (Oct-Nov 1999) iss.33 p.24
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Directing actors : creating memorable performances for film and television / by Judith Weston Studio City, CA: M. Wiese Productions, c1996.
Call No: 225 WESAuthor: Weston, Judith Source: USPlace: Studio City, CAPublisher: M. Wiese ProductionsPubDate: c1996PhysDes: xiv, 314 p. : ill. ; 21 cmSubject: PRODUCTION ; DIRECTION ; ACTORS ; SCRIPTS ; CASTING ; FILM ; TELEVISION Summary: "Directing Actors is a method for establishing creative, collaborative relationships with actors, getting the most out of rehearsals, troubleshooting poor performances, and giving briefer directions."--BOOK JACKET. "Ms. Weston discusses what constitutes a good performance, what actors want from a director, what directors do wrong, script analysis, how actors work, and the director/actor relationship. This book is based on the author's twenty years of professional acting and eight years of teaching Acting for Directors."--BOOK JACKET.Notes: Includes bibliographical references (p. 311-314); Filmography (p. 308-310)ISBN: 0941188248Contents: -- acknowledgments -- introduction -- I. result direction and quick fixes -- II. moment by moment -- III. listening and talking -- IV. actors' choices -- V. structure: transitions, events and through-lines -- VI. actors' resources and training -- VII. script analysis -- VIII. casting -- IX. rehearsal -- X. shooting -- spp. A. children and nonprofessional actors -- app. B. comedy -- app. C. short list of action verbs sample simple objectives more action verbs -- filmography -- bibliography -- further acknowledgments --
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The dirty movie book : a no-holds-barred, searing, blistering expose of the corrupt, bloated underbelly of the film industry / John Brosnan and Leroy Mitchell London: Grafton Books, 1988.
Call No: 931 BROAuthor: Brosnan, John ; Mitchell, Leroy Source: UKPlace: LondonPublisher: Grafton BooksPubDate: 1988PhysDes: 207 p. ; 21 cmSubject: LITERATURE, FILM ISBN: 0586069445Donation: donated by the family of Wayne Levy, 2006
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Discovering fragments of our past...the Grail Film Group : Amateur Australian women filmmakers of the 1930's and 1940's in Metro (2000) iss.123 p.18-24
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Discussion paper on the future of Film Australia and the National Interest Program (NIP) / prepared by Chris Hilton [Sydney]: Australian Screen Directors Association, 1997.
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Distribution : The Struggle Up North in Lumiere (September 1972) iss.16 p.29
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The distribution hangup in Lumiere (September, 1972) iss.16 p.11-13
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Dive into film footage in Sunday Telegraph (05/03/2017) p.104
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. AUSTRALIA. OCEAN FILMAuthor: Kosmider, Zevon PhysDes: Clippings File ArticleSubject: FESTIVALS. AUSTRALIA. OCEAN FILM Summary: Preview of the Sydney screening of the Ocean Film Festival, with comments from festival director Jemima Robinson
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DIVERSITY IN FILM Digital clippings file available
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Do you want to win an Oscar in Australian Financial Review (19/09/2016) p.2
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOLAuthor: Dodd, Tim PhysDes: Clippings File ArticleSubject: EDUCATION, FILM. AUSTRALIA ; AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL Summary: report on a new masters course held at the Australian Film Television and Radio School (AFTRS), which is promoting high level and specialised learning within filmmaking disciplines. Interivew with AFTRS CEO Neil Peplow
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Documentaries : a checklist of Australian documentary production March 1999.
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Documentaries : a checklist of Australian documentary production October 1998.
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Documentaries : a checklist of Australian documentary production October 1999.
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Documentaries : a checklist of Australian documentary production October 1999.
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Documentaries : a checklist of Australian documentary production April 1997.
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Documentaries : a checklist of Australian documentary production April 1998.
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Documentaries : a checklist of Australian documentary production October 1997.
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Documentary : a history of the non-fiction film / Erik Barnouw New York: Oxford University Press, 1974.
Call No: 761 BARAuthor: Barnouw, Erik, 1908 Source: USPlace: New YorkPublisher: Oxford University PressPubDate: 1974PhysDes: vi, 332 p. : ill. ; 24 cmSubject: DOCUMENTARY FILMS ; FASCISM AND THE CINEMA ; DOCUMENTARY FILMS. JAPAN ; DOCUMENTARY FILMS. UK ; OLYMPICS IN FILMS ; ART AND THE CINEMA ; ARCHIVES & INSTITUTES, FILM ; NUCLEAR ISSUES IN FILMS ; COMPILATION FILMS ; DOCUMENTARY FILMS. US ; DOCUMENTARY FILMS. USSR ; VIETNAM WAR IN FILMS ; CINEMA-DIRECT ; CINEMA VERITE ; NAZIS IN FILMS ; NEWSREELS ; POETRY AND THE CINEMA ; DOCUMENTARY FILMS. FRANCE ; PARAMOUNT STUDIOS ; WORLD WAR II FILMS ; SHELL FILM UNIT [AUSTRALIA] ; EMPIRE MARKETING BOARD ; GPO FILM UNIT ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; REISZ, KAREL ; RIEFENSTAHL, LENI ; ROUCH, JEAN ; RUTTMAN, WALTER ; FLAHERTY, ROBERT ; CAPRA, FRANK ; GRIERSON, JOHN ; IVENS, JORIS ; JENNINGS, HUMPHREY ; KAUFMAN, MIKHAIL ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT & DAVID ; MURROW, EDWARD R. ; LUMIERE, AUGUSTE & LOUIS ; VERTOV, DZIGA ; WRIGHT, BASIL ; SUCKSDORFF, ARNE ; MOANA (US, Robert Flaherty, 1926) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; AMERICAN DREAM (US, Barbara Kopple, 1990) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; WHY WE FIGHT SERIES (US, 1942-44) Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.Notes: Includes index; Bibliography: p. [297]-311ISBN: 0195018354 : $10.95LON: 74079618; 462942
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Documentary : a history of the non-fiction film / Erik Barnouw New York: Oxford University Press, 1993.
Call No: 761 BARAuthor: Barnouw, Erik, 1908 Edition: 2nd rev. edPlace: New YorkPublisher: Oxford University PressPubDate: 1993PhysDes: 400 p. : ill. ; 21 cmSubject: DOCUMENTARY FILMS ; ARCHIVES & INSTITUTES, FILM ; NUCLEAR ISSUES IN FILMS ; CINEMA VERITE ; COMPILATION FILMS ; DOCUMENTARY FILMS. USSR ; DOCUMENTARY FILMS. USA ; VIETNAM WAR IN FILMS ; CINEMA-DIRECT ; NAZIS IN FILMS ; NEWSREELS ; POETRY AND THE CINEMA ; DOCUMENTARY FILMS. FRANCE ; FASCISM AND THE CINEMA ; DOCUMENTARY FILMS. JAPAN ; DOCUMENTARY FILMS. UK ; OLYMPICS IN FILMS ; ART AND THE CINEMA ; PARAMOUNT STUDIOS ; WORLD WAR II FILMS ; SHELL FILM UNIT [AUSTRALIA] ; EMPIRE MARKETING BOARD ; GPO FILM UNIT ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; REISZ, KAREL ; RIEFENSTAHL, LENI ; ROUCH, JEAN ; RUTTMAN, WALTER ; FLAHERTY, ROBERT ; CAPRA, FRANK ; Grierson, John ; IVENS, JORIS ; JENNINGS, HUMPHREY ; KAUFMAN, MIKHAIL ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT & DAVID ; MURROW, EDWARD R. ; LUMIERE, AUGUSTE & LOUIS ; VERTOV, DZIGA ; WRIGHT, BASIL ; SUCKSDORFF, ARNE ; MOANA (US, Robert Flaherty, 1926) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; AMERICAN DREAM (US, Barbara Kopple, 1990) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; SONG OF CEYLON (UK, Basil Wright, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; WHY WE FIGHT SERIES (US, 1942-44) Summary: This is the second revised edition of Documentary: A History of the Non-fiction Film. Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.Notes: Includes bibliographical references (p. [361]-375) and indexISBN: 0195078985 (pbk. : acid-free paper) : $10.95LON: 9430204
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Documentary : a history of the non-fiction film / written by Eric Barnouw New York: Oxford University Press, 1974.
Call No: 761 BARAuthor: Barnouw, Eric Source: USPlace: New YorkPublisher: Oxford University PressPubDate: 1974PhysDes: 332 p. ; 24 cmSubject: DOCUMENTARY FILMS ; ARCHIVES & INSTITUTES, FILM ; NUCLEAR ISSUES IN FILMS ; CINEMA VERITE ; COMPILATION FILMS ; DOCUMENTARY FILMS. USSR ; DOCUMENTARY FILMS. USA ; VIETNAM WAR IN FILMS ; CINEMA-DIRECT ; NAZIS IN FILMS ; NEWSREELS ; POETRY AND THE CINEMA ; DOCUMENTARY FILMS. FRANCE ; FASCISM AND THE CINEMA ; DOCUMENTARY FILMS. JAPAN ; DOCUMENTARY FILMS. UK ; OLYMPICS IN FILMS ; ART AND THE CINEMA ; PARAMOUNT STUDIOS ; WORLD WAR II FILMS ; SHELL FILM UNIT [AUSTRALIA] ; EMPIRE MARKETING BOARD ; GPO FILM UNIT ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; REISZ, KAREL ; RIEFENSTAHL, LENI ; ROUCH, JEAN ; RUTTMAN, WALTER ; FLAHERTY, ROBERT ; CAPRA, FRANK ; Grierson, John ; IVENS, JORIS ; JENNINGS, HUMPHREY ; KAUFMAN, MIKHAIL ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT & DAVID ; MURROW, EDWARD R. ; LUMIERE, AUGUSTE & LOUIS ; VERTOV, DZIGA ; WRIGHT, BASIL ; SUCKSDORFF, ARNE ; MOANA (US, Robert Flaherty, 1926) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; AMERICAN DREAM (US, Barbara Kopple, 1990) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; WHY WE FIGHT SERIES (US, 1942-44) Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.ISBN: 0195018354Donation: donated by the family of Wayne Levy, 2006Contents: -- 1: glimpse of wonders -- 2: images at work -- 3: sound and fury -- 4: clouded lens -- sharp focus -- afterword -- source notes -- bibliography -- index --
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Documentary and educational films of the 1930s / Rachael Low London, UK: George Allen & Unwin, 1979.
Call No: 761(41) LOWAuthor: Low, Rachael Source: UKPlace: London, UKPublisher: George Allen & UnwinPubDate: 1979PhysDes: 244 p. : ill. ; 22 cmSeries: The History of British Film 1929-1939Subject: BRITISH FILM INSTITUTE ; DOCUMENTARY FILMS. UK ; EDUCATION, USE OF FILMS IN ; EDUCATION, FILM. UK ; INDUSTRY, FILM. UK ; INSTRUCTIONAL FILMS ; PROPAGANDA FILMS ; POLITICAL FILMS ; TRUTH IN FILMS ; ANSTEY, EDGAR ; CAVALCANTI, ALBERTO ; ELTON, ARTHUR ; GRIERSON, JOHN ; ROTHA, PAUL ; WRIGHT, BASIL Summary: "With the advent of sound a host of film makers began, during the 1930s, to explore the wider possibilities of film as a means of communication. Without doubt the most spectacular development during this decade of social and political unrest was the dramatic growth of the mainstream British documentary movement closely associated with names such as John Grierson and Paul Rotha, which is often described as Britain's most important contribution to world cinema. In these pages for the first time a full and detailed account is given of people involved in the documentary movement and a coherant attempt is made to date and describe their whole output. Rachael Low demonstrates how different documentary styles evolved, developed and changed - and eventually split into two distinct schools of film making.
An equally important innovation in the 1930s was the first use of film for educational purposes. Rachael Low records in detail the many experiments and debates held to determine the best use of films in schools and the often disappointing attempts to produce satisfactory educational films."--BOOK JACKETNotes: includes bibliographical references; incldues film listing
includes indexISBN: 0047910364Contents: -- Acknowledgements -- List of Illustrations -- 1. Introduction -- 2. The Educational Film -- 3. The Documentary Movement -- (i) Early Stages -- (ii) The Middle Years -- (iii) Maturity -- (iv) The End of the Decade -- 4. Reality and the Documentary Film -- Appendix: The British Film Institute -- Notes -- Bibliography -- Film List -- Index --
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The documentary film book / edited by Brian Winston London: Palgrave Macmillan, 2013.
Call No: 761 DOCAuthor: Winston, Brian CorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: Palgrave MacmillanPubDate: 2013PhysDes: 416 pages ; 25 cmSubject: AFRICA ; ART CINEMA ; ANTHROPOLOGY AND THE CINEMA ; BRAZIL ; CINEMA-DIRECT ; CINEMA VERITE ; DOCUMENTARIES ; DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; ETHICS AND THE CINEMA ; ETHNOGRAPHIC FILMS ; HISTORY ON TV ; HOMOSEXUALITY AND THE CINEMA ; ISRAEL ; INTERNET AND THE CINEMA ; LATIN AMERICAN COUNTRIES ; PALESTINE ; POLITICAL FILMS ; RACIAL ISSUES AND THE CINEMA ; REVOLUTIONARY THEMES IN FILMS ; MOVEMENTS IN FILM HISTORY ; REALITY TV ; GRIERSON, JOHN ; MOORE, MICHAEL ; VERTOV, DZIGA ; AFRICA RISING (US, Paula Heredia, 2009) ; AILEEN: LIFE AND DEATH OF A SERIAL KILLER (UK, Nick Bloomfield & Joan Churchill, 2003) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) Summary: Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film.
In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies. -- BOOK BLURBISBN: 9781844573417Contents: Acknowledgments -- Notes on Contributors -- Foreword: Why Documentaries Matter -- Introduction: The Filmed Documentary --; PART I: DOCUMENTARY VALUES -- The Question of Evidence, the Power of Rhetoric and Documentary Film: Bill Nichols -- 'I'll Believe It When I Trust the Source': Documentary Images and Visual Evidence: Carl Plantinga -- 'The Performance Documentary': The Performing Film-Maker, the Acting Subject: Stella Bruzzi -- On Truth, Objectivity and Partisanship: The Case of Michael Moore: Douglas Kellner -- CGI and the End of Photography as Evidence: Taylor Downing -- Drawn From Life: The Animated Documentary: Andy Glynne -- Dramadoc? Docudrama? The Limits and Protocols of a Televisual Form: Derek Paget -- Ambiguous Audiences: Annette Hill -- Life As Narrativised: Brian Winston -- The Dance of Documentary Ethics: Pratap Rughani -- Deaths, Transfigurations and the Future: John Corner --; PART II: DOCUMENTARY PARADIGMS -- Problems in Historiography: The Documentary Tradition Before Nanook of the North: Charles Musser -- John Grierson and the Documentary Film Movement: Ian Aitken -- Challenges For Change: Canada's National Film Board: Thomas Waugh and Ezra Winton -- Grierson's Legacies: Australia and New Zealand: Deane Williams -- New Deal Documentary and the North Atlantic Welfare State: Zoe Druick and Jonathan Kahana -- The Triumph of Observationalism: Direct Cinema in the USA: Dave Saunders -- Russian and Soviet Documentary: From Vertov to Sokurov: Ian Christie -- The Radical Tradition in Documentary Film-making, 1920s–50s: Bert Hogenkamp -- Le Groupe des trente: The Poetic Tradition: Elena Von Kassel Siambani -- Cinéma Vérité: Vertov Revisited: Genevieve Van Cauwenberge -- Beyond Sobriety: Documentary Diversions: Craig Hight --; PART III: DOCUMENTARY HORIZONS -- Eastwards: Abe Mark Nornes -- Africa N.: Frank Ukadike -- Images From the South: Contemporary Documentary in Argentina and Brazil: Ana Amado and Maria Dora Mourao -- 'Roadblock' Films, 'Children's Resistance' Films and 'Blood Relations' Films: Israeli and Palestinian Documentary Post-Intifada: Il Raya Morag -- Sacred, Mundane and Absurd Revelations of the Everyday – Poetic Vérité in the Eastern European Tradition; Susanna Helke --; PART IV: DOCUMENTARY VOICES -- First-Person Political: Alisa Lebow -- Feminist Documentaries: Finding, Seeing and Using Them: Julia Lesage -- Pioneers of Black Documentary Film: Pearl Bowser -- LGTBs' Documentary Identity: Christopher Pullen -- Docusoaps: The Ordinary Voice as Popular Entertainment: Richard Kilborn -- Reality TV: A Sign of the Times?: Anita Biressi and Heather Nunn --; PART V: DOCUMENTARY DISCIPLINES -- Anthropology: The Evolution of Ethnographic Film: Paul Henley -- Science, Society and Documentary: Tim Boon -- History Documentaries for Television: Ann Gray -- Music, Documentary, Music Documentary: Michael Chanan -- Art, Documentary as Art; Michael Renov --; PART VI: DOCUMENTARY FUTURES -- Documentary as Open Space: Helen de Michiel and Patricia R. Zimmermann -- 'This Great Mapping of Ourselves': New Documentary Forms Online: John Dovey and Mandy Rose -- New Platforms for 'Docmedia': 'Varient of a Manifesto': Peter Wintonick --; Afterword: The Unchanging Question: Brian Winston -- Index
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The Documentary film in Australia / edited by Ross Lansell and Peter Beilby North Melbourne: Cinema Papers in association with Film Victoria, c1982.
Call No: 761(94) DOCCopy Management: Copy 1; Copy 2Author: Beilby, Peter ; Lansell, Ross CorpAuthor: Film VictoriaPlace: North MelbournePublisher: Cinema Papers in association with Film VictoriaPubDate: c1982PhysDes: 205 p. : ill., ports. ; 27 cmSubject: DOCUMENTARY FILMS. AUSTRALIA ; ARCHIVES & INSTITUTES, FILM. AUSTRALIA ; GOVERNMENT ORGANIZATIONS. AUSTRALIA ; FILMMAKING. AUSTRALIA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. 1970's ; HISTORY OF CINEMA. 1980's ; HISTORY OF CINEMA. AUSTRALIA ; HISTORY OF CINEMA. NEW ZEALAND ; INDUSTRY, FILM. AUSTRALIA ; PRESERVATION OF FILMS. AUSTRALIA ; PRODUCTION ; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA ; BAKER, SUZANNE ; EDWARDS, JOHN ; MCMAHON, TERENCE ; BRADBURY, DAVID ; NOONAN, CHRIS ; HURLEY, FRANK ; GRIERSON, JOHN Summary: Collection of essays on Australian documentary, covering the history of documentary in Australia and world-wide up until the early 1980s, documentary production, interviews with key documentary makers, information on documentary preservation and repositories, and hypotheses on the future of documentary-making in Australia.Notes: Includes indexISBN: 0959564721 : $12.95 AustLON: 2380995Contents: 1. What is a documentary? / John Langer; 2. A brief history of the documentary -- 1890s Australia / Chris Long -- 1900s world-wide and Australia / Ray Edmonston, Jenny Trustum -- 1910s Australia / Chris Long -- World War 1 / Phil Taylor -- 1920s world-wide and Australia / Andrew Pike -- 1930s world-wide / Jonathan Dawson -- 1930s Australia / Chris Long -- Early 1940s World War 2 / Phil Taylor -- Late 1940s world-wide / Brian McFarlane -- Late 1940s Australia / Tom Politis -- 1950s world-wide / Keith Connolly -- 1950s Australia / Anthony Buckley -- 1960s world-wide / John Pruzanski -- 1960s Australia / Ross Lansell -- 1970s world-wide and Australia / Gillian Coote -- Some issues and concerns of the 1970s / Barbara Alysen, David McDougall, Noel Purdon and Albie Thoms -- The 1980s and beyond / Ian Stocks --; 3. Documentary production today -- Government / Bruce Moir -- Specialist film units / Robert Rothols -- Television / Brian Davies -- Commerce and industry / Eve Ash and Ian McFayden -- Independent / Curtis Levy; 4. Case-histories -- Government: Suzzane Baker, John Edwards, Oliver Howes and Stephen Ramsey / Ian Stocks -- Specialist film units: Ross Campbell / Robert Rothol -- Television: Jeremy Cornford and Peter Luck / Jeremy Cornford and Nick Herd -- Commerce and industry: Terence McMahon / Eve Ash -- Independent: David Bradbury and Chris Noonan / Barbara Alysen --; 5. The marketplace / Kim Dalton --; 6. Some documentary themes -- Documentary traditions before Grierson: the case of Frank Hurley / Andrew Pike -- The Grierson tradition / Jonathan Dawson -- Propaganda then and now / John Hughes -- The television age / Tom Haydon --; 7. Preserving the past / Barbara Alysen --; 8. The documentary of the future / Fred Harden
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Documentary maker put real Australia on the world screen in Daily Telegraph (14/09/20016) p.47
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Documentary practice in a participatory culture / by Patrick Anthony Tarrant Queensland: 2008.
Call No: 761 TARAuthor: Tarrant, Patrick Anthony Source: ATPlace: QueenslandPubDate: 2008PhysDes: 157 p. : ill. ; 30 cmSubject: DOCUMENTARIES ; DOCUMENTARIES. AUSTRALIA ; DOCUMENTARY FILMS ; DOCUMENTARY FILMS. AUSTRALIA ; THEORY ; FILM STUDY AND RESEARCH ; FILM STUDY AND RESEARCH. AUSTRALIA ; CRITICISM ; REALITY TV ; REALITY TV. AUSTRALIA ; HUBBUB (AT, Patrick Tarrant, 2007) ; ONE MORE LIKE THAT (AT, Patrick Tarrant, 2007) Summary: " Debates concerning the veracity, ethics and politics of the documentary form circle endlessly around the function of those who participate in it, and the meaning attributed to their participation. Great significance is attached to the way that documentary filmmakers do or do not participate in the world they seek to represent, just as great significance is attached to those subjects whose participation extends beyond playing the part of eyewitness or expert, such that they become part of the filmmaking process itself.
This Ph.D explores the interface between documentary practice and participatory culture by looking at how their practices, discursive fields and histories intersect, but also by looking at how participating in one might mean participating in the other. In short, the research is an examination of participatory culture through the lens of documentary practice and documentary criticism. In the process, however, this examination of participatory culture will in turn shed light on documentary thinking, especially the meaning and function of 'the participant' in contemporary documentary practice." -- ABSTRACTNotes: Presented to the Creative Industries Faculty, Queensland University of Technology; Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2008; Includes bibliographical references (p. 151-157); Note the published version contains 1 videodisc (4 3/4 in.), but this is not included with our copyContents: -- keywords -- abstract -- table of contents -- list of figures -- supplementary material -- copyright -- statement of original authorship -- acknowledgments -- chapter 1: introduction -- chapter 2: participatory cultures & documentary practices -- chapter 3: camera movies (awesome, I fuckin' shot them!) -- chapter 4: finding, filming and documenting (the articulate archive) -- chapter 5: conclusion (the thesis film) -- appendix 1: interview questions used for hubbub -- appendix 2: instructions for the dvd -- works cited -- filmography --
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Documentary screens : non-fiction film and television / Keith Beattie Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004.
Call No: 761 BEAAuthor: Beattie, Keith Source: UKPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2004PhysDes: 276 p ; 21cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; IMPERIALISM AND THE CINEMA ; CINEMA VERITE ; CINEMA-DIRECT ; JOURNALISTS, FILM ; POPULAR CULTURE AND TV ; REALITY TV ; TABLOID JOURNALISM ; POPULAR CULTURE AND THE CINEMA ; AUSTRALIAN BROADCASTING CORPORATION ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; NATIONAL FILM BOARD OF CANADA ; NATIONAL INDIGENOUS DOCUMENTARY FUND ; NBC TELEVISION NETWORK ; PUBLIC BROADCASTING SERVICE ; NETWORK TEN ; VIDEODISCS ; GRANADA ; IMAX ; INDEPENDENT TELEVISION COMMISSION ; INTERACTIVE TV ; MUSIC TELEVISION ; TELEVISION JOURNALISTS ; BUERK, MICHEAL ; CAVADINI, ALESSANDRO ; DE ANTONIO, EMILE ; DREW, ROBERT ; DYLAN, BOB ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT ; MAYSLES, DAVID ; MCELWEE, ROSS ; MOORE, MICHAEL ; MORIN, EDGAR ; O'ROURKE, DENNIS ; PENNEBAKER, D. A. ; PILGER, JOHN ; ROUCH, JEAN ; RUTTMAN, WALTER ; TAJIRI, REA ; VERTOV, DZIGA ; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; BIG BROTHER [TV] (AT, 2001-) ; BIGGIE AND TUPAC (US, Nick Broomfield, 2001) ; BILL, THE [TV] (UK, 1984-) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002) ; BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999) ; CAMBODIA: YEAR ZERO (AT, John Pilger, 1989) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) ; CATHY COME HOME (UK, Ken Loach, 1966) ; COPS AND ROBBERSONS (US, Michael Ritchie, 1994) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MONTEREY POP (US, D. A. Pennebaker, 1968) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; POLICE STATE (AT, Chris Noonan, 1989) ; SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993) ; WALKING WITH DINOSAURS[TV] (UK, 1999) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].ISBN: 033374117XURL status: URL: 'http://-'
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DOGS BAR FILM DEVELOPMENT PARTNERSHIP
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Doing business with Australia : producer offset and co-productions / Screen Australia [Woolloomooloo, N.S.W.]: Screen Australia, January 2014.
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Doing Your Own Thing in Lumiere (June, 1973) iss.24 p.4-8
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Dolce vita confidential : Fellini, Loren, Pucci, paparazzi, and the swinging high life of 1950s Rome / Shawn Levy London: Weidenfeld & Nicolson, 2018.
Call No: 79 DOL LEVAuthor: Levy, Shawn Source: UKPlace: LondonPublisher: Weidenfeld & NicolsonPubDate: 2018PhysDes: xxiii, 447 pages, 16 pages of unnumbered plates : Illustrations ; 20 cmSubject: DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; CINECITTA FILM STUDIO ; ANTONIONI, MICHELANGELO ; DE LAURENTIIS, DINO ; DE SICA, VITTORIO ; EKBERG, ANITA ; FASHION AND THE CINEMA ; FELLINI, FEDERICO ; LOREN, SOPHIA ; MASTROIANNI, MARCELLO ; ROSSELLINI, ROBERTO ; VISCONTI, LUCHINO Summary: "From the ashes of war, the Eternal City is reborn as the epicentre of film, style, boldfaced libertinism and titillating journalism. It’s the heyday of fashion icons such as Pucci and Brioni, and the height of ‘Hollywood on the Tiber’, when a dizzying array of stars flock to Cinecittà, the huge movie studio on the outskirts of Rome. At the bars on Via Veneto the likes of Ingrid Bergman, Audrey Hepburn and Elizabeth Taylor mix with blue bloods and bohemians, while behind them trail street photographers in pursuit of the most unflattering and dramatic portraits of fame. In a fast-paced, kaleidoscopic narrative, Shawn Levy shows how all roads lead to Federico Fellini’s world-conquering movie La Dolce Vita, starring Marcello Mastroianni and the Swedish bombshell Anita Ekberg. He recreates Rome’s stunning ascent with vivid and compelling tales of its glitterati and artists, down to every last outrageous detail of the city’s magnificent transformation." - taken from publisher's websiteNotes: Includes bibliographical references and index.ISBN: 9781474606158Contents: 1. Buzzing Through Ruins -- 2. "An Old River Among the Great Hotels" -- 3. Made in Italy -- 4. "The Three-Sided Mirror" -- 5. "Paris Didn't Move Us Like This" -- 6. "Motion Pictures Are the Most Powerful Weapon" -- 7."Hollywood on the Tiber" -- 8. Scattini and Fumetti -- 9. A Girl on a Beach -- 10. A Nose for the Shot -- 11. The Curvy Girls -- 12. "She Will Be a Sensation" -- 13. "She's Impossible to Photograph" -- 14. "I'm a Peasant" -- 15. Signor Sigarone -- 16. "Sit Down, If You Dare" -- 17. "Florence Is a Lost Cause" -- 18. "A Fine Race Horse and a Ghost" -- 19. "A Charnel House Under a Green Marque" -- 20. "Poor Starving Devils" -- 21. "We Take Their Pictures, and They Beat Us Up" -- 22. "The Most Sinful, Transgressive Thing" -- 23. Babylon, 2000 Years After Christ -- 24. "Poor You" -- 25. "I Am Not a Sexy Pot" -- 26. "You've Done It. You've Won"-- 27. "A Ravenous Wolf Pack" -- 28. "Everybody Becomes a Roman Within Three Days" -- 29. "There's No Erotic Charge in Me" -- 30. "We Are on Stage All the Time" -- 31. "Please Stop Crying"
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Domitor witnesses the first complete public presentation of the 'Dickson experimental sound film' in the 20th century in Film History (1999) vol.11 iss.4 p.400-403
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Don't shoot darling! : women's independent filmmaking in Australia / edited by Annette Blonski, Barbara Creed, Freda Freiberg Richmond, Vic.: Greenhouse, 1987.
Call No: 462-02(94) DONCopy Management: Copy 1; Copy 2Author: Blonski, Annette ; Creed, Barbara ; Freiberg, Freda Place: Richmond, Vic.Publisher: GreenhousePubDate: 1987PhysDes: 400 p. : ill., facsims., ports. ; 28 cmSubject: WOMEN AND THE CINEMA. AUSTRALIA ; WOMEN FILM WORKERS. AUSTRALIA ; INDEPENDENT FILMMAKERS. AUSTRALIA ; INDEPENDENT FILMS. AUSTRALIA ; EXPERIMENTAL FILMS. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; ADDIS, ERIKA ; ANSARA, MARTHA ; ASH, EVE ; CANTRILL, ARTHUR & CORINNE ; FISKE, PAT ; GIBSON, SARAH ; GRACE, HELEN ; LAMBERT, SUSAN ; HARTMAN, RIVKA ; HOASS, SOLRUN ; KEARNEY, BRIANN ; KELLY, GABRIELLE ; ROLLE, DI ; SCHWARZ, MONIQUE ; THORNLEY, JENI ; TILSON, ALISON ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; BEHIND CLOSED DOORS (AT, Sarah Gilbert & Susan Lambert, 1980) ; IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1987) ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; MY LIFE WITHOUT STEVE (AT, Gillian Leahy, 1986) ; WE AIM TO PLEASE (AT, Robin Laurie & Margot Nash, 1977) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; SONG OF CEYLON, A (AT, Laleen S.B. Jayamanne, 1984) Summary: Don't shoot darling! affirms the significant role played by women filmmakers. Various contributors examine the institutions and organisation which provide support for women's films; the achievements and limitations of affirmative action training schemes for women; and the reception and coverage of women's independent films by the press. A number of particular films - among them, For love or mone, My life without Steve, Serious Undertakings and Behind closed doors - are analused from feminist critical perspectives, and the book includes a collection of statements by individual women filmmakers about their own experiences and attitudes. -- Back coverNotes: Includes bibliographical references and indexesISBN: 0864360584 : price unknownLON: anb86436058; 5042996Contents: Preface -- Beginnings -- Big brother - women and the state -- Feminist initiatives -- Training and affirmative action -- Personal statements -- The press -- Textual analysis
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journal article
Doug Rattray dies in Bundaberg in Australasian Cinema (11/2/1983) vol.12 iss.2 p.7
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Draft final report to the Council of the National Library of Australia on develomental options for the National Film Archive / by Christopher Hall, Kiersten Schou, Nicholas Clark Woden, ACT: Nicholas Clark and Associates, August 1983.
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Drawn to sound : animation film music and sonicity / edited by Rebeecca Coyle London ; Oakville: Equinox, 2010.
Call No: 772 DRAAuthor: Coyle, Rebecca (ed.) Source: US/UKPlace: London ; OakvillePublisher: EquinoxPubDate: 2010PhysDes: x, 258 p. : ill. ; 24 cmSeries: Genre, music and soundSubject: ANIMATION ; ANIMATORS ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; MUSIC, FILM ; SOUND ; SOUND TRACKS Summary: "Animation films are produced around the world and attract sizeable audiences and much critical acclaim. No longer marginalized in genres such as children's or propoganda films, they are increasingly the subject of academic study. At the same time, attention has turned to the music and sound, which contribute to both the emotional impact and the narrative drive, as well as the marketing appeal, of such films. This ground-breaking volume bridges these two fields and also positions animation-film sound and music in the context of the screen and music industries. Animation experts like Paul Wells and Daniel Goldmark and film-music authorities including Philip Hayward, Ian Inglis and Janet Halfyard provide international perspectives on the history and aesthetics of music and sound in animation film.
Drawn to Sound focuses on feature-length, widely distributed films released in the period since World War II, from producers in the USA,UK, Japan and France - from Animal Farm (1954) to Happy Feet (2006), Yellow Submarine (1968) to Curse of the Were-Rabbit (2005), Spirited Away (2001) and Les Triplettes de Belleville (2003). It spotlights important studios, including Disney, Dreamworks, Aardman Animation and studio Ghibli, and composers, both those who collaborate personally with directors and those whose msuic is used to provide period or mood atmospheres. " -- BOOK BLURBNotes: Formerly CIP
Includes bibliographical references and indexISBN: 9781845533526Contents: -- acknowledgments -- about the authors -- introduction: audio motion: animating (Film) sound / Rebecca Coyle -- part 1 Scoring animation film -- 1: "Everybody scream!" : Tim Burton's animated gothic-horror musical-comedies / Janet K. Halfyard -- 2: Halas and Batchelor's sound decisions : musical approaches in the British context / Paul Wells -- 3: An animated partnership : Joe Hisaishi's musical contributions to Hayao Miyazaki's films / Kyoko Koizumi -- Part 2 Musical intertextuality -- 4: Something old, something new, something borrowed-- something blue : the Beatles' Yellow submarine / Ian Inglis --5 : Polar grooves : dance, music and musicality in Happy feet / Philip Hayward -- 6: Minstrelsy and musical framing in Who framed Roger Rabbit? / Neil Lerner 7: An aesthetic of ambiguity : musical representation of indigenous peoples in Disney's Brother bear / Janice Esther Tulk -- part 3 Music and sonicity -- 8: Sonic nostalgia and Les triplettes de Belleville / Daniel Goldmark -- 9: Resilient appliances : sound, image and narrative in The brave little toaster / Jon Fitzgerald and Philip Hayward -- 10: Lupin III and the Gekiban approach : western-styled music in a Japanese format / Kentaro Imada -- part 4 Music and industrial contexts -- 11: DreamWorking Wallace & Gromit : musical thematics in The curse of the were-rabbit / Rebecca Coyle and Peter Morris -- 12: Cowboy bebop : corporate strategies for animation music products in Japan / Aki Yamasaki -- 13: Disney does Broadway : musical storytelling in The little mermaid and The lion king / Rebecca Coyle and Jon Fitzgerald -- index --
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The Dream Machine in Lumiere (April/May, 1974) iss.33 p.22-24
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Drop in Australian dollar bites into Oz buyers at American Film Market in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.2
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DRUGS: SOME GET BUSTED : (AT, Tasmanian Film Corporation [prod.], 1983?)
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Dry spell a bonus for South Australia in Encore (Feb 11, 1998) vol.15 iss.22 p.22
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'Dusty' launches new campaign for 'Life Education Centres' in Australasian Cinema (Friday, 19/8/1983) vol.12 iss.15
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Dynamic box office appointment in Australasian Cinema (29/4/1983) vol.12 iss.7 p.2
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East Asian screen industries / Darrell William Davis and Emilie Yueh-yu Yeh London: British Film Institute, 2008.
Call No: 71(5-012) DAVAuthor: Davis, Darrell William ; Yeh, Emilie Yueh-yu Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2008PhysDes: 202 p. ; b+w ill. : 24 cmSubject: INDUSTRY, FILM. ASIAN COUNTRIES Summary: Introduction to the screen industries of Japan, Sth Korea, Taiwan, Hong Kong and the PRC.Notes: Includes index and bibliographyISBN: 9781844571819Language: English
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Eastern Europe : an illustrated guide London New York: A. Zwemmer A. S. Barnes, [c1969].
Call No: 71(4-11)(03) HIBAuthor: Hibbin, Nina Place: London New YorkPublisher: A. Zwemmer A. S. BarnesPubDate: [c1969]PhysDes: 239 p. : ill., ports ; 21 cmSubject: EASTERN EUROPEAN COUNTRIES ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; INDUSTRY, FILM. GERMANY ; INDUSTRY, FILM. USSR Summary: "This guide has been designed to help filmgoers and televiewers to get to know more about the films they have enjoyed and the film-makers they admire, and at the same time to provide students of cinema with a compact source of information, most of which has not been previously collated in English, about filming in Eastern Europe." -- BLURBISBN: 0498074218LON: 33889
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The economics of film and television in Australia / Simon Molloy, Barry Burgan Sydney: Australian Film Commission, 1993.
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Edge of the known world : the Australian Film, Television & Radio School : impressions of the first 25 years / interviews by by Andrew L. Urban ; edited by Meredith Quinn and Andrew L. Urban North Ryde, N.S.W.: Australian Film Television & Radio School, 1998.
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The edge of the known world : mapping Australian noir in Lumina (Summer 2010) iss.2 p.105-117
Author: Cameron, Allan PhysDes: ArticleSubject: GENRES ; FILM NOIR ; LANTANA (AT, Ray Lawrence, 2001) ; SQUARE, THE (AT, Nash Edgerton, 2008) ; NOISE (AT, Matthew Saville, 2007) Summary: Article focusing on the influence of noir across a broad variety of Australian films and settings, from The square (Nash Edgerton, 2008) to works that don't easily fit the established definitions of noir such as Pure shit (Bert Deling, 1975)
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EDGEPLAY: A FILM ABOUT THE RUNAWAYS : (US, Victory Tischler-Blue,2004)
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Editorial in If magazine (Feb-Mar 2000) iss.21 p.10
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Editorial: Early movie release or oblivion! More cinemas up for grabs! in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.3
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Education : what is happening at La Trobe? in Lumiere (January-February, 1972) iss.13 p.38
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EDUCATION, FILM
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EDUCATION, FILM. AUSTRALIA Digital clippings file available
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EDUCATION, FILM. UK
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The education of the filmmaker in Europe, Australia, and Asia / edited by Mette Hjort New York: Palgrave Macmillan, 2013.
Call No: 510 EDUAuthor: Hjort, Mette (ed.) Source: USPlace: New YorkPublisher: Palgrave MacmillanPubDate: 2013PhysDes: xii, 269 p : ill.; 24 cmSeries: Global cinemaSubject: EDUCATION, FILM ; EDUCATION, FILM. AUSTRALIA ; EDUCATION, FILM. ASIA ; EDUCATION, FILM. EUROPEAN COUNTRIES ; FILMMAKING Summary: "Practice-based film education is a crucial element in the institutional landscape of film. Despite its institutional significance, its decisive impact on the dynamics of entire film industries, the aspirations of film practioners, and the content and form of the films that are produced, practice-based film education is still a neglected topic in film scholarship. The Education of the Filmmaker in Europe, Australia, and Asia is an attempt to begin to fill the lacuna in question by looking at film training programs in countries such as Lithuania, Scotland, Sweden, Australia, Japan, and others. Examining aspects of flimmaking such as environmental impact, influences on local culture, and sway over city policy, this book looks at how training of filmmakers reaches beyond the films themselves to all aspects of culture and society. " -- BOOK BLURBNotes: Formerly CIPISBN: 9780230341432Contents: -- list of figures -- acknowlegments -- Mette Hjort: More than film school: why the full spectrum of practice-based film education warrants attention -- Europe -- Renata Sukaityte: Practice-based film education in Lithuania: main actors and sites of struggle -- Charlie Cauchi: mapping film education and training on the Island of Malta -- Duncan Petrie: The struggle for a Scottish national film school -- Anna Stenport: "We train auteurs": education, de-centralization, regional funding, and niche marketing in the new Swedish cinema -- Barton Byg and Evan Torner: Divided dirigisme: nationalism, regionalism and reform in the German film academies -- Marijke de Valck: Sites of initiation: film training programs at film festivals -- Australia and Asia -- Ben Goldsmith and Tom O'Regan: beyond the modular film school: Australian film and television schools and their digital transitions -- Yoshiharu Tezuka: Dynamics of the cultures of discontent: how is globalization transforming the training of filmmakers in Japan? -- Moinak Biswas (India): learning with images in the digital age -- Yomi Braester: film schools in the PRC: professionalization and its discontents -- Stephen Chan: Film education in Hong Kong: new challenges and opportunities -- notes on contributors -- bibliography -- index --
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EDUCATIONAL FILM LIBRARY ASSOCIATION
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book
Electric Edwardians : the story of the Mitchell & Kenyon collection / Vanessa Toulmin London: British Film Institute, 2006.
Call No: 19 MIT TOUAuthor: Toulmin, Vanessa Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: x, 310 p. : ill. ; 25 cmSubject: HISTORY OF CINEMA. ENGLAND ; MITCHELL AND KENYON FILM COMPANY, THE ; MITCHELL, SAGAR ; KENYON, JAMES Summary: A visual record of the films of Sagar Mitchell and James Kenyon, combined with an illuminating discussion of the films and the social context of their production by Vanessa Toulmin, the leading authority on the collection. Focusing on major themes such as Leisure and Recreation, Sport, Industry, the Boer War and the City. Includes over 400 illustrations drawn from the collection as well as contemporary posters and handbills. [Taken from back cover.]ISBN: 1844571459
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Electric shadows : 45 years of Chinese cinema / by Tony Rayns & Scott Meek London: British Film Institute, 1980.
Call No: 71(51) RAYAuthor: Rayns, Tony ; Meek, Scott CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 1980PhysDes: 1 v. (various pagings) : ill. ; 30 cmSeries: BFI dossier ; no. 3Subject: CITY OF SADNESS, A [ ; INDUSTRY, FILM. CHINA Notes: Contains two chapters translated from ChineseLON: 5988816
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journal article
Electronic audio unit for cinemas offers remote control in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.19
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Embassy Pictures have record 2,432 prints playing U.S. market in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.20
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Embracing innovation : a new methodology for feature film production in Australia in Lumina (Summer 2010) iss.2 p.153-180
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EMI executive bound for L.A. Market in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.3
PhysDes: ArticleSubject: AMERICAN FILM MARKET Summary: Announcement of Brian North and Michael Bromhead attending the American Film Market on behalf of EMI Films.
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Empire Intrnational and American Nat'l. Enterprises join American Film Market in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.2
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The Encore directory Manly, N.S.W.: Chekeven, 1986.
Call No: REFERENCE SECTION; 058(94) ENC REF; held 1986-CorpAuthor: Australian Film CommissionPlace: Manly, N.S.W.Publisher: ChekevenPubDate: 1986PhysDes: v. ; 21 - 23 cmSubject: INDUSTRY, FILM. AUSTRALIA Notes: 1991- published Redfern, N.S.W. : Trade News Corporation; <1994>- published Chatswood, N.S.W. : Reed Business Publishing; <2014> published Chatswood, N.S.W.: Cirrus Media.; 1991- subtitle: Film and television production, creative and technical resources; <1998>- has title: Encore (directory) : the film and television industry bible; <2014> subtitle: The essential business resource for the film and television industry.ISSN: 0817-6469LON: 4463943
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English high court grants Lorimar Prods. injustion in copyright infringement action in Australasian Cinema (22/7/1983) vol.12 iss.13 p.1
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Entertainment arts in Australia / [Editorial: John Allen; Photographs: Robert Walker] Sydney: Hamlyn, 1968].
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Entertainment Services appoints Administrator in Australasian Cinema (23/7/1982) vol.11 iss.13 p.1
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Announcement of Kay Kenrick to an administrator position at Entertainment Services
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Entries for the 1983 AFI Awards in Australasian Cinema (15/7/1983) vol.12 iss.12 p.25
PhysDes: ArticleSubject: AUSTRALIAN FILM INSTITUTE AWARDS ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; WILD DUCK, THE (AT, Henri Safran, 1983) ; CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983) ; MOLLY (AT, Ned Lander, 1983) ; PHAR LAP (AT, Simon Wincer, 1983) ; CITY'S EDGE, THE (AT, Ken Quinnell, 1983) Summary: List of films, along with the director and producer, nominated for an AFI Award
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Eric Tsang, filmmaker in focus / Keith Chan (ed.), Li Cheuk-to (ed.), Ho Wai-leng (ed.), Gary McDonogh (ed.) Hong Kong: Hong Kong International Film Festival Society, 2008.
Call No: 81TSA CHAAuthor: Chan, Keith and Li, Cheuk-to (eds.) Edition: 1stSource: HKPlace: Hong KongPublisher: Hong Kong International Film Festival SocietyPubDate: 2008PhysDes: 112p.;b+w ill. : 26cmSeries: HKIFF Society Series, no. 8, March 2008Subject: INDUSTRY, FILM. HONG KONG ; TSANG, EDWARD ; MAO TAO YING (HK, David Chiang, 1981) ; TSUI HOU SING LEI (HK, Patrick Tam, 1987) ; SIU SIU SIU KING CHAT (HK, Eric Tsang, 1989) ; ON LOK TSIN CHEUNG (HK, Eric Tsang, 1990) ; SHENG SING KU SEE (HK, Peter Ho-sun Chan, 1991) ; BOON CHI YIN (HK, Riley Ip, 1999) ; CHI FAT FAN FAT (HK, Marco Mak, 2001) ; KONG WU (HK, Wong Ching-po, 2004) Summary: Interviews, essays and film notes for actor, scriptwriter, producer and director Eric Tsang.Notes: Includes biography: p.107-108; Includes filmography: p.108-111ISBN: 9789889918137Language: English; Chinese
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The Erotic Adventures of Zoro in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.8
Subject: FILM ; CRITICISM Summary: Review of The Erotic Adventures of Zoro
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Erwin Rado in Filmnews (Australia) (Feb-88) vol.XVIII iss.1 p.6
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Escape from film school : a novel / Richrd Walter New York, N.Y.: St. Martin's Press,
Call No: 10698Author: Walter, Richard Edition: 1999Place: New York, N.Y.Publisher: St. Martin's PressPhysDes: 244 pages : illustrations ; 22 cmSubject: LITERATURE, FILM Summary: Escape From Film School tells the sprightly tale of a young man who makes it in Hollywood without ever leaving film school.
When Stuart arrives in California in the Sixties, he is fleeing the draft and he quite literally stumbles into USC's film school. Within a few weeks he is living out of his car and making student films with stolen equipment. Within a few years he is rubbing elbows with a young Mike Ovitz and other characters pulled straight from the pages of Variety.
Blessed with a biting wit and a jaundiced eye, Stuart is a keen observer of the machinations, power plays, and absurdities of the movie biz. His account of his own circuitous progress -- and that of his beautiful and ambitious wife, Veronica; his beautiful and ambitious girlfriend, Ginger; and his loyal daughter, Rainbeaux -- also offers an incisive and satirical look at this bizarre, yet fascinating world. Like The Player, it is a dead-on, often hilarious and occasionally poignant tale about survival and redemption in Hollywood. -- back coverNotes: Signed on title page by the authorISBN: 9780312205379
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Esec. appointment to VCOA of Australia in Australasian Cinema (16/7/1982) vol.11 iss.12 p.35
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ESHGH-E FILM : (IR, Ebrahim Vahidzadeh, 2003)
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Essays on the Swedish cinema : Part one- an introduction in Lumiere (March, 1974) iss.32 p.22-24
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Essays on the Swedish cinema : Part two- Stiller and Sjostrom in Lumiere (April/May, 1974) iss.33 p.14-19, 36
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book
The establishment of the Australian National Film Board Adel.: 1978.
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book
European cinema : an introduction / [edited by] Jill Forbes and Sarah Street Hampshire, [Eng.] New York: Palgrave, 2000.
Call No: 71(4) FORAuthor: Street, Sarah ; Forbes, Jill Place: Hampshire, [Eng.] New YorkPublisher: PalgravePubDate: 2000PhysDes: xvi, 216 p. : ill. ; 24 cmSubject: EUROPEAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA. EUROPEAN COUNTRIES ; NATIONAL IDENTITY AND THE CINEMA. EUROPEAN COUNTRIES ; STUDIOS, FILM. EUROPEAN COUNTRIES ; STARS. EUROPEAN COUNTRIES ; GENRES. EUROPEAN COUNTRIES ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; VIRIDIANA (SP/MX, Luis Bunuel, 1961) ; ALICE IN DEN STADTEN (GW, Wim Wenders, 1973) ; CARMEN (SP, Carlos Saura, 1983) ; GOOD MORNING BABYLON [GOOD MORNING BABILONIA] (IT/FR/US, Paol Taviani & Vittorio Taviani, 1987) ; VERSPRECHEN, DAS (GG/FR, Margarethe von Trotta, 1994) ; HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995) ; TRAINSPOTTING (UK, Danny Boyle, 1996) Notes: Includes bibliographical references and indexesISBN: 0333752090; 0333752104 (pbk.); 0312237464; 0312237472 (pbk.)LON: 21467101
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interim
European cinema journal Milan: Media Salles, 1999-.
Call No: held No.1- April 1999-; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: Media SallesSource: ITPlace: MilanPublisher: Media SallesPubDate: 1999-PhysDes: vol.Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES Order Notes: Current
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Interim
book
European cinema yearbook Milano: Media Salles, 1999.
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Interim
book
European Film Industries / Anne Jackel London: British Film Institute, 2003.
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journal article
European Underground in Lumiere (November-December 1971) iss.12 p.36-38
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Eve Brandstein named V.P., Embassy Communications in Australasian Cinema (11/3/1983) vol.12 iss.4 p.7
PhysDes: ArticleSubject: CASTING ; INDUSTRY, FILM. USA Summary: Announcement of Eve Brandstein to vice president, talent and casting fro Embassy Communications. Article goes on to mention her future plans for the company.
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An evening of overall vileness : A.F.I. awards in Filmnews (Australia) (Aug-76) p.4
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Events: the Australian film awards in Filmnews (Australia) (Oct-77) vol.VII iss.9 p.15
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microfilm
Everyones: the motion picture authority Sydney: Everyones Ltd, 1920-1937.
Call No: MICROFILM - v. 1 (10 March 1920) - v. 15, no. 408 (Oct 20, 1937)Source: ATPlace: SydneyPublisher: Everyones LtdPubDate: 1920-1937Subject: INDUSTRY, FILM. AUSTRALIA Notes: Former title - Australian Variety and show world
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poster
[Evil video traps girl : poster] [1999].
Call No: P SCRPubDate: [1999]PhysDes: 1 poster : some colour ; 60 x 41 cmSubject: SCREAM (US, Wes Craven, 1996) ; PSYCHOLOGICAL EFFECTS OF FILMS ; VIOLENCE IN FILMS ; CHILDREN, EFFECTS OF FILM ON Summary: Image: A hooded ghost mask with a grotesque expression.
This poster was used as a newspaper display advertising in the Herald Sun Sunday newspaper on September 26, 1999 in connection with a newspaper article titled 'Horror video alarm' written by Greg Thom about a 10-year-old girl who had a severe psychological reaction to watching the movie Scream.
See title clippings file SCREAM (US, Wes Craven, 1996).Notes: Poor condition with folds, pinholes, ink marks, and a large tear in the upper edge of the poster.
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Evilspeak in Australasian Cinema (16/7/1982) vol.11 iss.12 p.33
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The evolution of film : rethinking film studies / Janet Harbord Cambridge: Polity Press, 2007.
Call No: 620 HARAuthor: Harbord, Janet Source: UKPlace: CambridgePublisher: Polity PressPubDate: 2007PhysDes: ix, 198p. : 22cm.Subject: THEORY ; FILM STUDY AND RESEARCH. AUSTRALIA Summary: Examines the reasons why we should be studying film in the 21st century.Notes: Includes index and bibliographyISBN: 9780745634760Language: English
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Exchange rate prompts NSW requests in Encore (Feb 11, 1998) vol.15 iss.22 p.22
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EXHIBITIONS, FILM. AUSTRALIA
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Experimental : New Cinema Catalogues in Lumiere (September 1972) iss.16 p.36
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Experimental
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EXPERIMENTAL FILM AND TELEVISION FUND Digital clippings file available
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Experimental film and television fund 1970-1978 : Completed productions and grant recipients / Compiled by Ken Berryman Place of publication not identified: Publisher not identified, July, 1985.
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Experimental filmmaking and punk : feminist audio visual culture in the 1970s and 1980s / Rachel Garfield London: Bloomsbury Academic, 2022.
Call No: 771-02 GARAuthor: Garfield, Rachel Edition: 2021Place: LondonPublisher: Bloomsbury AcademicPubDate: 2022PhysDes: xiv, 274 pages : illustrated ; 24 cmSubject: CHILD, ABIGAIL ; DICK, VIVIENNE ; BENNING, SADIE ; THORNTON, LESLIE ; WOMEN FILMMAKERS ; NIGHTCLEANERS (UK, Berwick Street Film Collective, 1975) ; BORN IN FLAMES (US, Lizzie Borden, 1983) ; RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977) Summary: Just as punk created a space for bands such as the Slits and Poly Styrene to challenge 1970s norms of femininity, through a transgressive, strident new female-ness, it also provoked experimental feminist film makers to initiate a parallel, lens-based challenge to patriarchal modes of film making.
In this book, Rachel Garfield breaks new ground in exploring the rebellious, feminist punk audio-visual culture of the 1970s, tracing its roots and its legacies. In their filmmaking and their performed personae, film and video artists such as Vivienne Dick, Sandra Lahire, Betzy Bromberg, Ruth Novaczek, Sadie Benning, Leslie Thornton, Abigail Child and Anne Robinson offered a powerful, deliberately awkward alternative to hegemonic conformist femininity, creating a new “punk audio visual aesthetic”. A vital aspect of our vibrant contemporary digital audio visual culture, Garfield argues, can be traced back to the techniques and forms of these feminist pioneers, who like their musical contemporaries worked in a pre-digital, analogue modality that nevertheless influenced the emergent digital audio visual culture of the 1990s and 2000s. -- publisher's web siteISBN: 9781350293083Contents: Introduction -- 1. Do it Yourself and the Amateur -- 2. The Last of the Modern Two - Visualizing Women, Otherness and the Cosmopolitan Punk -- 3. Feminism, Visualising the Kitchen Table and Do-It-Yourself: in Praise of the Fragment Part 1 -- 4. Kracauer Disintegration and Punk: In Praise of the Fragment Part 2 -- 5. Representation and the Inability to Situate: the Undecidability of Women's Punk -- Conclusion – Bibliography -- Index.
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journal article
The Experimental Films in Lumiere (July-August, 1971) iss.10 p.33
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Experimentalists 1 in Lumiere (November, 1972) iss.18 p.18-19
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Experimentalists 2 in Lumiere (November, 1972) iss.18 p.19-20
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Exploring the Barriers and Opportunities for Independent Women Filmmakers / research by Stacy L. Smith, Katherine Pieper, Marc Choueiti University of Southern California, 2013.
Call No: 451-02 SMIAuthor: Pieper, Katherine ; Choueiti, Marc ; Smith, Stacy L. Source: USPublisher: University of Southern CaliforniaPubDate: 2013PhysDes: 43p. : ill. ; 30cmSubject: WOMEN FILM WORKERS ; WOMEN FILMMAKERS ; WOMEN AND THE CINEMA ; WOMEN DIRECTORS ; WOMEN, FILMS MADE BY Summary: "The purpose of this research is to examine how females are faring in American independent film. Studies have been conducted in the past on women in the mainstream U.S film industry, but little research has yet been done in the U.S independent film arena. To this end, we developed a research strategy with a two-prong approach.
First, we quantitatively document the involvement of female content creators of U.S films at the Sundance Film Festival, assessing the gender of 11,197 directors, writers, producers, cinematographers, and editors across 820 films classified as U.S narratives (534 films) or documentaries (286 films) between 2002 and 2012.
The second prong documents the qualitative experiences of female filmmakers through interviews with emerging and seasoned content creators as well as key industry gate-keepers. Here, we surveyed 51 individuals to unpack the specific obstacles that face female directors and producers in the independent film arena. We also assessed participants' perceptions of opportunities that may increase women's involvement behind the camera" -- taken from the Executive SummaryNotes: This research was commissioned by the Sundance Insitute and Women in Film Los Angeles thorugh their 'Women Filmmakers Initiative'.Contents: -- pages 3-4: case statement: Independent Women Filmmakers: setting the agenda for change -- page 5: allied organizations list -- page 7: 2012-2013 mentorship program participants -- pages 9-11: research study executive summary -- pages 13-33: research study: exploring the barriers and opportunities for independent women filmmakers -- page 34: acknowledgments -- pages 35-43: works cited and notes --
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"Extremely valuable" film of New Guinea found in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.1
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title clippings file
FAIR COP, A : (AT, Film Victoria [prod.], ??)
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Faith in the future- GUO expansion in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.1
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The fall and rise of the VCA : The pulse in the arm / Richard Murphet Strawberry Hills, N.S.W.: Currency House, July 2011.
Call No: 52[792] MURAuthor: Murphet, Richard Place: Strawberry Hills, N.S.W.Publisher: Currency HousePubDate: July 2011PhysDes: vii, 72 p. ; 21cmSeries: Platform papers ; no.28Subject: ACTING ; VICTORIAN COLLEGE OF THE ARTS, SCHOOL OF FILM AND TELEVISION Summary: "THE VICTORIAN COLLEGE OF THE ARTS was founded in 1972 to provide education and training in all the visual and performing arts within the one institution. It has remained unique in Australia in that charter. Since 2009, however, it has been headline news as a training institute in crisis, a situation fed by government intervention, public commentary and disputes with the University of Melbourne which now administers it. What financial pressures began has now become a deeper struggle about the nature of arts training in the twenty-first century. This period of crisis, writes Murphet, brought to the school a new vitality and purpose, and raised questions that go way beyond the VCA case alone. As the college begins its restoration, he presents the case for repositioning the VCA as a centre of artistic invention, shifting the debate from the maintenance of past traditions to the creation of a new paradigm in arts training for a world in which instability has become the norm."
-- publisher's web site
Includes reader's responses to previous Platform PapersISBN: 9780980798258
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FANTASY FILM WORLD OF GEORGE PAL, THE : (US, Arnold Leibovit, 1986)
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'Far East' will have World Premiere at Sydney State Theatre on July 27 in Australasian Cinema (25/6/1982) vol.11 iss.11 p.1
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Farwell to Gordon Mummery in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
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Fast fade : David Puttnam, Columbia Pictures, and the battle for Hollywood / Andew Yule New York: Delacorte Press, c1989.
Call No: 81PUT YULAuthor: Yule, Andrew Source: USPlace: New YorkPublisher: Delacorte PressPubDate: c1989PhysDes: viii, 376 pages : black and white illustrations ; 25 cmSubject: COLUMBIA PICTURES ; INDUSTRY, FILM. USA ; KAUFMAN, VICTOR A. ; PUTTNAM, DAVID ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; KILLING FIELDS, THE (UK, Roland Joffe, 1984) Summary: "FAST FADE is the story of David Puttnam's meteoric rise to the top of the Hollywood heap, and of his equally precipitous descent. It is also a very personal look at the man himself, from young boy growing up in middle-class London suburb, feasting on a steady diet of Hollywood-made movies, to successful producer of small, thoughtful films such as LOCAL HERO, as well as epic, "important" features like THE MISSION. Along the way, Puttnam has made a number of enemies, but he also has made many loyal friends, and he has earned the respect of a great portion of the world's most visible - and, perhaps, most powerful - industry. FAST FADE is an honest, balanced look at the man and his career, and especially his turbulent tenure as head of one of Hollywood's most powerful studios." [Taken from book jacket]Notes: Includes indexISBN: 0440501776; 9780440501770Donation: Simon Wincer
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Fast times and excellent adventures : the surprising hisory of the '80s teen movie / James King London: Constable, 2018.
Call No: 451-058.6 KINAuthor: King, James Source: UKPlace: LondonPublisher: ConstablePubDate: 2018PhysDes: xi, 452 pages, 16 unnumbered pages of plates : illustrations, portraits ; 24 cmSubject: TEEN FILM ; TEEN FILMS ; YOUNG PEOPLE AND THE CINEMA ; YOUNG PEOPLE IN FILMS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA ; HISTORY OF CINEMA. 1980's ; BACON, KEVIN ; COPPOLA, FRANCIS FORD ; BRODERICK, MATTHEW ; CROWE, CAMERON ; CRUISE, TOM ; DILLON, MATT ; ESTEVEZ, EMILIO ; FOSTER, JODIE ; HECKERLING, AMY ; HUGHES, JOHN (US) ; LEE, SPIKE ; LOWE, ROB ; MUSIC TELEVISION ; PENN, SEAN ; RINGWALD, MOLLY ; TRAVOLTA, JOHN ; ZEMECKIS, ROBERT ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; FAST TIMES AT RIDGEMONT HIGH (US, Amy Heckerling, 1982) ; GREASE (US, Randal Kleisner, 1978) ; GREMLINS (US, Joe Dante, 1984) ; LOST BOYS, THE (US, Joel Schumacher, 1987) ; OUTSIDERS, THE (US, Francis Ford Coppola, 1983) ; PRETTY IN PINK (US, Howard Deutch, 1986) ; RISKY BUSINESS (US, Paul Brickman, 1983) ; RIVER'S EDGE (US, Tim Hunter, 1986) ; SATURDAY NIGHT FEVER (US, John Badham, 1977) ; SIXTEEN CANDLES (US, John Hughes, 1984) Summary: "Take a trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap and Ridgemont High; of MTV, VHS and 'Axel F'; of outsiders, lost boys and dead poets; of Bill and Ted, Brooke Shields and the Brat Pack; of three Porky's, two Coreys and one summer when everyone called her Baby . . .
Fast Times and Excellent Adventures goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers and where ambitious future superstars Sean, Demi and Tom all got their big break. Music, comedy and politics - all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain a magnet to all ages. Time of your life, huh kid?
From a late '70s Hollywood in flux to an early '90s indie scene that gave youth cinema a timely reboot, respected film expert James King smartly highlights the personal struggles, the social changes and the boardroom shake-ups that produced an iconic time in movie history" -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9781472123725
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Favorite movies : critics' choice / edited by Philip Nobile New York: Macmillan Publishing Co., Inc., 1973.
Call No: 675.1 FAVPlace: New YorkPublisher: Macmillan Publishing Co., Inc.PubDate: 1973PhysDes: 301 p. ; 25 cm.Subject: CRITICISM ; CRITICS ; ANTONIONI, MICHELANGELO ; [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963) ; SEARCHERS, THE (US, John Ford, 1956) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953) ; LAWRENCE OF ARABIA (UK, David Lean, 1962) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; FRENCH CANCAN (FR/IT, Jean Renoir, 1955) ; CASABLANCA (US, Michael Curtiz, 1942) ; FILM PORTAIT (US, Jerome Hill, 1972) ; MADAME DE... (FR, Max Ophuls, 1953) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953) ; PSYCHO (US, Alfred Hitchcock, 1960) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; HATARI! (US, Howard Hawks, 1961) ; DOCKS OF NEW YORK, THE (US, Josef von Sternberg, 1928) Summary: Twenty-seven film critics respond to the question of what are their favorite films, and also write about their experiences in their profession.Notes: Includes index.Contents: -- My favorite movies / Dwight Macdonald -- Favorite directors / Peter Bogdanovich -- On The Searchers / Jay Cocks -- The private world of Fahrenheit 451 / Josheph McBride -- On not playing favorites / John Simon -- Ugetsu: a meditation on Mizoguchi / Andrew Sarris -- These are a few of my favorite things / William Pechter -- Lean and Lawrence: the alst adventurers / Stephen Farber -- Night World / David Denby -- The Rules Of The Game / Richard Roud -- French Cancan / Roger Greenspun -- Some nights in Casablanca / Richard Schickel -- A few notes on Jerome Hill's Film Portrait / Jonas Mekas -- Madame De: a musical passage / Molly Haskell -- My favorite movie - Madame De / Peter Harcourt -- The seaweed-gatherer / Robin Wood -- My adventure / Charles Thomas Samuels -- Antonioni: more from less / Richard Gilman -- "War!" said Scarlett. "Don't you men think about anything important?" / Ellen Willis -- Ask me know questions and I'll tell you... / Judith Crist -- Tokyo Story: the virtues of mannered simplicity / Francis X. J. Coleman -- Psycho therapy / Richard Carliss -- Looking backward at the film 2001 / Colin L. Westerbeck, Jr. -- The inevitable movie / Parker tyler -- TV favorites / Howard Thompson -- Auteurism, Hawks, Harari! and me / Stuart Byron -- Docks Of New York / Martin Rubin
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A feasibility study for the establishment of a Centre for Sound and Image at the University of Technology, Sydney 1990.
Call No: 19UTS FEAPubDate: 1990PhysDes: 53 p. ; 30 cmSubject: EDUCATION, FILM. AUSTRALIA ; EDUCATION, TV. AUSTRALIA Summary: A study on the possibility of a sound and image centre to be set up within the School of Humanities at the University of Technology Sydney
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journal article
Feature - studio in Encore (Feb 2000) vol.18 iss.1 p.35-42
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Interim
book
Features : a checklist of feature film production May 1997.
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Interim
book
Features : a checklist fo feature film production February 1997.
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Interim
book
Features : a checklist of feature film production October 1997.
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Features : a checklist of feature film production November 1998.
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Features : a checklist of feature film production February 1998.
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Features : a checklist of feature film production May 1998.
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Features : a checklist of feature film production February 1999.
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Features : a checklist of feature film production October 1999.
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Features : a checklist of feature film production May 1999.
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Features : a catalogue of feature film production April 2000.
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Features 01/02 : a catalogue of Australian feature film production 2001.
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Features 02/03 : a catalogue of Australian feature film production 2002.
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journal article
Federal police seize tapes in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
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Federal Treasurer Paul Keating critical of accounts and stock brokers on film tax shelters in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.1
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Federation news : journal of the Federation of Victorian Film Societies Carlton, Vic.: Federation of Victorian Film Societies,
Call No: held v.1 no.1-v.24 no.102 Sept. 1955-Dec. 1979 incompleteCorpAuthor: Federation of Victorian Film Societies; Federation news (Carlton, Vic.)Source: ATPlace: Carlton, Vic.Publisher: Federation of Victorian Film SocietiesPhysDes: v. : ill. ; 28 cmSubject: SOCIETIES, FILM. AUSTRALIA. VICTORIA ; FEDERATION OF VICTORIAN FILM SOCIETIES Summary: Federation News was a quarterly publication produced by the Federation of Victorian Film Societies. The journal promoted participation in local film societies, publishing a ‘Film Society Diary’ of upcoming screenings and events. Each issue profiled a different society in a section titled ‘Know Your Film Society’, providing information on the their history, focus and of course - screenings.
Federation News supported the activities of societies by providing information and reviews of available film prints, from sources including embassies and consulates, the State Film Centre and the National Library of Australia. The breadth of films profiled is almost encyclopedic, covering not just feature films but newsreels, actualities, tourism films, government films, and information films produced by businesses, such as Kodak and Qantas.
From 1955 to 1973, the journal was edited by George Lugg, a chemist who worked as an ‘Experimental Officer’ for the Department of Defence from 1958 - 1973. Lugg was a man of mystery. In 1966, Robert Rothols, who later succeeded Lugg as Editor of Federation News, was asked to guest edit an issue as Lugg would be away. Rothols later wrote, “George just went. For pleasure? For work? I didn’t ask.”
Soon after, Rothols was at a film screening and caught a newsreel about a simulated atomic bomb test in Queensland. “There, after the blast, were the research scientists examining the aftermath. And there in widescreen 70mm, was George, collecting specimens.”
When Lugg resigned from Federation News in 1973 due to his ailing health, he had collected and curated an extensive film reference library. The Federation bought the collection from Lugg, and later established the George Lugg Library at the AFI, which ultimately became the AFI Research Collection.
Federation News ceased publication in 1979, only six years after Lugg left. -- AFIRCNotes: Continued by: Filmviews; Description based on: Vol. 23, no. 4 (Dec. 1978); title from coverISSN: 0046-3582Frequency: QuarterlyLON: cvx00402014; 2557807 7296531
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Federation of New South Wales and Associated Film Societies newsletter / Federation of New South Wales & Associated Film Societies [Sydney]: The Societies,
Call No: held no.15-97 autumn 1978-summer 1998/99 lacks no.17CorpAuthor: Federation of New South Wales and Associated Film Societies; Newsletter (Federation of New South Wales and Associated Film Societies)Source: ATPlace: [Sydney]Publisher: The SocietiesPhysDes: v. ; 22-34 cmSubject: SOCIETIES, FILM. AUSTRALIA Notes: Caption title; Description based on: No. 9 (spring 1975)ISSN: 0726-7118LON: 5804478
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FEDERATION OF VICTORIAN FILM SOCIETIES
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Felony in Australian Cinematographer (Sept 2013) iss.63 p.54-61
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Festival of Oz films at the Trak in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
PhysDes: ArticleSubject: GALLIPOLI (AT, Peter Weir, 1981) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; MAD MAX (AT, George Miller, 1979) ; CADDIE (AT, Donald Crombie, 1976) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; REMOVALISTS, THE (AT, Tom Jeffrey, 1975) ; MAD DOG MORGAN (AT, Philippe Mora, 1976) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; MANGO TREE, THE (AT, Kevin Dobson, 1977) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; CLUB, THE (AT, Bruce Beresford, 1980) ; INDUSTRY, FILM. AUSTRALIA ; FESTIVALS Summary: Article on Sydney theatre The Trak running an 'Austrailan Film' Film Festival.
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FESTIVALS. ADELAIDE [VARIOUS]
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FESTIVALS. AUSTRALIA. AUSTRALIA'S SILENT FILM FESTIVAL
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FESTIVALS. AUSTRALIA. AUSTRALIAN MALAYSIAN FILM
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FESTIVALS. AUSTRALIA. CANADIAN FILM
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FESTIVALS. AUSTRALIA. CHILEAN FILM
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FESTIVALS. AUSTRALIA. CROATIAN FILM
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FESTIVALS. AUSTRALIA. FOR FILM'S SAKE
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FESTIVALS. AUSTRALIA. HEART OF GOLD INTERNATIONAL FILM
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FESTIVALS. AUSTRALIA. HUMAN RIGHTS ARTS AND FILM
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FESTIVALS. AUSTRALIA. JAPANESE FILM
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FESTIVALS. AUSTRALIA. MEXICO FILM
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FESTIVALS. AUSTRALIA. NORDIC FILM
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FESTIVALS. AUSTRALIA. REEL ANIME FILM
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FESTIVALS. AUSTRALIA. REFUGEES SHORT FILM
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FESTIVALS. AUSTRALIA [VARIOUS]
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FESTIVALS.AUSTRALIAN FILM FESTIVAL
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FESTIVALS. AUSTRALIAN INTERNATIONAL EXPERIMENTAL FILM
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FESTIVALS. BANFF MOUNTAIN FILM
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FESTIVALS BRISBANE QUEER FILM AND VIDEO
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FESTIVALS . BRUSSELS INTERNATIONAL FANTASTIC FILM (BIFF)
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FESTIVALS. CANBERRA. SHORT FILM
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FESTIVALS FANTASTIC VOYAGE SHORT FILM 2004
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FESTIVALS. FILM FEST @ FALLS
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FESTIVALS. FRANCE. SILHOUETTE OUTDOOR SHORT FILM
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FESTIVALS. FRENCH FILM
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FESTIVALS. INTERNATIONAL 15/15 FILM
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FESTIVALS. INTERNATIONAL FESTIVAL OF OCEANIC DOCUMENTARY FILM
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FESTIVALS. ISRAEL FILM
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FESTIVALS. MARRICKVILLE FILM
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FESTIVALS. MELBOURNE Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; PublicitySubject: FESTIVALS. MELBOURNE ; MELBOURNE INTERNATIONAL FILM FESTIVAL URL status: URL: 'http://file://Q:/S/FESTIVALS.MELBOURNE.zip'
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FESTIVALS. MELBOURNE. AUSTRALIAN FILM
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FESTIVALS. MELBOURNE. BICYCLE FILM
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FESTIVALS. MELBOURNE [GENERAL]
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FESTIVALS. MELBOURNE OTHER FILM Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: FESTIVALS. MELBOURNE. OTHER FILM URL status: URL: 'http://file://Q:/S/FESTIVALS._AUSTRALIA._OTHER_FILM_FESTIVAL,_THE.zip'
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FESTIVALS. MELBOURNE. QUEER FILM AND VIDEO Digital clippings file available
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FESTIVALS. MELBOURNE. REAL LIFE ON FILM
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FESTIVALS. MELBOURNE WOMEN IN FILM
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FESTIVALS. NEW YORK. JEWISH FILM AND VIDEO
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FESTIVALS. OCEANIA DOCUMENTARY FILM
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FESTIVALS. PARIS. POCKET FILM
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FESTIVALS. PERTH [VARIOUS]
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FESTIVALS. PERTH. WA FILM & VIDEO
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FESTIVALS PUSAN INTERNATIONAL FILM
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FESTIVALS. SHANGHAI INTERNATIONAL FILM
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FESTIVALS SPANISH FILM
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FESTIVALS. SYDNEY. AUSTRALIAN FILM
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FESTIVALS. SYDNEY. BONDI SHORT FILM
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FESTIVALS. SYDNEY. CANADIAN FILM
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FESTIVALS. SYDNEY. COCKATOO ISLAND FILM FESTIVAL
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FESTIVALS. SYDNEY [GENERAL]
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FESTIVALS. SYDNEY. SHORT SOUP: INTERNATIONAL SHORT FILM AND SOUP FESTIVAL
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FESTIVALS. VIETNAM INTERNATIONAL FILM
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FESTIVALS. YOUR FILM
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FESTIVALS. ZURICH. AUSTRALIAN FILM
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journal article
FFC approves drama and documentaries in Encore (Jan 28, 1998) vol.15 iss.21 p.4
Author: Mauric, Adriana PhysDes: Article; Illustration(s)Subject: AUSTRALIAN FILM FINANCE CORPORATION Summary: List of features, television dramas, documentaries, and children's programs approved by the Australian Film Finance Corporation (AFFC) in December 1997.
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journal article
FFC approves drama and documentaries in Encore (25 Feb, 1998) vol.16 iss.1 p.3
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FFC forecasts $18.3m recoupment in Encore (12 Feb, 1999) vol.17 iss.2 p.17
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FFC supports new docos in Encore (Jan 29, 1999) vol.17 iss.1 p.5
Author: Giles, Silvana PhysDes: Article; Illustration(s)Subject: AUSTRALIAN FILM FINANCE CORPORATION ; DOCUMENTARIES. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA Summary: Overview of 13 documentaries, one feature and two children's TV dramas funded by the Film Finance Corporation in late 1998, including "The Business", "The Battleships", "The Syren's song", "Rhinestone cowboy", "Flashbacks", "Business behind bars", "Growing old disgracefully", "Least said, soonest mended", "Facing the demons", "Fire and ice", "The Fortune teller", "Hildegarde", "Search for Treasure Island 2" and "Round the twist 4".
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Fifty 50 films [197?].
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The fifty-year decline and fall of Hollywood. / by Ezra Goodman New York: Simon & Schuster, 1961.
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Fighting films : a history of the Waterside Workers Federation Unit / Lisa Milner North Melbourne: Pluto, 2003.
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journal article
Fiji spurs production push in Encore (May 2000) vol.18 iss.4 p.8
Author: Prisk, Tracey PhysDes: Article; Illustration(s)Subject: INDUSTRY, FILM. FIJI Summary: The Fijian government has proposed an audio-visual initiative to encourage production and distribution in Fiji.
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book
Film / Roger Manvell Harmondsworth: Penguin, 1950.
Call No: 62 MANAuthor: Manvell, Roger, 1909 Edition: Further revPlace: HarmondsworthPublisher: PenguinPubDate: 1950PhysDes: 182 p., [80] p. of plates : ill. ; 18 cmSeries: Pelican book ; A126Subject: SOCIETY AND THE CINEMA ; AESTHETICS ; CENSORSHIP ; INDUSTRY, FILM ; DOCUMENTARY FILMS Notes: Includes index; Bibliography: p. 251-263LON: abn86084370; 4435368URL status: URL: 'http://-'
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FILM : (US/FR, Alan Schneider, 1965)
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Film : it's a contact sport / by Sarah Darmody Frenchs Forest, N.S.W.: New Holland, 2002.
Call No: 802(94) DARAuthor: Darmody, Sarah Source: ATPlace: Frenchs Forest, N.S.W.Publisher: New HollandPubDate: 2002PhysDes: xiii, 274p. ;21cm.Subject: INDUSTRY, FILM. AUSTRALIA ; BERESFORD, BRUCE ; BILCOCK, JILL ; JORDAN, GREGOR ; MASON, DAVE ; SEALE, JOHN ; STRATTON, DAVID ; WEIR, PETER Notes: Includes index and useful contact information.ISBN: 1864368071
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Film : readings in the mass media / Allen Kirschner and Linda Kirschner New York: The Odyssey Press, c1971.
Call No: 62(04) KIRAuthor: Kirschner, Allen
Kirschner, Linda Place: New YorkPublisher: The Odyssey PressPubDate: c1971PhysDes: 315 pages : 23 cmSubject: CRITICISM ; HISTORY OF CINEMA ; AUDIENCES ; RATING FOR FILMS. USA ; INDUSTRY, FILM. USA ; COMEDIES ; DIRECTION ; GRADUATE, THE (US, Mike Nichols, 1967) Summary: A collection of essays on the history, art and effects of film separated into 3 sections (form and technique, audience and effects, and critics and criticism) with the final section focussing largely on the film The GraduateNotes: Bibliography: p. 313-315.Contents: Movies: the reel world / Marshall McLuhan -- Comedy's greatest era / James Agee -- from King of comedy / Mack Sennett -- The movies 100 years from now / David Wark Griffith -- The modern photoplay / Irving Thalberg -- The movies / H.L. Mencken -- Film and reality / Rudolf Arnheim -- Direction / Alfred Hitchcock -- Reflections on the film actor / Michelangelo Antonioni -- What is "film making"? / Ingmar Bergman -- The reality of New Cinema / Ken Kelman -- Where are we, the underground? / Jonas Mekas -- What makes a good screen story? / Mervyn LeRoy -- The writer and the film / Dudley Nichols -- The movies are now high art / Richard Schickel -- The movies are better than the theater / Walter Kerr -- The film generation / Stanley Kauffmann -- Engaging the eye-minded / Arthur Knight -- Movies: morals, violence, sex: anything goes / Judith Christ -- Film as environment / Anthony Schillaci -- Loverboy of the bourgeoisie / Tom Wolfe -- Freedom of speech in a mass medium / Richard S. Randall -- Rating code / Motion Picture Association of America -- Movies, the desperate art / Pauline Kael -- Should American films be subsidized? / William Fadiman -- The movie industry and the film culture / Ernest Callenbach -- On reviewing, I: Turnstiles / Renata Adler -- Is film criticism only propaganda? / Parker Tyler -- The graduate: four reviews. The graduate makes out / Hollis Alpert ; Tales out of school / Bosley Crowther ; Summa cum laude / Joseph Morgenstern ; The graduate / Stephen Farber and Estelle Changas -- Mike Nichols talks about The graduate / Joseph Gelmis -- The future of film / Members of the National Society of Film Critics: Hollis Alpert ; Brendan Gill ; Philip T. Hartung ; Stanley Kauffmann ; Arthur Knight ; Joseph Morgenstern ; Andrew Sarris ; Richard Schickel ; Wilfrid Sheed ; John Simon
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Film 69/70 : an anthology by the National Society of Film Critics / edited by Joseph Morgenstern and Stefan Kanfer New York: Simon and Schuster, c1970.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1970PhysDes: 286 p. ; 22 cmSubject: INDUSTRY, FILM. USA ; MUSICALS ; VIETNAM WAR IN FILMS ; POLITICS IN FILMS ; PORNOGRAPHY AND THE CINEMA ; FELLINI, FEDERICO ; STREISAND, BARBRA ; WAYNE, JOHN ; CHE! (US, Richard Fleischer, 1969) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; GOODBYE COLUMBUS (US, Larry Peerce, 1969) ; IF... (UK, Lindsay Anderson, 1968) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; INTIMNI OSVETLENI (CZ, Ivan Passer, 1969) ; GURU, THE (US/II, James Ivory, 1968) ; HAR HAR DU DITT LIV (SW, Jan Troell, 1966) ; AKAHIGE [RED BEARD] (JA, Akira Kurosawa, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; PUTNEY SWOPE (US, Robert Downey, 1969) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; IN THE YEAR OF THE PIG (US, Emile de Antonio, 1968) ; HIGH SCHOOL (US, Frederick Wiseman, 1969) ; ISADORA (UK, Karel Reisz, 1968) ; GOODBYE MR CHIPS (UK, Herbert Ross, 1969) ; FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968) Summary: Critical reviews of films produced 1969/1970Notes: Includes indexISBN: 671-20608-7Contents: I. Pick of the Litter -- Z / Pauline Kael, Arthur Schlesinger, Jr. -- Easy Rider / Joseph Morgenstern, Penelope Gillatt, Stefan Kanfer, Richard Schickel -- Bob & Carol & Ted & Alice / Hollis Alpert, Pauline Kael, Arthur Schlesinger, Jr., John Simon -- Alice's Restaurant / Robert Hatch, John Simon / If... / Arthur Schlesinger, Jr., Pauline Kael -- They Shoot Horses, Don't They? / Stefan Kanfer, John Simon -- II. Advance Obit. -- Hollywood: Myth, Fact and Trouble / Joseph Morgenstern -- The Studio by John Gregory Dunne / Stanley Kauffmann -- Paint Your Wagon / Pauline Kael -- III. Auteurisms -- Intimate Lighting / Andrew Sarris -- La Femme Infidele / Andrew Sarris -- Stolen Kisses / Joseph Morgenstern, Hollis Alpert, Robert Kotlowitz -- Here's Your Life / Stanley Kauffmann -- Pierrot Le Fou / Joseph Morgenstern -- The Red and the White / Penelope Gilliatt, Richard Schickel, John Simon -- Putney Swope / Arthur Knight, Penelope Gilliattt, Richard Schickel -- Medium Cook / John Simon, Andrew Sarris -- IV. On Location -- The Making of The Angel Levine / Robert Kotlowitz -- Fellini at Work / Hollis Alpert -- Che! / Joseph Morgenstern, Robert Hatch -- V. Documentarians -- Salesman / Harold Clurman, Joseph Morgenstern -- In the Year of the Pig / Pauline Kael -- High School / Richard Schickel -- VI. Performers and Performances -- The Loves of Isadora / Richard Schickel, Stanley Kauffmann, Stefan Kanfer, Hollis Alpert, Penelope Gilliatt -- Goodbye, Mr. Chips / Pauline Kael, Stefan Kanfe -- Superstar: The Streisand Story / Joseph Morgenstern -- John Wayne as the Last Hero / Stefan Kanfer -- VII. Skin -- I Am Curious (Yellow) / John Simon, Penelope Gilliatt, Hollis Alpert -- Coming Apart / Joseph Mergenstern, Richard Schickel
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FILM (A SCREENPLAY BY SAMUEL BECKETT) : (UK, David Rayner Clark, 1979)
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Film about a woman... in October (Summer 1976) vol.2 p.39-67
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FILM ABOUT A WOMAN WHO... : (US, Yvonne Rainer, 1974)
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FILM ABOUT A WOMAN WHO... : (US, Yvonne Rainer, 1974)
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poster
[Film and history conference - film and science fictions, documentaries, and beyond : poster] / Film & History Conference
Call No: P CONPhysDes: 1 poster : col. ; 43 X 28 cm.Subject: CONFERENCES. USA. FILM & HISTORY ; CONFERENCES. USA Summary: Image: Hand composed of circuitry with 3 strips of filmstrip rising out of it. Text:
'Film and Science: Fictions, documentaries, and beyond/Plan for the Film & History Conference 2008: Chicago. Illinois. The Western O'Hare. Oct. 30-Nov. 2'.Notes: Heavily creased along middle; Advertisement for the Film & History Conference 2008
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Film and school : a handbook in moving-picture evaluation / by Helen Rand and Richard Lewis New York; London: D. Appleton-Century Company Incorporated, 1937.
Call No: 51 RANAuthor: Lewis, Richard ; Rand, Helen Source: USPlace: New York; LondonPublisher: D. Appleton-Century Company IncorporatedPubDate: 1937PhysDes: xv. 182p. ; illus. ; 20cm.Subject: FILM STUDY AND RESEARCH ; TEACHING MATERIALS Notes: With the advice and counsel of Edgar Dale and Sarah McLean Mullen; A publication of The National Council of Teachers of English; Includes list of illustrations, source material and index.
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FILM AND TELEVISION ACTION COMMITTEE
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annual report
Film and Television Institute (W.A.) Annual report / Film & Television Institute (W.A.) Inc Fremantle, W.A.: The Institute, 1986. Digital clippings file available
Call No: ANNUAL REPORT SHELVES; held 1985/86, 1988, 2010; DIGITAL FILES; held 2003/04-2013/14CorpAuthor: Film and Television Institute (W.A.)Source: ATPlace: Fremantle, W.A.Publisher: The InstitutePubDate: 1986PhysDes: vSubject: FILM AND TELEVISION INSTITUTE (WA) Notes: Cover titleLON: 5613686
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FILM AND TELEVISION INSTITUTE (WA)
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FILM AND TELEVISION PRODUCTION ASSOCIATION OF AUSTRALIA
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Film and television production in Australia : a report / by Lord Willis [Canberra: Australian National Advisory Committee for Unesco, 1968.
Call No: 511(94) WILAuthor: Willis, Edward Henry Baron Place: [CanberraPublisher: Australian National Advisory Committee for UnescoPubDate: 1968PhysDes: ii, 34, b-i leaves ; 30 cmSubject: EDUCATION, FILM. AUSTRALIA ; TRAINING. AUSTRALIA Summary: "This report, written by Lord Willis, in part 1 deals with the need for professional training of film and television personnel in Australia and for the establishment of a national training institution. Parts 2 and 3 deal with the possible development and role of national film and television production in Australia, which is the background against which proposals and recommendations for training personnel are based" - taken from prefaceNotes: At head of title: United Nations Educational, Scientific, and Cultural Organisation
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The film and television production industry in Victoria : report of the Victorian Film & Television Industry Task Force Melbourne, Australia: Victorian Film & Television Task Force, September 2000.
Call No: 201(945) VICCorpAuthor: Victorian Film & Industry Task ForceSource: ATPlace: Melbourne, AustraliaPublisher: Victorian Film & Television Task ForcePubDate: September 2000PhysDes: 99 leaves ; 30 cmSubject: INDUSTRY, FILM. AUSTRALIA : VICTORIA ; INDUSTRY, FILM. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA : VICTORIA ; Film Victoria ; CINEMEDIA ; MELBOURNE FILM OFFICE ; EDUCATION, FILM. AUSTRALIA Summary: A report to review and recommend a strategic framework for the Victorian Film and Television Industry. Government support for retaining and securing production investment is important for a knowledge economy. The report looks at different requirments to achieve this including: reinvigorating state film and television funding, advocacy to the Federal government about national policy, adopting a government approach to the industry, adding infrustructure and expanding education and training opportunities. Various proposals are also put forward.Notes: Includes preface letter by Sigrid Thornton -- Includes table of contents -- Ring binding -- Additional catalogue information added 28 August 2019Language: EnglishContents: The Victorian Film and Television Industy - a vision for the future -- Executive summary -- The review process -- The industry nationally -- The industry in Victoria today -- Federal government support for the industry -- Government support for the industry in other states -- Victorian government support for the industry -- Industry infrustructure in Victoria -- Education and training in Victoria -- The global operating environment -- Overseas government funding programs -- The stategic framework for the Victorian industry -- The best position for the Victorian industry in relation to other Australian states and overseas industries -- The effectiveness of current state government programs in addressing the requirements needed to ensure the Victorian industry is a centre for excellence -- The requirements and initiatives needed to ensure that the Victorian industry is a centre for excellence
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Old collection
book
The Film and Television School : fulltime program courses 2 1976 / The Film and Television School North Ryde N.S.W.: The School, 1976.
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Levy Collection
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Film and the liberal arts / T. J. Ross New York: Holt, Rinehart and Winston, 1970.
Call No: 51 ROSAuthor: Ross, T. J. Source: USPlace: New YorkPublisher: Holt, Rinehart and WinstonPubDate: 1970PhysDes: xi, 419 p. ; 23 cmSubject: EDUCATION, FILM Notes: Bibliography: p. 407-409ISBN: 003081104XDonation: donated by the family of Wayne Levy, 2006URL status: URL: 'http://-'
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The film and the public / Roger Manvell Harmondsworth, Middlesex: Penguin, 1955.
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journal article
Film and TV Producers appoint Anthony Buckley, new president, and Tom Haydon, vice-president in Australasian Cinema (29/10/1982) vol.11 iss.19 p.10
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book
Film and video production and distribution, Australia, 1993-94 [Canberra]: Australian Bureau of Statistics, 1996.
Call No: 21(94) "1993-94" MCLCorpAuthor: Australian Bureau of StatisticsPlace: [Canberra]Publisher: Australian Bureau of StatisticsPubDate: 1996PhysDes: vi, 38 p. : ill. ; 30 cmSubject: STATISTICS. AUSTRALIA ; PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; INDUSTRY, VIDEO. AUSTRALIA Summary: Contains information about the film and video production industries in Australia. The data includes major sources of income and components of expenditure; characteristics of employment and the seasonal pattern of employment; key characteristics by State; performance ratios; market distribution of Australian titles; type and value of transactions in services with overseas residents; the production of films, videos and television programs by type of programming formatNotes: Catalogue no. 8679.0; "W. McLennan, Australian Statistician"; Includes tablesISBN: 0642207305LON: 12274947
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book
Film and video production and distribution, Australia, 1996-97 [Canberra]: Australian Bureau of Statistics, 1998.
Call No: 21(94) "1996-97" MCLCorpAuthor: Australian Bureau of StatisticsPlace: [Canberra]Publisher: Australian Bureau of StatisticsPubDate: 1998PhysDes: 30 p. ; 30 cmSubject: PRODUCTION. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; STATISTICS. AUSTRALIA Summary: Contains information about the film and video production industries in Australia. The data includes major sources of income and components of expenditure; characteristics of employment and the seasonal pattern of employment; key characteristics by State; performance ratios; market distribution of Australian titles; type and value of transactions in services with overseas residents; the production of films, videos and television programs by type of programming formatNotes: Catalogue no. 8679.0; Caption title; Includes tablesISBN: 0642256764LON: abn98389714; 14261746
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Film app brings cinema to the blind in The Australian (13/04/2017) p.15
Call No: SUBJECT CLIPPINGS FILE; DISABLED AND THE CINEMAAuthor: Swan, David PhysDes: Clippings File ArticleSubject: PEOPLE WITH DISABILITIES AND THE CINEMA ; DEMAND.FILM ; TECHNOLOGY AND THE CINEMA Summary: Interview with Demand.Film chief David Doepel about his company's innovation called MovieReading, which allows sight imparied people to have a film's audio and a description of events to be played through a mobile phone appNotes: A
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Film art : an introduction / David Bordwell, Kristin Thompson New York: Knopf Distributed by Random House, 1986.
Call No: 62 BORAuthor: Bordwell, David, 1947 ; Thompson, Kristin, 1950 Edition: 2nd edPlace: New YorkPublisher: Knopf Distributed by Random HousePubDate: 1986PhysDes: xiii, 400 p., [2] p. of plates : ill. (some col.) ; 26 cmSubject: PRODUCTION ; NARRATIVE IN FILMS ; CINEMATOGRAPHY ; EDITING ; SOUND ; CRITICISM ; HISTORY OF CINEMA ; MOVEMENTS IN FILM HISTORY ; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924) ; CITIZEN KANE (US, Orson Welles, 1941) Notes: Includes index; Bibliography: p. 387-389ISBN: 0394352378 (pbk.)LON: 85018198; 4389326URL status: URL: 'http://-'
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Film art : an introduction / David Bordwell / Kristin Thompson / Jeff Smith New York: McGraw-Hill Education, c2017.
Call No: 62 BORAuthor: Bordwell, David -- Thompson, Kristin -- Smith, Jeff Edition: Eleventh edition, McGraw-Hill Education International EditionSource: USPlace: New YorkPublisher: McGraw-Hill EducationPubDate: c2017PhysDes: xvii, 492 pages, 33 variously numbered pages ; illustrations : 28 cmSubject: EDUCATION, FILM Summary: "'Film Art' helps students master the skills of film appreciation by teaching them to analyze and appreciate classic and contemporary films" -- taken from introductionISBN: 9781259253317Contents: Part one: Film Art and filmmaking -- 1. Film as Art: Creativity, Technology and Business -- Part two: Film form -- 2 The Significance of Film Form ; 3 Narrative Form -- Part three: Film Style -- 4 The Shot: Mise-en-Scene ; 5 The Shot: Cinematography ; 6 The Relation of Shot to Shot: Editing ; 7 Sound in the cinema ; 8 Summary: Style and Film Form -- Part Four: Types of Films -- 9 Film Genres ; 10 Documentary, Experimental, and Animated Films -- Part Five: Critical Analysis of Films -- 11 Film Criticism: Sample Analyses -- Part Six: Film Art and Film History -- 12 Historical changes in Film Art: Conventions and Choices, Traditions and Trends
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FILM AS A SUBVERSIVE ART: AMOS VOGEL AND STUDIO 16 : (UK, Paul Cronin, 2004)
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Film as art : a travelling exhibition commencing in September 1982 which has been assisted by the Visual Arts Board, Australia Council, the Australian Film Commission and the Victorian Arts Ministry / Victorian College of the Arts Gallery Melbourne: Victorian College of the Arts, [1982].
Call No: 175(94)FIL FILSource: ATPlace: MelbournePublisher: Victorian College of the ArtsPubDate: [1982]PhysDes: [11] p. : ill. ; 30 cmSubject: ART CINEMA. AUSTRALIA ; EXPERIMENTAL FILMS. AUSTRALIA ; TRAVELLING EXHIBITION ; VICTORIAN COLLEGE OF THE ARTS, SCHOOL OF FILM AND TELEVISION Summary: Programme listing of the different films and filmmakers featured within the 'Film as Art' exhibition (which toured around Australia). Filmmakers listed include: Sue Ford, John Dunkley-Smith, Mike Parr, William Anderson, (aka. Tch Tch Tch) (Some lost advertisements), Ivan Durrant, Paul Winkler, Arthur and Corinne Cantill, Dirk de Bruyn, Jonas Balsaitas, George Gittoes
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Film as social practice / Graeme Turner London New York: Routledge, 1988.
Call No: 408 TURAuthor: Turner, Graeme Place: London New YorkPublisher: RoutledgePubDate: 1988PhysDes: xv, 187 p. : ill. ; 20 cmSeries: Studies in communicationSubject: POPULAR CULTURE AND THE CINEMA ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; AUTEUR THEORY ; NARRATIVE IN FILMS ; STARS ; SPECTATORSHIP ; AUDIENCES ; AUSTRALIA ; IDEOLOGY AND THE CINEMA ; BAZIN, ANDRE ; WRIGHT, WILL ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; METROPOLIS (G, Fritz Lang, 1926) Summary: “Explores the feature film as entertainment, as narrative, and as cultural event. Graeme Turner discusses the major theoretical issues surrounding the history of film production and film studies, using them to examine the cultural function of film and its place in our popular culture. This updated third edition includes: discussion of classical and popular contemporary films, updated and expanded discussion of debates surrounding film narrative and arguments revised throughout to take into account recent developments in film and cultural theory and changing cinematic trends.” [Taken from back cover]Notes: Includes index; Bibliography: p. 180-184ISBN: 0415007348; 0415007356 (pbk.)LON: 5742606
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Film at the intersection of high and mass culture / Paul Coates Cambridge [England] New York: Cambridge University Press, 1994.
Call No: 408 COAAuthor: Coates, Paul, 1953 Place: Cambridge [England] New YorkPublisher: Cambridge University PressPubDate: 1994PhysDes: xvii, 201 p. ; 24 cmSeries: Cambridge studies in filmSubject: POPULAR CULTURE AND THE CINEMA ; SCIENCE-FICTION FILMS ; MELODRAMA ; WESTERNS ; FILM NOIR ; ETHNIC GROUPS IN FILMS ; STARS ; GENRES ; HORROR FILMS ; VOICE OVER ; MUSIC TELEVISION ; SIRK, DOUGLAS ; MARKER, CHRIS ; TARKOVSKY, ANDREI ; KIESLOWSKI, KRZYSZTOF ; FRANJU, GEORGES ; STALLONE, SYLVESTER ; VALENTINO, RUDOLPH ; LANG, FRITZ ; LEE, SPIKE ; MADONNA ; MONROE, MARILYN ; POTTER, DENNIS ; BEDROOM WINDOW, THE (US, Curtis Hanson, 1986) ; FLY, THE (US, David Cronenberg, 1986) ; JETEE, LA (FR, Chris Marker, 1963) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; AUFZEICHNUNGEN ZU KLEIDERN UND STADTEN (GW, Wim Wenders, 1989) ; OUT OF THE PAST (US, Jacques Tourneur, 1947) ; ROCKY IV (US, Sylvester Stallone, 1985) ; OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986) ; SEARCHERS, THE (US, John Ford, 1956) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) ; SOLARIS (UR, Andrei Tarkovsky, 1972) ; WESELE (PL, Andrzej Wajda, 1972) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; REAR WINDOW (US, Alfred Hitchcock, 1954) Notes: Includes bibliographical references (p. 182-194) and indexISBN: 0521444721 (hardback)LON: 10419843
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FILM AUSTRALIA
Call No: SUBJECT CLIPPINGS FILEPhysDes: Clippings; PublicitySubject: FILM AUSTRALIA
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Film Australia : Film and video catalogue Lindfield, N.S.W.: Film Australia, [1985].
Call No: REFERENCE SECTION; 027(94) FACorpAuthor: Film AustraliaSource: ATPlace: Lindfield, N.S.W.Publisher: Film AustraliaPubDate: [1985]PhysDes: 92 p. : ill. ; 30cm ; loose-leafSubject: FILM AUSTRALIA ; DISTRIBUTION. AUSTRALIA Notes: Includes index; Cover title
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journal article
Film Australia announces details of "Annie's Coming Out" in Australasian Cinema (22/7/1983) vol.12 iss.13 p.1
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annual report
Film Australia Annual report / Film Australia Pty Limited Lindfield, N.S.W.: Film Australia Pty Ltd, 1989.
Call No: ANNUAL REPORT SHELVES; held 1989-2007/8 lacks 1993/94CorpAuthor: Film AustraliaPlace: Lindfield, N.S.W.Publisher: Film Australia Pty LtdPubDate: 1989PhysDes: v. : ill., ports. ; 25 cmSubject: FILM AUSTRALIA Notes: Cover titleISSN: 1034-8433LON: 7056259
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book
Film Australia catalogue Lindfield, N.S.W.: Film Australia, [2000?].
Call No: REFERENCE SECTION; 027(94) FACorpAuthor: Film AustraliaSource: ATPlace: Lindfield, N.S.W.Publisher: Film AustraliaPubDate: [2000?]PhysDes: 32 p. : ill. ; 30cmSubject: FILM AUSTRALIA ; DISTRIBUTION. AUSTRALIA Notes: Includes index; Cover titleLON: 21735676
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journal article
Film Australia here to stay in Encore (May 2000) vol.18 iss.4 p.55
Author: Griffiths, Peter PhysDes: Article; Illustration(s)Subject: FILM AUSTRALIA ; CONNOLLY, SHARON Summary: After recent re-structuring and improvements to facilities, Connolly and Matthew Tucker explain that Film Australia intends to continue working with low budget documentary productions.
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journal article
Film Australia here to stay in Encore (May 2000) vol.18 iss.4 p.55
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serial
Film Australia newsletter / Film Australia Lindfield, N.S.W.: Film Australia, 1973.
Call No: held v.4, no.5-v.6, no.1 Oct. 1973-[Feb. 1975]CorpAuthor: Film Australia; Newsletter (Film Australia)Source: ATPlace: Lindfield, N.S.W.Publisher: Film AustraliaPubDate: 1973PhysDes: v. ; 26 cmSubject: FILM AUSTRALIA ISSN: 0312-0031LON: nls00005116; 7612693
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journal article
Film Australia targets low-budget fare in Encore (25 Feb, 1998) vol.16 iss.1 p.34
PhysDes: ArticleSubject: FILM AUSTRALIA Summary: Discusses Federal Government's decision to continue Film Australia's tenure at Lindfield and the facilities Film Australia is providing to various productions.
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journal article
Film Australian will film migrant stories in Australasian Cinema (14/5/1982) vol.11 iss.8 p.5
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journal article
Film awards on Tee Vee in Filmnews (Australia) (Jul-76) p.1
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subject clippings file
FILM BANCOR
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: FILM BANCOR
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journal article
Film Bancor hits market for $16M in Australian film review (24th May-6th June 1984) vol.2 iss.7 p.8
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Old collection
book
Film: Book 1 : the audience and the filmmaker / edited by Robert Hughes New York: Grove Press, 1959.
Call No: 62 FILAuthor: Hughes, Robert Source: USPlace: New YorkPublisher: Grove PressPubDate: 1959PhysDes: v. : ill., ports ; 20 cm.Series: Evergreen Books E140Subject: PERIODICALS, FILM ; ART AND THE CINEMA ; SPECTATORSHIP ; ANDERSON, LINDSAY ; BARDEM, JUAN ANTONIO ; BUNUEL, LUIS ; CLEMENT, RENE ; MEYERS, SIDNEY ; DREYER, CARL TH. ; HENNING-JENSEN, BJARNE ; KAZAN, ELIA ; Lean, David ; SATYAJIT, RAY ; RENOIR, JEAN ; FLAHERTY, ROBERT ; Fellini, Federico ; AGEE, JAMES ; ZAVATTINI, CESARE ; MEKAS, JONAS ; MAN OF ARAN (UK, Robert Flaherty, 1934) ; ALL OF MY BABIES : A MIDWIFE'S OWN STORY (US, George Stoney, 1952) ISBN: 0195018346
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FILM BUFF'S FORECAST
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journal article
Film Censorship, April, 1982 in Australasian Cinema (25/6/1982) vol.11 iss.11 p.4-5
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annual report
Film Censorship Board Report on activities ... / Film Censorship Board Canberra: Australian Govt. Pub. Service, 1981-1989.
Call No: ANNUAL REPORT SHELVES; held 1980-1987CorpAuthor: Australia. Film Censorship Board; Australia. Films Board of ReviewPlace: CanberraPublisher: Australian Govt. Pub. ServicePubDate: 1981-1989PhysDes: 8 v. ; 25 cmSubject: Film Censorship Board ; Films Board of Review Notes: From 1986 includes report of : Films Board of ReviewISSN: 0726-2116LON: 2103805
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journal article
Film Censorship, December, 1982 in Australasian Cinema (28/1/1983) vol.12 iss.1 p.10, 15
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journal article
Film Censorship, February 1982 in Australasian Cinema (30/4/1982) vol.11 iss.7 p.2-3
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journal article
Film Censorship, January 1982 in Australasian Cinema (16/4/1982) vol.11 iss.6 p.8-9
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journal article
Film Censorship, July, 1982 in Australasian Cinema (10/9/1982) vol.11 iss.16 p.4-5, 11
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journal article
Film Censorship, July 1983 in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.20-23
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journal article
Film Censorship, June, 1982 in Australasian Cinema (27/8/1982) vol.11 iss.15 p.30-31
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journal article
Film Censorship, June 1983 in Australasian Cinema (Friday, 19/8/1983) vol.12 iss.15 p.3-5
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journal article
Film Censorship, March, 1982 in Australasian Cinema (14/5/1982) vol.11 iss.8 p.4-5
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book
Film: complete scenario, illustrations, production shots : with an essay, On directing Film / by Alan Schneider London: Faber, 1972.
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subject clippings file
FILM COUNCIL [UNITED KINGDOM]
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FILM CULTURE LOBBY
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book
Film cultures / Janet Harbord London: Sage Publications, 2002.
Call No: 62(081) HARAuthor: Harbord, Janet Source: UKPlace: LondonPublisher: Sage PublicationsPubDate: 2002PhysDes: 182 p. ; 25 cmSubject: EXHIBITION ; FESTIVALS ; ADVERTISING FOR FILMS ; PRODUCTION ; AESTHETICS ; FILM CULTURE Summary: "In Film cultures, Janet Harbord looks at the ways in which film connects us to social, spatial, and temporal networks of exchange and meaning. Harbord argues that the space in which we view films, whether it be a multiplex, an art house or our own home, as well as the way in which we view them, as either singular objects or hypertexts linked to an almost infinite variety of other products, connects us to a particular film culture. Shifting the focus of film analysis from the text to the paths of circulation, Film cultures invites us to explore the ways in which film connects us to specific social, national, and global networks."Notes: Includes bibliographical references (p. [164]-176) and indexISBN: 0761965211Contents: Introduction - Chapter 1 Breaking with the aura? Film as object or experience -- Chapter 2 Spatial effects: film cultures and sites of exhibition -- Chapter 3 Film festivals: media events and spaces of flow -- Chapter 4 Marketing films and audiences -- Chapter 5 Postmodern praxes: production on the national and global stage -- Chapter 6 Aesthetic encounters -- Chapter 7 Digitalization and its discontents -- References -- Index
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Interim
book
The film cultures reader / Graeme Turner (ed.) New York: Routledge, 2002.
Call No: 408 TURAuthor: Graeme Turner (ed.) Place: London; New YorkPublisher: RoutledgePubDate: 2002PhysDes: 524 p. ; 24 cmSubject: CULTURE AND THE CINEMA ; GENRES ; AESTHETICS ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; SPECTATORSHIP ; AUDIENCE RECEPTION ; AUDIENCE RESEARCH ; SOUND ; THEORY ; CREED, BARBARA ; KUHN, ANNETTE ; NATIONAL CULTURE AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; GLOBALISATION ; USA ; MONROE, MARILYN ; SEX IN FILMS ; HORROR FILMS ; ACTION FILMS ; HOMOSEXUALITY IN FILMS ; THRILLERS ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; PIANO, THE (AT, Jane Campion, 1993) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; TECHNOLOGY AND THE CINEMA ; INDUSTRY, FILM Summary: This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon. Key features of the reader include: thematic sections, each with an introduction by the editor; a general introduction by Graeme Turner; sections on understanding film, film technology, film industries, meanings and pleasures, identities, audiences and consumption.ISBN: 0415252822
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title clippings file
FILM D'AMORE E D'ANARCHIA : (IT/FR, Lina Wertmuller, 1973)
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newspaper article
Film entrepreneurs launch cinema-on-demand platform in Australian Financial Review (13/09/2016) p.25
Call No: SUBJECT CLIPPINGS FILE; DEMAND.FILMAuthor: Redrup, Yolanda PhysDes: Clippings File ArticleSubject: DEMAND.FILM ; TUGG ; EXHIBITION. AUSTRALIA Summary: New film screening on demand website called Demand.film will be run by the team that has reliquished the rights to the Australian version of Tugg
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book
Film facts / Cobbett S. Steinberg New York: Facts on File, 1980.
Call No: REFERENCE SECTION; 035 STEAuthor: Steinberg, Cobbett S. Source: USPlace: New YorkPublisher: Facts on FilePubDate: 1980PhysDes: xi, 476 p. : 26 cmSubject: LITERATURE, FILM Notes: Includes indexISBN: 0871963132
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newspaper article
Film festival stands by anti-vaxx work in The Age (21/09/2016) p.3
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Interim
book
Film flam / by Elliot Paul London: Frederick Muller Ltd., 1956.
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journal article
Film, form and culture in Metro (2000) iss.121/122 p.156-157
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subject clippings file
FILM FORUM
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: FILM FORUM
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subject clippings file
FILM FOUNDATION, THE
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newspaper article
Film gender gap slow to close in Sydney Morning Herald (8/08/2017) p.11
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book
Film genre 2000 : new critical essays / edited by Wheeler Winston Dixon Albany: State University of New York Press, c2000.
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book
Film genre reader / edited by Barry Keith Grant Austin: University of Texas Press, 1986.
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book
Film genre reader II / edited by Barry Keith Grant Austin: University of Texas Press, 1995.
Call No: 64GEN FILAuthor: Grant, Barry Keith, 1947 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1995PhysDes: viii, 581 p. : ill. ; 24 cmSubject: GENRES ; WESTERNS ; GANGSTER FILMS ; FILM NOIR ; DISASTER FILMS ; EPIC FILMS ; HORROR FILMS ; MELODRAMA ; COMEDIES ; TRANSVESTISM ; WOMEN IN FILMS ; VIETNAM WAR FILMS ; MUSICALS ; ETHNIC GROUPS IN FILMS ; CANADA ; AUTEUR THEORY ; NARRATIVE IN FILMS ; DETECTIVE FILMS ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HISTORICAL FILMS ; PHILOSOPHY AND THE CINEMA ; PORNOGRAPHY AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; SCIENCE-FICTION FILMS ; SEMIOLOGY ; STRUCTURALISM ; HITCHCOCK, ALFRED ; MICHEAUX, OSCAR ; CRONENBERG, DAVID ; FORD, JOHN ; PENN, ARTHUR ; SIRK, DOUGLAS ; CAVELL, STANLEY ; CHANDLER, RAYMOND ; FRYE, NORTHROP ; MINNELLI, VINCENTE ; TODOROV, TZVETAN ; ZOO LA NUIT, UN (CN, Jean-Cluade Lauzon, 1987) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949) ; YENTL (US, Barbara Streisand, 1983) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; STAGECOACH (US, John Ford, 1939) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THING, THE (US, Christian Nyby, 1951) ; [TWENTY] 20 MILLION MILES TO EARTH (US, Nathan Juran, 1957) ; VICTOR VICTORIA (UK, Blake Edwards, 1982) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; FLY, THE (US, David Cronenberg, 1986) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; CHINATOWN (US, Roman Polanski, 1974) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; CHINATOWN (US, Roman Polanski, 1974) Notes: Includes bibliographical references (p. [495]-559) and indexISBN: 0292727771 (cloth : alk. paper); 029272778X (pbk. : alk. paper)LON: 11563059
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journal article
Film Genres in Wide Angle (January 1992) vol.14 iss.1 p.[whole issue]
Author: Hall, Jeanne (ed) PhysDes: ArticleSubject: GENRES ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; FILM NOIR ; FLY, THE (US, Kurt Neumann, 1958) ; TRANSVESTISM ; MELODRAMA ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; HORROR FILM Summary: Wide Angle issue on Genre films. Articles on Film Noir and 'Kiss Me Deadly', 'The Fly', temporary transvestitism in films, melodrama and 'That Hamilton Woman', and feminism and horror film in 'The Night of the Living Dead'.
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book
Film in teaching / Keith Kennedy Sydney: Angus and Robertson, 1972.
Call No: 49 [37] KENAuthor: Kennedy, Keith Source: ATPlace: SydneyPublisher: Angus and RobertsonPubDate: 1972PhysDes: 128 p. : ill. ; 26 cmSubject: EDUCATION, USE OF FILMS IN ; EDUCATION, FILM Summary: Practical, resourceful, and clearly organised, Film In Teaching offers a stimulating guide to the teacher who wants to understand and use film as a creative medium in the classroom. [Taken from inside front cover.]ISBN: 207124043Donation: donated by the family of Wayne Levy, 2006
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Film in the age of digital distribution : the challenge for Australian content / Richard Harris Strawberry Hills, NSW: Currency House, 2007.
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Film-induced tourism Clevedon: Channel View Publications, 2005.
Call No: 230:33 BEEAuthor: Sue Beeton Place: ClevedonPublisher: Channel View PublicationsPubDate: 2005PhysDes: 270 p. ; 23 cmSeries: Aspects of TourismSubject: TRAVEL IN FILMS ; LOCATION SHOOTING. AUSTRALIA ; LOCATION SHOOTING. USA ; LOCATION SHOOTING. UK ; ADVERTISING FOR FILMS ; NEW ZEALAND ; STUDIOS, FILM. AUSTRALIA Summary: Tourism to places where movies and television series have been filmed is not a new phenomenon, having its roots in literary tourism. Whilst there is a growing recognition of the significance of film as a motivator for tourism, studies in this field are limited. However, film is more than a simple place promotion tool. Representing over five years of study into film-induced tourism, this publication considers aspects of tourism to film studios as well as film sites. Genres and styles of film considered include popular fictional movies, cult movies, television series and animation, and covers destinations form New York to Scotland, England and rural Australia. The potential of film-induced tourism as a motivator is explored, along with more negative effects, particularly in relation to small communities. The study of this complex field draws on elements of sociology and psychology, destination marketing, community development and strategic planning. [Taken from back cover.]ISBN: 1845410149
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The film industry in Brazil : culture and the state / Randal Johnson Pittsburgh, Pa.: University of Pittsburgh Press, c1987.
Call No: 71(81) JOHAuthor: Johnson, Randal, 1948 Place: Pittsburgh, Pa.Publisher: University of Pittsburgh PressPubDate: c1987PhysDes: xiv, 265 p. ; 23 cmSeries: Pitt Latin American seriesSubject: BRAZIL ; INDUSTRY, FILM. BRAZIL Notes: Includes index; Bibliography: p. 247-255ISBN: 0822935384LON: 4395325
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Interim
book
The film industry in Great Britain : some facts and figures / British Film Academy London: British Film Academy, 1950.
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serial
Film information Sydney: Federation of New South Wales and Queensland Film Societies, 1968].
Call No: held v.2, no.1-v.7, no.68 Mar. 1963-Dec. 1968CorpAuthor: Federation of New South Wales and Queensland Film Societies; Federation of New South Wales and Associated Film SocietiesSource: ATPlace: SydneyPublisher: Federation of New South Wales and Queensland Film SocietiesPubDate: 1968]PhysDes: v. ; 26 cmSubject: SOCIETIES, FILM. AUSTRALIA Notes: Description based on: no. 8 (Nov./Dec. 1956)LON: abn97048062; 13026516
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journal article
The Film Inquiry in Lumiere (December, 1972) iss.19 p.26-30
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serial
Film journal Carlton, Vic.: New Melbourne Film Group and Melbourne University Film Society, 1956-1965.
Call No: held no.1-24 Aug. 1955-Dec. 1965CorpAuthor: New Melbourne Film Group; Melbourne University Film SocietySource: ATPlace: Carlton, Vic.Publisher: New Melbourne Film Group and Melbourne University Film SocietyPubDate: 1956-1965PhysDes: v. : ill., ports. ; 28 cmSubject: SOCIETIES, FILM. AUSTRALIA. VICTORIA Frequency: IrregularLON: cvj65001291; 2504686
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subject clippings file
FILM LICENSED INVESTMENT COMPANY
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subject clippings file
FILM MAGAZINE PROGRAMMES
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The film-maker and his world : a young person's guide / by R. J. Minney London: Victor Gollancz, 1964.
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