Search Catalogue

Call No: 802.25 FIF
Author: Cowie, Peter
Place: South Brunswick, N.J.
Publisher: A. S. Barnes
PubDate: c1975
PhysDes: 287 p. : ill. ; 29 cm
Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA, JUN; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO
Notes: Includes filmographies and index
ISBN: 0498012557 : $20.00
LON: 723676
ID2: 291

PhysDes: Article
Subject: IMPROPER CHANNELS (CN, Eric Till, 1981); ARKIN, ALAN; FESTIVALS
Summary: Article on success of 'Impoper Channels' at various film festivals.

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: AMBLER, ERIC

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills
Subject: AMI DE MON AMIE, L' (FR, Eric Rohmer, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ROMANCE OF ASTREA AND CELADON, THE [AMOURS D'ASTREE ET DE CELADON] (FR/IT/SP, Eric Rohmer, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANGEL TOWN (US, Eric Karson, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANGLAISE ET LE DUC, L' (FR, Eric Rohmer, 2001)

Call No: TITLE CLIPPINGS FILE; BALLERINA [LEAP!](FR/CN, Eric Summer and Eric Warin, 2016)
Author: Wilson, Jake
PhysDes: Clippings
Subject: BALLERINA [LEAP!] (FR/CN, Eric Summer and Eric Warin, 2016)
Summary: Film review of BALLERINA [LEAP!]
Notes: This review is also published in The Age 12/01/2017
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ANNA OZ (FR/IT/SZ, Eric Rochant, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998)

Call No: 246(94) TOR
Author: Torre, Dan; Torre, Lienors
Edition: 2018
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PhysDes: xii, 260 pages : illustrated ; 22 cm
Subject: ANIMATED FILMS. AUSTRALIA; ANIMATION. AUSTRALIA; FELIX THE CAT; PORTER, ERIC; HANNA-BARBERA; MCLAREN ANGUS; PETTY, BRUCE; STITT, ALEX; TUPICOFF, DENNIS; MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972); DOT AND THE KANGAROO (AT, Yoram Goss, 1977); GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981); LOST THING, THE (AT/UK, Andrew Ruhemann/Shaun Tan, 2010)
Summary: This book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide-range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variety of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews this book illuminates, for the first time, the breadth and richness of Australia’s animation history. -- publisher's web site
ISBN: 9783319954912

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: AUX YEUX DU MONDE (FR, Eric Rochant, 1990)

Call No: 802.24(73) BAC
Author: McGilligan, Patrick
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 2010
PhysDes: viii, 252 p. ; 23 cm
Subject: SCRIPTWRITERS; SCRIPTWRITERS. USA; BROOKS, ALBERT; CARRIERE, JEAN-CLAUDE; EPHRON, NORA; HARWOOD, RONALD; HUGHES, JOHN (US); KOEPP, DAVID; LAGRAVENESE, RICHARD; LEVINSON, BARRY; ROTH, ERIC; SAYLES, JOHN; STOPPARD, TOM; TURNER, BARBARA; WURLITZER, RUDY
Summary: "The thirteen featured writers are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan's words, a 'snapshot of a profession in motion.' Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges." -- Back cover
Notes: Includes bibliographical references and indexes
ISBN: 9780520260399
Contents: -- acknowledgements -- introduction -- Albert Brooks: me generation everyman / Interview by Gavin Smith -- Jean-Claude Carrie`re: breaking the rules / interview by Mikael Colville-Andersen -- Nora Ephron: feminist with a funny bone / interview by Patrick McGilligan -- Ronald Harwood: imagination / interview by Patrick McGilligan -- John Hughes: straight outta Shermer / interview by William Ham -- David Koepp: sincerity / interview by Patrick McGilligan -- Richard LaGravenese: a writer under the influence / interview by Tom Matthews -- Barry Levinson: the journey / interview by Patrick McGilligan -- Eric Roth: pride of authorship / interview by Patrick McGilligan -- John Sayles: the nonconformist / interview by Nick Dawson -- Tom Stoppard: adventures in movies / interview by Vincent Lobrutto -- Barbara Turner: free spirit / interview by Patrick McGilligan -- Rudy Wurlitzer: questing / interview by Lee Hill -- abiut the contributors -- general index -- index of films, plays, books --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAD MOON (US, Eric Red, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BALLERINA [LEAP!] (FR/CN, Eric Summer and Eric Warin, 2016)

Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BANA, ERIC
URL status: URL: 'http://file://Q:/P/BANA,_ERIC.zip' Checked: 31/08/2021 1:05:17 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

PhysDes: Article
Subject: BANA, ERIC; NUGGET, THE (AT, Bill Bennett, 2002)
Summary: Small artice on Eric Bana's involvement on The Nugget

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BATMAN: MASK OF THE PHANTASM (US, Eric Radomski & Bruce W. Timm, 1993)

PhysDes: Article
Subject: BEAU MARIAGE, LE (FR, Eric Rohmer, 1982)
Summary: Short Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: BEAU MARIAGE, LE (FR, Eric Rohmer, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLACK EAGLE (US, Eric Karson, 1988)

Author: Matt Coyte
PhysDes: Article
Subject: BANA, ERIC; BLACK HAWK DOWN (US, Ridley Scott, 2001)
Summary: Feature article and interview with Eric Bana on his career, focusing on Black Hawk Down.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BODY PARTS (US, Eric Red, 1991)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BOGOSIAN, ERIC

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BOMB, THE (US, Kevin Ford, Smriti Keshari & Eric Schlosser, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRIDGE THE (UK/US, Lynette M. Myers & Eric Steel, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRIDGE, THE (UK/US, Eric Steel, 2006)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BROSS, ERIC

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BUTTERFLY EFFECT, THE (US, Eric Bress & J Mackye Gruber, 2004)

Call No: 81RAT RAT
Author: Rather, Dan; Herskowitz, Mickey
Source: US
Place: New York
Publisher: William Morrow & Co.
PubDate: 1977
PhysDes: 320 p. ; 25 cm
Subject: MEDIA; NEWS PROGRAMMES.USA; RATHER, DAN; CRONKITE, WALTER; SEVAREID, ERIC; WALLACE, MIKE; WALTERS, BARBARA; REASONER, HARRY; BRINKLEY, DAVID; CHANCELLOR, JOHN; NIXON [RICHARD M.] ON TV; JOHNSON, LYNDON
ISBN: 0688031846

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I CAN LICK ANY GIRL IN THE HOUSE! (UK, Eric Wallace, 1976)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CANTONA, ERIC

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CASTA DIVA (NE, Eric De Kuyper, 1982)

Call No: TITLE CLIPPINGS FILE; BELIER FAMILY, THE [FAMILLE BELIER, LA] (FR, Eric Lartigau, 2014)
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: BELIER FAMILY, THE [FAMILLE BELIER, LA] (FR, Eric Lartigau, 2014)
Summary: Film review
Rating: 3 out of 5 stars

Author: Russell Edwards
PhysDes: Article
Subject: BANA, ERIC; Lyndon, Simon; COLOSIMO, VINCE; CHOPPER (AT, Andrew Dominik, 2000)
Summary: Review of Chopper

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 25 x 20 cm
Subject: BANA, ERIC; CHOPPER (AT, Andrew Dominik, 2000)
Summary: One black and white photograph relating to the film Chopper

PhysDes: Article
Subject: COLLECTIONEUSE, LA (FR, Eric Rohmer, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COLLECTIONEUSE, LA (FR, Eric Rohmer, 1967)

Call No: 633.22 COL
Author: Dalle Vacche, Angela; Brian Price
Source: US
Place: New York, London
Publisher: Routledge
PubDate: 2006
PhysDes: x, 214 p, [6] p. of plates : col. ill. ; 24 cm
Series: In focus - Routledge film readers
Subject: COLOUR; AESTHETICS; CINEMATOGRAPHY; TECHNICOLOR; BAZIN, ANDRE; ARNHEIM, RUDOLF; ROHMER, ERIC; BATCHELOR, JOHN; OSHIMA, NAGISA; BRAKHAGE, JANE; HITCHCOCK, ALFRED; ANDERSON, PAUL THOMAS; HOU HSIAO-HSIEN; GODARD, JEAN-LUC; ANTONIONI, MICHELANGELO; JARMAN, DEREK; MAMOULIAN, ROUBEN; SIRK, DOUGLAS; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); GIGI (US, Vincente Minnelli, 1958); IMITATION OF LIFE (US, Douglas Sirk, 1959); REBECCA (US, Alfred Hitchcock, 1940); VERTIGO (US, Alfred Hitchcock, 1958); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "The first anthology devoted to the subject of color in film. Thematic sections will address the development of color technology and how visual style was affected by the shift from black and white to color; look at color in film theory, including writings from auteurs such as Bresson, Eisenstein and Oshima on the subject; and finally, there will be a number of case studies of color in films by Godard, Hitchcock, Almodovar and others."[ Taken from the back of the book]
Notes: Bibliography: (p [202]-205); Includes index
ISBN: 0415324424; 9780415324427

Call No: 761 COM
Source: US
Place: Malden, MA
Publisher: John Wiley and Sons
PubDate: 2015
PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS; ENVIRONMENTAL ISSUES IN FILMS; SEA IN FILMS; IMMIGRATION IN FILMS AND TELEVISION; WORKERS IN FILMS; YUGOSLAVIA; SEX IN FILMS; WOMEN MAKE MOVIES [organisation]; DISEASES IN FILMS; SCIENCE AND THE CINEMA; SCIENCE IN FILMS; AIDS ON TV. SOUTH AFRICA; RELIGION AND THE CINEMA; WAR FILMS; BAL, MIEKE; ZILNIK, ZELIMIR; TRAN VAN THUY; FAROCKI, HARUN; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006); CRUDE (US, Joe Berlinger, 2009); H [TWO] 2 OIL (CN, Shannon Walsh, 2009); PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006); INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010); OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003); OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007); OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009); INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006); SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010); CONTAINED MOBILITY (SZ, Ursula Biemann, 2004); SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009); GHOSTS (UK, Nick Broomfield, 2006); LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007); TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008); WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996); H [TWO] 2 WORKER (US, Stephanie Black, 1990); LIFE AND DEBT (US, Stephanie Black, 2001); MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006); DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004); WHY CYBRACEROS? (US,Alex Rivera, 1997); WHY BRACEROS? (US, 1959); VALLEY CENTRO, EL (US, James Benning, 1999); LOS (US, James Benning, 2001); DOUBLE TIDE (US/AU, Sharon Lockhart, 2009); GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000); GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002); WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005); OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009); LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000); TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002); SCARLET ROAD (AT, Catherine Scott, 2011); PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); AFRICA RISING (US, Paula Heredia, 2009); SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001); PARIS IS BURNING (US, Jennie Livingston, 1990); WILDNESS (US, Wu Tsang, 2012); INNER LIFE OF THE CELL (US, XVIVO, 2006); BEAT IT! [TV] (SA, 2001); MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011); GEVALD (IS, Netalie Braun, 2009); BLACK BUS (IS, Anat Zuria, 2010); REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009); STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987); NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969); IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988); SERIOUS GAMES [series] (GG, Harun Farocki, 2009); I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002); MIRACULOUS BEGINNINGS (LE, Walid Raad); SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995); DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010); [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010); ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009); DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011); SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994); OPERATION ATROPOS (CL, Coco Fusco, 2005); ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006); TAXI TO THE DARK SIDE (US, Alex Gibney, 2007); BRIDGE, THE (UK/US, Eric Steel, 2006)
Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.
ISBN: 9780470671641
Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath -- Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: CONTE D'AUTOMNE (FR, Eric Rohmer, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CONTE D'ETE (FR, Eric Rohmer, 1996); SUMMER'S TALE, A (FR, Eric Rohmer, 1996)
ID2: 81

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: CONTE D'HIVER (FR, Eric Rohmer, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: CONTE DE PRINTEMPS (FR, Eric Rohmer, 1990)

Call No: TITLE CLIPPINGS FILE; BALLERINA [LEAP!](FR/CN, Eric Summer and Eric Warin, 2016)
Author: Wilson, Jake
PhysDes: Clippings
Subject: BALLERINA [LEAP!] (FR/CN, Eric Summer and Eric Warin, 2016)
Summary: Film review of BALLERINA [LEAP!]
Notes: This review is also published in the Canberra Times on 12/01/2017
Rating: 2.5 out of 5 stars

Call No: N79 DEA NIL
Author: Niland, D'Arcy
Source: UK
Place: London
Publisher: Hodder Paperbacks
PubDate: 1971
PhysDes: 316 p. ; 18cm
Subject: DEAD MEN RUNNING (AT, Eric Taylor, 1971)
ISBN: 0340150211

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DESPICABLE ME 3 (US, Kyle Balda / Pierre Coffin / Eric Guillon, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIEGO RIVERA: I PAINT WHAT I SEE (US, Mary Lance & Eric Breitbart, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: DINOSAUR (US, Ralph Zondag & Eric Leighton, 2000)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: DOUGLAS, ERIC

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: DREAMING OF JOSEPH LEES (UK/US, Eric Styles, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ERIC (US, James Goldstone, 1975)

Author: Adam Smith
PhysDes: Article
Subject: BANA, ERIC; HULK, THE (US, Ang Lee, 2003)
Summary: Interview with Eric Bana on his role in The Hulk as part of a larger feature article on The Hulk

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ERIC CLAPTON LIFE IN TWELEVE BARS (UK, Lili Fini Zanuck, 2017)
Notes: Simon import_04/07/19

Call No: 81 ROH BAE
Author: de Baecque, Antoine; Herpe, Noel
Place: New York; Chichester, UK
Publisher: Columbia University Press
PubDate: 2016
PhysDes: 638 pages : illustrated ; 27 cm
Subject: ROHMER, ERIC
Summary: The director of twenty-five films, including My Night at Maud's (1969), which was nominated for a Best Picture Academy Award, and the editor in chief of Cahiers du cinéma from 1957 to 1963, Éric Rohmer set the terms by which people watched, made, and thought about cinema for decades. Such brilliance does not develop in a vacuum, and Rohmer cultivated a fascinating network of friends, colleagues, and industry contacts that kept his outlook sharp and propelled his work forward. Despite his privacy, he cared deeply about politics, religion, culture, and fostering a public appreciation of the medium he loved. This exhaustive biography uses personal archives and interviews to enrich our knowledge of Rohmer's public achievements and lesser known interests and relations. The filmmaker kept in close communication with his contemporaries and competitors: François Truffaut, Jean-Luc Godard, Claude Chabrol, and Jacques Rivette. He held a paradoxical fascination with royalist politics, the fate of the environment, Catholicism, classical music, and the French nightclub scene, and his films were regularly featured at New York and Los Angeles film festivals. Despite an austere approach to life, Rohmer had a voracious appetite for art, culture, and intellectual debate captured vividly in this definitive volume. -- piblisher's web site
ISBN: 9780231175586
Contents: The Mysteries of "le grand Momo" -- 1. Maurice Schérer's Youth: 1920–1945 -- 2. From Schérer to Rohmer: 1945–1957 -- 3. Under the Sign of Leo: 1959–1962 -- 4. Under the Sign of Cahiers: 1957–1963 -- 5. The Laboratory Period: 1963–1970 -- 6. Four Moral Tales: 1966–1972 -- 7. On Germany and the Pleasure of Teaching: 1969–1994 -- 8. In Pursuit of Perceval: 1978–1979 -- 9. Six Comedies and Proverbs: 1980–1986 -- 10. The Rohmer of the Cities and the Rohmer of the Countryside: 1973–1995 -- 11. In the Rhythm of the Seasons: 1989–1998 -- 12. Filming History: 1998–2004 -- 13. A Tale of Winter: 2006–2007 -- 14. In Pain: 2001–2010 -- Notes -- Index

Call No: 81ROH CRI
Author: Crisp, C. G
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1988
PhysDes: viii, 139 p. ; 25 cm
Subject: ROHMER, ERIC
Notes: Includes index; Bibliography: p. [121]-129; Filmography: p. [130]-136
ISBN: 0253319080; 0253204739 (pbk.)
LON: 86046378; 5494644

Call No: 81TSA CHA
Author: Chan, Keith and Li, Cheuk-to (eds.)
Edition: 1st
Source: HK
Place: Hong Kong
Publisher: Hong Kong International Film Festival Society
PubDate: 2008
PhysDes: 112p.;b+w ill. : 26cm
Series: HKIFF Society Series, no. 8, March 2008
Subject: INDUSTRY, FILM. HONG KONG; TSANG, EDWARD; MAO TAO YING (HK, David Chiang, 1981); TSUI HOU SING LEI (HK, Patrick Tam, 1987); SIU SIU SIU KING CHAT (HK, Eric Tsang, 1989); ON LOK TSIN CHEUNG (HK, Eric Tsang, 1990); SHENG SING KU SEE (HK, Peter Ho-sun Chan, 1991); BOON CHI YIN (HK, Riley Ip, 1999); CHI FAT FAN FAT (HK, Marco Mak, 2001); KONG WU (HK, Wong Ching-po, 2004)
Summary: Interviews, essays and film notes for actor, scriptwriter, producer and director Eric Tsang.
Notes: Includes biography: p.107-108; Includes filmography: p.108-111
ISBN: 9789889918137
Language: English; Chinese

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity
Subject: ERNEST GREEN STORY, THE (US, Eric Laneuville, 1993)

Call No: TITLE CLIPPINGS FILE; BALLERINA [LEAP!](FR/CN, Eric Summer and Eric Warin, 2016)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: BALLERINA [LEAP!] (FR/CN, Eric Summer and Eric Warin, 2016)
Summary: Review of the film BALLERINA (aka LEAP!)
Rating: 3 out of 5 stars

Call No: 732.4 ROS
Author: Roscoe, Jane; Hight, Craig
Place: Manchester ; New York
Publisher: Manchester University Press ; New York : Distributed exclusively in the U.S.A. by Palgrave, 2001
PubDate: 2001
PhysDes: ix, 222 p. : ill. ; 23 cm
Subject: DOCUMENTARIES; DOCUMENTARY DRAMAS; DOCUMENTARY FILMS; FALLS, THE (UK, Peter Greenaway, 1980); ZELIG (US, Woody Allen, 1983); RUTLES, THE (US, Eric Idle, 1978); BOB ROBERTS (US, Tim Robbins, 1992); THIS IS SPINAL TAP (US, Rob Reiner, 1984); C'EST ARRIVE PRES DE CHEZ VOUS (BE, Remy Belvaux/Andre Bonzel/Benoit Poelvoorde, 1992)
Summary: "This book offers the first major study of mock-documentary. The authors examine the relatively new form along with the association between factual codes and conventions, and the discourses which underpin the genre. The analysis includes detailed explorations of Woody Allen's Zelig, Peter Greenaway's The Falls, the Beatles' spoof The Rutles as well as Bob Roberts, This is Spinal Tap, and Man Bites Dog."
Notes: Includes bibliographical references (p. [206]-216) and index. Filmography: p. [190]-205
ISBN: 0719056411
Contents: 1. Factual discourse and the cultural placing of documentary -- 2. Recent transformations of the documentary genre -- 3. A cousin for the drama-documentary: Situating the mock-documentary -- 4. Building a mock-documentary schema -- 5. A suggested genealogy -- 6. Degree one: parody -- 7. Degree two: critique and hoax -- 8. Degree three: deconstruction Conclusion

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FALL (US, Eric Schaeffer, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BELIER FAMILY, THE [FAMILLE BELIER, LA] (FR, Eric Lartigau, 2014)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: FELLNER, ERIC

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: FEMME DE L'AVIATEUR, LA (FR, Eric Rohmer, 1981)

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1971
PhysDes: 319 p. ; 22 cm
Subject: WAR FILMS; REVOLUTION AND THE CINEMA; MUSIC AND THE CINEMA; POLITICS IN FILMS; ADAPTATIONS; MUSICALS; PORNOGRAPHY AND THE CINEMA; DISASTERS IN FILMS; BERGMAN, INGMAR; ANTONIONI, MICHELANGELO; Keaton, Buster; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); JOE (US, John G. Avildsen, 1970); LITTLE BIG MAN (US, Arthur Penn, 1970); HUSBANDS (US, John Cassavetes, 1970); PATTON (US, Franklin J. Schaffner, 1970); M*A*S*H (US, Robert Altman, 1969); CATCH 22 (US, Mike Nichols, 1970); SOLDIER BLUE (US, Ralph Nelson, 1970); MOLLY MAGUIRES, THE (US, Martin Ritt, 1969); BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970); ICE (US, Robert Kramer, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970); OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970); LOVE STORY (US, Arthur Hiller, 1970); QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970); WINTER WIND (HU, Miklos Jancso, 1969); SIROKKO (HU, Miklos Jancso, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); GREAT WHITE HOPE, THE (US, Martin Ritt, 1970); BOYS IN THE BAND, THE (US, William Friedkin, 1970); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); SCROOGE (UK, Ronald Neame, 1970); TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970); RYAN'S DAUGHTER (UK, David Lean, 1970); AIRPORT (US, George Seaton, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); ANGEL LEVINE, THE (US, Jan Kadar, 1970); CONFESSION, THE (FR/IT, Costa-Gavras, 1970); AVEU, L' (FR/IT, Costa-Gavras, 1970)
Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]
Notes: Includes index
ISBN: 671210483
Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern

Author: Taylor, Max
PhysDes: Article
Subject: WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972); GOVERNMENT AID. AUSTRALIA
Summary: News items. Includes information on WAKE IN FRIGHT, THE LONG CLIMB, MARCO POLO JUNIOR, and new government assistance for film projects.

Call No: 81ROH FIL
Source: AT
Place: New York
Publisher: Palgrave Macmillan
PubDate: 2014
PhysDes: vi, 254 pages ; 23 cm.
Subject: ROHMER, ERIC
Summary: Eric Rohmer was a key figure in French New Wave cinema. His death in 2010 sparked renewed interest in his diverse body of works that span films, criticism, and television work. Contributors to this volume - a mix of well-known and younger scholars of cinema - visit, revisit, complicate, and at times upend accepted readings and interpretations of perennial Rohmerian topics including the important role of language in his films, the influence of the arts, depictions of gender and class, and the roles played by space and place in his films. -- taken from the back cover
Notes: Includes bibliographical references and index.
ISBN: 97811337010995
Donation: donated by Senses of Cinema, 2016
Contents: 1.Eric Rohmer and Me / Andre Aciman -- pt. I Rohmer: Critic and Philosopher -- 2.Eric Rohmer and the Legacy of Cinematic Realism / Tom Gunning -- 3.Practicing What He Preaches? Continuities and Discontinuities in Rohmer's Early Film Criticism and His Conte D'Automne / T. Jefferson Kline -- 4.Ma Nuit chez Maud and the Moral Imagination: Rhymes, Symmetries, and Variations on an Ethical Theme / Matthew Thorpe -- pt. II Narration, Frames, Genres -- 5.The Fall into Words: From Contes des quatre saisons to L'Anglaise et le Duc / Noel Herpe -- 6.Eric Rohmer's Magnetic Fluid / Dudley Andrew -- 7.Imagination and Grace: Rohmer's Contes des quatre saisons / Keith Tester -- 8.Auteur Meets Genre: Rohmer and the Rom-Com / Mary Harrod -- pt. III Politics, Gender, and Class -- 9.Rohmer/Politics: From Royalism to Ecology / Antoine de Baecque -- 10.On the Class Character of Desire: Romantic Heroics in the Contes moraux / Derek Schilling -- Contents note continued: 11.Rohmer's Realism: Women on the Border of What Is and What Might Be / Aimee Israel-Pelletier -- pt. IV Architecture, Places, and Space -- 12.The Changing Landscape and Rohmer's Temptation of Architecture / Ivone Margulies -- 13.Walking in the City: Paris in the Films of Eric Rohmer / Fiona Handyside -- 14.Rohmer's Poetics of Placelessness / Leah Anderst -- pt. V Adapting History and Literature -- 15.Eric Rohmer, Historiographer / Jerry W. Carlson -- 16.Eric Rohmer's Talking Heads: Listening to the Classical Text in La Bruyere / Mark Cohen -- 17.Triple Agent: Eric Rohmer and the Tumult of the Interwar Years / Pierre Lethier.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: FILS DE L'EPICIER, LE (FR, Eric Guirado, 2007); GROCER'S SON, THE (FR, Eric Guirado, 2007)
ID2: 82

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: FINAL APPROACH (US, Eric Steven Stahl, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FINDING ERIC (AT, Robert Coppa/Scott Maybury, 2011)

Call No: 802.27(73) HEN
Author: Henderson, Kathy, 1954
Edition: 1st Quill ed
Source: US
Place: New York
Publisher: Quill
PubDate: 1985
PhysDes: 159 p. : ill. ; 28 cm
Subject: WEAVER, SIGOURNEY; BACON, KEVIN; BRODERICK, MATTHEW; CLOSE, GLENN; CROUSE, LINDSAY; HINES, GREGORY; HURT, MARY BETH; HURT, WILLIAM; IVEY, JUDITH; KLINE, KEVIN; LITHGOW, JOHN; MALKOVICH, JOHN; PATINKIN, MANDY; REED, PAMELA; ROBERTS, ERIC; SHEA, JOHN; STREEP, MERYL; WELLER, PETER; WILLIAMS, JOBETH; WILLIAMS, TREAT
Notes: Includes index
ISBN: 0688047009 (pbk.)
LON: 3795658

Call No: 81HIT LAV
Author: La Valley, Albert J. (ed.)
Source: US
Place: Englewood Cliffs
Publisher: Prentice Hall
PubDate: 1972
PhysDes: 186 p. : ill. ; 24 cm
Series: Film Focus
Subject: HITCHCOCK, ALFRED; BAZIN, ANDRE; BOGDANOVICH, PETER; SARRIS, ANDREW; DURGNAT, RAYMOND; AGEE, JAMES; KAEL, PAULINE; CHANDLER, RAYMOND; ROHMER, ERIC; CHABROL, CLAUDE; TRUFFAUT, FRANCOIS; NOTORIOUS (US, Alfred Hitchcock, 1946); STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951); REAR WINDOW (US, Alfred Hitchcock, 1954); WRONG MAN, THE (US, Alfred Hitchcock, 1957); PSYCHO (US, Alfred Hitchcock, 1960)
ISBN: 0133923657
Donation: donated by the family of Wayne Levy, 2006
Contents: Introduction - Albert J. LaValley -- Chronology -- HITCHCOCK ON HITCHCOCK -- I wish I didn't have to shoot the picture: an interview with Alfred Hitchcock - Budge Crawley, Fletcher Markle, and Gerald Pratley -- Interviews with Alfred Hitchcock - Peter Bogdanovich -- Direction - Alfred Hitchcock -- Rear Window - Alfred Hitchcock -- HITCHCOCK ON CONTROVERSY -- Alfred Hitchcock - Lindsay Anderson -- Hitchcock versus Hitchcock - Andre Bazin -- Why we should take Hitchcock seriously - Robin Wood -- Hitchcock - Andrew Sarris -- The strange case of Alfred Hitchcock, part three - Raymond Durgnat -- THE FILMS -- James Agee - Notorious -- Pauline Kael - Three Films -- Raymond Chandler - Notebooks on Strangers on a Train -- Ronald Christ - Strangers on a Train - the pattern of encounter -- Eric Rohmer and Claude Chabrol - The Wrong Man -- Leo Braudy - Hitchcock, Truffaut, and the irresponsible audience -- Raymond Durgnat - Inside Norman Bates -- John Crosby - Macabre Merriment -- Jack Edmund Nolan - Hitchcock's TV films -- Analysis of the Plane and Cornfield Chase sequence in North by Northwest

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: FORTRESS OF AMERIKKKA (US, Eric Louzil, 1989)

Call No: 71(44) FRE
Author: Hayward, Susan, 1945; Vincendeau, Ginette, 1948
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 2000
PhysDes: xvii, 348 p. : ill., ports. ; 25 cm
Subject: FRANCE; PAGNOL, MARCEL; MARIUS (FR, Alexander Korda/Marcel Pagnol, 1931); FANNY (FR, Marc Allegret, 1932); CESAR (FR, Marcel Pagnol, 1936); BETE HUMAINE, LA (FR, Jean Renoir, 1938); JOUR SE LEVE, LE (FR, Marcel Carne, 1939); ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); VACANCES DE M. HULOT, LES (FR, Jacques Tati, 1953); CASQUE D'OR (FR, Jacques Becker, 1952); [FOUR HUNDRED] 400 BLOWS, THE [; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963); SAMOURAI, LE (FR/IT, Jean-Pierre Melville, 1967); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); VALSEUSES, LES (FR, Bertrand Blier, 1974); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); NUITS DE LA PLEINE LUNE, LES (FR, Eric Rohmer, 1984); SANS TOIT NI LOI (FR, Agnes Varda, 1985); CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990); NIKITA (FR/IT, Luc Besson, 1990); HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995); CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936); AIR DE PARIS, L' (FR, Marcel Carne, 1954); COUP DE FOUDRE (FR, Diane Kury, 1983)
Notes: Previous ed.: 1990; Includes index; Bibliography
ISBN: 0415161177 : ª45.00; 0415161185(pbk.) : ª13.99
LON: 21217432

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. AUSTRALIA. FRENCH
Author: McDonald, John
PhysDes: Clippings File Article
Subject: FESTIVALS. AUSTRALIA. FRENCH; GEMMA BOVERY (FR/UK, Anne Fontaine, 2014); CHAMBRE BLEUE, LA (FR, Mathieu Amalric, 2014); BLUE ROOM ,THE (FR, Mathieu Amalric, 2014); NEW GIRLFRIEND, THE (FR, Francois Ozon, 2014); NOUVELLE AMIE, UNE (FR, Francois Ozon, 2014); SAINT LAURENT (FR/BE, Bertrand Bonello, 2014); SAMBA (FR, Olivier Nakache & Eric Toledano, 2014)
Notes: in the FESTIVALS. AUSTRALIA. FRENCH 2015 file

Call No: 408.1(51) MAR
Author: Marchetti, Gina
Place: Philadelphia PA
Publisher: Temple University Press
PubDate: c2006
PhysDes: xviii, 302 p. : ill., ports. ; 24 cm
Subject: CAPITALISM AND THE CINEMA; CENSORSHIP. CHINA; HISTORY AND THE CINEMA. CHINA; POPULAR CULTURE AND THE CINEMA; WOMEN IN FILMS. CHINA; CHAN, EVANS; CHOW, RAYMOND; HOU HSIAO-HSIEN; JAMESON, FREDRIC; KHOO, ERIC; LAW, CLARA; LEE, BRANDON; LEE, BRUCE; YANG, EDWARD; QIUYUE (HK/JA, Clara Law, 1992); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); GATE OF HEAVENLY PEACE, THE (US, Richard Gordon & Carma Hinton, 1995); [TWELVE] 12 STOREYS (SI, Eric Khoo, 1997); WORLD OF SUZIE WONG, THE (UK, Richard Quine, 1960)
ISBN: 18592132782
Donation: donated by Senses of Cinema, 2009
Contents: 1. China and the Chinese on world screens 1989-1997 -- 2. Buying American, consuming Hong Kong: Chungking express, The opium war, These shoes weren't made for walking, and Comrades: almost a love story -- 3. Working women in the people's Republic of China: Out of Phoenix Bridge, Women from the Lake of Scented Souls, and A little life opera -- Gangland Taiwan in the transnational imagination: Mahjong and Goodbye south goodbye -- 5. The postmodern condition in Singapore: Mee Pok Man and Twelve storeys -- 6. Transnational cinema and hybrid identities: To liv(e) and Crossings -- 7. Gender and generation in Clara Law's migration trilogy: Farewell China, Autumn moon, and Floating life -- 8. Fighting diaspora: the legacy of Bruce and Brandon Lee in Rapid fire -- 9. In the space of the Square: The gate of heavenly peace
ID2: 291

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: FULLILOVE, ERIC

Call No: 62(082) GEN
Author: Codell, Julie F.
Source: US
Place: Malden, Massachusetts
Publisher: Blackwell Publishing
PubDate: 2006
PhysDes: ix, 474 pages ; 25 cm
Subject: BOLLYWOOD; CULTURE AND THE CINEMA; CULTURAL IMPERIALISM; FILM NOIR; GENDER AND THE CINEMA; GENRES; WORLD CINEMA; GLOBALISATION; RACIAL ISSUES AND THE CINEMA; IDENTITY IN FILMS; IDEOLOGY AND THE CINEMA; IRAN; MELODRAMA; NATIONAL CULTURE AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; RACIAL ISSUES IN FILMS; ETHNIC GROUPS IN FILMS; WORLD CINEMA; KAIGE, CHEN; NAIR, MIRA; CRYING GAME, THE (UK, Neil Jordan, 1992); FIGHT CLUB (US, David Fincher, 1999); HSI YEN (TZ, Ang Lee, 1993); INDIAN IN THE CUPBOARD, THE (US, Frank Oz, 1995); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); POCAHONTAS (US, Mike Gabriel & Eric Goldberg, 1995); SMOKE SIGNALS (US, Chris Eyre, 1998); ALL ABOUT MY MOTHER (SP/FR, Pedro Almodovar, 1999) SEE TODO SOBRE MI MADRE; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999); TRAFFIC (US, Steven Soderbergh, 2000)
Summary: "a collection of essays that introduces the study of film theory through contemporay issues...Using four topics- genre, gender, race, and 'third cinema' - the book encourages critical discussions of films by students with a beginner's knowledge of film history. American, Asian, European and African cinema are all included."
ISBN: 1405132337
Contents: Preface -- General introduction: film and identities --; Part I Genres: ever-changing hybrids -- Introduction and further reading -- Conclusion: a semantic/syntactic/pragmatic approach to genre: Rick Altman -- Film bodies: gender, genre, and excess: Linda Williams -- The body and Spain: Pedro Almodovar's 'All About My Mother': Ernesto R. Acevedo-Munoz -- Enjoy your fight! - 'Fight Club' as a symptom of the network society: Bulent Diken and Carsten Bagge Laustsen -- Film and changing technologies: Laura Kipnis -- Postmodern cinema and Hollywood culture in an age of corporate colonization: Carl Boggs and Tom Pollard --; Part II Genders: more than two -- Introduction and further reading -- Mobile identities, digital stars, and post cinematic selves: Mary Flanagan -- "Nothing is as it seems": re-viewing 'The Crying Game': Lola Young -- Crying over the melodramatic penis: melodrama and male nudity in the films of the 90s: Peter Lehman -- Travels with Sally Potter's 'Orlando': gender, narrative, movement: Julianne Pidduck -- Body matters: the politics of provocation in Mira Nair's films: Alpana Sharma -- Cowgirl Tales: Yvonne Tasker --; Part III Race: stereotypes and multiple realisms -- Introduction and further reading -- The family changes colour: interracial families in contemporary Hollywood cinema: Nicola Evans -- Black on white: film noir and the epistemology of race in recent African American cinema: Dan Flory -- Becoming Asian American: Chan is missing: Peter X. Feng -- 'The Wedding Banquet': global Chinese cinema and the Asian American experience: Gina Marchetti -- Another fine example of the oral tradition? Identification and subversion in Sherman Alexie's 'Smoke Signals': Jhon Warren Gilroy -- Playing Indian in the nineties: 'Pocahontas' and 'The Indian in the Cupboard': Pauline Turner Strong -- "You are alright, but..." Individual and collective representations of Mexicans, Latinos, Anglo-Americans and African-Americans in Steven Soderbergh's 'Traffic': Deborah Shaw --; Part IV World cinema: joining local and global -- Introduction and further reading -- Theorizing "third-world" film spectatorship: the case of Iran and Iranian cinema: Hamid Naficy -- The open image: poetic realism and the new Iranian cinema: Shohini Chaudhuri and Howard Finn -- The seductions of homecoming: place, authenticity and Chen Kaige's 'Temptress Moon': Rey Chow -- Cultural identity and diaspora in contemporary Hong Kong cinema: Julian Stringer -- "And yet my heart is still Indian": the Bombay film industry and the (H)indianization of Hollywood: Tejaswini Ganti -- Future past: integrating orality into Francophone West African film: Melissa Thackway -- Acknowledgements

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GEORGE B. (US, Eric Lea, 1998)

Call No: TITLE CLIPPINGS FILE; BALLERINA [LEAP!](FR/CN, Eric Summer and Eric Warin, 2016)
Author: Romei, Stephen
PhysDes: Clippings
Subject: BALLERINA [LEAP!] (FR/CN, Eric Summer and Eric Warin, 2016)
Summary: Film review of BALLERINA
Rating: 3.5 out of 5 stars

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: GORDON, ERIC

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GROWING UP COY (US, Eric Juhola, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GUN SHY (US, Eric Blakeney, 2000)

Author: David Eimer
PhysDes: Article
Subject: BANA, ERIC; TROY (US, Wolfgang Peterson, 2004)
Summary: Interview with Eric Bana in making Troy. Part of a larger, feature-article on the movie as a whole.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOUSE PARTY 3 (US, Eric Meza, 1994)

Call No: TITLE CLIPPINGS FILE; BELIER FAMILY, THE [FAMILLE BELIER, LA] (FR, Eric Lartigau, 2014)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: BELIER FAMILY, THE [FAMILLE BELIER, LA] (FR, Eric Lartigau, 2014)
Summary: Review of the film THE BELIER FAMILY
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: IF LUCY FELL (US, Eric Schaeffer, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IF YOU COULD SEE WHAT I HEAR (CN, Eric Till, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IMPROPER CHANNELS (CN, Eric Till, 1981)

Author: Oscar Hillerstrom
PhysDes: Article
Subject: BANA, ERIC; NUGGET, THE (AT, Bill Bennett, 2002)
Summary: Interview with Eric Bana on The Nugget and Hollywood

Call No: REFERENCE SECTION; 058 INT "1972"
Author: Cowie, Peter
Place: London New York
Publisher: Tantivy Press Barnes
PubDate: c1971
PhysDes: 512 p. : ill. ; 17 cm
Subject: BERTOLUCCI, BERNARDO; DONNER, JORN; KOZINCEV, GRIGORIJ; ROHMER, ERIC; TROELL, JAN
Notes: Includes index
ISBN: 0900730048 (U.K.); 0498077047 (U.S.)
LON: 4856987

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: INTOUCHABLES, THE [INTOUCHABLES/UNTOUCHABLES] (FR, Olivier Nakache & Eric Toledano, 2011); INTOUCHABLES, THE [INTOUCHABLES/UNTOUCHABLES] (FR, Olivier Nakache & Eric Toledano, 2011)
URL status: URL: 'http://file://Q:/T/INTOUCHABLES,_THE.zip' Checked: 31/08/2021 1:29:20 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IRON TRIANGLE, THE (US, Eric Weston, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IT SHOULDN'T HAPPEN TO A VET (UK, Eric Till, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IT SHOULDN'T HAPPEN TO A VET (UK, Eric Till, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JEROME (US, Thomas Johnston & David Elton & Eric Tignini, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOSIE (US, Eric England, 2018)
Notes: Simon import_20/06/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JUDY BERLIN (US, Eric Mendelsohn, 1999)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JUPP, ERIC

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: KHOO, ERIC

Call No: 630.31 KIN
Author: Fowler, Douglas
CorpAuthor: Florida State University Conference on Literature and Film (10th : 1985 : Tallahassee)
Place: Tallahassee
Publisher: University Presses of Florida
PubDate: 1986
PhysDes: 148 p. ; 21 cm
Subject: DREAMS IN FILMS; HITCHCOCK, ALFRED; S.O.B. (US, Blake Edwards, 1981); FLASHDANCE (US, Adrian Lyne, 1983); CITIZEN KANE (US, Orson Welles, 1941); KOYAANISQATSI (US, Godfrey Reggio, 1982); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); CARMEN (SP, Carlos Saura, 1983); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928)
Notes: Includes bibliographical references and index
ISBN: 0813008638 (pbk. :alk. paper)
LON: 86022393; 4823250

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOOKING FOR ERIC (UK/FR/IT/BE, Ken Loach, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LOVE THE BEAST (AT, Eric Bana, 2009)
ID2: 82

Call No: P LOV
Place: AT
PhysDes: 1 poster : col. ; 69 x 100cm
Subject: LOVE THE BEAST (AT, Eric Bana, 2009)
Summary: Full-colour glossy poster. Features image of Eric Bana in red car.
Notes: Tear in bottom

Call No: TITLE CLIPPING FILE
Subject: LOVED (US, Eric Dignam, 1997)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LUITHLE, ERIC

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LUST FOR FREEDOM (US, Eric Louzil, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LUTHER (GG, Eric Till, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MADAGASCAR (US, Eric Darnell/Tom McGrath, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MADAGASCAR: ESCAPE 2 AFRICA (US, Eric Darnell & Tom McGrath, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MADAGASCAR [THREE] 3: EUROPE'S MOST WANTED (US, Eric Darnell/Tom McGrath/Conrad Vernon, 2012)

Call No: 49[930.2](93/94) MAK
Source: UK
Place: London
Publisher: I.B. Tauris
PubDate: 2012
PhysDes: xxiii, 296 p. : ill. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; HISTORY AND TV. AUSTRALIA; HISTORY AND THE CINEMA. NEW ZEALAND; HISTORY AND TV. AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); BUFFALO LEGENDS (AT, Desmond Kootji Raymond & Paul Roberts, 1997); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); BRA BOYS (AT, Sunny Abberton, 2007); AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); CAMERA NATURA (AT, Ross Gibson, 1986); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995); BREAKER MORANT (AT, Bruce Beresford, 1980); GALLIPOLI (AT, Peter Weir, 1981); COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985); REVEALING GALLIPOLI (AT, Wain Fimeri, 2005); SMILEY (UK, Anthony Kimmins, 1956); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); PUBERTY BLUES (AT, Bruce Beresford, 1981); WHALE RIDER (NZ/GG, Niki Caro, 2002); ONE SUMMER AGAIN [TV] (AT, Mark Callan, 1985); EVIL ANGELS (AT, Fred Schepisi, 1988); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); NED KELLY (AT/UK, Gregor Jordan, 2003); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); WITCHES AND FAGGOTS - DYKES AND POOFTERS (AT, 'One in Seven', 1980); LOVE THE BEAST (AT, Eric Bana, 2009); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); THEY'RE A WEIRD MOB (AT/UK, Michael Powell, 1966); ILLUSTRIOUS ENERGY (NZ, Leon Narbey, 1987); SERENADES (AT, Mojgan Khadem, 2000); PACIFIC SOLUTION (AT/NZ, James Frankham, 2005); FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996); ROSIE'S SECRET (AT, Lisa Matthews, 1994); OUTBACK HOUSE [AT] (AT, 2005-); COLONY, THE [TV] (AT/UK, Malcolm McDonald, 2005); NGATI (NZ, Barry Barclay, 1987); UTU (NZ, Geoffrey Murphy, 1983); RIVER QUEEN (NZ/UK, Vincent Ward, 2005)
Summary: "Making Film and Television Histories: Australian and New Zealand considers film and television texts as primary historical media with the potential to bring historical topics alive through their interplay between past and present" - TAKEN FROM BACK COVER
Contents: Section One Aboriginal Narratives -- Introduction / Suneeti Rekhari -- Jedda / Suneeti Rekhari -- The Making of Lousy Little Sixpence / Alec Morgan -- Buffalo Legends / Shane Motlap -- Rabbit Proof Fence / Kathy Butler -- Blood is Thicker than Water: Stains on the Land in Bra Boys / Henk Huijser -- Australia / Ann McGrath -- Section Two Maori Narratives -- Introduction / Jennifer Gauthier -- Milies in Maoriland: The Making of the First New Zealand Feature Films / Mark Derby -- Patu! / Geraldene Peters -- Ngati / Jennifer Gauthier -- Once Were Warriors / Stuart Murray -- Section Three The New Zealand Wars -- Introduction / Annabel Cooper -- `Magnificent Failure' or Subversive Triumph?: The Governor / Trisha Dunleavy -- Making Nation: Utu / Hester Joyce -- Nga Pakanga Nunui o Aotearoa/ The New Zealand Wars / Annabel Cooper -- Reconciling History in Vincent Ward's River Queen / Cherie Lacey -- Section Four Imaging the Nation -- Contents note continued: Introduction / Mark Derby -- Romantic New Zealand: 1920s and 1930s' NZ Government Publicity Office Travelogues / Alfio Leotta -- From Colony to Nation in One Hundred Crowded Years: A Narrative on Civilisation, Progress and Modernity / Lars Weckbecker -- Camera Natura / Deane Williams -- Cinema of Unease / Brenda Allen -- Seeing Bed in 1949 and 1995 / Alan Wright -- Section Five War and Society -- Introduction / Daniel Reynaud -- Breaker Morant / Craig Wilcox -- Gallipoli / Daniel Reynaud -- The Cowra Breakout / Belinda Smaill -- War Stories Our Mothers Never Told Us / Gabrielle A. Fortune -- Revealing Revealing Gallipoli / Peter Stanley -- Section Six Stories of Adolescence -- Introduction / Emma Hamilton -- Smiley / Emma Hamilton -- The Devil's Playground: Coming-of-Age as National Cinema / Josephine May -- Sex and Subculture: Bruce Beresford's Puberty Blues / Lisa Featherstone -- Whale Rider / Jennifer Gauthier -- Section Seven Icons, Crime and the Imagination -- Introduction / Michelle Arrow -- One Summer Again: The Dramatising of the Heidelberg School / Bill Garner -- Witnessing Innocence: Fred Schepisi's Evil Angels / Michelle Arrow -- An Angel at My Table / Fincina Hopgood -- The Piano / Harriet Margolis -- Heavenly Creatures: The 1954 Parker-Hulme Case / James E. Bennett -- Ned Kelly (2003) / Sarah Pinto -- Section Eight Explorations of Gender and Sexuality -- Introduction / Rebecca Beirne -- Dad and Dave Come to Town: Mr Entwhistle and Male Homosexuality / Yorick Smaal -- My Brilliant Career / Jill Roe -- Witches, Faggots, Dykes and Poofters / Scott McKinnon -- Love the Beast / Kirsten Stevens -- Section Nine Immigrants, Refugees and Multicultural Narratives -- Introduction / Michelle Langford -- Who's the Weird Mob Anyway? Assimilation and Authenticity in They're A Weird Mob / Jessica Carniel -- Illustrious Energy / Brenda Allen -- Serenades / Michelle Langford -- Pacific Solution: From Afghanistan to Aotearoa / Annie Goldson -- Section Ten Playing with the Past Introduction / James E. Bennett -- Forgotten Silver / Craig Hight -- Rosie's Secret / Nancy Cushing -- Revisioning the Australian Outback House of 1861 / Anthony Corones -- Living History: The Colony / Claire Lowrie

Call No: 81ALM ALM
Author: Almendros, Nestor
Source: US
Place: London
Publisher: Faber
PubDate: 1985
PhysDes: viii, 306 p. : ill. ; 23 cm
Subject: CINEMATOGRAPHY; PHOTOGRAPHY; ALMENDROS, NESTOR; PARIS VU PAR...VINGT ANS APRES (FR, Chantal Akerman, Bernard Dubois, Vincent Nordon, Phillipe Venault, Phillipe Garrel, Frederic Mitterand, 1984); COLLECTIONEUSE, LA (FR, Eric Rohmer, 1967); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); MY NIGHT AT MAUD'S (FR, Eric Rohmer, 1969); WILD CHILD (US/UK/FR, Nick Moore, 2008); TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971); TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971); GUEULE OUVERTE, LA (FR, Maurice Pialat, 1974); GENTLEMAN TRAMP, THE (US, Richard Patterson, 1975); COCKFIGHTER (US, Monte Hellman, 1974); STORY OF ADELE H, THE (FR, Francois Truffaut, 1975); MAITRESSE (FR, Barbet Schroeder, 1976); MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975); DAYS OF HEAVEN (US, Terrence Malick, 1978); MAN WHO LOVED WOMEN, THE (FR, Francois Truffaut, 1977); HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977); KOKO, A TALKING GORILLA (FR, Barbet Schroeder, 1978); KOKO, LE GORILLE QUI PARLE (FR, Barbet Schroeder, 1978); MADAME ROSA (FR, Moshe Mizrahi, 1977); GOIN' SOUTH (US, Jack Nicholson, 1978); PERCEVAL LE GALLOIS (FR, Eric Rohmer, 1978); LOVE ON THE RUN (FR, Francois Truffaut, 1979); AMOUR EN FUITE, L' (FR, Francois Truffaut, 1979); KRAMER VS. KRAMER (US, Robert Benton, 1979); BLUE LAGOON, THE (US, Randal Kleiser, 1980); CONFIDENTIALLY YOURS [VIVEMENT DIMANCHE!] (FR, Francois Truffaut, 1983); LAST METRO, THE (FR, Francois Truffaut, 1980); DERNIER METRO, LE (FR, Francois Truffaut, 1980); PAULINE A LA PLAGE (FR, Eric Rohmer, 1983); PAULINE AT THE BEACH (FR, Eric Rohmer, 1983); STILL OF THE NIGHT (US, Robert Benton, 1982); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982)
Summary: "In A MAN WITH A CAMERA, Nestor Almendros recalls his early days in Havana and emigration to Paris where he worked with Francois Truffaut and Eric Rohmer. He has photographed such highly acclaimed films as SOPHIE'S CHOICE, KRAMER VS. KRAMER, THE BLUE LAGOON and DAYS OF HEAVEN, for which he received an Academy Award. As he looks back and describes simply but comprehensively the specific techniques used in these and many other films, we are offered a unique look at how movies are made." [Book blurb]
Notes: This translation first published: New York : Farrar, Straus, Giroux, 1984; Translation of: Dias deuna camera. Barcelona : Editorial Seix Barral, 1982; First published in French as: Un homme a la camera. Rennes-Lausanne : FOMA, 1980; Filmography: p. [289]-304
ISBN: 0571135897 (pbk.)
LON: abn85231033; 3994651

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARVIN AND TIGE (US, Eric Weston, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARY AND JOSEPH: A STORY OF FAITH (US, Eric Till, 1979)

Author: Williams, Ross
PhysDes: Article Review
Subject: ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); ROCHA, GLAUBER; QUE LA BETE MEURE (FR/IT, Claude Chabrol, 1969); CHABROL, CLAUDE; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); ROHMER, ERIC; SHONEN (JA, Nagisa Oshima, 1969); OSHIMA, NAGISA; WSZYSTKO NA SPRZEDAZ (PL, Andrzej Wajda, 1968); WAJDA, ANDRZEJ; DE ANTONIO, EMILE; SPRY, ROBIN; MEDIUM COOL (US, Haskell Wexler, 1969); WEXLER, HASKELL
Summary: Review of the highlights of the 1970 Melbourne Film Festival. To be continued in M.F.B. No. 14.

Author: Williams, Ross
PhysDes: Article; Review
Subject: JOE (US, John G. Avildsen, 1970); TRUFFAUT, FRANCOIS; ROHMER, ERIC; VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); GODARD, JEAN-LUC; ANDRADE, JOAQUIM PEDRO DE; SKOLIMOWSKI, JERZY; KUROSAWA AKIRA; TRISTANA (SP/IT/FR, Luis Bunuel, 1970); BUNUEL, LUIS; FAUTE DE L'ABBE MOURET, LA (FR/IT, Georges Franju, 1970); FRANJU, GEORGES; KES (UK, Kenneth Loach, 1970); LOACH, KENNETH; SZABO, ISTVAN
Summary: Review of the highlights of the 1971 Melbourne Film Festival.
ID2: 291

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MENDELSOHN, ERIC

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MONDE SANS PITIE, UN (FR, Eric Rochant, 1989)

Author: Luke Goodsell
PhysDes: Article
Subject: BANA, ERIC; MUNICH (US, Steven Spielberg, 2005)
Summary: D.V.D. review of Munich

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY LIFE'S IN TURNAROUND (US, Eric Schaeffer & Daniel Lardner Ward, 1993)

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; PORTER, ERIC
Summary: News snippets. Includes information on screenings of Australian films associated with the NGV, annoucement of the formation of Endeavour Films, the onset of video, the opening of more Mole Richardson production studios, Eric Porter's latest project, and the expansion of Cinetec.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972)
Summary: Industry and film news from across Australia.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOBLEHOUSE (US, Eric Bercovici, 1988)

Author: Matt Coyte
PhysDes: Article
Subject: BANA, ERIC; CURRY, STEPHEN; NUGGET, THE (AT, Bill Bennett, 2002)
Summary: Review of The Nugget

Author: Michael Adams
PhysDes: Article
Subject: BANA, ERIC; CURRY, STEPHEN; COLOSIMO, VINCE; NUGGET, THE (AT, Bill Bennett, 2002)
Summary: D.V.D. review of The Nugget

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: NUITS DE LA PLEINE LUNE, LES (FR, Eric Rohmer, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OCTAGON, THE (US, Eric Karson, 1980)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: OLDFIELD, ERIC

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: OLSEN, ERIC CHRISTIAN

Call No: TITLE CLIPPINGS FILE; SPECIAL CORRESPONDENTS [MOM] (CN/UK/US, Ricky Gervais, 2016)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: BANA, ERIC; GERVAIS, RICKY; SPECIAL CORRESPONDENTS [TV] (CN/UK/US, Ricky Gervais, 2016)
Summary: Interview with Ricky Gervais about the Netflix production SPECIAL CORRESPONDENTS. Gervais talks about the film's co-star, Eric Bana
ID2: 239

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ON THE LINE (US, Eric Bross, 2001)

Author: Will Lawrence
PhysDes: Article
Subject: BANA, ERIC; OTHER BOLEYN GIRL, THE (UK/US, Justin Chadwick, 2008)
Summary: Review of The Other Boleyn Girl

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [PAIN] (SI, Eric Khoo, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings
Subject: PATRIOTES, LES (FR, Eric Rochant, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: PAULINE A LA PLAGE (FR, Eric Rohmer, 1983)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: PEARCE, ERIC

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PENGUINS OF MADAGASCAR (US, Eric Darnell / Simon J. Smith, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PERCEVAL LE GALLOIS (FR, Eric Rohmer, 1978)

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: FULL TIME [A PLEIN TEMPS] (FR, Eric Gravel, 2021)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings
Subject: POCAHONTAS (US, Mike Gabriel & Eric Goldberg, 1995)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Stills
Subject: POOTCHEMUNKA, ERIC

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PORT DJEMA (FR/IT/GR, Eric Heumann, 1997)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: PORTER, ERIC

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PRESENCE FEMININE (FR, Eric Rochant, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PRETE-MOI TA MAIN (FR, Eric Lartigau, 2006)

Call No: 802 PRO v.4 1/2
Author: Boorman, John, 1933; Donohue, Walter
CorpAuthor: Positif
Place: London
Publisher: Faber and Faber
PubDate: 1995
PhysDes: vii, 312 p. : ill., ports. ; 24 cm
Subject: Keaton, Buster; ALTMAN, ROBERT; ASSAYAS, OLIVIER; WARHOL, ANDY; BOORMAN, JOHN; COEN, JOEL & ETHAN; PRICE, VINCENT; LANG, FRITZ; EASTWOOD, CLINT; FREARS, STEPHEN; FULLER, SAMUEL; ALLEN, WOODY; KIESLOWSKI, KRZYSZTOF; MALLE, LOUIS; MARKER, CHRIS; OPHULS, MARCEL; REISZ, KAREL; VON STROHEIM, ERICH; RUIZ, RAUL; SEN, MRINAL; TAVERNIER, BERTRAND; ALMEREYDA, MICHAEL; JARMAN, DEREK; LOWENSTEIN, RICHARD; POTTER, SALLY; ROUSSELOT, PHILIPPE; TOLKIN, MICHAEL; WARD, VINCENT; ZINNEMANN, FRED; ANGELOPOULOS, THEO; AVATI, PUPI; MARVIN, LEE; BREILLAT, CATHERINE; BRISSEAU, JEAN-CLAUDE; CAVALIER, ALAIN; CHABROL, CLAUDE; BUGIN, HARRY; COMENCINI, LUIGI; DE FILIPPO, EDUARDO; CORMAN, ROGER; CORNEAU, ALAIN; DEVILLE, MICHEL; DIEGUES, CARLOS; EGOYAN, ATOM; MACKENDRICK, ALEXANDER; GAAL, ISTVAN; GREENAWAY, PETER; HARRIS, JAMES B.; HELLMAN, MONTE; IOSELIANI, OTAR; BARNET, BORIS; KAZAN, ELIA; KEZDI-KOVACS, ZSOLT; KIAROSTAMI, ABBAS; KLOPCIC, MATJAZ; A TOUT ALLURE (FR, Robert Kramer, 1982); LATTUADA, ALBERTO; LECONTE, PATRICE; LEIGH, MIKE; LOACH, KENNETH; MAKAVEJEV, DUSAN; PEREIRA DOS SANTOS, NELSON; MINGOZZI, GIANFRANCO; MONICELLI, MARIO; PARRISH, ROBERT; PENN, ARTHUR; PINTILIE, LUCIAN; POLANSKI, ROMAN; RIPSTEIN, ARTURO; RISI, DINO; RISSIENT, PIERRE; ROHMER, ERIC; ROSI, FRANCESCO; RUDOLPH, ALAN; SARMIENTO, VALERIA; SAUTET, CLAUDE; SCHATZBERG, JERRY; SCHRADER, PAUL; SIJAN, SLOBODAN; STEVENIN, JEAN-FRANCIS; TAVIANI, PAOLO & VITTORIO; VARDA, AGNES; YANG, EDWARD; ZANUSSI, KRZYSZTOF; ZULAWSKI, ANDREJ; KERRIGAN, LODGE; LINKLATER, RICHARD; RIDLEY, PHILIP; ROBERTS, JULIA; RUSSELL, DAVID O.; SHERMAN, VINCENT; DAVIS, BETTE; SIEGEL, DAVID; MCGEHEE, SCOTT; SODERBERGH, STEVEN; TOBACK, JAMES; BABY DOLL (US, Elia Kazan, 1956); TEOREMA (IT, Pier Paolo Pasolini, 1968); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); SZEGENYLEGENYEK (HU, Miklos Jancso, 1966); ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978); VERTIGO (US, Alfred Hitchcock, 1958); PSYCHO (US, Alfred Hitchcock, 1960); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); HUSTLER, THE (US, Robert Rossen, 1961); MIRAGE (US, Edward Dmytryk, 1965); BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964); POSITIF
Notes: "In association with Positif."; "Centenary edition"--P. vii
ISBN: 0571176097
LON: abn96057645; 12129416

Call No: 802 PRO v.6
Author: Boorman, John, 1933; Donohue, Walter
Place: London
Publisher: Faber and Faber
PubDate: 1996
PhysDes: 346 p. : ill., ports. ; 24 cm
Subject: DICILLO, TOM; KIESLOWSKI, KRZYSZTOF; HAWKS, HOWARD; VERTOV, DZIGA; BOORMAN, JOHN; FIGGIS, MIKE; BENDER, LAWRENCE; COPPOLA, ELEANOR; DONEN, STANLEY; IMAMURA, SHOHEI; TOWNE, ROBERT; COEN, JOEL & ETHAN; MURCH, WALTER; DAVIES, TERENCE; MARTIN, STEVE; MACKINNON, GILLIES; BROWN, KARL; YOUNG, FREDDIE; KELBER, MICHEL; STORARO, VITTORIO; EDWARDS, ERIC ALAN; CECCHI D'AMICO, SUSO; KIDS (US, Larry Clark, 1995); BOX OF MOONLIGHT (US, Tom DiCillo, 1996)
ISBN: 0571178537(pbk)
LON: abn96395771; 12885714

Call No: 802 PRO v.9
Author: Herpe, Noel; Boorman, John, 1933; Ciment, Michel; Donohue, Walter
Place: London
Publisher: Faber and Faber
PubDate: 1999
PhysDes: x, 193 p. : ill., ports. ; 23cm
Subject: FRANCE; DIRECTORS. FRANCE; ASSAYAS, OLIVIER; [TRENTE-SIX] 36 FILLETTE (FR, Catherine Breillat, 1988); THERESE (FR, Alain Cavalier, 1986); GARDE A VUE (FR, Claude Miller, 1981); ARGENT, L' (SZ/FR, Robert Bresson, 1983); CONTE D'ETE (FR, Eric Rohmer, 1996); CEREMONIE, LA (FR/GG, Claude Chabrol, 1995); AU REVOIR LES ENFANTS (FR/GW Louis Malle, 1987); COEUR EN HIVER, UN (FR, Claude Sautet, 1992); VAN GOGH (FR, Maurice Pialat, 1991); DIMANCHE A LA CAMPAGNE, UN (FR, Bertrand Tavernier, 1984); RIDICULE (FR, Patrice Leconte, 1996); HOTEL TERMINUS: KLAUS BARBIE, HIS LIFE AND TIMES (US, Marcel Ophuls, 1988); FAVOURITES OF THE MOON [FAVORIS DE LA LUNE, LES] (FR, Otar Iosseliani, 1984); DELICATESSEN (FR, Jean-Pierre Jeunet & Marc Caro, 1991); SENTINELLE, LA (FR, Arnaud Desplechin, 1992); WESTERN (FR, Manuel Poirier, 1997); HEROS TRES DISCRET, UN (FR, Jacques Audiard, 1996); HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995)
ISBN: 0571193560 (pbk.)
LON: 20163202

Call No: 756 ROH
Author: Rohdie, Sam, 1939
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: viii, 280 p. ; 24 cm
Subject: ETHNOGRAPHIC FILMS; CULTURE AND THE CINEMA; BAZIN, ANDRE; CITIZEN KANE (US, Orson Welles, 1941); GIDE, ANDRE; GODARD, JEAN-LUC; ART AND THE CINEMA; Pasolini, Pier Paolo; ROHMER, ERIC; ROSSELLINI, ROBERTO; MODERNISM AND THE CINEMA
Notes: Includes bibliographical references and index
ISBN: 0851708536(pbk.) : ¦15.99; 0851708544(cased) : ¦48.00
LON: 22645289

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [FOUR] 4 ADVENTURES OF REINETTE AND MIRABELLE [QUATRE AVENTURES DE REINETTE ET MIRABELLE] (FR, Eric Rohmer, 1986); [FOUR] 4 ADVENTURES OF REINETTE AND MIRABELLE [QUATRE AVENTURES DE REINETTE ET MIRABELLE] (FR, Eric Rohmer, 1986)

Call No: 81DOU DOU
Author: Douglas, Kirk
Source: UK
Place: London
Publisher: Simon and Schuster
PubDate: 1988
PhysDes: 510 pages : black and white illustrations ; 24 cm
Subject: ACTING; DIRECTION; DIRECTORS; NEW YORK IN FILMS; ANGELI, PIER; DOUGLAS, ERIC; DOUGLAS, KIRK; DOUGLAS, MICHAEL; LANCASTER, BURT; LUST FOR LIFE (US, Vincente Minelli and George Cukor, 1956); SPARTACUS (US, Stanley Kubrick, 1960)
Summary: "Most autobiographies by movie stars are ghost-written and bland. This one is neither. In his powerful, angry and passionate book, Kirk Douglas tells the story of his life in his own words, holding back nothing. Born Issur Danielovitch Demsky, the son of an illiterate immigrant Russian-Jewish ragman, in Amsterdam, New York, Douglas paints a searing and unforgettable picture of an almost Dickensian childhood of brutal poverty - the background that has dominated his life as an actor, father and man, fuelling the great creative anger that has added such depth to his performances. With profound and moving insight, he shows how the determination to overcome that childhood and succeed on his own terms led him to take on roles that most stars of his magnitude would never have risked - Van Gogh, in LUST FOR LIFE; Spartacus the slave; the courageous, conscience-stricken Colonel Dax, in PATHS OF GLORY; the agonized boxer Midge, in CHAMPION, to name only a few - and to fight the studios and the Hollywood establishment for the right to control and produce his own movies, long before it was common practice for stars to do so." [Taken from book jacket]
Notes: Includes index
ISBN: 0671699598; 9780671699598
Donation: Simon Wincer

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RAIDERS OF THE LOST ARK - THE ADAPTATION (US, Chris Strombolis, Eric Zala & Jaysen Lamb, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RAYON VERT, LE (FR, Eric Rohmer, 1986)

Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: RED, ERIC

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RELATIVE VALUES (UK, Eric Styles, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RENDEZ-VOUS DE PARIS, LES (FR, Eric Rohmer, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RESTAURANT (US, Eric Bross, 1998)

Call No: TITLE CLIPPINGS FILE; INTOUCHABLES [INTOUCHABLES, THE] (FR, Olivier Nakache & Eric Toledano, 2011)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: INTOUCHABLES, THE [INTOUCHABLES/UNTOUCHABLES] (FR, Olivier Nakache & Eric Toledano, 2011)
Summary: Review of the film 'The Intouchables' (original title: 'Intouchables')
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RIVER RED (US, Eric Drilling, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ROAD TO EL DORADO, THE (US, Eric Bergeron, 2000)

Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: ROBERTS, ERIC

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Stills; Clippings
Subject: ROHMER, ERIC

Author: Luke Goodsell
PhysDes: Article
Subject: BANA, ERIC; SMIT-MCPHEE, KODI; ROMULUS, MY FATHER (AT, Richard Roxburgh, 2007)
Summary: D.V.D. review of Romulus, My Father

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: ROSEANNE FOR PRESIDENT (US, Eric Weinrib, 2015)
Cross Reference: ROSEANNE FOR PRESIDENT

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RUTLES, THE (US, Eric Idle, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SAMBA (FR, Olivier Nakache & Eric Toledano, 2014)

Call No: TITLE CLIPPINGS FILE; BELIER FAMILY, THE [FAMILLE BELIER, LA] (FR, Eric Lartigau, 2014)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: BELIER FAMILY, THE [FAMILLE BELIER, LA] (FR, Eric Lartigau, 2014)
Summary: A review of the film THE BELIER FAMILY (in French LA FAMILLE BELIER) that discusses the depiction of disability and a young woman's coming of age journey

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: SCHWAB, ERIC

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: C'EST LA VIE! [SENS DE LA FETE, LE] (FR/CN/ BE, Olivier Nakache / Eric Toledano, 2017)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SERRA, ERIC

PhysDes: Article
Subject: CUTTING EDGE, THE (US, Eric Perlman, Dewitt Jones, 1980)
Notes: Reviews

PhysDes: Article
Subject: COLLECTIONEUSE, LA (FR, Eric Rohmer, 1967)
Summary: Review; Ill.

Call No: 67(049.32) BAU
Author: Baumbach, Jonathan
Edition: First printing
Place: New York
Publisher: Cat Thread Books
PubDate: 2019
PhysDes: xviii, 172 pages ; 20.5 cm
Subject: TWELVE ANGRY MEN (US, Sidney Lumet, 1957); PATHS OF GLORY (US, Stanley Kubrick, 1957); ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973); GETAWAY, THE (US, Sam Peckinpah, 1972); CRIES AND WHISPERS [VISKNINGAR OCH ROP] (SW, Ingmar Bergman, 1972); LOSEY, JOSEPH; LONG GOODBYE, THE (US, Robert Altman, 1973); SISTERS (US, Brian De Palma, 1972); SERPICO (US, Sidney Lumet, 1973); DAISY MILLER (US, Peter Bogdanovich, 1974); BADLANDS (US, Terrence Malick, 1973); WEDDING IN BLOOD [NOCES ROUGES, LES] (FR/IT, Claude Chabrol, 1973); LANCELOT DU LAC (FR/IT, Robert Bresson, 1974); CHINATOWN (US, Roman Polanski, 1974); AMARCORD (IT/FR, Frederico Fellini, 1973); SCENES FROM A MARRIAGE [SCENER UR ETT AKTENSKAP] [TV] (SW, 1973); ARGENT DE POCHE, L' (FR, Francois Truffaut, 1976); OSSESSIONE (IT, Luchino Visconti, 1943); KAEL, PAULINE; BREATHLESS (FR, Jean-Luc Godard, 1959); GODARD, JEAN-LUC; WELLES, ORSON; BRESSON, ROBERT; KING LEAR (US/SZ, Jean-Luc Godard, 1987); EXISTENZ (CN/UK, David Cronenberg, 1999); CONTE D'AUTOMNE (FR, Eric Rohmer, 1998)
Notes: edition of 500
ISBN: 9780999468340

Call No: TITLE CLIPPINGS FILE
Subject: SIGN OF LEO, THE [SIGNE DU LION, LE] (FR Eric Rohmer, 1962)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SIGN OF LEO, THE [SIGNE DU LION, LE] (FR Eric Rohmer, 1962)

Author: Ian Nathan
PhysDes: Article
Subject: BANA, ERIC; MUNICH (US, Steven Spielberg, 2005)
Summary: Interview with Eric Bana on being cast in Munich and making the film.

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: STOLTZ, ERIC

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STRANGE LOVE AFFAIR, A (NE/BE, Eric de Kuyper & Paul Verstraten, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SUITS (US, Eric Weber, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SUNSETS (US, Michael Idemoto & Eric Nakamura, 1997)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: SYKES, ERIC

Call No: TITLE CLIPPINGS FILE; MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972)
Author: Ron Cerabona
PhysDes: Clippings File Article
Subject: MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972)
Summary: Australia's first animated feature film has been restored and released on DVD, and will be introduced by one of the key men who worked on it, Cam Ford.

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: TAYLOR, ERIC

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TEN BENNY (US, Eric Bross, 1998)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: TERRA WILLY: PLANETE INCONNUE [TERRA WILLY] (FR, Eric Tosti, 2019)
Cross Reference: TERRA WILLY: PLANETE INCONNUE [TERRA WILLY] (FR, Eric Tosti, 2019)

Author: Dewey, Langdon
PhysDes: Review Article
Subject: OLMI, ERMANNO; SAMOURAI, LE (FR/IT, Jean-Pierre Melville, 1967); MELVILLE, JEAN-PIERRE; RESNAIS, ALAIN; SHINODA, MASAHIRO; KOSHIKEI (JA, Nagisa Oshima, 1968); OSHIMA, NAGISA; ROHMER, ERIC; FENYES SZELEK (HU, Miklos Jancso, 1969); JANCSO, MIKLOS; SONTAG, SUSAN; VARDA, AGNES; ZERT (CS, Jaromil Jires, 1969); JIRES, JAROMIL; Pasolini, Pier Paolo; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969)
Summary: Review of the highlights of the 13th London Film Festival in 1969.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: THOMPSON, ERIC

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 13 x 18 cm.-17 x 22 cm.-20 x 26 cm.
Subject: THREE HORSEMEN (AT, David & Judith MacDougall, 1982); POOTCHEMUNKA, ERIC; POOTCHEMUNKA, IAN
Summary: Black and white photographs relating to the film Three Horsemen
ID2: 195

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TOO MUCH (US, Eric Rochat, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TORN (AT, Eric Manchester, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TRAFFIC [TV] (CN/US, Eric Bross/Stephen Hopkins, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TRIPLE AGENT (FR/IT/SP/GR/RU, Eric Rohmer, 2004)
Notes: Simon_Batch 18_191212

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: UNDERGROUND U.S.A. (US, Eric Mitchell, 1980)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: VALLI, ERIC

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: WALKING STICK, THE (UK, Eric Till, 1970)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WAVE TWISTERS (US, Syd Garon & Eric Henry, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WAY IT IS, OR EURYDICE IN THE AVENUES, THE (US, Eric Mitchell, 1985)

Author: Oscar Hillerstorm
PhysDes: Article
Subject: BANA, ERIC; CHOPPER (AT, Andrew Dominik, 2000)
Summary: Interview with Eric Bana, talking about his win at the 2000 AFI awards and making the film Chopper

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WIREY SPINDELL (US, Eric Schaeffer, 2000)

Call No: 451-02 MEL
Author: Mellen, Joan
Place: London
Publisher: Davis-Poynter
PubDate: 1974
PhysDes: 255 p. : ports ; 24 cm
Subject: WOMEN IN FILMS; HOMOSEXUALITY IN FILMS; SEX AND THE CINEMA; BERGMAN, INGMAR; ROHMER, ERIC; WEST, MAE; W R MISTERIJE ORGANIZMA (YU/GW, Dusan Makavejev, 1971); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971); FOX, THE (US, Mark Rydell, 1968); UP THE SANDBOX (US, Irvin Kershner, 1972)
ISBN: 0706701534 : ª3.50
LON: 75312480; 266398

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WORLD AND TIME ENOUGH (US, Eric Mueller, 1994)

Call No: TITLE CLIPPINGS FILE; SAMBA (FR, Olivier Nakache & Eric Toledano, 2014)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: SAMBA (FR, Olivier Nakache & Eric Toledano, 2014)