title clippings file
[ACHT-UND-DREIZIG] `38 HEIM INS REICH : (AU/GW, Wolfgang Gluck, 1986)
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journal article
After the Fall (1969) in Interview (1969) vol.1 iss.4 p.25
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AMERICAN MASTERS: PRESTON STURGES: THE RISE AND FALL OF AN AMERICAN DREAMER [TV] : (US, Kenneth Bowser, 1990)
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newspaper article
Before I Fall in Sunday Herald Sun [Scene] (05/03/2017) p.2
Call No: TITLE CLIPPINGS FILE; BEFORE I FALL (US, Ry Russo-Young, 2017)Author: - PhysDes: Clippings File ArticleSubject: BEFORE I FALL (US, Ry Russo-Young, 2017) Summary: Review of the film BEFORE I FALLRating: 3 out of 5 stars
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BEFORE I FALL : (US, Ry Russo-Young, 2017)
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Old collection
book
The cinema of John Frankenheimer / by Gerald Pratley London: A. Zwemmer; A.S. Barnes, 1969.
Call No: 81FRA PRAAuthor: Pratley, Gerald Source: UKPlace: LondonPublisher: A. Zwemmer; A.S. BarnesPubDate: 1969PhysDes: 240 p. : illus., ports. ; 16 cm.Series: International Film Guide SeriesSubject: FRANKENHEIMER, JOHN ; BIRDMAN OF ALCATRAZ (US, John Frankenheimer, 1962) ; ALL FALL DOWN (US, John Frankenheimer, 1962) ; YOUNG STRANGER, THE (US, John Frankenheimer, 1957) ; YOUNG SAVAGES, THE (US, John Frankenheimer, 1961) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; SEVEN DAYS IN MAY (US, John Frankenheimer, 1963) ; TRAIN, THE (US/FR/IT, John Frankenheimer, 1964) ; SECONDS (US, John Frankenheimer, 1966) ; GRAND PRIX (US, John Frankenheimer, 1966) ; FIXER, THE (US, John Frankenheimer, 1968) ; GYPSY MOTHS, THE (US, John Frankenheimer, 1969) ; EXTRAORDINARY SEAMAN, THE (US, John Frankenheimer, 1969) ISBN: 0302020004Language: English
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[DUE MILLE E DIECI NOVE] 2019 DOPO LA CADUTA DI NEW YORK : (IT, Martin Dolman, 1983)
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book
The epic film : myth and history / Derek Elley London Boston: Routledge & Kegan Paul, 1984.
Call No: 740 ELLAuthor: Elley, Derek Place: London BostonPublisher: Routledge & Kegan PaulPubDate: 1984PhysDes: xv, 223 p. : ill., ports. ; 25 cmSeries: Cinema and societySubject: EPIC FILMS ; FALL OF THE ROMAN EMPIRE, THE (US, Anthony Mann, 1964) ; SOLOMAN AND SHEBA (US, King Vidor, 1959) ; SPARTACUS (US, Stanley Kubrick, 1960) ; BEN HUR (US, William Wyler, 1959) ; CONAN THE BARBARIAN (US, John Milius, 1982) Notes: Includes indexes; Filmography: p. 167-204; Bibliography: p. 205-206ISBN: 0710096569; 0710099932 (pbk.)LON: 2663515
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title clippings file
FALL : (US, Eric Schaeffer, 1997)
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FALL BACHMEIER, DER : (GW, Hark Bohm, 1984)
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journal article
Fall line in Filmnews (Summer 1981) vol.38 iss.2 p.47
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title clippings file
FALL-LINE : AT, Nat Young, 1977
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FALL OF THE HOUSE, THE : (AT, Geoff Burton, 2004)
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FALL OF THE I HOTEL, THE : (US, Curtis Choy, 1982?)
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FALL, THE : (US, Peter Whitehead, 1969)
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FALL, THE : (II/UK/US, Tarsem Singh, 2006)
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FALL, THE [TV] : (UK, 2013-)
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HOSZAKADAS : (HU, Ferenc Kosa, 1974)
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HOSZAKADAS : (HU, Ferenc Kosa, 1974)
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IF I SHOULD FALL FROM GRACE : (IE, Sarah Share, 2001)
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KAMATA KOSHINKYOKU : JP, Kinji Fukasaku, 1982
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book
Karel Reisz / Colin Gardner Manchester, UK: Manchester University Press, 2006.
Call No: 81REI GARAuthor: Gardner, Colin Source: UKPlace: Manchester, UKPublisher: Manchester University PressPubDate: 2006PhysDes: x, 310 p. : ill. ; 23 cmSeries: British film makersSubject: CRITICISM ; REISZ, KAREL ; SATURDAY NIGHT AND SUNDAY MORNING (UK, Karel Reisz, 1960) ; NIGHT MUST FALL (UK, Karel Reisz, 1964) ; SWEET DREAMS (US, Karel Reisz, 1985) ; GAMBLER, THE (US, Karel Reisz, 1974) ; WHO'LL STOP THE RAIN? (US, Karel Reisz, 1978) ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; EVERYBODY WINS (UK/US, Karel Reisz, 1990) Notes: Includes bibliography (p. [279]-293) and index.; Includes filmographyISBN: 0719075483Donation: Donated by Senses Of Cinema, 2009Contents: 1 Introduction : Karel Reisz, 'the last great man in England' -- 2 Reisz the critic -- 3 Free cinema and the new left : Momma don't allow (1956), We are the Lambeth boys (1959) and March to Aldermaston (1959) -- 4 Kitchen sink realism and the birth of the British New Wave : Saturday night and Sunday morning (1960) -- 5 Keeping up with the Truffauts : Night must fall (1964) -- 6 Gorilla war : Morgan : a suitable case for treatment (1966) -- 7 Life into art - Reisz and the biopic : Isadora (1968) and Sweet dreams (1985) -- 8 Reisz in Hollywood : deconstructing existentialism and the counterculture in The gambler (1974) and Dog soldiers/Who'll stop the rain (1978) -- 9 A sentimental education : The French lieutenant's woman (1981) -- 10 Theatre of the absurd : Arthur Miller's Everybody wins (1990) and Samuel Beckett's Act without words I (2000) -- 11 Conclusion.
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LEGENDS OF THE FALL : (US, Edward Zwick, 1994)
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book
A little solitaire : John Frankenheimer and American Film / edited by Murray Pomerance and R. Barton Palmer New Brunswick, NJ: Rutgers University Press, c2011.
Call No: 81FRA LITAuthor: Palmer, R. Barton(ed) ; Pomerance, Murray(ed) Source: USPlace: New Brunswick, NJPublisher: Rutgers University PressPubDate: c2011PhysDes: ix, 312 p. : ill. ; 24 cmSubject: FILM. USA ; FRANKENHEIMER, JOHN ; ALL FALL DOWN (US, John Frankenheimer, 1962) ; BIRDMAN OF ALCATRAZ (US, John Frankenheimer, 1962) ; FIXER, THE (US, John Frankenheimer, 1968) ; GYPSY MOTHS, THE (US, John Frankenheimer, 1969) ; ICEMAN COMETH, THE (US, John Frankenheimer, 1980) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; RONIN (US, John Frankenheimer, 1998) ; SECONDS (US, John Frankenheimer, 1966) Summary: "Think about some commercially successful film masterpieces - The Manchurian Candidate, Seven Days in May, Seconds. Then consider some lesser known, yet equally compelling cinematic achievements- The Fixer, The Gypsy Moths, Path to War. These triumphs are the work of the best known and most highly regarded Hollywood driector to emerge from live TV drama in the 1950s- five-time Emmy award-winner John Frankenheimer. Although Frankenheimer was a pioneer in the genre of political thrillers, who embraced the antimodernist critique of contemporary society, some of his later films did not receive the attention they deserved. Many critics claimed that at a midpoint in his career he lost his touch. World-renowned film scholars put this myth to rest in A Little Solitaire, which offers the only multidisciplinary critical account of Frankenheimer's oeuvre. They emphasize his deep and passionate engagement- not only with national politics and people's irrepressible need to assert their rights against those who would reduce them to silence and anonymity, but also with a mise-en-scene filmd from just the right angles. " -- BOOK BLURBNotes: Includes bibliographical references (p. 287-298), filmography (p. 279-286) and indexISBN: 9780813550602Contents: -- acknowledgments -- Introduction : why don't you pass the time by playing a little solitaire? / R. Barton Palmer and Murray Pomerance -- Thrills. Murdered souls, conspiratorial cabals: Frankenheimer's paranoia films / David Sterritt -- The Manchurian candidate: compromised agency and uncertain causality / Charles Ramirez Berg -- Stealth, sexuality, and cult status in The Manchurian candidate and Seconds / Rebecca Bell-Metereau -- The train: John Frankenheimer's "Rape of Europa" / Matthew H. Bernstein -- Action and abstraction in Ronin / Stephen Prince -- Politics. "Late Frankenheimer/political Frankenheimer" / Douglas McFarland -- John Frankenheimer's "War on terror" / Corey K. Creekmur -- The burning season: environmentalism versus progress? / Robin L. Murray -- Pictures and prizes: Le Grand Prix de Rome and Grand Prix / Victoria Duckett -- Families. Crashing in: Birdman of Alcatraz / Tom Conley -- Walking the line with the fille-fatale / Linda Ruth Williams -- Live TV, filmed theater, and the new Hollywood: John Frankenheimer's The Iceman cometh / James Morrison -- Ashes, ashes: structuring emptiness in All fall down / Murray Pomerance -- Secrets. An American in Paris: John Frankenheimer's impossible object / Jerry Mosher -- Shot from the sky: The gypsy moths and the end of something / Dennis Bingham -- Frankenheimer and the science fiction/horror film / Christine Cornea -- -- The fixer: a Jew who could be any man, any time, anywhere / R. Barton Palmer -- Jonah / Bill Krohn -- John Frankenheimer's Directorial Career: a chronology -- works cited and consulted -- contributors -- index --
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LIZZIE MCGUIRE MOVIE, THE : (US, Jim Fall, 2003)
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book
The Mad Max effect : road warriors in international exploitation cinema / James Newton New York: Bloomsbury Academic,
Call No: 79 MAD NEWAuthor: Newton, James Edition: 2021Place: New YorkPublisher: Bloomsbury AcademicPhysDes: 216 pages : illustrated ; 23 cmSubject: [TWENTY-NINETEEN] 2019: AFTER THE FALL OF NEW YORK [2019: DOPO LA CADUTA DI NEW YORK] (IT/FR, Sergio Martino, 1983) ; ANDERSON, WES ; AUTOMOBILES IN FILMS ; DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986) ; DEATH RACE 2000 (US, Paul Bartel, 1975) ; DEATH RUN (UK, Michael J. Murphy, 1987) ; DEATH WISH (US, Michael Winner, 1974) ; EXPLOITATION FILMS ; EXTERMINATOR, THE (US, James Glickenhaus, 1980) ; HOME VIDEO ; MAD MAX (AT, George Miller, 1979) ; MAD MAX [...] (AT, 1979-85) ; MILLER, GEORGE ; MASCULINITY IN FILMS ; ZOMBIES IN FILMS AND TV Summary: The Mad Max Effect provides an in-depth analysis of the Mad Max series, and how it began as an inventive concoction of a number of influences from a range of exploitation genres (including the biker movie, the revenge film, and the car chase cinema of the 1970s), to eventually inspiring a fresh cycle of international low budget 'road warrior' movies that appeared on home video in the 1980s.
The Mad Max Effect is the first detailed academic study of the most famous and celebrated post-apocalypse film series, and examines how a humble Australian action movie came from the cultural margins of exploitation cinema to have a profound impact on the broader media landscape. -- publisher's web siteISBN: 9781501342295Contents: Acknowledgements -- Introduction -- Chapter One: Origins of the Road Warrior -- Chapter Two: The Death Race Lineage -- Chapter Three: Contextualising Mad Max -- Chapter Four: The Politics of Mad Max -- Chapter Five: MadMaxploitation! Transnational Road Warriors -- Chapter Six: Fury Road and the Imitation of Exploitation -- Chapter Seven: Mad Max and the metatext: Fan Engagement and Online Culture -- Conclusion: A Few Years From Now -- List of Films -- Reference List -- Index
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[MISTER] MR. DEATH: THE RISE AND FALL OF FRED A. LEUCHTER, JR. : (US, Errol Morris, 1999)
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NEVERLAND: THE RISE AND FALL OF THE SYMBIONESE LIBERATION ARMY : (US, Robert Stone, 2004)
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NIGHT MUST FALL : (UK, Karel Reisz, 1964)
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title clippings file
NORMAN: THE MODERATE RISE AND TRAGIC FALL OF A NEW YORK FIXER : (US/IS, Joseph Cedar, 2016)
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journal article
Recent releases in Cinema d 'Oggi (Sep 1983) vol.xvii iss.16-28 p.11-12
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RISE AND FALL OF IDI AMIN : (UK/KE, Sharad Patel, 1980)
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RISE AND FALL OF LEGS DIAMOND, THE : (US, Budd Boetticher, 1960)
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RISE AND FALL OF SQUIZZY TAYLOR, THE : (AT, Nigel Buesst, 1969)
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still
[Rise and fall of Squizzy Taylor, the : stills file]
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RISE AND FALL OF THE THIRD REICH, THE : (US, Jack Kaufman, ?)
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book
Screening the novel : rediscovered American fiction in film / Gabriel Miller New York: F. Ungar Pub. Co., 1980.
Call No: 753.4 MILAuthor: Miller, Gabriel, 1948 Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: 1980PhysDes: xv, 208 p. : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; AUTHORSHIP ; DIRECTORS ; LITERATURE AND THE CINEMA ; HESTER STREET (US, Joan Micklin Silver, 1975) ; GANGSTER, THE (US, Gordon Wiles, 1947) ; PATHS OF GLORY (US, Stanley Kubrick, 1957) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; POSTMAN ALWAYS RINGS TWICE, THE (US, Tay Garnett, 1946) ; SUSAN LENOX: HER FALL AND RISE (US, Robert Z. Leonard, 1931) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) Summary: "This book retrieves the lost literary treasures that inspired eight popular films. Prompted by the widespread success of these films, Gabriel Miller here re-evaluates the careers of the eight neglected novelists whose works inspired eight different directors - among them Sidney Lumet, Stanley Kubrick, John Huston, and Sidney Pollack. Each chapter offers a detailed interpretation of a particular film, its literary source, and the overall career of the novelist [...] Some of these interesting novels have never been dealt with at all; others have only recently attracted critical attention. The films, too, benefit from extended reassessment. Despite the fact that the movies were successful, moreso than the novels, they have attracted little in the way of useful analysis. Taken together, the double examination of the novel and film raises some important questions about the nature and problems of cinematic adaptation." -- BOOK BLURBNotes: Includes index; Bibliography: p. 199-203; Filmography: p. 196-198; Typo in the table of contents gives 'The Gangster' release date as 1957, it is actually 1947ISBN: 0804426228 : $9.95LON: 79048071; 1682173
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SILENT FALL : (US, Bruce Beresford, 1994)
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SPRING AND FALL : [TV] (AT, 1980)
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STOKED: THE RISE A ND FALL OF THE GATOR : (US, Helen Stickler, 2002)
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TRICK : (US, Jim Fall, 1999)
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WHY DO FOOLS FALL IN LOVE? : (US, Gregory Nava, 1998)
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