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Call No: 761 WIN
Author: Winston, Brian
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1995
PhysDes: 301 p. ; 24 cm
Subject: DOCUMENTARIES; ETHICS AND THE CINEMA; REALISM IN FILMS; THEORY; CINEMA VERITE; CINEMA-DIRECT; GRIERSON, JOHN; WISEMAN, FREDERICK; RIEFENSTAHL, LENI
Summary: "Recent technological developments in the field of image manipulation mea that the 'evidence' of the photograph is no longer incontrovertible. The camera, it seems, can lie. Alterations may noe be made to still or moving images which materially change their meaning yet which are undetectable. What does this do to the status of the documentary film? In this informed and lively book Brian Winston rewrites the history of the documentary to take account of technological change. He subjects the great figures of the past - Grierson, Flaherty, Dziga-Verov - to a searcing critique, and examines both the principles and practice of the major movements of documentary, such as cinema verite. He offers his own definition of the essential difference between fiction film and documentary, and identifies the fundamentally ethical basis of any film practice which attempts to capture the 'truth'" -- Taken from the back cover.
Notes: Includes bibliographical references (p. 277-294) and index
ISBN: 0851704638 (cased); 0851704646 (pbk)
LON: 11552015
URL status: URL: 'http://-' Checked: 31/08/2021 12:35:25 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 67(04) TYL
Author: Tyler, Parker
Edition: [1st ed.]
Place: New York
Publisher: Citadel Press
PubDate: [1962]
PhysDes: 253 p. : illus. ; 29 cm
Subject: CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); NAPOLEON (FR, Abel Gance, 1927); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); VARIETE (G, E.A. Dupont, 1925); CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927); METROPOLIS (G, Fritz Lang, 1926); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); BLAUE ENGEL, DER (G, Josef von Sternberg, 1930); ZEMLJA (UR, Alexksandr Dovzenko, 1930); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); AGE D'OR, L' (FR, Luis Bunuel, 1930); MADCHEN OHNE GRENZEN (DK, Geza Radvanyi, 1958); DREIGROSCHENOPER, DIE (G/US, Georg Wilhelm Pabst, 1931); M (G, Fritz Lang, 1931); A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); ZERO DE CONDUITE (FR, Jean Vigo, 1945 [prod 1933]); MATERNELLE, LA (FR, Marie Epstein & Jean Benoit-Levy, 1933); KERMESSE HEROIQUE, LA (FR, Jacques Feyder, 1935); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); OLYMPIA (G, Leni Riefenstahl, 1938); DYBUK (PL, Michal Waszynski, 1938); ALEX & EVE (AT, Peter Andrikidis, 2015); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); REGLE DU JEU, LA (FR, Jean Renoir, 1939); VREDENS DAG (DK, Carl Th. Dreyer, 1943); ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); SCIUSCIA (IT, Vittorio De Sica, 1946); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); FROKEN JULIE (SW, Alf Sjoberg, 1950); RASHOMON (JA, Akira Kurosawa, 1950); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); JIGOKUMON (JA, Teinosuke kinugasa, 1953); STRADA, LA (IT, Federico Fellini, 1954); KUMONOSU-JO (JA, Akira Kurosawa, 1957); ASHES AND DIAMONDS [POPIOL I DIAMENT] (PL, Andrzej Wajda, 1959); HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); PICKPOCKET (FR, Robert Bresson, 1959); LIAISONS DANGEREUSES, LES (FR, Roger Vadim, 1959); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960); YOJIMBO (JA, Akira Kurosawa, 1961); SANG DES BETES, LE (FR, Georges Franju,1949); VIRIDIANA (SP/MX, Luis Bunuel, 1961); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); TYSTNADEN (SW, Ingmar Bergman, 1963)
Summary: "This pictorial history of some of the great foreign classics of the last half-century was compiled by a distinguished film historian and critic, for whom the cinema at its best is a genuine art-form; and the special success of the book is the way in which the author evokes the 'feeling' of the films which have aroused his keenest interest and admiration." -- BOOK JACKET
LON: 712285
Contents: The cabinet of Dr Caligari -- The story of Gosta Berling -- The last laugh -- Napoleon -- Battleship Potemkin -- Variety -- The Italian straw hat -- Metropolis -- The passion of Joan of Arc -- Storm over Asia -- The blue angel -- Earth -- Le sang d'un Poete -- Chien Andalou and L'age d'or -- Madchen in uniform -- The threepenny opera -- M -- A nous la liberte -- Que viva Mexico! -- Don Quixote -- Marius trilogy 00 Zero de conduite -- Ecstasy -- Poil de carotte - La maternelle -- La kermess heroique -- The eternal mask -- La grande illusion -- Olympia -- The childhood of Maxim Gorky -- La femme de boulanger -- The dybbuk -- Alexander Nevsky -- La regle du jeu -- Day of wrath -- Frenzy -- Les enfants du paradis -- Open city -- Ivan the terrible, parts I & II -- Shoe shine -- La belle et la bete -- Monsieur Vincent -- Bicycle thieves -- Miss Julie -- OPrphee -- Rashomon -- Infidelity -- The seven deadly sins -- The forbidden Christ -- Le Plaisir -- Ugetsu Monogatari -- Gate of hell -- Love in the city -- La strada -- Throne of blood -- Ashes and diamonds -- Hiroshima, mon amour -- Apu trilogy -- Wild Strawberries -- Pickpocket -- Les liaisons dangereuses -- L'avventura -- La dolce vita -- La notte -- Rocco and his brothers -- Yojimbo -- Le sang des betes & Mondo Cane -- Viridiana -- L'eclisse -- The silence

Call No: 761 BAR
Author: Barnouw, Erik, 1908
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 1974
PhysDes: vi, 332 p. : ill. ; 24 cm
Subject: DOCUMENTARY FILMS; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; COMPILATION FILMS; DOCUMENTARY FILMS. US; DOCUMENTARY FILMS. USSR; VIETNAM WAR IN FILMS; CINEMA-DIRECT; CINEMA VERITE; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; GRIERSON, JOHN; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
Notes: Includes index; Bibliography: p. [297]-311
ISBN: 0195018354 : $10.95
LON: 74079618; 462942

Call No: 761 BAR
Author: Barnouw, Erik, 1908
Edition: 2nd rev. ed
Place: New York
Publisher: Oxford University Press
PubDate: 1993
PhysDes: 400 p. : ill. ; 21 cm
Subject: DOCUMENTARY FILMS; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; CINEMA VERITE; COMPILATION FILMS; DOCUMENTARY FILMS. USSR; DOCUMENTARY FILMS. USA; VIETNAM WAR IN FILMS; CINEMA-DIRECT; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; Grierson, John; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: This is the second revised edition of Documentary: A History of the Non-fiction Film. Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
Notes: Includes bibliographical references (p. [361]-375) and index
ISBN: 0195078985 (pbk. : acid-free paper) : $10.95
LON: 9430204

Call No: 761 BAR
Author: Barnouw, Eric
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 1974
PhysDes: 332 p. ; 24 cm
Subject: DOCUMENTARY FILMS; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; CINEMA VERITE; COMPILATION FILMS; DOCUMENTARY FILMS. USSR; DOCUMENTARY FILMS. USA; VIETNAM WAR IN FILMS; CINEMA-DIRECT; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; Grierson, John; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
ISBN: 0195018354
Donation: donated by the family of Wayne Levy, 2006
Contents: -- 1: glimpse of wonders -- 2: images at work -- 3: sound and fury -- 4: clouded lens -- sharp focus -- afterword -- source notes -- bibliography -- index --

Call No: 761 JAC
Author: Jacobs, Lewis, comp
Edition: 2nd ed
Place: New York
Publisher: W. W. Norton
PubDate: c1979
PhysDes: 594 p. : ill. ; 24 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS. USSR; HISTORY OF CINEMA; NEWSREELS; FLAHERTY, ROBERT; GRIERSON, JOHN; VERTOV, DZIGA; RIEFENSTAHL, LENI; LEACOCK, RICHARD; WISEMAN, FREDERICK; NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GRASS (US, Ernest B. Schoedsack, 1926); CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927); MOANA (US, Robert Flaherty, 1926); RAIN (US, Louis Milestone, 1932); STARK LOVE (US, Karl Brown, 1927); TURKSIB (US, Victor A. Turin, 1929); DRIFTERS (SW, John Grierson, 1929); A PROPOS DE NICE (FR, Jean Vigo, 1930); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); SONG OF CEYLON, THE (UK, Basil Wright, 1934); THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934); TRI PESNI O LENINE (UR, Dziga Vertov, 1934); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937); OLYMPIA (G, Leni Riefenstahl, 1938); TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); SPANISH EARTH, THE (US, Joris Ivens, 1937); FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940); RIVER, THE (US, Pare Lorentz, 1938); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); LAND WITHOUT BREAD (SP, Luis Bunuel, 1933); LAND, THE (US, Robert Flaherty, 1942); NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942); NEGRO SOLDIER, THE (US, Frank Capra, 1944); DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); SAVAGE EYE, THE (US, Ben Maddow, Sidney Meyers, Joseph Strick, 1959); JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963); TITICUT FOLLIES (US, Frederick Wiseman, 1967); MARRIED COUPLE, A (CN, Allan King, 1969); WOODSTOCK (US, Michael Wadleigh, 1970); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); HEARTS AND MINDS (US, Peter Davis, 1974); HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976)
Summary: "Originally published in 1971, The Documentary Tradition is the essential survey of development and achievements of one of the most distinctive and influential genres of film. Edited by the distinguished filmmaker and historian Lewis Jacobs, the book has become an indispensable reference for both students and practitioners of documentary. This new edition brings The Documentary Tradition up to date and includes the writings of almost 100 filmmakers and critics. To the five parts which trace the development of the genre from the 1920s Jacobs has added a new section of seven essays on the documentaries of the 1970s. The section is introduced by his own survey of the filmmaking of the period, "From Political Activism to Women's Consciousness," and accompanied by a selected list of documentaries of the 1970s together with photographs from a number of these films. The bibliography of works on documentary films and filmmakers has been expanded." -- BOOK BLURB
Notes: Includes index; Bibliography: p. 577-579
ISBN: 0393950425
LON: 1437994
URL status: URL: 'http://-' Checked: 31/08/2021 12:58:52 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 761 DOC
Author: Grant, Barry Keith; Sloniowski, Jeanette
Place: Detroit MI
Publisher: Wayne State University Press
PubDate: 1998
PhysDes: 488 p. ; 23 cm
Subject: DOCUMENTARY FILMS; FLAHERTY, ROBERT; VERTOV, DZIGA; EISENSTEIN, SERGEI M.; BUNUEL, LUIS; WRIGHT, BASIL; RIEFENSTAHL, LENI; NANOOK OF THE NORTH (US, Robert Flaherty, 1922); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); HURDES, LAS (SP, Luis Bunuel, 1933); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); SPANISH EARTH, THE (US, Joris Ivens, 1937); LISTEN TO BRITAIN (UK, Humphrey Jennings/Stewart McAllister, 1942); BLOOD OF THE BEASTS (FR, Georges Franju,1949); SANG DES BETES, LE (FR, Georges Franju,1949); MAITRES FOUS, LES (FR, Jean Rouch, 1955); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); DONT LOOK BACK (US, D.A. Pennebaker, 1967); TITICUT FOLLIES (US, Frederick Wiseman, 1967); HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1968); ACT OF SEEING WITH ONE'S OWN EYES, THE (US, Stan Brakhage, 1971); AMERICAN FAMILY, AN [TV](US, 1973); DAISY, THE STORY OF A FACELIFT (CN, Michael Rubbo, 1982); THIS IS SPINAL TAP (US, Rob Reiner, 1984); SHERMAN'S MARCH (US, Ross McElwee, 1986 [prod. 1981]); I DO NOT KNOW WHAT IT IS I AM LIKE (US, Bill Viola, 1986); JOURNEY, THE (CN, Peter Watkins, 1987); THIN BLUE LINE, THE (US, Errol Morris, 1988); ROGER AND ME (US, Michael Moore, 1989); TONGUES UNTIED (US, Marlon Riggs, 1989); PARIS IS BURNING (US, Jennie Livingston, 1990); FINDING CHRISTA (US, Camille Billops/James Hatch, 1991)
Summary: Documenting the Documentary features essays by twenty-seven film scholars from a wide range of critical and theoretical perspectives. Each essay focuses on one or two important documentaries, engaging in questions surrounding ethics, ideology, politics, power, race, gender, and representation -- but always in terms of how they arise out of or are involved in the reading of specific documentaries as particular textual constructions. By closely reading documentaries as rich visual works, this anthology fills a void in the critical writing on documentaries, which tends to privilege production over aesthetic pleasure. As we perceive and comprehend the world through visual media increasingly, understanding the textual strategies by which individual documentaries are organized has become critically important. Together, the essays cover the significant developments in the history of the documentary, from the first commercially released feature, Nanook of the North (1922), to modern independent productions, such as An American Family (1973), Tongues Untied (1989), and Finding Christa (1991), and including important national and stylistic movements and various production contexts from the mainstream to the avant-garde. Seth Feldman places Dziga Vertov's Man with a Movie Camera (1929) within the context of constructivism and futurism; Vivian Sobchack discusses the strategies of Bunuel's Las Hurdas (Land without Bread, 1931) in relation to surrealism; and Joanne Hershfield explores Que viva Mexico! (1932) as the presentation of an exotic culture by a European director. Documenting the Documentary offers clear, serious, and insightful analyses of documentary films, and is a welcome balancebetween theory and criticism, abstract conceptualization and concrete analysis. --FROM PUBLISHER'S SITE
Notes: includes bibliiographic references and index
ISBN: 0814326390
Contents: Filmmaker as hunter / William Rothman -- Peace between man and machine / Seth Feldman -- Paradise regained / Joanne Hershfield -- Synthetic vision / Vivian Sobchack -- Art of national projection / William Guynn -- Mass psychology of fascist cinema / Frank P. Tomasulo -- American documentary finds its voice / Charlie Keil -- Men cannot act before the camera in the presence of death / Thomas Waugh -- Poetics of propaganda / Jim Leach -- It was an atrocious film / Jeannette Sloniowski -- Dialogic imagination of Jean Rouch / Diane Scheinman -- Documenting the ineffable / Sandy Flitterman-Lewis -- Don't you ever just watch? / Jeanne Hall -- Ethnography in the first person / Barry Keith Grant -- Two avant-gardes / Robert Stam -- Seeing with experimental eyes / Bart Testa -- Bastard union of several forms / Jeffrey K. Ruoff -- Documentary of displaced persona / Joan Nicks -- Gender, power, and a cucumber / Carl Plantinga -- Documentary film and the discourse of hysterical/historical narrative / Lucy Fischer -- Subjectivity lost and found / Catherine Russell -- Filmmaker as global circumnavigator / Scott MacDonald -- Mirrors without memories / Linda Williams -- Documentaphobia and mixed modes / Matthew Bernstein -- Silence and its opposite / Sheila Petty -- Containing fire / Caryl Flinn -- Contested territory / Julia Lesage

Call No: 79ANG COT
Author: Cottingham, Laura
Edition: 1st ed.
Source: UK
Place: London UK
Publisher: British Film Institute
PubDate: 2005
PhysDes: 86 p. : col, b&w, ill. ; 19 cm
Series: BFI film classics
Subject: RACIAL ISSUES IN FILMS; RACIAL ISSUES AND THE CINEMA; HUMAN RELATIONS IN FILMS; MARRIAGE IN FILMS; REALISM IN FILMS; GERMAN FEDERAL REPUBLIC; SEXUALITY AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; FEMINISM AND THE CINEMA; WOMEN IN FILMS; FALLEN WOMEN IN FILMS; BIOGRAPHICAL FILMS; DRUGS IN FILMS; FASSBINDER, RAINER WERNER; WARHOL, ANDY; SIRK, DOUGLAS; RIEFENSTAHL, LENI; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979); BERLIN ALEXANDERPLATZ (GW/IT, Rainer Werner Fassbinder, 1980); QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982); FAUSTRECHT DER FREIHEIT (GW, Rainer Werner Fassbinder, 1975); BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972)
Summary: Set in Munich in the 1970s, Fear Eats the Soul melds the convention of melodrama with a radical sensibility in order to present a portrait of racism and everyday hypocrisy in post-war Germany. Laura Cottingham celebrates Fassbinder’s achievement, placing Fear Eats the Soul in relation to his extraordinary prolific career in theatre, film and television. Her analysis pulls back the thin curtain that separated his work from his tumultuous life. [Taken from back cover].
Notes: includes film credits
ISBN: 1844570711

Call No: 761 TOE
Author: Toeplitz, Jerzy
CorpAuthor: Australian Film and Television School. Open Program Resources
Place: [North Ryde, N.S.W.]
Publisher: Australian Film and Television School, Open Program Resources
PubDate: 1979
PhysDes: 39p. ; 29cm
Subject: DOCUMENTARY FILMS; HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; WORLD WAR II AND THE CINEMA; FLAHERTY, ROBERT; VERTOV, DZIGA; GRIERSON, JOHN; RIEFENSTAHL, LENI; RUTTMAN, WALTER; VEDRES, NICOLE; PARIS 1900 (FR, Nicole Vedres, 1948); MOANA (US, Robert Flaherty, 1926); GRASS (US, Ernest B. Schoedsack, 1926)
Summary: "This booklet contains the edited transcripts of a series of lectures given by Professor Toeplitz during a six week full-time workshop on documentary film. The workshop was for documentary filmmakers in Australia and New Zealand."
Notes: Documentary films. Lectures, speeches (ANB/PRECIS SIN 037718x); Bibliography: p.38-39
ISBN: 0642924759 : price unknown
LON: 1664997

Call No: 62 DEN
Author: DeNitto, Dennis,
Place: New York
Publisher: Harper & Row
PubDate: c1985
PhysDes: xv, 544 p. : ill. ; 23 cm
Subject: THEORY; CRITICISM; EDITING; HISTORY OF CINEMA; REALISM IN FILMS; EXPRESSIONISM; MONTAGE; NEOREALISM; NOUVELLE VAGUE; COMEDIES; DOCUMENTARY FILMS; CINEMA VERITE; PROPAGANDA FILMS; WESTERNS; MUSICALS; VARIETE (G, E.A. Dupont, 1925); GOLD RUSH, THE (US, Charles Chaplin, 1925); PRODUCERS, THE (US, Mel Brooks, 1967); TITICUT FOLLIES (US, Frederick Wiseman, 1967); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); [FOUR HUNDRED] 400 BLOWS, THE [; MAN OF ARAN (UK, Robert Flaherty, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); STAGECOACH (US, John Ford, 1939); SHANE (US, George Stevens, 1953); WILD BUNCH, THE (US, Sam Peckinpah, 1969); TOP HAT (US, Mark Sandrich, 1935); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); WEST SIDE STORY (US, Robert Wise, 1961); SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956)
Notes: Includes indexes; Bibliography: p. 493-503
ISBN: 0060416297 (pbk.)
Order Received: 2000
Order Type: Donation
LON: 3664711

Call No: 81RIE NIN
Author: Hinton, David B., 1950
Place: Metuchen, N.J.
Publisher: Scarecrow Press
PubDate: 1978
PhysDes: v, 162 p. : ill. ; 23 cm
Subject: RIEFENSTAHL, LENI
Notes: Includes index; Bibliography: p. 152-157
ISBN: 0810811413
LON: 78007036; 1173643

Call No: 71(430) EIS
Author: Eisner, Lotte H
Place: London
Publisher: Thames & Hudson
PubDate: 1969
PhysDes: 360 p. illus. 25 cm
Subject: GERMANY; EXPRESSIONISM; LUBITSCH, ERNST; BRECHT, BERTOLT; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); METROPOLIS (G, Fritz Lang, 1926); FAUST (G, Friedrich Wilhelm Marnau, 1926); NIBELUNGEN, DIE (G, Fritz Lang, 1922-24); SCHATZ, DER (G, Georg Wilhelm Pabst, 1923); TARTUFF (G, Friedrich Wilhelm Murnau, 1926); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924)
Notes: Originally published as L'Ecran demoniaque, revised ed. Paris, Bonne, 1965; List of films p. 348-354; Bibliography: p. 346-347
ISBN: 0500500010
LON: 110813 110813

Call No: 71(430) EIS
Author: Eisner, Lotte H
Edition: 1st California pbk. ed
Place: Berkeley
Publisher: University of California Press
PubDate: 1973, c1969
PhysDes: 360 p. : ill., ports
Subject: GERMANY; EXPRESSIONISM; LUBITSCH, ERNST; BRECHT, BERTOLT; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); METROPOLIS (G, Fritz Lang, 1926); FAUST (G, Friedrich Wilhelm Marnau, 1926); NIBELUNGEN, DIE (G, Fritz Lang, 1922-24); SCHATZ, DER (G, Georg Wilhelm Pabst, 1923); TARTUFF (G, Friedrich Wilhelm Murnau, 1926); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924)
Notes: Translation of: L'ecran demoniaque; Bibliography: p. 346-347; Filmography: p. 348-354
ISBN: 0520024796
LON: 8931538

Call No: 802.25 PET
Author: Petrie, Graham
Place: London Boston
Publisher: Routledge & Kegan Paul
PubDate: 1985
PhysDes: xii, 257 p. : ill. ; 24 cm
Series: Cinema and society
Subject: MURNAU, FRIEDRICH WILHELM; LUBITSCH, ERNST; STILLER, MAURITZ; SJOSTROM, VICTOR; CHRISTENSEN, BENJAMIN; FEJOS, PAUL; LENI, PAUL; MAGNUSSON, CHARLES
Notes: Includes indexes; Bibliography: p. 249-251
ISBN: 0710201613 : ª19.95 (est.)
LON: 3711813

Author: Collura, Joe
PhysDes: Article
Subject: CAT AND THE CANARY, THE (US, Paul Leni, 1927)
Summary: Includes synopsis

Call No: 70"01" IMA
Author: Deutelbaum, Marshall
CorpAuthor: International Museum of Photography at George Eastman House; Image (Rochester, N.Y.)
Place: New York
Publisher: Dover Publications
PubDate: 1979
PhysDes: viii, 248 p. : ill. ; 29 cm
Subject: PRE-CINEMA HISTORY; PROJECTION; EDISON, THOMAS ALVA; LUMIERE, AUGUSTE & LOUIS; HISTORY OF CINEMA. SILENT PERIOD; DENMARK; STILLS; NIELSEN, ASTA; EDISON, THOMAS ALVA; SWEET, BLANCHE; KEYSTONE; LUBITSCH, ERNST; DEMILLE, CECIL B.; PICKFORD, MARY; BROOKS, LOUISE; PABST, GEORG WILHELM; TITLING; RIEFENSTAHL, LENI; Keaton, Buster; LLOYD, HAROLD; HOWE, W.J.; MOHR, HAL; TERRY, ALICE; NOVARRO, RAMON; ANDERSON, BRONCHO BILLY; MIX, TOM; HART, WILLIAM S.; MUYBRIDGE, EADWEARD; INCE, THOMAS HARPER; LONEDALE OPERATOR, THE (US, David Wark Griffith, 1911); WHITE ROSE, THE (US, David Wark Griffith, 1923); PAINTED LADY, THE (US, David Wark Griffith, 1912); CHAMBER MYSTERY, THE (US, Abraham S. Schomer, 1920); SMOULDERING FIRES (US, Clarence Brown, 1925); BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929); GREED (US, Erich von Stroheim, 1925); CROWD, THE (US, King Vidor, 1928)
Notes: "Consists substantially of articles originally published in Image between 1952 and 1977."; Includes index
ISBN: 048623777X : $8.95
LON: 1468042

Call No: 761 MAC
Author: Macdonald, Kevin, 1967-; Cousins, Mark
Place: London
Publisher: Faber and Faber
PubDate: 1996
PhysDes: xii, 400 p. : ill. ; 24 cm
Subject: DOCUMENTARY FILMS; CINEMA VERITE; CINEMA-DIRECT; GENOCIDE IN FILMS; NEWSREELS; PROPAGANDA FILMS; SOCIAL PROBLEMS IN FILMS; WAR IN FILMS; VERTOV, DZIGA; ROUCH, JEAN; IMAMURA, SHOHEI; KIESLOWSKI, KRZYSZTOF; MALLE, LOUIS; MARKER, CHRIS; OPHULS, MARCEL; Grierson, John; HUSTON, JOHN; ANDERSON, LINDSAY; BUNUEL, LUIS; ALVAREZ, SANTIAGO; ANTONIO, EMILE DE; BALAZS, BELA; BLUE, JAMES; BROOMFIELD, NICK; CAVALCANTI, ALBERTO; COLINA, JOSE DE LA; COOPER, MERIAN C.; DIETRICH, MARLENE; FLAHERTY, ROBERT; IVENS, JORIS; IWASAKI, AKIRA; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; KAUL, MANI; LANZMANN, CLAUDE; LEACOCK, RICHARD; MAYSLES, ALBERT & DAVID; MORRIS, ERROL; RIEFENSTAHL, LENI; SCHELL, MAXIMILIAN; SHUB, ESTHER; TSUCHIMOTO, NORIAKI; WISEMAN, FREDERICK; WRIGHT, BASIL; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WITH LAWRENCE IN ARABIA (US, Lowell Thomas, 1919); PHANTOM INDIA [INDE FANTOME, L'] [TV] (FR, Louis Malle, 1969); LET THERE BE LIGHT (US, John Huston, 1946); MARLENE (GW, Maximilian Schell, 1984); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); REGEN (NE, Joris Ivens, 1929); SONG OF CEYLON (UK, Basil Wright, 1934); SPANISH EARTH, THE (US, Joris Ivens, 1937); THIN BLUE LINE, THE (US, Errol Morris, 1988); SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); A PROPOS DE NICE (FR, Jean Vigo, 1930); CRUMB (US, Terry Zwigoff, 1994); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); YUKI YUKITE SHINGUN (JA, Kazuo Hara, 1987); FIRST LOVE (US, Joan Darling, 1977); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); HOOP DREAMS (US, Steve James, 1994); LAS HURDES (SP, Luis Bunuel, 1932)
Summary: Imagining Reality takes the reader on a tour of the evolution of documentary film as an increasingly vibrant, polemical, experimental and entertaining form. It gathers a wide-ranging collection of writings by and about such groundbreaking documentary-makers as Vertov, Flaherty, Marcel Ophuls, Chris Marker, Kieslowski, Claude Lanzmann, and Nick Broomfield. The story is carried up to date by attention to the success documentaries have had among mainstream movie audiences in recent years, including Michael Moore's Bowling For Columbine and Fahrenheit 9/11, The Buena Vista Social Club, Spellbound, Capturing The Friedmans, Être Et Avoir, and The Fog Of War. --TAKEN FROM PUBLISHER'S SITE
Notes: Includes bibliographical references and index; Faber book of the documentary
ISBN: 0571177239
LON: 13068333
Contents: Part 1. -- 1.The Kingdom of Shadows -- 2. Going to Extremes -- 3. Kino Eyes and Agit Trains -- 4. Documentary and the Avante Guarde -- Part 2. -- 5. The British Movement -- 6. Battling for minds -- 7. Aspects of Asia -- Part 3. -- 8. The Essayists -- 9. The Grain of Truth -- Part 4. -- 10. The Cinema of Social Concern -- 11. Diversity -- 12. The Burning Question
ID2: 47

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IMPRESSIONEN UNTER WASSER (GG, Leni Riefenstahl, 2002)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Notes: Includes bibliographical references and index
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939
URL status: URL: 'http://-' Checked: 31/08/2021 1:01:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 3rd ed
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.
Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LENI (G, Leo Hiemer, 1994)

Call No: 81RIE RIE
Author: Riefenstahl, Leni
Edition: 1st U.S. ed
Source: US
Place: New York
Publisher: St. Martin's Press
PubDate: 1993
PhysDes: 669 p. : ill. ; 25 cm
Subject: AFRICA IN FILMS; DOCUMENTARIES; DOCUMENTARIES. GERMANY; FASCISM AND THE CINEMA; NAZIS IN FILMS; PROPAGANDA FILMS; FANCK, ARNOLD; RIEFENSTAHL, LENI; HEILIGE BERG, DER (G, Arnold Fanck, 1926); HOLY MOUNTAIN, THE (G, Arnold Fanck, 1926); OLYMPIA (G, Leni Riefenstahl, 1938); TIEFLAND (GW, Leni Riefenstahl, 1954 [prod. 1940-1953]); TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935)
Summary: "Fifteen years in the making, and first written to commemorate her ninetieth birthday, Leni Riefenstahl's memoir is a remarkable achievement in itself. Yet only Riefenstahl's extraordinary life could render this volume a minor accomplishment. Finally available in the United States, here is a passionate self-portrait by a truly original artist." -- BOOK BLURB
Notes: Includes index; First published in German under the title 'Memoiren'; First published in Great Britain under the title 'The sieve of time'
ISBN: 031209843X : $35.00 ($48.99 Can.)
LON: 93021621; 10183426

Call No: 81RIE INF
Author: Infield, Glenn B. (Glenn Berton)
Source: US
Place: New York
Publisher: Crowell
PubDate: 1976
PhysDes: 278 p., [13] leaves of plates : ill. ; 24 cm
Subject: FASCISM AND THE CINEMA; GERMANY; JEWS AND THE CINEMA; WOMEN FILMMAKERS; WOMEN IN FILMS. GERMANY; WORLD WAR II AND THE CINEMA; RIEFENSTAHL, LENI; OLYMPIA (G, Leni Riefenstahl, 1938); TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935)
Summary: "Notoriety clings to [Leni] Riefenstahl's name. She is reputed to have danced nude for the Fuhrer. She is linked to Goebbels, Striecher, Borman, and other evil luminaries of the Nazi party. After the war, she was investigated by the Nuremburg Commission, and found innocent; she had never been a Party member. Yet Leni's cinema helped to create the myth of Nazi supremacy; her sense of drama and destiny, her imagery, mesmerized Germany during Hitler's climb to power. Was she responsible? Was she conscious of the political meaning of her work? Or was she a naive opportunist, an incomparable technician, exploiting the chance of a lifetime? Was she Hitler's mistress, as has been alleged? Or was she just a free spirit, the pagan sensualist of her own films? These are only some of the intriguing questions Glenn B. Infield explores in Leni Riefenstahl: The Fallen Film Goddess." -- BOOK BLURB
Notes: Includes index; Bibliography: p. 262-267
ISBN: 0690011679
LON: 76007084; 760131

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: MACHT DER BILDER: LENI RIEFENSTAHL, DIE (GG/UK/FR, Ray Muller, 1993)

Call No: N79MAN HUG
Author: Hugo, Victor, 1802-1885
Edition: Abridged edition
Place: London
Publisher: Readers Library
PubDate: [192-?]
PhysDes: 250 p., [8] p. of plates : ill. ; 17 cm
Subject: MAN WHO LAUGHS, THE (US, Paul Leni, 1928)
Notes: "Translation of Victor Hugo's 'L'homme qui rit'"
LON: 13596955 13596955

Author: Lodge, Jack
PhysDes: Article
Subject: MAN WHO LAUGHS, THE (US, Paul Leni, 1928)
Summary: Review; ill' credits; synopsis

Call No: 70"192" MUL
Author: Muller, Jurgen
Edition: 2007
Place: Koln
Publisher: Taschen GMBH
PubDate: 2007
PhysDes: 482 pgaes : illustrated ; 26 cm
Subject: HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. SILENT PERIOD; TRIP TO THE MOON [VOYAGE DANS LA LUNE] (FR, George Melies, 1902); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); STUDENT VON PRAG, DER (G, Stellan Rye, 1913); CABIRIA (IT, Giovanni Pastrone, 1914); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); INTOLERANCE (US, David Wark Griffith, 1916); MADAME DUBARRY (G, Ernst Lubitsch, 1919); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); EROTIKON (SW, Mauritz Stiller, 1920); GOLEM, THE [; KID, THE (US, Charles Chaplin, 1921); FOOLISH WIVES (US, Erich Von Stroheim, 1922); [FOUR] 4 HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921); THREE MUSKETEERS, THE (US, Fred Niblo, 1921); ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925); TOL'ABLE DAVID (US, Henry King, 1921); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); HAXAN [WITCHCRAFT THROUGH THE AGES] (SW/DK, Benjamin Christensen, 1922); [DOCTOR] DR MABUSE: THE GAMBLER [DR. MABUSE DER SPIELER] (G, Fritz Lang, 1922); SAFETY LAST (US, Fred Newmayer/Sam Taylor, 1923); HUNCHBACK OF NOTRE DAME (US, Wallace Worsley, 1923); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923); WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); THIEF OF BAGDAD (US, Raoul Walsh, 1924); SHERLOCK, JR. (US, Buster Keaton, 1924); NIBELUNGEN, DIE (G, Fritz Lang, 1922-24); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); NAVIGATOR, THE (US, Buster Keaton & Donald Crisp, 1924); GREED (US, Erich von Stroheim, 1925); IRON HORSE, THE (UK, John Ford, 1924); GOLD RUSH, THE (US, Charles Chaplin, 1925); BEN HUR (US, Fred Niblo, 1925); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); VARIETE (G, E.A. Dupont, 1925); BIG PARADE, THE (US, King Vidor, 1925); FREUDLOSE GASSE, DIE (G, Wilhelm Pabst, 1925); PHANTOM OF THE OPERA, THE (US, Rupert Julian, 1925); SON OF THE SHEIK, THE (US, George Fitzmaurice, 1926); LODGER, THE (UK, Alfred Hitchcock, 1926); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); BLACK PIRATE, THE (US, Albert Parker, 1926); FAUST (G, Friedrich Wilhelm Marnau, 1926); ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925); METROPOLIS (G, Fritz Lang, 1926); KONETS SANKT-PETERSBURGA (UR, Vsevolod Pudovkin, 1927); NAPOLEON (FR, Abel Gance, 1927); CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927); SUNRISE (US, Friedrich Wilhelm Murnau, 1927); JAZZ SINGER, THE (US, Alan Crosland, 1927); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); CROWD, THE (US, King Vidor, 1928); WIND, THE (US, Victor Sjostrom, 1928); CIRCUS, THE (US, Charles Chaplin, 1928); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BLACKMAIL (UK, Alfred Hitchcock, 1929); BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); LITTLE CAESAR (US, Mervyn LeRoy, 1931); BLAUE ENGEL, DER (G, Josef von Sternberg, 1930); ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1929); MOROCCO (US, Josef von Sternberg, 1930); WESTFRONT 1918 (G, Georg Wilhelm Pabst, 1930); AGE D'OR, L' (FR, Luis Bunuel, 1930)
Notes: From the invention of the moving picture to the first sound movies From the first moving pictures (the Lumiere brothers' 1895 L'arrive d'un train), early westerns, fantastic pictures, and nickelodeons all the way through the golden age of silent film in the 1920s, this book covers the first three decades of the moving picture around the world. In America, we witness the birth of Hollywood, circa 1910, where film quickly became a powerful industry and D. W. Griffith put American cinema on the map; later, Charlie Chaplin and Buster Keaton developed a new language of visual comedy while eccentrics like Erich von Stroheim and Cecil B. DeMille turned cinema into a high art form and show biz respectively, and sex symbols like Rudolph Valentino and Greta Garbo heated up the screens. Meanwhile, in Europe, German directors such as Ernst Lubitsch and Fritz Lang were establishing their careers and Russian greats Eisenstein and Pudovkin were already revolutionizing a nascent art form. At the end of the 1920s the very first "talkies", albeit rudimentary ones, brutally crushed the silent art, but by 1930 sound masterpieces such as Sternberg's The Blue Angel and Milestone's All Quiet on the Western Front were produced. This exploration of the founding years of cinema offers a fascinating perspective on a period in movie history that is far too often overlooked in our times. -- jacket blurb
ISBN: 9783822846131
Donation: Megan McMurchy

Call No: 761 BAR
Author: Barsam, Richard Meran
Place: London
Publisher: Allen and Unwin
PubDate: 1974
PhysDes: xix, 332 p. : ill., ports. ; 22 cm
Subject: NON-FICTION FILMS; DOCUMENTARY FILMS; CINEMA-DIRECT; PROPAGANDA FILMS; WAR FILMS; ANDERSON, LINDSAY; CAPRA, FRANK; CAVALCANTI, ALBERTO; VAN DONGEN, HELEN; DOVZENKO, ALEKSANDR; FLAHERTY, ROBERT; GRIERSON, JOHN; HUSTON, JOHN; IVENS, JORIS; JENNINGS, HUMPHREY; KING, ALLAN; LEACOCK, RICHARD; LYE, LEN; MAYSLES, ALBERT & DAVID; PENNEBAKER, D. A.; REISZ, KAREL; RIEFENSTAHL, LENI; ROTHA, PAUL; RUTTMAN, WALTER; STORCK, HENRI; VAN DYKE, WILLARD; VERTOV, DZIGA; WADLEIGH, MICHAEL; WATT, HARRY; WISEMAN, FREDERICK; WRIGHT, BASIL; BOND, RALPH; ANSTEY, EDGAR; LORENTZ, PARE; HAMMID, ALEXANDER; ROGOSIN, LIONEL; STEINER, RALPH; ELTON, ARTHUR; JACOBY, IRVING; LAND, THE (US, Robert Flaherty, 1942); FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940); MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937); ALL OF MY BABIES : A MIDWIFE'S OWN STORY (US, George Stoney, 1952); BATTLE OF RUSSIA, THE (US, Frank Capra, 1944); LET THERE BE LIGHT (US, John Huston, 1946); DON'T LOOK BACK (US, D.A. Pennebaker, 1967)
Summary: "Nonfiction film is the first work to document the whole history of nonfiction film from the 1920s to the present day. The main emphasis of the book is on the British and American cinema and hundreds of documentary, action, and 'actuality' films from Nanook of the North to Woodstock and Gimme Shelter are described, discussed and analysed, including films by the great pioneers such as Robert Flaherty, Basil Wright, John Grierson and Paul Rotha and the new experimental film makers like Richard Leacock, D. A. Pennebaker, Frederick Wiseman and Albert and David Maysles. Richard Barsam provides a critical framework against which the non-fiction film can be studied and enjoyed. Among the many topics covered are early American, Russian and Continental films, the British and American films of the twenties and thirties, the films of World War II and the whole range of styles and subjects of the fifties, sixties and today." -- BOOK BLURB
Notes: Originally published: New York : Dutton, 1973; Bibl.: p.317-321. - List of films: p.299-316. - Index
ISBN: 0047910313 (Pbk) : ª1.95; 0047910305
LON: 1923477
Contents: 1. Defining nonfiction film -- 2. The American, Russian, and continental beginnings -- 3. John Grierson and the early British documentary -- 4. British documentary in the later 1930's -- 5. European and American nonfiction film: 1930-1940 -- 6. The humanistic vision of Robert Flaherty -- 7. World War II on film -- 8. Nonfiction film in transition: 1940-1950 -- 9. Old traditions and new directions: 1950-1960 -- 10. The new nonfiction film: 1960-1970
URL status: URL: 'http://-' Checked: 31/08/2021 12:58:55 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Publicity; Clippings; Clippings
Subject: OLYMPIA (G, Leni Riefenstahl, 1938)

Call No: 79OLY DOW
Author: Downing, Taylor
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Publishing
PubDate: 1992
PhysDes: 96 p. : ill., ports. ; 19 cm
Series: BFI film classics
Subject: OLYMPIA (G, Leni Riefenstahl, 1938)
Notes: Bibliography: p. 96
ISBN: 0851703410; 0851703410 (pbk) : No price
LON: 9206320 9206320

Call No: 45:32 SAR
Author: Sarris, Andrew
Place: New York
Publisher: Columbia University Press
PubDate: 1978
PhysDes: 215 p. : ill. ; 24 cm
Subject: POLITICS AND THE CINEMA; FASCISM AND THE CINEMA; VIOLENCE IN FILMS; PORNOGRAPHY AND THE CINEMA; CENSORSHIP; SEMIOLOGY; AVANT-GARDE FILMS; MONROE, MARILYN; MAILER, NORMAN; FAIRBANKS, DOUGLAS; RIEFENSTAHL, LENI; SONTAG, SUSAN; PROMISED LANDS (FR, Susan Sontag, 1974); MON ONCLE ANTOINE (CN, Claude Jutra, 1971); SACCO E VANZETTI (IT/FR, Giuliano Montaldo, 1971); MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972); DOG DAY AFTERNOON (US, Sidney Lumet, 1975); FRONT, THE (US, Martin Ritt, 1976); LENNY (US, Bob Fosse, 1974); CASO DOS IRMAOS NAVES, O (BL, Luiz Sergio Person, 1967); SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972); MAN, THE (US, Joseph Sargent, 1972); CANDIDATE, THE (US, Michael Ritchie, 1972); GODFATHER, THE (US, Francis Ford Coppola, 1972); CONVERSATION, THE (US, Francis Ford Coppola, 1974); ASSASSINATION OF TROTSKY, THE (UK/FR/IT, Joseph Losey, 1972); ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); HEARTS AND MINDS (US, Peter Davis, 1974)
Notes: Includes index
ISBN: 0231040342
LON: 1221130

Call No: 45:32 FUR
Author: Furhammar, Leif, 1937; Isaksson, Folke, 1927-, joint author
Place: London
Publisher: Studio Vista
PubDate: 1971
PhysDes: 3-257 p. illus. 26 cm
Subject: POLITICS AND THE CINEMA; PROPAGANDA FILMS; ZAVATTINI, CESARE; MAN ON A STRING (US, Andre de Toth, 1960); CHE! (US, Richard Fleischer, 1969); EWIGE JUDE, DER (G, Fritz Hippler, 1942); OHM KRUEGER (G, Hans Steinhoff, 1941); NOVYI VAVILON (UR, Grigorij Kozincev & Leonid Trauberg, 1929); HITLERJUNGE QUEX (G, Hans Steinhoff, 1933); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); SPANISH EARTH, THE (US, Joris Ivens, 1937); MRS MINIVER (US, William Wyler, 1942); TORN CURTAIN (US, Alfred Hitchcock, 1966); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); HITLER GANG, THE (US, John Farrow, 1944); STALINGRADSKAYA BITVA (UR, Vladimir Petrov, 1949)
Notes: Rev. translation of Politik och film; Bibliography: p. 248-250
ISBN: 0289798132
LON: 616948
ID2: 127

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: RIEFENSTAHL, LENI

Call No: 744(=924) AVI
Author: Avisar, Ilan, 1951
Place: Bloomington
Publisher: Indiana University Press
PubDate: c1988
PhysDes: xi, 212 p., [6] p. of plates : ill. ; 25 cm
Series: Jewish literature and culture
Subject: GENOCIDE IN FILMS; CZECHOSLOVAKIA; NAZIS IN FILMS; PONTECORVO, GILLO; RIEFENSTAHL, LENI; ULICA GRANICZNA (PL, Aleksander Ford, 1948); DIARY OF ANNE FRANK, THE (US, Geoarge Stevens, 1959); A PATY JEZDEC JE STRACH (CS, Zbynek Brynych, 1964); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); OBCHOD NA KORZE (CS, Jan Kadar & Elmar Klos, 1965); SHOP ON MAIN STREET, THE (CS, Jan Kadar & Elmar Klos, 1965); TRANSPORT Z RAJE (CS, Zbynek Brynych, 1962); KAPO (IT/FR/YU, Gillo Pontecorvo, 1960); [MISTER] MR KLEIN [M. KLEIN] (FR/IT, Joseph Losey, 1976); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); NIGHT AND FOG (FR, Alain Resnais, 1995); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); DALEKA CESTA (CS, Alfred Radok, 1949)
Summary: "Over the past four decades filmmakers have struggled with the task of depicting the atrocities of the Holocaust - the unimaginable brutalities of the Nazis and the incredible suffering of their victims. Avisar bases his discussion of these filmic efforts on the assumption that the Holocaust was a unique and unprecedented historical experience and that as such it poses special problems for those, particularly artists, who seek to reflect upon this historical event. He disagrees with theorists who believe that art cannot deal with the Holocaust in a meaningful way. This study examines how cinematic art meets the challenge of dealing with the extraordinary nature of the Holocaust. Avisar uses the concepts of representation, presentation, and comprehension to analyze a select number of Holocaust films. The cinematic medium offers a wide range of artistic visions of historical events. Avisar combines theoretical concepts peculiar to the nature of cinema with arguments on the uniqueness of Hitler's Final Solution in presenting detailed analyses of such remarkable films as Night and Fog, The Damned, The Great Dictator, The Diary of Anne Frank, The Shop on Main Street, The Garden of the Finzi-Continis, and Mr. Klein." -- BOOK BLURB
Notes: Includes index; Bibliography: p. [194]-200; Filmography: p. [201]-205
ISBN: 0253303761; 0253204755 (pbk.)
LON: 5515271

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIO; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); DESTRY RIDES AGAIN (US, George Marshall, 1939); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TIEFLAND (GW, Leni Riefenstahl, 1954 [prod. 1940-1953])

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935)

Call No: 70 RIC
Author: Richards, Jeffrey
Place: London
Publisher: Routledge & K. Paul
PubDate: [1973]
PhysDes: xvi, 391 p. illus. 25 cm
Subject: HISTORY OF CINEMA; FASCISM AND THE CINEMA; IMPERIALISM AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; CAPRA, FRANK; MCCAREY, LEO; FORD, JOHN; RIEFENSTAHL, LENI
Notes: Bibliography: p. [377]-380
ISBN: 0710075766
LON: 401259

Call No: 756 (430) BAR
Author: Barber, Stephen
Place: USA
Publisher: Solar Books
PubDate: 2011
PhysDes: 189 p. : ill. ; 21 cm
Series: Solar Art Directives: Seminal Cities
Subject: GERMANY; GERMAN DEMOCRATIC REPUBLIC; GERMAN FEDERAL REPUBLIC; CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981); BERLIN ALEXANDERPLATZ (GW/IT, Rainer Werner Fassbinder, 1980); IVAN'S CHILDHOOD (UR, Andrei Tarkovsky, 1962) SEE IVANOVO DETSTVO; FOREIGN AFFAIR, A (US, Billy Wilder, 1948); OLYMPIA (G, Leni Riefenstahl, 1938)
Summary: Berlin's unique history of conflict, transmutation and violence has created an arena of extraordinary urban surfaces, from which the present-day city and its layered, wounded past are projected simultaneously. THE WALLS OF BERLIN explores the intimate connections between those surfaces and the works of art and film which have both incised Berlin's urban screens and been inspired by them. Drawing on a vast range of material – from the first films of Berlin in the 1890s to the city's impact on contemporary digital art – THE WALLS OF BERLIN probes many of Berlin's overlooked but most illuminating spaces inflected by art and film: the Hansa recording-studios, the Buch asylum, ruined hotels and cinemas, and Berlin's immense slaughterhouse sub-city. It is essential reading for those engaged with the transformations of contemporary cities, and students of urban-history, architecture, art and film.
ISBN: 9780982046463
Contents: The Baltic Wall -- The Skladanowsky Projector -- WALLS OF BERLIN -- Berlin-by-the-Sea -- A `Wall' of Berlin -- Images

Call No: NEW HOLDINGS SHELVES; 722-02KOW
Author: Kowalski, Rosemary Ribich
Source: US
Place: Metuchen, NJ
Publisher: Scarecrow Press
PubDate: 1979
PhysDes: ix, 278 p. ; 23 cm
Subject: WOMEN AND THE CINEMA; ARZNER, DOROTHY; BOW, CLARA; BROOKS, LOUISE; CLARKE, SHIRLEY; DAVIS, ANDREW; DEREN, MAYA; FONDA, JANE; GARBO, GRETA; GARLAND, JUDY; GISH, LILLIAN; HAYES, HELEN; HARLOW, JEAN; HEPBURN, KATHARINE; HORNE, LENA; KAEL, PAULINE; KAPLAN, NELLY; KELLY, GRACE; LEIGH, VIVIEN; LITTLEWOOD, JOAN; LODEN, BARBARA; LOOS, ANITA; LOREN, SOPHIA; LOVE, BESSIE; Lupino, Ida; MCDANIEL, HATTIE; MANSFIELD, JAYNE; MEYER, RUSS; MICHELSON, ANNETTE; MINNELLI, LIZA; MONROE, MARILYN; MOORE, COLLEEN; MOOREHEAD, AGNES; MOREAU, JEANNE; NEGRI, POLA; NELSON, GUNVOR; PERRY, ELEANOR; PICKFORD, MARY; REICHERT, JULIA; RIEFENSTAHL, LENI; ROGERS, GINGER; ROTHSCHILD, AMALIE R.; SCHLONDORFF, VOLKER; SONTAG, SUSAN; SWANSON, GLORIA; TAYLOR, ELIZABETH; VARDA, AGNES; WEBER, LOIS; WEILL, CLAUDIA; WEST, MAE
Notes: Includes index
ISBN: 0810809745

Call No: 802.253 SMI
Author: Smith, Sharon
Place: New York
Publisher: Hopkinson and Blake
PubDate: [1975]
PhysDes: 307 p. : ill. ; 23 cm
Subject: DIRECTORS; GUY-BLACHE, ALICE; ARZNER, DOROTHY; BURSTYN, ELLEN; CLARKE, SHIRLEY; HUBLEY, FAITH & JOHN; Lupino, Ida; RIEFENSTAHL, LENI
Notes: Includes index; Bibliography: p. 296-298
ISBN: 0911974091 : $9.95; 0911974121(pbk. :) $5.95
LON: 462903