Search Catalogue

Call No: DVD RESEARCH FOLDER
Subject: DVD; DVD, FILMS ON; HOME EQUIPMENT; HOME EXHIBITION; PRESERVATION OF FILMS; CRITERION COLLECTION; MANGA; BROOKER, WILL; AROSTEGUY, SUSAN; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003); FIGHT CLUB (US, David Fincher, 1999)
Contents: A DVD edition of Velvet Light Trap. Index follows:; -- Introduction.; -- Craig Hight - Making-of documentaries on DVD: The Lord of the Rings Trilogy and Special Editions.; -- Nathan Carroll - Unwrapping archives: DVD Restoration Demonstrations and the markteting of authenticity.; -- Bradley Schauer - The Criterion Collection in the New Home Video Market: An interview with Susan Arosteguy.; -- Derek Johnson - Star Wars fans, DVD, and cultural ownership: an interview with Will Brooker.; -- Laurie Cubbison - Anime Fans, DVDs, and the authentic text.; -- James Kendrick - Aspect ratios and Joe Six-Packs: home theatre enthusiasts' battle to legitimze the DVD experience.

Call No: N79TAL DIC
Author: Dickens, Charles, 1812-1870
Place: Woodchester, England
Publisher: Arthur's Press
PubDate: (193-?)
PhysDes: 64 p. : ill. ; 22 cm
Subject: TALE OF TWO CITIES, A (US, Jack Conway, 1935)
Notes: "With illustrations from the M.G.M. Film"

Call No: S TWO
Author: Stein, Todd
Edition: Shooting Script
Place: AT/US
PubDate: 2015 Feb. 18
PhysDes: 101 leaves ; 30 cm.
Subject: [TWO TWENTY-TWO] 2:22 (AT/US, Paul Currie, 2017)
Summary: "A clever, roller-coaster thriller that centers on Dylan an air traffic controller who is given a jolt when he narrowly escapes being responsible for a mid air collision between two passenger planes. Caused by a mysterious blinding light that happened at 2:22, these strange occurrences continue and lead Dylan to meet Sarah, with whom he feels inexplicably linked. Together the two discover uncanny similarities with their current predicament and a double murder committed a generation ago. With a grim fate looming, Dylan must solve the mystery of 2:22 to preserve a love whose second chance has finally come." Written by AnonymousB - IMDb
Notes: Unpublished script
Donation: AFI / AACTA

Call No: S 237
Author: Thalluri, Murali K
Place: AT
PubDate: [2006]
PhysDes: 96 leaves
Subject: TWO THIRTY SEVEN 2:37 (AT, Murali K. Thalluri, 2006)
Notes: Includes separate final transcript including ADR; Production script; Donated by the Australian Film Institute

PhysDes: Article
Subject: GREATER UNION; ADVERTISING FOR FILMS; MOVING OUT (AT, Michael Pattison, 1982); INDUSTRY, FILM. AUSTRALIA
Summary: Article on the advertising and promotion of 'Moving Out'

Author: Thompsosn, Rick
PhysDes: Article
Subject: [FIFTY-TWO] 52 PICK-UP (US, John Frankenheimer, 1986)
Summary: Review; Credits

Call No: P FIF
PhysDes: 1 poster : col. ; 100 x 70
Subject: [FIFTY-TWO] 52 TUESDAYS (AT, Sophie Hyde, 2013)
Summary: Image: a woman's face, other, smaller faces; a couple kisssing, a couple hugging, girl taking a photo with a camera, and a watch. Text: one day a week, every week for a year.
Notes: -- "Winner Directing Award World Cinema Dramatic Sundance Film Festival 2014", "Winner Crystal Bear Berlin International Film Festival"
Donation: Cinema Nova
ID2: 140

Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Call No: P TWO
Place: AT
PubDate: 1969
PhysDes: 1 poster : colour ; 76 x 34 cm
Subject: TWO THOUSAND WEEKS (AT, Tim Burstall, 1969)
Summary: Text: "Suitable only for adults" "Now is the Time... For WILL - The Dreamer - To Choose Between An Idyll or Reality" "Sarah... First Love" "Jackie... New Love" Image: At the top of the poster, there is a green coloured image of a man and woman looking into each others' faces with their arms on each others' shoulders. In the middle of the poster are two facial shots; one of a woman named Sarah who looks disgusted and the other of a woman named Jackie who looks concerned.
Notes: Folded in two places, creases.

Call No: 79TWO KRA
Author: Kramer, Peter
Source: UK
Place: London
Publisher: Palgrave Macmillan
PubDate: 2010
PhysDes: 116 pages : colour illustrations ; 20 cm
Series: BFI film classics
Subject: [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Summary: "Stanley Kubrick's 2001: A Space Odyssey is widely regarded as one of the best films ever made. Based on new research in the recently opened Stanley Kubrick Archive, this study challenges many of the widely held assumptions about the film, addressing how such a seemingly radical project managed to gain studio funding and why the film took the shape it finally did. Kramer also explores the film's close links to many of the most successful trends in Hollywood filmmaking across the 1950s and 60s, and to public debates about the space race and the search for extra-terrestrial intelligence. After examining what was described at the time as one of MGM's biggest ever promotional campaigns, Kramer documents the film's enormous and ever growing success with both critics and audiences across the late 1960s and early 70s, and its longterm impact on Hollywood's output of Science Fiction movies"-- [extract taken from the back of the book]
Notes: Includes bibliographical references.
ISBN: 9781844572861
Contents: Contents: Introduction -- Production Context -- Production Process -- Form, Style and Theme -- Marketing and Reception -- Cultural Setting -- Conclusion.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [NINE OH TWO ONE OH] 90210 [TV] (US, 2008-2013)

Call No: 451-054(=1-81) JEN
Author: Jennings, Karen Una
CorpAuthor: Murdoch University. School of Human Communication. M.A. in Literature and Communication Programme
PubDate: 1987
PhysDes: iv, 167 leaves ; 30 cm
Subject: ABORIGINAL AUSTRALIAN CINEMA; AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); JOURNEY AMONG WOMEN (AT, Tom Cowan, 1977); ELIZA FRASER (AT, Tim Bustall, 1976); MANGANINNIE (AT, John Honey, 1980); BACKLASH (AT, Bill Bennett, 1986); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987); SISTER IF YOU ONLY KNEW (AT, Janet Isaac, 1975)
Notes: Bibliography: p. 153-67
LON: abn89090906; 9151758

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: ABROAD WITH TWO YANKS (US, Allan Dwan, 1944)
Notes: Review from "Twelve Thousand Motion Pictures" article. - Barrie Pattison (assistant reviewer)

Call No: 753.1 ADA
Author: Harrison, Stephanie
Edition: First edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: c2005
PhysDes: xix, 619 p. : ill. ; 24 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985)
Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.
Notes: Also issued online
ISBN: 1400053145
Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --

Call No: 71-053.6 HER
Author: Herche, Victoria
Edition: 2021
Place: Heidelberg
Publisher: Universitatsverlag Winter
PubDate: 2021
PhysDes: 252 pages : illustrated; 26 cm
Series: Anglistische Forschungen; 465
Subject: YOUNG PEOPLE AND THE CINEMA. AUSTRALIA; AUSTRALIA; TEEN FILMS; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; TOOMELAH (AT, Ivan Sen, 2011); BENEATH CLOUDS (AT, Ivan Sen, 2001); STONE BROS. (AT, Richard Frankland, 2009); LUCKY MILES (AT, Michael James Rowland, 2007); MOTHER FISH (AT, Khoa Do, 2010); TWO HANDS (AT, Gregor Jordan, 1999); AUSTRALIAN RULES (AT, Paul Goldman, 2002); DROWN (AT, Dean Francis, 2014); BEAUTIFUL KATE (AT, Rachel Ward, 2009); SOMERSAULT (AT, Cate Shortland, 2004); ADORATION (AT/FR, Anne Fontaine, 2013); SAPPHIRES, THE (AT, Wayne Blair, 2012); BRAN NUE DAE (AT, Rachel Perkins 2009)
Summary: Deeply rooted in Australia’s construction as a young nation, ‘coming of age’ has been the defining narrative of Australia’s national cinema. This book provides the first study which systematically explores the ‘coming of age’ theme in Australian feature films produced since the turn of the millennium, foregrounding how films use a range of diverse (his)stories to respond to the centrality of this theme. Rather than focussing on ‘coming of age’ mainly in its portrayal of a (successful) maturation process, this study explores the possibilities inherent in what is conceived of as a ‘permanently’ transitional ‘coming of age’ process, providing a crucial starting point for the re-definition of national fictions. A range of cinematic genres, including the road movie, crime film, sport film, romance and musical, is used to challenge and (to varying degrees) destabilise the national myth of Australia as a youthful, egalitarian society with a chance and ‘fair go’ for everyone. -- publisher's web site
ISBN: 9783825369187

PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; ANNIE'S COMING OUT (AT, Gil Brealey, 1984)
Notes: "Annie's Coming Out" is also known by its US title "A Test of Love"

Call No: 81EAS HUG
Author: Hughes, Howard
Source: US/UK
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2009
PhysDes: xxxi, 252 p. : ill. ; 25 cm.
Subject: EASTWOOD, CLINT; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); COOGAN'S BLUFF (US, Don Siegel, 1968); DIRTY HARRY (US, Don Siegel, 1971); MAGNUM FORCE (US, Ted Post, 1973); ENFORCER, THE (US, James Fargo, 1976); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); CITY HEAT (US, Richard Benjamin, 1984); DEAD POOL, THE (US, Buddy Van Horn, 1988); ROOKIE, THE (US, Clint Eastwood, 1990); IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993); PERFECT WORLD, A (US, Clint Eastwood, 1993); PAINT YOUR WAGON (US, Joshua Logan, 1969); BEGUILED, THE (US, Don Siegel, 1971); PLAY MISTY FOR ME (US, Clint Eastwood, 1971); BREEZY (US, Clint Eastwood, 1973); BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); BRONCO BILLY (US, Clint Eastwood, 1980); ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); PINK CADILLAC (US Buddy van Horn, 1989); HONKYTONK MAN (US, Clint Eastwood, 1982); BIRD (US, Clint Eastwood, 1988); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990); SPACE COWBOYS (US, Clint Eastwood, 2000); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974); EIGER SANCTION, THE (US, Clint Eastwood, 1975); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); ABSOLUTE POWER (US, Clint Eastwood, 1997); TRUE CRIME (US, Clint Eastwood, 1999); BLOOD WORK (US, Clint Eastwood, 2002); WHERE EAGLES DARE (US, Brian G. Hutton, 1969); KELLY'S HEROES (US, Brian G. Hutton, 1970); FIREFOX (US, Clint Eastwood, 1982); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006)
Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story. Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURB
Notes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and index
ISBN: 9781845119027
Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.

Call No: 735.1 KUH
Author: Kuhn, Annette
Place: London New York
Publisher: Verso
PubDate: 1999
PhysDes: 308 p. : ill. ; 20 cm
Subject: SCIENCE-FICTION FILMS; CITIES IN FILMS; BODY IN FILMS; DIGITAL TECHNOLOGY; UTOPIA IN FILMS; FANS; INTERNET AND THE CINEMA; MASCULINITY IN FILMS; POSTMODERNISM AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SPECTATORSHIP; ADAPTATIONS. WELLS, H.G.; VAN DAMME, JEAN-CLAUDE; SCHWARZENEGGER, ARNOLD; CREED, BARBARA; TRUMBULL, DOUGLAS; JOHNNY MNEMONIC (US, Robert Longo, 1995); THINGS TO COME (UK, William Cameron Menzies, 1936); BLADE RUNNER (US, Ridley Scott, 1982); ALIEN [...] (UK/US, 1979-92); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); BRAZIL (UK, Terry Gilliam, 1985); DEMOLITION MAN (US, Marco Brambilla, 1993); MAX HEADROOM [TV] (US, 1987-89); METROPOLIS (G, Fritz Lang, 1926); TOTAL RECALL (US, Paul Verhoeven, 1990); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and index
ISBN: 1859842593 (paper); 1859847463 (cloth)
LON: 20466609

Call No: TITLE CLIPPINGS FILE; [ELEVEN. TWENTY-TWO. SIXTY-THREE] 11.22.63 [TV] (US, 2016)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: [ELEVEN TWENTY-TWO SIXTY-THREE] 11.22.63 [TV] (US, 2016)
Summary: Review

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AND BABY MAKES TWO (US, Judy Katz & Oren Rudavsky, 1999)

Author: Schwartz, Eric
PhysDes: Article
Subject: MCGREGOR, ANGELA PUNCH; BREALEY, GIL; ANNIE'S COMING OUT (AT, Gil Brealey, 1984); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); LIGHTHORSEMEN, THE (AT, Simon Wincer, 1987); NEWSFRONT (AT, Phillip Noyce, 1978); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982)
Summary: Overseas correspondent Eric Schwartz interviews director Gil Brealey and star Angela Punch McGregor of the film “Annie's Coming Out”. Altough the article is mainly focused on “Annie’s Coming Out” there is brief discussion of other films either Brealey or McGregor have been involved with
Notes: "Annie's Coming Out" is also known by its US title "A Test of Love"

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANGRY BIRDS TWO (FI/US, Thurop Van Orman, 2019)
Notes: Import_Simon_batch12_190919

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Stills; Clippings
Subject: ANNIE'S COMING OUT (AT, Gil Brealey, 1984)

Call No: S ANN
Author: Patterson, John; Borthwick, Chris
PubDate: [1984]
PhysDes: 163 leaves
Subject: ANNIE'S COMING OUT (AT, Gil Brealey, 1984)
Notes: Unpublished script

Call No: S ANN
Author: Patterson, John & Borthwick, Chris
PubDate: 1983
PhysDes: 121p
Subject: ANNIE'S COMING OUT (AT, Gil Brealey, 1984)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: 79ANN CRO
Author: Crossley, Rosemary; McDonald, Anne
Source: Australia
Place: Melbourne
Publisher: Penguin Books
PubDate: 1980
PhysDes: 18 cm ; 256 p.
Subject: ANNIE'S COMING OUT (AT, Gil Brealey, 1984)
ISBN: 0140056882

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 19 photographs : b&w ; 21 x 26 cm : + 7 photographs : col ; 20 x 25 cm - 25 x 19 cm
Subject: PUNCH MCGREGOR, ANGELA; ARHONDIS, TINA; FORSYTHE, DREW; TINGWELL, CHARLES (BUD); CLARK, LIDDY; ANNIE'S COMING OUT (AT, Gil Brealey, 1984)
Summary: 19 black and white photographs of scenes in the film and the director. 7 colour photographs.
Notes: Some b&w photos have duplicates

Author: Maddox, Garry
PhysDes: Article
Subject: SOCIAL ISSUES IN FILMS; PEOPLE WITH DISABILITIES IN FILMS; BORTHWICK, CHRIS; AWARDS. AUSTRALIAN FILM INSTITUTE; ANNIE'S COMING OUT (AT, Gil Brealey, 1984)
Summary: Garry Maddox focuses on slef-characterised perpetually bleak Chris Borthwick, co-writer of "Annie's Coming Out". Borthwick reveals his dissatisfaction with the film's script, despite it's picking up an award from the AFI, as it did not eventuate in the social change which he had aimed for in regards to the rights and life of the physically handicapped. Maddox relates how Borthwick's disallusionment has led to the scriptwriter's decision to enrol in a law degree at the University of Melbourne
Notes: "Annie's Coming Out" is also known by its US title "A Test of Love"

Call No: TITLE CLIPPINGS FILE; HUNDRAARINGEN SOM KLEV UT GENOM FONSTRET OCH FORSVANN (SW, Felix Herngren, 2013)
Author: Startton, David
PhysDes: Clippings File Article
Subject: HUNDRED YEAR OLD MAN WHO CLIMBED OUT OF THE WINDOW AND DISAPPEARED, THE [HUNDRAARINGEN SOM KLEV UT GENOM FONSTRET OCH FORSVANN] (SW, Felix Herngren, 2013)
Summary: Film review of THE 100 YEAR OLD MAN WHO CLIMBED OUT THE WINDOW AND DISAPPEARED
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANTON CORBIJN INSIDE OUT (NE/GE/UK/IT/SW, Klaartje Quirijns, 2012)

Call No: 725.221 (-091) RAS
Author: Raskin, Richard
Source: US
Place: North Carolina
Publisher: McFarland & Company Inc.
PubDate: 2002
PhysDes: 184 p. : ill. ; 27 cm
Subject: SHORT FILMS; TWO MEN AND A WARDROBE (PL, Roman Polanski, 1957); DWAJ LUDZIE Z SZAFA (PL, Roman Polanski, 1957); COFFEE AND CIGARETTES (US, Jim Jarmusch, 1986); CAT'S CRADLE (AT, Liz Hughes, 1992)
Summary: A close study of Polanski Two Men and A Wardrobe, Jarmusch Coffee and Cigarettes, Lawlor Sunday, Hughes Cat's Cradle, Sletaune Eating Out, Ulrichsen Come, Ivanyi Wind, McGann Possum and Mimica The War is Over. The book also describes a new coneptual model, derived from the nine films, useful for both analyzing the ways in which a short fiction film tells its story and as a set of guidelines for students writing their own screenplays.
Notes: Includes contact information for obtaining copies of the films Includes other highly recommended short fiction films Includes bibliography Includes index
ISBN: 078641183x

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: ARTHUR [TWO] 2: ON THE ROCKS (US, Bud Yorkin, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ATHENS, GA. - INSIDE OUT (US, Tony Gayton, 1987)

Call No: 81HEP MAY
Author: Maychick, Diana
Source: UK
Place: London
Publisher: Pan Books
PubDate: 1994
PhysDes: xii, 238p, [16]p of plates : ill., ports ; 18cm
Subject: HEPBURN, AUDREY; ROMAN HOLIDAY (US, William Wyler, 1953); SABRINA (US, Billy Wilder, 1954); BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961); CHILDREN'S HOUR, THE (US, William Wyler, 1961); MY FAIR LADY (US, George Cukor, 1964); TWO FOR THE ROAD (UK, Stanley Donen, 1966); BLOODLINE (US, Terence Young, 1979); THEY ALL LAUGHED (US, Peter Bogdanovich, 1981); NUN'S STORY, THE (US, Fred Zinneman, 1958)
Summary: The book deals with the films of Audrey Hepburn, and her leading men; it talks about her work with the Dutch Resistance, during the Second World War, and her two marriages, and five miscarriages. The book looks at her work with UNICEF, helping needy children. She is presented as a person of grace and elegance, but also, as a very determined, and courageous woman. [taken from back cover]
Notes: First published ; London; Sidgwick & Jackson, 1993
ISBN: 0330333976

Call No: 735.2 (94) SHE
Author: Shelley, Peter
Source: US/UK
Place: Jefferson, North Carolina, and London
Publisher: McFarland & Company Inc
PubDate: c2012
PhysDes: vi, 320 p. : ill. ; 26 cm
Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1988); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Ann Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1993); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010)
Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB
Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index
ISBN: 9780786461677
Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity; Press kit
Subject: BABY'S DAY OUT (US, Patrick Read Johnson, 1994)

Call No: PERSONALITY STILL
Source: AT
PubDate: 1977
PhysDes: 1 photograph : b&w ; 23 x 16 cm.
Subject: INSIDE LOOKING OUT (AT, Paul Cox, 1977); BACKSAI, JULIET
Summary: Interior shot of Juliet Backsai sitting on a couch looking at a photograph of a women.
Notes: details on reverse in blue pen and pencil

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: BALLET FOUR TWO TWO [BALLET 422] (US, Jody Lee Lipes, 2014)
Cross Reference: BALLET FOUR TWO TWO [BALLET 422]

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: INTRAMURAL [BALLS OUT] (US, Andrew Disney, 2014)
Cross Reference: INTRAMURAL [BALLS OUT]

PhysDes: Article
Subject: FALCON OUT WEST, THE (US, William Clemmons, 1944)
Summary: ATexas playboy is murdered in a New York City nightclub the Falcon investigates

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BASTARD OUT OF CAROLINA (US, Anjelica Huston, 1996)

Call No: 67(04) BAZ
Author: Bazin, Andre, 1918-1958; Cardullo, Bert
Place: New York
Publisher: Routledge
PubDate: 1996
PhysDes: xvi, 252 p. : ill. ; 24 cm
Subject: STALIN [J.] IN FILMS; RELIGIOUS FILMS; SPECIAL EFFECTS; SUPERNATURAL IN FILMS; CINEMASCOPE; MARXISM AND THE CINEMA; USSR; ADAPTATIONS; WYLER, WILLIAM; PAGNOL, MARCEL; CAYATTE, ANDRE; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); SCARFACE (US, Howard Hawks, 1932); STRADA, LA (IT, Federico Fellini, 1954); DERNIERES VACANCES, LES (FR, Roger Leenhardt, 1948); M. RIPOIS (FR, Rene Clemont, 1954); DUE SOLDI DI SPERANZA (IT, Renato Castellani, 1951); TWO CENTS WORTH OF HOPE (IT, Renato Castellani, 1951); WHY WE FIGHT SERIES (US, 1942-44); BATTLE OF THE RAILS [; MYSTERE PICASSO, LE (FR, Henri-Georges Clouzot, 1956); BIDONE, IL (IT, Federico Fellini, 1955); BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957); CITIZEN KANE (US, Orson Welles, 1941); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IVAN GROZNY KINO BALET (UR, Vadim Derbenev & Yuri Grigorovich, 1977)
Notes: Includes bibliographical references and index
ISBN: 0415900174 (hb); 0415900182 (pb)
LON: 12242179
Contents: La Strada, p113-120 -- Jeux Interdits, p129-135 -- Les Dernieres Vacances, p141-149 -- M. Ripois, p167-177 -- Ivan Groznyj, p197-203 -- Le Mystere Picasso, p211-219 -- Citizen Kane, p231-239

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTY [NUMBER TWO] #2 (US, Andy Warhol, 1965)
ID2: 350

Call No: 67(04) BES
Author: Plimpton, George
Place: New York
Publisher: St. Martin's Griffin
PubDate: 1998
PhysDes: xvi, 265 p. ; 21 cm
Subject: PRODUCERS; CAMP; CENTENARY OF CINEMA; HOMOSEXUALITY AND THE CINEMA; SCORSESE, MARTIN; FRY, STEPHEN; CAMPION, JANE; BEATTY, WARREN; STABILE, SALVATORE; POLANSKI, ROMAN; DANDRIDGE, DOROTHY; HITCHCOCK, ALFRED; STREISAND, BARBRA; WATERS, JOHN (US); WILDE (UK/US/JA/GG, Brian Gilbert, 1997); WIZARD OF OZ, THE (US, Victor Fleming, 1939); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-); MIRROR HAS TWO FACES, THE (US, Barbra Streisand, 1996)
LON: abn98329398; 14168026

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BETTER WATCH OUT (AT/US, Chris Peckover, 2016)

Call No: S BET
Author: Peckover, Chris; Kahn, Zack
Edition: V3.3 (pink draft)
Place: AT/US
PubDate: [2015]
PhysDes: 95 leaves ; 30 cm.
Subject: BETTER WATCH OUT (AT/US, Chris Peckover, 2016)
Summary: "When you think the suburbs, you think safety, but this holiday night the suburbs are anything but safe. Ashley (Olivia DeJonge) thought this babysitting job was going to be an easy night, but the night takes a turn when dangerous intruders break in and terrorize her and the twelve-year-old boy, Luke (Levi Miller), she's caring for. Ashley defends her charge to the best of her ability only to discover this is no normal home invasion." - IMBd
Notes: Unpublished script
Donation: AFI / AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BETWEEN TWO FERNS: THE MOVIE (US, Scott Aukerman, 2019)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BETWEEN TWO WORLDS [TV] (AT, 2019)
Cross Reference: BETWEEN TWO WORLDS [TV] (AT, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG NIGHT OUT, THE (AT, Tim Boyle, 1999)

Call No: 81WIL DIC
Author: Dick, Bernard F.
Source: US
Place: Boston
Publisher: Twayne Publishers
PubDate: 1980
PhysDes: 188 p. : ill. ; 21 cm
Series: Twayne's Theatrical Arts Series
Subject: WILDER, BILLY; APARTMENT, THE (US, Billy Wilder, 1960); AVANTI (US, Billy Wilder, 1972); ACE IN THE HOLE (US, Billy Wilder, 1951); DOUBLE INDEMNITY (US, Billy Wilder, 1944); FEDORA (GW/FR, Billy Wilder, 1978); [FIVE] 5 GRAVES TO CAIRO (US, Billy Wilder, 1943); FORTUNE COOKIE, THE (US, Billy Wilder, 1966); FRONT PAGE, THE (US, Billy Wilder, 1974); IRMA LA DOUCHE (US, Billy Wilder, 1963); KISS ME, STUPID (US, Billy Wilder, 1964); LOST WEEKEND, THE (US, Billy Wilder, 1945); LOVE IN THE AFTERNOON (US, Billy Wilder, 1957); MAJOR AND THE MINOR, THE (US, Billy Wilder, 1942); ONE, TWO, THREE (US/GW, Billy Wilder, 1961); PRIVATE LIFE OF SHERLOCK HOLMES, THE (US/UK, Billy Wilder, 1970); SABRINA (US, Billy Wilder, 1954); SOME LIKE IT HOT (US, Billy Wilder, 1959); SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955); SPIRIT OF ST. LOUIS, THE (US, Billy Wilder, 1957); STALAG 17 (US, Billy Wilder, 1952); SUNSET BOULEVARD (US, Billy Wilder, 1950); WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957)
Notes: Includes index. Bibliography: p. 173-174. Filmography: p. 175-183.
ISBN: 0805792740
Donation: donated by the family of Wayne Levy, 2006

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BLACK PANTHER TWO (US, Ryan Coogler, 2022)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: BLOOD IN BLOOD OUT (US, Taylor Hackford, 1993)

Author: Martin, Adrian
PhysDes: Article
Subject: BLOW OUT (US, Brian De Palma, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLOW OUT (US, Brian De Palma, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: BOMB OUT (AT, Peter Nicholson, 1973)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 cartoon drawing : b&w ; 29 x 46 cm. folded to 18 x 21 cm.
Subject: BOMB OUT (AT, Peter Nicholson, 1973)
Summary: One black and white drawing by Australian cartoonist Peter Nicholson entitled Bomb Out

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BREAD FACTORY, A [PART ONE & PART TWO] (US, Patrick Wang, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BREAD FACTORY, A [PART ONE & PART TWO] (US, Patrick Wang, 2018)
Notes: Simon import_04/07/19

Call No: PERSONALITY STILL
Source: AT
PhysDes: 1 photograph : b&w ; 20 x 12 cm.
Subject: ANNIE'S COMING OUT (AT, Gil Brealey, 1984); BREALEY, GIL
Notes: Two stickers on the back of the photograph. First sticker has the name of the producer (Don Murray) and director (Gil Brealey)and the title of the film 'Annies's coming out'. Second sticker has the director's name and the words 'best direction Annies's coming out'. There is no information on the sticker to establish which award ceremony the director was given this award.

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings; Publicity
Subject: BRINGING OUT THE DEAD (US, Martin Scorsese, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BUCKMINSTER FULLER: THINKING OUT LOUD (US, Karen Goodman & Kirk Simon, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BULLS' NIGHT OUT, THE (US, Lindley Farley, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: BUSINESS BEHIND BARS - PART TWO: AUSTRALIA (AT, Catherine Scott, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: SEEK YOU TOO [C Q TWO] (FR/CN, Carole Laure, 2004)
Notes: Simon Strong import_191126

PhysDes: Article
Subject: CANNES FILM FESTIVAL; BUSH CHRISTMAS (AT, Henri Safran, 1981); SETTLEMENT, THE (AT, Gillian Leahy, 1977); DUSTY (AT, John Richardson, 1983); MOVING OUT (AT, Chris Warner & Mandy Smith, 1986); GINGER MEGGS (AT, Jonathan Dawson, 1982); CLINIC, THE (AT, David Stevens, 1982); DARK ROOM, THE (AT, Paul Harmon, 1982); MIDNITE SPARES (AT, Quentin Masters, 1983); NEXT OF KIN (AT, Tony Williams, 1982); DANGEROUS SUMMER, A (AT, Quentin Masters, 1982); FAR EAST (AT, John Duigan, 1982); CITY'S EDGE, THE (AT, Ken Quinnell, 1983); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982)
Summary: Article and cast and crew information on Australian filmes selected to screen at Cannes, 1983.

Call No: 210.2(94) TAK
Author: Cruthers, John
CorpAuthor: Australian Film Commission; Australian Film, Television and Radio School
Place: [North Ryde, N.S.W.]
Publisher: Australian Film Television & Radio School and the Australian Film Commission
PubDate: c1988
PhysDes: 107 p. : ill. ; 30 cm
Series: Taking care of business
Subject: INDEPENDENT FILMS. AUSTRALIA; MELBOURNE SUPER 8 FILM GROUP; SUPER-8 MM FILMS. AUSTRALIA; BROPHY, PHILIP; CALLAS, PETER; SCOTT, BILL; RUNNING OUT OF PATIENCE (AT, prod. Chris Brown & Serena Everill, 1987); PALISADE (AT, Laurie McInnes, 1987); HOW THE WEST WAS LOST (AT, David Noakes, 1987); TENDER HOOKS (AT, Mary Callaghan, 1988); IN BETWEEN [TV] (AT, Chris Warner & Mandy Smith, 1987); WITH TIME TO KILL (AT, James Clayden, 1986)
ISBN: 0642139261
LON: 6038265 6487289

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHAPTER TWO (US, Robert Moore, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHECKING OUT (US, David Leland, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHILDREN OF TWO COUNTRIES [TV] (AT/CC, Terry Ohlsson, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHINESE TAKEAWAY [CHINESE TAKE-OUT] (AG/SP, Sebastian Borensztein, 2011)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: CHRISTMAS CHRONICLES TWO (US, Chris Columbus, 2020)

Call No: 675.1(94) LAW
Author: Lawrence, Denny
Source: AT
Place: [North Ryde, NSW?]
Publisher: Australian Film and Television School
PubDate: [1980?]
PhysDes: 60 leaves : 30 cm
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); ON OUR SELECTION (AT, Raymond Longford, 1920); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); KID STAKES, THE (AT, Tal Ordell, 1927); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); OVERLANDERS, THE (UK, Harry Watt, 1946); SONS OF MATTHEW (AT, Charles Chauvel, 1949); BACK OF BEYOND, THE (AT, John Heyer, 1953); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); BETWEEN WARS (AT, Michael Thornhill, 1974); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PURE S (AT, Bert Deling, 1976); CADDIE (AT, Donald Crombie, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); MAD MAX (AT, George Miller, 1979); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PALM BEACH (AT, Albie Thoms, 1979); BREAKER MORANT (AT, Bruce Beresford, 1980); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); JEDDA (AT, Charles Chauvel, 1955); THREE IN ONE (AT, Cecil Holmes, 1956); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CASTOR AND POLLUX (AT, Phillip Noyce, 1973); MOVING ON (AT, Richard Mason, 1974); PETERSEN (AT, Tim Burstall, 1974); LEISURE (AT, Bruce Petty, 1976); STORM BOY (AT, Henri Safran, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MOUTH MUSIC (NZ, Gregor Nichlas, 1981); MOUTH TO MOUTH (AT, John Duigan, 1978); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STEPPING OUT (AT, Chris Noonan, 1980); STIR (AT, Stephen Wallace, 1980); BEST FILMS. AUSTRALIA
Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.
Notes: Reprinted October 1980
Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir

Author: Lawson, Sylvia; Rosser, Edward
PhysDes: Article
Subject: CRITICISM; GODARD, JEAN-LUC; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); QUEEN OF DESTINY (UK, Herbert Wilcox, 1938)
Summary: Reviews of Two or Three Things I Know About Her (FR, Jean-Luc Godard, 1967) and Sixty Glorious Years (UK, Herbert Wilcox, 1938)
Notes: Sixty Glorious Years has been renamed Queen of Destiny

Call No: 633.22 COA
Author: Coates, Paul
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2010
PhysDes: 178 p. : col. ill. ; 26 cm.
Subject: COLOUR; COLORIZATION; FRENCH CANCAN (FR/IT, Jean Renoir, 1955); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); SOLARIS (UR, Andrei Tarkovsky, 1972); STELLET LICHT (MX/FR/NE/G, Carlos Reygadas, 2007); BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947); EUROPA (DK/FR/GG, Lars Von Trier, 1991); THREE COLORS: RED [TROIS COULEURS: ROUGE] (FR/SZ/PL, Krzysztof Kieslowski, 1994); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); CRIES AND WHISPERS [VISKNINGAR OCH ROP] (SW, Ingmar Bergman, 1972)
Summary: Cinema and Colour: The Saturated Image is a major new critical study of the use of colour in cinema. Using the dialectic of colour and monochrome as a starting point, Paul Coates explores the symbolic meanings that colour bears in different cultures, and engages with a range of critical approaches to filmic colour, building on the work of such theorists as Sergei Eisenstein, Rudolf Arnheim and Stanley Cavell. Coates also provides close analyses of films by directors such as Antonioni, Bergman, Godard, Hitchcock, Hou Hsiao-Hsien, Sirk, Kieslowski, Tarkovsky, Von Trier and Zhang Yimou. Coates' focus is on films that deliberately exploit the rich multiplicity of cultural meanings and associations ascribed to colour, including All That Heaven Allows, Deux ou trois choses que je sais d'elle, The Double Life of Véronique, The Flight of the Red Balloon, Red Desert, Schindler's List, Silent Light, Solaris, The Three Colours Trilogy and The Wizard of Oz. [Taken from publishers website]
Notes: Includes bibliographical references and index
ISBN: 9781844573141
Contents: Vertigo and yellow -- Guillermo del Toro and the dialectics of yellow and green -- Grief and green: Solaris, I lvira Madigan -- Natural camouflage: Joseph Losey's The Boy With Green Hair -- Green unseen: the poetics of absence in The Flight of the Red Ballon -- From yellow to green (via black): The Double Life of Veronique -- From yellow to blue: three Colours: Blue -- The desert and the beach: Deleuze, Antonioni, Zhang Ke Jia -- The painter's primaries and totality: le Mepris -- le Mepris 2: the triumph of blue -- Blue angel, blue devil: Goya in Bordeaux -- Trapped in blue: la Religieuse -- C. TOUR/OF FOUR D'AMRIQUE -- 6. Melos, Drama, Melodrama: From Demy to Sirk to Antonioni -- Introduction -- Singin' and dancin'? in the rain: Les Parapluies de Cherbourg and Singin' in the Rain -- Coupling and uncoupling colours: Une femme est une femme -- Totally? Tenderly? Tragically?: An American in Paris, Le Mepris and Moulin Rouge (with a postscript on The Golden Coach) -- A note on melodrama and modernism -- Melodrama, realism and All That Heaven Allows -- Modernist melodrama? The Oberwald Mystery

Call No: 71(93) CIN
Source: UK
Place: London
Publisher: Wallflower
PubDate: 2007
PhysDes: xiii, 259 p. : ill. ; 24 cm.
Series: 24 Frames
Subject: AUSTRALIA; NEW ZEALAND; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953); BACK OF BEYOND, THE (AT, John Heyer, 1954); JEDDA (AT, Charles Chauvel, 1955); FREE RADICALS (NZ, Len Lye, 1958); RUNAWAY (NZ, John O'Shea, 1964); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ONE NIGHT THE MOON (AT, Rachel Perkins, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); VIGIL (NZ, Vincent Ward, 1984); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984); PIANO, THE (AT, Jane Campion, 1993); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); AFTER MABO (AT, Richard Frankland, 1997); CHOPPER (AT, Andrew Dominik, 2000); GODDESS OF 1967, THE (AT, Clara Law, 2000); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001)
Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood.
Notes: Includes filmography. Includes bibliography and index.
ISBN: 9781904764960

Call No: 81RAY DAS
Author: Das Gupta, Chidananda
Edition: rev. and enl. ed.
Place: New Delhi
Publisher: National Book Trust, India
PubDate: 1994
PhysDes: xv, 204 p., [48] p. of plates : ill. ; 24 cm
Subject: Ray, Satyajit; PATHER PANCHALI (II, Satyajit Ray, 1955); APARAJITO (II, Satyajit Ray, 1957); PARASH PATHAR (II, Satyajit Ray, 1958); JALSAGHAR (II, Satyajit Ray, 1958); APUR SANSAR (II, Satyajit Ray, 1958); DEVI (II, Satyajit Ray, 1960); TEEN KANYA (II, Satyajit Ray, 1961); RABINDRANATH TAGORE (ii, Satyajit Ray, 1961); KANCHENJUNGHA (II, Satyajit Ray, 1962); ABHIJAN (II, Satyajit Ray, 1962); MAHANAGAR (II, Satyajit Ray, 1963); CHARULATA (II, Satyajit Ray, 1964); TWO (II, Satyajit Ray, 1964); KAPURAUSH O MAHAPURUSH (II, Satyajit Ray, 1965); NAYAK (II, Satyajit Ray, 1966); CHIRIAKHANA (II, Satyajit Ray, 1967); GOOPY GYNE BAGHA BYNE (II, Satyajit Ray, 1968); ARANYER DIN RATRI (II, Satyajit Ray, 1970); PRATIDWANDI (II, Satyajit Ray, 1971); SEEMABADDHA (II, Satyajit Ray, 1971); JANA ARANYA (II, Satyajit Ray, 1975); SHATRANJ KE KHILARI (II, Satyajit Ray, 1977); JOI BABA FELUNATH (II, Satyajit Ray, 1978); HOME AND THE WORLD, THE [; SHAKHA PROSHAKHA (II/FR, Satyajit Ray, 1990); AGANTUK (II, Satyajit Ray, 1991); INNER EYE, THE (II, Satyajit Ray, 1972); ASANI SANKET (II, Satyajit Ray, 1973); SONAR KELLA (II, Satyajit Ray, 1975); BALA (II, Satyajit Ray, 1976); JOI BABA FELUNATH (II, Satyajit Ray, 1978); HIRAK RAJAR DESHE (II, Satyajit Ray, 1980); PIKOO (II, Satyajit Ray, 1980); SADGATI (II, Satyajit Ray, 1981); SUKUMAR RAY (II, Satyajit Ray, 1988); GANASHATRU (II, Satyajit Ray, 1989)
Notes: Includes bibliographical references (p. [201]-204)
ISBN: 8123707533
Donation: donated by the family of Wayne Levy, 2006

Call No: 220.1(-5) KEA
Author: Keane, Stephen
Source: US/UK
Place: New York; Basingstoke [England]
Publisher: Palgrave Macmillan
PubDate: 2007
PhysDes: viii, 181 pages ; 22 cm
Subject: TIMECODE (US, Mike Figgis, 2000); MY LITTLE EYE (UK/US/FR, Marc Evans, 2003); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); STAR WARS: EPISODE II - THE ATTACK OF THE CLONES (US, George Lucas, 2002); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); STAR WARS: EPISODE III - REVENGE OF THE SITH (US, George Lucas, 2005); SIN CITY (US, Frank Miller and Robert Rodriguez, 2005); RESIDENT EVIL (US, Paul W.S. Anderson, 2002); MATRIX, THE [...] (US, Larry Wachowski & Andy Wachowski, 1999-2003); FANS; TECHNOLOGICAL DEVELOPMENTS; INTERNET; CONVERGENCE
Summary: What does it mean to regard cinema as technology? How do special effects change our experience of contemporary film? How important is the Internet to the film industry and film fans? CineTech explores these debates and examines the important intersection between film and new media. Providing a comprehensive introduction to the digital practices used in film, this book moves from historical perspectives to up-to-date analysis. Applying these debates through specific case studies, examples are drawn from recent Hollywood blockbusters such as the Star Wars prequels and the Matrix trilogy. Case studies, exercises, and suggestions for further study make this an ideal resource for courses and student assignments in both film and media studies.
Notes: Includes bibliographical references (p. 162-176) and index.
ISBN: 9781403936943
Contents: 1. Screens -- 2. Digital film -- 3. Digital special effects -- 4. Films, fans and the Internet -- 5. Films and videogames -- 6. Entering the matrix -- Conclusion.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [FIVE TIMES TWO] 5 X 2 [CINQ FOIS DEUX] (FR, Francois Ozon, 2004); [FIVE TIMES TWO] 5 X 2 [CINQ FOIS DEUX] (FR, Francois Ozon, 2004)

PhysDes: Article
Subject: CIRCLE OF TWO (US, Jules Dassin, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CITY WITH TWO VOICES, A (AT, Daniel Jameison, 2012)

Call No: 81EAS THO
Author: Thompson, Douglas
Source: UK
Place: London
Publisher: Warner
PubDate: 1993
PhysDes: vii, 231 p., [8]p of plates : ill., ports ; 18cm
Subject: ACTORS. USA; ACTORS AS DIRECTORS; DIRECTORS. USA; WARNER BROS.; BOGART, HUMPHREY; BURTON, RICHARD; EASTWOOD, CLINT; COOPER, GARY; HOLDEN, WILLIAM; LOCKE, SONDRA; NEWMAN, PAUL; REYNOLDS, BURT; SIEGEL, DON; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); BEGUILED, THE (US, Don Siegel, 1971); BIRD (US, Clint Eastwood, 1988); BREEZY (US, Clint Eastwood, 1973); BRONCO BILLY (US, Clint Eastwood, 1980); CITY HEAT (US, Richard Benjamin, 1984); DIRTY HARRY (US, Don Siegel, 1971); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); HONKYTONK MAN (US, Clint Eastwood, 1982); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PINK CADILLAC (US Buddy van Horn, 1989); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); WHERE EAGLES DARE (US, Brian G. Hutton, 1969)
Notes: First published London : Smith Graphon, 1992; Filmography: p 215-224.; Includes index.
ISBN: 0751503878
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: COLOUR OUT OF SPACE (MY/PO/US, Richard Stanley, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity; Stills
Subject: COME OUT FIGHTING (AT, Nigel Buesst, 1973)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 15 photographs : b&w ; 8 x 10 cm - 25 x 19 cm
Subject: KARPANEY, MICHAEL; COME OUT FIGHTING (AT, Nigel Buesst, 1973)
Summary: Fifteen black and white photographs relating to the film Come out fighting
Notes: Contains multiple duplicates

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMING BACK OUT BALL MOVIE, THE (AT, Sue Thomson, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMING OUT (GE, Heiner Carow, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMING OUT UNDER FIRE (US, Arthur Dong, 1994)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: COMING TWO AMERICA (US, Craig Brewer, 2021)

Call No: 761 COM
Source: US
Place: Malden, MA
Publisher: John Wiley and Sons
PubDate: 2015
PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS; ENVIRONMENTAL ISSUES IN FILMS; SEA IN FILMS; IMMIGRATION IN FILMS AND TELEVISION; WORKERS IN FILMS; YUGOSLAVIA; SEX IN FILMS; WOMEN MAKE MOVIES [organisation]; DISEASES IN FILMS; SCIENCE AND THE CINEMA; SCIENCE IN FILMS; AIDS ON TV. SOUTH AFRICA; RELIGION AND THE CINEMA; WAR FILMS; BAL, MIEKE; ZILNIK, ZELIMIR; TRAN VAN THUY; FAROCKI, HARUN; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006); CRUDE (US, Joe Berlinger, 2009); H [TWO] 2 OIL (CN, Shannon Walsh, 2009); PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006); INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010); OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003); OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007); OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009); INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006); SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010); CONTAINED MOBILITY (SZ, Ursula Biemann, 2004); SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009); GHOSTS (UK, Nick Broomfield, 2006); LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007); TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008); WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996); H [TWO] 2 WORKER (US, Stephanie Black, 1990); LIFE AND DEBT (US, Stephanie Black, 2001); MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006); DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004); WHY CYBRACEROS? (US,Alex Rivera, 1997); WHY BRACEROS? (US, 1959); VALLEY CENTRO, EL (US, James Benning, 1999); LOS (US, James Benning, 2001); DOUBLE TIDE (US/AU, Sharon Lockhart, 2009); GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000); GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002); WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005); OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009); LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000); TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002); SCARLET ROAD (AT, Catherine Scott, 2011); PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); AFRICA RISING (US, Paula Heredia, 2009); SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001); PARIS IS BURNING (US, Jennie Livingston, 1990); WILDNESS (US, Wu Tsang, 2012); INNER LIFE OF THE CELL (US, XVIVO, 2006); BEAT IT! [TV] (SA, 2001); MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011); GEVALD (IS, Netalie Braun, 2009); BLACK BUS (IS, Anat Zuria, 2010); REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009); STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987); NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969); IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988); SERIOUS GAMES [series] (GG, Harun Farocki, 2009); I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002); MIRACULOUS BEGINNINGS (LE, Walid Raad); SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995); DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010); [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010); ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009); DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011); SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994); OPERATION ATROPOS (CL, Coco Fusco, 2005); ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006); TAXI TO THE DARK SIDE (US, Alex Gibney, 2007); BRIDGE, THE (UK/US, Eric Steel, 2006)
Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.
ISBN: 9780470671641
Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath -- Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.

Call No: 81WONG COM
Source: US
Place: Chichester, West Sussex ; Malden, MA
Publisher: Wiley-Blackwell
PubDate: 2016
PhysDes: xvi, 627 pages : illustrations ; 25 cm
Series: Wiley Blackwell Companions to Film Directors
Subject: CITY OF SADNESS, A [; WONG KAR WAI; AS TEARS GO BY (HK, Wong Kar-Wai, 1989); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); ASHES OF TIME REDUX (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); EROS (US/IT/HK/FR/LU/UK, Michelangelo Antonioni / Steven Soderbergh / Wong Kar-Wai, 2004); FALLEN ANGELS [DUOLUO TIANSHI] (HK, Wong Kar-Wai, 1995); GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013); HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); MY BLUEBERRY NIGHTS (HK/C/FR, Wong Kar-Wai, 2007); [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004)
Summary: Contains 26 essays addressing numerous topics including intertextuality, transnationality, gender representation, repetition, the use of music, color, and sound, depiction of time and space in human affairs, and Wong's portrayal of violence
Notes: Includes bibliographical references (pages 586-599) and index. Filmography: pages 558-561
ISBN: 9781118424247
Donation: donated by Senses of Cinema
Contents: (from table of contents) Part One. Introduction. Wong Kar-wai: Invoking the universal and the local / Martha P. Nochimson -- Part two. Mapping Wong's liminality. 1. Transnational Wong / Ken Provencher -- 2. It is a restless moment: Wong Kar-wai and the phenomenology of flow / Joseph G. Kickasola -- 3. Wong Kar-wai and his jiang hu / Be´re´nice Reynaud -- Part three. Thresholds of texture and mood. 4. Wong Kar-wai's cinema of repetition / Ackbar Abbas -- 5. Wong Kar-wai: The optics of the virtual / Angelo Restivo -- 6. Color design in the cinema of Wong Kar-wai / Shohini Chaudhuri -- 7. The value of re-exports: Wong Kar-wai's use of pre-existing soundtracks / Giorgio Biancorosso -- Part four. In the corridors of history and culture. 8. Wong's ladies from Shanghai / Gina Marchetti -- 9. The Sinophone cinema of Wong Kar-wai / Audrey Yue -- 10. New queer angles on Wong Kar-wai / Helen Hok-Sze Leung -- 11. "Pity about the furniture": Violence, Wong Kar-wai style / Karen Fang -- 12. In the mood for food: Wong Kar-wai's culinary imaginary / Mike Ingham and Matthew Kwok-kin Fung -- 13. "Chungking Express", Tarantino, and the making of a reputation / David Desser -- Part five. Close-up of Wong's inflections of time and space. "Chungking Express": Slow - images - ahead / Raymond Bellour ; translated by Allyn Hardyck -- 15. Wong Kar-wai: The actor, framed / Joe McElhaney -- 16. Infidelity and the obscure object of history / Vivian P.Y. Lee -- 17. Metonymy, mneme, and anamnesis in Wong Kar-wai / Thorsten Botz-Bornstein -- Part six. Focus on individual films. 18. Serial, sequelae, and postcolonial nostalgia: Wong Kar-wai's 1960s Hong Kong trilogy / Yiman Wang -- 19. We can't go on not meeting like this: "Fallen angels" and Wong's intertextuality / Martha P. Nochimson -- 20. The third reality: "In the mood for love" / Michel Chion ; translated by Claudia Gorbman -- 21. Cinephiliac engagement and the disengaged gaze in "In the mood for love" / Yomi Braester -- 22. Wong's America, North and South: "My blueberry nights" and "Happy together" / Ken Provencher -- 23. Queer utopias in Wong Kar-wai's "Happy together" / Carlos Rojas -- 24. Wong Kar-wai's genre practice and romantic authorship: The cases of "Ashes of time redux" and "The grandmaster" / Stephen Teo -- 25. Wong Kar-wai, auteur and adaptor: "Ashes of time" and "In the mood for love" / Wai-ping Yau -- Filmography -- Appendix I. Wong works in television / Chih-ting Chen -- Appendix II. Wong works in advertising / Chih-ting Chen -- Selected bibliography -- Index

Call No: 81FOR CAR
Author: Carey, Harry Jr.
Source: US/UK
Place: Metuchen, NJ
Publisher: Scarecrow Press, Inc
PubDate: 1994
PhysDes: 218 p. : 23cm
Series: Filmmakers no.42
Subject: WESTERNS; FILMMAKING; INDUSTRY, FILM; INDUSTRY, FILM. USA; FORD, JOHN; CAREY, HARRY JR.; SHE WORE A YELLOW RIBBON (US, John Ford, 1949); WAGON MASTER (US, John Ford, 1950); RIO GRANDE (US, John Ford, 1950); LONG GRAY LINE, THE (US, John Ford, 1954); SEARCHERS, THE (US, John Ford, 1956); TWO RODE TOGETHER (US, John Ford, 1961); CHEYENNE AUTUMN (US, John Ford, 1964); [THREE] 3 GODFATHERS (US, John Ford, 1948); [MISTER] MR ROBERTS (US, John Ford & Mervyn Le Roy, 1955)
Summary: "When Harry Carey, Sr. died in 1947, director John Ford cast Carey's 26 year-old son, Harry Jr. in the role of The Abilene Kid in 3 Godfathers. Ford and the elder Carey had filmed an earlier version of the story, and Ford dedicated the Technicolor remake to his memory. Company of heroes is the story of the making of that film, as well as the eight subsequent Ford classics. In it, Harry Carey, Jr. casts a remarkably observant eye on the process of filming Westerns by one of the true masters of the form. " -- BOOK JACKET
ISBN: 0810828650
Contents: -- in the beginning-- 3 Godfathers -- Myself When Young With Cowboys and Navajos -- She Wore a Yellow Ribbon -- Paul Fix, the OSS, and Merry Christmas -- Wagonmaster -- Rio Grande -- The Long Gray Line -- Mister Roberts -- The Searchers -- Two Rode Together -- Cheyenne Autumn -- So Long, But Not Good-bye -- Harry Carey, Jr.'s Appearances in John Ford Films -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COP OUT (US, Kevin Smith, 2010)

Call No: TITLE CLIPPINGS FILE; PETS MAKE YOU LAUGH OUT LOUD [TV] (2015-)
Author: Idato, Michael
PhysDes: Clippings File Article
Subject: PETS MAKE YOU LAUGH OUT LOUD [TV] (2015-)
Summary: Review

Call No: 722-053.2(94) POT
Author: Potter, Anna
Edition: 2015
Place: Bristol ; Chicago
Publisher: Intellect
PubDate: 2015
PhysDes: xii, 200 pages : illustrations ; 24 cm
Subject: CHILDREN, PROGRAMMES FOR. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; ADVENTURES OF FIGARO PHO, THE [TV] (AT, 2012); AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION; BRITISH BROADCASTING CORPORATION; IRWIN, BINDI; DANCE ACADEMY [TV] (AT, 2010); DISNEY CHANNEL; GURLS WURLD, A [TV](AT/G/SI, 2011); H [TWO OH] 2O [TV] (AT, 2006-); HIGH SCHOOL MUSICAL (US, Kenny Ortega, 2007); MAKO MERMAIDS [MAKO:ISLAND OF SECRETS] [TV] (AT, 2013- ); MY PLACE [TV] (AT, Kim Daiton, 2009); SCREEN AUSTRALIA
Summary: Since the late 1970s, Australia has nurtured a creative and resilient children’s television production sector with a global reputation for excellence. Providing a systematic analysis of the creative, economic, regulatory and technological factors that shape the production of contemporary Australian children’s television for digital regimes, Creativity, Culture and Commerce charts the complex new settlements in children’s television that developed from 2001 to 2014 and describes the challenges inherent in producing culturally specific screen content for global markets. It also calls for new public debate around the provision of high-quality screen content for children, arguing that the creation of public value must sit at the centre of these discussions. -- publisher's web site
ISBN: 9781783204410
Contents: Introduction -- Chapter 1: Understanding Children’s Television During the Digital Transition -- Chapter 2: Shaping the Foundations: Establishing an Australian Children’s Television Production Industry -- Chapter 3: A Very Special Audience: Children and Television -- Chapter 4: The National Context: Australian Broadcasters, Children’s Television and Public Value -- Chapter 5: It’s a Small World After All: The Internationalization of Australian Children’s Television -- Chapter 6: Policing the Settlement: Policy and Public Value in Children’s Television -- Chapter 7: Producing Children’s Television for Digital Regimes: Case Studies from the Production Sector -- Chapter 8: New Settlements in Children’s Television: Key Trends and Future Outlook -- References -- Index

Call No: 81MAN ALV
Author: Alvarez, Max
Source: US
Place: Jackson, Miss.
Publisher: University Press of Mississippi
PubDate: 2014
PhysDes: 324 pages ; 24 cm
Subject: CRIME FILMS; FILM NOIR; MANN, ANTHONY; [DOCTOR] DR BROADWAY (US, Anthony Mann, 1942); STRANGERS IN THE NIGHT (US, Anthony Mann, 1944); TWO O'CLOCK COURAGE (US, Anthony Mann, 1945); GREAT FLAMARION, THE (US, Anthony Mann, 1945); STRANGE IMPERSONATION (US, Anthony Mann, 1946); DESPERATE (US, Anthony Mann, 1947); RAILROADED! (US, Anthony Mann, 1947); T-MEN (US, Anthony Mann, 1947); RAW DEAL (US, Anthony Mann, 1948); HE WALKED BY NIGHT (US, Alfred L. Werker and Anthony Mann, 1948); FOLLOW ME QUIETLY (US, Richard Fleischer, 1949); BORDER INCIDENT (US, Anthony Mann, 1949); SIDE STREET (US, Anthony Mann, 1950); TALL TARGET, THE (US, Anthony Mann, 1951)
Summary: "Anthony Mann (1906-1967) is renowned for his outstanding 1950s westerns starring James Stewart (Winchester '73, The Naked Spur, The Man from Laramie). But there is more to Mann's cinematic universe than those tough Wild West action dramas featuring conflicted and secretive heroes. This brilliant Hollywood craftsman also directed fourteen electrifying crime thrillers between 1942 and 1951, among them such towering achievements in film noir as T-Men, Raw Deal, and Side Street. Mann was as much at home filming dark urban alleys in black-and-white as he was the prairies and mountains in Technicolor, and his protagonists were no less conflicted and secretive than his 1950s cowboys.In these Mann crime thrillers we find powerful stories of sexual obsession (The Great Flamarion), the transforming images of women in wartime and postwar America (Strangers in the Night, Strange Impersonation), exploitation of Mexican immigrants (Border Incident), studies of the criminal mind (He Walked by Night), and Civil War bigotry (The Tall Target). Mann's forceful camera captured such memorable and diverse stars as Erich von Stroheim, Farley Granger, Dennis O'Keefe, Claire Trevor, Richard Basehart, Ricardo Montalba´n, Ruby Dee, and Raymond Burr.The Crime Films of Anthony Mann features analysis of rare documents, screenplays, story treatments, and studio memoranda and reveals detailed behind-the-scenes information on preproduction and production on the Mann thrillers. Author Max Alvarez uses rare and newly available sources to explore the creation of these noir masterworks. Along the way, the book exposes secrets and solves mysteries surrounding the mercurial director and his remarkable career, which also included Broadway and early live television"-- LIBRARIES AUSTRALIA
Notes: Includes bibliographical references, filmography and index
ISBN: 9781617039249
Contents: -- introduction -- 1: From Lomaland to Broadway -- 2: From Broadway to Hollywood -- 3: Dr. Broadway (1942) -- 4: Strangers in the Night (1944) -- 5: Two O'Clock Courage (1945) -- 6: The Great Flamarion (1945) -- 7: Strange Impersonation (1946) -- 8: Desperate (1947) -- 9:Railroaded! (1947) -- 10: T-Men (1947) -- 11: Raw Deal (1948) -- 12: He Walked By Night (1948) -- 13: Follow Me Quietly (1949) -- 14: Border Incident (1949) -- 15: Side Street (1950) -- 16: The Tall Target (1951) -- 17: The Lost Noir of Anthony Mann -- postscript -- acknowledgments -- Anthony Mann crime filmography -- notes -- archival sources -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: D [TWO] 2: THE MIGHTY DUCKS (US, Sam Weisman, 1994)
ID2: 165

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEAD MAN WALKING [DEAD MAN OUT] (UK/US, Richard Pearce, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills
Subject: DEAD MAN WALKING [DEAD MAN OUT] (UK/US, Richard Pearce, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO IS A FAMILY [DEMAIN TOUT COMMENCE] (FR/ UK, Hugo Gélin, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TWO] 2 AUTUMNS, 3 WINTERS [2 AUTOMNES, 3 HIVERS] (FR, Sebastien Betbeder, 2013); [TWO] 2 AUTUMNS, 3 WINTERS [2 AUTOMNES, 3 HIVERS] (FR, Sebastien Betbeder, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [TWO] 2 DADS AND ONE MOM [2 PAPAS ET LA MAMAN, LES] (FR, Jean-Marc Longval, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971)

Call No: TITLE CLIPPING FILE
Subject: TWO MEN IN MANHATTAN [DEUX HOMMES DANS MANHATTAN] (FR, Jean-Pierre Melville, 1959)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: TWO DAYS ONE NIGHT [DEUX JOURS, UNE NUIT ] (BE/FR/IT, Jean-Pierre Dardenne, Luc Dardenne, 2014)
Cross Reference: TWO DAYS ONE NIGHT [DEUX JOURS, UNE NUIT ]
ID2: 368

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
Subject: [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967)

PhysDes: Article
Subject: DEVIL RIDES OUT, THE (UK, Terence Fisher, 1968)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEVIL RIDES OUT, THE (UK, Terence Fisher, 1968)

Call No: 753DIC ZAM
Author: Zambrano, A. L
Place: New York
Publisher: Gordon Press
PubDate: 1976
PhysDes: 442 pages : illustrations ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. DICKENS, CHARLES; LITERATURE AND THE CINEMA; MUSICALS; SURREALISM AND THE CINEMA; THEATRE AND THE CINEMA; GRIFFITH, DAVID WARK; EISENSTEIN, SERGEI M.; DAVID COPPERFIELD (US, George Cukor, 1935); GREAT EXPECTATIONS (UK, David Lean, 1946); GREAT EXPECTATIONS (UK, Joseph Hardy, 1975); OLIVER TWIST (UK, David Lean, 1948); SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951); SCROOGE (UK, Ronald Neame, 1970); TALE OF TWO CITIES, A (US, Jack Conway, 1935)
Summary: This book discusses the works of Charles Dickens that has been adapted into film up until the mid 1970s. It discusses Dickens's relationship to the theatre (cinema's closest ancestor), the Victorian values of Dickens's work, the cinematic elements of Dickens's writing, and modern filmic adaptations of his work.
Notes: Includes filmography -- collection's copy is fragile, handle with care
ISBN: 0879684569
LON: 76016479; 174074

Call No: 737(5-012) DIV
Source: US
Place: Honolulu
Publisher: University of Hawai'i Press
PubDate: 2016
PhysDes: viii, 331 pages : illustrations ; 24 cm
Subject: WAR AND THE CINEMA; WAR FILMS; WORLD WAR II AND THE CINEMA; WORLD WAR II FILMS; WORLD WAR II FILMS. JAPAN; WORLD WAR II FILMS. USA; WORLD WAR II FILMS. CHINA; KOREAN WAR FILMS; SECOND SINO-JAPANESE WAR FILMS; TAIWAN; MANGA; VIDEO GAMES; COMPUTER GAMES; NATIONALISM AND THE CINEMA; ETHNIC GROUPS IN FILMS; [TWO THOUSAND AND NINE] 2009: LOST MEMORIES [2009 IOSEUTEU MAEMORIJEU] (KO, Si-myung Lee, 2002); BAMBOO HOUSE OF DOLLS [NU JIZHONGYING] (HK, Kuei Chih-Hung, 1973); CHILDREN OF HUANG SHI, THE (AT/CC/GE, Roger Spottiswoode, 2007); FRIENDS (JP/KO, 2002); SCARLET ROSE: THE GODDESSES OF JINLING [XUESE MEIGUI: JINLING NUSHEN] [TV](CC, Yu Liqing, 2007)
Summary: Exploring how the years of 1931-1953 have been recreated and negotiated in cinema. This period saw conflicts such as the Sino-Japanese War, the Pacific War, and the Korean War and events such as the Rape of Nanjing, Pearl harbor, the Battle of Iwo Jima, and the bomibings of Hiroshina and Nagasaki. The films relating to the experiences of the countries China, Japan, Taiwan, Korea, and other Far East countries, as well as the United States of America are examined. - partially taken from cover
Notes: Formerly CIP. -- Includes bibliographical references (pages 291-305), filmography, television and video game lists (pages 281-290) and index
ISBN: 9780824851514
Donation: donated by Senses of Cinema
Contents: Acknowledgments -- Introduction: Divided Lenses / Michael Berry -- Part I : screen histories of war in East Asia -- War, history, and remembrance in Chinese cinema / Yingjin Zhang -- Of female spies and national heroes : a brief history of anti-Japanese films in Taiwan from the 1950s to the 1970s / Wenchi Lin -- The "division blockbuster" in South Korea: the evolution of cinematic representations of war and division / Hyangjin Lee -- Under the flag of the rising sun: imagining and reimagining the Pacific war in the Japanese cinema / David Desser -- Japanese manga and anime on the Asia-Pacific war experience / Kyu Hyun Kim -- Continuity and change in Hollywood's representations of American-Asian relations in war and peace / Robert Brent Toplin -- Part II : reading war trauma -- Oscillating histories : representations of comfort women from Bamboo House of Dolls to Imperial Comfort Women / Lily Wong -- Shooting the enemy : photographic attachment in The Children of Huang Shi and Scarlet Rose / Michael Berry -- War and nationalism in recent Japanese cinema : Yamato, trauma, and forgetting the postwar / Aaron Gerow -- The promise and limits of "pop culture diplomacy" in East Asia : contexts-texts-reception / Chiho Sawada -- History and its alternatives : war games as social form / Eric Hayot

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: [DOCTOR] DR STRANGE TWO (US, Sam Raimi, 2022)

Author: May, Anthony
PhysDes: Article
Subject: TWO ROADS TO HELIDON (AT, Anthony Mullins & Kris Kneen, 2000?)
Summary: Discussion of the ethnographic filmmaking style of a documentary about the religious community Magnificat Meal Movement for SBS's Space Stories series.

PhysDes: Article
Subject: DOWN AND OUT IN BEVERLY HILLS (US, Paul Mazursky, 1985)
Summary: Numerous Reviews

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOLED OUT (AT, John Whiteron, 1978)

Call No: TITLE CLIPPINGS FILE; I'M A CELEBRITY..GET ME OUT OF HERE [TV](AT, 2015 - )
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: I'M A CELEBRITY, GET ME OUT OF HERE [TV] (AT, 2015-)
Summary: Review of the 2017 series of I'M A CELEBRITY...GET ME OUT OF HERE!

Author: Shirley, Graham
PhysDes: Article
Subject: TRUMBULL, DOUGLAS; SPECIAL EFFECTS; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Summary: Interview with photographic effects expert Douglas Trumbull. Special attention is payed to his special effects work on 2001: A SPACE ODYSSEY.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOWN AND OUT IN BEVERLY HILLS (US, Paul Mazursky, 1985)

Call No: TITLE CLIPPINGS FILE; TWO DAYS, ONE NIGHT (BE/FR/IT, Jean- Pierre Dardenne & Luc Dardenne, 2014)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: TWO DAYS, ONE NIGHT (BE/FR/IT, Jean- Pierre Dardenne & Luc Dardenne, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO FRIENDS [DUE AMICI] (IT, Spiro Scimone/Francesco Sframeli, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO EVIL EYES [DUE OCCHI DIABOLICI] (IT, George A. Romero and Dario Argento, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DUYEOJA IYAGI (KO, Lee Jung-Cook, 1994); STORY OF TWO WOMEN, THE (KO, Lee Jung-Cook, 1994)

Call No: TITLE CLIPPINGS FILE
Subject: TWO MEN BEG TO REPORT [DVA MUZI HLASI PRICHOD] (CS, Vaclav Vorlicek, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO MEN BEG TO REPORT [DVA MUZI HLASI PRICHOD] (CS, Vaclav Vorlicek, 1975)

Call No: TITLE CLIPPINGS FILE
Subject: TWO OF THEM, THE [DWOJE] (PL, Piotr Szpakowicz, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO OF THEM, THE [DWOJE] (PL, Piotr Szpakowicz, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: EATING YOUR HEART OUT (AT, Chris Warner, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [EIGHT] 8 MEN OUT (US, John Sayles, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: EMPLOI DU TEMPS, L' (FR, Laurence Cantet, 2001); TIME OUT (FR, Laurence Cantet, 2001)
ID2: 172

Author: Rattigan, Neil
PhysDes: Article; Illustration(s)
Subject: RACIAL ISSUES AND THE CINEMA; AUSTRALIA; MOVING OUT (AT, Michael Pattison, 1982); STRICTLY BALLROOM (AT, Baz Luhrmann, 1992); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993)
Summary: Examines how Australian cinema has represented immigrants by looking at specific films.

Call No: 81GOD BRO
Author: Brody, Richard
Edition: 1st Paperback edition
Source: US
Place: New York
Publisher: Metropolitan Books / Henry Holt and Company
PubDate: 2009
PhysDes: xv, 701 p. : ill. ; 24 cm
Subject: CRITICISM; GODARD, JEAN-LUC; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963); WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961); FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CONTEMPT (FR/IT, Jean-Luc Godrad, 1963) SEE MEPRIS, LE; CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963); MARRIED WOMAN, THE (FR, Jean-Luc Godard, 1964) SEE FEMME MARIEE, UNE; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); ALPHAVILLE (FR, Jean-Luc Godard, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); MASCULINE FEMININE (FR, Jean-Luc Godard, 1966); TWO OR THREE THINGS I KNOW ABOUT HER (FR, Jean-Luc Godard, 1967) SEE [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985) SEE JE VOUS SALUE MARIE; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); DETECTIVE (FR, Jean-Luc Godard, 1985); SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987); KING LEAR (US/SZ, Jean-Luc Godard, 1987); HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990); GERMANY YEAR 90 (FR, Jean-Luc Godard, 1991) SEE ALLEMAGNE NEUF ZERO; ALLEMAGNE NEUF ZERO (FR, Jean-Luc Godard, 1991); HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983); FOR EVER MOZART (SZ/FR, Jean-Luc Godard, 1996); ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001)
Summary: "Shifting fluidly from fiction to documentary, from criticism to art, the films of Jean-Luc Godard changed the nature of cinema. Godard's own persona - cultural hero, fierce loner, shrewd businessman - projects similarly shifting images. In the modern canon, he is a figure as mysterious as he is indispensible. Now, acclaimed critic Richard Brody offers the fullest picture yet of Godard's life and work, demsytifying the elusive filmmaker through hundreds of interviews with friends, relatives, and collaborators. He vividly depicts Godard's wealthy family, his changeable and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women. Tracing an arc from the director's early writing, through his popular success with Breathless and Contempt, to the grand vision of his later years, Everything Is Cinema shows decisively that Godard's films have left their mark on all screens, everywhere. -- BOOK BLURB
Notes: "NBCC Award. Criticism. Nominees" -- Awards website; Includes bibliographical references (p. [635]-675) and index; We have a duplicate copy of this book
ISBN: 9780805080155
Contents: -- preface -- 1: We do not think, we are thought -- 2: A matter of loving or dying -- 3: Breathless -- 4: Le petit soldat -- 5: A woman is a woman -- 6: Vivre sa vie, le nouveau monde, les carabiniers -- 7: Contempt -- 8: Montparnasse et levallois, band of outsiders -- 9: A married woman -- 10: The American business -- 11: Alphaville -- 12: Pierrot le fou -- 13: Masculine feminine -- 14: Made in USA, two or three things I know about her -- 15: La chinoise, weekend -- 16: Revolution (1968-1972) -- 17: Restoration (1973-1977) -- 18: France tour de´tour deux enfants, et al., 1978-1979 -- 19: Sauve qui peut (la vie) -- 20: Passion and first name: Carmen -- 21: Hail Mary -- 22: Detective and soigne ta droite -- 23: King Lear -- 24: Histoire(s) du cine´ma, part I -- 25: Nouvelle vague -- 26: Germany year 90 nine zero -- 27: He´las pour moi, JLG/JLG, histoire(s) du cine´ma, parts 2 and 3 -- 28: For ever Mozart, histoire(s) du cine´ma, part 4 -- 29: Eloge de l'amour -- 30: Notre musique -- epilogue -- acknowledgments -- notes -- index --

Call No: TITLE CLIPPINGS FILE; TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS (US, Dave Green, 2016)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS (US, Dave Green, 2016)
Summary: Review of the film TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FAR OUT MAN (US, Thomas Chong, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: FAST, CHEAP AND OUT OF CONTROL (US, Errol Morris, 1996)

Call No: TITLE CLIPPINGS FILE; SPONGEBOB MOVIE, THE: SPONGE OUT OF WATER (US/II/CN/AT, Paul Tibbitt, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: SPONGEBOB MOVIE, THE: SPONGE OUT OF WATER (US/II/CN/AT, Paul Tibbitt, 2015)
Summary: Film review of The Spongebob Movie
Rating: 3.5 out of 5 stars

Call No: 675.1 FAV
Place: New York
Publisher: Macmillan Publishing Co., Inc.
PubDate: 1973
PhysDes: 301 p. ; 25 cm.
Subject: CRITICISM; CRITICS; ANTONIONI, MICHELANGELO; [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963); SEARCHERS, THE (US, John Ford, 1956); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); LAWRENCE OF ARABIA (UK, David Lean, 1962); THIRD MAN, THE (UK, Carol Reed, 1949); REGLE DU JEU, LA (FR, Jean Renoir, 1939); FRENCH CANCAN (FR/IT, Jean Renoir, 1955); CASABLANCA (US, Michael Curtiz, 1942); FILM PORTAIT (US, Jerome Hill, 1972); MADAME DE... (FR, Max Ophuls, 1953); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); GONE WITH THE WIND (US, Victor Fleming, 1939); TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953); PSYCHO (US, Alfred Hitchcock, 1960); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); HATARI! (US, Howard Hawks, 1961); DOCKS OF NEW YORK, THE (US, Josef von Sternberg, 1928)
Summary: Twenty-seven film critics respond to the question of what are their favorite films, and also write about their experiences in their profession.
Notes: Includes index.
Contents: -- My favorite movies / Dwight Macdonald -- Favorite directors / Peter Bogdanovich -- On The Searchers / Jay Cocks -- The private world of Fahrenheit 451 / Josheph McBride -- On not playing favorites / John Simon -- Ugetsu: a meditation on Mizoguchi / Andrew Sarris -- These are a few of my favorite things / William Pechter -- Lean and Lawrence: the alst adventurers / Stephen Farber -- Night World / David Denby -- The Rules Of The Game / Richard Roud -- French Cancan / Roger Greenspun -- Some nights in Casablanca / Richard Schickel -- A few notes on Jerome Hill's Film Portrait / Jonas Mekas -- Madame De: a musical passage / Molly Haskell -- My favorite movie - Madame De / Peter Harcourt -- The seaweed-gatherer / Robin Wood -- My adventure / Charles Thomas Samuels -- Antonioni: more from less / Richard Gilman -- "War!" said Scarlett. "Don't you men think about anything important?" / Ellen Willis -- Ask me know questions and I'll tell you... / Judith Crist -- Tokyo Story: the virtues of mannered simplicity / Francis X. J. Coleman -- Psycho therapy / Richard Carliss -- Looking backward at the film 2001 / Colin L. Westerbeck, Jr. -- The inevitable movie / Parker tyler -- TV favorites / Howard Thompson -- Auteurism, Hawks, Harari! and me / Stuart Byron -- Docks Of New York / Martin Rubin

Call No: TITLE CLIPPINGS FILE; SPIN OUT (AT, Tim Ferguson and Marc Gracie, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: SPIN OUT (AT, Tim Ferguson and Marc Gracie, 2016)
Summary: Review of the film SPIN OUT
Notes: similar article published in: Sydney Morning Herald, Title: B&S comedy plays it too safe, page 25, same date -- The Age, Title: Harmless ball games, page 27, same date
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FERRARI THREE ONE TWO B (IT, Ardrea Marini, 2017)
Notes: Simon import_04/07/19

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. AUSTRALIA. SHOOT OUT

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [FIFTY-TWO] 52 PICK-UP (US, John Frankenheimer, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [FIFTY-TWO] 52 TUESDAYS (AT, Sophie Hyde, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL CUT IN TWO, THE [FILLE COUPEE EN DEUX, LA] (FR/GG, Claude Chabrol, 2007)

Call No: 67(04) FIL
Author: Alpert, Hollis (ed); Sarris, Andrew (ed)
CorpAuthor: National Society of Film Critics (U.S.)
Place: Indianapolis [etc.]
Publisher: Bobbs-Merrill Co. [etc.]
PhysDes: 281 p. ; 22 cm
Subject: SECTION ANDERSON, LA (FR, Pierre Schoendoerffer, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); FOR LOVE OF IVY (US, Daniel Mann, 1968); BIRTHDAY PARTY, THE (UK, William Friedkin, 1968); BULLITT (US, Peter Yates, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CHARLIE BUBBLES (UK, Albert Finney, 1967); FACE OF WAR, A (US, Eugene S. Jones, 1968); MERCENARIES, THE (UK/US, Jack Cardiff, 1968); FACES (US, John Cassavetes, 1968); FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); VARGTIMMEN (SW, Ingmar Bergman, 1967); I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968); INSIDE NORTH VIETHAM (US, Felix Greene, 1967); JOANNA (UK, Michael Same, 1968); ODD COUPLE, THE (US, Gene Saks, 1968); OLIVER (UK, Carol Reed, 1968); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); PETULIA (US, Richard Lester, 1968); PRODUCERS, THE (US, Mel Brooks, 1967); RACHEL, RACHEL (US, Paul Newman, 1968); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); SKAMMEN (SW, Ingmar Bergman, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); TARGETS (US, Peter Bogdanovich, 1968); TELL ME LIES (UK/US, Peter Brook, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); UP TIGHT! (US, Jules Dassin, 1968); WEEK-END (FR/IT, Jean-Luc Godard, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968); TANTE ZITA (FR, Robert Enrico, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); STAR (US, Robert Wise, 1968)
Summary: Review of Films produced in the years 1968-69
Notes: Includes index
ISSN: 0071-4860 0015-1076
LON: 68019946; 894646
Contents: -- Shame / John Simon, Hollis Alpert, Wilfrid Sheed -- Weekend / Pauline Kael, Andrew Sarris -- Belle De Jour / Andrew Sarris -- Rosemary's Baby / Andrew Sarris -- 2001: A Space Odyssey / Penelope Gilliatt, Hollis Alpert, Joseph Morgenstern -- Planet Of The Apes / Philip T. Hartung -- La Chinoise / Pauline Kael, Andrew Sarris -- China Is Near / Pauline Kael, Andrew Sarris -- Up Tight / Stanley Kauffmann -- For Love Of Ivy And Dark Of The Sun / Philip T. Hartung -- The Charge Of The Light Brigade / Stanley Kauffmann, John Simon -- Les Carabiniers / Penelope Gilliatt -- A Face Of War / Richard Schickel -- Tell Me Lies, The Anderson Platoon, And Inside North Vietnam / Stanley Kauffmann -- The Green Berets / Penelope Gilliatt -- Petulia / Richard Schickel, Wilfrid Sheed -- The Thomas Crown Affair / Wilfrid Sheed, Stefan Kanfer -- Joanna / Hollis Alpert, Joseph Morgenstern -- Rachel, Rachel / Arthur Knight, Richard Schickel -- Zita / John Simon -- Faces / Andrew Sarris, Arthur Schlesinger, Jr. -- Hunger / Penelope Gilliatt -- Hour Of The Wolf / John Simon, Richard Schickel -- Charlie Bubbles / Andrew Sarris, Richard Schickel -- The Odd Couple And Others / Wilfrid Sheed -- The Producers / Arthur Schlesinger, Jr. -- I Love You, Alice B. Toklas / Arhur Knight -- Candy / Stefan Kanfer -- Barbarell / John Simon -- Yellow Submarine / Stanley Kauffmann, John Simon -- You Are What You Ear / Wilfrid Sheed -- Star! / Arthur Schlesinger, Jr. -- Finian's Rainbow / Arthur Knight -- Oliver! / Joseph Morgenstern -- The Bride Wore Black / Andrew Sarris -- Bullitt / Hollis Alpert -- Targets / Penelope Gilliatt -- Wild 90 / Hollis Alpert -- Beyond The Law / Stanley Kauffmann -- Will Penny / Arthur Knight -- Wild In The Streets / Joseph Morgenstern, Wilfrid Sheed -- Pretty Poison / Joseph Morgenstern -- First In His Pocket / Stanley Kauffmann -- Young Torless / Penelope Gilliatt -- Charly / Arthur Knight -- The Boston Strangler / Philip T. Hartung, Wilfrid Sheed -- No Way To Treat A Lady And Rod Steiger / Stefan Kanfer -- Warrendale / Joseph Morgenstern, Stanley Kauffmann -- The Fox / Pauline Kael -- The Lion In Winter / Philip T. Hartung, Arthur Schlesinger, Jr., John Simon -- Romeo And Juliet / Philip T. Hartung, John Simon -- The Killing Of Sister George / Harold Clurman -- The Birthday Party / Harold Clurman, Wilfrid Sheed, Hollis Alpert -- War And Peace / Philip T. Hartung, Stanley Kauffmann, Richard Schickel -- The Heart Is A Lonely Hunter / Richard Schickel -- The Fixer / Richard Schickel, Arthur Schlesinger, Jr. -- The Sea Gull / Arthur Schlesinger, Jr., John Simon -- The Graduate Makes Out / Hollis Alpert -- Burton And Taylor Must Go / Wilfrid Sheed -- The Student Movie-Makers / Stefan Kanfer -- The Late Show As History / Stefan Kanfer -- L'Affaire Langlois / Arthur Knight -- Oscar Wiles / Andrew Sarris

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1971
PhysDes: 319 p. ; 22 cm
Subject: WAR FILMS; REVOLUTION AND THE CINEMA; MUSIC AND THE CINEMA; POLITICS IN FILMS; ADAPTATIONS; MUSICALS; PORNOGRAPHY AND THE CINEMA; DISASTERS IN FILMS; BERGMAN, INGMAR; ANTONIONI, MICHELANGELO; Keaton, Buster; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); JOE (US, John G. Avildsen, 1970); LITTLE BIG MAN (US, Arthur Penn, 1970); HUSBANDS (US, John Cassavetes, 1970); PATTON (US, Franklin J. Schaffner, 1970); M*A*S*H (US, Robert Altman, 1969); CATCH 22 (US, Mike Nichols, 1970); SOLDIER BLUE (US, Ralph Nelson, 1970); MOLLY MAGUIRES, THE (US, Martin Ritt, 1969); BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970); ICE (US, Robert Kramer, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970); OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970); LOVE STORY (US, Arthur Hiller, 1970); QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970); WINTER WIND (HU, Miklos Jancso, 1969); SIROKKO (HU, Miklos Jancso, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); GREAT WHITE HOPE, THE (US, Martin Ritt, 1970); BOYS IN THE BAND, THE (US, William Friedkin, 1970); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); SCROOGE (UK, Ronald Neame, 1970); TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970); RYAN'S DAUGHTER (UK, David Lean, 1970); AIRPORT (US, George Seaton, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); ANGEL LEVINE, THE (US, Jan Kadar, 1970); CONFESSION, THE (FR/IT, Costa-Gavras, 1970); AVEU, L' (FR/IT, Costa-Gavras, 1970)
Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]
Notes: Includes index
ISBN: 671210483
Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern

Call No: 745.1 MAC
Author: MacBean, James Roy
Place: Bloomington
Publisher: Indiana University Press
PubDate: c1975
PhysDes: viii, 339 p. : ill. ; 29 cm
Subject: REVOLUTIONARY THEMES IN FILMS; MARXISM AND THE CINEMA; REVOLUTION AND THE CINEMA; GORIN, JEAN-PIERRE; GODARD, JEAN-LUC; METZ, CHRISTIAN; VERTOV, DZIGA; WEEK-END (FR/IT, Jean-Luc Godard, 1968); VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969); PRISE DE POUVOIR PAR LOUIS XIV, LA (FR, Roberto Rossellini, 1966); WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); MADE IN U.S.A. (FR, Jean-Luc Godard, 1966); ICE (US, Robert Kramer, 1970); CLASSE OPERAIA VA IN PARADISO, LA (IT, Elio Petri, 1971); LETTER TO JANE (FR, Jean-Luc Godard & Jean-Pierre Gorin, 1972); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969); ONE PLUS ONE (UK, Jean-Luc Godard, 1968)
Notes: Includes bibliographical references and index
ISBN: 0253321891; 0253201918(pbk.)
LON: 737743
URL status: URL: 'http://-' Checked: 31/08/2021 12:58:42 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 408 COA
Author: Coates, Paul, 1953
Place: Cambridge [England] New York
Publisher: Cambridge University Press
PubDate: 1994
PhysDes: xvii, 201 p. ; 24 cm
Series: Cambridge studies in film
Subject: POPULAR CULTURE AND THE CINEMA; SCIENCE-FICTION FILMS; MELODRAMA; WESTERNS; FILM NOIR; ETHNIC GROUPS IN FILMS; STARS; GENRES; HORROR FILMS; VOICE OVER; MUSIC TELEVISION; SIRK, DOUGLAS; MARKER, CHRIS; TARKOVSKY, ANDREI; KIESLOWSKI, KRZYSZTOF; FRANJU, GEORGES; STALLONE, SYLVESTER; VALENTINO, RUDOLPH; LANG, FRITZ; LEE, SPIKE; MADONNA; MONROE, MARILYN; POTTER, DENNIS; BEDROOM WINDOW, THE (US, Curtis Hanson, 1986); FLY, THE (US, David Cronenberg, 1986); JETEE, LA (FR, Chris Marker, 1963); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); AUFZEICHNUNGEN ZU KLEIDERN UND STADTEN (GW, Wim Wenders, 1989); OUT OF THE PAST (US, Jacques Tourneur, 1947); ROCKY IV (US, Sylvester Stallone, 1985); OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986); SEARCHERS, THE (US, John Ford, 1956); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986); SOLARIS (UR, Andrei Tarkovsky, 1972); WESELE (PL, Andrzej Wajda, 1972); DAY OF THE LOCUST, THE (US, John Schlesinger, 1975); REAR WINDOW (US, Alfred Hitchcock, 1954)
Notes: Includes bibliographical references (p. 182-194) and index
ISBN: 0521444721 (hardback)
LON: 10419843

Author: Quinlivan, Beth
PhysDes: Article
Subject: LAUGHLIN, TOM; ANNIE'S COMING OUT (AT, Gil Brealey, 1984); SILVER CITY (AT, Sophia Turkiewicz, 1984)
Summary: Beth Quinlivan reports on L.A. based distributor Tom Laughlin's acquisition of distribution rights for “Annie's Coming Out” and “Silver City”
Notes: "Annie's Coming Out" is also known by its US title "A Test of Love"

PhysDes: Article
Subject: ANNIE'S COMING OUT (AT, Gil Brealey, 1984); FILM AUSTRALIA; FORSYTHE, DREW
Summary: cast, crew and production details for 'Annie's Coming Out'

Author: Beja, Morris
Source: US
Place: New York
Publisher: Longman
PubDate: 1979
PhysDes: 335 p. ; 23 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. GREENE, GRAHAM; ADAPTATIONS. JAMES, HENRY; ADAPTATIONS. MANN, THOMAS; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. STEINBECK, JOHN; ADAPTATIONS. WILLIAMS, TENNESSEE; GRAPES OF WRATH, THE (US, John Ford, 1940); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CITIZEN KANE (US, Orson Welles, 1941); MALTESE FALCON, THE (US, John Huston, 1941); HENRY V (UK, Laurence Olivier, 1944); GREAT EXPECTATIONS (UK, David Lean, 1946); HAMLET (UK, Laurence Olivier, 1948); THIRD MAN, THE (UK, Carol Reed, 1949); RASHOMON (JA, Akira Kurosawa, 1950); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958); PSYCHO (US, Alfred Hitchcock, 1960); INNOCENTS, THE (UK, Jack Clayton, 1962); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); JULES ET JIM (FR, Francois Truffaut, 1962); LOLITA (US, Stanley Kubrick, 1962); PROCES, LE (FR/IT/GW, Orson Welles, 1962); PAWNBROKER, THE (US, Sidney Lumet, 1964); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971); [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948)
Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.
Notes: Includes glossary, list of film distributors, bibliographic references and index; Collection holds two copies of this item
ISBN: 058228094X
Donation: donated by the family of Wayne Levy, 2006

Call No: 753 BEJ
Copy Management: Copy 1; Copy 2
Author: Beja, Morris
Source: US
Place: New York
Publisher: Longman
PubDate: 1979
PhysDes: xv, 335 p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. GREENE, GRAHAM; ADAPTATIONS. JAMES, HENRY; ADAPTATIONS. MANN, THOMAS; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. STEINBECK, JOHN; ADAPTATIONS. WILLIAMS, TENNESSEE; LITERATURE AND THE CINEMA; GRAPES OF WRATH, THE (US, John Ford, 1940); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CITIZEN KANE (US, Orson Welles, 1941); MALTESE FALCON, THE (US, John Huston, 1941); HENRY V (UK, Laurence Olivier, 1944); GREAT EXPECTATIONS (UK, David Lean, 1946); HAMLET (UK, Laurence Olivier, 1948); THIRD MAN, THE (UK, Carol Reed, 1949); RASHOMON (JA, Akira Kurosawa, 1950); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958); PSYCHO (US, Alfred Hitchcock, 1960); INNOCENTS, THE (UK, Jack Clayton, 1962); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); JULES ET JIM (FR, Francois Truffaut, 1962); LOLITA (US, Stanley Kubrick, 1962); PROCES, LE (FR/IT/GW, Orson Welles, 1962); PAWNBROKER, THE (US, Sidney Lumet, 1964); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971); [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948)
Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.
Notes: Includes index; Bibliography: p. 319-327; Collection holds two copies of this item
ISBN: 058228094X
Order Received: 2000
Order Type: Donation
LON: 78026167; 1314099

Call No: 753 FIL
Author: Vincendeau, Ginette, 1948
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: 284p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. JAMES, HENRY; ADAPTATIONS. LEONARD, ELMORE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. THOMPSON, JIM; HISTORICAL FILMS; LITERATURE AND THE CINEMA; ARMSTRONG, GILLIAN; BASS, RON; TARANTINO, QUENTIN; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); AMERICAN PSYCHO (US, Mary Harron, 1999); BEACH, THE (US, Danny Boyle, 1999); BELLE EPOQUE (SP/PO/FR, Fernando Trueba, 1992); BOSSU, LE (FR/IT/GG, Philippe de Broca, 1997); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); CARRINGTON (UK/FR, Christopher Hampton, 1995); COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992); CRASH (CN, David Cronenberg, 1996); CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990); DEAD AGAIN (US, Kenneth Branagh, 1991); EDWARD II (UK, Derek Jarman, 1991); ELIZABETH (UK, Shekhar Kapur, 1998); END OF THE AFFAIR, THE (UK, Neil Jordan, 1999); GERMINAL (FR, Claude Berri, 1993); GRIFTERS, THE (US, Stephen Frears, 1990); HOWARDS END (UK, James Ivory, 1992); JACKIE BROWN (US, Quentin Tarantino, 1997); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); LITTLE WOMEN (US, Gillian Armstrong, 1994); LOLITA (US, Adrian Lyne, 1997); MADAME BOVARY (FR, Claude Chabrol, 1991); MADNESS OF KING GEORGE, THE (US, Nicholas Hytner, 1994); MAESTRO DE ESGRIMA, EL (SP, Pedro Olea, 1992); MANSFIELD PARK (UK/US, Patricia Rozema, 1999); MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994); MASK OF ZORRO (US, Martin Campbell, 1998); MISERABLES, LES (FR, Claude Lelouch, 1995); MRS BROWN (UK, John Madden, 1997); MRS DALLOWAY (US, Marleen Gorris, 1997); NAKED LUNCH (CN/UK, David Cronenberg, 1991); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); OUT OF SIGHT (US, Steven Soderbergh, 1998); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991); REINE MARGOT, LA (FR/GG/IT, Patrice Chereau, 1994); REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993); RIDICULE (FR, Patrice Leconte, 1996); SECRET GARDEN, THE (US, Agnieszka Holland, 1993); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAKESPEARE IN LOVE (UK, John Madden, 1998); SHORT CUTS (US, Robert Altman, 1993); TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999); TEA WITH MUSSOLINI (IT, Franco Zeffirelli, 1997); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); THREE MUSKETEERS, THE (US, Stephen Herek, 1993); TITUS (US, Julie Taymor, 1999); TRAINSPOTTING (UK, Danny Boyle, 1996); WILDE (UK/US/JA/GG, Brian Gilbert, 1997); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
Summary: "Period costume dramas are major box office commodities, exploiting the lucrative gap between the blockbuster and art film with their mixture of rich visuals, popular sensibility and literary association. But 'heritage cinema' is all too often discussed from literary (not cinematic) perspectives, and criticism of the films has long been overshadowed by the question of a film's fidelity to the original text. This volume of essays, reviews, and interviews seeks to redress this imbalance, by examining the often antagonistic relationship between literature and film - presenting both sides of the argument about whether heritage cinema's elaborate aesthetics owe more to nostalgia than to historical accuracy. In her challenging introduction to the volume, Ginette Vincendeau sketches the terms of the debate, arguing that the genre is an important, but often critically neglected, form of popular cinema. Film/Literature/Heritage, the latest in a series of 'Sight and Sound Readers', embraces a wide range of literary adaptation, from William Shakespeare to William Burroughs, covering films from Orlando to LA Confidential, and directors from Martin Scorcese to Peter Greenaway." - BOOK BLURB
ISBN: 0851708420; 0851708412(pbk.) : ¦13.99
LON: 22285912

Call No: 79 TWO GED
Author: Geduld, Carolyn
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1973
PhysDes: 87 p. ; 21 cm
Series: Indiana University Press Filmguide Series
Subject: [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Notes: Includes a Kubrick filmography; Bibliography: pp. 81-87
ISBN: 025339306X

Call No: 79 ODD DEF
Author: De Felice, James
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1975
PhysDes: vii, 85 p. ; 21cm
Series: Indiana University Press Filmguide Series
Subject: ODD MAN OUT (UK, Carol Reed, 1947)
Notes: Includes a Carol Reed filmography; Selected bibliography: p. 79-82
ISBN: 0253393183
Language: English

Author: Buesst, Nigel
PhysDes: Article
Subject: COME OUT FIGHTING (AT, Nigel Buesst, 1973); BUESST, NIGEL; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; BOXING FILMS; INDUSTRY, FILM. AUSTRALIA
Summary: Article by filmmaker Nigel Buesst on filming COME OUT FIGHTING. Discusses technical and thematic elements of the film.

Call No: 412.53 MAL
Author: Malone, Peter
Edition: [1979]
Place: [Melbourne]
Publisher: Chevalier Press
PubDate: [1979]
PhysDes: 192 pages ; 20 cm
Subject: ETHICS IN FILMS; ETHICS AND THE CINEMA; POINT BLANK (US, John Boorman, 1967); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); MIDNIGHT COWBOY (US, John Schlesinger, 1969); GOODBYE COLUMBUS (US, Larry Peerce, 1969); EASY RIDER (US, Dennis Hopper, 1969); M*A*S*H (US, Robert Altman, 1969); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
ISBN: 0869400169
Donation: SFC Library
Contents: A study of what the author terms high quality entertainment films, which provide some ethical and moral challenges for audiences whilst also being popular. An essay from the author where he examines a number of ideas pertaining to: Christianinty, religion, Athienists, Humanism, and Future Shock preceeds the film reviews
AFIRC Location: Stacks

Call No: 744.7(94) WOM
Author: Women's film fund of the Australian film commission
Source: AT
Place: Marrickville, NSW
Publisher: Southwood Press
PubDate: 1984
PhysDes: 39 pages : illustrations ; 21cm. + bulletin number 1 (1985) and bulletin number 2 (1986)
Subject: WOMENS FILM FUND; AUSTRALIAN FILM COMMISSION. WOMEN'S FILM FUND; AGE BEFORE BEAUTY (AT, Sarah Gibson, 1980); AUSTRALIAN WOMEN COMPOSERS (AT, Adele Sztar, 1983); BREAD AND DRIPPING (AT, Wendy Brady & Donna Foster & Margot Nash & Elizabeth Schaffer & Vic Smith, 1982); CLIMBERS (AT, Rosalind Gillespie, 1979?); CONSOLATION PRIZE (AT, Rivka Hartman, 1979); EATING YOUR HEART OUT (AT, Chris Warner, 1984); EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984); FLAMINGO PARK (AT, Clytie Jessop, 1980); FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983); GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982); KEEP MOVING (AT,Ronesia Hamilton Metcalfe, 1984); MUM'S THE WORD (AT, Carol Kostanish, 1982); NED WEATHERED (AT, Lee Whitmore, 1984); ON GUARD (AT, Susan Lambert, 1984); PINS AND NEEDLES (AT, Barbara A. Chobocky, 1980); ROMA (AT, Jane Oehr, 1980); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); TISSUE (AT, Ros Horin, 1982); TIGHTROPE WATER (AT, Annie Duncan & Anna Kannava, 1983); WOODEN FOREST, THE (AT, Penne West, ?); WORKING UP (AT, Chris Warner & Maureen McCarthy, 1979)
Summary: "This booklet brings together the titles of completed films now in circulation which have recieved women's film fund funding." -- FROM INTRODUCTION
Notes: There are two copies (second copy in clippings file) -- Includes film index
ISBN: 0642959595
Language: EN
Donation: Megan McMurchy
Contents: Introduction -- Age Before Beauty -- As a Matter of Fact -- Australian Women Composers -- Awake and Aware -- Bread and Dripping -- Changing Places -- Climers -- Consolation Prize -- Eating Your Heart Out -- Every Day, Every Night -- Flamingo Park -- For Love or Money -- Greetings from Wollongong -- Just Friends -- Keep Moving -- Loyal Tub Thumper -- Mum's the Word -- Ned Wethered -- On Guard -- Pins and Needles -- Roll Call -- Roma - Serious Undertakings -- Small Changes -- Tissue -- Tight Rope Water -- The Wooden Forrest -- Women, Aid and Development -- Working Up -- Directory of Distributers.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: FIND OUT...TALK ABOUT... (AT, Don McLennan, 1981)

Call No: 721.217 DOL
Author: Doll, Susan; Morrow, David
Edition: 1st ed.
Source: US
Place: Gainesville, FL
Publisher: University Press of Florida
PubDate: 2007
PhysDes: xiv, 394 p. : ill. ; 24 cm
Subject: MOTION PICTURES - HISTORY; USA; LOCATION SHOOTING. USA: FLORIDA; BATTLE ROYALE (JA, Kinji Fukasaku, 2000); WHITE ROSE, THE (US, David Wark Griffith, 1923); KEY LARGO (US, John Huston, 1948); PALM BEACH STORY, THE (US, Preston Sturgess, 1942); ROSE TATTOO, THE (US, Daniel Mann, 1955); BODY HEAT (US, Lawrence Kasdan, 1981); CAPE FEAR (US, Martin Scorsese, 1991); CHINA MOON (US, John Bailey, 1994); FLASH OF GREEN, A (US, Victor Nunez, 1984); NIGHT MOVES (US, Arthur Penn, 1975); OUT OF TIME (US, Carl Franklin, 2003); PALMETTO (US, Volker Schlondorff, 1998); WILD THINGS (US, John McNaughton, 1998); ABSENCE OF MALICE (US, Sydney Pollack, 1981); BIRDCAGE, THE (US, Mike Nichols, 1996); FLIPPER (US, Alan Shapiro, 1996); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993); MEAN SEASON, THE (US, Phillip Borsos, 1985); MIAMI BLUES (US, George Armitage, 1990); SCARFACE (US, Brian DePalma, 1984); BRENDA STARR (US, Robert Ellis Miller, 1989 [prod. 1986]); HEALTH (US, Robert Altman, 1980); JAWS 3-D (US, Joe Alves, 1983); SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983); BLOOD AND WINE (US, Bob Rafelson, 1996); COCOON (US, Ron Howard, 1985); CROSS CREEK (US, Martin Ritt, 1983); DAYS OF THUNDER (US, Tony Scott, 1990); JUST CAUSE (US, Arne Glimcher, 1995); ROSEWOOD (US, John Singleton, 1997); STICK (US, Burt Reynolds, 1985); SUNSHINE STATE (US, John Sayles, 2002); ULEE'S GOLD (US, Victor Nunez, 1997); ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994); BAD BOYS (US, Michael Bay, 1995); MATINEE (CN, Richard Wayne Martin, 1989); SOME LIKE IT HOT (US, Billy Wilder, 1959); STRIPTEASE (US, Andrew Bergman, 1996); TRUE LIES (US, James Cameron, 1994); MIDNIGHT COWBOY (US, John Schlesinger, 1969); RUBY IN PARADISE (US, Victor Nunez, 1993); RUNNING SCARED (US, Peter Hyams, 1986); STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984); SUMMER RENTAL (US, Carl Reiner, 1985); AIR FORCE (US, Howard Hawks, 1943); CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954); JEEPERS CREEPERS (US, Victor Salva, 2001); PARENTHOOD (US, Ron Howard, 1989)
Summary: "Florida on Film is a tour of the movies and locations that have made the state famous on the silver screen. Susan Doll and David Morrow discuss more than eighty films, including cast and credits lists and behind-the scenes revelations about the filmmakers and stars. Each section concludes with a detailed Movie Tourist's Guide to sites connected to the films."--BOOK JACKET
Notes: Includes bibliographical references (p. 369-382) and index
ISBN: 9780813030456
Donation: Donated by Senses Of Cinema, 2009

Call No: 735.1 JOH
Source: US
Place: Englewood Cliffs, NJ
Publisher: Prentice Hall
PubDate: 1972
PhysDes: 182 p. ; 21 cm
Series: Film Focus
Subject: SCIENCE-FICTION FILMS; MELIES, GEORGES; SIEGEL, DON; TIME MACHINE, THE (US, George Pal, 1960); FRAU IM MOND, DIE (G, Fritz Lang, 1929); THINGS TO COME (UK, William Cameron Menzies, 1936); [DOCTOR] DR CYCLOPS (US, Ernest B. Schoedsack,1940); DESTINATION MOON (US, Irving Pichel, 1950); WHEN WORLDS COLLIDE (US, Rudolph Maté, 1951); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); TIME MACHINE, THE (US, George Pal, 1960); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
ISBN: 0137951612
Donation: donated by the family of Wayne Levy, 2006

Call No: 81LOR LEV
Author: Levy, Alain
Source: UK
Place: London
Publisher: Magnum
PubDate: 1979
PhysDes: xii, 227 p., [16] p. of plates : ill., ports. ; 20 cm
Subject: LOREN, SOPHIA; PONTI, CARLO; TWO WOMEN (IT/FR, Vittorio De Sica, 1960); CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960); GIRASOLI, I (IT/UR, Vittorio De Sica, 1970); SUNFLOWER (IT/UR, Vittorio De Sica, 1970)
Summary: Journalist Alan Levy tells the inside story of Sophia Loren, from childhood in the slums of Naples to international fame, critical recognition and personal fulfilment.
ISBN: 0417055005
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [FORTY-TWO] 42 UP (UK, Michael Apted, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: [FOUR] 4 MONTHS, [THREE] 3 WEEKS AND [TWO] 2 DAYS [PATRU LUNI TREI SAPTAMANI SI DOUA ZILE] (RM/BE, Cristian Mungiu, 2007)
ID2: 82

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: [FOURTEEN NINETY-TWO] 1492: CONQUEST OF PARADISE (UK/SP/FR, Ridley Scott, 1992)

Call No: TITLE STILL INTERNATIONAL
Source: AT
PubDate: [1992?]
PhysDes: 1 photograph : b&w ; 26 X 21 cm.
Subject: [FOURTEEN NINETY-TWO] 1492: CONQUEST OF PARADISE (UK/SP/FR, Ridley Scott, 1992); DEPARDIEU, GERARD
Summary: Gerard Depardieu and Tcheky Karyo in costume riding horses.
Notes: Slight creases on corners; Image surrounded by white border; Adhesive label attached to reverse of photograph; Pencil annotation on reverse of photograph

Call No: TITLE STILL INTERNATIONAL
Source: AT
PubDate: [1992?]
PhysDes: 1 photograph : b&w ; 26 x 21 cm.
Subject: [FOURTEEN NINETY-TWO] 1492: CONQUEST OF PARADISE (UK/SP/FR, Ridley Scott, 1992); DEPARDIEU, GERARD
Summary: Silhouette shot of Gered depardieu with a sword at his hip with two men behind him on a beach. In the background is a sail boat
Notes: White border surrounds image with production information below the image

Call No: TITLE STILL INTERNATIONAL
Source: AT
PubDate: [1992?]
PhysDes: 1 photograph : b&w ; 21 x 26 cm.
Subject: [FOURTEEN NINETY-TWO] 1492: CONQUEST OF PARADISE (UK/SP/FR, Ridley Scott, 1992); SCOTT, RIDLEY
Summary: Ridley Scott wearing a t-shirt and a floppy hat stands on a beach with a ship in the background and a movie camera immediately behind him.
Notes: Adhesive label attached to reverse of photograph; Writing in pencil on reverse of photograph; White border surrounds image

Call No: 81OZO ASI
Author: Asibong, Andrew
Source: UK
Place: Manchester, UK
Publisher: Manchester University Press
PubDate: c2008
PhysDes: viii, 157 p. : ill. ; 21 cm
Series: French Film Directors
Subject: DIRECTORS. FRANCE; OZON, FRANCOIS; SITCOM (FR, Francois Ozon, 1998); REGARDE LA MER (FR, Francois Ozon, 1997); GOUTTES D'EAU SUR PIERRES BRULANTES (FR, Francois Ozon, 2000); SOUS LE SABLE (FR, Francois Ozon, 2000); SWIMMING POOL (FR/UK, Francois Ozon, 2003); [FIVE TIMES TWO] 5 X 2 [CINQ FOIS DEUX] (FR, Francois Ozon, 2004)
Summary: "This book is the first full-length study of the films of Francios Ozon. From his clutch of provocative and award-winning shorts in the mid-1990s to his increasingly celebrated features, including Swimming Pool, Les Amants criminels, and 5x2, as well as the star-studded, millenial classic of high camp, 8 femmes, Ozon's films have remaned silmultaneously seductive and experimental, playful and gruesome. What emerges from Andrew Asibong's passionate and highly engaged scrutiny of Ozon's cinema, however, is the extent to which the director's breezily confrontational work throws up urgent and unavoidable questions about the cinematic representation of pyschic, familial, social, and even ontological transformation. Asibong considers how Ozon's apparently subversive explorations of feminine and 'queer' desire, as well as his ongoing fascination with sadomasochistic power relations, all operate at a far more ambivalent psychoanalytic and political level than either Ozon's champions or detractors seem willing to admit. He then goes on to suggest that what may be at stake in Ozon's alternatively utopian and cynical flirtation with the construction and deconstruction of contemporary human relationships on film." BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. [150]-151) and index; Includes filmography
ISBN: 9780719074233
Contents: -- list of plates -- series editors' foreword -- acknowledgements -- -- family filmmaker: an introduction to Francois Ozon -- 1: desire unlimited: sexualities on the move? -- 2: master and servant: society, spectacle and sadomasochistic cinema -- 3: shadow of the spectre: cinema beyond relation? -- 4: blood, tears, and song: genre and the shock of over-stimulation -- a drop in the ocean: concluding remarks -- filmography -- select biography -- index --

Call No: 79LOR THO
Author: Thompson, Kristin
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 2007
PhysDes: xxi, 399 p. : ill. ; 24 cm
Subject: CRITICISM; LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003); LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002)
Summary: "In writing The Frodo Franchise: "The Lord of the Rings" and Modern Hollywood, Kristin Thompson enjoyed unprecedented access to the project's insiders. She interviewed seventy-six people - from Peter Jackson to fan webmasters to producers of the video games to directors of the DVD supplements to tour operators in New Zealand, among many others. She spent weeks on site while the third part of the trilogy was being finished - the ultimate inside vantage point - and the resulting book captures the full dimensions of the struggle to get Rings to the screen." "Thompson examines the movie's scripting and design as well as the new technologies deployed to produce the films and the all-important videogames and DVDs. She recounts how Jackson, then a little-known director with no hits to his credit, made the startling suggestion of shooting all three epic parts of J. R. R.Tolkien's classic simultaneously and how Jackson then, in realizing his vision, enormously expanded a few small companies into a world-class filmmaking complex. She profiles the fans whose websites provided the film with a wealth of free publicity. Thompson's own enthusiasm - she is a longtime devotee of the novels - and her expertise as a respected film historian underlie her discussion of the impact Rings has had on the companies that made the film and its related products, on the fantasy genre, on New Zealand, and, surprisingly, on independent cinema."--BOOK JACKET.
Notes: Includes bibliographic references and index
ISBN: 9780520247741
Language: English
Contents: Introduction : sequel-itis -- Pt. 1. The film -- 1. Prudent aggression -- 2. Not your father's Tolkien -- 3. Handcrafting a blockbuster -- Pt. 2. Building the franchise -- 4. Flying billboards and FAQs -- 5. Click to view trailer -- 6. Fans on the margins, pervy Hobbit fanciers, and partygoers -- Pt. 3. Beyond the movie -- 7. Licenses to print money -- 8. Interactive Middle-earth -- Pt. 4. The lasting power of the rings -- 9. Fantasy come true -- 10. Right in your own backyard.

Call No: 79LOR FRO
Author: Mathijs, Ernest and Pomerance, Murray (eds.)
Source: US
Place: Amsterdam, NY
Publisher: Rodopi B.V.
PubDate: 2006
Series: Contemporary Cinema, no.3
Subject: AUDIENCE RECEPTION; ADAPTATIONS. TOLKEIN, J.R.R.; MERCHANDISING; ADVERTISING FOR FILMS; SOCIAL ISSUES IN FILMS; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003)
Summary: Collected essays on Peter Jackson's film adapatations of Tolkein's Lord of the Rings trilogy.
Notes: includes index and bibliography
ISBN: 9789042020627
ISSN: 15723070
Language: English

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FROZEN TWO (US, Chris Buck/Jennifer Lee, 2019)
Notes: Simon_Batch 17_191210

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GARFIELD: A TALE OF TWO KITTIES [GARFIELD: A TAIL OF TWO KITTIES] (UK/US, Tim Hill, 2006); GARFIELD: A TALE OF TWO KITTIES [GARFIELD: A TAIL OF TWO KITTIES] (UK/US, Tim Hill, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GENESIS [TWO POINT OH] 2.0 (SZ/CC/RU/KO/US, Christian Frei, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GET OUT [IZYDI!] (UR, Dimitry Astrakhan, 1991)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: GET OUT (US, Jordan Peele, 2017)
URL status: URL: 'http://file://Q:/T/GET_OUT.zip' Checked: 31/08/2021 1:50:39 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: S GET
Author: Peele, Jordan
Place: US
PhysDes: 98 pages ; 30 cm
Subject: GET OUT (US, Jordan Peele, 2017)
Notes: Unpublished script

Call No: 79 GET PEE
Author: Peele, Jordan
Edition: [2019]
Place: Los Angeles, CA
Publisher: Inventory Press
PhysDes: 224 pages : illus. ; 18 cm.
Subject: GET OUT (US, Jordan Peele, 2017)
Summary: Jordan Peele’s powerful thriller Get Out debuted in 2017 to enormous public and critical acclaim, a Guess Who’s Coming to Dinner? for the age of Obama and Trump that scared audiences and skewered white liberal pieties at the same time. Rather than rely on popular archetypes, Peele weaves together the material realities and daily manifestations of horror with sociopolitical fears and elements of true suspense, and combines them with pitch-perfect satire and a timely cultural critique. This companion paperback to the film presents Peele’s Oscar-winning screenplay alongside supplementary material. Featuring an essay by author and scholar Tananarive Due and in-depth annotations by the director, this publication is richly illustrated with more than 150 stills from the motion picture and presents alternate endings, deleted scenes and an inside look at the concepts and behind-the-scenes production of the film. Continuing in the legacy of 1960s paperbacks that documented the era’s most significant avant-garde films—such as Akira Kurosawa’s Rashomon, Jean-Luc Godard’s Masculin/Feminin and Michelangelo Antonioni’s L’Avventura—Get Out is an indispensable guide to this pioneering and groundbreaking cinematic work. -- distributor's web site
ISBN: 9781941753286

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GET OUT OF THE CAR (US, Thom Andersen, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: GIRLS NIGHT OUT (UK, Joanna Quinn, 1987)

Call No: 733 MAR
Author: Marcantonio, Carla
Edition: 2015
Place: Basingstoke
Publisher: Palgrave Macmillan
PhysDes: xii, 190 ; 23 cm
Subject: MELODRAMA; TALK TO HER [HABLE CON ELLA] (SP, Pedro Almodovar, 2002); SKIN I LIVE IN, THE (SP, Pedro Almodovar, 2011); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004); BUBBLE (US, Steven Soderbergh, 2005); BABEL (US/MX/FR, Alejandro Gonzalez Ioarritu, 2006); GRAVITY (US/UK, Alfonso Cuaron, 2013); JUVENTUDE EM MARCHA [COLOSSAL YOUTH] (PO/FR/SZ, Pedro Costa, 2006); SHIJIE [WORLD, THE] (CN/JP/FR, Zhangke Jia, 2004)
Notes: Global Melodrama is the first booklength work to investigate melodrama in a specifically twenty-first century setting across regional and national boundaries, analyzing film texts from a variety of national contexts in the wake of globalization. -- publisher's blurb
ISBN: 9781137530615

Call No: TITLE CLIPPINGS FILE; SPIN OUT (AT, Tim Ferguson and Marc Gracie, 2016)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: SPIN OUT (AT, Tim Ferguson and Marc Gracie, 2016)
Summary: Interivew with Xavier Samuel and Morgan Griffin, the lead actors in the Australian film SPIN OUT

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOING TRIBAL : DROPPING OUT OF THE 1990S (AT, Michael Balson, 1995)

Call No: 236GOL SER
Author: Serkis, Andy
Source: UK
Place: London [England]
Publisher: HarperCollins
PubDate: c2003
PhysDes: 119 p. : ill (col). ; 25 cm
Subject: SPECIAL EFFECTS; PRODUCTION TECHNOLOGY; MAKE-UP; SOUND EFFECTS; SERKIS, ANDREW; LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003)
Notes: " A behind- the- scenes guide to the epic New Line Cinema trilogy [cover at head of title Lord of the Rings] Filmed in New Zealand. Film tie-in
ISBN: 0007170572
Donation: donated by the family of Wayne Levy, 2006
Contents: -- introduction : to begin at the beginning -- chapter 1: 'It's mine. My own. It came to me!' -- chapter 2 : welcome to planet middle-earth -- chapter 3 : another world -- chapter 4 : motion capture -- chapter 5 : muttering and gurgling -- chapter 6 : the taming of Smeagol -- chapter 7 : 'Give us that, Deagol, my love' -- chapter 8 : morgul vale -- chapter 9 : escape from middle-earth -- chapter 10 : the changing face of Gollum -- chapter 11 : 'Nobody likes you...' -- chapter 12 : 'the two towers -- chapter 13 : the return of the king -- epilogue : the good, the bad... and the precious --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GRAND DAY OUT, A (UK, Nick Park, 1989)

Call No: S GRA
Author: Hampton, Christopher
PubDate: 2012
PhysDes: 100 leaves ; 30 cm
Subject: TWO MOTHERS (FR/BE, Anne Fontaine, 2013)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GREGORY'S TWO GIRLS (UK/GG, Bill Forsyth, 1999)

Call No: 210.31(73) BAR
Author: Bart, Peter
Edition: First Edition
Source: US
Place: New York
Publisher: St. Martin's Griffin
PubDate: February 2000
PhysDes: 337 p. ; 24 cm
Subject: BART, PETER; INDUSTRY, FILM. USA; BOX OFFICE. USA; STUDIOS, FILM. USA; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; SONY CORPORATION; WARNER BROS.; UNIVERSAL PICTURES; SPIELBERG, STEVEN; ARMAGEDDON (US, Michael Bay, 1998); BULWORTH (US, Warren Beatty, 1998); DEEP IMPACT (US, Mimi Leder, 1997); HORSE WHISPERER, THE (US, Robert Redford, 1998); LETHAL WEAPON 4 (US, Richard Donner, 1998); MASK OF ZORRO (US, Martin Campbell, 1998); MULAN (US, Barry Cook & Tony Bancroft, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); SMALL SOLDIERS (US, Joe Dante, 1998); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SIX DAYS, SEVEN NIGHTS (US, Ivan Reitman, 1998); GODZILLA (US/JA, Roland Emmerich, 1998); THERE'S SOMETHING ABOUT MARY (US, Bobby Farrelly & Peter Farrelly, 1998)
Notes: A behind-the-scenes tour of Hollywood during its busiest season - where big-budget blockbusters can make or break a studio, and summer sleepers sneak onto the radar.--BOOK BLURB
ISBN: 0312253915

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GUMRAH: THE LOVE AND HONOUR OF TWO BROTHERS (IR, A. Wahed Nazari, 2002)

Call No: S H2O
Author: King, Joss
Edition: Release script
Place: AT
PubDate: 2008 Aug. 22
PhysDes: 34 leaves
Subject: H [TWO OH] 2O [TV] (AT, 2006-)
Notes: Unpublished script -- copyright Jonathan M. Shiff Productions Pty Ltd 2008 -- Script editor: Chris Roache, Story producer: Joss King, Associate Story Producer: Chris Roache, Original Concept by Jonathan M. Shiff
Donation: Australian Film Institute

Call No: S H2O
Author: Butters, Simon
Edition: Release script
Place: AT
PubDate: 2008 Sep. 13
PhysDes: 32 leaves
Subject: H [TWO OH] 2O [TV] (AT, 2006-)
Notes: Unpublished script -- copyright Jonathan M. Shiff Productions Pty Ltd 2008 -- Script Editor: Chris Roache, Story Producer: Joss King, Associate Story Producer: Chris Roache, Original Concept by Jonathan M. Shiff
Donation: Australian Film Institute

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; CD-Roms (2)
Subject: H [TWO OH] 2O [TV] (AT, 2006-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HANGING OUT WITH HENRY [TV] (AT, Janette Howe, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAPPY FEET TWO (AT, George Miller, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HIDING OUT (US, Bob Giraldi, 1987)

Call No: TITLE STILL INTERNATIONAL
Source: AT
Publisher: De Laurentus Entertainment Group
PubDate: [1987?]
PhysDes: 1 photograph : b&w ; 13 x 18 cm.
Subject: HIDING OUT (US, Bob Giraldi, 1987); CRYER, JON; GISH, ANNABETH
Summary: A young couple reclines in a wooded environment against a tree trunk. The man is wearing a denim jacket and the girl is wearing a patterned jacket featuring a picture of a sombrero hat on her sleeve.
Notes: Cast details below the image on the front of photograph; White border surrounds image on photograph

Call No: 81HOF AGA
Author: Agan, Patrick
Source: UK
Place: London
Publisher: R Hale
PubDate: 1987
PhysDes: x, 166 p, [20] p. of plates : ill. ; 25cm
Subject: HOFFMAN, DUSTIN; TIGER MAKES OUT (US, Arthur Hiller, 1967); GRADUATE, THE (US, Mike Nichols, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); JOHN AND MARY (US, Peter Yates, 1969); LITTLE BIG MAN (US, Arthur Penn, 1970); WHO IS HARRY KELLERMAN AND WHY IS HE SAYING THOSE TERRIBLE THINGS ABOUT ME? (US, Ulu Grosbard, 1971); STRAW DOGS (UK, Sam Peckinpah, 1971); PAPILLON (US, Franklin J. Schaffner, 1973); LENNY (US, Bob Fosse, 1974); ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976); AGATHA (UK, Michael Apted, 1979); KRAMER VS. KRAMER (US, Robert Benton, 1979); TOOTSIE (US, Sydney Pollack, 1982)
Summary: The book deals the life and career of Dustin Hoffman, and the large variety of roles he undertook in the less than 20 films he made. It deals with the academy award, he won in Kramer vs Kramer, and the other 4 nominations he recieved.He is presented as a diminutive perfectionist, or as an unlikely superstar
Notes: Includes index; Filmography: p 151-159
ISBN: 045041731

PhysDes: Article
Subject: HOLLYWOOD OUT-TAKES & RARE FOOTAGE (US, Ronald Blackman & Bruce Goldstein, 1983)
Summary: breif review; ill.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD OUT-TAKES & RARE FOOTAGE (US, Ronald Blackman & Bruce Goldstein, 1983)

Author: Smith, Edward
PhysDes: Article; Stills Review
Subject: KUBRICK, STANLEY; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); TECHNOLOGY AND THE CINEMA
Summary: Essay analyses Kubrick's "2001: A Space Odyssey" according to the director's themes of discovery and man's relationship with technology.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HUNDRED YEAR OLD MAN WHO CLIMBED OUT OF THE WINDOW AND DISAPPEARED, THE [HUNDRAARINGEN SOM KLEV UT GENOM FONSTRET OCH FORSVANN] (SW, Felix Herngren, 2013); HUNDRED YEAR OLD MAN WHO CLIMBED OUT OF THE WINDOW AND DISAPPEARED, THE [HUNDRAARINGEN SOM KLEV UT GENOM FONSTRET OCH FORSVANN] (SW, Felix Herngren, 2013)

Author: Durston, Joy
PhysDes: Article
Subject: [ONE HUNDRED AND TWO] 102 MATURE: THE ART OF HARRY LIEBERMAN (US, Irving Sarraf, 1983)
Summary: Short film appraisals

Call No: TITLE CLIPPINGS FILE; ROYAL NIGHT OUT, A (UK, Julian Jarrold, 2015)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: ROYAL NIGHT OUT, A (UK, Julian Jarrold, 2015); ROYALTY IN FILMS
Summary: Interview with English actress Bel Powley, who plays a teenage Princess Margaret (sister to Elizabeth II) in the film A Royal Night Out.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M A CELEBRITY, GET ME OUT OF HERE [TV] (AT, 2015-)
URL status: URL: 'http://file://Q:/T/I'M_A_CELEBRITY_GET_ME_OUT_OF_HERE.TV.zip' Checked: 31/08/2021 1:29:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: IN AND OUT (US, Frank Oz, 1997)

Call No: 70 STO
Author: Stock, Francine; Hughes, Stephen
Source: UK
Place: London
Publisher: Pimlico
PubDate: 2011
PhysDes: 344 p. ; 25 cm.
Subject: HISTORY AND THE CINEMA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. 1990's; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); CABINET OF DR. CALIGARI, THE (G, Robert Wiene, 1920) SEE CABINET DES DR. CALIGARI, DAS; FLESH AND THE DEVIL (US, Clarence Brown, 1926); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); SCARFACE (US, Howard Hawks, 1932); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); BETE HUMAINE, LA (FR, Jean Renoir, 1938); BAMBI (US, David Hand, 1942); SPELLBOUND (US, Alfred Hitchcock, 1945); STRADA, LA (IT, Federico Fellini, 1954); SEARCHERS, THE (US, John Ford, 1956); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); PEEPING TOM (UK, Michael Powell, 1960); BANDE A PART (FR, Jean-Luc Godard, 1964); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CARRIE (US, Brian De Palma, 1976); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ANNIE HALL (US, Woody Allen, 1977); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); TOP GUN (US, Tony Scott, 1986); WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989); BASIC INSTINCT (US, Paul Verhoeven, 1992); NATURAL BORN KILLERS (US, Oliver Stone, 1994); THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: WHITE (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: BLANC; TROIS COULEURS: BLANC (FR/SZ/PL, Krzysztof Kieslowski, 1993); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TROIS COULEURS: ROUGE (FR/SZ/PL, Krzysztof Kieslowski, 1994); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); AVATAR (US, James Cameron, 2009); UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010)
Summary: Charting key films from the past hundred years, along with technological developments and historical landmarks, Francine Stock explores in compelling detail the nature of our relationship with film - from the first screenings of the Lumiere Brothers' short films, which saw audiences shrinking from oncoming trains, to the perception-altering 3-D Avatar. The twenties saw the birth of celebrity, still so influential even today. With the influence of Freud and the unconscious came film noir, anticipated by dark European classics like La Bete Humaine; Hollywood in the fifties turned ideological fears into lurid sci-fi and body-snatching horror; with the social change of the sixties came refracted ways of seeing, from Alfie to theStargate sequence in 2001: A Space Odyssey or a compelling seventies nightmares like Carrie. Moving towards our own century, Francine Stock considers how film reflects back on itself, bending time and technology to look to the future. More than a century on from those earliest awe-inspiring images, we are still in thrall to the power of film. In this fascinating, entertaining and illuminating book Francine Stock shows how film both reflects and remakes our world.
ISBN: 9781845951993

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: INCREDIBLY TRUE ADVENTURES OF TWO GIRLS IN LOVE, THE (US, Maria Maggenti, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: INSIDE LOOKING OUT (AT, Paul Cox, 1977)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 19 photographs : b&w ; 13 x 18 cm - 21 x 26 cm ; 3 photographs : col. 21 x 26 cm
Subject: BEHETS, BRIONY; LLEWELLYN-JONES, TONY; KAYE, NORMAN; INSIDE LOOKING OUT (AT, Paul Cox, 1977)
Summary: Black & white and colour photographs of scenes from the film and actors posing in character
Notes: Several duplicates. Includes list of cast and crew.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INSIDE OUT (AT, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INSIDE OUT (US, Robert Taicher, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INSIDE OUT (US, Jason Gould, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: INSIDE OUT (SA, Neal Sundstrom, 2000)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: INSIDE OUT (US, Pete Docter & Ronaldo Del Carmen, 2015)
URL status: URL: 'http://file://Q:/T/INSIDE_OUT.zip' Checked: 31/08/2021 1:33:19 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: DIGITAL FILE
Author: Docter, Pete; Del Carmen, Ronnie; LeFauve, Meg; Cooley, Josh
PhysDes: 130 leaves
Subject: INSIDE OUT (US, Pete Docter & Ronaldo Del Carmen, 2015)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Notes: Includes bibliographical references and index
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939
URL status: URL: 'http://-' Checked: 31/08/2021 1:01:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 3rd ed
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.
Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IT: CHAPTER TWO (CN/US, Mark Savage, 2019)
Notes: Import_Simon_batch12_190919

Call No: TITLE CLIPPINGS FILE; I'M A CELEBRITY..GET ME OUT OF HERE (AT, 2015 - )
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: I'M A CELEBRITY, GET ME OUT OF HERE [TV] (AT, 2015-)
Summary: Damning review of the TV show I'M A CELEBRITY...GET ME OUT OF HERE

Call No: 67(04) WAL
Author: Walker, Alexander
Source: UK
Place: London
Publisher: Headline Book Publishing
PubDate: 1989
PhysDes: viii, [312] p., [16] leaves of plates : ill., ports. ; 18 cm
Subject: CRITICISM; FESTIVALS. CANNES; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GODFATHER, THE (US, Francis Ford Coppola, 1972); SHINING, THE (UK, Stanley Kubrick, 1980); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); BOGARDE, DIRK; BURTON, RICHARD; CHAPLIN, CHARLES; COPPOLA, FRANCIS FORD; COOPER, GARY; Crawford, Joan; CRAWFORD, NOEL; DAVIS, BETTE; EVANS, EDITH; Fellini, Federico; FORBES, BRYAN; GARBO, GRETA; GIELGUD, JOHN; GRANT, CARY; GREENE, GRAHAM; HARVEY, LAURENCE; HEPBURN, KATHARINE; HITCHCOCK, ALFRED; HOWARD, TREVOR; HUSTON, JOHN; KAZAN, ELIA; KUBRICK, STANLEY; Lean, David; LEIGH, VIVIEN; LOSEY, JOSEPH; Shakespeare, William; TRACY, SPENCER; TYNAN, KENNETH; VON STERNBERG, JOSEF; WELLES, ORSON; ZINNEMANN, FRED
ISBN: 0747230218
Contents: -- "Do you mean to say they pay you to go to the movies?" -- "Name the six best films you've ever seen" -- Charlie's Angel and the Culture Minister's walking stick -- A day in the hard-playing hard-working life of a far from mad old woman -- Cary Grant and the Harry Lime connection -- The soft words of Mr Rattigan - the hard blows of Mr Russell --- Even Hollywood princesses don't always live happy ever after -- No need to bribe a film festival jury; it can do that for itself -- What made Marlon Brando stop running and find peace at last -- The girl who blew in with the Boston winds -- Peter O'Toole meets himself, two feet tall and blue-eyed, coming back from a trip abroad -- Random thoughts on the Englishness (or otherwise) of English film actors -- Inexactly expressed sentiments about the most private person I know -- "Why this one and not that one, why one event and not the other?"

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit; Publicity
Subject: IT TAKES TWO (US, Andy Tennant, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IT TAKES TWO (US, David Beaird, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IT TAKES TWO [TV] (AT, 2006)

Call No: 151 (73) ITA
Author: [not given]
Edition: [1952?]
Place: Place of publication not identified
Publisher: Publisher not identified
PubDate: [1952?]
Subject: CAPPOTTO, IL [OVERCOAT, THE] (IT, Alberto Lattuada, 1952); ALTRI TEMPI [TIMES GONE BY] [IT, Alessandro Blasetti, 1952); UMBERTO D (IT, Carlo Battisti, 1952); ANNA (IT, Alberto Lattuada, 1952); THE LITTLE WORLD OF DON CAMILLO (IT, Julien Duvivier, 19652); EUROPE '51 (IT, Roberto Rossellini, 1952); DUE SOLDI DI SPERANZA [TWO CENTS WORTH OF HOPE] (IT, Renato Catellani, 1952); RAGAZZE DI PIAZZE DI SPAGNA [GIRLS OF PIAZZA SPAGNA] (IT, Luciano Emmer, 1952); PROCESSO ALLA CITTA [A CITY ON TRIAL] (IT, Luigi Zampa, 1952); BELLISSIMA (IT, Luchino Visconti, 1951); FESTIVALS. USA [VARIOUS]; ITALY
Notes: 33 cm folder with 12 inserts. One for each of ten films plus a programme and an introduction.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JACKASS NUMBER TWO (US, Jeff Tremaine, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: JANGHWA HONGRYEON (KO, Ji-Wun Kim, 2003); TALE OF TWO SISTERS, A (KO, Ji-Wun Kim, 2003)
CrossTag: 1
ID2: 81

Call No: 81GOD JEA
Source: UK
Place: New York
Publisher: Museum of Modern Art : Distributed by H.N. Abrams
PubDate: c1992
PhysDes: 240 p. : ill. (some col.) ; 32 cm
Subject: NOUVELLE VAGUE; CAHIERS DU CINEMA; POLITICS AND THE CINEMA; SPECTATORSHIP; THEORY; PSYCHOANALYSIS AND THE CINEMA; TELEVISION AND THE ARTS; AUTEUR THEORY; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961); WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963); BANDE A PART (FR, Jean-Luc Godard, 1964); FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); ALPHAVILLE (FR, Jean-Luc Godard, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); WEEK-END (FR/IT, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); ONE PLUS ONE (UK, Jean-Luc Godard, 1968); ONE A.M. (FR/US, Jean-Luc Godard, 1968); BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969); PRAVDA (FR, Jean-Luc Godard, 1970); VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); WEEK-END (FR/IT, Jean-Luc Godard, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); LUTTES EN ITALIE (FR/IT Jean-Luc Godard & Jean-Pierre GORIN, 1969); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); PASSION (FR/SZ, Jean-Luc Godard, 1982); JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990); PRENOM CARMEN (FR/SW, Jean-Luc Godard, 1983)
Notes: "Published on the occasion of the exhibition ... October 30-November 30, 1992, organized by Mary Lea Bandy, director, Laurence Kardish, curator, and Barbara London, assistant curator, video ... and Colin MacCabe, guest curator"--T.p. verso. Filmography: p. 232-235. Includes bibliographical references (p. 236-238) Some articles translated from the French.
ISBN: 0810961148
Language: English

Call No: 81FOR SAR
Author: Sarris, Andrew
Source: US
Place: Bloomington IN
Publisher: Indiana University Press
PubDate: 1975
PhysDes: 192 p. ; 26 cm
Series: Cinema One
Subject: FORD, JOHN; SARRIS, ANDREW; MEN WITHOUT WOMEN (US, John Ford, 1929); UP THE RIVER (US, John Ford, 1930); ARROWSMITH (US, John Ford, 1931); AIRMAIL (US, John Ford, 1932); PILGRIMAGE (US, John Ford, 1933); LOST PATROL, THE (US, John Ford, 1934); JUDGE PRIEST (US, John Ford, 1934); WHOLE TOWN'S TALKING, THE (US, John Ford, 1935); INFORMER, THE (US, John Ford, 1935); STEAMBOAT ROUND THE BEND (US, John Ford, 1935); PRISONER OF SHARK ISLAND (US, John Ford, 1936); WEE WILLIE WINKIE (US, John Ford, 1937); HURRICANE, THE (US, John Ford, 1937); STAGECOACH (US, John Ford, 1939); YOUNG MR. LINCOLN (US, John Ford, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); LONG VOYAGE HOME, THE (US, John Ford, 1940); HOW GREEN WAS MY VALLEY (US, John Ford, 1941); BATTLE OF MIDWAY, THE (US, John Ford, 1942); THEY WERE EXPENDABLE (US, John Ford, 1945); MY DARLING CLEMENTINE (US, John Ford, 1946); FORT APACHE (US, John Ford, 1948); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); WAGON MASTER (US, John Ford, 1950); RIO GRANDE (US, John Ford, 1950); QUIET MAN, THE (US/IR, John Ford, 1952); SUN SHINES BRIGHT, THE (US, John Ford, 1953); MOGAMBO (US, John Ford, 1953); LONG GRAY LINE, THE (US, John Ford, 1954); SEARCHERS, THE (US, John Ford, 1956); WINGS OF EAGLES, THE (US, John Ford, 1956); RISING OF THE MOON, THE (IE/US, John Ford, 1957); LAST HURRAH, THE (US, John Ford, 1958); GIDEON'S DAY (UK, John Ford, 1958); HORSE SOLDIERS, THE (US, John Ford, 1959); SERGEANT RUTLEDGE (US, John Ford, 1960); TWO RODE TOGETHER (US, John Ford, 1961); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); DONOVAN'S REEF (US, John Ford, 1963); SEVEN WOMEN (US, John Ford, 1965)
ISBN: 0253331676
Donation: donated by the family of Wayne Levy, 2006

Call No: 81SAY SHU
Author: Shumway, David R.
Source: US
Place: Urbana
Publisher: University of Illinois Press
PubDate: c2012
PhysDes: 182 p. : ill., ports. ; 22 cm
Series: Contemporary film directors
Subject: FILM; CRITICISM; REALISM IN FILMS; SAYLES, JOHN; RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980); LIANNA (US, John Sayles, 1983); BABY IT'S YOU (US, John Sayles, 1983); BROTHER FROM ANOTHER PLANET, THE (US, John Sayles, 1984); MATEWAN (US, John Sayles, 1987); [EIGHT] 8 MEN OUT (US, John Sayles, 1988); CITY OF HOPE (US, John Sayles, 1991); PASSION FISH (US, John Sayles, 1992); LONE STAR (US, John Sayles, 1996); MEN WITH GUNS (US, John Sayles, 1997); LIMBO (US, John Sayles, 1999); CASA DE LOS BABYS (US/MX, John Sayles, 2003); SILVER CITY (US, John Sayles, 2004); HONEYDRIPPER (US, John Sayles, 2007)
Summary: "In this study, David R. Shumway examines the defining characteristic of Sayle's cinema: its realism. Positing the filmmaker as a critical realist, Shumway explores Sayle's attention to narrative in critically acclaimed and popular films such as Matewan, Eight Men Out, Passion Fish and Lone Star. The study also details the conditions under which Sayle's films have been produced, distributed, and exhibited, affecting the way in which these films have been understood and appreciated. In the process, Shumway presents Sayles as a teacher who tells historically accurate stories that invite audiences to consider the human world they all inhabit." -- BOOK BLURB
Notes: Includes bibliographical references, filmography and index
ISBN: 9780252078569
Contents: -- acknowledgments -- John Sayles: critical realist -- John Sayles: independent -- John Sayles: realist -- Beginnings: return of the Secaucus seven -- Establishing a career -- Lianna and Baby it's you -- The brother from another planet and Springsteen videos -- Matewan -- Eight Men out -- Place and melodrama: city of hope and passion fish -- Stories -- Lone star -- Men with guns -- Limbo -- Millennial ZSayles -- Casa de los babys -- Silver city -- Honeydripper -- interviews with John Sayles -- filmography -- bibliography -- index --