Search Catalogue

Call No: TITLE CLIPPINGS FILE; O.J.: MADE IN AMERICA (US, Ezra Edelman, 2016)
Author: Maddox, Garry
PhysDes: Clippings
Subject: O.J.: MADE IN AMERICA (US, Ezra Edelman, 2016); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987)
Summary: Report on ACMI's screening of 7.5 hour O.J. Simpson documentary.

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: AIR AMERICA (US, Roger Spottiswoode, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: AMERICA (IT, Fabrizio Ruggirello, 1995)

Author: Teitelbaum, Sheldon
PhysDes: Article
Subject: GOLAN, MENAHEM; ENGELBACH, DAVID; CANNON FILM GROUP; GOLAN-GLOBUS PRODUCTIONS; AMERICA 3000 (US, David Engelbach, 1986)
Summary: Details the shooting details, budget, and schedule of the film "America 3000", noting that its working title was "Thunder Warriors". Writer Sheldon Teitelbaum also makes clear the tension between the director/writer David Engelbach and Golan-Globus Productions, particularly the difficulties arising from Golan-Globus' insistence on Israel as the shoot location

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICA, AMERICA (US, Elia Kazan, 1963)

Author: Turner, Adrian
PhysDes: Article
Subject: NATIONAL FILM THEATRE PROGRAM; AMERICA, AMERICA (US, Elia Kazan, 1963)
Notes: Short credits and synopses for each film in program. - illustration

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICA AND LEWIS HINE (US, Nina Rosenblum, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICA IN THE AGE OF AIDS [TV] (US, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICA LOST (US, Richard Redeman, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICA'S MOST WANTED [TV] (US, 1988 - )

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICA'S MUSICAL JOURNEY (US, Greg MacGillivray, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: AMERICA'S SWEETHEARTS (US, Joe Roth, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICA TOWN (KO, Jeon Soo-il , 2017)

Call No: 49[32](73) AME
Author: McNally, Karen
Edition: 2022
Place: Detroit, Michigan
Publisher: Wayne State University Press
PubDate: April 2022
PhysDes: 336 pages ; 24 cm
Series: Contemporary approaches to film and media
Subject: TELEVISION. USA; TRUMP, DONALD; APPRENTICE, THE [TV] (US, 2004); CHERNOBYL [TV] (US/UK, 2019); POLITICS AND TV. USA; GOOD WIFE, THE [TV] (US, 2009); BLACKLISTING. USA; PLOT AGAINST AMERICA (US, 2020); SATURDAY NIGHT LIVE [TV] (US, 1975-); STAR TREK [ GENERAL]; AMERICAN HORROR STORY [TV] (US, 2011)
Summary: In American Television during a Television Presidency, Karen McNally and contributors critically examine the various ways in which television became transfixed by the Trump presidency and the broader political, social, and cultural climate. This book is the first to fully address the relationship between TV and a presidency consistently conducted with television in mind. The sixteen chapters cover everything from the political theater of televised impeachment hearings to the potent narratives of fictional drama and the stinging critiques of comedy, as they consider the wide-ranging ways in which television engages with the shifting political culture that emerged during this period. Approaching television both historically and in the contemporary moment, the contributors - an international group of scholars from a variety of academic disciplines- illuminate the indelible links that exist between television, American politics, and the nation’s broader culture. As it interrogates a presidency played out through the lens of the TV camera and reviews a medium immersing itself in a compelling and inescapable subject, American Television during a Television Presidency sets out to explore what defines the television of the Trump era as a distinctive time in TV history. From inequalities to resistance, and from fandom to historical memory, this book opens up new territory in which to critically analyze television’s complex relationship with Donald Trump, his presidency, and the political culture of this unsettled and simultaneously groundbreaking era. Undergraduate and graduate students and scholars of film and television studies, comedy studies, and cultural studies will value this strong collection. -- publisher's web site
ISBN: 9780814349359
Donation: Senses of Cinema

Author: Kouvaros, George
PhysDes: Book review; Bibliography
Subject: MASCULINITY IN FILMS; ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984)
Summary: A book review of 'Once upon a time in America', by Adrian Martin.

Call No: 753.5 MSC
Author: McSweeney, Terence
Source: US/UK
Place: London
Publisher: Wallflower Press published by Columbia University Press
PubDate: c2018
PhysDes: vii, 310 pages : illustrations ; 24 cm
Subject: SUPERHEROES IN FILMS; HEROS IN FILMS; COMIC STRIP CHARACTERS IN FILMS; CRITICISM; MARVEL ENTERTAINMENT; IRON MAN (US, Jon Favreau, 2008); IRON MAN 2 (US, Jon Favreau, 2010); THOR (US, Kenneth Branagh, 2011); INCREDIBLE HULK, THE (US, Louis Leterrier, 2008); CAPTAIN AMERICA: THE FIRST AVENGER (US, Joe Johnston, 2011); AVENGERS, THE (US, Joss Whedon, 2012); IRON MAN 3 (US/CN, Shane Black, 2013); THOR: THE DARK WORLD (US, Alan Taylor, 2013); CAPTAIN AMERICA: THE WINTER SOLDIER (US, Anthony Russo and Joe Russo, 2014); GUARDIANS OF THE GALAXY (US/UK, James Gunn, 2014); ANT-MAN (US, Peyton Reed, 2015); AVENGERS: AGE OF ULTRON (US, Joss Whedon, 2015); CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Summary: "We are living in the age of the superhero and we cannot deny it. Avengers Assemble! is a vibrant and theoretically informed interrogation of one of the defining and most financially successful film franchises of the new millennium. In the first single-authored monograph on the topic of the Marvel cinematic universe, this book asks, "Why has the superhero genre reemerged so emphatically in recent years?" In an age where people have stopped going to the cinema as frequently as they used to, they returned to it in droves for the superhero film. What is it about these films that has resonated with audiences all around the globe? Are they just disposable pop culture artifacts or might they have something interesting to say about the fears and anxieties of the world we live in today? Beginning with Iron Man in 2008, this study provocatively explores both the cinematic and the televisual branches of the series across ten dynamic and original chapters from a diverse range of critical perspectives which analyse their status as an embodiment of the changing industrial practices of the blockbuster film and their symbolic potency as affective cultural artifacts that are profoundly immersed in the turbulent political climate of the era in which they were made." -- BOOK BACK COVER
Notes: Formerly CIP; Includes bibliographical references and index; Also issued online
ISBN: 9780231186254
Donation: Senses of Cinema
Contents: 1. 'That's how Dad did it, that's how America does it ... and it's worked out pretty well so far' : The Stark doctrine in Iron Man and Iron Man 2 -- 2. Allegorical narratives of gods and monsters : Thor and The Incredible Hulk -- 3. State fantasy and the superhero : (Mis)remembering World War II in Captain America : The First Avenger -- 4. 'Seeing ... still working on believing!' : The ethics and aesthetics of destruction in The Avengers -- 5. 'Nothing's been the same since New York' : Ideological continuity and change in Iron Man 3 and Thor : The Dark World -- 6. 'The world has changed and none of us can go back' : The illusory moral ambiguities of the Post-9/11 superhero in Captain America : The Winter Soldier -- 7. Blurring the boundaries of genre and gender in Guardians of the Galaxy and Ant-Man -- 8. 'Isn't that why we fight? So we can end the fight and go home?' : The enduring American monomyth in Avengers : Age of Ultron -- 9. 'What does S.H.I.E.L.D. stand for?' : The MCU on the small screen in Marvel's Agents of S.H.I.E.L.D. and Marvel's Agent Carter -- 10. The necessary vigilantism of the defenders : Daredevil, Jessica Jones, Luke Cage and Iron Fist.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AWARDS. DIRECTORS GUILD OF AMERICA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AWARDS. PRODUCERS GUILD OF AMERICA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AWARDS. WRITERS GUILD OF AMERICA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BARENAKED IN AMERICA (CN/US, Jason Priestley, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996)
ID2: 81

PhysDes: Article
Subject: BLUE COLLAR AMERICA (SW, Inger Marklund & Anders Ribbsjo, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOLD ASPIRATIONS: HAROLD LLOYD AND 1920S AMERICA (UK, Kevin Brownlow, 1989)

Call No: 722.81 SCH
Author: Schaefer, Eric, 1959
Place: Durham
Publisher: Duke University Press
PubDate: 1999
PhysDes: p. cm
Subject: EXPLOITATION FILMS; BURLESQUE; CENSORSHIP; DRUGS IN FILMS; SEX FILMS; NUDITY IN FILMS; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; PROSTITUTES IN FILMS
Notes: Filmography: p; Includes bibliographical references and index
ISBN: 0822323532 (cloth : alk. paper); 0822323745 (paper : alk. paper)
LON: 14489922

Call No: 79BOR SAG
Author: Sagdiyev, Borat; Hines, Anthony; Baron Cohen, Sacha
Source: UK
Place: London
Publisher: Boxtree
PubDate: 2007
PhysDes: 109, 67 p. : col. ill. ; 28 cm
Subject: BORAT: CULTURAL LEARNINGS OF AMERICA FOR MAKE BENEFIT GLORIOUS NATION OF KAZAKHSTAN (US, Larry Charles, 2006)
Summary: Fresh from the worldwide success of his smash-hit movie film, Borat Sagdiyev - Kazakhstan's 4th most famous man - has returned home and put together an indispensable travel guide to the U, S and A. Touristic Guidings will help you negotiate all of the common challenges you will face on arriving in America, from the secrets of Western dating to negotiating public transport, local food, and how to get your wife's cage through customs. Flip the book over, and Welcome to Kazakhstan! Borat presents everything you ever wanted to know about Glorious Nation of Kazakhstan, home of the cleanest prostitutes in the region, major popstar Billy Sexcrime and supermall Viktor Hotelier's Shopcity - three stores and electrical staircase! Filled with never-before-seen photos and tons of original material, this four-colour romp through the World According to Borat is laugh-out-loud funny, gloriously shocking and never knowingly politically correct.
Notes: Titles from separate title pages; works issued back-to-back and inverted.; "Parental advisory contains offensive material"
Donation: donated by Alex Gionfriddo

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BORAT: CULTURAL LEARNINGS OF AMERICA FOR MAKE BENEFIT GLORIOUS NATION OF KAZAKHSTAN (US, Larry Charles, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)

Call No: TITLE CLIPPINGS FILE; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Summary: Maddox speaks with directors Anthony and Joe Russon about the third Captain America film, CAPTAIN AMERICA: CIVIL WAR.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAPTAIN AMERICA: THE FIRST AVENGER (US, Joe Johnston, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAPTAIN AMERICA: THE WINTER SOLDIER (US, Anthony Russo and Joe Russo, 2014)

Call No: 44(73) GAR
Author: Gardner, Gerald C
Edition: 1st ed
Source: US
Place: New York
Publisher: Dodd, Mead
PubDate: 1987
PhysDes: xxiv, 226 p. ; 24 cm
Subject: Motion Picture Producers and Distributors of America.; CENSORSHIP. USA; HAYS, WILL; BREEN, JOSEPH
Notes: Includes index
ISBN: 0396089038
LON: 5427052

Call No: 45:32 CIN
Author: Georgakas, Dan; Rubenstein, Lenny
CorpAuthor: Cineaste
Source: US
Place: Chicago
Publisher: Lake View Press
PubDate: c1983
PhysDes: xiv, 396 p., [8] p. of plates : ill. ; 23 cm
Subject: BERTOLUCCI, BERNARDO; CANBY, VINCENT; COSTA-GAVRAS, CONSTANTIN; CRITICISM; FASSBINDER, RAINER WERNER; FEMINISM AND THE CINEMA; FONDA, JANE; GUTIERREZ ALEA, TOMAS; LITTIN, MIGUEL; MAKAVEJEV, DUSAN; PARKS, GORDON; PETRI, ELIO; POLITICS AND THE CINEMA; PONTECORVO, GILLO; Ray, Satyajit; ROCHA, GLAUBER; ROSI, FRANCESCO; ROSSELLINI, ROBERTO; SARRIS, ANDREW; SAYLES, JOHN; SCHRADER, PAUL; SCRIPTWRITERS; SEMBENE, OUSMANE; TAVERNIER, BERTRAND; WERTMULLER, LINA; Writers Guild of America; VARDA, AGNES; WAJDA, ANDRZEJ; ZANUSSI, KRZYSZTOF
Notes: Includes bibliographical references and index
ISBN: 0941702022 : $25.00
LON: 2921398

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMING TO AMERICA (US, John Landis, 1988)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: COMING TWO AMERICA (US, Craig Brewer, 2021)

Call No: 751.1 CON
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2019
PhysDes: x, 192 pages : illustrations (black and white) ; 25 cm.
Series: Music and the moving image series
Subject: MUSICALS; TEAM AMERICA WORLD POLICE (US, Trey Parker, 2004); ACROSS THE UNIVERSE (US, Julie Taymor, 2007); FROZEN (US, Chris Buck & Jennifer Lee, 2013); MAMMA MIA! (UK/US/G, Phyllida Lloyd, 2008); MISERABLES, LES (UK, Tom Hooper, 2012); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); FAST AND THE FURIOUS, THE (US, Rob Cohen, 2001); KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003); KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004)
Summary: In recent years there has been a remarkable resurgence in the success of film musicals. Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have restated the close connections between the stage and screen. This edited collection will look at the breadth and diversity of recent film musicals, including adaptations from the stage such as Mamma Mia! (2008), Tim Burton's Sweeny Todd: The Demon Barber of Fleet Street (2007) and Rock of Ages (2012). This collection will also look at films that owe less of a direct debt to stage musicals, such as Julie Taymor's Across the Universe (2007) and Lars von Trier's Dancer in the Dark (2000).
Notes: Includes bibliographical references and index.
ISBN: 9781474431682
Contents: Machine generated contents note: pt. ONE ORIGINAL MUSICALS --1.Aesthetic Absurdities in Takashi Miike's The Happiness of the Katakuris / Craig Hatch --2.Film and the Twilight of Rock (Rock is Dead and Film Killed It): Post-millennial Rock Musicals / K. J. Donnelly --3.Team America: World Police: Duplicitous Voices of the Socio-political Spy Musical / Jack Curtis Dubowsky --4.The Anti-musical or Generic Affinity: Is there Anything Left to Say? / Beth Carroll --5.`Is This Real Enough For You?': Lyrical Articulation of the Beatles' Songs in Across the Universe / Stephanie Fremaux --6.`Love Is an Open Door': Revising and Repeating Disney's Musical Tropes in Frozen / Ryan Bunch --pt. TWO STAGE TO SCREEN --7.Star Quality? Song, Celebrity and the Jukebox Musical in Mamma Mia! / Catherine Haworth --8.Beyond the Barricade: Adapting Les Miserables for the Cinema / Ian Sapiro --pt. THREE MUSICALS BY ANOTHER NAME --Contents note continued: 9.O Brother, Where Art Thou?: The Coen Brothers and the Musical Genre Contamination / Stefano Baschiera --10.Racing in the Beat: Music in the Fast & Furious Franchise / Todd Decker --11.Kill Bill: Quentin Tarantino as a Musical Filmmaker / Geena Brown.

Call No: 734 HUG
Author: Hughes, Howard
Edition: 1st ed.
Source: UK
Place: London
Publisher: I.B.Taurus
PubDate: 2006
PhysDes: xxviii, 236 p. : ill., ports. ; 25 cm
Subject: GANGSTER FILMS; DETECTIVE FILMS; PUBLIC ENEMY, THE (US, William Wellmen, 1931); HIGH SIERRA (US, Raoul Walsh, 1941); MALTESE FALCON, THE (US, John Huston, 1941); WHITE HEAT (US, Raoul Walsh, 1949); ASPHALT JUNGLE, THE (US, John Huston, 1950); KISS ME DEADLY (US, Robert Aldrich, 1955); BIG COMBO, THE (US, Joseph H. Lewis, 1955); POINT BLANK (US, John Boorman, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); ON HER MAJESTY'S SECRET SERVICE (UK, Peter Hunt, 1969); GET CARTER (UK, Mike Hodges, 1971); SHAFT (US, Gordon Parks Jr., 1971); DIRTY HARRY (US, Don Siegel, 1971); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-); CHINATOWN (US, Roman Polanski, 1974); GODFATHER PART II, THE (US, Francis Ford Coppola, 1974); ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984); LETHAL WEAPON (US, Richard Donner, 1987); GOODFELLAS (US, Martin Scorsese, 1990); PULP FICTION (US, Quentin Tarantino, 1994); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); OCEAN'S ELEVEN (US, Steven Soderbergh, 2001)
Summary: "Crime movies inhabit dark and desperate worlds, yet they account for many of Hollywood's most triumphant successes. In full acknowledgement of this achievement, Crime Wave offers an authoritative and informative, stimulating and entertaining guide to the crime movie phenomenon, from its early days to the present, charting its history and celebrating the people who have given it a special and enduring place in cinema goers' affections. Chapters focus on landmark Hollywood films - from 1931's The Public Enemy, through The Maltese Falcon, Point Blank, Dirty Harry, The Godfather trilogy and Goodfellas, to LA Confidential and Oceans 11 - telling their stories and on the way discussing many more crime movies, both major and lesser known." "Crime Wave represents and investigates gangster and heist movies, blaxploitation and noir, murder mysteries, vehicles for vigilante or buddy cops, even a gangster love story. It features biographies and filmographies detailing the key participants and background details of the film's making, locations and sets. It also explores each film's sources and influences, its impact on the crime genre and current fashion, including spin-offs, copies and sequels. It examines the films' themes, style and box office fortunes."--BOOK JACKET.
Notes: Includes bibliographical references (p. 221-224) and index; Includes bibliographical references (p. 221-224) and index; Filmography: p. 213-220
ISBN: 9781845112196
Donation: Donated by Senses Of Cinema, 2009

Call No: 802.25 MAC
Author: MacDonald, Scott
Edition: 2005
Place: Berkeley and Los Angeles, California
Publisher: University of California Press
PubDate: 2005
PhysDes: 410 p. ; 23 cm
Series: A critical cinema
Subject: STAN BRAKHAGE; EXPERIMENTAL FILMS; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; INDEPENDENT FILMMAKERS
Summary: A Critical Cinema 4 is the fourth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald once again engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the network of interconnections within the community of filmmakers. A Critical Cinema 4 includes the most extensive interview with the late Stan Brakhage yet published; a conversation with P. Adams Sitney about his arrival on the New York independent film scene; a detailed discussion with Peter Kubelka about the experience of making Our African Journey; a conversation with Jill Godmilow and Harun Farocki on modern political documentary; Jim McBride's first extended published conversation in thirty years; a discussion with Abigail Child about her evolution from television documentarian to master editor; and the first extended interview with Chuck Workman. This volume also contains discussions with Chantal Akerman about her place trilogy; Lawrence Brose on his examination of Oscar Wilde's career; Hungarian Peter Forgács about his transformation of European home movies into video operas; Iranian-born Shirin Neshat on working between two cultures; and Ellen Spiro about exploring America with her video camera and her dog. Each interview is supplemented by an introductory overview of the filmmaker's contributions. A detailed filmography and a selected bibliography complete the volume. -- publisher's blurb
ISBN: 9780520242715
Contents: Introduction P. Adams Sitney Stan Brakhage Jill Godmilow (and Harun Farocki) Peter Kubelka Jim McBride Abigail Child Chuck Workman Chantl Akerman Lawrence Brose Peter Forgacs Shirin Neshat Ellen Spiro Filmography Bibliography Index

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: CSA: THE CONFEDERATE STATES OF AMERICA (US, Kevin Willmot, 2004)

Author: Quinlivan, Beth
PhysDes: Article
Subject: AMERICA'S CUP; AUSSIE ASSAULT (AT, Harvey Spencer, 1984)
Summary: Article explores the growing interest for documentary producers in the America's Cup, with at least four documentaries either planned or made. Particular interest is placed on “Aussie Assault” documentary

PhysDes: Article
Subject: ON GOLDEN POND (US, Mark Rydell, 1981); PRINCE OF THE CITY (US, Sidney Lumet, 1981); RAGTIME (US, Milos Forman, 1980); Writers Guild of America
Summary: Short article on 'Cutter's Way' being nominated for a Writers Guild of America award. Also nominated was 'On Golden Pond', 'Prince of the City', and 'Ragtime'.

Call No: 44(73) LEF
Author: Leff, Leonard J.; Simmons, Jerold L.
Source: UK
Place: London
Publisher: Weidenfeld and Nicolson
PubDate: 1990
PhysDes: 350 p. ; 26 cm
Subject: CENSORSHIP. USA; MOTION PICTURE ASSOCIATION OF AMERICA
ISBN: 0297810332
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DANCE BLACK AMERICA (US, Chris Hegedus, 1985)

Call No: TITLE CLIPPINGS FILE; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Summary: Neala Johnson interviews Sebastian Stan about his role in CAPTAIN AMERICA: CIVIL WAR

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: DEAR AMERICA: LETTERS HOME FROM VIETNAM (US, Bill Couturie, 1987)

Author: Blasi, Ralph
PhysDes: Article
Subject: ALLEN, DEDE; BONNIE AND CLYDE (US, Arthur Penn, 1967); AMERICA, AMERICA (US, Elia Kazan, 1963); ALICE'S RESTAURANT (US, Arthur Penn, 1969); EDITING; EDITORS
Summary: Article on film editor Dede Allen, who is currently working on ALICE'S RESTAURANT.

Call No: 802.25 KAG
Author: Kagan, Jeremy
Edition: 2nd ed.
Source: US
Place: Lanham, Md.
Publisher: Scarecrow Press
PubDate: 2006
PhysDes: ix, 341p. : ill. ; 26cm.
Subject: AWARDS. DIRECTORS GUILD OF AMERICA; PRODUCTION; KAZAN, ELIA
Summary: Loosely organized by phases in the moviemaking process (preproduction, the cast, the crew, rehearsal, etc.), Kagan lets his subjects discuss their craft without limiting their comments to the movies for which they were nominated.
Notes: Includes index.; Includes essay in Appendix C by Elia Kazan: On what makes a director
ISBN: 081085712X

Call No: 71 (497.1) JEL
Author: Jelaca, Dijana
Edition: 2016
Place: Basingstoke [England]
Publisher: Palgrave Macmillan
PubDate: 2016
PhysDes: xii, 276 p. : illus. ; 23 cm
Subject: YUGOSLAVIA; FOR THOSE WHO CAN TELL NO TALES [ZA ONE KOJI NE MOGU DA GOVORE] (BS, Jasmila Zbanic, 2013); SOMEONE ELSE'S AMERICA (FR/UK/GG, Goran Paskaljevic, 1995); LEPA SELA LEPO GORE (YU, Srdjan Dragojevic, 1996); GRBAVICA (AU/G/BS/CT, Jasmila Zbanic, 2006); UNDERGROUND (FR/GG/HU, Emir Kusturica, 1995)
Notes: The links between cinema and war machines have long been established. This book explores the range, form, and valences of trauma narratives that permeate the most notable narrative films about the breakup of Yugoslavia. -- publisher's blurb
ISBN: 9781137515773

PhysDes: Article
Subject: EMANUELLE IN AMERICA (IT, Joe D`Amato [pseud. of Aristide Massaccessi], 1977)

Author: Chilvers, Keith
PhysDes: Article
Subject: AMERICA: FROM HITLER TO M-X (US, Joan Harvey, 1983)
Notes: Listing of all recomended feature and short films seen by the National Viewing Sessions Committee for Spring 1984

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FERRERA, AMERICA
CrossTag: 1

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. AUSTRALIA. LATIN AMERICA; FESTIVALS. AUSTRALIA. LATINA

Call No: TITLE CLIPPINGS FILE; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Summary: Film review of CAPTAIN AMERICA: CIVIL WAR directed by Anthony and Joe Russo
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE; O.J.: MADE IN AMERICA (US, Ezra Edelman, 2016)
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: EDELMAN, EZRA; O.J.: MADE IN AMERICA (US, Ezra Edelman, 2016)
Summary: Interview with Ezra Edelman, the director of the documentary O.J.: MADE IN AMERICA, where he talks about the film

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOD BLESS AMERICA (US, Bobcat Goldthwait, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOOD MAN IN AMERICA (US, Bruce Beresford, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GROWING UP IN AMERICA (CN, Morley Markson, 1988)

Call No: 44(73) MOL
Author: Moley, Raymond, 1886
Place: Indianapolis New York
Publisher: The Bobbs-Merrill company
PubDate: [1945]
PhysDes: 266 p. front., ports. 22 cm
Subject: HAYS, WILL; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA
Notes: "First edition."; Bibliographical foot-notes
LON: 1178188 1178188

Call No: 70 COO
Author: Cook, David A
Edition: 1st ed
Place: New York
Publisher: Norton
PubDate: c1981
PhysDes: xxiii, 721 p. : ill. ; 24 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. 1950's; NARRATIVE IN FILMS; STAR SYSTEM; EXPRESSIONISM; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; STUDIO SYSTEM; ITALY; NEOREALISM; WAR AND THE CINEMA; FILM NOIR; NOUVELLE VAGUE; WIDE-SCREEN SYSTEMS; EASTERN EUROPEAN COUNTRIES; JAPAN; THIRD WORLD; GERMAN FEDERAL REPUBLIC; USSR; MELIES, GEORGES; PORTER, EDWIN S.; GRIFFITH, DAVID WARK; PUDOVKIN, VSEVELOD; CHAPLIN, CHARLES; Keaton, Buster; VON STROHEIM, ERICH; CITIZEN KANE (US, Orson Welles, 1941); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920)
Notes: Includes index; Bibliography: p. 671-692
ISBN: 0393090221 (pbk.); 0393013707
LON: 1583335 1583335

Call No: 432.4 DEC
Author: Decherney, Peter
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2013
PhysDes: xii, 287 pages : illustrations ; 23 cm
Subject: AUTHORSHIP; COPYRIGHT; COPYRIGHT. USA; HISTORY OF CINEMA; HOME VIDEO; INTERNET; INTERNET AND THE CINEMA; LAW AND THE CINEMA; LAW AND TV; PARODY; PIRACY; PLAGIARISM; CHAPLIN, CHARLES; EDISON, THOMAS ALVA; LUCAS, GEORGE; MOTION PICTURE ASSOCIATION OF AMERICA; YOUTUBE
Summary: "Beginning with Thomas Edison's aggressive copyright disputes and concluding with recent lawsuits against YouTube, Hollywood's Copyright Wars follows the struggle of the film, television, and digital media industries to influence and adapt to copyright law. Though much of Hollywood's engagement with the law occurs offstage, in the larger theater of copyright, many of Hollywood's valued treasures - from Modern Times (1936) to Star Wars (1977) - cannot be fully understood without appreciating their legal controversies. Peter Decherney shows that the history of intellectual property in Hollywood has not always mirrored the evolution of the law and recounts these extralegal solutions and their impact on American media and culture." - BOOK BLURB
Notes: Contains list of illustrations and index
ISBN: 9780231159470

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN SCREEN ASSOCIATION
Author: Hatch, Patrick
PhysDes: Clippings File Article
Subject: AUSTRALIAN SCREEN ASSOCIATION; MOTION PICTURE ASSOCIATION OF AMERICA; AUSTRALIAN FEDERATION AGAINST COPYRIGHT THEFT
Summary: Report on Mark Day, former Managing Director of the Australian Screen Association (formerly known as the Australian Federation Against Copyright Theft (AFACT)) suing his former employer. Mention of the piracy copyright case against iiNet by AFACT

Call No: 302 JAR
Author: Jarvie, Ian
Source: US
Place: New York, N.Y.
Publisher: Cambridge University Press
PubDate: 1992
PhysDes: xvii, 473p. : ill. ; 23cm
Subject: INDUSTRY, FILM; INDUSTRY, FILM. USA; HISTORY OF CINEMA. USA; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA
Summary: Documents the US movie industry in the 1920-50's and how it dealt with overseas resistance to its product.
Notes: Includes bibliographical references and index
ISBN: 9780521041430
Language: English

Call No: 210.31 (73) AFR
Author: Afra, Kia
Edition: 2016
Place: London
Publisher: Rowman & Littlefield
PubDate: 2016
PhysDes: xxvi, 292 p. : illus. ; 23 cm
Subject: MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; MOTION PICTURE ASSOCIATION OF AMERICA; HAYS, WILL; ZUKOR, ADOLPH
Notes: As the film industry was establishing itself at the start of the twentieth century, trade associations played a pivotal role in the emergence of the studio system. These producer-distributor trade associations were forums for internal and external conflicts, as well as the true sources of influence and power in early Hollywood. In The Hollywood Trust: Trade Associations and the Rise of the Studio System, Kia Afra provides a detailed account of three successive trade organizations from 1915 to 1928. By examining the Motion Picture Board of Trade, the National Association of the Motion Picture Industry (NAMPI), and the Motion Picture Producers and Distributors of America (MPPDA), Afra outlines the relationships of power in Hollywood’s early years, asking questions such as: How and why did the studio system come about, and what were the industrial and institutional forces that impacted Hollywood’s development? In order to answer these crucial questions, The Hollywood Trust explores the role played by film industry trade associations in navigating important issues facing the burgeoning studio system, including censorship, public relations, trade practices, government regulation, film distribution, labor conflicts, taxes and tariffs, and exhibitor opposition. A vital look at an under-reported aspect of the studio system, this volume fills a gap in the history of the American film industry. As such The Hollywood Trust will be of particular interest to scholars of film history, as well as those concerned with cultural history and the political economics of entertainment. -- publisher's blurb
ISBN: 9781442268289
Contents: 1 Prelude to Association 2 The Motion Picture Board of Trade 3 NAMPI and the Prewar Period 4 NAMPI in Wartime 5 NAMPI in the Postwar Era 6 NAMPIs Decline 7 The MPPDAs Foundational Period 8 The MPPDA Wall Street and Theater Circuits 9 Testing the Limits of Expansion Conclusion Bibliography Index About the Author Copyright

Author: Rennie, Sebastian
PhysDes: Article
Subject: HOW TO MAKE IT IN AMERICA [TV] (US, 2010-2011)
Summary: An article about the HBO series How To Make It in America

Call No: TITLE CLIPPINGS FILE; MISTRESS AMERICA (US, Noah Baumbach, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: MISTRESS AMERICA (US, Noah Baumbach, 2015)
Summary: Review.
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: IN AMERICA (UK/IE, Jim Sheridan, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [IN THE MIDDLE OF AMERICA] (UR, Valentin Zorin, ??)

Call No: TITLE CLIPPINGS FILE; MISTRESS AMERICA (US, Noah Baumbach, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: MISTRESS AMERICA (US, Noah Baumbach, 2015)
Summary: Nick Dent reviews Mistress America
Rating: 4 out of 5 stars

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Notes: Includes bibliographical references and index
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939
URL status: URL: 'http://-' Checked: 31/08/2021 1:01:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 3rd ed
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.
Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939

Call No: 670 INV GRI
Author: Grieveson, Lee; Wasson, Haidee
Source: UK
Place: Durham
Publisher: Duke University Press
PubDate: 2008
PhysDes: xxxii, 446 p. : ill. ; 24 cm
Subject: American Film Institute; AVANT-GARDE FILMS; COMPUTER GENERATED IMAGERY; CRITICISM; FILM ART MEDIA; FILM CULTURE; FILM NOIR; FILM STUDY AND RESEARCH; FILMOGRAPHIES; HISTORY OF CINEMA. SILENT PERIOD; MARXISM AND THE CINEMA; MOTION PICTURE ASSOCIATION OF AMERICA; MUSEUM OF MODERN ART [NEW YORK]; PHILOSOPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; REALISM IN FILMS; SOCIETIES, FILM; SOCIOLOGY AND THE CINEMA; SPECTATORSHIP; ALTHUSSER, LOUIS; BACHMANN, GIDEON; BARRY, IRIS; BAZIN, ANDRE; BELLOUR, RAYMOND; BERGSTROM, JANET; BORDWELL, DAVID; BRAKHAGE, STAN; BURGESS, ERNEST; BUSCOMBE, ED; CHAPLIN, CHARLES; COOK, PAM; DEREN, MAYA; FOUCAULT, MICHEL; FULLER, SAMUEL; GODARD, JEAN-LUC; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; HAWKS, HOWARD; HAYS, WILL; HEATH, STEPHEN; HUFF, THEODORE; MACCABE, COLIN; METZ, CHRISTIAN; PARK, ROBERT; PATTERSON, FRANCES TAYLOR; PENLEY, CONSTANCE; RAINER, YVONNE; RAMSAYE, TERRY; RICHTER, HANS; ROTHA, PAUL; SARRIS, ANDREW; SCORSESE, MARTIN; SELDES, GILBERT; SHORT, REV WILLIAM H; STERN, SEYMOUR; THRASHER, FREDRICK; VOGEL, AMOS; VON STROHEIM, ERICH; WEINBERG, HERMAN G; WHANNEL, PADDY; WOLLEN, PETER
Summary: Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. -- Publisher description
Notes: Includes bibliographical references and index
ISBN: 9780822342892
Contents: The Academy and Motion Pictures / Lee Grieveson, Haidee Wasson -- Making Cinema Knowable -- Cinema Studies and the Conduct of Conduct / Lee Grieveson Taking Liberties: The Payne Fund Studies and the Creation of the Media Expert / Mark Lynn Anderson "Reaching the Multimillions": Liberal Internationalism and the Establishment of Documentary Film / Zoe Druick Young Art, Old Colleges: Early Episodes in the American Study of Film / Dana Polan -- Making Cinema Educational -- Studying Movies at the Museum: The Museum of Modern Art and Cinema's Changing Object / Haidee Wasson Classrooms, Clubs, and Community Circuits: Cultural Authority and the Film Council Movement, 1946-1957 / Charles R. Acland Experimental Film and the Development of Film Study in America / Michael Zryd From Cinephilia to Film Studies / Laura Mulvev, Peter Wollen -- Making Cinema Legible -- Experimentation and Innovation in Three American Film Journals of the 1950s / Haden Guest Screen and 1970s Film Theory / Philip Rosen (Re)Inventing Camera Obscura / Amelie Hastie, Lynne Joyrich, Patricia White, Sharon Willis Little Books / Mark Betz -- Making and Remaking Cinema Studies -- Footstool Film School: Home Entertainment as Home Education / Alison Trope Dr. Strange Media, or How I Learned to Stop Worrying and Love Film Theory / D. N. Rodowick

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: ISAAC IN AMERICA (US, Amram Nowak, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: JAPAN INC: LESSONS FOR NORTH AMERICA (CN, Kalle Lasn, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: KILLING OF AMERICA, THE (US/JA, Sheldon Renan, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST BRICKMAKER IN AMERICA, THE [TV] (US, Gregg Champion, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST MARRIED COUPLE IN AMERICA, THE (US, Gilbert Cates, 1980)

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. AUSTRALIA. LATIN AMERICA
Author: Cerabona, Ron
PhysDes: Clippings File Article
Subject: FESTIVALS. AUSTRALIA. LATIN AMERICA
Summary: Preview of the upcoming Latin American Film Festival with screening times for its season in Canberra

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LENINGRAD COWBOYS GO AMERICA (FI/SW, Aki Kaurismaki, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings
Subject: LONELY IN AMERICA (US, Barry Alexander Brown, 1990)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Article
Subject: LOST IN AMERICA (US, Albert Brooks, 1985)
URL status: URL: 'http://file://Q:/T/LOST_IN_AMERICA.zip' Checked: 31/08/2021 12:57:01 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Stratton, David
PhysDes: Article
Subject: LOST IN AMERICA (US, Albert Brooks, 1985)
Summary: Short review

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit; Publicity
Subject: MADE IN AMERICA (US, Richard Benjamin, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARK TWAIN'S AMERICA IN 3D (US, Stephen Low, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARRIED IN AMERICA [TV] (US, Michael Apted, 2002)

Call No: TITLE CLIPPINGS FILE; MISTRESS AMERICA (US, Noah Baumbach, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: MISTRESS AMERICA (US, Noah Baumbach, 2015)
Summary: Short film review of MISTRESS AMERICA
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MISTRESS AMERICA (US, Noah Baumbach, 2015)
URL status: URL: 'http://file://Q:/T/MISTRESS_AMERICA.zip' Checked: 31/08/2021 1:37:35 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MOST DANGEROUS MAN IN AMERICA, THE: DANIEL ELLSBERG AND THE PENTAGON PAPERS (US, Judith Ehrlich & Rick Goldsmith, 2009)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MOTION PICTURE ASSOCIATION OF AMERICA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA

Call No: 802.091.11 FRE
Author: French, Philip
Source: UK
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1971
PhysDes: 208 p., [16] p. of plates ; 18 cm
Subject: HISTORY AND THE CINEMA. USA; INDUSTRY, FILM; Metro-Goldwyn-Mayer; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; STUDIO SYSTEM; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; UNIVERSAL PICTURES; UNITED ARTISTS; WARNER BROS.; COHN, HARRY; DEMILLE, CECIL B.; DISNEY, WALT; KATZ, SAM; KENNEDY JOSEPH P.; LAEMMLE, CARL; LASKY, JESSE; SCHARY, DORE; SCHULBERG, BUDD; SCHENCK, JOSEPH M; SELZNICK, DAVID O.; SHEARER, NORMA; SKOURAS, SPYROS; SINCLAIR, UPTON; THALBERG, IRVING; WANGER, WALTER; STROHEIN, ERICH VON; ZANUCK, DARRYL F.; ZANUCK, RICHARD; ZUKOR, ADOLPH
Notes: includes bibliographical references and index
ISBN: 297762664
Donation: donated by the family of Wayne Levy, 2006

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MRS AMERICA [TV] (US, 2020)
Cross Reference: MRS AMERICA [TV] (US, 2020)

Call No: 62(081) MAR
Author: Martin, Adrian
Edition: 2018
Place: Amsterdam
Publisher: Amsterdam University Press
PhysDes: 424 pages ; 24 cm
Series: film culture in transition
Subject: AVANT-GARDE FILMS; CINEPHILIA; CRITICISM: METHODOLOGY OF FILM CRITICISM; THEORY. AUSTRALIA; FILM HISTORY; AKERMAN, CHANTAL; ALMODOVAR, PEDRO; CASSAVETES, JOHN; DE PALMA, BRIAN; FULLER, SAMUEL; GARREL, PHILIPPE; GODARD, JEAN-LUC; HITCHCOCK, ALFRED; POLANSKI, ROMAN; RESNAIS, ALAIN; RUIZ, RAUL; SCORSESE, MARTIN; AFTER HOURS (US, Martin Scorsese, 1985); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); COTTON CLUB, THE (US, Francis Ford Coppola, 1984); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984); HATEFUL EIGHT, THE (US, Quentin Tarantino, 2015); TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999)
Summary: The essays of distinguished film critic Adrian Martin have long been difficult to access, so this anthology, which collects his work in one volume, will be welcomed throughout film studies. He offers in-depth analysis of many genres of films while providing a broad understanding of the history of cinema and the history of film criticism and culture. These vibrant, highly personal essays balance breadth across cinema theory with almost encyclopedic detail, ranging between aesthetics, cinephilia, film genre, criticism, philosophy, and cultural politics. -- publisher's web site
ISBN: 9789462986831
Contents: PART I - LETTERS OF INTRODUCTION -- 1. Retying the Threads -- 2. The Path and the Passeur -- 3. That Summer Feeling PART II – SCENOGRAPHIES -- 4. Scenes -- 5. Wishful Thinking -- 6. Entities and Energies -- 7. Entranced PART III - A CINEPHILE IN AUSTRALIA -- 8. No Flowers for the Cinephile: The Fates of Cultural Populism PART IV - THE LYRICAL IMPULSE -- 9. Refractory Characters, Shards of Time and Space -- 10. The Trouble with Fiction -- 11. Ball of Fire: The Mysteries -- 12. The Ever-Tested Limit: Cinematic Apparitions -- 13. Delirious Enchantment PART V - GENRE GAMES -- 14. Mr Big: Gangsters and Power -- 15. Unlawful Entries: Anatomy of a Film Cycle -- 16. Lady, Beware: Paths of the Female Gothic -- 17. Live to Tell: Teen Movies Yesterday, Today and Tomorrow -- 18. In the Mood for (Something Like) Love -- 19. Shivers, Surprise and Discomfort: Sadism and Sublimation in Contemporary Cinema PART VI – INTERVENTIONS -- 20. Making a Bad Script Worse: The Curse of the Scriptwriting Manual -- 21. The Offended Critic: Film Reviewing and Social Commentary -- 22. Wild Psychoanalysis of a Precarious, Unstable Reality PART VII - ENVOI -- 23. No Direction Home: Creative Criticism -- 24. Farewells, Full Circles and Ellipses -- 25. My Back Pages -- 26. The File We Accompany, with Cristina lvarez Lopez Notes -- Sources of Texts -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: O.J.: MADE IN AMERICA (US, Ezra Edelman, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OLIVER STONE'S SECRET HISTORY OF AMERICA (US, Oliver Stone, 2010)

Author: Caputo, Raffaele
PhysDes: Book review; Illustration(s)
Subject: ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984)
Summary: A review of 'Once upon a time in America', by Adrian Martin.

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings
Subject: ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984)

Call No: S ONC
PubDate: [1984?]
PhysDes: 322 leaves
Subject: ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984)
Notes: Unpublished script; Donated by the AWG; No screen/scriptwriter given

Call No: P ONC
PhysDes: 1 poster : col. ; double-sided ; 89 X 56 cm.
Subject: ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984)
Summary: Full colour, glossy, double-sided poster. Features an image of Robert De Niro and includes other cast members. Text reads: ' May be the definitive gangster picture. Rarely equaled'. Double sided poster, back image of Steve Coogan and some other cast members against yellow and back graphics. Text reads: 'Given the choice between The Truth or The Legend, always print The Legend'
Notes: Has some fold lines; Double sided; 24 hour Party People on the other side.; Have 2 copies

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings
Subject: ORNETTE: MADE IN AMERICA (US, Shirley Clarke, 1985)

Call No: TITLE CLIPPINGS FILE; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Summary: Film review of CAPTAIN AMERICA: CIVIL WAR. Top ten Australian box office listing included.
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PARALYZING FEAR: THE STORY OF POLIO IN AMERICA, A (US, Nina Gilden Seavey, 1998)

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: PLOT AGAINST AMERICA (US, 2020)
Cross Reference: PLOT AGAINST AMERICA (US, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: POSTCARDS FROM AMERICA (US, Steve McLean, 1994)

Call No: 19REP HUR
Author: Hurst, Richard Maurice, 1938
Place: Metuchen, N.J.
Publisher: Scarecrow Press
PubDate: 1979
PhysDes: viii, 262 p. ; 22 cm
Subject: REPUBLIC PICTURES; AUTRY, GENE; ROGERS, ROY; YATES, HERBERT; CANOVA, JUDY; CAPTAIN AMERICA (US, John English & Elmer Clifton, 1944); THREE MESQUTEERS, THE (US, Ray Taylor, 1936)
Notes: Includes index; Bibliography: p. [208]-243
ISBN: 0810812541
LON: 1491087

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RUNNING TO AMERICA (AT, Matthew Long, 2011)

Call No: SUBJECT CLIPPINGS FILE; Writers Guild of America
Author: [THE SUNDAY TIMES]
PhysDes: Clippings File Article
Subject: Writers Guild of America; STRIKES
Summary: Report on a possible strike by Writers Guild of America regarding their belief that salaries have decreased

Call No: TITLE CLIPPINGS FILE; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: OLSEN, ELIZABETH; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Summary: Interview with Elizabeth Olsen about her career and her role in the film CAPTAIN AMERICA: CIVIL WAR
Notes: same article in Sunday Herald Sun, same date, p 86

Call No: TITLE CLIPPINGS FILE; O.J.: MADE IN AMERICA (US, Ezra Edelman, 2016)
Author: [Mathieson, Craig] CM
PhysDes: Clippings File Article
Subject: CONFERENCE AUSTRALIAN INTERNATIONAL DOCUMENTARY; O.J.: MADE IN AMERICA (US, Ezra Edelman, 2016)
Summary: Review for the film O.J.: MADE IN AMERICA in relation to the Australian International Documentary Conference
Rating: 4.5 out of 5 stars

Call No: 735(73) BIS
Author: Biskind, Peter
Source: UK
Publisher: Penguin Books
PubDate: 2019
PhysDes: 12 unnumbered pages, 272 pages ; 20 cm
Subject: AVATAR (US, James Cameron, 2009); CAMERON, JAMES; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016); DARK KNIGHT, THE (US, Christopher Nolan, 2008); GAME OF THRONES [TV] (US, 2011-); HAWKINS, SALLY; LEFT BEHIND (US, Vic Sarin, 2001); MARTIAN, THE (US, Ridley Scott, 2015); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); SHAPE OF WATER, THE (US, Guillermo del Toro, 2017); TRUE BLOOD [TV] (US, 2008-); WALKING DEAD, THE [TV] (US, 2010 - ); ZOMBIES IN FILMS AND TV; SUPERHEROES IN FILMS; APOCALYPSE IN FILMS
Summary: A bestselling cultural journalist takes us on a wild ride through pop culture, showing how it paved the way for today's extreme politics Are Batman and 24's Jack Bauer heroic loners defending our way of life - or right-wing vigilantes attacking it? Is Avatar just a National Geographic version of Star Wars or a passionate assault on capitalism? And what about Game of Thrones - sword and sorcery fantasy, or lesson in mainstream politics? In The Sky is Falling! bestselling cultural critic Peter Biskind takes us on a dizzying ride across two decades of pop culture to show how the TV and movies we love have taught us to love political extremism. Welcome to a darkly pessimistic, apocalyptic world where winter has come, the dead are walking, and ultra violence, revenge and torture are all in a day's work. Welcome to the new normal. -- publisher's website
Notes: Includes bibliographical references and index.
ISBN: 9780241373873
Contents: Beyond the fringe : an introduction -- Part I. Winter has come. Apocalypse now -- Bleeding hearts -- Doing the right thing -- Part II. Who'll stop the rain?. Gone fishin' -- Coming apart -- Draining the swamp -- Part III. Breaking bad. The silence of the lambs -- Beauty in the beast -- License to kill -- Part IV. Heaven can't wait. What a piece of work was man -- Anywhere but here -- No exit -- Conclusion : the return of the center.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters; Press kit
Subject: SOMEONE ELSE'S AMERICA (FR/UK/GG, Goran Paskaljevic, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STEAL AMERICA (US, Lucy Phillips, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: TEAM AMERICA WORLD POLICE (US, Trey Parker, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TELLING LIES IN AMERICA (US, Guy Ferland, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: TRIBULATION 99: ALIEN ANOMALIES UNDER AMERICA (US, Craig Baldwin, 1992)

Call No: 81FOX SIN
Author: Sinclair, Upton
Source: US
Place: Los Angeles CA
Publisher: Sinclair Upton
PubDate: c1933
PhysDes: xvii, 377 p. : front. (port.) ; 22 cm
Subject: MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; FINANCING. USA
Language: English

Call No: 802.24 NOR
Author: Marc Norman
Edition: 2008
Place: London
Publisher: Aurum
PubDate: 2007
PhysDes: 554 pages : illustrations ; 25 cm
Subject: ACADEMY AWARDS; BLACKLISTING. USA; BEATTY, WARREN; BOGART, HUMPHREY; BRANDO, MARLON; CHAYEFSKY, PADDY; COLUMBIA PICTURES; COPPOLA, FRANCIS FORD; DEMILLE, CECIL B.; EDISON, THOMAS ALVA; FITZGERALD, F. SCOTT; GOLDWYN, SAMUEL; GRIFFITH, DAVID WARK; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; HITCHCOCK, ALFRED; HUSTON, JOHN; JONZE, SPIKE; KEITEL, HARVEY; KOCH, HOWARD; KUBRICK, STANLEY; LARDNER, RING, Jr.; LOOS, ANITA; MANKIEWICZ, HERMAN J.; MANKIEWICZ, JOSEPH L.; MILIUS, JOHN; NICHOLSON, JACK; PENN, ARTHUR; PORTER, EDWIN S.; SCHRADER, PAUL; SOUTHERN, TERRY; SPIELBERG, STEVEN; STEWART, DONALD OGDEN; TARANTINO, QUENTIN; WEINSTEIN, HARVEY; ZANUCK, DARRYL F.; ZUKOR, ADOLPH; AMERICAN GRAFFITI (US, George Lucas, 1973); ALTERED STATES (US, Ken Russell, 1980); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BONNIE AND CLYDE (US, Arthur Penn, 1967); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); EASY RIDER (US, Dennis Hopper, 1969); INFORMER, THE (US, John Ford, 1935); RAIN PEOPLE, THE (US, Francis Ford Coppola, 1969); STAR WARS (US, George Lucas, 1977)
ISBN: 9781845133245

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHERE ARE WE? OUR TRIP THROUGH AMERICA (US, Jeffrey Friedman & Robert Epstein, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO IS AMERICA? [TV] (US, 2018 - )

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: WILD AMERICA (US, William Dear, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Prospectus
Subject: WINTER IN AMERICA : THE LES DARCY STORY (AT)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WOMEN FOR AMERICA, FOR THE WORLD (US, Vivienne Verdon-Roe, 1986)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: Writers Guild of America

Call No: held v.1, no.6 - v.4 no.4 - Jun. 1997- June/July 2000
CorpAuthor: Writers Guild of America; Writers Guild of America, West
Source: US
Place: Los Angeles, CA
Publisher: Writers Guild of America, West
PubDate: 1997
PhysDes: v. : ill. ; 28 cm
Subject: Writers Guild of America; SCRIPTWRITING
Notes: Title from cover
ISSN: 1092-468X 1055-1948
Frequency: Monthly (except bimonthly Dec.-Jan.)
LON: 97659027; 13140554