subject clippings file
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personality clippings file
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personality clippings file
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journal article
in Velvet Light Trap (Fall 2005) iss.56
Call No: DVD RESEARCH FOLDERSubject: DVD ; DVD, FILMS ON ; HOME EQUIPMENT ; HOME EXHIBITION ; PRESERVATION OF FILMS ; CRITERION COLLECTION ; MANGA ; BROOKER, WILL ; AROSTEGUY, SUSAN ; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001) ; LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002) ; LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003) ; FIGHT CLUB (US, David Fincher, 1999) Contents: A DVD edition of Velvet Light Trap. Index follows:; -- Introduction.; -- Craig Hight - Making-of documentaries on DVD: The Lord of the Rings Trilogy and Special Editions.; -- Nathan Carroll - Unwrapping archives: DVD Restoration Demonstrations and the markteting of authenticity.; -- Bradley Schauer - The Criterion Collection in the New Home Video Market: An interview with Susan Arosteguy.; -- Derek Johnson - Star Wars fans, DVD, and cultural ownership: an interview with Will Brooker.; -- Laurie Cubbison - Anime Fans, DVDs, and the authentic text.; -- James Kendrick - Aspect ratios and Joe Six-Packs: home theatre enthusiasts' battle to legitimze the DVD experience.
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personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHRIS, PENN
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personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CROMBIE, DONALD
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journal article
in Australasian Cinema (29/10/1982) vol.11 iss.19 p.8
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in Australasian Cinema (27/8/1982) vol.11 iss.15 p.5
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in Australasian Cinema (27/8/1982) vol.11 iss.15 p.6
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in Australasian Cinema (16/7/1982) vol.11 iss.12 p.34
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journal article
$1m. twin-cinema for Noosa in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.18
Subject: CINEMA BUILDINGS. AUSTRALIA Summary: Article on the new twin-cinema complex at Noosa which can seat over 600 patrons and features a lounge and bar
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newspaper article
2 create in Sydney Morning Herald (22/02/2013) p.24
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Interim
book
2nd regional cinema conference : 1 December 1999 program & notes [Australia]: [s.n.], 1999.
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journal article
3:10 to Yuma in Empire (Australian Ed.) (February 2008) iss.83 p.39
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3:10 to Yuma in Empire (Australian Ed.) (July 2008) iss.88 p.106
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3-D back in the saddle in Australasian Cinema (30//4/1982) vol.11 iss.7 p.4
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3-d effects taken to the people in Australasian Cinema (18/6/1982) vol.11 iss.10 p.8
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Yet to catalogue
book
3 screenplays / Paul Cox Sydney: Currency Press, 1998.
Call No: 792 COXAuthor: Cox, Paul, 1941 Place: SydneyPublisher: Currency PressPubDate: 1998PhysDes: ix, 188 p. : ports. ; 21 cmSubject: COX, PAUL ISBN: 0868195472 : $24.95LON: abn98035071; 13657110
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book
4 great comedians: Chaplin, Lloyd, Keaton, Langdon / by Donald W. McCaffrey London New York: Zwemmer Barnes, 1968.
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journal article
The 7th Australian Documentary Conference : reflections on Adelaide in Metro (2000) iss.121/122 p.48-52
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book
20 [i.e.] DvacGatGy MezinGarodnGi filmovGy festival, Karlovy Vary '76 : Twentienth International Film Film Festival : [festivalovGy sbornGik / uspoTr. Slavoj OndrouTsek ; fot. kol.] Praha: TCs. filmovGy Gustav, 1977.
Call No: 151(437) KAR "1976"Author: OndrouTsek, Slavoj CorpAuthor: MezinGarodnGi filmovGy festival, 20th, Karlovy Vary, Czechoslovakia, 1976Place: PrahaPublisher: TCs. filmovGy GustavPubDate: 1977PhysDes: 273 p. : ill. ; 22 cmSubject: CZECHOSLOVAKIA Notes: Text in Czech and EnglishLON: 78339714; 1174605
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book
20th Century Fox : Darryl F. Zanuck and the creation of the modern film studio / Scott Eyman New York: Running Press,
Call No: 19TWE EYMAuthor: Eyman, Scott Edition: 2021Place: New YorkPublisher: Running PressPhysDes: 296 pages : illustrated ; 24 cmSubject: TWENTIETH CENTURY-FOX ; ZANUCK, DARRYL F. ; BORZAGE, FRANK ; CHAPLIN, CHARLES ; DUNNE, PHILIP ; FORD, JOHN ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962) ; PARAMOUNT STUDIOS ; POWER, TYRONE ; SCHENCK, JOSEPH M. ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; TEMPLE, SHIRLEY ; WAYNE, JOHN ; TAYLOR, ELIZABETH Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019.
March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web siteISBN: 9780762470938
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journal article
45th year proves big for C.I.B.F. of Victoria in Australasian Cinema (29/4/1983) vol.12 iss.7
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journal article
54th Academy Award Winners in Australasian Cinema (2/4/1982) vol.11 iss.5 p.4
PhysDes: ArticleSubject: ACADEMY AWARDS ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; HEPBURN, KATHARINE ; FONDA, HENRY ; BEATTY, WARREN ; STAPLETON, MAUREEN ; ON GOLDEN POND (US, Mark Rydell, 1981) ; REDS (US, Warren Beatty, 1981) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981) Summary: List of Academy Award winners for 1982.
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book
100 westerns / Edward Buscombe London: British Film Institute, 2006.
Call No: 736.1 BUSAuthor: Buscombe, Edward CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 248 p. : 17 cmSeries: BFI Screen GuidesSubject: WESTERNS ; NATIVE AMERICANS IN FILMS ; GENRES ; BUSCOMBE, EDWARD ; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIG SKY, THE (US, Howard Hawkes, 1952) ; BROKEN ARROW (US, Delmer Daves, 1950) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CALAMITY JANE (US, David Butler, 1953) ; COWBOY (US, Delmer Davies, 1958) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DEAD MAN (US, Jim Jarmusch, 1995) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DUEL IN THE SUN (US, King Vidor, 1946) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; FORT APACHE (US, John Ford, 1948) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; GO WEST (US, Buster Keaton, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; GREY FOX, THE (CN, Philip Borsos, 1982) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; IRON HORSE, THE (UK, John Ford, 1924) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LONG RIDERS, THE (US, Walter Hill, 1980) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MAN FROM LARAMIE, THE (US, Anthony Mann, 1955) ; MAN OF THE WEST (US, Anthony Mann, 1958) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; MISSOURI BREAKS, THE (US, Arthur Penn, 1976) ; MONTE WALSH (US, William A. Fraker, 1970) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; OPEN RANGE (US, Kevin Costner, 2003) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RAMROD (US, Andre de Toth, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RED RIVER (US, Howard Hawks, 1948) ; RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962) ; RIO BRAVO (US, Howard Hawks, 1959) ; SEARCHERS, THE (US, John Ford, 1956) ; SHANE (US, George Stevens, 1953) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; SHOOTING, THE (US, Monte Hellman, 1966) ; SHOOTIST, THE (US, Donald Siegel, 1976) ; STAGECOACH (US, John Ford, 1939) ; SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969) ; FA TALAI JONE (TH, Wisit Sasanatieng, 2000) ; TWO RODE TOGETHER (US, John Ford, 1961) ; ULZANA'S RAID (US, Robert Aldrich, 1972) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; VIVA MARIA (US, Louis Malle, 1965) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; DAVES, DELMER ; WAYNE, JOHN ; Stewart, James ; EASTWOOD, CLINT ; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]ISBN: 1844571122
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journal article
101 Movies that changed the world! : #45, Crocodile Dundee in Empire (Australian Ed.) (September 2003) iss.30 p.76
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101 sci-fi movies you must see before you die / general editor Steven Jay Schneider Sydney: ABC Books, c2009.
Call No: 735.1 ONEAuthor: Schneider ,Steven Jay (ed.) Source: ATPlace: SydneyPublisher: ABC BooksPubDate: c2009PhysDes: 416 pages : illustrations (chiefly colour) ; 16 cmSubject: SCIENCE-FICTION FILMS ; CRITICISM Summary: "Lists "must-see" science fiction movies in a chronological arrangement, providing information on director, producer, screenplay writer, music, and cast members, along with a review of each." -- LIBRARIES AUSTRALIA
"Voyage to the moon -- Metropolis -- Back to the Future -- Things to Come -- The Day the Earth Stood Still -- Forbidden Planet -- Invasion of the Body Snatchers -- The Incredible Shrinking Man -- La Jetée -- Children of Men -- Aelita -- Gojira -- Alphaville -- Planet of the Apes -- 2001: A Space Odyssey -- It Came From Outer Space -- A Clockwork Orange -- Solaris -- Sleeper -- La Planete Sauvage -- The Man Who Fell to Earth -- Star Wars -- Close Encounters of the Third Kind -- Stalker -- Alien -- The Empire Strikes Back -- E.T. the Extra-Terrestrial -- The Thing -- Blade Runner -- Videodrome -- Return of the Jedi -- The Terminator -- Brazil -- The Quiet Earth -- The Fly -- Aliens -- Akira -- Total Recall -- Terminator 2: Judgment Day -- Jurassic Park -- Independence Day -- Tetsuo -- The Matrix -- The Fifth Element -- Gattaca -- Logan's Run -- THX 1138 -- Open your eyes -- Dune -- TRON" -- BOOK BACK COVERNotes: "A Quintessence book" -- Title page verso; Includes index.ISBN: 9780733324956Contents: -- Introduction -- The 1900s -- The 1910s -- The 1920s -- The 1930s -- The 1940s -- The 1950s -- The 1960s -- The 1970s -- The 1980s -- The 1990s -- The 2000s -- Index -- Contributors -- Picture credits --
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Old collection
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200 movies & discussions : (series 2) / Peter Malone Melbourne: Chevalier Press, 1975.
Call No: F53 MALAuthor: Malone, Peter Source: ATPlace: MelbournePublisher: Chevalier PressPubDate: 1975PhysDes: ca. ; 22 cm.Subject: CRITICISM ISBN: 869400045
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journal article
The 1969 Melbourne Film Festival in Melbourne Film Bulletin (July 1969) iss.9 p.9-19
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journal article
The 1983 AFI nominations in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.8
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journal article
1985 successful year for Vic C.I.B.F. in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.21
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book
1998 copyright amendments : a discussion paper / written by Libby Baulch Redfern, NSW: Australian Copyright Council, 1998.
Call No: 432.4(94) BAUAuthor: Baulch, Libby CorpAuthor: Australian Copyright CouncilPlace: Redfern, NSWPublisher: Australian Copyright CouncilPubDate: 1998PhysDes: vi, 58 p. ; 30 cmSubject: COPYRIGHT. AUSTRALIA Notes: "October 1998"; "Based on an outline by Gail Fulton"ISBN: 1875833587LON: abn98421496; 14298659
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journal article
2007 Heroes of the year : Emma Booth in Empire (Australian Ed.) (February 2008) iss.83 p.96
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Levy Collection
book
5001 nights at the movies : an a-z film guide for cinema, tv and video viewers / Pauline Kael London: Arrow Books, 1987.
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journal article
'A Chorus Line' licensing in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.5
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poster
[A clockwork orange : poster]
Call No: P CLOPhysDes: 1 poster : col. ; 60 X 49 cm.Subject: CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) Summary: Image: Illustration of the the character of Alex bursting through a triangle holding a knife.Notes: Some tears on the right hand side and some fold lines.
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poster
[A cold summer : poster]
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journal article
A.F.I. meeting report of the 23rd July in Filmnews (Australia) (Sep-75) vol.V iss.8 p.2
PhysDes: ArticleSubject: AUSTRALIAN FILM INSTITUTE ; CINEMAS. AUSTRALIA Summary: Report on Sydney Filmmakers Co-op contribution to AFI meeting and proposals for co-operation between the two film organizations.Notes: Article
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title clippings file
A! YAOLAN : CC, Xie Jin, 1979
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book
The ABA's general approach to planning / Australian Broadcasting Authority [Australia]: Australian Broadcasting Authority, March 1998.
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book
The Abbott and Costello book / by Jim Mulholland New York: Popular Library, 1975.
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journal article
ABC buys sporting science fiction movie in Encore (Oct-Nov 1984) vol.2 iss.18 p.8
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newspaper article
ABC failing viewers, says former TV chief in Sydney Morning Herald (1/05/2017) p.1
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: Lallo, Michael PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION ; DALTON, KIM Summary: Reporting on the essay former ABC execuitve Kim Dalton wrote for Platform Papers, where he criticises the ABC's actions and funding decisions and he suggests changes to ABC governance to allow for more transparency in decisions made
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newspaper article
ABC has let its audience down in Sydney Morning Herald [General News] (1/05/2017) p.19
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four corners [tv](at, 1961-)
ABC slammed over old, selective Nauru footage in The Australian (19/10/2016) p.1
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book
Abel Ferrara / Nicole Brenez ; translated from the French by Adrian Martin Urbana, Ill ; Chicago: University of Illinois Press, 2007.
Call No: 81FER BREAuthor: Brenez, Nicole Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of Illinois PressPubDate: 2007PhysDes: xii, 210 p. : ill. ; 22 cmSeries: Contemporary film directors / edited by Jame NaremoreSubject: DIRECTORS. USA ; CRITICISM ; FERRARA, ABEL Notes: Includes filmography (pp. [173]-191).
Includes bibliographical references (pp. [193]-197) and index.ISBN: 9780252074110 (pbk. : alk. paper) - ISBN 13
0252074114 (pbk. : alk. paper) - ISBN 19
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book
Accounting for tastes : Australian everyday cultures / Tony Bennett, Michael Emmison, John Frow Cambridge ; Melbourne: Cambridge University Press, 1999.
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Crawford collection
still
[Acropolis now: series 1-2 album # 1] / Crawford Productions [1989].
Call No: CRAWFORD STILL ACRSource: ATPubDate: [1989]PhysDes: 40 slides : col. + 11 photographs : b&w. ; 26 X 21 cm.Subject: CRAWFORD PRODUCTIONS ; ACROPOLIS NOW [TV] (AT, 1989) Summary: Photographs and slides relating to Acropolis Now, Series 1-2Notes: Arrangement: Photographs are arranged chronologically by series and episode -- Accompanying each of the images is a 'title page' identifying information about the still, including actor and character names and in most cases episode number -- All slides are mounted in plastic frames' -- Duplicates are stored in the rare books room -- Series 1 includes 28 slides; Series 2 includes 11 x photograph and 12 slidesDonation: Gift of Crawford Productions
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Crawford collection
still
[Acropolis now: series 3-4 album # 2] / Crawford Productions [1989].
Call No: CRAWFORD STILL ACRSource: ATPubDate: [1989]PhysDes: 31 slides : col. + 18 photographs : b&w. 26 X 21 cm.Subject: CRAWFORD PRODUCTIONS ; ACROPOLIS NOW [TV] (AT, 1989) Summary: Photographs and slides relating to Acropolis Now, Series 3-4Notes: Arrangement: Photographs are arranged chronologically by series and episode -- Accompanying each of the images is a 'title page' identifying information about the still, including actor and character names and in most cases episode number -- All slides are mounted in plastic frames' -- Duplicates are stored in the rare books room -- Series 3 includes 15 slides + 18 photographs; Series 4 includes 16 slides.Donation: Gift of Crawford Productions
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book
Acting male : masculinities in the films of James Stewart, Jack Nicholson, and Clint Eastwood / Dennis Bingham New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01 BINAuthor: Bingham, Dennis, 1954 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: x, 271 p. : ill. ; 24 cmSubject: MEN IN FILMS ; GENDER AND THE CINEMA ; WESTERNS ; SADISM / MASOCHISM IN FILMS ; HITCHCOCK, ALFRED ; Stewart, James ; NICHOLSON, JACK ; EASTWOOD, CLINT ; LAST DETAIL, THE (US, Hal Ashby, 1973) ; BEGUILED, THE (US, Don Siegel, 1971) ; CHINATOWN (US, Roman Polanski, 1974) ; DIRTY HARRY (US, Don Siegel, 1971) ; HARVEY (US, Henry Koster, 1950) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; TIGHTROPE (US, Richard Tuggle, 1984) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) Notes: Includes bibliographical references (p. [253]-263) and indexISBN: 0813520738; 0813520746 (pbk.)LON: 10548892
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Interim
book
Action and adventure cinema / edited by Yvonne Tasker Abingdon, Oxon: Routledge, 2004.
Call No: 730.3 TASAuthor: Tasker, Yvonne Source: UKPlace: Abingdon, OxonPublisher: RoutledgePubDate: 2004PhysDes: 414 p. ; 25 cmSubject: ACTION FILMS ; ADVENTURE FILMS ; STARS ; CHILDREN AND THE CINEMA ; MELODRAMA ; HISTORY OF CINEMA ; GENDER AND THE CINEMA ; VIOLENCE IN FILMS ; WOMEN IN FILMS ; WAR FILMS ; MEN IN FILMS ; MASCULINITY IN FILMS Summary: Traces the history of the action genre from its silent era beginnings. Examines action’s definition and how it works as well as critical reaction to the genre. Considers the social and political context (national identity, culture, gender, class, race and ethnicity) extending beyond Hollywood to Greece, Italy and Japan. Themes include aesthetics, industry and ideology. Examines individual films and serials The Hazards of Helen, The Wild Bunch, Dirty Dozen, Die Hard, Lara Croft: Tomb Raider and individual directors, including D.W. Griffith, Akira Kurosawa, Sam Peckinpah and Katherine Bigelow.Notes: Includes note and index.ISBN: 0 415 23507 3Contents: Part 1. History, criticism and style -- 'Trauma thrills': notes on early action cinema -- The 'culture war' of sensational melodrama, 1910-14 -- 'Child of commerce! bastard of art!': early film melodrama -- Action-adventure as Hollywood genre -- 'Dwight MacDonald and the historical epic' -- Part 2. Theorising action aesthetics -- 'Get ready for rush hour': the chronotope in action -- The colapse of reality and illusion in "The matrix" -- Guns and gas: investigating the 1970s car chase -- "Saving Private Ryan's" 'special affect' -- Part 3. Gender, stars, bodies -- Ready for action: "G.I. Jane", Demi Moore's body and the female combat movie -- Mas Macha: the new Latina action hero -- Beauty in motion: gender, spectacle and action babe cinema -- "Breakdown": what masculinity, class and US action-adventure films -- Maximus melodramaticus: masculinity, masochism and white male paranoia in contemporary Hollywood cinema -- The family in action -- Part 4. Nation, ethnicity and stardom -- The Hong Kong/Hollywood connection: stardom and spectacle in transnational action cinema -- Europeans in action! -- Greek war film as melodrama: women, female stars, and the nation as vicim -- Spaghetti western, genre criticism and national cinema: re-defining the frame of reference -- Part 5. Action, authorship and industry -- Genre and violence in the work of Kurosawa and Peckinpah -- "The dirty dozen": the contradictory nature of screen violence -- 'It's aimed at kids - the kid in everybody': George Lucas, "Star wars" and children's entertainment -- Man's favourite sport?: the action films of Kathryn Bigelow -- 'They call me "action woman": the marketing of Mimi Leder as a new concept in the high concept 'action' film.
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newspaper article
Actresses shine in risky romance in The Age [Arts & Entertainment] (7/05/2015) p.30
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book
Adaptation and the avant-garde : alternative perspectives on adaptation theory and practice / William Verrone London: Bloomsbury academic, 2013.
Call No: 753.8VERAuthor: Verrone, William Source: UKPlace: LondonPublisher: Bloomsbury academicPubDate: 2013PhysDes: vi, 275 p. ; 24 cmSubject: ADAPTATIONS ; AVANT-GARDE FILMS ; EXPERIMENTAL FILMS ; GREENAWAY, PETER ; GODARD, JEAN-LUC ; MADDIN, GUY ; SVANKMAJER, JAN ; SCORPIO RISING (US, Kenneth Anger, 1964) ; FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970) ; FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970) ; HITLER, A FILM FROM GERMANY (GW/UK/FR, Hans Jurgen Syberberg, 1977)
SEE
HITLER - EIN FILM AUS DEUTSCHLAND ; STREET OF CROCODILES (UK, Brothers Quay, 1986) ; DANTE QUARTET, THE (US, Stan Brakhage, 1987) ; ALICE (SZ/GW/UK, Jan Svankmajor, 1988)
SEE
NECO Z ALENKY ; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988) ; PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991) ; WISCONSIN DEATH TRIP (US, James Marsh, 1999) ; SPECTRES OF THE SPECTRUM (US, Craig Baldwin, 1999) ; DRACULA: PAGES FROM A VIRGIN'S DIARY (CN, Guy Maddin, 2002) Summary: Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-garde directors. Avant-Garde films are often relegated to the margins because they challenge our traditional notions of what film form and style can accomplish. Directors who choose to adapt previous material run the risk of severe critical dismay; making films that are highly subjective interpretations or representations of existing texts takes courage and foresight. An avant-garde adaptation provokes spectators by making them re-think what they know about film itself, just as much as the previous source material.Adaptation and the Avant-Garde examines films by Peter Greenaway, Jean-Luc Godard, Guy Maddin, Jan Svankmajer and many others, offering illuminating insights and making us reconsider the nature of adaptation, appropriation, borrowing, and the re-imagining of previous sources. -- extract taken from the back of the book. --Notes: Formerly CIP. --
Includes bibliographical references and index --ISBN: 9781441163523Contents: -- pt. I Historical and Theoretical Background -- ch. 1 Defining the Avant-Garde Film -- ch. 2 Adaptation Theory and Practice -- ch. 3 Appropriation -- ch. 4 The Exploitative Adaptation -- ch. 5 Why Avant-Garde? -- pt. II A Chronology of Avant-Garde Film Adaptation -- ch. 6 A Brief Narrative History of Avant-Garde Film Adaptation or, Some Instances of Avant-Garde Adaptation -- pt. III Case Studies -- ch. 7 The Fall of the House of Usher -- ch. 8 Scorpio Rising -- ch. 9 Fruit of Paradise -- ch. 10 Hitler: A Film from Germany -- ch. 11 Street of Crocodiles -- ch. 12 The Dante Quartet -- ch. 13 Alice -- ch. 14 Prospero's Books -- ch. 15 Wisconsin Death Trip -- ch. 16 Spectres of the Spectrum -- ch. 17 Dracula: Pages from a Virgin's Diary --
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Adaptation, awards culture, and the value of prestige / Edited by Colleen Kennedy-Karpat and Eric Sandberg Cham, Switzerland: Springer International Publishing, 2017.
Call No: 753 ADAAuthor: Kennedy-Karpat, Colleen Place: Cham, SwitzerlandPublisher: Springer International PublishingPubDate: 2017PhysDes: ix, illustrations (colour), 22cmSeries: Palgrave studies in adaptation and visual cultureSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; AUTHORSHIP ; COMIC STRIPS ; CULTURE AND THE CINEMA ; INTERTEXUALITY ; TARANTINO, QUENTIN ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; MUSIC IN FILMS ; WOLF HALL [TV] (UK, 2015) Summary: This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature. -- [taken from publishers site]Notes: Includes indexISBN: 9783319528533Contents: 1.Adaptation and Systems of Cultural Value / Eric Sandberg -- 2.The Pulitzers Go to Hollywood / Thomas Leitch -- 3.Beware of Imitations: All about Eve (1950) / Laurence Raw -- 4.Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige / Eric Sandberg -- 5.Adapting Queerness, Queering Adaptation: Fun Home on Broadway / Joanna Mansbridge -- 6.Oliver's Auteurs: The Cases of Lean and Polanski / Jeffrey E. Jackson -- 7.Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha / Priyanjali Sen -- 8.The Fortunes of Jane Austen as Chick Lit and Chick Flick / Anne-Marie Scholz -- 9.Jazz, Prestige, and Five Great Gatsby Film Adaptations / Michael Saffle -- 10.Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige / Colleen Kennedy-Karpat -- 11.The Hollywood Remake Massacre: Adaptation, Reception, and Value / Laura Mee -- 12."How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet / Anna Blackwell.
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Adaptation theory and criticism : postmodern literature and cinema in the USA / by Gordon E. Slethaug New York: Bloomsbury, 2014.
Call No: 753.1(73) SLEAuthor: Slethaug, Gordon E. Source: USPlace: New YorkPublisher: BloomsburyPubDate: 2014PhysDes: vi, 275 p. : ill. ; 23 cm.Subject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; CRITICISM ; USA ; THEORY ; POSTMODERNISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA. USA ; SIX DEGREES OF SEPARATION (US, Fred Schepisi, 1993) ; SHORT CUTS (US, Robert Altman, 1993) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; SMOKE (US, Wayne Wang, 1995) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; BROKEN FLOWERS (US, Jim Jarmusch, 2005) ; SNOW WHITE AND THE HUNTSMAN (US, Rupert Sanders, 2012) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) Summary: "Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism provides the reader with an informative background on adaptation theory and postmodern methodology and includes eight case studies on more than a dozen American films, some of which have been used before (Age of Innocence, Gangs of New York, The Great Gatsby, and Do the Right Thing) and some that have received less consideration (Six Degrees of Seperation, Smoke, Smoke Signals, Broken Flowers, and various Snow White narratives including Enchanted, Mirrir Mirror, and Snow White and the Huntsman. Useful for both film and literary studies, Gordon Slethaug's Adaptation theory and criticism cogently combines existing scholarship with new theories and insights, encouraging readers to think about intertextual connections between literature and film in the USA." -- BOOK BLURBNotes: Includes bibliographical references (p. [255]-269) and indexISBN: 9781623564407Donation: Senses of CinemaContents: -- introduction -- 1.Modernism/postmodernism and origin/intertextual play in adaptation theory -- Modernism: High culture, poetic genius, and influence -- Postmodernism: Textuality, intertextuality, pastiche/bricolage, freeplay, and interculturalism -- 2.Adaptation, surplus value, and supplementation in Six Degrees of Separation and Short Cuts -- Surplus, supplementation, and transformation in John Guare's Six Degrees of Separation -- E Pluribus Unum: Raymond Carver's fiction and Robert Altman's Short Cuts -- 3.Intertextual doubling in The Age of Innocence, Gangs of New York, and The Great Gatsby -- Tribalization as intertextual symptom: Scorcese's The Age of Innocence and Gangs of New York -- Ironized intertextuality: The Age of Innocence and The Great Gatsby -- 4.Freeplay, citation, and ethnocriticism: Single and multiple sources in Smoke Signals, SMOKE, and Do the Right Thing --
-- Ethnocriticism and adaptation: Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Chris Eyre's Smoke Signals -- From Lee to Auster and Wang: Postmodern indeterminacy and racial relations in Do the Right Thing and SMOKE -- Beyond Auster's short story: Do the Right Thing and SMOKE -- 5.Palimpsests and bricolage: Playful and serious citation in Broken Flowers and Snow White's offspring -- Palimpsest, play, and the myth of filiation in Broken Flowers: Clues, signs, and referential mania -- Snow White's offspring: The hyper-palimpsest -- 6.Conclusion -- works cited -- index --
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Adaptations : from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan London New York: Routledge, 1999.
Call No: 753 ADAAuthor: Cartmell, Deborah ; Whelehan, Imelda Source: US/UKPlace: London New YorkPublisher: RoutledgePubDate: 1999PhysDes: xvii, 247 p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ANIMATION ; BATMAN IN FILMS ; TELEVISION AND THE CINEMA ; TELEVISION IN FILMS ; CAMPION, JANE ; BATMAN [TV] (US, 1965-67) ; SCARLET LETTER, THE (US, Roland Joffe, 1995) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; EMMA (UK, Douglas McGrath, 1996) ; CLUELESS (US, Amy Heckerling, 1995) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; BATMAN (US, Tim Burton, 1989) ; [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996) Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURBNotes: Includes bibliographical references (p. 226-238) and indexISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)LON: 14255526Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan
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Adaptations: from short story to big screen : 35 great stories that have inspired great films / edited by Stephanie Harrison New York: Three Rivers Press, c2005.
Call No: 753.1 ADAAuthor: Harrison, Stephanie Edition: First editionSource: USPlace: New YorkPublisher: Three Rivers PressPubDate: c2005PhysDes: xix, 619 p. : ill. ; 24 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; SHORT CUTS (US, Robert Altman, 1993) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001) ; MINORITY REPORT (US, Steven Spielberg, 2002) ; FREAKS (US, Tod Browning, 1932) ; FLY, THE (US, Kurt Neumann, 1958) ; RE-ANIMATOR (US, Stuart Gordon, 1985) ; STAGECOACH (US, John Ford, 1939) ; MAN CALLED HORSE, A (US, Elliot Silverstein, 1970) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003) ; GHOST WORLD (US, Terry Zwigoff, 2001) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; MEET JOHN DOE (US, Frank Capra, 1941) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; TOMORROW (US, Joseph Anthony, 1972) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; SWIMMER, THE (US, Frank Perry, 1968) ; KILLERS, THE (US, Robert Siodmak, 1946) ; FALLEN IDOL, THE (UK, Carol Reed, 1948) ; MEMENTO (US, Christopher Nolan, 2000) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) ; RASHOMON (JA, Akira Kurosawa, 1950) ; DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960) ; LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; SMOKE (US, Wayne Wang, 1995) ; JESUS' SON (US, Alison Maclean, 1999) ; IN THE BEDROOM (US, Todd Field, 2001) ; [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948) ; MY FRIEND FLICKA (US, Harold D. Schuster, 1943) ; LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954) ; SMOOTH TALK (US/UK, Joyce Chopra, 1985) Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.Notes: Also issued onlineISBN: 1400053145Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --
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Adapted for the screen : the cultural politics of modern Chinese fiction and film / by Hsiu-Chuang Deppman Honolulu: University of Hawai'i Press, c2010.
Call No: 753(510) DEPAuthor: Deppman, Hsiu-Chuang Source: USPlace: HonoluluPublisher: University of Hawai'i PressPubDate: c2010PhysDes: viii, 243 p. : ill. ; 23 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; LITERATURE AND THE CINEMA. CHINA ; CITY OF SADNESS, A [ ; CHINA IN FILMS ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991) ; RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991)
SEE
DAHONG DENGLONG GAOGAO GUA ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; RED ROSE WHITE ROSE (HK/TZ, Stanley Kwan, 1994) SEE
HONG MEI GUI BAI MEI GUI ; HONG MEI GUI BAI MEI GUI (HK/TZ, Stanley Kwan, 1994) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000)
SEE
FA YEUNG NIN WA ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; LITTLE CHINESE SEAMSTRESS (FR, Dai Sijie, 2002)
SEE
BALZAC ET LA PETITE TAILLEUSE CHINOISE ; BALZAC ET LA PETITE TAILLEUSE CHINOISE (FR, Dai Sijie, 2002) ; TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986) ; TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986)
SEE
TONG NIEN WANG SHI ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; PERSONALS, THE (TW, Kuo-fu Chen, 1998)
SEE
ZHENG HUN QI SHI ; ZHENG HUN QI SHI (TW, Kuo-fu Chen, 1998) Summary: "This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Delving equally into the individual approaches of directors and writers, Hsiu-Chuang Deppman initiates readers into the exciting possibilities emanating from the world of Chinese cinema. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the U.S. and Europe and reflect the growing international resources of Chinese-language cinema." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. 215-233) and indexISBN: 9780824834548Donation: donated by Senses of Cinema 2013Contents: -- acknowledgments -- introduction -- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern -- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose -- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love -- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress -- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die -- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals -- conclusion -- notes -- bibliography -- selected filmography -- index --
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Add sound to your movies : a practical guide for the amateur film maker / Mike Kent London: Macmillan, 1979.
Call No: 244.7(036) KENAuthor: Kent, Mike Source: UKPlace: LondonPublisher: MacmillanPubDate: 1979PhysDes: xv, 235 p. : ill ; 23 cmSubject: SOUND ; SOUND RECORDING ; SOUND TRACKS ; SOUND EDITING ; COMMENTARY Summary: Add Sound to Your Movies covers almost every aspect of the subject, from recording techniques and easy 'music-and-voice-over' to advanced track laying. [Taken from back cover.]ISBN: 0333271262Donation: donated by the family of Wayne Levy, 2006
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Adelaide's silent nights : a pictorial history of Adelaide's picture theatres during the silent era 1896-1929 / by Dylan Walker Australia: National Film & Sound Archive, 1995].
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The adventures of Barry Crocker : Bazza / Barry Crocker Sydney: Pan Macmillan, 2003.
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still
[Adventures of Barry McKenzie : stills file]
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[Adventures of Priscilla, Queen of the desert, The : stills file] / Lockwood, Elise Roadshow Film Distributors,
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[Adventures of Skippy, the : stills file]
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Advertising time on television : a review of the Advertising Time Standards / Australian Broadcasting Tribunal Canberra: Australian Government Publishing Service, 1987.
Call No: 411.236(94) AUSCopy Management: 10/10/2012Author: Armstrong, Mark -- James Bailey, Julie -- Perry, Russel Source: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1987PhysDes: 199 pages in various pagings : illustrations ; 25 cmSubject: ADVERTISING STANDARDS. AUSTRALIA ; ADVERTISING. TV. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA Summary: A review on the rules governing advertising on Australian commercial televisionContents: Contents -- Abbreviations -- Summary -- 1. Introduction -- 2. Decision and reasons : A. Public interest objectives -- B. Problems of the current rules -- C. Audience needs and research -- D. Options for reform -- E. Conclusions -- F. The future -- 3. The need for review -- 4. Viewpoints -- 5. The audience and the market -- 6. The commercial environment -- Appendices
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Aesthetics and neo-romanticism in film : landscapes in contemporary British cinema London, UK ; New York, NY.: I.B. Tauris & Co Ltd, 2014.
Call No: 633.3 (41)Author: Hockenhull, Stella Source: UKPlace: London, UK ; New York, NY.Publisher: I.B. Tauris & Co LtdPubDate: 2014PhysDes: ix, 236 p. : ill. ; 22 cm.Subject: BRITISH CINEMA ; AESTHETICS ; LANDSCAPES IN FILMS ; REALISM IN FILMS ; ART AND THE CINEMA ; EMOTION IN FILMS ; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002) ; LADIES IN LAVENDER (UK, Charles Dance, 2004) ; MISS POTTER (UK/US, Chris Noonan, 2006) ; LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006) ; WAR ZONE, THE (UK, Tim Roth, 1999) ; RATCATCHER (UK, Lynne Ramsey, 1999) ; CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006) ; [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002) ; NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006) ; LAST RESORT, THE (UK, Pawel Pawlikowski, 2000) ; MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004) ; QUEEN, THE (UK/IT/FR, Stephen Frears, 2006) Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9781848859012Donation: donated by Senses of Cinema, 2014
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Affective authorship : contemporary Asian Australian documentary in Studies in Australasian cinema (2008) vol.2 iss.2 p.157-170
Author: Smaill, Belinda PhysDes: ArticleSubject: DOCUMENTARY FILMS. AUSTRALIA ; ASIANS IN FILMS. AUSTRALIA ; ETHNIC GROUPS AND THE CINEMA ; PSYCHOLOGICAL EFFECTS OF FILMS ; FINISHED PEOPLE, THE (AT, Khoa Do, 2003) ; LETTERS TO ALI (AT, Clara Law, 2004) ; SADNESS: A MONOLOGUE BY WILLIAM YANG (AT, Tony Ayres, 1999) ; CHINESE TAKEAWAY (AT, Mitzi Goldman, 2002) Summary: Documentary is a genre not widely understood through its capacity to engage the emotions. This article works to acknowledge the affective labour performed by documentary and, more specifically, the way emotions give meaning to documentary subjects. The analysis explores the production of Asian Australian subjects as documentary authors in four prominent films produced over the previous decade: Chinese Takeaway (Mitzi Goldman, 2002), Sadness: A Monologue by William Yang (Tony Ayres, 1999), The Finished People (Khoa Do, 2003) and Letters to Ali (Clara Law. 2004). These texts allow for a fruitful examination of the way the emotions that shape the expression of these author-subjects, such as mourning and care, might impact on the documentary representation of cultural otherness. Asian Australian subjectivity coalesces in and around these texts in a manner that is founded on the activity of mourning. Included here are not only the bereavements of loved ones, but also the losses that are bound to the movements of modernity, such as the lost fullness which is the promise of diaspora, the failure or absence of universal citizenship and the lack of safety in life lived in advanced capitalism. This article explores not only the absences suggested in these films, but also how these absences present a site of ethical encounter for the viewer that both resists reducing and assimilating the Asian Australian author to a devalued ethnic other while also addressing a community of viewers through a relation of reciprocity based in caring attachments to the social realm. -- AbstractNotes: Part of Special Issue: Transnational Asian Australian Cinema. Part 1
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AFI awards in Filmnews (Australia) (Aug-79) vol.IX iss.8 p.1
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AFI awards now in September in Filmnews (Australia) (Aug-77) vol.VII iss.7 p.3
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AFI changes, approaches 80s in Filmnews (Australia) (Jun-81) vol.XI iss.6 p.1
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[AFI cinema autumn calendar 89 : poster]
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[AFI cinema : poster, double-sided, promoting summer program at the Chauvel cinema, 1986-1987] / Australian Film Institute AT:
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AFI elects directors in Filmnews (Australia) (May-77) vol.VII iss.4 p.10
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African American actresses : the struggle for visibility, 1900 - 1960 / Charlene Regester Bloomington: Indiana University Press, c2010.
Call No: 802.27(73)-054(=96) REGAuthor: Regester, Charlene Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: c2010PhysDes: xi, 405 p., 14 p. of plates : ill. 23 cmSubject: BLACK CINEMA. US ; ETHNIC GROUPS IN FILMS. USA ; MADAME SUL-TE-WAN ; BEAVERS, LOUISE ; MCKINNEY, NINA MAE ; WASHINGTON, FREDI ; MCDANIEL, HATTIE ; HORNE, LENA ; SCOTT, HAZEL ; WATERS, ETHEL ; DANDRIDGE, DOROTHY ISBN: 9780253221926Donation: donated by Senses of Cinema, 2013Contents: Introduction -- Madame Sul-Te-Wan : the struggle for visibility -- Nina Mae McKinney : early success and tumultuous career -- Louise Beavers : negotiating racial difference -- Fredi Washington : the masquerades and the masks -- Hattie McDaniel : centering the margin -- Lena Horne : actress and activist -- Hazel Scott : resistance to othering -- Ethel Waters : personification of otherness -- Dorothy Dandridge : intertwining the reel and the real -- Conclusion
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African camera : an introduction to African cinema / Australian Film Institute Sydney: Australian Film Institute,
Call No: 71 (6) AFRAuthor: Australian Film Institute Place: SydneyPublisher: Australian Film InstitutePhysDes: 32 unnumbered pages : illustrations ; 21 cmSubject: VISAGES DE FEMMES (IV, Desire Ecare, 1985) ; FINYE (ML, Souleymane Cisse, 1982) ; NYMANTON (ML, Cheik Omar Sissoko, 1986) ; HARVEST: 3000 YEARS (ET, Haile Gerima, 1976) ; AFRICAN CAMERA (TI, Ferid Boughedir, 1983) ; WEST INDIES STORY (MU, Med Hondo, 1979) ; VIE EST BELLE, LA (CG/BE/FR, Benoit Lamy & Ngangura Mweze, 1987) ; TOUKI BOUKI (SG, Djibril Diop Mambety, 1973) ; KADDU BEYKAT (SG, Safi Faye, 1975) ; BOPHA (US/SA, Daniel Riesenfeld, 1986) ; SONG OF THE SPEAR (UK, 1985) ; ANVIL AND THE HAMMER, THE (UK, Barry Feinberg, 1985) ; MANDELA (US, Peter Davis, 1986) ; CONSUMING HUNGER (US, Ilan Ziv & Freke Vuijst, 1987) ; SAMBIZANGA (AL, Sarah Maldoror, 1972) ; MANDABI [MONEY ORDER, THE] (SG, Ousmane Sembene, 1968) ; AFRICA ; AFRICA IN FILMS ; SOUTH AFRICA ; SOUTH AFRICA IN FILMS Notes: Title from cover.
"This monograph was produced to accompany African camera, a festival of recent African cinema imported by the Australian Film Institute in September/ October 1987--Page 2.
Includes bibliographical references (page 31)
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African cinema : politics & culture / Manthia Diawara Bloomington: Indiana University Press, 1992.
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African film and literature : adapting violence to the screen / Lindiwe Dovey New York: Columbia University Press, 2009.
Call No: 730.5.0(6) DOVAuthor: Dovey, Lindiwe Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2009PhysDes: xviii, 334 p. : ill.Series: Film and cultureSubject: AFRICA IN FILMS ; AFRICAN COUNTRIES ; SOUTH AFRICA ; SOUTH AFRICA IN FILMS ; VIOLENCE IN FILMS ; FOOLS (FR/SA/MZ/RH, Ramadan Suleman, 1996) ; TSOTSI (UK/SA, Gavin Hood, 2005) ; WALK IN THE NIGHT, A (SA, Mickey Madoda Dube, 1998) ; CRY THE BELOVED COUNTRY (US, Darrell Roodt, 1995) ; KARMEN GEÏ (SG/FR, Joseph Gaï Ramaka, 2001) ; GENESE, LA (ML/FR, Cheick Oumar Sissoko, 1999) Summary: "Analysing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey idenitifies a specific trend in contemporary African filmmaking - one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence." - TAKEN FROM BACK COVERISBN: 9780231147552Donation: donated by Senses of Cinema, 2012Contents: Cinema and violence in South Africa -- Fools and victims : adapting rationalized rape into feminist film -- Redeeming features : screening HIV/AIDS, screening out rape in Gavin Hood's Tsotsi -- From black and white to "coloured" : racial identity in 1950s and 1990s South Africa in two versions of A walk in the night -- Audio-visualizing "invisible" violence : remaking and reinventing Cry, the beloved country -- Cinema and violence in francophone West Africa -- Losing the plot, restoring the lost chapter : Aristotle in Cameroon -- African incar(me)nation : Joseph Gai¨ Ramaka's Karmen gei¨ -- Humanizing the Old Testament's origins, historicizing genocide's origins : Cheick Oumar Sissoko's La gene`se
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After "happily ever after" : romantic comedy in the post-romantic age / edited by Maria San Filippo; foreword by Tamar Jeffers McDonald Detroit, Michigan: Wayne State University Press, 2021.
Call No: 733.3 AFTEdition: 2021Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: 2021PhysDes: xviii, 362 pages : illustrated ; 23 cmSeries: Contemporary approaches to film and media seriesSubject: ROMANTIC COMEDY ; ALLEN, WOODY ; DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014) ; CRAZY RICH ASIANS (US, Jon M. Chu, 2018) ; HONG SANG-SOO ; LINKLATER, RICHARD ; UP IN SMOKE (US, Lou Adler, 1978) ISBN: 9780814346747
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After taste : cultural value and the moving image / edited by Julia Vassilieva and Constantine Verevis Abingdon: Routledge, 2012.
Call No: 62(04) AFTSource: KPlace: AbingdonPublisher: RoutledgePubDate: 2012PhysDes: viii, 173 pages ; 25 cm.Subject: B-MOVIES ; CRITICISM ; RECEPTION ; AMATEUR FILMS ; LOW BUDGET FILMS ; CULTURE AND THE CINEMA ; SOCIETY AND THE CINEMA ; POPULAR CULTURE AND THE CINEMA Summary: In the wake of the debates over high/low culture distinction spilling into the effective dismantling of the boundary that once separated them, the past decade has seen the explosion of ‘bad taste’ production on screen. Starting with paracinema or ‘badfilm’ – a movement that has grown up around sleazy, excessive, or poorly executed B-movies and has come to encompass disreputable and unworthy films – this trend has been evident in various formats: on television and in video-art, low-budget and straight to TV films, amateur and home movies. The proliferation of trash on screen can be seen as delivering the final blow to the vexed issue of taste.
More importantly, it prompts a reconsideration of some critical issues surrounding production, circulation, understanding and teaching of ‘bad objects’ in the media. This collection of essays, written by international film and television scholars, provides detailed critical analysis of the issues surrounding judgements of cultural value and taste, feeling and affect, cultural morals and politics, research methodologies and teaching strategies in the new landscape of ‘after taste’ media. Addressing global and local developments – from global Hollywood to Australian indigenous film and television, through auteurs Sergei Eisenstein to Jerry Bruckheimer, on to examples such as Twilight to Sukiyaki Western Django – the essays in this book offer a range of critical tools for understanding the recent shifts affecting cultural, aesthetic and political value of the moving image.
This book was originally published as a special issue of Continuum: Journal of Media & Cultural Studies.Notes: Includes bibliographical references and index.ISBN: 9780415845939Contents: 1. Introduction: after taste: cultural value and the moving image / Julia Vassilieva and Constantine Verevis -- Part I: Critical methods and approaches. 2. `An idleness bordering on the wacky': Paul Cox and the contradictions of an Australian art cinema / Adrian Martin -- 3. Hollywood: bad cinema's bad `other' / Jane Mills -- 4. Cultural value and viscerality in Sukiyaki Western Django: towards a phenomenology of bad film / Jane Stadler -- 5. Sergei Eisenstein's Que viva Mexico! through time: historicizing value judgement / Julia Vassilieva -- Part II: Taste and value. 6. Transitional tastes: teen girls and genre in the critical reception of Twilight / Lisa Bode -- 7. `Flesh dissolved in an acid of light': the B-movie as second sight / Simon Sellars -- 8. Making the commercial personal: the authorial value of Jerry Bruckheimer television / Tom Steward -- 9. Blowing chunks: Fear Factor, reality television and abjection as a disciplinary practice / Scott Wilson -- Part III: Feeling and affect. 10. Labours of love: home movies, paracinema, and the modern work of cinema spectatorship / Minette Hillyer -- 11. Dead time: cinema, Heidegger, and boredom / Richard Misek -- Part IV: Teaching bad objects forum. 12. Teaching bad objects: introduction / Jodi Brooks -- 13. The state of the discipline: film studies as bad object / Jodi Brooks -- 14. Beyond good/should/bad: teaching Australian Indigenous film and television / Therese Davis -- 15. Teaching Australian television studies / Belinda Smaill.
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After The Fox : whither film culture? in Metro (2000) iss.121/122 p.9-12
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After the great divide : modernism, mass culture, postmodernism / Andreas Huyssen Bloomington: Indiana University Press, 1986.
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Afterimage [London]: Afterimage Pub.,
Call No: held no.1-12 Apr. 1970-Oct. 1985; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: Afterimage (London, England)Source: UKPlace: [London]Publisher: Afterimage Pub.PhysDes: v. : ill. ; 21 cmSubject: CRITICISM Notes: Description based on: no. 10 (autumn 1981); title from coverISSN: 0261-4472LON: 82643316; 2374042
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Agatha Christie : murder in four acts : a centenary celebration of 'the queen of crime' on stage, film, radio and tv with a foreword by Sir John Gielgud / Peter Haining London: Virgin Books, 1990.
Call No: 81CHR HAIAuthor: Haining, Peter Source: UKPlace: LondonPublisher: Virgin BooksPubDate: 1990PhysDes: 160 p. ; b+w ill. : 30cmSubject: ADAPTATIONS ; CHRISTIE, AGATHA Summary: Study on the works of Agatha Christie and their adaptation to various forms of entertainment.ISBN: 1852272732Language: English
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L'Age d'or / Paul Hammond London: British Film Institute, 1997.
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L'age d'or : and Un chien andalou / films by Luis Bunuel. Translated from the French by Marianne Alexandre New York: Simon and Schuster, [c1968].
Call No: 792 BUNAuthor: Bunuel, Luis, 1900-1983 ; Dali, Salvador, 1904-1989, joint author ; Bunuel, Luis, 1900-1983. Chien andalou. English Place: New YorkPublisher: Simon and SchusterPubDate: [c1968]PhysDes: 120 p. illus. 21 cmSubject: AGE D'OR, L' (FR, Luis Bunuel, 1930) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) Notes: Scripts by L. Bunuel and S. Dali; "Filmography": p. 117-120LON: 1880 1880
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The age of uncertainty in Weekend Australian [Review] (16/05/2015) p.3
Call No: TITLE CLIPPINGS FILE; CLOUDS OF SILS MARIA (FR/SZ/ G/US/BE, Olivier Assayas, 2014)Author: Bodey, Michael PhysDes: Clippings File ArticleSubject: CLOUDS OF SILS MARIA (FR/SZ/ G/US/BE, Olivier Assayas, 2014) ; BINOCHE, JULIETTE ; ASSAYAS, OLIVIER ; STEWART, KRISTEN Summary: Interview with Olivier Assayas about his film Clouds of Sils Maria and the performances of the two main actresses, French superstar Juliette Binoche, and Kristen Stewart (of Twilight fame).
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Agnes Varda / Alison Smith Manchester: Manchester University Press, 1998.
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Agnes Varda between film, photography, and art / by Rebecca J. DeRoo Oakland, California: University of California Press, c2018.
Call No: 81VAR DERAuthor: DeRoo, Rebecca J. Source: USPlace: Oakland, CaliforniaPublisher: University of California PressPubDate: c2018PhysDes: x, 238 pages : illustrations ; 23 cmSubject: FILM ; CRITICISM ; FEMININITY IN FILMS ; FEMINISM AND THE CINEMA ; NOUVELLE VAGUE ; MOVEMENTS AND STYLES IN FILM HISTORY ; FRANCE ; VARDA, AGNES ; POINTE COURTE, LA (FR, Agnes Varda, 1954) ; BONHEUR, LE (FR, Agnes Varda, 1965) ; ONE SINGS, THE OTHER DOESN’T (FR/BE, Agnes Varda, 1977) ; DAGUERREOTYPES (FR/G, Agnes Varda, 1978) Summary: "Agnes Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture. " -- BOOK BACK COVERNotes: Includes bibliographical references and index; Also issued onlineISBN: 9780520279414Contents: -- Acknowledgments -- Reinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'iIe Et Elle -- Varda now: autobiography, memory, and retrospective -- notes -- bibliography -- index --
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AIDC conference 99 in If magazine (Dec 1999-Jan 2000) iss.20 p.19, 34
Author: Pellow, Jackson PhysDes: Conference report; Illustration(s)Subject: CONFERENCES. AUSTRALIA. DOCUMENTARY. 1999 ; HEYER, JOHN Summary: Overview of the Australian International Documentary Conference held in Adelaide in November 1999. Includes the announcement of the Stanley Hawes Award for services to Australia documentary filmmaking awarded to John Heyer.
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Aim for the heart : the films of Clint Eastwood / Howard Hughes London ; New York: I.B. Tauris, 2009.
Call No: 81EAS HUGAuthor: Hughes, Howard Source: US/UKPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2009PhysDes: xxxi, 252 p. : ill. ; 25 cm.Subject: EASTWOOD, CLINT ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; TWO MULES FOR SISTER SARA (US, Don Siegel, 1969) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; COOGAN'S BLUFF (US, Don Siegel, 1968) ; DIRTY HARRY (US, Don Siegel, 1971) ; MAGNUM FORCE (US, Ted Post, 1973) ; ENFORCER, THE (US, James Fargo, 1976) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; TIGHTROPE (US, Richard Tuggle, 1984) ; CITY HEAT (US, Richard Benjamin, 1984) ; DEAD POOL, THE (US, Buddy Van Horn, 1988) ; ROOKIE, THE (US, Clint Eastwood, 1990) ; IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993) ; PERFECT WORLD, A (US, Clint Eastwood, 1993) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; PLAY MISTY FOR ME (US, Clint Eastwood, 1971) ; BREEZY (US, Clint Eastwood, 1973) ; BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; BRONCO BILLY (US, Clint Eastwood, 1980) ; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980) ; PINK CADILLAC (US Buddy van Horn, 1989) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; BIRD (US, Clint Eastwood, 1988) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) ; SPACE COWBOYS (US, Clint Eastwood, 2000) ; MYSTIC RIVER (US, Clint Eastwood, 2003) ; MILLION DOLLAR BABY (US, Clint Eastwood, 2004) ; THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974) ; EIGER SANCTION, THE (US, Clint Eastwood, 1975) ; ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979) ; ABSOLUTE POWER (US, Clint Eastwood, 1997) ; TRUE CRIME (US, Clint Eastwood, 1999) ; BLOOD WORK (US, Clint Eastwood, 2002) ; WHERE EAGLES DARE (US, Brian G. Hutton, 1969) ; KELLY'S HEROES (US, Brian G. Hutton, 1970) ; FIREFOX (US, Clint Eastwood, 1982) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006) ; LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006) Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story.
Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURBNotes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and indexISBN: 9781845119027Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.
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AIMC lines up DVD panel in Encore (Online) (Jul 07, 2004)
Call No: DVD RESEARCH FOLDERAuthor: Hull, David Subject: CONFERENCE AUSTRALIAN INTERNATIONAL MOVIE CONVENTION 2004 Summary: Speakers for the AIMC 2004 conference on the subject "Is DVD and the Uptake of Home Entertainment Systems impacting Theatrical Exhibition," are Foxtel's Patrick Delany, CEO of Video Ezy Stephen Johnston, General Manager of Roadshow Entertainment Ros Wilson and President of MPDAA/Mg Dir of Columbia Tristar Ross Entwhistle.Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).
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AIMC looks for AWOL audiences in Encore (Online) (Sept 26, 2005)
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Crawford collection
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[Alice to nowhere: album #1] Crawford Productions [distributor], [1986?].
Call No: CRAWFORD STILL ALISource: ATPublisher: Crawford Productions [distributor]PubDate: [1986?]PhysDes: 85 photographs : b&w ; 26 x 19 cm + 53 slides : col. + 10 transparencies : col. ; 120 mm + 36 negatives : b&w ; 35 mmSubject: JONES, ROSEY ; WATERS, JOHN (AT) ; VAUGHAN, MARTIN ; STORM, ESBEN ; JACOBS, STEVE ; SMITHERS, JOY ; CRACKNELL, RUTH ; MAGUIRE, GERARD ; LUNNEY, BRENDON ; ALICE TO NOWHERE [TV] (AT, John Power, 1986) Summary: Photographs, slides and negatives relating to Alice to NowhereNotes: Arrangement: Images are arranged by record type (photographs with accompanying promotional sheets with descriptive captions, photographs without accompanying sheets, slides with accompanying promotional sheets, slides pertaining to publicity brochure, transparencies then negatives -- Negatives consist of 6 strips of photographic negatives -- Duplicate material held in storageDonation: Gift of Crawford Productions
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Alien : the special effects / Don Shay and Bill Norton London: Titan Books, 1997.
Call No: 236ALI SHAAuthor: Norton, Bill ; Shay, Don Edition: First editionSource: UKPlace: LondonPublisher: Titan BooksPubDate: 1997PhysDes: 144 p. : ill. (some col.), ports. (some col.) ; 21 x 23 cmSubject: SPECIAL EFFECTS ; CINEMATOGRAPHY ; TECHNOLOGY AND THE CINEMA ; TECHNOLOGICAL DEVELOPMENTS ; COSTUME DESIGNING ; SCIENCE-FICTION FILMS ; MONSTERS IN FILMS ; COMPUTERS AND THE CINEMA ; ALIEN (UK, Ridley Scott, 1979) ; ALIEN 3 (US, David Fincher, 1992) ; ALIENS (US, James Cameron, 1986) Summary: "Discover how the amazing special effects in Alien, Aliens, and Alien3 were achieved in this inside, in-depth, look behind the scenes. All the secrets of these visually stunning and innovative blockbuster films are contained in this first, exciting, collaboration between Titan books and respected special effects magazine Cinefex. " -- BOOK BLURBNotes: "This collection comprises three articles originally published in Cinefex magazine" - t.p. versoISBN: 1852866950Contents: -- alien: creating an alien ambience by Don Shay -- aliens: this time it's war by Don Shay -- alien3: zealots and xenomorphs by Bill Norton ---
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Alien zone II : the spaces of science-fiction cinema / edited by Annette Kuhn London New York: Verso, 1999.
Call No: 735.1 KUHAuthor: Kuhn, Annette Place: London New YorkPublisher: VersoPubDate: 1999PhysDes: 308 p. : ill. ; 20 cmSubject: SCIENCE-FICTION FILMS ; CITIES IN FILMS ; BODY IN FILMS ; DIGITAL TECHNOLOGY ; UTOPIA IN FILMS ; FANS ; INTERNET AND THE CINEMA ; MASCULINITY IN FILMS ; POSTMODERNISM AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; SPECTATORSHIP ; ADAPTATIONS. WELLS, H.G. ; VAN DAMME, JEAN-CLAUDE ; SCHWARZENEGGER, ARNOLD ; CREED, BARBARA ; TRUMBULL, DOUGLAS ; JOHNNY MNEMONIC (US, Robert Longo, 1995) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; BLADE RUNNER (US, Ridley Scott, 1982) ; ALIEN [...] (UK/US, 1979-92) ; ALIEN (UK, Ridley Scott, 1979) ; ALIENS (US, James Cameron, 1986) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; BRAZIL (UK, Terry Gilliam, 1985) ; DEMOLITION MAN (US, Marco Brambilla, 1993) ; MAX HEADROOM [TV] (US, 1987-89) ; METROPOLIS (G, Fritz Lang, 1926) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and indexISBN: 1859842593 (paper); 1859847463 (cloth)LON: 20466609
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All the chips fall into place in Sunday Herald Sun [Scene] (2/04/2017) p.3
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Crawford collection
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[All the rivers run : album #1] Crawford Productions [distributor], [1983?].[1990?].
Call No: CRAWFORD STILL ALLSource: ATPublisher: Crawford Productions [distributor]PubDate: [1983?]; [1990?]PhysDes: 34 photographs : b&w ; 26 x 21 cm + 19 slides : col.Subject: WATERS, JOHN (AT) ; THORNTON, SIGRID ; WRIGHT, ADRIAN ; BURNS, CAROL ; TINGWELL, CHARLES (BUD) ; COGHILL, NIKKI ; FAWDON, MICHELE ; ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983) ; ALL THE RIVERS RUN II (AT, John Power, 1990) Summary: Photographs and slides relating to All The Rivers RunNotes: Arrangement: Images are arranged by record type and series (photographs with accompanying promotional material with descriptive captions for All The Rivers Run (1983), then slides and photographs for All The Rivers Run II (1990) -- slides for All The Rivers Run II contain annotations indicating presence of TV aerials and light poles in some images -- Duplicate material in storageDonation: Gift of Crawford Productions
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Crawford collection
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[All the way : album #1] / Greg Noakes Crawford Productions [distributor], [1988?].
Call No: CRAWFORD STILL ALLSource: ATPublisher: Crawford Productions [distributor]PubDate: [1988?]PhysDes: 21 photographs : b&w ; 26 x 20 cm + 9 slides : col. + 1 photograph : col. ; 26 x 21 cm + 1 transparency : col. ; 10 x 13 cm + 4 proof sheets : col. ; 32 x 9 cm + 2 proof sheets : b&w ; 25 x 25 cmSubject: CRAWFORD PRODUCTIONS ; SACKS, MARTIN ; SUMNER, PETER ; WALLACE, ROWENA ; MENDELSOHN, BEN ; McKENZIE, JACQUELINE ; MILLAR, MAGGIE ; SMITHERS, JOY ; HENSLEY, LISA ; ALL THE WAY [TV] (AT, 1988) Summary: Photographs and slides relating to the series 'All the way'Notes: Images are arranged by record type (photographs, slides, transparency then proof sheets)Donation: Gift of Crawford Productions
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Allan Collins in Australian Cinematographer (Dec 2014) iss.64 p.10-20
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Along Film Row in Australasian Cinema (25/3/1983) vol.12 iss.5 p.6-7
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Along Film Row in Australasian Cinema (11/2/1983) vol.12 iss.2 p.6-7
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The altering eye : contemporary international cinema / Robert Phillip Kolker Oxford: Oxford University Press, 1983.
Call No: 62 KOLAuthor: Kolker, Robert Phillip Source: USPlace: OxfordPublisher: Oxford University PressPubDate: 1983PhysDes: 428 p. : ill. ; 21 cmSubject: HISTORY OF CINEMA ; CRITICISM ; PHILOSOPHY AND THE CINEMA ; DE SICA, VITTORIO ; GODARD, JEAN-LUC Summary: " Most filmmakers, especially in the United States, have chosen not to upset their audiences. But since World War 2, an alternative cinema has emerged on a significant scale, particularly in Europe and Latin America- a cinema that challenges rather than soothes, that questions assumptions rather than reinforces them. This kind of film - "made in a spirit of resistance, rebellion, and refusal" - is the focus of this important and stimulating study. Investigating many movements and styles, Robert Phillip Kolker illuminates both their diversity and their common threads. He starts with the seminal achievements of the Italian neo-realists (Rossellini, De Sica, Visconti), examining the filmmakers who influenced them and their influence in turn on later filmmakers in Engalnd, Brazil, India and Europe. He looks at the modernist experiments of Resnais and Antonioni and pays special attention to the directors of the French New Wave (Godard, Truffaut, Chabrol, Rohmer, Rivette), who broke down the remaining traditions of cinematic storytelling and invented new ones.
With deftness and clarity, Kolker discusses the New Wave's influence on such older directors as Bresson and Bunuel, as well as on younger ones, such as Ken Russell, Nicolas Roeg, and Jean-Marie Straub. He investigates the New German Cinema of Fassbinder, Wenders, and Herzog, filmmakers who have furthered the effort to make cinema a tool of enquiry and visual invention. He concludes with a look at specific political and psychological elements in contemporary film, particularly in the work of revolutionary Latin American filmmakers, the Hungarian director Miklos Jancso, as well as Godard, Bertolucci, Fassbinder, Losey, and Bunuel." -- BOOK BLURBNotes: Includes index; Bibliography: p. 405-415ISBN: 0195033027Contents: -- introduction -- one: the vaildity of image -- two: the substance of form -- three: politics, psychology, and memory -- notes -- bibliography -- index --URL status: URL: 'http://-'
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Alternative scriptwriting / Ken Dancyger and Jeff Rush Boston: Focal Press, 1995.
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Altman on Altman / Robert Altman and David Thompson (ed.) London: Faber and Faber, 2005.
Call No: 81ALT THOAuthor: Altman, Robert and Thompson, David Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 2005PhysDes: xxii, 306p. ; b+w ill. : 22cm.Subject: ALTMAN, ROBERT ; M*A*S*H (US, Robert Altman, 1969) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; THIEVES LIKE US (US, Robert Altman, 1974) ; CALIFORNIA SPLIT (US, Robert Altman, 1974) ; NASHVILLE (US, Robert Altman, 1975) ; BUFFALO BILL AND THE INDIANS (US, Robert Altman, 1976) ; QUINTET (US, Robert Altman, 1979) ; PERFECT COUPLE, A (US, Robert Altman, 1979) ; HEALTH (US, Robert Altman, 1980) ; POPEYE (US, Robert Altman, 1980) ; COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982) ; STREAMERS (US, Robert Altman, 1983) ; SECRET HONOR (US, Robert Altman, 1984) ; FOOL FOR LOVE (US, Robert Altman, 1985) Summary: In these conversations with David Thompson, Altman reflects on his start in industrial filmmaking, as well as his tenure in television directing Alfred Hitchcock Presents and Bonanza, and his big break in feature films as the director of the enormously popular M*A*S*H, a project for which he was the last possible resort behind fourteen other directors. The resulting portrait reveals a quixotic man whose films continue to delight and challenge audiences, both in the United States and beyond.Notes: Includes index and bibliographyISBN: 0571220894
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The amazing Mr. Noel Coward / by Patrick Braybrooke London: Archer, 1933.
Call No: 81COW BRAAuthor: Braybrooke, Patrick, 1894 Place: LondonPublisher: ArcherPubDate: 1933PhysDes: xv, 168 p., [8] leaves of plates : illSubject: COWARD, NOEL Notes: Includes indexLON: abn86169573; 4650866
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Amazing music for "Amazing Stories" in Ciinema score vol.13/14 p.6
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Ambiguity and film criticism : reasonable doubt / Hoi Lun Law Cham, Switzerland: Palgrave Macmillan, 26/02/2021.
Call No: 620 HOIAuthor: Law, Hoi Lun Edition: 2021Place: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: 26/02/2021PhysDes: ix, 191 pages : illustratedSeries: Palgrave close readings in film and televisionSubject: CRITICISM ; LATE SPRING [BANSHUN] (JA, Yasujiro Ozu, 1949) ; [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; FORCE MAJEURE [TURIST] (SW/FR/NO, Ruben Ostlund, 2014) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) Summary: This book defends an account of ambiguity which illuminates the aesthetic possibilities of film and the nature of film criticism. Ambiguity typically describes the condition of multiple meanings. But we can find multiple meanings in what appears unambiguous to us. So, what makes ambiguity ambiguous? This study argues that a sense of uncertainty is vital to the concept. Ambiguity is what presses us to inquire into our puzzlement over a movie, to persistently ask "why is it as it is?" Notably, this account of the concept is also an account of its criticism. It recognises that a satisfying assessment of what is ambiguous involves both our reason and doubt; that is, reason and doubt can work together in our practice of reading. This book, then, considers ambiguity as a form of reasonable doubt, one that invites us to reflect on our critical efforts, rethinking the operation of film criticism. -- cover blurbISBN: 9783030629472Contents: Introduction: Rethinking Ambiguity -- Part One: Considering Context and Convention -- 1. Difficulty of Explanation: The Enigmatic Vase Shots in Late Spring -- 2. Perplexing Style: The Programmatic Editing Strategy of Ten -- 3. Appropriateness of Clarification: Analytical Découpage and the Reductive Viewpoint -- Part Two: Reading in Detail -- 4. Depth of Suggestion: The Demonstrative Gestures in In a Lonely Place -- 5. Uncertainty of Understanding: The Unsettling Direct Look in Beyond a Reasonable Doubt -- Part Three: Coming to a Close -- 6. Questioning Closure: The Inconclusive Final Moments of Force Majeur -- Concluding Remarks: Reason and Responsibility.
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America's Film Legacy : the authoritative guide to the landmark movies in the National Film Registry / by Daniel Eagan New York : London: Continuum, 2010.
Call No: 71(73) EAGAuthor: Eagan, Daniel Source: USPlace: New York : LondonPublisher: ContinuumPubDate: 2010PhysDes: xxvii, 818 p. : ill. ; 26 cmSubject: BEST FILMS ; BEST FILMS. US ; CRITICISM ; FILM ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA ; LIBRARY OF CONGRESS ; USA Summary: "America's Film Legacy is a guide to the most significant films ever made in the United States. Unlike opinionated "Top 100" and arbitrary "Best of" lists, these are the real thing: groundbreaking films that make up the backbone of American cinema. Some are well-known, such as Citizen Kane, Casablanca, The Godfather, and Toy Story. Others are more obscure - Blacksmithing Scene, Mom and Dad, Chulas Fronteras, and Free Radicals. Daniel Eagan's beautifully written and authoritative book is for anyone who loves American movies and who wants to learn more about them.
Each of the 500 titles in the National Film Registry is covered in a detailed essay that includes cast, credits, and major awards, as well as screening information. With over 100 illustrations and frame enlargements. " -- BOOK BLURBNotes: Formerly CIPISBN: 9780826429773Contents: -- acknowledgments -- introduction -- how to read the entries -- the 500 films, in chronological order -- an alphabetical list of the films -- the 500 films --
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The American animated cartoon : a critical anthology / edited by Danny Peary and Gerald Peary New York: Dutton, c1980.
Call No: 772(73) AMEAuthor: Peary, Gerald ; Peary, Danny, 1949 Edition: 1st edPlace: New YorkPublisher: DuttonPubDate: c1980PhysDes: x, 310 p. : ill. ; 23 cmSubject: ANIMATED FILMS. USA ; ROAD RUNNER ; DAFFY DUCK ; GOOFY ; MICKEY MOUSE ; MIGHTY MOUSE ; POPEYE ; [MISTER] MR MAGOO ; WARNER BROS. ; FLEISCHER STUDIO ; UPA ; DISNEY, WALT ; GRIFFIN, GEORGE ; HUEMER, DICK ; JONES, CHUCK ; CLAMPETT, BOB ; MCCAY, WINSOR ; AVERY, TEX ; BLANC, MEL ; HUBLEY, FAITH & JOHN ; HANNA, WILLIAM ; BAKSHI, RALPH ; BRAY, JOHN RANDOLPH ; LANTZ, WALTER ; HARMAN, HUGH ; WRIGHT, PRESCOTT ; MCKIMSON, ROBERT ; TYTLA, VLADIMIR ; DUMBO (US, Walt Disney, 1941) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; BAMBI (US, David Hand, 1942) Notes: Includes bibliographies and indexISBN: 0525476393 : $10.95LON: 1776676
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The American comic book industry and Hollywood / Alisa Perren and Gregory Steirer London: bfi Publishing,
Call No: 753.5 PERAuthor: Perren, Alisa ; Steirer, Gregory Edition: 2021Place: LondonPublisher: bfi PublishingPhysDes: 250 pages ; 24 cmSubject: COMIC STRIPS AND THE CINEMA ; COMIC STRIPS ; COMIC STRIP CHARACTERS IN FILMS ; SUPERHEROES IN FILMS ; MARVEL ; MARVEL ENTERTAINMENT ; SUPERMAN IN FILMS Summary: The American Comic Book Industry and Hollywood traces the evolving relationship between the American comic book industry and Hollywood from the launch of X-Men, Spider-Man, and Smallville in the early 2000s through the ascent of the Marvel Cinematic Universe, the Arrowverse, and the Walking Dead Universe in the 2010s.
Perren and Steirer illustrate how the American comic book industry simultaneously has functioned throughout the first two decades of the twenty-first century as a relatively self-contained business characterized by its own organizational structures, business models, managerial discourses, production cultures, and professional identities even as it has remained dependent on Hollywood for revenue from IP licensing. The authors' expansive view of the industry includes not only a discussion of the “Big Two,” Marvel/Disney and DC Comics/Time Warner, but also a survey of the larger comics ecosystem. Other key industry players, including independent publishers BOOM! Studios, IDW, and Image, digital distributor ComiXology, and management-production company Circle of Confusion, all receive attention. Drawing from interviews, fieldwork, archival research, and trade analysis, The American Comic Book Industry and Hollywood provides a road map to understanding the operations of the comic book industry while also offering new models for undertaking trans- and inter-industrial analysis. -- publisher's web siteISBN: 9781844579419Contents: Introduction: The More Things Change…: The American Comic Book Industry and Hollywood in the Twenty-First Century -- 1 Comics Pros Go to Hollywood: The Historical Evolution of the Comics-Hollywood Relationship -- 2 Comic Books and the Economics of Intellectual Property Production -- 3 Drawing Lines: The Place of Comic Book Artists and Writers in Hollywood -- 4 Synergy in Theory and in Practice: Comic Books and the Contemporary Media Conglomerate -- 5 Organizational (Dis-)Integration: Publisher-Hollywood Relationships in the Twenty-First Century -- 6 From Dental Floss to Dental Tape: The Strange Case of Digital Comics -- Distribution -- Afterword: Days of Future Present: The View from 2020
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American directors : volume 1 / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.1Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; BERKELEY, BUSBY ; BORZAGE, FRANK ; BROWN, CLARENCE ; CAPRA, FRANK ; CHAPLIN, CHARLES ; CUKOR, GEORGE ; CURTIZ, MICHAEL ; DAVES, DELMER ; DEMILLE, CECIL B. ; DWAN, ALLAN ; FLEMING, VICTOR ; FORD, JOHN ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; KING, HENRY ; LA CAVA, GREGORY ; LANG, FRITZ ; LEROY, MERVYN ; LEWIS, JOSEPH H. ; LUBITSCH, ERNST ; MAMOULIAN, ROUBEN ; MANN, ANTHONY ; MCCAREY, LEO ; PREMINGER, OTTO ; SHERMAN, VINCENT ; SIRK, DOUGLAS ; STAHL, JOHN M. ; VON STERNBERG, JOSEF ; STEVENS, GEORGE ; STURGES, PRESTON ; TOURNEUR, JACQUES ; ULMER, EDGAR G. ; VIDOR, KING ; WALSH, RAOUL ; WELLMAN, WILLIAM ; WILDER, BILLY ; WYLER, WILLIAM Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.2Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; ALDRICH, ROBERT ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOETTICHER, BUDD ; BOGDANOVICH, PETER ; BROOKS, RICHARD ; CASSAVETES, JOHN ; CASTLE, WILLIAM ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DASSIN, JULES ; DE PALMA, BRIAN ; DMYTRYK, EDWARD ; DONEN, STANLEY ; EASTWOOD, CLINT ; EDWARDS, BLAKE ; FLEISCHER, RICHARD ; FRANKENHEIMER, JOHN ; FULLER, SAMUEL ; HARRINGTON, CURTIS ; KAZAN, ELIA ; KELLY, GENE ; KERSHNER, IRVIN ; KUBRICK, STANLEY ; LEWIS, JERRY ; LOGAN, JOSHUA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; Lupino, Ida ; MANKIEWICZ, JOSEPH L. ; MINNELLI, VINCENTE ; PARRISH, ROBERT ; Peckinpah, Sam ; PENN, ARTHUR ; POLLACK, SYDNEY ; POLONSKY, ABRAHAM ; RAFELSON, BOB ; RAFELSON, BOB ; RAY, NICHOLAS ; RITCHIE, MICHAEL ; ROSSEN, ROBERT ; SCORSESE, MARTIN ; SIDNEY, GEORGE ; SIEGEL, DON ; SPIELBERG, STEVEN ; STURGES, JOHN ; TASHLIN, FRANK ; WELLES, ORSON ; WISE, ROBERT ; ZINNEMANN, FRED Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American Film Market Assoc. backs int'l. licensing symposium in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.1
PhysDes: ArticleSubject: AMERICAN FILM MARKET ; COPYRIGHT ; CABLE TV Summary: Article on the future American Film Market Association symposium, including a list of topics that will be discussed.
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American Film Market being restricted in Australasian Cinema (28/5/1982) vol.11 iss.9 p.1
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American film now : the people, the power, the money, the movies / by James Monaco New York: New American library, 1979.
Call No: 71(73) MONAuthor: Monaco, James Source: USPlace: New YorkPublisher: New American libraryPubDate: 1979PhysDes: 544 p. : ill. ; 24 cmSubject: MOTION PICTURES - HISTORY ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOGDANOVICH, PETER ; BROOKS, MEL ; CASSAVETES, JOHN ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; LUCAS, GEORGE ; MAZURSKY, PAUL ; RITCHIE, MICHAEL ; SCORSESE, MARTIN ; SPIELBERG, STEVEN ; SCHRADER, PAUL ; SIMON, NEIL Summary: "Hollywood movies today are bigger - but are they better than ever? In this major examination of modern American cinema, one of our leading film critics ponders this question - and produces a wide-screen picture of the answer. Here in detail are the careers and creative milestones of the new "Whiz Kids" of hollywood - such glittering names as Scorsese, De Palma, Lucas, Spielberg, Altman, Mazursky, and Coppola. Here are the new masters of comedy - Neil Simon, Mel Brooks, Woody Allen. Here are the blockbusters that made fiscal history- Jaws, The Exorcist, the Godfather, Star Wars, Close Encounters of the Third Kind, Nashville, Superman, and all the others. Here, too, are the masterpieces that passed unnoticed, and the disasters that Hollywood would like to forget. Here are the new writers turning out novelizations of screenplays and screenplays of novels, and the current and rising stars who collectively represent America's vision of glamour and aristocracy. Above all, here is a bottom-line report on the new economics that have turned Hollywood from an old-fashioned industry centered on making movies into a "leisure-time" business obsessed with making money for coporate owners. Add to this a complete rundown of the top critics' choice for the best films of the decade, and a comprehensive "Who's Who" in current American filmmaking, and you have American Film Now- the definitve guide to the film industry as it is today and as it will be tomorrow." BOOK BLURBNotes: Includes index.Donation: donated by Senses of Cinema, 2010Contents: -- 1 Properties and packages: Getting started, building "projects", the rules of the game -- 2 Products and profits: conglomeration, the cash flow, slicing the pie, agenting -- 3 The entertainment machine: " Eat, swim, play, not talk!", the family of genres, the quarks of film -- 4: The people who make movies: the assets, Obiter Dicta: major contributors, the rest of the crew -- 5 The Whiz kids: Peter Bogdanovich, Billy Friedkin, Martin Scorsese, Brian De Palma, George Lucas, Steven Spielberg, Paul Schrader -- 6 The black film ( and the black image): Hello, Sam; Ossie davis, Gordon Parks, Melvin Van Peebles, Bill Gunn, Michael Schultz -- 7 The importance of being funny: comics and comedians: whats funny?, the genre and the style, the sunshine boys make movies: Neil Simon, Mel Brooks, Woody Allen -- 8 Myth, reality, and other ways of meaning: Realism and documentary, the mythos and ethos, myth for myth's sake, "If you want to send a message, call Western Union", The way we live now -- 9 Who's talking? Cassavetes, Altman, and Coppola: John Cassavetes and the mystiwue of the actor, Robert Altman and the myth of the character, Francis Coppola: the Stinky Kid as mogul -- 10 Who's talking? Ritchie and Mazursky: Michael Ritchie the ironist, Paul Mazursky the satirist -- 11 The fourth estate: Begelmania, A new constellation, What is to be done? -- The Data -- Critics and critical choices -- the best films of the decade -- ten major filmographies: Woody Allen, Robert Altman, John Cassavetes, Francis Coppola, Brian De Palma, George Lucas, Paul Mazursky, Michael Ritchie, Martin Scorsese, Steven Spielberg -- reading about American film now: a guide -- references -- Who's who in Americn film now?: writers, directors, actors, actresses, producers, cinematographers, composers, designers, special effects, sound -- index -- credits
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American Gangster in Empire (Australian Ed.) (May 2007) iss.74 p.24-26
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American Gangster in Empire (Australian Ed.) (June 2008) iss.87 p.105
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American history/American film : interpreting the Hollywood image / edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr New York: Ungar, c1979.
Call No: 409(73) AMEAuthor: O'Connor, John E ; Jackson, Martin A Place: New YorkPublisher: UngarPubDate: c1979PhysDes: xxix, 290 p. : ill. ; 22 cmSubject: NATIONAL IDENTITY IN FILMS. USA ; NATIONAL CULTURE AND THE CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLACK CINEMA. US ; WORKING CLASS IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; HISTORICAL FILMS. USA ; WORLD WAR II FILMS. USA ; HISTORY AND THE CINEMA. USA ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; SCAR OF SHAME, THE (US, Frank Peregini, 1927) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; WAY DOWN EAST (US, David Wark Griffith, 1920) ; BIG PARADE, THE (US, King Vidor, 1925) ; DRUMS ALONG THE MOHAWK (US, John Ford, 1939) ; MISSION TO MOSCOW (US, Michael Curtiz, 1943) ; BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946) ; RED RIVER (US, Howard Hawks, 1948) ; VIVA ZAPATA (US, Elia Kazan, 1952) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; ROCKY (US, John G. Avildsen, 1976) Notes: Includes index; Bibliography p. 279-282ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95LON: 1282547
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American history, American television : interpreting the video past / edited by John E. O'Connor ; foreword by Erik Barnouw New York: Ungar, c1983.
Call No: 45:93 OCOAuthor: O'Connor, John E Source: USPlace: New YorkPublisher: UngarPubDate: c1983PhysDes: xliii, 420 p. : ill. ; 22 cmSeries: Ungar film librarySubject: HISTORY AND TV.USA ; ALLEN, ROBERT ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; ETHNIC GROUPS AND TV ; BRIAN'S SONG (US, Buzz Kulik, 1971) ; BUSH [GEORGE SNR.] ON TV ; COLD WAR ON TV ; COMEDY PROGRAMMES. USA ; COMMERCIALS.TV.USA ; KENNEDY FAMILY ON TV ; MARTY (US, Delbert Mann, 1954) ; MILTON BERLE SHOW, THE (US, 1954-56) ; NEWS PROGRAMMES.USA ; NIXON [RICHARD M.] ON TV ; POLITICAL PERSONALITIES ON TV.USA ; POLITICS AND TV. USA ; ROOTS [TV] (US, 1977) ; SEE IT NOW [TV] (US, 1951-58) ; SOAP OPERAS. USA ; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55) Notes: Includes index; Bibliography: p. 395-405ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95LON: 2795583
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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American movie audiences: from the turn of the century to the early sound era / Melvyn Stokes and Richard Maltby London: British Film Institute, 1999.
Call No: 410(73) STOAuthor: Stokes, Melvyn ; Maltby, Richard Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 1999PhysDes: 186 p. ; 23 cmSubject: SOCIETY AND THE CINEMA. USA ; AUDIENCES, US ; CULTURE AND THE CINEMA. USA Summary: This book is an investigation by various authors into the early days of American cinema. Topics covered include: Jewish immigrant audiences in New York City 1905-14, Small town picture shows, representations of the audience in early cinema advertising, at the movies in Milwaukee in 1918.ISBN: 0851707211
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American nightmare : Essays on the horror film / Edited by Robin Wood and Richard Lippe Toronto: Festival of Festivals, 1979.
Call No: 735.2 WOOAuthor: Wood, Robin ; Lippe, Richard Edition: 1979Place: TorontoPublisher: Festival of FestivalsPubDate: 1979PhysDes: 21 cm ; 100 pagesSubject: NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979) ; ASSAULT ON PRECINCT 13 (US, John Carpenter, 1976) ; SISTERS (US, Brian De Palma, 1972) ; JAWS (US, Steven Spielberg, 1975) ; COHEN, LARRY ; ROMERO, GEORGE ; EXORCIST, THE (US, William Friedkin, 1973)
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American silent film / William K. Everson New York: Oxford University Press, 1978.
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American television during a television presidency / edited by Karen McNally Detroit, Michigan: Wayne State University Press, April 2022.
Call No: 49[32](73) AMEAuthor: McNally, Karen Edition: 2022Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: April 2022PhysDes: 336 pages ; 24 cmSeries: Contemporary approaches to film and mediaSubject: TELEVISION. USA ; TRUMP, DONALD ; APPRENTICE, THE [TV] (US, 2004) ; CHERNOBYL [TV] (US/UK, 2019) ; POLITICS AND TV. USA ; GOOD WIFE, THE [TV] (US, 2009) ; BLACKLISTING. USA ; PLOT AGAINST AMERICA (US, 2020) ; SATURDAY NIGHT LIVE [TV] (US, 1975-) ; STAR TREK [ GENERAL] ; AMERICAN HORROR STORY [TV] (US, 2011) Summary: In American Television during a Television Presidency, Karen McNally and contributors critically examine the various ways in which television became transfixed by the Trump presidency and the broader political, social, and cultural climate. This book is the first to fully address the relationship between TV and a presidency consistently conducted with television in mind.
The sixteen chapters cover everything from the political theater of televised impeachment hearings to the potent narratives of fictional drama and the stinging critiques of comedy, as they consider the wide-ranging ways in which television engages with the shifting political culture that emerged during this period. Approaching television both historically and in the contemporary moment, the contributors - an international group of scholars from a variety of academic disciplines- illuminate the indelible links that exist between television, American politics, and the nation’s broader culture. As it interrogates a presidency played out through the lens of the TV camera and reviews a medium immersing itself in a compelling and inescapable subject, American Television during a Television Presidency sets out to explore what defines the television of the Trump era as a distinctive time in TV history. From inequalities to resistance, and from fandom to historical memory, this book opens up new territory in which to critically analyze television’s complex relationship with Donald Trump, his presidency, and the political culture of this unsettled and simultaneously groundbreaking era.
Undergraduate and graduate students and scholars of film and television studies, comedy studies, and cultural studies will value this strong collection. -- publisher's web siteISBN: 9780814349359Donation: Senses of Cinema
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journal article
An amusing and uncommunicative trio in Foreign sales Italian movie trade (April/May 1984) vol.10 iss.4/5 p.18
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newspaper article
Analysts add to sense of doom as advertising dries up in The Australian (5/06/2017) p.23
Author: Bingemann, Mitchell PhysDes: Clippings File ArticleSubject: ADVERTISING. TV. AUSTRALIA ; COMMERCIAL TV. AUSTRALIA Summary: Advertising revenue for newspapers and free-to-air television will collapse by more than $1.6 billion over the next four years as Facebook and Google extend their dominance of digital media, figures show. Newspapers will lose $850 million in ad spend by 2021 in a move that further underlines why corporate chiefs in the media industry argue that the sector needs urgent reforms to overhaul regulations introduced in a pre-internet era.
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Anatomy of film / Bernard F. Dick New York -- Hampshire: St Martins Press -- Macmillan Press, 1998.
Call No: 62 DICAuthor: Dick, Bernard F Edition: Third editionSource: US/UKPlace: New York -- HampshirePublisher: St Martins Press -- Macmillan PressPubDate: 1998PhysDes: xv, 302 pages : illustrations ; 23 cmSubject: AGE OF ILLUSIONS, THE [ALMODOZÁSOK KORA] (HU, Istvan Szabo, 1965) ; ALLEN, WOODY ; BOGART, HUMPHREY ; CAPRA, FRANK ; CITIZEN KANE (US, Orson Welles, 1941) ; HITCHCOCK, ALFRED ; PSYCHO (US, Alfred Hitchcock, 1960) ; WELLES, ORSON ; WILDER, BILLY Summary: "Exploring both the humanistic and analytical aspects of film evaluation and criticism, [the book] encourages students to develop a critical awareness of film as art, as literature, and as everyday life. This highly readable and jargon-free classic illustrates the most recent film techniques and includes examples from films students are likely to have seen on television or video. This edition has been updated with examples from recent films such as Shine, Thelma and Louise, Natural Born Killers, and the Age of Innocence, as well as examples of film adaptation for film and literature classes, such as Sabrina and Clueless." -taken from back coverNotes: Previous ed.: 1990 -- Includes bibliographical references and indexISBN: 0312153996Contents: Film, cinema, or movie: Understanding the medium -- Graphics and sound -- Film, space and image -- Film genres -- Film subtext -- Film director -- Film and literature -- Film as film -- Film criticism: Theory and practice -- Appendices: Films discussed and directors; Art vs. violence in a Clockwork Orange; Basic film library
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Anatomy of motion picture art / Eric Elliott Territet, Switzerland: Pool, 1928].
Call No: 623 ELLAuthor: Elliott, Eric Place: Territet, SwitzerlandPublisher: PoolPubDate: 1928]PhysDes: 151 p. ; 20 cmSubject: CINEMATOGRAPHY ; CONTINUITY Notes: Includes indexLON: abn84031927; 3064414
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journal article
Andy Pandy goes feral in Metro (2000) iss.121/122 p.60-66
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journal article
Angela Punch McGregor tries her hand overseas : Brealey hurries home in Australian film review (24th May-6th June 1984) vol.2 iss.7 p.22
Author: Schwartz, Eric PhysDes: ArticleSubject: MCGREGOR, ANGELA PUNCH ; BREALEY, GIL ; ANNIE'S COMING OUT (AT, Gil Brealey, 1984) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; LIGHTHORSEMEN, THE (AT, Simon Wincer, 1987) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Overseas correspondent Eric Schwartz interviews director Gil Brealey and star Angela Punch McGregor of the film “Annie's Coming Out”. Altough the article is mainly focused on “Annie’s Coming Out” there is brief discussion of other films either Brealey or McGregor have been involved withNotes: "Annie's Coming Out" is also known by its US title "A Test of Love"
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Animated falls on Happy Feet in Australian Financial Review (20/01/2007) p.33
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Crayford, Peter Subject: BOX OFFICE ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; ANIMATION Summary: Computer Animated feature films have become incredibly successful over the last five years with phenomenal box office receipts but also because of their unconventionality, inventiveness and Humour
The author states that the real profits begin to accumulate for these films on DVDNotes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: FILMS
1. The Incredibles
2. Toy Story
3. Toy Story 2
4. A Bug’s Life
5. Monsters
6. Finding Nemo
7. Happy Feet
8. Open Season
9. The Wild
10. Ant Bully
11. Flushed Away
12. Ratatouille
13. Casino Royale
14. Shrek 2
FILM SALES
The Incredibles - More $US1billion – ($1.27billion)
Toy Story More - $US1billion – ($1.27billion)
Toy Story 2 - More $US1billion – ($1.27billion)
A Bug’s Life - More $US1billion – ($1.27billion)
Monsters - More $US1billion – ($1.27billion)
Finding Nemo - More $US1billion – ($1.27billion)
FILMS SALES – US CINEMA RELEASE
The Incredibles - $251 million
Finding Nemo - $US339 million
Shrek 2 - $US 436 million in 2006
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journal article
Animated get -Together in Stills (sep-oct 1983) iss.8 p.13
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Animation : the global history / Maureen Furniss London: Thames & Hudson, 2017.
Call No: 772 FURAuthor: Furniss, Maureen Edition: 2017Place: LondonPublisher: Thames & HudsonPubDate: 2017PhysDes: 464 pages : illustrated ; 28 cmSubject: ANIMATION ; PRE-CINEMA HISTORY ; ART AND THE CINEMA ; DISNEY, WALT ; EXPERIMENTAL FILMS ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; STOP-MOTION TECHNIQUE ; JAPAN ; MIYAZAKI, HAYAO ; UPA ; COMIC STRIPS AND THE CINEMA ; COMIC STRIP CHARACTERS IN FILMS ; COMIC STRIP CHARACTERS ON TV ; SVANKMAJER, JAN Summary: Maureen Furniss surveys the cultural, political and economic context of how this dynamic industry evolved, emphasizing both artistic and technical achievements from around the world – from Hollywood to Tokyo, from Moscow to Sydney. Featuring a timeline for each of its six parts, Animation: The Global History provides readers with a clear and accessible chronology of events. A ‘Global Storyline’, highlighting the major themes of the era, opens each chapter, and an end-of-book glossary defines key terms used throughout the book.
Topics include: Development of animation; Growth of the studio system; Stylistic differences between the major studios; Modernist animation; Animation in World War II; International animation; Experimental animation; Television animation; Animation in art and video games. -- publisher's web siteISBN: 9780500252178
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Animation from script to screen / Shamus Culhane London: Columbus, 1989, c1988.
Call No: 246CULAuthor: Culhane, Shamus Source: UKPlace: LondonPublisher: ColumbusPubDate: 1989, c1988PhysDes: xv, 336 p., [2] p. of plates : ill.(some col.) ; 24 cmSubject: ANIMATION ; ANIMATORS ; CARTOONS. USA ; DIRECTORS. USA ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS Summary: The book covers all areas of animation: the basic mechanics of animation, expressing creativity through animation, writing, recording, acting and dialogue in the area of animation, and finally it deals with managing an animation studio. It contains the work of 130 leading animators, worldwide.Notes: Includes indexISBN: 0862879590
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still
[Annie's coming out : stills file]
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Annual report Crows Nest, N.S.W.: Audio-Visual Copyright Society Ltd, 1993-6.
Call No: ANNUAL REPORT SHELVES; Held 1993-1996CorpAuthor: Audio-Visual Copyright Society LtdSource: ATPlace: Crows Nest, N.S.W.Publisher: Audio-Visual Copyright Society LtdPubDate: 1993-6Subject: COPYRIGHT. AUSTRALIA Notes: Later title: Screenrights (Society) Annual report
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Another cinema for another society / Gaston Roberge Calcutta: Seagull Books, 1985.
Call No: 408.1(540) ROBAuthor: Roberge, Gaston Source: IIPlace: CalcuttaPublisher: Seagull BooksPubDate: 1985PhysDes: 151p. : ill. ; 22cmSubject: CRITICISM ; HISTORY OF CINEMA. INDIA ; INDUSTRY, FILM. INDIA ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; POLITICS AND THE CINEMA ; SOCIETY AND THE CINEMA ; BAZIN, ANDRE ; EISENSTEIN, SERGEI M. ; RAY, SATYAJIT ; WELLES, ORSON ; BRON, PETER ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; GANDHI (UK/II, Richard Attenborough, 1982) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NAPOLEON (FR, Abel Gance, 1927) Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurbISBN: 0861320751Donation: donated by the family of Wayne Levy, 2006Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index
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newspaper article
Another stage in the dramatic life of Ruben Guthrie's tortured adman in The Australian (15/07/2015) p.15
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journal article
Anthony Delon for new Rosi film in Foreign Sales (April/May 1984) vol.10 iss.4&5 p.24
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Antonioni : or, the surface of the world / Seymour Chatman Berkeley: University of California Press, 1985.
Call No: 81ANT CHAAuthor: Chatman, Seymour, 1928 Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 1985PhysDes: 290 p. : ill. ; 24 cmSubject: ANTONIONI, MICHELANGELO ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980) ; IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982) Notes: Includes index; Filmography: p. 265-270; Bibliography: p. 271-281ISBN: 0520052056; 0520053419 (pbk.)LON: 85001025; 3748072
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Antonioni / [by] Ian Cameron & Robin Wood London: Studio Vista, 1968.
Call No: 81ANT CAMAuthor: Cameron, Ian, 1937 ; Wood, Robin, 1931- joint author Place: LondonPublisher: Studio VistaPubDate: 1968PhysDes: [144] p. : illus. ; 17 x 18 cmSubject: ANTONIONI, MICHELANGELO ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950) ; SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953) ; VINTI, I (IT/FR/UK, Michelangelo Antonioni, 1951) ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) Notes: Bibliography: p. 144; "Filmography": p. 141- [144]ISBN: 0289795982LON: 70397126; 63651
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Antonioni / Sam Rohdie London: BFI Pub., 1990.
Call No: 81ANT ROHAuthor: Rohdie, Sam, 1939 Place: LondonPublisher: BFI Pub.PubDate: 1990PhysDes: 213 p. : ill., ports. ; 24 cmSubject: ANTONIONI, MICHELANGELO ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973) ; CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982) ; MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) Summary: A study of Antonioni's career and the development of his unique style. Antonioni's films overthrow conventional narrative, place characters at cross purposes with themselves and with others, dissolve figure into ground. This study aims to interpret the films of Antonioni without reducing them to fixed meanings that they so carefully refuse.Notes: Includes index; Bibliography: p. [191]- 207; Filmography: p. [208]- 210ISBN: 0851702740 (pbk.); 0851702732LON: bnb85170273; 7278793
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Anxious cinephilia : pleasure and peril at the movies / Sarah Keller New York: Columbia University Press,
Call No: 412.3 KELAuthor: Keller, Sarah Edition: 2020Place: New YorkPublisher: Columbia University PressPhysDes: vii, 302 pages : illustrated ; 24 cmSubject: APOCALYPSE IN FILMS ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; BAZIN, ANDRE ; FILM CULTURE ; CINEPHILIA ; DIGITAL CINEMA ; FRANCE ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; STAR WARS [...] (US, 1977-2015) ; WAR OF THE WORLDS (US, Steven Spielberg, 2005) ; WORLD WAR Z (US/MT, Marc Forster, 2013) Summary: The advent of new screening practices and viewing habits in the twenty-first century has spurred a public debate over what it means to be a “cinephile.” In Anxious Cinephilia, Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the content and impermanence of cinematic images.
Keller reframes the history of cinephilia from the earliest days of film through the French New Wave and into the streaming era, arguing that love and fear have shaped the cinematic experience from its earliest days. This anxious love for the cinema marks both institutional practices and personal experiences, from the curation of the moviegoing experience to the creation of community and identity through film festivals to posting on social media. Through a detailed analysis of films and film history, Keller examines how changes in cinema practice and spectatorship create anxiety even as they inspire nostalgia. Anxious Cinephilia offers a new theoretical approach to the relationship between spectator and cinema and reimagines the concept of cinephilia to embrace its diverse forms and its uncertain future. -- publisher's web siteISBN: 9780231180870Contents: Acknowledgments -- Introduction -- 1. Ardor and Anxiety: The History of Cinephilia -- 2. Enchanting Images -- 3. Cinephilia and Technology: Anxieties and Obsolescence -- 4. The Exquisite Apocalypse -- Conclusion: Anxious Times, Anxious Cinema -- Notes -- Selected Bibliography -- Index
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Any gun can play : the essential guide to Euro-westerns / Kevin Grant Godalming, Surrey: FAB Press, May 2011.
Call No: 736.11Author: Grant, Kevin Edition: August 2013Place: Godalming, SurreyPublisher: FAB PressPubDate: May 2011PhysDes: 480 pages : illustrated ; 26 cmSubject: WESTERNS. EUROPEAN COUNTRIES ; WESTERNS. ITALY ; LEONE, SERGIO ; NERO, FRANCO ; BIG GUNDOWN, THE [RESA DEI CONTI, LA] (IT/SP, Sergio Sollima, 1966) ; BLINDMAN (US/IT, Ferdinando Baldi, 1972) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; CORBUCCI, SERGIO ; EASTWOOD, CLINT ; FULCI, LUCIO ; HILL, TERENCE ; SPENCER, BUD ; VAN CLEEF, LEE Summary: The success of Sergio Leone's 'Dollars' trilogy in the '60s sparked a gold rush, as a legion of European film-makers - many of them sharing the get-rich-quick mentality of Leone's mercenary anti-heroes - followed the master's lead to create some of the wildest Westerns ever made.
Cynical and stylish, bloody and baroque, Euro-westerns replaced straight-shooting sheriffs and courageous cowboys with amoral adventurers, whose murderous methods would shock the heroes of Hollywood Westerns. These films became box-office sensations around the world, and their influence can still be felt today.
Any Gun Can Play puts the phenomenon into perspective, exploring the films' wider reaches, their recurrent themes, characters, quirks and motifs. It examines Euro-westerns in relation to their American ancestors and the mechanics of the Italian popular film industry, and spotlights the unsung actors, directors and other artists who subverted the 'code' of the Western and dragged it into the modern age.
Based on years of research backed up by interviews with many of the genre's leading lights, including actors Franco Nero, Giuliano Gemma and Gianni Garko, writer Sergio Donati, and directors Sergio Sollima and Giuliano Carnimeo, Any Gun Can Play will satisfy both connoisseurs and the curious.
Complete with a foreword by Euro-Western legend Franco Nero, this stunningly illustrated reference guide takes aim at the lingering notion that the genre has little to offer beyond the 'Dollars' films and a fistful of others, exposing the full, vibrant history of the Euro-western. -- publisher's web siteNotes: Foreword by Franco NeroISBN: 9781903254615
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The apocalypse in film : dystopias, disasters, and other visions about the end of the world / edited by Karen A. Ritzenhoff, Angela Krewani London: Lanham Rowman & Littlefield, c2016.
Call No: 740.1 APOSource: UKPlace: LondonPublisher: Lanham Rowman & LittlefieldPubDate: c2016PhysDes: xxii, 231 pages : illustrations ; 24 cm.Subject: APOCALYPSE IN FILMS ; DISASTER FILMS ; CIVILISATION (US, Raymond B. West, 1916) ; [FOUR] 4 HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921) ; BED SITTING ROOM, THE (UK, Richard Lester, 1969) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011) ; OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986) Summary: We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future.
The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties—ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays.
As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science. -- taken from publisher's siteNotes: Includes bibliographical references and indexISBN: 9781442260276Donation: donated by Senses of Cinema, 2016Contents: Introduction / Karen A. Ritzenhoff and Angela Krewani -- THE EARLY DEPICTIONS OF DISASTER. World War One and Hollywood's First Modern Armageddon: Understanding Wartime and Post-Conflict Representations of a Global Cataclysm in Civilization (1916) and The Four Horsemen of the Apocalypse (1921) / Cle´mentine Tholas-Disset -- The end of the world: loss and redemption in Four horsemen of the apocalypse / Karen Randell -- GLOBAL DEMISE AND COLD WAR. "Radiation's rising, but one mustn't grumble too much": nuclear apocalypse played as farce in Richard Lester's The bed-sitting room / Thomas Prasch -- The legacy of Dr. Strangelove: Stanley Kubrick, science fiction blockbusters and the future of humanity / Peter Kra¨mer -- "Gentleman, you can't fight in here": gender symbolism and the end of the world in Dr. Strangelove and Melancholia / Catriona Mcavoy -- MELANCHOLIA AND OTHER REPRESENTATIONS OF THE APOCALYSPE. Is there an end to it? fictional shelters and shelter-fiction / Solvejg Nitzke -- Melancholia and the apocalypse within / Pierre Floquet -- Eco apocalypse: environmentalism, political alienation and therapeutic agency / Philip Hammond and Hugh Ortega Breton --POLOITICS OF SHOWING THE UNTHINKABLE. Disaster films: the end of the world and the risk society hero / Frederick Wasser -- The (gender) politics of disaster in 2012 / Charles Antoine Courcoux -- Tarkovsky's The sacrifice: a religious humanist apocalypse / Tatjana Ljuji -- Dead narratives: defining humanity through stories / A. Fiona Pearson and Scott Ellis -- MOVING BEYOND THE END OF THE WORLD. Opposing Thatcherism: filmic apocalypse as a political strategy in 1980s Britain / Angela Krewani -- Painting in time: on the use of digital visual effects in Melancholia / Andreas Kirchner -- The corporate and corporeal: min(d)ing the body conscience and consumption in early 21st century Hollywood dystopia / Wendy Sterba.
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Appetites and anxieties : food, film, and the politics of representation Detroit MI: Wayne State University Press, 2014.
Call No: 758 BARAuthor: Baron, Cynthia ; Carson, Diane ; Bernard, Mark Source: USPlace: Detroit MIPublisher: Wayne State University PressPubDate: 2014PhysDes: viii, 334 pages ; 23 cmSeries: Contemporary approaches to film and media seriesSubject: FOOD IN FILMS ; CONSUMERISM IN FILMS ; SOCIETY AND THE CINEMA Notes: Includes bibliographical references and index -- Includes filmographyISBN: 9780814334317Donation: donated by Senses of Cinema, 2014Contents: Introduction: the cultural and material politics of food -- Representations in film -- Foodways as an ideological approach -- Food and film industries: a filter for the food we see in films -- Foodways syntax: utopian films' use of food to create community -- Foodways structured to convey disorder and dysfunction -- When humans are the food product: an ideological look at cannibal films -- Food as threat and promise: genre and auteur analysis -- Foodways in documentary films: consumer society in a wider frame -- The politics surrounding documentaries' depiction of foodways -- Food as a window into personal and cultural politics.
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The archive project : the realist film unit in Cold War Australia / by John Hughes John Hughes, Early Works, Australian Teachers of Media Inc (ATOM), c2013.
Call No: 79ARC HUGAuthor: Hughes, John Source: ATPublisher: John Hughes; Early Works; Australian Teachers of Media Inc (ATOM)PubDate: c2013PhysDes: xiii, 146 pages : illustrations (chiefly colour) ; 27 cmSubject: INDEPENDENT FILMMAKERS ; INDEPENDENT FILMMAKERS. AUSTRALIA ; FESTIVALS ; FESTIVALS. AUSTRALIA ; DOCUMENTARY FILMS ; COLD WAR FILMS. AUSTRALIA ; COLD WAR AND THE CINEMA. AUSTRALIA ; REALIST FILM UNIT AND ASSOCIATION, THE ; ARCHIVE PROJECT THE (AT, John Hughes, 2005) Summary: "This 'book of the film' has been a long time in preparation.The Archive Project is an illustrated screenplay of the film of the same name that premiered at the Australian International Documentary Conference in 2006. The film quickly accumulated a number of awards and nominations including a Film Critics Circle of Australia Award for best feature documentary, a NSW Premiers History Prize, and nominations at the 2006 AFI Awards, the Australian Writers Guild Awards and the Australian Directors Guild Awards. The film won Best Tertiary Resource at the 2006 ATOM (Australian Teachers of Media) Awards. The book enhances the experience available through the film with greater editorial detail and rich pictorial documentation. Extra interviews included supplement a pictorial history of film culture and politics during Australia's cultural Cold War. An appendix lists all known screenings of the Melbourne Realist Film Association and breakout texts provide background information and succinct biographies of key players" -- BOOK BLURBNotes: Includes indexISBN: 9781742953281Donation: Donated by John HughesContents: -- acknowledgments -- preface -- introduction: Deane Williams -- the archive project screenplay -- chapter 1 days of hope -- chapter 2 workers' art -- chapter 3 the early films: "realism" -- chapter 4 these are our children -- chapter 5 screenings -- chapter 6 "adversely known" -- chapter 7 prices and the people -- chapter 8 a politics of fear -- chapter 9 phone taps and number plates -- chapter 10 vote 'no!' -- chapter 11 they chose peace -- chapter 12 after '56 -- interviews -- Phillip Adams -- Dick Mason -- Don Munro -- Dot Thompson -- Margaret Walker -- Realist film association screenings 1945-59 --
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Are they safe at the cinema? : A considered answer to critics of the cinema / by Janet Hills London: British Film Institute, [1953?].
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serial
Are we having fun yet? : The Sight & Sound comedy supplement March 1994.
Call No: Journal shelves. Sight & Sound Special IssuesPubDate: March 1994Subject: COMEDIES Language: English
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An Army of Phantoms : American movies and the making of the Cold War / by J.Hoberman New York: The New Press, c2011.
Call No: 71(73) HOBAuthor: Hoberman, J. Source: US/UKPlace: New YorkPublisher: The New PressPubDate: c2011PhysDes: xxi, 383 p. ; 24 cmSubject: CULTURE AND THE CINEMA. USA ; HISTORY AND THE CINEMA. USA ; HISTORY OF CINEMA. USA ; HISTORY OF CINEMA. 1940's ; HISTORY OF CINEMA. 1950's ; USA ; FORT APACHE (US, John Ford, 1948) ; RIO GRANDE (US, John Ford, 1950) ; HIGH NOON (US, Fred Zinnemann, 1952) ; ABOVE AND BEYOND (US, Frank Melvin & Norman Panama, 1952) ; THEM! (US, Gordon Douglas, 1954) ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) Summary: " An Army of Phantoms- a major new work of film history and cultural criticism from J. Hoberman, one of the foremost film critics writing today addresses the dynamic synergy of American politics and American popular culture during the Cold War's first decade.
Heralded by a mushroom cloud over Hiroshima, the years between 1946 and 1956 brought an explosion of affluence and anxiety. Along with U.S. dominance over Europe and a new war in Asia came the birth of the civil rights movement and the first stirrings of a new youth culture. The period saw the movie industry purged of its political left at the same time as the ideological action hero John Wayne reached the peak of his career.
Analyzing Hollywood's cavalry Westerns, apocalyptic sci-fi flicks, and biblical spectaculars, along with media events, congressional hearings and political campaigns, and drawing on FBI files and studio records, Hoberman has orchestrated a colorful, sometimes surreal pageant wherein Cecil B. DeMille rubs shoulders with Douglas MacArthur, atomic tests are shown on live TV, God talks on the radio, and Joe McCarthy is bracketed with Marilyn Monroe.
Essential reading for film and history buffs, An Army of Phantoms expands on the analysis of the 1960's found in Hoberman's critically acclaimed The Dream Life and offers a lively and astute history of film that is also, to paraphrase Jean-Luc Godard, about the film of history." --Book Jacket.Notes: Includes bibliographical references (p. [341]-366) and indexISBN: 9781595580054Contents: Acknowledgments -- introduction: from God's mouth to your ear -- prologue: mission for Hollywood - Stalingrad to V-J Day -- Pt. 1. Aliens among us : Hollywood, 1946-47 -- pt. 2. Fighting for the ministry of truth, justice, and the American way, 1948-50 -- pt. 3. Redskin menace from outer space : America at war, 1950-52 -- pt. 4. The PaxAmericanArama : Eisenhower power, 1953-55 -- pt. 5. Searchin' : America on the road, 1955-56 -- epilogue: the face of the crowd -- sources -- index --
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journal article
Arnold gets an ARRR!!! for comulative violence in Encore (30 Jan-12 Feb 1986) vol.3 iss.24 p.5
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Around cinemas / by James Agate [London]: Home & Van Thal, 1946.
Call No: 67(04) AGAAuthor: Agate, James, 1877-1947 Place: [London]Publisher: Home & Van ThalPubDate: 1946PhysDes: 280 p., [1] leaf of plates : ill., port. ; 22 cmSubject: CRITICISM Notes: Includes indexLON: abn85004132; 3672766
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Around cinemas (second series) / by James Agate [London]: Home & Van Thal, 1948.
Call No: 67(04) AGAAuthor: Agate, James, 1877-1947 Place: [London]Publisher: Home & Van ThalPubDate: 1948PhysDes: 284 p., [1] leaf of plate : port. ; 21 cmSubject: CRITICISM Notes: Includes indexLON: abn84005629; 3013835
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newspaper article
Around the bender in Sydney Morning Herald [Spectrum] (20/06/2015) p.12
Call No: TITLE CLIPPINGS FILE; RUBEN GUTHRIE (AT, Brendan Cowell, 2015)Author: Hawker, Philippa PhysDes: Clippings File ArticleSubject: COWELL, BRENDAN ; RUBEN GUTHRIE (AT, Brendan Cowell, 2015) Summary: Interview with Brendan Cowell in regards to the new film he directed, 'Ruben Guthrie', and how the film reflects on his own relationship with alcohol and drinking
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newspaper article
Arresting in Alien in Daily Telegraph [BW Magazine] (13/05/2017) p.18
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The art and craft of feature writing : based on the Wall Street Journal guide / William E. Blundell New York: New American library, 1988.
Call No: REFERENCE SECTION; 002.1(036) BLUAuthor: Blundell, William E Source: ATPlace: New YorkPublisher: New American libraryPubDate: 1988PhysDes: xii, 259 p. ; 21 cmSubject: MEDIA ; COMMUNICATIONS Summary: A step-by-step guide for turning out great articles. Used to teach Wall Street Journal writers the tricks of the trade - and a system for producing top-quality articles. [Taken from blurb.]Notes: A Plume bookISBN: 0452261589Donation: donated by the family of Wayne Levy, 2006
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Art and the moving image : A critical reader / Tanya Leighton London: Tate Publishing in association with Afterall, 2008.
Call No: 771 ARTAuthor: Leighton, Tanya Source: UKPlace: LondonPublisher: Tate Publishing in association with AfterallPubDate: 2008PhysDes: 496 p. Ilustrations (some color) ; 25cmSubject: ACCONCI, VITO ; BARTHES, ROLAND ; BELLOUR, RAYMOND ; BENJAMIN, WALTER ; BRAKHAGE, STAN ; CONRAD, TONY ; DANEY, SERGE ; DEBORD, GUY ; DELEUZE, GILLES ; DUCHAMP, MARCEL ; EXPANDED CINEMA ; EXPERIMENTAL FILMS ; EXPORT, VALIE ; FAROCKI, HARUN ; GODARD, JEAN-LUC ; HUYGHE, PIERRE ; KUBELKA, PETER ; MCLUHAN, MARSHALL ; MEKAS, JONAS ; ONO, YOKO ; PAIK, NAM JUNE ; RESNAIS, ALAIN ; SCHNEEMANN, CAROLEE ; SNOW, MICHAEL ; STRUCTURAL FILMS ; STRUCTURALISM ; VIDEO ART ; VIOLA, BILL ; WARHOL, ANDY ; WOLLEN, PETER Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.Notes: Includes bibliographical references and index.ISBN: 9781854376251Donation: Adrian MilesContents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.
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The Art of Jerry Lewis in Melbourne Film Bulletin (April 1970) iss.12 p.12-25
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The art of record : a critical introduction to documentary / John Corner Manchester New York, NY,: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press, 1996.
Call No: 761 CORAuthor: Corner, John, 1943 Place: Manchester New York, NY,Publisher: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's PressPubDate: 1996PhysDes: 212 p. : ill. ; 24 cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; CINEMA VERITE ; LIVING ON THE EDGE (UK, Michael Grigsby, 1987) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; ROGER AND ME (US, Michael Moore, 1989) ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; COAL FACE (UK, Alberto Cavalcanti, 1935) ; HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935) ; LOOK IN ON LONDON (UK, 1956) ; CATHY COME HOME (UK, Ken Loach, 1966) ; WHEN THE DOG BITES (UK, Penny Woolcock, 1988) Summary: "Documentary is a controversial and important area of media production. The art of record offers a fascinating insight into the functions of documentary in film and television. Documentary's attempts to depict reality, and to comment on it, have provoked disagreement from the 1920s to the present day. Recent debates about knowledge and representation, and about the changing character of publiv culture, have increased its interests and relevance. John Corner presents a clear overview of the theoretical issues and critical debates around documentary, and discusses the development of the main styles and approaches, including dramadocs and fly-on-the-wall. He also looks at the dual identity of work in documentary - as both artefact and as reference.The book provides a valuable detailed analysis of powerful documentary films and programmes such as the classic 1930s films Coalface and Housing Problems (on aspects of contemporary work and environment), Cathy Come Home (whose presentation of homelessness had an enormous impact) and The Life and Times of Rosie the Riveter (about the treatment of women in US factories during World War Two)." -- BOOK BLURBNotes: Includes bibliographical references (p. [197]-201) and indexISBN: 0719046866 (hardcover : alk. paper); 0719046874 (pbk. : alk. paper)LON: 12095813
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The art of the cinematographer : a survey and interviews with five masters / Leonard Maltin Toronto: General Publishing Company, 1978.
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The art of the film : an introduction to film appreciation / by Ernest Lindgren London: G. Allen and Unwin, 1948].
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The Art of the Short Fiction Film : A shot by shot study of nine modern classics / Richard Raskin North Carolina: McFarland & Company Inc., 2002.
Call No: 725.221 (-091) RASAuthor: Raskin, Richard Source: USPlace: North CarolinaPublisher: McFarland & Company Inc.PubDate: 2002PhysDes: 184 p. : ill. ; 27 cmSubject: SHORT FILMS ; TWO MEN AND A WARDROBE (PL, Roman Polanski, 1957) ; DWAJ LUDZIE Z SZAFA (PL, Roman Polanski, 1957) ; COFFEE AND CIGARETTES (US, Jim Jarmusch, 1986) ; CAT'S CRADLE (AT, Liz Hughes, 1992) Summary: A close study of Polanski Two Men and A Wardrobe, Jarmusch Coffee and Cigarettes, Lawlor Sunday, Hughes Cat's Cradle, Sletaune Eating Out, Ulrichsen Come, Ivanyi Wind, McGann Possum and Mimica The War is Over. The book also describes a new coneptual model, derived from the nine films, useful for both analyzing the ways in which a short fiction film tells its story and as a set of guidelines for students writing their own screenplays.Notes: Includes contact information for obtaining copies of the films
Includes other highly recommended short fiction films
Includes bibliography
Includes indexISBN: 078641183x
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The artist between images and across media : James Clayden in Studies in Australasian cinema (2009) vol.3 iss.2 p.179-189
Author: Martin, Adrian PhysDes: ArticleSubject: DIGITAL CINEMA ; EXPERIMENTAL FILMS. AUSTRALIA ; CLAYDEN, JAMES Summary: There has been no shortage of proposals in recent years about what might constitute the ‘digital aesthetics’ of the audio-visual media. Most often these proposals of new aesthetic models are conceived in terms of a sharp break with conventional narrative form — where convention is yoked to Hollywood on the one hand, and a certain tradition of European art cinema on the other. However, a largely unexplored connection is the very fertile link between digital work and the traditions of experimental cinema. The prolific film-maker-painter — dramaturg, James Clayden, active since the early 1970s, is an especially important figure in the crossover from film to digital in Australia. With small amounts of government subsidy and finance raised from other sources, he has made several experimental features and a myriad of shorts in recent years. These have received more attention and acclaim at overseas film festivals than in Australia, where the experimental exhibition scene has largely atrophied. Intriguingly, Clayden has gone back to celluloid works (on Super 8 or 16mm) and re-fashioned them in a radical way for several digital projects; he has also been preparing a more conventional narrative art-cinema project. This article will use these rich intersections of forms, gauges and modes in Clayden's recent career as a way of approaching a new theorization of digital aesthetics in Australian cinema. -- AbstractNotes: Part of a special issue on digital cinema in Australia and New Zealand
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newspaper article
Artistic licence in The Saturday Paper (10/06/2017) p.9
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still
[As happy as Larry : stills file]
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Asian cinema : a regional view / Olivia Khoo Edinburgh: Edinburgh University Press,
Call No: 71(5) KHOAuthor: Khoo, Olivia Edition: 2021Place: EdinburghPublisher: Edinburgh University PressPhysDes: 160 pages : illustrated ; 24 cmSubject: ASIAN COUNTRIES ; BLOCKBUSTERS ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; DISTRIBUTION ; FESTIVALS ; COPRODUCTION ; HOMOSEXUALITY IN FILMS ; REMAKES ; SHORT FILMS ; 3D DIGITAL ; TRANSNATIONAL CINEMA ; TRANSNATIONALISM AND THE CINEMA ; WOMEN FILMMAKERS Summary: Asia’s film industries have undergone significant transformation in the last 30 years. From bilateral co-production agreements to pan-Asian financing, Asian cinema has assumed a regional identity well beyond its constituent national cinemas.
This book explores the collaborative models of film production, distribution, exhibition and reception that have enabled greater co-operation and integration between Asia’s film industries. In doing so, it contributes to the burgeoning international fields of transnational and world cinema, providing a fresh perspective on Asian cinema through the lens of comparative film studies. -- publisher's web siteISBN: 9781474461764Contents: Acknowledgements -- List of Figures -- 1. Introduction: Theorising Asian Cinema as a Regional Cinema -- 2. Pan-Asian Filmmaking and Co-Productions with China: Horizontal Collaborations and Vertical Aspirations -- 3. Re-making Asian Cinema: Inter-Asian Remakes and Asian Omnibus Films -- 4. From Film Festivals to Online Streaming: Circuits of Distribution and Exhibition -- 5. Queer Asian Cinema and the Short Film Format: Rethinking Female Authorship -- 6. Archiving Asian Cinema -- 7. Asian Cinema in 3D: Regional Technical Innovation -- Epilogue: New Regional Intimacies -- Notes -- Bibliography
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The Asian cinema experience : styles, spaces, theory Oxford [Oxfordshire] ; New York: Routledge, 2013.
Call No: 756(5) TEOAuthor: Teo, Stephen Source: UKPlace: Oxford [Oxfordshire] ; New YorkPublisher: RoutledgePubDate: 2013PhysDes: xv, 269 p. : ill., ports. ; 24 cmSeries: Media, culture and social change in Asia ; 30Subject: INDIAN CINEMA ; CITY OF SADNESS, A [ ; JAPAN ; KOREA ; TAIWAN ; THAILAND ; SINGAPORE ; MALAYSIA ; IRAN ; BOLLYWOOD ; POPULAR CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA ; NATIONALISM AND THE CINEMA ; THEORY ; ASIAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; WORLD CINEMA ; BLOCKBUSTERS ; ANIMATION ; HORROR FILM ; GHOST FILMS ; EROTIC FILMS ; EROTIC FILMS. ASIA Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURBNotes: Includes bibliographic references and index; Includes filmographyISBN: 9781138815780Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.
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serial
Asian Cult Cinema Miami, FL: Vital Books, [1993-].
Call No: held no. 16. 1997-; -- IN STORAGE. OVERNIGHT RETRIEVALSource: USPlace: Miami, FLPublisher: Vital BooksPubDate: [1993-]Subject: ASIAN COUNTRIES ; UNDERGROUND FILMS ; CULT FILMS ; CULT FILMS. ASIA Notes: Formerly Asian Trash CinemaISSN: 07447091528740Missing Issues: 13-15Indexed In: BFI
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The Asian film industry / John A. Lent Bromley: Christopher Helm, 1990.
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held no.5, 8-12
Asian Trash Cinema Miami, FL: 1993.
Call No: held no.5, 8-12Source: USPlace: Miami, FLPubDate: 1993Subject: UNDERGROUND FILMS ; CULT FILMS. ASIA Notes: Last issue no. 12. Continued by Asian Cult Cinema.Language: EnglishMissing Issues: 1-4, 6-7Indexed In: FIAF
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Aspects of the law on film - copyright : a summary of papers and discussion at a seminar held in Sydney on 5 & 6 August, 1977 / editor Peter G. Martin Sydney: Australian Film Commission, 1979.
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Astaire and Rogers / Susanne Topper New York: Nordon Publications, 1976.
Call No: 81AST TOPAuthor: Topper, Susanne Source: USPlace: New YorkPublisher: Nordon PublicationsPubDate: 1976PhysDes: 206 p. : ill. ; 18 cmSubject: DANCE FILMS ; MUSICALS ; ASTAIRE, FRED ; ROGERS, GINGER ; GAY DIVORCEE, THE (US, Mark Sandrich, 1934) ; TOP HAT (US, Mark Sandrich, 1935) ; SWING TIME (US, George Stevens, 1936) ; SHALL WE DANCE (US, Mark Sandrich, 1937) ; BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949) Summary: The book is about Fred Astaire and Ginger Rogers, the dance team whose films entertained America during the DepressionISBN: 0843900380Donation: donated by the family of Wayne Levy, 2006
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poster
[Astor Cinema programmes : posters] [1982?-1986].
Call No: P ASTPubDate: [1982?-1986]PhysDes: 2 posters ; 55 X 27-60 X 42 cm.Subject: CINEMAS. AUSTRALIA. ASTOR Summary: Posters record exhibition details for the Astor Cinema for the dates indicated below. Images and image thumbnails of film posters included. One presented in calendar form from December 1985-February 1986, the other displays films showing from 17-19 September, apparently in 1982.Notes: Posters are curled, fold line on one.ID2: 138
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At full speed : Hong Kong cinema in a borderless world / Esther C.M. Yau, editor Minneapolis, Minn.: University of Minnesota Press, 2001.
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At the end of the street in the shadow : Orson Welles and the city / Matthew Asprey Gear New York: Wallflower Press, 2016.
Call No: 81WEL GEAAuthor: Gear, Matthew Asprey Source: USPlace: New YorkPublisher: Wallflower PressPubDate: 2016PhysDes: ix, 292 pages ; 24 cmSubject: EXPRESSIONISM ; FASCISM AND THE CINEMA ; WELLES, ORSON ; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942) ; MR. ARKADIN (FR/SP/IT, Orson Welles, 1955) ; CITIZEN KANE (US, Orson Welles, 1941) Summary: "The films of Orson Welles inhabit the spaces of cities -- from America's industrializing midlandto its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character. This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities -- the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes. The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9780231173414Donation: donated by Senses of Cinema
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Attitudes to television : a survey of advertisers / Gillian Appleton Kensington, NSW North Sydney, NSW: Communications Law Centre, University of New South Wales Australian Film Commission, 1989.
Call No: 49[659.1](94) APPAuthor: Appleton, Gillian CorpAuthor: Australian Film Commission; Communications Law Centre (N.S.W.)Place: Kensington, NSW North Sydney, NSWPublisher: Communications Law Centre, University of New South Wales Australian Film CommissionPubDate: 1989PhysDes: 32 pages ; 30 cmSubject: STATISTICS. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA ; ADVERTISING STANDARDS. AUSTRALIA ; ADVERTISING. TV. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA Summary: "The Australian Film Commission (AFC) commissioned this research report to ascertain how the television advertising system operates, how advertisers, agency media buyers and stations relate to one another, and particularly to survey advertister's attitudes to issues, concerns and practices in the industry" -- from Summary of ReportNotes: A report prepared for the Australian Film Commission by the Communications Law CentreISBN: 0858237679LON: 6585339
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Audience-ology : how moviegoers shape the films we love / Kevin Goetz New York: Simon Element, 2021.
Call No: 410(73) GOEAuthor: Goetz, Kevin Edition: 2022Place: New YorkPublisher: Simon ElementPubDate: 2021PhysDes: 225 pagesSubject: AUDIENCE RESEARCH. USA ; AUDIENCES. USA ; COCKTAIL (US, Roger Donaldson, 1988) ; FORREST GUMP (US, Robert Zemeckis, 1994) ; PARANORMAL ACTIVITY (US, Oren Peli, 2007) ; TITANIC (US, James Cameron, 1997) ; WAR OF THE ROSES, THE (US, Danny DeVito, 1989) Summary: Discover the fascinating and secretive process of audience testing of Hollywood movies through these firsthand stories from famous filmmakers, studio heads, and stars.
Audience-ology takes you to one of the most unknown places in Hollywood—a place where famous directors are reduced to tears and multi-millionaire actors to fits of rage. A place where dreams are made and fortunes are lost. From “the best in the business” (Sacha Baron Cohen), this book is the chronicle of how real people have written and rewritten America’s cinematic masterpieces by showing up, watching a rough cut of a new film, and giving their unfettered opinions so that directors and studios can salvage their blunders, or better yet, turn their movies into all-time classics.
Each chapter informs an aspect or two of the test-screening process and then, through behind-the-scenes stories, illustrates how that particular aspect was carried out. Nicknamed “the doctor of audience-ology,” Kevin Goetz shares how he helped filmmakers and movie execs confront the misses and how he recommended ways to fix the blockbusters, as well as first-hand accounts from Ron Howard, Cameron Crowe, Ed Zwick, Renny Harlin, Jason Blum, and other Hollywood luminaries who brought you such films as La La Land, Chicago, Titanic, Wedding Crashers, Jaws, and Forrest Gump.
Audience-ology explores one of the most important (and most underrated) steps in the filmmaking process with enough humor, drama, and surprise to entertain those with only a spectator’s interest in film, offering us a new look at movie history. -- publisher's web siteISBN: 9781982186678
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Audience viewing and reaction survey / conducted by McNair Anderson Associates Pty. Ltd [Sydney]: Special Broadcasting Service, 1982-.
Call No: 410.3(94) AUDCorpAuthor: Australia. Special Broadcasting Service; McNair Anderson AssociatesPlace: [Sydney]Publisher: Special Broadcasting ServicePubDate: 1982-PhysDes: v. ; 22 cmSubject: CHANNEL 0-28 ; TELEVISION. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA Notes: Ethnic broadcasting services. Television programmes. Attitudes of audiences. Australia. Serials (ANB/PRECIS SIN 0734918); Cover titleISSN: 0813-7242LON: abn84058476; 3100332
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Audiovisual industries in Australia : a discussion paper / [Graeme Taylor, Peter Dempster] Canberra: Bureau of Industry Economics, 1994.
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Audiovisual works, TV formats and multiple markets / edited by Michael Keane, Albert Moran, and Mark Ryan Brisbane: Griffith University, 2003.
Call No: 30 AUDSource: ATPlace: BrisbanePublisher: Griffith UniversityPubDate: 2003PhysDes: 63 p. ; 30 cmSeries: Australian UNESCO Orbicom Working Papers in Communications ; no. 1Subject: FORMATS ; SALE OF FILMS AND PROGRAMMES ; COPYRIGHT TV
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Audrey : an intimate portrait / Diana Maychick London: Pan Books, 1994.
Call No: 81HEP MAYAuthor: Maychick, Diana Source: UKPlace: LondonPublisher: Pan BooksPubDate: 1994PhysDes: xii, 238p, [16]p of plates : ill., ports ; 18cmSubject: HEPBURN, AUDREY ; ROMAN HOLIDAY (US, William Wyler, 1953) ; SABRINA (US, Billy Wilder, 1954) ; BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961) ; CHILDREN'S HOUR, THE (US, William Wyler, 1961) ; MY FAIR LADY (US, George Cukor, 1964) ; TWO FOR THE ROAD (UK, Stanley Donen, 1966) ; BLOODLINE (US, Terence Young, 1979) ; THEY ALL LAUGHED (US, Peter Bogdanovich, 1981) ; NUN'S STORY, THE (US, Fred Zinneman, 1958) Summary: The book deals with the films of Audrey Hepburn, and her leading men; it talks about her work with the Dutch Resistance, during the Second World War, and her two marriages, and five miscarriages. The book looks at her work with UNICEF, helping needy children. She is presented as a person of grace and elegance, but also, as a very determined, and courageous woman. [taken from back cover]Notes: First published ; London; Sidgwick & Jackson, 1993ISBN: 0330333976
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Aural Auteur : sound in the films of Rolf De Heer / David Bruno Starrs Brisbane, Queensland: 2009.
Call No: 81:634DEH STAAuthor: Starrs, David Bruno Source: ATPlace: Brisbane, QueenslandPubDate: 2009PhysDes: 263 p. : ill. ; 30 cmSubject: AUTEUR THEORY ; DIRECTORS. AUSTRALIA ; SOUND ; THEORY ; DE HEER, ROLF ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; PROPOSITION, THE (AT/UK, John Hillcoat, 2005) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: "An interpretative methodology for understanding meaning in cinema since the 1950s, auteur analysis is an approach to film studies in which an individual, usually the director, is studied as the author of his or her films. The principal argument of this thesis is that proponents of auteurism have privileged examination of the visual components in a film-makers' body of work, neglecting the potentially significant role played by sound.
The thesis seeks to address this problematic imbalance by interrogating the creative use of sound in the films written and directed Rolf de Heer, asking the question, "Does his use of sound make Rolf de Heer and aural auteur?" In so far as the term 'aural' encompasses everything in the film that is heard by the audience, the analysis seeks to discover if de Heer has, as Peter Wollen suggests of the auteur and her or his directing of the visual components (1968, 1972 and 1998), unconsciously left a detectable aural signature on his films.
The thesis delivers an innovative outcome by demonstrating that auteur analysis that goes beyond the mise-en-scene (i.e. visuals) is productive and worthwhile as an interpretative response to film. De Heer's use of the aural point of view and binaural sound recording, his interest in providing a 'voice' for marginalised people, his self-penned song lyrics, his close and early collaboration with composer Graham Tardif and sound desinger Jim Currie, his 'hands-on' approach to sound recording and sound editing and his predilection for making films about sound are all shown to be examples of de Heer's aural auteurism.
As well as the three published (or accepted for publication) interviews with de Heer, Tardif and Currie, the dissertation consists of seven papers refereed and published (or accepted for publication) in journals and internatiional conference proceedings, a literature review and a unifying essay. The papers presented are close textual analyses of de Heer's films which, when considered as a whole, support the thesis' overall argument and serve as comprehensive auteur analysis, the first such sustained study of his work, and the first with an emphasis on the aural. " -- ABSTRACTNotes: Presented to the Creative Industries Faculty, Queensland University of Technology. Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2009; Includes bibliographical references (p. 213-231)Contents: -- part one: introduction -- chapter 1: the research problem, objective/aims, subject and methodologies -- chapter 2: the literature and contextual review -- part two: the seven refereed and published papers of the thesis -- chapter 3: a paper utilising genre analysis and signalling an interest in the auteurism of Rolf de Heer -- chapter 4: the first of two papers utilising standard auteur analysis -- chapter 5: the second of two papers utilising standard auteur analysis -- chapter 6: a paper arguing for the methodological innovation of the thesis: aural auteur analysis -- chapter 7: the first of three papers utilising aural auteur analysis -- chapter 8: the second of three papers utilising aural auteur analysis -- chapter 9: the third of three papers utilising aural auteur analysis -- part three: conclusion -- chapter 10: the unifying essay -- 11: references/bibliography and filmography -- 12: appendicies -- list of figures --
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Aussie preschool DVD solution boosts sales in Kidscreen (Nov/Dec 2006) p.27
Call No: DVD RESEARCH FOLDER; DVD Research FolderAuthor: Castleman, Lana Subject: INDUSTRY, VIDEO. AUSTRALIA ; DVD, TV SHOWS ON ; VILLAGE ROADSHOW ; CHILDREN, PROGRAMMES FOR Summary: (taken from Proquest summary) - Consumer and reatil research revealed time-poor moms (the chief purchasers) were finding it difficult to locate preschool titles.; Roadshow director of business Grahame Grassby says the brightly colored, toyetic handle boxes (for children show titles) were created to boost underwhelming preschool DVD sales
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Aussies in Asia [co-productions] in Encore (December 2007) vol.26 iss.12 p.24-5
PhysDes: ArticleSubject: COPRODUCTION. CHINA ; BARNARD, ANTONIA ; PAINTED VEIL, THE (C/US, John Curran, 2006) Summary: A series of short articles that refer to the Australian co-production treaty. Tracey Prisk reports on co-productions with China and Singapore with comments from AFC's Catherine Waters. Producer Antonia Barnard, THE PAINTED VEIL and Flying Bark Productions also comment on their experience of being involved in co-productions in Asia.
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Australia's most successful film set to conquer the home video market in Australian video and communications (March 1984) vol.3 iss.28 p.29
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Australia's national broadcasters in the 1990s : keynote speeches / Australian Film Commission AT: Australian Film Commission, 1990.
Call No: 161(94)AUSPlace: ATPublisher: Australian Film CommissionPubDate: 1990Subject: TELEVISION. AUSTRALIA ; BROADCASTING. AUSTRALIA ; SPECIAL BROADCASTING SERVICE ; CHANNEL FOUR ; TELEVISION. NEW ZEALAND ; AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA Notes: "A conference organised by the ABC, the Australian Film Commission and the Communications Law Centre. Powerhouse Museum. June 22-23 1990."Contents: Contains full transcription of speeches made at the conference: Australian national broadcasters in the 1990s / Kim Beazley -- The SBS: listening for the sounds of change / Brian Johns -- The programmes we make: culture, costs and quality / Liz Forgan -- Deregulation of broadcasting in New Zealand: realities, myths and the impact on the national broadcasters / Beverley Wakem -- Wire and lights / Michael Tracey -- Community attitudes to the ABC's role, image, and position: highlights of the ANOP 1990 survey findings / Rod Cameron -- ABC Australian drama: culture and excellence / Elizabeth Jacka
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Australia's top 10 executive producers in Encore (12 Feb, 1999) vol.17 iss.2 p.23-24
PhysDes: Article; Illustration(s)Subject: PRODUCERS. AUSTRALIA ; BECKER, RICHARD ; BORGLUND, MIKAEL ; HAMILTON, GARY ; BURKE, GRAHAM ; CHETTY, DEVESH ; HANNAY, DAVID ; KNIGHT, ANDREW ; BEILBY, PETER ; VIZARD, STEVE ; Penfold-Russell, Rebel ; SHTEINMAN, JONATHAN ; WHITE, TIMOTHY Summary: Contacts and brief biogs for Encore list of top Australian executive producers.
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reference folder
Australian box office, top rating films, number of cinema screens, industry statistics etc / AFI Research & Information
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Australian broadcasting : a rational approach to structure, management and regulation / prepared by the Federation of Australian Commercial Television Stations for the Committee of Inquiry into the Broadcasting Industry Sydney: Federation of Australian Commercial Television Stations, 1976.
Call No: 20(94) AUSCorpAuthor: Federation of Australian Commercial Television StationsSource: ATPlace: SydneyPublisher: Federation of Australian Commercial Television StationsPubDate: 1976PhysDes: 45 pages ; 21 cmSubject: FEDERATION OF AUSTRALIAN COMMERCIAL TELEVISION STATIONS ; COMMERCIAL TV. AUSTRALIA Contents: Part 1: a management appreciation of the broadcasting system -- Part 2: an engineering appreciation of the broadcasting system
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The Australian Broadcasting Tribunal children's television standards report and determination / David Jones, Chairman and Ken Archer, Vice-Chairman...[and four others] [1984].
Call No: 205-053.2(94) AUSAuthor: Jones, David ; Archer, Ken ; Weigall, Catharine ; Armstrong, Mark ; Watterson, Ray ; James Bailey, Julie CorpAuthor: Australian Broadcasting TribunalSource: ATPubDate: [1984]PhysDes: 92 leaves : 31 cmSubject: INDUSTRY, TV. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; LAW AND TV. AUSTRALIA ; AUSTRALIAN BROADCASTING TRIBUNAL ; RATING FOR TV. AUSTRALIA Summary: The report discusses children's television standards, including the amount of time allocated to children's viewing, including pre-school programs, specific time slots for children's programming, requirements for the amount of Australian content and scheduling of programs, restrictions on advertising during children's programs, and the need for quality drama programs for children. The Australian commercial television industry's opposition to the Children's Television Standards and the importance of regulating children's television programming are also covered in the report.Notes: Spiral bound; Includes determination and 3 attachments
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Australian Broadcasting Tribunal inquiry into film and television co-productions information paper, March 1991, IP/ 91/ 016 - R1 / Australian Broadcasting Tribunal [North Sydney]: Australian Broadcasting Tribunal, 1991.
Call No: 212.1(94) AUSSource: ATPlace: [North Sydney]Publisher: Australian Broadcasting TribunalPubDate: 1991PhysDes: 1 v. (various pagings) ; 30 cmSubject: AUSTRALIAN BROADCASTING TRIBUNAL ; COPRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: Information paper pertaining to an inquiry into Australian film and television co-productions, with a view to invite relevant industry bodies and the public to submit their thoughts on the inquiry's terms of reference. The information paper includes material on; how the Australianess content of tv shows and films are measured for quota purposes, summary of the 1988 Part indigenous drama co-productions inquiry, exisiting film co-production agreements and application guidelinesContents: Terms of reference for inquiry -- Appendix A: Television program standard (TPS) 14. Australian content of television programs -- Appendix B: Australian content inquiry, Part indigenous drama co-productions discussions paper - summary of submissions [1988] -- Appendix C: Films co-production agreement between the government of Australia and the government of the United Kindom of Great Britain and Northern Ireland -- Appendix D: Films co-production agreement between the government of Australia and the government of Canada -- Appendix E: Australian Film Commission international co-production program: Application guidelines, November 1990
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Australian Children's Television Action Committee newsletter / Australian Children's Television Action Committee Melbourne: The Committee, 1974.
Call No: held no.73-87 Aug. 1992-Feb 1996 incompleteCorpAuthor: Australian Children's Television Action Committee; Newsletter (Australian Children's Television Action Committee)Source: ATPlace: MelbournePublisher: The CommitteePubDate: 1974PhysDes: vSubject: CHILDREN AND TV. AUSTRALIA Notes: At head of title: ACTACLON: abn84267982; 3588978 11740175
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The Australian cinema [Sydney]: Pacific Books, 1970].
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Australian cinema 1970-1985 / by Brian McFarlane London: Secker & Warburg, 1987.
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Australian Cinema after Mabo Port Melbourne: Cambridge University Press, 2004.
Call No: 71(94) COLAuthor: Collins, F. ; Davis, T. Place: Port MelbournePublisher: Cambridge University PressPubDate: 2004PhysDes: vii, 204 p. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; DISH, THE (AT, Rob Sitch, 2000) ; LANTANA (AT, Ray Lawrence, 2001) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; WALKING ON WATER (AT, Tony Ayres, 2001) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; HOLY SMOKE (US, Jane Campion, 1999) ; SERENADES (AT, Mojgan Khadem, 2000) ; YOLNGU BOY (AT, Stephen Johnson, 2001) ; MISSING, THE (AT, Manuela Alberti, 1999) ; HEARTLAND [TV] (AT, 1994) ; ABORIGINAL AUSTRALIANS AND TV ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; MESSAGE FROM MOREE (AT, Judy Rymer, 2003) ; CASTLE, THE (AT, Rob Sitch, 1997) ; VACANT POSSESSION (AT, Margot Nash, 1995) ; STRANGE PLANET (AT, Emma-Kate Croghan, 1999) ; RADIANCE (AT, Rachel Perkins, 1998) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000) ; HEAD ON (AT, Ana Kokkinos, 1998) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; JAPANESE STORY (AT, Sue Brooks, 2003) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)Notes: Index: p.200-204; BibliographyISBN: 0521834805 :
0521542561 (pbk.)Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.URL status: URL: 'http://-'
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The Australian cinematographer Cammeray, N.S.W.: Australian Cinematographers Society, 1998.
Call No: held no.1- June 1998-CorpAuthor: Australian Cinematographers SocietySource: ATPlace: Cammeray, N.S.W.Publisher: Australian Cinematographers SocietyPubDate: 1998PhysDes: v. : ill. ; 30 cmSubject: CINEMATOGRAPHY. AUSTRALIA Summary: The Australian Cinematographer is the quarterly journal produced by the Australian Cinematographers Society.
First published in 1998 the magazine is "produced by cinematographers for cinematographers". The magazine features articles and interviews about the technique of the craft, breaking down the technical aspects of Australian profiled films and cinematographers. It also features discussions about different issues facing the industry. -- AFIRCNotes: "Quarterly journal of the Australian Cinematographers Society"; From Issue 5, title changed to "Australian Cinematographer"ISSN: 1440-978XOrder Notes: CurrentLON: abn98181776; 13916524
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Australian comedy films of the 1930s : modernity, the urban and the international / Lesley Speed St. Kilda, Vic.: Australian Teachers of Media (ATOM), c2015.
Call No: 732(94) SPEAuthor: Speed, Lesley Source: ATPlace: St. Kilda, Vic.Publisher: Australian Teachers of Media (ATOM)PubDate: c2015PhysDes: 128 pages : illustrations ; 24 cm.Subject: COMEDIES. AUSTRALIA ; HISTORY AND THE CINEMA. AUSTRALIA ; EFFTEE STUDIO ; CINESOUND STUDIOS ; HANNA, PAT ; WALLACE, GEORGE ; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931) ; DIGGERS (AT, F.W. Thring, 1931) ; HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931) ; SHOWGIRL'S LUCK (AT, Norman Dawn, 1931) ; SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) ; HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932) ; DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933) ; HARMONY ROW (AT, F.W. Thring, 1933) ; HAYSEEDS, THE (AT, Beaumont Smith, 1933) ; TICKET IN TATTS, A (AT, F.W. Thring, 1934) ; CLARA GIBBINGS (AT, F.W. Thring, 1934) ; STRIKE ME LUCKY (AT, Ken G. Hall, 1935) ; SPLENDID FELLOWS (AT, Beaumont Smith, 1934) ; GRANDAD RUDD (AT, Ken G. Hall, 1935) ; WHITE DEATH (AT, Edwin G. Bowen, 1936) ; RANGLE RIVER (AT, Clarence G. Badger, 1936) ; IT ISN'T DONE (AT, Ken G. Hall, 1937) ; TALL TIMBERS (AT, Ken G. Hall, 1937) ; LET GEORGE DO IT (AT, Ken G. Hall, 1938) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; GONE TO THE GOGS (AT, Ken G. Hall, 1939) ; ANTS IN HIS PANTS (AT, William Freshman, 1939) Summary: Comedy has been a perpetual part of Australian film, in which humour reflects Australia's adaptation in times of crisis, social change and technological advances. This was never more so than in the 1930s, when Australia produced more comedy feature films than in any other decade before 1970. These films of the 1930s embraced the new technology of sound, made local vaudeville performers into movie stars, offered escape from the Depression and revealed a diverse and international Australia. In these films, Australia moved further from Empire and the bush, forged the Digger legend, responded to cultural diversity and viewed itself as a modern, urban nation. Influenced by Hollywood, Australian comedies of the 1930s adapted international styles to local points of view. Based on research at the National Film and Sound Archive, Lesley Speed's book provides new insight into Australian comedy films of the 1930s and the extraordinary period of social change in which they were produced. [taken from the back cober]ISBN: 9781876467258Contents: Contents: Introduction -- Comedy films and 1930s Australia -- Comedian comedies, Pat Hanna and George Wallace -- 'The best men in the metropolis' : Speech and language in films of Pat Hanna and George Wallace -- Strike me lucky, silly ass: Ethnicity and class difference -- From bush to the city: The Dad and Dave films -- Looking at home for 'something really ultra': Modernity, gender and the international -- Select filmography -- Select bibliography -- Notes
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Australian commerical television : 1986-1995 Canberra: Australian Government Publishing Service, 1996.
Call No: 201.3(94) AUSSource: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1996PhysDes: xxi, 206 pages ; 25 cmSeries: Bureau of Transport and Communications Economics; report 93Subject: INDUSTRY, TV. AUSTRALIA ; OWNERSHIP TV. AUSTRALIA ; ADVERTISING. TV. AUSTRALIA ; COMMERCIAL TV. AUSTRALIA Summary: This report addressses the structure and financial performance of the commerical television industry over the past decade. It complements BTCE's 1993 Report 83 Elements of Broadcasting Economics which dealt with general economic aspects of broadcasting and the performance of commercial radio. It is hoped that the information in this report will provide useful background to the contemporary reviews of television policies under section 215 of the Broadcasting Services Act 1992 -- taken from ForewardISBN: 0644362979ISSN: 10344152Contents: Foreword -- Abstract -- Executive summary -- Overview of commercial television -- Ownership and control of Australian commercial television -- A financial analysis of commercial television -- Determinants of television advertising revenue -- Television programming -- Appendix: Data underlying the financial analysis in chapter 2, An econometric model of television advertising demand -- References -- Abbreviations
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Australian content inquiry discussion paper : news and current affairs programs / Australian Broadcasting Tribunal [Sydney?]: The Tribunal, 1987.
Call No: 205.2(94)(094.3)ACI AUSSource: ATPlace: [Sydney?]Publisher: The TribunalPubDate: 1987PhysDes: 53 pages ; 30 cmSeries: Discussion Paper (Australian Broadcasting Tribunal. Australian Content Inquiry)Subject: NEWS PROGRAMMES. AUSTRALIA ; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA ; AUSTRALIAN BROADCASTING TRIBUNAL Summary: Report on the "Australian Broadcasting Tribunal's Australian content standards and the position of news and current affairs in relation to these standards" as well as other issues around news and current affairs television broadcasting in AustraliaNotes: "October 1987" -- "This paper was prepared by a consultant, Mr. Richard Colville."
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annual report
Australian Copyright Council Annual report / Australian Copyright Council Limited Milsons Point, N.S.W.: The Council, 1983-.
Call No: ANNUAL REPORT SHELVES; held 1982CorpAuthor: Australian Copyright CouncilPlace: Milsons Point, N.S.W.Publisher: The CouncilPubDate: 1983-PhysDes: v. ; 30 cmSubject: Australian Copyright Council ; COPYRIGHT. AUSTRALIA Notes: Cover titleISSN: 0813-6718LON: 3022001
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Australian Council for Children's Films and Television : a history 1957-1989 / by Betty Rankin Melbourne: The Council, 1990.
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Australian Council of Government Film Libraries : minutes of the Bicentennial Conference 1985, held in Canberra 17 April, 1985 to 19 April, 1985 [Canberra]: The Council?, [1985?].
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journal article
Australian eco-horror and Gaia's revenge : animals, eco-nationalism and the 'new nature' in Studies in Australasian cinema (2010) vol.4 iss.1 p.43-54
Author: Simpson, Catherine PhysDes: ArticleSubject: ANIMALS IN FILMS ; NATURE IN FILMS ; HORROR FILMS. AUSTRALIA ; IMPERIALISM AND THE CINEMA AUSTRALIA ; RAZORBACK (AT, Russell Mulcahy, 1984) ; DARK AGE (AT/US, Arch Nicholson, 1988) ; ROGUE (AT, Greg Mclean, 2007) ; MARSUPIALS: THE HOWLING III, THE (AT, Philippe Mora, 1987) ; DYING BREED (AT, Jody Dwyer, 2008) Summary: This article focuses on moments in a series of key films: Razorback (Mulcahy, 1984), Dark Age (Nicholson, 1987), Rogue (McLean, 2007), Howling III: the Marsupials (Mora, 1987) and Dying Breed (Dwyer 2008). Using an 'eco-postcolonial' framework, the author argues that these films extend postcolonial anxieties over settler Australian notions of belonging and challenge the notion of human mastery over nature.Notes: We hear so much about extinction in debates around climate change. But what about those animals that go feral and then return – bigger, hungrier and angrier – to wreak revenge on humans who may have done them injustice? Using an eco-postcolonial framework, this article examines how a number of exploitation horror films have dealt with environmental topics and issues of trespass. In particular, I examine the agency of animals – crocs, pigs, thylacines and marsupial werewolves – in some key Australian eco-horror films from the last 30 years: Long Weekend (Eggleston,1978), Razorback (Mulcahy, 1984), Dark Age (Nicholson, 1987), Howling III: the Marsupials (Mora, 1987), Rogue (Greg McLean, 2007), Black Water (Nerlich & Traucki, 2007) and Dying Breed (Dwyer 2008). On the one hand, these films extend postcolonial anxieties over settler Australian notions of belonging, while on the other, they signify a cultural shift. The animals portrayed have an uncanny knack of adapting and hybridizing in order to survive, and thus they (the films and the animals) force us to acknowledge more culturally plural forms of being. In particular, these films unwittingly emphasize what Tim Low has termed the ‘new Nature’: an emerging ethic that foregrounds the complex and dynamic interrelationships of animals with humans.--Abstract
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Australian effects and animation festival in Encore (Mar 2000) vol.18 iss.2 p.6
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Australian experimental film : an alternative history / Fiona Hooton Saarbru¨cken, Germany: VDM, 2009.
Call No: 771(94) HOOAuthor: Hooton, Fiona Place: Saarbru¨cken, GermanyPublisher: VDMPubDate: 2009PhysDes: 174 p. : ill. ; 22 cm.Subject: EXPERIMENTAL FILMS. AUSTRALIA ; THOMS, ALBIE ; BERESFORD, BRUCE ; UBU FILM GROUP ; NEWSFRONT (AT, Phillip Noyce, 1978) ; AWARDS. AUSTRALIAN FILM INSTITUTE ; GOD KNOWS WHY, BUT IT WORKS (AT, Phil Noyce, 1976) ; CRYSTAL VOYAGER (AT, David Elfick & Albert Falzon, 1973) ; MORA, PHILIPPE ; NOYCE, PHIL Summary: In Australia art cinema no decade can rival the importace of the 1960s, yet little is still known of it's significance. This book attempempts to fill a current void of research about early Australian Experimental film. This is a significant gap given it was a national movemenent with many international connections. - BLURBNotes: Includes bibliographical references.ISBN: 9783639115932Contents: Introductoin -- 1. Undergound histories -- 2. It droppeth as the gentle rain -- 3. U bu and the counterculture -- 4. The impact of experimental film on mainstream Australian cinema -- Conclusion -- Timeline - Viewing menu -- List of illistrations -- BibliographyID2: 343
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Australian expertise attracts OS attention in Encore (12 Mar, 1999) vol.17 iss.4 p.17
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Levy Collection
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Australian families and their children : a new and challenging audience / Don Edgar Melbourne: Australian Children's Television Foundation, 1985.
Call No: 722-053.2EDGAuthor: Edgar, Don CorpAuthor: Australian Children's Television FoundationSource: ATPlace: MelbournePublisher: Australian Children's Television FoundationPubDate: 1985PhysDes: 20 cm ; 30 p.Series: The Challenge of Kids' TVSubject: AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION ; CHILDREN AND TV. AUSTRALIA Notes: The Challenge of Kids' TV conference paperISBN: 0864210884Donation: donated by the family of Wayne Levy, 2006
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The Australian Film and Television and Radio School : Reviews in Filmviews (Winter 1987) vol.32 iss.132 p.32-34
PhysDes: ArticleSubject: ALMOST WINNING (AT, Tammy Burnstock, 1986) ; BOY AND THE SEA, THE (AT, Peter Leovic, 1986) ; CHASM (AT, Mark Ward/Peter Aquilia, 1986) ; COMING TRUE (AT, George Mannix, 1986) ; AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987) ; ERMINIA'S OPENING NIGHT AND OTHER STORIES (AT, Duncan Sinclair, 1986) ; FREELY GIVEN (AT, David Caesar, 1986) ; GOOD WEEKEND, THE (AT, Kate Stone, 1986) ; FLYING (AT, Tommy Burnstock, 1986) ; SAY A LITTLE PRAYER (AT, Trisha Rothkrans, 1986) ; SPEED GRAPHIC (AT, Rey Carlson, 1986) ; SHOPPING TOWN (AT, David Caesar, 1986) ; TRICKLE OF SANITY (AT, Michael Richards, 1986) Summary: Short reviews of the AFTRS productions by a number of different reviewersNotes: Reviews. - synopsis. - credits. - illus.
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Australian film data : selected film, video and television statistics from the Australian film data base [Sydney]: Australian Film Commission, 1988.
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Australian film industry takes a vigorous and suprising turn in Australasian Cinema (15/7/1983) vol.12 iss.12 p.25
PhysDes: ArticleSubject: YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; MAD MAX II (AT, George Miller, 1981) ; DESOLATION ANGELS (AT, Chris Fitchett, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; AUSTRALIAN FILM INSTITUTE AWARDS Summary: Article on the nominees for the Australian Film Institute Awards, as well as information on the AFI at large and the state of the Australian film industry.
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poster
[Australian Film Institute autumn calendar 87 : poster]
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[Australian Film Institute calendar August-November 86 : poster]
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[Australian Film Institute spring calendar '87 : poster]
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[Australian Film Institute summer calendar 86-87 : poster]
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An Australian film reader / edited by Albert Moran and Tom O'Regan Sydney: Currency Press, 1985.
Call No: 71(94) AUSAuthor: Moran, Albert, 1942 ; O'Regan, Tom, 1956 Place: SydneyPublisher: Currency PressPubDate: 1985PhysDes: 391 p. ; 21 cmSeries: Australian screenSubject: FEMINISM AND THE CINEMA. AUSTRALIA ; DOCUMENTARY FILMS. AUSTRALIA ; AVANT-GARDE FILMS. AUSTRALIA ; SUPER-8 MM FILMS. AUSTRALIA ; WOMEN IN FILMS. AUSTRALIA ; BERESFORD, BRUCE ; WEIR, PETER ; CHAUVEL, CHARLES ; Grierson, John ; HALL, KEN G. ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; GALLIPOLI (AT, Peter Weir, 1981) ; SCHOOL IN THE MAILBOX (AT, Stanley Haews, 1946?) ; FROM THE TROPICS TO THE SNOW (AT, Richard Mason and Jack Lee, 1964) ; BIG COUNTRY, A (AT, 1979) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; INDONESIA CALLING (AT, Joris Ivens, 1948) Notes: Includes index; Bibliography: p. 376-379ISBN: 086819123X (pbk.) : $24.95 AustLON: anb86819123; 4105507
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The Australian film revival : 1970s, 1980s, and beyond / Susan Barber New York: Bloomsbury Academic, 9 Feb 2023.
Call No: 71(94) BARAuthor: Barber, Susan Edition: 2023Place: New YorkPublisher: Bloomsbury AcademicPubDate: 9 Feb 2023PhysDes: 280 pages ; 24 cmSubject: AUSTRALIA ; MASCULINITY IN FILMS. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; ROAD MOVIES. AUSTRALIA ; MOTHERS IN FILMS ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; MAD MAX [...] (AT, 1979-85) ; BACKROADS (AT, Philip Noyce, 1977) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; MAN FROM SNOWY RIVER II, THE (AT, Geoff Burrowes, 1988) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; TRACKER, THE (AT, Rolf de Heer, 2002) ; WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981) Summary: The Australian Film Revival: 70s, 80s, and Beyond explores the matrix of forces – artistic, cultural, economic, political, governmental, and ideological – that gave rise to, shaped, and sustained this remarkable film movement. This engaging new study brings fresh perspectives, insights, and innovative approaches to a variety of films from a diversity of filmmakers. Areas of focus include the complex and contentious subjects of masculinity, femininity and feminism, the maternal, as well as the Indigenous road film and the protean Australian gothic. During the formative years of the revival, Australian films seemed to emerge from out of the blue in terms of global film history, with many features including Picnic at Hanging Rock (l975), Caddie (l976), The Last Wave (l977), The Chant of Jimmie Blacksmith (l978), and My Brilliant Career (l979) receiving international distribution and enthusiastic critical acclaim with strong box office results. By the time the film revival was in full swing, not only did Australian audiences flock to theaters to see “homegrown” films, but the quantity of Australian films on overseas screens was so high that ardent critics declared this outpouring an Australian “New Wave.” The eyes of the world had turned to a compelling and largely unknown culture. -- publisher's web siteISBN: 9781501390029Contents: Acknowledgements -- Dedication -- In Memory Of -- Introduction -- 1. The Ocker: Chauvinistic and Oedipal -- 2. Alternate Masculinities of Paul Cox and John Duigan -- 3. Historical Women and the Bush -- 4. Negligent, Runaway, and Abject Mothers -- 5. The Indigenous Road Film -- 6. Australian Gothic -- Index
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Australian film studies : Efftee Productions / by Ina Bertrand Bundoora, Vic.: Centre for the Study of Educational Communication and Media, La Trobe University, 1977.
Call No: 19EFF BERAuthor: Bertrand, Ina, 1939 CorpAuthor: La Trobe University. Centre for the Study of Educational Communication and MediaPlace: Bundoora, Vic.Publisher: Centre for the Study of Educational Communication and Media, La Trobe UniversityPubDate: 1977PhysDes: 26p. ; 30cmSeries: Media Centre papers ; 7Subject: EFFTEE STUDIO ; THRING, F.W. ; DIGGERS (AT, F.W. Thring, 1931) ; TICKET IN TATTS, A (AT, F. W. Thring, 1934) ; HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932) ; CLARA GIBBINGS (AT, F.W. Thring, 1934) ; HARMONY ROW (AT, F.W. Thring, 1933) ; STREETS OF LONDON (AT, F.W. Thring, 1935) ; SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932) ; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931) ; HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931) ; DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933) Notes: Bibliography: p.16ISBN: 0858161141 : unpricedLON: 1653335 1622627
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The Australian Film Television and Radio School : Chasm in Filmviews (Winter 1987) vol.32 iss.132 p.32
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Australian film theory and criticism : volume 1 critical positions / Noel King / Constantine Verevis / Deane Williams Bristol, UK; Chicago: Intellect, 2013-.
Call No: 62(94) KIN (v. 1)Author: King, Noel ; Verevis, Constantine ; Williams, Deane Source: UK/USPlace: Bristol, UK; ChicagoPublisher: IntellectPubDate: 2013-PhysDes: xii, 174 pages ; 24 cmSeries: Australian film theory and criticismSubject: CRITICISM ; THEORY. AUSTRALIA ; FILM Summary: The first part of a planned three-volume work devoted to mapping the transnational history of Australian film studies. Australian Film Theory and Criticism, Volume 1 provides an overview of the period between 1975 and 1990, during which the discipline first became established in the academy. Tracing critical positions, people, and institutions across this influential period, contributors examine a multitude of books and journal articles published in Australia and distributed internationally. They offer important insights about the origins of Australian film theory and its relationship to the related disciplines of art history, performance art, and digital media.Notes: Includes bibliographical references and appendix.ISBN: 9781841505817 (v. 1) -- 9781783200375 (v. 2)Contents: Volume 1 -- Preface / Patrice Petro --
Introduction: Chapter one: Australian Film Theory and Criticism / Noel King, Constantine Verevis and Deane Williams --; Part one: Institutions -- Chapter two: Film Theory Goes to Australia / Constantine Verevis -- Chapter three: Writing the Australian Film Revival / Constantine Verevis --; Part two: Personnel -- Chapter four: Cultural Mobility and Film Studies in Australia 1975-1990 / Noel King --; Part three: Criticism -- Chapter five: Shifts and Interventions: Cultural Materialism and Australian Film History / Deane Williams -- Chapter six: Australian Film Theory and Criticism and Cultural Studies / Deane Williams --; Conclusion -- Chapter seven: Contemporary Australian Film Theory and Criticism / Noel King, Constantine Verevis and Deane Williams. --
Volume Two -- Introduction: Serious film studies and magpies / Noel King and Deane Williams -- Part I: Brisbane -- "From 'pictures' to formats" / Albert Moran interviewed by Noel King -- "Everyone's go their favourite periods of Cunningham's career, and it's always something before the present!" / Stuart Cunningham interiewed by Noel King -- "For a lot of people film became a bridge between literary studies and other kinds of cultural studies" / Graeme Turner interviewed by Noel King -- "The circulation of ideas" / Tom O'Regan interviewed by Deane Williams -- "We just thought we were unstoppable" / Colin and Jane Crisp interviewed by Noel King -- "I loved best when really practical solutions had to be found for artistic problems" / Jonathan Dawson interviewed by Noel King -- Part II: Melbourne -- "Early on I'd been an inveterate attender of Saturday matinees" / Mick Counihan interviewed by Noel King -- "Ye, but it never entered my head that it would ever become a field as such ..." / Barbara Creed interviewed by Deane Williams -- "This is all part of the historical process" / Ina Bertrand interviewed by Deane Williams --
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Australian film theory and criticism : volume 2 interviews / [edited by] Noel King and Deane Williams Bristol; Chicago: Intellect Books, 2014.
Call No: 62(94) KIN (v. 2)Source: UK/USPlace: Bristol; ChicagoPublisher: Intellect BooksPubDate: 2014PhysDes: viii, 411 pages ; 24 cmSubject: CRITICISM. AUSTRALIA ; CRITICISM ; THEORY. AUSTRALIA ; FILM STUDY AND RESEARCH. AUSTRALIA Summary: "A three-volume project tracing critical positions, people, and institutions in Australian film, Australian Film Theory and Criticism interrogates both the the origins of Australian film theory and its relationships to adjacent disciplines and institutions. This second volume gathers interviews with national and international film theorists and critics to chart the development of different discourses in Australian film studies through the decades. Seeking to examine the position of film theoriests and their relationship to film industry practitioners and policy-makers, it looks to assert Australian film's place on the international scholarly agenda." -- BOOK BLURBISBN: 9781783200375Contents: Volume Two -- Introduction: Serious film studies and magpies / Noel King and Deane Williams -- Part I: Brisbane -- [Albert Moran, Stuart Cunningham, Graeme Turner, Tom O'Regan, Colin Crisp and Jane Crisp, Jonathan Dawson / interviewed by Noel King] -- Part II: Melbourne [Mick Counihan / interviewed by Noel King -- Barbara Creed, Ina Bertrand, Sam Rohdie, Lesley Stern, Bill Routt, Adrian Martin / interviewed by Deane Williams] -- Part III: Sydney and Newcastle [Ross Gibson / interviewed by Deane Williams -- Meaghan Morris / interviewed by Lauren Bliss -- David Boyd / interviewed by Noel King] -- Part IV: Adelaide and Perth [Brian Shoesmith, Noel Purdon / interviewed by Noel King -- Toby Miller / interviewed by Deane Williams] -- Part V: UK and USA [Paul Willemen, Dana Polan / interviewed by Deane Williams -- Manuel Alvarado, Colin MacCabe, Edward Buscombe, Michael Eaton, Jim Kitses / interviewed by Noel King]
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Australian film theory and criticism : Volume 3 / By Verevis, Constantine and Williams, Deane United Kingdom: Intellect, 2018.
Call No: 67(94) VERAuthor: By Verevis, Constantine and Williams, Deane Place: United KingdomPublisher: IntellectPubDate: 2018Subject: EXPERIMENTAL FILM AND TELEVISION FUND ; BIRTLES, FRANCIS ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; GILDA (US, Charles Vidor, 1946) ; FEMINISM AND THE CINEMA. AUSTRALIA ; PORNOGRAPHY AND THE CINEMA. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; CHAUVEL, CHARLES ISBN: 9781783208371
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Australian films at A.F.M. in Australasian Cinema (11/3/1983) vol.12 iss.4 p.1
PhysDes: ArticleSubject: AUSTRALIAN FILM COMMISSION ; NEW SOUTH WALES FILM CORPORATION ; INDUSTRY, FILM. AUSTRALIA ; CLINIC, THE (AT, David Stevens, 1982) ; DUSTY (AT, John Richardson, 1983) ; DEAD EASY (AT, Bert Deling, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; GINGER MEGGS (AT, Jonathan Dawson, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; DOUBLE DEAL (AT, Brian Kavanagh, 1983) ; EARLY FROST (AT, Brian McDuffie, 1981) ; FAR EAST (AT, John Duigan, 1982) ; MIDNITE SPARES (AT, Quentin Masters, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; UNDERCOVER (AT, David Stevens, 1983) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Article on australian films screened at the American Film Market
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Australian films bounce back in The Age [The Shortlist] (18 Sep 15) p.5
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAAuthor: Maddox, Garry PhysDes: ClippingsSubject: BOX OFFICE. AUSTRALIA ; ODDBALL (AT, Stuart McDonald, 2015) ; THAT SUGAR FILM (AT, Damon Gameau, 2014) ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; CUT SNAKE (AT, Tony Ayres, 2014) ; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
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Australian genre film / edited by Kelly McWilliam and Mark David Ryan New York: Routledge,
Call No: 730(94) AUSAuthor: McWilliam, Kelly ; Ryan, Mark David Edition: 2021Place: New YorkPublisher: RoutledgePhysDes: 248 pages : illustrated ; 23 cmSeries: Rutledge advances in film studiesSubject: AUSTRALIA ; GENRES ; BIOGRAPHICAL FILMS ; COMEDIES. AUSTRALIA ; CRIME FILMS. AUSTRALIA ; HORROR FILMS. AUSTRALIA ; MUSICALS. AUSTRALIA ; ROAD MOVIES. AUSTRALIA ; TEEN FILMS ; WAR FILMS AUSTRALIA Summary: Australian Genre Film interrogates key genres at the core of Australia’s so-called new golden age of genre cinema, establishing the foundation on which more sustained research on film genre in Australian cinema can develop.
The book examines what characterises Australian cinema and its output in this new golden age, as contributors ask to what extent Australian genre film draws on widely understood (and largely Hollywood-based) conventions, as compared to culturally specific conventions of genre storytelling. As such, this book offers a comprehensive and up-to-date survey of Australian genre film, undertaken through original analyses of 13 significant Australian genres: action, biopics, comedy, crime, horror, musical, road movie, romance, science fiction, teen, thriller, war, and the Western.
This book will be a cornerstone work for the burgeoning field of Australian film genre studies and a must-read for academics; researchers; undergraduate students; postgraduate students; and general readers interested in film studies, media studies, cultural studies, Australian studies, and sociology. -- publisher's web siteISBN: 9781138603141Contents: 1. Australian Film Genre Studies / Mark David Ryan and Kelly McWilliam -- 2. The Action Genre and the ‘International Turn’ in Australian Cinema / Amanda Howell -- 3. ‘Beethoven had his Critics, too…’: The Australian Biopic in the Twenty-First Century / Adrian Danks -- 4. A Seamless Wedding: Comedy, Diversity, and the International / Lesley Speed -- 5. New Australian Crime Drama / Greg Dolgopolov -- 6. A Monstrous Landscape Filled with Killer Animals and Madmen: Tropes of Contemporary Australian Horror Movies / Mark David Ryan -- 7. The Musical in Australia: Moving Minorities into the Mainstream / Liz Giuffre -- 8. Traversing Genre: The Australian Road Movie / Deborah Thomas -- 9. Courting the Romance / Kelly McWilliam -- 10. Looking to the Future: Three Tendencies in Australian Science Fiction Cinema since 2008 / Andrew James Couzens -- 11. ‘Growing Up Was Never Easy’: Coming of Age in the Teen Film / Kelly McWilliam -- 12. Sun-lit Noir: Australian Thrillers / Jonathan Rayner -- 13. A Wider Angle: Australia’s War Films of the New Millenia / Daniel Reynaud -- 14. Questioning the Australian Western / Grayson Cooke.
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Australian gothic in Australian Cinematographer (September 2015) iss.67 p.12 - 19
Author: Cecil, Garth PhysDes: ArticleSubject: CHAPMAN, SIMON ; GLITCH [TV](AT, 2015-) Summary: Cinematographer Simon Chapman talks about working on the Australian tv series Glitch. He talks about filming in rural Australia and has favourite shots to set up.
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Australian Horror Films, 1973-2010 / Peter Shelley Jefferson, North Carolina, and London: McFarland & Company Inc, c2012.
Call No: 735.2 (94) SHEAuthor: Shelley, Peter Source: US/UKPlace: Jefferson, North Carolina, and LondonPublisher: McFarland & Company IncPubDate: c2012PhysDes: vi, 320 p. : ill. ; 26 cmSubject: HORROR FILMS ; HORROR FILMS. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; NIGHT OF FEAR (AT, Terry Bourke, 1973) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; INN OF THE DAMNED (AT, Terry Bourke, 1974) ; END PLAY (AT, Tim Burstall, 1975) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; LONG WEEKEND, THE (AT, Colin Eggleston, 1979) ; PATRICK (AT, Richard Franklin, 1978) ; SNAPSHOT (AT, Simon Wincer, 1978) ; THIRST (AT, Rod Hardy, 1979) ; NIGHTMARES (AT, John Lamond, 1980) ; ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979) ; LADY STAY DEAD (AT, Terry Bourke, 1981) ; ROADGAMES (AT, Richard Franklin, 1981) ; SURVIVOR, THE (AT, David Hemmings, 1981) ; NEXT OF KIN (AT, Tony Williams, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; INNOCENT PREY (AT, Colin Eggleston, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; CASSANDRA (AT, Colin Eggleston, 1987) ; DARK AGE (AT/US, Arch Nicholson, 1988) ; FAIR GAME (AT, Mario Andreacchio, 1986) ; CONTAGION (AT, Karl Zwicky, 1988) ; CONTAGION (AT, Karl Zwicky, 1988) ; OUTBACK VAMPIRES (AT, Colin Eggleston, 1987) ; ZOMBIE BRIGADE (AT, Carmelo Musca, 1988) ; CELIA (AT, Ann Turner, 1988) ; CELIA (AT, Ann Turner, 1988) ; DREAMING, THE (AT, Mario Andreacchio, 1988) ; HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989) ; KADAICHA (AT, James Bogle, 1988) ; OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988) ; [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989) ; BLOODMOON (AT, Alec Mills, 1990) ; BODY MELT (AT, Philip Brophy, 1993) ; BODY MELT (AT, Philip Brophy, 1993) ; ENCOUNTERS (AT, Murray Fahey, 1994) ; KOMODO (US/AT, Michael Lantieri, 1999) ; CUT (AT, Kimble Rendall, 2000) ; CTHULHU (AT, Damian Heffernan, 2000) ; GHOST SHIP, THE (US, Steve Beck, 2002) ; CUBBYHOUSE (AT, Murray Fahey, 2001) ; QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002) ; DARKNESS FALLS (US, Jonathon Liebesman, 2003) ; LOST THINGS (AT/CN, Martin Murphy, 2003) ; RAZOR EATERS (AT, Shannon Young, 2003) ; SUBTERANO (AT/GG, Esben Storm, 2002) ; UNDEAD (AT, Michael Spierig & Peter Spierig, 2002) ; MAN-THING (US/AT, Brett Leonard, 2005) ; SAFETY IN NUMBERS (AT, David Douglas, 2005) ; WOLF CREEK (AT, Greg McLean, 2005) ; LIKE MINDS (AT UK, Gregory J Read, 2006) ; SEE NO EVIL (AT, Gregory Dark, 2006) ; VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006) ; WATCH ME (AT, Melanie Ansley, 2006) ; BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007) ; ROGUE (AT, Greg Mclean, 2007) ; STORM WARNING (AT, Jamie Blanks, 2007) ; ACOLYTES (AT, Jon Hewitt, 2007) ; DYING BREED (AT, Jody Dwyer, 2008) ; GATES OF HELL, THE (AT, Kelly Dolen, 2008) ; I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008) ; LONG WEEKEND (AT, Jamie Blanks, 2009) ; RUINS, THE (AT/US, Carter Smith, 2008) ; COFFIN ROCK (UK/AT, Rupert Glasson, 2009) ; CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009) ; DAMNED BY DAWN (AT, Brett Anstey, 2009) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; FAMILY DEMONS (AT, Ursula Dabrowsky, 2009) ; HORSEMAN, THE (AT, Steven Kastrissios, 2008) ; LOVED ONES, THE (AT, Sean Byrne, 2009) ; PREY (AT, Oscar D'Rocceter, 2007) ; [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009) ; STORAGE (AT, Michael Craft, 2009) ; TRIANGLE (AT/UK Christpher Smith, 2009) ; CLINIC, THE (AT, James Rabbitts, 2010) ; NEEDLE (AT, John V Soto, 2010) ; REEF, THE (AT, Andrew Traucki, 2010) ; ROAD TRAIN (AT, Dean Francis, 2010) ; SLAUGHTERED (AT, Kate Glover, 2010) Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURBNotes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and indexISBN: 9780786461677Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --
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Australian images / Barrie McMahon, Robyn Quin Marrickville, N.S.W.: Science Press, 1990.
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Australian International documentary conference 2003 : outside the frame [Byron Bay?]: Australian International documentary conference, 2003.
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Australian International documentary conference 2004 : journey to where the sand and sea meet [Perth?]: Australian International documentary conference, 2004.
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Australian International documentary conference 2006 : journey to where the sand and sea meet [Melbourne?]: Australian International documentary conference, 2006.
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Australian international pictures (1946-1975) / Adrian Danks and Constantine Verevis Edinburgh: Edinburgh University Press,
Call No: 71(94) DANAuthor: Danks, Adrian ; Verevis, Constantine Edition: 2023Place: EdinburghPublisher: Edinburgh University PressPhysDes: 224 pages ; 24 cmSeries: Traditions in World CinemaSubject: AUSTRALIA ; EALING STUDIOS ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; KANGAROO (AT, Lewis Milestone, 1952) ; ON THE BEACH (US, Stanley Kramer, 1959) ; SUNDOWNERS, THE (US, Fred Zinnemann, 1960) ; KOYA NO TOSEININ (JA, Junya Sato, 1968) ; AGE OF CONSENT (AT, Michael Powell, 1969) ; COLOR ME DEAD (US/AT, Eddie Davis, 1968) ; NED KELLY (UK, Tony Richardson, 1970) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975) Summary: Offers an important insight into the formative moments of transnational film culture in Australia
- Provides vibrant textual studies of under-evaluated Australian international pictures
- Develops an understanding of international film production in the years following WWII and before the Australian film revival of the 1970s
- Corrects the perception that there was no significant feature film production in Australia after the 1930s and before the revival
- Offers background and important precedents for the more recent practices of global co-productions and ‘Hollywood Down-under’
Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75. -- publisher's web siteISBN: 9780748693061Contents: Acknowledgements -- 1. Australian International Pictures (1946–75) -- 2. The Overlanders (1946) and Ealing Down Under -- 3. Kangaroo (1952) -- 4. On the Beach (1959) -- 5. The Sundowners (1960) -- 6. The Drifting Avenger (1968) -- 7. Age of Consent (1969) -- 8. Color Me Dead (1970) -- 9. Ned Kelly (1970) -- 10. Walkabout (1971) -- 11. Wake in Fright (1971) -- 12. The Man from Hong Kong (1975) -- References.
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Australian media's treatment of the developing world : how does it rate? / Australian International Development Assistance Bureau Canberra: Australian Government Publishing Service, 1989.
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Australian national cinema / Tom O'Regan London New York: Routledge, 1996.
Call No: 408.1(94) ORECopy Management: 2 copiesAuthor: O'Regan, Tom, 1956 Place: London New YorkPublisher: RoutledgePubDate: 1996PhysDes: ix, 405 p. ; 24 cmSeries: National cinemas seriesSubject: INDUSTRY, FILM. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA. AUSTRALIA ; SOCIETY AND THE CINEMA. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; CRITICISM. AUSTRALIA Notes: Includes bibliographical references (p. [376]-391) and indexesISBN: 0415057310 (pbk.); 0415057302LON: 12193364Contents: 1. Introducing Australian national cinema -- 2. Theorizing Australian cinema -- 3. A national cinema -- 4. A medium-sized English-language cinema -- 5. Formations of value -- 6. Making meaning -- 7. Diversity -- 8. Unity -- 9. Negotiating cultural transfers -- 10. A distinct place in the cinema -- 11. Problematizing the social -- 12. Problematizing gender -- 13. Problematizing nationhood -- 14. Critical dispositions.
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Australian National Documentary Conference, October 15 - October 18, McLaren Vale South Australia : [collected papers] Hendon, S. Aust. : Australian National Documentary Conference Association, [1987]:
Call No: 761(94)"1987" AUSPlace: Hendon, S. Aust. : Australian National Documentary Conference Association, [1987]PhysDes: 1 v. (various pagings) : ill. ; 30 cmSubject: CONFERENCES. AUSTRALIA. DOCUMENTARY ISBN: 0073161472LON: abn87327990; 5593913
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Australian (national & state) funding & development guidelines / AFI Research & Information
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Australian popular culture / edited by Ian Craven with Martin Gray and Geraldine Stoneham Melbourne, Australia: Cambridge University Press, published in association with Australian Studies and the British Australian Studies Association, 1994.
Call No: 408.1(94) CRAAuthor: Craven, Ian ; Gray, Martin ; Stoneham, Geraldine Source: UKPlace: Melbourne, AustraliaPublisher: Cambridge University Press, published in association with Australian Studies and the British Australian Studies AssociationPubDate: 1994PhysDes: 228 pages, 2 folded leaves ; 24 cmSeries: Australian cultural studiesSubject: COPRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA. AUSTRALIA ; POPULAR CULTURE AND TV. AUSTRALIA Summary: "Australia's leisure culture is legendary, and as millions of British viewers of Neighbours, fans of Yothu Yindi or drinkers of Castlemaine XXXX would attest, Australian popular culture is popular outside of Australia. Australian Popular Culture is an exciting collection of essays bringing together new perspectives on the nature and meaning of a nation's changing life. The collection also explores the idea of popular culture at large. Leading authors represent a range of approaches, backgrounds and fields to explore subjects of wide interest within the categories of 'the everyday', 'the mass media' and 'critical theory'. Chapters are devoted to the Aussie Back Yard; Vegemite; postage stamps; Australian Rules football; the introduction of television; Crocodile Dundee; The Lindy Chamberlain Affair; Spycatcher; Domesticity, leisure and love and Postmodernism and Australian Culture." -Publisher description.Notes: 2 folded leaves inserted into back of book, entitled "Australian historical studies, style sheet for book reviewers"; Some text highlighted pages 66-76ISBN: 0521466679Contents: Introduction -- Part I. Popular Culture as the Everyday: 1. A brief cultural history of vegemite Robert White -- 2. The Australian back yard George Seddon -- 3. Stamp duty Xavier Pons -- 4. Australian football as secular religion Stephen Alomes -- Part II. Popular Culture and the 'Mass' Media: 5. Controlling the technology of popular culture and the introduction of television to Australia James Walter -- 6. 'Crocodile Dundee': the revival of American virtue Ruth Brown -- 7. The Boys from the Bush: television coproduction in the 1990s Ian Craven -- 8. Patterns of control in Australian crime fiction Stephen Knight -- 9. National fictions and the 'Spycatcher' trial Kevin Foster -- 10. Naturalising 'horror stories': Australian crime news as popular culture Christine Higgins -- Part III. Popular Culture and Critical Theory: 11. How to be a singer though married: domesticity, leisure and modern love Kay Ferres -- 12. The Wild Colonial Boy rides again and again: an Australian legend abroad Grahame Seal -- 13. Shaping the Plain Australian: Social analysis in the 1940s and 1950s Nicholas Brown -- 14. 'On the Beach': Apocalyptic hedonism and the origins of postmodernism Andrew Milner.
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Australian radio listeners and television viewers : historical perspectives / Bridget Griffen-Foley Cham, Switzerland: Palgrave Macmillan, 2020.
Call No: 41(94) GRIAuthor: Griffen-Foley, Bridget Source: SZPlace: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: 2020PhysDes: xiii, 167 pages : illustrations ; 22 cmSeries: Palgrave studies in the history of the mediaSubject: AUDIENCES. AUSTRALIA ; RADIO AND TV. AUSTRALIA ; BROADCASTING. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; CHILDREN AND THE MEDIA. AUSTRALIA ; FANS ; RATINGS FOR TV AUSTRALIA ; RATINGS. AUSTRALIA ; DATING SHOWS ; CHILDREN, PROGRAMMES FOR. AUSTRALIA Summary: This lively and accessible book charts how Australian audiences have engaged with radio and television since the 1920s. Ranging across both the commercial and public service broadcasting sectors, it recovers and explores the lived experiences of a wide cross-section of Australian listeners and viewers. Offering new perspectives on how audiences have responded to broadcast content, and how radio and television stations have been part of the lives of Australians, over the past one hundred years, this book invites us into the dynamic world created for children by the radio industry, traces the operations of radio and television clubs across Australia, and uncovers the workings of the Australian Broadcasting Commission’s viewers’ advisory committees. It also opens up the fan mail received by Australian broadcasting stations and personalities, delves into the complaints les of regulators, and teases out the role of participants and studio audiences in popular matchmaking programs -- publisher's websiteNotes: Includes bibliographies and indexISBN: 9783030546366Contents: Introduction -- Aunties, Uncles and Argonauts -- The Fan Mail Trail -- Public Affairs On-Air -- Club Loyalty -- Viewing Television by Committee -- Talking Back -- Outrage and Complaint -- Matchmaking -- Conclusion
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The Australian screen : a pictorial history of Australian film making / [by] Eric Reade Melbourne: Lansdowne, 1975.
Call No: 71(94) REACopy Management: Copy 1; Copy 2Author: Reade, Eric, 1912-1978 Place: MelbournePublisher: LansdownePubDate: 1975PhysDes: 308 p. : ill. ; 27 x 34 cmSubject: AUSTRALIA ; AUSTRALIA. 1895-1930 ; HISTORY OF TV. AUSTRALIA ; HALL, KEN G. ; CHAUVEL, CHARLES ; LONGFORD, RAYMOND ; SMITH, BEAUMONT ; THRING, F.W. ; THOMPSON, JACK ; HIGGINS, ARTHUR ; HURLEY, FRANK ; RAFFERTY, CHIPS ; SPENCER, CHARLES COZENS ; EFFTEE STUDIO ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; DIGGERS (AT, F.W. Thring, 1931) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) Notes: Australian cinema films, 1896-1974 (ANB/PRECIS SIN 0101729); Index; Parts of the text and some of the photographs in this volume were first published in "Australian silent films: a pictorial history, 1896-1929' and "The talkies era: a pictorial history of Australian sound film making, 1930-1960' by the same authorISBN: 0701803193 : $15.00 AustLON: anb70180319; 791305
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Australian silent films : a pictorial history of silent films from 1896 to 1929 [Melbourne]: Lansdowne, 1970].
Call No: 71(94) REAAuthor: Reade, Eric, 1912-1978 Place: [Melbourne]Publisher: LansdownePubDate: 1970]PhysDes: 192 p. : ill. ; 29 cmSubject: AUSTRALIA. 1895-1930 ; CINEMAS. AUSTRALIA ; SMITH'S WEEKLY ; SPENCER, CHARLES COZENS ; PERRY, JOSEPH ; HURLEY, FRANK ; LONGFORD, RAYMOND ; SMITH, BEAUMONT ; CARBASSE, LOUISE ; RICKARDS, HARRY ; WEST, T.J. ; WILLIAMSON, J.C. ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ISBN: 0701803207LON: 74876255; 376334
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newspaper article
Australian story one of unfair licence fees in The Australian [Media] (20/03/2017) p.23
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Australian television : programs, pleasures & politics / edited by John Tulloch and Graeme Turner Sydney: Allen & Unwin, 1989.
Call No: 408.1(94) AUSAuthor: Tulloch, John, 1942 ; Turner, Graeme Place: SydneyPublisher: Allen & UnwinPubDate: 1989PhysDes: xv, 204 p. ; 22 cmSeries: Australian cultural studiesSubject: TELEVISION. AUSTRALIA ; NATIONAL CULTURE AND TV. AUSTRALIA ; TELEVISION AND THE CINEMA. AUSTRALIA ; GAMES SHOWS. AUSTRALIA ; SOAP OPERAS. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; HISTORY OF TV. AUSTRALIA ; PERFECT MATCH [TV] (AT, 1984-89?) ; PRISONER [TV] (AT, 1979-86) ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; LAST PLACE ON EARTH, THE [TV] (AT, 1987) ; VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987) Notes: Includes bibliographies and indexISBN: 0043800300 (pbk.) : price unknownLON: 6398616
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Australian television : a genealogy of great moments / Alan McKee South Melbourne, Vic.: Oxford University Press, 2001.
Call No: 71(94) MCKAuthor: McKee, Alan. Source: ATPlace: South Melbourne, Vic.Publisher: Oxford University PressPubDate: 2001PhysDes: vi, 361 p. : ill., ports. ; 23 cmSubject: TELEVISION. AUSTRALIA ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; FRONTLINE [TV] (AT, 1994- ) ; HOMICIDE [TV] (AT, 1964-1975) ; IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; NEIGHBOURS [TV] (AT, 1985-) ; PRISONER [TV] (AT, 1979-86) ; RETURN TO EDEN [TV] (AT, 1984) ; SULLIVANS, THE [TV] (AT, 1975-1982) Notes: Includes index. Bibliography: p. 319-355.ISBN: 0195512251
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Australian TV : the early years : a program of full-length screenings / program notes written and researched by Graham Shirley [Sydney]: Museum of Contemporary Art, 1992.
Call No: 71(94) AUSAuthor: Shirley, Graham, 1949 CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.)Place: [Sydney]Publisher: Museum of Contemporary ArtPubDate: 1992PhysDes: 44 p. : ill. ; 30 cmSubject: HISTORY OF TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA ; GAMES SHOWS. AUSTRALIA ; MY BROTHER JACK [TV] (AT, Gil Brealey, 1965) ; PRESSURE PAK SHOW, THE [TV] (AT, 1957-1959?) ; COUNTRY STYLE [TV] (AT, 1962-?) ; IT COULD BE YOU [TV] (AT, 1969-?) ; JONAH [TV] (AT, David Cahill & Ken Hannam, 1962-63) ; MATLOCK POLICE [TV] (AT, 1971-1976) ; ADVENTURE ISLAND [TV] (AT, 1967-1973) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968) ; SEVEN DAYS [TV] (AT, 1964-1968) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; SAY BOW WOW [TV] (AT, Gil Brealey, 1964) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; PENTHOUSE [TV] (AT, 1961-?) Notes: "... accompanies the exhibition TV Times : 35 years of watching television in Australia' - Pref; At head of title: TV Times; Available from Museum of Contemporary Art, 132 George St, Sydney NSW 2000; Includes bibliographiesISBN: 1875632077 : price unknownLON: abn92040814; 8713155
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Australian TV : the first 25 years / edited by Peter Beilby ; assistant editor: John Tittensor, research: Ross Lansell, picture research: Keith Robertson Melbourne, Vic.: Thomas Nelson Australia, 1981.
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The Australian TV book / edited by Graeme Turner and Stuart Cunningham St. Leonards, N.S.W.: Allen & Unwin, 2000.
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newspaper article
Australians who dress for success in Saturday Age (18/07/2015) p.41
Call No: SUBJECT CLIPPINGS FILE; COSTUME DESIGNERSAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: COSTUME DESIGNERS ; COSTUME DESIGNING Summary: Article about some Australian costume designers who have been acclaimed in Hollywood, including: Orry-Kelly, Michael Wilkinson, and Lizzie Gardiner
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Authors on film / edited by Harry M. Geduld Bloomington IN: Indiana University Press, 1972.
Call No: 67(049.32) AUTSource: USPlace: Bloomington INPublisher: Indiana University PressPubDate: 1972PhysDes: xiii, 303 p. : 21 cmSubject: CRITICS Summary: Essays and articles by famous authors about filmISBN: 0253201799Donation: donated by the family of Wayne Levy, 2006Contents: Foreward by Harry M. Geduld -- From Silence to Sound -- The Kingdom of Shadows / Maxim Gorky -- McTeague at the movies / Frank Norris -- It may turn out to be a powerful thing / Leo Tolstoy -- Nickelodeons and common shows / Upton Sinclair -- Over the Hill / Upton Sinclair -- Childhood memories / Jean-Paul Sartre -- The Cabinet of Dr. Caligari / Carl Sandburg -- Nosferatu / Andre Gide -- Nosferatu / Jack Kerouac -- On The Gold Rush: "Less security / Bertolt Brecht -- The silliest film: will machinery make robots of men? / H. G. Wells -- Silence is golden / Aldous Huxley -- The Medium and its Messages -- Editor's easy chair / W. D. Howells -- The movies and reality / Virginia Woolf -- Appendix from Moronia / H. L. Mencken -- The message of motion pictures / Jack London -- On the movies / G. K. Chesterton -- About the films / G. K. Chesterton -- On The Blue Angel: Heinrich Mann to Karl Lemke / Heinrich Mann -- The Blue Angel is shown to me / Heinrich Mann -- On the film / Thomas Mann -- Concerining music for the film / Bertolt Brecht -- Three reviews / Graham Greene -- What is art, Jean-Luc Godard? / Louis Aragon -- Authors on Screenwriting -- The dramatist and the photoplay / Henry Arthur Jones -- D'Annunzio and film / Tom Antongini -- On writing for the films / W. Somerset Maugham -- Concerning the film / Bertolt Brecht -- Preface to the film version of Murder in the Cathedral / T. S. Eliot -- The writer and motion pictures / Truman Capote -- The writer and motion pictures / William Faulkner -- The Hollywood Experience -- My Hollywood experience / William Faulkner -- The real sins of Hollywood / Theodore Dreiser -- Letter to his daughter / F. Scott Fitzgerald -- The language of Hollywood / James T. Farrell -- Of Mice and Movie Stars -- Mickey and Minnie / E. M. Forster -- Encounter with Chaplin / Jean Cocteau -- Says Chaplin could play serious drama / Carl Sandburg -- Has the flapper changed? (Interview with F. Scott Fitzgerald) / Margaret Reid -- Appendix from Moronia: Valentino / H. L. Mencken -- Adagio dancer (on Valentino) / John Dos Passos -- A tribute to mamma from Papa Hemingway (on Marlene Dietrich) / Ernest Hemingway -- Sidney Poitier / James Baldwin -- Notes on authors -- index
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Authorship in Wide Angle (1984) vol.6 iss.1 p.[whole issue]
Author: Lehman, Peter PhysDes: ArticleSubject: AUTEUR THEORY ; COME AND GET IT (US, Howard Hawks and William Wyler, 1936) ; LADY IN THE LAKE (US, Robert Montgomery, 1946) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; VIDEO, FILMS ON ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) Summary: Entire edition on authorship/auteurism. Articles on 'Breathless', 'The Cabinet of Dr. Caligari', 'Come and Get It', 'The Lady in the Lake', and 'Dr. Strangelove'. An interview with Judith Barry on video art, and an interview with Manny Kirchheimer.
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Authorship and criticism / by Dugald Williamson Sydney: Local Consumption Publications, 1989.
Call No: 621 WILAuthor: Williamson, Dugald Edition: [2nd ed.]Place: SydneyPublisher: Local Consumption PublicationsPubDate: 1989PhysDes: 98 p. ; 21 cmSeries: Critical categories series ; no. 1Subject: AUTHORSHIP ; CRITICISM ; METHODOLOGY OF FILM CRITICISM ; WEIR, PETER Notes: Previous ed.: Sydney : Local Consumption Publication, [1986?]; Includes index; Bibliography: p. 89-94ISBN: 0949793167 (pbk.) : $10.00LON: anb94979316; 6320460
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Avant-garde to new wave : Czechoslovak cinema, surrealism and the sixties / Jonathan L.Owen New York: Berghahn Books, 2011.
Call No: 64NOU(437) OWEAuthor: Owen, Jonathan L. Place: New YorkPublisher: Berghahn BooksPubDate: 2011PhysDes: viii, 245 p. : ill. ; 24 cmSeries: Berghahn on filmSubject: CZECHOSLOVAKIA ; NOUVELLE VAGUE ; SURREALISM AND THE CINEMA ; CLOSELY WACTHED TRAINS [ ; SEDMIKRASKY (CS, Vera Chytilova, 1966) Summary: The cultural liberalization of communist Czechoslovakia in the 1960s produced many artistic accomplishments, not least the celebrated films of the Czech New Wave. This movement saw filmmakers use their new freedom to engage with traditions of the avant-garde, especially Surrealism. This book explores the avant-garde's influence over the New Wave and considers the political implications of that influence. The close analysis of selected films, ranging from the Oscar-winning Closely Observed Trains to the aesthetically challenging Daisies, is contextualized by an account of the Czech avant-garde and a discussion of the films' immediate cultural and political backgroundNotes: Includes bibliographical references and indexISBN: 9780857451262Contents: Introduction: Surrealism in and out of the Czechoslovak New Wave -- Chapter one: Inspirations, Opportunities: Cultural and Historical Contexts -- Chapter two: Pavel Juraceks Josef Kilian (1963) and A Case for the Young Hangman (1969): From the Surreal Object to the Absurd Signifier -- Chapter three: Jiri Menzels Closely Observed Trains (1966): Hrabal and the Heterogeneous -- Chapter four: Spoiled Aesthetics: Realism and Anti-Humanism in Vera Chytilova's Daisies (1966) -- Chapter five: Flights From History: Otherness, Politics and Folk Avant-Gardism in Juraj Jakubiskos The Deserter and the Nomads (1968) and Birds, Orphans and Fools (1969) -- Chapter six: Back to Utopia: Returns of the Repressed in Jaromil Jires's Valerie and Her Week of Wonders (1970) -- Chapter seven: Jan Svankmajer: Contemporary Czech Surrealism and the Renewal of Language -- Conclusion
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Avengers assemble! : critical perspectives on the Marvel cinematic universe / by Terence McSweeney London: Wallflower Press published by Columbia University Press, c2018.
Call No: 753.5 MSCAuthor: McSweeney, Terence Source: US/UKPlace: LondonPublisher: Wallflower Press published by Columbia University PressPubDate: c2018PhysDes: vii, 310 pages : illustrations ; 24 cmSubject: SUPERHEROES IN FILMS ; HEROS IN FILMS ; COMIC STRIP CHARACTERS IN FILMS ; CRITICISM ; MARVEL ENTERTAINMENT ; IRON MAN (US, Jon Favreau, 2008) ; IRON MAN 2 (US, Jon Favreau, 2010) ; THOR (US, Kenneth Branagh, 2011) ; INCREDIBLE HULK, THE (US, Louis Leterrier, 2008) ; CAPTAIN AMERICA: THE FIRST AVENGER (US, Joe Johnston, 2011) ; AVENGERS, THE (US, Joss Whedon, 2012) ; IRON MAN 3 (US/CN, Shane Black, 2013) ; THOR: THE DARK WORLD (US, Alan Taylor, 2013) ; CAPTAIN AMERICA: THE WINTER SOLDIER (US, Anthony Russo and Joe Russo, 2014) ; GUARDIANS OF THE GALAXY (US/UK, James Gunn, 2014) ; ANT-MAN (US, Peyton Reed, 2015) ; AVENGERS: AGE OF ULTRON (US, Joss Whedon, 2015) ; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016) Summary: "We are living in the age of the superhero and we cannot deny it. Avengers Assemble! is a vibrant and theoretically informed interrogation of one of the defining and most financially successful film franchises of the new millennium. In the first single-authored monograph on the topic of the Marvel cinematic universe, this book asks, "Why has the superhero genre reemerged so emphatically in recent years?" In an age where people have stopped going to the cinema as frequently as they used to, they returned to it in droves for the superhero film. What is it about these films that has resonated with audiences all around the globe? Are they just disposable pop culture artifacts or might they have something interesting to say about the fears and anxieties of the world we live in today? Beginning with Iron Man in 2008, this study provocatively explores both the cinematic and the televisual branches of the series across ten dynamic and original chapters from a diverse range of critical perspectives which analyse their status as an embodiment of the changing industrial practices of the blockbuster film and their symbolic potency as affective cultural artifacts that are profoundly immersed in the turbulent political climate of the era in which they were made." -- BOOK BACK COVERNotes: Formerly CIP; Includes bibliographical references and index; Also issued onlineISBN: 9780231186254Donation: Senses of CinemaContents: 1. 'That's how Dad did it, that's how America does it ... and it's worked out pretty well so far' : The Stark doctrine in Iron Man and Iron Man 2 -- 2. Allegorical narratives of gods and monsters : Thor and The Incredible Hulk -- 3. State fantasy and the superhero : (Mis)remembering World War II in Captain America : The First Avenger -- 4. 'Seeing ... still working on believing!' : The ethics and aesthetics of destruction in The Avengers -- 5. 'Nothing's been the same since New York' : Ideological continuity and change in Iron Man 3 and Thor : The Dark World -- 6. 'The world has changed and none of us can go back' : The illusory moral ambiguities of the Post-9/11 superhero in Captain America : The Winter Soldier -- 7. Blurring the boundaries of genre and gender in Guardians of the Galaxy and Ant-Man -- 8. 'Isn't that why we fight? So we can end the fight and go home?' : The enduring American monomyth in Avengers : Age of Ultron -- 9. 'What does S.H.I.E.L.D. stand for?' : The MCU on the small screen in Marvel's Agents of S.H.I.E.L.D. and Marvel's Agent Carter -- 10. The necessary vigilantism of the defenders : Daredevil, Jessica Jones, Luke Cage and Iron Fist.
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The avocado plantation : boom and bust in the Australian film industry / David Stratton Chippendale, N.S.W.: Pan Macmillan, 1990.
Call No: 71(94) STRAuthor: Stratton, David Place: Chippendale, N.S.W.Publisher: Pan MacmillanPubDate: 1990PhysDes: xiii, 465 p. : ill. ; 25 cmSubject: FILMOGRAPHIES. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; AUSTRALIA ; TAXES. AUSTRALIA ; MILLER, GEORGE ; LAWRENCE, RAY ; COX, PAUL ; BENNETT, BILL ; DOBROWOLSKA, GOSIA ; PARKER, DAVID ; SALVAT, KEITH ; SCHEPISI, FRED ; SCHULTZ, CARL ; SULLIVAN, ERROL ; TASS, NADIA ; TURKIEWICZ, SOPHIA ; WEIR, PETER ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; TIME GUARDIAN, THE (AT, Brian Hannant, 1987) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; MALCOLM (AT, Nadia Tass, 1986) ; BURKE AND WILLS (AT, Graeme Clifford, 1985) ; BLISS (AT, Ray Lawrence, 1985) Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket]Notes: Includes indexISBN: 0732902509LON: 7520974Donation: Simon WincerID2: 255
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The Awards in Empire (Australian Ed.) (March 2003) iss.24 p.45-51
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Awards in Lumiere (November-December 1970) vol.1 iss.6 p.40-45
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B is for bad cinema : aesthetics, politics and cultural value / edited by Claire Perkins and Constantine Verevis Albany, New York: State University of New York Press, c2014.
Call No: 730.2 BISAuthor: Perkins, Claire ; Verevis, Constantine Source: USPlace: Albany, New YorkPublisher: State University of New York PressPubDate: c2014PhysDes: xi, 262 pages : illustrations ; 24 cmSubject: AESTHETICS ; AUTHORSHIP ; B-MOVIES ; CULT FILMS ; CULTURE AND THE CINEMA ; EXPLOITATION FILMS ; POLITICS AND THE CINEMA ; SUBTITLES ; CANDY (AT, Neil Armfield, 2005) ; EVIL DEAD, THE (US, Sam Raimi, 1982 [prod. 1980]) ; MARNIE (US, Alfred Hitchcock, 1964) Summary: B Is For Bad Cinema continues and extends, but does not limit itself to, the trends in film scholarship that have made cult and exploitation films and other "low" genres increasingly acceptable objects for critical analysis. Springing from discussions of taste and value in film, these original essays mark out the broad contours of "bad" - that is, aesthetically, morally, or commercially disreputable - cinema. While some of the essays share a kinship with recent discussions of B movies and cult films, they do not describe a single aesthetic category or represent a single methodology or critical agenda, but variously approach badcinema in terms of aesthetics, politics and cultural value. The volume covers a range of issues, from the aesthetic and industrial mechanics of low-budget production through the terrain of audience responses and cinematic effect, and onto the broader moral and ethical implications of the material. As a result, B Is For Bad Cinema takes an interest in a variety of film examples - overblown Hollywood blockbusters, faux pornographic works, and European art house films - to consider those that lurk on the boundaries of acceptability." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9781438449951Contents: Introduction: B for bad cinema / Claire Perkins and Constantine Verevis; Part 1: Aesthetics -- Explosive apathy / Jeffrey Sconce -- B-grade subtitles / Tessa Dwyer -- Being in two places at the same time: the forgotten geography of rear-projection / Adrian Danks -- Redeeming cruising: tendentiously offensive, coherently incoherent, strangely pleasurable / R. Barton Palmer -- The villain we love: notes on the dramaturgy of screen evil / Murray Pomerance -- From bad to good and back to bad again? cult cinema and its unstable trajectory / Jamie Sexton; Part 2: Authorship -- Coffee in paradise: the horn blows at midnight / Tom Conley -- The risible: on Jean-Claude Brisseau / Adrian Martin -- The evil dead DVD commentaries, amateurishness and "bad film" discourse / Kate Egan -- Liking The magus / I.Q. Hunter -- BADaptation: is candy faithful? / Constantine Verevis
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[Ba wang bie ji : Leslie Cheung as Cheng Dieyi a Peking opera performer in costume with elaborate head-dress and fan] Miramax films, c. 1993.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Miramax filmsPubDate: c. 1993PhysDes: 1 photograph : b&w ; 13 x 18 cm.Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993) ; CHEUNG, LESLIE Summary: Lesley Cheung as a Peking opera performer.Notes: Slight scratching on surface of photograph; Adhesive label attached to reverse of photograph
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[Ba wang bie ji : Leslie Cheung as Cheng Dieyi a young man who is a performer in the Peking opera] Miramax films, c. 1993.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Miramax filmsPubDate: c. 1993PhysDes: 1 photograph : b&w ; 18 x 13 cm.Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993) ; CHEUNG, LESLIE ; KAIGE, CHEN Summary: Lesli Cheung with black hair pushed back and wearing a Chinese jacket with a mandarin collar. There is a light source behind him with the light reflecting off his shiny hair. This image also has a soft focus.Notes: Label on the reverse erroneously labels the actor as Zhang Fengyi; Slight finger prints on photograph; Adhesive label on reverse of photograph
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[Babe: stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 26 x 21cmSubject: CROMWELL, JAMES ; BABE (AT, Chris Noonan, 1995) Summary: 2 black and white photographs of Babe film poster and James Cromwell sitting with Babe.
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Back with the wind in Movie Trader (Jun 1999) p.8
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[Backsliding : stills file] Palace Entertainment,
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Backstory : interviews with screenwriters of Hollywood's golden age / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1986.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 1986PhysDes: viii, 382 p. : ports. ; 24 cmSubject: BENNETT, CHARLES ; BURNETT, W. R. ; BUSCH, NIVEN ; CAIN, JAMES M ; COFFEE, LENORE ; DUNNE, PHILIP ; EPSTEIN, JULIUS J. ; GOODRICH, FRANCES ; HACKETT, ALBERT ; KRASNA, NORMAN ; MAHIN, JOHN LEE ; MAIBAUM, RICHARD ; ROBINSON, CASEY ; SCOTT, ALLAN ; STEWART, DONALD OGDEN Summary: "Backstory" is a screenwriter's tem fr what happens in a plot before the screen story begins. In this volume a delightfully acute and articulate band of screenwriters tell their side of what happened, on and off the set, before the cameras rolled. Their reminiscences are both entertaining and instructive for anyone who cares about the art of film - past or present. Together, the interviews comprices an affectionate group portrait of movie writers at work.
The illustrious line-up includes Hitchcock's collaborator Charles Bennett; the novelists Niven Busch, W. R. Burnett, and James M. Cain; the fixer-upper Lenore Coffee; the comedy writers Julius J. Epstein and Norman Krasna; the sophisticated husband-and-wife team of Frances Goodrich and Albert Hackett; the Astair-Rogers writer Allan Scott and the James Bond interpreter Richard Maibaum; that witty gentleman Donald Ogden Stewart; and three of Hollywood's best adaptors: Philip Dunne, John Lee Mahin, and Casey Robinson. -- Taken from dust jacket.Notes: Includes indexes; Bibliography: p. 349-364ISBN: 0520056663 (alk. paper); 0520056892 (pbk. : alk. paper)LON: 85028949; 4218775
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Backstory 2 : interviews with screenwriters of the 1940s and 1950s / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1991.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Place: BerkeleyPublisher: University of California PressPubDate: 1991PhysDes: viii, 417 p. : ill. ; 24 cmSubject: BRACKETT, LEIGH ; BROOKS, RICHARD ; COMDEN, BETTY ; GREEN, ADOLPH ; KANIN, GARSON ; KINGSLEY, DOROTHY ; LAURENTS, ARTHUR ; MADDOW, BEN ; MAINWARING, DANIEL ; REISCH, WALTER ; SIODMAK, CURT ; STERN, STEWART ; TARADASH, DANIEL ; YORDAN, PHILIP Notes: Includes bibliographical references (p. 391-393) and indexesISBN: 0520209087 (pbk.); 0520071697 (alk. paper)LON: 90011172; 7420735
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Backstory 4 : interviews with screenwriters of the 1970s and 1980s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2006.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2006PhysDes: x, 423 p. : ill. ; 23 cmSubject: SCRIPTWRITERS ; SCRIPTWRITERS. USA ; BENTON, ROBERT ; COHEN, LARRY ; EDWARDS, BLAKE ; HILL, WALTER ; JHABVALA, RUTH PRAWER ; KASDAN, LAWRENCE ; LEONARD, ELMORE ; MAZURSKY, PAUL ; MEYERS, NANCY ; MILIUS, JOHN ; RAPHAEL, FREDERIC ; WESTLAKE, DONALD ; SARGENT, ALVIN Summary: "Continuing Patrick McGuilligan's highly acclaimed series on Hollywood screenwriters, these engrossing, informative, provocative interviews give wonderfull detailed and personal stories from veteran writers of the seventies and eighties focusing on their craft, their lives, and their profession. Backstory 4 is a riveting insider's look at how movies get made; a rich perspective on many of the great films, directors, and actors of the seventies and eighties; and an articulate, forthright commentary on the art and business of screenwriting."-- Back coverNotes: Formerly CIP; Includes bibliographical references (p. 389-396) and indexISBN: 9780520245181; 0520245180 (pbk. : alk. paper)Contents: -- acknowlegments -- introduction -- Robert Benton : the new traditionalist / interview by Christian Keathley -- Larry Cohen : manic energy / interview by Patrick McGilligan -- Blake Edwards : jumping around / interview by Bill Krohn --
Walter Hill : last man standing / interview by Patrick McGilligan -- Ruth Prawer Jhabvala : out of India / interview by Vincent LoBrutto -- Lawrence Kasdan : a humanist in Hollywood / interview by Graham Fuller -- Elmore Leonard : the hot kid / interview by Patrick McGilligan -- Paul Mazursky : a map of the heart / interview by Nat Segaloff -- Nancy Meyers : late bloomer / interview by Fred Topel -- John Milius : the good fights / interview by Nat Segaloff -- Frederic Raphael : renaissance man / interview by John Baxter -- Alvin Sargent : pursuit and destination / interview by Patrick McGilligan -- Donald E. Westlake : the worst that could happen / interview by Patrick McGilligan -- bibliographic notes -- about the contributors -- general index -- index of films, plays, and books --
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Bad done good in Sunday Herald Sun [Scene] (28/05/2017) p.4
Call No: TITLE CLIPPINGS FILE; HOUNDS OF LOVE (AT, Ben Young, 2016)Author: Johnson, Neala PhysDes: Clippings File ArticleSubject: CURRY, STEPHEN ; HOUNDS OF LOVE (AT, Ben Young, 2016) Summary: Stephen Curry discusses the role he plays in the film HOUNDS OF LOVE and why he went out of his way to play a character very much against his type
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Bad film histories : ethnography and the early archive / Katherine Groo Minneapolis; London: University of Minnesota Press, 2019.
Call No: 769[39] GROAuthor: Groo, Katherine Edition: 2019Place: Minneapolis; LondonPublisher: University of Minnesota PressPubDate: 2019PhysDes: 366 pages : illustrated ; 22 cmSubject: ANIMALS IN FILMS ; ANTHROPOLOGY AND THE CINEMA ; ARCHIVES & INSTITUTES, FILM ; CAVELL, STANLEY ; DANCE IN FILMS ; DERRIDA, JACQUES ; ETHNOGRAPHIC FILMS ; FILM HISTORY ; FOUCAULT, MICHEL Summary: A daring, deep investigation into ethnographic cinema that challenges standard ways of writing film history and breaks important new ground in understanding archives
Bad Film Histories is a vital work that unsettles the authority of the archive, examining the imprecisions and absences that define film history and its archives. Taking ethnographic cinema as a crucial case study, Katherine Groo challenges standard ways of thinking and writing about film history and questions widespread assumptions about what film artifacts are and what makes them meaningful. -- publisher's web siteISBN: 9781517900335Donation: Senses of CinemaContents: Introduction: Untimely Historiographies, Ethnographic Particularities -- 1. Of Other Archives: The Excursive Minors of La Maison Lumière and Les Archives de la Planète -- 2. Historical Figures: Dance and the Unlettered Line -- 3. Following Derrida: Ethnocinematic Animals, Death Effects, and the Supplement of Expedition Cinema -- 4. Language Games, or the World Intertitled -- 5. Ethnography Won’t Wait: New Media and Material Histories -- Acknowledgments -- Notes -- Index
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Bad taste gets in the way of budding bromance in Sydney Morning Herald [Arts & Entertainment] (22/01/2015) p.23
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[Bal poussiere : poster]
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Ballet for film and television London: Pitman, [1950].
Call No: 751.2 FRAAuthor: Franks, A. H. (Arthur Henry), 1907 Place: LondonPublisher: PitmanPubDate: [1950]PhysDes: ix, 85 p. plates. 23 cmSubject: DANCE FILMS Notes: Bibliography: p. 73-77. "A short catalogue of dance and ballet films": p. 78-82LON: 1335577
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Ballet melodrama makes its pointe in Sunday Age [Inside Out] (9/04/2017) p.11
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Bananas in Pyjamas collection colouring book Reed for Kids, 1994.
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Barbara Carrera signed role in Never Say Never Again in Australasian Cinema (29/10/1982) vol.11 iss.19 p.10
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Bardot : a personal biography / Glenys Roberts London: Corgi Books, 1985.
Call No: 81BAR ROBAuthor: Roberts, Glenys Source: UKPlace: LondonPublisher: Corgi BooksPubDate: 1985PhysDes: 368 p. : ill. ; 18 cmSubject: BARDOT, BRIGITTE ; VADIM, ROGER ; FONDA, JANE ; TRINTIGNANT, JEAN-LOUIS ; CHARRIER, JACQUES ; MALLE, LOUIS ; LEVY, RAOUL ; MOREAU, JEANNE ; ET DIEU... CREA LA FEMME (FR, Roger Vadim, 1956) ISBN: 0552127108Donation: donated by the family of Wayne Levy, 2006
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Barnens o in News vol.1 iss.9
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Barnens o in News vol.3 iss.59
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The Barry McKenzie movies / Tony Moore Sydney: Currency Press, Australian Film Commission, 2005.
Call No: 79BAR MORAuthor: Moore, Tony Source: ATPlace: SydneyPublisher: Currency Press, Australian Film CommissionPubDate: 2005PhysDes: x, 86 p. : ill. ; 19 cm.Series: Australian screen classicsSubject: AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; COMEDIES. AUSTRALIA ; EVERAGE, DAME EDNA ; BERESFORD, BRUCE ; HUMPHRIES, BARRY ; ADAMS, PHILLIP ; BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Summary: With irresponsible humour and sharp-witted insight Tony Morre explores the subversive satire of the films, their influence on his generation, and what they have to say about who we are today. Included is a glossary of Bazza-isms written by Barry Humphries.ISBN: 0868197483ISSN: 1447557X
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Bastard boys / Sue Smith Strawberry Hills, NSW: Currency Press, 2007.
Call No: 79BAS SMIAuthor: Smith, Sue CorpAuthor: Film Finance Corporation Australia; Australian Broadcasting Corporation; New South Wales Film and Television Office; Film Victoria; Flying Cabbage ProductionsSource: AustraliaPlace: Strawberry Hills, NSWPublisher: Currency PressPubDate: 2007PhysDes: viii, 216 p. : ill. ; 24cmSubject: SCRIPTS. AUSTRALIA ; HISTORICAL DRAMAS. AUSTRALIA ; SERIALS. AUSTRALIA ; TRADE UNIONS. AUSTRALIA ; INDUSTRIAL RELATIONS. AUSTRALIA ; RESTRICTIVE PRACTICES. AUSTRALIA ; LABOUR. AUSTRALIA ; COURTROOM DRAMAS ; SOCIAL PROBLEMS ON TV. AUSTRALIA ; CONTROVERSIAL ISSUES ON TV. AUSTRALIA ; POLITICS ON TV. AUSTRALIA ; POLITICAL PERSONALITIES ON TV. AUSTRALIA ; POLITICAL DRAMAS. AUSTRALIA ; STATE AND TV ; BASTARD BOYS (AT, Raymond Quint, 2007) Summary: Script for the 2007 ABC TV mini-series 'Bastard Boys'.
"On 7 April 1998, security guards moved onto Patrick Stevedores docks around Australia and ordered the waterfront workers to stand down immediately. What followed this unprecedented attack on the Maritime Union of Australia (MUA) was an industrial dispute that developed into a campaign for the hearts and minds of all Australians. 'Bastard Boys' tells the story of the fight that stopped the nation.
"A political thriller, war film, buddy movie, love story and courtroom drama all rolled into one, 'Bastard Boys' follows the lives of the key players in one of the most significant events in Australia's recent past.
"Written by Sue Smith ('Brides of Christ', 'The Leaving of Liverpool', 'My Brother Jack', 'The Road from Coorain') and directed by Ray Quint ('The Secret Life of Us', 'McLeod's Daughters', 'Blue Heelers'), 'Bastard Boys' screened on ABC TV in 2007."
Cast includes Jack Thompson, Colin Friels, Geoff Morrell, Daniel Frederiksen, Anthony Hayes, Justin Smith, Rhys Muldoon and Daniel Wyllie.Notes: Includes film end creditsISBN: 9780868198095
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Bazin at work : major essays and reviews from the forties and fifties / Andre Bazin ; translated from the French by Alain Piette and Bert Cardullo ; edited by Bert Cardullo New York: Routledge, 1996.
Call No: 67(04) BAZAuthor: Bazin, Andre, 1918-1958 ; Cardullo, Bert Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: xvi, 252 p. : ill. ; 24 cmSubject: STALIN [J.] IN FILMS ; RELIGIOUS FILMS ; SPECIAL EFFECTS ; SUPERNATURAL IN FILMS ; CINEMASCOPE ; MARXISM AND THE CINEMA ; USSR ; ADAPTATIONS ; WYLER, WILLIAM ; PAGNOL, MARCEL ; CAYATTE, ANDRE ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; SCARFACE (US, Howard Hawks, 1932) ; STRADA, LA (IT, Federico Fellini, 1954) ; DERNIERES VACANCES, LES (FR, Roger Leenhardt, 1948) ; M. RIPOIS (FR, Rene Clemont, 1954) ; DUE SOLDI DI SPERANZA (IT, Renato Castellani, 1951) ; TWO CENTS WORTH OF HOPE (IT, Renato Castellani, 1951) ; WHY WE FIGHT SERIES (US, 1942-44) ; BATTLE OF THE RAILS [ ; MYSTERE PICASSO, LE (FR, Henri-Georges Clouzot, 1956) ; BIDONE, IL (IT, Federico Fellini, 1955) ; BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957) ; CITIZEN KANE (US, Orson Welles, 1941) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IVAN GROZNY KINO BALET (UR, Vadim Derbenev & Yuri Grigorovich, 1977) Notes: Includes bibliographical references and indexISBN: 0415900174 (hb); 0415900182 (pb)LON: 12242179Contents: La Strada, p113-120 -- Jeux Interdits, p129-135 -- Les Dernieres Vacances, p141-149 -- M. Ripois, p167-177 -- Ivan Groznyj, p197-203 -- Le Mystere Picasso, p211-219 -- Citizen Kane, p231-239
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Bea's gone, but show goes on : new Wentworth season is a cracker, says Da Silva in Daily Telegraph (26/11/2016) p.70
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A Beautiful Mind in Empire (Australian Ed.) (March 2002) iss.12 p.52
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Becoming visionary : Brian De Palma's cinematic education of the senses / Eyal Peretz, with a foreword by Stanley Cavell Stanford, California: Stanford University Press, 2008.
Call No: 630 PERAuthor: Peretz, Eyal Source: USPlace: Stanford, CaliforniaPublisher: Stanford University PressPubDate: 2008PhysDes: xvii, 224 p. : ill. ; 23 cmSeries: Cultural memory in the presentSubject: CRITICISM ; DE PALMA, BRIAN Summary: "How is one to think about the significance of the art of film for philosophy? What would it mean to introduce film as a question into the heart of the philosophical enterprise? How would this transform our understanding of film, on the one hand, and of philosophy and the philosophical tradition, on the other? These are the questions that guide this project on the hirtherto critically neglected but seminal film director Brian De Palma. Becoming Visionary: Brian De Palma's Cinematic Education of the Senses is located at the intersection of philosophy and film studies, and makes each of these disciplines productive and useful for the other in a new way. It is a concrete examination of the logic governing the work of a major American artist and, at the same time, a general philosophical examination of the logic of meaning governing all the major filmic categories, thus providing a comprehensive theory of film. Becoming Visionary develops a new matrix for thinking about the relationship between philosophy and film and, by extension, betweeen philosophy and the arts. " -- BOOK BLURBNotes: Includes bibliographical references (p. [165]-220) and indexISBN: 9780804756853Contents: Foreword: On Eyal Peretz's Becoming Visionary / Stanley Cavell -- Introduction: The Realm of the Senses and the Vision of the Beyond - Toward a New Thinking of the Image -- 1. Carrie - Film and the Wounding of Representation -- 2. Between Paranoia and Passion - Questioning the Frame and the Screen in The Fury -- 3. Film and the Memory of the Outside: Or, Cinema as Technology, Cinema as Pornography, Cinema as Scream - Blow Out -- Coda: For a New Enlightenment: Femme Fatale, A Paradoxical Happy Ending; or, The Idea of a Future.
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Before Mickey : the animated film, 1898-1928 / Donald Crafton Cambridge, Mass.: MIT Press, c1982.
Call No: 772 CRAAuthor: Crafton, Donald Place: Cambridge, Mass.Publisher: MIT PressPubDate: c1982PhysDes: xx, 413 p. : ill. ; 21 cmSubject: ANIMATED FILMS ; MESSMER, OTTO ; MCCAY, WINSOR ; COHL, EMILE ; BRAY, JOHN RANDOLPH ; FELIX THE CAT ; FLEISCHER STUDIO ; HURD, EARL ; LANTZ, WALTER ; STAREVITCH, LADISLAS ; VERTOV, DZIGA ; HAUNTED HOTEL, THE (US, J. Stuart Blackton, 1907) Notes: Includes index; "Sources for early animated films" p. [373]-380; Bibliography: p. [381]-395ISBN: 0262030837LON: 2144183 2144183
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Before the interval : Australian mythology and feature films, 1930-1960 / Bruce Molloy St. Lucia, Qld.: University of Queensland Press, 1990.
Call No: 408.1(94) MOLAuthor: Molloy, Bruce Place: St. Lucia, Qld.Publisher: University of Queensland PressPubDate: 1990PhysDes: xviii, 244 p., [32] p. of plates : ill., ports. ; 22 cmSubject: AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; FAMILY IN FILMS. AUSTRALIA ; MYTH AND THE CINEMA ; CINESOUND STUDIOS ; CHAUVEL, CHARLES ; BITTER SPRINGS (AT, Ralph Smart, 1950) ; HERITAGE (AT, Charles Chauvel, 1935) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) ; DAD RUDD M.P. (AT, Ken G. Hall, 1940) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; IT ISN'T DONE (AT, Ken G. Hall, 1937) ; JEDDA (AT, Charles Chauvel, 1955) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; SHIRALEE, THE (AT, Leslie Norman, 1957) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) Notes: Includes index; Bibliography: p. [219]-229ISBN: 0702222690 (pbk.)LON: 6791823Contents: Charles Chauvel, p101-164 -- Bitter Springs, p189-194 -- Dad Rudd, p60-65 -- Forty Thousand Horsemen, p144-152 -- Heritage, p107-114 -- It isn't done, p87-92 -- Jedda, p203-208 -- On Our Selection, p48-53 -- The Overlanders, p165-171 -- The Rats of Tobruk, p152-161 -- The Shiralee, p178-181 -- Sons of Matthew, p114-124 -- The Squatter's Daughter, p65-69
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Behind the scenes at the BBFC : film classification from the silver screen to the digital age / edited by Edward Lamberti ; associate editors Jason Green, David Hyman, Craig Lapper, Karen Myers London: BFI book published by Palgrave Macmillan, 2012.
Call No: 44(410) BEHSource: UKPlace: LondonPublisher: BFI book published by Palgrave MacmillanPubDate: 2012PhysDes: xii, 228 pages : illustrations (some colour) ; 25 cmSubject: CENSORSHIP. UK ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; SNAKE PIT (US, Anatole Litvak, 1948) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; PANIC IN NEEDLE PARK (US, Jerry Schatzberg, 1971) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; PARASITE MURDERS, THE (CN, David Cronenberg, 1975) ; BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979) ; CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; LICENCE TO KILL (UK/US, John Glen, 1989) ; LILO & STITCH (US, Dean DeBlois & Chris Sanders, 2002) ; [NINE] 9 SONGS (UK, Michael Winterbottom, 2004) ; HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005) Summary: "Established by the film industry in 1912 as the nation's only official and independent classifier of the moving image, the British Board of Film Classification (originally the British Board of Film Censors) has long been a source of fascination - and sometimes a bone of contention - for filmgoers, film-makers and industry figures. This new book, published in the BBFC's centenary year, traces the fascinating history of film classification, censorship and controversy in Britain, and marks an unparalleled collaboration between the BBFC and leading film critics, historians and cultural commentators. The book also features unique case studies, written by BBFC staff, focusing on significant films that have provoked debate and controversy both within the BBFC and more widely - Battleship Potemkin, The Snake Pit, A Clockwork Orange, Indiana Jones and the Temple of Doom, and many more." - taken from back cover.Notes: Includes bibliographical references and index.ISBN: 9781844574766Contents: Introduction: A Centennary Book -- 1.Censorship Under Siege: The BBFC in the Silent Era / Simon Brown -- Case Study: Battleship Potemkin (1925) / Aidan McDowell -- 2.`The People's Amusement': Cinemagoing and the BBFC, 1928-48 / Robert James -- Case Study: Island of Lost Souls (1932) / Karen Myers -- 3.From the Snake Pit to the Garden of Eden: A Time of Temptation for the Board / Steve Chibnall -- Case Study: The Snake Pit (1948) / David Hyman -- Case Study: Caged (1950) / Jason Green -- 4.The Trevelyan Years: British Censorship and 1960s Cinema / Tracy Hargreaves -- Case Study: Cape Fear (1962) / David Hyman -- Case Study: Blowup (1966) / Edward Lamberti -- 5.Wake of the Flood: Key Issues in UK Censorship, 1970-5 / Stevie Simkin -- Case Study: The Panic In Needle Park (1971) / Murray Perkins -- Case Study: WR - Misterije Organizma (WR - Mysteries of the Organism, 1971) / Craig Lapper -- Case Study: A Clockwork Orange (1971) / Karen Myers -- 6.The `Poacher Turned Gamekeeper': James Ferman and the Increasing Intervention of the Law / Alex Sinclair -- Case Study: Shivers (1975) / David Hyman -- Case Study: Die Blechtrommel (The Tin Drum, 1979) / Craig Lapper -- Case Study: Christiane F. - Wir Kinder Vom Bahnhof Zoo (Christiane F.-We Children From Zoo Station, 1981) / Craig Lapper -- 7.More Than Just a `Nasty' Decade: Classifying the Popular in the 1980s / Sian Barber -- Case Study: Indiana Jones and the Temple of Doom (1984) / Edward Lamberti -- Case Study: Licence to Kill (1989) / Edward Lamberti -- 8.Head-On Collisions: The BBFC in the 1990s / Julian Petley -- Case Study: International Guerillas (1990) / Jason Green -- Case Study: Mikey (1992) / Jason Green -- 9.`The Last Days of the Board' / Robin Duval -- Case Study: Ichi the Killer (2001) / Murray Perkins -- Case Study: Lilo & Stitch (2002) / Jason Green -- 10.The Director's Commentary / David Cooke -- Case Study: 9 Songs (2004) / Caitlin O'Brien -- Case Study: Harry Potter and the Goblet of Fire (2005) / Karen Myers -- 11.On the BBFC in the Digital Age -- Censorship and Classification in the Free Society / Gerard Lemos -- Reflections on the 1979 Williams Report / Geoffrey Hawthorn -- Future Technologies and How They Might Impact on Film Classification and Censorship / John Carr -- A Margin of Appreciation / Stephen Sedley -- How the World Has Changed for Children and Parents, 1912-2012 / Ann Phoenix.
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Being connected : the studio in the networked age : The Australian Film Commission's Multimedia Conference, 9-11 July 1998. Program and abstracts [Sydney]: Australian Film Commission, 1998.
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BEKENNTNISSE DES HOCHSTAPLERS FELIX KRULL [TV] : (AU/GW/FR, 1982)
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Les belles de nuit in Sydney University Film Group Bulletin (Aug. 1971) iss.55 p.37-38
PhysDes: Article; ReviewSubject: CLAIR, RENE ; BELLES DE NUIT, LES (FR/IT, Rene Clair, 1952) Summary: The article reviews Clair's 'Les Belles de Nuit'. It describes how the balance between dream and reality is maintained in the film and it also discusses the importance of music and sound in 'Les Belles de Nuit'.
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Bereaved first lady and the mourning after in Weekend Australian [Review] (07/01/2017) p.13
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Berlin rates Cleverman in Sunday Telegraph (14/02/2016) p.117
Call No: TITLE CLIPPINGS FILE; CLEVERMAN [TV](AT, 2016)Author: - PhysDes: Clippings File ArticleSubject: CLEVERMAN [TV](AT, 2016) Summary: Snippet on CLEVERMAN getting a screening at the upcoming Berlin Film Festival
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Berlin showcases 'Frank' and 'Chrissy' in Encore (Apr 2000) vol.18 iss.3 p.16
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The best American movie writing 1998 / George Plimpton, editor New York: St. Martin's Griffin, 1998.
Call No: 67(04) BESAuthor: Plimpton, George Place: New YorkPublisher: St. Martin's GriffinPubDate: 1998PhysDes: xvi, 265 p. ; 21 cmSubject: PRODUCERS ; CAMP ; CENTENARY OF CINEMA ; HOMOSEXUALITY AND THE CINEMA ; SCORSESE, MARTIN ; FRY, STEPHEN ; CAMPION, JANE ; BEATTY, WARREN ; STABILE, SALVATORE ; POLANSKI, ROMAN ; DANDRIDGE, DOROTHY ; HITCHCOCK, ALFRED ; STREISAND, BARBRA ; WATERS, JOHN (US) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; MIRROR HAS TWO FACES, THE (US, Barbra Streisand, 1996) LON: abn98329398; 14168026
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the best remaining seats : the golden age of the movie palace / by Ban M. Hall New York: Da Capo Press, 1988.
Call No: 38(73) HALAuthor: Hall, Ben M. Edition: 1987Place: New YorkPublisher: Da Capo PressPubDate: 1988PhysDes: 262 pages : ilustrated ; 28 cmSubject: CINEMA BUILDINGS. USA Notes: Foreword by Bosley Crowther; New preface by B. Andrew CorsiniISBN: 9780306803154
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The best thing on television : commercials / Jonathan Price Middlesex: Penguin Books, 1978.
Author: Price, Jonathan Source: UKPlace: MiddlesexPublisher: Penguin BooksPubDate: 1978PhysDes: [vii] 184 p. : ill ; 28 cmSubject: COMMERCIALS, TV ISBN: 0140050043Donation: donated by the family of Wayne Levy, 2006
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Bette Davis black and white / Julia A. Stern Chicago: University of Chicago Press, 2021.
Call No: 81 DAV STEAuthor: Stern, Julia A. Edition: 2021Place: ChicagoPublisher: University of Chicago PressPubDate: 2021PhysDes: xi, 266 pages : illustratedSubject: DAVIS, BETTE ; ANDERSON, ERNIE ; BALDWIN, JAMES ; CRAWFORD, JOAN ; IN THIS OUR LIFE (US, John Huston, 1942) ; JEZEBEL (US, William Wyler, 1938) ; LITTLE FOXES, THE (US, William Wyler, 1941) ; MCDANIEL, HATTIE ; RACIAL ISSUES AND THE CINEMA ; WHATEVER HAPPENED TO BABY JANE? (US, Robert Aldrich, 1962) ; WYLER, WILLIAM Summary: Bette Davis’s career becomes a vehicle for a deep examination of American race relations.
Bette Davis was not only one of Hollywood’s brightest stars, but also one of its most outspoken advocates on matters of race. In Bette Davis Black and White, Julia A. Stern explores this largely untold facet of Davis’s brilliant career.
Bette Davis Black and White analyzes four of Davis’s best-known pictures—Jezebel (1938), The Little Foxes (1941), In This Our Life (1942), and What Ever Happened to Baby Jane? (1962)—against the history of American race relations. Stern also weaves in memories of her own experiences as a young viewer, coming into racial consciousness watching Davis’s films on television in an all-white suburb of Chicago.
Davis’s egalitarian politics and unique collaborations with her Black costars offer Stern a window into midcentury American racial fantasy and the efforts of Black performers to disrupt it. This book incorporates testimony from Davis’s Black contemporaries, including James Baldwin and C. L. R. James, as well as the African American fans who penned letters to Warner Brothers praising Davis’s work. A unique combination of history, star study, and memoir, Bette Davis Black and White allows us to contemplate cross-racial spectatorship in new ways. -- publisher's web siteISBN: 9780226813868Contents: Historical Note -- Chapter 1 Introduction: Black and White -- Chapter 2 Little Foxes and Little Brown Wrens -- Chapter 3 The Poetics of Color in Jezebel -- Chapter 4 Melodramas of Blood in In This Our Life -- Chapter 5 The Whiteness of What Ever Happened to Baby Jane? -- Chapter 6 Bette Davis Black and White -- Acknowledgments -- Notes – Index.
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Beyond document : essays on nonfiction film / edited by Charles Warren Hanover, NH: University Press of New England, 1996.
Call No: 761(04) BEYAuthor: Warren, Charles, 1948 Place: Hanover, NHPublisher: University Press of New EnglandPubDate: 1996PhysDes: xxviii, 366 p. : ports. ; 24 cmSubject: DOCUMENTARY FILMS ; CINEMA VERITE ; DIRECTORS ; DOCUMENTARY DRAMAS ; NEWSREELS ; MEMORY IN FILMS ; ETHNOGRAPHIC FILMS ; BIOGRAPHICAL FILMS ; GENOCIDE IN FILMS ; WORLD WAR II FILMS ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; OPHULS, MARCEL ; RESNAIS, ALAIN ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; BOOMERANG (US, Elia Kazan, 1947) ; VERTOV, DZIGA ; MARKER, CHRIS ; FILM PORTAIT (US, Jerome Hill, 1972) ; GARDNER, ROBERT ; MCELWEE, ROSS ; ZERKALO (UR, Andrei Tarkovsky, 1975) Summary: "In essays by eleven of America's foremost writers, critics and filmmakers, Beyond Document explores the full spectrum on nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema verite, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who..., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss.
Representations of reality are increasingly contested, in courtrooms and Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve"; and poet Susan Howe explores structures of mourning in several filmmakers. All of the books essays provide deeply felt understandings of documentary film, and of how we live with, and within, images." -- BOOK BLURBNotes: Includes bibliographical references (p. 345-350) and indexISBN: 0819552879 (cl : alk. paper); 0819562904 (pbk. : alk. paper)LON: 11642141Contents: Words of welcome / Stanley Cavell -- Introduction, with a brief history of nonfiction film / Charles Warren -- Death and the image / Jay Cantor -- Memory's movies / Patricia Hampl -- Eternal Verites / William Rothman -- The toil of thought: on several nonfiction films by women / Helene Keyssar -- The camera people / Eliot Weinberger -- The impulse to preserve / Robert Gardner -- You are there / Maureen Howard -- Earth and beyond: Dusan Makaveyev's WR: Mysteries of the Organism / Charles Warren -- In search of the centaur: the essay film / Phillip Lopate -- Vertov's cinematic transposition of reality / Vlada Petric -- Sorting facts; or, nineteen ways of looking at marker / Susan Howe
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Beyond formula : American film genres / Stanley J. Solomon New York: Harcourt Brace Jovanovich, 1976.
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Beyond the future : multimedia and the law / P.G. Leonard Sydney: Information Science Section, ALIA, 1995.
Call No: 432.4 INFAuthor: Leonard, P.G. Place: SydneyPublisher: Information Science Section, ALIAPubDate: 1995PhysDes: 10 leaves ; 30 cmSubject: MULTIMEDIA. AUSTRALIA ; COPYRIGHT. AUSTRALIA Notes: Information Online & On Disc 95 Conference Preceedings; 31 January - 2 February 1995ISBN: 0868045136
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Bibliography : situation comedy. / Australian Film Television & Radio School. Jerzy Toeplitz Library. 1993.
Call No: FRONT DESKCorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.PubDate: 1993Subject: COMEDIES ; SITUATION COMEDY
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Bibliography : so you want to be in films... or tv... or radio. / Australian Film Television & Radio School. Jerzy Toeplitz Library.
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journal article
The big combo in Metro (2000) iss.123 p.43-48
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A big day at Bellbird / Barbara Vernon Cammeray, NSW: Horwitz, 1972.
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The big picture : documentary film-making in Australia : papers from the 2nd Australian Documentary Conference, 29 November-2 December 1991 Clayton, Vic.: National Centre for Australian Studies, Monash University, 1993.
Call No: 761(94)"1991" BIGCorpAuthor: Australian Documentary Conference (2nd : 1991 : Canberra, A.C.T.); Monash University. National Centre for Australian StudiesPlace: Clayton, Vic.Publisher: National Centre for Australian Studies, Monash UniversityPubDate: 1993PhysDes: vii, 199 p. ; 25 cmSubject: CONFERENCES. AUSTRALIA. DOCUMENTARY Notes: Includes bibliographical referencesISBN: 0732604478LON: abn93024664; 9779779
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The big picture : Drive-ins make a comeback in modern guise in Sun Herald [Sydney] [S-Diary] (26/04/2015) p.4
Call No: SUBJECT CLIPPINGS FILE; DRIVE-IN CINEMASAuthor: Byrnes, Paul PhysDes: Clippings File ArticleSubject: DRIVE-IN CINEMAS ; CINEMAS. AUSTRALIA. LUNAR DRIVE-IN ; KILDERRY, DAVID Summary: A brief history of Australia's drive-ins with the focus on one of the few drive-ins still in existence in Australia, the Lunar Drive-in located in Dandenong, Victoria and it's co-owner David Kilderry.
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The big picture : the working-class critic who became an inspiration in Sunday Age [M] (08/11/2015) p.20
Call No: SUBJECT CLIPPINGS FILEAuthor: Byrnes, Paul PhysDes: Clippings File ArticleSubject: CRITICS Summary: Tribute to Philip French, a well known UK film reviewer
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Big screen big picture in Encore (12 Mar, 1999) vol.17 iss.4 p.9, 12, 14
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Big screen fades to a cut-price DVD in The Australian (13/08/2005) p.19
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Zion, Lawrie Subject: AUDIENCE RECEPTION. AUSTRALIA ; DVD, FILMS ON ; BOX OFFICE. AUSTRALIA ; ZECCOLA, ANTONIO ; COULTER, PAUL ; KIELY, CHRIS Summary: The global slump in box office returns has cinema owners and film distributors worried. Some speculation is that the downturn is due to the rise of DVD, home entertainment systems, and other recreational devices (ipods), coupled with the tightening of the film to dvd to pay tv release window. There is some talk that the older multiplex cinemas are in need of upgrading as they may no longer be up to standard for a modern cinemagoing audience.Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (put date - 14 May 2007). Quotations: -- Lots of stats (too many to list here)
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Big screen small picture in Encore (Apr 2000) vol.18 iss.3 p.18-19
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Big sport, great outdoors boost advertisers' spending in The Australian (17/11/2015) p.21
Call No: SUBJECT CLIPPINGS FILE; ADVERTISING. TV. AUSTRALIAAuthor: Mitchell, Jake PhysDes: Clippings File ArticleSubject: ADVERTISING. TV. AUSTRALIA ; COMMERCIAL TV. AUSTRALIA Summary: Report on the state of advertising on the Australian commercial networks, with the Seven network with the highest percentage, closely followed by Nine
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Big U : Universal in the silent days / I. G. Edmonds South Brunswick [N.J.]: A. S. Barnes, c1977.
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Big world, small screen : the role of television in American society / Aletha C. Huston ... [et al.] Lincoln: University of Nebraska Press, 1993.
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Bill Collins joins Video Classics in major promotional deal in Australasian Cinema (10/9/1982) vol.11 iss.16 p.2
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Bill Forsyth's "Comfort and Joy" in Classic Images (Aug 1984) vol.110 p.51-53
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[Billy's holiday : stills file]
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Biopic of the bad boy of ballet fails to take leap into the unknown in Sunday Telegraph (27/11/2016) p.104
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Birch, Carroll and Coyle 1982 Theatre Managers' Convention in Australasian Cinema (16/4/1982) vol.11 iss.6 p.3
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Birch Carroll & Coyle hold successful convention in The Australasian Cinema (2/4/1982) vol.11 iss.5 p.13
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Birth : The Chicago Maternity Center story in Filmviews (March 1980) vol.25 iss.103 p.14
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Birth of the binge : serial TV and the end of leisure Detroit, Michigan: Wayne State University Press, 2019.
Author: Dennis Broe Edition: Broe, DennisSource: USPlace: Detroit, MichiganPublisher: Wayne State University PressPubDate: 2019PhysDes: xiii, 297 pages ; 23 cmSeries: Contemporary approaches to film and media seriesSubject: TELEVISION ; CRITICISM Summary: "Broe's book is scholarship that matters: he diagnoses our addictive era of 'binge TV' while highlighting possibilities for resistance. Connecting multiple aspects of the current television industry--from its pumped-up levels of sex and violence to its influence on neural and relational patterns--to the rise of the neoliberal state, Broe dismantles the illusion that television's 'post-network era' offers new freedom to the consumer. The genius of this book comes in its dizzying sweeps from one medium to another: he convinces us that serial narrative is one of the dominant narrative forms in Western mass culture, charts its aesthetic and industrial complexity, and celebrates television auteurs like Joss Whedon, J.J. Abrams, and Jane Campion, whose progressive serial narratives provide us with 'a more social and more coherent representation of an ever more perilous reality." -- BOOK BLURBNotes: Includes bibliography and indexISBN: 9780814345269Language: EnglishDonation: Senses of CinemaContents: Introduction -- 1. Metaseriality -- 2. Serial specificity -- 3. Serial auteurs and the possibilities of industrial resistance
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Bittersweet Symphony in Empire (Australian Ed.) (July 2006) iss.64 p.56-59
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Black African cinema / Nwachukwu Frank Ukadike Berkeley: University of California Press, 1994.
Call No: 71(6) UKAAuthor: Ukadike, Nwachukwu Frank Place: BerkeleyPublisher: University of California PressPubDate: 1994PhysDes: x, 371 p. : ill.; 24 cmSubject: IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES ; AFRICAN COUNTRIES ; DOCUMENTARY FILMS. AFRICAN COUNTRIES ; BLACK FILMMAKERS. AFRICAN COUNTRIES ; AFRICAN COUNTRIES ; SEMBENE, OUSMANE ; CISSE, SOULEYMANE ; ANSAH, KWAW PAINTSIL ; ESCARE, DESIRE ; BALOGUN, OLA ; FANON, FRANTZ ; HONDO, MED ; VISAGES DE FEMMES (IV, Desire Ecare, 1985) ; FINZAN (ML, Cheik Omar Sissoko, 1990) ; WEND KUUNI (UV, Gaston Kabore, 1982) ; EMITAI (SG, Ousmane Sembene, 1972) ; CEDDO (SG, Ousmane Sembene, 1977) ; YEELEN (ML, Souleymane Cisse, 1987) ; DANCING IN THE DUST [BAL POUSSIERE] (IV, Henri Duparc, 1988) Notes: Includes bibliographical references (p. 343-355) and indexISBN: 0520077474 (cloth : alk. paper); 0520077482 (paper)LON: 9270979
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The Black Balloon in Empire (Australian Ed.) (April 2008) iss.85 p.33
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Black film, British cinema London: Institute of Contemporary Arts, 1988.
Call No: 451-054(=9) BLACorpAuthor: Institute of Contemporary Arts (London, England)Place: LondonPublisher: Institute of Contemporary ArtsPubDate: 1988PhysDes: 62 p. : ill. ; 30 cmSeries: ICA documents ; 7Subject: NATIONAL IDENTITY IN FILMS. UK ; BLACK CINEMA. UK ; BLACK FILMMAKERS. UK ; ETHNIC GROUPS IN FILMS. UK ; ASIANS IN FILMS. UK ; BLACK AUDIO FILM COLLECTIVE ; SANKOVA FILM AND VIDEO COLLECTIVE ; CHANNEL FOUR ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; PASSION OF REMEMBRANCE, THE (UK, Maureen Blackwood & Isaac Julien, 1986) Notes: Papers originally presented at a day conference, conducted at ICA, Feb. 1988; Includes bibliographical referencesISBN: 0905263960LON: 6631335
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[Blackfellas : stills title]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 20 photographs : b&w ; 13 x 18 cmSubject: PARFITT, TREVOR ; NANNUP, FRANK ; MOORE, JOHN ; NGOOMBUJARRA, DAVID ; WILKES, JUDITH ; HUDSPETH, JULIE ; CHARLES, JACK ; RILEY, JAYLENE ; KINCHELA, LISA ; DINGO, ERNIE ; RICKETSON, JAMES ; HARGREAVES, JOHN ; BLACKFELLAS (AT, James Ricketson, 1992) Summary: 20 black and white photographs relating to the film BlackfellasNotes: Some black and white photographs contain duplicates
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Blake Edwards' "Pink Panther" double winds up filming in London and New York in Australasian Cinema (25/6/1982) vol.11 iss.11 p.7
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Blanchett wickedly good in timeless tale in Sunday Telegraph [Insider] (29/03/2015) p.126
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"Bliss" and "The Coca Cola Kid" make it a record for Cannes in Encore (9 -22 May 1985) vol.3 iss.6 p.5
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'Bliss' official Oz entry at Cannes Festival in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.1
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[Bliss : stills files]
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Blockbuster? You can put your house on it in Sydney Morning Herald (14/11/2016) p.7
Call No: TITLE CLIPPINGS FILE; COOPED UP (AT, Kane Guglielmi, 2016)Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: COOPED UP (AT, Kane Guglielmi, 2016) Summary: Interview with Kane Guglielmi about the film he has directed and financed COOPED UP and on why he mortgaged his family home to make the film
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Blood cinema : the reconstruction of national identity in Spain / by Marsha Kinder Berkeley: University of California Press, 1993.
Call No: 408.1(46) KINAuthor: Kinder, Marsha Place: BerkeleyPublisher: University of California PressPubDate: 1993PhysDes: xi, 553 p. : ill. ; 24 cmSubject: SPAIN ; INDUSTRY, FILM. UK ; NATIONAL CULTURE AND THE CINEMA. SPAIN ; NATIONAL IDENTITY IN FILMS. SPAIN ; SPAIN: CATALONIA ; VIOLENCE IN FILMS. SPAIN ; DIRECTORS. USA ; ERICE, VICTOR ; SAURA, CARLOS ; ALMODOVAR, PEDRO ; BUNUEL, LUIS ; SURCOS (SP, Jose Antonio Nieves Conde, 1951) ; MUERTE DE UN CICLISTA (SP, Juan Antonio Bardem, 1955) ; GOLFOS, LOS (SP, Carlos Saura, 1959) ; COCHECITO, EL (SP, Marco Ferreri, 1959) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; RIO ABAJO (SP, Jose Luis Borau, 1984) Notes: "A Centennial book."; Includes bibliographical references (p. 507-522) and indexISBN: 0520081536 (alk. paper); 0520081579 (pbk. : alk. paper)LON: 9293143
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Bloodbath : a memoir of Australian television / Patricia Edgar Carlton, Vic.: Melbourne University Publishing, 2006.
Call No: 722-053.2(94) EDGAuthor: Edgar, Patricia Source: ATPlace: Carlton, Vic.Publisher: Melbourne University PublishingPubDate: 2006PhysDes: xiiI, 466 p. : ill. ; 24 cm.Subject: TELEVISION. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; CHILDREN, PROGRAMMES FOR. AUSTRALIA ; CHILDREN'S TELEVISION FOUNDATION ; AUSTRALIAN BROADCASTING CORPORATION ; AUSTRALIAN BROADCASTING COMMISSION ; GYNGELL, BRUCE ; EDGAR, PATRICIA ; WINNERS (AT, 1984 -) ; ROUND THE TWIST [TV] (AT, 1988-) Summary: This is a candid memoir written by one of Australian television’s most influential policy makers and regulators. Dr Edgar reminisces about her childhood in Mildura and charts her rise in the television industry, particularly as an innovator in Australian children’s television production. She also gives a detailed account of her position as the first woman appointed to the Australian Broadcasting Control Board, and how for over ten years, she fought for more locally produced children’s television content. As a result of this, Dr Edgar helped to establish the Australian Children’s Television Foundation in the early 1980s, and has since gone on to collaborate with the BBC, Disney and Revcom in a series of co-productions. Bloodbath also takes into account the author’s struggles and triumphs in the Australian Television industry, especially with political and economic change, and the impact of the global marketplace.Notes: Includes index.
Bibliography : p. 431-450.ISBN: 9780522852813Language: English
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The blue dahlia : a screenplay / Raymond Chandler ; with a memoir by John Houseman ; edited, with an afterword by Matthew J. Bruccoli Carbondale: Southern Illinois University Press, 1976.
Call No: 79 BLU CHAAuthor: Chandler, Raymond Source: USPlace: CarbondalePublisher: Southern Illinois University PressPubDate: 1976PhysDes: xxi, 139 pages : illustrations, plates, portraits ; 23 cmSubject: BLUE DAHLIA, THE (US, George Marshall, 1946) ; CHANDLER, RAYMOND Notes: Filmography: p. 138-139ISBN: 0809307669Contents: Lost fortnight, a memoir by John Houseman -- Editorial Note -- The Blue Dahlia, a screenplay by Raymond Chandler -- Afterword: Raymond Chandler and Hollywood by Matthew J. Bruccoli -- Appendix: Chandler on Hollywood, movies made from Chandler's plays, and screenplays written by Chandler
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[Blue fire lady : stills file] / David Parker Australian International Film Corporation Pty. Ltd. (distributor),
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[BMX bandits : stills file]
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[Body melt : stills file]
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Body Trauma TV : New Hospital Dramas / Jason Jacobs London: bfi Publishing, 2003.
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Bollywood in Britain : cinema, brand, discursive complex / by Lucia Kramer New York: Bloomsbury Academic, an imprint of Bloomsburg Publishing, 2016.
Call No: 71(540/41) KRAAuthor: Kramer, Lucia Source: US/UKPlace: New YorkPublisher: Bloomsbury Academic, an imprint of Bloomsburg PublishingPubDate: 2016PhysDes: viii, 286 pages ; 24cmSubject: BOLLYWOOD ; HISTORY OF CINEMA. UK ; HISTORY OF CINEMA. INDIA ; ADAPTATIONS ; CRITICISM ; THEORY ; CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA. UK ; CULTURE AND THE CINEMA. INDIA ; TRANSNATIONAL CINEMA Summary: "Bollywood in Britain provides the most extensive survey to date of the various manifestations and facets of the Bollywood phenomenon in Britain. Kramer analyzes the role of Hindi films in the British film market, showing how audiences engage with Bollywood cinema and discussing the ways the image of Bollywood in Britain has been shaped. In contrast to most of the existing books on the subject, which tend to approach Bollywood as something that is made by Asians for Asians, the book also focuses on how Bollywood has been adapted for non-Asian Britons. An analysis of Bollywood as an unofficial brand is combined with in-depth readings of texts including film reviews, the TV show Bollywood Star (2004) and novels and plays with references to the Hindi film industry. On this basis Bollywood in Britain demonstrates that the presentation of Bollywood for British mainstream culture oscillates between moments of approximation and distancing, with a clear dominance of the latter. Despite its alleged transculturality, Bollywood in Britain thus emerges as a phenomenon of difference, distance and Othering"-- BACK COVER BLURBNotes: Includes bibliographical references and indexISBN: 9781501307614Donation: Senses of CinemaContents: -- acknowledgments -- 1: Introduction -- 2: What is 'Bollywood'? -- 3: Popular Indian Cinema in Britain - Facts and Figures -- 4: Britain and Indian Diaspora Films - Questions of Nostalgia -- 5: Beyond Films - The Development of the Bollywood Brand -- 6: the (trans)difference of Bollywood : British asians through the lens of 'Bollywood Star' -- 7: representations of the Hindi film industry in British first-hand reports -- 8: the changing image of Bollywood in British film reviews -- 9: Bollywood Adaptations -- 10: Conclusion -- notes -- Filmography -- Bibliography -- Index --
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The Bond inquiry : a report by the Australian Broadcasting Tribunal on an inquiry into matters relating to television and radio licences associated with Mr. Alan Bond North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1990.
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The book of movie lists : an offbeat, provocative collection of the best and worst of everything in movies / Joseph McBride Lincolnwood, Ill.: Contemporary Books, c1999.
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The book of movie lists / by Gabe Essoe ; foreword by Ernest Borgnine Westport, Connecticut: Arlington House, 1981.
Call No: REFERENCE SECTION; 03 ESS BOOAuthor: Essoe, Gabe Source: USPlace: Westport, ConnecticutPublisher: Arlington HousePubDate: 1981PhysDes: xiv, 240 p. : 23 cmSubject: BEST FILMS ; CRITICISM ; WORST FILMS ISBN: 0870004964Donation: donated by the family of Wayne Levy, 2006
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The book of the cinema / foreword by Francois Truffaut; a Chris Milsome book London: Artists House, 1979.
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The book to the film Mr. Symbol Man / Charles Bliss Sydney: Semantography-Blissymbolics Publications, 1976.
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Boom-boom! / Rob Johnson & David Smiedt Rydalmere, N.S.W.: Hodder Headline Australia, 1999.
Call No: 732(94) JOHAuthor: Johnson, Rob, 1969 ; Smiedt, David Place: Rydalmere, N.S.W.Publisher: Hodder Headline AustraliaPubDate: 1999PhysDes: viii, 376 p. : ill., ports. ; 24 cmSubject: COMEDIES. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; COMEDIENNES. AUSTRALIA ; ADAMS, PHILLIP ; GLEISNER, TOM ; MCDERMOTT, PAUL ; O'DONOGHUE, RORY ; BAILEY, BERT ; BOND, GRAHAME ; BOURNE, SHANE ; BROWN, NOELINE ; CILAURO, SANTO ; CHATER, GORDON ; CREYTON, BARRY ; DENTON, ANDREW ; FAHEY, MARYANNE ; FERGUSON, TIM ; GILLIES, MAX ; GRILLS, LUCKY ; GYNGELL, KIM ; HALL, KEN G. ; HARMER, WENDY ; HOGAN, PAUL ; HUMPHRIES, BARRY ; KENNEDY, GRAHAM ; LAMOND, TONI ; MCDONALD, GARRY ; QUANTOCK, ROD ; RAYE, CAROL ; REILLY, GARY ; SITCH, ROB ; SORRENTI, VINCE ; SZUBANSKI, MAGDA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BIG GIG, THE [TV] (AT, Ted Robinson, 1989) ; FRONTLINE [TV] (AT, 1994- ) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-) ; AUNTY JACK SHOW, THE [TV] (AU, 1972-73) ; COMEDY COMPANY, THE [TV] (AT, 1988-1990) ; D-GENERATION [TV] (AT, 1986-?) ; FAST FORWARD [TV] (AT, 1988-1989?) Notes: Includes index; "An Allison Pressley book."ISBN: 0733609384 : $24.95LON: 14529909
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The Bourne emergency in Daily Telegraph (13/04/2017) p.1
Call No: PERSONALITY CLIPPINGS FILE; HEMSWORTH, CHRISAuthor: Stephenson, Alison PhysDes: Clippings File ArticleSubject: DAMON, MATT ; HEMSWORTH, CHRIS Summary: Luciana Baroso and Matt Damon and their family have been in Byron Bay with friends Elsa Pataky and Chris Hemsworth and their famlyNotes: A
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Box-office respect for Dangerfield in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.2
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Box-office universe expands in Herald Sun [General News] (8/04/2017) p.33
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Boxed in : the culture of TV / by Mark Crispin Miller Evanston, IL: Northwestern University Press, 1989.
Call No: 62(04)(73) MILAuthor: Miller, Mark Crispin Edition: 3rd ed.Source: USPlace: Evanston, ILPublisher: Northwestern University PressPubDate: 1989PhysDes: 349 p. : ill. ; 23 cmSubject: FILM ; MEDIA ; TELEVISION ; NATIONAL CULTURE AND TV ; USA ; COSBY SHOW, THE [TV] (US, 1984-92) ; SUSPICION (US, Alfred Hitchcock, 1941) Summary: "These twenty essays written over the past decade comprise an unusual study of the American media spectacle. Here are readings of cinema, advertising, rock music, and -above all - television, a force now so pervasive that it almost seems invisible.
The book is divided into four sections. The first and longest - "What's On TV" - is a collection of twelve essays on some of TV's best-known images. The essays in the next section, "Rock Music: A Success Story," define the trajectory of rock and roll from its exhilarating take-off in the Fifties to its eventual descent into just another form of show business. In "The Promise of Cinema" Miller deals variously with the issue of sexism in the movies, then moves on to an analysis of Alfred Hitchcock's particular response to the problem of mass spectatorship. The book ends with "Overviews," two long essays on the elimination of critical consciousness from our culture.
Each pieces not only offers an intensive analysis of some well-known visual moments - a soap commercial, Bill Cosby's face, Darth Vader glimpsed suddenly without his helmet - but also moves far beyond that rich particular to show how it illuminates the larger forces that produced it. Throughout Boxed In Miller sets a critical example - to show we can, and must, think out loud against the universal pressure of TV" -- BOOK BLURBNotes: Includes index; Bibliography: p. 333-335; Includes indexISBN: 080107929Contents: -- list of illustrations -- acknowledgments -- introduction: the hipness unto death -- what's on TV -- massa, coming home -- getting dirty -- "family feud" -- off the prigs -- Cosby knows best -- virtu, inc -- a viewer's campaign diary, 1984 -- sickness on TV -- patriotism without tears -- "the air of expectancy was bursting at the seams" -- black and white -- how TV covers war -- rock music: a success story -- where all the flowers went -- the king -- the promise of cinema -- the lives of the stars -- Tom Mix was a softie -- in memoriam - A.J.H -- Hitchcock's suspicions and Suspicion -- overviews -- the robot in the western mind -- big brother is you, watching -- index --
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BOZE CIALO [CORPUS CHRISTI] : (PL/FR, Jan Komasa, 2019) Digital clippings file available
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BOZE CIALO [CORPUS CHRISTI] : (PL/FR, Jan Komasa, 2019) Digital clippings file available
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digital clippings file
BOZE CIALO [CORPUS CHRISTI] : (PL/FR, Jan Komasa, 2019) Digital clippings file available
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Bra Boys in Empire (Australian Ed.) (April 2007) iss.73 p.19
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Brandauer signed for top role in Sean Connery Bond in Australasian Cinema (12/11/1982) vol.11 iss.20 p.5
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Ojo tachado. English : Bu±uel's Un chien andalou / Jenaro TalTns ; translated by Giulia Colaizzi Minneapolis: University of Minnesota Press, 1993.
Call No: 79CHI TALAuthor: TalTns, Jenaro, 1946 Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1993PhysDes: xxiv, 192 p. : ill. ; 24 cmSubject: CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) Notes: Rev. ed. and translation of: El ojo tachado. 1986; Includes bibliographical references (p. 181-187) and indexISBN: 0816620474 (pb : alk. paper); 0816620466 (alk. paper)LON: 9955225
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Brave new world for a couch potato in Sydney Morning Herald (15/02/2005) p.14
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Lee, Julian Subject: TRADE AGREEMENTS. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; DVD RECORDERS Summary: On the copyright laws the Australian government will put into place. One of the benefits is the fair use clause that allows people to make copies of shows on TV. Mentions the restrictions the new laws will put on people who wish to use certain types of digital technology.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- 77199 DVD recorders at an average of $829 were sold in Aust. in 2004.
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Bravo Maurice : a compilation from the autobiographical writings of Maurice Chevalier / translated [from the French] by Mary Fitton London: Allen & Unwin, 1973].
Call No: 81CHE CHEAuthor: Chevalier, Maurice, 1888-1972 Place: LondonPublisher: Allen & UnwinPubDate: 1973]PhysDes: 240 p. illus. 23 cmSubject: CHEVALIER, MAURICE Notes: Extracts from the author's Ma route et mes chansonsISBN: 0049200372LON: 73175090; 726682
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Breaking in to the movies : film and the culture of politics / Henry A. Giroux Malden: Blackwell Publishers, 2002.
Call No: 409 GIRAuthor: Giroux, Henry A. Source: USPlace: MaldenPublisher: Blackwell PublishersPubDate: 2002PhysDes: 297 p. ; 24 cmSubject: CULTURE AND THE CINEMA. USA ; POLITICS AND THE CINEMA. USA ; GENDER AND THE CINEMA ; VIOLENCE IN FILMS. USA ; CHILDREN AND THE CINEMA ; WALT DISNEY PRODUCTIONS ; WERTMULLER, LINA ; CLARK, LARRY ; NORMA RAE (US, Martin Ritt, 1979) ; LOOKING FOR MR. GOODBAR (US, Richard Brooks, 1977) ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; DANGEROUS MINDS (US, John N. Smith, 1995) ; PULP FICTION (US, Quentin Tarantino, 1994) ; ONE EIGHT SEVEN (US, Kevin Reynolds, 1997) ; FIGHT CLUB (US, David Fincher, 1999) ISBN: 0631226044Donation: donated by the family of Wayne Levy, 2006
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Breaking the rules in Australian Financial Review [Boss] (12/05/2017) p.32
Call No: PERSONALITY CLIPPINGS FILE; HUTCHISON, CRAIGAuthor: Patrick, Aaron PhysDes: Clippings File ArticleSubject: CROCMEDIA ; HUTCHISON, CRAIG Summary: Looking at the sports journalist Craig Hutchison and his compay Crocmedia
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Breathless : A 24-page celebration of French cinema / Edited by Barry McIlheney [s.l.]: [s.n.], [19-?].
Call No: 71(44) BRESource: USPlace: [s.l.]Publisher: [s.n.]PubDate: [19-?]PhysDes: 22 p. ; ills.Subject: FRANCE ; ACTORS. FRANCE ; BARDOT, BRIGITTE ; BIRKIN, JANE ; ARLETTY ; DELON, ALAIN ; BINOCHE, JULIETTE ; KARINA, ANNA ; GIRARDOT, HIPPOLYTE ; MARAIS, JEAN ; DENEUVE, CATHERINE ; BEART, EMMANUELLE ; BELMONDO, JEAN-PAUL ; BOUQUET, CAROLE ; DEPARDIEU, GERARD ; BONNAIRE, SANDRINE ; GABIN, JEAN ; MONTAND, YVES ; AIMEE, ANOUK ; DALLE, BEATRICE Notes: Photobook insert from Premiere Magazine in association with Pernod.
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Brendan Cowell in Empire (Australian Ed.) (May 2007) iss.74 p.29
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Brian Griffin appointed programme manager of Ace Theatres in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
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Bright light on the horizon in The Australian (15/10/2005) p.23
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Zion, Lawrie Subject: AUSTRALIA 2000s ; BOX OFFICE. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; CONNOLLY, ROBERT ; LANTANA (AT, Ray Lawrence, 2001) ; LOOK BOTH WAYS (AT, Sarah Watt, 2005) ; BANK, THE (AT/IT, Robert Connolly, 2001) Summary: Mainly about the fortunes of the Australian film industry in 2005, in comparison to the earlier years in the decade. Some interesting stats on The Bank which shine a light on the importance of DVD sales and TV sales on top of Box Office.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- Assessing the precise value of these additional revenue streams is difficult, but they are important. The experience of the 2001 film The Bank is instructive. Like several of this year's movies, this financial thriller earned about $2.6 million during its original box-office run, which means that about 260,000 Australians saw it on the big screen. But after being released on home formats, and screen on pay and free-to-air TV, its total audience has built to more than 3 million, according to director Robert Connolly.; -- This "accured interest" suggests that the theatrical release can account for less than 10 per cent of a film's eventual audience reach. "My suspicion is that because of the cost of a movie ticket people are increasingly going to the the cinema to see spectable and choosing to see Australian films at home," says Connolly, who also directed Three Dollars. Still, for most films it is the success, however measured, of the theatrical release that largely determines its subsequent fate in other formats, making a strong splash in cinemas just as critical as ever.
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Bright stars born to shine in Daily Telegraph [BW Magazine] (06/08/2016) p.1
Call No: SUBJECT CLIPPINGS FILE; CHILD ACTORSAuthor: Hook, Chris PhysDes: Clippings File ArticleSubject: CHILD ACTORS Summary: Article looking at several Australian child actors on film, tv and stage, including Ed Oxenbould
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"Bring on the Night" has a sting in it in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.16
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Bris. charity books 'Table for Five' in Australasian Cinema (15/4/1983) vol.12 iss.6 p.14
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British creators of film technique : British scenario writers, the creators of the language of D.W. Griffith, G.A. Smith, Alfred Collins and some others / by Georges Sadoul London: British Film Institute, May 1948.
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British film in Movie (1962) iss.1 p.10-11
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British genres : cinema and society, 1930-1960 / Marcia Landy Princeton, N.J.: Princeton University Press, 1991.
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Broadband network at risk from internet piracy in Encore (June 2007) vol.25 iss.06 p.38
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Broadcast in colour : cultural diversity and television programming in four countries / by Harvey May Brisbane, Queensland: Australian Film Commission, Creative Industries Research and Applications Centre, Australian Key Centre for Cultural and Media Policy, 2002.
Call No: 205.1 MAYAuthor: May, Harvey Source: ATPlace: Sydney; Brisbane, QueenslandPublisher: Australian Film Commission; Creative Industries Research and Applications Centre; Australian Key Centre for Cultural and Media PolicyPubDate: 2002PhysDes: 72 pages : 30cm.Series: Screen Industry, Culture and Policy Research SeriesSubject: CULTURE AND THE CINEMA ; PROGRAMME POLICY ; TELEVISION. AUSTRALIA ; TELEVISION. UK ; TELEVISION. NEW ZEALAND ; TELEVISION. USA ; ETHNIC GROUPS ON TV. AUSTRALIA ; ABORIGINAL AUSTRALIANS ON TV Summary: 'Examines the cultural diversity policies and practices and their impact on television programming in the United States of America, the United Kingdom, New Zealand and Australia, with a focus on drama. The study looks at the relationship between multicultural history and policy, and the developments made in the representation of a culturally diverse population on each nation's television screens' - taken from executive summaryNotes: Includes appendix of acronymsISBN: 0958015244Contents: Acknowledgements -- About the author -- Executive summary -- Key findings -- 1. Charting the waters -- 2. The United States: affirmative action, 'quotas' abd diversity rights -- 3. The United Kingdom: policy remits for diversity and an 'everyday' multiculturalism -- 4. New Zealand: Biculturalism and targeted subsidies -- 5. Australia: the shift to cultural diversity -- 6. Conclusion -- Appendix -- About the Screen Industry, Culture and Policy Research series
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Broadcasting bounces back ; A financial evaluation of Australian commercial metropolitan television : Part 1 Industry Overview June 1993 / Principal author : Bob Peters; Co-author and research co-ordinator : Peter Leigh Melbourne: ANZ McCaughan, 1993.
Call No: 203(94) PETAuthor: Peters, Bob -- Leigh, Peter Source: ATPlace: MelbournePublisher: ANZ McCaughanPubDate: 1993PhysDes: 78, A-11.2 pagesSubject: ADVERTISING. TV. AUSTRALIA ; COMMERCIAL TV. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; INVESTING. AUSTRALIA ; PAY TV. AUSTRALIA Summary: Report on the Australian commercial television industry that suggests strong financial growth. Considers advertising volitility and the arrival of pay tvContents: Executive summary -- Introduction -- Industry description -- Ratings, programming, and strategies -- Financial performance -- Corporate profiles -- Future prospects -- Appendices -- Australian advertising expenditures sector shares of total expenditure 1961-1991 -- Metroploitan commercial television analysis of top 25 product categories 1981-1991 -- Regression analysis summary and projections total and television advertising expenditure growth versus gross domestic product growth 1962-1991 -- Metropolitan television ratings shares by market and channel 1983 to 1992 -- Metropolitan commercial television analysis of programming by type and origin: all Sydney commercial stations during 1991 -- Metropolitan commercial television stations ultimate or effective owners or controllers from 1 January 1983 to 1 June 1993 -- Metropolitan commercial television comparison of advertising revenue growth and gross domestic product growth 1970/71 to 1991/92 -- Metropolitan commercial television summary of financial performance 1970/71-1991/92 -- Australian commercial television historical profit margins 1957/58 to 1991/92 -- Metropolitan commercial television summary of network financial performance on a four market basis 1987/88 to 1991/92 -- Metropolitan commercial television network's share ofd revenue on a four market basis 1987/88 to 1991/92
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Broadcasting in Australia 1989 : the second annual review of the industry by the Australian Broadcasting Tribunal North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1988-1992.
Call No: 201(94) AUS "1989"CorpAuthor: Australian Broadcasting TribunalPlace: North Sydney, N.S.W.Publisher: Australian Broadcasting TribunalPubDate: 1988-1992PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cmSubject: BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA ; INDUSTRY, TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; MEDIA AUSTRALIA ; COMMERCIAL TV. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA ; RADIO AND TV. AUSTRALIA Summary: Overarching report by the Australian Broadcasting Tribunal on Australia's broadcasting industries in 1989. Includes: statistical analysis of television and radio programming and audiences, financial results of tv and radio in the commercial and public sectors, owners of Australia's media groups, broadcaster locations and licensees.Notes: Subtitle variesISSN: 1034-8689LON: abn89174413; 6490748 6176346Donation: Jock GivenContents: Foreward / Peter Westerway -- Issues in broadcasting: a turbulent end to the eighties -- The Tribunal: guardian of the public interest -- Programming: the anatomy of the nation -- Financial results: who made the money? -- Ownership and control: the media baron's -- Location of services: covering the country -- Licensing: the sitting tenants -- The national broadcasters - The ABC and SBS
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Broadcasting in Australia 1990 : the ... yearly review of the industry by the Australian Broadcasting Tribunal North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1988-1992.
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Broadcasting in Australia 1992 : the ... yearly review of the industry by the Australian Broadcasting Tribunal North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1988-1992.
Call No: 260(94) AUS "1992"CorpAuthor: Australian Broadcasting TribunalPlace: North Sydney, N.S.W.Publisher: Australian Broadcasting TribunalPubDate: 1988-1992PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cmSubject: BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA ; INDUSTRY, TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; MEDIA AUSTRALIA ; COMMERCIAL TV. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA ; PAY TV. AUSTRALIA ; RADIO AND TV. AUSTRALIA Summary: Overarching report by the Australian Broadcasting Tribunal on Australia's broadcasting industries in 1989. Includes: statistical analysis of television and radio programming and audiences, financial results of tv and radio in the commercial and public sectors, owners of Australia's media groups, broadcaster locations and licensees.Notes: Subtitle variesISSN: 1034-8689LON: abn89174413; 6490748 6176346Contents: Foreward / Peter Webb-- Broadcasting issues: the banks take 7 & 10 -- The Tribunal: the broadcasting regulator -- Television Programming: entertainment information and relaxation -- Children's television: Kidz TV -- Radio programming: Gold format dominates again -- Financial results: TV and radio both post losses -- Ownership and control: Black, Packer, Tourang & Fairfax -- Location of services: across this wide brown land -- Licensing: providing a service-- the national broadcasters: The ABC and SBS -- Index of tables and illustrations
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Broadcasting programme standards : determined by the Board in pursuance of the Broadcasting and Television Act 1942-1967 together with certain other information for Commercial Broadcasting Stations / Australian Broadcasting Control Board Canberra: Australian Broadcasting Control Board, 1967.
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Broadway & Hollywood : costumes designed by Irene Sharaff / Irene Sharaff New York: Van Nostrand Reinhold Co., 1976.
Call No: 226.4 SHAAuthor: Sharaff, Irene Place: New YorkPublisher: Van Nostrand Reinhold Co.PubDate: 1976PhysDes: 136 p. : ill. (some col.) ; 24 cmSubject: COSTUMES ; SHARAFF, IRENE ; TAYLOR, ELIZABETH ; ADRIAN, GILBERT ; GREAT WHITE HOPE, THE (US, Martin Ritt, 1970) ; KING AND I, THE (US, Walter Lang, 1956) ; CAN-CAN (US, Walter Lang, 1960) ; JUSTINE (US, George Cukor, 1969) ; PORGY AND BESS (US, Otto Preminger, 1959) ; WEST SIDE STORY (US, Robert Wise, 1961) ; MEET ME IN ST. LOUIS (US, Vincente Minnelli, 1944) ; AMERICAN IN PARIS, AN (US, Vincente Minnelli, 1951) Notes: Includes indexISBN: 0442275277 : $12.50LON: 747228
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Broccoli, producer of James Bond films receives Thalberg Award in Australasian Cinema (16/4/1982) vol.11 iss.6 p.2
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Broken screen : 26 conversations with Doug Aitken - expanding the image breaking the narrative / Doug Aitken; edited by Noel Daniel New York: Distributed Art Publishers, 2006.
Call No: 802 AITAuthor: Aitken, Doug Source: USPlace: New YorkPublisher: Distributed Art PublishersPubDate: 2006PhysDes: 302 p. : col. ill. ; 25 cmSubject: AITKEN, DOUG ; AHTILA, EIJA-LIISA ; ALTMAN, ROBERT ; ANGER, KENNETH ; BALDESSARI, JOHN ; BARNEY, MATHEW ; BURDEN, CHRIS ; CONNER, BRUCE ; DENIS, CLAIRE ; DOUGLAS, STAN ; ELIASSON, OLAFUR ; FERRO, PABLO ; FIGGIS, MIKE ; HERZOG, WERNER ; HILL, GARY ; HOLLER, CARSTEN ; HUYGHE, PIERRE ; JODOROWSKY, ALEXANDRO ; KOOLHAAS, REM ; LYNN, GREG ; NICOLAI, CARSTEN ; PRINCE, RICHARD ; RIST, PIPILOTTI ; RONDINONE, UGO ; RUSCHA, ED ; VOGEL, AMOS ; WILSON, ROBERT ; OBRIST, HANS ULRICH Summary: Broken Screen is comprised of informal conversations between artist Doug Aitken and a roster of 25 carefully chosen artists, filmmakers, designers, and architects. Part guidebook and part manifesto, the book takes a fresh look at what it's like to create work in a world that has become increasingly fragmentary. Through casual and direct discussions Broken Screen offers a detailed navigation through the ideas behind the important yet under-documented visual language of nonlinear narratives, split screens, and fragmentary visual planes that define the most progressive moving images today.ISBN: 1933045264
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Bruce Beresford : instincts of the heart / Peter Coleman Pymble, NSW, Australia New York, NY, USA: Angus & Robertson, 1992.
Call No: 81BER COLAuthor: Coleman, Peter Place: Pymble, NSW, Australia New York, NY, USAPublisher: Angus & RobertsonPubDate: 1992PhysDes: 158 p., [16] p. of plates : ill. ; 20 cmSeries: Imprint livesSubject: BERESFORD, BRUCE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986) ; BLACK ROBE (CN/AT, Bruce Beresford, 1991) ; RICH IN LOVE (US, Bruce Beresford, 1992) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; MONEY MOVERS (AT, Bruce Beresford, 1978) ; CLUB, THE (AT, Bruce Beresford, 1980) ; TENDER MERCIES (US, Bruce Beresford, 1982) ; KING DAVID (US, Bruce Beresford, 1985) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; CRIMES OF THE HEART (US, Bruce Beresford, 1986) ; DRIVING MISS DAISY (US, Bruce Beresford, 1989) ; [MISTER] MR JOHNSON (US, Bruce Beresford, 1990) ISBN: 0207175268LON: abn92179637; 9071070
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Bruno : the Bruno Lawrence Story / Roger Booth Christchurch: Canterbury University Press, 1999.
Call No: 81LAW BOOAuthor: Booth, Roger Source: NZPlace: ChristchurchPublisher: Canterbury University PressPubDate: 1999PhysDes: 344 p., 4 p. of plates : ill., ports. (some col.) ; 23 cmSubject: ACTORS. NZ ; COSI (AT, Mark Joffe, 1995) ; FRONTLINE [TV] (AT, 1994- ) ; INDECENT OBSESSION, AN (AT, Lex Marinos, 1985) ; QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985) ; SMASH PALACE (NZ, Roger Donaldson, 1981) ; LAWRENCE, BRUNO Notes: Includes appendices and indexISBN: 0908812833
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Buck Jones, where are you? : an Australian boy's adventure / Vincent Ball Sydney: Random House, 1996.
Call No: 81BAL BALAuthor: Ball, Vincent Source: AustraliaPlace: SydneyPublisher: Random HousePubDate: 1996PhysDes: xiii, 386 p. : ill. ; 20 cmSubject: ACTORS ; ACTORS. AUSTRALIA ; COWBOYS IN FILMS ; BALL, VINCENT Summary: "Vincent Ball was born in Wee Waa, New South Wales, on 4th of December 1923. His dream of becoming a 'cowboys on the fillums' took him on an adventure that included serving in the RAAF in World War Two, working his way to England on a tramp steamer ans winning a scholarship to The Royal Academy of Dramatic Art, London. He worked as an actor in England for 25 years-waiting to be discovered and whisked off to Hollywood! He returned to Australia in 1973."-BOOK PAGENotes: includes indexISBN: 0091832624Donation: donated by the family of Wayne Levy, 2006Contents: -- Acknowledgements -- Prologue -- 1. Daydreaming -- 2. Moving On -- 3. Cityites and Padded Cells -- 4. Rabbiting with Mary -- 5. Dancing with Deanna Durbin -- 6. Off to Fight the Hun -- 7. Guiness, Peach Melba and Steak -- 8. I Still Want to be a Cowboy on the Films -- 9. A Sibilant 'S', a Thick Lazy Tongue and the Yarrawonga -- 10. Keep Your Face Away from the Camera Old Boy -- 11. Don't Worry Old Man, Humphrey Bogart has a Lisp -- 12. Semi-retired -- 13. The Halcyon Years -- 14. Coming Home -- Index --
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The Budapest film school / Hungarofilm Budapest, Hungary: Interpress, [1982?].
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[Buddies : stills file] / David Parker Ken Newton Media Consultants,
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Building a bridge on the big screen in The Australian (27/04/2017) p.14
Call No: SUBJECT CLIPPINGS FILE; COPRODUCTION. AUSTRALIAAuthor: Callick, Rowan PhysDes: Clippings File ArticleSubject: COPRODUCTION. AUSTRALIA ; COPRODUCTION. CHINA Summary: Report on how Australia and China are planning to undertake numerous film coproductions together. Quotes from Lily Li, Mark Lazarus from Arclight Films, Screen Australia, Ausfilm, Tim White from Southern Light Films, Song Weinan from Sydney Films
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Bundaberg scores "Most Original Idea" in "Condorman's" promotion in Australasian Cinema (15/10/1982) vol.11 iss.18 p.2
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Bunuel / John Baxter London: Fourth Estate, 1995.
Call No: 81BUN BAXAuthor: Baxter, John, 1939 Place: LondonPublisher: Fourth EstatePubDate: 1995PhysDes: vi, 324 p., [16] p. of plates : ill., ports. ; 20 cmSubject: BUNUEL, LUIS ; Dali, Salvador Notes: Includes bibliographical references (p. [314]-315) and indexISBN: 1857023536 (pbk.)LON: 12048079ID2: 5
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Bunuel / John Baxter London: Fourth Estate, 1995.
Call No: 81BUN BAXAuthor: Baxter, John Source: USPlace: LondonPublisher: Fourth EstatePubDate: 1995PhysDes: 324 p. ; 20 cmSubject: BUNUEL, LUIS ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) ; CHARME DISCRET DE LA BOURGEOISIE, LE (FR/SP, Luis Bunuel, 1972) Summary: "The authorised biography of Luis Bunuel. Dangerous, enigmatic and elusive, Luis Bunuel counts among the greatest creative artists, and one of the least understood major film makers, of the twentieth century. His films, made over a ffity-year period, from his 1929 debut un Chien Andalou, to a late blossoming in the sixties and seventies with Belle de Jour and The Discreet Charm of the Bourgeoise, still retain their power to shock. John Baxter's superb biography brings Bunuel into the light for the first time, revealing the character behind the anarchism, the sensitivity behind the cynicism, and analysing his calculated use of the bizarre." - BOOK BLURBNotes: Includes bibliographical references (p. [314]-315) and index.ISBN: 1857023536
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Busienss bites : Apple sours....networks cower...recall towers... in Crikey.com.au (27/01/2016) p.-
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Buster and the Critics in Melbourne Film Bulletin (April 1969) iss.8 p.3-4
Author: Haldane, John PhysDes: ArticleSubject: Keaton, Buster ; COMEDIANS ; COMEDIES Summary: Essay discusses Buster Keaton and the "gag", in response to an unfavourable review in "Film" of J. P. Lebel's book "Bustor Keaton.
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By the book in Canberra Times [Panorama] (8/04/2017) p.14
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Byzantine journey through food history in The Australian (29/11/2016) p.17
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Caesar a mixed salad in Weekend Australian [Review] (20/02/2016) p.16
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Cahiers du Cinema : volume four, 1973-1978: history, ideology, cultural struggle : an anthology from Cahiers du Cinema nos 248-292, September 1973-September 1978 / edited by David Wilson; with an introduction by Berenice Reynaud London; New York: Routledge, British Film Institute, 2000.
Call No: 67(44) CAHSource: UK/USPlace: London; New YorkPublisher: Routledge, British Film InstitutePubDate: 2000PhysDes: xi, 323 p. ; 24 cmSeries: Cahiers du Cinema selectionsSubject: CULTURE AND THE CINEMA ; POLITICS AND THE CINEMA ; IDEOLOGY AND THE CINEMA ; HISTORY AND THE CINEMA ; THEORY ; CRITICISM ; CAHIERS DU CINEMA ; ALAOUIE, BORHAN ; ALLIO, RENE ; DOUGLAS, JOHN ; FERRO, MARC ; GODARD, JEAN-LUC ; HUILLET, DANIELE ; A TOUT ALLURE (FR, Robert Kramer, 1982) ; LITTIN, MIGUEL ; DUPONT LAJOIE (FR/IT, Yves Boisset, 1975) ; DERSU UZALA (UR/JA, Akira Kurosawa, 1975) ; INDIA SONG (FR, Marguerite Duras, 1975) ; KING KONG (US, John Guillermin, 1976) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974) ; KAFR KASSEM (LE/SY, Borhan Alaouié, 1973) ; MILESTONES (US, Robert Kramer & John Douglas, 1975) ; MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974) ; STAR WARS (US, George Lucas, 1977) ; SIX FOIS DEUX (FR, Jean-Luc Godard, 1976) ; TIERRA PROMETIDA, LA (CL, Miguel Littin, 1973) ; XALA (SG, Ousmane Sembene, 1974) Summary: This volume covers the vibrant and turbulent period from 1973 to 1978, in which the issues of theory, history and politics dominated critical debate. The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and Therese Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre Padrone and Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensible contribution to debates in film and cultural politics. [Taken from back cover.]ISBN: 0415029880Contents: Introduction - Cahiers Du Cinema 1972-1978 - Berenice Reynaud -- Part I - Interventions and Cultural Politics -- Editorial - Cahiers Today - Cahiers du Cinema -- The Critical Function - Serge Daney -- A particular trend in French Cinema - Serge Daney, pascal Kane, Jean-Pierre Oudart, Serge Toubiana -- Round table on Chris Marker's Le Found de l'air est rouge - Jean-Paul Fargier, Therese Giraud, Sege Le Peron, Jean Narboni, Serge Daney -- Part II - Perspectives -- A matter of chance - Serge Toubiana -- Return of the same - Therese Giraud -- Theorize/terrorize - Godardian pedagogy -- On Sur et sous la communication: three questions on Six fois deux - Gilles Deleuze -- Family, history, romance - Louis Seguin -- Round table: Milestones and us - Pascal Bonitzer, Dominique Villain, Serge Daney, Jean Narboni, Serge Le Peron, Therese Giraud, Serge Toubiana -- The Aquarium (Milestones) - Serge Daney -- Part III - Theory and History -- Anti-retro - Michel Foucault in interview with Pascal Bonitzer and Serge Toubiana -- I, Pierre Riviere, having slaughtered my mother, my sister and my brother...by Rene Allio - Jean Jourdheuil, Serge Toubiana, Pascal Bonitzer, Rene Allio, Pascal Kane, Michel Foucault -- Defamations (fragments). Pretext: Karl May by H.-J. Syberberg - Jean-Pierre Oudart -- Cinema and history - Marc Ferro in interview with Serge Daney and Ignacio Ramonet -- Deframings - Pascal Bonitzer -- Cold Sex (on pornography and beyond) - Yann Lardeau -- Part IV - Third Cinema -- Our Cinema - Sidney Sokhona -- Interview with Abdelaziz Tolbi - Therese Giraud, Mohand Ben Salama -- The promised land - Serge Toubiana, Pascal Bonitzer -- The feminine eye of the Town (El Chergui) - Abdelwahab Meddeb -- Blood into sign - Jean Narboni -- Xala - Daniele Dubroux -- Part V - Reviews -- On Avanti - Pascale Kane -- An India and its other (India Song) - Pascal Bonitzer -- An uncanny familiarity (Jeanne Dielman) - Daniele Dubroux -- The sign and the ape (King Kong) - Serge Toubiana -- One more bear (Dersu Uzala) - Serge Daney -- Curdled milk (Padre padrone) - Daniele Dubroux -- America without fear or favour (Star Wars) - Serge Le Peron -- Francois Truffaut La Chambre verte - Pascal Bonitzer -- An active fear (The Passion of Joan of Arc) - Jean-Pierre Oudart -- Appendix: Cahiers du Cinema in the 1950s, the 1960s and the early 1970s
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Call me lucky / by Bing Crosby as told to Pete Martin New York: Simon and Schuster, 1953.
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Calman at the movies / Mel Calman London: Bodley Head, 1990.
Call No: 802(047.53) CALAuthor: Calman, Mel Place: LondonPublisher: Bodley HeadPubDate: 1990PhysDes: 124 p. : ill. ; 21 cmSubject: STEIGER, ROD ; GUINNESS, ALEC ; ANDERSON, LINDSAY ; ALTMAN, ROBERT ; RINGWOOD, BOB ; KLAFF, JACK ; NICHOLLS, ALLAN ; RAPHAEL, FREDERIC ; LAMBERT, VERITY ; PUTTNAM, DAVID ; PRICE, VINCENT ; BROWNE, CAROL ; LEWIS, FIONA ; PERELMAN, S.J. ; YORK, SUSANNAH ; HATTON, MAURICE ; GOETZ, RUTH ; REISZ, KAREL ; NORMAN, BARRY ; HARWOOD, RONALD ; ABBOTT, STEVE ; BLAIR, BETSY ; STAMP, TERENCE ; FREARS, STEPHEN ; WYLER, CATHERINE ; GRIFFITHS, RICHARD ; HART, KITTY CARLISLE ; GUARE, JOHN ; YATES, PETER ; THOMAS, JEREMY ; SCHLESINGER, JOHN ; MORTIMER, JOHN ; CLEMENT, DICK ; LA FRENAIS, IAN ; COATES, ANNE ; PAGE, MARY-ANNE ; WALTON, TONY ; LYNN, JONATHAN ; ADLON, PERCY ; ADLER, LEAH ; MCDOWALL, RODDY ; FISHER, CARRIE ; WILDER, BILLY ; BASS, SAUL Notes: Cinema industries (BNB/PRECIS)ISBN: 0370313917 (pbk)LON: 7171833
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The camera age : essays on television / Michael J Arlen Ringwood, Vic: Penguin Books, 1982.
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CAMERA DE CLAIRE, LA : (FR/ KO, Hong Sang-soo , 2017)
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The camera never blinks : adventures of a TV journalist / Dan Rather; with Mickey Herskowitz New York: William Morrow & Co., 1977.
Call No: 81RAT RATAuthor: Rather, Dan ; Herskowitz, Mickey Source: USPlace: New YorkPublisher: William Morrow & Co.PubDate: 1977PhysDes: 320 p. ; 25 cmSubject: MEDIA ; NEWS PROGRAMMES.USA ; RATHER, DAN ; CRONKITE, WALTER ; SEVAREID, ERIC ; WALLACE, MIKE ; WALTERS, BARBARA ; REASONER, HARRY ; BRINKLEY, DAVID ; CHANCELLOR, JOHN ; NIXON [RICHARD M.] ON TV ; JOHNSON, LYNDON ISBN: 0688031846
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The Camera never lies in Australian Cinematographer (March 2016) iss.69 p.44 - 52
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Camera politica : the politics and ideology of contemporary Hollywood film / by Michael Ryan and Douglas Kellner Bloomington, Ind.: Indiana University Press, 1988.
Call No: 409(73) RYACopy Management: Copy 1; Copy 2Author: Ryan, Michael, 1951 ; Kellner, Douglas, 1943 Place: Bloomington, Ind.Publisher: Indiana University PressPubDate: 1988PhysDes: xiii, 328 p. : ill. ; 25 cmSubject: DISASTERS IN FILMS. USA ; SOCIAL PROBLEMS IN FILMS. USA ; WORKING CLASS IN FILMS. USA ; ETHNIC GROUPS IN FILMS. USA ; SOUTH IN FILMS. USA ; WOMEN IN FILMS. USA ; BUDDY FILMS. USA ; FAMILY IN FILMS. USA ; VIETNAM WAR IN FILMS ; HORROR FILMS. USA ; VIETNAM WAR FILMS ; POLITICS AND THE CINEMA. USA ; FANTASY FILMS. USA ; UTOPIA IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; TECHNOLOGY AND THE CINEMA. USA ; CONSPIRACY FILMS. USA ; SPIELBERG, STEVEN ; COPPOLA, FRANCIS FORD ; BORDEN, LIZZIE ; CIMINO, MICHAEL ; Peckinpah, Sam ; Reagan, Ronald ; ROMERO, GEORGE ; SCORSESE, MARTIN ; HOOPER, TOBE ; FRIEDKIN, WILLIAM ; BROOKS, JAMES L. ; DE PALMA, BRIAN ; LUCAS, GEORGE ; KUBRICK, STANLEY ; MILIUS, JOHN ; PAKULA, ALAN J. ; SCOTT, RIDLEY ; STAR WARS (US, George Lucas, 1977) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; DEATH WISH (US, Michael Winner, 1974) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; JAWS (US, Steven Spielberg, 1975) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; DIRTY HARRY (US, Don Siegel, 1971) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; KLUTE (US, Alan J. Pakula, 1971) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes index; Bibliography: p. 321-324ISBN: 0253313341LON: 5193671
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Can Craig Hutchison save The Footy Show? in The Age (9/03/2017) p.44
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Canberra becomes the city of TV thrillers in Canberra Times (25/08/2015) p.5
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Canberra filmmakers' deal with China company 'coup' in Canberra Times (26/06/2015) p.8
Call No: TITLE CLIPPINGS FILE in production; AODALIYA GOLD [AUSTRALIA GOLD] in productionAuthor: - PhysDes: Clippings File ArticleSubject: COPRODUCTION. AUSTRALIA ; COPRODUCTION. CHINA ; AODALIYA GOLD [AUSTRALIA GOLD] in production Summary: Film based upon Australia's sole Chinese bushranger is to go into production in Canberra. It is being funded by the Canberra companies JIA Films and SilverSun Pictures, and the Chinese comapny Yuezhong Pictures
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competition, the (at, simon weaving, 2014)
Canberra talent wins you over in Canberra Times [Panorama] (13/12/2014) p.30
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Candy in Empire (Australian Ed.) (June 2006) iss.63 p.16-17
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Candy in Empire (Australian Ed.) (December 2006) iss.69 p.109
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Cannes Film Festical 1982 : Australian Films in Australasian Cinema (14/5/1982) vol.11 iss.8 p.3
PhysDes: ArticleSubject: CROSSTALK [HIGH RISE / WALL TO WALL] (AT, Mark Egerton, 1982) ; GOODBYE PARADISE (AT, Carl Schultz, 1982) ; BEST OF FRIENDS, THE (AT, Michael Robertson, 1982) ; DOUBLE DEAL (AT, Brian Kavanagh, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; DARK ROOM, THE (AT, Paul Harmon, 1982) ; DANGEROUS SUMMER, A (AT, Quentin Masters, 1982) ; EARLY FROST (AT, Brian McDuffie, 1981) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; LONELY HEARTS (AT, Paul Cox, 1982) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; DEAD EASY (AT, Bert Deling, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; HEATWAVE (AT, Phillip Noyce, 1981) ; RUNNING ON EMPTY (AT, John Clarke, 1982) ; BREAKFAST IN PARIS (AT, John Lammond, 1982) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; WINTER OF OUR DREAMS (AT, John Duigan, 1981) ; DUSTY (AT, John Richardson, 1983) ; CANNES FILM FESTIVAL Summary: List of Australian films and their credits screening at the 1982 Cannes Film Festival.
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Cannes film festival 1983 Australian participation in Australasian Cinema (15/4/1983) vol.12 iss.6 p.4
PhysDes: ArticleSubject: CANNES FILM FESTIVAL ; BUSH CHRISTMAS (AT, Henri Safran, 1981) ; SETTLEMENT, THE (AT, Gillian Leahy, 1977) ; DUSTY (AT, John Richardson, 1983) ; MOVING OUT (AT, Chris Warner & Mandy Smith, 1986) ; GINGER MEGGS (AT, Jonathan Dawson, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; DARK ROOM, THE (AT, Paul Harmon, 1982) ; MIDNITE SPARES (AT, Quentin Masters, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; DANGEROUS SUMMER, A (AT, Quentin Masters, 1982) ; FAR EAST (AT, John Duigan, 1982) ; CITY'S EDGE, THE (AT, Ken Quinnell, 1983) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) Summary: Article and cast and crew information on Australian filmes selected to screen at Cannes, 1983.
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Cannon to distribute Orion Pictures in Holland in Australasian Cinema (Friday, 8/2/1985) vol.4 iss.2 p.2
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Capra, Cukor, Brown / [by] Allen Estrin South Brunswick New York London: A.S. Barnes Tantivy Press, 1980.
Call No: 802.25(73) ESTAuthor: Estrin, Allen Place: South Brunswick New York LondonPublisher: A.S. Barnes Tantivy PressPubDate: 1980PhysDes: 192p : ill,ports ; 25cmSeries: The Hollywood professionals ; vol.6Subject: CAPRA, FRANK ; CUKOR, GEORGE ; BROWN, CLARENCE Notes: Cinema films directed by Capra, Frank; Cukor, George & Brown, Clarence, b.1890 (BNB/PRECIS); Bibl.: p.188-190. - List of films. - IndexISBN: 0498022374 : ª6.95LON: 1888731
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Captain Kidd and Bluebeard were only amateurs! in Australasian Cinema (22/7/1983) vol.12 iss.13 p.2
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Captioned movies on the screen in Movie Trader (August 2000) p.12
PhysDes: ArticleSubject: CINEMAS. AUSTRALIA ; DEAF, FILMS FOR Summary: Cinemas in Melbourne and Sydney carry out a two-month trial of screening captioned movies to make cinema more accessible to deaf or hearing impaired people
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Care for kids education news : the education newsletter of the Australian Children's Television Foundation Fitzroy, Victoria: Australian Children's Television Foundation, [1997].
CorpAuthor: Australian Children's Television FoundationSource: ATPlace: Fitzroy, VictoriaPublisher: Australian Children's Television FoundationPubDate: [1997]Subject: AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION ; CHILDREN, PROGRAMMES FOR. AUSTRALIA ; CHILDREN, FILMS FOR. AUSTRALIA ; EDUCATION, TV. AUSTRALIA Summary: The Australian Children’s Television Foundation (ACTF) is a non-profit organisation which formed in March 1982. When television was introduced to Australia in 1956, most of the content was imported and for many years the programs being shown in children’s viewing times were not actually designed for children.
The Children’s Television Standards introduced in 1979 was a direct outcome of community concern over television programming for children. These standards required a minimum amount of age specific, quality children’s programs on commercial television.
In 1979 Dr Patricia Edgar presented a paper in which she argued that quality programs for young people would not be made without a not-for-profit production company producing and developing programs. Not longer after, a proposal to establish the Australian Children’s Television Foundation was developed.
The ACTF have helped produce, distribute and market numerous Australian television shows and telemovies including 'Winners & More Winners' series (1985 - 1994), Round the Twist (1989-2000), Lift Off (1992-1994), Mortified! (2006-2007), Lockie Leonard (2006-2009) and Double Trouble (2007) and personal favourite 'Little Lunch' (2015-2016). As well as being responsible for many wonderful shows ACTF produced a number of different paper publications all available to view at the AFI RC including: 'Care for Kids Television News' (AFI RC hold No. 1 August 1982 – No. 133 November 2015); 'Care for Kids Education News'; Australian Children’s Television Action Committee and Australian Children’s Television Foundation Lift Off Outreach. -- AFIRCNotes: Caption title.
Care for kids education news is designed specifically for teachers in early childhood, primary and secondary settings.
Also available in an electronic version via the Internet at: http://www.actf.com.au/learning_centre_new/Ed_News/EdNewsIssues/ed_news_frameset.htmISSN: 1445100XMissing Issues: Issue 1, 3, 5-21,23Order Notes: current
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Carl Davis on scoring champions in Cinema Score (Winter-Summer 1984/85) vol.13 iss.14 p.22
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cut snake (at, tony ayres, 2014)
Carnal Clock in AFR Weekend [Weekend Fin] (26/9/15) p.51
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[Carson's law: album # 1 & #4] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 54 photographs : b&w. ; 21 X 26 cm. + 4 photographs : b&w. ; 17 X 26 cm. + 1 contact sheet : b&w. ; 21 X 16 cm. + 2 contact sheets : b&w. 21 X 26 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Photographs and proof sheets relating to Carson's Law.Notes: Arrangement: Album #1 contains photographic prints only-- Photographs are arranged by episode number where known -- Accompanying many of the photographs is a 'title page' identifying information about the image, including actor, character names, episode number and scene breakdownDonation: Gift of Crawford Productions
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Crawford collection
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[Carson's law: album # 2] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 47 slides : col.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Tranparency slides relating to Carson's Law.Notes: Arrangement: Album #1 contains 35mm transparency slides only-- Photographs are arranged by episode number -- Accompanying each photograph is a 'title page' identifying information about the image, including actor, character name, episode number and scene breakdown -- Slide labels are on some of the images -- Duplicate images are stored in the rare books room.Donation: Gift of Crawford Productions
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[Carson's law: album # 3] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 25 slides : col.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Tranparency slides relating to Carson's Law.Notes: Arrangement: Album #3 contains transparencies only -- Accompanying each photograph is a 'title page' identifying information about the image, including actor, character namesand scene breakdown (episode number is not identified) -- Duplicate images are stored in the rare books room -- Album 3 also contains a single frame transparency, unmounted 120mm format.Donation: Gift of Crawford Productions
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[Carson's law: Amy, Tommy, Robert and Godfrey Carson] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 1 photograph : b&w ; 28 x 28 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Large format photograph of Amy (Christine Harris), Thomas (Chris Orchard, Robert (Ross Thompson) and Godfrey Carson (Kevin Miles)Notes: Large format images are housed in the postage storage unit.Donation: Gift of Crawford Productions
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still
[Carson's law: Billy, Jennifer, Amy and Sam Carson] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 1 photograph : b&w ; 28 x 28 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Large format photograph of Billy (Greg Caves), Jennifer (Lorraine Bayly), Amy (Christine Harris) pushing Sam (Edward Upton) on a billy cartNotes: Large format images are housed in the postage storage unit.Donation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: episode 71-77, movie making] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 1 photograph : b&w ; 28 x 28 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Large format photograph of production shoot 1920's styleNotes: Large format images are housed in the postage storage unit -- caption reads "Movie making, 1920's style, during the Crawford produced serial Carson's Law"Donation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: Gerard Kent played by Noel Trevarthen] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 1 photograph : b&w ; 28 x 28 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Large format photograph of Gerard the butler holding jewellsNotes: Large format images are housed in the postage storage unit.Donation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: Godfrey and Felicity Carson] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 1 photograph : b&w ; 28 x 28 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Large format photograph of Godfrey (Kevin Miles) and Felicity Carson (Christine Amor).Notes: Large format images are housed in the postage storage unit.Donation: Gift of Crawford Productions
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Crawford collection
crawford publicity car
[Carson's law. Publicity material]
Call No: CRAWFORD PUBLICITY CARPhysDes: 1 folder ; 35 cm. + 1 plastic pocket (43 cm.)Subject: CRAWFORD PRODUCTIONS ; AUDIENCE RECEPTION. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA ; BAYLY, LORRAINE ; AMOR, CHRISTINE ; HARRIS, CHRISTINE ; CARSON'S LAW [TV] (AT, 1983) Summary: Publicity and media clippings about Crawford Productions series Carson's Law. Australian newspaper and magazine clippings are arranged in date order. Promotional material inculdes a press kit and Yorkshire Television promotional newspaper clippings.Donation: Gift of Crawford ProductionsContents: 1 blue folder containing press cuttings from Australian newspapers and magazines from 1 January 1984 to 31 May 1984 arranged in date order (253 leaves) plus two loose clippings , one dated 17 Octobeer 1985 and one undated -- 1 large plastic pocket containing the Carsons's Law press book (66 leaves) in a manila folder ; a promotional folder and flyer ; a manila folder containing Yorkshire Television promotional newspaper clippings from 5 British newspapers dated September 12 1885
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Crawford collection
still
[Carson's law: Sarah Carson attacked with knife] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 1 photograph : b&w ; 28 x 28 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Large format photograph of Sarah Carson played by Melanie Oppenheimer being attacked by a man with a knife.Notes: Large format images are housed in the postage storage unit.Donation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: Tommy Carson with drunk] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 1 photograph : b&w ; 28 x 28 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Large format photograph of Tommy Carson (Chris Orchard) lying on the ground with drunk vagrantNotes: Large format images are housed in the postage storage unit.Donation: Gift of Crawford Productions
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book
Cartographic cinema / Tom Conley Minneapolis: University of Minnesota Press, 2007.
Call No: 629 CONAuthor: Conley, Tom Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: 2007PhysDes: viii, 265 p. : ill. ; 23 cmSubject: IMAGE ANALYSIS ; CARTOGRAPHY AND THE CINEMA ; BAZIN, ANDRE ; DELEUZE, GILLES ; RENOIR, JEAN ; BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932) ; AMANTS, LES (FR, Louis Malle, 1958) ; CASABLANCA (US, Michael Curtiz, 1942) ; CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936) ; DESPERATE JOURNEY (US, Raoul Walsh, 1942) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; GLADIATOR (US, Ridley Scott, 2000) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MISTONS, LES (FR, François Truffaut, 1957) ; PARIS QUI DORT (FR, Rene Clair, 1923) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; THELMA & LOUISE (US, Ridley Scott, 1991) Summary: Examines the affinites of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. This reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography.[taken from back cover]ISBN: 0816643571Contents: 1. Icarian cinema : Paris qui dort -- 2. Jean Renoir : cartographies in deep focus -- 3. Maps and theaters of torture : Roma, citta aperta -- 4. A desperate journey : From Casablanca to Indiana Jones -- 5. Juvenile geographies : Les Mistons -- 6. Michelin Tendre : Les Amants -- 7. Paris underground : Les 400 coups -- 8. A road map for a road movie : Thelma and Louise -- 9. Cronos, cosmos, and Polis : La Haine
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book
A casebook on film / Charles Thomas Samuels New York: Van Nostrand Reinhold, 1970.
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title clippings file
CASSE-TETE CHINOIS : FR/US/BE, Cedric Klapisch, 2013
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journal article
Cast set for Orion's "Yellowbeard" in Australasian Cinema (24/9/1982) vol.11 iss.17 p.4
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Interim
book
Catalogue of cartoons [196?].
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Interim
book
Catalogue of Chinese films
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Interim
book
Catalogue of Soviet feature films for young audience / Sovexportfilm Moscow: Sovexportfilm, [1977?].
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Levy Collection
book
Catering for children in prime time television / Virginia Carter and James Davern Melbourne: Australian Children's Television Foundation, 1985.
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Interim
book
The Cathay story / Wong Ain-ling (ed) Hong Kong: Hong Kong Film Archive, 2002.
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journal article
Cattle cry in Cinema papers (May 1986) iss.57 p.84
Author: Roddick, Nick PhysDes: ArticleSubject: COOL CHANGE (AT, George T. Miller, 1986) Summary: Review of ' Cool change' noting that the film plot is contrived and evinces a romanticised version of country life while failing to engage with with themes on any meaningful level.Notes: Credits
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journal article
CBS/FOX/Video snap-up "Dundee" in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.20
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newspaper article
CBS is the real drama in the battle for control of Ten in AFR Weekend (2/09/2017) p.25
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title clippings file
CE CHER VICTOR : (FR, Robin Davis, 1975)
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still
[Celia : stills file] Hoyts Distribution Release (distributor),
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book
Celluloid Immigrant : Italian Australian filmmaker Giorgio Mangiamele / by Gaetano Rando and Gino Moliterno St Kilda, Vic: Australian Teachers of Media (ATOM), c2011.
Call No: 81MAN RANAuthor: Moliterno, Gino ; Rando, Gaetano Source: ATPlace: St Kilda, VicPublisher: Australian Teachers of Media (ATOM)PubDate: c2011PhysDes: 145 p. : ill. ; 24 cmSeries: The moving image ; no. 10, 2011Subject: CINEMATOGRAPHY ; CINEMATOGRAPHY. AUSTRALIA ; DIRECTORS. AUSTRALIA ; FILM AUSTRALIA ; FILMMAKING ; FILMMAKING. AUSTRALIA ; MIGRATION ; MANGIAMELE, GIORGIO ; SPAG, THE (AT, Giorgio Mangiamele, 1962) ; CLAY (AT, Giorgio Mangiamele, 1964) ; BEYOND REASON (AT, Giorgio Mangiamele, 1970) Summary: " Giorgio Mangiamele is one of the most under-estimated figures in Australian cinema history. Soon after his arrival in Australia in 1952 as a migrant from Italy, he began making films at a time when feature film production in Australia was almost non-existent. His films were seldom seen in Australia, although one - Clay (1965) - was applauded overseas as an official selection in the Cannes Film Festival. " -- BOOK BLURB (last page of book)Notes: "Published biannually by Australian Teachers of Media in association with its publishing partners, National Film & Sound Archive (NSFA), the Australian Film Institute (AFI) and RMIT University (School of Media and Communications)" -- Verso t.p; Includes bibliographical references and indexISBN: 1876467215Contents: -- notes on the text -- introduction -- chapter one: a celluloid life: a brief biography of Giorgio Mangiamele -- chapter two: foto studio Mangiamele: serving Melbourne's Italian community -- chapter three: Mangiamele's migrant movies -- chapter four: Clay and Cannes: the beginnings of art cinema in Australia -- chapter five: beyond Cannes and Beyond Reason -- chapter six: beyond Beyond Reason: towards Papua New Guinea -- chapter seven: back in oz and more unrealised projects -- conclusion -- Giorgio Mangiamele filmography -- bibliography -- index --
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book
The celluloid muse : Hollywood directors speak / [by] Charles Higham and Joel Greenberg London: Angus & Robertson, 1969.
Call No: 802.25(73) HIGAuthor: Higham, Charles, 1931 ; Greenberg, Joel, joint author Place: LondonPublisher: Angus & RobertsonPubDate: 1969PhysDes: 268 p., 32 plates. illus., ports. 24 cmSubject: ALDRICH, ROBERT ; CUKOR, GEORGE ; FRANKENHEIMER, JOHN ; HITCHCOCK, ALFRED ; LANG, FRITZ ; MAMOULIAN, ROUBEN ; MINNELLI, VINCENTE ; RAPPER, IRVING ; ROBSON, MARK ; TOURNEUR, JACQUES ; VIDOR, KING ; WILDER, BILLY ; BERNHARDT, CURTIS ; MILESTONE, LEWIS ; NEGULESCO, JEAN ISBN: 0207951233LON: 562650
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journal article
Centenary of Douglas Mawson's Expedition in Australian Cinematographer (June 2012) iss.54 p.30-35
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Interim
book
A century of Chinese cinema : look back in glory / edited by Po Fung...[et al.] Hong Kong: Leisure and Cultural Services Department, 2001.
Call No: 71(51) CENCorpAuthor: Hong Kong Film ArchiveSource: HKPlace: Hong KongPublisher: Leisure and Cultural Services DepartmentPubDate: 2001PhysDes: 56 p. : b&w ill. ; 25 cmSubject: CITY OF SADNESS, A [ ; CHINA IN FILMS ; TAIWAN Summary: Analytical essays of 25 classic Chinese films from the last century, written by notable film critics and directors such as Gordon Chan, Evans Chan and Eddie Fong; critic Reeve Wong, and Hu Ke. In Chinese and English.
Taken from http://www.lcsd.gov.hk/CE/CulturalService/HKFA/english/newsletter/nl16_2.htmlISBN: 9628050117
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book
A century of cinema : the life & times of the State Cinema North Hobart: State Cinema, 2013.
Call No: 38(94) CLYAuthor: Clyde, Bill, Source: ATPlace: North HobartPublisher: State CinemaPubDate: 2013PhysDes: 65 pages : illustrations (some colour), facsimiles, plans, portraits ; 18 x 21 cm.Subject: CINEMAS. AUSTRALIA. STATE FILM THEATRE (TAS) Notes: Issued to commemorate the centenary of the State Cinema, North Hobart, Tasmania. Opening as the North Hobart Picture Palace in 1913, it was redeveloped as the Liberty Theatre in 1935, renamed the State Theatre in 1948, and re-opened as the State Cinema in 1976.ISBN: 9780646909677
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book
A certain tendency of the Hollywood cinema, 1930-1980 / Robert B. Ray Princeton, N.J.: Princeton University Press, 1985.
Call No: 71(73) RAYAuthor: Ray, Robert B. (Robert Beverley), 1943 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1985PhysDes: x, 411 p. : ill. ; 25 cmSubject: WESTERNS ; WORLD WAR II FILMS. USA ; CULT FILMS. USA ; FILM NOIR. USA ; MUSICALS. USA ; CASABLANCA (US, Michael Curtiz, 1942) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes index; Bibliography: p. [389]-397ISBN: 0691047278 (alk. paper); 0691101744 (pbk.)LON: 3400531
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journal article
CGI takes 'Animalia' from book to screen in Encore (September 2007) vol.26 iss.09 p.26-7
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personality clippings file
CHADHA, GURINDER
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title clippings file
CHAMELEON : (CN, Stefan Anastasiu, 1984)
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title clippings file
CHAMELEON 3: DARK ANGEL [TV] : (US/AT, John Lafia, 2000)
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title clippings file
CHAMELEON STREET : (US, Wendell B. Harris, 1989)
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title clippings file
CHAMP NOBODY WANTED, THE : (UK, James Hayes, 2003)
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title clippings file
CHAMP, THE : (US, Franco Zeffirelli, 1979)
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title clippings file
CHAMPAGNE CHARLIE : (CN, Allan Eastman, 1988)
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journal article
Champagne in paradiso in Cinema d' oggi (4 Apr 1984) vol.XVIII iss.7 p.15
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title clippings file
CHAMPAGNE SAFARI, THE : (CN, George Ungar, 1995)
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journal article
Champignons in Filmviews (Spring 1985) vol.30 iss.125 p.34-35
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title clippings file
CHAMPIONS : (UK, John Irvin, 1984)
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title clippings file
CHAMPIONS FOREVER : (US, Dimitri Logothetis, 1989)
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title clippings file
CHAMPIONS OF THE AUSTRALIAN TURF : (AT, Peter James, 1989)
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title clippings file
CHAMPIONS OF THE WILD : (CN, Brian Ray, 2004)
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Online resource
digital clippings file
CHAMPS : (US, Bert Marcus, 2014) Digital clippings file available
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personality clippings file
CHAMPTALOUP, DAVID
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personality microfilm collection
CHAN, CHARLIE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: PublicitySubject: CHAN, CHARLIE
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personality microfilm collection
CHAN, EVANS
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAN, EVANS
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personality clippings file
CHAN FRUIT
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHAN, FRUIT
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title clippings file
CHAN IS MISSING : (US, Wayne Wang, 1982)
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journal article
Chan is missing in Filmnews (Apr 1985) vol.15 iss.3 p.12
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personality microfilm collection
CHAN, JACKIE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAN, JACKIE
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personality microfilm collection
CHAN, PAULINE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAN, PAULINE
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personality clippings file
CHAN, PETER
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHAN, PETER
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personality microfilm collection
CHAN, TONY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAN, TONY
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script
Chances : A Serial for Television, Release Script, Part 2 1988.
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title clippings file
CHANCES ARE : (US, Emile Ardolino, 1989)
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dvd
Chances. Volume 1 [DVD] [Australia]: Umbrella Entertainment, [2004].
Call No: D Chances volume 1Edition: 2 disc collector's editionPlace: [Australia]Publisher: Umbrella EntertainmentPubDate: [2004]PhysDes: 2 videodiscs (DVD) (ca. 6 hr.) : sd., col. ; 4 3/4 in.Subject: CHANCES [TV] (AT, 1991-92) ; TELEVISION. AUSTRALIA Summary: This containes eight of the series' craziest most insanely delirious episodes. -- Libraries AustraliaNotes: DAVID0334.; Censorship rating: M 15+Contents: Special features : liner notes by Andrew Mercado, author of "The Super Aussie Soap Book"; Original episode previews.; Image gallery.Technical Details: All region, PAL.Credits: Produced by Gwenda Marsh.Standard Number: 9322225023154Performer: Jeremy Sims, Patsy Stephen, John Sheerin, Brenda Addie, Gerard Sont.
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dvd
Chances. Volume 2 [DVD] [Australia]: Umbrella Entertainment, 2004.
Call No: D Chances volume 2Edition: Two disc collector's editionPlace: [Australia]Publisher: Umbrella EntertainmentPubDate: 2004PhysDes: 2 videodiscs (DVD) (ca. 6 hr.) : sd., col. ; 4 3/4 in.Subject: CHANCES [TV] (AT, 1991-92) Summary: You'll meet visiting vampires, Count Vladamir Caldura and Circe who set up shop at Tran-Sylvania Waters and start their search for a rare blood type to revive the master race. -- Libraries AustraliaNotes: DAVID0349; Censorship rating: M 15+.Contents: Special features: Extensive liner notes by Andrew Mercado, author of "The super Aussie soap book"; Original episode previews; Image galleryTechnical Details: PAL ; All regions.Credits: Produced by Gwenda Marsh.Standard Number: 9322225023413Performer: Jeremy Sims, Patsy Stephen, Stephen Whittaker, Karen Richards, Michael Caton.
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personality microfilm collection
CHANDLER, JEFF
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHANDLER, JEFF
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personality microfilm collection
CHANDLER, RAYMOND
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHANDLER, RAYMOND
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subject clippings file
CHANDON PICTURES
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title clippings file
CHANDON PICTURES [TV] : (AT, 2007)
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title clippings file
CHANEL SOLITAIRE : (FR/UK, George Kaczender, 1981)
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journal article
"Chanel Solitaire" opens at Pitt Centre on May 28th in Australasian Cinema (28/5/1982) vol.11 iss.9 p.2
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Online resource
digital clippings file
CHANEY, LON Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: Publicity; ClippingsSubject: CHANEY, LON URL status: URL: 'http://file://Q:/P/CHANEY,_LON.zip'
Checked: 31/08/2021 12:47:22 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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title clippings file
CHANG : (US, Ernest B. Schoedsack & Merian C. Cooper, 1927)
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Interim
book
Chang Cheh : a memoir / Hong Kong Film Archive Hong Kong: Hong Kong Film Archive, 2004.
Call No: 81CHACorpAuthor: Hong Kong Film ArchiveSource: Hong KongPlace: Hong KongPublisher: Hong Kong Film ArchivePubDate: 2004PhysDes: 255 p ; 24 cmSubject: CHANG, CHEH Summary: The late director Chang Cheh (1924-2002) was a key advocator of the 'new century of wuxia' movement in the Hong Kong cinema. In the Memoir, Chang unveils to the readers his rarely known childhood, his aspired involvement in politics in his earlier years, and the hit trends he brought about in momentous phases of the Hong Kong cinema. The book contains precious stills and photos of the director at work, a complete filmography, and a preface written by director John Woo and renowned film critic Sek Kei as a tribute to the late master.ISBN: 9628050265
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personality clippings file
CHANG-DONG, LEE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHANG-DONG, LEE
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personality clippings file
CHANG, YUNG
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHANG, YUNG
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newspaper article
Change ABC charter so kids get real story in The Australian (5/06/2017) p.23
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title clippings file
CHANGE COMING : AT Mark Alston 2008
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title clippings file
CHANGE MY RACE [TV] : (AT, 2013)
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title clippings file
CHANGE OF FACE : [TV] (AT, Franco di Chiera, 1988)
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title clippings file
CHANGE OF HEART, A : (AT, Rod Hay, 1998)
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title clippings file
CHANGE OF SEASONS, A : (UK, Richard Lang, 1980)
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title clippings file
CHANGED FOREVER: THE MAKING OF AUSTRALIA [TV] : [TV] (AT, 2015)
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title clippings file
CHANGELING : (US, Clint Eastwood, 2008)
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title clippings file
CHANGELING, THE : (CN, Peter Medak, 1980)
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title clippings file
CHANGEMENT D'ADRESSE : (FR, Emmanuel Mouret, 2006
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title clippings file
CHANGEOVER, THE : (NZ, Miranda Harcourt / Stuart McKenzie, 2017)
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title clippings file
CHANGES : (AT, Karen Altman, 1979)
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journal article
Changes, changes in Federation news (Mar-Jun 1978) iss.95/96 p.29
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title clippings file
CHANGI [TV] : (AT, Kate Woods, 2001)
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title clippings file
CHANGING AUSTRALIA: A LAND OF CONTRASTS [TV] : AT, 1988-?
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title clippings file
CHANGING LANES : (US, Roger Michell, 2002)
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title clippings file
CHANGING MINDS: THE INSIDE STORY [TV] : (AT, 2015)
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title clippings file
CHANGING OUR PLAYGROUND : (AT, Margaret Ann Smith, 1996)
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title clippings file
CHANGING SCHOOLS : (AT, Penny Robins, 1985)
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title clippings file
CHANGING THE NEEDLE : (AT, Martha Ansara, 1982)
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subject clippings file
CHANNEL 0-28
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: CHANNEL 0-28
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Online resource
digital clippings file
CHANNEL 31 Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: CHANNEL 31 URL status: URL: 'http://file://Q:/S/CHANNEL_THIRTY-ONE.zip'
Checked: 31/08/2021 12:41:03 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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subject clippings file
CHANNEL COMMUNICATIONS
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subject clippings file
CHANNEL FOUR
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: CHANNEL FOUR
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book
Channel Four : television with a difference / Stephen Lambert London: bfi Publishing, 1982.
Call No: 201.24CHA LAMAuthor: Lambert, Stephen Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 1982PhysDes: vi, 178 p. : ill. ; 21 cmSubject: BROADCASTING ; BROADCASTING. UK ; CHANNEL FOUR ; TELEVISION Summary: "This book gives a fascinating account of how Channel Four came to be set up. Stephen Lambert tells in detail the story of the political infighting, the fierce debates over broadcasting philosophies and lobbying by special interest groups which preceded the establishment of the Channel Four Television Company. He explains exactly what is different about the new service, how it is organised and financed, and what the aims and objectives are of those who are running it and those who are making the programmes." -- BOOK BLURBNotes: Includes bibliographical references and index; Used to exist as accession number: 250. Has been now been re-entered on the system as accession number: 8431ISBN: 0851701248Contents: -- acknowledgments -- introduction -- 1: ITV2: competetitive or complementary -- 2: opposition to ITV2: the duopolyunder attack -- 3: compromise: the channel four television compant ltd -- 4: putting the show on the road -- appendicies -- index --
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journal article
Channel [V] produces live music in Encore (Jan 29, 1999) vol.17 iss.1 p.20
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book
Channels for change : am opportunity to guarantee access and equity in Australian television services / Public Broadcasting Association of Australia's TV Standing Committee's response to the Communications Law Centre Report (1989) Ultimo, NSW: Public Broadcasting Association of Australia,
Call No: 210.55(94) PUBCorpAuthor: Public Broadcasting Association of Australia TV Standing CommitteeEdition: 1990Place: Ultimo, NSWPublisher: Public Broadcasting Association of AustraliaPhysDes: 114 pages : illustrations ; 30 cmSubject: COMMUNITY TV. AUSTRALIA ; PUBLIC BROADCASTING. AUSTRALIA ISBN: 9780959722321
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book
Channels of discourse : television and contemporary criticism / edited by Robert C. Allen Chapel Hill: University of North Carolina Press, 1987.
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subject clippings file
CHANNELVISION
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: CHANNELVISION
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personality microfilm collection
CHANNING, STOCKARD
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHANNING, STOCKARD
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personality clippings file
CHANOIS, JEAN-PAUL LE
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title clippings file
CHANSON POUR JULIE : (CN, Jacques Vallee, 1976)
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title clippings file
CHANT DE LA FORET, LE : (CN, Bill Mason, 1973)
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title clippings file
CHANT DU DEPART, LE : (FR, Pascal Aubier, 1975)
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book
The chant of Jimmie Blacksmith / Thomas Keneally [Sydney]: Fontana, 1978.
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book
The chant of Jimmie Blacksmith / Henry Reynolds Sydney and Canberra: Currency Press and the Australian Film Commission, 2008.
Call No: 79CHA REYAuthor: Reynolds, Henry Place: Sydney and CanberraPublisher: Currency Press and the Australian Film CommissionPubDate: 2008PhysDes: 80 p. : ports. ; 19 cmSeries: Australian Screen ClassicsSubject: HISTORY AND THE CINEMA. AUSTRALIA ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; KENEALLY, THOMAS Summary: In this compelling critique, Henry Reynolds explores the difficult relationship between fiction and history. Reynolds views The Chant of Jimmie Blacksmith in its political and historical context, and examines the ways in which a study of Australian cinema is also a study of Australian social issues.-BlurbNotes: Chant of Jimmie Blacksmith (Motion picture) directed by Fred Schepisi.
Bibliography: p.76-78.ISBN: 9780868198248Language: EnglishContents: Australian Screen Classics -- Acknowledgements -- 1: A Thrice-Told Tale -- 2: Jimmy Governor's Short, Tragic Tale -- 3: Looking for a Legend -- 4: Governor Becomes Blacksmith -- 5: The Rampage of the Blacksmith Brothers -- 6: The Critics Respond -- 7: Audiences Confronted -- 8: The Historian's Reflections -- Notes -- Bibliography -- Filmography -- Credits
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dvd
The chant of Jimmie Blacksmith [DVD] Australia: Umbrella Entertainment, 2008.
Call No: D The chant of Jimmie BlacksmithEdition: 30th Anniversary collectors edition.Place: AustraliaPublisher: Umbrella EntertainmentPubDate: 2008PhysDes: 2 videodiscs (DVD) (117 min.) : digital, col. ; 4 3/4 in.Subject: CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) Summary: Based on historical fact, the story follows the life of a certain half caste Aboriginal named Jimmy Governor. Jimmy marries a white girl hoping to achieve assimilation into white society but, instead, he becomes an object of loathing and ridicule. In the winter of 1900, after some harassment from farmers, he murders a family near Gilgandra in New South Wales. He and his full blood Aborigine brother, Joey embark upon an odyssey of murdering whites. Hunted and hounded, he is eventually captured, tried, sentenced to death, and executed. -- Libraries Australia.Notes: Originally released as a motion picture in 1978.
Includes special features.
"The film was made with the financial assistance of the Australian Film Commission and the Victorian Film Corporation" --Container.
Censorship classification: M.
Originally produced Melbourne : The Film House, 1978.
In English. no subtitles.
Nominated: Palm D'or - Cannes Film Festival (1978) -- Libraries AustraliaContents: Special features: Exclusive new widescreen telecine transfer; Featurette - interviews with key cast and crew including Fred Schepisi and Tommy Lewis; Interview with Tommy Lewis; Audio commentary with Fred Schepisi; Q&A session with Fred Schepisi and Geoffrey Rush filmed at the Melbourne International Film Festival 2008; Making us Blacksmiths - documentary on the casting of Aboriginal lead actors Tommy Lewis and Freddy Reynolds; Stills gallery; Theatrical trailerTechnical Details: PAL ; All regions.Credits: Director and producer, Fred Schepisi.Standard Number: 3000000069974Performer: Tommy Lewis, Freddy Reynolds, Ray Barrett, Jack Thompson, Angela Punch.
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digital clippings file
CHANT OF JIMMIE BLACKSMITH, THE : (AT, Fred Schepisi, 1978) Digital clippings file available
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still
[Chant of Jimmie Blacksmith, the : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 13 x18 cm + 1 transparency : col. ; 7 x 6 cmSubject: CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) Summary: One colour transparency relating to the film The chant of Jimmie Blacksmith and one photograph of Jimmie (Tommy Lewis) striding through the bush.Notes: Black and white image donate by Brian McFarlane
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CHANTAL AKERMAN PAR CHANTAL AKERMAN : (FR, Chantal Akerman, 1997)
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CHANTERY, LES
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHANTERY, LES
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title clippings file
CHAOS : (FR, Coline Serreau, 2001)
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CHAOS : CN/UK, Tony Giglio, 2005
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newspaper article
Chaos puts faith in DVD deal with Beyond International in The Age [Business] (18/04/2002) p.4
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERSubject: BEYOND INTERNATIONAL ; CHAOS INTERNATIONAL Summary: Chaos, company best known for online music, will go into DVD production in association with Beyond International.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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CHAOS WALKING : (US/CN/HK, Doug Liman, 2021) Digital clippings file available
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CHAPA, DAMIAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAPA, DAMIAN
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personality microfilm collection
CHAPELLE, POLA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAPELLE, POLA
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CHAPERONE, THE : (UK/AT/US, Michael Engler, 2018)
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book
Chaplin / Roger Manvell London: Hutchinson, 1975.
Call No: 81CHA MANAuthor: Manvell, Roger, 1909 Place: LondonPublisher: HutchinsonPubDate: 1975PhysDes: xiii, 240 p. ; 23 cmSubject: CHAPLIN, CHARLES Notes: Includes index; Bibliography: p. [227]-230ISBN: 0091238005 : ª3.50LON: 75326633; 278988
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book
Chaplin : genesis of a clown / [by] Raoul Sobel and David Francis London New York: Quartet Books, 1977.
Call No: 81CHA SOBAuthor: Sobel, Raoul ; Francis, David, 1935- joint author Place: London New YorkPublisher: Quartet BooksPubDate: 1977PhysDes: 253 p. : ill., facsims., ports. ; 23 cmSubject: CHAPLIN, CHARLES Notes: Includes index; Bibliography: p. 223-227; Filmography: p. 229-242ISBN: 070432105X; 0704331349 (pbk.) : ª2.95LON: 80454946; 1235325
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book
Chaplin : his life and art / David Robinson London: Collins, 1985.
Call No: 81CHA ROBAuthor: Robinson, David, 1930 Place: LondonPublisher: CollinsPubDate: 1985PhysDes: 792 p., [80] p. of plates : ill., facsims., ports. ; 25 cmSubject: CHAPLIN, CHARLES Notes: Includes index; Filmography: p. 699-745; Bibliography: p. 778-782ISBN: 000216387X : ª15.00LON: bnb00216387; 3712863
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book
Chaplin / Denis Gifford London: Macmillan, 1974.
Call No: 81CHA GIFAuthor: Gifford, Denis Place: LondonPublisher: MacmillanPubDate: 1974PhysDes: 128 p. : ill. (some col.), facsims. (some col.), ports. ; 26 cmSubject: CHAPLIN, CHARLES Notes: Includes index; Bibliography: p. 126-127ISBN: 0333156528 : ª1.95LON: 74196642; 353811
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title clippings file
CHAPLIN : (US, Richard Attenborough, 1992)
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Interim
book
Chaplin / Julian Smith Boston MA: Twayne Publishers, 1984.
Call No: 81CHA SMIAuthor: Smith, Julian Source: USPlace: Boston MAPublisher: Twayne PublishersPubDate: 1984PhysDes: 161 p. : ill. ; 23 cm.Series: Twayne's filmmakers seriesSubject: CHAPLIN, CHARLES ; COMEDIANS Notes: Includes index.
Bibliography: p. 152-153.
Filmography: p. 154-158.ISBN: 080579302X (pbk.)
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Interim
book
Chaplin : The dictator and the tramp / edited by Frank Scheide and Hooman Mehran London: British Film Institute, 2004.
Call No: 81CHA SCHAuthor: Scheide, Frank ; Mehran, Hooman CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2004PhysDes: 150 p. ; 23 cmSeries: ChaplinSubject: CHAPLIN, CHARLES ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) Summary: A collection of essays about Charles Chaplin (1899-1977) written by some of the world’s leading authorities on Chaplin and early film comedy. The primary focus of the volume is Chaplin’s 1940 film satire on Nazi Germany, The Great Dictator. This film has recently attracted intense interest during its wide international theatrical and DVD re-release. The Great Dictator is also the subject of a remarkable documentary, The Tramp and the Dictator, by the distinguished historian and film-maker Kevin Brownlow, who serves as adviser to this publication, and has made available research material and interviews gathered in the course of the production. [Taken from back cover]ISBN: 1844570371
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personality microfilm collection
CHAPLIN, BEN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAPLIN, BEN
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personality microfilm collection
CHAPLIN, CHARLES
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; PublicitySubject: CHAPLIN, CHARLES
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personality clippings file
CHAPLIN, GERALDINE
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book
Chaplin, last of the clowns / by Parker Tyler [New York]: The Vanguard Press, 1948.
Call No: 81CHA TYLAuthor: Tyler, Parker Place: [New York]Publisher: The Vanguard PressPubDate: 1948PhysDes: 180 p. [16] p. of plates : ill., ports. ; 21 cmSubject: CHAPLIN, CHARLES LON: abn87098784; 5225220
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book
Chaplin's films : a filmography : Chaplin i Sverige. English / [by] Uno Asplund ; Translated from the Swedish by Paul Britten Austin [Melbourne]: Wren, 1973].
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personality microfilm collection
CHAPLIN, SAUL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAPLIN, SAUL
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newspaper article
Chaplin speaks : on critics, Beatles, mood of London in The Age (04/04/1967) p.-
Call No: TITLE CLIPPINGS FILE; COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967)Author: Wyndham, Frances PhysDes: Clippings File ArticleSubject: CHAPLIN, CHARLES ; COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967) Summary: Candid interview with Charles Chaplin with the focus on the recent film 'A Countess from Hong Kong' and the critical backlash he received. Chaplin talks about his cynicism in regards to 'Swinging London', and a movie by the band 'The Beatles'Notes: old clips pile from June 2015
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book
Chaplin, the immortal tramp : the life and work of Charles Chaplin / by R.J. Minney London: George Newnes, 1954.
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book
Chapliniana : a commentary on Charlie Chaplin's 81 movies / Harry M. Geduld Bloomington IN: Indiana University Press, c1987.
Call No: 81CHA GEDAuthor: Geduld, Harry M. Source: USPlace: Bloomington INPublisher: Indiana University PressPubDate: c1987PhysDes: 293 p. ; 22 cmSubject: KEYSTONE ; CHAPLIN, CHARLES Notes: contents: v.1. The keystone films
copy signed
Includes bibliographies and index.ISBN: 0253313368Donation: donated by the family of Wayne Levy, 2006
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personality clippings file
CHAPMAN, ALEX
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHAPMAN, ALEX
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personality clippings file
CHAPMAN, CHRIS
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHAPMAN, CHRIS
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personality clippings file
CHAPMAN, GRAHAM
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHAPMAN, GRAHAM
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personality microfilm collection
CHAPMAN, JAN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAPMAN, JAN
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personality clippings file
CHAPMAN, JEAN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHAPMAN, JEAN
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personality clippings file
CHAPMAN, KEITH
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHAPMAN, KEITH
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personality clippings file
CHAPMAN, MARGUERITE
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CHAPMAN, PENNY
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAPMAN, PENNY
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journal article
Chapman resigns from ABC to establish own company in Encore (25 Feb, 1998) vol.16 iss.1 p.6
Author: Prisk, Tracey PhysDes: Article; Illustration(s)Subject: CHAPMAN, PENNY Summary: ABC general manager of network television, Penny Chapman, has resigned and established her own company, Chapman Pictures.
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title clippings file
CHAPPAQUA : (US, Conrad Rooks, 1966)
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journal article
Chappaqua in Photon iss.19 p.45
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title clippings file
CHAPPAQUIDDICK : (US, John Curran, 2017)
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CHAPPEL, TIM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHAPPEL, TIM
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personality clippings file
Chappell, Lisa
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: Chappell, Lisa
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personality clippings file
CHAPPELLE, DAVE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHAPPELLE, DAVE
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CHAPPIE : (US/MX, Neill Blomkamp, 2015)
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newspaper article
Chappie a hero to warm to in The Age [Arts & Entertainment] (12/03/2015) p.32
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title clippings file
CHAPTER TWO : (US, Robert Moore, 1979)
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subject clippings file
CHARACTER ACTORS
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subject clippings file
CHARACTERIZATION IN FILMS
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subject clippings file
CHARACTERS ON TV
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title clippings file
CHARADE : (US, Stanley Donen, 1963)
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title clippings file
CHARGE AT FEATHER RIVER, THE : (US, Gordon Douglas, 1953)
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digital clippings file
CHARIOTS OF FIRE : (UK, Hugh Hudson, 1981) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) URL status: URL: 'http://file://Q:/T/CHARIOTS_OF_FIRE.zip'
Checked: 31/08/2021 12:53:36 PM
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journal article
Chariots of fire in The Movie (1982) vol.124 p.2474-2475
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journal article
"Chariots of Fire" in top US import in Australasian Cinema (6/8/1982) vol.11 iss.14 p.1
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personality clippings file
CHARISSE, CYD
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHARISSE, CYD
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subject clippings file
CHARITY APPEALS AND THE CINEMA
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title clippings file
CHARLEEN : (US, Ross McElwee, 1979)
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title clippings file
CHARLENE DOES MED AT UNI : (AT, Margot Oliver, 1977)
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still
[Charlene does med at uni : stills file]
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title clippings file
CHARLES BLACKMAN: DREAMS AND SHADOWS : (AT, Richard Moore, 1993)
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still
[Charles Blackman: dreams and shadows : stills file] / Corrie Ancone
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book
Charles Chaplin : an appreciation / Charles Silver New York: Museum of Modern Art, 1989.
Call No: 81CHA SILAuthor: Silver, Charles CorpAuthor: Museum of Modern Art (New York, N.Y.)Place: New YorkPublisher: Museum of Modern ArtPubDate: 1989PhysDes: 79 p. : ill. ; 27 cmSubject: CHAPLIN, CHARLES Notes: "Published in conjunction with the exhibition 'Chaplin: a centennial celebration' at the Museum of Modern Art, New York, January 1-June 30, 1989"--T.p. verso; Includes filmography (p. 70-72)ISBN: 0870703064LON: 88063507; 7123988
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book
Charles Chaplin my life in pictures / Chaplin, Charles London: Bodley Head, 1974.
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book
Charles Chauvel : epic director : a guide to the National Film and Sound Archive's collection Canberra, A.C.T.: National Film and Sound Archive, 1997.
Call No: 81CHA NATCorpAuthor: National Film and Sound Archive (Australia)Place: Canberra, A.C.T.Publisher: National Film and Sound ArchivePubDate: 1997PhysDes: v, 43 p. : ill., ports. ; 30 cmSubject: CHAUVEL, CHARLES ; NATIONAL FILM AND SOUND ARCHIVE Notes: Includes bibliographical references (p. 39-40)ISBN: 0642274215LON: abn97192300; 13255476
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book
Charles & Elsa Chauvel, movie pioneers / Susanne Chauvel Carlsson St. Lucia, Qld.: University of Queensland Press, 1989.
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title clippings file
CHARLES ET LUCIE : (FR, Nelly Kaplan, 1979)
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CHARLES, JACK Digital clippings file available
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: CHARLES, JACK
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personality microfilm collection
CHARLES, KATY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHARLES, KATY
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CHARLES, LARRY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHARLES, LARRY
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CHARLES MINGUS: TRIUMPH OF THE UNDERDOG : (UK, Don McGlynn, 1997)
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CHARLES, NICOLA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHARLES, NICOLA
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journal article
Charles Perkins in Australian Screen Education (1999) iss.20/21 p.94-96
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CHARLESON, IAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHARLESON, IAN
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personality clippings file
CHARLESTON, ANNE
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHARLESTON, ANNE
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CHARLEY'S WEB : (AT, Simon Heath, 1984)
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Charley Squash goes to town in Federation news (March-June 1978) iss.95/6 p.41-2
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title clippings file
CHARLEY VARRICK : (US, Donald Siegel, 1973)
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CHARLIE AND BOOTS : (AT, Mark Murphy, 2009)
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poster
[Charlie and Boots : poster] AT:
Call No: P CHAPlace: ATPhysDes: 1 poster : col. ; 100 cm x 70 cmSubject: CHARLIE AND BOOTS (AT, Dean Murphy, 2009) Summary: [Image: Two men leaning on a holden kingswood sedan in a rural setting. Text 'They're on the road to somewhere...'Notes: Double-sided, mirrored on verso.
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CHARLIE AND THE CHOCOLATE FACTORY : (US/UK/AT, Tim Burton, 2005)
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CHARLIE BARTLETT : (US, Jon Poll, 2007)
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CHARLIE BRAVO : (FR, Claude Bernard-Aubert, 1980)
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CHARLIE CHAN IN FILMS
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book
Charlie Chaplin / by Theodore Huff London: Cassell, 1952.
Call No: 81CHA HUFAuthor: Huff, Theodore Place: LondonPublisher: CassellPubDate: 1952PhysDes: 320 p. : ill. ; 22 cmSubject: CHAPLIN, CHARLES LON: cln00833526; 8128172
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book
Charlie Chaplin : a centenary celebation / edited by Peter Haining London: Foulsham, c1989.
Call No: 81CHA HAIAuthor: Haining, Peter Place: LondonPublisher: FoulshamPubDate: c1989PhysDes: 144 p. : ill., facsims., ports. ; 25 cmSubject: CHAPLIN, CHARLES ISBN: 0572013183
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book
Charlie Chaplin: early comedies London: Studio Vista, 1968.
Call No: 81CHA QUIAuthor: Quigly, Isabel, 1926 Place: LondonPublisher: Studio VistaPubDate: 1968PhysDes: 159 p. illus., facsims., ports. 19 cmSubject: CHAPLIN, CHARLES ISBN: 028937023XLON: 75366460; 284963
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Charlie Chaplin intime / May Reeves; souvenirs recueillis par Claire Goll Paris : Gallimard, 1935:
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CHARLIE DINGO : (FR, Gilles Behat, 1987)
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CHARLIE HOBOKEN : (US, Thomas Mazziotti, 1998?)
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CHARLIE'S ANGELS : [TV] (US, 1976-81)
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CHARLIE'S ANGELS : (US, McG, 2000)
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CHARLIE'S ANGELS : US, 1976-77?)
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CHARLIE'S ANGELS : (US, Elizabeth Banks, 2019)
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CHARLIE'S ANGELS: FULL THROTTLE : (US, McG, 2003)
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CHARLIE'S COUNTRY : (AT, Rolf de Heer, 2013) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kit; Press kitSubject: CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) URL status: URL: 'http://file://Q:/T/CHARLIE'S_COUNTRY.zip'
Checked: 31/08/2021 1:25:58 PM
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script
Charlie's country / [Rolf de Heer] AT: [2012?]. Digital clippings file available
Call No: S CHAAuthor: de Heer, Rolf Place: ATPubDate: [2012?]PhysDes: 26 leavesSubject: CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) Notes: Unpublished scriptDonation: Australian Film InstituteURL status: URL: 'http://file://Q:/scripts/CHARLIE'S_COUNTRY.zip'
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CHARLIE'S FARM : (AT, Chris Sun, 2014)
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CHARLIE SAYS : (US, Mary Harron, 2018)
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CHARLIE: THE LIFE AND ART OF CHARLES CHAPLIN : (US, Richard Shickel, 2003)
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title clippings file
CHARLIE WILSON'S WAR : (US, Mike Nichols, 2007)
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book
Charlot / Philippe Soupault Paris: Librarie Plon, 1957.
Call No: 81CHA SOUAuthor: Soupault, Philippe, 1897 Edition: Edition definitivePlace: ParisPublisher: Librarie PlonPubDate: 1957PhysDes: 210 p. : ill. ; 18 cmSubject: CHAPLIN, CHARLES LON: abn98113872; 13776228
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book
Charlot el la "fabulation" chaplinesque Paris: Edition Universitaires, 1957].
Call No: 81CHA MITAuthor: Mitry, Jean, pseud Place: ParisPublisher: Edition UniversitairesPubDate: 1957]PhysDes: 188pSeries: Les Classiques du cinemaSubject: CHAPLIN, CHARLES LON: flu00037740; 8789712
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title clippings file
CHARLOT'S CONNECTION : (FR, Jean Couturier, 1983)
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title clippings file
CHARLOTTE : (GW/NE/UK/IT, Frans Weisz, 1980)
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CHARLOTTE GRAY : (G/UK/AT, Gillian Armstrong, 2001)
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journal article
Charlotte Gray in Empire (Australian Ed.) (June 2002) iss.15 p.46
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script
Charlotte Gray / screenplay by Jeremy Brock London: Ecosse Films/Filmfour, 2000.
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title clippings file
CHARLOTTE' S WEB : (US, Charles A. Nichols & Iwao Takamoto, 1973)
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CHARLOTTE'S WEB : (US/GW, GARY WINICK, 2006)
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Charly og Steffen in Danish films (1980) p.16-17
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title clippings file
CHARME DISCRET DE LA BOURGEOISIE, LE : (FR/SP, Luis Bunuel, 1972)
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journal article
Le charme discrete de la repetition : Luis Bunuel in Vertigo (1991) iss.6/7 p.105-110
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title clippings file
CHARMING : (US/CN, Ross Venokur, 2018)
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CHARMOREN [CHARMER, THE] : (DK/SW, Milad Alami, 2018)
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CHARNY, GARRY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHARNY, GARRY
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CHARTBUSTING 80'S : [TV](AT, JOSH EGAN, 2000-)
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title clippings file
CHARTER LET BR… : (YU, Krsto Papic, 1975)
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title clippings file
CHARULATA : (II, Satyajit Ray, 1964)
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CHASE, CHEVY
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHASE, CHEVY
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CHASE, DORIS
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHASE, DORIS
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personality microfilm collection
CHASE, GRAHAM
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHASE, GRAHAM
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CHASE IS ON, THE : (AT, Cameron Male, 2004)
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CHASE, JOHN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHASE, JOHN
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script
Chase that dream [1979?].
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title clippings file
CHASE, THE : (US, Adam Rifkin, 1994)
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CHASE, THE : (US, Arthur Penn, 1966)
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CHASE THROUGH THE NIGHT : (AT, Howard Rubie, 1984)
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book
Chase through the night / by Max Fatchen ; illustrated by Graham Humphreys Sydney: Methuen Australia, 1976.
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journal article
Chase Through the Night in Australasian Cinema (27/5/1983) vol.12 iss.9 p.2
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CHASEN, RONNI
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHASEN, RONNI
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book
The chaser annual / by Charles Firth, et al. Melbourne, Vic.: Text Publishing, 2001.
Call No: 79CHA FIRAuthor: Firth, Charles ; Knight, Dominic ; Morrow, Julian ; Reucassel, Craig ; Taylor, Chris Source: ATPlace: Melbourne, Vic.Publisher: Text PublishingPubDate: 2001PhysDes: 103 p. : ill. ; 28 cmSubject: COMEDIES ; COMEDIES. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; COMEDY PROGRAMMES ; COMEDY TV. AUSTRALIA ; COMEDY TV.AUSTRALIA ; CHASER'S WAR ON EVERYTHING, THE [TV] (AT, Mark FitzGerald, Bradley Howard, Craig Melville, 2006) ; CHASER, THE [TV], (AT, 2001-) Notes: Vols. for 2007- cataloged as a serial in LCISBN: 1877008060Contents: -- mandatory joke about John Hopoate -- series of lame fat gags dressed up as satirical piece on Kim Beazley -- weak patch where nothing really happens -- really obvious cheap shot at some dead celebrity -- slightly boring piece about US-Sino relations -- predictable joke about Big Brother -- contrived reference to obscure government agency, to indicate we follow politics -- predictable joke about Big Brother (rerprise) --
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CHASER'S WAR ON EVERYTHING, THE [TV] : (AT, Mark FitzGerald, Bradley Howard, Craig Melville, 2006)
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CHASER, THE : [TV], (AT, 2001-)
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CHASERS : (US, Dennis Hopper, 1994)
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CHASING AMY : (US, Kevin Smith, 1997)
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CHASING ASYLUM : (AT/AF/CB/IO/IR/LE, Eva Orner, 2016)
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CHASING BUDDHA : (AT, Amiel Courtin-Wilson, 1999)
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CHASING COMETS : (AT, Jason Perini, 2018)
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CHASING CORAL : (US, Jeff Orlowski, 2017) Digital clippings file available
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CHASING GOD : (AT, Lenny De Vries/ Dylan Burton, 2003)
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CHASING GREAT : (NZ, Justin Pemberton & Michelle Walshe, 2016)
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CHASING ICE : US, Jeff Orlowski, 2012 Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: CHASING ICE (US, Jeff Orlowski, 2012) URL status: URL: 'http://file://Q:/T/CHASING_ICE.zip'
Checked: 31/08/2021 1:27:06 PM
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CHASING PARKED CARS : (AT, Victora Fisher, 1998)
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[Chasing parked cars : stills file]
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digital clippings file
CHASING WONDERS : (UK/US, Jim Loach, 2020) Digital clippings file available
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CHASSE AUX PAPILLONS, LA : (FR/GG/IT, Otar Ioseliani, 1992)
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CHASTAIN, JESSICA
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CHASTE LADY : [TV] (KO, Han Jung-Hwan, 2003)
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CHASTNAYA ZHIZN : (UR, Yuli Raizman, 1982)
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CHAT NOIR, CHAT BLANC : (FR, Emir Kusturica, 1998)
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CHAT ROOM, THE [TV] : (AT, 2003)
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CHATEAU CHUNDER: A WINE REVOLUTION : (AT/UK, Stephen Oliver, 2012)
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CHATEAU DE MA MERE, LE : (FR, Yves Robert, 1990)
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CHATEAU DE SABLE, LE : (CN, Co Hoedeman, 1997)
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CHATEAU EN ITALIE, UN : FR, Valeria Bruni Tedeschi, 2013
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CHATEAU, THE : (US, Jesse Peretz, 2001)
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CHATER, GORDON
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CHATFIELD, ELLY
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CHATTAHOOCHEE : (US, Mick Jackson, 1989)
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Le chaud lapin (the hot rabbit) in Filmviews (September 1981) vol.26 iss.109 p.8
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CHAUKA, PLEASE TELL US THE TIME : (NE/AT, Behrouz Boochani / Arash Kamali Sarvestani , 2017)
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CHAULET, EMMANUELLE
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CHAUVEL CARLSSON, SUE
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CHAUVEL, CHARLES
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Publicity; Clippings; StillsSubject: CHAUVEL, CHARLES
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[ Chauvel, Charles : Elsa Chauvel (scriptgirl), Tasman Higgins (cameraman), Charles Chauvel (director) and Frank Coffee (film editor) with two other men in background] / National Film and Sound Archive [reproduced by]
Call No: PERSONALITY STILLSource: ATPhysDes: 1 photograph : b&w ; 17 X 22 cm.Subject: CHAUVEL, CHARLES Summary: Charles Chauvel standing behind the camera with film crew in the background.Notes: Photographic reproduction
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[Chauvel, Charles : studio portrait of Charles Chauvel]
Call No: PERSONALITY STILLSource: ATPhysDes: 1 photograph : b&w ; 26 X 20 cm.Subject: CHAUVEL, CHARLES Summary: Black and white formal portrait of Charles Chauvel
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CHAUVEL, ELSA
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CHAVELA : (US/ MX/SP, Catherine Gund / Daresha Kyi , 2017)
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CHAVES, RICHARD
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CHAYKIN, MAURY
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CHAYKO, BELINDA
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CHAZELLE, DAMIEN
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CHE : (SP, Steven Soderbergh, 2008)
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CHEADLE, DON
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Cheap blonde in Metro Education (1999) iss.19 p.43-44
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CHEAP DETECTIVE, THE : (US, Robert Moore, 1978)
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CHEAP THRILLS [TV] : (AT, 2010)
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CHEAPER BY THE DOZEN : (US, Shawn Levy, 2003)
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CHEAPER BY THE DOZEN 2 : (US, Adam Shankman, 2005)
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Cheaper to marry in Films in review (May 1979) p.278
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CHEATERS, THE : (AT, Paulette McDonagh, 1931)
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[Cheaters, the : stills file]
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CHEATIN' [CHEATIN] : (US, Bill Plympton, 2013) Digital clippings file available
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Cheating Time in Australian Cinematographer (September 2013) iss.59 p.50-57
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CHEB : (FR/AE, Rachid Bouchareb, 1991)
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CHECKING OUT : (US, David Leland, 1981)
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CHECKOUT, THE [TV] : (AT, 2013)
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CHECKPOINT : (US, Parviz Sayyad, 1987)
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CHEECH & CHONG'S NEXT MOVIE : (US, Thomas Chong, 1980)
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CHEECH & CHONG'S NICE DREAMS : (US, Thomas Chong, 1981)
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CHEECH & CHONG'S THE CORSICAN BROTHERS : (US, Thomas Chong, 1984)
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CHEECH & CHONG STILL SMOKIN' : (US, Thomas Chong, 1983)
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The cheeky monkey : writing narrative comedy / Tim Ferguson Strawberry Hills, NSW: Currency Press, 2010.
Call No: 224:732 FERAuthor: Ferguson, Tim Source: AUPlace: Strawberry Hills, NSWPublisher: Currency PressPubDate: 2010PhysDes: 217 pages ; 23 cmSubject: CHARACTERS ON TV ; COMEDY PROGRAMMES ; COMEDY TV. AUSTRALIA ; HUMOUR ON TV ; SCRIPTS ; SCRIPTWRITING ; SCRIPTWRITING. AUSTRALIA ; SCRIPTWRITING FOR TV ; SITUATION COMEDY ; FERGUSON, TIM Summary: "From one of Australia's most successful comedians comes 'The Cheeky Monkey', a practitioner's guide to the art of comedy writing. Both insightful and practical, 'The Cheeky Monkey' explains the principles of sitcom writing and guides the reader in how to apply them. Seeded with exercises to aid the developing comedy writer, this book will help you to: write jokes; create funny stories; build comic characters; develop a sitcom; sell your sitcom to producers and TV networks. It's comedy writing made simple. Well, simpler. Many of Tim Ferguson's techniques can also be applied to film, stage, stand-up or indeed any form of comedy. You'll make 'em laugh before you know it." - BOOK BLURBNotes: Includes writing exercises with sample answers included in the appendixISBN: 9780868198613Contents: -- introduction: the purpose and function of humour -- gag principles -- gag categories -- designing a sitcom -- designing ongoing characters -- creating an episode -- humour and story -- selling a sitcom -- conclusion -- appendix --
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CHEERFUL WEATHER FOR THE WEDDING : (UK, Donald Rice, 2012)
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[Cheerful weather for the wedding : poster]
Call No: P CHEPhysDes: 1 poster : colour ; 100 x 70 cmSubject: CHEERFUL WEATHER FOR THE WEDDING (UK, Donald Rice, 2012) Summary: Image: Felicity Jones standing in a wedding dress, holding a bouquet of flowers. Portraits of various cast across bottom section of poster.
Text: "Always look on the bright side."Notes: Creased on top left corner
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CHEERS : [TV] (US, 1981-1993)
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Cheers : behind every great man [1985?].
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CHEETAH : (US, Jeff Blyth, 1989)
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CHEF : US, Jon Favreau, 2014 Digital clippings file available
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CHEFS' LINE, THE [TV] : (AT, 2017)
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CHELSEA LATELY [TV] : (US, 2007-)
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CHELSOM, PETER
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CHEMIN PERDU, LE : (FR/BE/SZ, Patricia Moraz, 1979)
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Chemistry amiss in spy thriller in The Age [News] (05/12/2013) p.33
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CHEMSEX : (UK, William Fairman & Max Gogarty, 2015)
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CHEN : (AT, Orit Novak, 2019) Digital clippings file available
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CHEN, AARON Digital clippings file available
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CHEN, CORRIE
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CHEN, JOAN
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CHEN, KAIGE
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CHEN NAN JIU SHI : (CC, Wu Yigong, 1983)
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CHENE, LE : (FR/RM, Lucian Pintilie, 1992)
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CHENG PEI-PEI
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CHEQUERBOARD REVISITED : [TV] (AT, 2000)
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CHER
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CHERCHI USAI, PAOLO
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CHERE INCONNUE : (FR, Moshe Mizrahi, 1980)
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CHEREAU, PATRICE
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CHERI : (UK/G, Stephen Frears, 2009)
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CHERISH : (AT, Cordelia Beresford, 1999)
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CHERITH : (AT, Shirley Barrett, 1988)
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CHERMIN PERDU, LE : (FR/BE/SZ, Patricia Moraz, 1979)
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CHERNAYA MOLNIYA : (RU, Dmitriy Kiselev & Aleksandr Voytinskiy, 2009)
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CHERNIN, PETER
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CHERNOBYL [TV] : (US/UK, 2019)
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CHERRILL, VIRGINIA
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CHERRY : (US, Jon Glascoe & Joseph Pierson, 1999)
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CHERRY : (US, Anthony Russo, Joe Russo, 2021) Digital clippings file available
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CHERRY FALLS : (US, Geoffrey Wright, 2000)
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CHERRY, HELEN
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CHERRY, KATE
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Cherry on top at NIDA in The Australian (24/04/2017) p.14
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Cherry orchard in Bulgarian films (1979) iss.4 p.17-18
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CHERRY ORCHARD, THE : (GR/FR/CY, Michael Cacoyannis, 1999)
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CHERRY, TIFFANY
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CHERRYBOMB : (UK, Lisa Barros D'Sa/Glenn Leyburn, 2009)
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CHERTOK, DAVID
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CHESHIRE, BEN
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CHESHIRE, GODFREY
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CHETTY, DEVESH
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CHETWYND, LIONEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHETWYND, LIONEL
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CHEUN GWONG TSA SIT : (HK, Wong Kar-Wai, 1997)
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CHEUNG FO : (HK, Johnny To, 1999)
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CHEUNG, KING-HAI
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CHEUNG, LESLIE
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CHEUNG, MAGGIE
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CHEVAL D`ORGUEIL, LE : (FR, Claude Chabrol, 1980)
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Chevalier : the films and career of Maurice Chevalier / by Gene Ringgold and Dewitt Bodeen. Foreword by Rouben Mamoulian Secaucus, N.J.: Citadel Press, 1973].
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CHEVALIER : (GR, Athina Rachel Tsangari, 2015)
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CHEVALIER, MAURICE
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Chewingum in Cinema d'oggi (26 September 1984) vol.XVIII iss.16 p.15
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Cheyenne autumn in Movie (Spring 1965) iss.12 p.36-7
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CHEZ NOUS : (SW, Jan Halldorf, 1978)
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CHHATRABHANG : (II, Nina Shivdasani, 1976)
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CHI BI : (C, John Woo, 2008)
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CHI C`E C`E : (IT, Piero Natoli, 1987)
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CHI, MUOI LO
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CHI-RAQ : US, Spike Lee, 2015)
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CHIARI, WALTER
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La chiave in Foreign sales. Italian movie trade (December 1983) vol.IX iss.12 p.6
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CHIAVE, LA : (IT, Giovanni Tinto Brass, 1983)
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CHICA Y UN SENOR, UNA : (SP, Pedro Masó, 1973)
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CHICAGO : (US, Rob Marshall, 2002)
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CHICAGO CAB : (US, Mary Cybulski & John Tintori, 1998)
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CHICAGO FIRE [TV] : US, 2012-?
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CHICAGO HOPE : [TV] (US, 1994 - )
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CHICAGO JOE AND THE SHOWGIRL : (UK, Bernard Rose, 1990)
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CHICAGO STORY : [TV] (US, Jerry London, 1981)
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CHICANO PARK : (US, Mario Barrera & Marilyn Mulford, 1989)
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CHICK CHICK CHICK in Federation news (March-June 1978) vol.23 iss.95/96
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Chick flicks : theories and memories of the feminist film movement / B. Ruby Rich Durham, NC: Duke University Press, 1998.
Call No: 626:396 RICAuthor: Rich, B. Ruby Source: USPlace: Durham, NCPublisher: Duke University PressPubDate: 1998PhysDes: xix, 419 p., [8] p. of plates : ill. ; 24 cm.Subject: FEMINISM AND THE CINEMA ; CRITICISM ; RICH, B. RUBY ; DAUGHTER RITE (US, Michelle Citron, 1979) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) Summary: "If there was a moment during the sixties, seventies, or eighties that changed the history of the women's film movement, B. Ruby Rich was there. Part journalistic chronicle, part memoir, and 100 percent pure cultural historical odyssey, Chick Flicks- with its definitive, the-way-it-was collection of essays - captures the birth and growth of feminist film as no other book has done. For over three decades Rich has been one of the most important voices in feminist film crticism. Her presence at film festivals (such as Sundance, where she is a member of the selection committee), her film reviews in major national publications, and her commentaries on the public radio program "The World" have secured her a place as a central figure in the remarkable history of what she deems "cinefeminism." In the hope that a new generation of feminist film culture might be revitalized by reclaiming its own history, Rich introduces each essay with an autobiographical prologue that describes the intellectual, political, and personal moments from which the work arose. Travel, softball, sex and voodoo all somehow fit into a book that includes classic Rich articles covering such topics as the antiporn movement, the films of Yvonne Rainer, a Julie Christie visit to Washington, and the historically evocative film Maedchen in Uniform. The result is a volume that traces the development not only of women's involvement in cinema but one of its key players as well. The first book-length work from Rich - whose stature and influence in the world of film criticism and theory continue to grow- Chick Flicks exposes unexplored routes and forgotten byways of a past that's recent enough to be remembered and far away enough to be memorable. " -- BOOK BLURBNotes: A collection of the author's essays from the 1970s and 1980s; Includes indexISBN: 0822321211 (pbk. : alk. paper)LON: 98012052; 13736840Contents: acknowledgements -- preface: Jews without books xv, introduction p1 -- prologue. I found it at the movies p7-- 1: film in the sixties p13 -- prologue. Hippie chick in the Art World p19 -- 2: Carolee Schneemann's Fuses p27 -- prologue. Angst and Joy on the Women's Film Festival Circuit p29 -- 3: Leni Riefenstahl: the deceptive myth p40 -- prologue. Life, Death, and Tragic Homecoming p48 -- 4: Voodoo Verite: Maya Deren's Divine Horsemen p52 -- prologue. An Iguana, Some wolves, and the dawn of theory p57 -- 5: in the name of feminist film criticism p62 -- prologue. O brave new world p85 -- 6: One way or another: Sara Gomez and the Cuban experience p92 -- prologue. A women's declaration of secession from the avant-garde p103 -- 7: sex and the cinema p109 -- prologue. Love's labor lost p116 -- 8: Misconception: laboring under no illusions p121 -- prologue. Cows and hero-worship 125 -- 9: the films of Yvonne Rainer p129 -- prologue. Knokke-Heist and the Fury that was Edinburgh p156 -- 10: Designing desire: Chantal Akerman p169 -- prologue. Euphoria reclaims history p174 -- 11: From repressive tolerance to erotic liberation: Maedchen in Uniform p179 -- prologue. Softball, the goddess, and the lesbian film culture p207 -- 12: The right of re-vision: Michelle Citron's Daughter Rite p212 -- prologue, The allure of alchemy p220 -- 13: Femicide Investigation: Thriller p227 -- prologue. Sour Grapes p233 -- 14. She says, he says: the power of the narrator in modernist film politics p238 -- prologue. Sex, gender, and consumer culture p253 -- 15: Antiporn: soft issue, hard world (Not a Love Story?) p261 -- prologue. Unguided tours p274 -- 16: The feminist avant-garde p281 -- prologue. Attacking the sisters, or the limits of disagreement p386 -- 17: Cinemafeminism and its discontents p291 -- prologue. Libel threats and exile tactics p299 -- 18: Truth, faith and the individual: thoughts on U.S documentary film practice p305 -- Prologue. Disempoerment and the politics of rage p315 -- 19: Lady Killers: A question of silence p319 -- Prologue. Film star as outstanding human being p326 -- 20: Julie Christie goes to Washington p329 -- prologue: Blaming the victim p337 -- 21. Good girls, bad girls: Joyce Chopra's Smooth Talk p344 -- prologue. The berks and the sex wars p347 -- 22: Feminism and sexuality in the Eighties p350 -- Epilogue: charting the Eighties p376 -- notes p391 -- index 409 --
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CHICKEN CHRONICLES, THE : (US, Francis Simon, 1977
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CHICKEN HAWK : (US, Adi Sideman, 1994)
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CHICKEN LITTLE : (US, Mark Dindal, 2005)
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CHICKEN PEOPLE : (US, Nicole Lucas Haimes, 2016) Digital clippings file available
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CHICKEN RANCH : (UK, Nick Broomfield & Sandi Sissel, 1983)
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Chicken ranch in Facets features (August 1983) p.4,5,7,10
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Chicken run : hatching the movie / by Brian Sibley ; screenplay by Karey Kirkpatrick ; story by Peter Lord and Nick Park ; directed by Peter Lord and Nick Park ; produced by Peter Lord, David Sproxton, and Nick Park ; foreword by Mel Gibson New York: Abrams, 2000.
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CHICKEN RUN (UK/US, Peter Lord & Nick Park, 2000) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; PublicitySubject: CHICKEN RUN (UK/US, Peter Lord & Nick Park, 2000) ID2: 77URL status: URL: 'http://file://Q:/T/CHICKEN_RUN.zip'
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CHICKEN TIKKA MASALA : (UK/II, Harmage Singh Kalirai, 2005)
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CHIEDIMI SE SONO FELICE : (IT, Giovanni Storti & Massimo Venier & Aldo Baglio & Giacomo Poretti, 2000)
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journal article
Un chien Andalou in Sydney University Film Group Bulletin (Aug. 1971) iss.55 p.35
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Un chien andalou in The movie (1982) iss.121 p.2412-2413
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Un chien andalou : (Luis Bun~uel and Salvador Dali, 1929) / Elza Adamowicz London ; New York: I.B. Tauris ; New York : Distributed in the USA by Palgrave Macmillan, 2010.
Call No: 79CHI ADAAuthor: Adamowicz, Elza Source: US/UKPlace: London ; New YorkPublisher: I.B. Tauris ; New York : Distributed in the USA by Palgrave MacmillanPubDate: 2010PhysDes: 109 p. : ill. ; 22 cmSeries: Cine´-files : the French film guidesSubject: SURREALISM AND THE CINEMA ; DALI, SALVADOR ; BUNUEL, LUIS ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) Summary: "In 1929 Dali and Bunuel produced a seventeen-minute film, 'Un chien andalou'. On its first screening, Georges Bataille referred to it as 'that extraordinary film ... penetrating so deeply into horror', while Federico Garcia Lorca described it as 'a tiny little shit of a film'. Produced from a script said to be based on two dream images - a woman's eye slit by a razor, ants emerging from a hole in a man's hand - the film shocked audiences. It continues to fascinate, provoke, attract and alienate its viewers. Its eye-slitting sequence and use of dream like images have influenced filmmakers from Alfred Hitchcock to David Lynch.
Elza Adamowicz's lucid critical guide to this most enigmatic of works offers new approaches to the film, exploring how it can be seen both within and beyond the confines of Surrealism and reviewing its openness to so many readings and interpretations. She reassesses Dali and Bunuel's account of the film as a model of surrealist work and its reception by the surrealist group. She situates the film within the social and cultural contexts of the 1920s, including those of melodramatic film, Spanish culture, surrealist iconography and gender construction. She assesses the film's resistance to a single interpretation and explores the role of the viewer (detective or dreamer?)."-BOOK BLURBNotes: includes film credits; includes selected bibliographyISBN: 9781848850569Contents: -- introduction: it's dangerous to look inside -- Producing Un chien andalou : myths of origin. From scenario to screen : a close collaboration -- Premie`re and reception of Un chien andalou -- A surrealist film? -- Romantic melodrama or magic theatre? Classic film narrative subverted -- A cinema of attractions -- Psychoanalytic readings -- Symbols or material images? -- Contexts and intertexts : between Fanto^mas and the fairground. Spanish contexts -- Surrealist iconography -- A parody of 1920s' films -- Early cinema and fairground intertexts -- Destabilizing gender roles -- conclusion -- Appendix 1. Synopsis -- Appendix 2. Credits -- appendix 3. Selected bibliography --
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CHIEN ANDALOU, UN : (FR, Luis Bunuel, 1928)
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CHIEN QUI FUME, LE : (AT, Donna McRae, 2004)
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CHIENG, RONNY
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CHIENNE, LA : (FR, Jean Renoir, 1931) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; ArticleSubject: CHIENNE, LA (FR, Jean Renoir, 1931) URL status: URL: 'http://file://Q:/T/CHIENNE,_LA.zip'
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CHIFLEYS OF BUSBY STREET, THE : (AT, Andrew Pike, 2008)
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[Chifleys of Busby Street, The : poster] AT:
Call No: P CHIPlace: ATPhysDes: 1 poster : col. ; 42 X 60 cm.Subject: CHIFLEYS OF BUSBY STREET, THE (AT, Andrew Pike, 2008) Summary: Colour film poster. Image of Ben Chifley waving to a crowd. Text at top of poster reads 'The great Chifley documentary'. Quote by Ray White also featured 'Doesn't matter what side of the fence you're on, he was 'Mr Chifley' to most, 'Ben' to a lot, and that was it: he was our bloke.'Notes: pen marks on the bottom leftID2: 44
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CHIHEISEN : (JA, Kaneto Shindo, 1984)
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CHIKLIS, MICHAEL
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CHIKLO DAKGUNG : (HK, Ching Siu Tung, 2003)
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CHIKLO GOUYEUNG : (HK, Fok Yiu-eung, 1992)
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CHILD ACTORS Digital clippings file available
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The child in film : tears, fears and fairy tales / Karen Lury New Brunswick, N.J.: Rutgers University Press, 2010.
Call No: 747.2-053.2Author: Lury, Karen Edition: 2010Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 2010PhysDes: 210 p. : illustrations ; 22cmSeries: Rutgers Series in Childhood StudiesSubject: CHILDREN AND THE CINEMA ; TEMPLE, SHIRLEY ; IVANOVO DETSTVO (UR, Andrei Tarkovsky, 1962) ; GRUDGE, THE (US/JA, Takashi Shimizu, 2004) ; HONOGURAI MIZUNO SOKOKARA (JA, Hideo Nakata, 2001) ; LOLITA (US, Stanley Kubrick, 1962) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; MAN ON FIRE (US, Tony Scott, 2004) ; ZERKALO (UR, Andrei Tarkovsky, 1975) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; EMPIRE OF THE SUN (US, Stephen Spielberg, 1987) ; PAN'S LABYRINTH (MX/SP/US, Guillermo del Toro, 2006) ; BELLISSIMA (IT, Luchino Visconti, 1951) Summary: Ghastly and ghostly children, "dirty little white girls," and the child as witness and as victim have always played an important part in the history of cinema, as have child performers. Yet the disruptive power of the child in films made for an adult audience has been a neglected topic. The Child in Film examines popular films including Taxi Driver, Man on Fire, and contemporary Japanese horror, as well as "art house" productions such as Mirror, La Jeté, and Pan's Labyrinth, and questions why the figure of the child has such a significant impact on the visual aspects and storytelling potential of cinema.
Karen Lury argues that the child as a liminal yet powerful agent has allowed filmmakers to play adventurously with cinema's formal conventions, with far-reaching consequences. She reveals how a child's relationship to time allows it to disturb conventional master-narratives and explores how the concern for and investment in the child actor conceals the reality of film acting and the skills of the child performer. She addresses the expression of child sexuality, and questions existing assumptions as to who children "really are." -- pulisher's web siteISBN: 9780813548968
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A Child Is Waiting in Metro (1997) iss.111 p.53-54
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CHILD, KIRSTY
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CHILD'S GARDEN AND THE SERIOUS SEA, A : (US, Stan Brackage, 1991)
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CHILD'S PLAY : (US, Tom Holland, 1988)
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Child's Play in Cinefantastique (Fall 1973) vol.3 iss.1 p.31
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Child's Play : issues in Australian Children's Television 2013 2013.
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CHILD'S PLAY : (CN/US, Lars Klevberg, 2019)
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CHILD'S PLAY 2 : (US, John Lafia, 1990)
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CHILD'S PLAY 3 : (US, Jack Bender, 1991)
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A Child's Voice in Monthly Film Bulletin (Maay 1980) vol.XLVII/556 p.100-101
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CHILD'S VOICE, THE : (IE, Kieran Hickey, 1978)
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THE CHILD SAVER [TV] : US, Stan Lathan, 1988
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CHILD SOLDIERS : (AT, Alan Lindsay, 2002)
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CHILD STAR: THE SHIRLEY TEMPLE STORY [TV] : (US/AT, Nadia Tass, 2001)
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The child stars / Norman J. Zierold New York: Coward-McCann, Inc., 1965.
Call No: 802.273 ZIEAuthor: Zierold, Norman J. Source: USPlace: New YorkPublisher: Coward-McCann, Inc.PubDate: 1965PhysDes: 250 pages : illustrations ; 22 cmSubject: STARS ; STARS. USA ; CHILD ACTORS ; COOGAN, JACKIE ; BABY LEROY ; TEMPLE, SHIRLEY ; WITHERS, JANE ; GARLAND, JUDY ; BARTHOLOMEW, FREDDIE ; DURBIN, DEANNA ; ROONEY, MICKEY ; COOPER, JACKIE Summary: A look at successful child actors, their working lives, and their lives when they became adultsLevy Notes: AFI R&I book not yet catalogued - AG 23/10/2017Contents: The trials of Jackie Coogan -- Baby Leroy -- What was Shirley Temple really like? -- Jane Withers: Dixie's dainty dewdrop -- The true Judy -- Little Lord Bartholomew -- Edna Mae Durbin, alias Deanna -- The Mick -- Jackie Cooper -- Where are they now?
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CHILD WELFARE : (AT, Mark Stiles, 1979)
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Childhood and cinema / Vicky Lebeau London: Reaktion Books, 2008.
Call No: 720-053 LEBAuthor: Lebeau, Vicky Place: LondonPublisher: Reaktion BooksPubDate: 2008PhysDes: 222 p. : illustrated ; 17 cmSeries: LocationsSubject: CHILDREN IN FILMS ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; ENFANT SAUVAGE, L' (FR, Francois Truffaut, 1970) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; LOLITA (US, Adrian Lyne, 1997) ; LOLITA (US, Stanley Kubrick, 1962) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; TARNATION (US, Jonathan Caouette, 2003) ; WOODSMAN, THE (US, Nicole Kassell, 2004) ; COME AND SEE [IDI I SMOTRI] (UR, Elem Klimov, 1985) Summary: Since its inception the world of cinema has embraced the image of the child and both extended and challenged its representations. Vicky Lebeau explores the complex and ongoing adventure of childhood on screen and examines how the child in film has been used to embody the aspirations and anxieties of modern life. Moving from early to contemporary cinema – a process that includes discussions of films such as Victorian ‘Child Pictures’, The Spirit of the Beehive, L'Enfant sauvage, 400 Blows, Lolita, The Enigma of Kaspar Hauser, Tarnation and The Woodsman – she uncovers the compulsion of film-makers to visualize the child and their need to use childhood as a way of reflecting on sexuality, language, death and difference. By bringing together childhood and cinema as two institutions of modern culture, this book ultimately uses the figure of the child – as image, as narrative, and as myth – to reflect on the form and significance of cinema itself.
Thought-provoking and engaging, Childhood and Cinema is an original and challenging contribution to studies in childhood and visual culture that will be of interest to readers in the fields of literature, film and cultural studies. -- publisher's web siteISBN: 9781861893529
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CHILDHOOD OF A LEADER, A : (UK/FR/HU, Brady Corbet, 2015)
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CHILDHOOD'S END : (US, Jeff Lipsky, 1996)
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CHILDREN ACT, THE : (UK, Richard Eyre, 2017)
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Children and television : a semiotic approach / Robert Hodge and David Tripp Cambridge, U.K. Oxford, U.K.: Polity Press In association with B. Blackwell, 1986.
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CHILDREN AND THE CINEMA
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CHILDREN AND THE CINEMA.AUSTRALIA Digital clippings file available
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CHILDREN AND THE INTERNET Digital clippings file available
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CHILDREN AND THE MEDIA. AUSTRALIA
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CHILDREN AND TV
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CHILDREN AND TV. AUSTRALIA Digital clippings file available
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CHILDREN AT THE CUTTING EDGE : (AT, 2004)
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CHILDREN, EFFECTS OF FILM ON
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CHILDREN, EFFECTS OF TV ON
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CHILDREN, FILMS FOR Digital clippings file available
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CHILDREN, FILMS FOR. AUSTRALIA Digital clippings file available
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CHILDREN, FILMS MADE BY
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Children in Australia / June Factor and Anne Summers Melbourne: Australian Children's Television Foundation, 1985.
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CHILDREN IN FILMS
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CHILDREN IN THE PICTURES : (AT, Akhim Dev/Simon Nasht, 2021) Digital clippings file available
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CHILDREN OF A LESSER GOD : (US, Randa Haines, 1986)
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CHILDREN OF BABYLON, THE : (JM, Lennie Little-White, 1980)
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CHILDREN OF CHABANNES, THE : (US, Lisa Gossels & Dean Wetherell, 1999)
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CHILDREN OF FATE: LIFE NAD DEATH IN A SICILIAN FAMILY : (US, Andrew Young & Susan Todd, 1993)
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Children of fire mountain / Graeme Farmer and Roger Simpson London: Thames/Magnet, 1983.
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CHILDREN OF HUANG SHI, THE : (AT/C/GE, Roger Spottiswoode, 2007)
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CHILDREN OF LABOR : (US, Noel Buckner & others, 1977)
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CHILDREN OF MEN : (JA/UK/US, Alfonso Cuaron, 2006)
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Children of Men / Dan Dinello Leighton Buzzard: Auteur,
Call No: 79 CHI DINAuthor: Dinello, Dan Edition: 2019Place: Leighton BuzzardPublisher: AuteurPhysDes: 132 pages : illustrated ; 20 cmSeries: ConstellationsSubject: CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006) Summary: A mirror of tomorrow, Alfonso Cuarón’s visionary Children of Men (2006) was released to good reviews and poor box office but is now regarded by many as a twenty-first-century masterpiece. Its propulsive story dramatizes a dystopian future when an infertile humanity hurtles toward extinction and an African refugee holds the key to its survival. Cuarón creates a documentary of the near future when Britain’s totalitarian government hunts down and cages refugees like animals as the world descends into violent chaos. In the midst of xenophobia and power abuses that have led to a permanent state of emergency, Children of Men inspires with a story of hope and political resistance. Dan Dinello explicates Children of Men’s politically progressive significance in the context of today’s rise of authoritarianism and white nationalism. Though topical at the time, the film now feels as if it’s been torn from today’s headlines. Examining the film from ideological, psychological, and philosophical perspectives, the book explores the film’s connection to post-9/11 apocalyptic narratives, its evolutionary twist to the nativity story, its warning about the rise of neofascism, and its visual uniqueness as science fiction, delving into the film’s gritty hyper-realistic style and the innovative filmic techniques developed by director Cuarón and his cinematographer, Emmanuel Lubezki. Dinello explores the film’s criticism of the pathologies of a reactionary politics that normalize discriminatory hierarchies and perpetuate vast differences in privilege. Children of Men prods us to imagine an egalitarian alternative with a narrative that urges emotional identification with rebels, outcasts, and racial and ethnic outsiders. -- publisher's web siteISBN: 9781999334024Donation: Senses of CinemaContents: Contents -- 1. Introduction: Clash of Civilizations -- 2. Children of Men in an Era of Apocalyptic Anxiety -- 3. Documenting the Future: Visual Design -- 4. Tyranny in the UK -- 5. The Resistance -- 6. Rise of a New World -- 7. Conclusion: State of Emergency -- Works Cited.
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CHILDREN OF QUI NHON : (AT, Barry Sloane, 1974?)
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CHILDREN OF SANCHEZ, THE : (US/MX, Hall Bartlett, 1978)
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CHILDREN OF THE CORN : (US, Fritz Kiersch, 1984)
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CHILDREN OF THE CORN II: THE FINAL SACRIFICE : (US, David F. Price, 1993)
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CHILDREN OF THE CROCODILE : (AT, Marsha Emerman, 2001)
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CHILDREN OF THE DAMNED : (UK, Anton M. Leader, 1963)
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[Children of the moon : poster] AT: 1974.
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CHILDREN OF THE NORTH : (UK, David Fury, 1990)
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Children of the revolution / Peter Duncan Sydney: Currency Press, 1996.
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CHILDREN OF THE REVOLUTION : (AT, Peter Duncan, 1996)
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Children of the revolution - Cuba 1977 in Finland Filmland (1979) iss.1 p.64
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[Children of the revolution : stills file] Shanahan Management Pty Ltd,
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CHILDREN OF THEATRE STREET : (US/UR, Robert Dornhelm, 1977)
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CHILDREN OF TIBET : (AT, Melinda Wearne, 2003)
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CHILDREN OF TWO COUNTRIES : (AT/CC, Terry Ohlsson, 1983)
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CHILDREN ON THE EDGE OF SURVIVAL : [TV] (AT, 1984)
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CHILDREN, PROGRAMMES FOR
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CHILDREN, PROGRAMMES FOR. AUSTRALIA Digital clippings file available
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The Children's Festival in Israel Film Centre Information Bulletin (1980) p.10
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The children's film : genre, nation and narrative / Noel Brown New York: Wallflower Press, 2017.
Call No: 722-053.2 BROAuthor: Brown, Noel Source: USPlace: New YorkPublisher: Wallflower PressPubDate: 2017PhysDes: 124 pages : illustrations ; 20 cmSeries: Short cutsSubject: CHILDREN AND THE CINEMA ; CHILDREN, FILMS FOR Summary: An introduction to the children's film examines its recurrent themes, narratives and stylistic principles. It explores how children's cinema has developed across its broad historical and geographic span, with reference to films from Europe, the United States, Russia, India and China. Analysing changes and continuities in how children's film has been conceived, it argues for a fundamental distinction between commercial productions intended primarily to entertain and non-commercial film made under pedagogical principles, produced for purposes of moral and behavioural instruction. In elaborating these different forms, this book outlines a history of children's cinema from the early days of commercial cinema to the present, explores the key critical issues, and provides case studies of major children's films, including The Wizard of Oz, Emil and the Detectives, The Red Balloon and Frozen -- TAKEN FROM BACK COVERISBN: 9780231182690Donation: donated by Senses of CinemaContents: The children's film -- Hollywood, children's cinema and the family audience -- Children's film, nation and identity -- Contemporary children's cinema: national and transnational trends -- Postscript
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Children's film distribution in Australia : Young Australia Films Survey / this survey has been sponsored by the Marketing Branch and the Creative Development Branch of the Australian Film Commission Young Australia Films Pty Ltd, 1983.
Call No: 301.1-4(94) CHIPublisher: Young Australia Films Pty LtdPubDate: 1983PhysDes: 185 pages ; 30 cmSubject: CHILDREN, FILMS FOR ; CHILDREN, FILMS FOR. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Summary: "The purpose of this survey is to cover information related to general distribution and to specialised distribution [in particular for children's films] which the producers will face in search of the "best" distribution plan. It will also deal with specific questions and problems which are unique to children's films" -- taken from page 2Contents: Section one: aims of the survey -- Section two: introduction -- Section three: responsibilities of the distributor -- Section four: distribution of children's film through the majors -- Section five: independent cinemas -- Section six: non-theatrical -- Section seven: the distribution through town halls -- Section eight: club distribution -- Section nine: school distribution -- Section ten: Statistics - List of all cinemas and drive-ins in each state - List of all halls suitable for screening in each state - List of all clubs in each state
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CHILDREN'S HOSPITAL : [TV] (AT, Paul Faint, Marcus North, Richard Walker, 1997)
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CHILDREN'S HOUR, THE : (US, William Wyler, 1961)
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Children's novels and the movies / edited by Douglas Street New York: F. Ungar Pub. Co., 1983.
Call No: 753.131-053.2 CHIAuthor: Street, Douglas Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: 1983PhysDes: xxiv, 304 p., [16] p. of plates : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; CHILDREN AND THE CINEMA ; ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951) ; ALICE'S ADVENTURES IN WONDERLAND (UK, William Sterling, 1972) ; CHARLOTTE' S WEB (US, Charles A. Nichols & Iwao Takamoto, 1973) ; CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968) ; FROM THE MIXED UP FILES OF MRS. BASIL E. FRANKENWEILER (US, Fielder Cook, 1973) ; HERO AIN'T NOTHING BUT A SANDWICH, A (US, Ralph Nelson, 1977) ; HOBBIT, THE (US, Jules Bass & Arthur Rankin Jr., 1977) ; ISLAND OF THE BLUE DOLPHINS (US, James B. Clark, 1964) ; KIDNAPPED (UK, Delbert Mann, 1971) ; KIM (US, Victor Saville, 1950) ; LION, THE WITCH AND THE WARDROBE, THE (UK/US, Bill Melendez, 1979) ; LITTLE LORD FAUNTLEROY (UK, Jack Gold, 1981) ; LITTLE LORD FAUNTLEROY (US, John Cromwell, 1936) ; LITTLE PRINCE, THE (UK/US, Stanley Donen, 1974) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; PINOCCHIO (US, Ben Sharpsteen & Hamilton Luske, 1940) ; PIPPI LANGSTRUMP (GG, Olle Hellbom, 1969) ; PIPPI LONGSTOCKING (GG, Olle Hellbom, 1969) ; RAILWAY CHILDREN, THE (UK, Lionel Jeffries, 1970) ; SECRET GARDEN, THE (BL, Fred M. Wilcox, 1949) ; SOUNDER (US, Martin Ritt, 1972) ; TOBY TYLER, OR TEN WEEKS WITH A CIRCUS (US, Charles Barton, 1960) ; TOM BROWN'S SCHOOLDAYS (UK, Gordon Parry, 1951) ; TREASURE ISLAND (US, Victor Fleming, 1934) ; TREASURE ISLAND (US, Byron Haskin, 1950) ; TREASURE ISLAND (US, Andrea Bianchi & Jon Hough, 1972) ; WATERSHIP DOWN (UK, Martin Rosen, 1978) ; WILLY WONKA AND THE CHOCOLATE FACTORY (US, Mel Stuart, 1971) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "For the young and the young in heart, film versions of old favourites renew the magic of first acquaintance with these wonderful stories. Several landmark films are covered here in lively examinations of the art of successful cinematic adaptation, covering children's literature from the Victorian age to the present - from Tom Brown's Schooldays to A Hero Ain't Nothing but a Sandwich [...] This is the first book to devote itself exclusively to film adaptations of children's classics. All the writers are equally at home in children's fiction and film studies. Their essays, with one exception, were especially prepared for this volume. All together, a rewarding look at old and new favourites in literature and the movies, and at the elements that have made them lastingly successful." -- BOOK BLURBNotes: Includes index; Filmography: p. 253-273; Bibliography: p. 280-290ISBN: 0804428409 : $14.95; 0804468834 (pbk.) : $6.95LON: 83014816; 2808775
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Children's television : a business, is it? Should it be? / Janet Holmes a Court 1998.
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Children's television: an analysis of programming and advertising / Francis Earle Barcus with Rachel Wolkin New York: Praeger, 1977.
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Children's television and advertising / Ross Howarth Carlton, Vic.: Australian Children's Television Foundation, 1985.
Call No: 412-053.2 HOWAuthor: Howarth, Ross CorpAuthor: Australian Children's Television Foundation; Australian Children's Television Foundation. Conference (1985 : Melbourne, Vic.)Source: ATPlace: Carlton, Vic.Publisher: Australian Children's Television FoundationPubDate: 1985PhysDes: 13 p. ; 21 cmSubject: ADVERTISING. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA Notes: "Paper prepared for the Australian Children's Television Foundation, International Conference on 'The challenge of kids' TV', Melbourne, Australia, May 1985."ISBN: 0864211449LON: 3915929
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Children's television and advertising / Ross Howarth Melbourne: Australian Children's Television Foundation, 1985.
Author: Howarth, Ross CorpAuthor: Australian Children's Television FoundationSource: ATPlace: MelbournePublisher: Australian Children's Television FoundationPubDate: 1985PhysDes: 20 cm ; 13 p.Series: The Challenge of Kids' TVSubject: AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION ; CHILDREN AND TV. AUSTRALIA Notes: The Challenge of Kids' TV conference paper no. 8ISBN: 0864211449Donation: donated by the family of Wayne Levy, 2006
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Children's television standards : report and determination / by the Tribunal [North Sydney]: The Tribunal, 1984.
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Children's television, the case for regulation / by Patricia Edgar North Melbourne: Australian Children's Television Foundation, 1984.
Call No: 412-053.2(94) EDGAuthor: Edgar, Patricia, 1937 CorpAuthor: Australian Children's Television FoundationPlace: North MelbournePublisher: Australian Children's Television FoundationPubDate: 1984PhysDes: 33 p. ; 30 cmSubject: CHILDREN AND TV. AUSTRALIA Notes: Bibliography: p. 26-27ISBN: 0864210485 : price unknownLON: 3396423
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CHILDREN, THE : (US, Max Kalmanowicz, 1980)
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CHILDREN UNDERGROUND : (US, Edet Belzberg, 2000)
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CHILDREN WITH SPECIAL ABILITIES : (AT, Ivan Gaal, 1983)
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CHILDRESS, HELEN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHILDRESS, HELEN
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CHILDSTAR : (CN, Don McKellar, 2004)
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CHILE
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: CHILE
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CHILE: HASTA CUANDO? : (AT, David Bradbury, 1986)
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Chile: Hasta Cuando? in Filmviews (Autumn 1986) vol.31 iss.127 p.24-25
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[Chile: hasta cuando? : stills file] / Miguel Angel Larrea
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Chile: hasto cuando? : in the land of the general in Cinema Papers (May 1986) vol.57 p.86-87
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'Chile' picks up two awards for Bradbury in Encore (19 June - 2 July 1986) vol.4 iss.10 p.5
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Chilean cinema / edited and introduced by Michael Chanan London: British Film Institute, 1976.
Call No: 71(83) CHAAuthor: Chanan, Michael Place: LondonPublisher: British Film InstitutePubDate: 1976PhysDes: [7], 102 p. ; 21 cmSubject: CHILE Notes: "Filmography": p. 97-99; Bibliography: p. 100-102ISBN: 0851700586 : ª0.75LON: 1031191
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Chilean cinema in the twenty-first century world / edited by Vania Barraza and Carl Fischer Detroit, Michigan: Wayne State University Press, 2020.
Call No: 11439Author: Barraza, Vania ; Fishcher, Carl Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: 2020PhysDes: xii,376 pages : ilustrated ; 23cmSeries: Contemporary approaches to film and mediaSubject: CHILE ; FESTIVALS ; HORROR FILMS ; POLITICS AND THE CINEMA Summary: Focusing on films from Chile since 2000 and bringing together scholars from South and North America, Chilean Cinema in the Twenty-First-Century World is the first English-language book since the 1970s to explore this small, yet significant, Latin American cinema. The volume questions the concept of "national cinemas" by examining how Chilean film dialogues with trends in genre-based, political, and art-house cinema around the world, while remaining true to local identities. Contributors place current Chilean cinema in a historical context and expand the debate concerning the artistic representation of recent political and economic transformations in contemporary Chile. Chilean Cinema in the Twenty-First-Century World opens up points of comparison between Chile and the ways in which other national cinemas are negotiating their place on the world stage.
The book is divided into five parts. "Mapping Theories of Chilean Cinema in the World" examines Chilean filmmakers at international film festivals, and political and affective shifts in the contemporary Chilean documentary. "On the Margins of Hollywood: Chilean Genre Flicks" explores on the emergence of Chilean horror cinema and the performance of martial arts in Chilean films. "Other Texts and Other Lands: Intermediality and Adaptation Beyond Chile(an Cinema)" covers the intermedial transfer from Chilean literature to transnational film and from music video to film. "Migrations of Gender and Genre" contrasts films depicting transgender people in Chile and beyond. "Politicized Intimacies, Transnational Affects: Debating (Post)memory and History" analyzes representations of Chile’s traumatic past in contemporary documentary and approaches mourning as a politicized act in postdictatorship cultural production.
Intended for scholars, students, and researchers of film and Latin American studies, Chilean Cinema in the Twenty-First-Century World evaluates an active and emergent film movement that has yet to receive sufficient attention in global cinema studies. -- publisher's web siteISBN: 9780814346822
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CHILL FACTOR : (US, Hugh Johnson, 1999)
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CHILLER : (US, Wes Craven, 1985)
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CHILLING ADVENTURES OF SABRINA [TV] : (US, 2018-)
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CHILLS, THE : (NZ, Julia Parnell, 2019)
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CHILSU OA MANSU : (KO, Park Kwang-Su, 1989)
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CHILVERS, SIMON
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[Chilvers, Simon : studio headshot of Simon Chilvers] / Melbourne Artists Management
Call No: PERSONALITY STILLSource: ATPhysDes: 1 photograph : b&w ; 25 X 20 cm.Subject: CHILVERS, SIMON Summary: Studio headshot of Simon ChilversNotes: Image highlights yellowing (oxidising); staple attached to the image
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CHIMES, CHARLOTTE
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CHIN, LEE LIN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHIN, LEE LIN
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CHINA Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: CITY OF SADNESS, A [ URL status: URL: 'http://file://Q:/S/CHINA.zip'
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CHINA BEACH : [TV] (US, 1988-91)
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CHINA CRY : (US, James F. Collier, 1990)
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CHINA DOLLS : (AT, Tony Ayres, 1997)
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The China factor in Hong Kong cinema / the 14th Hong Kong International Film Festival Hong Kong: Urban Council, 1990.
Call No: FESTIVAL CATALOGUE SHELVESEdition: 1990Source: HKPlace: Hong KongPublisher: Urban CouncilPubDate: 1990PhysDes: 148p. : illus. : 29cm.Series: Hong Kong International Film Festival CatalogueSubject: CITY OF SADNESS, A [ Notes: The 14th International Hong Kong Film Festival 6-21.4 1990ISBN: 9627040304Language: Cantonese and English
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China forever : the Shaw Brothers and diasporic cinema / edited by Poshek Fu Urbana: University of Illinois, 2008.
Call No: 71(510) CHIAuthor: Fu, Poshek (editor) Source: USPlace: UrbanaPublisher: University of IllinoisPubDate: 2008PhysDes: 270 p. : ill., maps ; 23 cmSeries: Popular culture and politics in Asia PacificSubject: CITY OF SADNESS, A [ ; SHAW BROTHERS ; HISTORY AND THE CINEMA. CHINA Notes: Includes bibliographical references and index.; Includes filmography: (p. [255]-256)ISBN: 9780252075001Contents: Introduction: The Shaw Brothers diasporic cinema / Poshek Fu -- Shaw cinema enterprise and understanding cultural industries / Lily Kong -- Shaw's Cantonese productions and their interactions with contemporary local and Hollywood cinema / Law Kar -- Embracing glocalization and Hong Kong-made musical film / Siu Leung Li -- Three readings of Hong Kong nocturne / Paul G. Pickowicz -- The black-and-white Wenyi films of Shaws / Wong Ain-Ling -- Territorialization and the entertainment industry of the Shaw Brothers in Southeast Asia / Sai-shing Yung -- The Shaw Brothers' Malay films / Timothy P. Barnard -- Bridging the Pacific with Love eterne / Ramona Curry -- Black audiences, blaxploitation and kung fu films, and challenges to white celluloid masculinity / Sundiata Keita Cha-Jua -- Shaw Brothers cinema and the hip-hop imagination / Fanon Che Wilkins -- Reminiscences of the life of an actress in Shaw Brothers' movietown / Cheng Pei-pei ; translated by Jing Jing Chang and Jeff McClain.
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CHINA GIRL : (US, Paolo Uccello, 1974)
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CHINA GIRL : (US, Abel Ferrara, 1987)
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CHINA IN REVOLUTION, 1911-1949 : [TV] (US, 1989)
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China into film : frames of reference in contemporary Chinese cinema London: Reaktion, 1999.
Call No: 71(51) SILAuthor: Silbergeld, Jerome Place: LondonPublisher: ReaktionPubDate: 1999PhysDes: 352 p. : ill. (some col.) ; 24 cmSubject: CITY OF SADNESS, A [ ; ALLEGORY IN FILMS ; WOMEN IN FILMS. CHINA ; MELODRAMA. CHINA ; CHEN, KAIGE ; XIE, JIN ; ZHANG, YIMOU ; QIU JU DA GUANSI (CC/HK, Zhang Yimou, 1992) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; HUANG TUDI (CC, Chen Kaige, 1985) ; HONG GAOLIANG (CC, Zhang Yimou, 1988) ; QINGCHUN JI (CC, Zhang Nuanxin, 1986) ; LUN HUI (CC, Huang Jianxin, 1989) ; BAWANG BIEJI (HK, Chen Kaige, 1993) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; DA YUE BING (CC, Chen Kaige, 1986) ; HAIZI WANG (CC, Chen Kaige, 1988) ; JU DOU (CC/JA, Zhang Yimou, 1990) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ISBN: 1861890508(pbk.)LON: 20259534 20259534
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THE CHINA LAKE MURDERS [TV] : US, Alan Metzger, 1990
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CHINA: LAND OF MY FATHER : US, Felicia Lowe, 1979
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newspaper article
China loses the force in film market battle in The Australian (21/07/2016) p.25
Call No: SUBJECT CLIPPINGS FILE; CHINAAuthor: Lin, Lilian PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. CHINA ; CITY OF SADNESS, A [ ; EXHIBITION. CHINA Summary: Report on the slowdown to box office growth in China. Speculation was that heavy discounts in previous years boosted box office sales but with the discounting over the attendences and box office has stablised. Chinese companies are looking to purchase Hollywood businesses and the USA are looking to get their film's shown in China
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CHINA LOVE : (AT, Olivia Martin McGuire, 2018)
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CHINA MOON : (US, John Bailey, 1994)
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China now a key part of Hollywood script in The Australian (20/04/2017) p.22
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China on screen : cinema and nation / Chris Berry New York: Columbia University Press, 2006.
Call No: 71(51) BERAuthor: Berry, Chris Place: New YorkPublisher: Columbia University PressPubDate: 2006PhysDes: xi, 313 p. ; 23 cmSeries: Film and CultureSubject: CITY OF SADNESS, A [ ; TAIWAN ; MASCULINITY IN FILMS ; FAMILY IN FILMS ; INDUSTRY, FILM. CHINA ; HISTORICAL FILMS. CHINA ; WOMEN IN FILMS. CHINA ; REALISM IN FILMS. CHINA ; OPERA IN FILMS ; LEE, ANG ; LINGYU, RUAN Summary: Explores Chinese cinema from its beginnings to the present day in relation to how China depicts its national identity.ISBN: 0231137079Contents: 1. Introduction: cinema and the national -- 2. Time and the National: History, Historiology, Haunting -- 3. Operatic Modes: Opera Film, Martial Arts, and Cultural Nationalism -- 4. Realist Modes: Melodrama, Modernity, and Home -- 5. How Should a Chinese Woman Look? Woman and Nation -- 6. How Should Chinese Men Act? Ordering the Nation -- 7. Where Do You Draw the Line? Ethnicity in Chinese Cinemas -- 8. The National in the Transnational
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CHINA, PAUL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHINA, PAUL
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CHINA RUN : (US, Mickey Grant, 1987)
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CHINA'S 3 DREAMS : (AT/CC, Nick Torrens, 2014)
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newspaper article
China's influence on Hollywood growing in Weekend Australian (16/07/2016) p.34
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CHINA SYNDROME, THE : (US, James Bridges, 1979)
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CHINA: THE PANDA ADVENTURE : (US, Robert M. Young, 2001)
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CHINAMAN'S CHOICE : (US?, Lori Tsang, 1988?)
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Chinatown : (US, Roman Polanski, 1974) / Michael Eaton London: British Film Institute, 1997.
Call No: 79CHI EATAuthor: Eaton, Michael Place: LondonPublisher: British Film InstitutePubDate: 1997PhysDes: 79 p. : ill. ; 19 cmSeries: BFI Film ClassicsSubject: CHINATOWN (US, Roman Polanski, 1974) ISBN: 0851705324Order Received: 1998LON: abn98020478; 13641323
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CHINATOWN : (US, Roman Polanski, 1974)
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Chinatown / Robert Towne London: Faber and Faber, 1998.
Call No: 79CHI TOWAuthor: Towne, Robert Place: LondonPublisher: Faber and FaberPubDate: 1998PhysDes: 146 p. ; 18 cmSubject: CHINATOWN (US, Roman Polanski, 1974) Notes: Originally published: New York : Grove Press, 1997; "Limited edition for Sight and Sound readers"--p. [4] of coverISBN: 0571204813LON: 21032347
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Chinatown [1973].
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CHINCHILLA DRY : (AT, Andrew Wiseman & Richard Keddie, 1995)
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CHINE MA DOULEUR : (FR/GW, Dai Sijie, 1989)
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CHINESE BOX : (FR/JA/US, Wayne Wang, 1997)
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Chinese cinema : culture and politics since 1949 / Paul Clark Cambridge [Cambridgeshire] New York: Cambridge University Press, 1987.
Call No: 71(51) CLAAuthor: Clark, Paul, 1949 Place: Cambridge [Cambridgeshire] New YorkPublisher: Cambridge University PressPubDate: 1987PhysDes: vii, 243 p. : ill., ports. ; 24 cmSeries: Cambridge studies in filmSubject: CITY OF SADNESS, A [ ; POLITICS AND THE CINEMA. CHINA Notes: Includes index; Bibliography: p. 227-235ISBN: 0521326389LON: 5540259
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The Chinese Cinema book / edited by Song Hwee Lim and Julian Ward London: Palgrave Macmillan on behalf of the British Film Institute, 2011.
Call No: 71(51) CHIAuthor: Lim, Song Hwee (ed.) ; Ward, Julian (ed.) Source: UKPlace: LondonPublisher: Palgrave Macmillan on behalf of the British Film InstitutePubDate: 2011PhysDes: x, 218 p. : ill. ; 25 cmSubject: CITY OF SADNESS, A [ ; HISTORY AND THE CINEMA. CHINA ; HISTORY OF CINEMA. CHINA Summary: "The Chinese Cinema Book provides an essential guide to the cinemas of the People's Republic of China, Hong Kong, Taiwan and the Chinese diaspora, from early cinema to the present day. With contributions from leading international scholars, the book is structured around five thematic sections: Territories, Trajectories, Historiographies; Early Cinema to 1949; the Forgotten Period: 1949-80; The New Waves; and Stars, Auteurs and Genres.
This important collection addresses issues of film production and exhibition and places Chinese cinema in its national and transnational contexts. Individual chapters examine major film movements such as the Shanghai cinema of the 1930s, Fifth Generation film-makers and the Hong Kong New Wave, as well as key issues such as stars and auteurs. The book will be an invaluable resource for students and scholars, as well as for anyone wanting to deepen their understanding of the Cinemas of Greater China." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and index; Includes filmographyISBN: 9781844573448Contents: -- Introduction: the Coming of Age of Chinese Cinemas Studies / Song Hwee Lim and Julian Ward -- Territories, Trajectories, Historiographies. Transnational Chinese Cinema Studies / Chris Berry -- National Cinema as Translocal Practice: Reflections on Chinese Film Historiography / Yingjin Zhang -- Cinemas of the Chinese Diaspora / Gina Marchetti -- Six Chinese Cinemas in Search of a Historiography / Song Hwee Lim -- Early Cinema to 1949. Shadow Magic and the Early History of Film Exhibition in China / Xuelei Huang and Zhiwei Xiao -- The Making of a National Cinema: Shanghai Films of the 1930s / Laikwan Pang -- Wartime Cinema: Reconfiguration and Border Navigation / Yiman Wang -- Chinese Film-making on the Eve of the Communist Revolution / Paul G. Pickowicz -- The Forgotten Period: 1949-80. The Remodelling of a National Cinema: Chinese Films of the 17 Years (1949-66) / Julian Ward -- Healthy Realism in Taiwan, 1964-80: Film Style, Cultural Policies, and Mandarin Cinema / Guo-Juin Hong -- The Hong Kong Cantonese Cinema: Emergence, Development and Decline / Stephen Teo -- The New Waves. The Fifth Generation: a Re-assessment / Wendy Larson -- Taiwan New Cinema and Its Legacy / Tonglin Lu -- The Hong Kong New Wave: A Critical Reappraisal / Vivian P. Y. Lee -- Stars, Auteurs and Genres. Dragons Forever: Chinese Martial Arts Stars / Leon Hunt -- The Contemporary Wuxia Revival: Genre Remaking and the Hollywood Transnational Factor / Kenneth Chan -- On the Shoulders of Giants: Tsai Ming-liang, Jia Zhangke, Fruit Chan and the Struggles of Second Generation Auteurism / James Udden -- The Urban Generation: Underground and Independent Films from the PRC / Jason McGrath -- Contemporary Mainstream PRC Cinema / Yomi Braester -- Contemporary Meta Chinese Film Stardom and Transnational Transmedia Celebrity / Anne Ciecko -- Afterword: Liquidity of Being / Rey Chow -- appendix 1: book-length studies of Chinese Cinema in the English language / Wan-Jui Wang, Louise Williams and Song Hwee Lim -- appendix 2: Chinese names / Zou Yijie -- index --
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CHINESE COFFEE : (US, Al Pacino, 2000)
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Chinese connection has its limits in The Australian (25/11/2015) p.16
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Chinese connections : critical perspectives on film, identity, and diaspora / edited by Tan See-Kam, Peter X Feng, and Gina Marchetti Philadelphia: Temple University Press, 2009.
Call No: 71(51) CHISource: USPlace: PhiladelphiaPublisher: Temple University PressPubDate: 2009PhysDes: vii, 311 p. : ill. ; 23 cmSubject: CITY OF SADNESS, A [ ; TAIWAN ISBN: 9781592132683Donation: donated by Senses of Cinema, 2012Contents: False consciousness and double consciousness: race, virtual reality, and the assimilation of Hong Kong action cinema in The matrix / Peter X. Feng -- The par-Asian cinematic imaginary in Olivier Assayas's Irma Vep / Grace An -- The HK venture: the Francophone cine-logocentric nexus / Aaron Han Joon Magnan-Park -- Wong Fei-Hung in da house: Hong Kong martial-arts films and hip-hop culture / Frances Gateward -- Same difference: racial masculinity in Hong Kong and cop-buddy "hybrids" / Gayle Wald -- American popular music and neocolonialism in the films of Edward Yang / Emilie Yueh-yu Yeh -- Hollywood and Taiwan: connections, countercurrents, and Ang Lee's Hulk / Gina Marchetti -- Becoming Hollywood? Hong Kong cinema in the new century / Chuck Kleinhans -- "From behind the wall": the representation of gender and sexuality in modern Chinese film / Zhou Xuelin -- Beyond the western gaze: Orientalism, feminism, and the suffering woman in nontransnational Chinese cinema / Andrew Grossman -- Disappearing faces: bisexuality and transvestism in two Hong Kong comedies / Helen Hok-Sze Leung -- Staging gay life in China: Zhang Yuan and East palace, west palace / Chris Berry -- Whose fatal ways: mapping the boundary and consuming the other in border crossing films / Li-Mei Chang -- Asian martial-arts cinema, dance, and the cultural languages of gender / Aaron D. Anderson -- Singapore as a society of strangers: Eric Khoo's Mee pok man, 12 storeys, and Be with me / Tan See-Kam -- Chinese cinema revisits the city: Beijing trilogy and global urbanism of the 1990s / Jenny Kwok-Wah Lau -- Taiwan fever? Tsai Ming-Liang and the everyday postnation / Peter Hitchcock -- The spirits of capital and haunting sounds: translocal historicism in victim (1999) / Esther C.M. Yau -- Zhang Yimou's hero: the temptations of fascism / Evans Chan
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Chinese film : the state of the art in the People's Republic / edited by George Stephen Semsel New York: Praeger, 1987.
Call No: 71(51) CHICopy Management: Copy 1; Copy 2Author: Semsel, George Stephen Place: New YorkPublisher: PraegerPubDate: 1987PhysDes: xvii, 191 p. : ill. ; 25 cmSubject: CITY OF SADNESS, A [ Notes: Includes index; Bibliography: p. 185-186ISBN: 0275926443 (alk. paper) : $34.85 (est.)LON: 5245059
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Interim
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Chinese films in focus : 25 new takes / Chris Berry ed. London: British Film Institute, 2003.
Call No: 71(51) CHIAuthor: Berry, Chris CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2003PhysDes: viii, 216 p.. ill.. 24 cm.Subject: CITY OF SADNESS, A [ ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; TOU-PEN NU-HAI (HK, Ann Hui, 1982) ; BOAT PEOPLE (HK, Ann Hui, 1982) ; BULLET IN THE HEAD, A (CN, Attila Bertalan, 1990) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; ERMO (HK/CC, Zhou Xiaowen, 1994) ; WAN ZHONG (CC, Wu Ziniu, 1989) ; FLOATING LIFE (AT, Clara Law, 1996) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999) ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969) ; AIQING WANSUI (TZ, Tsai Ming-Liang, 1994) ; HSI YEN (TZ, Ang Lee, 1993) ; HUANG TUDI (CC, Chen Kaige, 1985) ; YI YI (JA/TZ, Edward Yang, 2000) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) Summary: "As Chinese films have stormed the international cinema, they have stimulated a wide range of vigorous debate and insightful scholarship. 'Chinese Films in Focus: 25 New Takes' consists of 25 fresh and original readings of individual Chinese films. Mainland China, Taiwan, Hong Kong, and other parts of the diaspora are all included and historical coverage ranges from the 1930s to the present." [Taken from the back cover]Notes: Includes bibliographical references and indexISBN: 0851709869. v. pbk.ID2: 150
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Chinese films in focus II / editged by Chris Berry Basingstoke [England] ; New York: British Film Institute/Palgrave Macmillan, 2008.
Call No: 71(51) CHIAuthor: Berry, Chris Edition: Second EditionSource: UKPlace: Basingstoke [England] ; New YorkPublisher: British Film Institute/Palgrave MacmillanPubDate: 2008PhysDes: 287 pages : illustrations ; 24 cmSubject: CITY OF SADNESS, A [ ; TAIWAN ; CULTURE AND THE CINEMA. CHINA ; [FIFTEEN] 15 (SI, Royston Tan, 2003) ; BIG SHOT'S FUNERAL (HK/CC, Feng Xiaogang, 2002) ; DA WAN (HK/CC, Feng Xiaogang, 2002) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; MANG JING (CC/G/HK, Yang Li, 2003) ; BLIND SHAFT [MANG JING] (CC/GG/HK, Li Yang, 2003) ; BOAT PEOPLE (HK, Ann Hui, 1982) ; TOU-PEN NU-HAI (HK, Ann Hui, 1982) ; CENTER STAGE (HK, Stanley Kwan, 1991) ; RUAN LINGYU (HK, Stanley Kwan, 1991) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; ERMO (HK/CC, Zhou Xiaowen, 1994) ; FAREWELL MY CONCUBINE (HK, Chen Kaige, 1993) ; GODDESS, THE (C, Yonggang Wu, 1934) ; HERO (HK/C, Yimou Zhang, 2002) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YELLOW EARTH (CC, Chen Kaige, 1985) ; WAN ZHONG (CC, Wu Ziniu, 1989) ; FLOATING LIFE (AT, Clara Law, 1996) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999) ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969) ; AIQING WANSUI (TZ, Tsai Ming-Liang, 1994) ; HSI YEN (TZ, Ang Lee, 1993) ; HUANG TUDI (CC, Chen Kaige, 1985) ; YI YI (JA/TZ, Edward Yang, 2000) Summary: "Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger, Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focu: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present." -- BOOK BLURBNotes: Includes list of illustrations and index -- includes lists of Chinese names and Chinese film titlesISBN: 9781844572373Contents: Notes on contributors -- Introduction: one film at a time - again / Chris Berry -- 15: The Singapore failure story, 'slanged up' / Song Hwee Lim -- Big Shot's Funeral: Performing a post-modern cinema of attractions / Yingjin Zhang -- Black Cannon Incident: Countering the counter-espionage fantasy / Jason McGrath -- Blind Shaft: Performing the 'underground' on and beyond the screen / Jonathan Noble -- Boat People: Second thoughts on text and context / Julian Springer -- Centre Stage: A shadow in reverse / Berenice Reynaud -- A Chinese Ghost Story: Ghostly counsel and innocent man / John Zou -- Chungking Express: Time and its displacements / Janice Tong -- Crouching Tiger, Hidden Dragon: Cultural migrancy and translatability / Felicia Chan -- Crows and Sparrows: Allegory on a historical threshold / Yiman Wang -- Durian Durian: Defamiliarisation of the 'real' / Esther M. K. Cheung -- Ermo: (Tele)visualising urban/rural transformation / Ping Fu -- Farewell My Concubine: National myth and city memories / Yomi Braester -- Flowers of Shanghai: Visualising ellipses and (colonial) absence / Gary G. Xu -- Formula 17: Mainstream in the margins / Brian Hu -- The Goddess: Fallen woman of Shanghai / Kristine Harris -- Hero: The return of a traditional masculine ideal in China / Kam Louie -- In the Mood for Love: Intersections of Hong Kong modernity / Audrey Yue -- Kekexili: Mountain Patrol: Moral dilemma and a man with a camera / Shuqin Cui -- The Love Eterne: Almost a (heterosexual) love story / Tan See-Kam and Annette Aw -- Not One Less: The fable of a migration / Rey Chow -- The Personals: Backwards glances, knowing looks and the voyuer film / Margaret Hillenbrand -- PTU: Re-mapping the cosmopolitan crime zone / Vivian Lee -- The Red Detachment of Women: Resenting, regendering, remembering / Robert Chi -- Riding Alone for Thousands of Miles: Redeeming the father by way of Japan? / Faye Hui Xiao -- Spring in a Small Town: Gazing at Ruins / Carolyn FitzGerald -- A Time to Live, A Time to Die: A time to grow / Corrado Neri -- A Touch of Zen: Action in martial arts movies / Mary Farquhar -- Vive L'Amour: Eloquent Emptiness / Fran Martin -- Wedding Banquet: A family (melodrama) affair / Chris Berry -- Woman, Demon, Human: The spectral journey home / Haiyan Lee -- Xiao Wu: Watching time go by / Chris Berry -- Yellow Earth: Hesitant apprenticeship and bitter agency / Helen Hok-sze Leung -- Yi Yi: Reflections on modernity in Taiwan / David Leiwei Li
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CHINESE MIDNIGHT EXPRESS : (HK, Billy Tang, 1998)
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Chinese Movies Find International Audiences in '87 in The Hollywood Reporter (05/01/1988) vol.300 iss.27 p.I1-I4
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Chinese national cinema / Yingjin Zhang New York: Routledge, 2004.
Call No: 71(51) ZHAAuthor: Zhang, Yingjin Source: USPlace: New YorkPublisher: RoutledgePubDate: 2004PhysDes: 328 p. ; ill. ; 24 cmSubject: CITY OF SADNESS, A [ ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. HONG KONG ; HISTORY OF CINEMA ; NATIONAL CULTURE AND THE CINEMA. CHINA Summary: ‘This introduction to Chinese national cinema, by a leading critic, covers three ‘Chinas’: mainland China, Hong Kong and Taiwan. It traces the formation, negotiation and problematization of the national on the Chinese screen over ninety years. Historical and comparative perspectives bring out the parallel developments in the three Chinas, while critical analysis explores thematic and stylistic changes over time…’ (Back cover)ISBN: 041517290Contents: 1. Introduction: National cinema and China -- 2. Cinema and national traditions, 1896-1929 -- 3. Cinema and the nation-people, 1930-49 -- 4. Cinematic reinvention of the national in Taiwan, 1896-1978 -- 5. Cinematic revival of the regional in Hong Kong, 1945-78 -- 6. Cinema and the nation-state in the PRC, 1949-78 -- 7. Cinema and national/regional cultures, 1979-89 -- 8. Cinema and the transnational imaginary, 1990-2002
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CHINESE TAKEAWAY : (AG/SP, Sebastian Borensztein, 2011)
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Chinese workers flex market muscle in Australian Financial Review (19/03/2007) p.63
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Gronow, Nick Subject: CITY OF SADNESS, A [ ; INDUSTRY, VIDEO Summary: Starts of article mentions how Chinese mass production reduced the price of DVD players dropped 73% to $US 27in 2005. But now China’s prosperity will drive manufacturing prices upwards.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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CHINESISCHES ROULETT : (GW/FR, Rainer Werner Fassbinder, 1976)
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CHING SE : (HK, Tsui Hark, 1993)
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CHINH, KIEU
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHINH, KIEU
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CHINOIS, ENCORE UN EFFORT POUR ETRE REVOLUTIONNAIRES : (FR, Rene Vienet, 1977)
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CHINPIRA : (JA, Shinji Aoyama, 1997)
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CHION, MICHEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHION, MICHEL
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CHIP N DALE RESCUE RANGERS : (US, Akiva Schaffer, 2022) Digital clippings file available
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CHIPMUNK ADVENTURE, THE : (US, Janice Karman, 1987)
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CHIPS : (US, Dax Shepard, 2017)
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CHiPs OFF THE OLD BLOCK in Daily Telegraph [Hit] (6/04/2017) p.49
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CHISHOLM, SAM
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CHITNIS, LEELA
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CHITTENDEN, KHAN
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CHLOE : (US/CN/FR, Atom Egoyan, 2009)
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CHLUMSKY, ANNA
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CHO, JOHN
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CHOBOCKY, BARBARA
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CHOC, LE : (FR, Robin Davis, 1982)
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CHOCOLAT : (FR, Claire Denis, 1988)
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CHOCOLAT : (US, Lasse Hallstrom, 2000)
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CHOCOLATE CASE, THE : (NE, Benthe Forrer, 2016)
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CHOCOLATE TOUR, THE : (US, Spike Jonze, 1999)
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CHOCOLATE WAR, THE : (US, Keith Gordon, 1988)
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CHOICE, THE : (US, Ross Katz, 2016)
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CHOIGON A-LONG : (HK, Johnny To, 1999)
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THE CHOIR OF HARD KNOCKS [TV] : (AT, 2007)
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CHOIR, THE : (AT, Michael Davie, 2007)
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journal article
The Choirboys : a song of praise in Films Illustrated (July 1978) vol.7 iss.83 p.432-433
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CHOIRBOYS, THE : (US, Robert Aldrich, 1977)
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journal article
Le choix des armes in Unifrance Film (1981) vol.4 p.7-8
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CHOIX DES ARMES, LE : (FR, Alain Corneau, 1981)
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CHOJIKU KIDAN SOUTHERN CROSS : (JA, 1984)
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CHOJIKU YOSAI MACROSS : (JA, Noboru Ishiguro, 1982)
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Chojiku Yosai Macross [TV] : (JA, 1984)
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CHOKE : (US, Clark Gregg, 2008)
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CHOKE CANYON : (US, Chuck Bail, 1986)
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CHOKHER BALI : (II, Rituparno Ghosh, 2003)
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CHOMICZ, ALEX
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title clippings file
CHOMPS : US, Don Chaffey, 1979
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personality microfilm collection
CHOMSKY, NOAM
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHOMSKY, NOAM
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personality clippings file
CHON, JUSTIN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHON, JUSTIN
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personality microfilm collection
CHONG, ROSE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHONG, ROSE
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