personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: KINDERSLEY, KIM
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ABC failing viewers, says former TV chief in Sydney Morning Herald (1/05/2017) p.1
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: Lallo, Michael PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION ; DALTON, KIM Summary: Reporting on the essay former ABC execuitve Kim Dalton wrote for Platform Papers, where he criticises the ABC's actions and funding decisions and he suggests changes to ABC governance to allow for more transparency in decisions made
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ABC has let its audience down in Sydney Morning Herald [General News] (1/05/2017) p.19
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ACCIDENTAL STUDIO, AN : (UK, Bill Jones/Kim Leggatt /Ben Timlett, 2019)
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AGADA : (KO, Kim Hyon-Myong, 1985)
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AGE OF SHADOWS, THE : (KO, Kim Jee-woon, 2016)
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AI KAEN SEUPIKEU [I CAN SPEAK] : (KO, Kim Hyun Je-hoon, 2017)
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ANGEL OF MINE : (AT/US, Kim Farrant, 2019)
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[Angel of mine : poster] AT: 2019.
Call No: P ANGPlace: ATPubDate: 2019PhysDes: 1 poster : colour illustrations ; 101 x 71 cmSubject: ANGEL OF MINE (AT/US, Kim Farrant, 2019) Summary: Text above title: Two mothers. One truth.
Facial shots of Lizzie (Noomi Rapace) and Claire (Yvonne Strahovski) fill most of the poster, with a little girl standing on the lower-right of the poster.Notes: Four copies.
Worn edges.
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BAD GUY : (K, Kim Ki-duk, 2001)
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BANCHIK WANG : (KO, Kim Ji-wun, 2000)
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personality microfilm collection
BASINGER, KIM
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BASINGER, KIM
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BEAMISH, KIM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BEAMISH, KIM
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BEOL-SAE [HOUSE OF HUMMINGBIRD] : (KO, Bora Kim, 2018)
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BEONJIJEOMPEUREUL HADA : (KO, Dai-Seund Kim, 2001)
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BET ON MY DISCO : (KR, Kim Dong-Won, 2002)
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BIN JIP [THREE IRON] : (KO/JA, Kim Ki-duk, 2004)
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BOM YEORUM GAEUL GYEOUL GEURIGO... BOM : (KO/GG, Kim Ki-Duk, 2003)
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BOMB HARVEST : (AT/LS, Kim Mordaunt, 2007)
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Boom-boom! / Rob Johnson & David Smiedt Rydalmere, N.S.W.: Hodder Headline Australia, 1999.
Call No: 732(94) JOHAuthor: Johnson, Rob, 1969 ; Smiedt, David Place: Rydalmere, N.S.W.Publisher: Hodder Headline AustraliaPubDate: 1999PhysDes: viii, 376 p. : ill., ports. ; 24 cmSubject: COMEDIES. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; COMEDIENNES. AUSTRALIA ; ADAMS, PHILLIP ; GLEISNER, TOM ; MCDERMOTT, PAUL ; O'DONOGHUE, RORY ; BAILEY, BERT ; BOND, GRAHAME ; BOURNE, SHANE ; BROWN, NOELINE ; CILAURO, SANTO ; CHATER, GORDON ; CREYTON, BARRY ; DENTON, ANDREW ; FAHEY, MARYANNE ; FERGUSON, TIM ; GILLIES, MAX ; GRILLS, LUCKY ; GYNGELL, KIM ; HALL, KEN G. ; HARMER, WENDY ; HOGAN, PAUL ; HUMPHRIES, BARRY ; KENNEDY, GRAHAM ; LAMOND, TONI ; MCDONALD, GARRY ; QUANTOCK, ROD ; RAYE, CAROL ; REILLY, GARY ; SITCH, ROB ; SORRENTI, VINCE ; SZUBANSKI, MAGDA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BIG GIG, THE [TV] (AT, Ted Robinson, 1989) ; FRONTLINE [TV] (AT, 1994- ) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-) ; AUNTY JACK SHOW, THE [TV] (AU, 1972-73) ; COMEDY COMPANY, THE [TV] (AT, 1988-1990) ; D-GENERATION [TV] (AT, 1986-?) ; FAST FORWARD [TV] (AT, 1988-1989?) Notes: Includes index; "An Allison Pressley book."ISBN: 0733609384 : $24.95LON: 14529909
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[Boulevarde of broken dreams : stills file] / Greg Noakes
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CARPENTER, KIM
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARPENTER, KIM
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personality clippings file
CATTRALL, KIM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CATTRALL, KIM
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CHANG GWOL : (KO, KIM SUNG-HOON, 2018)
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CHEONG-NYEON-GYEONG-CHAL : (KO, Joo-hwan Kim, 2017)
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Children's novels and the movies / edited by Douglas Street New York: F. Ungar Pub. Co., 1983.
Call No: 753.131-053.2 CHIAuthor: Street, Douglas Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: 1983PhysDes: xxiv, 304 p., [16] p. of plates : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; CHILDREN AND THE CINEMA ; ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951) ; ALICE'S ADVENTURES IN WONDERLAND (UK, William Sterling, 1972) ; CHARLOTTE' S WEB (US, Charles A. Nichols & Iwao Takamoto, 1973) ; CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968) ; FROM THE MIXED UP FILES OF MRS. BASIL E. FRANKENWEILER (US, Fielder Cook, 1973) ; HERO AIN'T NOTHING BUT A SANDWICH, A (US, Ralph Nelson, 1977) ; HOBBIT, THE (US, Jules Bass & Arthur Rankin Jr., 1977) ; ISLAND OF THE BLUE DOLPHINS (US, James B. Clark, 1964) ; KIDNAPPED (UK, Delbert Mann, 1971) ; KIM (US, Victor Saville, 1950) ; LION, THE WITCH AND THE WARDROBE, THE (UK/US, Bill Melendez, 1979) ; LITTLE LORD FAUNTLEROY (UK, Jack Gold, 1981) ; LITTLE LORD FAUNTLEROY (US, John Cromwell, 1936) ; LITTLE PRINCE, THE (UK/US, Stanley Donen, 1974) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; PINOCCHIO (US, Ben Sharpsteen & Hamilton Luske, 1940) ; PIPPI LANGSTRUMP (GG, Olle Hellbom, 1969) ; PIPPI LONGSTOCKING (GG, Olle Hellbom, 1969) ; RAILWAY CHILDREN, THE (UK, Lionel Jeffries, 1970) ; SECRET GARDEN, THE (BL, Fred M. Wilcox, 1949) ; SOUNDER (US, Martin Ritt, 1972) ; TOBY TYLER, OR TEN WEEKS WITH A CIRCUS (US, Charles Barton, 1960) ; TOM BROWN'S SCHOOLDAYS (UK, Gordon Parry, 1951) ; TREASURE ISLAND (US, Victor Fleming, 1934) ; TREASURE ISLAND (US, Byron Haskin, 1950) ; TREASURE ISLAND (US, Andrea Bianchi & Jon Hough, 1972) ; WATERSHIP DOWN (UK, Martin Rosen, 1978) ; WILLY WONKA AND THE CHOCOLATE FACTORY (US, Mel Stuart, 1971) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "For the young and the young in heart, film versions of old favourites renew the magic of first acquaintance with these wonderful stories. Several landmark films are covered here in lively examinations of the art of successful cinematic adaptation, covering children's literature from the Victorian age to the present - from Tom Brown's Schooldays to A Hero Ain't Nothing but a Sandwich [...] This is the first book to devote itself exclusively to film adaptations of children's classics. All the writers are equally at home in children's fiction and film studies. Their essays, with one exception, were especially prepared for this volume. All together, a rewarding look at old and new favourites in literature and the movies, and at the elements that have made them lastingly successful." -- BOOK BLURBNotes: Includes index; Filmography: p. 253-273; Bibliography: p. 280-290ISBN: 0804428409 : $14.95; 0804468834 (pbk.) : $6.95LON: 83014816; 2808775
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CHOOSING CHILDREN : (US, Debra Chasnoff & Kim Klausner, 1984)
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A companion to Australian cinema / Edited by Felicity Collins, Jane Landman, and Susan Bye Hoboken, New Jersey: Wiley-Blackwell, 2019. Available at ProQuest (RMIT login required)
Call No: 71(94) COMAuthor: Collins, Felicity ; Columpar, Corinn ; Rutherford, Anne ; Ford, Felicity ; Kelada, Odette ; Clark, Maddee ; Verevis, Constantine ; Goldsmith, Ben ; French, Lisa ; David Marshall, P. ; Bennett, James ; Grace, Helen ; Khoo, Olivia ; Yue, Audrey ; Bye, Susan ; Sandars, Diana ; Stadler, Jane ; Gaunson, Stephen ; Trevisanut, Amanda Malel ; Turnbull, Sue ; McCutcheon, Marion ; Goritsas, Helen ; Tiwary, Ana ; Lambert, Anthony ; Gibson, Ross ; Cunningham, Stuart ; Swift, Adam ; Williams, Deane ; Smaill, Belinda ; Neumark, Norie Source: US/UKPlace: Hoboken, New JerseyPublisher: Wiley-BlackwellPubDate: 2019PhysDes: xxii, 581 pages ; 26 cmSeries: Wiley Blackwell companions to national cinemaSubject: AUSTRALIA ; FILM ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; INDIGENOUS ; ABORIGINAL AUSTRALIAN CINEMA ; TRANSNATIONAL CINEMA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; TELEVISION AND THE CINEMA ; TELEVISION AND THE CINEMA. AUSTRALIA ; AUTEUR THEORY ; GENRES ; THEORY ; CAMPION, JANE ; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) ; SPEAR (AT, Stephen Page, 2015) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; MAD MAX II (AT, George Miller, 1981) ; LEGO MOVIE, THE (US/AT/DK, Phil Lord and Christopher Miller, 2014) ; ROCKET, THE (AT/TH/LS, Kim Mordaunt, 2013) ; SERANGOON ROAD [TV] (AT/SI, 2013 -) ; KETTERING INCIDENT, THE [TV](AT, 2015-) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) Summary: The essays assembled here address six thematically organized propositions - that Australian cinema an Indigenous screen culture, an international cinema, a minor transnational imaginary, an auteur-genre-landscape cinema, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and naturecam documentaries. New research on trends such as the Blak Wave, the convergence of television and film, digital transformations of screen production and the shifting roles of women, on and off-screen, highlight how established precedents have been transformed by new realities beyond both cinema and national borders. --
Written in an accessible style that does not require knowledge of cinema studies or Australian studies. --
Presents original research on Australian actors such as Cate Blanchett and Chris Hemsworth, evaluating their training, branding and path from Australia to Hollywood. --
Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity. --
Introduces readers to founding texts in Australian screen studies. --
Felicity Collins is Reader/ Associate Professor in Screen Studies, La Trobe University, Melbourne, Australia --
Jane Landman was Senior Lecturer, Victoria University, Melbourne, Australia --
Susan Bye is Education Programmer, Australian Centre for the Moving Image, Melbourne, Australia. --Book JacketNotes: Includes bibliographical references and index -- signed by Felicity CollinsISBN: 9781118942529Contents: You Are Here: Living Maps of Deep Time, Clock Time / Felicity Collins -- Charlie's Country, Gulpilil's Body / Corinn Columpar -- Ivan Sen's Cinematic Imaginary: Restraint, Complexity, and a Politics of Place / Anne Rutherford
-- Shadowing and Disruptive Temporality in Bangarra Dance Theatre's Spear / Felicity Ford -- Beyond the Wonderland of Whiteness: The Blak Wave of Indigenous Women Shaping Race on Screen / Maddee Clark / Odette Kelada -- Another Green World: The Mad Max Series / Constantine Verevis -- Is Everything Awesome?: The LEGO Movie and the Australian Film Industry / Ben Goldsmith -- Jane Campion: Girlshine and the International Auteur / Lisa French -- Constructing Persona: Mediatisation, Performativity, Quality, and Branding in Australian Film Actors's; Migration to Hollywood / P. David Marshall -- Interpreting Anzac and Gallipoli through a Century of Anglophone Screen Representations / James Bennett -- Unsettling the Suburban: Space, Sentiment, and Migration in National Cinematic Imaginaries / Helen Grace -- The Rocket: Small, Foreign-Language Cinema / Olivia Khoo -- Serangoon Road: The Convergent Culture of Minor Transnationalism / Audrey Yue -- An Independent Spirit: Robert Connolly as Auteur-Producer / Susan Bye -- Disruptive Daughters: The Heroine's Journey in Four Films / Diana Sandars -- Atopian Landscapes: Gothic Tropes in Australian Cinema / Jane Stadler -- Spirits Do Come Back: Bunyips and the European Gothic in The Babadook / Stephen Gaunson -- Between Public and Private: How Screen Australia, the ABC and SBS have shaped Film and Television Convergence / Amanda Malel Trevisanut -- Quality vs Value: The Case of The Kettering Incident / Marion McCutcheon / & Sue Turnbull -- The Evolution of Matchbox Pictures: A New Business Model / Helen Goritsas & Ana Tiwary -- Schapellevision: Screen Aesthetics and Asian Drug Stories / Anthony Lambert -- CHURN: Cinema Made Sometime Last Night / Ross Gibson -- Over the Horizon: YouTube Culture Meets Australian Screen Culture / Adam Swift & Stuart Cunningham -- Digital Transmedia Forms and Transnational Documentary Networks / Deane Williams -- Ecological Relations: FalconCam in Conversation with The Back of Beyond / Belinda Smaill -- Where Am I?: The Terror of Terra Nullius / Norie Neumark
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A companion to contemporary documentary film / edited by Alexandra Juhasz and Alisa Lebow Malden, MA: John Wiley and Sons, 2015.
Call No: 761 COMSource: USPlace: Malden, MAPublisher: John Wiley and SonsPubDate: 2015PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS ; ENVIRONMENTAL ISSUES IN FILMS ; SEA IN FILMS ; IMMIGRATION IN FILMS AND TELEVISION ; WORKERS IN FILMS ; YUGOSLAVIA ; SEX IN FILMS ; WOMEN MAKE MOVIES [organisation] ; DISEASES IN FILMS ; SCIENCE AND THE CINEMA ; SCIENCE IN FILMS ; AIDS ON TV. SOUTH AFRICA ; RELIGION AND THE CINEMA ; WAR FILMS ; BAL, MIEKE ; ZILNIK, ZELIMIR ; TRAN VAN THUY ; FAROCKI, HARUN ; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006) ; CRUDE (US, Joe Berlinger, 2009) ; H [TWO] 2 OIL (CN, Shannon Walsh, 2009) ; PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006) ; INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010) ; OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003) ; OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007) ; OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009) ; INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006) ; SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010) ; CONTAINED MOBILITY (SZ, Ursula Biemann, 2004) ; SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009) ; GHOSTS (UK, Nick Broomfield, 2006) ; LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007) ; TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008) ; WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996) ; H [TWO] 2 WORKER (US, Stephanie Black, 1990) ; LIFE AND DEBT (US, Stephanie Black, 2001) ; MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006) ; DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004) ; WHY CYBRACEROS? (US,Alex Rivera, 1997) ; WHY BRACEROS? (US, 1959) ; VALLEY CENTRO, EL (US, James Benning, 1999) ; LOS (US, James Benning, 2001) ; DOUBLE TIDE (US/AU, Sharon Lockhart, 2009) ; GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000) ; GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002) ; WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005) ; OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009) ; LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000) ; TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002) ; SCARLET ROAD (AT, Catherine Scott, 2011) ; PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991) ; DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002) ; AFRICA RISING (US, Paula Heredia, 2009) ; SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; WILDNESS (US, Wu Tsang, 2012) ; INNER LIFE OF THE CELL (US, XVIVO, 2006) ; BEAT IT! [TV] (SA, 2001) ; MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011) ; GEVALD (IS, Netalie Braun, 2009) ; BLACK BUS (IS, Anat Zuria, 2010) ; REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009) ; STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987) ; NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969) ; IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988) ; SERIOUS GAMES [series] (GG, Harun Farocki, 2009) ; I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002) ; MIRACULOUS BEGINNINGS (LE, Walid Raad) ; SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995) ; DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010) ; [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010) ; ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009) ; DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011) ; SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994) ; OPERATION ATROPOS (CL, Coco Fusco, 2005) ; ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006) ; TAXI TO THE DARK SIDE (US, Alex Gibney, 2007) ; BRIDGE, THE (UK/US, Eric Steel, 2006) Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.ISBN: 9780470671641Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath --
Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.
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COMRADE KIM GOES FLYING : (KN/BE/UK, Nicholas Bonner & Anja Daelemans, 2012)
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COMRADE KIM GOES FLYING : (UK/BE/KN, Nicholas Bonner /Anja Daelemans /Gwang Hun Kim, 2012)
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COWBOY POETS : (US, Kim Shelton, 1988?)
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Creativity, culture, commerce : producing Australian childen's televison with public value / Anna Potter Bristol ; Chicago: Intellect, 2015.
Call No: 722-053.2(94) POTAuthor: Potter, Anna Edition: 2015Place: Bristol ; ChicagoPublisher: IntellectPubDate: 2015PhysDes: xii, 200 pages : illustrations ; 24 cmSubject: CHILDREN, PROGRAMMES FOR. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; ADVENTURES OF FIGARO PHO, THE [TV] (AT, 2012) ; AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION ; BRITISH BROADCASTING CORPORATION ; IRWIN, BINDI ; DANCE ACADEMY [TV] (AT, 2010) ; DISNEY CHANNEL ; GURLS WURLD, A [TV](AT/G/SI, 2011) ; H [TWO OH] 2O [TV] (AT, 2006-) ; HIGH SCHOOL MUSICAL (US, Kenny Ortega, 2007) ; MAKO MERMAIDS [MAKO:ISLAND OF SECRETS] [TV] (AT, 2013- ) ; MY PLACE [TV] (AT, Kim Daiton, 2009) ; SCREEN AUSTRALIA Summary: Since the late 1970s, Australia has nurtured a creative and resilient children’s television production sector with a global reputation for excellence. Providing a systematic analysis of the creative, economic, regulatory and technological factors that shape the production of contemporary Australian children’s television for digital regimes, Creativity, Culture and Commerce charts the complex new settlements in children’s television that developed from 2001 to 2014 and describes the challenges inherent in producing culturally specific screen content for global markets. It also calls for new public debate around the provision of high-quality screen content for children, arguing that the creation of public value must sit at the centre of these discussions. -- publisher's web siteISBN: 9781783204410Contents: Introduction -- Chapter 1: Understanding Children’s Television During the Digital Transition -- Chapter 2: Shaping the Foundations: Establishing an Australian Children’s Television Production Industry -- Chapter 3: A Very Special Audience: Children and Television -- Chapter 4: The National Context: Australian Broadcasters, Children’s Television and Public Value -- Chapter 5: It’s a Small World After All: The Internationalization of Australian Children’s Television -- Chapter 6: Policing the Settlement: Policy and Public Value in Children’s Television -- Chapter 7: Producing Children’s Television for Digital Regimes: Case Studies from the Production Sector -- Chapter 8: New Settlements in Children’s Television: Key Trends and Future Outlook -- References -- Index
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CROSS AND PASSION : (UK/IE, Kim Longinotto and Claire Pollak, 1981)
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DALKOMHAN INSAENG [BITTERSWEET LIFE, A] : (KO, Kim Jee-woon, 2005)
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newspaper article
Dalton directs ABC to Australian yarns in The Australian [Media] (1/05/2017) p.23
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: Bingemann, Mitchell PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION ; DALTON, KIM Summary: Report on the essay written by Kim Dalton (a former executive of the Australian Broadcasting Corporation [ABC]), which is critical of the organisation's current management and direction
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DALTON, KIM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: Stills; ClippingsSubject: DALTON, KIM
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DAY I WILL NEVER FORGET, THE : (UK, Kim Longinotto, 2002)
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The director is the commander / Anna Broinowski [Melbourne, Victoria]: Viking, 2015.
Call No: 79AIM BROAuthor: Broinowski, Anna Source: ATPlace: [Melbourne, Victoria]Publisher: VikingPubDate: 2015PhysDes: 324 pages, 8 unnumbered pages of plates : colour illustrations, colour portraits ; 24 cmSubject: NORTH KOREA ; COMMUNISM AND THE CINEMA ; PROPAGANDA FILMS ; DOCUMENTARIES. AUSTRALIA ; BROINOWSKI, ANNA ; KIM, CHONG IL ; AIM HIGH IN CREATION (AT/KN/KO/JA, Anna Broinowski, 2013) Summary: Looking for respite from her crumbling marriage and determined to stop a coal seam gas mine near her Sydney home, filmmaker Anna Broinowski finds wisdom and inspiration in the strangest of places: North Korea. Guided by the late Dear Leader Kim Jong Il's manifesto The Cinema and Directing, Broinowski, in a world first, travels to Pyongyang to collaborate with North Korea's top directors, composers and movie stars to make a powerful anti-fracking propaganda film. The Director is the Commander centres around the bizarre twenty-one day shoot Broinowski did in North Korea to make her documentary, Aim High in Creation! She meets and befriends artists and apparatchiki, defectors and loyalists, and gains a new insight into the world's most secretive regime. Her adventures are set against a parallel exploration of propaganda in general: both in its ham-fisted North Korean form and its sophisticated but no less pervasive incarnation in the corporate West. Funny, multi-layered and utterly compelling, The Director is the Commander is a gripping account of an extraordinary journey inside a nation we can usually only see from the outside looking in.Notes: "Come on a unique journey inside North Korea's propaganda machine" -- Cover.ISBN: 9780670077830
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DIVORCE IRANIAN STYLE : (UK, Kim Longinotto & Ziba Mir-Hosseini, 1998)
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The documentary : politics, emotion, culture / Belinda Smaill Basingstoke, England: Palgrave Macmillan, 2010.
Call No: 761 SMAAuthor: Smaill, Belinda Source: UKPlace: Basingstoke, EnglandPublisher: Palgrave MacmillanPubDate: 2010PhysDes: vii, 221 p. : ill. ; 23 cmSubject: ASIAN COUNTRIES ; CHILDREN AND THE CINEMA ; CHILDREN IN FILMS ; CULTURE AND THE CINEMA ; DOCUMENTARIES ; DOCUMENTARIES. AUSTRALIA ; EMOTION IN FILMS ; FEMINISM AND THE CINEMA ; IDENTITY IN FILMS ; IDEOLOGY AND THE CINEMA ; IMMIGRATION IN FILMS AND TELEVISION ; PSYCHOLOGY AND THE CINEMA ; REALITY TV ; SEX IN FILMS ; SOCIAL PROBLEMS IN FILMS ; THEORY ; VIEWERS ; WOMEN FILMMAKERS ; LOVELACE, LINDA ; BORN INTO BROTHELS: CALCUTTA'S RED LIGHT KIDS (II/US, Zana Briski, Ross Kauffman, 2004) ; CORPORATION, THE (CN, Jennifer Abbott & Mark Achbar, 2003) ; DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002) ; DIVORCE IRANIAN STYLE (UK, Kim Longinotto & Ziba Mir-Hosseini, 1998) ; ENRON: THE SMARTEST GUYS IN THE ROOM (US, Alex Gibney, 2005) ; FINISHED PEOPLE, THE (AT, Khoa Do, 2003) ; FIX: THE STORY OF AN ADDICTED CITY (CN, Nettie Wild, 2002) ; INSIDE DEEP THROAT (US, Fenton Bailey & Randy Barbato, 2005) ; LETTERS TO ALI (AT, Clara Law, 2004) ; SADNESS: A MONOLOGUE BY WILLIAM YANG (AT, Tony Ayres, 1999) ; SEX: THE ANNABEL CHONG STORY (CN, Gough Lewis, 1999) Summary: "The Documentary: Politics, Emotion, Culture proposes that emotions such as pleasure, hope, pain, empathy or nostalgia play a powerful role in the circulation and reception of documentaries. Emotion shapes how political issues and individuals are represented and perceived in documentary and it is crucial to how we engage with the vicissitudes of the public sphere. In the past documentary has been popularly perceived in ways that align it with education, science, history and the rational realm. This frame has never been adequate for understanding the broad array of styles and themes that can be seen in the documentary genre. Focusing on the question of subjectivity, Smail analyses various different kinds of individuals that can be found in documentaries, such as the female porn star, the politically disenfranchised, children, and the documentary auteur. She envisages an interdisciplinary approach to documentary drawing on scholarship from not only film studies, but also gender studies, queer theory, cultural theories of affect, critical race studies, political theory and pyschoanalysis. " -- BOOK BLURBNotes: Includes bibliographical references (p. 200-209) and indexISBN: 9780230237513 (hbk.)Contents: -- list of illustrations -- acknowledgments -- part one: documentary and pleasure -- 1: introduction: representation and documentary emotion -- 2: pleasure and disgust: desire and the female porn star -- part two: pain and the other -- 3: Injury, identity and recognition: Rize and Fix: the story of an addicted city -- 4: women, pain and the documentaries of Kim Longinotto -- part three: the labour of authorship: caring and mourning -- 5: loss and care: Asian Australian documentary -- 6: civic love and contemporary dissent documentary -- part four: past, present and future: hope and nostalgia -- 7: children, futurity and hope: Born into Brothels -- 8:nostalgia, historical time and reality television: the idol series -- epilogue -- notes -- bibliography -- index --
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DREAM GIRLS : (US, Kim Longinotto and Jano Williams, 1994)
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Ex-ABC chief Dalton queries broadcaster's purpose in The Age (1/05/2017) p.2
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: Lallo, Michael PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION ; DALTON, KIM Summary: Report on the essay written by Kim Dalton for Platform Papers in which he critiques the management and direction of the Australian Broadcasting Corporation
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Experimental : New Cinema Catalogues in Lumiere (September 1972) iss.16 p.36
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personality clippings file
FARRANT, KIM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: FARRANT, KIM
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The female gaze in documentary film : an international perspective / Lisa French Cham, Switzerland: Palgrave Macmillan,
Call No: 761-02 FREAuthor: French, Lisa Edition: 2021Place: Cham, SwitzerlandPublisher: Palgrave MacmillanPhysDes: 276 pages : illustrated ; 22 cmSubject: WOMEN FILMMAKERS ; DOCUMENTARIES ; FEMINISM AND THE CINEMA ; HONKASALO, PIRJO ; LONGINOTTO, KIM ; JAIN, NISHTHA ; MANDY, MARIE ; KATES, NANCY ; ARMSTRONG, GILLIAN Summary: The Female Gaze in Documentary Film – an International Perspective makes a timely contribution to the significant rise in interest in recent times in the status, presence, achievements and issues for women in contemporary screen industries. It examines the works, contributions and participation of female documentary directors globally. The central preoccupation of the book is to consider what might constitute a ‘female gaze’, an inquiry that has had a long history in filmmaking, film theory and women’s art. It fills a gap in the literature which to date has not substantially examined the work of female documentary directors. Moreover, research on sex, gender and the gaze has been relatively infrequently the subject of scholarship on documentary film, particularly in comparison to narrative film or television drama. A distinctive feature of the book is that it is based on interviews with significant female documentarians from Europe, Asia and North America. -- publisher's web siteISBN: 9783030680930Contents: Front Matter – Introduction.
PART ONE -- Women’s Documentary Practice, Theory and Histories -- Women and Documentary -- The ‘Female Gaze’ -- Aesthetics and the Influence of Gender -- Feminisms, Feminist Theory and Documentary Practice.
PART TWO -- Case Studies: Female Documentary Directors in Focus -- Documentary as Artform: Pirjo Honkasalo’s Cinematic Poetics -- Transnational Feminism in the Cinema of Kim Longinotto -- Nishtha Jain: An Auto-ethnographic and a Postcolonial Feminist Gaze -- Marie Mandy: Female Subjectivity and Aesthetics -- A View from the Margins: The Films of Nancy D Kates -- Gillian Armstrong: The Line Between Fact and Fiction.
Conclusion: Rendering Female Reality.
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FOR THE MOMENT : (CN, Kim Johnston, 1994)
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journal article
'Frances' in final stages of filming in Australasian Cinema (16/4/1982) vol.11 iss.6 p.2
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journal article
From dunny rave to Kath & Kim in Lumina (Summer 2010) iss.2 p.201-212
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FULL CIRCLE : (AT, Kim McKenzie?, 1987)
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GAEA GIRLS : (UK, Kim Longinotto, 2000)
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GAJOKEUI TANSAENG : (K, Tae-Young Kim, 2006)
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GAJOKEVI TANSAENG : (KO, TAE-YONG KIM, 2006)
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GAM-SI-JA-DEUL [COLD EYES] : (KO, Ui-seok Jo & Byung-seo Kim, 2013) Digital clippings file available
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GEO-JIN-MAL : (KO, Kim Dong-Myung, 2014)
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GREAT BATTLE, THE : (KO, Kwang-shik Kim, 2018)
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still
[Grievous bodily harm : stills file] / Robert McFarlane
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 21 photographs : b&w ; 13 x 18 cm.-20 x 25 cmSubject: WATERS, JOHN (AT) ; FRIELS, COLIN ; GYNGELL, KIM ; LAWRENCE, BRUNO ; FLAUS, JOHN ; MARKWELL, TERRY ; BELL, JOY ; JOFFE, MARK ; GRIEVOUS BODILY HARM (AT, Mark Joffe, 1988) Summary: Twenty-one black and white photographs from the film Grievous bodily harmNotes: Contains one duplicate and one image donated by Brian McFarlane
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book
The Guardian international film guide 2005 : the definitive annual review of world cinema / edited by Daniel Rosenthal; founding editor Peter Cowie London: Button, 2005.
Call No: REFERENCE SECTION; 058 INT "2005"Edition: 42nd ed.Place: LondonPublisher: ButtonPubDate: 2005PhysDes: 432 p. : col. ill. ; 24 cm.Subject: PERIODICALS, FILM ; INDUSTRY, FILM ; DOCUMENTARIES ; KI-DUK, KIM ; LEIGH, MIKE ; MORRIS, ERROL ; PAYNE, ALEXANDER ; ZELENKA, PETR Summary: Includes articles on directors of the year, features on documentary cinema, a round-up of DVDs and books, a survey of film production in each country, and directories of festivals and organisations around the world.Notes: Other title: International film guide 2005ISBN: 0954876601
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GYNGELL, KIM
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Stills; ClippingsSubject: GYNGELL, KIM
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newspaper article
High hopes in Sydney Morning Herald [Arts & Entertainment] (22/01/2015) p.22
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newspaper article
High hopes for Sundance debuts in The Age [Arts & Entertainment] (22/01/2015) p.22
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HIGHLY EXALTED, THE : [TV] (US, Kim Shelton, 1985)
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The Hollywood cage / Charles Hamblett New York: Hart Publishing Company, 1969.
Call No: 46(794) HAMAuthor: Hamblett, Charles Source: USPlace: New YorkPublisher: Hart Publishing CompanyPubDate: 1969PhysDes: 435 p. : ill., ports ; 24 cmSeries: Includes indexSubject: Metro-Goldwyn-Mayer ; TYPE CHARACTERS IN FILMS ; TWENTIETH CENTURY-FOX ; WARNER BROS. ; ANDERSON, ERNIE ; ARMSTRONG, LOUIS ; BACALL, LAUREN ; BARRYMORE, JOHN ; BOGART, HUMPHREY ; BRANDO, MARLON ; BURTON, RICHARD ; CLIFT, MONTGOMERY ; DAVIS, SAMMY, Jr. ; DEAN, JAMES ; FLYNN, ERROL ; GABLE, CLARK ; HATHAWAY, HENRY ; HUSTON, JOHN ; LOREN, SOPHIA ; MONROE, MARILYN ; MILLER, ARTHUR ; NOVAK, KIM ; PECK, GREGORY ; PONTI, CARLO ; SENNETT, MACK ; SINATRA, FRANK ; TAYLOR, ELIZABETH ; THALBERG, IRVING ; WARNER, JACK L. ; WAYNE, JOHN ; WOOD, NATALIE ; WOODWARD, JOANNE Donation: donated by the family of Wayne Levy, 2006
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Hollywood color portraits / by John Kobal, Introduction by Carlos Clarens New York: Quill, c1981.
Call No: 802.27(084.2) KOBAuthor: Kobal, John Edition: 1st Quill ed.Source: USPlace: New YorkPublisher: QuillPubDate: c1981PhysDes: 159 p. : col. ill. ; 30cmSubject: ACTORS ; PHOTOGRAPHY ; PHOTOGRAPHY AND THE CINEMA ; FIELDS, W.C. ; WEST, MAE ; COLBERT, CLAUDETTE ; DIETRICH, MARLENE ; LAMOUR, DOROTHY ; SWANSON, GLORIA ; SOTHERN, ANN ; MACDONALD, JEANETTE ; Stewart, James ; YOUNG, LORETTA ; COOPER, GARY ; LEIGH, VIVIEN ; TURNER, LANA ; GARLAND, JUDY ; ROONEY, MICKEY ; MONTEZ, MARIA ; DE HAVILLAND, OLIVIA ; FONTAINE, JOAN ; FAIRBANKS, DOUGLAS ; DAVIS, BETTE ; BOGART, HUMPHREY ; LAMARR, HEDY ; SHERIDAN, ANN ; TIERNEY, GENE ; LAKE, VERONICA ; LADD, ALAN ; CAGNEY, JAMES ; BERGMAN, INGRID ; GODDARD, PAULETEE ; WAYNE, JOHN ; GRABLE, BETTY ; COOPER, GARY ; TAYLOR, ROBERT ; POWER, TYRONE ; HUTTON, BETTY ; ASTAIRE, FRED ; DARNELL, LINDA ; SINATRA, FRANK ; ROGERS, ROY ; TRIGGER (Horse) ; PAL (Canine actor) ; BACALL, LAUREN ; LANCASTER, BURT ; SCOTT, LIZABETH ; DOUGLAS, KIRK ; MIRANDA, CARMEN ; JONES, JENNIFER ; FORD, GLENN ; BALL, LUCILLE ; OBERON, MERLE ; PECK, GREGORY ; DIETRICH, MARLENE ; GRAHAME, GLORIA ; GRANT, CARY ; HAYWORTH, RITA ; VALLI, ALIDA ; JOURDAN, LOUIS ; TAYLOR, ELIZABETH ; ROBERT, RYAN ; MITCHUM, ROBERT ; CHARISSE, CYD ; BARKER, LEX ; RUSSELL, JANE ; GARBO, GRETA ; CLIFT, MONTGOMERY ; GARDNER, AVA ; TURNER, LANA ; MONROE, MARILYN ; CRAWFORD, JOAN ; DEAN, JAMES ; NOVAK, KIM ; MANSFIELD, JAYNE ; PRESLEY, ELVIS ; BRANDO, MARLON Summary: "John Kobal, the world's foremost film archivist, has amassed an unrivaled photographic treasure of Hollywood glamour portraits. As an author and noted film historian, he has also been a major force behind the tremendous revival of interest in the work of the great studio photographers such as George Hurrell, Ted Allan, Lazlo Willinger, and Clarence Sinclair Bull.
The selection of photographs in this book extends from the mid-1930s to the 1950s, the period in which color photography became established in Hollywood, and contains 74 spectacular images of the major stars." -- BOOK JACKETNotes: Includes bibliographical references (p. 17); Book contains pictures of various Hollywood actorsISBN: 0688007538
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Hong Kong action cinema / Bey Logan London: Titan Books, 1995.
Call No: 736.35(512.317) LOGAuthor: Logan, Bey Place: LondonPublisher: Titan BooksPubDate: 1995PhysDes: 191 p. ; ill. (some col.) ; 28cmSubject: ACTION FILMS. HONG KONG ; WOMEN IN FILMS. HONG KONG ; CHAN, JACKIE ; WOO, JOHN [pseud. of Wu Yusen] ; CHOW, YUN-FAT ; LEE, BRUCE ; LAU KAR LEUNG ; HUNG, SAMO ; CHENG PEI PEI ; ROTHROCK, CYNTHIA ; PENN, KIM MAREE ; CRAWFORD, SOPHIA ; ACES GO PLACES (HK, Tsang Chi Wai, 1982) ; ARMOUR OF GOD, THE [ ; JINGCHA GUSHI (HK, Jackie Chan [pseud. of Cheng Long], 1985) ; [BIG BOSS, THE] (HK, Lo Wei, 1971) ; [FIST OF FURY] (HK, Lo Wei, 1972) ; LASHOU SHENTAN (HK, John Woo [pseud. of Wu Yusen], 1992) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; [CITY ON FIRE] (HK, Ringo (Ling-Tung) Lam, 1987) ; [DRUNKEN MASTER, THE] (HK, Yuen Woo-Ping, 1978) ; [EASTERN CONDORS] (HK, Samo Hung, 1987) ; [PEDICAB DRIVER] (HK, Samo Hung, 1990) ; ENTER THE DRAGON (US/HK, Robert Clouse, 1973) ; WAY OF THE DRAGON, THE (HK, Bruce Lee, 1973) ; YINGXIONG BENSE (HK, John Woo [pseud. of Wu Yusen], 1986) ; [BULLET IN THE HEAD] (HK, John Woo [pseud. of Wu Yusen], 1990) ; DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989) Notes: Includes index; Bibliography: p. 188ISBN: 1852865407 (pbk)LON: 11245180
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HOUSEMAID, THE : (K, Kim Ki-young, 1960)
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HUMMINGBIRD PROJECT, THE : (BE/CN, Kim Nguyen, 2018)
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HWASAM GO : (KO, Kim Tae-Gyun, 2001)
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JAMMIN' IN THE MIDDLE E : (AT, Kim Mordaunt, 2005)
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JANGHWA HONGRYEON : (KO, Ji-Wun Kim, 2003)
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JOHEUNNOM NABBEUNNON ISANGHANNOM : (KO, Ji-woon Kim, 2008)
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JOHNSON, KIM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: JOHNSON, KIM
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JUST PUNISHMENT : AT, Kim Beamish, 2006)
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KARDASHIAN, KIM Digital clippings file available
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KATE & KIM: THE AMERICAN SERIES [TV] : (US/AT, 2008)
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KATH AND KIM [TV] : (AT, 2002-)
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KI-YOUNG, KIM
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: KI-YOUNG, KIM
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KILBEY, KIM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: KILBEY, KIM
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KIM : (US, Victor Saville, 1950)
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KIM AND HARLEY AND THE KIDS : (AT, Katrina Sawyer, 2002)
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journal article
Kim Basinger co-stars in Bond film in Australasian Cinema (29/10/1982) vol.11 iss.19 p.11
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KIM-GIBSON, DAI SIL
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KIM, HEE-SEON
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: KIM, HEE-SEON
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KIM KI-DUK
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: KIM KI-DUK
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KIM PHUC : (NE, Manus Van De Kamp, 1983)
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KIM'S WAR : (K, Kim Young-bin, 1992)
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KIM USHU NO NAKA : (JA, Yoichi Sai, 2002)
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KREJUS, KIM
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: KREJUS, KIM
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KYURUN IYAGI : (KO, Kim Ui-Seok 1992)
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Interim
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L.A. Confidential / Manohla Dargis London: British Film Institute,
Call No: 79LAC DARAuthor: Dargis, Manohla CorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: British Film InstitutePhysDes: 95 p. : ill. ; 19 cmSeries: BFI Modern ClassicsSubject: L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; HANSON, CURTIS ; HOLLYWOOD IN FILMS ; PEARCE, GUY ; CROWE, RUSSELL ; SPACEY, KEVIN ; BASINGER, KIM ; DEVITO, DANNY ; DIRECTORS. USA Summary: Explores the careers of Curtis Hanson, director, and James Ellroy, novelist, drawing on interviews with both men, to dig deep into the film's obssession with the twinned, equally troubled histories of the Hollywood studio system and the city of Los Angeles.Notes: Notes: p.85-87
Credits: p.88-93
Bibliography: p.94-95ISBN: 0851709443
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LAST STAND, THE : (US, Kim Jee-woon, 2013)
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journal article
Letters to cinema in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.5
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LEWIS, KIM
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: LEWIS, KIM
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LEWIS, KIM (actress)
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newspaper article
Losing touch? in Weekend Australian [Review] (10/06/2017) p.1
Call No: SUBJECT CLIPPINGS FILE; DRAMAS. AUSTRALIAAuthor: Neill, Rosemary PhysDes: Clippings File ArticleSubject: DRAMAS. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; DALTON, KIM Summary: Piece on Australian tv drama production and questioning the amount of production that has been undertaken by the Australian Broadcasting Corporation. Mentions former ABC executive Kim Dalton and his essay 'Missing in action: the ABC and Australian Screen Culture'. Quotes from Penny Chapman, Screen Producers Australia, Freeview and the Australian Childrens Television Foundation
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Martial arts : virgin film / P.T.J. Rance London: Virgin Books, 2005.
Call No: 736.35 RANAuthor: Rance, P.T.J Source: UKPlace: LondonPublisher: Virgin BooksPubDate: 2005PhysDes: 280 p., [8] p. of plates : col. ill. ; 24 cmSubject: HUANG FEIHONG CHUAN, SHANGJI (HK, Wu Pang, 1949) ; TU-PEI TAO (HK, Chang Cheh, 1967) ; LUNG-MEN K'O CHAN (TZ, King Hu, 1966) ; ENTER THE DRAGON (US/HK, Robert Clouse, 1973) ; SHAO LIN SA LIU FANG (HK, Liu Chia-Liang, 1977) ; A JIHUA (HK, Jackie Chan [pseud. of Cheng Long], 1983) ; WONG FEI-HUNG (HK, Tsui Hark, 1991) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; YING XIONG (HK/C, Yimou Zhang, 2002) ; HERO (HK/C, Yimou Zhang, 2002) ; SHIMIAN MAIFU (HK/CC, Zhang Yimou, 2004) ; HOUSE OF THE FLYING DAGGERS (HK/CC, Zhang Yimou, 2004) ; KARATE KID, THE (US, John G. Avildsen, 1984) ; KICKBOXER (US, Mark DiSalle & David Worth, 1989) ; KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003) ; KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004) ; ZATOICHI ROYABURI (JA, Satsuo YAMAMOTO, 1967) ; HWASAN GO (KO, Kim Tae-Gyun, 2002) ; ONG-BAK (TH, Prachya Pinkaew, 2003) ; GREEN HORNET, THE (US, Norman Foster, 1966) ; WATER MARGIN, THE (TV) (JP/C, 1976-78) ; SAIYUKI (TV) (JA, 1978-80) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) Summary: The late 60s and 70s saw a massive surge in the release of martial arts films, spawning a cult following which is still growing. This essential guide explores up to 20 seminal films in detail, with particular focus on recurring themes, directors, and stars. Each chapter covers a different branch of the genre from Hong Kong Legends such as Once Upon a Time in China and Enter the Dragon, to Modern Asian Classics like House of the Flying Daggers to the incursion into Hollywood in films such as The Karate Kid and The Matrix. The development of the genre from 1920s China to the present is traced with analysis and explanations of the different martial arts seen in these films in an entertaining guide to the vast array of martial arts movies and their role in modern cinema.Notes: Includes, bibliographic references, index and index of quotations
ERATA: ISBN on verso not correct. See back cover.ISBN: 0753510782ID2: 150
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journal article
Melbourne Film Society film appraisals in Filmviews (Autumn 1986) vol.31 iss.127 p.45
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newspaper article
Menace in outback in Weekend Australian [Review] (06/06/2015) p.14
Call No: TITLE CLIPPINGS FILE; STRANGERLAND (AT/IE, Kim Farrant, 2015)Author: Stratton, David PhysDes: Clippings File ArticleSubject: STRANGERLAND (AT/IE, Kim Farrant, 2015) Summary: Review of the film 'Strangerland'. The reviewer mentions the effective use of the outback town as a strange place for settlementRating: 4 out of 5 stars
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newspaper article
Menace in the outback in Weekend Australian [Review] (6/6/2015) p.14
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Movie man / David Thomson London: Secker & Warburg, 1967.
Call No: 62 THOAuthor: Thomson, David, 1941 Place: LondonPublisher: Secker & WarburgPubDate: 1967PhysDes: 234 p., [8] leaves of plates : ill. ; 23 cmSubject: CINEMATOGRAPHY ; SOCIETY AND THE CINEMA ; GRANT, CARY ; MONROE, MARILYN ; NOVAK, KIM ; LANG, FRITZ ; RENOIR, JEAN ; HITCHCOCK, ALFRED ; HAWKS, HOWARD ; DEMY, JACQUES ; RIVETTE, JACQUES ; PREMINGER, OTTO Notes: Includes index; "Filmography": p. 217-223LON: xls00449773; 4094552URL status: URL: 'http://-'
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newspaper article
Movie reviews : Strangerland in Sunday Herald Sun (07/06/2015) p.95`
Call No: TITLE CLIPPINGS FILE; STRANGERLAND (AT/IE, Kim Farrant, 2015)Author: Dent, Nick PhysDes: Clippings File ArticleSubject: STRANGERLAND (AT/IE, Kim Farrant, 2015) Summary: Review of the film 'Strangerland', mentioning being lost in the outback as an Australian film motifRating: 2.5 out of 5 stars
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Movie star : a look at the women who made Hollywood / by Ethan Mordden New York: St. Martin's Press, 1983.
Call No: 451-02 MORAuthor: Mordden, Ethan, 1947 Place: New YorkPublisher: St. Martin's PressPubDate: 1983PhysDes: xii, 296 p., [40] p. of plates : ports. ; 24 cmSubject: WOMEN IN FILMS ; STAR SYSTEM ; ACTORS ; BOW, CLARA ; SWANSON, GLORIA ; PICKFORD, MARY ; GISH, LILLIAN ; GAYNOR, JANET ; SHEARER, NORMA ; GARBO, GRETA ; Crawford, Joan ; LOY, MYRNA ; GARSON, GREER ; DIETRICH, MARLENE ; HARLOW, JEAN ; WEST, MAE ; Lombard, Carole ; DAVIES, MARION ; BALL, LUCILLE ; HEPBURN, KATHARINE ; RUSSELL, ROSALIND ; FAYE, ALICE ; Stanwyck, Barbara ; DAVIS, BETTE ; TEMPLE, SHIRLEY ; GARLAND, JUDY ; TAYLOR, ELIZABETH ; HAYWORTH, RITA ; GRABLE, BETTY ; GARDNER, AVA ; MONROE, MARILYN ; MANSFIELD, JAYNE ; NOVAK, KIM ; HOLLIDAY, JUDY ; HEPBURN, AUDREY ; DAY, DORIS ; ANDREWS, JULIE ; STREISAND, BARBRA ; MINNELLI, LIZA ; BERGMAN, INGRID ; WELCH, RAQUEL ; Keaton, Diane ; FONDA, JANE ; DRESSLER, MARIE ; DUNNE, IRENE ; LAWRENCE, FLORENCE ; BARA, THEDA ; MURRAY, MAE ; MOORE, COLLEEN ; ALLEN, GRACIE ; BLONDELL, JOAN ; TOMLIN, LILY Notes: Includes index; Bibliography: p. [285]-289ISBN: 0312550502 (pbk.); 0312550499LON: 83003024; 2457302
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MUSA : (KO, Kim Sung-Su, 2001)
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script
My place : episode 17. 1848 Johanna / Alice Addison [screenwriter] AT: 2010 Oct. 8.
Call No: S MYAuthor: Addison, Alice Edition: Yellow page revisionsPlace: ATPubDate: 2010 Oct. 8PhysDes: 31 leavesSubject: MY PLACE [TV] (AT, Kim Daiton, 2009) Notes: Unpublished script -- Based on the Nadia Wheatley/Donna Rawlins children's book "My Place" -- Developed with assistance from Australian Broadcasting Corporation, Australian Children's Television Foundation, Screen NSW, Screen Australia -- Copyright Matchbox Pictures & Rusty Fig Pictures -- Script Producer, John Alsop -- Producer, Jenny Chapman -- Director, Rachel WardDonation: Australian Film Institute
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My place : episode 25. Before time 1 - Bunda / Dallas Winmar [screen writer] AT: 2010, Dec. 3.
Call No: S MYAuthor: Winmar, Dallas Edition: Pink revision scriptPlace: ATPubDate: 2010, Dec. 3PhysDes: 28 leavesSubject: MY PLACE [TV] (AT, Kim Daiton, 2009) Notes: Unpublished script -- Based on the Nadia Wheatley/Donna Rawlins children's book "My Place" -- Developed with assistance from Australian Broadcasting Corporation, Australian Children's Television Foundation, Screen NSW, Screen Australia -- Copyright Matchbox Pictures & Rusty Fig Pictures -- Script Producer, John Alsop -- Producer, Jenny Chapman -- Director, Catriona McKenzieDonation: Australian Film Institute
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MY PLACE [TV] : (AT, Kim Daiton, 2009)
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journal article
My side of the picture in Metro (2000) iss.123 p.79-95
Author: Kemp, Peter ; Brooks, Sue ; Brennan, Richard ; Gyngell, Kim ; Hellier, Trudy ; Sallows, Ken ; Freeman, Nicolette ; Armiger, Martin ; Hunter, Tim ; Raymond, Leigh PhysDes: Article; Bibliography; Bio-filmography; Credits; Filmography; Illustration(s)Subject: PRODUCERS. AUSTRALIA ; ACTORS. AUSTRALIA ; EDITING. AUSTRALIA ; CRITICISM ; CINEMATOGRAPHY ; MUSIC IN FILMS ; ADVERTISING FOR FILMS ; WOMEN TV WORKERS. AUSTRALIA ; BROOKS, SUE ; BRENNAN, RICHARD ; GYNGELL, KIM ; SALLOWS, KEN ; FREEMAN, NICOLETTE ; SOMETHING IN THE AIR [TV] (AT, 2000-) ; TRAPPED (AT, Trudy Hellier, 2000) Summary: A supplement offering an arena for Australian screen practitioners to analyse and comment upon matters and issues pertaining to their own particular craft or field.
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NAKED ON THE INSIDE : (AT, Kim Farrant, 2007)
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book
New Korean cinema / by Julian Stringer and Chi-Yun Shin Edinburgh: Edinburgh University Press, 2005.
Call No: 71(519-13) NEWAuthor: Stringer, Julian and Shin, Chi-Yun Source: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: 2005PhysDes: x, 234p. ; b+w ill. : 24cm.Subject: KOREA ; INDUSTRY, FILM. KOREA ; NATIONAL CULTURE AND THE CINEMA ; FESTIVALS ; GENRES ; HORROR FILMS ; COMEDIES ; MELODRAMA ; ROMANTIC FILMS ; YOUNG PEOPLE IN FILMS ; CHUNHYANG (KO, Im Kwon-Taek, 2000) ; TEL MI SSEOMTING (KO, Chang Youn-Hyun, 2000) ; BOKSEUNEUN NAEUI GEOS (KO, Park Chan-wook, 2002) ; CHINGU (KO, Kwak Kyeong-Taek, 2001) ; GOYANGIREUL BUTAKHAE (KO, Jeong Jae-eun, 2001) ; JUYUSO SEUBGYUKSAGEUN (KO, Kim Sang-Jin, 1999) ; SARA-INNUN RYONGHONGDUL (KO, Kim Chun-song, 2001) ; YURYEONG (KO, Min Biong Hun, 1999) ; BAKHA SATANG (KO, Lee Chang-Dong, 1999) ; SAENG-HWAL-EUI BAL-GYUN (KO, Hong Sangsoo, 2002) ; YEOGO GOEDAM II (KO, Kim Tae-Yong, 2000) ; SUN AE BO (KO, E J-Young, 2001) Summary: "New Korean Cinema provides a comprehensive overview of the production, circulation, and reception of this vibrant cinema, which has begun to flourish again in the past decade, following the lifting of repressive government policies. In addition to providing a cultural, historical, and social context for understanding this burgeoning cinema, the book considers the political economy of South Korea's film industry, strategies of domestic and international distribution and marketing, and the consumption of Korean films throughout the world. The volume also includes a glossary of key terms and a bibliography of works on Korean cinema."Notes: Includes bibliographical references, glossary, websites and indexISBN: 9780814740309Language: English
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personality clippings file
NGUYEN, KIM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: NGUYEN, KIM
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NOVAK, KIM
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NOVAK, KIM
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I O DO : (KO, Kim Ki Young, 1977)
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OR FOREVER HOLD YOUR PEACE : (AT, Kim Guyatt & Chris McCullogh & Ian Dunlop & Brian Hannant & Arch Nicholson & Malcom Smith & Richard Brennan & Douglas White,1970)
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newspaper article
Oyster card : Kim Beamish tackles climate change in his new film in Canberra Times [Panorama] (10/12/2016) p.14
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personality microfilm collection
PENN, KIM MAREE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: PENN, KIM MAREE
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book
People will talk / by John Kobal [London]: Aurum Press, 1986.
Call No: 802 (047.53) KOBAuthor: Kobal, John Source: UKPlace: [London]Publisher: Aurum PressPubDate: 1986PhysDes: xvii, 728 p. : ports. ; 25 cmSubject: STARS ; BACLANOVA, OLGA ; BANKHEAD, TALLULAH ; BERGMAN, INGRID ; BLONDELL, JOAN ; BRENT, EVELYN ; BROOKS, LOUISE ; MCCREA, JOEL ; COBURN, BOB ; COLE, JACK ; Crawford, Joan ; DUNNE, IRENE ; DUPREZ, JUNE ; ENGSTEAD, JOAN ; FONTAINE, JOAN ; FREED, ARTHUR ; GISH, DOROTHY ; GODOWSKY, DAGMAR ; HATHAWAY, HENRY ; HAWKS, HOWARD ; HEPBURN, KATHARINE ; HOPKINS, MIRIAM ; HORN, CAMILLA ; HURRELL, GEROGE ; LOOS, ANITA ; LOUIS, JEAN ; LINDSAY, LOIS ; LACEY, MADISON ; Lupino, Ida ; MARSHALL, MELBA ; MILESTONE, LEWIS ; MOORE, COLLEEN ; PAN, HERMES ; YOUNG, LORETTA ; POWELL, ELEANOR ; SHERIDAN, ANN ; SHERMAN, VINCENT ; STANLEY, KIM ; Stanwyck, Barbara ; STEN., ANNA ; WEST, MAE ; WILLINGER, LASZLO Summary: Interviews with past Hollywood starsNotes: Includes indexISBN: 0394536606
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PEREGRINE : (AT, Kim McKenzie & Scott Hicks, 1976)
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PHALLIC FOREST, THE : (AT, Michael Wilding & Kim Guyatt, 1970)
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journal article
Program notes : Grandma Rose, Elsie Mae and Lottie in Filmnews (May 1979) vol.IX iss.5 p.9
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REBELLE : (CN, Kim Nguyen, 2012)
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newspaper article
Reviews : The Rocket in Sunday Herald Sun (25/08/2013) p.93
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newspaper article
Reviews : The Last Stand in Sunday Herald Sun (17/02/2013) p.90
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digital clippings file
ROCKET, THE : (AT/TH/LS, Kim Mordaunt, 2013) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: ROCKET, THE (AT/TH/LS, Kim Mordaunt, 2013) URL status: URL: 'http://file://Q:/T/ROCKET,_THE.zip'
Checked: 31/08/2021 1:26:06 PM
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RODEU-MUBI : (K, Kim In-Sik, 2002)
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book
Roger Ebert's video companion Kansas City: Andrews and McMeel, c1993.
Call No: 03 EBE REFAuthor: Ebert, Roger Place: Kansas CityPublisher: Andrews and McMeelPubDate: c1993PhysDes: v. ; 23 cmSubject: VIDEO, FILMS ON ; EBERT, ROGER ; MITCHUM, ROBERT ; Stewart, James ; BRANAGH, KENNETH ; CLARKE, ARTHUR C. ; JORDAN, MICHAEL ; MADONNA ; NOVAK, KIM ; PENN, SEAN ; THORNTON, BILLY BOB Summary: A collection of Roger Ebert's reviews that originally appeared in the Chicago Sun-TimesNotes: Reviews originally appeared in the Chicago sun-timesISSN: 1072-561XFrequency: AnnualLON: 10600884
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book
Seoul stirring : 5 Korean directors / by Tony Rayns ; edited by Simon Field London: Institute of Contemporary Arts, 1996.
Call No: 802.25(519) RAYAuthor: Rayns, Tony ; Field, Simon CorpAuthor: Institute of Contemporary Arts (London, England)Place: LondonPublisher: Institute of Contemporary ArtsPubDate: 1996PhysDes: 54 p. : ill. ; 21 cmSubject: KOREA ; DIRECTORS. KOREA ; KWON-TAEK, IM ; JANG, SUN-WOO ; KIM UI-SEOK ; LEE MYUNG-SE ; PARK KWANG-SU Notes: "In association with the Korean Motion Picture Promotion Corporation."; "Seoul Stirring: 5 Korean directors, a Festival of Korean Cinema, ICA Cinema, 21 October-10 November 1994"--P. 2ISBN: 0905263790LON: 12180416
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newspaper article
Sex and strangers in Weekend Australian [Review] (13/06/2015) p.6
Call No: TITLE CLIPPINGS FILE; STRANGERLAND (AT/IE, Kim Farrant, 2015)Author: Bodey, Michael PhysDes: Clippings File ArticleSubject: STRANGERLAND (AT/IE, Kim Farrant, 2015) Summary: In depth interview with filmmaker Kim Farrant about her experiences making 'Strangerland', and the casting choices for the film of Australian actors Nicole Kidman and Hugo Weaving
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SHINJUKU BOYS : (UK, Kim Longinotto & Jano Williams, 1995)
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SILENCE BROKEN: KOREAN COMFORT WOMEN : (US, Dai Sil Kim-Gibson, 1999)
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SISTERS IN LAW : (UK , Kim Longinotto/Florence Ayisi, 2006) Digital clippings file available
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SOOM : (KO, Kim Ki-duk, 2007)
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SOYOUNG, KIM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: SOYOUNG, KIM
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personality clippings file
STANLEY, KIM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: STANLEY, KIM
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The state of European cinema : a new dose of reality / Angus Finney ; [foreword by Nik Powell] London: Cassell, 1996.
Call No: 201(4) FINAuthor: Finney, Angus, 1964 Place: LondonPublisher: CassellPubDate: 1996PhysDes: x, 262 p. ; 24 cmSubject: INDUSTRY, FILM. EUROPEAN COUNTRIES ; EDUCATION, FILM. EUROPEAN COUNTRIES ; STARS. EUROPEAN COUNTRIES ; DISTRIBUTION. EUROPEAN COUNTRIES ; TECHNOLOGY AND THE CINEMA. EUROPEAN COUNTRIES ; POLYGRAM ; EURIMAGES ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FARINELLI IL CASTRATO (FR/BE/IT, Gerard Corbiau, 1994) ; ROB ROY (US, Michael Caton-Jones, 1995) ; TALES FROM A HARD CITY (FR/UK, Kim Flitcroft, 1994) ; BREAKING THE WAVES (DK/FR, Lars Von Trier, 1996) ; GUILTRIP (IE, Gerard Stembridge, 1995) ; ANTONIA (NE/BE/UK, Marleen Gorris, 1995) ; CIRCLE OF FRIENDS (US, Pat O'Connor, 1995) ; FLOWER OF MY SECRET, THE [FLOR DE MI SECRETO, LA] (SP/FR, Pedro Almodovar, 1995) Notes: "Includes transpotting case study"--Cover; Includes index; Bibliography: p. 255ISBN: 0304333026 (pbk)LON: abn96337602; 12766083
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STRANGERLAND : (AT/IE, Kim Farrant, 2015) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: STRANGERLAND (AT/IE, Kim Farrant, 2015) URL status: URL: 'http://file://Q:/T/STRANGERLAND.zip'
Checked: 31/08/2021 1:35:08 PM
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script
Strangerland / written by Fiona Seres & Michael Kinirons AT: 2014. Digital clippings file available
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book
Super Aussie soaps : behind the scenes of Australia's best loved TV shows / Andrew Mercado North Melbourne, Vic.: Pluto Press, 2004.
Call No: 725.312(94)Author: Mercado, Andrew Source: ATPlace: North Melbourne, Vic.Publisher: Pluto PressPubDate: 2004PhysDes: 414 p.: col. ill. ; 23 cmSubject: SOAP OPERAS. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; HOME AND AWAY [TV] (AT, 1988 -) ; SONS AND DAUGHTERS [TV] (AT, 1982-87) ; KATH AND KIM [TV] (AT, 2002-) ; NUMBER 96 [TV] (AT, 1972-1978) ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; SULLIVANS, THE [TV] (AT, 1975-1982) ; COP SHOP [TV] (AT, 1977-84) ; BELLBIRD [TV] (AT, 1967-1977) ; PACIFIC DRIVE [TV] (AT, 1996) ; PARADISE BEACH [TV] (AT, 1993-1994) ; SECRET LIFE OF US, THE [TV] (AT, Lynn-Maree Danzey, 2000-) ; PRISONER [TV] (AT, 1979-86) Summary: Australian television celebrity and insider Andrew Mercado investigates and interviews the producers, the directors, the writers and such soap legends as Rowena Wallace, Lorraine Bayly, Paula Duncan, Rebecca Gilling, Melissa Tkautz, Terry Norris and Jeremy Sims to find out new details about these infamous serials. Learn about every soap ever made for Australian television. Presented in chronological order; the stories include never-before-seen photos, comprehensive synopses of the major storylines, those crazy cliffhangers and hilarious anecdotes.ISBN: 1864031913
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SWAMP, THE : (K, Yoon-Chul Kim, 2004)
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book
Television sitcom London: British Film Institute, 2005.
Call No: 732.2 MILAuthor: Brett Mills Place: LondonPublisher: British Film InstitutePubDate: 2005Subject: SITUATION COMEDY ; GENRES ; KATH AND KIM [TV] (AT, 2002-) ; COSBY SHOW, THE [TV] (US, 1984-92) ; OFFICE, THE [TV] (UK, 2001) ; WILL AND GRACE Summary: Despite its global reach, longstanding popularity, and immense profitability, sitcom has been repeatedly neglected in theoretical work on television and media. This book demonstrates that this lack sorely needs to be addressed by dragging analysis of sitcom up to date, with a wealth of contemporary examples, a range of new approaches to the genre, and examination of the roles sitcom and comedy play within society…With specific case studies on Will and Grace, The Office and The Cosby Show, as well as analysis of a broad range of contemporary and historical examples throughout, this book will be of interest to students of sitcom and comedy, as well as those of television and popular culture. [Taken from back cover.]ISBN: 1844570886
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TENTMAKERS OF CAIRO, THE : (AT/UA, Kim Beamish, 2015)
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TEXAS CHAINSAW MASSACRE - THE NEXT GENERATION : (US, Kim Henkel, 1997)
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still
[ The Punters : stills file]
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newspaper article
There's something about Kim in Sydney Morning Herald (14/10/2017) p.24
Call No: PERSONALITY CLIPPINGS FILE; WILLIAMS, KIMAuthor: Dapin, Mark PhysDes: Clippings File ArticleSubject: WILLIAMS, KIM Summary: Lunch With Kim Williams It's difficult to pigeonhole the former composer and media boss, writes Mark Dapin.
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TREELESS MOUNTAIN : (US/K, So Yong Kim, 2008)
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newspaper article
Unchartered waters in The Saturday Paper (6/05/2017) p.7
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: Dalton, Kim PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION ; DALTON, KIM Summary: An essay where the author reports on where he believes the ABC should be spending it's money and energy
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journal article
Variety- Australia/New Zealand Section in Variety (22-18/02/1989) p.291-293
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VECERA, KIM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: VECERA, KIM
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WAITING FOR HARRY : (AT, Kim McKenzie, 1980)
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WHALEDREAMERS : (AT, Kim Kindersley, 2006)
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still
[What the moon saw : stills file] / Greg Noakes
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WILLIAMS, KIM
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: WILLIAMS, KIM
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[With love to the person next to me : stills file]
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book
Women do animate : Interviews with 10 Australian animators / Marian Quigley Mentone, Vic.: Insight, 2005.
Call No: 246 QUIAuthor: Quigley, Marian Place: Mentone, Vic.Publisher: InsightPubDate: 2005PhysDes: vi, 160 p. : ill. ; 22 cm + 1 DVDSubject: WOMEN FILM WORKERS ; WOMEN AND TV. AUSTRALIA ; WOMEN AND TV ; DIRECTORS ; ANIMATION ; ANIMATORS ; JOLLIFFE, ANNE ; CARTER-HANSEN, JILL ; WHITMORE, LEE ; STARKIEWICZ, ANTOINETTE ; SHENFIELD, ANN ; CLUTTERBUCK, LUCINDA ; SMITH, KATHY ; CHANDLER, WENDY ; PARKER, SHARON LEE ; KIM, SUSAN Summary: This work presents the story of Australian women animators. It introduces the work and views of independent women animators in Australia and the factors that have contributed to their emergence, growth and development. -Libraries AustraliaISBN: 1-921088-14-1Contents: Acknowledgements -- glossary -- chapter : Introduction by Marian Quigley -- Interviews and filmographies -- Chapter 2: Anne Jollife -- Chapter 3: Jill Carter-Hansen -- Chapter 4: Lee Whtimore -- Chapter 5: Antoinette Starkiewicz -- Chapter 6: Ann Shenfield -- Chapter 7: Lucinda Clutterbuck -- Chapter 8: Kathy Smith -- Chapter 9: Wendy Chandler -- Chapter 10: Sharon Lee Parker -- Chapter 11: Susan Kim -- Resources
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YEOGO GOEDAM II : (KO, Tae-Yong Kim & Kyu-Dong Min, 1999)
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