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Call No: F027(41)BFI "1951/1976"
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1977
PhysDes: 30 cm ; 135 p.
Subject: PRODUCTION. UK
Notes: catalogue

Call No: REFERENCE SECTION; 027(41) BFI "1951/92"
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1992
PhysDes: 29 cm ; 60 p.
Notes: catalogue

Call No: REFERENCE SECTION; 027(41) BFI "1951/94"
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1994
PhysDes: 30 cm ; 68 p.
Subject: PRODUCTION. UK
Notes: catalogue

Call No: F027(41)BFI "1980"
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1980
Notes: catalogue pamphlet

Call No: REFERENCE SECTION; 027(41)"1993/4" LES
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1994
PhysDes: 30 cm ; 48 p.
Subject: HOMOSEXUALITY AND THE CINEMA
Notes: catalogue

Call No: 71(6) AFR
Author: Shiri, Keith
CorpAuthor: National Film Theatre (London, England); British Film Institute; Africa Centre (London, England)
Place: London
Publisher: National Film Theatre
PubDate: 1993
PhysDes: 75 p. : ill. ; 23 cm
Subject: FEPACI; AFRICAN COUNTRIES; EGYPT; AFRICA IN FILMS; IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES; WOMEN FILMMAKERS. AFRICAN COUNTRIES; FESTIVALS. OUAGADOUGOU; INDUSTRY, FILM. AFRICAN COUNTRIES
Notes: This booklet is a companion to the 1993 Africa Film Festival, Africa at the Pictures II, organised by the Africa Centre with the National Film Theatre and the British Film Institute
ISBN: 0851704360 (pbk.)
LON: 12047733

Call No: 71(41) ALL
Author: Barr, Charles
CorpAuthor: Museum of Modern Art (New York, N.Y.); British Film Institute
Place: London
Publisher: BFI Pub. In association with The Museum of Modern Art, New York
PubDate: 1986
PhysDes: ix, 446 p. : ill. ; 23 cm
Subject: UNITED KINGDOM
Notes: Includes index; Filmography: p. 375-431; Bibliography: p. 432-435
ISBN: 0851701795 (pbk.) : ª12.95
LON: 4277883

Call No: 79AND BIR
Author: Bird, Robert
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: 88 p. ; 19 cm
Series: BFI Film Classics
Subject: ANDREJ RUBLEV (UR, Andrei Tarkovsky, 1969)
Summary: Andrei Tarkovsky’s first fully independent film was an allegorical biography of the medieval icon painter ‘Andrei Rublev’ (1966). Soviet authority’s attempts to suppress the film were overcome by its success at Cannes. An examination of the film’s historical context and it’s relationship to traditions in Russian art and intellectual history. Also examines the visual and narrative aesthetics of the film as an exploration of mans ideas of life and spirituality. Includes notes, credits and bibliography.
ISBN: 1 84457 038 X

Call No: 79ANN COW
Author: Cowie, Peter
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1996
PhysDes: 62 p. : ill. (some col.) ; 19 cm
Series: BFI film classics
Summary: For an entire generation, Annie Hall embodied the notion of a New York peopled by sophisticated intellectuals - all sent up by the deadpan comedy genius of Woody Allen, writer, director, and of course star. It also confirmed the sparkling acting talent of Diane Keaton as a partner for Woody on screen. The film has survived as a popular comedy, however, by virtue of Allen's inventiveness as a director and the timelessness of his satire. Peter Cowie's study of Annie Hall recaptures the mood of the 70s, and examines the myriad imaginative touches that distinguish the film from other American productions of the period. The book also includes a glossary of the many cultural references which give the film its distinctively 'intellectual' tone
Notes: Includes bibliographical references
ISBN: 0851705804
LON: 12742199

Call No: 81BER KOL
Author: Kolker, Robert Phillip
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1985
PhysDes: 258 p. : ill., ports
Subject: BERTOLUCCI, BERNARDO
Notes: Includes bibliography and index
LON: bnb85170166; 3769906

Call No: REFERENCE SECTION; 027(41) BFI "1994" AVA
CorpAuthor: British Film Institute
PubDate: 1994
Subject: AVANT-GARDE FILMS; FILMOGRAPHIES
Notes: catalogue

Call No: 735.2 BFI
Author: Newman, Kim, 1959
CorpAuthor: British Film Institute
Place: London
Publisher: Cassell
PubDate: 1996
PhysDes: 352 p., [4] p. of plates : ill. (some col.) ; 29 cm
Subject: HORROR FILMS
Summary: In one volume, the BFI Companion to Horror offers a complete concordance to one of the most lasting genres of popular entertainment, focusing of course on the cinema but also taking in literature, television, radio, popular music, history and folklore. Covering great artists like Boris Karloff and Edgar Allan Poe and humble toilers like Edward D. Wood and John Carradine, this book provides a history of the horror genre from its pre-cinema beginnings in the eighteenth-century gothic novel and the Victorian ghost story through a hundred years of fevered activity, spotlighting not only mainstream horror producers such as Hammer Films and Alfred Hitchcock but also less expected names (Franz Kafka and Ingmar Bergman); In addition to entries on actors, directors, writers and technicians associated with horror, and all horror-themed film and television series, there are insightful essays on classic horror characters like Frankenstein and Dracula, on recurrent situations like decapitation and body-snatching, even on often-horrific portions of the body like eyes and brains. Among the experts who have contributed are Mark Ashworth, Anne Billson, Jeremy Clarke, Christopher Frayling, Neil Gaiman, Phil Hardy, Peter Hutchings, Tom Hutchinson, Alan Jones, Stephen Jones, Mark Kermode, Tim Lucas, Maitland McDonagh, David Prothero, Mark Salisbury, Philip Strick, Steve Thrower and Linda Ruth Williams
ISBN: 030433216X (pbk); 0304332135 (cased)
LON: 12969787

Call No: 736 BUS
Author: Buscombe, Edward; Brookeman, Christopher
CorpAuthor: British Film Institute
Place: London
Publisher: A. Deutsch BFI Pub.
PubDate: 1988
PhysDes: 432 p. : ill. (some col.) ; 29 cm
Subject: WESTERNS
Notes: Includes bibliographical references
ISBN: 0233983325 : ª19.95
LON: 5805634 5805634

Call No: REFERENCE SECTION; 027(41)BFI"1992/3" BFI
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1993
PhysDes: 30 cm ; 50 p.
Notes: catalogue

Call No: REFERENCE SECTION; 058(41) BRI "1999"; 058(41) BRI "2001"; 058(41) BRI "2002"; 058(41) BRI "2004"
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: c1992
PhysDes: v. : ill. ; 25 cm
Subject: INDUSTRY, FILM. UK
Frequency: Annual
LON: 10454500

Call No: REFERENCE SECTION; 027(41)"1993/94" BFI
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1994
PhysDes: 30 cm ; 96 p.
Notes: catalogue

Call No: REFERENCE SECTION; 027(41) BFI "1993" GAY
CorpAuthor: British Film Institute
PubDate: 1994
Subject: HOMOSEXUALITY IN FILMS; FILMOGRAPHIES
Notes: catalogue

Call No: held no.4-no.59 Mar. 1973-Dec. 1983 incomplete; -- IN STORAGE. OVERNIGHT RETRIEVAL
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: The Institute
PubDate: 1972-1983
PhysDes: 57 v. : ill., ports ; 42 cm
Notes: Cinema films: Feature films. Organisations. Great Britain. British Film Institute. Periodicals (BNB/PRECIS); Six issues a year. - 4p in issue no.9
ISSN: 0308-2822
LON: bnn07413112; 3582577

Call No: REFERENCE SECTION; 027(41)BFI "1991" BFI
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1991
PhysDes: 56 p. ; 30 cm
Notes: catalogue

Call No: 79BIG MCA
Author: McArthur, Colin
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Publishing
PubDate: 1992
PhysDes: 80 p. : ill., ports. ; 19 cm
Series: BFI film classics
Subject: BIG HEAT, THE (US, Fritz Lang, 1953)
Notes: Bibliography: p 80
ISBN: 0851703429 (pbk)
LON: bnb85170342; 9219900

Call No: 79BLA RYA
Author: Ryall, Tom
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Pub.
PubDate: 1993
PhysDes: 64 p. : ill. ; 19 cm
Series: BFI film classics
Subject: BLACKMAIL (UK, Alfred Hitchcock, 1929)
Notes: Bibliography: p. 64
ISBN: 0851703569 (pbk.) : No price
LON: bnb85170356; 9913328

Call No: 79BLA BUK
Author: Bukatman, Scott, 1957
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1997
PhysDes: 96 p. : ill. (chiefly col.) ; 19 cm
Series: BFI modern classics
Subject: BLADE RUNNER (US, Ridley Scott, 1982); BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982)
Notes: Bibliography: p. 94-96
ISBN: 0851706231
LON: abn97229245; 13314329

Call No: 79BLU ATK
Author: Atkinson, Michael
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1997
PhysDes: 80 p. : ill. (chiefly col.) ; 19 cm
Series: BFI modern classics
Subject: BLUE VELVET (US, David Lynch, 1986)
Notes: Bibliography: p. 80
ISBN: 0851705596
Order Received: 1998
LON: abn97229233; 13314322

Call No: 79BOU BOS
Author: Boston, Richard, 1938
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1994
PhysDes: 83 p. : ill. ; 19 cm
Series: BFI film classics
Subject: BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932)
Notes: Includes bibliographical references (p. 83); Boudu sauvT des eaux
ISBN: 0851704670
LON: 10907938

Call No: 71(44) BRE
Author: Bredin, Jean-Denis
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Publishing
PubDate: c1982
PhysDes: 87 p ; 29 cm
Subject: FRANCE; INDUSTRY, FILM. FRANCE
Notes: Translation of the French Bredin report, jointly commissioned by the Association of Cinematograph and Television Technicians, the British Film Institute, the National Film Finance Corporation and the Scottish Film Council, from the Department of Trade..
LON: 4399957

Call No: 71(41) BRI
Author: Murphy, Robert, 1947
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Publishing
PubDate: 1997
PhysDes: 279 p. : ill. ; 24 cm
Notes: Includes bibliographical references and index
ISBN: 0851706401; 085170641X (pbk)
LON: abn97198002; 13272522

Call No: ANNUAL REPORT SHELVES; held 1972-1978, 1980-1982, 1985, 1988/89- [lacks 1989/90, 1994/95, 1996/97] 2008/9; 2009/10, 2010/11; DIGITAL FILES; held 1998/99-2019/20
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: The Institute
PubDate: 1997
PhysDes: v
Notes: Cover title
Missing Issues: 1989/90, 1994/5, 1996/7
Order Notes: Current [Online]
LON: 13549644

Call No: F027(41) BFI "1962"
CorpAuthor: British Film Institute
PubDate: 1962
Subject: FILMOGRAPHIES
Notes: catalogue

Call No: F027(41) BFI "1969"
CorpAuthor: British Film Institute
PubDate: 1969
Subject: FILMOGRAPHIES
Notes: catalogue

Call No: F027(41)BFI "1969"
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1969
PhysDes: 22 cm ; 240 p.
Notes: catalogue

Call No: F027(41) BFI "1974"
CorpAuthor: British Film Institute
PubDate: 1974
Subject: FILMOGRAPHIES
Notes: catalogue

Call No: REFERENCE SECTION; 027(41) BFI "1983/4"
CorpAuthor: British Film Institute
PubDate: 1984
Subject: FILMOGRAPHIES
Notes: catalogue

Call No: F027(41) BFI "1974/7"
CorpAuthor: British Film Institute
PubDate: 1977
Subject: DISTRIBUTION. UK
Notes: catalogue

Call No: REFERENCE SECTION; 027(41) BFI BRI
CorpAuthor: British Film Institute
Subject: FILMOGRAPHIES
Notes: catalogue

Call No: 71(41) NIN
Author: Ellis, John
CorpAuthor: British Film Institute; BFI Production Board
Place: London
Publisher: British Film Institute
PubDate: 1977
PhysDes: 135 p. : ill. ; 30 cm
Subject: UNITED KINGDOM
Notes: Includes indexes
ISBN: 0851700705 (pbk.) : ª1.25
LON: 2360979

Call No: F027(41)BFI "1977/8"
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1978
PhysDes: 30 cm
Subject: PRODUCTION. UK
Notes: catalogue pamphlet

Call No: REFERENCE SECTION; 027(41) "1991"
CorpAuthor: British Film Institute
PubDate: 1991
Subject: BRITAIN
Notes: Cannes catalogue

Call No: 71(41) HEL
Author: Heller, Caroline
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1978
PhysDes: 77 p. ; 21 cm
Subject: BROADCASTING. UK; GOVERNMENT CONTROL, TV. UK
Notes: Bibliography: p.76
ISBN: 0851700721
Order Received: 2000
Order Type: Donation
LON: 2593205

Call No: 70"01" USA
Author: Cherchi Usai, Paolo; Brownlow, Kevin; Rittle, Emma Sansone
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1994
PhysDes: x, 119 p. : ill. (some col.) ; 25 cm
Subject: HISTORY OF CINEMA. SILENT PERIOD; ARCHIVES & INSTITUTES, FILM
Notes: Translation of: Una passione infiammabile; Includes bibliographical references (p. 108-119)
ISBN: 0851704085 (pbk.); 0851704077 (hard)
LON: 11121128

Call No: 81KEA ROB
Author: Robinson, David, 1930
CorpAuthor: British Film Institute
Place: London
Publisher: Secker & Warburg in association with the British Film Institute
PubDate: 1969
PhysDes: 199 p. : ill. ; 20 cm
Series: Cinema one ; 10
Subject: KEATON, BUSTER
ISBN: 0436098814
LON: 79392675; 839842

Call No: 67(44) CAH
Author: Hillier, Jim
CorpAuthor: British Film Institute
Place: London
Publisher: Routledge & Kegan Paul in association with the British Film Institute
PubDate: 1985
PhysDes: xiii, 312 p. ; 25cm
Subject: NEOREALISM; NOUVELLE VAGUE
Notes: Translations from the French; Includes bibliographies and index
LON: 3696097 3696097

Call No: 67(44) CAH
Author: Hillier, Jim
CorpAuthor: British Film Institute
Place: London
Publisher: Routledge & Kegan Paul in association with the British Film Institute
PubDate: 1986
PhysDes: xiv, 363 p. ; 24 cm
Subject: NEOREALISM; NOUVELLE VAGUE
Notes: Translations from the French; Includes index; Bibliography: p. 335-353
ISBN: 0710203063 : ª18.95 : CIP rev
LON: 4501613

Call No: F027(41) BFI "1951/1976"
CorpAuthor: British Film Institute
PubDate: 1976
Subject: FILMOGRAPHIES
Notes: catalogue

Call No: F026(41) NFA NAT
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1971
PhysDes: 241 p. ; 25 cm
Subject: FILMOGRAPHIES
Notes: catalogue

Call No: 61:78 CEL
Author: Romney, Jonathan; Wootton, Adrian
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1995
PhysDes: vii, 168 p. : ill.(some col.), ports(some col.) ; 23cm
Subject: SOUND TRACKS; POP MUSIC AND THE CINEMA; ROCK FILMS; ROCK MUSIC IN FILMS; POP MUSIC IN FILMS; BLAXPLOITATION FILMS
Notes: Bibliography: p168
ISBN: 0851705065 (cased); 0851705073 (pbk)
LON: 11572299

Call No: 79CES HEA
Author: Heath, Stephen
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: 88 p. ; 19 cm
Series: BFI Film Classics
Subject: CESAR (FR, Marcel Pagnol, 1936)
Summary: Examines the career of French writer director Marcel Pagnol (1895-1974) within the context of the development of “talking pictures”. Provides a synopsis of the first two films in the Marseille trilogy ‘Marius’ (directed by Alexander Korda, 1931) and ‘Fanny’ (directed by Marc All gret, 1932) Although Pagnol did not direct the first two films in the trilogy- he was closely involved in their making. The conclusion of the trilogy ’C sar’ (written and directed by Pagnol) is examined in terms of speech, accent, theatricality and cinema, culture and stereotypes. The importance of Marseille as the setting is discussed and the setting’s cultural-historical impact on the main character.
ISBN: 0 85170 833 1

Call No: 81CHA SCH
Author: Scheide, Frank; Mehran, Hooman
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2004
PhysDes: 150 p. ; 23 cm
Series: Chaplin
Subject: CHAPLIN, CHARLES; GREAT DICTATOR, THE (US, Charles Chaplin, 1940)
Summary: A collection of essays about Charles Chaplin (1899-1977) written by some of the world’s leading authorities on Chaplin and early film comedy. The primary focus of the volume is Chaplin’s 1940 film satire on Nazi Germany, The Great Dictator. This film has recently attracted intense interest during its wide international theatrical and DVD re-release. The Great Dictator is also the subject of a remarkable documentary, The Tramp and the Dictator, by the distinguished historian and film-maker Kevin Brownlow, who serves as adviser to this publication, and has made available research material and interviews gathered in the course of the production. [Taken from back cover]
ISBN: 1844570371

Call No: 735.8 CIN
Author: Warner, Marina, 1946; Petrie, Duncan J., 1963
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1993
PhysDes: ix, 140 p. : ill. ; 21 cm
Series: BFI working papers
ISBN: 0851704050 (pbk)
LON: 10340812

Call No: 761 WIN
Author: Winston, Brian
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1995
PhysDes: 301 p. ; 24 cm
Subject: DOCUMENTARIES; ETHICS AND THE CINEMA; REALISM IN FILMS; THEORY; CINEMA VERITE; CINEMA-DIRECT; GRIERSON, JOHN; WISEMAN, FREDERICK; RIEFENSTAHL, LENI
Summary: "Recent technological developments in the field of image manipulation mea that the 'evidence' of the photograph is no longer incontrovertible. The camera, it seems, can lie. Alterations may noe be made to still or moving images which materially change their meaning yet which are undetectable. What does this do to the status of the documentary film? In this informed and lively book Brian Winston rewrites the history of the documentary to take account of technological change. He subjects the great figures of the past - Grierson, Flaherty, Dziga-Verov - to a searcing critique, and examines both the principles and practice of the major movements of documentary, such as cinema verite. He offers his own definition of the essential difference between fiction film and documentary, and identifies the fundamentally ethical basis of any film practice which attempts to capture the 'truth'" -- Taken from the back cover.
Notes: Includes bibliographical references (p. 277-294) and index
ISBN: 0851704638 (cased); 0851704646 (pbk)
LON: 11552015
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Call No: 81 ELV WOO
Author: Wood, Linda; British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1987
PhysDes: 89 p. ; 29 cm
Subject: ELVEY, MAURICE
ID2: 339

Call No: held v.1, no.1-v.4, no.5/6 autumn 1961-spring 1966; -- IN STORAGE. OVERNIGHT RETRIEVAL
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PhysDes: 4 v. ill. 25 cm
Notes: "The television quarterly."
ISSN: 0589-5758
Frequency: Quarterly
LON: sf 82007014; 2376630

Call No: held Apr. 1952-Feb. 1956; -- IN STORAGE. OVERNIGHT RETRIEVAL
CorpAuthor: British Film Institute; National Film Theatre (London, England)
Source: UK
Place: [London]
Publisher: British Film Institute
PhysDes: v. : ill
Notes: "Including the programmes of the National Film Theatre."
LON: abn97041679; 13019385

Call No: REFERENCE SECTION; 027(41) BFI BRI
CorpAuthor: British Film Institute
PubDate: 1958
Subject: FILMOGRAPHIES
Notes: catalogue

Call No: 761 DOC
Author: Winston, Brian
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: Palgrave Macmillan
PubDate: 2013
PhysDes: 416 pages ; 25 cm
Subject: AFRICA; ART CINEMA; ANTHROPOLOGY AND THE CINEMA; BRAZIL; CINEMA-DIRECT; CINEMA VERITE; DOCUMENTARIES; DOCUMENTARY FILMS; DOCUMENTARY DRAMAS; ETHICS AND THE CINEMA; ETHNOGRAPHIC FILMS; HISTORY ON TV; HOMOSEXUALITY AND THE CINEMA; ISRAEL; INTERNET AND THE CINEMA; LATIN AMERICAN COUNTRIES; PALESTINE; POLITICAL FILMS; RACIAL ISSUES AND THE CINEMA; REVOLUTIONARY THEMES IN FILMS; MOVEMENTS IN FILM HISTORY; REALITY TV; GRIERSON, JOHN; MOORE, MICHAEL; VERTOV, DZIGA; AFRICA RISING (US, Paula Heredia, 2009); AILEEN: LIFE AND DEATH OF A SERIAL KILLER (UK, Nick Bloomfield & Joan Churchill, 2003); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929); NANOOK OF THE NORTH (US, Robert Flaherty, 1922)
Summary: Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies. -- BOOK BLURB
ISBN: 9781844573417
Contents: Acknowledgments -- Notes on Contributors -- Foreword: Why Documentaries Matter -- Introduction: The Filmed Documentary --; PART I: DOCUMENTARY VALUES -- The Question of Evidence, the Power of Rhetoric and Documentary Film: Bill Nichols -- 'I'll Believe It When I Trust the Source': Documentary Images and Visual Evidence: Carl Plantinga -- 'The Performance Documentary': The Performing Film-Maker, the Acting Subject: Stella Bruzzi -- On Truth, Objectivity and Partisanship: The Case of Michael Moore: Douglas Kellner -- CGI and the End of Photography as Evidence: Taylor Downing -- Drawn From Life: The Animated Documentary: Andy Glynne -- Dramadoc? Docudrama? The Limits and Protocols of a Televisual Form: Derek Paget -- Ambiguous Audiences: Annette Hill -- Life As Narrativised: Brian Winston -- The Dance of Documentary Ethics: Pratap Rughani -- Deaths, Transfigurations and the Future: John Corner --; PART II: DOCUMENTARY PARADIGMS -- Problems in Historiography: The Documentary Tradition Before Nanook of the North: Charles Musser -- John Grierson and the Documentary Film Movement: Ian Aitken -- Challenges For Change: Canada's National Film Board: Thomas Waugh and Ezra Winton -- Grierson's Legacies: Australia and New Zealand: Deane Williams -- New Deal Documentary and the North Atlantic Welfare State: Zoe Druick and Jonathan Kahana -- The Triumph of Observationalism: Direct Cinema in the USA: Dave Saunders -- Russian and Soviet Documentary: From Vertov to Sokurov: Ian Christie -- The Radical Tradition in Documentary Film-making, 1920s–50s: Bert Hogenkamp -- Le Groupe des trente: The Poetic Tradition: Elena Von Kassel Siambani -- Cinéma Vérité: Vertov Revisited: Genevieve Van Cauwenberge -- Beyond Sobriety: Documentary Diversions: Craig Hight --; PART III: DOCUMENTARY HORIZONS -- Eastwards: Abe Mark Nornes -- Africa N.: Frank Ukadike -- Images From the South: Contemporary Documentary in Argentina and Brazil: Ana Amado and Maria Dora Mourao -- 'Roadblock' Films, 'Children's Resistance' Films and 'Blood Relations' Films: Israeli and Palestinian Documentary Post-Intifada: Il Raya Morag -- Sacred, Mundane and Absurd Revelations of the Everyday – Poetic Vérité in the Eastern European Tradition; Susanna Helke --; PART IV: DOCUMENTARY VOICES -- First-Person Political: Alisa Lebow -- Feminist Documentaries: Finding, Seeing and Using Them: Julia Lesage -- Pioneers of Black Documentary Film: Pearl Bowser -- LGTBs' Documentary Identity: Christopher Pullen -- Docusoaps: The Ordinary Voice as Popular Entertainment: Richard Kilborn -- Reality TV: A Sign of the Times?: Anita Biressi and Heather Nunn --; PART V: DOCUMENTARY DISCIPLINES -- Anthropology: The Evolution of Ethnographic Film: Paul Henley -- Science, Society and Documentary: Tim Boon -- History Documentaries for Television: Ann Gray -- Music, Documentary, Music Documentary: Michael Chanan -- Art, Documentary as Art; Michael Renov --; PART VI: DOCUMENTARY FUTURES -- Documentary as Open Space: Helen de Michiel and Patricia R. Zimmermann -- 'This Great Mapping of Ourselves': New Documentary Forms Online: John Dovey and Mandy Rose -- New Platforms for 'Docmedia': 'Varient of a Manifesto': Peter Wintonick --; Afterword: The Unchanging Question: Brian Winston -- Index

Call No: 79DON SAN
Author: Sanderson, Mark
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1996
PhysDes: 84 p. : ill. ; 19 cm
Series: BFI modern classics
Subject: DON'T LOOK NOW (UK/IT, Nicolas Roeg, 1973)
Notes: Includes bibliographical references (p. 83-84)
ISBN: 0851705723
LON: abn96350754; 12798795

Call No: 70"01" EAR
CorpAuthor: British Film Institute
Place: [England]
Publisher: British Film Institute
PubDate: 1996]
PhysDes: 123 p. : ill. ; 30 cm
Subject: HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA
Notes: Includes indexes
LON: 96133718; 12865891

Call No: 79EAS HIL
Author: Hill, Lee
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Publishing
PubDate: 1996
PhysDes: 80 p. : ill. ; 19 cm
Series: BFI modern classics
Notes: Includes bibliographical references (p. 79-80)
ISBN: 085170543X
LON: abn96349665; 12798202

Call No: 81EIS EIS
Author: Christie, Ian, 1945; Elliot, David, 1949-; Taylor, Richard, 1946
CorpAuthor: Museum of Modern Art (Oxford, England); British Film Institute
Place: Oxford London
Publisher: Museum of Modern Art British Film Institute
PubDate: 1988
PhysDes: 166 p. : ill., ports. ; 24 cm
Notes: Exhibition organised by David Elliott, Ian Christie and Naum Kleiman ; historical consultant, Richard Taylor; Published to coincide with the exhibition: Eisenstein 1898-1948 : his life and work, held at the Museum of Modern Art, Oxford, 17 Jul.-28 Aug. 1988 ... [and elsewhere]; Includes bibliographical references and filmography
ISBN: 0905836626
LON: abn88300926; 6135649

Call No: 71(51) RAY
Author: Rayns, Tony; Meek, Scott
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1980
PhysDes: 1 v. (various pagings) : ill. ; 30 cm
Series: BFI dossier ; no. 3
Subject: CITY OF SADNESS, A [; INDUSTRY, FILM. CHINA
Notes: Contains two chapters translated from Chinese
LON: 5988816

Call No: 753.8 MAZ
Author: Mazdon, Lucy
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: [vi], 169 p. : ill. ; 24 cm
Subject: FRANCE; REMAKES; CULTURE AND THE CINEMA; CULTURAL IMPERIALISM. US; NATIONAL IDENTITY AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA. FRANCE; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); SOMMERSBY (US, Jon Amiel, 1993); NIKITA (FR/IT, Luc Besson, 1990); LEON (FR, Luc Besson, 1994); BIRDCAGE, THE (US, Mike Nichols, 1996); BREATHLESS (FR, Jean-Luc Godard, 1959); BREATHLESS (US, Jim McBride, 1983); CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978); TRUE LIES (US, James Cameron, 1994); SORCERER (US, William Friedkin, 1977); MON PERE, CE HEROS (FR, Gerard Lauzier, 1991); MAN WITH ONE RED SHOE, THE (US, Stan Dragoti, 1985); PEPE LE MOKO (FR, Julien Duvivier, 1937); ELEPHANT CA TROMPE ENORMEMENT, UN (FR, Yves Robert, 1976); TROIS HOMMES ET UN COUFFIN (FR, Coline Serreau, 1985); TOTALE!, LA (FR, Claude Zidi, 1991); THREE MEN AND A BABY (US, Leonard Niimoy, 1987); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); WOMAN IN RED, THE (US, Gene Wilder, 1984); ALGIERS (US, John Cromwell, 1938); CASBAH (US, John Berry, 1948); SALAIRE DE LA PEUR, LE (FR, Henri-Georges Clouzot, 1953); GRAND BLOND AVEC UNE CHAUSSURE NOIRE, LE (FR, Yves Robert, 1972)
Notes: Includes bibliographical references and index
ISBN: 0851708005(cased) : ¦45.00; 0851708005
LON: 21532807

Call No: 762.5(41) BRU
Author: Brunsdon, Charlotte; Morley, David, 1949
Place: London
Publisher: British Film Institute
PubDate: 1978
PhysDes: 94p : ill ; 21cm
Series: BFI television monograph ; 10
Notes: Includes bibliography
ISBN: 0851700802
LON: 12425251

Call No: 71(47)(084) FIF
CorpAuthor: British Film Institute; Sovteksportfil¦m, Moscow
Place: London
Publisher: British Film Institute
PubDate: [1967]
PhysDes: [29] p. illus. 26 cm
Subject: USSR
LON: 561264

Call No: 512(41) FIL
Author: Gledhill, Christine
CorpAuthor: British Film Institute; University of London. Institute of Education
Place: London
Publisher: British Film Institute
PubDate: 1981
PhysDes: vii, 162 p. ; 30 cm
Notes: Spiral binding; Includes bibliographies
LON: abn84088709; 3150645

Call No: F027(41) BFI "1954"
CorpAuthor: British Film Institute
PubDate: 1954
Notes: catalogue pamphlet

Call No: F027(41) BFI "1964"
CorpAuthor: British Film Institute
PubDate: 1964
Notes: catalogue pamphlet

Call No: F027(41) BFI "1955"
CorpAuthor: British Film Institute
PubDate: 1955
Notes: catalogue pamphlet

Call No: F026(41)BFI BRI
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: [19-?]
PhysDes: 75 p.
Subject: FILMOGRAPHIES
Notes: Cover title is British Film Institute Study Extract Catalogue

Call No: 753 FIL
Author: Vincendeau, Ginette, 1948
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: 284p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. JAMES, HENRY; ADAPTATIONS. LEONARD, ELMORE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. THOMPSON, JIM; HISTORICAL FILMS; LITERATURE AND THE CINEMA; ARMSTRONG, GILLIAN; BASS, RON; TARANTINO, QUENTIN; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); AMERICAN PSYCHO (US, Mary Harron, 1999); BEACH, THE (US, Danny Boyle, 1999); BELLE EPOQUE (SP/PO/FR, Fernando Trueba, 1992); BOSSU, LE (FR/IT/GG, Philippe de Broca, 1997); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); CARRINGTON (UK/FR, Christopher Hampton, 1995); COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992); CRASH (CN, David Cronenberg, 1996); CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990); DEAD AGAIN (US, Kenneth Branagh, 1991); EDWARD II (UK, Derek Jarman, 1991); ELIZABETH (UK, Shekhar Kapur, 1998); END OF THE AFFAIR, THE (UK, Neil Jordan, 1999); GERMINAL (FR, Claude Berri, 1993); GRIFTERS, THE (US, Stephen Frears, 1990); HOWARDS END (UK, James Ivory, 1992); JACKIE BROWN (US, Quentin Tarantino, 1997); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); LITTLE WOMEN (US, Gillian Armstrong, 1994); LOLITA (US, Adrian Lyne, 1997); MADAME BOVARY (FR, Claude Chabrol, 1991); MADNESS OF KING GEORGE, THE (US, Nicholas Hytner, 1994); MAESTRO DE ESGRIMA, EL (SP, Pedro Olea, 1992); MANSFIELD PARK (UK/US, Patricia Rozema, 1999); MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994); MASK OF ZORRO (US, Martin Campbell, 1998); MISERABLES, LES (FR, Claude Lelouch, 1995); MRS BROWN (UK, John Madden, 1997); MRS DALLOWAY (US, Marleen Gorris, 1997); NAKED LUNCH (CN/UK, David Cronenberg, 1991); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); OUT OF SIGHT (US, Steven Soderbergh, 1998); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991); REINE MARGOT, LA (FR/GG/IT, Patrice Chereau, 1994); REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993); RIDICULE (FR, Patrice Leconte, 1996); SECRET GARDEN, THE (US, Agnieszka Holland, 1993); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAKESPEARE IN LOVE (UK, John Madden, 1998); SHORT CUTS (US, Robert Altman, 1993); TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999); TEA WITH MUSSOLINI (IT, Franco Zeffirelli, 1997); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); THREE MUSKETEERS, THE (US, Stephen Herek, 1993); TITUS (US, Julie Taymor, 1999); TRAINSPOTTING (UK, Danny Boyle, 1996); WILDE (UK/US/JA/GG, Brian Gilbert, 1997); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
Summary: "Period costume dramas are major box office commodities, exploiting the lucrative gap between the blockbuster and art film with their mixture of rich visuals, popular sensibility and literary association. But 'heritage cinema' is all too often discussed from literary (not cinematic) perspectives, and criticism of the films has long been overshadowed by the question of a film's fidelity to the original text. This volume of essays, reviews, and interviews seeks to redress this imbalance, by examining the often antagonistic relationship between literature and film - presenting both sides of the argument about whether heritage cinema's elaborate aesthetics owe more to nostalgia than to historical accuracy. In her challenging introduction to the volume, Ginette Vincendeau sketches the terms of the debate, arguing that the genre is an important, but often critically neglected, form of popular cinema. Film/Literature/Heritage, the latest in a series of 'Sight and Sound Readers', embraces a wide range of literary adaptation, from William Shakespeare to William Burroughs, covering films from Orlando to LA Confidential, and directors from Martin Scorcese to Peter Greenaway." - BOOK BLURB
ISBN: 0851708420; 0851708412(pbk.) : ¦13.99
LON: 22285912

Call No: REFERENCE SECTION; 027(41)BFI"1983" COC
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: [1983?]
PhysDes: 37 p. ; 30 cm
Notes: catalogue

Call No: REFERENCE SECTION; 027(41) BFI "1982" ALG
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1983
PhysDes: 268 p. ; 30 cm
Notes: catalogue
ISBN: 0851701140

Call No: 71(41) FIL
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: Published by Sight & Sound for the British Film Institute
PubDate: [1951]
PhysDes: 72 p. illus. 28 cm
Subject: RANK ORGANISATION; CENSORSHIP. UK; CHILDREN, FILMS FOR. UK; SOCIETIES, FILM. UNITED KINGDOM; AMATEUR FILMS. UK; FESTIVALS. EDINBURGH; EDUCATION, FILM. UK; INDUSTRY, FILM. UK; KORDA, ALEXANDER; EALING STUDIOS; REED, CAROL; CLARKE, T E B; CARDIFF, JACK; HARRIS, JACK; OLIVIER, LAURENCE; ALWYN, WILLIAM; HOBSON, VALERIE; BALCON, MICHAEL; Grierson, John
Summary: Focuses on a number of different films, people, and areas within the British film industry at the time of publication.
Notes: Includes list of film companies and studios -; Includes list of distribution and exhibition companies -; Includes list of production organisations -; Includes bibliography

Call No: F027(41)BFI "1976"
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1976
PhysDes: 153 p ; 29 cm
Notes: catalogue

Call No: REFERENCE SECTION; 027(41)BFI "1979"
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1979
PhysDes: 30 cm ; 190 p.
Notes: catalogue
ISBN: 08517010896

Call No: REFERENCE SECTION; 027(41) BFI "1980" ALG
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1980
PhysDes: 202 p. ; 30 cm
Notes: catalogue

Call No: 81TRU ALL
Author: Allen, Don
CorpAuthor: British Film Institute
Place: London
Publisher: Secker and Warburg in association with the British Film Institute
PubDate: 1974]
PhysDes: 176 p. illus. 20 cm
Subject: TRUFFAUT, FRANCOIS
ISBN: 0436099349 0436099357 (pbk.)
LON: 74182244; 342338

Call No: 81CUK CLA
Author: Clarens, Carlos
CorpAuthor: British Film Institute
Place: London
Publisher: Secker and Warburg in association with the British Film Institute
PubDate: 1976
PhysDes: 192 p. : ill., ports. ; 20 cm
Series: Cinema one ; 28
Subject: Cukor, George Dewey, 1899
Notes: Filmography: p. 127-191
ISBN: 0436099438 (pbk.); 043609942X : ª4.90
LON: 77358075; 957754

Call No: 79GHO GRA
Author: Grafe, Frieda
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1995
PhysDes: 60 p. : ill., 1 facsim., ports. ; 19 cm
Series: BFI film classics
Notes: Includes bibliographical references
ISBN: 0851704840 (pbk)
LON: bnb85170484; 10907942

Call No: 5.01 COO
Author: Cook, Jim; Hillier, Jim
CorpAuthor: British Film Institute Educational Advisory Service
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1976
PhysDes: 19 p. ; 30 cm.
Subject: MEDIA STUDIES. UK; EDUCATION, FILM. UK; EDUCATION AND TV
Notes: Includes bibliographical references

Call No: 79GUN KIT
Author: Kitses, Jim
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1996
PhysDes: 86 p. : ill., ports. ; 20 cm
Series: BFI film classics
Summary: Gun Crazy is the very essence of film noir, a low-budget, high-octane thriller whose reputation has grown with every passing year since its first appearance in 1950. While its story of two doomed lovers, crashing through the small towns of the mid-West, running the gauntlet of hold-ups and shoot-outs to a bloody nemesis, owes much to the true-life tale of Bonnie and Clyde, the film achieves an intense poetry eloquently expressive of the dark side of the American Dream; The film's origins in the poverty-row operation of the King Brothers are expertly described by Jim Kitses. He traces Gun Crazy's roots in the rain-slicked, nighttime world of noir, and in the post-war American society that gave birth to it. He teases out the effects of the Production Code, and the distinctive contributions of director Joseph H. Lewis, writers MacKinlay Kantor and the blacklisted Dalton Trumbo, and stars, Peggy Cummins and John Dall. Above all, Kitses provides a wonderfully alert and informative reading of a small masterpiece, a film that rises triumphantly above the modesty of its means
Notes: Bibliography: p. 84-86
ISBN: 0851705790 (pbk.)
LON: gb 96064348; 12742332

Call No: 735.2 HAM
CorpAuthor: British Film Institute. Educational Advisory Service
Place: London : British Film Institute, 1978
PhysDes: 22 p.
LON: abn98032903; 13655996

Call No: 79HIG DRU
Author: Drummond, Phillip
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Publishing
PubDate: 1997
PhysDes: 94 p. : ill. ; 19 cm
Series: BFI film classics
Subject: HIGH NOON (US, Fred Zinnemann, 1952)
Notes: Includes bibliographical references (p. 92-94)
ISBN: 0851704948 (pbk)
Order Received: 1998
LON: abn97194545; 13256861

Call No: 71(41)"01" LOW
Author: Low, Rachael
Source: US
Place: [New York]
Publisher: [Distributed in the United States by Bowker]
PubDate: [1973]
PhysDes: 309 p. : ill. ; 25 cm
Subject: UNITED KINGDOM; HISTORY OF CINEMA. SILENT PERIOD
ISBN: 0047910029
Donation: donated by the family of Wayne Levy, 2006

Call No: New Holdings Shelves
Author: Manvell, Roger; Low, Rachael
Source: US
Place: [New York]
Publisher: [Distributed in the United States by Bowker]
PubDate: [1973]
PhysDes: 136 p., [32] p. of plates : illus. ; 25 cm.
Notes: Includes bibliography and indices; The history of the British film Vol 1 1896-1906
ISBN: 0047910024
Donation: donated by the family of Wayne Levy, 2006
Contents: Part one : Production, distribution and exhibition - I. Principal film producers before 1906; II. Early film studios; III. Market conditions; IV. Showmanship - Part two : The films themselves - I. Introduction; II. The main types of British film, 1896-1906 - Appendices

Call No: 71(41) LOW
Author: Low, Rachael; Manvell, Roger, 1909
CorpAuthor: British Film Institute. History Committee
Source: UK
Place: London
Publisher: G. Allen & Unwin
PubDate: [1948]
PhysDes: 136 p., [32]p. of plates : ill., facsims., ports. ; 25 cm
Subject: MOTION PICTURES - GREAT BRITAIN; UNITED KINGDOM
Summary: "The first volume of Rachael Low's famous history covers the first ten formative and pioneering years of the British cinema. In 1946, fifty years after the appearance of the cinema as a regular form of public entertainment in Great Britain, the British film remained conspicuously unchronicled; and so to remedy the deficiency the British Film Institute set up a Research Committee under the chairmanship of the veteren film producer Cecil Hepworth, consisting of producer George Pearson, Ernest Lindgren, Curator of the National Film Library, Roger Manvell and Rachael Low. This volume is the product of their research. The first part of the book traces the growth of the British film industry from its earliest days, including details of production, distribution and exhibition, market conditions, showmanship and early film studios. The second part describes the films of the period, including actuality and topical films, travelogues, vaudeville, comedy, drama, panorama and trick films, as well as the development of film art and contemporary technique. Included are interviews and correspondance with many of the early film pioneers then still alive, extracts from film journalism and catalogues of the period, a record of the first public exhibitions and performances, and one hundred illustrations featuring posters, portraits, studios, travelling cinemas and a unique selection of early stills. After many years our of print, this volume is now re-issued with a new jacket to match the later volumes and will be welcomed by the many film fans, students and libraries who have neergetically campaigned for its re-release. " -BOOK JACKET
Notes: Includes bibliography: p. 28, and indexes
ISBN: 0 04 791002 4
LON: 3066119
Contents: --PART ONE -- PRODUCTION, DISTRIBUTION AND EXHIBITION -- 1: Principal film producers before 1906 -- the producers -- autoscope co. -- bamforth & co., ltd -- british mutoscope & biograph co. ltd -- charles urban trading co. -- esme collins -- clarendin film co. -- cricks & sharp -- gaumont & co. ltd -- haggar & sons -- hepworth manufactoring co. -- mitchell & kenyon -- northern photographic works, ltd-- paul's animatograph works, ltd -- sheffield photo co. -- warwick trading co. -- walturdaw co. ltd -- williamson's kinematographic co. ltd -- 2: Early film studios -- 3: Market conditions -- 4: Showmanship -- PART TWO: THE FILMS THEMSELVES -- 1: introduction 2: the main types of british film, 1896-1906 -- actualities -- interest films -- topical films -- panoramic films and travelogues -- vaudeville -- trick films -- comedy --drama -- APPENDICES

Call No: 71(41) LOW
Author: Low, Rachael
CorpAuthor: British Film Institute. History Committee
Place: London
Publisher: Allen and Unwin
PubDate: 1949
PhysDes: 309p,[20]p of plates : ill ; 25cm
Subject: UNITED KINGDOM
Notes: Based upon research of the History Committee of the British Film Institute; Bibl.: p.270-272. - List of films: p.274-295. - Index
ISBN: 0047910089
LON: 2905198

Call No: 71(41) LOW
Author: Low, Rachael
CorpAuthor: British Film Institute
Place: London Sydney
Publisher: George Allen & Unwin
PubDate: 1985
PhysDes: xv, 452 p. : ill. ; 25cm
Subject: INDUSTRY, FILM. UK; HISTORY OF CINEMA. 1930's; CENSORSHIP. UK; QUOTA. EUROPEAN COUNTRIES
Notes: Spine title: Film making in 1930s Britain; Published in association with the British Film Institute; Ill on lining papers; Bibliography: p282. - List of films : p287-413. - Includes index
ISBN: 0047910429
LON: bnb04791042; 3712956

Call No: 410 HOL
Author: Stokes, Melvyn; Maltby, Richard
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: 183 p. ; ill. ; 24 cm
Subject: AUDIENCES; AUDIENCE RECEPTION; HISTORY OF CINEMA
Summary: Examines the reaction of non-American audiences to Hollywood movies. Integrates work by a number of scholars assessing the reaction of audiences from Britain, Japan, France, Belgium, Turkey, Australia, India, Japan and Central Africa. Asserts that audience reaction is a “…complex adoption of ‘Hollywood’ into non American host cultures”.
Notes: Includes notes and index.
ISBN: 1 84457051 7

Call No: 408.3(4) HOL
Author: Ricci, Steven; Nowell Smith, Geoffrey
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Publishing
PubDate: 1998
PhysDes: x, 164 p. : ill. ; 24 cm
Series: UCLA Film and Television Archive studies in history, criticism, and theory
Notes: Includes bibliographical references and index
ISBN: 0851705960; 0851705979 (pbk.)
LON: abn98296454; 14124340

Call No: 71(73) HOL
Author: Kerr, Paul
CorpAuthor: British Film Institute
Place: London New York
Publisher: Routledge & Kegan Paul in association with the British Film Institute
PubDate: 1986
PhysDes: x, 290 p. ; 22 cm
Series: British Film Institute readers in film studies
Subject: USA; INDUSTRY, FILM. USA; STAR SYSTEM
Notes: Includes index; Bibliography: p. [276]-283
ISBN: 0710097301 (pbk.) : ª7.95 ($14.95 U.S.)
LON: 4319087

Call No: 410 HOL
Author: Maltby, Richard, 1952; Stokes, Melvyn
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: 240p. ; 24 cm
Subject: AUDIENCES; SPECTATORSHIP; AUDIENCE RECEPTION; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); FANTASIA (US, Walt Disney, 1940); CENSORSHIP. USA; RELIGION AND THE CINEMA. USA; ON THE BEACH (US, Stanley Kramer, 1959); ETHNIC GROUPS IN FILMS; CINEPHILIA
ISBN: 0851708110; 0851708102(pbk.) : ¦15.99
LON: 21774778

Call No: 210.31(73) GOM
Author: Douglas Gomery
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 333 p. ; 23 cm
Subject: Metro-Goldwyn-Mayer; WARNER BROS.; COLUMBIA PICTURES; UNITED ARTISTS; RKO; STUDIOS, FILM. USA; PRODUCTION COMPANIES & STUDIOS. USA; PARAMOUNT STUDIOS; UNIVERSAL PICTURES; ZUKOR, ADOLPH; WASSERMAN, LEW; HISTORY OF CINEMA
Summary: Despite being one of the most influential industries in the United States, indeed the world, the internal workings of the “dream factory” that is Hollywood is little understood outside the business. The Hollywood Studio System: A History is the first book to describe and analyse the complete development, classic operation, and reinvention of the global corporate entities which produce and distribute most of the films we watch…Gomery’s history tells the story of a “tale of two systems” using primary materials from a score of archives using primary materials from a score of archives across the United States as well as a close reading of both the business and trade press of the time, together with a range of photographs never before published. [Taken from back cover.]
ISBN: 1844570649

Call No: 733 HOM
Author: Gledhill, Christine
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Pub.
PubDate: 1987
PhysDes: 364 p. : ill. ; 22 cm
Subject: MELODRAMA; FEMINISM AND THE CINEMA; WOMEN AND THE CINEMA; MINNELLI, VINCENTE; SIRK, DOUGLAS; GRIFFITH, DAVID WARK; NOW, VOYAGER (US, Irving Rapper, 1942); STELLA DALLAS (US, King Vidor, 1937); BROKEN BLOSSOMS (US, David Wark Griffith, 1919)
Notes: Includes index; Bibliography: p. 350-356
ISBN: 0851702007 (pbk.); 085170199X : ª18.00
LON: bnb85170199; 5363079

Call No: 71(512.317) TEO
Author: Teo, Stephen
CorpAuthor: British Film Institute
Place: London
Publisher: BFI
PubDate: 1997
PhysDes: xi, 308 p. ; 25 cm
ISBN: 0851704964
LON: abn96175456; 12304761

Call No: 81HAW HOW
Author: Hillier, Jim; Wollen, Peter, 1938
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Publishing
PubDate: 1996
PhysDes: 252 p. : ports. ; 24 cm
Subject: HAWKS, HOWARD
Notes: Includes index; Filmography: p. 231-240; Bibliography: p. 241-246
ISBN: 0851705928 (cased); 0851705928; 0851705936 (pbk)
LON: 13041702

Call No: 79 IDI ROC
Author: Rockwell, John
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2003
PhysDes: 87 p. : ill. ; 19 cm; Press kit
Series: BFI Modern Classics
Subject: IDIOTERNE (DK, Lars Von Trier, 1998); TRIER, LARS VON; BREAKING THE WAVES (DK/FR, Lars Von Trier, 1996); DANCER IN THE DARK (FR/DK/SW, Lars von Trier, 2000); DOGMA
Summary: Shows how The Idiots relates to the other two films in the trilogy 'Good Woman', Breaking the Waves, and Dancer in the Dark. Shows how The Idiots relates to von Trier's celebrated early work in Danish television and his foray into directing Wagner's Ring cycle at the Bayreuth Festival. The result is a rich and illuminating interpretation of the key work of one of the most fascinating and misunderstood filmmakers of recent years
Notes: The Dogma 95, Manifesto and the Vow of Chastity: p.81-84 Credits: p.85-86 Bibliography: p.87
ISBN: 0851709559

Call No: 38(41) (047) IMP
Source: UK
Place: United Kingdom
PubDate: 2005
PhysDes: 76 p. ; 30 cm
Subject: CINEMAS. UK
Summary: Report into the impact that cinemas have on their local community within the United Kingdom.

Call No: 79INA POL
Author: Polan, Dana Bart
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Publishing
PubDate: 1993
PhysDes: 72 p. : ill. ; 19 cm
Series: BFI film classics
Subject: IN A LONELY PLACE (US, Nicholas Ray, 1950)
Notes: Includes bibliographical references (p. 71-72)
ISBN: 0851703607 (pbk) : No price; 0851703607
LON: 9913329 9913329

Call No: 79INT MEL
Author: Mellen, Joan
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: 87 p. : ill. ; 19 cm
Series: BFI FILM CLASSICS
Subject: EMPIRE OF THE SENSES [AI NO CORRIDA / EMPIRE DES SENS, L'] (JA/FR, Nagisa Oshima, 1976); OSHIMA, NAGISA
Summary: A close analysis of the controversial and sexually explicit 1970s Japanse film ‘In the Realm of the Senses’ by Ohsima Nagisa. Examines the film from within various contexts - historical, social, political, and aesthetic - exploring its immediate and consequent impact on audiences and its film culture legacy.
Notes: Includes index; Bibliography: p.87; Film credits
ISBN: 1844570347 (pbk.) : £8.99

Call No: 634.6 COC
Author: Cockshott, Gerald
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: November 1946
PhysDes: 8 p. ; 22 cm
Subject: MUSIC AND THE CINEMA; COMPOSING; SOUND
Notes: Cover title; Includes bibliographical references
LON: abn96285607; 12599944

Call No: 71(417) MCL
Author: McLoone, Martin
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: 234 p. : ill. ; 24 cm
Subject: REPUBLIC OF IRELAND; NATIONAL IDENTITY AND THE CINEMA. REPUBLIC OF IRELAND; LANDSCAPES IN FILMS; BUTCHER BOY, THE (US, Neil Jordan, 1997); POLITICAL FILMS; POLITICS AND THE CINEMA; FLAHERTY, ROBERT; HUSH-A-BYE-BABY (UK, Margo Hakin, 1990); IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993); JORDAN, NEIL; MAEVE (UK/IE, Pat Murphy & John Davies, 1981); MAN OF ARAN (UK, Robert Flaherty, 1934); NOTHING PERSONAL (UK/IE, Thaddeus O'Sullivan, 1995); OUR BOYS (IE, Cathal Black, 1981); PATRIOT GAMES (US, Philip Noyce, 1992); QUIET MAN, THE (US/IR, John Ford, 1952); SHERIDAN, JIM; THIS IS MY FATHER (US, Paul Quinn, 1998); TITANIC (US, James Cameron, 1997)
Notes: Includes bibliographical references and index
ISBN: 0851707920(cased) : ¦45.00; 0851707939(pbk.) : ¦14.99; 0851707920; 0851707939 (pbk.); 0851707920 (cased); 0851707939 (pbk.); 0851707920 (cased) : ¦45.00; 0851707939 (pbk.) : ¦14.99
LON: 21663034 21663034

Call No: 79ITS LOU
Author: Louvish, Simon
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1994
PhysDes: 75 p. : ill. ; 19 cm
Series: BFI film classics
Summary: Harold Bissonette ('pronounced Bissonay') owns a small-town grocery store in New Jersey, running the daily gauntlet of his nagging wife, demanding daughter, loud-mouthed son, prudish townspeople, blind or just plain ornery customers, and, of course, Baby LeRoy. But when his rich uncle Bean dies, Harold can at last realise his dream of owning an orange grove in California. From this unpromising material the genius of W.C. Fields fashioned one of the most sheerly funny comedies Hollywood ever produced. In it, the Fields persona was honed to perfection: the misanthropic curmudgeon, nursing his small triumphs over the women and small children who beset him, managing, however improbably, to transform disaster into success; Simon Louvish has performed a splendid work of excavation in tracing back the origins in Fields's stage work of the wonderful set pieces from which the film is constructed. But in dissecting the origins and techniques of the routines, Louvish does not murder the comedy, for his descriptions of Fields at work recreate the joy of watching the most anarchic and original comic Hollywood ever discovered
Notes: Includes bibliographical references (p. 75)
ISBN: 0851704727
LON: bnb85170472; 10907941

Call No: 81VIG FEL
Author: Feldman, Joseph; Feldman, Harry; Weinberg, Herman G; Agee, James, 1909-1955
CorpAuthor: British Film Institute
Place: London
Publisher: The British Film Institute
PubDate: 1947?
PhysDes: 28p. : ill
Series: New index series ; 4
Subject: VIGO, JEAN
LON: vlu00829477; 13257812

Call No: 79LAC DAR
Author: Dargis, Manohla
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PhysDes: 95 p. : ill. ; 19 cm
Series: BFI Modern Classics
Subject: L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); HANSON, CURTIS; HOLLYWOOD IN FILMS; PEARCE, GUY; CROWE, RUSSELL; SPACEY, KEVIN; BASINGER, KIM; DEVITO, DANNY; DIRECTORS. USA
Summary: Explores the careers of Curtis Hanson, director, and James Ellroy, novelist, drawing on interviews with both men, to dig deep into the film's obssession with the twinned, equally troubled histories of the Hollywood studio system and the city of Los Angeles.
Notes: Notes: p.85-87 Credits: p.88-93 Bibliography: p.94-95
ISBN: 0851709443

Call No: 79LIF KEN
Author: Kennedy, A. L
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1997
PhysDes: 73 p. : ill. ; 19 cm
Series: BFI film classics
ISBN: 0851705685 (pbk.) : No price : Formerly CIP
Order Received: 1997
LON: gb 97010866; 13041588

Call No: 759 DYE
Author: Dyer, Richard
CorpAuthor: British Film Institute. Educational Advisory Service
Place: London
Publisher: British Film Institute
PubDate: 1973
PhysDes: 43 p. ; 21 cm
Series: BFI television monograph ; 2
Notes: Includes bibliographical references
ISBN: 0851700365
LON: 74163803; 325154

Call No: 510.1(41)(058.7) LIS
Author: British Film Institute
CorpAuthor: British Film Institute. Education Department
Place: London
Publisher: Skillset ; British Film Institute
PubDate: 1997
PhysDes: `70 p. ; 30 cm
Subject: EDUCATION, FILM. UK; COURSES, FILM. UK
Notes: "January 1997"; Spiral binding

Call No: FESTIVAL CATALOGUE SHELVES; held 1957- 2006 (lacks 1985)
CorpAuthor: London Film Festival; British Film Institute; National Film Theatre (London, England)
Source: UK
Place: London
Publisher: The Festival
PubDate: 1957 -
PhysDes: v. : ill. ; 21 cm
Subject: FESTIVALS. LONDON
Notes: Presented by: The British Film Institute in association with the Greater London Council; Description based on: 22nd (1978); Cover title
LON: 2266814
ID2: 113

Call No: FESTIVAL CATALOGUE SHELVES; Held 1991 -
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: BFI Publishing
PubDate: 1991 -
Subject: HOMOSEXUALITY IN FILMS

Call No: 62(081) WIL
Author: Willemen, Paul
CorpAuthor: British Film Institute
Place: Bloomington London
Publisher: Indiana University Press British Film Institute
PubDate: 1994
PhysDes: 263 p. ; 25 cm
Subject: THIRD CINEMA; NATIONAL IDENTITY IN FILMS; NATIONAL CULTURE AND THE CINEMA; BAHTIN, MIHAIL; BRECHT, BERTOLT; FASSBINDER, RAINER WERNER; METZ, CHRISTIAN; MULVEY, LAURA; OSHIMA, NAGISA; ROCHA, GLAUBER; SIRK, DOUGLAS; OPHULS, MAX; DWOSKIN, STEPHEN; EPSTEIN, JEAN; GITAI, AMOS; KING, NOEL; SOLANAS, FERNANDO E.; TOKYO SENSO SENGO HIWA (JA, Nagisa Oshima, 1971)
Notes: Includes bibliographical references and index
ISBN: 0851703992 (pbk.); 0851703984
LON: 10340810
ID2: 346
URL status: URL: 'http://-' Checked: 31/08/2021 12:35:09 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 70"01"(41) LOS
CorpAuthor: British Film Institute
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: 23 cm, 210pp
Subject: HISTORY OF CINEMA. SILENT PERIOD; UNITED KINGDOM; PRESERVATION OF FILMS; TRAVELLING EXHIBITION; FOOTBALL FILMS
Summary: The discovery of the Peter Worden Mitchell and Kenyon collection has been described as film’s equivalent of Tutankhamen’s tomb. This treasure trove of 800 films has now been preserved for the nation by the BFI and is the subject of a BBC television series. The extraordinary actuality footage contained in the collection provides an unparalleled social record of everyday life in early twentieth-century Britain, featuring street and transport scenes, sporting events, parades, local industries. The Lost World of Mitchell and Kenyon contains essays from leading historians covering film history, popular entertainment, the seaside, transport, the earliest sporting events and the social and economic context of Edwardian Britain. Together they provide a vivid commentary on an unparalleled collection. [Taken from back cover.]
ISBN: 1844570460

Call No: 81VIS NOW
Author: Nowell-Smith, Geoffrey
CorpAuthor: British Film Institute
Edition: 3rd ed
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2003
PhysDes: 250 p. : ill. ; 24 cm
Subject: VISCONTI, LUCHINO
Summary: Fully revised and updated third edition study of director Luchino Visconti, first published in 1967 as part of the Cinema One series. Examines the career of Visconti, Aristocrat, Marxist and key European filmmaker, via a chronological analysis of each of his films. Also reflects on changing aspects of the ‘auteur’ theory of which the original edition was a major example.
Notes: Bibliography: p.224-230 Filmography: p.231-242 Includes index
ISBN: 0851709613 (pbk.)

Call No: 512(41) BRI
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1999
PhysDes: 94 p. ills.
ISBN: 0851707661

Call No: 510.1(41)(058.7) MED REF
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1993
PhysDes: v. ; 20 x 21 cm
Frequency: Annual
LON: gb 95072347; 11887500

Call No: 79MEE KAU
Author: Kaufman, Gerald
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1994
PhysDes: 71 p. : ill. (some col.) ; 19 cm
Series: BFI film classics
Summary: When Meet Me in St. Louis was first released fifty years ago, it achieved instant success, becoming MGM's most popular film to date. Since then it has effortlessly retained its place in the pantheon of great musicals. But elegant and graceful though it may be, this was not the easiest of films to make. Gerald Kaufman has done extensive research in the records of MGM deposited in the University of Southern California. He recounts how successive teams of writers laboured over the script, changing names, characters and story-lines. He reveals the numerous delays in production, many due to the erratic behaviour of Judy Garland, who altogether was absent for thirteen days of filming; That the film turned out so brilliantly is, in Kaufman's view, due largely to the credit of its director, Vincente Minnelli, who drew from an initially reluctant Judy Garland her most immaculate performance. An extended section of the book explores in detail Minnelli's contribution to the fluidity of the visual style and the richness of the decor
Notes: Bibliography: p. 71
ISBN: 0851705014
LON: bnb85170501; 11420418

Call No: 81MEL NOG
Author: Melville, Jean-Pierre, 1917-1973; Nogueira, Rui
CorpAuthor: British Film Institute
Place: London
Publisher: Secker and Warburg in association with the British Film Institute
PubDate: 1971
PhysDes: 176 p. : ill., ports. ; 20 cm
Series: Cinema one ; 16
Subject: MELVILLE, JEAN-PIERRE
Notes: Filmography: p. 168-175
ISBN: 0436099217 (pbk.); 0436099209
LON: 72183629; 616606

Call No: held v.9 no.37-v.58 no.687 1942-Apr. 1991 annual indexes; lacks 1971-1974
CorpAuthor: British Film Institute
Source: UK
Place: [London
Publisher: British Film Institute]
PubDate: 1934-1991
PhysDes: 58 v. ; 27 cm
Notes: Continued by: incorporated into Sight and Sound
ISSN: 0027-0407
Frequency: Monthly
LON: 47042975; 1920635
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Call No: held v.1-v.14 1934-1947
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: World Microfilms (Pub. Division) in association with the British Film Institute
PubDate: 1970-[199-]
PhysDes: microfilm reels ; 35 mm
Notes: Microreproduction. Originally published monthly: London : British Film Institute
ISSN: 0027-1407
LON: abn88040241; 5715380
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Call No: 749.2 CHU
Author: Church Gibson, Pamela
CorpAuthor: British Film Institute
Edition: 2nd ed
Source: UK
Place: London
Publisher: BFI Pub.
PubDate: 2004
PhysDes: 264 p. : ill. ; 24 cm
Subject: PORNOGRAPHY AND THE CINEMA; CENSORSHIP. AUSTRALIA; EROTIC FILMS; EROTIC FILMS. ASIA; EROTICISM IN FILMS; GENDER AND THE CINEMA; KIPNIS, LAURA
Summary: Presents feminist responses to the politics and presentation of pornography. Examines how pornography relates to the critical theory of gender identity, sexuality and issues of power and cultural identity. Asserts that the study of pornography has “immense symbolic and social significance.” First published in 1993.
Notes: Includes bibliographical references, notes, index and list of illustrations.
ISBN: 0 85170 939 7
LON: 10014448

Call No: 409 MOV
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2003
PhysDes: 196 p. ; 23 cm
Subject: CINEPHILIA; FANS; KIAROSTAMI, ABBAS; TSAI, MING LIANG; MASUMURA, YASUZO; HAWKS, HOWARD; HOU HSIAO-HSIEN
Notes: Includes Index
ISBN: 0851709842

Call No: 79NAP KAP
Author: Kaplan, Nelly; McGuirk, Bernard
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Publishing
PubDate: 1994
PhysDes: 70 p. : ill. (some col.) ; 19 cm
Series: BFI film classics
Summary: Abel Gance's great film Napoleon, as heroic in ambition as its subject, opened at the Opera de Paris in April 1927. It was the summation of the silent cinema, a remarkable feat of imagination, ingenuity and stamina. Years in the planning and months in production, the film astonished its audience with the boldness of its conception - not least at the moment when the screen expanded to reveal Gance's visionary invention of Polyvision, a wide-screen system thirty years ahead of its time. Yet Gance's triumph was to be short-lived. The American version, re-edited by MGM, was a disaster. The sheer length of the film, and its spectacular effects, produced problems for exhibitors. Gance never gave up trying to 'improve' it. In 1934 he added sound; in 1970 he was still editing
Notes: Includes bibliographical references
ISBN: 0851704662
LON: bnb85170466; 10955280

Call No: F026(41) NFA NAT
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1960
PhysDes: 195 p. ; 22 cm
Subject: FILMOGRAPHIES
Notes: catalogue ; copy 1

Call No: F026(41) NFA NAT
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1960
PhysDes: 195 p. ; 22 cm
Subject: FILMOGRAPHIES
Notes: catalogue ; copy 2

Call No: F026(41) NFA NAT
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1966
PhysDes: 326 p. ; 22 cm
Subject: FILMOGRAPHIES
Notes: catalogue

Call No: REFERENCE SECTION; 026(41) NFA "1985"
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute, London
PubDate: 1985
PhysDes: 216 p. ; 30 cm
Subject: FILMOGRAPHIES
Notes: catalogue

Call No: 79NIG CAL
Author: Callow, Simon, 1949
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Publishing
PubDate: 2000
PhysDes: 79p. : ill., ports. ; 19 cm
Series: BFI film classics ; 59
Subject: NIGHT OF THE HUNTER (US, Charles Laughton, 1955)
ISBN: 0851708226(pbk.) : ¦8.99
LON: 21859970

Call No: 79OLY DOW
Author: Downing, Taylor
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Publishing
PubDate: 1992
PhysDes: 96 p. : ill., ports. ; 19 cm
Series: BFI film classics
Subject: OLYMPIA (G, Leni Riefenstahl, 1938)
Notes: Bibliography: p. 96
ISBN: 0851703410; 0851703410 (pbk) : No price
LON: 9206320 9206320

Call No: 79ONC MAR
Author: Martin, Adrian, 1959
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1998
PhysDes: 96 p. : col. ill. ; 19 cm
Series: BFI modern classics
Notes: Bibliography: p. 95-96
ISBN: 0851705548; 0851705448
LON: abn98196556; 13937932

Call No: 81OPH OPH
Author: Willemen, Paul
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1978
PhysDes: iv, 87 p. : music ; 21 cm
Subject: OPHULS, MAX
LON: isb85170082; 2613920

Call No: 81WEL MCB
Copy Management: Copy 1; Copy 2
Author: McBride, Joseph
CorpAuthor: British Film Institute
Place: London
Publisher: Secker and Warburg in association with the British Film Institute
PubDate: 1972
PhysDes: 192 p. : ill., ports. ; 20 cm
Series: Cinema one ; 19
Subject: WELLES, ORSON
Notes: List of films: p. 167-181; Bibliography: p. 188-190
ISBN: 0436099276 (pbk.); 0436099268
LON: 72195802; 627996

Call No: 756 ROH
Author: Rohdie, Sam, 1939
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: viii, 280 p. ; 24 cm
Subject: ETHNOGRAPHIC FILMS; CULTURE AND THE CINEMA; BAZIN, ANDRE; CITIZEN KANE (US, Orson Welles, 1941); GIDE, ANDRE; GODARD, JEAN-LUC; ART AND THE CINEMA; Pasolini, Pier Paolo; ROHMER, ERIC; ROSSELLINI, ROBERTO; MODERNISM AND THE CINEMA
Notes: Includes bibliographical references and index
ISBN: 0851708536(pbk.) : ¦15.99; 0851708544(cased) : ¦48.00
LON: 22645289

Call No: 64REA REA
Copy Management: Copy 1; Copy 2
Author: Williams, Christopher, 1939
CorpAuthor: British Film Institute
Place: London
Publisher: Routledge & Kegan Paul in association with the British Film Institute
PubDate: 1980
PhysDes: ix, 285 p. ; 22 cm
Series: British Film Institute readers in film studies
Subject: REALISM IN FILMS; FLAHERTY, ROBERT
Notes: Includes index; Bibliography: p. 263-273
ISBN: 071000477X : &10.00; 0710004788 (pbk.) : &4.95
LON: 81148208; 1889153

Call No: 79RED LIA
Author: Liandrat-Guigues, Suzanne
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Publishing
PubDate: 2000
PhysDes: 72p. : ill., ports. ; 19 cm
Series: BFI film classics ; 57
Subject: RED RIVER (US, Howard Hawks, 1948)
ISBN: 0851708196(pbk.) : ¦8.99
LON: 22408716

Call No: 71(41) GLE
Author: Gledhill, Christine
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2003
PhysDes: 214 p. ; 24 cm
Subject: UNITED KINGDOM; GENDER AND THE CINEMA. UK; CULTURE AND THE CINEMA. UK; THEATRE AND THE CINEMA. UK; STARS; STAR SYSTEM. UK; ACTORS. UK
Summary: Early British cinema examined in the context of British cultural traditions (pictorialism, theatricality and storytelling) as distinct from American or European perspectives. Examines the illuminating role cinema plays in the understanding of British culture, class and gender identity and social change.
Notes: Includes filmography, bibliography and index.
ISBN: 0 85170 889 7

Call No: 81RIV RIV
Author: Rivette, Jacques, 1928; Rosenbaum, Jonathan
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1977
PhysDes: [3], 101 p. ; 21 cm
Subject: RIVETTE, JACQUES
Notes: Bibliography: p. 99-101
ISBN: 0851700640 : ª0.75
LON: 77378479; 1152845

Call No: 81ROS ROB
Author: Forgacs, David; Nowell-Smith, Geoffrey; Lutton, Sarah
CorpAuthor: British Film Institute
Place: London
Publisher: bfi Publishing
PubDate: 2000
PhysDes: xxii, 208 p. : ill., ports. ; 25 cm
Subject: ROSSELLINI, ROBERTO
Notes: Includes bibliographical references and index
ISBN: 0851707947(cased) : ¦45.00; 0851707955(pbk.) : ¦14.99; 0851707947; 0851707955 (pbk.)
LON: 21663030

Call No: 79ROC ROH
Author: Rohdie, Sam, 1939
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Publishing
PubDate: 1992
PhysDes: 80 p. : ill., ports. ; 20 cm
Series: BFI film classics
Subject: ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960)
Notes: Includes bibliographical references
ISBN: 0851703402
LON: 9206319

Call No: 408.1(4) SCR
Author: Petrie, Duncan J., 1963
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Pub.
PubDate: 1992
PhysDes: viii, 120 p. ; 21 cm
Series: BFI working papers
Subject: NATIONAL IDENTITY IN FILMS; EUROPEAN COUNTRIES; ART CINEMA. EUROPEAN COUNTRIES; AKERMAN, CHANTAL; JAMESON, FREDRIC; GODARD, JEAN-LUC; TEMPEST, THE (UK, Derek Jarman, 1979); EDWARD II (UK, Derek Jarman, 1991); CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); DOM ZA VESANJE (YU, Emir Kusturica, 1989); YOUNG SOUL REBELS (UK, Isaac Julien, 1991); PASSION (FR/SZ, Jean-Luc Godard, 1982); MUJERES AL BORDE DE UN ATAQUE DE NERVIOS (SP, Pedro Almodovar, 1988)
Notes: Proceedings of a conference sponsored by the British Film Institute at the National Film Theatre, London, in June 1991; Filmography: p. 114-120; Includes bibliographuical references
ISBN: 0851703216
LON: bnb85170321; 9141124

Call No: 71(41) PET
Author: Petrie, Duncan J., 1963
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: 250 p. : ill., ports. ; 24 cm
Subject: UNITED KINGDOM : SCOTLAND; NATIONAL IDENTITY AND THE CINEMA. UK : SCOTLAND; CHANNEL FOUR; DOUGLAS, BILL; FORSYTH, BILL; Grierson, John; BOYLE, DANNY; MACKENDRICK, ALEXANDER; Powell, Michael; MULLAN, PETER; MCDOUGALL, PETER; GRIGOR, MURRAY; CAUGHIE, JOHN; MACKENZIE, JOHN; BROTHERS, THE (UK, David MacDonald, 1947); SHIPBUILDERS, THE (UK, John Baxter, 1943); WHISKY GALORE (UK, Alexander MacKendrick, 1949); BRAVEHEART (US, Mel Gibson, 1995); BREAKING THE WAVES (DK/FR, Lars Von Trier, 1996); I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945); MY NAME IS JOE (UK/GG, Kenneth Loach, 1998); ORPHANS (UK, Peter Mullan, 1997); RATCATCHER (UK, Lynne Ramsey, 1999); ROB ROY (US, Michael Caton-Jones, 1995); SHALLOW GRAVE (UK, Danny Boyle, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996)
Notes: Includes bibliographical references (p. [231]-237) and index
ISBN: 085170784X(cased) : No price; 0851707858(pbk.) : ¦14.99
LON: 21532814

Call No: 802.24-02 FRA
Author: Francke, Lizzie
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1994
PhysDes: viii, 172 p. : ports ; 23 cm
Notes: Includes bibliographical references (P. 143-144) and index
ISBN: 0851704786 (pbk) : ª11.95; 0851704778
LON: abn94243395; 11032604

Call No: 451BAZ
CorpAuthor: British Film Institute. Education Dept
Place: London
Publisher: BFI Education
PubDate: 0198-?]
PhysDes: 42 slides, col., photosheets 1 and 2, broadsheet, teachers' booklet, students' booklet ; in plastic folder
Subject: MEN IN FILMS; WOMEN IN FILMS; TYPE CHARACTERS IN FILMS
Summary: The pack examines the construction of audiences and how they are addressed, and the commercial. The concept of stereotyping is introduced, with examples of gender stereotyping
Notes: Students' booklet entitled: The companies you keep
LON: abn84090813; 3170586

Call No: 725.3 CRE
Author: Creeber, Glen
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: 184 p. ; 24 cm
Subject: SERIALS; CRIME DRAMAS; HISTORICAL DRAMAS; GENDER AND TV
Summary: An examination of the “breadth and diversity of serial television” placed in political and social context. Divided into four sections: the historical mini-series (Roots, Holocaust, Heimat) alternative drama (Twin Peaks, Riget, Cold Lazarus) crime (Prime Suspect, Cracker, The Sopranos) life politics (This Life, Queer as Folks, Sex and the City). Looks at how serial dramas have treated gender politics and have expanded genres by increasing their complexity and depth.
Notes: Includes teleography of individual series and index.
ISBN: 1 84457 021 5

Call No: 79SEV DYE
Author: Dyer, Richard, 1945
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1999
PhysDes: 88 p. : ill. (some col.) ; 14 cm
Series: BFI modern classics
Subject: SEVEN [SE7EN] (US, David Fincher, 1995)
Notes: Includes bibliographical references
ISBN: 0851707238(pbk.) : ª7.99
LON: 20068526

Call No: 30(73) GOM
Author: Gomery, Douglas; Bordwell, David, 1947
CorpAuthor: British Film Institute
Place: London
Publisher: BFI
PubDate: 1992
PhysDes: xxii, 381 p. : ill., port ; 24cm
Notes: Bibliography: p357-375. - Includes index
ISBN: 0851703143 (pbk) : ª14.95; 0851703143
LON: bnb85170314; 8918960

Call No: held v.2, no.8- winter 1934- lacks spring 1934; winter 1934/35
CorpAuthor: British Film Institute; British Institute of Adult Education
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1932
PhysDes: v. : ill., ports. ; 28 cm
Summary: Sight & Sound is published by the British Film Institute (BFI), a cultural charity funded by the National Lottery. Since 1952, Sight & Sound has conducted a critic’s poll of the ‘Greatest Films of All Time,’ widely regarded as the most authoritative listicle on film. -- AFIRC
ISSN: 0037-4806
Missing Issues: Claimed October 2001 on 10/10/2001.
Order Notes: Current
Special Issues: "Oscar Stories" Feburary 2004; "Crime Wave: A-Z of Crimes Toughest"June 2004; "360 film classics" June 1998; "Mediawatch '99" March 1999; "Hitchcock" August 1999
LON: qsl02035885; 7294415 7248862 8177014
AFIRC Location: Reading Room
URL status: URL: 'https://search-proquest-com.ezproxy.lib.rmit.edu.au/screenstudies/publication/40577/citation/815DD8C082704036PQ/75?accountid=13552' Checked: 31/08/2021 12:36:02 PM Status: Live Details: HTTP status 200 - Usual success response URL: 'https://search-proquest-com.ezproxy.lib.rmit.edu.au/screenstudies/publication/1818794/citation/815DD8C082704036PQ/76?accountid=13552' Checked: 31/08/2021 12:36:02 PM Status: Live Details: HTTP status 200 - Usual success response

Call No: 70"01" CHE
Author: Cherchi Usai, Paolo; Cherchi Usai, Paolo. Burning passions
CorpAuthor: British Film Institute
Edition: [Rev. and expanded ed.] / new preface by David Robinson
Place: London
Publisher: BFI Pub
PubDate: 2000
PhysDes: xix, 212 p., [20] p. of plates : ill. (some col.) ; 24 cm
Subject: HISTORY OF CINEMA. SILENT PERIOD; ARCHIVES & INSTITUTES, FILM; PRESERVATION OF FILMS; MUSIC FOR SILENT FILMS; TECHNICOLOR; COLOUR SYSTEMS
Notes: Previous ed.: (i.e. 1st English ed.) published as Burning passions. 1994; Includes bibliographical references and index
ISBN: 0851707467 (pbk.) : ¦13.99; 0851707459; 0851707467 (pbk.) ¦13.99; 0851707459 (cased) : ¦40.00
Language: Translated from the Italian
LON: 21931416

Call No: 79SIN WOL
Author: Wollen, Peter, 1938
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Publishing
PubDate: 1992
PhysDes: 72 p. : ill. (some col.), ports. ; 19 cm
Series: BFI film classics
Subject: SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952)
Notes: Bibliography: p. 70-72
ISBN: 0851703518; 0851703518 (pbk) : No price
LON: 9206321 9206321

Call No: 71(41) MUR
Author: Murphy, Robert, 1947
CorpAuthor: British Film Institute
Place: London
Publisher: BFI
PubDate: 1992
PhysDes: [ix], 354 p. : ill. ; 24 cm
Subject: UNITED KINGDOM
Notes: Includes bibliographical references (p. 323-333) and index
ISBN: 0851703240 (pbk); 0851703097 (cased) : ª40.00
LON: 8595901

Call No: 80(41) SIX
Author: McFarlane, Brian, 1934
CorpAuthor: British Film Institute; Monash University
Place: London Melbourne
Publisher: BFI Monash University
PubDate: 1992
PhysDes: xii, 260 p. : ports. ; 25 cm
Subject: UNITED KINGDOM; Attenborough, Richard; BALL, VINCENT; BOGARDE, DIRK; BOX, BETTY E.; CRAIG, MICHAEL; FORBES, BRYAN; GILBERT,LEWIS; GORING, MARIUS; GRANGER, STEWART; GUINNESS, ALEC; HAMILTON, GUY; HILLER, WENDY; HOBSON, VALERIE; HORDERN, MICHAEL; Kerr, Deborah; LEE, JACK; LOM, HERBERT; MCCALLUM, JOHN; MCKENNA, VIRGINIA; MILLS, JOHN; NEAME, RONALD; SINDEN, DONALD; SYMS, SYLVIA; TRAVERS, BILL; USTINOV, PETER; WITHERS, GOOGIE; WOOLF, JOHN; ANDERSON, JEAN; ANNAKIN, KEN; ASHERSON, RENEE; BAKER, ROY WARD; BOULTING, ROY; BOX, MURIEL; BRYAN, DORA; BYRON, KATHLEEN; CALVERT, PHYLLIS; CARMICHAEL, IAN; COLE, GEORGE; COLE, SYDNEY; DAVIS, JOHN; DENISON, MICHAEL; GRAY, DULCIE; FARRAR, DAVID; FOWLER, HARRY; FRENCH, HAROLD; GUEST, VAL; HAVELOCK-ALLAN, ANTHONY; HUNTLEY, RAYMOND; JACKSON, GORDON; JACKSON, PAT; JOHN, ROSAMUND; JUSTIN, JOHN; KENT, JEAN; LEACOCK, PHILIP; MILES, BERNARD; OWEN, BILL; PAVLOW, MURIEL; PILBEAM, NOVA; RELPH, MICHAEL; SCOTT, MARGARETTA; SHERIDAN, DINAH; THOMAS, RALPH; TODD, ALAN; TODD, RICHARD; WALSH, KAY
Notes: Includes index
ISBN: 0851703534; 0851703496 (pbk.)
LON: 9302871

Call No: 465 STA Copy 1
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1982
PhysDes: 83 p. ; 30 cm.
Subject: STAR SYSTEM; POLITICS AND THE CINEMA; FEMINISM AND THE CINEMA; THEORY; DUEL IN THE SUN (US, King Vidor, 1946)

Call No: 201(41) GAR
Author: Garnham, Nicholas
CorpAuthor: British Film Institute. Educational Advisory Service
Edition: [Rev. ed.]
Place: London
Publisher: British Film Institute
PubDate: 1978
PhysDes: 58 p. ; 21 cm
Subject: TELEVISION
Notes: Bibliography: p. 58
ISBN: 0851700357
LON: 1694509 1694509

Call No: F026(41) BFI BRI
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: [19-?]
Subject: BRITAIN; FILMOGRAPHIES

Call No: 64GEN MOT
Author: Mottershead, Chris; McKnight, Stephanie; O'Brien, Maureen
CorpAuthor: British Film Institute
Place: [London
Publisher: BFI Education
PubDate: 1981-1986.]
PhysDes: 4 v. ; 30 cm. + 80 slides
LON: zbn96102307; 13004558

Call No: 701 WIN
Author: Winston, Brian
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1996
PhysDes: viii, 143 p. : ill. ; 25 cm
Notes: Includes bibliographical references and index
ISBN: 0851706029 (pbk.); 0851706010
Order Received: 1997
LON: abn97098896; 13116248

Call No: 45:301.152 TEL
Author: Caughie, John
CorpAuthor: British Film Institute. Educational Advisory Service
Place: London
Publisher: British Film Institute
PubDate: 1978
PhysDes: 92 p. ; 21 cm
Series: BFI television monograph ; 9
Notes: "Produced by the British Film Institute, Educational Advisory Service."; Bibliography: p. 92
ISBN: 0851700772
LON: isb85170077; 2593206

Call No: 45:93 MCA
Author: McArthur, Colin, 1934
CorpAuthor: British Film Institute. Educational Advisory Service
Place: London
Publisher: British Film Institute
PubDate: 1978
PhysDes: 60 p., [2] fold. leaves of plates : ports. ; 21 cm
Series: BFI television monograph ; 8
Notes: Includes bibliographical references
ISBN: 085170073X : ª1.20 ($3.00 U.S.)
LON: 1678021 1678021

Call No: 20 TEL
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 25 cm ; 130 p.
Subject: BRITISH BROADCASTING CORPORATION; TELEVISION. UK
Summary: Television Industries provides a comprehensive introduction to the inner workings of the television industry, focusing on the key features of the contemporary television landscape: television as a business, the technologies of television, the infrastructures of the industry, programme development and production practices, scheduling, budgeting and selling advertising air time, television’s policy and regulatory frameworks, and the culture of television. The book includes both overview articles of aspects of the television industry and in-depth case studies of channels and programmes, ranging from BBC Worldwide to Discovery International, and from The Simpsons to Restoration. Contributions, written by a team of leading international scholars, are extensively cross-referenced to guide the reader through the complexities of this fast-changing industry. Television Industries is essential reading for anyone interested in understanding how television programmes are shaped, produced and sold, and the central role of television in the global media economy. [Taken from back of cover].
ISBN: 1844571076

Call No: 732.2 TEL
Author: Cook, Jim
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1982
PhysDes: 100 p. ; 30 cm
Series: BFI dossier ; 17
Notes: Includes bibliographical references
LON: abn85146215; 3850785

Call No: 621 THE
Author: Caughie, John
CorpAuthor: British Film Institute
Place: London Boston
Publisher: Routledge & Kegan Paul in association with the British Film Institute
PubDate: 1981
PhysDes: ix, 316 p., [4] p. of plates : ill. ; 23 cm
Series: British Film Institute readers in film studies
Subject: AUTHORSHIP; AUTEUR THEORY; CAHIERS DU CINEMA; SARRIS, ANDREW; FORD, JOHN; SEARCHERS, THE (US, John Ford, 1956); STAGECOACH (US, John Ford, 1939); SEVEN WOMEN (US, John Ford, 1965)
Notes: Includes indexes; Bibliography: p. 302-308
ISBN: 0710006497; 0710006500 (pbk.)
LON: 80041575; 2070811
Contents: Part One - Auteurism -- 1. Introduction -- A. Auteurism in theory -- 2. M H Abrams: 'Literature as a revelation of personality' -- 3. Edward Buscombe: 'Ideas of authorship -- B. The theory in practice -- 4. Cahiers du Cinema -- 5. Movie -- 6. Andew Sarris -- C. Dossier on John Ford -- 7. Louis Marcorelles: 'Ford of the movies' -- 8. Lindsay Anderson: 'The searchers' -- 9. Andrew Sarris: 'The searchers' -- 10. Robin Wood: 'Shall we gather at the river? the late films of John Ford' -- 11. Peter Wollen (Lee Russell): 'John Ford' -- 12. Jean-Louis Comolli: 'Signposts on the trail' -- 13. Jean Narboni: 'Casting out the eights: John Ford's Seven Women' -- Part Two - Auteur-structuralism -- 14. Introduction -- 15. Claude Levi-Strauss: 'The structural study of myth' (extract) -- 16. Geoffrey Nowell-Smith: Visconti (extract) -- 17. Peter Wollen: 'The auteur theory' (extract) -- 18. Charles Eckert: 'The English cine-structuralists' -- 19. Brian Henderson: 'Critique of cine-structuralism' (part 1) -- 20. Jean-Pierre Oudart: 'Conclusion to the Cahiers du Cinema editors' "John Ford's Young Mr Lincoln"' (extract) -- 21. Pierre Macherey: 'Literary analysis: the tomb of the structures' (extract) -- Part Three - Fiction of the author/author of the fiction -- 22. Introduction -- 23. Roland Barthes: 'The death of the author' -- 24. Stephen Heath: 'Comment on "The idea of authorship" -- 25. Geoffrey Nowell-Smith: 'Six authors in pursuit of The searchers' (extract) -- 26. Christian Metz: 'History/discourse: a note on two voyeurisms' -- 27. Geoffrey Nowell-Smith: 'A note on "history/discourse"' -- 28. Sandy Flitterman: 'Woman, desire and the look: feminism and the enunciative apparatus in cinema' -- 29. Nick Browne: 'The rhetoric of the specular text with reference to Stagecoach' -- 30. Jean-Pierre Oudart: 'The absent field of the Author' -- 31. Pam Cook: 'The point of self-expression in avant-garde film' -- 32. Michel Foucault: 'What is an author?' (extract)

Call No: 79THI FRA
Author: Frayling, Christopher
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Pub.
PubDate: 1995
PhysDes: 83 p. : ill., ports. ; 19 cm
Series: BFI film classics
Notes: Bibliography: p. 82-83
ISBN: 0851704808
LON: bnb85170480; 11572298

Call No: held no.1-no.7 Aug. 1984-Apr. 1986 lacks no.2,4
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: The Institute
PubDate: 1984-
PhysDes: v. : ill., facsims, ports ; 30cm
Notes: Great Britain. Cinema films: Feature films. Organisations: British Film Institute. - Serials (BNB/PRECIS)
LON: bnn08748963; 5608371

Call No: 45:37 TVA
Author: Lusted, David; Drummond, Phillip
CorpAuthor: University of London. Institute of Education; British Film Institute. Education Dept
Place: London
Publisher: British Film Institute Dept. in association with University of London Institute of Education
PubDate: 1985
PhysDes: xi, 124 p. : ill. ; 21 cm
Notes: Schools. Curriculum subjects: Television studies. Teaching (BNB/PRECIS); Includes index
ISBN: 0851701809 (pbk.) : ª3.95 : CIP rev
LON: 4277884

Call No: 734.2(73) MCA
Author: McArthur, Colin, 1934
CorpAuthor: British Film Institute
Place: London
Publisher: Secker and Warburg [for] the British Film Institute
PubDate: 1972
PhysDes: 176 p. illus., ports. 20 cm
Subject: GENRES; GANGSTER FILMS. USA; THRILLERS. USA; LANG, FRITZ; HUSTON, JOHN; DASSIN, JULES; SIODMAK, ROBERT; KAZAN, ELIA; RAY, NICHOLAS; FULLER, SAMUEL; SIEGEL, DON; MELVILLE, JEAN-PIERRE; PUBLIC ENEMY, THE (US, William Wellmen, 1931); BIG HEAT, THE (US, Fritz Lang, 1953); MALTESE FALCON, THE (US, John Huston, 1941); BIG SLEEP, THE (US, Howard Hawkes, 1946); LITTLE CAESAR (US, Mervyn LeRoy, 1931); SCARFACE (US, Howard Hawks, 1932)
ISBN: 0436098857 0436098849 (pbk.)
LON: 73155714; 541899

Call No: 71(44) VIE
Author: Vincendeau, Ginette, 1946; Reader, Keith
CorpAuthor: British Film Institute; National Film Theatre (London, England)
Place: London
Publisher: British Film Institute
PubDate: 1986
PhysDes: 109 p.
Series: NFT dossier ; no. 3
Subject: FRANCE
Notes: "A BFI publication produced by the National Film Theatre, London."
ISBN: 0851701914
LON: abn88136924; 5857729

Call No: 79WEN HOU
Author: Houston, Penelope
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Pub.
PubDate: 1992
PhysDes: 61 p. : ill. ; 19 cm
Series: BFI film classics
Notes: Includes bibliographical references (p. 61)
ISBN: 0851703186
LON: 8882057

Call No: 721-02 THO
Author: Thornham, Sue
Source: UK
Place: London
Publisher: Palgrave macmillan [on behalf of the] bfi
PubDate: 2012
PhysDes: vi, 236 p. : ill., ports. ; 24 cm
Subject: WOMEN AND THE CINEMA; WOMEN DIRECTORS; WOMEN FILMMAKERS; WOMEN IN FILMS; FEMINISM AND THE CINEMA; WOOLF, VIRGINIA; ARMSTRONG, GILLIAN
Summary: "What happens when women tell their own stories in film? In What If I Had Been the Hero?, Sue Thornham addresses this question through an exploration of a wide range of films, from experimental feminist film to mainstream Hollywood, and from the 1970s to the present day, by film-makers including Sally Potter, Jane Campion, Deepa Mehta, Patricia Rozema and Lynne Ramsay. Her discussion takes in films from India and Argentina as well as Europe, Canada, Australia and the US. Drawing on a wide range of feminist theoretical sources, What If I Had Been the Hero? makes an important intervention into contemporary debates, situating film-making within a rich history of female creativity, and insisting on the continuing importance of feminist theory." -- BOOK BLURB
Notes: Includes bibliographic references and index; Includes filmography
ISBN: 9781844573639
Contents: Part One: Questions -- Chapter One: 'What If I Had Been The Hero?' -- Chapter Two: Women's Liberation Cinema? -- Chapter Three: Unexplored Territories --; Part Two: Explorations -- Chapter Four: Heroes and Writers -- Chapter Five: Landscapes and Stories -- Chapter Six: Bodies and Passions -- Conclusion: Unfinished Business

Call No: 792WIZ RUS
Copy Management: Copy 1; Copy 2
Author: Rushdie, Salman
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Pub.
PubDate: 1992
PhysDes: 69 p. : ill. (some col.) ; 19 cm
Series: BFI film classics
Subject: WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Notes: Includes bibliographical references (p. 69)
ISBN: 0851703003
LON: 8957289 8957289

Call No: 79MUJ EVA
Author: Evans, Peter William
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1996
PhysDes: 80 p. : ill., ports. ; 19 cm
Series: BFI modern classics
Subject: MUJERES AL BORDE DE UN ATAQUE DE NERVIOS (SP, Pedro Almodovar, 1988)
Notes: Includes bibliographical references
ISBN: 0851705405 (pbk)
LON: gb 96083205; 12878414

Call No: 721-02(02) WOM
CorpAuthor: British Film Institute. Educational Advisory Service
Place: London
Publisher: British Film Institute, Educational Advisory Service
PubDate: 1977?]
PhysDes: 67 p. ; 21 x 30 cm
Subject: DIRECTORS; WOMEN IN FILMS
Notes: Cover title
LON: abn84266522; 3587994

Call No: 623.3 WOR
Author: Wollen, Peter, 1938- ed
CorpAuthor: British Film Institute. Education Dept
Place: London
Publisher: British Film Institute
PubDate: 1969]
PhysDes: 36 p. ; 25 cm
Notes: Cover title; "First presented at seminars organized by The British Film Institute Education Department."; Includes bibliographical references
ISBN: 0851700020
LON: 75438547; 286035