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Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: O'GRADY,OLIVER

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TWELVE O'CLOCK] 12:00 (AT, Petar Bridges, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: A.W.O.L. (US, Sheldon Lettich, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ACCOUNTANT, THE (US, Gavin O'Connor, 2016)

Call No: TITLE CLIPPINGS FILE; O.J.: MADE IN AMERICA (US, Ezra Edelman, 2016)
Author: Maddox, Garry
PhysDes: Clippings
Subject: O.J.: MADE IN AMERICA (US, Ezra Edelman, 2016); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987)
Summary: Report on ACMI's screening of 7.5 hour O.J. Simpson documentary.

Author: Prisk, Tracey
PhysDes: Article
Subject: DISTRIBUTION. AUSTRALIA; TOTAL FILM AND TELEVISION PTY LTD; NOTHING PERSONAL (UK/IE, Thaddeus O'Sullivan, 1995)
Summary: Distributor Total Films has gone into voluntary administration.

Call No: TITLE CLIPPINGS FILE; ACCOUNTANT, THE (US, Gavin O'Connor, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: ACCOUNTANT, THE (US, Gavin O'Connor, 2016)
Summary: Review of the film THE ACCOUNTANT
Notes: similar review in The Age, same date
Rating: 2.5 out of 5 stars

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: ALMOND, PETER. O.

Call No: N79ALW ROB
Author: Roberts, Z. O.
Edition: 1st ed.
Source: AT
Place: Sydney
Publisher: F.J. Thwaites
PubDate: 1948
PhysDes: 222 p. ; 19 cm
Subject: ALWAYS ANOTHER DAWN [AT, T.O. McCreadie, 1948]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM NOT A SERIAL KILLER (IE/UK, Billy O'Brien, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: AMERICAN HUSTLE (US, David O. Russell, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMULETO DE OGUM, O (BL, Nelson Pereira dos Santos, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: ANGEL (US, Robert Vincent O'Neil, 1984)

PhysDes: Article
Subject: ANGEL (US, Robert Vincent O'Neil, 1984); NEW WORLD PICTURES
Summary: Article on the completion of principle photography for 'Angel'. Has a brief plot synopsis and notes that this is the first New World Pictures film to be made under the new ownership.

PhysDes: Article
Subject: STARSTRUCK (AT, Gillian Armstrong, 1982); ARMSTRONG, GILLIAN; KENNEDY, JO; O'DONOVAN, ROSS; INDUSTRY, FILM. AUSTRALIA; DISTRIBUTION
Summary: Article on the success of 'Starstruck' in America.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANTHOS TIS LIMNIS, O (GR, STAMATIS TSAROUCHAS, 1999); FLOWER OF THE LAKE, THE (GR, Stamatis Tsarouchas, 1999)

Author: Colaciello, Robert
PhysDes: Article
Subject: DRAGAO DA MALADE CONTRA O SANTO GUERREIRO O (BL, Glauber, Rocher, 1969)
Summary: Review; ill; interview

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ARMSTRONGS MOVIE, THE (UK, Fergus O'Brien, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ARROWHEAD (AT, Jesse O'Brien, 2015)

Call No: 71(94) COL
Author: Collins, F.; Davis, T.
Place: Port Melbourne
Publisher: Cambridge University Press
PubDate: 2004
PhysDes: vii, 204 p. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); DISH, THE (AT, Rob Sitch, 2000); LANTANA (AT, Ray Lawrence, 2001); AUSTRALIAN RULES (AT, Paul Goldman, 2002); ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; WALKING ON WATER (AT, Tony Ayres, 2001); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); HOLY SMOKE (US, Jane Campion, 1999); SERENADES (AT, Mojgan Khadem, 2000); YOLNGU BOY (AT, Stephen Johnson, 2001); MISSING, THE (AT, Manuela Alberti, 1999); HEARTLAND [TV] (AT, 1994); ABORIGINAL AUSTRALIANS AND TV; CUNNAMULLA (AT, Dennis O'Rourke, 2000); MESSAGE FROM MOREE (AT, Judy Rymer, 2003); CASTLE, THE (AT, Rob Sitch, 1997); VACANT POSSESSION (AT, Margot Nash, 1995); STRANGE PLANET (AT, Emma-Kate Croghan, 1999); RADIANCE (AT, Rachel Perkins, 1998); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); HEAD ON (AT, Ana Kokkinos, 1998); BENEATH CLOUDS (AT, Ivan Sen, 2001); JAPANESE STORY (AT, Sue Brooks, 2003); TRACKER, THE (AT, Rolf de Heer, 2002)
Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)
Notes: Index: p.200-204; Bibliography
ISBN: 0521834805 : 0521542561 (pbk.)
Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.
URL status: URL: 'http://-' Checked: 31/08/2021 1:11:10 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 747.77(73) AUT
Author: Pomerance, Murray; Palmer, R. Barton
Edition: 2022
Place: Austin
Publisher: University of Texas Press
PubDate: April 2022
PhysDes: 324 pages ; 23.5 cm
Subject: PEOPLE WITH DISABILITIES IN FILMS; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994); LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016); RAIN MAN (US, Barry Levinson, 1988); GOOD DOCTOR, THE [TV] ( US, 2017 - ); BIG SHORT, THE (US, Adam McKay, 2015); STRANGER THINGS [TV] (US, 2016); SOCIAL NETWORK, THE (US, David Fincher, 2010); NIGHTCRAWLER (US, Dan Gilroy, 2014); ACCOUNTANT, THE (US, Gavin O'Connor, 2016); BEING THERE (US, Hal Ashby, 1979); PHANTOM THREAD (US, Paul Thomas Anderson, 2017); DAVID AND LISA (US, Frank Perry, 1962); MARY POPPINS (US, Robert Stevenson, 1964)
Summary: Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism. Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism’s portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and “quirky” autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions. -- publisher's web site
ISBN: 9781477324912
Contents: -- -- Preface: Two Meditations: Who Am I? (Murray Pomerance) Before Neurodiversity (R. Barton Palmer) -- 1. Autistic Android? The Curious Instance of Star Trek’s Data (Ina Rae Hark) -- 2. Life, Animated: Adapting a Book about a Hero with Autism (Rebecca Bell-Metereau) -- 3. Where Is the Autism in Rain Man? (Daniel Sacco ) -- 4. The Good Doctor: Images of Autism and Augmented Intelligence (Burke Hilsabeck) -- 5. Oddity and Catastrophe in The Big Short (Jason Jacobs) -- 6. Diagnosing the Detective: Sherlock Holmes and Autism in Contemporary Television (Christina Wilkins) -- 7. She’s So Unusual: The Autist in Stranger Things (Brenda Austin-Smith) -- 8. Autism, Performance, and Sociality: Isolated Attention in The Social Network (Elliott Logan) -- 9. Hidden Worlds of Female Autism (Daniel Varndell) -- 10. Eye Contact in Juárez: Borderline Empathy and the Autistic Detective (Douglas McFarland) -- 11. The Creative Evolution and Reception of Netflix’s Atypical (Christine Becker) -- 12. Community’s Human Laugh Track: Neurodiversity in a Metamodern Sitcom (Joshua Schulze) -- 13. Portrait of the Autist as a Young Man (Fincina Hopgood) -- 14. Due Diligence: Exploring ASD in Nightcrawler and The Accountant (Dominic Lennard) -- 15. Mind the Gap: Autistic Viewpoint in Film (Alex Clayton) -- 16. Performative Restraint and the Challenges of Empathy in Being There and Phantom Thread (Matthew Cipa) -- 17. “A Spoonful of Sugar”: Watching Movies Autistically (Mark Osteen) -- 18. David and Lisa: The Healing Power of the Group (R. Barton Palmer) -- 19. Jesse: Torture That Autist (Murray Pomerance) -- Works Cited and Consulted -- Photo Captions and Credits -- Contributors -- Index.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AVENGING ANGEL (US, Robert Vincent O'Neil, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAKE-OFF 1978 (AT, Elizabeth O'Neill, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BALLADA O SOLDATE (UR, Grigori Cuhrai, 1959)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAR ESPERANCA - O ULTIMO PUE FECHA (BL, Hugo Carvana, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: BARAO DE ALTAMIRA, O (PO, Artur Semedo, 1985)

Call No: 81STR CON
Author: Considine, Shaun
Source: UK
Place: London
Publisher: Century Hutchinson
PubDate: 1986
PhysDes: viii, 394 p. : ill. ; 23 cm
Subject: STREISAND, BARBRA; BEATTY, WARREN; GOULD, ELLIOTT; KRISTOFFERSON, KRIS; O'NEAL, RYAN; PETERS, JON; FUNNY GIRL (US, William Wyler, 1968); HELLO, DOLLY! (US, Gene Kelly, 1969); YENTL (US, Barbara Streisand, 1983)
ISBN: 0712610820

PhysDes: Article
Subject: CHILDREN'S ISLAND [BARNENS O] (SW, Kay Pollak, 1980)
Notes: Swedish Film Institute

PhysDes: Article
Subject: CHILDREN'S ISLAND [BARNENS O] (SW, Kay Pollak, 1980)
Notes: Swedish Film Institute

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BEAUTIFUL (AT, Dean O'Flaherty, 2009)
ID2: 82

Call No: P BEA
Place: AT
PhysDes: 1 poster : col. ; 69 x 100cm
Subject: BEAUTIFUL (AT, Dean O'Flaherty, 2009)
Summary: Full colour, glossy poster. Features an image of Peta Wilson in a red bathing suit and sunglasses reclining on a sun-lounge.
ID2: 44

Call No: 761(04) BEY
Author: Warren, Charles, 1948
Place: Hanover, NH
Publisher: University Press of New England
PubDate: 1996
PhysDes: xxviii, 366 p. : ports. ; 24 cm
Subject: DOCUMENTARY FILMS; CINEMA VERITE; DIRECTORS; DOCUMENTARY DRAMAS; NEWSREELS; MEMORY IN FILMS; ETHNOGRAPHIC FILMS; BIOGRAPHICAL FILMS; GENOCIDE IN FILMS; WORLD WAR II FILMS; NUIT ET BROUILLARD (FR, Alain Resnais, 1955); OPHULS, MARCEL; RESNAIS, ALAIN; SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); TRI PESNI O LENINE (UR, Dziga Vertov, 1934); WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971); BOOMERANG (US, Elia Kazan, 1947); VERTOV, DZIGA; MARKER, CHRIS; FILM PORTAIT (US, Jerome Hill, 1972); GARDNER, ROBERT; MCELWEE, ROSS; ZERKALO (UR, Andrei Tarkovsky, 1975)
Summary: "In essays by eleven of America's foremost writers, critics and filmmakers, Beyond Document explores the full spectrum on nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema verite, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who..., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss. Representations of reality are increasingly contested, in courtrooms and Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve"; and poet Susan Howe explores structures of mourning in several filmmakers. All of the books essays provide deeply felt understandings of documentary film, and of how we live with, and within, images." -- BOOK BLURB
Notes: Includes bibliographical references (p. 345-350) and index
ISBN: 0819552879 (cl : alk. paper); 0819562904 (pbk. : alk. paper)
LON: 11642141
Contents: Words of welcome / Stanley Cavell -- Introduction, with a brief history of nonfiction film / Charles Warren -- Death and the image / Jay Cantor -- Memory's movies / Patricia Hampl -- Eternal Verites / William Rothman -- The toil of thought: on several nonfiction films by women / Helene Keyssar -- The camera people / Eliot Weinberger -- The impulse to preserve / Robert Gardner -- You are there / Maureen Howard -- Earth and beyond: Dusan Makaveyev's WR: Mysteries of the Organism / Charles Warren -- In search of the centaur: the essay film / Phillip Lopate -- Vertov's cinematic transposition of reality / Vlada Petric -- Sorting facts; or, nineteen ways of looking at marker / Susan Howe

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEYOND SKYLINE (UK/CC/CN/IO/SI, Liam O'Donnell, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG DIS, THE (US, Gordon Eriksen & John O'Brien, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BILLY'S HOLLYWOOD SCREEN KISS (US, Tommy O'Haver, 1997)

Call No: 408.3 BER
Author: Berry, Chris
Place: Sydney
Publisher: Empress Publishing
PubDate: 1994
PhysDes: 118 p. ; 18 cm
Subject: HOMOSEXUALITY IN FILMS. ASIA; PROSTITUTES IN FILMS; GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991)
Summary: The Good Woman of Bangkok, p21-68.
Notes: CIP confirmed; Bibliography: p. 107-118; Filmography: p. 105-106
ISBN: 0646187708
LON: 10856102

Call No: N 79 BIT COL
Author: Collins, Jackie
Source: UK
Place: London
Publisher: Pan Books
PubDate: 1979
PhysDes: 160 p. : 18 cm
Subject: BITCH, THE (US, Gerry O'Hara, 1979)
ISBN: 0330259288
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BITCH, THE (US, Gerry O'Hara, 1979)

Author: Michael Adams
PhysDes: Article
Subject: NOVAKOVIC, BOJANA; SOLO (AT, Morgan O'Neill, 2005)
Summary: Interview with Bojana Novakovic on her career, focusing on her latest release Solo

Call No: 732(94) JOH
Author: Johnson, Rob, 1969; Smiedt, David
Place: Rydalmere, N.S.W.
Publisher: Hodder Headline Australia
PubDate: 1999
PhysDes: viii, 376 p. : ill., ports. ; 24 cm
Subject: COMEDIES. AUSTRALIA; COMEDY PROGRAMMES. AUSTRALIA; COMEDIENNES. AUSTRALIA; ADAMS, PHILLIP; GLEISNER, TOM; MCDERMOTT, PAUL; O'DONOGHUE, RORY; BAILEY, BERT; BOND, GRAHAME; BOURNE, SHANE; BROWN, NOELINE; CILAURO, SANTO; CHATER, GORDON; CREYTON, BARRY; DENTON, ANDREW; FAHEY, MARYANNE; FERGUSON, TIM; GILLIES, MAX; GRILLS, LUCKY; GYNGELL, KIM; HALL, KEN G.; HARMER, WENDY; HOGAN, PAUL; HUMPHRIES, BARRY; KENNEDY, GRAHAM; LAMOND, TONI; MCDONALD, GARRY; QUANTOCK, ROD; RAYE, CAROL; REILLY, GARY; SITCH, ROB; SORRENTI, VINCE; SZUBANSKI, MAGDA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BIG GIG, THE [TV] (AT, Ted Robinson, 1989); FRONTLINE [TV] (AT, 1994- ); MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968); IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-); AUNTY JACK SHOW, THE [TV] (AU, 1972-73); COMEDY COMPANY, THE [TV] (AT, 1988-1990); D-GENERATION [TV] (AT, 1986-?); FAST FORWARD [TV] (AT, 1988-1989?)
Notes: Includes index; "An Allison Pressley book."
ISBN: 0733609384 : $24.95
LON: 14529909

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BOYS LIFE (US, Brian Sloan, Raoul O'Connell & Robert Lee King, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BREAST MEN (US, Lawrence O'Neil & Gary Lucchesi, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BREATHING LESSONS: THE LIFE AND WORK OF MARK O'BRIEN (US, Jessica Yu, 1997?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BROKEN BARRIER (NZ, Roger Mirams & John O'Shea, 1952)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BROKEN HARVEST (IE, Maurice O'Callagham, 1994)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BROWN, O. NICHOLAS

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRUTE, THE (UK, Gerry O'Hara, 1977)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 10 photographs : b&w ; 13 x 18 cm - 25 x 20 cm
Subject: EWART, JOHN; HOWARD, JOHN; KIDMAN, NICOLE; WINGROVE, JAMES; MANALPUY; SPAIN, MARK; BARRON, PAUL D.; SUMNER, PETER; O'MALLEY, VINETA; BUSH CHRISTMAS (AT, Henri Safran, 1981)
Summary: Ten black and white photographs relating to the film Bush Christmas
Notes: One image donated by Brian McFarlane

Call No: PERSONALITY CLIPPINGS FILE; O'LOUGHLIN, FIONA
Author: Bennett, Sally
PhysDes: Clippings File Article
Subject: O'LOUGHLIN, FIONA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: CAL (UK/IE, Pat O'Connor, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: CANNIBAL TOURS (AT, Dennis O'Rourke, 1987)

Call No: P CAN
PhysDes: 1 poster : col. ; 59 X 42 cm.
Subject: CANNIBAL TOURS (AT, Dennis O'Rourke, 1987)
Summary: Image: photo of some characters and some of them are highlighted. Text:' There is nothing so strange in a strange land, as the stranger who comes to visit it.'
ID2: 44

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 13 x 18 cm
Subject: CANNIBAL TOURS (AT, Dennis O'Rourke, 1987)
Summary: Four black and white photographs relating to the film Cannibal tours

Call No: 71-032(81) NEM
Author: Nemi Neto, Joao
Edition: 2021
Place: Detroit
Publisher: Wayne State University Press
PubDate: 2021
PhysDes: x, 170 pages ; 24 cm
Series: Queer Screens
Subject: BRAZIL; HOMOSEXUALITY IN FILMS; AIDS IN FILMS; PORNOGRAPHIC FILMS; CANNIBALISM IN FILMS; MADAME SATA (BL/FR, Karim Ainouz, 2002); MARINS, JOSE MOJICA; ORGIA OU O HOMEN QUE DEU CRIA (BL, Joao Silverio Trevisan, 1970)
Summary: Through an analysis of contemporary Brazilian cinematic production, Cannibalizing Queer: Brazilian Cinema from 1970 to 2015 discusses which queer representations are erased and which are acknowledged in the complex processes of cultural translation, adaptation, and "devouring" that defines the Brazilian understanding of sexual dissidents and minorities. João Nemi Neto argues for Brazilian cinema studies to acknowledge the importance of 1920s modernism and of antropografia, a conceptual mode of cannibalism, to adopt and extrapolate a perverse form of absorption and raise the stakes on queer theory and postcolonialism, and to demonstrate how they are crucial to the development of a queer tradition in Brazilian cinema. In five chapters and two "trailers," Nemi Neto understands the term "queer" through its political dimensions because the films he analyzes represent characters that conform neither to American coming-out politics nor to Brazilian identity politics. Nonetheless, the films are queer precisely because the queer experiences and affection explored in these films do not necessarily insist on identifying characters as a particular sexuality or gender identity. Therefore, attention to characters within a unique cinematic world raises the stakes on several issues that hinge on cinematic form, narrative, and representation. Nemi Neto interviews and examines the work of Joao Silverio Trevisan and provides readings of films such as AIDS o furor do sexo explícito (AIDS the Furor of Explicit Sex, 1986), and Dzi Croquetes (Dzi Croquetes, 2009) to theorize a productive overlap between queer and antropofagia. Moreover, the films analyzed here depict queer alternative representations to both homonormativity and heteronormativity as forms of resistance, at the same time as prejudice and heteronormativity remain present in contemporary Brazilian social practices. Graduate students and scholars of cinema and media studies, queer studies, Brazilian modernism, and Latin American studies will value what one early reader called "a point of departure for all future research on Brazilian queer cinema." -- publisher's web site
ISBN: 9780814346105
Donation: Senses of Cinema

Call No: 79SAL HUN
Author: Huntley, Rebecca
Place: Sydney
Publisher: University of New South Wales
PubDate: 1995
PhysDes: 22 leaves ; 30 cm
Subject: CENSORSHIP. AUSTRALIA; SALO O LE CENTOVENTI GIORNATE DI SODOMA (IT/FR, Pier Paolo Pasolini, 1975)
Notes: Film Honours thesis, University of NSW; Available on the World Wide Web : http://www.dca.gov.au/aba/olss186.htm

Call No: 743 CON
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2000
PhysDes: 242 p. : ill. ; 24 cm.
Subject: CHRISTMAS IN FILMS; REMEMBER THE NIGHT (UK, Mitchell Leisen, 1939); SCROOGE (UK, Henry Edwards, 1935); CHRISTMAS CAROL, A (US, Edwin L. Marin, 1938); SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951); SCROOGE (UK, Ronald Neame, 1970); CHRISTMAS CAROL, A (UK, Clive Donner, 1984); SCROOGED (US, Richard Donner, 1988); MUPPET CHRISTMAS CAROL, THE (US, Brian Henson, 1992); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MAN WHO CAME TO DINNER, THE (US, William Keighley, 1941); HOLIDAY INN (US, Mark Sandrich, 1942); CHRISTMAS UNDER FIRE (UK, Harry Watt, 1941); TURKEY TIME (UK, Tom Walls, 1933); HOLLY AND THE IVY, THE (UK, George More O'Ferrall, 1953); CHEATERS, THE (US, Joe Kane, 1945); MIRACLE ON 34TH STREET (US, Les Mayfield, 1994); MIRACLE ON 34TH STREET (US, George Seaton, 1947); SANTA CLAUSE, THE (US, John Pasquin, 1994); ERNEST SAVES CHRISTMAS (US, John Cherry, 1988); SANTA CLAUSE: THE MOVIE (US, Jeannot Szwarc, 1985); GREMLINS (US, Joe Dante, 1984); SILENT NIGHT, DEADLY NIGHT (US, Charles E. Sellier Jr., 1984); SILENT NIGHT, DEADLY NIGHT PART II (US, Lee Harry, 1987); TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS (US, Harry Selick, 1993); CHRISTMAS STORY, A (US, Bob Clark, 1983); LETHAL WEAPON (US, Richard Donner, 1987); DIE HARD (US, John McTiernan, 1988); DIE HARD 2 (US, Renny Harlin, 1990); HOME ALONE (US, Chris Columbus, 1990); HOME ALONE 2: LOST IN NEW YORK (US, Chris Columbus, 1992); LONG KISS GOODNIGHT, THE (US, Renny Harlin, 1996); JINGLE ALL THE WAY (US, Brian Levant, 1996); MERLUSSE (FR, Marcel Pagnol, 1935); CHATEAU DE MA MERE, LE (FR, Yves Robert, 1990); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); VIE EST UN LONG FLEUVE TRANQUILLE, LA (FR, Etienne Chatiliez, 1988); ELISA (FR, Jean Becker, 1994); KARNAVALNAIA NOCH (UR, Eldar Ryazanov, 1956); IRONIYA SUDBY ILI S LYOGKIM PAROM (UR, Eldar Ryazanov, 1975); PLACIDO (SP, Luis Garcia Berlanga, 1961)
Summary: A look at depictions of Christmas across various national cinemas and genres throughout the 20th century.
Notes: Includes bibliographical references and indexes. Filmography: p. ([223]-232)
ISBN: 1860643973
Contents: -- God Bless Us, Every One: Movie Adaptations Of A Christmas Carol / James Chapman -- A Hollywood Carol's Wonderful Life / Jonathan Munby -- Dreaming Of Christmas: Hollywood And The Second World War / H. Mark Glancy -- Christmas Under Fire: The Wartime Christmas In Britain / Sarah Street -- Crisis At Christmas: Turkey Time, The Holly And The Ivy, The Cheaters / Jeffrey Richards -- Santa Claus: The Movie / Mark Connelly -- You Better Watch Out: Christmas In The Horror Film / Kim Newman -- 'Peace On Earth, Goodwill To All Men': The Depiction Of Christmas In Moden Hollywood Films / Rowana Agajanian -- Christmas In French Cinema / Guy Austin -- Father Frost On 31 December: Christmas And New Year In Soviet And Russian Cinema / Birgit Beumers -- Satirizing The Spanish Christmas: Placido / Peter William Evans

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: CHRISTMAS DOWN UNDER (AT, Louis Mandylar/Paul O'Brien, 2021)

Call No: 61[929:7] VAC
Author: Vacche, Angela Dalle
Source: US
Place: Austin, Texas
Publisher: University of Texas Press
PubDate: 1996
PhysDes: xi, 303 pages : illustrations ; 23 cm
Subject: ART AND THE CINEMA; AMERICAN IN PARIS, AN (US, Vincente Minnelli, 1951); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); ANDREI RUBLEV (UR, Andrei Tarkovsky, 1969); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); THERESE (FR, Alain Cavalier, 1986)
Summary: "The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity." - taken from back cover.
Notes: Includes index -- Includes bibliographical references (p. [267]-292)
ISBN: 0292715838
Contents: Introduction: A Thematic and Intertextual Approach -- Ch. 1. Vincente Minnelli's An American in Paris: Painting as Psychic Upheaval -- Ch. 2. Michelangelo Antonioni's Red Desert: Painting as Ventriloquism and Color as Movement -- Ch. 3. Eric Rohmer's The Marquise of O: Painting Thoughts, Listening to Images -- Ch. 4. Jean-Luc Godard's Pierrot le Fou: Cinema as Collage against Painting -- Ch. 5. Andrei Tarkowsky's Andrei Rublev: Cinema as the Restoration of Icon Painting -- Ch. 6. F. W. Murnau's Nosferatu: Romantic Painting as Horror and Desire in Expressionist Cinema -- Ch. 7. Kenji Mizoguchi's Five Women around Utamaro: Film between Woodblock Printing and Tattooing -- Ch. 8. Alain Cavalier's Therese: Still Life and the Close-Up as Feminine Space
ID2: 343

Call No: 71(93) CIN
Source: UK
Place: London
Publisher: Wallflower
PubDate: 2007
PhysDes: xiii, 259 p. : ill. ; 24 cm.
Series: 24 Frames
Subject: AUSTRALIA; NEW ZEALAND; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953); BACK OF BEYOND, THE (AT, John Heyer, 1954); JEDDA (AT, Charles Chauvel, 1955); FREE RADICALS (NZ, Len Lye, 1958); RUNAWAY (NZ, John O'Shea, 1964); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ONE NIGHT THE MOON (AT, Rachel Perkins, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); VIGIL (NZ, Vincent Ward, 1984); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984); PIANO, THE (AT, Jane Campion, 1993); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); AFTER MABO (AT, Richard Frankland, 1997); CHOPPER (AT, Andrew Dominik, 2000); GODDESS OF 1967, THE (AT, Clara Law, 2000); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001)
Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood.
Notes: Includes filmography. Includes bibliography and index.
ISBN: 9781904764960

Call No: 81RAY DAS
Author: Das Gupta, Chidananda
Edition: rev. and enl. ed.
Place: New Delhi
Publisher: National Book Trust, India
PubDate: 1994
PhysDes: xv, 204 p., [48] p. of plates : ill. ; 24 cm
Subject: Ray, Satyajit; PATHER PANCHALI (II, Satyajit Ray, 1955); APARAJITO (II, Satyajit Ray, 1957); PARASH PATHAR (II, Satyajit Ray, 1958); JALSAGHAR (II, Satyajit Ray, 1958); APUR SANSAR (II, Satyajit Ray, 1958); DEVI (II, Satyajit Ray, 1960); TEEN KANYA (II, Satyajit Ray, 1961); RABINDRANATH TAGORE (ii, Satyajit Ray, 1961); KANCHENJUNGHA (II, Satyajit Ray, 1962); ABHIJAN (II, Satyajit Ray, 1962); MAHANAGAR (II, Satyajit Ray, 1963); CHARULATA (II, Satyajit Ray, 1964); TWO (II, Satyajit Ray, 1964); KAPURAUSH O MAHAPURUSH (II, Satyajit Ray, 1965); NAYAK (II, Satyajit Ray, 1966); CHIRIAKHANA (II, Satyajit Ray, 1967); GOOPY GYNE BAGHA BYNE (II, Satyajit Ray, 1968); ARANYER DIN RATRI (II, Satyajit Ray, 1970); PRATIDWANDI (II, Satyajit Ray, 1971); SEEMABADDHA (II, Satyajit Ray, 1971); JANA ARANYA (II, Satyajit Ray, 1975); SHATRANJ KE KHILARI (II, Satyajit Ray, 1977); JOI BABA FELUNATH (II, Satyajit Ray, 1978); HOME AND THE WORLD, THE [; SHAKHA PROSHAKHA (II/FR, Satyajit Ray, 1990); AGANTUK (II, Satyajit Ray, 1991); INNER EYE, THE (II, Satyajit Ray, 1972); ASANI SANKET (II, Satyajit Ray, 1973); SONAR KELLA (II, Satyajit Ray, 1975); BALA (II, Satyajit Ray, 1976); JOI BABA FELUNATH (II, Satyajit Ray, 1978); HIRAK RAJAR DESHE (II, Satyajit Ray, 1980); PIKOO (II, Satyajit Ray, 1980); SADGATI (II, Satyajit Ray, 1981); SUKUMAR RAY (II, Satyajit Ray, 1988); GANASHATRU (II, Satyajit Ray, 1989)
Notes: Includes bibliographical references (p. [201]-204)
ISBN: 8123707533
Donation: donated by the family of Wayne Levy, 2006

Call No: 71 (52) CIN; RARE BOOK; FOLIO
Place: Tokyo
Publisher: Kokusai Bunka Shinkokai (The Society for International Cultural Relations)
PubDate: 1938
PhysDes: 82 p. : ill., ports. ; 32cm
Subject: JAPAN; NATIONAL CULTURE AND THE CINEMA; PERIODICALS, FILM; ORGANIZATIONS; NEWSREELS; KOREA; SHOCHIKU; TOHO; NIKKATSU; KAZE NO NAKA NO KODOMO (JA, Hiroshi Shimizu, 1937); KOJO NO TSUKI (JA, Keisuke Sasaki, 1937); HANA-KAGO NO UTA (JA, Heinosuke Gosho, 1937); ASAKUSA NO HI (JA, Yasujiro Shimazu, 1937); SOBO (JA, Hisatora Kumagai, ?); TABIJI (JA, Ri Keikwan, ?); ATARASHIKI TSUCHI (JA, Mansaku Itami, 1937); HADAKA NO MACHI (JA, Tomu Uchida, 1937); SHINSEN GUMI (JA, Sotoji Kimura, 1937); SHINJITSU ICHIRO (JA, Tomotaka Tasaka, 1937); SHUKUJO WA NANI O WASURETA KA (JA, Yasujiro Ozu, 1937); OSAKA NATSU NO JIN (JA, Teinosuke Kinugasa, 1937); AI EN KYO (JA, Kenji Mizoguchi, 1937); WAKAI HITO (JA, Shiro Toyoda, 1937); KAGIRINAKI ZENSHIN (JA, Tomu Uchida, 1937)

Call No: 753.1 MUR
Author: Murray, Edward
Source: US
Place: New York
Publisher: Frederick Ungar Publishing Co.
PubDate: 1972
PhysDes: xi, 330 p. ; 22cm.
Subject: ADAPTATIONS. BECKETT, SAMUEL; ADAPTATIONS. HEMINGWAY, ERNEST; ADAPTATIONS. MILLER, ARTHUR; ADAPTATIONS. O'NEILL, EUGENE; ADAPTATIONS. STEINBECK, JOHN; ADAPTATIONS. WILLIAMS, TENNESSEE; ADAPTATIONS. WOOLF, VIRGINIA; EXPRESSIONISM; LITERATURE AND THE CINEMA; THEATRE AND THE CINEMA; BRECHT, BERTOLT; EISENSTEIN, SERGEI M.; FAULKNER, WILLIAM; FITZGERALD, F. SCOTT; GREENE, GRAHAM; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ANNA CHRISTIE (US, Clarence Brown, 1930); CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); END OF THE AFFAIR, THE (UK, Neil Jordan, 1999); SOUND AND THE FURY, THE (US, Martin Ritt, 1959)
Summary: An exploration of the relationships between cinema, theatre and literature. While the book does discuss adaptation, it also discusses the influence that cinema has had on drama and novels.
Notes: Includes bibliographic details
ISBN: 0804426430

Call No: 23 STE
Author: Sterling, Anna Kate
Place: Metuchen, N.J.
Publisher: Scarecrow Press
PubDate: 1987
PhysDes: x, 131 p. : ill. ; 23 cm
Subject: CINEMATOGRAPHY; MOHR, HAL; PERRY, HARRY F.; RITTAU, GUNTHER; VINNA, CLYDE DE; STRUSS, KARL; MILLER, VIRGIL; VALENTINE, JOSEPH A.; O'BRIEN, WILLIS; GAUDIO, TONY; BITZER, G.W. [BILLY]; BROENING, LYMAN; COURANT, CURT; SKALL, WILLIAM V.; RENNAHAN, RAY; GREENE, W. HOWARD
Notes: "These essays were first published between 1929 and 1937 in the International photographer"--Foreword; Includes index
ISBN: 0810819724
LON: 5017179

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CIRCLE OF FRIENDS (US, Pat O'Connor, 1995)

Call No: TITLE CLIPPINGS FILE; JOY (US, David O. Russell, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: JOY (US, David O. Russell, 2015)
Summary: Review of the film JOY
Rating: 3.5 out of 5 stars

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 6 photographs : b&w ; 13 x 18 cm - 21 x 30 cm
Subject: BURKE, SIMON; HAYWOOD, CHRIS; O'DONNELL, MARILYN; CLINIC, THE (AT, David Stevens, 1982)
Summary: Six black and white photographs (including one photocopy) relating to The clinic
Notes: Contains a duplicate

Call No: 81 COE NAY
Author: Nayman, Adam
Source: US
Place: New York
Publisher: Abrams Books
PubDate: 2018
PhysDes: 320 pages : illustrations (some colour) ; 32 cm
Subject: COEN, JOEL & ETHAN; BLOOD SIMPLE (US, Joel Coen, 1984); RAISING ARIZONA (US, Joel Coen, 1987); MILLER'S CROSSING (US, Joel Cohen, 1990); BARTON FINK (US, Joel Cohen, 1991); HUDSUCKER PROXY, THE (US, Joel Coen, 1994); FARGO (US, Ethan Coen, 1996); BIG LEBOWSKI, THE (US, Joel Coen, 1998); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001); INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003); LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004); NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007); BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008); SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009); TRUE GRIT (US, Coen Brothers, 2010); HAIL, CAESAR! (UK/US, Ethan Coen and Joel Coen, 2016)
Summary: "From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, “some Grand Unified Theory of Coen-ness.” The book combines critical text—biography, close film analysis, and enlightening interviews with key Coen collaborators—with a visual aesthetic that honors the Coens’ singular mix of darkness and levity. Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this book will be the definitive exploration of the Coen brothers’ oeuvre." - taken from publisher's website.
Notes: Includes bibliographical references.
ISBN: 9781419727405
Contents: An introduction -- Out of nowhere -- Blood simple -- Raising Arizona -- Miller's crossing -- Interview: Michael Miller -- Barton Fink -- Hits and misses -- The hudsucker proxy -- Fargo -- Interview: The Zellner Brothers -- The Big Lebowski -- Interview: Lisa Walker -- Can't stop what's coming -- O brother, where are thou? -- The man who wasn't there -- Interview: Carter Burwell -- Intolerable cruelty -- The ladykillers -- Mysterious ways -- No country for old men -- Interview: Roger Deakins -- Tuillries & world cinema -- Burn after reading -- A serious man -- Interview: J. Todd Anderson -- That's entertainment! -- True grit -- Interview: Mary Zophres -- Inside Llewyn Davis -- Hail, Caesar! -- Interview: Jess Gonchor -- An outroduction -- Credits -- Bibliography

PhysDes: Article
Subject: FRIELS, COLIN; PROJECT GREENLIGHT AUSTRALIA; SOLO (AT, Morgan O'Neill, 2005)
Summary: Interview with Colin Friels on making Solo and the Project Greenlight Australia experience

Call No: 737 RUB
Author: Rubin, Steven Jay, 1951
Place: Jefferson, N.C.
Publisher: McFarland
PubDate: 1981
PhysDes: xii, 233 p. : ill. ; 24 cm
Subject: WAR FILMS; BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957); LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962); WALK IN THE SUN, A (US, Lewis Milestone, 1945); BATTLEGROUND (US, William A. Wellman, 1949); GREAT ESCAPE, THE (US, John Sturges, 1963); TWELVE O'CLOCK HIGH (US, Henry King, 1949); HELL IS FOR HEROES (US, Don Siegel, 1961); PATTON (US, Franklin J. Schaffner, 1970)
Notes: Includes index
ISBN: 0899500137; 0899500145 (pbk.) 0899500161 (pbk.)
LON: 1739858

Call No: TITLE CLIPPINGS FILE; JOY (US, David O. Russell, 2015)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: JOY (US, David O. Russell, 2015)
Summary: Review of the film JOY

Call No: 81COE RED
Author: Redmon, Allen H.
Source: US/UK
Place: New York : London
Publisher: Rowman & Littlefield
PubDate: c2015
PhysDes: xviii, 173 pages ; 24 cm
Subject: CRITICISM; COEN, JOEL & ETHAN; LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004); BARTON FINK (US, Joel Cohen, 1991); RAISING ARIZONA (US, Joel Coen, 1987); HUDSUCKER PROXY, THE (US, Joel Coen, 1994); MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001); INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003); NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007); BIG LEBOWSKI, THE (US, Joel Coen, 1998); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008); SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009)
Summary: "In Constructing the Coens: From Blood Simple to Inside Llewyn Davis, Allen Redmon looks beyond the postmodern sensibilities of every film written and directed by the Coens to find an unexpected range of recurring ideas expressed in and about contemporary film. Redmon tackles all of the films in the Coen brothers’ canon by examining—among other topics—narrative coherence in The Man Who Wasn’t There, intertextuality in No Country for Old Men, and sexuality in Burn after Reading and O Brother, Where Art Thou? Additional chapters examine the films through the prisms of gender studies, adaptation studies, and a constructivist sensibility weaved throughout their work." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (pages 155-160), filmography (pages 161-163) and index
ISBN: 9781442244849
Donation: Sense of cinema
Contents: -- acknowledgments -- introduction -- 1: "It's a problem of 'perception'": identifying the Coens' constructivist sensibility -- 2: "You don't want to be tried and found wantin'": triggering the ongoing adaptation of the the Ladykillers -- 3: "I will destroy him": negotiating the image in Barton Fink and Raising Arizona -- 4: "That gag's got whiskers on it": achieving narrative coherence in the Hudsucker proxy and The man who wasn't there -- 5: "The coin don't have no say": examining intertextuality in the Hudsucker proxy, Intolerable cruelty, and No country for old men -- 6: "A lotta ins, a lotta outs": interweaving genres in the Big Lebowski and O brother, where art thou? -- 7: "Appearances can be deceptive" : investigating sexuality in O brother, where art thou?, Intolerable cruelty, and Burn after reading -- 8: "I haven't done anything funny": scrutinizing gender in the Coens' arrangements of a bunch of men around one woman -- 9: "Accept the mystery": resisting final construction of A serious man -- Conclusion -- bibliography -- filmography -- index -- about the author --

Call No: 62 ORR
Author: Orr, John, 1943
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: c1998
PhysDes: xi,243 p. : ill. ; 24 cm
Subject: CANADA; CITY OF SADNESS, A [; MASCULINITY IN FILMS; RELIGION AND THE CINEMA; COMMUNISM AND THE CINEMA; DOUBLES IN FILMS; EXPRESSIONISM; FILM NOIR; POLAND; PSYCHOLOGY AND THE CINEMA; SEX IN FILMS; SURREALISM AND THE CINEMA; ALLEN, WOODY; ALTMAN, ROBERT; ANTONIONI, MICHELANGELO; BEATTY, WARREN; BELMONDO, JEAN-PAUL; BERGMAN, INGMAR; BINOCHE, JULIETTE; BONNAIRE, SANDRINE; BURTON, TIM; CAGE, NICOLAS; CAMPION, JANE; CHABROL, CLAUDE; CHEUNG, LESLIE; COPPOLA, FRANCIS FORD; COSTNER, KEVIN; CRONENBERG, DAVID; DAHL, JOHN; DE NIRO, ROBERT; DE PALMA, BRIAN; DERN, LAURA; EGOYAN, ATOM; FIGGIS, MIKE; GERE, RICHARD; GONG, LI; GREENAWAY, PETER; HAUER, RUTGER; JAMESON, FREDRIC; KIESLOWSKI, KRZYSZTOF; LYNCH, DAVID; MALICK, TERRENCE; Pasolini, Pier Paolo; ROSSELLINI, ISABELLA; SCORSESE, MARTIN; SCOTT, RIDLEY; STONE, OLIVER; TRAN, ANH HUNG; WEIR, PETER; Wenders, Wim; WONG KAR-WAI; YOUNG, SEAN; ZHANG, YIMOU; ANDERSSON, BIBI; AUDRAN, STEPHANE; DUVALL, SHELLY; GIDLEY, PAMELA; JANDA, KRYSTYNA; KANESHIRO, TANESHI; LEUNG, TONY; LIN, BRIGITTE; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988); KILL ME AGAIN (US, John Dahl, 1989); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); ADJUSTER, THE (CN, Atom Egoyan, 1991); BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991); BLADE RUNNER (US, Ridley Scott, 1982); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHINATOWN (US, Roman Polanski, 1974); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); DAYS OF HEAVEN (US, Terrence Malick, 1978); JFK (US, Oliver Stone, 1991); LAST SEDUCTION, THE (US, John Dahl, 1994); LIEBESTRAUM (US, Mike Figgis, 1991); MCCABE AND MRS MILLER (US, Robert Altman, 1971); CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977); ONE FALSE MOVE (US, Carl Franklin, 1991); PERSONA (SW, Ingmar Bergman, 1966); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RAGING BULL (US, Martin Scorsese, 1980); DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); SHINING, THE (UK, Stanley Kubrick, 1980); STALKER (UR, Andrei Tarkovsky, 1979); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); WILD AT HEART (US, David Lynch, 1990); CYCLO [XICH LO] (FR/V, Tran Anh Hung, 1995)
Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre." Taken from back cover.
Notes: Includes bibliographical references and index
ISBN: 0748608362(pbk.) : No price
LON: 13772409
ID2: 291

Call No: 751.1 CON
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2019
PhysDes: x, 192 pages : illustrations (black and white) ; 25 cm.
Series: Music and the moving image series
Subject: MUSICALS; TEAM AMERICA WORLD POLICE (US, Trey Parker, 2004); ACROSS THE UNIVERSE (US, Julie Taymor, 2007); FROZEN (US, Chris Buck & Jennifer Lee, 2013); MAMMA MIA! (UK/US/G, Phyllida Lloyd, 2008); MISERABLES, LES (UK, Tom Hooper, 2012); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); FAST AND THE FURIOUS, THE (US, Rob Cohen, 2001); KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003); KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004)
Summary: In recent years there has been a remarkable resurgence in the success of film musicals. Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have restated the close connections between the stage and screen. This edited collection will look at the breadth and diversity of recent film musicals, including adaptations from the stage such as Mamma Mia! (2008), Tim Burton's Sweeny Todd: The Demon Barber of Fleet Street (2007) and Rock of Ages (2012). This collection will also look at films that owe less of a direct debt to stage musicals, such as Julie Taymor's Across the Universe (2007) and Lars von Trier's Dancer in the Dark (2000).
Notes: Includes bibliographical references and index.
ISBN: 9781474431682
Contents: Machine generated contents note: pt. ONE ORIGINAL MUSICALS --1.Aesthetic Absurdities in Takashi Miike's The Happiness of the Katakuris / Craig Hatch --2.Film and the Twilight of Rock (Rock is Dead and Film Killed It): Post-millennial Rock Musicals / K. J. Donnelly --3.Team America: World Police: Duplicitous Voices of the Socio-political Spy Musical / Jack Curtis Dubowsky --4.The Anti-musical or Generic Affinity: Is there Anything Left to Say? / Beth Carroll --5.`Is This Real Enough For You?': Lyrical Articulation of the Beatles' Songs in Across the Universe / Stephanie Fremaux --6.`Love Is an Open Door': Revising and Repeating Disney's Musical Tropes in Frozen / Ryan Bunch --pt. TWO STAGE TO SCREEN --7.Star Quality? Song, Celebrity and the Jukebox Musical in Mamma Mia! / Catherine Haworth --8.Beyond the Barricade: Adapting Les Miserables for the Cinema / Ian Sapiro --pt. THREE MUSICALS BY ANOTHER NAME --Contents note continued: 9.O Brother, Where Art Thou?: The Coen Brothers and the Musical Genre Contamination / Stefano Baschiera --10.Racing in the Beat: Music in the Fast & Furious Franchise / Todd Decker --11.Kill Bill: Quentin Tarantino as a Musical Filmmaker / Geena Brown.

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Press kit; Clippings
Subject: CONVENTO, O (PO/FR, Manoel de Oliveira, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CORAL SEA DREAMING (AT, David Hannan & Ian O'Hare, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: COULDN'T BE FAIRER (UK/AT, Dennis O'Rourke, 1984)

Author: Cordaiy, Hunter
PhysDes: Article
Subject: COULDN'T BE FAIRER (UK/AT, Dennis O'Rourke, 1984)
Summary: Review

Call No: 81MAN ALV
Author: Alvarez, Max
Source: US
Place: Jackson, Miss.
Publisher: University Press of Mississippi
PubDate: 2014
PhysDes: 324 pages ; 24 cm
Subject: CRIME FILMS; FILM NOIR; MANN, ANTHONY; [DOCTOR] DR BROADWAY (US, Anthony Mann, 1942); STRANGERS IN THE NIGHT (US, Anthony Mann, 1944); TWO O'CLOCK COURAGE (US, Anthony Mann, 1945); GREAT FLAMARION, THE (US, Anthony Mann, 1945); STRANGE IMPERSONATION (US, Anthony Mann, 1946); DESPERATE (US, Anthony Mann, 1947); RAILROADED! (US, Anthony Mann, 1947); T-MEN (US, Anthony Mann, 1947); RAW DEAL (US, Anthony Mann, 1948); HE WALKED BY NIGHT (US, Alfred L. Werker and Anthony Mann, 1948); FOLLOW ME QUIETLY (US, Richard Fleischer, 1949); BORDER INCIDENT (US, Anthony Mann, 1949); SIDE STREET (US, Anthony Mann, 1950); TALL TARGET, THE (US, Anthony Mann, 1951)
Summary: "Anthony Mann (1906-1967) is renowned for his outstanding 1950s westerns starring James Stewart (Winchester '73, The Naked Spur, The Man from Laramie). But there is more to Mann's cinematic universe than those tough Wild West action dramas featuring conflicted and secretive heroes. This brilliant Hollywood craftsman also directed fourteen electrifying crime thrillers between 1942 and 1951, among them such towering achievements in film noir as T-Men, Raw Deal, and Side Street. Mann was as much at home filming dark urban alleys in black-and-white as he was the prairies and mountains in Technicolor, and his protagonists were no less conflicted and secretive than his 1950s cowboys.In these Mann crime thrillers we find powerful stories of sexual obsession (The Great Flamarion), the transforming images of women in wartime and postwar America (Strangers in the Night, Strange Impersonation), exploitation of Mexican immigrants (Border Incident), studies of the criminal mind (He Walked by Night), and Civil War bigotry (The Tall Target). Mann's forceful camera captured such memorable and diverse stars as Erich von Stroheim, Farley Granger, Dennis O'Keefe, Claire Trevor, Richard Basehart, Ricardo Montalba´n, Ruby Dee, and Raymond Burr.The Crime Films of Anthony Mann features analysis of rare documents, screenplays, story treatments, and studio memoranda and reveals detailed behind-the-scenes information on preproduction and production on the Mann thrillers. Author Max Alvarez uses rare and newly available sources to explore the creation of these noir masterworks. Along the way, the book exposes secrets and solves mysteries surrounding the mercurial director and his remarkable career, which also included Broadway and early live television"-- LIBRARIES AUSTRALIA
Notes: Includes bibliographical references, filmography and index
ISBN: 9781617039249
Contents: -- introduction -- 1: From Lomaland to Broadway -- 2: From Broadway to Hollywood -- 3: Dr. Broadway (1942) -- 4: Strangers in the Night (1944) -- 5: Two O'Clock Courage (1945) -- 6: The Great Flamarion (1945) -- 7: Strange Impersonation (1946) -- 8: Desperate (1947) -- 9:Railroaded! (1947) -- 10: T-Men (1947) -- 11: Raw Deal (1948) -- 12: He Walked By Night (1948) -- 13: Follow Me Quietly (1949) -- 14: Border Incident (1949) -- 15: Side Street (1950) -- 16: The Tall Target (1951) -- 17: The Lost Noir of Anthony Mann -- postscript -- acknowledgments -- Anthony Mann crime filmography -- notes -- archival sources -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: CHRISTOPHER COLUMBUS THE ENIGMA [CRISTAVO COLOMBO O ENIGMA] (PG/FR/G, Manoel de Oliveira, 2007)
Notes: Simon Strong import_191126

PhysDes: Article
Subject: HALF LIFE (AT, Dennis O'Rourke, 1985)
Summary: Review of 'Half Life'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CROC-A-DYKE DUNDEE: THE LEGEND OF DAWN O'DONNELL (UK, Fiona Cunningham Reid, 2014)

Author: Pedlar, Garth
PhysDes: Article
Subject: HEROES OF THE NIGHT (US, Frank O' Connor, 1927)
Summary: Film review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CUNNAMULLA (AT, Dennis O'Rourke, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: D.O.A. (US, Lech Kowalski, 1981)

Author: Larson, Randall D
PhysDes: Article
Subject: D.O.A. (US, Ruldolph Mate, 1950)
Summary: An analysis of Dimitri Tiomkin's score

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: D.O.A: DEAD OR ALIVE (US/GG/UK, Corey Yuen, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAILY SHOW THE [TV] (US, Andy Barsh/Chuck O'Neil/Scott Preston/Christian Santiago, 1996-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DANCING AT LUGHNASA (IR/UK/US, Pat O'Connor, 1998)

Call No: 71(73) SEL; FOLIO
Author: Haver, Ronald
Place: London
Publisher: Secker & Warburg
PubDate: 1980
PhysDes: ix, 425 p. : ill.(some col.), facsims(some col.), ports(some col.) ; 37cm
Subject: USA; SELZNICK, DAVID O.
Notes: List of films: p414-417. - Includes index
ISBN: 0436191288 : ª35.00
LON: 2049847 2049847

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 13 photograph : b&w ; 21 x 26 cm
Subject: BURGESS, SCOTT; O'LEARY, JACK; PHIPPS, MAX; NOBLE, BOBBY; COMBES, BARNEY; PAUL, ROSEMARY; BARRY, TONY; FYFIELD, STEPHEN; DEAD EASY (AT, Bert Deling, 1982)
Summary: Twelve black and white photographs relating to the film 1982 version of Dead easy

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEAREST ENEMY [TV] (AT, John O'Grady and Geoff Portman, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DECEMBER BRIDE (IE, Thaddeus O'Sullivan, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: DESEJADO-MONTAGNES DE LA LUNE, O (PO/FR, Paulo Rocha, 1987)

PhysDes: Article
Subject: DETOUR (US, Michael O'Herlihy, 1979)
Summary: Film synopsis; production report

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: DHISKOLI APOHERETISMI: O BABAS MOU (GR/GG, Penny Panayotopoulou, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIAL H-I-S-T-O-R-Y (BE/FR, Johan Grimonprez, 1997)

Call No: 761 BEA
Author: Beattie, Keith
Source: UK
Place: Houndmills, Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2004
PhysDes: 276 p ; 21cm
Subject: DOCUMENTARY FILMS; DOCUMENTARY DRAMAS; IMPERIALISM AND THE CINEMA; CINEMA VERITE; CINEMA-DIRECT; JOURNALISTS, FILM; POPULAR CULTURE AND TV; REALITY TV; TABLOID JOURNALISM; POPULAR CULTURE AND THE CINEMA; AUSTRALIAN BROADCASTING CORPORATION; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; NATIONAL FILM BOARD OF CANADA; NATIONAL INDIGENOUS DOCUMENTARY FUND; NBC TELEVISION NETWORK; PUBLIC BROADCASTING SERVICE; NETWORK TEN; VIDEODISCS; GRANADA; IMAX; INDEPENDENT TELEVISION COMMISSION; INTERACTIVE TV; MUSIC TELEVISION; TELEVISION JOURNALISTS; BUERK, MICHEAL; CAVADINI, ALESSANDRO; DE ANTONIO, EMILE; DREW, ROBERT; DYLAN, BOB; FLAHERTY, ROBERT; GRIERSON, JOHN; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT; MAYSLES, DAVID; MCELWEE, ROSS; MOORE, MICHAEL; MORIN, EDGAR; O'ROURKE, DENNIS; PENNEBAKER, D. A.; PILGER, JOHN; ROUCH, JEAN; RUTTMAN, WALTER; TAJIRI, REA; VERTOV, DZIGA; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982); CHEQUER-BOARD [TV] (AT, 1969-1975); [FOUR] 4 CORNERS [TV] (AT, 1961-); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); BIG BROTHER [TV] (AT, 2001-); BIGGIE AND TUPAC (US, Nick Broomfield, 2001); BILL, THE [TV] (UK, 1984-); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002); BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999); CAMBODIA: YEAR ZERO (AT, John Pilger, 1989); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987); CANNIBAL TOURS (AT, Dennis O'Rourke, 1987); CATHY COME HOME (UK, Ken Loach, 1966); COPS AND ROBBERSONS (US, Michael Ritchie, 1994); CROCODILE DUNDEE (AT, Peter Faiman, 1986); CUNNAMULLA (AT, Dennis O'Rourke, 2000); DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980); DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983); DON'T LOOK BACK (US, D.A. Pennebaker, 1967); GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); MONTEREY POP (US, D. A. Pennebaker, 1968); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); POLICE STATE (AT, Chris Noonan, 1989); SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993); WALKING WITH DINOSAURS[TV] (UK, 1999); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].
ISBN: 033374117X
URL status: URL: 'http://-' Checked: 31/08/2021 1:11:55 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 761 JAC
Author: Jacobs, Lewis, comp
Edition: 2nd ed
Place: New York
Publisher: W. W. Norton
PubDate: c1979
PhysDes: 594 p. : ill. ; 24 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS. USSR; HISTORY OF CINEMA; NEWSREELS; FLAHERTY, ROBERT; GRIERSON, JOHN; VERTOV, DZIGA; RIEFENSTAHL, LENI; LEACOCK, RICHARD; WISEMAN, FREDERICK; NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GRASS (US, Ernest B. Schoedsack, 1926); CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927); MOANA (US, Robert Flaherty, 1926); RAIN (US, Louis Milestone, 1932); STARK LOVE (US, Karl Brown, 1927); TURKSIB (US, Victor A. Turin, 1929); DRIFTERS (SW, John Grierson, 1929); A PROPOS DE NICE (FR, Jean Vigo, 1930); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); SONG OF CEYLON, THE (UK, Basil Wright, 1934); THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934); TRI PESNI O LENINE (UR, Dziga Vertov, 1934); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937); OLYMPIA (G, Leni Riefenstahl, 1938); TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); SPANISH EARTH, THE (US, Joris Ivens, 1937); FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940); RIVER, THE (US, Pare Lorentz, 1938); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); LAND WITHOUT BREAD (SP, Luis Bunuel, 1933); LAND, THE (US, Robert Flaherty, 1942); NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942); NEGRO SOLDIER, THE (US, Frank Capra, 1944); DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); SAVAGE EYE, THE (US, Ben Maddow, Sidney Meyers, Joseph Strick, 1959); JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963); TITICUT FOLLIES (US, Frederick Wiseman, 1967); MARRIED COUPLE, A (CN, Allan King, 1969); WOODSTOCK (US, Michael Wadleigh, 1970); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); HEARTS AND MINDS (US, Peter Davis, 1974); HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976)
Summary: "Originally published in 1971, The Documentary Tradition is the essential survey of development and achievements of one of the most distinctive and influential genres of film. Edited by the distinguished filmmaker and historian Lewis Jacobs, the book has become an indispensable reference for both students and practitioners of documentary. This new edition brings The Documentary Tradition up to date and includes the writings of almost 100 filmmakers and critics. To the five parts which trace the development of the genre from the 1920s Jacobs has added a new section of seven essays on the documentaries of the 1970s. The section is introduced by his own survey of the filmmaking of the period, "From Political Activism to Women's Consciousness," and accompanied by a selected list of documentaries of the 1970s together with photographs from a number of these films. The bibliography of works on documentary films and filmmakers has been expanded." -- BOOK BLURB
Notes: Includes index; Bibliography: p. 577-579
ISBN: 0393950425
LON: 1437994
URL status: URL: 'http://-' Checked: 31/08/2021 12:58:52 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Boehringer, Kathe; Davies, Penny; Mckibbins, Adrienne
PhysDes: Article
Subject: CAL (UK/IE, Pat O'Connor, 1984)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DRESSMAKER, THE (UK, Jim O'Brien, 1988)

Call No: S DRI
Author: O'Neill, Morgan
PubDate: 2011
PhysDes: 111 leaves ; 30 cm
Subject: DRIFT (AT, Ben Nott and Morgan O'Neill, 2013)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DRIFT (AT, Ben Nott and Morgan O'Neill, 2013)
URL status: URL: 'http://file://Q:/T/DRIFT.zip' Checked: 31/08/2021 1:27:36 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DU-BEAT-E-O (US, Alan Sacks,1984)

Call No: 761 HIC
Author: Hicks, Jeremy
Source: UK
Place: London
Publisher: I.B. Tauris
PubDate: 2007
PhysDes: xi, 194 p. : ill. ; 23 cm
Series: KINO: the Russian cinema series
Subject: DOCUMENTARY FILMS; VERTOV, DZIGA; MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934) SEE TRI PESNI OF LENINE; TRI PESNI O LENINE (UR, Dziga Vertov, 1934)
Summary: "Pioneer of political documentary and inventor of cinema verite, Dziga Vertov has exerted a decisive influence on directors from Eisenstein to Goddard. Yet his reputation long rested upon a lone masterpiece, Man with a Movie Camera. Recently, however, Vertov has begun to be recognised as the creator of a body of innovative and distinct films. This, the first book in English to cover the whole of Vertov's career, reveals him to be an auteur, allowing readers to combine the familiar and less familiar aspects of his filmmaking and thinking in a cohesive narrative. Jeremy Hicks demonstrates how Vertov draws on Soviet journalistic models for his transformation of newsreel into the new form of documentary film. Through analyses of Cine-Pravda No 21 (Leninst Cine-Pravda), Cine-Eye, Forward Soviet!, A Sixth Part of the World, The Eleventh Year, Man with a Movie Camera, Enthusiasm, Three Songs of Lenin and Lullaby, he shows how Vertov's greatest works combine authentic documentary footage ingeniously for tremendous rhetorical effect. The director's current reputation is in sharp counterpoint to the way his films were received in Russia: in the 1920s the sheer novelty of the documentary genre meant his work was little understood and much criticised, and in the 1930s Vertov was marginalised. Documentary as we know it today is unthinkable without the rediscovery of Vertov in the 1960s. In an age more suspicious of documentary's implicit claims to objectivity, Vertov's reflexive and overtly partisan films are of even greater relevance, but need to be better known and understood. This is the purpose of Dziga Vertov: Defining Documentary Film." -- BOOK BLURB
Contents: -- Acknowledments -- list of illustrations -- preface -- Introduction : Dziga Vertov--defining documentary film -- The birth of documentary from the spirit of journalism : Cine-Pravda, Cine-Eye -- Vertov and documentary theory : 'the goal was truth, the means Cine-Eye' -- 'A card catalogue in the gutter' : Forward, Soviet!, A sixth part of the world -- New paths : The eleventh year, Man with a movie camera -- Sound and the defence of documentary : Enthusiasm -- Documentary or hagiography? : Three songs of Lenin -- Years of sound and silence : Lullaby -- Forward Dziga! Foreign and posthumous reception -- notes -- select bibliography -- filmography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EAST IS EAST (UK, Damien O'Donnell, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EASY WHEELS (US, David O'Malley, 1989)

Call No: TITLE CLIPPINGS FILE; REVIEW WITH MYLES BARLOW [TV] (AT, Trent O'Donnell, 2008)
Author: Blundell, Graeme
PhysDes: Article
Subject: REVIEW WITH MYLES BARLOW [TV] (AT, Trent O'Donnell, 2008)
Summary: short tribute to the Australian comedy show

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ELEVEN] 11 O'CLOCK, THE (AT, Derin Seale, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: ELLA ENCHANTED (US/UK/IE, Tommy O'Haver, 2004)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: EMILY (UK/US, Frances O'connor, 2022)

Call No: TITLE CLIPPINGS FILE
Subject: STUDY OF A REHARSAL [ETUDA O ZKOUSCE] (CS, Sewald Schorm, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STUDY OF A REHARSAL [ETUDA O ZKOUSCE] (CS, Sewald Schorm, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EVIDENCE (AT, Kathleen O'Brien, 1994)
Notes: Simon import_04/07/19

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photos : b&w ; 26 x 21 cm
Subject: EVIDENCE (AT, Kathleen O'Brien, 1994)
Summary: Four black and white photographs relating to the 9 minute 16 mm film Evidence

Author: Va
PhysDes: Article
Subject: FANDY, O FANDY (CS, Karel Kachyna, 1983)
Summary: Review; ill

Call No: TITLE CLIPPINGS FILE; I AM NOT A SERIAL KILLER (IE/UK, Billy O'Brien, 2016)
Author: Stratton, David
PhysDes: Clippings
Subject: I AM NOT A SERIAL KILLER (IE/UK, Billy O'Brien, 2016)
Summary: Stratton reviews the Iranian film I AM NOT A SERIAL KILLER )
Rating: 3 out of 5 stars

Call No: 512.1 COX
Author: Cox, Peter, 1953; Goldsworthy, Fred
Source: AT
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1997
PhysDes: viii, 215 p. : ill. ; 26 cm
Subject: TEACHING MATERIALS; BABE (AT, Chris Noonan, 1995); BRAVEHEART (US, Mel Gibson, 1995); CASABLANCA (US, Michael Curtiz, 1942); CIRCLE OF FRIENDS (US, Pat O'Connor, 1995); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); EDUCATING RITA (UK, Lewis Gilbert, 1983); FORREST GUMP (US, Robert Zemeckis, 1994); FRIED GREEN TOMATOES (US, John Avnet, 1991); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HIGH NOON (US, Fred Zinnemann, 1952); IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993); LITTLE WOMEN (US, Gillian Armstrong, 1994); LORENZO'S OIL (US, George Miller, 1992); MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994); METROPOLIS (G, Fritz Lang, 1926); MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); NELL (US, Michael Apted, 1994); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); OUTBREAK (US, Wolfgang Petersen, 1995); PIANO, THE (AT, Jane Campion, 1993); PROOF (AT, Jocelyn Moorhouse, 1991); PSYCHO (US, Alfred Hitchcock, 1960); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SAINT OF FORT WASHINGTON, THE (US, Tim Hunter, 1993); SEARCHING FOR BOBBY FISCHER (US, Steven Zaillian, 1993); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAWSHANK REDEMPTION, THE (US, Frank Darabont, 1994); SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994); SWING KIDS (US, Thomas Carter, 1993); THAT EYE THE SKY (AT, John Ruane, 1994); UNFORGIVEN (US, Clint Eastwood, 1992); WHAT'S EATING GILBERT GRAPE (US, Lasse Hallstrom, 1993); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); HEIDI CHRONICLES, THE [TV] (US, Peter Bogart, 1995)
Notes: Includes index
ISBN: 0195540190 : $24.95
LON: 12914277

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FIGHTER, THE (US, David O Russell, 2010)

Call No: 67(04) FIL
Source: US
Place: Indianapolis ; New York
Publisher: Bobbs-Merrill Company
PubDate: 1974
PhysDes: xl, 369 p. ; 23 cm.
Subject: THEATRE AND THE CINEMA; POLICE IN FILMS; MASCULINITY IN FILMS; WOMEN IN FILMS; POLITICS IN FILMS; MONROE, MARILYN; FORD, JOHN; GRAPES OF WRATH, THE (US, John Ford, 1940); WEDDING IN WHITE (CN, William Fruet, 1972); KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971); KID BLUE (US, James Frawley & Dennis Hopper, 1973); PULP (US/UK, Mike Hodges, 1972); DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968); JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973); GODSPELL (US, David Greene, 1973); DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973); ICEMAN COMETH, THE (US, John Frankenheimer, 1980); SLITHER (US, Howard Zieff, 1973); TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973); WALKING TALL (US, Phil Karlson, 1973); LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973); BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975); DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973); YEAR OF THE WOMAN (US, Sandra Hochman, 1973); NYBYGGARNA (SW, Jan Troell, 1972); PAYDAY (US, Daryl Duke, 1972); NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970); SZERELEM (HU, Karoly Makk, 1971); SANMA NO AJI (JA, Yasujiro Ozu, 1962); O LUCKY MAN! (UK, Lindsay Anderson, 1973); LONG GOODBYE, THE (US, Robert Altman, 1973); AMERICAN GRAFFITI (US, George Lucas, 1973); MEAN STREETS (US, Martin Scorsese, 1973); BANG THE DRUM SLOWLY (US, John Hancock, 1973); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SISTERS (US, Brian De Palma, 1972); PAPER MOON (US, Peter Bogdanovich, 1973); WAY WE WERE, THE (US, Sydney Pollack. 1973); SAVE THE TIGER (US, John G. Avildsen, 1973); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968); ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973); LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973); BLUME IN LOVE (US, Paul Mazursky, 1973); DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973); I.F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972); BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972); SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973); SCARECROW (US, Jerry Schatzberg, 1973); STING, THE (US, George Roy Hill, 1973); PAPILLON (US, Franklin J. Schaffner, 1973); DEEP THROAT (US, Jerry Gerard, 1972); LIVE AND LET DIE (US, Guy Hamilton, 1973); TANG SHAN DA XIONG (HK, Lo Wei, 1971); SERPICO (US, Sidney Lumet, 1973); MAGNUM FORCE (US, Ted Post, 1973); SEVEN-UPS, THE (US, Philip D'Antoni, 1973); HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972); ARANYER DIN RATRI (II, Satyajit Ray, 1970); PRATIDWANDI (II, Satyajit Ray, 1971); FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973); CHARLEY VARRICK (US, Donald Siegel, 1973); SLEEPER (US, Woody Allen, 1973); PLAYTIME (FR, Jacques Tati, 1967); KING IN NEW YORK (US, Charles Chaplin, 1957); TOUCH OF CLASS, A (UK, Melvin Frank, 1973); EXORCIST, THE (US, William Friedkin, 1973); JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973); DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973)
Summary: Collection of essays of films that were released in America in 1973/1974.
Notes: Includes index.
ISBN: 0672519895
Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew Sarris
ID2: 291

Author: Beresford, Bruce
PhysDes: Article
Subject: COSTUME DESIGNING; DOCUMENTARY FILMS. AUSTRALIA; FILMMAKING. AUSTRALIA; HISTORICAL FILMS. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: WESTERN AUSTRALIA; BERESFORD, BRUCE; MORRISBY, TED; O'CONNELL, JOHN; WRECK OF THE BATAVIA, THE (AT, Bruce Beresford, 1973)
Summary: Bruce Beresford discusses his experiences as director on the semi-documentary Wreck of the Batavia, about a Dutch East India Company ship wrecked off the West Australian coast in 1629

Call No: 79GOO FIL
Author: O'Rourke, Dennis; Berry, Chris; Hamilton, Annette; Jayamanne, Laleen
Place: Sydney
Publisher: Power Publications
PubDate: 1997
PhysDes: 221 p. : ill. ; 25 cm
Subject: PROSTITUTES IN FILMS; GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991)
Notes: Includes bibliographical references
ISBN: 0909952280
Order Received: 1997
LON: 12799483

Author: Roberts, Margaret
PhysDes: Article
Subject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); STREET HERO (AT, Michael Pattinson, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); ONE NIGHT STAND (AT, John Duigan, 1984); FAST TALKING (AT, Ken Cameron, 1984); SLIM DUSTY MOVIE, THE (AT, Rob Stewart, 1989); J O' K - THE WILD ONE [TV] (AT, Glenn A. Baker, 1984); MUSIC IN FILMS. AUSTRALIA
Summary: Write up on the trend for Australian feature films in 1984 to place a high emphasis on music, and also a speight of documentary-style films on music making.

Call No: 802 FIL vol.2
Author: McBride, Joseph
CorpAuthor: American Film Institute
Edition: 1st ed
Place: Los Angeles Boston
Publisher: J.P. Tarcher Distributed by Houghton Mifflin Co.
PubDate: c1983
PhysDes: ports. ; 24 cm
Subject: LEAR, NORMAN; LEVINE, JOSEPH E.; RENOIR, JEAN; TOWNE, ROBERT; HESTON, CHARLTON; DAVIS, BETTE; GOLDSMITH, JERRY; HEAD, EDITH; SELZNICK, DAVID O.; BRAKHAGE, STAN; DE HAVILLAND, OLIVIA; MORRISSEY, PAUL; NICHOLSON, JACK; POLANSKI, ROMAN; SCHAFFNER, FRANKLIN J.; WYLER, WILLIAM; ALONZO, JOHN; HORNER, HARRY; GOOD TIMES (US, William Friedkin, 1967); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); CHINATOWN (US, Roman Polanski, 1974); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); HEIRESS, THE (US, William Wyler, 1949); HUSTLER, THE (US, Robert Rossen, 1961); TOUCH OF EVIL (US, Orson Welles, 1958)
Notes: Includes bibliographies and indexes
ISBN: 0874772664 (v. 1) : $15.95 (per vol.); 0874772672 (v. 2); 0874772494 (pbk. : v. 1) : $7.95 (per vol.); 0874772508 (pbk. : v. 2)
LON: 2606290

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FIM DO MUNDO, O [FIN DU MONDE, LA] (PO/FR, Joao Mario Grilo, 1993)

Call No: TITLE CLIPPINGS FILE; O.J.: MADE IN AMERICA (US, Ezra Edelman, 2016)
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: EDELMAN, EZRA; O.J.: MADE IN AMERICA (US, Ezra Edelman, 2016)
Summary: Interview with Ezra Edelman, the director of the documentary O.J.: MADE IN AMERICA, where he talks about the film

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FINTAR O DESTINO (PO/FR, Fernando Vendrell, 1998)

Call No: TITLE CLIPPINGS FILE; JULIA ZEMIRO'S HOME DELIVERY [TV] [AUS, 2013-]
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: O'BRIEN, KERRY; ZEMIRO, JULIA; JULIA ZEMIRO'S HOME DELIVERY [TV] [AUS, 2013-]
Summary: Positive review of the third series of the interview based show JULIA'S ZEMIRO'S HOME DELIVERY, with a look at the interview completed with journalist Kerry O'Brien

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [FIVE] 5 ACES (US, David Michael O'Neill, 1999)

Call No: 512.1 PAR
Author: Partridge, Dinah; Hughes, Peter, 1949
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1992
PhysDes: viii, 184 p. : ill., ports. ; 26 cm
Subject: TEACHING MATERIALS; DEAD POETS SOCIETY (US, Peter Weir, 1989); MALCOLM (AT, Nadia Tass, 1986); YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987); SHAME (AT, Steve Jodrell, 1988); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); RADIO DAYS (US, Woody Allen, 1987); ACCIDENTAL TOURIST, THE (US, Lawrence Kasdan, 1988); KILLING FIELDS, THE (UK, Roland Joffe, 1984); CRY FREEDOM (UK, Richard Attenborough, 1987); NEWSFRONT (AT, Phillip Noyce, 1978); GALLIPOLI (AT, Peter Weir, 1981); CITIZEN KANE (US, Orson Welles, 1941); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); STAND AND DELIVER (US, Ramon Menendez, 1988); GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987); BACK TO THE FUTURE (US, Robert Zemeckis, 1985); STREET HERO (AT, Michael Pattinson, 1984); STAND BY ME (US, Rob Reiner, 1986); DELINQUENTS, THE (AT, Chris Thomson, 1989); EDUCATING RITA (UK, Lewis Gilbert, 1983); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HIGH TIDE (AT, Gillian Armstrong, 1987); DUNERA BOYS, THE [TV] (AT, Bob Weis, 1985); KISS OF THE SPIDER WOMAN (US/BL, Hector Babenco, 1985); PLACE AT THE COAST, THE (AT, George Ogilvie, 1987); SCALES OF JUSTICE [TV] (AT, 1983); WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982); NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988); EVIL ANGELS (AT, Fred Schepisi, 1988); MY LEFT FOOT (UK, Jim Sheridan, 1989); CANNIBAL TOURS (AT, Dennis O'Rourke, 1987)
Notes: Includes index; Bibliography: p. 183
ISBN: 019553218X
LON: 8815950
ID2: 290

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: FLIRTING WITH DISASTER (US, David O. Russell, 1996)

Call No: 82FON COL
Author: Collier, Peter
Source: US
Place: New York
Publisher: G.P. Putnam's Sons
PubDate: c1991
PhysDes: 336 p., [32] p. of plates : ill., ports. ; 24 cm
Subject: ACTORS. USA; Metro-Goldwyn-Mayer; BARDOT, BRIGITTE; BEATTY, WARREN; FONDA, BRIDGET; FONDA, HENRY; FONDA, JANE; FONDA, PETER; HAYDON, TOM; LANE, NATHAN; NICHOLSON, JACK; Stewart, James; STRASBERG, LEE; Sullavan, Margaret; SELZNICK, DAVID O.; SUTHERLAND, DONALD; VADIM, ROGER; WAYNE, JOHN; ZANUCK, DARRYL F.; BARBARELLA (FR/IT, Roger Vadim, 1967); CHINA SYNDROME, THE (US, James Bridges, 1979); EASY RIDER (US, Dennis Hopper, 1969); KLUTE (US, Alan J. Pakula, 1971); ON GOLDEN POND (US, Mark Rydell, 1981); SCANDAL (UK, Michael Caton-Jones, 1989); SHAG (UK, Zelda Barron, 1988)
Notes: Includes index.
ISBN: 0399135928
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FOOLS OF FORTUNE (UK, Pat O'connor, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FORDRINGASARE (SW, Stefan Bohm & Keve Hjelm & John O. Olsson, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRAGMENTS OF ISABELLA (UK? Ronan O'Leary, 1991)

Author: Levy, Frank
PhysDes: Article
Subject: FUTZ (US, Tom O'Horgan, 1969)

Author: Kennedy, Patrick
PhysDes: Article
Subject: FUTZ (US, Tom O'Horgan, 1969)
Summary: Review

Call No: 738(71) MAC
Author: MacDonald, Scott
Place: Berkeley, California
Publisher: University of California Press
PubDate: 2001
PhysDes: xxvi, 461 p. : ill. (some colour) ; 24cm
Subject: INDEPENDENT FILMS; NATURE IN FILMS; PLACE IN FILMS; PLACE IN FILMS. USA; CITIES IN FILMS; NEW YORK IN FILMS; GOTTHEIM, LARRY; COLE, THOMAS; MURPHY, J. J.; ANGER, KENNETH; MENKEN, MARIE; SCHNEEMANN, CAROLEE; BRAKHAGE, STAN; KELLER, MARJORIE; ROBERTSON, ANNE CHARLOTTE; LOWDER, ROSE; MANGOLTE, BABETTE; BENNING, JAMES; STONE, OLIVER; SPIRO, ELLEN; DEBONT, JAN; KUCHAR, GEORGE; BURCKHARDT, RUDY; WEEGEE; THOMPSON, FRANCIS; MENKEN, MARIE; HARRIS, HILARY; LEE, SPIKE; STAUFFACHER, FRANK; BAILLIE, BRUCE; RUDNICK, MICHAEL; GEHR, ERNIE; O'NEILL, PAT; MARTIN, EUGENE; MEKAS, JONAS; GREAVES, WILLIAM; FRAMPTON, HOLLIS; HUOT, ROBERT; DORSKY, NATHANIEL; HUTTON, PETER; DASH, JULIE; FRANKLIN, CARL; CONNER, BRUCE; HERZOG, WERNER; LANZMANN, CLAUDE; STRAND, CHICK; NOREN, ANDREW; PIERCE, LEIGHTON; GATTEN, DAVID
Summary: "Explores the evocations of place, and particularly American place, that have become so central to the representational and narrative strategies of alternative and mainstream film and video. Scott MacDonald contextualises his discussion with wide-ranging and deeply informed analysis of the depiction of place in nineteenth and twentieth-century literature, painting and photography. Examining the representation of nature and landscape in particular, and location in general, MacDonald offers new readings of films under consideration as well as an expanded sense of modern film history."
Notes: Includes distribution sources for films and videos (in US), notes and index
ISBN: 0520227387

Call No: 771(430.1) GRE
Place: Munich
Publisher: Goethe-Institute
PubDate: 1980
PhysDes: [45] p. : ill. ; 14 x 18 cm
Subject: EXPERIMENTAL FILMS. GERMANY; O., DORE; CLEVE, BASTIAN; HEIN, BIRGIT & WILHEIM; WYBORNY, KLAUS; NEKES, WERNER; EMIGHOLZ, HEINZ
Notes: Title from cover
LON: 9722525

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GET OVER IT (US, Tommy O'Haver, 2001)

PhysDes: Article
Subject: LACRIMA DE FATA, O (RM, Losef Demian, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOMBROWICZ O LA SEDUCCION (AG, Alberto Fischermann, 1988)

Call No: TITLE STILL AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 21 x 26 cm.
Subject: GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991); CHONCHANAKUN, YAGWALAK
Summary: Image of a rooftop scene showing Yagwalak Chonchanakun looking to her right whilst dressed in black and wearing sunglasses.
Notes: Slight abrasion to centre of image; Small indentation on the right of image; Label taped to the reverse of image

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings
Subject: GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991)

Call No: TITLE STILL AUSTRALIA
Source: AT
PubDate: [1992?]
PhysDes: 1 postcard : col. ; 17 x 12 cm.
Subject: GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991); O'ROURKE, DENNIS
Summary: Yagwalak Chonchanakun stands infront of a neon advertisement covering one eye. She has black hair and is also wearing black clothing. Text at the bottom of the image reads "The Good Moman of Bangkok : a film by Dennis O'Rourke".
Notes: Paper clip damage on upper left corner; Film Australia sticker on reverse of image

Call No: P GOO
PhysDes: 1 poster : col. ; 97 X 70 cm.
Subject: GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991)
Summary: Image: women close one of her eyes.
Notes: Some fold lines.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 lobby card : col. ; 17 x 22 cm
Subject: GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991)
Summary: One colour lobby card for the film 'The good woman of Bangkok'

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: HALF LIFE (AT, Dennis O'Rourke, 1985)

Author: Cordaiy, Hunter
PhysDes: Article
Subject: HALF LIFE (AT, Dennis O'Rourke, 198?)
Summary: Review

Author: Spratt, Mark
PhysDes: Article
Subject: HALF LIFE (AT, Dennis O'Rourke, 1985)
Summary: Review of 'Half Life'; Credits

Call No: P HAL
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: HALF LIFE (AT, Dennis O'Rourke, 1985)
Summary: Image: photo of America's flag, 3 women and a baby.
Notes: Some tears on the right and left hand side.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 18 photographs : b&w ; 12 x 10 cm - 26 x 21 cm
Subject: GIBNEY, REBECCA; ROXBURGH, RICHARD; FRIELS, COLIN; McKENZIE, JACQUELINE; FURNESS, DEBORRA-LEE; VIDLER, STEVEN; O'CONNOR, FRANCES; MCCLORY, BELINDA; MARNIKA, DINO; KOVSKI, JEFF; JODRELL, STEVEN; HALIFAX F.P. [TV] (AT, 1995- )
Summary: Eighteen black and white photographs relating to the television series Halifax f.p., including publicity stills of actors and also one of the director of the episode 'The Feeding' Steve Jodrell.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAMENOS TA PAIRNEI OLA, O (GR, Nikos Nikolaidas, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAWAII FIVE-O [TV] (US, 2010)

Call No: 79 HAW FAU
Author: Mizejewski, Linda
Place: Detroit, Mich
Publisher: Wayne State University Press
PubDate: 2022
PhysDes: 122 p. : ill. ; 18 cm
Series: TV Milestones
Subject: HAWAII FIVE-O [TV] (US, 1968-1980)
Summary: Hawaii Five-O, created by Leonard Freeman in 1968, is an American police procedural drama series that was produced by CBS Productions and aired for twelve seasons. Author Brian Faucette discusses the show’s importance by looking at how it framed questions around the security and economy of the Hawaiian Islands in connection with law enforcement, the diversity of its population, the presence of the US military, and the influx of tourists. Faucette begins by discussing how the show both conformed to and adapted within the TV landscape of the late 1960s and how those changes helped to make it the longest-running cop show in American TV history until it was surpassed by Law and Order. Faucette argues that it was Freeman’s commitment to filming on location in Hawaii that ensured the show would tackle issues pertinent to the islands and reflect the diversity of its people, culture, and experiences, while helping to establish a viable film and TV industry in Hawaii, which is still in use today. Faucette explains how a dedication to placing the show in political and social context of the late 1960s and 1970s (i.e., questions around policing, Nixon’s call for "law and order," the US military’s investment and involvement in the Vietnam War, issues of racial equality) rooted it in reality and sparked conversation around these issues. Another key element of the show’s success is its connection to issues of tourism and the idea that TV can create a form of "tourism" from the safety of the home. Faucette concludes with discussion of how Hawaii Five-O led to the development of other shows, as well as attempts to reboot the show in the 1990s and in 2010. Faucette makes a strong argument for the series as a distinctive artifact of a time in US history that witnessed profound changes in culture, politics, and economics, one that will excite not only scholars and students of television and media studies but any die-hard fan of gripping police procedurals. -- publisher's web site
ISBN: 9780814344323
Language: English
Donation: Senses of Cinema

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; CD-R Press kit
Subject: I HEART HUCKABEES (US/GG/UK, David O. Russell, 2004)
ID2: 248

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEART OF ME, THE (UK, Thaddeus O'Sullivan, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEART OF THE MATTER, THE (UK, George More O'Ferrall, 1953)

Call No: 802.27
Author: JAKe; Sellers, Robert
Edition: 2011
Place: London
Publisher: Self Made Hero
PubDate: 2011
PhysDes: 168 p. : illus. ; 24 cm
Subject: BURTON, RICHARD; O'TOOLE, PETER; HARRIS, RICHARD; REED, OLIVER
Notes: The story of four of the greatest boozers of all time: Richard Burton, Richard Harris, Peter O'Toole and Oliver Reed. Robert Sellers and JAKe deftly weave the four stories seamlessly into one fast-paced adventure of drunken binges, orgies, parties and fun. We begin our tale in a typical London boozer at Christmas time. Our hero, Martin, sits alone at the bar, drinking himself into oblivion. Enter our four hellraisers. In turn, Burton, Harris, Reed and finally O'Toole take this disillusioned soul on a personal tour of their lives: their tumultuous childhoods, rise to stardom and chaotic personal lives. -- publisher's blurb
ISBN: 9781906838362

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : col. ; 10 x 15 cm
Subject: MAIRATA, JAMES; O'CONNELL, CHRISTINE; HERO, THE (AT, James Mairata, 1994)
Summary: One colour photograph of James Mairata, the writer, producer and director, and Christine O'Connell, in charge of continuity, for the film 'The hero'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HIPPIE REVOLUTION, THE (US, Jack O'Connell, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STORY OF O, THE [HISTOIRE D'O, L'] (FR, Just Jaeckin, 1975); STORY OF O, THE [HISTOIRE D'O, L'] (FR, Just Jaeckin, 1975)

Call No: 71(73) HAM
Author: Hampton, Benjamin B. (Benjamin Bowles), 1875-1932
Place: London
Publisher: Noel Douglas
PubDate: 1932
PhysDes: 456 p., 125 p. of illus. 23 cm
Subject: BIOGRAPH; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CHAPLIN, CHARLES; DEMILLE, CECIL B.; FAIRBANKS, DOUGLAS; GOLDWYN, SAMUEL; GRIFFITH, DAVID WARK; HART, WILLIAM S.; HOLLYWOOD MEMORY IN FILMS; LAEMMLE, CARL; LASKY, JESSE; PARAMOUNT STUDIOS; PICKFORD, MARY; SCHENCK, JOSEPH M; SELZNICK, DAVID O.; SENNETT, MACK; ZUKOR, ADOLPH
LON: 13776404 13776404

Call No: 71(93) BAB
Author: Babington, Bruce
Source: UK
Place: Manchester
Publisher: Manchester University Press
PubDate: 2007
PhysDes: x, 290 p. : ill. ; 24 cm
Subject: TORR, OLIVER; DONALDSON, ROGER; REID, JOHN; PRESTON, GAYLENE; CAMPION, JANE; WARD, VINCENT; JACKSON, MICHAEL; JACKSON, PETER (NZ); CARO, NIKI; ADVENTURES IN MAORILAND: ALEXANDER MACKEY AND THE MAKING OF 'HEI TIKI' (NZ, Geoff Steven, 1981); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); BAD BLOOD (NZ, Mike Newell, 1981); BRAINDEAD (NZ, Peter Jackson, 1992); BROKEN BARRIER (NZ, Roger Mirams & John O'Shea, 1952); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); IN MY FATHER'S DEN (NZ/UK, Brad McGann, 2004); JACK BE NIMBLE (NZ, Garth Maxwell, 1993); LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003); NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); SCARECROW, THE (NZ, Sam Pillsbury, 1982); SOLO (NZ/AT, Tony Williams, 1978); WHALE RIDER (NZ/GG, Niki Caro, 2002); XENA: WARRIOR PRINCESS [TV] (US, 1995-)
Summary: The is a comprehensive account of the New Zealand feature film from its beginnings, in 1912 to now, when New Zealand films are recognised internationally [Taken from the back of the book.]
Notes: Bibliography: p 279-282; Filmography: p.272-278; Includes index
ISBN: 9780719075414(hbk.); 9780719075421(pbk.)
Contents: 1 -- Introduction: the New Zealand fiction feature film: the history, theory, practice -- 2. Forgotten nitrate: feature film-making in New Zealand 1912-1940 -- 3. Fifty years a pioneer: the cinema of Rudall Hayward 1921-1972 -- 4. Sustaining the dream: the age of O'Shea -- 5. Living white males: New Zealand cinema 1975-1985 -- 6. 'World famous in New Zealand': contemporary cinema 1986-2005 -- 7. Wandering stars: New Zealand cinema on the world screen - Vincent Ward, Peter Jackson, Jane Campion

Call No: 80(73) LEF
Author: Leff, Leonard J
Edition: 1st ed
Place: New York
Publisher: Weidenfeld & Nicolson
PubDate: c1987
PhysDes: xiii, 383 p. : ill. ; 24 cm
Subject: HITCHCOCK, ALFRED; SELZNICK, DAVID O.; REBECCA (US, Alfred Hitchcock, 1940); NOTORIOUS (US, Alfred Hitchcock, 1946); SPELLBOUND (US, Alfred Hitchcock, 1945); PARADINE CASE, THE (US, Alfred Hitchcock, 1947)
Notes: Includes index; Bibliography: p. 365-370
ISBN: 1555840574
LON: 5272842

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN OF THE YEAR, THE [HOMEM DO ANO, O] (BL, Jose Henrique Fonseca, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOMESTREET (US, Peter O. Almond, 1983?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOROS TON ALOGON, O (GR, Hristos Voupouras, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOUSE OF SADDAM (UK, Jim O,Hanlon, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Posters; Stills; Clippings
Subject: HRA O JABLKO (CS, Vera Chytilova, 1976)

Call No: TITLE CLIPPINGS FILE; HISTOIRE D'O : (FR, Just Jaeckin, 1975)
Author: Holland, Norman N.
PhysDes: Article
Subject: PERCEPTION; SPECTATORSHIP; AUDIENCE RECEPTION; STORY OF O, THE [HISTOIRE D'O, L'] (FR, Just Jaeckin, 1975)
ID2: 273

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: IDOS COM O VENTO... (BL, Isay Weinfeld & Marcio Kogan, 1984)

Call No: 222(-091) ELS
Author: Elsey, Eileen; Kelly, Andrew
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2002
PhysDes: xvi, 171p. : illus. : 24cm.
Subject: DIGITAL TECHNOLOGY; SHORT FILMS; CALDER, EMMA; GLAZER, JONATHAN; HARDWICK, JOHN; MINGHELLA, ANTHONY; O'DONNELL, DAMIEN; PARK, NICK; RAMSAY, LYNNE; SHERIDAN, TESSA; SMITH, JOHN; WRIGHT, KEITH; YOHANNES, WINTA
Notes: Includes a short film-making resource guide, bibliography, filmographies of contributing film-makers and index.; Forward - Glimpse culture: celebrating short film - Gareth Evans
ISBN: 0851708935

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INDEPENDENT, THE (AT, Andrew O'Keefe/John Studley, 2007)
Notes: Import_Simon_batch12_190919

Call No: 71(73) LYO
Author: Lyons, Donald
Place: New York
Publisher: Ballantine
PubDate: 1994
PhysDes: xiv, 337 p., [8] p. of plates : ports. ; 21 cm
Subject: INDEPENDENT FILMS. USA; ALMEREYDA, MICHAEL; ANDERS, ALLISON; COEN, JOEL & ETHAN; CRONENBERG, DAVID; DASH, JULIE; DAVIS, JUDY; EGOYAN, ATOM; FERRARA, ABEL; HARTLEY, HAL; LEE, SPIKE; LINKLATER, RICHARD; PHOENIX, RIVER; SODERBERGH, STEVEN; Tarantino, Quentin; VAN SANT, GUS; ARAKI, GREGG; BIGELOW, KATHRYN; DICKERSON, ERNEST R.; GOMEZ, NICK; JARMUSCH, JIM; LEHMANN, MICHAEL; MORRISSEY, PAUL; O'BRIEN, JOHN; COCHRAN, STACY; COOLIDGE, MARTHA; DAVIS, TAMRA; FRANKLIN, CARL; HARRIS, LESLIE; LEGROS, JAMES; LYNCH, DAVID; MCNAUGHTON, JOHN; MUNCH, CHRISTOPHER; THORNTON, BILLY BOB; RODRIGUEZ, ROBERT; ROCKWELL, ALEXANDRE; SINGLETON, JOHN; SAYLES, JOHN; SAVOCA, NANCY; GAS FOOD LODGING (US, Allison Anders, 1992); MARIACHI, EL (US, Robert Rodriguez, 1992); BOYZ N THE HOOD (US, John Singleton, 1991); BODIES, REST & MOTION (US, Michael Steinberg, 1993); BARTON FINK (US, Joel Cohen, 1991); PASSION FISH (US, John Sayles, 1992); ONE FALSE MOVE (US, Carl Franklin, 1991); MYSTERY TRAIN (US, Jim Jarmusch, 1989); MY NEW GUN (US, Stacy Cochran, 1992); MS 45 (US, Abel Ferrara, 1981); METROPOLITAN (US, Whit Stillman, 1990); MALA NOCHE (US, Gus Van Sant, 1986); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992); JUICE (US, Ernest R. Dickerson, 1992); IN THE SOUP (US, Alexandre Rockwell, 1992); HOURS AND TIMES, THE (US, Christopher Munch, 1992); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); HEATHERS (US, Michael Lehmann, 1989); GUN CRAZY (US, Joseph H.Lewis, 1949); LIVING END, THE (US, Gregg Araki, 1992); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); NAKED LUNCH (CN/UK, David Cronenberg, 1991); BAD LIEUTENANT (US, Abel Ferrara, 1992); DO THE RIGHT THING (US, Spike Lee, 1989); DRUGSTORE COWBOY (US, Gus Van Sant, 1989); RAMBLING ROSE (US, Martha Coolidge, 1991); RESERVOIR DOGS (US, Quentin Tarantino, 1992); SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); SHE'S GOTTA HAVE IT (US, Spike Lee, 1986); SIMPLE MEN (US, Hal Hartley, 1992); SLACKER (US, Richard Linklater, 1990); TO SLEEP WITH ANGER (US, Charles Burnett, 1990); TRUE LOVE (US, Nancy Savoca, 1989); TRUST (US, Hal Hartley, 1990); UNBELIEVABLE TRUTH, THE (US, Hal Hartley, 1989); VERMONT IS FOR LOVERS (US, John O'Brien, 1992); WILD AT HEART (US, David Lynch, 1990)
Notes: Includes filmography and index
ISBN: 0345382498 (pbk.)
LON: 11029535

Call No: 81BER BER
Author: Bergman, Ingrid; Burgess, Alan
Edition: Sphere ed
Source: UK
Place: Great Britain
Publisher: Sphere Books
PubDate: 1981, c1980
PhysDes: xvii, 556 p., [16] p. of plates : ill., ports ; 18 cm
Subject: BERGMAN, INGRID; GRANT, CARY; MAGNANI, ANNA; ROSSELLINI, ISABELLA; ROSSELLINI, ROBERTO; SELZNICK, DAVID O.; STROMBOLI (IT, Roberto Rossellini, 1949)
Summary: A winner of three Academy Awards and three New York Film Critics Circle Awards, Ingrid Bergman provides her true story of her personal life- her childhood, her marriages and her battle against cancer. A history of her films and film-making, plays and players, are described.
ISBN: 0722154488
ID2: 69

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INSIDE I'M DANCING (UK/IE/FR, Damien O'Donnell, 2004)

Author: Agenoux, Soren
PhysDes: Article
Subject: RAAB, MAX L.; ALL THE RIGHT NOISES (UK, Gerry O'Hara, 1969)
Summary: Interview with Max L. Raab, the executive producer of "All the Right Noises"
Notes: Interview

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: INVENTING THE ABBOTTS (US, Pat O'Connor, 1997)

Call No: 71(417) MCL
Author: McLoone, Martin
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: 234 p. : ill. ; 24 cm
Subject: REPUBLIC OF IRELAND; NATIONAL IDENTITY AND THE CINEMA. REPUBLIC OF IRELAND; LANDSCAPES IN FILMS; BUTCHER BOY, THE (US, Neil Jordan, 1997); POLITICAL FILMS; POLITICS AND THE CINEMA; FLAHERTY, ROBERT; HUSH-A-BYE-BABY (UK, Margo Hakin, 1990); IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993); JORDAN, NEIL; MAEVE (UK/IE, Pat Murphy & John Davies, 1981); MAN OF ARAN (UK, Robert Flaherty, 1934); NOTHING PERSONAL (UK/IE, Thaddeus O'Sullivan, 1995); OUR BOYS (IE, Cathal Black, 1981); PATRIOT GAMES (US, Philip Noyce, 1992); QUIET MAN, THE (US/IR, John Ford, 1952); SHERIDAN, JIM; THIS IS MY FATHER (US, Paul Quinn, 1998); TITANIC (US, James Cameron, 1997)
Notes: Includes bibliographical references and index
ISBN: 0851707920(cased) : ¦45.00; 0851707939(pbk.) : ¦14.99; 0851707920; 0851707939 (pbk.); 0851707920 (cased); 0851707939 (pbk.); 0851707920 (cased) : ¦45.00; 0851707939 (pbk.) : ¦14.99
LON: 21663034 21663034

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: J O' K - THE WILD ONE [TV] (AT, Glenn A. Baker, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JANE GOT A GUN (US, Gavin O'Connor, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JANUARY MAN, THE (US, Pat O'Connor, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNNY O'KEEFE: THE WILD ONE (AT, John Moyle and Albie Thoms, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: JONNY ROOVA (SW, John O. Olsen, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOY (US, David O. Russell, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JUDEU, O (PO/BL. Jom Tob Azulay, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Study guide; Clippings
Subject: JUST A GAME [TV] (AT, Carmelo Musca & Michael O'Brien, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KALYTEROS MOU FILOS, O (GR, GIORGIS LANTHIMOS, LAKIS LAZOPOULOS, 2001); MY BEST FRIEND (GR, GIORGIS LANTHIMOS, LAKIS LAZOPOULOS, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KEEPERS OF THE FLAME (IE, Nuala O'Connor, 2018)
Notes: Simon import_190718

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KHAKESTAR O KHAK (AF/FR, Atiq Rahimi, 2004)
Cross Reference: EARTH AND ASHES (AF/FR, Atiq Rahimi, 2004) SEE KHAKESTAR O KHAK
CrossTag: 1

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KIDS OF SURVIVAL : THE ART AND LIFE OF TIM ROLLINS & K.O.S. (US, Daniel Geller & Danya Goldfine, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I WANT TO EAT YOUR PANCREAS [KIMI NO SUIZOWO O TABETAI] (JA, Shinichiro Ushijima, 2018)
Notes: Simon import_20/06/19

Call No: 630.31 KIN
Author: Fowler, Douglas
CorpAuthor: Florida State University Conference on Literature and Film (10th : 1985 : Tallahassee)
Place: Tallahassee
Publisher: University Presses of Florida
PubDate: 1986
PhysDes: 148 p. ; 21 cm
Subject: DREAMS IN FILMS; HITCHCOCK, ALFRED; S.O.B. (US, Blake Edwards, 1981); FLASHDANCE (US, Adrian Lyne, 1983); CITIZEN KANE (US, Orson Welles, 1941); KOYAANISQATSI (US, Godfrey Reggio, 1982); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); CARMEN (SP, Carlos Saura, 1983); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928)
Notes: Includes bibliographical references and index
ISBN: 0813008638 (pbk. :alk. paper)
LON: 86022393; 4823250

Call No: 81VER KIN
Author: Vertov, Dziga, 1896-1954; Michelson, Annette
Source: US
Place: Berkeley, Ca.
Publisher: University of California Press
PubDate: 1984
PhysDes: lxi, 344 p. : ill. ; 23 cm
Subject: ART CINEMA; CINEMATOGRAPHY; DOCUMENTARIES; DOCUMENTARY FILMS. USSR; EDITING; INDUSTRY, FILM. USSR; NEWSREELS; POLITICS AND THE CINEMA; REVOLUTION AND THE CINEMA; SOCIALISM AND THE CINEMA; WOMEN AND THE CINEMA; VERTOV, DZIGA; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929); KINOGLAZ (UR, Dziga Vertov, 1924); KOLYBELNAYA (UR, Dziga Vertov, 1937); LULLABY (UR, Dziga Vertov, 1937); THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934); TRI PESNI O LENINE (UR, Dziga Vertov, 1934)
Summary: "Vertov's writings, collected here, range from calculated manifestoes setting forth a new, heroic version of film's potentiual to dark rumination on the inactivity forced upon him by the growing bureaucratization of the of the Soviet state and its film industry. His theory was at every point elaborated in direct, vigorous relation with practice; his doctrine of kino-eye, breaking with film's subjection to traditional narrative purposes, was a passionate call to action. Vertov's spirit of revolutionary optimism leaps from his pages. Articles, memoranda, speeches, letters, proposals for films, poured from his pen - explaining, defining, persuading. In voluminous notebooks and diaries he proposed a cinema implicated in the process of revolutionary transformation, one that would play a leading role in the construction of socialism." -- BOOK BLURB
Notes: Includes index; Filmography: p. [330]-334
ISBN: 0520046242 (cloth); 0520047605 (pbk.); 0520056302 (alk. paper)
LON: 82011189; 2248486

Call No: 175 KIS
Source: AT
Place: Brisbane
Publisher: Queensland Art Gallery
PubDate: 2005
PhysDes: 127 p. : ill. ; 25 cm
Subject: AUSTRALIAN CINEMATHEQUE; MONSTERS IN FILMS; ANIMALS IN FILMS; PREHISTORIC ANIMALS IN FILM; LOST WORLD, THE (US, Willis O'Brian, 1925); GRASS (US, Ernest B. Schoedsack, 1926); CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927); FRANKENSTEIN (US, James Whale, 1931); BLONDE VENUS (US, Josef von Sternberg, 1932); MUMMY, THE (US, Karl Freund, 1932); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); SON OF KONG (US, Ernest B. Schoedsack, 1933); TARZAN AND HIS MATE (US, Cedric Gibbons, 1934); BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); BRIDE OF THE GORILLA (US, Curt Siodmok, 1951); CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954); HSING HSING WANG (HK, Meng-Hwa Ho, 1977)
Summary: Kiss of the Beast: From Paris Salon to King Kong explores images of gorillas, wild beasts and monsters in art, film, science, literature and popular culture from the late nineteenth century to today. It examens humanity's highly charged relationship with primates and draws connections between debates about evolution, race, aesthetics and sex - from satirical cartoons of gorillas in Punch! to HR Hopp's famous World War One recruiting poster Destroy this mad brute: enlist, which shows Kaiser Wilhelm as a large ape. Many incarnations of the Beauty and the Beast tale in art and film unfold in Kiss of the Beast - from French artist Emmanuel Fremiet's sculptures of a gorilla carrying off a woman of 1859 and 1887, to the classic 1933 image o Fay Wray in the grip of King Kong. Early short films and animations; groundbreaking expeditionary documentaries; iconic 'monster' movies from 130s to 1950s Hollywood; and some of the many versions of the Kong story from America, Japan and Hong Kong are also featured. Kiss of the Beast: From Paris Salon to King Kong is richly illustrated with film stills from many famous big ape and monster movies - including King Kong, Frankenstein and Creature from the Black Lagoon - as well as posters, sculptures, painting, prints and rare books. This book was published in conjunction with 'Kiss of the Beast', an integrated exhibition and film program presented by the Australian Cinematheque, Queensland Art Gallery.
ISBN: 1876509082
Donation: Australian Cinematheque, Queensland Art Gallery

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 transparency : b&w ; 13 x 10 cm
Subject: O'CONNOR, FRANCES; KISS OR KILL (AT, Bill Bennett, 1997)
Summary: One black and white transparency for the film Kiss or Kill

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KROTKI FILM O ZABIJANIU (PL, Krzysztof Kieslowski, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Study guide; Clippings
Subject: LANDMINES A LOVE STORY (AT, Dennis O'Rourke, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LEOPARD IN THE SNOW (UK/CN, Gerry O'Hara, 1978)

Call No: 81OTO OTO
Author: O'Toole, Peter
Source: UK
Place: London
Publisher: Pan
PubDate: 1993
PhysDes: 198 p. : ill. ; 20 cm
Subject: O'TOOLE, PETER
Summary: Autobiographical account of Peter O'Toole's youth.
ISBN: 0330331388

Call No: 67(41) MOO
Author: Moore, Suzanne
Source: UK
Place: London
Publisher: Serpent's Tail
PubDate: 1991
PhysDes: ix, 305 pages ; 20 cm
Subject: CRITICISM; FEMINISM AND THE CINEMA; JAMES BOND IN FILMS; POPULAR CULTURE AND THE CINEMA; ALWAYS (US, Steven Spielberg, 1989); BIRD (US, Clint Eastwood, 1988); BLACK RAIN (US, Ridley Scott, 1989); BLUE STEEL (US, Kathryn Bigelow, 1989); BROKEN NOSES (US, Bruce Weber, 1987); CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); DEAD RINGERS (CN, David Cronenberg, 1988); DECLINE OF WESTERN CIVILISATION PART II: THE METAL YEARS, THE (US, Penelope Spheeris, 1988); DO THE RIGHT THING (US, Spike Lee, 1989); FAMILY VIEWING (CN, Atom Egoyan, 1987); FAREWELL TO THE KING (US, John Milius, 1989); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GOOD MOTHER, THE (US, Leonard Nimoy, 1988); JESUS OF MONTREAL (CN/FR, Denys Arcand, 1989); KAMIKAZE HEARTS (US, Juliet Bashore, 1986); KROTKI FILM O ZABIJANIU (PL, Krzysztof Kieslowski, 1988); LONGTIME COMPANION (US, Norman Rene, 1990); MADONNA: TRUTH OR DARE (US, Alek Keshishian, 1991); MARUSA NO ONNA (JA, Juzo Itami, 1987); PARIS BY NIGHT (UK, David Hare, 1989); PATTY HEARST (US, Paul Schrader, 1988); ROGER AND ME (US, Michael Moore, 1989); SCANDAL (UK, Michael Caton-Jones, 1989); SERPENT AND THE RAINBOW (US, Wes Craven, 1988); SHE-DEVIL (US, Susan Seidelman, 1989); SHE MUST BE SEEING THINGS (US, Sheila McLaughlin, 1987); SKIN DEEP (US, Blake Edwards, 1989); SLEEPING WITH THE ENEMY (US, Joesph Ruben, 1991); SOMETHING WILD (US, Jonathan Demme, 1986); STAR TREK V: THE FINAL FRONTIER (US, William Shatner, 1989); SWEETIE (AT, Jane Campion, 1989); TEENAGE MUTANT NINJA TURTLES (US, Steve Barron, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988); THIRTYSOMETHING [TV] (US, 1987-91); TIE ME UP! TIE ME DOWN! (SP, Pedro Almodovar, 1990) SEE ATAME!; TORCH SONG TRILOGY (US, Paul Bogart, 1988); TOTAL RECALL (US, Paul Verhoeven, 1990); TUCKER (US, Francis Ford Coppola, 1988); TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991); UNHOLY, THE (US, Camilio Vila, 1988); WAR OF THE ROSES, THE (US, Danny DeVito, 1989); WIRED (US, Larry Peerce, 1989); WORLD APART, A (UK, Chris Menges, 1988); BAUDRILLARD, JEAN; TARKOVSKY, ANDREI; WINDSOR, BARBARA
Summary: "In her articles and essays, Suzanne Moore takes a vitriolic look at the icons of modern life - post feminism, Baudrillard, Laura Ashley, Twin Peaks, the new man, safe sex, James Bond, a green planet. In her film reviews, she dissects the 'mega' filmmakers of our time - Steven Spielberg, Federico Fellini, Akira Kurosawa, Pedro Almodovar, Ken Russell and David Lynch. Definitely not 'one of the boys', Suzanne Moore's attitude to the good and famous is refreshing and irreverent." -Book blurb.
Notes: Contains bibliography
ISBN: 1852422424
Contents: Introduction -- Feminism -- Men: Men against men; Target man; The brothers grim; Toy soldiers or wicked willies; Prince; Torch Song tightrope; Here's looking at you, kid -- Women: Material girl; Hi, I'm Anneka - fly me; Green light spells danger; The odds of getting even; A call to underarms; Fatal fantasies; Happiness is a warm gun; Close-up as the cookie crumbles; Women who read too much; The great awakening; Modern romance; The merry life of Windsor -- Children: Hiding in the wardrobe; Hung-up on Father Christmas; Politics of choice; Birth and death; Maternal melodramas; Eternal childhood; Unhappy families; Heroes in a half-shell -- Fantasy -- Fear: Killjoy culture; Filming by numbers; The death of intimacy; To hell and back; Murder most foul; Electric shocks; Fag end; Soft soap -- Flesh: Good vibrations; Deviant laws; Everyday eroticism; One big act; A screw of convenience?; Missionary sex; The struggle for safe endings -- Faith: Kidnapped by the counter-culture; Sculpting in time; Playing Jesus by night; Nithing but the truth; Always a love story; Jazz junkie -- Power: Pleasure: Understimulation; And now for the news; Film slobs; The metal age; All night long; The money game; Mall-content?; Mini-politics: saying no in public; Belushi's last high; something to stay home about; Reach for the stars; Starship stories -- Politics: Political poison; Junk culture; Never really at home; A problem of identities; Brand loyalty; Sun rises in the east; You can't do the right thing all the time; Great expectations -- Populism: Postmodern paralysis; Britain's macho man; On the side of the man in the street; Against the sober grain -- Postmodernism: Politics of seduction; Getting a bit of the other - the pimps of postmodernism.
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOST WORLD, THE (US, Willis O'Brian, 1925)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: NewVision Films
PhysDes: 2 photographs : b&w ; 13 x 18 cm - 26 x 21 cm ; 15 film stills : col. 5 x 5 cm
Subject: MITCHELL, RADHA; O'CONNOR, FRANCES; LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996)
Summary: 2 black and white photographs of Frances O'Connor as Mia and Radha Mitchell as Danni laughing in a bedroom, and Frances O'Connor profile shot. 15 colour film stills of all the actors in various scenes.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOVE ON THE SPECTRUM (AT, Cian O'Clery, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAKEOVER, THE (AT, Colm O'Murchu, 2009)

Call No: 81ALM ALM
Author: Almendros, Nestor
Source: US
Place: London
Publisher: Faber
PubDate: 1985
PhysDes: viii, 306 p. : ill. ; 23 cm
Subject: CINEMATOGRAPHY; PHOTOGRAPHY; ALMENDROS, NESTOR; PARIS VU PAR...VINGT ANS APRES (FR, Chantal Akerman, Bernard Dubois, Vincent Nordon, Phillipe Venault, Phillipe Garrel, Frederic Mitterand, 1984); COLLECTIONEUSE, LA (FR, Eric Rohmer, 1967); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); MY NIGHT AT MAUD'S (FR, Eric Rohmer, 1969); WILD CHILD (US/UK/FR, Nick Moore, 2008); TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971); TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971); GUEULE OUVERTE, LA (FR, Maurice Pialat, 1974); GENTLEMAN TRAMP, THE (US, Richard Patterson, 1975); COCKFIGHTER (US, Monte Hellman, 1974); STORY OF ADELE H, THE (FR, Francois Truffaut, 1975); MAITRESSE (FR, Barbet Schroeder, 1976); MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975); DAYS OF HEAVEN (US, Terrence Malick, 1978); MAN WHO LOVED WOMEN, THE (FR, Francois Truffaut, 1977); HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977); KOKO, A TALKING GORILLA (FR, Barbet Schroeder, 1978); KOKO, LE GORILLE QUI PARLE (FR, Barbet Schroeder, 1978); MADAME ROSA (FR, Moshe Mizrahi, 1977); GOIN' SOUTH (US, Jack Nicholson, 1978); PERCEVAL LE GALLOIS (FR, Eric Rohmer, 1978); LOVE ON THE RUN (FR, Francois Truffaut, 1979); AMOUR EN FUITE, L' (FR, Francois Truffaut, 1979); KRAMER VS. KRAMER (US, Robert Benton, 1979); BLUE LAGOON, THE (US, Randal Kleiser, 1980); CONFIDENTIALLY YOURS [VIVEMENT DIMANCHE!] (FR, Francois Truffaut, 1983); LAST METRO, THE (FR, Francois Truffaut, 1980); DERNIER METRO, LE (FR, Francois Truffaut, 1980); PAULINE A LA PLAGE (FR, Eric Rohmer, 1983); PAULINE AT THE BEACH (FR, Eric Rohmer, 1983); STILL OF THE NIGHT (US, Robert Benton, 1982); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982)
Summary: "In A MAN WITH A CAMERA, Nestor Almendros recalls his early days in Havana and emigration to Paris where he worked with Francois Truffaut and Eric Rohmer. He has photographed such highly acclaimed films as SOPHIE'S CHOICE, KRAMER VS. KRAMER, THE BLUE LAGOON and DAYS OF HEAVEN, for which he received an Academy Award. As he looks back and describes simply but comprehensively the specific techniques used in these and many other films, we are offered a unique look at how movies are made." [Book blurb]
Notes: This translation first published: New York : Farrar, Straus, Giroux, 1984; Translation of: Dias deuna camera. Barcelona : Editorial Seix Barral, 1982; First published in French as: Un homme a la camera. Rennes-Lausanne : FOMA, 1980; Filmography: p. [289]-304
ISBN: 0571135897 (pbk.)
LON: abn85231033; 3994651

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN WITH A PLAN (US, John O'Brien, 1996)

Author: Pearson, Georgina
PhysDes: Article
Subject: MOODY CHRISTMAS, A [TV] (AT, Trent O'Donnell, 2012)
Summary: On location of comedy series A Moody Christmas

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAROC 7 (UK, Gerry O'Hara, 1966)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975)

Call No: 736.35 RAN
Author: Rance, P.T.J
Source: UK
Place: London
Publisher: Virgin Books
PubDate: 2005
PhysDes: 280 p., [8] p. of plates : col. ill. ; 24 cm
Subject: HUANG FEIHONG CHUAN, SHANGJI (HK, Wu Pang, 1949); TU-PEI TAO (HK, Chang Cheh, 1967); LUNG-MEN K'O CHAN (TZ, King Hu, 1966); ENTER THE DRAGON (US/HK, Robert Clouse, 1973); SHAO LIN SA LIU FANG (HK, Liu Chia-Liang, 1977); A JIHUA (HK, Jackie Chan [pseud. of Cheng Long], 1983); WONG FEI-HUNG (HK, Tsui Hark, 1991); WO HU ZANG LONG (HK, Ang Lee, 2000); YING XIONG (HK/C, Yimou Zhang, 2002); HERO (HK/C, Yimou Zhang, 2002); SHIMIAN MAIFU (HK/CC, Zhang Yimou, 2004); HOUSE OF THE FLYING DAGGERS (HK/CC, Zhang Yimou, 2004); KARATE KID, THE (US, John G. Avildsen, 1984); KICKBOXER (US, Mark DiSalle & David Worth, 1989); KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003); KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004); ZATOICHI ROYABURI (JA, Satsuo YAMAMOTO, 1967); HWASAN GO (KO, Kim Tae-Gyun, 2002); ONG-BAK (TH, Prachya Pinkaew, 2003); GREEN HORNET, THE (US, Norman Foster, 1966); WATER MARGIN, THE (TV) (JP/C, 1976-78); SAIYUKI (TV) (JA, 1978-80); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000)
Summary: The late 60s and 70s saw a massive surge in the release of martial arts films, spawning a cult following which is still growing. This essential guide explores up to 20 seminal films in detail, with particular focus on recurring themes, directors, and stars. Each chapter covers a different branch of the genre from Hong Kong Legends such as Once Upon a Time in China and Enter the Dragon, to Modern Asian Classics like House of the Flying Daggers to the incursion into Hollywood in films such as The Karate Kid and The Matrix. The development of the genre from 1920s China to the present is traced with analysis and explanations of the different martial arts seen in these films in an entertaining guide to the vast array of martial arts movies and their role in modern cinema.
Notes: Includes, bibliographic references, index and index of quotations ERATA: ISBN on verso not correct. See back cover.
ISBN: 0753510782
ID2: 150

Call No: TITLE CLIPPINGS FILE; MAZE RUNNER: THE SCORCH TRIALS (US, Wes Ball, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: SEQUELS; ACTION FILMS; SCIENCE IN FILMS; THRILLERS; BALL, WES; O'BRIEN, DYLAN; SCODELARIO, KAYA; GILLEN, AIDEN; CLARKSON, PATRICIA; MAZE RUNNER, THE (US, Wes Ball, 2014); MAZE RUNNER: THE SCORCH TRIALS (US, Wes Ball, 2015)
Summary: Review and film critique of the movie 'Maze Runner: The Scorch Trials,' sequel of 'The Maze Runner,' including plot summary.
Rating: 2.5 out of 5 stars

Call No: 409.1(73) FIS
Author: Fiske, John
Place: Minneapolis, Minn.
Publisher: University of Minneota Press
PubDate: 1994
PhysDes: xxviii, 282 p. : ill. ; 24 cm
Subject: MEDIA; RACIAL ISSUES AND TV; POLITICS AND TV; FAMILY ON TV; ETHNIC GROUPS ON TV; WOMEN ON TV; TRIALS ON TV; KING, RODNEY; SIMPSON, O.J.; MURPHY BROWN [TV] (US, 1988-); COSBY SHOW, THE [TV] (US, 1984-92)
Summary: Detailing the eroding line between "real" and "media" events, Fiske explores the media's treatment of the O. J. Simpson arrest and pretrial hearings, the L.A. uprisings, the Anita Hill-Clarence Thomas hearings, and the "family values" debate between Dan Quayle and Murphy Brown. He illustrates how African Americans, Korean Americans, Latinos, and women have succeeded in making their hitherto unheard voices heard and have influenced the nation's reaction to media events such as these. Fiske also analyzes speeches by George Bush, Dan Quayle, and Pat Buchanan, along with media commentary by Rush Limbaugh and CNN's Greg LaMotte, to reveal what Americans successfully rejected in ushering out the Reagan era. Through his analysis of the contradictory and diverse voices that make up U.S. culture, Fiske traces the nation's swing away from Reaganism and offers urgent warnings for the future
Notes: Includes bibliographical references (p. 269-273) and index
ISBN: 0816624623 (acid-free paper)
LON: 10867683

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEGALEXANDROS, O (GR/IT, Theo Angelopoulos, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: MELISSOKOMOS, O (GR/FR/IT, Theo Angelopoulos, 1986)

Call No: 81SEL SEL
Author: Selznick, David O., 1902-1965
Place: New York
Publisher: Viking Press
PubDate: 1972]
PhysDes: xxiv, 518 p. illus. 24 cm
Subject: SELZNICK, DAVID O.
Notes: "Memorandums, letters, teletypes, and telegrams."
ISBN: 0670467669
LON: 72075743; 582542

Call No: TITLE CLIPPINGS FILE; I AM NOT A SERIAL KILLER (IE/UK, Billy O'Brien, 2016)
Author: Wilson, Jake
PhysDes: Clippings
Subject: I AM NOT A SERIAL KILLER (IE/UK, Billy O'Brien, 2016)
Summary: Film review of I AM NOT A SERIAL KILLER
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: METAMORPHIS (AT, Colm O'Murchu, 1993)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : col. 22 x 30 cm
Subject: METAMORPHIS (AT, Colm O'Murchu, 1993)
Summary: 3 colour photographs of woman dressed in a sari, memorial of dead man, and face with no eyes

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [MISTER] MR MIKE'S MONDO VIDEO (US, Michael O'Donoghue, 1979)

Call No: 753 MOD
Author: Horton, Andrew S.; Magretta, Joan
Source: US
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: 1981
PhysDes: xiv, 383 p. : ill. ; 22 cm
Subject: ADAPTATIONS; EUROPEAN CINEMA; BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CET OBSCUR OBJET DU DESIR (FR/SP, Luis Bunuel, 1977); CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960); TWO WOMEN (IT/FR, Vittorio De Sica, 1960); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); DECAMERON, THE [DECAMERON, IL] (IT/FR/GW, Pier Paolo Pasolini, 1971); EFFI BRIEST (GW, Rainer Werner Fassbinder, 1974); FALSCHE BEWEGUNG (GW, Wim Wenders, 1975); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); FEMME DOUCE, UNE (FR, Robert Bresson, 1969); HORLOGER DE SAINT-PAUL, L' (FR, Bertrand Tavernier, 1974); DIARY OF A COUNTRY PRIEST [; JULES ET JIM (FR, Francois Truffaut, 1962); LIAISONS DANGEREUSES, LES (FR, Roger Vadim, 1960); MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975); MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963); RONDE, LA (FR, Max Ophuls, 1950); SUZANNE SIMONIN, LA RELIGIEUSE DE DIDEROT (FR, Jacques Rivette, 1967 [prod. 1965]); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); VERLORENE EHRE DER KATHARINA BLUM, DIE (GW, Volker Schlondorff & Margarethe von Trotta, 1975); LOST HONOUR OF KATHARINA BLUM, THE (GW, Volker Schlondorff & Margarethe von Trotta, 1975); WILDENTE, DIE (GW/AU, Hans W. Geissendorfer, 1976); WILD DUCK, THE (GW/AU, Hans W. Geissendorfer, 1976); ZAZIE DANS LE METRO (FR, Louis Malle, 1960); MARQUIS OF O..., THE (GW/FR, Erich Rohmer, 1975)
Summary: Adaptation as an art in itself is the theme of these original essays by leading film scholars and critics. Starting with some of the finest European films produced since World War II, they investigate the literary source of each. But their emphasis is on film, and their writing challenges the conventional assumption that a great book must inevitably make an inferior movie. It is the editors' premise that adaptation, especially in the hands of a gifted director, can be a lively and creative art. The essays offer a fresh perspective on both films and their directors - among them Antonioni, Bertolucci, Bunuel, Fassbinder, Godard, Ophuls, Truffaut. The genesis of films such as Blow-Up, The Conformist, and Jules et Jim is explored often frame-by-frame, for a fuller understanding of the creative process of filmmaking." - BOOK BLURB
Notes: Includes index; Bibliography: p. [369]-371; Filmography: p. [357]-367
ISBN: 0804424039 : $14.95; 0804462771 (pbk.) : $6.95
LON: 79048073; 1813405
Contents: Delannoy's La Symphonie Pastorale (1946) from the novel by Andre Gide / Dudley Andrew -- Bresson's Diary of a Country Priest (1951) from the novel by Georges Bernanos / Dudley Andrew -- Ophul's La Ronde (1959) from the play by Arthur Schnitzler / Alan Williams -- Vadim's Les Liaisons Dangereuses 1960 (1959) from the novel by Pierre Choderlos de Laclos / John F. Fell -- Malle's Zazie dans le Metro (1960) from the novel by Raymond Queneau / Andrew Horton -- De Sica's Two Women (1961) from the novel by Alberto Moravia / Ruth Prigozy -- Truffaut's Jules et Jim (1961) from the novel by Henri-Pierre Roche / Stuart Y. MacDougal -- Godard's Le Mepris (1963) from the novel A Ghost at Noon by Alberto Moravia / Marsha Kinder -- Rivette's Le Religieuse (1966) from the novel by Denis Diderot / Ira Konigsberg -- Antonioni's Blow-Up (1966) from the short story by Julio Cortazar / Neil D. Isaacs -- Fellini Satyricon (1969) from the "novel" by Petronius / Bernard F. Dick -- Bresson's Une Femme Douce (1969) from the story "The Gentle Creature" by Fyodor Dostoevsky / Lindley Hanlon -- Bunuel's Tristana (1970) from the novel by Benito Perez Galdos / Charles Eidsvik -- Wender's The Goalie's Anxiety at the Penalty Kick (1971) from the novel by Peter Handke / Peter Brunette -- Pasolini's Decameron (1971) from The Decameron by Giovanni Boccaccio / Ben Lawton -- Bertolucci's The Conformist (`97`) from the novel by Alberto Moravia / T. Jefferson Kline -- Tavernier's The Clockmaker (1973) from the novel The Clockmaker of Everton by Georges Simenon / William R. Magretta and Joan Magretta -- Fassbinder's Effi Briest (1974) from the novel by Theodore Fontane / William R. Magretta -- Wender's Wrong Movement (1974) freely based on Wilhelm Meister's Apprenticeship by Johann Wolfgang Goethe / Peter Harcourt -- Schlondorff & von Trotta's The Lost Honor of Katharina Blum (1975) from the novel by Heinrich Boll / William R. Magretta and Joan Magretta -- Geissendorfer's The Wild Duck (1976) from the play by Henrik Ibsen / Birgitta Steene -- Rohmer's The Marquise of O... (1976) from the story by Heinrich von Kliest / Alan Spiegel -- Bunuel's That Obscure Object of Desire (1977) from the novel The Woman and the Puppet by Pierre Louys / Michael Wood

Call No: 802.091.11 ZIE
Author: Zierold, Norman
Edition: 1969
Place: New York
Publisher: Coward-McCann
PubDate: 1969
PhysDes: 22 cm ; 354 pages
Subject: SELZNICK, DAVID O.; LAEMMLE, CARL; GOLDWYN, SAMUEL; PARAMOUNT STUDIOS; WARNER BROS.; TWENTIETH CENTURY-FOX; Metro-Goldwyn-Mayer; MAYER, LOUIS B.; DEMILLE, CECIL B.; COHN, HARRY; SCHULBERG, BUDD
AFIRC Location: Stacks

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MONOCLED MUTINEEER, THE [TV] (UK, Jim O'Brien, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: MONTH IN THE COUNTRY, A (UK, Pat O'Connor, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MOODY CHRISTMAS, A [TV] (AT, Trent O'Donnell, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MOTHER BRINGS HER SON TO BE SHOT, A (IE, Sinéad O'Shea, 2017)

Call No: 802.091.11 FRE
Author: French, Philip
Source: UK
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1971
PhysDes: 208 p., [16] p. of plates ; 18 cm
Subject: HISTORY AND THE CINEMA. USA; INDUSTRY, FILM; Metro-Goldwyn-Mayer; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; STUDIO SYSTEM; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; UNIVERSAL PICTURES; UNITED ARTISTS; WARNER BROS.; COHN, HARRY; DEMILLE, CECIL B.; DISNEY, WALT; KATZ, SAM; KENNEDY JOSEPH P.; LAEMMLE, CARL; LASKY, JESSE; SCHARY, DORE; SCHULBERG, BUDD; SCHENCK, JOSEPH M; SELZNICK, DAVID O.; SHEARER, NORMA; SKOURAS, SPYROS; SINCLAIR, UPTON; THALBERG, IRVING; WANGER, WALTER; STROHEIN, ERICH VON; ZANUCK, DARRYL F.; ZANUCK, RICHARD; ZUKOR, ADOLPH
Notes: includes bibliographical references and index
ISBN: 297762664
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [MISTER] MR CATRA-O FIEL (PO, Andreas Johnsen, 2004)

Call No: 408.3(52) HIR
Author: Hirano, Kyoko
Place: Washington, D.C.
Publisher: Smithsonian Institute
PubDate: 1992
PhysDes: xvii, 365 p. : ill. ; 24 cm
Subject: JAPAN; CULTURAL IMPERIALISM. JAPAN; OCCUPATION AND THE CINEMA. JAPAN; CENSORSHIP. JAPAN; COLD WAR AND THE CINEMA. JAPAN; IWASAKI AKIRA; KUROSAWA AKIRA; KAMEI, FUMIO; SHINDO KANETO; WATANABE, TETSUZO; NIHON NO HIGEKI (JA, Fumio Kamei, 1946); AKATSUKI NO DASSO (JA, Senkichi Taniguchi, 1950); ASU O TSUKURU HITOBITO (JA, Akira Kurosawa, Hideo Sekigawa & Kajiro Yamamoto, 1946); TOHO CO.
Notes: Includes bibliographical references (p. 321-341) and indexes
ISBN: 1560981571; 1560984023 (pbk.)
LON: 8875964
ID2: 291

Call No: 634 MUS
Author: Wierzbicki, James (ed.)
Source: US/UK
Place: New York : London
Publisher: Routledge
PubDate: 2012
PhysDes: xv, 210 p. : ill. ; 23 cm
Series: Routledge music and screen media series
Subject: DIRECTORS; FILM; FILM WORKERS; LYNCH, DAVID; MUSIC AND THE CINEMA; MUSIC IN FILMS; PRODUCERS; SOUND; SOUND EDITING; SOUND EFFECTS; SOUND RECORDING; ANDERSON, WES; BERGMAN, INGMAR; COEN, JOEL & ETHAN; GREENAWAY, PETER; KIESLOWSKI, KRZYSZTOF; KUBRICK, STANLEY; SELZNICK, DAVID O.; TARANTINO, QUENTIN; TARKOVSKY, ANDREI; VAN SANT, GUS
Summary: "Music, Sound and filmmakers: Sonic Style in Cinema examines the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieslowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music Coursework, or stand on its own among a body of research. " -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9780415898942
Contents: -- series foreword -- preface -- acknowledgments -- 1: sonic style in cinema / James Wierzbicki -- 2: Music, sound, and silence in the films of Ingmar Bergman / Per F. Broman -- 3: Andrey Tarkovsky : the refrain of the sonic fingerprint / Elizabeth Fairweather -- 4: "It's all really happening" : sonic shaping in the films of Wes Anderson / Ben Winters -- 5: Kieslowski's musique concre`te / Joseph G. Kickasola -- 6: Gus Van Sant's soundwalks and audio-visual musique concre`te / Danijela Kulezic-Wilson -- 7: Blowin' in the wind : music and meaning in the Coen Brothers' films / Matthew McDonald -- 8: Sound and uncertainty in the horror films of the Lewton Unit / Michael Lee -- 9: Conducting the composer : David O. Selznick and the Hollywood film score / Nathan Platte -- 10: The Stanley Kubrick experience : music, firecrackers, disorientation, and you / Kate McQuiston -- 11: The filmmaker's contract : controlling sonic space in the films of Peter Greenaway / Ian Sapiro -- 12: The attractions of repetition : Tarantino's sonic style / Lisa Coulthard -- 13: Dream timbre : notes on Lynchian sound design / Isabella van Elferen -- list of contributors -- bibliography -- index --

Call No: 408.1(4) RAV
Author: Ravetto-Biagioli, Kriss
CorpAuthor: ProQuest
Place: New York
Publisher: Columbia University Press
PubDate: 2017
PhysDes: 314 pages : illustrations ; 24 cm.
Subject: NATIONAL IDENTITY AND THE CINEMA. EUROPEAN COUNTRIES; RUSSKIJ KOVCHEG (RU, Aleksandr Sokurov, 2002); DESTRICTED (UK/US, various, 2006); NOTRE MUSIQUE (FR/SZ, Jean-Luc Godard, 2004); MEGALEXANDROS, O (GR/IT, Theo Angelopoulos, 1980)
Summary: "In Mythopoetic Cinema, Kriss Ravetto-Biagoli explores how contemporary European filmmakers treat mythopoetics as a critical practice that questions the constant need to provide new identities in a new Europe, and with it a new European cinema after the fall of the Soviet Union. Examining the work of Alexander Sokurov, Theodoros Angelopoulos, Marina Abramovic, and Jean-Luc Godard, she analyzes the ways in which these filmmakers engage and evaluate the recent reconceptualization of Europe's borders, mythic figures, and identity paradoxes, as well as how their work questions the ability of the moving image to challenge conventional ways of understanding history."
Notes: Also issued online. ProQuest Ebook Central Rental. Includes bibliographical references (pages 277-304) and index. In English.
ISBN: 9780231182195
Contents: Introduction Floating on the borders of Europe : Aleksandr Sokurov's Russian ark O Megalexandros : falling in and out of dreams In Balkan : Marina Abramovic and the politics of the suffering body Notre musique : on the ruins of the divine Epilogue : the politics of confrontation.

Call No: 46(794) KEN
Author: Kent, Nicolas
CorpAuthor: Naked Hollywood (Television program)
Place: London
Publisher: BBC Books
PubDate: 1991
PhysDes: 256 p. : ill. ; 24 cm
Subject: DIRECTORS. USA; STARS. USA; PRODUCERS. USA; SCRIPTWRITERS. USA; STUDIOS, FILM. USA; SCHWARZENEGGER, ARNOLD; SELZNICK, DAVID O.; POLLACK, SYDNEY; CREATIVE ARTISTS AGENCY; SONY CORPORATION
Notes: Companion book to the television series Naked Hollywood; Includes bibliographical references (p. 250-251) and index
ISBN: 0563360828
LON: 7714013

Call No: 81DOS SAD
Author: Sadlier, Darlene J.
Source: US
Place: Urbana, Ill ; Chicago
Publisher: University of Illinois Press
PubDate: 2003
PhysDes: xiii, 180 p. ; 22 cm
Series: Contemporary film directors; edited by James Naremore
Subject: BRAZIL; CINEMA NOVO; PEREIRA DOS SANTOS, NELSON; AMULETO DE OGUM, O (BL, Nelson Pereira dos Santos, 1975); CINEMA DE LAGRIMAS (BL, Nelson Pereira Dos Santos, 1995); COMO ERA GOSTOSO O MEU FRANCES (BL, Nélson Pereira dos Santos, 1972); ESTRADA DA VIVA (BL, Nelson Pereira dos Santos, 1980); MANDACARU (BL, Nelson Pereira dos Santos, 1962); MEMORIAS DO CARCERE (BL, Nelson Pereira dos Santos, 1984); QUEM E BETA? (BL, Nelson Pereira dos Santos, 1972); RIO QUARENTA GRAUS (BL, Nelson Pereira dos Santos, 1955); RIO ZONA NORTE (BL, Nélson Pereira dos Santos, 1957); TENDA DOS MILAGRES (BL, Nelson Pereira dos Santos, 1977); TERCEIRA MARGEM DO RIO, A (BL, Nélson Pereira dos Santos, 1994)
Summary: Nelson Pereira dos Santos is the first book in English to provide a full critical discussion of the films of this Brazilian director. Through a discussion of his films Darlene J. Sadlier chronicles dos Santos's career - his leftist committed cinema, his concern with the national and the popular, his chameleon style, his links to canonical Brazilian literature. She charts his moves from neorealism to Godardian experimentation to a kind of popular realism. And she includes two highly informative interviews that real dos Santos's cultural, intellectual, and philosophical formation. [taken from back cover]
ISBN: 0252071123

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NESSUNO O TUTTI (IT, Silvano Agosti, Marco Bellocchio, Sandro Petraglia & Stefano Rulli, 1975)

Subject: TUFF TURF (US, Fritz Kiersch, 1984); AVENGING ANGEL (US, Robert Vincent O'Neil, 1985); NIGHT PATROL (US, Jackie Kong, 1985)
Summary: Article on New World' heighest grossing weekend at the box office and the takings for the top three films

Subject: AVENGING ANGEL (US, Robert Vincent O'Neil, 1985)
Summary: Article on Senator Films buying the distribution rights for 'Avenging Angel' for West Germany, Berlin and Austria from New World

Call No: 71(931) NEW
Author: Conrich, Ian (ed); Murray, Stuart (ed)
Source: US
Place: Detroit, Mich
Publisher: Wayne State University Press
PubDate: C2007
PhysDes: xiii, 374 p. : ill. ; 23 cm
Series: Contemporary approaches to film and television series
Subject: MAORI CINEMA; NEW ZEALAND; LYE, LEN; O'SHEA, JOHN; PRESTON, GAYLENE; BARCLAY, BARRY; MITA, MERATA; WELLS, PETER; DONALDSON, ROGER; MURPHY, GEOFFREY; MUNE, IAN; LAWRENCE, BRUNO; LAING, JOHN; REID, JOHN; NARBEY, LEON; WARD, VINCENT; CAMPION, JANE; MACLEAN, ALISON; JACKSON, PETER (NZ); BLYTH, DAVID; BAD BLOOD (NZ, Mike Newell, 1981); BEYOND REASONABLE DOUBT (NZ, John Laing, 1980); BOUNTY, THE (UK/US, Roger Donaldson, 1984); BRAINDEAD (NZ, Peter Jackson, 1992); BRIDGE TO NOWHWERE (NZ, Ian Mune, 1986); CADILLAC MAN (US, Roger Donaldson, 1990); DEATH IN THE FAMILY, A [TV] (NZ, Stewart Main and Peter Wells, 1987); END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991); FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996); HOLY SMOKE (US, Jane Campion, 1999)
Summary: "New Zealand cinema is now applauded worldwide for its achievements and, in theis book, it is the subject of the wide-ranging critical analysis. The essays here describe an incredible progression from early New Zealand films to the blockbusters of the present. They outline industrial achievements, the workings of film form, and the effect that New Zealand cinema has as part of the country's culture. Taken together, the essays are a fitting tribute to all those who have worked in the industry." -- From the forward by Terence Bayler
Notes: Bibliography: p. 349-353; Includes index
ISBN: 9780814330173 (pbk : alk paper); 0814330177 (pbk : alk paper)

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; COLUMBIA PICTURES; BRITANNIA HOSPITAL (UK, Lindsay Anderson, 1982); O'NEAL, TATUM
Summary: Film news from New Zealand.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY LOVE, DON'T CROSS THAT RIVER [NIM-A, GEU-GANG-EUL GEON-NEO-JI MA-O] (KO, Mo-young Jin, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOTHING PERSONAL (UK/IE, Thaddeus O'Sullivan, 1995)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: NYONG'O, LUPITA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: O (US, Tim Blake Nelson, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: O AMOR NATURAL (NE, Heddy Honigmann, 1996)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: O'BRIAN, HUGH

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: O'BRIEN, CONAN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: O'BRIEN, DYLAN