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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER THE SUNSET (US, Brett Ratner, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BEFORE SUNSET (US, Richard Linklater, 2004)

Call No: 81WIL DIC
Author: Dick, Bernard F.
Source: US
Place: Boston
Publisher: Twayne Publishers
PubDate: 1980
PhysDes: 188 p. : ill. ; 21 cm
Series: Twayne's Theatrical Arts Series
Subject: WILDER, BILLY; APARTMENT, THE (US, Billy Wilder, 1960); AVANTI (US, Billy Wilder, 1972); ACE IN THE HOLE (US, Billy Wilder, 1951); DOUBLE INDEMNITY (US, Billy Wilder, 1944); FEDORA (GW/FR, Billy Wilder, 1978); [FIVE] 5 GRAVES TO CAIRO (US, Billy Wilder, 1943); FORTUNE COOKIE, THE (US, Billy Wilder, 1966); FRONT PAGE, THE (US, Billy Wilder, 1974); IRMA LA DOUCHE (US, Billy Wilder, 1963); KISS ME, STUPID (US, Billy Wilder, 1964); LOST WEEKEND, THE (US, Billy Wilder, 1945); LOVE IN THE AFTERNOON (US, Billy Wilder, 1957); MAJOR AND THE MINOR, THE (US, Billy Wilder, 1942); ONE, TWO, THREE (US/GW, Billy Wilder, 1961); PRIVATE LIFE OF SHERLOCK HOLMES, THE (US/UK, Billy Wilder, 1970); SABRINA (US, Billy Wilder, 1954); SOME LIKE IT HOT (US, Billy Wilder, 1959); SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955); SPIRIT OF ST. LOUIS, THE (US, Billy Wilder, 1957); STALAG 17 (US, Billy Wilder, 1952); SUNSET BOULEVARD (US, Billy Wilder, 1950); WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957)
Notes: Includes index. Bibliography: p. 173-174. Filmography: p. 175-183.
ISBN: 0805792740
Donation: donated by the family of Wayne Levy, 2006

PhysDes: Article
Subject: COLUMBIA PICTURES; BOOT, DAS (GW, Wolfgang Peterson, 1981); SILENT RAGE (US, Michael Miller, 1982); ANNIE (US, John Huston, 1982); THINGS ARE TOUGH ALL OVER (US, Thomas K. Avildsen, 1982); HANKY PANKY (US, Sidney Poitier, 1982); RICHARD PRYOR LIVE ON THE SUNSET STRIP (US, Joe Layton, 1982); GANDHI (UK/II, Richard Attenborough, 1982); BLUE THUNDER (US, John Badham, 1983); TOOTSIE (US, Sydney Pollack, 1982); TOY, THE (US, Richard Donner, 1982); KRULL (UK, Peter Yates, 1983)
Summary: List of current, coming, and completed films for Columbia Pictures.

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: DESIRE & HELL AT SUNSET MOTEL (US, Alien Castle, 1992)

Call No: 732(73) LAU
Author: Sikov, Ed
Place: New York
Publisher: Columbia University Press
PubDate: 1994
PhysDes: xvii, 282 p., [24] p. of plates : ill. ; 24 cm
Subject: COMEDIES. USA; TRANSVESTISM; HOMOSEXUALITY IN FILMS. USA; LEWIS, JERRY; MARTIN, DEAN; MONROE, MARILYN; SWANSON, GLORIA; MANSFIELD, JAYNE; RUSSELL, JANE; HAWKS, HOWARD; WILDER, BILLY; HITCHCOCK, ALFRED; TASHLIN, FRANK; ARTISTS AND MODELS (US, Frank Tashlin, 1955); GIRL CAN'T HELP IT, THE (US, Frank Tashlin, 1956); GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953); MONKEY BUSINESS (US, Howard Hawks, 1952); SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955); SOME LIKE IT HOT (US, Billy Wilder, 1959); STALAG 17 (US, Billy Wilder, 1952); SUNSET BOULEVARD (US, Billy Wilder, 1950); TROUBLE WITH HARRY, THE (US, Alfred Hitchcock, 1955); WILL SUCCESS SPOIL ROCK HUNTER? (US, Frank Tashlin, 1957)
Summary: With the likes of Billy Wilder, Howard Hawks, Alfred Hitchcock, and Frank Tashlin revelling in "monkeys, babies, beautiful blondes, money, and cruelty" in their signature films of the 1950s, this seemingly conformist period turns out to be one of the most dynamic and original eras in Hollywood history. What distinguishes these directors is their candid and amusing exploration of cultural anxieties in carnival form. Quirky yet complex films such as Monkey Business, Gentlemen Prefer Blondes, Sunset Boulevard, The Trouble with Harry, and Will Success Spoil Rock Hunter? released and expressed the sexual repression and frustration we commonly associate with the decade
Notes: Includes bibliographical references (p. [257]-267) and index
ISBN: 0231079826 (alk. paper)
LON: 93048900; 10679624

Call No: TITLE CLIPPINGS FILE; SUNSET SONG (UK/LU, Terence Davies, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: SUNSET SONG (UK/LU, Terence Davies, 2015)
Summary: Reivew of the film SUNSET SONG
Rating: 4 out of 5 stars

Call No: 67(04) FAR
Author: Farber, Manny
Place: New York
Publisher: Hillstone
PhysDes: viii, 288 p., [18] of plates : ill. ; 21 cm.
Subject: ACTORS; EXPERIMENTAL FILMS; FESTIVALS. NEW YORK; UNDERGROUND FILMS; AGEE, JAMES; ALDRICH, ROBERT; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BOGARDE, DIRK; BOGART, HUMPHREY; BRESSON, ROBERT; BUNUEL, LUIS; BURTON, RICHARD; DENEUVE, CATHERINE; FONDA, HENRY; FORD, JOHN; FULLER, SAMUEL; GODARD, JEAN-LUC; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KAZAN, ELIA; MANN, ANTHONY; MOREAU, JEANNE; SIEGEL, DON; SNOW, MICHAEL; STEVENS, GEORGE; STURGES, PRESTON; TAYLOR, ELIZABETH; ASPHALT JUNGLE, THE (US, John Huston, 1950); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BIG CLOCK, THE (US, John Farrow, 1947); BIG SLEEP, THE (US, Howard Hawkes, 1946); BODY SNATCHER, THE (US, Robert Wise, 1945); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944); DETECTIVE STORY (US, William Wyler, 1951); FLAMING STAR (US, Don Siegel, 1960); HIGH SIERRA (US, Raoul Walsh, 1941); HIS KIND OF WOMAN (US, John Farrow, 1951); HIS GIRL FRIDAY (US, Howard Hawks, 1940); KILLERS, THE (US, Robert Siodmak, 1946); ODD MAN OUT (UK, Carol Reed, 1947); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); PICKUP ON SOUTH STREET (US, Samuel Fuller, 1953); PROWLER, THE (US, Joseph Losey, 1950); RED RIVER (US, Howard Hawks, 1948); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); SCAR OF SHAME, THE (US, Frank Peregini, 1927); SET-UP (US, Kathryn Bigelow, 1978); SKAMMEN (SW, Ingmar Bergman, 1968); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); SUNSET BOULEVARD (US, Billy Wilder, 1950); THIRD MAN, THE (UK, Carol Reed, 1949)
Notes: Includes index.; Orginally published as: Negative space

Call No: 750.1 AME
Author: Ames, Christopher, 1956
Place: Lexington, Ky.
Publisher: University Press of Kentucky
PubDate: c1997
PhysDes: ix, 254 p. : ill. ; 24 cm
Subject: FILMS IN FILMS; HOLLYWOOD IN FILMS; STAR IS BORN, A (US, William Wellman, 1937); STAR IS BORN, A (US, George Cukor, 1954); WHAT PRICE HOLLYWOOD (US, George Cukor, 1932); STAND-IN (US, Tay Garnett, 1937); BOY MEETS GIRL (US, Lloyd Bacon, 1938); STAR, THE (US, Stuart Heisler, 1952); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); PENNIES FROM HEAVEN (US, Herbert Ross, 1981); PURPLE ROSE OF CAIRO, THE (US, Woody Allen, 1985); LAST ACTION HERO (US, John McTiernan, 1993); BAD AND THE BEAUTIFUL, THE (US, Vincente Minnelli, 1952); IN A LONELY PLACE (US, Nicholas Ray, 1950); SUNSET BOULEVARD (US, Billy Wilder, 1950); PLAYER, THE (US, Robert Altman, 1992)
Summary: Hundreds of films belonging to the genre of Hollywood-on-Hollywood movies can be found throughout the history of American cinema, from the days of silents to the present. They include films from genres as far ranging as musical, film noir, melodrama, comedy, and action adventure. Such movies seduce us with the promise of revealing the reality behind the camera. But, as part of the very industry they supposedly critique, they cannot take us behind the scenes in any true sense. This paradox - the simultaneous debunking and celebration of Hollywood - lies at the heart of the genre. Through close analysis of the best of these films. Ames reveals how the idea of Hollywood is constructed (and constructs itself), particularly through such moments of explicit self-referentiality as the movie-within-a-movie and scenes set in studios
Notes: Includes filmography (p. 227); Includes bibliographical references (p. 238-244) and index
ISBN: 0813120187 (cloth : alk. paper)
LON: 12952826

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SUNSET [NAPSZALLTA] (HU/FR, László Nemes, 2018)

Call No: 451-02 FRE
Author: French, Brandon, 1944
Place: New York
Publisher: Ungar
PubDate: 1978
PhysDes: xxiv, 165 p. : ill. ; 22 cm
Subject: WOMEN IN FILMS. USA; SUNSET BOULEVARD (US, Billy Wilder, 1950); QUIET MAN, THE (US/IR, John Ford, 1952); MARRYING KIND, THE (US, George Cukor, 1952); SHANE (US, George Stevens, 1953); COUNTRY GIRL, THE (US, George Seaton, 1954); MARTY (US, Delbert Mann, 1954); ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); PICNIC (US, Joshua Logan, 1955); HEAVEN KNOWS, MR. ALLISON (US, John Huston, 1957); SOME LIKE IT HOT (US, Billy Wilder, 1959); FROM HERE TO ETERNITY (US, Fred Zinneman, 1953); TENDER TRAP, THE (US, Charles Walters, 1955); NUN'S STORY, THE (US, Fred Zinneman, 1958)
Notes: Includes index; Bibliography: p. 155-157
ISBN: 0804422206; 0804461589 (pbk.)
LON: 78004294; 1220409

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RICHARD PRYOR LIVE ON THE SUNSET STRIP (US, Joe Layton, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RICHARD PRYOR LIVE ON THE SUNSET STRIP (US, Joe Layton, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SIAM SUNSET (AT, John Polson, 1999)

Author: Conlan, Pat
PhysDes: Review; Credits; Synopsis
Subject: SIAM SUNSET (AT, John Polson, 1999)

Call No: S SIA
Author: Knight, Andrew; Dann, Max
PubDate: [1997]
PhysDes: 94 leaves
Subject: SIAM SUNSET (AT, John Polson, 1999)
Notes: Unpublished script

Call No: S SIA
Author: Knight, A.; Dann, M.
PubDate: [1998]
PhysDes: 103 leaves
Subject: SIAM SUNSET (AT, John Polson, 1999)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: S SIA
Author: Knight, Andrew & Dann, Max
PubDate: 1997
PhysDes: 94p
Subject: SIAM SUNSET (AT, John Polson, 1999)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: 81EDW WAS
Author: Wasson, Sam
Source: US
Place: Middletown, Connecticut
Publisher: Wesleyan University Press
PubDate: 2009
PhysDes: xii, 353 p. : ill. ; 24 cm
Subject: EDWARDS, BLAKE; CRITICISM; BLIND DATE (US, Blake Edwards, 1987); BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961); CAREY TREATMENT, THE (US, Blake Edwards, 1972); CURSE OF THE PINK PANTHER (US, Blake Edwards, 1983); FINE MESS, A (US, Blake Edwards, 1986); GREAT RACE, THE (US, Blake Edwards, 1965); MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983); MICKI AND MAUDE (US, Blake Edwards, 1984); PARTY, THE (US, Blake Edwards, 1968); PINK PANTHER, THE (US, Blake Edwards, 1964); REVENGE OF THE PINK PANTHER (UK, Blake Edwards, 1978); SHOT IN THE DARK, A (UK, Blake Edwards, 1964); SKIN DEEP (US, Blake Edwards, 1989); S.O.B. (US, Blake Edwards, 1981); SON OF THE PINK PANTHER (US, Blake Edwards, 1993); SUNSET (US, Blake Edwards, 1988); SWITCH (US, Blake Edwards, 1991); TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982); VICTOR/VICTORIA (UK, Blake Edwards, 1982)
Summary: "With one of the longest and most controversial careers in Hollywood history, it's about time for Blake Edwards, a director of raving chutzpuh, to take hist seat at the table of greats. His rambunctious filmography remains an artistic force on par with Hollywood's greatest comic directors: Chaplin, Lubitsch, Sturges, and Wilder. Like Wilder, Edward's propensity for hilarity is double-helixed with pain, and in films like Breakfast at Tiffany's, The Pink Panther, and even days of Wine and Roses, we can hear him off-screen, laughing in the dark. And yet, despite those enormous successes, he was at one time considered a Hollywood villain. After his marriage to Julie Andrews, Edwards's Darling Lili nearly sunk both of them and brought Paramount Pictures to its knees. Almost overnight, Blake became an industry pariah, which ironically fortified his sense of satire, and allowed him to simultaneously fight the Hollywood tide as he rode it. Employing keen visual analysis, meticulous research, and troves of interviews and production files, Sam Wasson delivers the first complete account of one of the maddest figures Hollywood has ever known." - BOOK JACKET
Notes: Includes filmography.; Includes bibliographical references and index.
ISBN: 9780819569158
Donation: Donated by Senses Of Cinema, 2009
Contents: Prologue: Breaking in, 1922-1955 -- Blake begins, 1955-1959 -- Blake builds, 1959-1962 -- Blake blossoms, 1963-1968 -- Blake burns, 1968-1974 -- Panther pictures (Blake banks) -- Blake booms, 1979-1982 -- Blake breaks, 1983-1988 -- Blake bows, 1988-1991 -- Epilogue: Making out, October 24, 1993.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: SUNSET (US, Blake Edwards, 1988)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Programme
Subject: SUNSET BOULEVARD (US, Billy Wilder, 1950)
URL status: URL: 'http://file://Q:/T/SUNSET_BOULEVARD.zip' Checked: 31/08/2021 1:03:03 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: S SUN
Author: Brackett, C.; Wilder, B.; Marshman, D.M.
PubDate: 1949
PhysDes: 117 leaves
Subject: SUNSET BOULEVARD (US, Billy Wilder, 1950)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: 79 SUN COH
Author: Cohan, Steven
Edition: 2022
Place: London
Publisher: Bloomsbury Publishing Plc on behalf of British Film Institute
PubDate: September 2022
PhysDes: 104 pages : illustrated
Series: BFI film classics
Subject: SUNSET BOULEVARD (US, Billy Wilder, 1950)
Summary: Billy Wilder's Sunset Boulevard was a critical and commercial success on its release in 1950 and remains a classic of film noir and one of the best-known Hollywood films about Hollywood. Both its opening, with William Holden as the screenwriter Joe Gillis floating facedown in ageing star Norma Desmond's (Gloria Swanson) pool, and lines such as 'I am big, it's the pictures that got small' are some of the most memorable in Classical Hollywood cinema. Steven Cohan's study of the film draws on original archival research to shed new light on the film's production history, and the contribution to the film's success and meanings of director Wilder, stars Holden and Swanson but also supporting actors Erich von Stroheim, Nancy Olson (who plays Betty Schaefer), Cecil B. DeMille, and Hedda Hopper, as well as costumier Edith Head, and composer Franz Waxman. Cohan considers the film both as a 'backstudio' picture (a movie about Hollywood) and as a film noir, and in the context of McCarthyism, blacklisting and the Hollywood Ten. Cohan explores how the film was marketed, its reception and afterlife, tracing how the film is at once a product of its own particular historical moment as the movie industry was transitioning out of the studio era, yet one that still speaks powerfully to contemporary audiences, and speculates on the reasons for its enduring appeal. -- publisher's web site
ISBN: 9781839024085
Contents: Acknowledgments -- Introduction: "Sunset Boulevard:Ready for its close-up" -- 1. "It's a Hollywood Story" -- 2. "It Happened in Hollywood!" -- 3. "It's a Great Motion Picture!" -- Conclusion; "Is Hollywood the City of Dreams...or Heartbreak?" -- Notes -- Credits

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SUNSET PARK (US, Steve Gomer, 1996)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SUNSET SONG (UK/LU, Terence Davies, 2015)
URL status: URL: 'http://file://Q:/T/SUNSET_SONG.zip' Checked: 31/08/2021 1:39:30 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SUNSET STRIP (US, Adam Collis, 2000)

Call No: P SUN
PubDate: 2013
PhysDes: 1 poster : col. ; 100 X 70 cm
Subject: SUNSET SIX, THE (AT, Jeremy Stanford, 2013)
Summary: Image: cast standing in front of graffitied wall (much like a band publicity photo). Film title 'The Sunset Six' is stencilled above the band. Text: 'When the rock'n'roll dream ends, the hard part is waking up'
Notes: Tear at top center and top left of poster
Donation: donated by the Cinema Nova, 2013

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WATCH THE SUNSET (AT/ NO, Tristan Barr / Michael Gosden, 2017)

Call No: P WAT
PhysDes: 1 poster : colour illustrations ; 101 x 72 cm
Subject: WATCH THE SUNSET (AT/ NO, Tristan Barr / Michael Gosden, 2017)
Summary: At the very top of the poster: Top 5 Australian films of 2017 At the top of the poster, there are three quotes: "Jarringly effective" - That Moment In ; " Captivating" - Cinema Australia ; "Ultimate redemption" - Game It All Tagline: One Day. One Life. One Chance A man with a bandaged hand wearing a blood-spattered t-shirt holds a gun towards the camera. Text above title: Shot in one single take The poster is an advertisement for a filmmaker Q & A event at Cinema Nova on August 14 at 6:45 PM. The Cinema Nova logo is on the lower-left corner of the poster, while the Fighting Chance Films logo is on the lower-right corner of the poster.
Notes: Two copies.