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Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: ABDUCTION - WHO'S NEXT? (AT, Mario Andreacchio, 1985)

Call No: 771.1(73) JAM
Author: James, David E., 1945
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1989
PhysDes: xiii, 388 p. : ill. ; 26 cm
Subject: UNDERGROUND FILMS; POLITICAL FILMS; BLACK POWER FILMS; WOMEN AND THE CINEMA; ART CINEMA. USA; VIETNAM WAR FILMS; BRAKHAGE, STAN; ANGER, KENNETH; WARHOL, ANDY; MEKAS, JONAS; FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974); EASY RIDER (US, Dennis Hopper, 1969)
Notes: Includes index; Bibliography: p. 362-377
ISBN: 0691047553 (alk. paper); 0691006040 (pbk.)
LON: 5820741
Contents: Stan Brakage, p29-57 -- Andy Warhol, p58-84 -- Jonas Mekas, p100-118 -- "Film that cannot be one: Kenneth Anger" p149-155 -- "Yvonne Rainer: Film about a woman who...", p326-334 -- "Allegories of production: Easy rider", p12-17 -- "Cinema and black liberation", p177-194 -- "Film and the war: representing Vietnam", p195-212 --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMAZING JOURNEY: THE STORY OF THE WHO (UK/US, Paul Crowder, 2007)

Call No: N79AME MOO
Author: Moorhouse, Frank
Source: AT
Place: Sydney
Publisher: Angus and Robertson
PubDate: 1972
PhysDes: 220 p. ; 20 cm
Subject: GIRL WHO MET SIMONE DE BEAUVOIR IN PARIS, THE (AT, Richard Wherrett, 1980); GIRL FROM THE FAMILY OF MAN, THE (AT, Michael Thornhill, 1970); AMERICAN POET'S VISIT, THE (AT, Michael Thornhill, 1969); MACHINE GUN, THE (AT, Michael Thornhill, 1971)
ISBN: 0207124914
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WOMAN WHO LEFT, THE [ANG BABAENG HUMAYO] (PH, Lav Diaz, 2016)

Call No: TITLE CLIPPINGS FILE; HUNDRAARINGEN SOM KLEV UT GENOM FONSTRET OCH FORSVANN (SW, Felix Herngren, 2013)
Author: Startton, David
PhysDes: Clippings File Article
Subject: HUNDRED YEAR OLD MAN WHO CLIMBED OUT OF THE WINDOW AND DISAPPEARED, THE [HUNDRAARINGEN SOM KLEV UT GENOM FONSTRET OCH FORSVANN] (SW, Felix Herngren, 2013)
Summary: Film review of THE 100 YEAR OLD MAN WHO CLIMBED OUT THE WINDOW AND DISAPPEARED
Rating: 3.5 out of 5 stars

Author: Finney, Alan
PhysDes: Article
Subject: LEWIS, JERRY; COMEDIANS; COMEDIES; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); WHO'S MINDING THE STORE? (US, Frank Tashlin, 1963); Keaton, Buster
Summary: Essay discusses the work of Jerry Lewis with particular reference to three films in which the characters are defined by their job and obligations: "The Bellboy", "The Errand Boy" and "The Ladies Man".

Call No: 81:634DEH STA
Author: Starrs, David Bruno
Source: AT
Place: Brisbane, Queensland
PubDate: 2009
PhysDes: 263 p. : ill. ; 30 cm
Subject: AUTEUR THEORY; DIRECTORS. AUSTRALIA; SOUND; THEORY; DE HEER, ROLF; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998); [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007); EPSILON (AT/IT, Rolf de Heer, 1995); OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000); PROPOSITION, THE (AT/UK, John Hillcoat, 2005); TRACKER, THE (AT, Rolf de Heer, 2002)
Summary: "An interpretative methodology for understanding meaning in cinema since the 1950s, auteur analysis is an approach to film studies in which an individual, usually the director, is studied as the author of his or her films. The principal argument of this thesis is that proponents of auteurism have privileged examination of the visual components in a film-makers' body of work, neglecting the potentially significant role played by sound. The thesis seeks to address this problematic imbalance by interrogating the creative use of sound in the films written and directed Rolf de Heer, asking the question, "Does his use of sound make Rolf de Heer and aural auteur?" In so far as the term 'aural' encompasses everything in the film that is heard by the audience, the analysis seeks to discover if de Heer has, as Peter Wollen suggests of the auteur and her or his directing of the visual components (1968, 1972 and 1998), unconsciously left a detectable aural signature on his films. The thesis delivers an innovative outcome by demonstrating that auteur analysis that goes beyond the mise-en-scene (i.e. visuals) is productive and worthwhile as an interpretative response to film. De Heer's use of the aural point of view and binaural sound recording, his interest in providing a 'voice' for marginalised people, his self-penned song lyrics, his close and early collaboration with composer Graham Tardif and sound desinger Jim Currie, his 'hands-on' approach to sound recording and sound editing and his predilection for making films about sound are all shown to be examples of de Heer's aural auteurism. As well as the three published (or accepted for publication) interviews with de Heer, Tardif and Currie, the dissertation consists of seven papers refereed and published (or accepted for publication) in journals and internatiional conference proceedings, a literature review and a unifying essay. The papers presented are close textual analyses of de Heer's films which, when considered as a whole, support the thesis' overall argument and serve as comprehensive auteur analysis, the first such sustained study of his work, and the first with an emphasis on the aural. " -- ABSTRACT
Notes: Presented to the Creative Industries Faculty, Queensland University of Technology. Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2009; Includes bibliographical references (p. 213-231)
Contents: -- part one: introduction -- chapter 1: the research problem, objective/aims, subject and methodologies -- chapter 2: the literature and contextual review -- part two: the seven refereed and published papers of the thesis -- chapter 3: a paper utilising genre analysis and signalling an interest in the auteurism of Rolf de Heer -- chapter 4: the first of two papers utilising standard auteur analysis -- chapter 5: the second of two papers utilising standard auteur analysis -- chapter 6: a paper arguing for the methodological innovation of the thesis: aural auteur analysis -- chapter 7: the first of three papers utilising aural auteur analysis -- chapter 8: the second of three papers utilising aural auteur analysis -- chapter 9: the third of three papers utilising aural auteur analysis -- part three: conclusion -- chapter 10: the unifying essay -- 11: references/bibliography and filmography -- 12: appendicies -- list of figures --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTIN POWERS: THE SPY WHO SHAGGED ME (US, Jay Roach, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity
Subject: AUTISM - WHO CARES? (AT, Ivan Gaal, 1980)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 26 x 21 cm
Subject: AUTISM - WHO CARES? (AT, Ivan Gaal, 1980)
Summary: 1 black and white photographs of an autistic girl's face.

Call No: 19BBC BRI
Author: Briscoe, Desmond; Curtis-Bramwell, Roy
CorpAuthor: BBC
Source: UK
Place: London
Publisher: British Broadcasting Corporation
PubDate: 1983
PhysDes: 175 p. : ill., facsims., ports. ; 25 cm
Subject: BRITISH BROADCASTING CORPORATION; TELEVISION. UK; [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-)
ISBN: 0563201509
Donation: donated by the family of Wayne Levy, 2006

Call No: 744.9 HAR
Author: Harris, Geraldine
Source: US
Place: Manchester ; New York
Publisher: Manchester University Press, distributed exclusively in the USA by Palgrave
PubDate: 2006
PhysDes: 210 p. ; 23 cm
Subject: DRAMAS; REALISM ON TV; AESTHETICS; RACIAL ISSUES AND TV; MARXISM AND THE CINEMA; POSTMODERNISM AND THE CINEMA; FEMINISM AND THE CINEMA; IMPERIALISM AND THE CINEMA; HOMOSEXUALITY AND TV; GLOBALISATION; ALLY MCBEAL [TV] (US, 1997-); BILL, THE [TV] (UK, 1984-); STAR TREK [TV] [...] (US, 1966-69, 1987-); QUEER AS FOLK [TV] (UK, 1999-2000); ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-); DYNASTY [TV] (AT, 1970); PRIME SUSPECT 3 [TV] (UK, David Drury, 1993); SOPRANOS, THE [TV] (US, 1999); TIPPING THE VELVET [TV] (UK, Geoffrey Sax, 2002); WILL & GRACE[TV] (US, 1998-); XENA: WARRIOR PRINCESS [TV] (US, 1995-)
Summary: Beyond representation, poses the question, as to whether over the last 30 years, there have been signs of progress/progressiveness, in the representation of marginalised or subaltern identity categories, within television drama, in Britain, and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity, that have influenced and informed television drama criticism during this period. [Taken from the back cover]
Notes: Bibliography: p.191-20; Includes index
ISBN: 0719074584 (hdbk)
Donation: Donated by Senses Of Cinema, 2009

Call No: 802.22 BAZ
Author: Bazalgette, Peter
Source: UK
Place: London
Publisher: Time Warner
PubDate: 2005
PhysDes: viii, 306 p. ; b&w ill. : 24cm.
Subject: REALITY TV; SMITH, PAUL; DE MOL, JOHN; PARSONS, CHARLIE; BIG BROTHER [TV] (AT, 2001-); WHO WANTS TO BE A MILLIONAIRE? [TV]; SURVIVOR [TV]
Summary: Story of how Paul Smith, Charlie Parsons and John de Mol brought 'Who wants to be a millionaire?', 'Survivor' and 'Big brother' to popular television.
Notes: Includes bibliographic references and index
ISBN: 0316729159
Language: English

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: BOY WHO COULD FLY, THE (US, Nick Castle, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY WHO CRIED BITCH, THE (US, Juan Campanella, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY WHO HAD EVERYTHING, THE (AT, Stephen Wallace, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY WHO HARNESSED THE WIND, THE (UK, Chiwetel Ejiofor, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: BOY WHO PLAYS ON THE BUDDHAS OF BAMIYAN, THE (UK/AF, Phil Grabsky, 2004)
ID2: 76

PhysDes: Article
Subject: BOY WHO STOLE A MILLION, THE (UK, Charles Crichton, 1960)

Call No: 79GAL BRO
Author: Broadbent, Harvey
Source: AT
Place: Crows Nest
Publisher: ABC Enterprises
PubDate: 1990
PhysDes: 142 p. : ill. ; 24 cm
Subject: GALLIPOLI: THE BOYS WHO CAME HOME (AT, Harvey Broadbent, 1990)
ISBN: 0733300332

Call No: 71(73) RAY
Author: Ray, Robert B. (Robert Beverley), 1943
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1985
PhysDes: x, 411 p. : ill. ; 25 cm
Subject: WESTERNS; WORLD WAR II FILMS. USA; CULT FILMS. USA; FILM NOIR. USA; MUSICALS. USA; CASABLANCA (US, Michael Curtiz, 1942); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); GODFATHER, THE (US, Francis Ford Coppola, 1972); TAXI DRIVER (US, Martin Scorsese, 1976)
Notes: Includes index; Bibliography: p. [389]-397
ISBN: 0691047278 (alk. paper); 0691101744 (pbk.)
LON: 3400531

Call No: 743 CON
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2000
PhysDes: 242 p. : ill. ; 24 cm.
Subject: CHRISTMAS IN FILMS; REMEMBER THE NIGHT (UK, Mitchell Leisen, 1939); SCROOGE (UK, Henry Edwards, 1935); CHRISTMAS CAROL, A (US, Edwin L. Marin, 1938); SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951); SCROOGE (UK, Ronald Neame, 1970); CHRISTMAS CAROL, A (UK, Clive Donner, 1984); SCROOGED (US, Richard Donner, 1988); MUPPET CHRISTMAS CAROL, THE (US, Brian Henson, 1992); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MAN WHO CAME TO DINNER, THE (US, William Keighley, 1941); HOLIDAY INN (US, Mark Sandrich, 1942); CHRISTMAS UNDER FIRE (UK, Harry Watt, 1941); TURKEY TIME (UK, Tom Walls, 1933); HOLLY AND THE IVY, THE (UK, George More O'Ferrall, 1953); CHEATERS, THE (US, Joe Kane, 1945); MIRACLE ON 34TH STREET (US, Les Mayfield, 1994); MIRACLE ON 34TH STREET (US, George Seaton, 1947); SANTA CLAUSE, THE (US, John Pasquin, 1994); ERNEST SAVES CHRISTMAS (US, John Cherry, 1988); SANTA CLAUSE: THE MOVIE (US, Jeannot Szwarc, 1985); GREMLINS (US, Joe Dante, 1984); SILENT NIGHT, DEADLY NIGHT (US, Charles E. Sellier Jr., 1984); SILENT NIGHT, DEADLY NIGHT PART II (US, Lee Harry, 1987); TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS (US, Harry Selick, 1993); CHRISTMAS STORY, A (US, Bob Clark, 1983); LETHAL WEAPON (US, Richard Donner, 1987); DIE HARD (US, John McTiernan, 1988); DIE HARD 2 (US, Renny Harlin, 1990); HOME ALONE (US, Chris Columbus, 1990); HOME ALONE 2: LOST IN NEW YORK (US, Chris Columbus, 1992); LONG KISS GOODNIGHT, THE (US, Renny Harlin, 1996); JINGLE ALL THE WAY (US, Brian Levant, 1996); MERLUSSE (FR, Marcel Pagnol, 1935); CHATEAU DE MA MERE, LE (FR, Yves Robert, 1990); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); VIE EST UN LONG FLEUVE TRANQUILLE, LA (FR, Etienne Chatiliez, 1988); ELISA (FR, Jean Becker, 1994); KARNAVALNAIA NOCH (UR, Eldar Ryazanov, 1956); IRONIYA SUDBY ILI S LYOGKIM PAROM (UR, Eldar Ryazanov, 1975); PLACIDO (SP, Luis Garcia Berlanga, 1961)
Summary: A look at depictions of Christmas across various national cinemas and genres throughout the 20th century.
Notes: Includes bibliographical references and indexes. Filmography: p. ([223]-232)
ISBN: 1860643973
Contents: -- God Bless Us, Every One: Movie Adaptations Of A Christmas Carol / James Chapman -- A Hollywood Carol's Wonderful Life / Jonathan Munby -- Dreaming Of Christmas: Hollywood And The Second World War / H. Mark Glancy -- Christmas Under Fire: The Wartime Christmas In Britain / Sarah Street -- Crisis At Christmas: Turkey Time, The Holly And The Ivy, The Cheaters / Jeffrey Richards -- Santa Claus: The Movie / Mark Connelly -- You Better Watch Out: Christmas In The Horror Film / Kim Newman -- 'Peace On Earth, Goodwill To All Men': The Depiction Of Christmas In Moden Hollywood Films / Rowana Agajanian -- Christmas In French Cinema / Guy Austin -- Father Frost On 31 December: Christmas And New Year In Soviet And Russian Cinema / Birgit Beumers -- Satirizing The Spanish Christmas: Placido / Peter William Evans

Call No: 67(04) CIN
Author: MacCann, Richard Dyer; Ellis, Jack C., 1922
CorpAuthor: Cinema Journal
Edition: 1st ed
Place: New York
Publisher: Dutton
PubDate: 1982
PhysDes: xiii, 300 p., [1] leaf of plates : ill. ; 21 cm
Subject: INDUSTRY, FILM. USSR; SAMURAI FILMS; CHAPLIN, CHARLES; VISCONTI, LUCHINO; HITCHCOCK, ALFRED; INDUSTRY, TV. USA; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); CET OBSCUR OBJET DU DESIR (FR/SP, Luis Bunuel, 1977)
Notes: Includes bibliographical references
ISBN: 0525474641 (pbk.) : $9.95
LON: abn83062603; 2630261

Call No: TITLE CLIPPINGS FILE
PhysDes: Study guide; Clippings
Subject: CLAIMING THE MEMORY WHO OWNS THE LEGACY (AT, Marc Radomsky, 2004)

Call No: 227.01(73) CLO
Place: UK
Publisher: Edinburgh University Press
PubDate: 2018
Series: International film stars
Subject: ACTORS; CHARACTER ACTORS; STARS; WOMEN IN FILMS. USA; WATERS, ETHEL; DUNNE, IRENE; GRANT, CARY; GAYNOR, JANET; HEPBURN, KATHARINE; DAVIS, BETTE; CLIFT, MONTGOMERY; CURTIS, TONY; SELLERS, PETER; Stewart, James; Lombard, Carole; MASON, JAMES; BURTON, RICHARD; LEWIS, JERRY; POITIER, SIDNEY; HACKMAN, GENE; ROWLANDS, GENA; NICHOLSON, JACK; HOFFMAN, DUSTIN; GOULD, ELLIOTT; PACINO, AL; GOLDBERG, WHOOPI; BLANCHETT, CATE; ISAAC, OSCAR; STEWART, KRISTEN; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014); MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014); BLUE JASMINE (US, Woody Allen, 2013); COLOR PURPLE, THE (US, Steven Spielberg, 1985); DONNIE BRASCO (US, Mike Newell, 1997); LONG GOODBYE, THE (US, Robert Altman, 1973); RAIN MAN (US, Barry Levinson, 1988); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); GLORIA (US, John Cassavetes, 1980); CONVERSATION, THE (US, Francis Ford Coppola, 1974); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); KING OF COMEDY, THE (US, Martin Scorsese, 1983); SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965); PINK PANTHER, THE (US, Blake Edwards, 1964); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); PLACE IN THE SUN, A (US, George Stevens, 1951); LOLITA (US, Stanley Kubrick, 1962); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); VERTIGO (US, Alfred Hitchcock, 1958); LION IN WINTER, THE (UK, Anthony Harvey, 1968); HIS GIRL FRIDAY (US, Howard Hawks, 1940); AWFUL TRUTH, THE (US, Leo McCarey, 1937); MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952); DANGEROUS (US, Alfred E. Green, 1935); SUNRISE (US, Friedrich Wilhelm Murnau, 1927)
Summary: "Examines the significance of women's participation in popular genres. Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover.
Notes: Includes bibliographical references and index.
ISBN: 9781474417006
Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success. Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index.
ID2: 362

Call No: 81 COE NAY
Author: Nayman, Adam
Source: US
Place: New York
Publisher: Abrams Books
PubDate: 2018
PhysDes: 320 pages : illustrations (some colour) ; 32 cm
Subject: COEN, JOEL & ETHAN; BLOOD SIMPLE (US, Joel Coen, 1984); RAISING ARIZONA (US, Joel Coen, 1987); MILLER'S CROSSING (US, Joel Cohen, 1990); BARTON FINK (US, Joel Cohen, 1991); HUDSUCKER PROXY, THE (US, Joel Coen, 1994); FARGO (US, Ethan Coen, 1996); BIG LEBOWSKI, THE (US, Joel Coen, 1998); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001); INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003); LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004); NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007); BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008); SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009); TRUE GRIT (US, Coen Brothers, 2010); HAIL, CAESAR! (UK/US, Ethan Coen and Joel Coen, 2016)
Summary: "From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, “some Grand Unified Theory of Coen-ness.” The book combines critical text—biography, close film analysis, and enlightening interviews with key Coen collaborators—with a visual aesthetic that honors the Coens’ singular mix of darkness and levity. Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this book will be the definitive exploration of the Coen brothers’ oeuvre." - taken from publisher's website.
Notes: Includes bibliographical references.
ISBN: 9781419727405
Contents: An introduction -- Out of nowhere -- Blood simple -- Raising Arizona -- Miller's crossing -- Interview: Michael Miller -- Barton Fink -- Hits and misses -- The hudsucker proxy -- Fargo -- Interview: The Zellner Brothers -- The Big Lebowski -- Interview: Lisa Walker -- Can't stop what's coming -- O brother, where are thou? -- The man who wasn't there -- Interview: Carter Burwell -- Intolerable cruelty -- The ladykillers -- Mysterious ways -- No country for old men -- Interview: Roger Deakins -- Tuillries & world cinema -- Burn after reading -- A serious man -- Interview: J. Todd Anderson -- That's entertainment! -- True grit -- Interview: Mary Zophres -- Inside Llewyn Davis -- Hail, Caesar! -- Interview: Jess Gonchor -- An outroduction -- Credits -- Bibliography

Call No: 735.1 SHA
Author: Shaviro, Steven
Source: US
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2003
PhysDes: xiii, 289 p. ; 22 cm
Series: Electronic Mediations ; v. 9
Subject: VIDEODROME (CN, David Cronenberg, 1983); NEW ROSE HOTEL (US, Abel Ferrara, 1998); ALPHAVILLE (FR, Jean-Luc Godard, 1965); SPACE IS THE PLACE (US, Sun Ra,1972); MAN WHO FELL TO EARTH, THE (UK, Nicholas Roeg, 1976); DAWN OF THE DEAD (US, George A. Romero, 1979); BLADE RUNNER (US, Ridley Scott, 1982); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); EMPIRE (US, Andy Warhol, 1964); BURROUGHS, WILLIAM
Summary: "Shaviro argues that our strange new world is increasingly being transformed in ways, and by devices, that seem to come out of the pages of science fiction, even while the world itself is becoming a futuristic landscape. The result is that science fiction provides the most useful social theory, the only form that manages to be as radical as reality itself. Original and compelling, Connected shows how the continual experimentation of science fiction, like science and technology themselves, conjures the invisible social and economic forces that surround us." -- BOOK BLURB
Notes: Includes notes, bibliographical references, filmography and index.
ISBN: 0816643636
Donation: Adrian Miles

PhysDes: Article
Subject: BOY WHO HAD EVERYTHING, THE (AT, Stephen Wallace, 1985)
Summary: Production report

Call No: 81COE RED
Author: Redmon, Allen H.
Source: US/UK
Place: New York : London
Publisher: Rowman & Littlefield
PubDate: c2015
PhysDes: xviii, 173 pages ; 24 cm
Subject: CRITICISM; COEN, JOEL & ETHAN; LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004); BARTON FINK (US, Joel Cohen, 1991); RAISING ARIZONA (US, Joel Coen, 1987); HUDSUCKER PROXY, THE (US, Joel Coen, 1994); MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001); INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003); NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007); BIG LEBOWSKI, THE (US, Joel Coen, 1998); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008); SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009)
Summary: "In Constructing the Coens: From Blood Simple to Inside Llewyn Davis, Allen Redmon looks beyond the postmodern sensibilities of every film written and directed by the Coens to find an unexpected range of recurring ideas expressed in and about contemporary film. Redmon tackles all of the films in the Coen brothers’ canon by examining—among other topics—narrative coherence in The Man Who Wasn’t There, intertextuality in No Country for Old Men, and sexuality in Burn after Reading and O Brother, Where Art Thou? Additional chapters examine the films through the prisms of gender studies, adaptation studies, and a constructivist sensibility weaved throughout their work." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (pages 155-160), filmography (pages 161-163) and index
ISBN: 9781442244849
Donation: Sense of cinema
Contents: -- acknowledgments -- introduction -- 1: "It's a problem of 'perception'": identifying the Coens' constructivist sensibility -- 2: "You don't want to be tried and found wantin'": triggering the ongoing adaptation of the the Ladykillers -- 3: "I will destroy him": negotiating the image in Barton Fink and Raising Arizona -- 4: "That gag's got whiskers on it": achieving narrative coherence in the Hudsucker proxy and The man who wasn't there -- 5: "The coin don't have no say": examining intertextuality in the Hudsucker proxy, Intolerable cruelty, and No country for old men -- 6: "A lotta ins, a lotta outs": interweaving genres in the Big Lebowski and O brother, where art thou? -- 7: "Appearances can be deceptive" : investigating sexuality in O brother, where art thou?, Intolerable cruelty, and Burn after reading -- 8: "I haven't done anything funny": scrutinizing gender in the Coens' arrangements of a bunch of men around one woman -- 9: "Accept the mystery": resisting final construction of A serious man -- Conclusion -- bibliography -- filmography -- index -- about the author --

PhysDes: Credits
Subject: LEWIS, JERRY; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); WHO'S MINDING THE STORE? (US, Frank Tashlin, 1963)
Summary: Detailed filmography and credits of Jerry Lewis' films.

PhysDes: Article
Subject: OBITUARIES; INDUSTRY, FILM. GERMANY; LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962); SPY WHO LOVED ME, THE (UK, Lewis Gilbert, 1977); ASSASSINATION BUREAU LIMITED (UK, Basil Dearden, 1968)
Summary: Obituary for German actor Curt Jurgens.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: DADDY'S DYIN'...WHO'S GOT THE WILL? (US, Jack Fisk, 1990)

Call No: 81DEH FRE
Author: Freebury, Jane
Source: AT
Place: Straberry Hills, NSW
Publisher: Currency Press
PubDate: 2015
PhysDes: 351 pages : illustrations, portraits, photographs ; 24 cm
Subject: DE HEER, ROLF; TAIL OF THE TIGER (AT, Rolf de Heer, 1984); INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988); DINGO (AT/FR, Rolf de Heer, 1991); BAD BOY BUBBY (AT, Rolf de Heer, 1993); EPSILON (AT/IT, Rolf de Heer, 1995); QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996); DANCE ME TO MY SONG (AT, Rolf de Heer, 1998); OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000); TRACKER (AT, Tina Dalton & Gary Steer, 1996); ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003); TEN CANOES (AT, Rolf De Heer, 2006); [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007); KING IS DEAD, THE (AT, Rolf de Heer, 2012); CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013)
Summary: Dancing to His Song, is the first comprehensive review of the work of Rolf de Heer, Australia's most prolific auteur, an idiosyncratic filmmaker famed for never repeating himself. Film by film, Jane Freebury searches for the sources of de Heer's inspiration and finds the secret to his success in an ethic of hard work, flexibility and self-reliance that meets challenges and obstacles with in genuity without ever losing sight of his vision. His remarkable career as an independent filmmaker has much to teach young producers and directors. [Taken from the back of the book]
Notes: Includes bibliographical references (pages 287-348)
ISBN: 9781925005585
Contents: Introducing Rolf de Heer -- Tail of a Tiger: under the radar -- Incident at Raven's Gate: encounters with critics -- Dingo: jamming in the wilderness -- Bad Boy Bubby: do or die -- Epsilon: African Queen with a cosmic lean? -- The Quiet Room -- through the eyes of a child -- Dance Me To My Song: taking it to the audience -- The Old Man Who Read Love Stories: overseas partners -- The Tracker: how the West was lost -- Alexandra's Project: unhappily ever after -- Ten Canoes: the Ramo Mob, indigenous partners -- Dr. Plonk: seriously comedy -- The King is Dead! Ah'ma tha one! -- Charlie's Country: between two worlds -- The wrap

Call No: TITLE CLIPPINGS FILE; BOWIE, DAVID
PhysDes: Clippings File Article
Subject: BOWIE, DAVID; MAN WHO FELL TO EARTH, THE (UK, Nicholas Roeg, 1976); LABYRINTH (US, Jim Henson, 1986)
Summary: A special edition focusing on David Bowie and the upcoming exhibition about him at ACMI in July 2015.

Call No: 744.6(73) BAL
Author: Baldwin, James
Edition: 2011
Place: New York
Publisher: Vintage
PubDate: 2011
PhysDes: 127 pages ; 21 cm
Subject: RACIAL ISSUES AND THE CINEMA; BLACK CINEMA. US; ETHNIC GROUPS IN FILMS. USA; WELLES, ORSON; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); DEFIANT ONES, THE (US, Stanley Kramer, 1958); GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967); CHE! (US, Richard Fleischer, 1969); EXORCIST, THE (US, William Friedkin, 1973)
Summary: From “the best essayist in this country” (The New York Times Book Review) comes an incisive book-length essay about racism in American movies that challenges the underlying assumptions in many of the films that have shaped our consciousness.  Baldwin’s personal reflections on movies gathered here in a book-length essay are also an appraisal of American racial politics. Offering a look at racism in American movies and a vision of America’s self-delusions and deceptions, Baldwin considers such films as In the Heat of the Night, Guess Who’s Coming to Dinner, and The Exorcist. Here are our loves and hates, biases and cruelties, fears and ignorance reflected by the films that have entertained and shaped us. And here too is the stunning prose of a writer whose passion never diminished his struggle for equality, justice, and social change. -- publisher's web site
ISBN: 9780307275950

Call No: 81 KOT KOT
Author: Kotcheff, Ted; Young, Jeff
Edition: 2017
Place: Toronto, Ontario
Publisher: ECW Press
PubDate: 2017
PhysDes: 440 pages : illustrated ; 23 cm
Subject: KOTCHEFF, TED; FIRST BLOOD (US, Ted Kotcheff, 1982); FOLKS! (US, Ted Kotcheff, 1992); JOSHUA THEN AND NOW (CN, Ted Kotcheff, 1985); NORTH DALLAS FORTY (US, Ted Kotcheff, 1979); SPLIT IMAGE (US, Ted Kotcheff, 1982); SWITCHING CHANNELS (US, Ted Kotcheff, 1988); UNCOMMON VALOR (US, Ted Kotcheff, 1983); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); WEEKEND AT BERNIE'S (US, Ted Kotcheff, 1989); WHO IS KILLING THE GREAT CHEFS OF EUROPE? (US/GW, Ted Kotcheff, 1978); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: With six decades in show business, legendary director Ted Kotcheff looks back on his life Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty. After directing the 1980s blockbusters First Blood and Weekend at Bernie’s, Kotcheff helped produce the groundbreaking TV show Law & Order: Special Victims Unit. During his career, he was declared a Communist by the U.S. government, banned from the Royal Albert Hall in London, and coped with assassination threats on one of his lead actors. With his seminal films enjoying a critical renaissance, including praise from Martin Scorsese and Nick Cave, Kotcheff now turns the lens on himself. Witty and fearless, Director’s Cut is not just a memoir, but also a close-up on life and craft, with stories of his long friendship with Mordecai Richler and working with stars like Sylvester Stallone, James Mason, Gregory Peck, Ingrid Bergman, Gene Hackman, Jane Fonda, and Richard Dreyfuss, as well as advice on how to survive the slings and arrows of Hollywood. -- publisher's web site
ISBN: 9781770413610

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DISAPPEARANCE OF AZARIA CHAMBERLAIN [TV] (AT, Michael Thornhill, 1983); WHO KILLED BABY AZARIA? (AT, Michael Thornhill, 1983)
ID2: 169

Call No: 71 (497.1) JEL
Author: Jelaca, Dijana
Edition: 2016
Place: Basingstoke [England]
Publisher: Palgrave Macmillan
PubDate: 2016
PhysDes: xii, 276 p. : illus. ; 23 cm
Subject: YUGOSLAVIA; FOR THOSE WHO CAN TELL NO TALES [ZA ONE KOJI NE MOGU DA GOVORE] (BS, Jasmila Zbanic, 2013); SOMEONE ELSE'S AMERICA (FR/UK/GG, Goran Paskaljevic, 1995); LEPA SELA LEPO GORE (YU, Srdjan Dragojevic, 1996); GRBAVICA (AU/G/BS/CT, Jasmila Zbanic, 2006); UNDERGROUND (FR/GG/HU, Emir Kusturica, 1995)
Notes: The links between cinema and war machines have long been established. This book explores the range, form, and valences of trauma narratives that permeate the most notable narrative films about the breakup of Yugoslavia. -- publisher's blurb
ISBN: 9781137515773

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [DOCTOR] DR WHO (US, Geoffrey Sax, 1996)

Call No: 79DOC BEN
Author: Bentham, Jeremy
Place: London Secaucus, N.J.
Publisher: W.H. Allen Distributed by L. Stuart
PubDate: 1986
PhysDes: 220 p., [8] p. of plates : ill. (some col.) ; 30 cm
Subject: [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-)
ISBN: 0491036124 : ª13.50 ($21.95 U.S.)
LON: 4374327

Call No: 79DOC NEW
Author: Kim Newman
Place: London
Publisher: bfi Publishing
PubDate: 2005
PhysDes: 19 cm; 138 cm
Series: BFI TV Classics
Subject: [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-); TELEVISION. UK
Summary: From 1963 to 1989, for the most part at teatime on Saturdays on BBC1, Doctor Who was a British TV institution. The series had its roots in British science fiction but grew to take in many other influences: historical drama, Hammer horror, satire, conspiracy thriller, even pantomime. Over the years, it developed a uniquely eccentric style, at once cosily familiar and cosmically terrifying, and many of its characters, creatures and objects have become iconic – the Doctors and his assistants, the TARDIS, the Time Lords, and a panoply of monsters and villains: Cybermen, Ice Warriors, the Master, and, of course, the Daleks…. Kim Newman’s comprehensive study follows the Doctor’s travels through time and space, placing Doctor Who in the context of science-fiction television, and traces the history of the show through its outstanding stories and its recurring themes, from its highs (Jon Pertwee, Tom Baker) to its lows (K-9, Bonnie Langford, and cancellation) and suggests why the programmer has become an enduring television masterpiece and a cultural phenomenon. [Taken from back cover.]
ISBN: 1844570908

Call No: 79DOC DIC
Author: Dicks, Terrance
Source: UK
Place: London
Publisher: Target Books [paperback division of W H Allen]
PubDate: 1976
PhysDes: 127 p. : 18 cm
Series: Doctor Who
Subject: [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-)
Summary: "Why is Doctor Who suddenly summoned to the shores of Loch Ness? Terror and panic spread as the third oil rig is smashes into the sea by a mysterious force...the monster? The controlling power must be the Zygons-alien creatures who have lived hidden on Earth for thousands of years. and now feel strong enough to take over the planet...The Doctor, Sarah and UNIT have different ideas-but can they outwit the supreme cunning of the ruthless Zygons?"-BOOK BLURB
Notes: Based on the BBC television serial Doctor Who and the Terror of the Zygons by Robert Banks Stewart by arrangement with the British Broadcasting Corporation; Doctor Who scripts-awarded The Writers' Guild Award for best british children's original drama script
ISBN: 0426110412
Donation: donated by the family of Wayne Levy, 2006
Contents: -- 1. Death from the Sea -- 2. Murder on the Shore -- 3. The Zygons Attack -- 4. A Trap for the Doctor -- 5. The Sleeping Vilage -- 6. The Monstor on the Moor -- 7. Hunt for a Zygon -- 8. A Visit to the Duke -- 9. The Secret of Forgill Castle -- 10. Plan for Conquest -- 11. Escape! -- 12. Monster in the Thames --

Call No: 79DOCIRV
Author: Irvine, Mat
Source: UK
Place: London
Publisher: Beaver Books
PubDate: 1986
PhysDes: 96 p. col. ill. : 26 cm
Subject: SPECIAL EFFECTS; PROGRAMME GENRES; CHILDREN AND TV; [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-)
Summary: Mat Irvine worked on Doctor Who for many years and uses his experience to talk about the special effects used in this program. [ Taken from the back of the book.]
Notes: "By arrangement with the British Broadcasting Corporation."; Includes index
ISBN: 0099426307
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-)
ID2: 71
URL status: URL: 'http://file://Q:/T/DOCTOR_WHO.TV.zip' Checked: 31/08/2021 1:10:10 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 408.3(44) DUR
Author: Durham, Carolyn A
Place: Hanover, NH
Publisher: Dartmouth University Press of New England
PubDate: c1998
PhysDes: xi, 246 p. : ill. ; 24 cm
Series: Contemporary French culture and society
Subject: BIRDCAGE, THE (US, Mike Nichols, 1996); CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978); HOMOSEXUALITY IN FILMS; MARRIAGE IN FILMS; REMAKES; NATIONAL CULTURE AND THE CINEMA. FRANCE; NATIONAL CULTURE AND THE CINEMA. USA; GENDER AND THE CINEMA. USA; GENDER AND THE CINEMA. FRANCE; BREATHLESS (FR, Jean-Luc Godard, 1959); BREATHLESS (US, Jim McBride, 1983); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); COUSINS (US, Joel Schumacher, 1989); COUSIN, COUSINE (FR, Jean-Charles Tacchella, 1975); MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983); HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977); I WANT TO GO HOME (FR, Alain Resnais, 1989)
Notes: Filmography: p. 231-235; Includes bibliographical references (p. 221-229) and index
LON: 13921589

Call No: 81DEH STA
Author: Starrs, D. Bruno
Source: G
Place: Saarbrucken, Germany
Publisher: VDM, Verlag Dr Muller
PubDate: 2009
PhysDes: 105 p. ; 23 cm
Subject: AUTEUR THEORY; DE HEER, ROLF; TAIL OF THE TIGER (AT, Rolf de Heer, 1984); INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988); DINGO (AT/FR, Rolf de Heer, 1991); BAD BOY BUBBY (AT, Rolf de Heer, 1993); EPSILON (AT/IT, Rolf de Heer, 1995); QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996); DANCE ME TO MY SONG (AT, Rolf de Heer, 1998); OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000); TRACKER, THE (AT, Rolf de Heer, 2002); ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003); TEN CANOES (AT, Rolf De Heer, 2006); [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007)
Summary: " 'Dutch Tilt, Aussie Auteur: the Films of Rolf De Heer' is an auteur analysis of the twelve feature films directed (mostly written and produced) by Holland-born Australian Rolf De Heer. From the children's story about the restoration of a Tiger Moth biplane, "Tail of a Tiger "(1984), to his break-out cult sensation " Bad Boy Bubby" (1993) which "tore Venice apart," to the first Aboriginal Australian language film "Ten Canoes" (2006) which scooped the pool at the AFI awards and won the Special Jury prize at Cannes Film Festival, de Heer has been consistently unpredictable. However, Starr's close study of his work suggests that Australia's most innovative and respected Arthouse film-maker has a signature pre-occupation with giving a voice to marginalized, non-hyper-masculine protagonists. Demonstrating a propensity to write and direct in a European-like style, de Heer's "Dutch tilt" is very much non-mainstream Hollywood, but is nevertheless representative of a typically Australian world-view." -- BOOK BLURB
Notes: Includes bibliographical references (p. 90-104)
ISBN: 9783639168341

Call No: 753.4 ENG
Author: Klein, Michael, 1939; Parker, Gillian
Place: New York
Publisher: Ungar
PubDate: c 1981
PhysDes: xi, 383 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; AMANT DE LADY CHATTERLEY, L' (FR, Marc Allegret, 1955); LADY CHATTERLEY'S LOVER (FR, Marc Allegret, 1955); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); ADVENTURES OF ROBINSON CRUSOE; ADVENTURES OF ROBINSON CRUSOE; BARRY LYNDON (UK, Stanley Kubrick, 1975); BECKY SHARP (US, Rouben Mamoulian, 1935); [DOCTOR] DR JEKYLL AND MR HYDE (US, Rouben Mamoulian, 1931); DAVID COPPERFIELD (US, George Cukor, 1935); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); FRANKENSTEIN (US, James Whale, 1931); GREAT EXPECTATIONS (UK, David Lean, 1946); JANE EYRE (US, Robert Stevenson, 1944); JANE EYRE (UK, Delbert Mann, 1971); JOSEPH ANDREWS (UK, Tony Richardson, 1977); MAN WHO WOULD BE KING, THE (US, John Huston, 1975); NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979); OF HUMAN BONDAGE (US, John Cromwell, 1934); OF HUMAN BONDAGE (UK, Ken Hughes, 1964); PASSAGES FROM "FINEGANS WAKE" (US, Mary Ellen Bute, 1965); PORTRAIT OF THE ARTIST AS A YOUNG MAN, A (UK, Joseph Strick, 1977); PRIDE AND PREJUDICE (US, Robert Z. Leonard, 1940); SABOTAGE (UK, Alfred Hitchcock, 1936); SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951); SONS AND LOVERS (UK, Jack Cardiff, 1960); TIME MACHINE, THE (US, George Pal, 1960); TOM JONES (UK, Tony Richardson, 1963); ULYSSES (UK/US, Joseph Strick, 1967); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); WUTHERING HEIGHTS (US, William Wyler, 1939)
Summary: "Are works of literature superior to their movie versions? The successful film is itself a new work of art, as this book affirms, and what it reflects back to its source allows for rewarding analysis - and that is what The English Novel and the Movies is all about. These twenty-seven insightful essays - written expressly for this collection - delve into films based on novels by English and Irish writers ranging from Defoe's Robinson Crusoe to D.H. Lawrence's Lady Chatterley's Lover and Joyce's Portrait of the Artist as a Young Man. Many are recent productions. Directors range from Alfred Hitchcock, John Huston, and Orson Welles to Francis Ford Coppola and Werner Herzog." -- BOOK BLURB
Notes: Includes index; "Selected filmography: film adaptations of English novels, 1719-1930s": p. 323-347; Bibliography: p. 352-368
ISBN: 0804424721 : $13.00; 0804463581 (pbk.) : $5.95
LON: 80005342; 1937478

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: ENGLISHMAN WHO WENT UP A HILL, BUT CAME DOWN A MOUNTAIN, THE (UK, Christopher Monger, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOOK WHO'S BACK [ER IST WIEDER DA] (GG, David Wnendt, 2015)

Call No: 20(4)"313" IOF
Author: Iosifidis, Petros; Steemers, Jeanette; Wheeler, Mark
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2005
PhysDes: 186 p. : ill., ports. ; 24 cm
Subject: PUBLIC BROADCASTING; DIGITAL TELEVISION; EUROPEAN COUNTRIES; NEWS CORPORATION; ADVERTISING; CANAL PLUS; WHO WANTS TO BE A MILLIONAIRE (AT, 1999-)
Summary: Television in Europe operates in an increasingly globalised communications market characterised by commercialisation, fragmentation and transnational ownership. Digital transmission has resulted in an abundance of televisual offerings, operating in a less heavily regulated dual system of competitive private and publicly owned television channels.Concentrating on the historical , economic, cultural, technological, and political factors behind change, the book provides an opportunity to construct a conceptual and analytical base on which to judge future developments in television in Europe.[taken from back cover]
Notes: Includes bibliographical references and index
ISBN: 1844570592

Author: Harty, Jason
PhysDes: Production report; Credits; Illustration(s)
Subject: WHO AM I? (HK, Benny Chan/Jackie Chan, 1998)
Summary: Gold Coast-based visual effects company, Photon Stockman, and Melbourne based sound facility, Soundfirm, have completed post production work on the latest Jackie Chan feature "Who am I?"

Call No: 512.1 COX
Author: Cox, Peter, 1953; Goldsworthy, Fred
Source: AT
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1997
PhysDes: viii, 215 p. : ill. ; 26 cm
Subject: TEACHING MATERIALS; BABE (AT, Chris Noonan, 1995); BRAVEHEART (US, Mel Gibson, 1995); CASABLANCA (US, Michael Curtiz, 1942); CIRCLE OF FRIENDS (US, Pat O'Connor, 1995); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); EDUCATING RITA (UK, Lewis Gilbert, 1983); FORREST GUMP (US, Robert Zemeckis, 1994); FRIED GREEN TOMATOES (US, John Avnet, 1991); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HIGH NOON (US, Fred Zinnemann, 1952); IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993); LITTLE WOMEN (US, Gillian Armstrong, 1994); LORENZO'S OIL (US, George Miller, 1992); MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994); METROPOLIS (G, Fritz Lang, 1926); MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); NELL (US, Michael Apted, 1994); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); OUTBREAK (US, Wolfgang Petersen, 1995); PIANO, THE (AT, Jane Campion, 1993); PROOF (AT, Jocelyn Moorhouse, 1991); PSYCHO (US, Alfred Hitchcock, 1960); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SAINT OF FORT WASHINGTON, THE (US, Tim Hunter, 1993); SEARCHING FOR BOBBY FISCHER (US, Steven Zaillian, 1993); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAWSHANK REDEMPTION, THE (US, Frank Darabont, 1994); SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994); SWING KIDS (US, Thomas Carter, 1993); THAT EYE THE SKY (AT, John Ruane, 1994); UNFORGIVEN (US, Clint Eastwood, 1992); WHAT'S EATING GILBERT GRAPE (US, Lasse Hallstrom, 1993); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); HEIDI CHRONICLES, THE [TV] (US, Peter Bogart, 1995)
Notes: Includes index
ISBN: 0195540190 : $24.95
LON: 12914277

Call No: 67(04) FIL
Author: Schickel, Richard (ed); Simon, John (ed)
CorpAuthor: National Society of Film Critics (U.S.)
Place: Indianapolis [etc.]
Publisher: Bobbs-Merrill Co. [etc.]
PubDate: c1968
PhysDes: 320 p. ; 22 cm
Subject: ACCIDENT (UK, Joseph Losey, 1967); BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966); BEDAZZLED (US, Stanely Donen, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967); CHAPPAQUA (US, Conrad Rooks, 1966); COMEDIANS, THE (US, Peter Glenville, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967); DIRTY DOZEN, THE (US, Robert Aldrich, 1967); [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967); DUTCHMAN (UK, Anthony Harvey, 1967); EL DORADO (SP/FR, Carlos Saura, 1988); ELVIRA MADIGAN (SE/DA, Bo Widerberg, 1967); DIVORCE, AMERICAN STYLE (US, Bud Yorkin, 1967); FAMILY WAY, THE (UK, Ray Boultng, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); GRADUATE, THE (US, Mike Nichols, 1967); GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967); HOW I WON THE WAR (UK, Richard Lester, 1967); HUNT, THE [CAZA, LA] (SP, Carlos Saura, 1966); HURRY SUNDOWN (US, Otto Preminger, 1967); IN COLD BLOOD (US, Richard Brooks, 1967); IN LIKE FLINT (US, Gordon Douglas, 1967); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); JOKERS, THE (UK, Michael Winner, 1967); ROI DE COUER, LE (FR/IT, Philippe de Broca, 1966); WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966); LUV (US, Clive Donner, 1967); MARAT/SADE (UK, Peter Brook, 1967); PERSONA (SW, Ingmar Bergman, 1966); POINT BLANK (US, John Boorman, 1967); PRESIDENT'S ANALYST, THE (US, Theodoro J.Flicker, 1967); PRIVILEGE, THE (UK, Peter Watkins, 1967); STRANGER, THE (US/AG, Adolfo Aristarain, 1987); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); TO SIR, WITH LOVE (UK, James Clavell, 1967); TRIP, THE (US, Roger Corman, 1967); ULYSSES (UK/US, Joseph Strick, 1967); UP THE DOWN STAIRCASE (US, Robert Mulligan, 1967); WAR GAME, THE (UK, Peter Watkins, 1966); WHISPERERS, THE, (UK, Byan Forbes, 1967); YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966); YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967)
Summary: Review of films produced in 1966-1967
ISSN: 0071-4860 0015-1076
LON: 68019946; 894646
Contents: -- Bonnie And Clyde / Joseph Morgenstern, John Simon, Stanley Kauffmann And Pauline Kael -- Point Blank / Richard Schickel And Andrew Sarris -- In Cold Blood / Arthur Knight And Andrew Sarris -- A Countess From Hong Kong / Wilfrid Sheed, Philip T. Hartung And Andrew Sarris -- Falstaff / Joseph Morgenstern, Andrew Sarris, Stanley Kauffmann, Pauline Kael And John Simon -- The Exterminating Angel / Richard Schickel -- Two For The Road / Pauline Kael -- A Guide For The Married Man, Divorce American Style And Luv / Wilfrid Sheed -- Elvira Madigan / Stanley Kauffmann -- Accident / Brendan Gill, Pauline Kael And John Simon -- The Family Way / Richard Schickel -- You're A Big Boy Now / Hollis Alpert And Richard Schickel -- The Graduate / Joseph Morgenstern And Richard Schickel -- Closely Watched Trains / Joseph Morgenstern And John Simon -- The War Game / Richard Schickel And Wilfrid Sheed -- La Guerre Est Finie / Brendan Gill And John Simon -- The Dirty Dozen / Richard Schickel -- King Of Hearts / Wilfrid Sheed -- The Battle Of Algiers / Joseph Morgenstern And Stanley Kauffmann -- How I Won The War / Stanley Kauffmann And John Simon -- In Like Flint / Arthur Knight -- Casino Royale / Wilfrid Sheed -- You Only Live Twice / Pauline Kael -- The Jokers / Philip T. Hartung -- Bedazzled / Stanley Kauffmann -- The President's Analyst / Andrew Sarris -- Ulysses / Brendan Gill, John Simon And Brad Darrach / The Taming Of The Shrew -- Hollis Alpert And Wilfrid Sheed -- Marat/Sade / Phillip T. Hartung, Brendan Gill And Brad Darrach -- The Comedians / Stanley Kauffmann -- Far From The Maddening Crowd / Hollis Alpert And Richard Schickel -- Dr. Dolittle / Joseph Morgenstern -- El Dorado / Andrew Sarris -- The War Wagon / Richard Schickel -- El Dorado, The War Wagon And The Way West / Pauline Kael -- Persona / John Simon And Pauline Kael -- The Stranger / Stanley Kauffmann And Joseph Morgenstern -- The Trip / Hollis Alpert -- The Trip And Chappaqua / Wilfrid Sheed -- Dutchman / Brendan Gill And John Simon -- In The Heat Of The Night / Andrew Sarris -- To Sir, With Love And In The Heat Of The Night / Hollis Alpert -- Hurry Sundown, In The Heat Of The Night And Cool Hand Luke / Wilfrid Sheed -- Cool Hand Luke / Andrew Sarris -- Guess Who's Coming To Dinner / Wilfrid Sheed -- Up The Down Staircase / Arthur Knight And Andrew Sarris -- Privilege / John Simon And Arthur Knight -- The Hunt / Richard Schickel -- The Whisperers / Andrew Sarris -- Goal! / Brendan Gill -- Africa Addio / Joseph Morgenstern -- A King's Story / Philip T. Hartung -- Lenny Bruce / Wilfrid Sheed -- The Koumiko Mystery And Echoes Of Silence / Brendan Gill -- The Titicut Follies / Richard Schickel -- Don't Look Back / Andrew Sarris -- Portrait Of Jason / Joseph Morgenstern -- The Underground Film / Brad Darrach -- Expo 67 / Joseph Morgenstern And Arthur Knight -- Blow-Up / Stanley Kauffmann
ID2: 277

Author: Rainer, Yvonne
PhysDes: Article
Subject: FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974)
Summary: ill; complete scripts

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974)

Call No: 408 COA
Author: Coates, Paul, 1953
Place: Cambridge [England] New York
Publisher: Cambridge University Press
PubDate: 1994
PhysDes: xvii, 201 p. ; 24 cm
Series: Cambridge studies in film
Subject: POPULAR CULTURE AND THE CINEMA; SCIENCE-FICTION FILMS; MELODRAMA; WESTERNS; FILM NOIR; ETHNIC GROUPS IN FILMS; STARS; GENRES; HORROR FILMS; VOICE OVER; MUSIC TELEVISION; SIRK, DOUGLAS; MARKER, CHRIS; TARKOVSKY, ANDREI; KIESLOWSKI, KRZYSZTOF; FRANJU, GEORGES; STALLONE, SYLVESTER; VALENTINO, RUDOLPH; LANG, FRITZ; LEE, SPIKE; MADONNA; MONROE, MARILYN; POTTER, DENNIS; BEDROOM WINDOW, THE (US, Curtis Hanson, 1986); FLY, THE (US, David Cronenberg, 1986); JETEE, LA (FR, Chris Marker, 1963); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); AUFZEICHNUNGEN ZU KLEIDERN UND STADTEN (GW, Wim Wenders, 1989); OUT OF THE PAST (US, Jacques Tourneur, 1947); ROCKY IV (US, Sylvester Stallone, 1985); OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986); SEARCHERS, THE (US, John Ford, 1956); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986); SOLARIS (UR, Andrei Tarkovsky, 1972); WESELE (PL, Andrzej Wajda, 1972); DAY OF THE LOCUST, THE (US, John Schlesinger, 1975); REAR WINDOW (US, Alfred Hitchcock, 1954)
Notes: Includes bibliographical references (p. 182-194) and index
ISBN: 0521444721 (hardback)
LON: 10419843

Author: Roberts, Margaret
PhysDes: Article
Subject: BOY WHO HAD EVERYTHING, THE (AT, Stephen Wallace, 1985)
Summary: Production report; ill.

Call No: 058 FIL "1985"
Author: Clark, Al
Source: AT
Place: South Yarra, Vic
Publisher: Currey O'Neil Ross
PubDate: 1984
PhysDes: 208 p.: ill. ; 28 cm
Subject: HARGREAVES, JOHN; HUGHES, WENDY; SHEPARD, SAM; CRUISE, TOM; WOODS, JAMES; QUAID, DENNIS; EVERETT, RUPERT; BEDELIA, BONNIE; CONTI, TOM; LITHGOW, JOHN; HAZLEHURST, NONI; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983); MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983); SUR, EL (SP/FR, Victor Erice, 1983); SILKWOOD (US, Mike Nichols, 1983); OSTERMAN WEEKEND, THE (US, Sam Peckinpah, 1983); TRADING PLACES (US, John Landis, 1983); TERMS OF ENDEARMENT (US, James L. Brooks, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); SPLASH (US, Ron Howard, 1984); RIGHT STUFF, THE (US, Philip Kaufman, 1983); STRANGERS KISS (US, Matthew Chapman, 1983); STAYING ALIVE (US, Sylvester Stallone, 1983); TOY, THE (US, Richard Donner, 1982); KRULL (UK, Peter Yates, 1983); SUDDEN IMPACT (US, Clint Eastwood, 1983); HONORARY CONSUL, THE (US, John MacKenzie, 1983); BRAINSTORM (US, Douglas Trumbull, 1983); AGAINST ALL ODDS (US, Taylor Hackford, 1984); BREATHLESS (US, Jim McBride, 1983) LUNE DANS LA CANIVEAU, LA; YENTL (US, Barbara Streisand, 1983); FOOTLOOSE (US, Herbert Ross, 1984); MOON IN THE GUTTER, THE (FR/IT, Jean-Jacques Beineix, 1983) SEE; GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES (US/UK, Hugh Hudson, 1984); PHAR LAP (AT, Simon Wincer, 1983); RAZORBACK (AT, Russell Mulcahy, 1984)
Summary: The film yearbook contains stills, credits and reviews of all films released betweenJuly 1983 and July1984. In-depth features by the world's leading film critics on the movies they've enjoyed most, the ones they've liked least and the newcomers they think will succeed. Reports from around the world. Articles about the film industry. Quotes of the year. Awards list, box-office charts, reference section... and even more than before. Taken from back cover of the book.
Notes: On cover: with special Australian section
ISBN: 0859021548
Language: English
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE; WHO DO YOU THINK YOU ARE? [TV](AT, 2008)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: WHO DO YOU THINK YOU ARE? [TV](AT, 2008)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRANK HURLEY: THE MAN WHO MADE HISTORY [TV] (UK/AT, Simon Nasht, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL WHO SWALLOWED BEES, THE (AT, Paul McDermott, 2007)

Call No: PERSONALITY CLIPPINGS FILE; RUSH, GEOFFREY
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: RUSH, GEOFFREY; WHO DO YOU THINK YOU ARE? [TV](AT, 2008)
Summary: Lenghty review of the new series of WHO DO YOU THINK YOU ARE?, with the focus on the episode featuring Geoffrey Rush

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GORE VIDAL: THE MAN WHO SAID NO (US, Gray Conklin, 1984 [prod.1982])

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOG WHO STOPPED THE WAR, THE (CN, Andre Melancon, 1984) SEE GUERRE DES TUQUES, LA; GUERRE DES TUQUES, LA (CN, Andre Melancon, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GUESS WHO (US, Kevin Rodney Sullivan, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GUYS WHO NEVER LEARN 2 (JA, Norifumi Suzuki, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HE WHO GETS SLAPPED (US, Victor Sjostrom, 1924)

Call No: 81HIT TRU
Author: Truffaut, Francois, 1932; Hitchcock, Alfred, 1899
Place: New York
Publisher: Simon and Schuster
PubDate: 1967]
PhysDes: 256 p. illus., ports. 28 cm
Subject: HITCHCOCK, ALFRED; LODGER, THE (UK, Alfred Hitchcock, 1926); FARMER'S WIFE, THE (UK, Alfred Hitchcock, 1928); BLACKMAIL (UK, Alfred Hitchcock, 1929); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); LADY VANISHES (US, Alfred Hitchcock, 1938); REBECCA (US, Alfred Hitchcock, 1940); SUSPICION (US, Alfred Hitchcock, 1941); LIFEBOAT (US, Alfred Hitchcock, 1944); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); SPELLBOUND (US, Alfred Hitchcock, 1945); NOTORIOUS (US, Alfred Hitchcock, 1946); VERTIGO (US, Alfred Hitchcock, 1958); ROPE (US, Alfred Hitchcock, 1948); UNDER CAPRICORN (UK, Alfred Hitchcock, 1949); STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951); BIRDS, THE (US, Alfred Hitchcock, 1963); PSYCHO (US, Alfred Hitchcock, 1960); I CONFESS (US, Alfred Hitchcock, 1953); DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); TO CATCH A THIEF (US, Alfred Hitchcock, 1955); WRONG MAN, THE (US, Alfred Hitchcock, 1957); NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959); MARNIE (US, Alfred Hitchcock, 1964); REAR WINDOW (US, Alfred Hitchcock, 1954)
Summary: Dialogue between Truffaut and Hitchcock
Notes: Translation of Le cinema selon Hitchcock; Bibliography: p. 254
LON: 67016729; 1121663
ID2: 206

Call No: 81HIT HIT
Edition: 2nd ed
Source: UK/USA
Place: Chichester, U.K. ; Malden, MA
Publisher: Wiley-Blackwell
PubDate: 2009
PhysDes: xxvii, 394 p. : ill. ; 25 cm
Subject: HITCHCOCK, ALFRED; LODGER, THE (UK, Alfred Hitchcock, 1926); BLACKMAIL (UK, Alfred Hitchcock, 1929); MURDER (UK, Alfred Hitchcock, 1930); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); LADY VANISHES (US, Alfred Hitchcock, 1938); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); SPELLBOUND (US, Alfred Hitchcock, 1945); NOTORIOUS (US, Alfred Hitchcock, 1946); STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951); REAR WINDOW (US, Alfred Hitchcock, 1954); WRONG MAN, THE (US, Alfred Hitchcock, 1957); VERTIGO (US, Alfred Hitchcock, 1958); NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959); BIRDS, THE (US, Alfred Hitchcock, 1963); MARNIE (US, Alfred Hitchcock, 1964); FRENZY (US, Alfred Hitchcock, 1972); PSYCHO (US, Alfred Hitchcock, 1960)
Summary: "Alfred Hitchcock, the "Master of Suspense," has been internationally recognized as a technical and stylistic innovator in the history of cinema. A Hitchcock Reader grows out of the editors' desire as classroom teachers for a comprehensive and critical text in introductory or advanced courses devoted to the director's films. Yet the book should also satisfy scholars by providing an updated anthology representing the rich variety of critical responses that Hitchcock's films have evoked over the years." "This new edition of A Hitchcock Reader aims to preserve what has been so satisfying - and successful - in the first edition. This new edition, however, will update scholarship since publication of the first edition; offer entirely new editorial matter, including a general introduction to the volume; more visuals; and comprehensive bibliographies of suggested readings, references, and works cited."--BOOK JACKET
Notes: Includes bibliographical references and index
ISBN: 9781405155564
Contents: Preface -- Introduction -- Part One: Taking Hitchcock Seriously [Section Intro and Bibliography] -- 1. Hitch and His Public: Jean Douchet -- 2. Hitchcock's Imagery and Art: Maurice Yacowar -- 3. Retrospective: Robin Wood -- 4. Hitch as Matrix Figure: Hitchcock and Twentieth Century Cinema: John Orr -- Part Two: Hitchcock in Britain [Section Intro and Bibliography] -- 5. Hitchcock's The Lodger: Lesley Brill -- 6. Criticism and/as History:Rereading Blackmail -- Leland Poague -- 7. Alfred Hitchcock's Murder: Theater, Authorship, and the Presence of the Camera: William Rothman -- 8. Consolidation of a Classical Style: The Man Who Knew Too Much: Elizabeth Weis -- 9. Through a Woman's Eyes: Sexuality and Memory in The 39 Steps: Charles L. P. Silet -- 10. Rematerializing the Vanishing "Lady": Feminism, Hitchcock, and Interpretation: Patrice Petro -- Part Three: Hitchcock in Hollywood [Section Intro and Bibliography] -- 11. All in the Family: Alfred Hitchcock's Shadow of a Doubt: James McLaughlin -- 12. The Moral Universe of Hitchcock's Spellbound: Thomas Hyde -- 13. Notorious: Perversion par Excellence: Richard Abel -- 14. Strangers on a Train: Robin Wood -- Part Four: The Later Films [Section Intro and Bibliography] -- 15. Hitchcock's Rear Window: Reflexivity and the Critique of Voyeurism: Robert Stam and Roberta Pearson -- 16. Finding the Right Man in The Wrong Man: Marshall Deutelbaum -- 17. Male Desire, Male Anxiety: The Essential Hitchcock: Robin Wood -- 18. A Closer Look at Scopophilia: Mulvey, Hitchcock and Vertigo: Marian Keane -- 19. North by Northwest: Stanley Cavell -- 20. "Oh, I See ": The Birds and the Culmination of Hitchcock's Romantic Vision: John P. McCombes -- 21. Mark's Marnie: Michael Piso -- 22.The Queer Voice in Marnie: Lucretia Knapp -- 23. Rituals of Defilement: Frenzy: Tania Modleski -- Part Five: Hitchcock and Film Theory: A Psycho Dossier [Section Intro and Bibliography] -- 24. Psychosis, Neurosis, Perversion: Raymond Bellour -- 25. Psycho's Allegory of Seeing: Christopher Morris -- 26. On Being Norman: Performance and Inner Life in Hitchcock,s Psycho: Deborah Thomas -- Index.

Call No: 81HOF AGA
Author: Agan, Patrick
Source: UK
Place: London
Publisher: R Hale
PubDate: 1987
PhysDes: x, 166 p, [20] p. of plates : ill. ; 25cm
Subject: HOFFMAN, DUSTIN; TIGER MAKES OUT (US, Arthur Hiller, 1967); GRADUATE, THE (US, Mike Nichols, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); JOHN AND MARY (US, Peter Yates, 1969); LITTLE BIG MAN (US, Arthur Penn, 1970); WHO IS HARRY KELLERMAN AND WHY IS HE SAYING THOSE TERRIBLE THINGS ABOUT ME? (US, Ulu Grosbard, 1971); STRAW DOGS (UK, Sam Peckinpah, 1971); PAPILLON (US, Franklin J. Schaffner, 1973); LENNY (US, Bob Fosse, 1974); ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976); AGATHA (UK, Michael Apted, 1979); KRAMER VS. KRAMER (US, Robert Benton, 1979); TOOTSIE (US, Sydney Pollack, 1982)
Summary: The book deals the life and career of Dustin Hoffman, and the large variety of roles he undertook in the less than 20 films he made. It deals with the academy award, he won in Kramer vs Kramer, and the other 4 nominations he recieved.He is presented as a diminutive perfectionist, or as an unlikely superstar
Notes: Includes index; Filmography: p 151-159
ISBN: 045041731

Call No: 49:930.2 HOL
Author: Rollins, Peter C.
Source: US
Place: Lexington, Ky.
Publisher: University Press of Kentucky
PubDate: 1983
PhysDes: x, 276 p. : ill. ; 24 cm.
Subject: HISTORY AND THE CINEMA. USA; FOX STUDIOS; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CITY LIGHTS (US, Charles Chaplin, 1931); MODERN TIMES (US, Charles Chaplin, 1936); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); GRAPES OF WRATH, THE (US, John Ford, 1940); WILSON (US, Henry King, 1944); NEGRO SOLDIER, THE (US, Frank Capra, 1944); SNAKE PIT (US, Anatole Litvak, 1948); CULTURE AND THE CINEMA. USA; ON THE WATERFRONT (US, Elia Kazan, 1954); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); ADAPTATiONS. CONRAD, JOSEPH; CHAPLIN, CHARLES; VIETNAM WAR IN FILMS; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942); CENSORSHIP. USA; RIVER, THE (US, Lorentz Pare, 1937)
Notes: Includes bibliographical references.
ISBN: 0813101549 (pbk.)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HORTON HEARS A WHO (US, Jimmy Hayward and Steve Martino, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOXSEY: THE QUACK WHO CURED CANCER (US, Ken Ausubel, 1987)

PhysDes: Article
Subject: HOYTS; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); PARADISE (CN, Stuart Gillard, 1982); ONE FROM THE HEART (US, Francis Ford Coppola, 1982); BARBAROSA (US, Fred Schepisi, 1982); STARSTRUCK (AT, Gillian Armstrong, 1982); ON GOLDEN POND (US, Mark Rydell, 1981); VICE SQUAD (US, Gary Sherman, 1982); INSIDE MOVES (US, Richard Donner, 1980); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); MOONLIGHTING (UK, Jerzy Skolimowski, 1982); BRIMSTONE AND TREACLE (UK, Richard Loncraine, 1982); GINGER MEGGS (AT, Jonathan Dawson, 1982); WHO DARES WIN (UK, Ian Sharp, 1982); SLUMBER PARTY MASSACRE, THE (US, Amy Jones, 1982); BEACH GIRLS, THE (US, Pat Townsend, 1982); SOLDIER, THE (US, James Glickenhaus, 1982); ESCAPE ARTIST, THE (US, Caleb Deschanel, 1982); HAMMETT (US, Wim Wenders, 1982); ZAPPED ! (US, Robert J. Rosenthal, 1982); ENIGMA (UK/FR, Jeannot Szwarc, 1983); HUMONGOUS (CN, Paul Lynch, 1982); PHAR LAP (AT, Simon Wincer, 1983)
Summary: List of current and coming Hoyts productions.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HUNDRED YEAR OLD MAN WHO CLIMBED OUT OF THE WINDOW AND DISAPPEARED, THE [HUNDRAARINGEN SOM KLEV UT GENOM FONSTRET OCH FORSVANN] (SW, Felix Herngren, 2013); HUNDRED YEAR OLD MAN WHO CLIMBED OUT OF THE WINDOW AND DISAPPEARED, THE [HUNDRAARINGEN SOM KLEV UT GENOM FONSTRET OCH FORSVANN] (SW, Felix Herngren, 2013)

Call No: 735.5 CIN
CorpAuthor: Cinemaniacs (Australia)
Source: AT
Place: [Australia]
Publisher: Cinemaniacs (Australia)
PubDate: 2018
PhysDes: 238 pages, ill. 24cm
Subject: FANTASTIC FILMS; WIZARD OF OZ, THE (US, Victor Fleming, 1939); RETURN TO OZ (US, Walter Murch, 1985); JEEPERS CREEPERS (US, Victor Salva, 2001); BATMAN BEGINS (US, Christopher Nolan, 2005); WIZ, THE (US, Sidney Lumet, 1978); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986); [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-)
ISBN: 9780648269939
Donation: The LedaTape Organisation
Contents: A Note from Editor-In-Chief Lee Gambin --1900+ The Scarecrows of Oz --1920 The Scarecrow --1936 I'd Love to Take Orders From You --1939 The Wizard of Oz --1961 Captain Clegg AKA Night Creature --1963 Dr Syn alias the Scarecrow --1969+ Batman Superman Hour and Superfriends --1972 Journey Back to Oz --1978 The Wiz --1979+ Worzel Gummidge --1981 Dark Night of the Scarecrow --1984 Children of the Corn: Julie Maddalena Interview --1986 The Singing Detective --1988 Friday the 13th: The Series - Scarecrow --1988 Scarecrows --1988 Scarecrows: Norman Cabrera Interview --1992+ Scarecrows in the DC Animated Universe --1995 Night of the Scarecrow: Jeff Burr Interview --2001+ Do You Even Scarecrow Bro? --2001+ Jeepers Creepers --2001+ Jeeppers Creepers: Jonathan Breck Inteview --2004 Dead Birds --2005 Batman Begins --2006 Supernatural - Scarecrow --2007 Dr Who - Human Nature and the Family of Blood --2007 El Orfanato --2003 Wicked

Call No: 632.43 HIL
Author: Hill, Geoffrey Michael, 1950
Place: Boston
Publisher: Shambhala
PubDate: 1992
PhysDes: viii, 319 p. : ill. ; 23 cm
Subject: MYTH AND THE CINEMA; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); SHANE (US, George Stevens, 1953); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); BLUE VELVET (US, David Lynch, 1986); RUMBLE FISH (US, Francis Ford Coppola, 1983); TAXI DRIVER (US, Martin Scorsese, 1976); REPO MAN (US, Alex Cox, 1984); SAILOR WHO FELL FROM GRACE WITH THE SEA, THE (UK, Lewis John Carlino, 1976); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); INSIGNIFICANCE (UK, Nicolas Roeg, 1985); ROK SPOKOJNEGO SLONCA (PL/US/GW, Krzysztof Zanussi, 1984); BABETTES GAESTEBUD (DK, Gabriel Axel, 1987); LITTLE SHOP OF HORRORS (US, Frank Oz, 1986); LITTLE SHOP OF HORRORS, THE (US, Roger Corman, 1960); TRIP TO BOUNTIFUL, THE (US, Peter Masterson, 1985); GRADUATE, THE (US, Mike Nichols, 1967); SANTA SANGRE (IT, Alexandro Jodorowsky, 1989); FIELD OF DREAMS (US, Phil Alden Robinson, 1989)
Notes: Includes bibliographical references (p. 313-319)
ISBN: 0877736456 (pbk. : alk. paper)
LON: 8202303

Call No: 772 ILL
Author: Cholodenko, Alan
CorpAuthor: Power Institute of Fine Arts
Place: Sydney
Publisher: Power Publications, in association with the Australian Film Commission, Sydney
PubDate: 1991
PhysDes: 312 p. : ill. ; 21 cm
Subject: ANIMATION; CONFERENCES. AUSTRALIA. AMIMATION; CARTOONS; JONES, CHUCK; MAGIC TOYSHOP, THE (UK, David Wheatley, 1986); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); FLY, THE (US, David Cronenberg, 1986)
Notes: Published by the Power Institute of Fine Arts, University of Sydney; "Based on ... The Illusion of life, the world's first international conference on animation and Australia's first large-scale international festival of animation" -- p. 9; Includes bibliographical references
ISBN: 0909952183
LON: 7242798
Contents: Introduction / Alan Cholodenko -- What's up, down under? / Chuck Jones talks at THE ILLUSION OF LIFE conference -- The animation of sound / Philip Brophy -- Saturday Morning Fever / Ben Crawford -- Life-threatening life: Angela Carter and the uncanny / Robyn Ferrell -- Animation - AIDS in science/fiction / Rosalyn Diprose and Cathryn Vasseleu -- The work-shop of filty animation / Peter Hutchings -- For the noise of a fly / Lisa Trahair -- 'Who Framed Roger Rabbit', or the framing of animation / Alan Cholodenko -- PRHSTHR: The T(r)opology of pyromania / Keith Clancy -- The illusion of illusion / Keith Broadfoot and Rex Butler -- Mosaic infinity / Edward Colless and David Kelly -- Appendix

Call No: 70 STO
Author: Stock, Francine; Hughes, Stephen
Source: UK
Place: London
Publisher: Pimlico
PubDate: 2011
PhysDes: 344 p. ; 25 cm.
Subject: HISTORY AND THE CINEMA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. 1990's; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); CABINET OF DR. CALIGARI, THE (G, Robert Wiene, 1920) SEE CABINET DES DR. CALIGARI, DAS; FLESH AND THE DEVIL (US, Clarence Brown, 1926); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); SCARFACE (US, Howard Hawks, 1932); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); BETE HUMAINE, LA (FR, Jean Renoir, 1938); BAMBI (US, David Hand, 1942); SPELLBOUND (US, Alfred Hitchcock, 1945); STRADA, LA (IT, Federico Fellini, 1954); SEARCHERS, THE (US, John Ford, 1956); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); PEEPING TOM (UK, Michael Powell, 1960); BANDE A PART (FR, Jean-Luc Godard, 1964); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CARRIE (US, Brian De Palma, 1976); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ANNIE HALL (US, Woody Allen, 1977); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); TOP GUN (US, Tony Scott, 1986); WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989); BASIC INSTINCT (US, Paul Verhoeven, 1992); NATURAL BORN KILLERS (US, Oliver Stone, 1994); THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: WHITE (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: BLANC; TROIS COULEURS: BLANC (FR/SZ/PL, Krzysztof Kieslowski, 1993); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TROIS COULEURS: ROUGE (FR/SZ/PL, Krzysztof Kieslowski, 1994); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); AVATAR (US, James Cameron, 2009); UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010)
Summary: Charting key films from the past hundred years, along with technological developments and historical landmarks, Francine Stock explores in compelling detail the nature of our relationship with film - from the first screenings of the Lumiere Brothers' short films, which saw audiences shrinking from oncoming trains, to the perception-altering 3-D Avatar. The twenties saw the birth of celebrity, still so influential even today. With the influence of Freud and the unconscious came film noir, anticipated by dark European classics like La Bete Humaine; Hollywood in the fifties turned ideological fears into lurid sci-fi and body-snatching horror; with the social change of the sixties came refracted ways of seeing, from Alfie to theStargate sequence in 2001: A Space Odyssey or a compelling seventies nightmares like Carrie. Moving towards our own century, Francine Stock considers how film reflects back on itself, bending time and technology to look to the future. More than a century on from those earliest awe-inspiring images, we are still in thrall to the power of film. In this fascinating, entertaining and illuminating book Francine Stock shows how film both reflects and remakes our world.
ISBN: 9781845951993

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: IN MEMORY OF THOSE WHO DIED WAITING FOR THE BELL (AT, Sandy Richardson, 1976)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 9 x 10 cm
Subject: IN MEMORY OF THOSE WHO DIED WAITING FOR THE BELL (AT, Sandy Richardson, 1976)
Summary: 3 black and white photographs of a person with a gun, school children, and a distraught young woman

Call No: 771:396 MEL
Author: Mellencamp, Patricia
Place: Bloomington
Publisher: Indiana University Press
PubDate: c1990
PhysDes: xix, 234 p. ; 24 cm
Series: Theories of contemporary culture ; v. 12
Subject: AVANT-GARDE FILMS. USA; POSTMODERNISM AND THE CINEMA; FEMINISM AND THE CINEMA; CONDIT, CECELIA; DELEUZE, GILLES; GUATTARI, FELIX; FRAMPTON, HOLLIS; MULVEY, LAURA; NELSON, ROBERT; PAIK, NAM JUNE; POTTER, SALLY; RAINER, YVONNE; SNOW, MICHAEL; MAN WHO ENVIED WOMEN, THE (US, Yvonne Rainer, 1985); GOLD DIGGERS, THE (US, Sally Potter, 1983)
Notes: Includes bibliographical references (p. [215]-231) and index
ISBN: 0253337437 (alk. paper); 0253205875 (pbk. : alk. paper)
LON: 6933865

Call No: REFERENCE SECTION; 058 INT "1987"
Author: Paterson, Richard, 1947
Place: London New York
Publisher: Tantivy Press New York Zoetrope
PubDate: c [1987]
PhysDes: 256 p. : ill., maps, ports. ; 21 cm
Subject: NEWS CORPORATION; MURDOCH, RUPERT; [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-); SURVIVAL [TV] (UK. 1961-)
ISBN: 0900730536
LON: 21023883

Call No: 81FOR SIN
Author: Sinclair, Andrew
Source: UK
Place: London
Publisher: Allen and Unwin
PubDate: 1979
PhysDes: xii, 305 p. [32] p. of plates : ill., ports. ; 24 cm
Subject: FORD, JOHN; IRON HORSE, THE (UK, John Ford, 1924); MEN WITHOUT WOMEN (US, John Ford, 1929); UP THE RIVER (US, John Ford, 1930); PILGRIMAGE (US, John Ford, 1933); LOST PATROL, THE (US, John Ford, 1934); JUDGE PRIEST (US, John Ford, 1934); WHOLE TOWN'S TALKING, THE (US, John Ford, 1935); WEE WILLIE WINKIE (US, John Ford, 1937); STAGECOACH (US, John Ford, 1939); YOUNG MR. LINCOLN (US, John Ford, 1939); TOBACCO ROAD (US, John Ford, 1941); HOW GREEN WAS MY VALLEY (US, John Ford, 1941); THEY WERE EXPENDABLE (US, John Ford, 1945); MY DARLING CLEMENTINE (US, John Ford, 1946); FORT APACHE (US, John Ford, 1948); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); RIO GRANDE (US, John Ford, 1950); QUIET MAN, THE (US/IR, John Ford, 1952); MOGAMBO (US, John Ford, 1953); WINGS OF EAGLES, THE (US, John Ford, 1956); LAST HURRAH, THE (US, John Ford, 1958); HORSE SOLDIERS, THE (US, John Ford, 1959); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962); YOUNG CASSIDY (UK, Jack Cardiff, 1965); SEVEN WOMEN (US, John Ford, 1965)
Summary: Andrew Sinclair uses his access to the papers and photographs of John Ford, and to his work colleagues, ranging from actors to camera and stuntmen, to build a complete picture of the man. He shows John Ford to be a very successful director, from 1917, the period of silent movies, to 1966, a time when movies had become an important means of entertainment. He shows John Ford as a cantankerous, wily and brave man, who had a big influence on American cinema, and American social history, as a person who opposed McCarthyism, and who was wounded in the Second World War making documentary and propaganda films [Taken from the cover of the book]
Notes: Also published : New York : Dial Press, 1979; Includes index; Filmography: p.229- 291
ISBN: 0047910380

Call No: 81FOR MCB
Author: McBride, Joseph; Wilmington, Michael
Edition: 1st American ed.
Source: US
Place: New York
Publisher: Da Capo Press
PubDate: 1975
PhysDes: 234 p. : ill. ; 21 cm
Series: A Da Capo paperback
Subject: FORD, JOHN; STAGECOACH (US, John Ford, 1939); WAGON MASTER (US, John Ford, 1950); THEY WERE EXPENDABLE (US, John Ford, 1945); MY DARLING CLEMENTINE (US, John Ford, 1946); FORT APACHE (US, John Ford, 1948); QUIET MAN, THE (US/IR, John Ford, 1952); RISING OF THE MOON, THE (IE/US, John Ford, 1957); SUN SHINES BRIGHT, THE (US, John Ford, 1953); SEARCHERS, THE (US, John Ford, 1956); SERGEANT RUTLEDGE (US, John Ford, 1960); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); SEVEN WOMEN (US, John Ford, 1965); STRAIGHT SHOOTING (U.S, John Ford, 1917); HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962); CIVIL WAR, THE (US, John Ford, 1962)
Summary: "McBride and Wilmington examine key Ford films, from his first feature-length film, the recently discovered Straight Shooting, to his last, the controversial Seven Women, pointing out recurring Fordian themes and ideals and relating each film to others of the same genre. A filmography gives the vital statistics for each of Ford's Films. " -- BOOK BLURB
Notes: Filmography: p. 213-226; Bibliography: p. 227-233
ISBN: 0306800160
Contents: -- bringing in the sheaves -- half genius, half Irish -- himself -- the noble outlaw: Straight Shooting, Stagecoach, Wagon Master -- men at war: they were expendable , my darling clementine, fort apache -- ireland: the quiet man, the rising of the moon -- rebels: ther sun shines bright -- the searchers -- what really happened: segeant rutledge, the man who shot liberty valance, the civil war -- the last place on earth: seven women -- filmography -- bibliography -- acknowledgements --

Call No: 81FOR SAR
Author: Sarris, Andrew
Source: US
Place: Bloomington IN
Publisher: Indiana University Press
PubDate: 1975
PhysDes: 192 p. ; 26 cm
Series: Cinema One
Subject: FORD, JOHN; SARRIS, ANDREW; MEN WITHOUT WOMEN (US, John Ford, 1929); UP THE RIVER (US, John Ford, 1930); ARROWSMITH (US, John Ford, 1931); AIRMAIL (US, John Ford, 1932); PILGRIMAGE (US, John Ford, 1933); LOST PATROL, THE (US, John Ford, 1934); JUDGE PRIEST (US, John Ford, 1934); WHOLE TOWN'S TALKING, THE (US, John Ford, 1935); INFORMER, THE (US, John Ford, 1935); STEAMBOAT ROUND THE BEND (US, John Ford, 1935); PRISONER OF SHARK ISLAND (US, John Ford, 1936); WEE WILLIE WINKIE (US, John Ford, 1937); HURRICANE, THE (US, John Ford, 1937); STAGECOACH (US, John Ford, 1939); YOUNG MR. LINCOLN (US, John Ford, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); LONG VOYAGE HOME, THE (US, John Ford, 1940); HOW GREEN WAS MY VALLEY (US, John Ford, 1941); BATTLE OF MIDWAY, THE (US, John Ford, 1942); THEY WERE EXPENDABLE (US, John Ford, 1945); MY DARLING CLEMENTINE (US, John Ford, 1946); FORT APACHE (US, John Ford, 1948); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); WAGON MASTER (US, John Ford, 1950); RIO GRANDE (US, John Ford, 1950); QUIET MAN, THE (US/IR, John Ford, 1952); SUN SHINES BRIGHT, THE (US, John Ford, 1953); MOGAMBO (US, John Ford, 1953); LONG GRAY LINE, THE (US, John Ford, 1954); SEARCHERS, THE (US, John Ford, 1956); WINGS OF EAGLES, THE (US, John Ford, 1956); RISING OF THE MOON, THE (IE/US, John Ford, 1957); LAST HURRAH, THE (US, John Ford, 1958); GIDEON'S DAY (UK, John Ford, 1958); HORSE SOLDIERS, THE (US, John Ford, 1959); SERGEANT RUTLEDGE (US, John Ford, 1960); TWO RODE TOGETHER (US, John Ford, 1961); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); DONOVAN'S REEF (US, John Ford, 1963); SEVEN WOMEN (US, John Ford, 1965)
ISBN: 0253331676
Donation: donated by the family of Wayne Levy, 2006

Call No: 81REI GAR
Author: Gardner, Colin
Source: UK
Place: Manchester, UK
Publisher: Manchester University Press
PubDate: 2006
PhysDes: x, 310 p. : ill. ; 23 cm
Series: British film makers
Subject: CRITICISM; REISZ, KAREL; SATURDAY NIGHT AND SUNDAY MORNING (UK, Karel Reisz, 1960); NIGHT MUST FALL (UK, Karel Reisz, 1964); SWEET DREAMS (US, Karel Reisz, 1985); GAMBLER, THE (US, Karel Reisz, 1974); WHO'LL STOP THE RAIN? (US, Karel Reisz, 1978); FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981); EVERYBODY WINS (UK/US, Karel Reisz, 1990)
Notes: Includes bibliography (p. [279]-293) and index.; Includes filmography
ISBN: 0719075483
Donation: Donated by Senses Of Cinema, 2009
Contents: 1 Introduction : Karel Reisz, 'the last great man in England' -- 2 Reisz the critic -- 3 Free cinema and the new left : Momma don't allow (1956), We are the Lambeth boys (1959) and March to Aldermaston (1959) -- 4 Kitchen sink realism and the birth of the British New Wave : Saturday night and Sunday morning (1960) -- 5 Keeping up with the Truffauts : Night must fall (1964) -- 6 Gorilla war : Morgan : a suitable case for treatment (1966) -- 7 Life into art - Reisz and the biopic : Isadora (1968) and Sweet dreams (1985) -- 8 Reisz in Hollywood : deconstructing existentialism and the counterculture in The gambler (1974) and Dog soldiers/Who'll stop the rain (1978) -- 9 A sentimental education : The French lieutenant's woman (1981) -- 10 Theatre of the absurd : Arthur Miller's Everybody wins (1990) and Samuel Beckett's Act without words I (2000) -- 11 Conclusion.

Call No: TITLE CLIPPINGS FILE
Subject: WHO SEEKS A HANDFUL OF GOLD? [KDO HLEDA ZLATE DNO] (CS, Jiri Menzel, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO SEEKS A HANDFUL OF GOLD? [KDO HLEDA ZLATE DNO] (CS, Jiri Menzel, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: KID WHO LOVED CHRISTMAS, THE (US, Arthur Allen Seidelman, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KID WHO WOULD BE KING, THE (UK/US, Joe Cornish, 2019)

Call No: SUBJECT CLIPPINGS FILE; POLITICS AND TV. USA
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: POLITICS AND TV. USA; TRUMP, DONALD; WHO IS DONALD TRUMP? [TV](US, 2015)
Summary: Review of documentary WHO IS DONALD TRUMP? a biography of the aforementioned US businessman and presidential candidate

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KO TO TAMO PEVA (YU, Slobodan Sijan, 1980); WHO'S SINGIN' OVER THERE? (YU, Slobodan Sijan, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KORIAM'S LAW AND THE DEAD WHO GOVERN (AT/US, Gary Kildea/Andrea Simon, 2006)
Notes: Simon-Batch 16B_Nov 26, 2019

Call No: TITLE CLIPPINGS FILE
Subject: WHO LEAVES IN THE RAIN? [KTO ODCHADZA V DAZDI] (CS, Martin Holly, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO LEAVES IN THE RAIN? [KTO ODCHADZA V DAZDI] (CS, Martin Holly, 1975)

PhysDes: Article
Subject: LADY WHO DARED, THE (US, William Beardice, 1930)

Call No: 71(73) WIL; FOLIO
Author: Willoughby, Bob; Schickel, Richard
Place: New York
Publisher: Random House
PubDate: [1974]
PhysDes: 268 p. illus. 32 cm
Subject: USA; FROM HERE TO ETERNITY (US, Fred Zinneman, 1953); STAR IS BORN, A (US, George Cukor, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); MY FAIR LADY (US, George Cukor, 1964); MARNIE (US, Alfred Hitchcock, 1964); MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966); GRADUATE, THE (US, Mike Nichols, 1967); PETULIA (US, Richard Lester, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); LION IN WINTER, THE (UK, Anthony Harvey, 1968); CATCH 22 (US, Mike Nichols, 1970); KLUTE (US, Alan J. Pakula, 1971); COWBOYS, THE (US, Mark Rydell, 1972); CAINE MUTINY, THE (US, Edward Dmytryk, 1954); RAINTREE COUNTRY (US, Edward Dmytryk, 1957); GUYS AND DOLLS (US, Joseph L. Mankiewicz, 1955); MAN WITH THE GOLDEN ARM, THE (US, Otto Preminger, 1955); OCEAN'S ELEVEN (US, Lewis Milestone, 1960); GREAT RACE, THE (US, Blake Edwards, 1965); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969)
Notes: "A Ridge Press book."
ISBN: 039449380X
LON: 437365 437365

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: LOOK WHO'S TALKING (US, Amy Heckerling, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: LOOK WHO'S TALKING NOW (US, Tom Ropelewski, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Press kit; Clippings
Subject: LOOK WHO'S TALKING TOO (US, Amy Heckerling, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOONG BOONMEE RALEUK CHAT (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010); UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010)

Author: Kalina, Paul
PhysDes: Article
Subject: BOY WHO COULD FLY, THE (US, Nick Castle, 1986)
Summary: Article on the actress and her work on "The boy who could fly"

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN WHO CAME TO DINNER, THE (US, William Keighley, 1941)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN WHO CAN'T STOP, THE (AT/CN, Michael Rubbo, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MAN WHO CRIED, THE (UK/FR, Sally Potter, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN WHO ENVIED WOMEN, THE (US, Yvonne Rainer, 1985)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN WHO FELL TO EARTH, THE (UK, Nicholas Roeg, 1976)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN WHO FELL TO EARTH, THE [TV] (US/UK, 2022)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MAN WHO INVENTED CHRISTMAS, THE (IE / CN, Bharat Nalluri, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN WHO KILLED DON QUIXOTE, THE (SP/BE/FR/ PO/UK, Terry Gilliam, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN WHO KILLED HITLER AND THEN THE BIGFOOT , THE (US, Robert D. Krzykowki, 2019)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MAN WHO KNEW INFINITY, THE (UK, Matt Brown, 2015)
URL status: URL: 'http://file://Q:/T/MAN_WHO_KNEW_INFINITY,_THE.zip' Checked: 31/08/2021 1:40:11 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: MAN WHO KNEW TOO LITTLE, THE (US, Jon Amiel, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936)

Call No: N79MAN HUG
Author: Hugo, Victor, 1802-1885
Edition: Abridged edition
Place: London
Publisher: Readers Library
PubDate: [192-?]
PhysDes: 250 p., [8] p. of plates : ill. ; 17 cm
Subject: MAN WHO LAUGHS, THE (US, Paul Leni, 1928)
Notes: "Translation of Victor Hugo's 'L'homme qui rit'"
LON: 13596955 13596955

Author: Lodge, Jack
PhysDes: Article
Subject: MAN WHO LAUGHS, THE (US, Paul Leni, 1928)
Summary: Review; ill' credits; synopsis

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: MAN WHO LIVED AT THE RITZ, THE (US, Desmond Davis, 1989?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: MAN WHO MISTOOK HIS WIFE FOR A HAT, THE (UK, Christopher Rawlence, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: MAN WHO SKIED DOWN EVEREST, THE (CN, Bruce Nyznik, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Study guide; Clippings
Subject: MAN WHO STOLE MY MOTHER'S FACE, THE (AT, Cathy Henkel, 2003)

Author: Ed Gibbs
PhysDes: Article
Subject: MAN WHO SUED GOD, THE (AT, Mark Joffe, 2001)
Summary: Review of The Man Who Sued God

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MAN WHO SUED GOD, THE (AT, Mark Joffe, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN WHO WASN'T THERE, THE (US, Bruce Malmuth, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: MAN WHO WOULD BE KING, THE (UK, John Huston, 1975)

Call No: 81ALM ALM
Author: Almendros, Nestor
Source: US
Place: London
Publisher: Faber
PubDate: 1985
PhysDes: viii, 306 p. : ill. ; 23 cm
Subject: CINEMATOGRAPHY; PHOTOGRAPHY; ALMENDROS, NESTOR; PARIS VU PAR...VINGT ANS APRES (FR, Chantal Akerman, Bernard Dubois, Vincent Nordon, Phillipe Venault, Phillipe Garrel, Frederic Mitterand, 1984); COLLECTIONEUSE, LA (FR, Eric Rohmer, 1967); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); MY NIGHT AT MAUD'S (FR, Eric Rohmer, 1969); WILD CHILD (US/UK/FR, Nick Moore, 2008); TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971); TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971); GUEULE OUVERTE, LA (FR, Maurice Pialat, 1974); GENTLEMAN TRAMP, THE (US, Richard Patterson, 1975); COCKFIGHTER (US, Monte Hellman, 1974); STORY OF ADELE H, THE (FR, Francois Truffaut, 1975); MAITRESSE (FR, Barbet Schroeder, 1976); MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975); DAYS OF HEAVEN (US, Terrence Malick, 1978); MAN WHO LOVED WOMEN, THE (FR, Francois Truffaut, 1977); HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977); KOKO, A TALKING GORILLA (FR, Barbet Schroeder, 1978); KOKO, LE GORILLE QUI PARLE (FR, Barbet Schroeder, 1978); MADAME ROSA (FR, Moshe Mizrahi, 1977); GOIN' SOUTH (US, Jack Nicholson, 1978); PERCEVAL LE GALLOIS (FR, Eric Rohmer, 1978); LOVE ON THE RUN (FR, Francois Truffaut, 1979); AMOUR EN FUITE, L' (FR, Francois Truffaut, 1979); KRAMER VS. KRAMER (US, Robert Benton, 1979); BLUE LAGOON, THE (US, Randal Kleiser, 1980); CONFIDENTIALLY YOURS [VIVEMENT DIMANCHE!] (FR, Francois Truffaut, 1983); LAST METRO, THE (FR, Francois Truffaut, 1980); DERNIER METRO, LE (FR, Francois Truffaut, 1980); PAULINE A LA PLAGE (FR, Eric Rohmer, 1983); PAULINE AT THE BEACH (FR, Eric Rohmer, 1983); STILL OF THE NIGHT (US, Robert Benton, 1982); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982)
Summary: "In A MAN WITH A CAMERA, Nestor Almendros recalls his early days in Havana and emigration to Paris where he worked with Francois Truffaut and Eric Rohmer. He has photographed such highly acclaimed films as SOPHIE'S CHOICE, KRAMER VS. KRAMER, THE BLUE LAGOON and DAYS OF HEAVEN, for which he received an Academy Award. As he looks back and describes simply but comprehensively the specific techniques used in these and many other films, we are offered a unique look at how movies are made." [Book blurb]
Notes: This translation first published: New York : Farrar, Straus, Giroux, 1984; Translation of: Dias deuna camera. Barcelona : Editorial Seix Barral, 1982; First published in French as: Un homme a la camera. Rennes-Lausanne : FOMA, 1980; Filmography: p. [289]-304
ISBN: 0571135897 (pbk.)
LON: abn85231033; 3994651

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN WHO FEELS NO PAIN, THE [MARD KO DARD NAHIN HOTA] (II, Vasan Bala, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARK FELT: THE MAN WHO BROUGHT DOWN THE WHITE HOUSE (US, Peter Landesman, 2017)

Call No: 81SCO DOU
Author: Dougan, Andy
Source: UK
Place: London
Publisher: Orion
PubDate: 1997
PhysDes: 144 p. : ill., ports. ; 20 cm.
Subject: SCORSESE, MARTIN; AFTER HOURS (US, Martin Scorsese, 1985); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); CAPE FEAR (US, Martin Scorsese, 1991); CASINO (US, Martin Scorsese, 1995); GOODFELLAS (US, Martin Scorsese, 1990); KING OF COMEDY, THE (US, Martin Scorsese, 1983); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); LAST WALTZ, THE (US, Martin Scorsese, 1978); KUNDUN (US, Martin Scorsese, 1997); MEAN STREETS (US, Martin Scorsese, 1973); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); RAGING BULL (US, Martin Scorsese, 1980); TAXI DRIVER (US, Martin Scorsese, 1976); WHO'S THAT KNOCKING AT THE DOOR (US, Martin Scorsese, 1968); ALICE DOESN'T LIVE HERE ANY MORE (US, Martin Scorsese, 1974); BOXCAR BERTHA (US, Martin Scorsese, 1972); COLOUR OF MONEY,THE (US, Martin Scorsese, 1986); NEW YORK STORIES (US, Woody Allen, Martin Scorsese, Francis Ford Coppola, 1989)
Summary: Complete "Variety" unabridged reviews for all Scorsese films inc. full credit lists
ISBN: 0752811754

Call No: 753-08 BAK
Author: Baker, Lucy Irene
Edition: 2023
Place: New York
Publisher: Bloomsbury Academic
PhysDes: 200 pages ; 24 cm
Subject: GENDER AND THE CINEMA; GENDER AND TV; SHERLOCK HOLMES IN FILMS; FAN MAGAZINES; FANS; [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-); ELEMENTARY [TV] (US, 2012-); GHOSTBUSTERS (US, Ivan Reitman, 1984); GHOSTBUSTERS (US, Paul Feig, 2016)
Summary: Media and Gender Adaptation examines how fans and professionals change the gender of characters when they adapt existing work. Using research into fans, and case studies on Sherlock Holmes, Ghostbusters and Doctor Who, it illustrates the foundation of the process and ways the works engage with and critique media and gender at a political level. The default maleness of narratives in media are reworked to be inclusive of other points of view. Regendering as an adaptational technique relies on audience familiarity with existing works, however it also reveals an increasing trend in aggressive backlash against interpretations of media that include marginalised and minority communities. Combining analysis of fanfiction, television and big budget Hollywood productions, Media and Gender Adaptation also analyses fan responses to regendering in popular media. Through demographic surveys and interviews with fans, creators and broader audiences, a combination of playful and serious attitudes to gender are revealed to be part of how transformative fans (professional or not) adapt work. Specific fanfiction examples are analysed alongside professional works to reveal the depth and breadth of fannish play in regendered work and the constraints that professional adaptations are held to. It also reveals a schism in audiences, and those researching media, where the intersection of gender and race are sites of tension – nostalgia combining with expected representation of gender and race to create an aggressive defence of an original work that reiterates the mainstream hierarchies of gender and race. -- publisher's web site
ISBN: 9781501370113
Contents: Dedication -- Acknowledgements -- Introduction -- Section 1: Data and theories -- 1. Regendering Research -- 2. Fans and Regendering -- 3. Theories -- 4. What does 'Playing with Gender' Mean? -- Section 2: Case Studies -- 5. A Case Study of Fannish Regendering -- 6. Gender is a Battlefield -- 7. Elementary and Regendering the Classics -- 8. Ghostbusters: Sex and Science -- 9. Doctor-ess Who? -- Conclusion -- Bibliography -- Appendix 1: Survey Questions -- Appendix 2: Interview Questions -- Index.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN WHO KILLED THE EASTER BUNNY, THE (AT, Jim Stevens, 2002)

Call No: 81HIT MEN
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 2012
PhysDes: viii, 269 p. : ill. ; 24 cm
Subject: LITERATURE AND THE CINEMA; HITCHCOCK, ALFRED; JAMES, HENRY; VERTIGO (US, Alfred Hitchcock, 1958); PSYCHO (US, Alfred Hitchcock, 1960); REAR WINDOW (US, Alfred Hitchcock, 1954); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951); MAN WHO KNEW TOO MUCH, THE (US, Alfred Hitchcock, 1955); BLACKMAIL (UK, Alfred Hitchcock, 1929); NOTORIOUS (US, Alfred Hitchcock, 1946); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943)
Summary: "Henry James and Alfred Hitchcock knew too much. Self-imposed exiles, they approached American and European society as inside-outsiders, a position that afforded them a kind of double vision. Masters of their arts, manipulators of their audiences, prescient and path-breaking in their techniques, these demanding and meticulous craftsmen produced some of the greatest art of the last 150 years. This capacious collection, with its brilliant insights and intellectual surprises, is equally compelling in its range and cogency for Jmes readers and film theorists, for Hitchcock fans and James scholars." -- BOOK BLURB
ISBN: 9780199764433
Contents: Reading James with Hitchcock, reading Hitchcock with James / Susan Griffin and Alan Nadel -- National bodies / Susan Griffin -- Secrets, lies, and virtuous attachments : The ambassadors and The 39 steps / Brenda Austin-Smith -- Henry James and Alfred Hitchcock after the American century : circulation and non-return in The American scene and Strangers on a train / Brian T. Edwards -- Colonial discourse and the unheard other in Washington Square and The man who knew too much / Alan Nadel -- Bump : concussive knowledge in James and Hitchcock / Mary Ann O'Farrell -- James's Birdcage/ Hitchcock's Birds / Patrick O'Donnell -- Sounds of silence in The wings of the dove and Blackmail / Donatella Izzo -- The perfect enigma / Judith Roof -- Hands, objects and love in James and Hitchcock : Reading the touch in The golden bowl and Notorious / Jonathan Freedman -- The touch of the real : circumscribing Vertigo / Eric Savoy -- Specters of respectability : Victorian horrors in The turn of the Screw and Psycho / Aviva Briefel -- Caged heat : feminist rebellion in Henry James's In the cage and Alfred Hitchcock's Rear window / John Carlos Rowe -- Shadows of modernity : What Maisie knew and Shadow of a Doubt / Thomas B. Byers -- Awkward ages : James and Hitchcock in between / Mark Goble

Call No: S MEN
Author: Straughan, Peter
Place: US; UK
PubDate: 2008
PhysDes: 108 leaves
Subject: MEN WHO STARE AT GOATS, THE (US/UK, Grant Heslov, 2009)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN WHO STARE AT GOATS, THE (US/UK, Grant Heslov, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN WHO WOULD CONQUER CHINA THE (AT, Nick Torrens, 2004)

Call No: 736.1 MOV
Author: Cameron, Ian; Pye, Douglas
Place: London
Publisher: Cassell
PubDate: 1996
PhysDes: 320 p.: ill. ; 26 cm
Subject: WESTERNS; FORD, JOHN; CIMINO, MICHAEL; CUKOR, GEORGE; DIETRICH, MARLENE; Peckinpah, Sam; WAYNE, JOHN; DAVES, DELMER; MANN, ANTHONY; BOETTICHER, BUDD; COSTNER, KEVIN; BROKEN ARROW (US, Delmer Daves, 1950); DRUM BEAT (US, Delmer Daves, 1954); HANGING TREE, THE (US, Delmer Daves, 1958); JUBAL (US, Delmer Daves, 1956); LAST WAGON, THE (US, Delmer Daves, 1956); [THREE TEN] 3:10 TO YUMA (US, Delmer Daves, 1957); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DRUMS ALONG THE MOHAWK (US, John Ford, 1939); FORT APACHE (US, John Ford, 1948); DUEL IN THE SUN (US, King Vidor, 1946); HEAVEN'S GATE (US, Michael Cimino, 1980); HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962); HUD (US, Martin Ritt, 1962); JOHNNY GUITAR (US, Nicholas Ray, 1954); LEFT-HANDED GUN, THE (US, Arthur Penn, 1958); MISFITS, THE (US, John Huston, 1961); ONE-EYED JACKS (US, Marlon Brando, 1961); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RIO BRAVO (US, Howard Hawks, 1959); SHANE (US, George Stevens, 1953); VERA CRUZ (US, Robert Aldrich, 1954); WESTWARD THE WOMEN (US, William Wellmann, 1951); LONELY ARE THE BRAVE (US, David Miller, 1962); UNFORGIVEN (US, Clint Eastwood, 1992); SEARCHERS, THE (US, John Ford, 1956); DANCES WITH WOLVES (US, Kevin Costner, 1990); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962)
Notes: Includes index
ISBN: 0289801400
LON: abn95121731; 11553420

Call No: 67(04) FAR
Author: Farber, Manny
Edition: Expanded ed
Place: New York
Publisher: Da Capo Press
PubDate: 1998
PhysDes: xiv, 412 p. ; 21 cm
Subject: FESTIVALS. NEW YORK; HAWKS, HOWARD; HUSTON, JOHN; LEWTON ,VAL; AGEE, JAMES; STURGES, PRESTON; CAPRA, FRANK; SIEGEL, DON; FULLER, SAMUEL; SNOW, MICHAEL; GODARD, JEAN-LUC; BUNUEL, LUIS; WALSH, RAOUL; ROEG, NICOLAS; HERZOG, WERNER; FASSBINDER, RAINER WERNER; FARBER, MANNY; AKERMAN, CHANTAL; JONES, CHUCK; Stewart, James; FORD, JOHN; WALSH, RAOUL; WARHOL, ANDY; PATTERSON, PATRICIA; WAVELENGTH (US, Michael Snow, 1967); FAR COUNTRY, THE (US, Anthony Mann, 1954); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); DETECTIVE STORY (US, William Wyler, 1951); HOME OF THE BRAVE (US, Mark Robson, 1949); SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965); HOW I WON THE WAR (UK, Richard Lester, 1967); CITIZEN KANE (US, Orson Welles, 1941); GRADUATE, THE (US, Mike Nichols, 1967); IN COLD BLOOD (US, Richard Brooks, 1967); JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975); TAXI DRIVER (US, Martin Scorsese, 1976); THIRD MAN, THE (UK, Carol Reed, 1949); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967)
Summary: Manny Farber, one of the most important and entertaining critics in movie history, championed the American action film - the bravado of Howard Hawks, the art brut styling of Samuel Fuller, the crafty, sordid entertainments of Don Siegel - at a time when other critics dismissed the genre. His witty, incisive criticism later worked exacting language into an exploration of the feelings and strategies that went into low-budget and radical films as diverse as Michael Snow's Wavelength, Werner Herzog's Fata Morgana, and Shantal Akerman's Jeanne Dielman. Expanded with an in-depth interview and seven essays written in collaboration with his wife, artist Patricia Patterson, Negative Space gathers Farber's most influential writings, making this an indispensable collection for all lovers of film
Notes: "First Da Capo Press edition"--T.p. verso; Includes index
ISBN: 0306808293 (pbk. : alk. paper)
LON: 13667387

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, TV. AUSTRALIA
Author: Idato, Michael
PhysDes: Clippings File Article
Subject: INDUSTRY, TV. AUSTRALIA; SPECIAL BROADCASTING SERVICE; SEVEN NETWORK; AUSTRALIAN BROADCASTING CORPORATION; FOXTEL; DRAMAS. AUSTRALIA; [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-)
Summary: Snippets regarding TV industry news including: Aquarius to get a second season; SBS on Demand service; Seven's news LA bureau wins award; ABC regional division has started; Foxtel executive news; ABC dramas renewed; Dr Who festival slated for Sydney in November 2015

Author: Harris, Paul
PhysDes: Article
Subject: MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983)
Summary: Review

Call No: 792(047.1) GEL
Author: Van Gelder, Peter
Place: London
Publisher: Aurum
PubDate: 1990
PhysDes: 288 p. : ill. ; 24 cm
Subject: FLYING HIGH II [; ANNIE HALL (US, Woody Allen, 1977); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BATMAN (US, Tim Burton, 1989); BEVERLY HILLS COP (US, Martin Brest, 1984); BONNIE AND CLYDE (US, Arthur Penn, 1967); BRIEF ENCOUNTER (UK, David Lean, 1945); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CARRY ON CLEO (UK, Gerald Thomas, 1964); CASABLANCA (US, Michael Curtiz, 1942); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); CITIZEN KANE (US, Orson Welles, 1941); CROCODILE DUNDEE (AT, Peter Faiman, 1986); DAM BUSTERS, THE (UK, Michael Anderson, 1955); DIRTY HARRY (US, Don Siegel, 1971); DUCK SOUP (US, Leo McCarey, 1933); EASY RIDER (US, Dennis Hopper, 1969); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EXORCIST, THE (US, William Friedkin, 1973); FANTASIA (US, Walt Disney, 1940); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); FRANKENSTEIN (US, James Whale, 1931); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GENEVIEVE (UK, Henry Cornelius, 1953); GODFATHER, THE (US, Francis Ford Coppola, 1972); GOLDFINGER (UK, Guy Hamilton, 1964); GONE WITH THE WIND (US, Victor Fleming, 1939); GRADUATE, THE (US, Mike Nichols, 1967); GREASE (US, Randal Kleisner, 1978); HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); HENRY V (UK, Laurence Olivier, 1944); HIGH NOON (US, Fred Zinnemann, 1952); HIGH SOCIETY (US, Charles Walters, 1956); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951); LAWRENCE OF ARABIA (UK, David Lean, 1962); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MALTESE FALCON, THE (US, John Huston, 1941); M*A*S*H (US, Robert Altman, 1969); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PINK PANTHER, THE (US, Blake Edwards, 1964); PSYCHO (US, Alfred Hitchcock, 1960); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); ROAD TO MOROCCO (US, David Butler, 1942); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SOME LIKE IT HOT (US, Billy Wilder, 1959); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAGECOACH (US, John Ford, 1939); STAR WARS (US, George Lucas, 1977); THIRD MAN, THE (UK, Carol Reed, 1949); TOOTSIE (US, Sydney Pollack, 1982); TOP HAT (US, Mark Sandrich, 1935); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmed
LON: bnc85410161; 7335916

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000)

Author: Matt Coyte
PhysDes: Article
Subject: WEAVING, HUGO; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000)
Summary: review of The Old Man Who Read Love Stories

Call No: TITLE CLIPPINGS FILE; DOCTOR WHO [TV] (UK, 1963-1989, 2005-)
Author: Mills, David
PhysDes: Clippings File Article
Subject: [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-)
Summary: Preview of the upcoming Doctor Who Christmas Special: The Husbands Of River Song, with interviews of star Peter Capaldi
Notes: same article published in Sunday Herald Sun, 20/12/2015. Section TV Guide, p. 1

Call No: TITLE CLIPPINGS FILE; MAN WHO KNEW INFINITY, THE (UK, Matt Brown, 2015)
Author: Hall, Sandra
PhysDes: Clippings File Article
Subject: MAN WHO KNEW INFINITY, THE (UK, Matt Brown, 2015)
Summary: Sandra Hall reviews THE MAN WHO KNEW INIFINITY
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE; MAN WHO KNEW INIFINITY, THE (UK, Matt Brown, 2015)
PhysDes: Clippings File Article
Subject: MAN WHO KNEW INIFINITY, THE (UK, Matt Brown, 2015)
Summary: Film review of THE MAN WHO KNEW INIFINITY directed by Matt Brown.
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PRINCESS WHO HAD NEVER LAUGHED, THE (US, Mark Cunningham, 1984)

Call No: 210.4(94) MOR
Author: Moran, Albert, 1942
Place: Sydney
Publisher: Currency Press
PubDate: 1991
PhysDes: xii, 192 p., [16] p. of plates : ill., ports. ; 21 cm
Subject: AUSTRALIA; DOCUMENTARIES. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA; HEYER, JOHN; HAWES, STANLEY; AUSTRALIAN NATIONAL FILM BOARD; FILM AUSTRALIA; AUSTRALIAN FILM COMMISSION; ANNIE'S COMING OUT (AT, Gil Brealey, 1984); MAN WHO CAN'T STOP, THE (AT, Michael Rubbo, 1973); FROM THE TROPICS TO THE SNOW (AT, Richard Mason and Jack Lee, 1964)
Notes: Includes indexes; Bibliography: p. 157-165
ISBN: 0868192929 : $25.00
LON: abn91225572; 8179305

Call No: 79 WHO AND
Author: Ross, Anderson
CorpAuthor: Proquest
Source: US
Place: Jackson
Publisher: University Press of Mississippi Jackson
PubDate: 2019
PhysDes: xiv, 356 pages : illustrations ; 23 cm.
Subject: WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988)
Summary: "Who Framed Roger Rabbit emerged at a nexus of people, technology, and circumstances that is historically, culturally, and aesthetically momentous. By the 1980s, animation seemed a dying art. Not even the Walt Disney Company, which had already won over thirty Academy Awards, could stop what appeared to be the end of an animation era. To revitalize popular interest in animation, Disney needed to reach outside its own studio and create the distinctive film that helped usher in a Disney Renaissance. That film, Who Framed Roger Rabbit, though expensive and controversial, debuted in theaters to huge success at the box office in 1988. Unique in its conceit of cartoons living in the real world, Who Framed Roger Rabbit magically blended live action and animation, carrying with it a humor that still resonates with audiences. Upon the film's release, Disney's marketing program led the audience to believe that Who Framed Roger Rabbit was made solely by director Bob Zemeckis, director of animation Dick Williams, and the visual effects company Industrial Light & Magic, though many Disney animators contributed to the project. Author Ross Anderson interviewed over 140 artists to tell the story of how they created something truly magical. Anderson describes the ways in which the Roger Rabbit characters have been used in film shorts, commercials, and merchandising, and how they have remained a cultural touchstone today."--Provided by publisher.
Notes: Includes bibliographical references and index.
ISBN: 9781496822338
Donation: Senses of Cinema
Contents: Chapter one. Early days at Disney -- Chapter two. Enter Amblin -- Chapter three. London calling -- Chapter four. Animation-The Forum -- Chapter five. The Glendale unit -- Chapter six. Effects magicians -- Chapter seven. Wrap up-- Chapter eight. Commercials, television, shorts, and sequels -- Chapter nine. At the parks -- Chapter ten. Merchandising the rabbit -- Chapter eleven. The story continues

Call No: TITLE CLIPPINGS FILE; WHO DO YOU THINK YOU ARE? [TV](AT, 2008)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: HANY, DON; WHO DO YOU THINK YOU ARE? [TV](AT, 2008)
Summary: Positive review of Australian TV show, Who Do You Think You Are?, with this episode featuring Australian actor, Don Hany

Call No: 81EDW LUH
Author: Lehman, Peter
Source: US
Place: Athens: Ohio
Publisher: Ohio University Press
PubDate: c1989
PhysDes: 268p. : ill., ports. ; 24 cm
Subject: EDWARDS, BLAKE; S.O.B. (US, Blake Edwards, 1981); VICTOR/VICTORIA (UK, Blake Edwards, 1982); PINK PANTHER, THE (US, Blake Edwards, 1964); SHOT IN THE DARK, A (UK, Blake Edwards, 1964); MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983); TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982); MICKI AND MAUDE (US, Blake Edwards, 1984); REVENGE OF THE PINK PANTHER (UK, Blake Edwards, 1978)
Notes: Includes index. Filmography: v.2 p. 253-260. Bibliography: v.2 p. 249-251.
ISBN: 0821409182
Language: English

Call No: 79SAI MIS
Author: Mishima, Yukio
Source: UK
Place: Harmondsworth, Middlesex ; Ringwood, Vic
Publisher: Penguin
PubDate: 1970
PhysDes: 143p. ; 18cm
Subject: SAILOR WHO FELL FROM GRACE WITH THE SEA, THE (UK, Lewis John Carlino, 1976)
ISBN: 0140028668

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: SAILOR WHO FELL FROM GRACE WITH THE SEA, THE (UK, Lewis John Carlino, 1976)

Call No: 71 (73) HAR
Author: Harris Mark
Place: Edinburgh
Publisher: Canongate
PubDate: 2008
PhysDes: 490 p., [16] p. of plates : ill. ; 25 cm
Subject: COLUMBIA PICTURES; CRITICISM; CRITICS; DIRECTORS. USA; HISTORY AND THE CINEMA. USA; HOLLYWOOD IN FILMS; JAMES BOND IN FILMS; TWENTIETH CENTURY-FOX; WALT DISNEY PRODUCTIONS; ALLEN, WOODY; ANTONIONI, MICHELANGELO; ASHBY, HAL; BANCROFT, ANNE; BEATTY, WARREN; BENTON, ROBERT; BERGMAN, INGRID; BLAKE, ROBERT; BRANDO, MARLON; BURTON, RICHARD; CAINE, MICHAEL; CARON, LESLIE; CUKOR, GEORGE; COLLINS, JOAN; CONNERY, SEAN; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DANIELS, WILLIAM; DAVIS, SAMMY, Jr.; DAY, DORIS; DUNAWAY, FAYE; DUVALL, ROBERT; FELLINI, FEDERICO; FLEISCHER, RICHARD; FONDA, JANE; FRANKOVICH, MIKE; GODARD, JEAN-LUC; HARRISON, REX; HENRY, BUCK; HEPBURN, KATHARINE; HOFFMAN, DUSTIN; NEWMAN, DAVID; BONNIE AND CLYDE (US, Arthur Penn, 1967); CAMELOT (US, Joshua Logan, 1967); CLEOPATRA (US, Joseph L. Mankiewicz, 1963); COOL HAND LUKE (US, Stuart Rosenberg, 1967); [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967); GRADUATE, THE (US, Mike Nichols, 1967); GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967); KAEL, PAULINE; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967)
Summary: In this book, Mark Harris looks at 1967, and marks it as a pivotal moment in Hollywood's history: the shift from studio -generated epics, westerns and musicals, such as "Doctor Doolitle"to the director-centred European aesthetic seen in "Bonnie & Clyde" and "The Graduate". It was the birth of the New Hollywood. The book look at five films made in this year- "Bonnie & Clyde", "In the heat of the night", "Doctor Doolittle" "The Graduate" and "Guess who's coming to dinner" from the. first draft of the scripts to the impact of their release. The author interviews most of the actors in volved in the making of these films and presents a book about Hollywood and the United States at a critical juncture in their history. [Taken from the cover]
Notes: Includes bibliographical references (p. [432]-438) and index.
ISBN: 9781847671028
ID2: 277

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHE WHO MUST BE LOVED (AT, Erica Glynn, 2018)

PhysDes: Article
Subject: GIRL WHO MET SIMONE DE BEAUVOIR IN PARIS, THE (AT, Richard Wherrett, 1980)
Summary: Ill.

Call No: 451-02 FIS
Author: Fischer, Lucy
Place: Basingstoke
Publisher: Macmillan Education
PubDate: 1989
PhysDes: xii, 348 p. : ill. ; 22 cm
Subject: FEMINISM AND THE CINEMA; WOMEN, FILMS MADE BY; ROMANTIC FILMS; MUSICALS; HOMOSEXUALITY IN FILMS; MYTH AND THE CINEMA; DOUBLES IN FILMS; TWINS IN FILMS; ROSE, KATHY; GORRIS, MARLEEN; FLICKORNA (SW, Mai Zetterling, 1968); TAKE OFF (US, Gunvor Nelson, 1973); MITTEN INS HERZ (GW, Doris Dorrie, 1983); RECITAL (?, Stephanie Beroes, 1978); DANCE, GIRL, DANCE (US, Dorothy Arzner, 1940); COBRA WOMAN (US, Robert Siodmak, 1943); ANNEES 80, LES (FR/BE/SZ, Chantal Akerman, 1983); STOLEN LIFE, A (UK, Paul Czinner, 1939); DARK MIRROR, THE (US, Robert Siodmak, 1946); BAD SISTER, THE (UK, Laura Mulvey & Peter Wollen, 1983); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977); DAMES (US, Ray Enright, 1934); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); PERSONA (SW, Ingmar Bergman, 1966); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); SCHWESTERN, ODER DIE BALANCE DES GLUCKS (GW, Margarethe von Trotta, 1979); RICH AND FAMOUS (US, George Cukor, 1981); GIRLFRIENDS (US, Claudia Weill, 1978); SOTTO...SOTTO...STRAPAZZATO DA ANOMALA PASSIONE (IT, Lina Wertmuller, 1984); LIANNA (US, John Sayles, 1983); VIOLETTE NOZIERE (FR/CN, Claude Chabrol, 1978); MAN WHO ENVIED WOMEN, THE (US, Yvonne Rainer, 1985)
Notes: Cinema films. Women directors (BNB/PRECIS); Cinema films. - Feminist viewpoints (BNB/PRECIS); Includes bibliographical references and index
ISBN: 0333480600 (cased) : ¦30.00; 0333480619 (pbk.) : ¦8.95
LON: bnb33348060; 6147621

Call No: 634.6 SOU
Author: Knight, Arthur (ed.); Wojick, Pamela Robertson (ed.)
Source: US
Place: Durham, NC ; London
Publisher: Duke University Press
PubDate: 2001
PhysDes: x, 491 p. : ill. ; 24 cm
Subject: MUSIC IN FILMS; MUSIC AND THE CINEMA; POP MUSIC AND THE CINEMA; POP MUSIC IN FILMS; BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995); HEAD (US, Bob Rafelson, 1968); MAN WHO KNEW TOO MUCH, THE (US, Alfred Hitchcock, 1955); PORGY AND BESS (US, Otto Preminger, 1959); TOUCH OF EVIL (US, Orson Welles, 1958)
Summary: "From the silent era to the present day, popular music has been a key component of the film experience. Yet there has been little serious writing on film soundtracks that feature popular music. Soundtrack Available fills this gap, as its contributors provide detailed analyses of individual films as well as historical overviews of genres, styles of music, and approaches to film scoring. " - BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 082232797X
Contents: -- Overture / Arthur Knight and Pamela Robertson Wojcik -- Cinema and popular song : the lost tradition / Rick Altman -- Surreal symphonies : l'age d'or and the discreet charms of classical music / Priscilla Barlow -- "The future's not ours to see" : song, singer, labryinth in Hitchcock's The man who knew too much / Murray Pomerance -- "You think they call us plastic now--" : the Monkees and Head / Paul B. Ramaeker -- Real men don't sing ballads : the radio crooner in Hollywood, 1929-1933 / Allison McCracken -- Flower of the asphalt : the chanteuse re´aliste in 1930s French cinema / Kelley Conway -- The embodied voice : song sequences and stardom in popular Hindi cinema / Neepa Majumdar -- Music as ethnic marker in film : the "Jewish" case / Andrew P. Killick -- Sounding the American heart : cultural politics, country music, and contemporary American film / Barbara Ching -- Crossing musical borders : the soundtrack for Touch of evil / Jill Leeper -- Documented/documentary Asians : Gurinder Chadha's I'm British but-- and the musical mediation of sonic and visual identities / Nabeel Zuberi -- Class swings : music, race, and social mobility in Broken strings / Adam Knee -- Borrowing black masculinity : the role of Johnny Hartman in The bridges of Madison County / Krin Gabbard -- "It ain't necessarily so that it ain't necessarily so" : African Amercan recordings of Porgy and Bess as film and cultural criticism / Arthur Knight -- "Hollywood has taken on a new color" : the Yiddish blackface of Samuel Goldwyn's Porgy and Bess / Jonathan Gill -- Picturizing American cinema : Hindi film songs and the last days of genre / Corey K. Creekmur -- Popular songs and comic allusion in contemporary cinema / Jeff Smith -- The girl and the phonograph, or the vamp and the machine revisited / Pamela Robertson Wojcik -- bibliography -- contributors - index --

Call No: 81EDW WAS
Author: Wasson, Sam
Source: US
Place: Middletown, Connecticut
Publisher: Wesleyan University Press
PubDate: 2009
PhysDes: xii, 353 p. : ill. ; 24 cm
Subject: EDWARDS, BLAKE; CRITICISM; BLIND DATE (US, Blake Edwards, 1987); BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961); CAREY TREATMENT, THE (US, Blake Edwards, 1972); CURSE OF THE PINK PANTHER (US, Blake Edwards, 1983); FINE MESS, A (US, Blake Edwards, 1986); GREAT RACE, THE (US, Blake Edwards, 1965); MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983); MICKI AND MAUDE (US, Blake Edwards, 1984); PARTY, THE (US, Blake Edwards, 1968); PINK PANTHER, THE (US, Blake Edwards, 1964); REVENGE OF THE PINK PANTHER (UK, Blake Edwards, 1978); SHOT IN THE DARK, A (UK, Blake Edwards, 1964); SKIN DEEP (US, Blake Edwards, 1989); S.O.B. (US, Blake Edwards, 1981); SON OF THE PINK PANTHER (US, Blake Edwards, 1993); SUNSET (US, Blake Edwards, 1988); SWITCH (US, Blake Edwards, 1991); TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982); VICTOR/VICTORIA (UK, Blake Edwards, 1982)
Summary: "With one of the longest and most controversial careers in Hollywood history, it's about time for Blake Edwards, a director of raving chutzpuh, to take hist seat at the table of greats. His rambunctious filmography remains an artistic force on par with Hollywood's greatest comic directors: Chaplin, Lubitsch, Sturges, and Wilder. Like Wilder, Edward's propensity for hilarity is double-helixed with pain, and in films like Breakfast at Tiffany's, The Pink Panther, and even days of Wine and Roses, we can hear him off-screen, laughing in the dark. And yet, despite those enormous successes, he was at one time considered a Hollywood villain. After his marriage to Julie Andrews, Edwards's Darling Lili nearly sunk both of them and brought Paramount Pictures to its knees. Almost overnight, Blake became an industry pariah, which ironically fortified his sense of satire, and allowed him to simultaneously fight the Hollywood tide as he rode it. Employing keen visual analysis, meticulous research, and troves of interviews and production files, Sam Wasson delivers the first complete account of one of the maddest figures Hollywood has ever known." - BOOK JACKET
Notes: Includes filmography.; Includes bibliographical references and index.
ISBN: 9780819569158
Donation: Donated by Senses Of Cinema, 2009
Contents: Prologue: Breaking in, 1922-1955 -- Blake begins, 1955-1959 -- Blake builds, 1959-1962 -- Blake blossoms, 1963-1968 -- Blake burns, 1968-1974 -- Panther pictures (Blake banks) -- Blake booms, 1979-1982 -- Blake breaks, 1983-1988 -- Blake bows, 1988-1991 -- Epilogue: Making out, October 24, 1993.

Call No: Title clippings file; SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: BURTON, RICHARD; SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965)
Summary: A brief review in the classic movie section of the Sunday Age of, The Spy Who Came in from the Cold.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SPY WHO DUMPED ME, THE (US, Susanna Fogel, 2018)

Call No: N79SPY WOO
Author: Wood, Christopher
Source: UK
Place: St Albans
Publisher: Triad/Panther Books
PubDate: 1977
PhysDes: 189 p. ; 18 cm.
Series: {James Bond,]
Subject: SPY WHO LOVED ME, THE (UK, Lewis Gilbert, 1977)
ISBN: 0586045090

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SPY WHO LOVED ME, THE (UK, Lewis Gilbert, 1977)

Call No: 81HIT DUR
Author: Durgnat, Raymond
Source: UK
Place: London
Publisher: Faber and Faber
PubDate: 1974
PhysDes: 419 p. ; 24 cm
Subject: HITCHCOCK, ALFRED; PLEASURE GARDEN, THE (UK, Alfred Hitchcock, 1925); MOUNTAIN EAGLE, THE (UK/GG, Alfred Hitchcock, 1926); LODGER, THE (UK, Alfred Hitchcock, 1926); DOWNHILL (UK, Alfred Hitchcock, 1927); EASY VIRTUE (UK, Alfred Hitchcock, 1927); RING, THE (UK, Alfred Hitchcock, 1927); FARMER'S WIFE, THE (UK, Alfred Hitchcock, 1928); CHAMPAGNE (UK, Alfred Hitchcock, 1928); MANXMAN, THE (UK, Alfred Hitchcock, 1929); JUNO AND THE PAYCOCK (UK, Alfred Hitchcock, 1930); MURDER (UK, Alfred Hitchcock, 1930); SKIN GAME, THE (UK, Alfred Hitchcock, 1931); RICH AND STRANGE (UK, Alfred Hitchcock, 1932); NUMBER SEVENTEEN (UK, Alfred Hitchcock, 1932); LORD CAMBER'S LADIES (UK, Alfred Hitchcock, 1933); WALTZES FROM VIENNA (UK, Alfred Hitchcock, 1934); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); SECRET AGENT, THE (UK, Alfred Hitchcock, 1936); SABOTAGE (UK, Alfred Hitchcock, 1936); YOUNG AND INNOCENT (UK, Alfred Hitchcock, 1937); LADY VANISHES (US, Alfred Hitchcock, 1938); JAMAICA INN (UK, Alfred Hitchcock, 1939); REBECCA (US, Alfred Hitchcock, 1940); FOREIGN CORRESPONDENT (US, Alfred Hitchcock, 1940); [MISTER] MR AND MRS SMITH (US, Alfred Hitchcock, 1941); SUSPICION (US, Alfred Hitchcock, 1941); SABOTEUR (US, Alfred Hitchcock, 1942); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); LIFEBOAT (US, Alfred Hitchcock, 1944); BON VOYAGE (UK, Alfred Hitchcock, 1944); AVENTURE MALGACHE (UK, Alfred Hitchcock, 1944); SPELLBOUND (US, Alfred Hitchcock, 1945); NOTORIOUS (US, Alfred Hitchcock, 1946); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); ROPE (US, Alfred Hitchcock, 1948); UNDER CAPRICORN (UK, Alfred Hitchcock, 1949); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951); I CONFESS (US, Alfred Hitchcock, 1953); DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); REAR WINDOW (US, Alfred Hitchcock, 1954); TO CATCH A THIEF (US, Alfred Hitchcock, 1955); TROUBLE WITH HARRY, THE (US, Alfred Hitchcock, 1955); MAN WHO KNEW TOO MUCH, THE (US, Alfred Hitchcock, 1955); WRONG MAN, THE (US, Alfred Hitchcock, 1957); VERTIGO (US, Alfred Hitchcock, 1958); PSYCHO (US, Alfred Hitchcock, 1960); BIRDS, THE (US, Alfred Hitchcock, 1963); MARNIE (US, Alfred Hitchcock, 1964); TORN CURTAIN (US, Alfred Hitchcock, 1966); TOPAZ (US, Alfred Hitchcock, 1969); FRENZY (US, Alfred Hitchcock, 1972); NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959)
ISBN: 0571099661

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: TELL THEM WHO YOU ARE (US, Mark Wexler, 2004)

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIO; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); DESTRY RIDES AGAIN (US, George Marshall, 1939); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
URL status: URL: 'http://-' Checked: 31/08/2021 1:14:06 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 81 MCD SAY
Author: Sayer, Mandy
Edition: 2022
Place: Sydney
Publisher: NewSouth Publishing
PubDate: 2022
PhysDes: xii, 321 pages, illustrated
Subject: HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. SILENT PERIOD; MCDONAGH, ISABEL; MCDONAGH, PAULETTE; MCDONAGH, PHYLLIS; THOSE WHO LOVE (AT, Paulette McDonagh, 1926); FAR PARADISE, THE (AT, Paulette McDonagh, 1928); CHEATERS, THE (AT, Paulette McDonagh, 1930); CHEATERS, THE (AT, Paulette McDonagh, 1930); TWO MINUTES SILENCE (AT, Paulette McDonagh, 1933)
Summary: The trailblazing McDonagh sisters were the first women in Australia to form their own film production company. Between 1926 and 1933, while they were in their mid-twenties, these sassy sisters produced four feature films and a number of documentaries. The youngest, Paulette, was one of only five women film directors in the world. Phyllis produced, art directed, and conducted publicity. And the eldest, Isabel, under her stage name Marie Lorraine, acted superbly in all the female leads. Together, the sisters transformed Australian cinema’s preoccupations with the outback and the bush – and what they mocked as ‘haystack movies’ – into a thrilling, urban modernity. Their private lives were equally adventurous, and their suitors included a famous magician, a wealthy rubber broker, a defrocked Anglican priest, and a number of silent film stars. In Those Dashing McDonagh Sisters, Mandy Sayer reveals the sisters’ remarkable story, from daughters of a respected Sydney surgeon with a love of theatre and the arts, to their first feature film, Those Who Love (1926), an instant hit, and their controversial final film, Two Minutes Silence (1933). Today, their most famous feature, The Cheaters, is frequently screened at international film festivals around the world, most notably in New York and London, to rapturous reviews. -- publisher's web site
ISBN: 9781742237435

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: THOSE WHO LOVE (AT, Paulette McDonagh, 1926)

Call No: TITLE STILL AUSTRALIA
Source: AT
PubDate: 1926
PhysDes: 1 photograph : b&w ; 17 x 22 cm.
Subject: THOSE WHO LOVE (AT, Paulette McDonagh, 1926)
Summary: A young woman in a swimming costume dances before friends at a beach side picnic. Behind her is a gramophone and beyond that the ocean.
Notes: Pencil annotations on reverse of photograph; White border surrounds image; Adhesive label on reverse of photograph

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 17 x 22 cm.
Subject: THOSE WHO LOVE (AT, Paulette McDonagh, 1926)
Summary: Black and white photograph relating to the film Those Who Love

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THOSE WHO MAKE THE WAY (AT, Lilias Castle, 1973)

Call No: TITLE CLIPPINGS FILE; HUNDRAARINGEN SOM KLEV UT GENOM FONSTRET OCH FORSVANN (SW, Felix Herngren, 2013)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: HUNDRED YEAR OLD MAN WHO CLIMBED OUT OF THE WINDOW AND DISAPPEARED, THE [HUNDRAARINGEN SOM KLEV UT GENOM FONSTRET OCH FORSVANN] (SW, Felix Herngren, 2013)
Summary: Mc Donald reviews the film THE 100 YEAR OLD MAN WHO CLIMBED OUT THE WINDOW AND DISAPPEARED

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL WHO LEPT THROUGH TIME, THE [TOKI O KAKERU SHOJO] (JA, Momoru Hosoda, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNDERBELLY FILES: THE MAN WHO GOT AWAY [TV](AT, 2011)

Call No: 81HIT ALF
Source: SW
Place: Uppsala
Publisher: Uppsala studenters filmstudio
PubDate: 1968
Subject: HITCHCOCK, ALFRED; BLACKMAIL (UK, Alfred Hitchcock, 1929); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); LODGER, THE (UK, Alfred Hitchcock, 1926)

Call No: TITLE CLIPPINGS FILE in production; WHO'S AFRAID? [TV] in production
Author: Rawsthorne, Sally
PhysDes: Clippings File Article
Subject: WHO'S AFRAID? [TV] in production
Summary: Interview with author Maria Lewis on the possibility that her book Who's afraid? will be adapted into a TV series after a deal with Hoodlum Entertainment
Notes: A

Call No: 736.1(73) SIL
Author: Silver, Charles
Place: New York
Publisher: Pyramid Publications
PubDate: 1976
PhysDes: 159 p. : ill. ; 20 cm.
Series: A Pyramid illustrated history of the movies
Subject: WESTERNS; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BOETTICHER, BUDD; COVERED WAGON, THE (US, James Cruze, 1923); FORD, JOHN; GRIFFITH, DAVID WARK; HART, WILLIAM S.; HAWKS, HOWARD; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MIX, TOM; Peckinpah, Sam; SCOTT, RANDOLPH; SEARCHERS, THE (US, John Ford, 1956); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); STAGECOACH (US, John Ford, 1939); Stewart, James; WALSH, RAOUL; WAYNE, JOHN
Notes: Includes index, bibliography and filmography
ISBN: 0515041912
Donation: Adrian Miles
Contents: Introduction -- Pioneers -- David W. Griffith and Thomas H. Ince -- From The Squaw Man to The Wind -- William S. Hart -- Tom Mix -- Clowns -- Gunshots and Hoofbeats -- The Legend of John Ford -- Classicists: Raoul Walsh, Howard Hawks, Anthony Mann -- The Calvary: Ford's Two Trilogies -- Wild Horses -- Geldings -- Whatever Happened to Randolph Scott? -- Revisionists: Penn, Altman, Leone, Peckinpah -- Down the Valley of the Shadow

Author: Moran, Albert
PhysDes: Article
Subject: GENRES; WESTERNS; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); DIRTY LITTLE BILLY (US, Stan Dragoti, 1972)
Summary: Extensive article on the Western film genre, it's early roots and how it is represented in films today.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO? (US, Jack Gold, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO ARE THE DEBOLTS, AND WHERE DID THEY GET 19 KIDS? (US, John Korty, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO DARES WIN (UK, Ian Sharp, 1982)

PhysDes: Article
Subject: WHO DARES WIN (UK, Ian Sharp, 1982); DAVIS, JUDY; HOYTS
Summary: Telegram sent from producer Euan Lloyd to Hoyts regarding Judy Davis' stella performance for the still-filming 'Who Dares Wins'.

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO DO YOU THINK YOU ARE? [TV](AT, 2008)
URL status: URL: 'http://file://Q:/T/WHO_DO_YOU_THINK_YOU_ARE.TV.zip' Checked: 31/08/2021 1:19:09 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings
Subject: WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO GETS TO CALL IT ART? (US, Peter Rosen, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: WHO HAS SEEN THE WIND (CN, Allan King, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO IS AMERICA? [TV] (US, 2018 - )

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: WHO IS CLETIS TOUT? (US, Chris Verwiel, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: WHO IS HARRY KELLERMAN AND WHY IS HE SAYING THOSE TERRIBLE THINGS ABOUT ME? (US, Ulu Grosbard, 1971)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: WHO IS KILLING THE GREAT CHEFS OF EUROPE? (US/GW, Ted Kotcheff, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO IS THE MONSTER...YOU OR ME? (GG, Peter Schamoni, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO KILLED DR BOGLE AND MRS CHANDLER [TV] (AT, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO KILLED HANNAH JANE (AT, Peter Fisk, 1984)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO KILLED JEFFREY EPSTEIN [TV] (US, 2020)
Cross Reference: WHO KILLED JEFFREY EPSTEIN [TV] (US, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: WHO KILLED JENNY LANGBY? (AT, Douglas Crombie, 1974)

PhysDes: Article
Subject: WHO KILLED JENNY LANGBY? (AT, Douglas Crombie, 1974); INDUSTRY, FILM. AUSTRALIA
Summary: Synopsis and cast credits of the film WHO KILLED JENNY LANGBY?

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 21 x 26 cm
Subject: DAWSON, JULIE; CUMMINS, PETER; WHO KILLED JENNY LANGBY? (AT, Douglas Crombie, 1974)
Summary: 3 black and white photographs of scenes from the film

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: WHO KILLED MALCOLM SMITH? (AT, Nicholas Adler & Caroline Sherwood, 1992)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 21 x 26 cm
Subject: INDIGENOUS; WHO KILLED MALCOLM SMITH? (AT, Nicholas Adler & Caroline Sherwood, 1992)
Summary: Black and white photograph of Aboriginal people living in poverty.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO KILLED TEDDY BEAR? (US, Joseph Cates, 1965)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: WHO KILLED THE ELECTRIC CAR? (US, Chris Paine, 2006)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO KILLED THE KLF (UK, Chris Atkins, 2021)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO KILLED VINCENT CHIN? (US, Christine Choy, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: WHO'LL STOP THE RAIN? (US, Karel Reisz, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO MURDERED JFK? (US, Jack Anderson, 1988?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Posters
Subject: WHO NEEDS A HEART (UK/GG, John Akomfrah, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO'S AFRAID OF DESIGNER BABIES? (AT, Sean Cousins, 2004)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Clippings
Subject: WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO’S BEEN SLEEPING IN MY HOUSE [TV] (AT, 2010-?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: WHO'S HARRY CRUMB? (US, Paul Flaherty, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO'S MINDING THE STORE? (US, Frank Tashlin, 1963)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings
Subject: WHO'S THAT GIRL (US, James Foley, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO'S THAT KNOCKING AT MY DOOR? (US, Martin Scorsese, 1968)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: WHO'S THE MAN (US, Ted Demme, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: WHO SHALL LIVE AND WHO SHALL DIE? (US, Laurence Jarvik, 1978?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO WANTS TO BE A MILLIONAIRE (AT, 1999 -)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: WHO WILL LOVE MY CHILDREN? (US, John Erman, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO WILL WRITE OUR HISTORY (US, Roberta Grossman, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO YOU THINK I AM (FR/BE, Safy Nebbou, 2018)
Notes: Simon Strong import 9B

Call No: 462-02(94) SPE
Author: Speed, Sally
Place: [Australia] : [s.n.], 1984
PhysDes: 64 leaves ; 30 cm
Subject: WOMEN FILMMAKERS. AUSTRALIA; LYELL, LOTTIE; LOVELY, LOUISE; MCDONAGH, PAULETTE; MCDONAGH, ISABEL; PAVIS, YVONNE; HOWARD, KATE; MALLON, MARY; DE LA RUZE, JULIETTE; KELLERMAN, ANNETTE; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); THOSE WHO LOVE (AT, Paulette McDonagh, 1926); FAR PARADISE, THE (AT, Paulette McDonagh, 1928); CHEATERS, THE (AT, Paulette McDonagh, 1930); TWO MINUTES SILENCE (AT, Paulette McDonagh, 1933); POSSUM PADDOCK (AT, Kate Howard, 1921); BLUE MOUNTAINS MYSTERY, THE (AT, Raymond Longford & Lottie Lyell, 1921); DINKUM BLOKE, THE (AT, Raymond Longford, 1923); FISHERS GHOST (AT, Lottie Lyell, 1924); PETER VERNON'S SILENCE (AT, Lottie Lyell, 1925); CIRCUMSTANCE (AT, Yvonne Pavis, 1922); DAUGHTER OF AUSTRALIA (AT, Yvonne Pavis, 1922); SUNSHINE SALLY (AT, Yvonne Pavis, 1922); JEWELLED NIGHTS (AT, Louise Lovely & Wilton Welch, 1925); CHEATERS, THE (AT, Paulette McDonagh, 1930); HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; EXHIBITION OF SILENT FILMS
LON: abn98267376; 14063689

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WOMEN WHO KILL (US, Ingrid Jungermann, 2016)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: WOMEN WHO RUN HOLLYWOOD, THE (US, Julia Kuperberg & Clara Kuperberg, 2016)
URL status: URL: 'http://file://Q:/T/ET_LA_FEMME_CREA_HOLLYWOOD.zip' Checked: 31/08/2021 1:40:55 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FOR THOSE WHO CAN TELL NO TALES [ZA ONE KOJI NE MOGU DA GOVORE] (BS, Jasmila Zbanic, 2013)