title clippings file
24 HOURS IN LONDON : (UK, Alexander Finbow, 1999)
More info
title clippings file
ABOUT SCHMIDT : (US, Alexander Payne, 2002)
More info
title clippings file
ABRA CADABRA : (AT, Alexander Stitt, 1981)
More info
title clippings file
ALEKSANDR NEVSKI : (UR, Sergei M. Eisenstein, 1938)
More info
title clippings file
ALEXANDER : (FR/UK/NE, Oliver Stone, 2004)
More info
title clippings file
ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY : (US, Miguel Arteta, 2014)
More info
personality microfilm collection
ALEXANDER, ELIZABETH
More info
personality microfilm collection
ALEXANDER, JASON
Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALEXANDER, JASON
More info
book
Alexander Kluge & The occasional work of a female slave / edited by Jan Dawson South Perth, W.A.: Perth Film Festival, 1975.
More info
book
Alexander Korda : the man who could work miracles / Karol Kulik New Rochelle [N.Y.]: Arlington House, 1975.
Call No: 81KOR KULAuthor: Kulik, Karol, 1949 Place: New Rochelle [N.Y.]Publisher: Arlington HousePubDate: 1975PhysDes: 407 p., 16 leaves of plates : ill., ports. ; 22 cmSubject: KORDA, ALEXANDER Notes: Includes index; Bibliography: p. 388-394; Filmography: p. 337-384ISBN: 0870003356LON: abn80022143; 1776275
More info
book
The Alexander Medvedkin Reader / Alexander Medvedkin; Translated by Nikita Lary and Jay Leyda Chicago; London: The University of Chicago Press, 2016.
Call No: 620 MED LARAuthor: Medvedkin, Alexander Place: Chicago; LondonPublisher: The University of Chicago PressPubDate: 2016PhysDes: xv, 356 pages : illustrations ; 24 cmSeries: Cinema and modernitySubject: MEDVEKIN, ALEXANDER ; MARKER, CHRIS ; SCHASTYE [HAPPINESS] (UR, Alexander Medvedkin, 1935) Summary: "Filmmaker Alexander Medvedkin (1900–89), a contemporary of Sergei Eisenstein and Alexander Dovzhenko, is celebrated today for his unique form of “total” documentary cinema, which aimed to bridge the distance between film and life, as well as for his use of satire during a period when the Soviet authorities preferred that laughter be confined to narrowly prescribed channels. This collection of selected writings by Medvedkin is the first of its kind and reveals how his work is a crucial link in the history of documentary film. Although he was a dedicated Communist, Medvedkin’s satirical approach and social critiques ultimately led to his suppression by the Soviet regime. State institutions held back or marginalized his work, and for many years, his films were assumed to have been lost or destroyed. These texts, many assembled for this volume by Medvedkin himself, document for the first time his considerable achievements, experiments in film and theater, and attempts to develop satire as a major Soviet film genre. Through scripts, letters, autobiographical writings, and more, we see a Medvedkin supported and admired by figures like Eisenstein, Dovzhenko, and Maxim Gorky." -- Publisher's websiteNotes: Includes notes, glossary and index; translated from RussianISBN: 9780266296272Donation: Senses of CinemaContents: On the front lines of war and revolution -- 1. Cavalry days -- 2. The kino-train: 294 days on wheels -- 3. Soldiers shooting films -- Scripts -- 4. A little log (1930) --5. Stop thief! (1930) -- 6. Fruit and vegetables (1930) -- 7. A cock and bull story (1931) -- 8. Hey fool, what a fool you are! (1931) -- 9. Tit (1932) -- 10. Look what love did! (1932) -- 11. A crazy locomotive (1932) -- 12. “The Unholy Force” (1966) -- 13. “Gogol” (1941) -- Satire—a militant art -- 14. The elation of fighting (ca. 1985) -- 15. Satire: An assailant’s weapon (ca. 1966) -- 16. Bronze monuments -- 17. Springboards (ca. 1985) -- Contextualizations -- 18. Eisenstein on Medvedkin’s chaplinesque genius -- 19. Anatoli Lunacharsky, “Film Comedy and Satire” (excerpt) -- 20. Nikolai Izvolov, “Alexander Medvedkin and the Traditions of Russian Film” -- CVs and addenda -- 21. First “Autobiography”: A Bolshevik’s CV -- 22. Second “Autobiography”: A filmmaker’s CV -- 23. Marina Goldovskaia, Interviews with Medvedkin (excerpts) -- 24. The suppression of happiness -- 25. Color film in happiness
remembrance and revival -- 26. The kino-train filmography (trans. Jay Leyda) -- 27. Surviving kino-train films -- 28. Nikita Lary, “History of The Alexander Medvedkin Reader” -- 29. Chris Marker, “The Last Bolshevik”
More info
book
Alexander Payne : interviews / edited by Julie Levinson Jackson: University Press of Mississippi, 2014.
Call No: 81PAYN ALESource: USPlace: JacksonPublisher: University Press of MississippiPubDate: 2014PhysDes: xxvii, 231 pages ; 24 cmSeries: Conversations with filmmakers seriesSubject: PAYNE, ALEXANDER Summary: "In this first compilation of his interviews, Payne reveals himself as a captivating conversationalist as well. The discussions collected here range from 1996, shortly after the release of his first film, Citizen Ruth, to the debut of his film Nebraska. Over his career, he muses on many subjects including his own creative processes, his commitment to telling character-centered stories, and his abiding admiration for movies and directors from across decades of film history." -- BOOK BLURBNotes: Includes indexISBN: 9781628461091Donation: donated by Senses of Cinema, 2014Contents: Machine generated contents note: Writing and Directing Citizen Ruth: A Talk with Alexander Payne and Jim Taylor / Tod Lippy -- An Interview with Citizen Ruth Director Alexander Payne / Angie Drobnic -- Adapting and Directing Election: A Talk with Alexander Payne and Jim Taylor / Annie Nocenti -- Bringing on the Payne / Rob Blackwelder -- Fresh Air Interview with Alexander Payne / Terry Gross -- About Schmidt Director Alexander Payne Does Have Something Interesting to Say / Walter Chaw -- Interview: Alexander Payne / Jeff Otto -- Interview: Alexander Payne / Scott Tobias -- Alexander Payne: Sideways / Adrian Hennigan -- Alexander Payne / Kate Donnelly -- Alexander Payne: Staying Straight While Making Sideways / Brad Balfour -- Alexander Payne: Sideways Glance at America / Kenneth Turan -- Alexander Payne Talks The Descendants, Clooney, Next Black and White Film, New Trailer / Anne Thompson -- Alexander Payne on The Descendants and Why It's a Minor Work / Eric Kohn --
Contents note continued: Director's Chair: Alexander Payne's The Descendants / Iain Blair -- Filmmaker Alexander Payne on The Descendants / Edward Douglas -- Interview: Alexander Payne / Scott Tobias -- Payne Find His Way to The Descendants / Marshall Fine -- An Interview with Alexander Payne / Glenn Kenny -- Interview: Alexander Payne / Dave Davies -- Alexander Payne Talks The Descendants and His Next Two Projects, Nebraska and Wilson / Christina Radish -- Interview with Alexander Payne / Charlie Rose -- Alexander Payne Prefers Actors Who Can Communicate / Jennelle Riley -- The Lei of the Land: A Few Moments with Alexander Payne / Christy Grosz -- Director of The Descendants, Alexander Payne, Talks Bristling Egos and Putting Life on Film / J. Alanna Lawson -- Omaha and the Perfect Ending: The Alexander Payne Interview / Erich van Dussen -- Film Director Alexander Payne: Greece "Energizes My DNA!" / Demetrios Rhompotis --
Contents note continued: Whittling Birch Bark: A Conversation with Alexander Payne / Julie Levinson -- Director Alexander Payne on Nebraska / Damian Houx.
More info
personality microfilm collection
ALEXANDER, SCOTT
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALEXANDER, SCOTT
More info
Online resource
digital clippings file
ALEXANDER THE GREAT : (??, Baz Luhrmann, unproduced) Digital clippings file available
More info
title clippings file
ALL-AMERICAN NEWS : (US, William Alexander, 1992)
More info
book
American ethnographic film and personal documentary : the Cambridge turn / Scott MacDonald Berkeley: University of California Press, 2013.
Call No: 769(73) MACAuthor: MacDonald, Scott Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2013PhysDes: viii, 415 pages : ill. ; 24 cmSubject: ETHNOGRAPHIC FILMS ; DOCUMENTARIES. USA ; MARSHALL, JOHN ; GARDNER, ROBERT ; ASCH, TIMOTHY ; PINCUS, ED ; WEINSTEIN, MIRIAM ; GUZZETTI, ALFRED ; MCELWEE, ROSS ; MOSS, ROBB ; DAVENPORT, NINA ; ASCHER, STEVEN ; JORDAN, JEANNE ; NEGROPONTE, MICHEL ; GIANVITO, JOHN ; OLCH, ALEXANDER ; SIEGEL, AMIE ; BARBASH, ILISA ; CASTAING-TAYLOR, LUCIEN Summary: "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. "--ISBN: 9780520275621Contents: Machine generated contents note: A Tentative Overview of Boston-Area Documentary Filmmaking -- Ethnographic Film and Personal Documentary -- Pragmatism: Learning from Experience -- The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn -- Subjects for Further Research -- Acknowledgments -- 1.Lorna and John Marshall -- Beginnings: Lorna Marshall and First Film -- John Marshall: The Hunters -- Idylls of the !Kung -- Pedagogy -- Expulsion from Eden: Bitter Melons and Nlai, the Story of a !Kung Woman -- The Pittsburgh Police Films and Brakhage's Eyes -- Putting Down the Camera and Picking Up the Shovel -- The Road Taken: A Kalahari Family -- A Process in Time -- 2.Robert Gardner -- East Coast/West Coast: Early Experiments -- Gardner and the Marshalls -- Dead Birds -- The Experience of Filmmaking as Thought Process -- Robert Fulton: Reality's Invisible---"Serious Playing Around" -- Screening Room: Midnight Movies -- City Symphony: Forest of Bliss --
Contents note continued: The Return of the Repressed: Ika Hands -- Still Journeying On: Unfinished Examinations of a Life -- Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence -- 3.Timothy Asch -- Dodoth Morning and the Ethnographic Deadpan -- Asch and the Yanomamo -- The Ax Fight -- 4.Ed Pincus and the Emergence of Personal Documentary -- The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument -- Ed Pincus's Diaries (1971--1976) -- Alfred Guzzetti: Family Portrait Sittings -- Guzzetti: It's a Small World -- Guzzetti: Time Exposure -- 5.Alfred Guzzetti and Personal Cinema -- Air -- Experimental Video: "Language Lessons" -- Scylla and Charybdis -- Still Point -- 6.Ross McElwee -- Finding a Muse: Charleen -- Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's Backyard -- Doppleganger: Sherman's March -- Nesting Dolls: Time Indefinite -- On the Road Again: Six O'Clock News --
Contents note continued: Occupational Hazards: Bright Leaves -- Orpheus: In Paraguay and Photographic Memory -- 7.Robb Moss -- Riverdogs: A Possible Eden -- The Tourist: "Freelance Editing" -- Voyage of Life: The Same River Twice -- 8.Panorama: Other Approaches to Personal Documentary -- Steven Ascher and Jeanne Jordan: Families in Transition -- Michel Negroponte: Getting Involved -- Leacock and Lalonde -- The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the Attic -- The Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies -- Alexander Olch's The Windmill Movie: "This Little Seance of Flickering Light" -- Amie Siegel's DDR/DDR -- 9.Lucien Castaing-Taylor and Sensory Ethnography -- Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass -- "Sheeple": Castaing-Taylor's Audio-Video Installations --
Contents note continued: The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Verena Paravel, and Leviathan
More info
title clippings file
ANGRIFF DER GEGENWART AUF DIE UBRIGE ZEIT, DER : (GG, Alexander Kluge, 1985)
More info
book
Arrows of desire : the films of Michael Powell and Emeric Pressburger / Ian Christie London Boston: Faber and Faber, 1994.
Call No: 802(41) CHRAuthor: Christie, Ian, 1945 Edition: New edPlace: London BostonPublisher: Faber and FaberPubDate: 1994PhysDes: xx, 163 p. : ill. ; 22 cmSubject: PRESSBURGER, EMERIC ; Powell, Michael ; KORDA, ALEXANDER ; ARCHERS, THE Summary: Michael Powell and Emeric Pressburger formed the greatest creative partnership in the history of British Cinema - The Archers. Their films were often controversial: Churchill tried to suppress the release of The Life and Death of Colonel Blimp. Later, The Red Shoes and The Tales of Hoffman startled and enchanted cinema audiences with their use of colour, form and music. In the last ten years the magic, poetry and passion of their work has been acknowledged around the world and they are firmly in the pantheon of film mastersNotes: Originally published : London : Waterstone, 1985; Includes bibliographical references (p. [117]-119) and index; Filmography (p. [120]-157)ISBN: 0571162711 (pbk)LON: 10846724
More info
title clippings file
ARTISTEN IN DER ZIRKUSKUPPEL: RATLOS DIE : (GW, Alexander Kluge, 1968)
More info
book
Australian animation : an international history / Dan Torre & Lienors Torre Cham, Switzerland: Palgrave Macmillan,
Call No: 246(94) TORAuthor: Torre, Dan ; Torre, Lienors Edition: 2018Place: Cham, SwitzerlandPublisher: Palgrave MacmillanPhysDes: xii, 260 pages : illustrated ; 22 cmSubject: ANIMATED FILMS. AUSTRALIA ; ANIMATION. AUSTRALIA ; FELIX THE CAT ; PORTER, ERIC ; HANNA-BARBERA ; MCLAREN ANGUS ; PETTY, BRUCE ; STITT, ALEX ; TUPICOFF, DENNIS ; MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972) ; DOT AND THE KANGAROO (AT, Yoram Goss, 1977) ; GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981) ; LOST THING, THE (AT/UK, Andrew Ruhemann/Shaun Tan, 2010) Summary: This book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide-range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variety of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews this book illuminates, for the first time, the breadth and richness of Australia’s animation history. -- publisher's web siteISBN: 9783319954912
More info
book
Battleship Potemkin ; October and Alexander Nevsky / by Sergei Eisenstein ; edited by Jay Leyda ; translated by Diana Matias London: Lorrimer Pub., 1974.
Call No: 792 EISAuthor: Eisenstein, Sergei, 1898-1948 ; Leyda, Jay, 1910 Place: LondonPublisher: Lorrimer Pub.PubDate: 1974PhysDes: 189 p. : ill. ; 20 cmSubject: BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) Notes: Director's shooting scriptsISBN: 0856470384; 0856470406(pbk.)LON: 263889
More info
title clippings file
BEACH FEVER : (AT, Alexander Tabrizi, 1987)
More info
title clippings file
BEG : UR, Alexander Alov and Vladimir Naumov, 1971
More info
Interim
book
The best American movie writing 1999 / edited by Peter Bogdanovich New York: St. Martin's, 1999.
Call No: 67(04) BESPlace: New YorkPublisher: St. Martin'sPubDate: 1999PhysDes: 280 p.Subject: WOMEN IN FILMS ; RELIGION AND THE CINEMA ; ADAPTATIONS ; HISTORY OF CINEMA. SOUND PERIOD ; ETHNIC GROUPS IN FILMS ; GAZE IN FILMS ; FAMILY IN FILMS ; WAR FILMS ; BOORMAN, JOHN ; FRANKENHEIMER, JOHN ; SINATRA, FRANK ; FORD, JOHN ; THOMPSON, KAY ; YASUJIRO OZU ; MANGOLD, JAMES ; RISKIN, ROBERT ; SPIELBERG, STEVEN ; SCORSESE, MARTIN ; SARRIS, ANDREW ; MCCAREY, LEO ; BOGDANOVICH, PETER ; CAPRA, FRANK ; VIDAL, GORE ; DOVE, BILLIE ; GRANT, CARY ; BURNETT, CHARLES ; HAPPINESS (US, Todd Solondz, 1998) ; SEARCHERS, THE (US, John Ford, 1956) ; EVE'S BAYOU (US, Kasi Lemons, 1997) ; TOUCH OF EVIL (US, Orson Welles, 1958) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; GENERAL, THE (UK, John Boorman, 1998) ; RONIN (US, John Frankenheimer, 1998) ; STARDUST MEMORIES (US, Woody Allen, 1980) ; TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932) ; RED RIVER (US, Howard Hawks, 1948) ; DETOUR (US, Edgar G. Ulmer, ,1946) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; LADY EVE, THE (US, Preston Sturges, 1941) ; M (G, Fritz Lang, 1931) ; WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) ISBN: 0312244832ID2: 291
More info
book
Black cinema treasures : lost and found / by G. William Jones ;foreword by Ossie Davis Denton: University of North Texas, 1991.
More info
book
British cinema, past and present / edited by Justine Ashby and Andrew Higson London New York, NY: Routledge, 2000.
Call No: 71(41) BRIAuthor: Higson, Andrew ; Ashby, Justine Source: UKPlace: London New York, NYPublisher: RoutledgePubDate: 2000PhysDes: xx, 385 p. : ill. ; 24 cmSubject: ASKEY, ARTHUR ; ASSOCIATED BRITISH PICTURE CORPORATION ; AUDIENCES. UK ; BAKER, ROY WARD ; BRASSED OFF (UK, Mark Herman, 1996) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BOX, BETTY E. ; EALING STUDIOS ; GREENAWAY, PETER ; JARMAN, DEREK ; KEILLER, PATRICK ; PEEPING TOM (UK, Michael Powell, 1960) ; PRIVATE LIFE OF HENRY VIII, THE (UK, Alexander Korda, 1933) ; RADIO PARADE OF 1935 (UK, Arthur Woods, 1934) ; UNITED KINGDOM Notes: Includes bibliographical references (p. 354-369) and indexISBN: 0415220610 (alk. paper); 0415220629 (pbk. : alk. paper); 0415220610 (hc : alk. paper)LON: 21262622
More info
personality microfilm collection
BROWN, BARRY ALEXANDER
More info
title clippings file
CELOVEC NEVIDIMKA : (UR, Alexander Zakharov, 1985)
More info
book
Charmed lives : a family romance / Michael Korda New York: Random House, 1979.
Call No: 81KOR KORAuthor: Korda, Michael Edition: 1st edPlace: New YorkPublisher: Random HousePubDate: 1979PhysDes: 498 p., [16] leaves of plates : ill. ; 24 cmSubject: KORDA, ALEXANDER Notes: Includes indexISBN: 0394419545 : $15.00LON: 79004762; 1423960
More info
book
Charmed lives : a family romance / Michael Korda Harmondsworth, Middlesex ; Ringwood, Vic: Penguin, 1980.
Call No: 802.25 KOR KOR; 2 copiesAuthor: Korda, Michael Source: UKPlace: Harmondsworth, Middlesex ; Ringwood, VicPublisher: PenguinPubDate: 1980PhysDes: 498p. : ill. ; 20cmSubject: KORDA, ALEXANDER ISBN: 0140054022Donation: donated by the family of Wayne Levy, 2006
More info
book
Cinema in the Federal Republic of Germany : the new German film, origins and present situation : a handbook / Hans GFunther Pflaum, Hans Helmut Prinzler ; [translation, Timothy Nevill] Bonn: Inter Nationes, 1983.
Call No: 71(430.1) PFLAuthor: Pflaum, Hans GFunther ; Prinzler, Hans Helmut Place: BonnPublisher: Inter NationesPubDate: 1983PhysDes: 180 p. : ill. ; 21 cmSubject: GERMANY ; GERMAN FEDERAL REPUBLIC ; DIRECTORS. GERMANY ; ACHTERNBUSCH, HERBERT ; ACKEREN, ROBERT VAN ; FASSBINDER, RAINER WERNER ; GEISSENDORFER, HANS W. ; HERZOG, WERNER ; KLUGE, ALEXANDER ; WILDENHAHN, KLAUS ; ZIEWER, CHRISTIAN ; SCHROETER, WERNER ; STRAUB, JEAN-MARIE ; THOME, RUDOLPH ; SANDER, HELKE ; SCHILLING, NIKLAUS ; NEKES, WERNER ; COSTARD, HELLMUTH ; HAUFF, REINHARD ; LILIENTHAL, PETER ; OTTINGER, ULRIKE ; PETERSEN, WOLFGANG ; PRAUNHEIM, ROSA VON ; SANDERS-BRAHMS, HELMA ; SCHLONDORFF, VOLKER ; SYBERBERG, HANS JURGEN ; TROTTA, MARGARETHE VON ; Wenders, Wim Notes: Translation of: Film in der Bundesrepublik Deutschland; Bibliography: p. 179LON: 3594169
More info
book
A cinema without walls : movies and culture after Vietnam / Timothy Corrigan London: Routledge, 1991.
Call No: 626(73) CORAuthor: Corrigan, Timothy, 1951 Place: LondonPublisher: RoutledgePubDate: 1991PhysDes: x, 258 p. : ill. ; 23 cmSubject: HEAVEN'S GATE (US, Michael Cimino, 1980) ; PLATOON (US, Oliver Stone, 1986) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) ; BLUE VELVET (US, David Lynch, 1986) ; CHOOSE ME (US, Alan Rudolph, 1984) ; AFTER HOURS (US, Martin Scorsese, 1985) ; COPPOLA, FRANCIS FORD ; KLUGE, ALEXANDER ; RUIZ, RAUL ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BADLANDS (US, Terrence Malick, 1973) ; PARIS, TEXAS (GW/FR, Wim Wenders, 1984) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; THIRD GENERATION, THE (GW, Rainer Werner Fassbinder, 1979) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; IN EINEM JAHR MIT 13 MONDEN (GW, Rainer Werner Fassbinder, 1979) ; DRITTE GENERATION, DIE (GW, Rainer Werner Fassbinder, 1979) Notes: Includes index; Bibliography: p. [233]-250ISBN: 0415071348 (pbk.) : ª9.99; 041507133X (cased) : ª35.00LON: bnb41507133; 8595450
More info
title clippings file
CITIZEN RUTH : (US, Alexander Payne, 1996)
More info
book
Close up : great cinematic performances. Volume 1, American / edited by Murray Pomerance and Kyle Stevens UK: Edinburgh University Press, 2018.
Call No: 227.01(73) CLOPlace: UKPublisher: Edinburgh University PressPubDate: 2018Series: International film starsSubject: ACTORS ; CHARACTER ACTORS ; STARS ; WOMEN IN FILMS. USA ; WATERS, ETHEL ; DUNNE, IRENE ; GRANT, CARY ; GAYNOR, JANET ; HEPBURN, KATHARINE ; DAVIS, BETTE ; CLIFT, MONTGOMERY ; CURTIS, TONY ; SELLERS, PETER ; Stewart, James ; Lombard, Carole ; MASON, JAMES ; BURTON, RICHARD ; LEWIS, JERRY ; POITIER, SIDNEY ; HACKMAN, GENE ; ROWLANDS, GENA ; NICHOLSON, JACK ; HOFFMAN, DUSTIN ; GOULD, ELLIOTT ; PACINO, AL ; GOLDBERG, WHOOPI ; BLANCHETT, CATE ; ISAAC, OSCAR ; STEWART, KRISTEN ; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014) ; MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014) ; BLUE JASMINE (US, Woody Allen, 2013) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; DONNIE BRASCO (US, Mike Newell, 1997) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; RAIN MAN (US, Barry Levinson, 1988) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; GLORIA (US, John Cassavetes, 1980) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965) ; PINK PANTHER, THE (US, Blake Edwards, 1964) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; LOLITA (US, Stanley Kubrick, 1962) ; TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942) ; VERTIGO (US, Alfred Hitchcock, 1958) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; HIS GIRL FRIDAY (US, Howard Hawks, 1940) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952) ; DANGEROUS (US, Alfred E. Green, 1935) ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) Summary: "Examines the significance of women's participation in popular genres.
Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover.Notes: Includes bibliographical references and index.ISBN: 9781474417006Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success.
Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index.ID2: 362
More info
title clippings file
COAL QUESTION, THE : (AT, Nick Alexander [producer], 1982)
More info
book
Contemporary New Zealand cinema : : from new wave to blockbuster / edited by Ian Conrich and Stuart Murray London: I.B. Tauris, 2008.
Call No: 71 (931) NEWAuthor: Conrich, Ian (ed) ; Murray, Stuart(ed) Place: LondonPublisher: I.B. TaurisPubDate: 2008PhysDes: xiv, 273 p. : ill. ; 24 cmSeries: I.B Taruris world cinema seriesSubject: FEMINISM AND THE CINEMA ; FESTIVALS. NEW ZEALAND ; MAORI CINEMA ; MASCULINITY IN FILMS ; NEW ZEALAND FILM COMMISSION ; NEW ZEALAND IN FILMS ; REALISM IN FILMS ; RELIGION IN FILMS ; BARCLAY, BARRY ; CAMPION, JANE ; CURTIS, CLIFF ; DUFF, ALAN ; DONALDSON, ROGER ; DENNIS, JONATHAN ; Grierson, John ; JACKSON, PETER (NZ) ; LAWRENCE, BRUNO ; MUNE, IAN ; MURPHY, GEOFFREY ; LANGE, DAVID ; MACLEAN, ALISON ; MITA, MERATA ; MORRIESON, RONALD HUGH ; MORRISON, TEMUERA ; MULDOON, ROBERT ; NEILL, SAM ; PRESTON, GAYLENE ; SARGESTON, FRANK ; SARKIES, ROBERT ; TAMAHORI, LEE ; WARD, VINCENT ; BAISE-MOI (FR, Virginie Despentes, 2000) ; BRAINDEAD (NZ, Peter Jackson, 1992) ; CAME A HOT FRIDAY (NZ, Ian Mune, 1985) ; CHANNELLING BABY (NZ, Christine Parker, 1999) ; CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995) ; CRUSH (NZ, Alison MacLean, 1992) ; DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993) ; END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991) ; GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000) ; JUBILEE (NZ, Michael Hurst, 2000) ; LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003) ; MAGIK AND ROSE (NZ, Vanessa Alexander, 1999) ; NGATI (NZ, Barry Barclay, 1987) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PIANO, THE (AT, Jane Campion, 1993) ; PRICE OF MILK, THE (NZ, Harry Sinclair, 2000) ; QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985) ; RAIN (NZ, Christine Jeffs, 2001) ; SAVING GRACE (NZ, Costa Botes, 1997) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; SCARFIES (NZ, Robert Sarkies, 1999) ; SKIN DEEP (NZ, Geoff Steven, 1978) ; SNAKESKIN (NZ, Gillian Ashurst, 2001) ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; SMASH PALACE (NZ, Roger Donaldson, 1981) ; TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997) ; UTU (NZ, Geoffrey Murphy, 1983) ; VIGIL (NZ, Vincent Ward, 1984) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKETNotes: Filmography: p.[239]-253
Bibliography: p. 255- 258; Includes indexISBN: 9781845118372
More info
book
A critical history of the British cinema / [by] Roy Armes London: Secker and Warburg, 1978.
Call No: 71(41) ARMAuthor: Armes, Roy, 1937 Place: LondonPublisher: Secker and WarburgPubDate: 1978PhysDes: [9], 374 p. : ill., ports ; 22cmSeries: Cinema twoSubject: UNITED KINGDOM ; FREE CINEMA ; RANK ORGANISATION ; KORDA, ALEXANDER ; Grierson, John ; JENNINGS, HUMPHREY ; BALCON, MICHAEL ; Powell, Michael ; DICKINSON, THOROLD ; LOSEY, JOSEPH ; KUBRICK, STANLEY ; RUSSELL, KEN ; LOACH, KENNETH ; WATKINS, PETER Notes: Bibl.: p.345-355. - IndexISBN: 0436018020; 0436018039 (Pbk)LON: 2723294
More info
title clippings file
DEUTSCHLAND IM HERBST : (GW, Alf Brustellin & Bernhard Sinkel & Rainer Werner Fassbinder & Alexander Kluge & Beate Mainka-Jellinghaus & Maximiliane Mainka & Peter Schubert & Edgar Reitz & Katja Rupe & Hans Peter Cloos & Volker Schlondorff, 1978)
More info
title clippings file
DOWNSIZING : (US, Alexander Payne, 2017)
More info
Old collection
book
Eisenstein / by Yon Barna ; with a foreword by Jan Leyda London: Secker & Warburg, 1973.
Call No: 5177Author: Barna, Yon Source: UKPlace: LondonPublisher: Secker & WarburgPubDate: 1973PhysDes: 287 p. : ill. ; 22 cmSubject: BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) Notes: Translation of Serghei Eisenstein.
Includes bibliographical references and indexISBN: 0436097036Language: English
More info
book
Eisenstein on the audiovisual : the montage of music, image and sound in cinema / Robert Robertson London: I.B. Tauris, 2009.
More info
title clippings file
ELECTION : (US, Alexander Payne, 1999)
More info
book
The elements of cinema : toward a theory of cinesthetic impact / Stefan Sharff New York: Columbia University Press, 1982.
Call No: 623.1 SHAAuthor: Sharff, Stefan Place: New YorkPublisher: Columbia University PressPubDate: 1982PhysDes: 187 p. : ill. ; 24 cmSubject: AESTHETICS ; IMAGE ANALYSIS ; ALEKAN, HENRI ; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) ; BIRDS, THE (US, Alfred Hitchcock, 1963) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; VIVA ZAPATA (US, Elia Kazan, 1952) ; WAGON MASTER (US, John Ford, 1950) ; RED RIVER (US, Howard Hawks, 1948) ; RIO BRAVO (US, Howard Hawks, 1959) Notes: Includes bibliographical references and indexISBN: 0231054769; 0231054777 (pbk.)LON: 82004268; 2200482
More info
journal article
Embassy Pictures acquires Ingmar Bergman's "Fanny and Alexander" in Australasian Cinema (25/2/1983) vol.12 iss.3 p.2
More info
title clippings file
EMMETT STONE : (AT, Elizabeth Alexander, 1985)
More info
script
Emmett Stone : script / by Michael Gurr c1984.
More info
journal article
Eqipaj in Variety (June 18 1980) p.24
More info
book
Experimenta : Australia's first national exhibition of art film and video : Melbourne, Nov. 18th-27th, 1988 / presented by Modern Image Makers Association Inc. (MIMA) Melbourne: MIMA, 1988.
Call No: 771(94) MODAuthor: Modern Image Makers Association Source: ATPlace: MelbournePublisher: MIMAPubDate: 1988PhysDes: 48 p. ; 30 cmSubject: ART AND THE CINEMA ; ART CINEMA. AUSTRALIA ; EXHIBITION. AUSTRALIA ; EXPERIMENTAL FILMS. AUSTRALIA ; MONDO FILMS ; MARTIN, ADRIAN ; CANTRILL, ARTHUR & CORINNE ; GIBSON, ROSS ; ALEXANDER, GEORGE Summary: Program for the Experimenta exhibition 1988. Includes short essays from various performers and presenters as well as the list of exhibits and exhibiting artistsNotes: State Film Theatre, City Gallery, 200 Gertrude Street Gallery, Australian Centre for Contemporary Art, National Gallery of VictoriaISBN: 731641730Contents: Experimenta Program -- Theatrical -- Performance -- Installation -- Seminars; Project: last written words -- Hello comrade: Adrian Martin -- Last and first words: Fiona Mackie -- Some thoughts on the practice of film as art in Australia: Arthur Cantrill -- I used to speak French: Ross Gibson -- Against the grain: Kris Hemensley -- Mondo video: George Alexander --; Exhibiting artists; Experimenta at a glance
More info
journal article
Fanny and Alexander in News (January 1983) vol.5 iss.94
More info
journal article
Fanny and Alexander in News (November 1981) vol.3 iss.70
More info
journal article
Fanny and Alexander in News (December 1980) vol.2 iss.51
More info
title clippings file
FANNY OCH ALEXANDER : (SW/FR/GW, Ingmar Bergman, 1982)
More info
book
Film : a montage of theories N.Y.: Dutton, 1966.
Call No: 62 MACAuthor: MacCann, Richard Dyer Edition: 1st edPlace: N.Y.Publisher: DuttonPubDate: 1966PhysDes: 384 p. : movie stills ; 18 cmSubject: THEORY ; AESTHETICS ; DOCUMENTARIES ; CINEMASCOPE ; NEOREALISM ; PUDOVKIN, VSEVELOD ; CLAIR, RENE ; HITCHCOCK, ALFRED ; KNOX, ALEXANDER ; NICHOLS, DUDLEY ; BERGMAN, INGMAR ; BALAZS, BELA ; SENNETT, MACK ; VORKAPICH, SLAVKO ; RICHTER, HANS ; Grierson, John ; ZAVATTINI, CESARE ; KRACAUER, SIEGFRIED ; ROEMER, MICHAEL ; BACHMANN, GIDEON ; DREW, ROBERT ; LEACOCK, RICHARD ; PENNEBAKER, D. A. ; DREYER, CARL TH. ; VANDERBEEK, STAN ; MEKAS, JONAS ; KAEL, PAULINE ; TRUFFAUT, FRANCOIS ; Fellini, Federico ISBN: 0525471812LON: 21441213
More info
book
Film fables / Jacques Rancier ; translated by Emiliano Battista New York: Berg Publishers, 2006.
Call No: 63 RANAuthor: Rancier, Jacques ; Battista, Emiliano Source: FR/USPlace: New YorkPublisher: Berg PublishersPubDate: 2006PhysDes: viii, 196 pages ; 24 cmSubject: AESTHETICS ; ART AND THE CINEMA ; ART CINEMA ; AUTEUR THEORY ; CINEMATOGRAPHY ; DOCUMENTARY FILMS ; HISTORY AND THE CINEMA ; HISTORY OF CINEMA ; NARRATIVE IN FILMS ; PHILOSOPHY AND THE CINEMA ; SYMBOLISM IN FILMS ; BRESSON, ROBERT ; DELEUZE, GILLES ; EPSTEIN, JEAN ; EISENSTEIN, SERGEI M. ; GODARD, JEAN-LUC ; HITCHCOCK, ALFRED ; LANG, FRITZ ; MANN, ANTHONY ; MARKER, CHRIS ; MEDVEKIN, ALEXANDER ; MURNAU, FRIEDRICH WILHELM ; YASUJIRO OZU ; RAY, NICHOLAS ; ROSSELLINI, ROBERTO ; VERTOV, DZIGA ; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; FAUST (G, Friedrich Wilhelm Marnau, 1926) ; WHILE THE CITY SLEEPS (US, Fritz Lang, 1955) Summary: "Film Fables traces the history of modern cinema, moving effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema and Marker's documentaries."Notes: Includes indexISBN: 9781845201685ID2: 291
More info
book
Film propaganda : Soviet Russia and Nazi Germany / Richard Taylor London: Croom Helm, 1979.
Call No: 411.1 TAYAuthor: Taylor, Richard, 1946- Source: UKPlace: LondonPublisher: Croom HelmPubDate: 1979PhysDes: 265 pages , plates : illustrations, portaits : 23 cmSubject: PROPAGANDA FILMS. USSR ; PROPAGANDA FILMS. GERMANY ; NAZIS IN FILMS ; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) Summary: "Lenin, Stalin, Trotsky, Hitler and Goebbels shared a common interest in film: they all regarded the cinema as the most important weapon at their dispodal for mass polical propaganda. This book examins the methods that they used and suggests some tentative lessons that we may draw from their experience" -- taken from inside sleeveNotes: Index ; Bibliography: p. 238-257ISBN: 0856640999Donation: Henry Mayer CollectionContents: Acknowledgements -- Note -- Part One: Introduction -- Preface -- Propaganda and Film -- Part Two: Soviet Russia -- Russia: The Historical Background -- Russa: The Needs of Revolution -- Russia: Themes and Variations -- Mother -- October -- Three Songs of Lenin -- Alexander Nevsky -- Part Three: Nazi Germany -- Germany: The Historical Background -- Germany: The Needs of Revolution -- Germany: Themes and Variations -- Triumph of the Will -- The Wandering Jew -- Uncle Kruger -- Kolberg -- Conclusions -- Filmography -- Bibliography -- Conclusions
More info
serial
Films : a quarterly of discussion and analysis New York: Arno Press, 1968.
Call No: held Vol. 1, no. 1 (Nov. 1939)-v. 1, no. 4 (Winter 1940) - completeSource: USPlace: New YorkPublisher: Arno PressPubDate: 1968Subject: DOCUMENTARY FILMS ; SOUND ; MUSIC IN FILMS ; STATE AND THE CINEMA. USA ; STATE AND THE CINEMA. CANADA ; STATE AND THE CINEMA. BRAZIL ; STATE AND THE CINEMA. MEXICO ; TRADE UNIONS. USA ; POTAMKIN, HARRY ALAN ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; FANTASIA (US, Walt Disney, 1940) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; SHCHORS (UR, Alexander Dovzhenko, 1939) ; CONFESSIONS OF A NAZI SPY (US, Anatole Litvak, 1939) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937) Notes: Reprint. Originally published : New York : Kamin Publishers.
More info
Old collection
book
Films in 1951 : a special publication on British films and film-makers for the Festival of Britain London: Published by Sight & Sound for the British Film Institute, [1951].
Call No: 71(41) FILCorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: Published by Sight & Sound for the British Film InstitutePubDate: [1951]PhysDes: 72 p. illus. 28 cmSubject: RANK ORGANISATION ; CENSORSHIP. UK ; CHILDREN, FILMS FOR. UK ; SOCIETIES, FILM. UNITED KINGDOM ; AMATEUR FILMS. UK ; FESTIVALS. EDINBURGH ; EDUCATION, FILM. UK ; INDUSTRY, FILM. UK ; KORDA, ALEXANDER ; EALING STUDIOS ; REED, CAROL ; CLARKE, T E B ; CARDIFF, JACK ; HARRIS, JACK ; OLIVIER, LAURENCE ; ALWYN, WILLIAM ; HOBSON, VALERIE ; BALCON, MICHAEL ; Grierson, John Summary: Focuses on a number of different films, people, and areas within the British film industry at the time of publication.Notes: Includes list of film companies and studios -; Includes list of distribution and exhibition companies -; Includes list of production organisations -; Includes bibliography
More info
book
French film : texts and contexts / edited by Susan Howard and Ginette Vincendeau London: Routledge, 2000.
Call No: 71(44) FREAuthor: Hayward, Susan, 1945 ; Vincendeau, Ginette, 1948 Edition: 2nd edPlace: LondonPublisher: RoutledgePubDate: 2000PhysDes: xvii, 348 p. : ill., ports. ; 25 cmSubject: FRANCE ; PAGNOL, MARCEL ; MARIUS (FR, Alexander Korda/Marcel Pagnol, 1931) ; FANNY (FR, Marc Allegret, 1932) ; CESAR (FR, Marcel Pagnol, 1936) ; BETE HUMAINE, LA (FR, Jean Renoir, 1938) ; JOUR SE LEVE, LE (FR, Marcel Carne, 1939) ; ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945) ; VACANCES DE M. HULOT, LES (FR, Jacques Tati, 1953) ; CASQUE D'OR (FR, Jacques Becker, 1952) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963) ; SAMOURAI, LE (FR/IT, Jean-Pierre Melville, 1967) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; VALSEUSES, LES (FR, Bertrand Blier, 1974) ; LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974) ; NUITS DE LA PLEINE LUNE, LES (FR, Eric Rohmer, 1984) ; SANS TOIT NI LOI (FR, Agnes Varda, 1985) ; CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990) ; NIKITA (FR/IT, Luc Besson, 1990) ; HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995) ; CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936) ; AIR DE PARIS, L' (FR, Marcel Carne, 1954) ; COUP DE FOUDRE (FR, Diane Kury, 1983) Notes: Previous ed.: 1990; Includes index; BibliographyISBN: 0415161177 : ª45.00; 0415161185(pbk.) : ª13.99LON: 21217432
More info
book
From Hitler to Heimat : the return of history as film / Anton Kaes Cambridge, Mass.: Harvard University Press, 1989.
Call No: 744(=924)(430) KAEAuthor: Kaes, Anton Place: Cambridge, Mass.Publisher: Harvard University PressPubDate: 1989PhysDes: xiii, 273 p. : ill. ; 25 cmSubject: GERMANY ; NATIONAL CULTURE AND THE CINEMA. GERMANY ; NATIONAL IDENTITY IN FILMS. GERMANY ; MYTH AND THE CINEMA. GERMANY ; HEIMAT FILMS ; GENOCIDE IN FILMS ; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979) ; PATRIOTIN, DIE (GW, Alexander Kluge, 1979) ; DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) ; HEIMAT: A CHRONICAL OF GERMANY [HEIMAT: EINE DEUTSCHE CHRONIK] [TV] (GW, Edgar Reitz, 1984) ; HEIMAT: A CHRONICAL OF GERMANY [HEIMAT: EINE DEUTSCHE CHRONIK] [TV] (GW, Edgar Reitz, 1984) Notes: Rev. and enl. translation of: Deutschlandbilder; Includes indexISBN: 0674324552 (alk. paper)LON: 6295319
More info
title clippings file
GELEGENHEITSARBEIT EINER SKLAVIN : (GW, Alexander Kluge, 1973)
More info
book
German film & literature : adaptations and transformations / edited by Eric Rentschler New York: Methuen, 1986.
Call No: 71(430) GERAuthor: Rentschler, Eric Place: New YorkPublisher: MethuenPubDate: 1986PhysDes: x, 385 p. : ill. ; 24 cmSubject: GERMANY ; ADAPTATIONS. GERMANY ; STUDENT VON PRAG, DER (G, Stellan Rye, 1913) ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929) ; BLAUE ENGEL, DER (G, Josef von Sternberg, 1930) ; LIEBELEI (G, Max Ophuls, 1933) ; LEBENZEICHEN (GW, Werner Herzog, 1968) ; LOTTE IN WEIMAR (GE, Egon Gunther, 1975) ; LINKSHANDIGE FRAU, DIE (GW, Peter Handke, 1977) ; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979) ; DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) ; BERLIN ALEXANDERPLATZ (GW/IT, Rainer Werner Fassbinder, 1980) ; HISTORY LESSONS [GESCHICHTSUNTERRICHT / LECONS D'HISTOIRE] (GW/IT, Jean-Marie Straub/Daniele Huillet, 1972) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; HAUPTMANN VON KOPENICK, DER (GW, Helmut Kautner, 1956) ; JUNGE TORLESS, DER (GW, Volker Schlondorff, 1966) ; WOZZECK (G, Georg C. Klaren, 1947) ; UNTERTAN, DER (GE, Wolfgang Staudte, 1951) ; FRAULEIN VON BARNHELM, DAS (G, Hans Schweikart, 1940) ; ZERBROCHENE KRUG, DER (G, Gustav Ucicky, 1937) Notes: Includes index; Bibliography: p. [366]-378ISBN: 0416603416 (pbk.); 0416603319LON: 4216378
More info
personality microfilm collection
GODUNOV, ALEXANDER
More info
journal article
Good girls go to Paris in Films In Review (Mar 1979)
More info
title clippings file
GORI GORI MOJA ZVEZDA : (UR, Alexander Mitta, 1969)
More info
title clippings file
GORI GORI MOJA ZVEZDA : (UR, Alexander Mitta, 1969)
More info
journal article
Grendel: bonhomie and innocence in Theatre Australia (Jun 1981) vol.5 iss.10 p.32
More info
script
Grendel Grendel Grendel : post-production script [1981?].
More info
title clippings file
GRENDEL, GRENDEL, GRENDEL : (AT, Alexander Stitt, 1981)
More info
book
Grendel, Grendel, Grendel / Alexander Stitt Ringwood, Vic :: Penguin Books,, 1981..
Call No: 79GRE STIAuthor: Stitt, Alexander Source: ATPlace: Ringwood, Vic :Publisher: Penguin Books,PubDate: 1981.PhysDes: 92] p. : col. ill. ; 15 x 20 cm.Series: Cover subtitle: The book of the animated feature film.
Screenplay by Alexander Stitt, based on the novel: Grendel/ by John Gardner.Subject: GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981) ISBN: 0140059377Donation: donated by the family of Wayne Levy, 2006
More info
journal article
Grendel, Grendel, Grendel in Metro (Winter 1981) vol.56 p.64-66
More info
book
Grendel Grendel Grendel : animating Beowulf / Dan Torre and Lienos Torre New York: Bloomsbury Academic, 2021.
Call No: 79 GRE TORAuthor: Torre, Dan ; Torre, Lienos Edition: 2023Place: New YorkPublisher: Bloomsbury AcademicPubDate: 2021PhysDes: 216 pages : illustrations ; 23 cm.Subject: GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981) ; BEOWULF (US, Graham Baker, 1999) ; BEOWULF (US, Robert Zemeckis, 2007) Summary: This open access study of the film Grendel Grendel Grendel, directed by Alexander Stitt, presents it as a masterpiece of animation and design which has attained a national and international cult status since its release in 1981. The film, based on the novel, Grendel, by John Gardner, is a loose adaptation of the Beowulf legend, but told from the point of view of the monster, Grendel. Grendel Grendel Grendel is a mature, intelligent, irreverent and quite unique animated film - it is a movie, both in terms of content and of an aesthetic that was well ahead of its time. Along with a brief overview of Australian animation and a contextualization of where this animated feature fits within the broader continuum of Australian (and global) film history, Dan Torre and Lienors Torre provide an intriguing analysis of this significant Australian animated feature. -- publisher's web siteISBN: 9781501381119Contents: List of Illustrations -- Acknowledgements -- Introducing Grendel -- Chapter One: The Genealogy of Grendel -- Chapter Two: Scenes of Grendel Grendel Grendel -- Chapter Three: Themes of Grendel Grendel Grendel -- Chapter Four: Making of Grendel Grendel Grendel -- Chapter Five: Aesthetics of Grendel Grendel Grendel -- Chapter Six: Grendel'll Get You -- Concluding Grendel -- A Guide to Further Research -- Bibliography -- Filmography -- Index
More info
still
[Grendel, grendel, grendel : stills file]
More info
book
The Guardian international film guide 2005 : the definitive annual review of world cinema / edited by Daniel Rosenthal; founding editor Peter Cowie London: Button, 2005.
Call No: REFERENCE SECTION; 058 INT "2005"Edition: 42nd ed.Place: LondonPublisher: ButtonPubDate: 2005PhysDes: 432 p. : col. ill. ; 24 cm.Subject: PERIODICALS, FILM ; INDUSTRY, FILM ; DOCUMENTARIES ; KI-DUK, KIM ; LEIGH, MIKE ; MORRIS, ERROL ; PAYNE, ALEXANDER ; ZELENKA, PETR Summary: Includes articles on directors of the year, features on documentary cinema, a round-up of DVDs and books, a survey of film production in each country, and directories of festivals and organisations around the world.Notes: Other title: International film guide 2005ISBN: 0954876601
More info
still
[Hammers over the anvil : stills file]
More info
journal article
Her Private Life in Films in Review (April 1979) p.207
More info
book
A history of the New Zealand fiction feature film / Bruce Babington Manchester: Manchester University Press, 2007.
Call No: 71(93) BABAuthor: Babington, Bruce Source: UKPlace: ManchesterPublisher: Manchester University PressPubDate: 2007PhysDes: x, 290 p. : ill. ; 24 cmSubject: TORR, OLIVER ; DONALDSON, ROGER ; REID, JOHN ; PRESTON, GAYLENE ; CAMPION, JANE ; WARD, VINCENT ; JACKSON, MICHAEL ; JACKSON, PETER (NZ) ; CARO, NIKI ; ADVENTURES IN MAORILAND: ALEXANDER MACKEY AND THE MAKING OF 'HEI TIKI' (NZ, Geoff Steven, 1981) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; BAD BLOOD (NZ, Mike Newell, 1981) ; BRAINDEAD (NZ, Peter Jackson, 1992) ; BROKEN BARRIER (NZ, Roger Mirams & John O'Shea, 1952) ; CAME A HOT FRIDAY (NZ, Ian Mune, 1985) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; IN MY FATHER'S DEN (NZ/UK, Brad McGann, 2004) ; JACK BE NIMBLE (NZ, Garth Maxwell, 1993) ; LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003) ; NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; SOLO (NZ/AT, Tony Williams, 1978) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) Summary: The is a comprehensive account of the New Zealand feature film from its beginnings, in 1912 to now, when New Zealand films are recognised internationally [Taken from the back of the book.]Notes: Bibliography: p 279-282; Filmography: p.272-278; Includes indexISBN: 9780719075414(hbk.); 9780719075421(pbk.)Contents: 1 -- Introduction: the New Zealand fiction feature film: the history, theory, practice -- 2. Forgotten nitrate: feature film-making in New Zealand 1912-1940 -- 3. Fifty years a pioneer: the cinema of Rudall Hayward 1921-1972 -- 4. Sustaining the dream: the age of O'Shea -- 5. Living white males: New Zealand cinema 1975-1985 -- 6. 'World famous in New Zealand': contemporary cinema 1986-2005 -- 7. Wandering stars: New Zealand cinema on the world screen - Vincent Ward, Peter Jackson, Jane Campion
More info
book
Imagined landscapes : geovisualizing Australian spatial narratives / Jane Stadler, Peta Mitchell and Stephen Carleton Bloomington: Indiana University Press, 2016.
Call No: 756(94) STAAuthor: Stadler, Jane -- Mitchell, Peta -- Carleton, Stephen Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: 2016PhysDes: x, 226 pages ; 23 cmSeries: The spatial humanitiesSubject: ABORIGINAL AUSTRALIANS IN FILMS ; LANDSCAPES IN FILMS. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA: NEW SOUTH WALES ; LOCATION SHOOTING. AUSTRALIA: VICTORIA ; LOCATION SHOOTING. AUSTRALIA: WESTERN AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA: TASMANIA ; LOCATION SHOOTING. AUSTRALIA: NORTHERN TERRITORY ; CULTURE AND THE CINEMA. AUSTRALIA ; CRIMINALS IN FILMS. AUSTRALIA ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; DAWN, NORMAN ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; LAST CONFESSION OF ALEXANDER PEARCE, THE (AT, Michael James Rowland, 2008) ; RED DOG (AT, Kriv Stenders, 2011) ; SAMSON AND DELILAH (AT, Warwick Thornton, 2009) ; VAN DIEMEN'S LAND (AT, Jonathon Auf Der Heide, 2009) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) Summary: "Imagined Landscapes teams geocritical analysis with digital visualization techniques to map and interrogate films, novels, and plays in which Asutralian space and place figure prominently. Drawing upon A Cultural Atlas of Australia, a database-driven interactive digital map that can be used to identifu patterns of represnetation in Australia's cultural landscape, the book presents an integrated prespective on the translation of space across narraitve forms and pioneers new ways of seeing and understanding landscape" - TAKEN FROM BACK COVERISBN: 9780253018458Contents: Introduction : geocriticism's disciplinary boundaries -- Remediating space : adaptation and narrative geography -- Cultural topography and mythic space : Australia's North as gothic zone -- Spatial history : mapping narrative perceptions of place over time -- Mobility and travel narratives : geovisualizing the cultural politics of belonging to the land -- Terra incognita : mapping the uncertain and the unknown
More info
Interim
book
International film guide 1968 / edited by Peter Cowie London: Tantivy Press, 1967.
More info
book
An introduction to film studies / edited by Jill Nelmes London: Routledge, 1999.
Call No: 62 INTAuthor: Nelmes, Jill, 1954 Edition: 2nd edPlace: LondonPublisher: RoutledgePubDate: 1999PhysDes: xviii, 522 p. : ill. ; 26 cmSubject: WARNER BROS. ; STUDIO SYSTEM ; AUDIENCES ; GENRES ; DOCUMENTARY FILMS ; ANIMATION ; COMPUTERS AND THE CINEMA ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; UNITED KINGDOM ; INDIA ; USSR ; GERMANY ; NARRATIVE IN FILMS ; SPECTATORSHIP ; CENSORSHIP ; STARS ; AUTEUR THEORY ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; KULESOV, LEV ; KAPOOR, RAJ ; Ray, Satyajit ; DOVZENKO, ALEKSANDR ; SHUB, ESTHER ; FLAHERTY, ROBERT ; JENNINGS, HUMPHREY ; RIEFENSTAHL, LENI ; WISEMAN, FREDERICK ; POTTER, SALLY ; TOCCAFONDO, GIANLUIGI ; FELLOW TRAVELLER (UK/US, Philip Saville, 1990) ; DUCK AMUCK (US, Chuck Jones, 1953) ; GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987) ; COLOUR BOX, A (UK, Len Lye, 1935) ; DEADSY (UK, David Anderson, 1989) ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; JAWS (US, Steven Spielberg, 1975) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; PLATOON (US, Oliver Stone, 1986) ; MARS ATTACKS! (US, Tim Burton, 1996) ; ROBOCOP (US, Paul Verhoeven, 1987) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; IF... (UK, Lindsay Anderson, 1968) ; PULP FICTION (US, Quentin Tarantino, 1994) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; HOOP DREAMS (US, Steve James, 1994) ; WHEN WE WERE KINGS (US, Leon Gast, 1996) ; GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997) ; CREATURE COMFORTS (UK, Nick Park, 1991) ; NEIGHBOURS (US, Norman McLaren, 1952) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; VICTIM (UK, Basil Dearden, 1961) ; DESERT HEARTS (US, Donna Deitch, 1985) ; LIVING END, THE (US, Gregg Araki, 1992) ; LOOKING FOR LANGSTON (UK, Isaac Julien, 1989) ; GO FISH (US, Rose Troche, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FULL MONTY, THE (UK/US, Robert Cattaneo, 1997) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977) ; DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) Notes: Includes bibliographical references and indexISBN: 0415173094 (hb); 0415173108 (pb)LON: 14043939URL status: URL: 'http://-'
Checked: 31/08/2021 1:01:28 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
More info
book
An introduction to film studies / edited by Jill Nelmes London: Routledge, 2003.
Call No: 62 INTAuthor: Nelmes, Jill, 1954 Edition: 3rd edPlace: LondonPublisher: RoutledgePubDate: 2003PhysDes: xviii, 522 p. : ill. ; 26 cmSubject: WARNER BROS. ; STUDIO SYSTEM ; AUDIENCES ; GENRES ; DOCUMENTARY FILMS ; ANIMATION ; COMPUTERS AND THE CINEMA ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; UNITED KINGDOM ; INDIA ; USSR ; GERMANY ; NARRATIVE IN FILMS ; SPECTATORSHIP ; CENSORSHIP ; STARS ; AUTEUR THEORY ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; KULESOV, LEV ; KAPOOR, RAJ ; Ray, Satyajit ; DOVZENKO, ALEKSANDR ; SHUB, ESTHER ; FLAHERTY, ROBERT ; JENNINGS, HUMPHREY ; RIEFENSTAHL, LENI ; WISEMAN, FREDERICK ; POTTER, SALLY ; TOCCAFONDO, GIANLUIGI ; FELLOW TRAVELLER (UK/US, Philip Saville, 1990) ; DUCK AMUCK (US, Chuck Jones, 1953) ; GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987) ; COLOUR BOX, A (UK, Len Lye, 1935) ; DEADSY (UK, David Anderson, 1989) ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; JAWS (US, Steven Spielberg, 1975) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; PLATOON (US, Oliver Stone, 1986) ; MARS ATTACKS! (US, Tim Burton, 1996) ; ROBOCOP (US, Paul Verhoeven, 1987) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; IF... (UK, Lindsay Anderson, 1968) ; PULP FICTION (US, Quentin Tarantino, 1994) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; HOOP DREAMS (US, Steve James, 1994) ; WHEN WE WERE KINGS (US, Leon Gast, 1996) ; GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997) ; CREATURE COMFORTS (UK, Nick Park, 1991) ; NEIGHBOURS (US, Norman McLaren, 1952) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; VICTIM (UK, Basil Dearden, 1961) ; DESERT HEARTS (US, Donna Deitch, 1985) ; LIVING END, THE (US, Gregg Araki, 1992) ; LOOKING FOR LANGSTON (UK, Isaac Julien, 1989) ; GO FISH (US, Rose Troche, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FULL MONTY, THE (UK/US, Robert Cattaneo, 1997) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977) ; DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.ISBN: 0415173094 (hb); 0415173108 (pb)LON: 14043939
More info
title clippings file
JUST LOOKING : (US, Jason Alexander, 1999)
More info
title clippings file
KEEP NOT SILENT : (IS, Ilil Alexander, 2004)
More info
title clippings file
KHRUSTALNI BASHMACHOK : (UR, Alexander Rou & Rostislav Zakharov, 1960)
More info
book
Kiss me deadly : feminism & cinema for the moment / edited by Laleen Jayamanne Sydney: Power Publications, 1995.
Call No: 626:396 KISAuthor: Jayamanne, Laleen Place: SydneyPublisher: Power PublicationsPubDate: 1995PhysDes: 285 p. ; 22 cmSubject: FEMINISM AND THE CINEMA ; BIGELOW, KATHRYN ; RUIZ, RAUL ; MOFFATT, TRACEY ; JAYAMANNE, LALEEN ; PATRIOTIN, DIE (GW, Alexander Kluge, 1979) ; BAD TIMING (UK, Nicolas Roeg, 1980) ; NEAR DARK (US, Kathryn Bigelow, 1987) ; BLUE STEEL (US, Kathryn Bigelow, 1989) ; POINT BREAK (US, Kathryn Bigelow, 1991) ; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990) ; BEDEVIL (AT, Tracey Moffat, 1993) ; RAGING BULL (US, Martin Scorsese, 1980) ; RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948) Notes: Includes bibliographical referencesISBN: 0909952264LON: 11555393
More info
personality microfilm collection
KLUGE, ALEXANDER
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Transparency; Clippings; PublicitySubject: KLUGE, ALEXANDER
More info
book
Knowing the score : notes on film music / Irwin Bazelon New York -- Toronto -- London -- Melbourne: Van Nostrand Reinhold Co, 1975.
Call No: 634.6 BAZAuthor: Bazelon, Irwin Source: US/UK/CN//ATPlace: New York -- Toronto -- London -- MelbournePublisher: Van Nostrand Reinhold CoPubDate: 1975PhysDes: 352 pages : illustrations ; 25 cmSubject: COMPOSING ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) ; THIS SPORTING LIFE (UK, Lindsay Anderson, 1963) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; PATTON (US, Franklin J. Schaffner, 1970) ; WOMAN OF THE DUNES [SUNA NO ONNA] (JA, Hiroshi Teshigahara, 1964) ; PSYCHO (US, Alfred Hitchcock, 1960) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; VIVA ZAPATA (US, Elia Kazan, 1952) ; MIRACLE WORKER, THE (US, Paul Aaron, 1979) Summary: "Everyone knows film music exists, but few people know anything about it. And yet film music is the extra dimension that points up motivations, adds nuances, and even suggests plot developments, moods, and feelings that contradict the visual image. This book will make you aware of the affective power of music in films and how it can enhance or detract from your involvement in the film." - taken from the dust jacketNotes: Includes indexISBN: 0442205945Contents: Preface : opening music cue -- Film music and composer -- Film music : a short history -- The contemporary concert composer in films -- The technique of film scoring -- Film moments : what does music actually do? -- Closing music cue -- Personal appearances : interviews with composers [interviews with Elmer Bernstein, Leonard Rosenman, Jerry Goldsmith, John Williams, Richard Rodney Bennett, Alex North, Lalo Schifrin, Bernard Herrmann, David Raksin, Bernard Sega´ll, Laurence Rosenthal, Johnny Mandel, Paul Glass, John Barry, and Gail Kubik]
More info
personality microfilm collection
KNOX, ALEXANDER
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: KNOX, ALEXANDER
More info
personality microfilm collection
KORDA, ALEXANDER
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: KORDA, ALEXANDER
More info
title clippings file
KRIEG UND FRIEDEN : (GW, Alexander Kluge & Volker Schlondorff & Stefan Aust & Axel Engstfeld, 1983)
More info
journal article
Krieg und frieden in Kino (Export-union des Deutschen film ) vol.2 iss.83 p.xiii
More info
title clippings file
LADYKILLERS, THE : (UK, Alexander MacKendrick, 1955)
More info
title clippings file
LAST CONFESSION OF ALEXANDER PEARCE, THE : (AT, Michael James Rowland, 2008)
More info
title clippings file
LAST CONFESSIONS OF ALEXANDER PEARCE, THE : (AT, Michael James Rowland, 2008)
More info
still
[Leaving of Liverpool, the : stills file] Australian Broadcasting Corporation,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Australian Broadcasting CorporationPhysDes: 4 photographs : b&w ; 17 x 22 cmSubject: FRIELS, COLIN ; ALEXANDER, ELIZABETH ; LEAVING OF LIVERPOOL, THE [TV] (AT/UK, 1993) Summary: 4 black and white photographs of Colin Friels and Elizabeth Alexander as Roger and Jill, Christine Tremarco as Lily and her Frances Barber as her mother, Lily and Kevin Jones as Bert, children at the Star of the Sea Orphanage. Descriptions on back of photographs
More info
book
Lethal innocence : the cinema of Alexander Mackendrick / Philip Kemp ; foreword by Alec Guinness London: Methuen, 1991.
Call No: 81MAC KEMAuthor: Kemp, Philip Place: LondonPublisher: MethuenPubDate: 1991PhysDes: xviii, 298 p. : ill. ; 24 cmSubject: MACKENDRICK, ALEXANDER Notes: Filmography: p. [267]-286; Includes bibliographical references (p. [262]-266) and indexISBN: 0413649806 : ª17.99LON: bnb41364980; 7713785
More info
title clippings file
LONELY IN AMERICA : (US, Barry Alexander Brown, 1990)
More info
book
Lost highways : an illustrated history of road movies / edited by Jack Sargeant and Stephanie Watson London: Creation, 1999.
Call No: 754.11 SARAuthor: Sargeant, Jack ; Watson, Stephanie Place: LondonPublisher: CreationPubDate: 1999PhysDes: 256 p. : ill. ; 25 cmSeries: Creation cinema collection ; 15Subject: ROAD MOVIES ; WESTERNS ; MOTORCYCLE FILMS ; HORROR FILMS ; VAMPIRE FILMS ; SCIENCE-FICTION FILMS ; Wenders, Wim ; LYNCH, DAVID ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALICE IN DEN STADTEN (GW, Wim Wenders, 1973) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BACKROADS (AT, Philip Noyce, 1977) ; BADLANDS (US, Terrence Malick, 1973) ; BLUE VELVET (US, David Lynch, 1986) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BUTTERFLY KISS (UK, Michael Winterbottom, 1995) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; CRASH (CN, David Cronenberg, 1996) ; DELIVERANCE (US, John Boorman, 1972) ; EASY RIDER (US, Dennis Hopper, 1969) ; TOPO, EL (MX, Alexandro Jodorowsky, 1971) ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; GALLIVANT (UK, Andrew Kotting, 1996) ; GUN CRAZY (US, Joseph H. Lewis, 1949) ; I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949) ; KALIFORNIA (US, Dominic Sena, 1993) ; IM LAUF DER ZEIT (GW, Wim Wenders, 1976) ; KISS OR KILL (AT, Bill Bennett, 1997) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; JETEE, LA (FR, Chris Marker, 1963) ; LOST HIGHWAY (US, David Lynch, 1996) ; MAD MAX [...] (AT, 1979-85) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; NEAR DARK (US, Kathryn Bigelow, 1987) ; NIGHT OF THE HUNTER (US, Charles Laughton, 1955) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; THEY LIVE BY NIGHT (US, Nicholas Ray, 1949) ; TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995) ; TRUE ROMANCE (US, Tony Scott, 1993) ; TWO LANE BLACKTOP (US, Monte Hellman, 1971) ; VANISHING POINT (UK, Richard C. Sarafian, 1971) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; WILD AT HEART (US, David Lynch, 1990) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ISBN: 1871592682(pbk.) : ª14.95LON: 20894332
More info
personality microfilm collection
MACKENDRICK, ALEXANDER
More info
Online resource
digital clippings file
MARIUS : (FR, Alexander Korda/Marcel Pagnol, 1931) Digital clippings file available
More info
book
Marxism and film activism : Screening alternative worlds / edited by Ewa Mazierska and Lars Kristensen New York: Berghahn Books, July 2015.
Call No: 745.2 MAREdition: 2015Place: London; New YorkPublisher: Berghahn BooksPubDate: July 2015PhysDes: 290 p. : illus. ; 23 cmSubject: MEDVEKIN, ALEXANDER ; GODARD, JEAN-LUC ; MARKER, CHRIS ; STRAUB, JEAN-MARIE ; HUILLET, DANIELE ; HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1968) ; PALESTINE Notes: In Theses on Feuerbach, Marx writes, “The philosophers have only interpreted the world differently; the point is to change it.” This collection examines how filmmakers have tried to change the world by engaging in emancipatory politics through their work, and how audiences have received them. It presents a wide spectrum of case studies, covering both film and digital technology, with examples from throughout cinematic history and around the world, including Soviet Russia, Palestine, South America, and France. Discussions range from the classic Marxist cinema of Aleksandr Medvedkin, Chris Marker, and Jean-Luc Godard, to recent media such as 5 Broken Cameras (2010), the phenomena of video-blogging, and bicycle activism films. -- publisher's web siteISBN: 9781782386421Contents: CONTENTS
List of Figures
Introduction -- Ewa Mazierska and Lars Kristensen
PART I: PAST ACTIVISM
Chapter 1. Between socialist modernisation and cinematic modernism: the revolutionary politics of aesthetics of Medvedkin’s cinema-train -- Gal Kirn
Chapter 2. Politics and Aesthetics within Godard’s Cinema -- Jeremy Spence
Chapter 3. Marker, Activism and Melancholy: Reflections on the Radical ‘60s in the later films of Chris Marker. -- Jon Kear
Chapter 4. Marx Immemorial: workers and peasants in the cinema of Jean-Marie Straub and Danièle Huillet -- Manuel Ramos Martinez
Chapter 5. In the Heat of the Factory: The Global Fires of The Hour of the Furnaces -- Bruce Williams
PART II: PRESENT ACTIVISM
Chapter 6. Contemporary political cinema: the impossibility of passivity -- William Brown
Chapter 7. Cultural resistance through film: The case of Palestinian cinema -- Haim Bresheeth
Chapter 8. The Contemporary Landscape of Video-Activism in Britain -- Steve Presence
Chapter 9. Marxist Resistance at Bicycle Speed: Screening the Critical Mass Movement -- Lars Kristensen
Chapter 10. Tales of a video blogger -- Michael Chanan
Chapter 11. Recovering the Future: Marxism and Film Audiences -- Martin Barker
Notes on Contributors
Index
More info
book
The melancholy lens : loss and mourning in American avant-garde cinema / Tony Pipolo New York: Oxford University Press, 2021.
Call No: 771(73) PIPAuthor: Pipolo, Tony Edition: 2021Place: New YorkPublisher: Oxford University PressPubDate: 2021PhysDes: x, 200 pages : illustrated ; 25 cmSubject: MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943) ; AT LAND (US, Maya Deren, 1944) ; RITUAL IN TRANSFIGURED TIME (US, Maya Deren, 1946) ; BRAKHAGE, STAN ; MARKOPOULOS, GREGORY ; GEHR, ERNIE ; DEREN, MAYA ; BEAVERS, ROBERT Summary: The prevalence of loss and mourning, and of charged relationships with parents or parental figures has had a surprising influence on several American avant-garde filmmakers' work . To date, however, little attention has been given to these themes. In The Melancholy Lens, author Tony Pipolo offers a detailed look at the significant role of underlying biographical and psychological factors in specific works by leading avant-garde filmmakers. Covering a range of filmmakers including Maya Deren, Stan Brakhage, Gregory Markopoulos, Robert Beavers, Ken Jacobs, and Ernie Gehr, The Melancholy Lens takes a sensitive approach to understand the motivations of each filmmaker as related to a given work. Pipolo argues, for example, that the work of Deren and Brakhage lends itself to a more aggressive appreciation of psychoanalytic principles.
The Deren films studied-Meshes of the Afternoon, At Land, and Ritual in Transfigured Time-are read as varying responses to the death of her father, with whom she had a strained relationship. Tortured Dust-the final film Brakhage made about his first family-was, by his own account, a work of contention and desperation. The elusiveness of Gregory Markopoulos' The Mysteries cannot conceal its naked obsession with death any more than it can diminish the film's poignancy. Robert Beavers' Sotiros is an especially rich and vivid exposure of a vulnerable chapter in the filmmakers's life. In the final two chapters on Ken Jacobs and Ernie Gehr, Pipolo looks outward for artistic motivation to show how both filmmakers' fascination with the history of film and video manifests as a melancholic view of greater history in their work. In the afterword, the author considers later figures whose work is kindred to the theme of this book, among them Nathaniel Dorsky, Phil Solomon, David Gatten, and Lewis Klahr. -- publisher's web siteISBN: 9780197551172Contents: Introduction -- Chapter 1. Father Time: Maya Deren's Meshes of the Afternoon, At Land, and Ritual in Transfigured Time -- Chapter 2. This Common Clay: Stan Brakhage and Tortured Dust -- Chapter 3. A Dance with Death: Gregory Markopoulos and The Mysteries -- Chapter 4. Eros Interrupted: Robert Beavers's The Ground and Sotiros -- Chapter 5. The Tempering Frame: Ernie Gehr's Media Romance -- Afterword -- Notes -- Index
More info
journal article
The Melbourne Cinematheque : Artists At The Top Of The Big Top: Disoriented in Filmviews (Winter 1985) vol.30 iss.124 p.35
More info
title clippings file
MENDEL : (NO/DK/GG, Alexander Rosler, 1997)
More info
title clippings file
MESHES OF THE AFTERNOON : (US, Maya Deren & Alexander Hammid, 1943)
More info
newspaper article
(Movies) Nebraska in Sunday Herald Sun [SHS-News] (16/2/2014) p.83
Call No: TITLE CLIPPINGS FILE; NEBRASKA (US, Alexander Payne, 2013)Author: Dent, Nick PhysDes: Clippings File ArticleSubject: NEBRASKA (US, Alexander Payne, 2013) Summary: Positive review of the Bruce Dern road movie.Rating: 4 out of 5 stars
More info
title clippings file
NEBRASKA : US, Alexander Payne, 2013
More info
personality microfilm collection
NEVZOROV, ALEXANDER
More info
book
New German cinema : from Oberhausen to Hamburg / James Franklin London: Columbus, 1986, c1983.
Call No: 71(430.1) FRAAuthor: Franklin, James, 1943 Place: LondonPublisher: ColumbusPubDate: 1986, c1983PhysDes: [230] p. : ill., ports ; 22cmSubject: GERMANY ; KLUGE, ALEXANDER ; HUILLET, DANIELE ; SCHLONDORFF, VOLKER ; HERZOG, WERNER ; FASSBINDER, RAINER WERNER ; Wenders, Wim ; SYBERBERG, HANS JURGEN ; STRAUB, JEAN-MARIE Notes: German cinema films,. 1950-1980 - Critical studies (BNB/PRECIS); Originally published: Boston, Mass.: Twayne, 1983; Includes bibliography and indexISBN: 086287209X : ª5.95 : CIP confirmedLON: 4636613
More info
book
The new German cinema / John Sandford London: Eyre Methuen, 1981.
More info
book
New German film : the displaced image / by Timothy Corrigan Austin: University of Texas Press, 1983.
Call No: 71(430.1) CORAuthor: Corrigan, Timothy, 1951 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1983PhysDes: xiv, 213 p. : ill. ; 24 cmSubject: GERMANY ; BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972) ; STARKE FERDINAND, DER (GW, Alexander Kluge, 1976) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; FANGSCHUSS, DER (GW/FR, Volker Schlondorff, 1976) ; IM LAUF DER ZEIT (GW, Wim Wenders, 1976) Notes: Includes index; Bibliography: p. [203]-210; Filmography: p. [197]-201ISBN: 0292710860; 0292710879 (pbk.)LON: 2807733 2807733
More info
book
New German filmmakers : from Oberhausen through the 1970s / edited by Klaus Phillips New York: Ungar Pub. Co., c1984.
Call No: 802.25(430.1) HEWAuthor: Phillips, Klaus Place: New YorkPublisher: Ungar Pub. Co.PubDate: c1984PhysDes: xxv, 462 p. : ill., ports. ; 22 cmSubject: DIRECTORS. GERMANY ; ACHTERNBUSCH, HERBERT ; BRUSTELLIN, ALF ; COSTARD, HELLMUTH ; FASSBINDER, RAINER WERNER ; GEISSENDORFER, HANS W. ; HAUFF, REINHARD ; HERZOG, WERNER ; KLUGE, ALEXANDER ; LILIENTHAL, PETER ; SCHLONDORFF, VOLKER ; TROTTA, MARGARETHE VON ; STOCKL, ULA ; STRAUB, JEAN-MARIE ; HUILLET, DANIELE ; SYBERBERG, HANS JURGEN ; Wenders, Wim ; BOHM, HARK ; SINKEL, BERNHARD ; REITZ, EDGAR ; SPILS, MAY ; ENKE, WERNER Notes: Includes index; Bibliography: p. 428-462ISBN: 0804426880 : $16.95; 0804466483 (pbk.) : $9.95LON: 3146469
More info
book
Nonfiction film : a critical history / by Richard Meran Barsam ; foreword by Richard Dyer MacCann London: Allen and Unwin, 1974.
Call No: 761 BARAuthor: Barsam, Richard Meran Place: LondonPublisher: Allen and UnwinPubDate: 1974PhysDes: xix, 332 p. : ill., ports. ; 22 cmSubject: NON-FICTION FILMS ; DOCUMENTARY FILMS ; CINEMA-DIRECT ; PROPAGANDA FILMS ; WAR FILMS ; ANDERSON, LINDSAY ; CAPRA, FRANK ; CAVALCANTI, ALBERTO ; VAN DONGEN, HELEN ; DOVZENKO, ALEKSANDR ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; HUSTON, JOHN ; IVENS, JORIS ; JENNINGS, HUMPHREY ; KING, ALLAN ; LEACOCK, RICHARD ; LYE, LEN ; MAYSLES, ALBERT & DAVID ; PENNEBAKER, D. A. ; REISZ, KAREL ; RIEFENSTAHL, LENI ; ROTHA, PAUL ; RUTTMAN, WALTER ; STORCK, HENRI ; VAN DYKE, WILLARD ; VERTOV, DZIGA ; WADLEIGH, MICHAEL ; WATT, HARRY ; WISEMAN, FREDERICK ; WRIGHT, BASIL ; BOND, RALPH ; ANSTEY, EDGAR ; LORENTZ, PARE ; HAMMID, ALEXANDER ; ROGOSIN, LIONEL ; STEINER, RALPH ; ELTON, ARTHUR ; JACOBY, IRVING ; LAND, THE (US, Robert Flaherty, 1942) ; FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940) ; MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937) ; ALL OF MY BABIES : A MIDWIFE'S OWN STORY (US, George Stoney, 1952) ; BATTLE OF RUSSIA, THE (US, Frank Capra, 1944) ; LET THERE BE LIGHT (US, John Huston, 1946) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) Summary: "Nonfiction film is the first work to document the whole history of nonfiction film from the 1920s to the present day. The main emphasis of the book is on the British and American cinema and hundreds of documentary, action, and 'actuality' films from Nanook of the North to Woodstock and Gimme Shelter are described, discussed and analysed, including films by the great pioneers such as Robert Flaherty, Basil Wright, John Grierson and Paul Rotha and the new experimental film makers like Richard Leacock, D. A. Pennebaker, Frederick Wiseman and Albert and David Maysles. Richard Barsam provides a critical framework against which the non-fiction film can be studied and enjoyed. Among the many topics covered are early American, Russian and Continental films, the British and American films of the twenties and thirties, the films of World War II and the whole range of styles and subjects of the fifties, sixties and today." -- BOOK BLURBNotes: Originally published: New York : Dutton, 1973; Bibl.: p.317-321. - List of films: p.299-316. - IndexISBN: 0047910313 (Pbk) : ª1.95; 0047910305LON: 1923477Contents: 1. Defining nonfiction film -- 2. The American, Russian, and continental beginnings -- 3. John Grierson and the early British documentary -- 4. British documentary in the later 1930's -- 5. European and American nonfiction film: 1930-1940 -- 6. The humanistic vision of Robert Flaherty -- 7. World War II on film -- 8. Nonfiction film in transition: 1940-1950 -- 9. Old traditions and new directions: 1950-1960 -- 10. The new nonfiction film: 1960-1970URL status: URL: 'http://-'
Checked: 31/08/2021 12:58:55 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
More info
title clippings file
OLD MAN AND THE SEA, THE : (US, Alexander Petrov, 1999)
More info
title clippings file
OTETS I SYN : (RU, Alexander Sokurov, 2003)
More info
personality clippings file
PARK, ALEXANDER
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: PARK, ALEXANDER
More info
title clippings file
PATRIOTIN, DIE : (GW, Alexander Kluge, 1979)
More info
Online resource
digital clippings file
PAYNE, ALEXANDER Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: PAYNE, ALEXANDER URL status: URL: 'http://file://Q:/P/PAYNE,_ALEXANDER.zip'
Checked: 31/08/2021 1:01:12 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
More info
title clippings file
PEARL : (US, Hy Averback & Alexander Singer, 1978)
More info
book
Peter Sellers : the mask behind the mask / Peter Evans London: New English Library, 1980.
Call No: 81SEL EVAAuthor: Evans, Peter Source: UKPlace: LondonPublisher: New English LibraryPubDate: 1980PhysDes: 256 p., [16] p. of plates : ports ; 18 cmSubject: ACTORS. UK ; TWENTIETH CENTURY-FOX ; BOULTING, ROY ; CHAPLIN, CHARLES ; MILLIGAN, SPIKE ; O'TOOLE, PETER ; PARRISH, ROBERT ; SELLERS, PETER ; WILDER, BILLY ; MANKOWITZ, WOLF ; BEING THERE (US, Hal Ashby, 1979) ; CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967) ; GOON SHOW, THE [TV] (UK, 1968) ; I'M ALL RIGHT JACK (UK, John Boulting, 1959) ; LADYKILLERS, THE (UK, Alexander MacKendrick, 1955) ; WHAT'S NEW PUSSYCAT (US, Clive Donner, 1965) ; THERE'S A GIRL IN MY SOUP (UK, Roy Boulting, 1970) Notes: Filmography: p248-250.
Includes index.ISBN: 0450050483Donation: donated by the family of Wayne Levy, 2006
More info
title clippings file
POUR SACHA : (FR, Alexander Arcady, 1991)
More info
title clippings file
PRIVATE LIFE OF HENRY VIII, THE : (UK, Alexander Korda, 1933)
More info
book
Projections 4 1/2 : film-makers on film-making / edited by John Boorman and Walter Donohue London: Faber and Faber, 1995.
Call No: 802 PRO v.4 1/2Author: Boorman, John, 1933 ; Donohue, Walter CorpAuthor: PositifPlace: LondonPublisher: Faber and FaberPubDate: 1995PhysDes: vii, 312 p. : ill., ports. ; 24 cmSubject: Keaton, Buster ; ALTMAN, ROBERT ; ASSAYAS, OLIVIER ; WARHOL, ANDY ; BOORMAN, JOHN ; COEN, JOEL & ETHAN ; PRICE, VINCENT ; LANG, FRITZ ; EASTWOOD, CLINT ; FREARS, STEPHEN ; FULLER, SAMUEL ; ALLEN, WOODY ; KIESLOWSKI, KRZYSZTOF ; MALLE, LOUIS ; MARKER, CHRIS ; OPHULS, MARCEL ; REISZ, KAREL ; VON STROHEIM, ERICH ; RUIZ, RAUL ; SEN, MRINAL ; TAVERNIER, BERTRAND ; ALMEREYDA, MICHAEL ; JARMAN, DEREK ; LOWENSTEIN, RICHARD ; POTTER, SALLY ; ROUSSELOT, PHILIPPE ; TOLKIN, MICHAEL ; WARD, VINCENT ; ZINNEMANN, FRED ; ANGELOPOULOS, THEO ; AVATI, PUPI ; MARVIN, LEE ; BREILLAT, CATHERINE ; BRISSEAU, JEAN-CLAUDE ; CAVALIER, ALAIN ; CHABROL, CLAUDE ; BUGIN, HARRY ; COMENCINI, LUIGI ; DE FILIPPO, EDUARDO ; CORMAN, ROGER ; CORNEAU, ALAIN ; DEVILLE, MICHEL ; DIEGUES, CARLOS ; EGOYAN, ATOM ; MACKENDRICK, ALEXANDER ; GAAL, ISTVAN ; GREENAWAY, PETER ; HARRIS, JAMES B. ; HELLMAN, MONTE ; IOSELIANI, OTAR ; BARNET, BORIS ; KAZAN, ELIA ; KEZDI-KOVACS, ZSOLT ; KIAROSTAMI, ABBAS ; KLOPCIC, MATJAZ ; A TOUT ALLURE (FR, Robert Kramer, 1982) ; LATTUADA, ALBERTO ; LECONTE, PATRICE ; LEIGH, MIKE ; LOACH, KENNETH ; MAKAVEJEV, DUSAN ; PEREIRA DOS SANTOS, NELSON ; MINGOZZI, GIANFRANCO ; MONICELLI, MARIO ; PARRISH, ROBERT ; PENN, ARTHUR ; PINTILIE, LUCIAN ; POLANSKI, ROMAN ; RIPSTEIN, ARTURO ; RISI, DINO ; RISSIENT, PIERRE ; ROHMER, ERIC ; ROSI, FRANCESCO ; RUDOLPH, ALAN ; SARMIENTO, VALERIA ; SAUTET, CLAUDE ; SCHATZBERG, JERRY ; SCHRADER, PAUL ; SIJAN, SLOBODAN ; STEVENIN, JEAN-FRANCIS ; TAVIANI, PAOLO & VITTORIO ; VARDA, AGNES ; YANG, EDWARD ; ZANUSSI, KRZYSZTOF ; ZULAWSKI, ANDREJ ; KERRIGAN, LODGE ; LINKLATER, RICHARD ; RIDLEY, PHILIP ; ROBERTS, JULIA ; RUSSELL, DAVID O. ; SHERMAN, VINCENT ; DAVIS, BETTE ; SIEGEL, DAVID ; MCGEHEE, SCOTT ; SODERBERGH, STEVEN ; TOBACK, JAMES ; BABY DOLL (US, Elia Kazan, 1956) ; TEOREMA (IT, Pier Paolo Pasolini, 1968) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; SZEGENYLEGENYEK (HU, Miklos Jancso, 1966) ; ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978) ; VERTIGO (US, Alfred Hitchcock, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; HUSTLER, THE (US, Robert Rossen, 1961) ; MIRAGE (US, Edward Dmytryk, 1965) ; BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964) ; POSITIF Notes: "In association with Positif."; "Centenary edition"--P. viiISBN: 0571176097LON: abn96057645; 12129416
More info
title clippings file
RED GOLD: THE EPIC STORY OF BLOOD [TV] : (US, Alexander Marengo & Nick Read, 2002)
More info
book
Reel black talk : a source book of 50 American filmmakers / Spencer Moon, foreward by George Hill Westport, Conn: Greenwood Press, 1997.
Call No: 802(73) MOOAuthor: Moon, Spencer Source: USPlace: Westport, ConnPublisher: Greenwood PressPubDate: 1997PhysDes: xvi, 396 p. : ill., ports. ; 25 cmSubject: PRODUCERS. USA ; ALEXANDER, WILLIAM ; BOURNE, ST. CLAIR ; BURNETT, CHARLES ; CHENZIRA, AYOKA ; DASH, JULIE ; DUKE, BILL ; FANAKA, JAMAA ; FRANKLIN, CARL ; GREAVES, WILLIAM ; HAMPTON, HENRY ; HUDLIN, REGINALD ; HUDLIN, WARRINGTON ; JACKSON, GEORGE ; LEE, SPIKE ; MICHEAUX, OSCAR ; PARKERSON, MICHELLE ; PARKS, GORDON ; RIGGS, MARLON ; ROBERTSON, HUGH A. ; SINGLETON, JOHN ; TOWNSEND, ROBERT ; WARREN, MARK ; WAYANS, KEENEN IVORY ; WAYANS, MARLON ; WAYANS, SHAWN ; WILLIAMS, SPENCER ; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994) ; AMAZING GRACE AND CHUCK (US, Mike Newell, 1987) ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; BEAT STREET (US, Stan Lathan, 1984) ; BETTER OFF DEAD (US, Savage Steve Holland, 1985) ; BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984) ; BRIDE PRICE (KE, Shatrujit Paul, 1991) ; CARBON COPY (US, Michael Schultz, 1981) ; CEMETERY CLUB, THE (US, Bill Duke, 1993) ; CHILD SAVER, THE [TV] (US, Stan Lathan, 1988) ; P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992) ; CROOKLYN (US, Spike Lee, 1994) ; DEEP COVER (US, Bill Duke, 1992) ; DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995) ; DISORDERLIES (US, Michael Schultz, 1987) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; RAW (US, Robert Townsend, 1987) ; EYES ON THE PRIZE [TV] (US, 1987-1990) ; [FIVE] 5 HEARTBEATS, THE (US, Robert Townsend, 1991) ; GLASS SHIELD, THE (US, Charles Burnett, 1994) ; GREASED LIGHTNING (US, Michael Schultz, 1977) ; HIGHER LEARNING (US, John Singleton, 1994) ; HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987) ; INKWELL, THE (US, Matty Rich, 1994) ; JASON'S LYRIC (US, Doug McHenry, 1994) ; KILLING FLOOR, THE (US, Bill Duke, 1985) ; KRUSH GROOVE (US, Michael Schultz, 1985) ; LAUREL AVENUE (US, Carl Franklin, 1993) ; MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993) ; OBEAH (US, Hugh A. Robertson, 1986) ; PANTHER (US, Mario Van Peebles, 1995) ; PENITENTIARY II (US, Jamaa Fanaka, 1982) ; POETIC JUSTICE (US, John Singleton, 1993) ; QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]) ; RAISIN IN THE SUN, A (US, Daniel Petrie, 1961) ; SCAVENGER HUNT (US, Michael Schultz, 1979) ; SHAFT (US, Gordon Parks Jr., 1971) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968) ; STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991) ; VEILED ARISTOCRATS (US, Oscar Micheaux, 1932) ; WHICH WAY IS UP? (US, Michael Schultz, 1977) ; WITHIN OUR GATES (US, Oscar Micheaux, 1919) Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.Notes: Includes filmographies, bibliographical references (p. [385] - 386) and indexISBN: 0313298300Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis
More info
title clippings file
RESIDENT EVIL: APOCALYPSE : (GG/UK/FR, Alexander Witt, 2004)
More info
book
The rise and fall of the matinee idol : past deities of stage and screen, their roles, their magic, and their worshippers / edited by Anthony Curtis; illustration consultants: Raymond Mander and Joe Mitchenson London: Weidenfeld & Nicolson, [1974].
Call No: 802.27 RISAuthor: Curtis, Anthony Place: LondonPublisher: Weidenfeld & NicolsonPubDate: [1974]PhysDes: 215 p. illus. 26 cmSubject: ACTORS ; BEATON, CECIL ; COWARD, NOEL ; AXELROD, GEORGE ; GIELGUD, JOHN ; GISH, LILLIAN ; VALENTINO, RUDOLPH ; WYNDHAM, CHARLES ; ALEXANDER, GEORGE ; DU MAURIER, GERALD ; DU MAURIER, DAPHNE ; NOVELLO, IVOR ; BUCHANAN, JACK ; COCHRAN, CHARLES ; ELSIE, LILY ISBN: 0297765426LON: 324463
More info
personality microfilm collection
SALKIND, ALEXANDER
More info
book
Screening Scotland / Duncan Petrie London: British Film Institute, 2000.
Call No: 71(41) PETAuthor: Petrie, Duncan J., 1963 CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: 250 p. : ill., ports. ; 24 cmSubject: UNITED KINGDOM : SCOTLAND ; NATIONAL IDENTITY AND THE CINEMA. UK : SCOTLAND ; CHANNEL FOUR ; DOUGLAS, BILL ; FORSYTH, BILL ; Grierson, John ; BOYLE, DANNY ; MACKENDRICK, ALEXANDER ; Powell, Michael ; MULLAN, PETER ; MCDOUGALL, PETER ; GRIGOR, MURRAY ; CAUGHIE, JOHN ; MACKENZIE, JOHN ; BROTHERS, THE (UK, David MacDonald, 1947) ; SHIPBUILDERS, THE (UK, John Baxter, 1943) ; WHISKY GALORE (UK, Alexander MacKendrick, 1949) ; BRAVEHEART (US, Mel Gibson, 1995) ; BREAKING THE WAVES (DK/FR, Lars Von Trier, 1996) ; I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945) ; MY NAME IS JOE (UK/GG, Kenneth Loach, 1998) ; ORPHANS (UK, Peter Mullan, 1997) ; RATCATCHER (UK, Lynne Ramsey, 1999) ; ROB ROY (US, Michael Caton-Jones, 1995) ; SHALLOW GRAVE (UK, Danny Boyle, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) Notes: Includes bibliographical references (p. [231]-237) and indexISBN: 085170784X(cased) : No price; 0851707858(pbk.) : ¦14.99LON: 21532814
More info
book
Screening the past : memory and nostalgia in cinema / Pam Cook London ; New York: Routledge, 2005.
Call No: 409.1 COOAuthor: Cook, Pam Source: UKPlace: London ; New YorkPublisher: RoutledgePubDate: 2005PhysDes: xiii, 246 p. : ill. ; 24 cmSubject: HISTORY AND THE CINEMA ; NOSTALGIA IN FILMS ; NATIONAL CULTURE AND THE CINEMA. EUROPEAN COUNTRIES ; GENDER AND THE CINEMA ; MEN IN FILMS ; WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; SEXUALITY AND THE CINEMA ; TYPE CHARACTERS IN FILMS ; MELODRAMA ; WESTERNS ; SCORSESE, MARTIN ; BIGELOW, KATHRYN ; HAYNES, TODD ; WONG KAR WAI ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; MILDRED PIERCE (US, Michael Curtiz, 1945) ; RAGING BULL (US, Martin Scorsese, 1980) ; MANDY (UK, Alexander Mackendrick, 1952) ; DANCE WITH A STRANGER (UK, Mike Newell, 1985) Summary: Exploring film culture's obsession with the past through analyses of a wide range of films, from Mildred Pierce and Brief Encounter to Raging Bull and Dance With a Stranger. Examines current debates about the role of cinema in mediating history through memory and nostalgia through a discussion of In the Mood for Love and Far From Heaven, with the suggestion that many films use strategies of memory to challenge established ideas of history, and the traditional role of historians."--BOOK JACKETNotes: Includes bibliographical references and index (pp. 241-46)ISBN: 0415183758 (pbk. : alk. paper)Contents: Introduction: the past today -- Rethinking nostalgia: In the mood for love and Far from heaven -- Duplicity in Mildred Pierce -- Women and the Western -- The pleasures and perils of exploitation films -- Melodrama and the women's picture -- Mandy: daughter of transition -- Memory in British cinema: brief encounters -- Stars and politics -- The gold diggers -- No fixed address: the women's picture from Outrage to Blue Steel -- Masculinity in crisis? -- The last temptation of Christ -- Scorsese's masquerade -- The age of innocence -- Fashion and sexual display in 1950s Hollywood -- Replicating the past: memory and history in Dance with a stranger -- Fictions of identity: style, mimicry, and gender in the films of Kathryn Bigelow.
More info
book
Screening the Red Army Faction : historical and cultural memory / Christine Gerhardt United States: 2018.
Call No: 745.9[323.28](430.1)Author: Gerhardt, Christine Place: United StatesPubDate: 2018PhysDes: xii, 308 pages : illustrated ; 25cmSubject: TERRORISM AND THE CINEMA ; FASSBINDER, RAINER WERNER ; VERLORENE EHRE DER KATHARINA BLUM, DIE (GW, Volker Schlondorff & Margarethe von Trotta, 1975) ; DEUTSCHLAND IM HERBST (GW, Alf Brustellin & Bernhard Sinkel & Rainer Werner Fassbinder & Alexander Kluge & Beate Mainka-Jellinghaus & Maximiliane Mainka & Peter Schubert & Edgar Reitz & Katja Rupe & Hans Peter Cloos & Volker Schlondorff, 1978) ; BAADER MEINHOF KOMPLEX, DER
see BAADER MEINHOF COMPLEX, THE (G/F/CZ, Uli Edel, 2008) ; STILLE NACH DEM SCHUSS, DIE (GG, Volker Schlondorff, 2000) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; MUTTER KUSTERS FAHRT ZUM HIMMEL (GW, Rainer Werner Fassbinder, 1975) ; ZWEITE ERWACHEN DER CHRISTA KLAGES, DAS (GW, Margarethe von Trotta, 1978) Summary: Screening the Red Army Faction: Historical and Cultural Memory explores representations of the Red Army Faction (RAF) in print media, film and art, locating an analysis of these texts in the historical and political context of unfolding events. In this way, the book contributes both a new history and a new cultural history of post-fascist era West Germany that grapples with the fledgling republic's most pivotal debates about the nature of democracy and authority; about violence, its motivations and regulation; and about its cultural afterlife. Looking back at the history of representations of the RAF in various media, this book considers how our understanding of the Cold War era, of the long sixties and of the RAF is created and re-created through cultural texts. -- publisher's web siteISBN: 9781501336676Donation: Arian DanksContents: Introduction -- 1. Looking Back: The Political and Historical Context, 1945-1970 -- 2. Print Media and Social Movements in West Germany, 1967-1972 -- 3. The RAF, Surveillance and the German Autumn in Cinema, 1966-1978 -- 4. Diverging Trajectories: The RAF and Political Alternatives in New German Cinema, 1972-1982 -- 5. Terrorism and the Cold War: The RAF and East Germany's The Ministry of State Security, 1982-1990 -- 6. Terrorism and Memory: Gerhard Richter's October 18, 1977 and the Kunst-Werke Exhibit Myth of the RAF -- Bibliography -- Filmography -- Index
More info
title clippings file
SCREWED: AL GOLDSTEIN'S KNIGDOM OF PORN : (US, Alexander Crawford, 1996)
More info
title clippings file
SECRET GAMES 3 : (US, Alexander Gregory Hippolyte, 1994)
More info
book
Seeking finding remembering : Short films from the Federal Republic / Karola Gramann, Dr. J. S. Roth Munich: Goethe Institute, 1987.
Call No: 115 287 (430.1) GRAAuthor: Gramann, Karola Edition: 1st ed.Source: Federal Republic of GermanyPlace: MunichPublisher: Goethe InstitutePubDate: 1987PhysDes: 52 p ; 20cm + b&w ill.Subject: SHORT FILMS ; GERMAN FEDERAL REPUBLIC ; NON-FICTION FILMS ; WORKERS IN FILMS ; WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; POLITICAL FILMS ; NAZIS IN FILMS ; HISTORICAL FILMS ; WORLD WAR II AND THE CINEMA ; PEWAS, PETER ; WILMS, ELISABETH ; KOERBER, MARTIN ; TICHAWSKY, HEINRICH ; NESTLER, PETER ; HERZ, HORST ; DOERRIES, BERNHARD ; KLUGE, ALEXANDER ; SCHAMONE, PETER ; STRAUB, JEAN-MARIE ; KRISTL, VLADO ; THOME, RUDOLPH ; FASSBINDER, RAINER WERNER ; STOCKL, ULA ; OTTINGER, ULRIKE ; HERBST, HELMUT ; SANDERS-BRAHMS, HELMA ; FAROCKI, HARUN ; GIEFER, THOMAS ; BERSWORDT-WALLRABE, VON, ALEXANDER ; MERBACH, ROSEMARIE ; SCHUBERT, DIETRICH ; WINZENSTEN, FRANZ ; LANG, MARIA ; NOLL BRINCKMANN ; JORITZ, CATHY ; MIKESCH, ELFI ; KLEINE CHAOS, DAS (GR, Rainer Werner Fassbinder, 1966) ; MENSCHEN, STADTEN, SCHIENEN (GR,Peter Pewas, 1949) ; DORTMUND DAMALS (GR, Elisabeth Wilms, 1947) ; HERBSTBEDANKEN (GR, Peter Pewas, 1950) ; VELORENES BERLIN, EIN (GR,Richard Kostelanetz, Martin Koerber, 1983) ; NOTIZEN AUS DEM ALTMUHTAL (GR,Hans Rolf Strobel, Heinrich Tichawsky, 1961) ; MULHEIM/RUHR (GR, Peter Nestler, 1964) ; ES LOBT DEN MANN DIE ARBEIT UND DIE TAT (GR, Horst Herz, 1982) ; MANNEQUIN, DAS (GR, Bernhard Doerries, 1960) ; BRUTALITAT IN STEIN - DIE EWIGKEIT VON GESTERN (GR, Alexander Kluge, Peter Schamoni, 1960) ; MACHORKA MUFF (GR, Jean-Marie Straub, 1962) ; MADELEINE-MADELEINE (GR, Vlado Kristl, 1963) ; VERSOHNUNG, DIE (GR, Rudolf Thome, 1964/65) ; ANTIGONE (GR, Ula Stockl, 1964) ; SUPERBIA (GR, Ulrike Ottinger, 1986) ; SCHWARZ, WEISS, ROT (GR, Helmut Herbst, 1964) ; INDUSTRIELLE RESERVEARMEE, DIE, Helena Sanders-Brahms, 1970/71) ; NICHT LOSCHBARES FEUER (GR, Harun Farocki, 1969) ; TERROR AUCH IM WESTERN (GR, Thomas Giefer, 1968) ; ABSTECHER NACH ENKBACH, EIN (GR, Alexander von Berswordt-Wallrabe, 1979) ; MAMMA HEMMERS GEHT MIT IHREM PASTOR ZUM LETZEN MAL UBER'N HEINRICHPLATZ; KREUZBERG ADIO (GR, S.M Rosi, 1979) ; GEHT UM MEHR ALS NUR UMS UBERLEBEN, ES (GR, Dietrich Schubert, 1982) ; ANPROBE, DIE - 1938 (GR, Franz Winzenstein, 1985) ; ANGELIKA URBAN, VERKAUFERIN, VERLOBT (GR, Helma Sanders-Brahms, 1969) ; FAMILY CRYPT [FAMILIENGRUFT: EIN LIEBESGEDICHT AN MEINE MUTTER] (GW, Maria Lang, 1982) ; HALF A LIFE [HALBES LEBEN, EIN] (GW, Christine Noll Brinckmann, 1983) ; NEGATIVE MAN (GR, Cathy Joritz, 1985) ; EXECUTION-A STUDY OF MARY (GR, Elfi Mikesch, 1979) Summary: This program presents a comprehensive survey of the Federal Republic of Germany’s contribution to the field of short films. Among other things it is a journey through the history of the former West Germany and the social changes it underwent, reflected in the various forms of political documentation and aesthetic innovation in the films.
More info
Old collection
book
Sergei M. Eisenstein : notes on the retrospective screenings of the films of S. M. Eisenstein presented at the National Film Theatre (Toronto) winter - 1968. [Ottawa]: Canadian Film Archives, a division of the Canadian Film Institute, [1968].
Call No: 81EIS SERCorpAuthor: Canadian Film Archives.Source: CNPlace: [Ottawa]Publisher: Canadian Film Archives, a division of the Canadian Film InstitutePubDate: [1968]PhysDes: 23 p. ; 29 cm.Subject: STACHKA [STRIKE] (UR, Sergei M. Eisenstein, 1925) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei M. Eisenstein, 1938) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946])
More info
title clippings file
SHEPHERD OF THE SOUTHERN CROSS, THE : (AT, Alexander Butler, 1915)
More info
journal article
Short films : New short and medium length films at the National Film Library in Federation news (September 1979 (Spring)) iss.101 p.3
More info
title clippings file
SIDEWAYS : (US, Alexander Payne, 2004)
More info
personality clippings file
SKARSGARD, ALEXANDER
More info
personality clippings file
SOKOUROV, ALEXANDER
More info
personality microfilm collection
SOKUROV, ALEXANDER
More info
title clippings file
SOLNTSE : (RU/FR/IT/SZ, Alexander Sokurov, 2005)
More info
title clippings file
SORTED : (UK, Alexander Jovy, 2000)
More info
book
Sowjetischer stummfilm = Soviet silent film : Kommunales Kino Freiburg Freiburg: [Kommunales Kino Freiburg], [1962?].
Call No: 71(47)SOWCorpAuthor: Kommunales Kino FreiburgPlace: FreiburgPublisher: [Kommunales Kino Freiburg]PubDate: [1962?]PhysDes: 16 p. ; 30 cmSubject: USSR ; VERTOV, DZIGA ; EISENSTEIN, SERGEI M. ; DOVZENKO, ALEKSANDR ; MEDVEKIN, ALEXANDER Summary: Photocopied program notes on Soviet silent film (12 p.) + notes marked "Stockholm 1959" (2 + 2 p.) "Films de la Cinematheque Francaise" and "Films de provenance etrangere".Language: German; French
More info
title clippings file
STARKE FERDINAND, DER : (GW, Alexander Kluge, 1976)
More info
personality clippings file
STITT, ALEXANDER
More info
Interim
book
The Sundance kids : How the mavericks took back Hollywood / James Mottram London: Faber and Faber, 2006.
Call No: 802.25(71) MOTAuthor: Mottram, James Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 2006PhysDes: xxix, 480 p. : ill. ; 24cmSubject: INDEPENDENT FILMS. USA ; SUNDANCE INSTITUTE ; SODERBERGH, STEVEN ; Tarantino, Quentin ; RUSSELL, DAVID O. ; RODRIGUEZ, ROBERT ; LINKLATER, RICHARD ; FINCHER, DAVID ; JONZE, SPIKE ; ANDERSON, PAUL THOMAS ; ANDERSON, WES ; LEONARD, ELMORE ; COPPOLA, SOFIA ; PEIRCE, KIMBERLY ; SINGER, BRYAN ; KAUFMAN, CHARLIE ; PAYNE, ALEXANDER Summary: From Publishers Weekly
Mottram covers the same territory Sharon Waxman did in 2005's Rebels on the Backlot, including extensive considerations of directors Steven Soderbergh and Quentin Tarantino, but the British film journalist adds several filmmakers into the mix, including Sofia Coppola and Wes Anderson, concentrating primarily on hot young talents discovered at the Sundance Film Festival. He's also more interested in what's on the screen than Waxman was, so nearly every chapter has lengthy analyses of the movies discussed. But these interpretive flights distract from the reportage, especially when Mottram dismisses successful directors like Robert Rodriguez (who arguably have taken back Hollywood) because he doesn't consider movies like Spy Kids mature enough for serious consideration, or when he insists on linking every modern maverick to a counterpart in '70s cinema. He also links some films together by simplistic means, grouping a trilogy of films set in high schools in one chapter and building another chapter around Elmore Leonard adaptations. Mottram does give insight into the career trajectories of a few of his subjects, most notably Soderbergh, David Fincher and Bryan Singer, making his history a useful starting point.Notes: Includes notes, general index and index of filmsISBN: 0571222676
More info
title clippings file
SWEET SMELL OF SUCCESS : (US, Alexander Mackendrick, 1957)
More info
Old collection
book
Theory of film : the redemption of physical reality / Siegfried Kracauer New York: Oxford University Press, 1965.
Call No: 62 KRAAuthor: Kracauer, Siegfried Place: New YorkPublisher: Oxford University PressPubDate: 1965PhysDes: xix, 364 p. ill., 20 cm.Subject: ACTORS ; ADAPTATIONS ; EXPERIMENTAL FILMS ; THEORY ; AGEE, JAMES ; ALEXANDROV, GROGORIO ; ANGER, KENNETH ; ANSTEY, EDGAR ; ARNHEIM, RUDOLF ; ASTAIRE, FRED ; BALAZS, BELA ; BENJAMIN, WALTER ; BERGMAN, INGMAR ; BOGART, HUMPHREY ; BRAKHAGE, STAN ; BRANDO, MARLON ; BUNUEL, LUIS ; CAGNEY, JAMES ; CAPRA, FRANK ; CASTELLANI, RENATO ; CAVALCANTI, ALBERTO ; CHANEY, LON ; CHAPLIN, CHARLES ; CLAIR, RENE ; CLEMENT, RENE ; CLOUZOT, HENRI-GEORGES ; COCTEAU, JEAN ; DALI, SALVADOR ; DE FILIPPO, EDUARDO ; DEMILLE, CECIL B. ; DE SICA, VITTORIO ; DISNEY, WALT ; DOVZENKO, ALEKSANDR ; DREYER, CARL TH. ; DUCHAMP, MARCEL ; DUVIVIER, JULIEN ; ELTON, ARTHUR ; ENGEL, MORRIS ; EPSTEIN, JEAN ; FELLINI, FEDERICO ; FEUILLADE, LOUIS ; FEYDER, JACQUES ; FISCHINGER, OSKAR ; FLAHERTY, ROBERT ; FORD, JOHN ; FRANJU, GEORGES ; FREUD, SIGMUND ; GANCE, ABEL ; GARNETT, GALE ; GIDE, ANDRE ; GREENE, GRAHAM ; GRIERSON, JOHN ; GRIFFITH, DAVID WARK ; GRIFFITHS, RICHARD ; GUITRY, SACHA ; HARRINGTON, CURTIS ; HILL, DAVID ; HITCHCOCK, ALFRED ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; VITELLONI, I (IT, Federico Fellini, 1953) ; VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932) ; VARIETE (G, E.A. Dupont, 1925) ; VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940) ; UMBERTO D. (IT, Vittorio De Sica, 1952) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; OKTIABR (UR, Sergei M. Eisenstein, 1928) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946) ; SWING TIME (US, George Stevens, 1936) ; STRADA, LA (IT, Federico Fellini, 1954) ; ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936) ; MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946) ; SPIONE (G, Fritz Lang, 1928) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931) ; SHANE (US, George Stevens, 1953) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926) ; SCARFACE (US, Howard Hawks, 1932) ; SANG DES BETES, LE (FR, Georges Franju,1949) ; SAN FRANCISCO (US, W.S. Van Dyke, 1936) ; ROUE, LA (FR, Abel Gance, 1922) ; ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954) ; RICHARD III (UK, Laurence Olivier, 1955) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REGEN (NE, Joris Ivens, 1929) ; PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; PARIS 1900 (FR, Nicole Vedres, 1948) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; OTELLO (UR, Sergej Jutkevic, 1956) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; OLVIDADOS, LOS (MX, Luis Bunuel, 1951) ; OF MEN AND MUSIC (US, Irving Reis, 1950) ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; NIGHT AT THE OPERA, A (US, Sam Wood, 1935) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; MOULIN ROUGE (UK, E.A. Dupont, 1928) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MOBY DICK (UK, John Huston, 1956) ; MOANA (US, Robert Flaherty, 1926) ; MILLION, LE (FR, Rene Clair, 1931) ; METROPOLIS (GG, Fritz Lang, 1927) ; MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943) ; MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929) ; MARTY (US, Delbert Mann, 1954) ; MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936) ; MAJOR BARBARA (UK, Gabriel Pascal, 1941) ; MADAME BOVARY (FR, Claude Chabrol, 1991) ; MACBETH (US, Orson Welles, 1948) ; M (G, Fritz Lang, 1931) ; LOVE PARADE, THE (US, Ernst Lubitsch, 1929) ; LIMELIGHT (US, Charles Chaplin, 1952) ; LIFEBOAT (US, Alfred Hitchcock, 1944) ; OSTATNI ETAP (PL, Wanda Jakubowska, 1948) ; LADY IN THE LAKE (US, Robert Montgomery, 1946) ; KID, THE (US, Charles Chaplin, 1921) ; JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; INVISIBLE MAN, THE (US, James Whale, 1933) ; INTOLERANCE (US, David Wark Griffith, 1916) ; HUMAN DESIRE (US, Fritz Lang, 1954) ; HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935) ; HOTEL DES INVALIDES (FR, Georges Franju, 1952) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HENRY V (UK, Laurence Olivier, 1944) ; HEIRESS, THE (US, William Wyler, 1949) ; HATFUL OF RAIN, A (US, Fred Zinnemann, 1957) ; HAMLET (UK, Laurence Olivier, 1948) ; HALLELUJAH (US, King Vidor, 1929) ; GREED (US, Erich von Stroheim, 1925) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; GLASS MENAGERIE, THE (US, Irving Rapper, 1950) ; VORMITTAGSSPUK (G, Hans Richter, 1928) ; GHOST GOES WEST, THE (UK, Rene Clair, 1935) ; GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947) ; GERVAISE (FR, Rene Clement, 1956) ; JIGOKUMON (JA, Teinosuke kinugasa, 1953) ; FURY (US, Fritz Lang, 1936) ; [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962) ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; FANTASIA (US, Walt Disney, 1940) ; ZEMLJA (UR, Alexksandr Dovzenko, 1930) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921) ; DEATH OF A SALESMAN (US, Laslo Benedek, 1951) ; DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945) ; CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; CITIZEN KANE (US, Orson Welles, 1941) ; CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) ; BROKEN BLOSSOMS (US, David Wark Griffith, 1919) ; BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BOOMERANG (US, Elia Kazan, 1947) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; BEZZERIDES, A.I. ; BEN HUR (US, Fred Niblo, 1925) ; BAMBI (US, David Hand, 1942) ; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924) ; BACK STREET (US, John M. Stahl, 1932) ; ATALANTE, L' (FR, Jean Vigo, 1934) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; APARAJITO (II, Satyajit Ray, 1957) ; ANNA CHRISTIE (US, Clarence Brown, 1930) ; ANATOMY OF A MURDER (US, Otto Preminger, 1959) ; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931) ; ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938) ; BROADWAY MELODY, THE (US, Harry Beaumont, 1929) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes indexURL status: URL: 'http://-'
Checked: 31/08/2021 1:14:06 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
More info
journal article
Three dimensional films are here ... to stay (again) in Australian film review (17-30th March 1983) vol.1 iss.3 p.10-11
More info
Online resource
digital clippings file
TOTO SI SURORILE LUI [TOTO AND HIS SISTERS] : (RM/HU/SZ/CN, Alexander Nanau, 2014) Digital clippings file available
More info
journal article
Two Eisenstein Films : Classic Features From the Past in Montage (1962) vol.1 iss.2 p.12-13
More info
book
Unsettling scores : German film, music, and ideology / Roger Hillman Bloomington, Indiana: Indiana University Press, 2005.
Call No: 634.6 HILAuthor: Hillman, Roger Source: USPlace: Bloomington, IndianaPublisher: Indiana University PressPubDate: 2005PhysDes: 219 p. : ill. ; 24 cmSubject: MUSIC AND THE CINEMA ; GERMANY ; NEW GERMAN CINEMA ; CLASSICAL MUSIC IN FILMS ; MOVEMENTS IN FILM HISTORY ; MUSIC IN FILMS ; NATIONAL CULTURE AND THE CINEMA. GERMANY ; FASCISM AND THE CINEMA. GERMANY ; NATIONALISM AND THE CINEMA. GERMANY ; POLITICS AND THE CINEMA. GERMANY ; SYBERBERG, HANS JURGEN ; KLUGE, ALEXANDER ; FASSBINDER, RAINER WERNER ; HERZOG, WERNER ; VISCONTI, LUCHINO ; DIE PATRIOTIN (GW, Alexander Kluge, 1979) ; LILI MARLEEN (GW, Rainer Werner Fassbinder, 1981) ; SENSO (IT, Luchino Visconti, 1954) ; WOYZECK (GW, Werner Herzog, 1979) ; FITZCARRALDO (GW, Werner Herzog, 1982) ; LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992) ; DIE ALLSEITIG REDUZIERTE PERSÖNLICHKEIT - REDUPERS (GW, Helke Sander, 1977) ; NOSTALGHIA (IT, Andre Tarkovsky, 1983) ; COVEK NIJE TICA (YU, Dusan Makavejev, 1965) ; STALKER (UR, Andrei Tarkovsky, 1979) Summary: "'Unsettling Scores: German Film, Music, and Ideology' examines the use of classical music in film, particularly in the New German Cinema of the 1970s and early 1980s. By integrating the music of Beethoven, Mahler, and others into their films, directors such as Fassbinder, Kluge, and Syderberg consciously called attention to its cultural significance. Through this music their films could reference and, in some cases, explore an embedded cultural tradition that included German nationalism and the rise of Nazism, especially during a period when German films were gaining international attention for the first time since the 1920s. Classical music conditioned the responses of German audiences in the 1970s and 1980s and was, in turn, reinterpreted in new cinematic contexts. In this pioneering volume, Hillman enriches our understanding of the powerful effects of music in cinema and the aesthetic and dramatic concerns of postwar German filmmakers." (Taken from back cover)Notes: Includes selected bibliography, indexISBN: 0253217547Donation: Donated by Senses of Cinema, 2009
More info
personality microfilm collection
VORONTSOV, ALEXANDER
More info
personality microfilm collection
WALKER, ALEXANDER
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: WALKER, ALEXANDER
More info
title clippings file
WAR AT HOME, THE : (US, Glenn Silber & Barry Alexander Brown, 1979)
More info
still
[War at home, the : stills file]
More info
title clippings file
WHISKY GALORE : (UK, Alexander MacKendrick, 1949)
More info
book
Who killed Channel 9? : the death of Kerry Packer's mighty TV dream machine / Gerald Stone Sydney: Pan Macmillan Australia, 2007.
Call No: 19NIN STOAuthor: Stone, Gerald Source: ATPlace: SydneyPublisher: Pan Macmillan AustraliaPubDate: 2007PhysDes: xi, 292 p., [12] p. of plates : ill., ports. ; 25 cmSubject: NINE NETWORK ; OWNERSHIP TV. AUSTRALIA ; SEVEN NETWORK ; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA ; ETHICS AND TV ; PUBLISHING AND BROADCASTING LTD ; PACKER, KERRY ; PACKER, JAMES ; ALEXANDER, JOHN ; MUNRO, MIKE ; WENDT, JANA ; LECKIE, DAVID ; MEAKIN, PETER ; GYNGELL, DAVID ; NOBLE, KRIS ; GRAEME-EVANS, POSIE ; BOWER, SUSAN ; STEPHENS, JOHN ; CRESS, JULIAN ; BARBOUR, DAVID ; CHISHOLM, SAM ; WALEY, JIM ; BOLAND, ADAM ; LLEWELLYN, MARK ; MCGUIRE, EDDIE ; LYONS, JOHN ; [SIXTY] 60 MINUTES (AT, 1979-) ; BLOCK, THE [TV] (AT, 2003-) ; CURRENT AFFAIR, A [TV] (AT, 1971- ) ; McLEOD'S DAUGHTERS [TV] (AT, 2001-) ; SUNDAY [TV] (AT, 1981-) ; SUNRISE [TV] (AT, 2003-) ; TODAY [TV] (AT, 1982-) ; TODAY TONIGHT [TV] (AT, 1995-) Summary: Gerald Stone charts the changes that Channel 9 has gone through from 2000 onwards. The book shows reveals that changes within the structure Channel 9's parent company (Publishing and Broadcasting Ltd) had a strong impact on 9's operations and business ethos.ISBN: 9781405038157
More info
book
Women in focus / Jeanne Betancourt Dayton, Ohio: Pflaum Pub., c1974.
Call No: 802.253 BETAuthor: Betancourt, Jeanne Source: USPlace: Dayton, OhioPublisher: Pflaum Pub.PubDate: c1974PhysDes: xxii, 186 p. : ill. ; 23 cmSubject: WOMEN IN FILMS ; WOMEN FILMMAKERS ; BRAKHAGE, STAN ; DEREN, MAYA ; VARDA, AGNES ; WINDOW WATER BABY MOVING (US, Stan Brakhage, 1959) ; CLEO FROM 5 TO 7 [CLEO DE 5 A 7] (FR, Agnes Varda, 1962) ; CLEO FROM 5 TO 7 [CLEO DE 5 A 7] (FR, Agnes Varda, 1962) ; DIARY OF A PREGNANT WOMAN (FR, Agnes Varda, 1958) ; OPERA MOUFFE, L' (FR, Agnes Varda, 1958) ; MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943) ; RITUAL IN TRANSFIGURED TIME (US, Maya Deren, 1946) ; THIGH LYNE LYRE TRIANGULAR (US, Stan Brakhage, 1961) ; AT LAND (US, Maya Deren, 1944) Summary: "I hope Women in focus can serve many people. By reading about and seeing films that present real women, those who have been oblivious to the stereotypes of women in film may begin to recognize them by the contrast offered in the films I suggest. " -- Introduction, Women in FocusNotes: Reviews of films; Includes indexes; Bibliography: p. 168-181ISBN: 0827802609LON: 74078728; 462301Contents: -- introduction -- the films index -- the filmmakers -- the films -- thematic index -- program possibilities -- bibliography -- distributors of the films --
More info