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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ASTERIX AND OBELIX VS CAESAR [ASTERIX ET OBELIX CONTER CESAR] (FR/IT/GG, Claude Zidi, 1999)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AWARDS. CESAR

Call No: 79CES HEA
Author: Heath, Stephen
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: 88 p. ; 19 cm
Series: BFI Film Classics
Subject: CESAR (FR, Marcel Pagnol, 1936)
Summary: Examines the career of French writer director Marcel Pagnol (1895-1974) within the context of the development of “talking pictures”. Provides a synopsis of the first two films in the Marseille trilogy ‘Marius’ (directed by Alexander Korda, 1931) and ‘Fanny’ (directed by Marc All gret, 1932) Although Pagnol did not direct the first two films in the trilogy- he was closely involved in their making. The conclusion of the trilogy ’C sar’ (written and directed by Pagnol) is examined in terms of speech, accent, theatricality and cinema, culture and stereotypes. The importance of Marseille as the setting is discussed and the setting’s cultural-historical impact on the main character.
ISBN: 0 85170 833 1

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: CLEOPATRA THE EGYPTIAN QUEEN (IT, Cesar Tod, 1984)

Call No: 71(44) FRE
Author: Hayward, Susan, 1945; Vincendeau, Ginette, 1948
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 2000
PhysDes: xvii, 348 p. : ill., ports. ; 25 cm
Subject: FRANCE; PAGNOL, MARCEL; MARIUS (FR, Alexander Korda/Marcel Pagnol, 1931); FANNY (FR, Marc Allegret, 1932); CESAR (FR, Marcel Pagnol, 1936); BETE HUMAINE, LA (FR, Jean Renoir, 1938); JOUR SE LEVE, LE (FR, Marcel Carne, 1939); ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); VACANCES DE M. HULOT, LES (FR, Jacques Tati, 1953); CASQUE D'OR (FR, Jacques Becker, 1952); [FOUR HUNDRED] 400 BLOWS, THE [; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963); SAMOURAI, LE (FR/IT, Jean-Pierre Melville, 1967); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); VALSEUSES, LES (FR, Bertrand Blier, 1974); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); NUITS DE LA PLEINE LUNE, LES (FR, Eric Rohmer, 1984); SANS TOIT NI LOI (FR, Agnes Varda, 1985); CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990); NIKITA (FR/IT, Luc Besson, 1990); HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995); CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936); AIR DE PARIS, L' (FR, Marcel Carne, 1954); COUP DE FOUDRE (FR, Diane Kury, 1983)
Notes: Previous ed.: 1990; Includes index; Bibliography
ISBN: 0415161177 : ª45.00; 0415161185(pbk.) : ª13.99
LON: 21217432

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RECORDACOES DA CASA AMARELA (PO, Joao Cesar Monteiro, 1989)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: ROMERO, CESAR

Call No: 64REA NAG
Author: Nagib, Lucia
Place: New York ; London
Publisher: Continuum
PubDate: 2011
PhysDes: xiv, 293 p. : ill. ; 23 cm.
Subject: REALISM IN FILMS; WORLD CINEMA; MONTEIRO, JOAO CESAR; HERZOG, WERNER; EMPIRE OF THE SENSES [AI NO CORRIDA / EMPIRE DES SENS, L'] (JA/FR, Nagisa Oshima, 1976); CRIME DELICADO (BL, Beto Brant, 2005); TERRA EM TRANSE (BL, Glauber Rocha, 1967); BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964); ATANARJUAT, THE FAST RUNNER (CA, Zacharias Kunuk, 2001 ); YAABA (UV, Idrissa Ouedraogo, 1989); [FOUR HUNDRED] 400 BLOWS, THE [; YA - CUBA (UR/CU, Mikhail Kalatozov, 1964)
Summary: A sweeping study of world cinema, illustrating how its creative peaks stem from the urge to reveal otherwise hidden political and social dimensions of reality.
ISBN: 9781441165831
Donation: donated by the author.