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title clippings file		ALEKSANDR NEVSKI : (UR, Sergei M. Eisenstein, 1938) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings; Press kit; Stills Subject: ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) More info
book		Battleship Potemkin ; October and Alexander Nevsky / by Sergei Eisenstein ; edited by Jay Leyda ; translated by Diana Matias London: Lorrimer Pub., 1974. Call No: 792 EIS Author: Eisenstein, Sergei, 1898-1948; Leyda, Jay, 1910 Place: London Publisher: Lorrimer Pub. PubDate: 1974 PhysDes: 189 p. : ill. ; 20 cm Subject: BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) Notes: Director's shooting scripts ISBN: 0856470384; 0856470406(pbk.) LON: 263889 More info
Old collection book		Eisenstein / by Yon Barna ; with a foreword by Jan Leyda London: Secker & Warburg, 1973. Call No: 5177 Author: Barna, Yon Source: UK Place: London Publisher: Secker & Warburg PubDate: 1973 PhysDes: 287 p. : ill. ; 22 cm Subject: BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) Notes: Translation of Serghei Eisenstein. Includes bibliographical references and index ISBN: 0436097036 Language: English More info
book		Eisenstein on the audiovisual : the montage of music, image and sound in cinema / Robert Robertson London: I.B. Tauris, 2009. Call No: 81EIS ROB Author: Robertson, Robert Source: UK Place: London Publisher: I.B. Tauris PubDate: 2009 PhysDes: xii, 239 p. : ill. ; 23 cm Series: International library of cultural studies; 5 Subject: SOUND; PERCEPTION; EISENSTEIN, SERGEI M.; MEYERHOLD, VSEVOLOD; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) Summary: "An introduction to a key area of Eisenstein's thought: his ideas about the audiovisual in cinema (the interaction of music, sound and film)."TAKEN FROM BACK COVER ISBN: 9781848857315 Contents: -- General Editor's Preface -- List of Illustrations -- Acknowledgements -- Preface -- Introduction -- Chapter 1: Audiovisual Counterpoint -- Chapter 2: Organic Unity -- Chapter 3. Nonindifferent Nature -- Chapter 4. Synaesthesia -- Notes -- Bibliography -- A note on the versions of Einstein's films consulted -- Index -- More info
book		The elements of cinema : toward a theory of cinesthetic impact / Stefan Sharff New York: Columbia University Press, 1982. Call No: 623.1 SHA Author: Sharff, Stefan Place: New York Publisher: Columbia University Press PubDate: 1982 PhysDes: 187 p. : ill. ; 24 cm Subject: AESTHETICS; IMAGE ANALYSIS; ALEKAN, HENRI; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938); BIRDS, THE (US, Alfred Hitchcock, 1963); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); VIVA ZAPATA (US, Elia Kazan, 1952); WAGON MASTER (US, John Ford, 1950); RED RIVER (US, Howard Hawks, 1948); RIO BRAVO (US, Howard Hawks, 1959) Notes: Includes bibliographical references and index ISBN: 0231054769; 0231054777 (pbk.) LON: 82004268; 2200482 More info
book		Film propaganda : Soviet Russia and Nazi Germany / Richard Taylor London: Croom Helm, 1979. Call No: 411.1 TAY Author: Taylor, Richard, 1946- Source: UK Place: London Publisher: Croom Helm PubDate: 1979 PhysDes: 265 pages , plates : illustrations, portaits : 23 cm Subject: PROPAGANDA FILMS. USSR; PROPAGANDA FILMS. GERMANY; NAZIS IN FILMS; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) Summary: "Lenin, Stalin, Trotsky, Hitler and Goebbels shared a common interest in film: they all regarded the cinema as the most important weapon at their dispodal for mass polical propaganda. This book examins the methods that they used and suggests some tentative lessons that we may draw from their experience" -- taken from inside sleeve Notes: Index ; Bibliography: p. 238-257 ISBN: 0856640999 Donation: Henry Mayer Collection Contents: Acknowledgements -- Note -- Part One: Introduction -- Preface -- Propaganda and Film -- Part Two: Soviet Russia -- Russia: The Historical Background -- Russa: The Needs of Revolution -- Russia: Themes and Variations -- Mother -- October -- Three Songs of Lenin -- Alexander Nevsky -- Part Three: Nazi Germany -- Germany: The Historical Background -- Germany: The Needs of Revolution -- Germany: Themes and Variations -- Triumph of the Will -- The Wandering Jew -- Uncle Kruger -- Kolberg -- Conclusions -- Filmography -- Bibliography -- Conclusions More info
book		Knowing the score : notes on film music / Irwin Bazelon New York -- Toronto -- London -- Melbourne: Van Nostrand Reinhold Co, 1975. Call No: 634.6 BAZ Author: Bazelon, Irwin Source: US/UK/CN//AT Place: New York -- Toronto -- London -- Melbourne Publisher: Van Nostrand Reinhold Co PubDate: 1975 PhysDes: 352 pages : illustrations ; 25 cm Subject: COMPOSING; MUSIC AND THE CINEMA; MUSIC IN FILMS; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938); THIS SPORTING LIFE (UK, Lindsay Anderson, 1963); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); PATTON (US, Franklin J. Schaffner, 1970); WOMAN OF THE DUNES [SUNA NO ONNA] (JA, Hiroshi Teshigahara, 1964); PSYCHO (US, Alfred Hitchcock, 1960); TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962); VIVA ZAPATA (US, Elia Kazan, 1952); MIRACLE WORKER, THE (US, Paul Aaron, 1979) Summary: "Everyone knows film music exists, but few people know anything about it. And yet film music is the extra dimension that points up motivations, adds nuances, and even suggests plot developments, moods, and feelings that contradict the visual image. This book will make you aware of the affective power of music in films and how it can enhance or detract from your involvement in the film." - taken from the dust jacket Notes: Includes index ISBN: 0442205945 Contents: Preface : opening music cue -- Film music and composer -- Film music : a short history -- The contemporary concert composer in films -- The technique of film scoring -- Film moments : what does music actually do? -- Closing music cue -- Personal appearances : interviews with composers [interviews with Elmer Bernstein, Leonard Rosenman, Jerry Goldsmith, John Williams, Richard Rodney Bennett, Alex North, Lalo Schifrin, Bernard Herrmann, David Raksin, Bernard Sega´ll, Laurence Rosenthal, Johnny Mandel, Paul Glass, John Barry, and Gail Kubik] More info
Old collection book		Sergei M. Eisenstein : notes on the retrospective screenings of the films of S. M. Eisenstein presented at the National Film Theatre (Toronto) winter - 1968. [Ottawa]: Canadian Film Archives, a division of the Canadian Film Institute, [1968]. Call No: 81EIS SER CorpAuthor: Canadian Film Archives. Source: CN Place: [Ottawa] Publisher: Canadian Film Archives, a division of the Canadian Film Institute PubDate: [1968] PhysDes: 23 p. ; 29 cm. Subject: STACHKA [STRIKE] (UR, Sergei M. Eisenstein, 1925); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei M. Eisenstein, 1938); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) More info
journal article		Two Eisenstein Films : Classic Features From the Past in Montage (1962) vol.1 iss.2 p.12-13 Author: M., A. PhysDes: Review Credits Subject: OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) Summary: Review of Sergei M. Eisenstein's films "Alexander Nevsky" and "October". More info

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