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ABOVE THE DUST LEVEL : (AT, Carla Drago, 1999)
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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[Bal poussiere : poster]
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Black African cinema / Nwachukwu Frank Ukadike Berkeley: University of California Press, 1994.
Call No: 71(6) UKAAuthor: Ukadike, Nwachukwu Frank Place: BerkeleyPublisher: University of California PressPubDate: 1994PhysDes: x, 371 p. : ill.; 24 cmSubject: IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES ; AFRICAN COUNTRIES ; DOCUMENTARY FILMS. AFRICAN COUNTRIES ; BLACK FILMMAKERS. AFRICAN COUNTRIES ; AFRICAN COUNTRIES ; SEMBENE, OUSMANE ; CISSE, SOULEYMANE ; ANSAH, KWAW PAINTSIL ; ESCARE, DESIRE ; BALOGUN, OLA ; FANON, FRANTZ ; HONDO, MED ; VISAGES DE FEMMES (IV, Desire Ecare, 1985) ; FINZAN (ML, Cheik Omar Sissoko, 1990) ; WEND KUUNI (UV, Gaston Kabore, 1982) ; EMITAI (SG, Ousmane Sembene, 1972) ; CEDDO (SG, Ousmane Sembene, 1977) ; YEELEN (ML, Souleymane Cisse, 1987) ; DANCING IN THE DUST [BAL POUSSIERE] (IV, Henri Duparc, 1988) Notes: Includes bibliographical references (p. 343-355) and indexISBN: 0520077474 (cloth : alk. paper); 0520077482 (paper)LON: 9270979
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DAUGHTERS OF THE DUST : (US, Julie Dash, 1991)
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DEVIL'S DUST [TV] : (AT, Jessica Hobbs, 2012)
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DUST : (BE/FR, Marion Hansel, 1985)
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DUST : (AT, Ivan Sen, 2000)
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DUST : (UK/GG/IT/ME, Milcho Manchevski, 2001)
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DUST AND GLORY : (AT, Simon West, 2013)
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DUST BOWL, THE [TV] : (US, 2012 - )
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DUST IN THE SUN : (AT, Lee Robinson, 1958)
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DUST OFF THE WINGS : (AT, Lee Rogers, 1997)
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Dust or polish / Norman Lindsay Sydney: Arkon Paperbacks, 1972.
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DUST TO DUST : (AT, Sabina Wynn, 1980)
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Feminism and film / Maggie Humm Edinburgh: Edinburgh University Press, 1997.
Call No: 626:396 HUMAuthor: Humm, Maggie Place: EdinburghPublisher: Edinburgh University PressPubDate: 1997PhysDes: x, 246 p. ; 24 cmSubject: FEMINISM AND THE CINEMA ; AUTEUR THEORY ; ETHNIC GROUPS IN FILMS ; POSTMODERNISM AND THE CINEMA ; CRONENBERG, DAVID ; MULVEY, LAURA ; KUHN, ANNETTE ; KAPLAN, E. ANN ; ALTHUSSER, LOUIS ; ROSE, JACQUELINE ; WOOLF, VIRGINIA ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; DEAD RINGERS (CN, David Cronenberg, 1988) ; KLUTE (US, Alan J. Pakula, 1971) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ISBN: 0748609008Order Received: 1998LON: abn97233530; 13317515
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Feminist auteurs : reading women's films / Geetha Ramanathan London: Wallflower Press,
Call No: 626:396 RAMAuthor: Ramanathan, Geetha Edition: 2006Place: LondonPublisher: Wallflower PressPhysDes: viii,240 pages : illustrations ; 24 cmSubject: FEMINISM AND THE CINEMA ; BORDEN, LIZZIE ; KAPLAN, NELLY ; CHADHA, GURINDER ; DURAS, MARGUERITE ; DENIS, CLAIRE ; VARDA, AGNES ; SANS TOIT NI LOI (FR, Agnes Varda, 1985) ; INDIA SONG (FR, Marguerite Duras, 1975) ; BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993) ; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; DANZON (MX, Maria Novaro, 1991) ; MALOU (GW, Jeanine Meerapfel, 1981) ; ANTONIA (NE/BE/UK, Marleen Gorris, 1995) ; HORA DA ESTRELA, A (BL, Suzana Amaral, 1985) Summary: Feminist Auteurs examines a rich and diverse body of work that has received insufficient attention both in film studies and in feminist theory on film. Looking at individual films within the context of feminist film as a genre, Ramanathan examines film from diverse cultural traditions, while paying close attention to what might be regarded as feminist in different cultural contexts. The films chosen expand our ideas of feminism covering as they do film from Africa, Latin America, Europe, Asia and the US. Full-length interpretations of twenty-four films, both older and contemporary, including Vagabond, India Song, Bhaji on the Beach, Chocolat, and Daughters of the Dust lay out a complete and powerful framework for reading women's film. - publisher's web siteISBN: 9781904764694
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Filming feminist frontiers/frontier feminisms 1979-1993 / Kathleen Cummins Toronto, Ontario: York University, [2014].
Call No: 626[396] CUMAuthor: Cummins, Kathleen Source: CNPlace: Toronto, OntarioPublisher: York UniversityPubDate: [2014]PhysDes: 344 pages : illustrations ; 30 cmSubject: FEMINISM AND THE CINEMA ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; BEDEVIL (AT, Tracey Moffat, 1993) ; MY AMERICAN COUSIN (US, Sandy Wilson, 1985) ; LOYALTIES (CN, Anne Wheeler, 1986) ; PIANO, THE (AT, Jane Campion, 1993) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; THOUSAND PIECES OF GOLD (US/UK, Nancu Kelly, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) Summary: "A dissertation submitted to the faculty of graduate studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy." - taken from title page.Notes: Bibliography: pages 330-344.Contents: Introduction: Filming Feminist Frontiers/Frontier Feminisms (1979-1993) -- Why These Ten Films? -- Secondary Literature on Films -- Methodology -- Chapter 1: Women's Storytelling: Narrative, Genre and Voice -- Women's Storytelling and Feminism -- Genre: An Overview -- Conclusion -- Chapter 2 - Filming Homes on the Range: Revisioning Melodrama, the Western and Horror -- Revisioning and Deconstructing Frontier Stories -- The Decolonizing Frontier Films -- The Revisionist Frontier Films -- Revisioning the Myth of the Frontier Through a Decolonizing Lens: White Complicity -- Conclusion -- Chapter 3: Filming Frontier Spaces Through the Lens of Motherhood -- The Motherhood Debates -- Frontier Narratives Through a Maternal Gaze -- The Anti-Racist/Colonial Motherhood Narrative: Subaltern Mothers Saving the Threatened Subaltern Family/Community -- The Anti-Patriarchal Maternal Narratives -- Conclusion -- Chapter 4: Filming "Women's Work" in Gendered Frontier Economies -- Feminist Scholarship on Women's Work and Gendered Economies -- The White Settler Household Narrative -- The Wage Labour Narrative -- Subaltern Settlement Narrative -- Conclusion -- Chapter 5: Filming Female Sexuality in a "Women-less Milieu": Through Her Desiring Gaze -- Feminist Scholarship on Sexuality and Desire -- Frontier Sexuality and Desire Narratives -- Conclusion -- Conclusion: Filming Feminist Frontiers/Frontier Feminisms -- Recommendations for Future Research -- Notes
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A fine romance : five ages of film feminism / Patricia Mellencamp Philadelphia: Temple University Press, 1995.
Call No: 626:396 MELAuthor: Mellencamp, Patricia Place: PhiladelphiaPublisher: Temple University PressPubDate: 1995PhysDes: xiii, 330 p. : ill. ; 24 cmSeries: Culture and the moving imageSubject: FEMINISM AND THE CINEMA ; FEMINISM AND THE CINEMA. AUSTRALIA ; BODY IN FILMS ; EXPRESSIONISM ; DASH, JULIE ; DELEUZE, GILLES ; CAMPION, JANE ; ARMSTRONG, GILLIAN ; POTTER, SALLY ; Tarantino, Quentin ; CHRISTIE, JULIE ; DAVIS, GEENA ; DAVIS, JUDY ; EPHRON, NORA ; GLYN, ELINOR ; GOGOBERIDZE, LANA ; HANKS, TOM ; JAYAMANNE, LALEEN ; LAFFONT, COLLETTE ; LANGTON, MARCIA ; RYAN, MEG ; MOFFATT, TRACEY ; HOOKS, BELL ; PREER, EVELYN ; STONE, SHARON ; SWINTON, TILDA ; TAYLOR, CLYDE ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; ANGIE (US, Martha Coolidge, 1994) ; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEDEVIL (AT, Tracey Moffat, 1993) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; COVER GIRL (US, Charles Vidor, 1944) ; DOLLY SISTERS (US, Irving Cummings, 1945) ; FORBIDDEN LOVE: THE UNASHAMED STORIES OF LESBIAN LOVE (CN, Aerlyn Weissman & Lynne Fernie, 1993) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; ILLUSIONS (US, Julie Dash, 1983?) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; PRIVILEGE (US, Yvonne Rainer, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; QUICK AND THE DEAD, THE (US/JA, Sam Raimi, 1995) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; SOMETHING TO TALK ABOUT (US, Lasse Hallstrom, 1995) ; THRILLER (UK, Sally Potter, 1979) ; JEDDA (AT, Charles Chauvel, 1955) ; PIANO, THE (AT, Jane Campion, 1993) ; METROPOLIS (G, Fritz Lang, 1926) Notes: Includes bibliographical references (p. 291-324) and index; Five ages of film feminismISBN: 1566394015 (pbk.: acid-free paper); 1566394007 (hbk.: acid-free paper)LON: 11870265
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GLITZER UND STAUB [GLITTER AND DUST] : (GG, Anna Koch/Julia Lemke, 2020) Digital clippings file available
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HANDFUL OF DUST, A : (UK, Charles Sturridge, 1988)
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HANDFUL OF DUST, A : AT, Ayten Kuyululu, 1974
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HEAT AND DUST : (UK, James Ivory, 1983)
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book
Heat and dust / Ruth Prawa Jhablava London: Futura Publications, 1976.
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journal article
'Heat and Dust' in Australasian Cinema (22/7/1983) vol.12 iss.13 p.6
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The "I" of the camera : essays in film criticism, history, and aesthetics / William Rothman Cambridge [England] New York: Cambridge University Press, 1988.
Call No: 67(04) ROTAuthor: Rothman, William Place: Cambridge [England] New YorkPublisher: Cambridge University PressPubDate: 1988PhysDes: xix, 210 p. : ill. ; 24 cmSeries: Cambridge studies in filmSubject: USA ; THEATRE AND THE CINEMA ; ADAPTATIONS ; EROTICISM IN FILMS ; MELODRAMA ; GRIFFITH, DAVID WARK ; RENOIR, JEAN ; BOGART, HUMPHREY ; CHAPLIN, CHARLES ; GRANT, CARY ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; GUZZETTI, ALFRED ; BACALL, LAUREN ; ASTOR, MARY ; JUDITH OF BETHULIA (US, David Wark Griffith, 1913) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; RED DUST (US, Victor Fleming, 1932) ; STELLA DALLAS (US, King Vidor, 1937) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; RIVER, THE (II/US, Jean Renoir, 1951) ; FAMILY PORTRAIT SITTINGS (US, Alfred Guzzetti, 1976) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; TRUE HEART SUSIE (US, David Wark Griffith, 1919) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; VERTIGO (US, Alfred Hitchcock, 1958) Notes: Includes index; Bibliography: p. xviii-xixISBN: 0521368286 (pbk.); 052136048XLON: 5831391
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INTRUDER IN THE DUST : (US, Clarence Brown, 1949)
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LUST IN THE DUST : (US, Paul Bartel, 1984)
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journal article
'Lust in the Dust' screens at Rotterdam Fest. in Australasian Cinema (Friday, 8/2/1985) vol.14 iss.2 p.4
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journal article
'Lust in the Dust' sold-out crowds at Berlin Festical in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.8
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book
The Modern American novel and the movies / edited by Gerald Peary and Roger Shatzkin New York: Ungar, 1978.
Call No: 753.4 MODAuthor: Peary, Gerald ; Shatzkin, Roger Place: New YorkPublisher: UngarPubDate: 1978PhysDes: xii, 461 p. : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; ALL THE KINGS MEN (US, Robert Rossen, 1949) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961) ; CATCH 22 (US, Mike Nichols, 1970) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; DELIVERANCE (US, John Boorman, 1972) ; FOUNTAINHEAD, THE (US, King Vidor, 1949) ; FOR WHOM THE BELL TOLLS (US, Sam Wood, 1943) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968) ; HUMAN COMEDY, THE (US, Clarence Brown, 1943) ; IN THIS OUR LIFE (US, John Huston, 1942) ; INTRUDER IN THE DUST (US, Clarence Brown, 1949) ; LAST HURRAH, THE (US, John Ford, 1958) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LOLITA (US, Stanley Kubrick, 1962) ; LONELYHEARTS (US, Vincent J. Donehue, 1958) ; MAN WITH THE GOLDEN ARM, THE (US, Otto Preminger, 1955) ; NAKED AND THE DEAD, THE (US, Raoul Walsh, 1958) ; NATIVE SON (AG, Pierre Chenal, 1951) ; NIGHT OF THE HUNTER (US, Charles Laughton, 1955) ; OF MICE AND MEN (US, Lewis Milestone, 1939) ; OLD MAN AND THE SEA, THE (US, John Sturges, 1958) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; RABBIT, RUN (US, Jack Smight, 1970) ; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972) ; TARNISHED ANGELS, THE (US, Douglas Sirk, 1957) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; TOBACCO ROAD (US, John Ford, 1941) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) ; WET PARADE, THE (US, Victor Fleming, 1932) Summary: "Does a movie have the same impact as the novel on which it is based? Here are some of the stimulating - and occasionally surprising - answers to that question. This book is a follow-up to The Classic American Novel and the Movies, which ended in 1929, but it can be read on its own. [This book] covers novels and films from the 1930s to the 1970s, from Erskine Caldwell's Tobacco Road to James Dickey's Deliverance. In between, many film translations of notable novels are scrutinized - works by such authors as Faulkner, Hemingway, Steinbeck, McCullers, Nabokov, Updike, Kesey, and Vonnegut [...] Style, characterisation, theme, and ideology come under review. And we get behind-the-scenes insights into the actual filming of some celebrated novels. Of special value to scholars and students of film: extended filmographies by both author and film title of adaptations of American novels published between 1930 and 1975. In addition, there is a bibliography covering the same period, plus complete rental information on the films themselves." -- BOOK BLURBNotes: Includes index; Filmography: p. 349-428; Bibliography: p. 429-443; Sequel/companion to The Classic American Novel and the Movies, also in the CollectionISBN: 0804426821 : $14.50. 0804466491 pbk. : $6.95LON: 78004373; 1250638
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RED DUST : (US, Victor Fleming, 1932)
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RED DUST : (UK/SA, Tom Hooper, 2004)
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REFLECTIONS IN THE DUST : (AT, Luke Sullivan, 2018)
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Interim
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Seeing and believing : religion and values in the movies / Margaret R. Miles Boston: Beacon Press, c1996.
Call No: 45:2 MILAuthor: Miles, Margaret Ruth Source: USPlace: BostonPublisher: Beacon PressPubDate: c1996PhysDes: xvi, 254 p. ; 23 cmSubject: RELIGION AND THE CINEMA ; ETHICS IN FILMS ; ETHNIC GROUPS IN FILMS ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; JESUS DE MONTREAL (CN/FR, Denys Arcand, 1989) ; MISSION, THE (UK, Roland Joffe, 1986) ; ROMERO (US, John Duigan, 1989) ; NOT WITHOUT MY DAUGHTER (US, Brian Gilbert, 1991) ; CHOSEN, THE (US, Jeremy Paul Kagan, 1981) ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; LONG WALK HOME, THE (US, Richard Pearce, 1990) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; PIANO, THE (AT, Jane Campion, 1993) ; JUNGLE FEVER (US, Spike Lee, 1991) ; PARIS IS BURNING (US, Jennie Livingston, 1990) Notes: Includes bibliographical references and indexISBN: 0807010316
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journal article
Shashi, Kapoor in Interview (1983) vol.13 iss.9 p.63-65
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SMOKEY BITES THE DUST : (US, Charles B. Griffith, 1981)
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Spaces of women's cinema : space, place and genre in contemporary women's filmmaking / Sue Thornham London: Bloomsbury on behalf of the British Film Institute,
Call No: 631.2-02 THOAuthor: Thornham, Sue CorpAuthor: 2019Edition: 2019Place: LondonPublisher: Bloomsbury on behalf of the British Film InstitutePhysDes: x, 226 pages : index ; 24 cmSubject: WOMEN FILMMAKERS ; AMOUR FOU (AU/LX/GG, Jessica Hausner, 2015) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; BLUE STEEL (US, Kathryn Bigelow, 1989) ; CHAOS (FR, Coline Serreau, 2001) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; FALLING, THE (UK, Carol Morley, 2014) ; MEEK'S CUTOFF (US, Kelly Reichardt, 2011) ; MRS DALLOWAY (US, Marleen Gorris, 1997) ; RED ROAD (UK/DK, Andrea Arnold, 2006) ; WHITE MATERIAL (FR/CM, Claire Denis, 2009) ; WINTER'S BONE (US, Debra Granik, 2010) Summary: Sue Thornham explores issues of space, place, time and gender in feminist filmmaking through an examination of a wide range of films by contemporary women filmmakers, ranging from the avant-garde to mainstream Hollywood. Beginning from questions about space itself and the way it has been gendered, she asks how representation functions in relation to space and time, and how this, too, is gendered, before moving to an exploration of how such questions might be considered in relation to women's filmmaking. In sections dealing with spaces from wilderness to city, she analyses in detail how these issues have been dealt with by women filmmakers, addressing the work of filmmakers such as Jane Campion, Kathryn Bigelow, Julie Dash, Maggie Greenwald, Patricia Rozema and Carol Morley, and films including 'An Angel at My Table' (1990), 'Daughters of the Dust' (1991) 'The Ballad of Little Jo' (1993), 'Winter's Bone' (2010), 'Zero Dark Thirty' (2012) and 'The Falling' (2014). -- publisher's web siteISBN: 9781844579112Contents: list of figures -- acknowledgments -- Introduction: Space and Women's Cinema -- 1. Wilderness Spaces -- 2. City Spaces -- 3. Interior Spaces -- 4. Border Spaces -- 5. Doubled Spaces: the Landscapes of Adaptation -- Bibliography --- filmography -- index
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TENSHI NO KAZU : (JA, Sogo Ishii, 1994)
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TO DUST : (US, Shawn Snyder, 2018)
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