Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: AMERICAN JOURNEY (US, Lisa Maya Knauer & Jack Levine, 1985)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: ANGELOU, MAYA

Call No: TITLE CLIPPINGS FILE; INFINITELY POLAR BEAR (US, Maya Forbes, 2014)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: INFINITELY POLAR BEAR (US, Maya Forbes, 2014)
Summary: JJ Abrams talks about Infinitely Polar Bear

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: DEREN, MAYA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOWN IN THE DELTA (US, Maya Angelou, 1998)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAMLIFE OF GEORGIE STONE, THE (AT, Maya Newell, 2022)

Call No: 385.83 DIX
Author: Dixon, Wheeler Winston, and Foster, Gwendolyn Audrey
Source: UK
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 356 p. : ill.; 23 cm
Subject: EXPERIMENTAL FILMS; AVANT-GARDE FILMS. USA; AVANT-GARDE FILMS. EUROPEAN COUNTRIES; STRUCTURALISM; DEREN, MAYA; ANGER, KENNETH; SMITH, JACK; WARHOL, ANDY; BRAKHAGE, STAN; CONNER, BRUCE; SNOW, MICHAEL; FRAMPTON, HOLLIS; JULIEN, ISAAC; DASH, JULIE; HAMMER, BARBARA
Summary: Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920’s to the work of contemporary film and video artists. Each section features an editor’s introduction setting debates in their context. Sections include: Origins of the American avant-garde cinema, The 1960’s experimental cinema explosion, Structuralism in the 1970’s and Alternative cinemas.
ISBN: 0415277876

Call No: TITLE CLIPPINGS FILE; INFINITELY POLAR BEAR (US, Maya Forbes, 2014)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: INFINITELY POLAR BEAR (US, Maya Forbes, 2014)
Summary: Review of Infinitely Polar Bear
Rating: 3 out of 5 stars

Call No: 771.1 BRA
Author: Brakhage, Stan
Edition: 1st ed
Place: Kingston, N.Y.
Publisher: Documentext
PubDate: 1989
PhysDes: 183 p., [16] p. of plates : ill. ; 24 cm
Subject: AVANT-GARDE FILMS; BRAKHAGE, STAN; BROUGHTON, JAMES; CONNER, BRUCE; DEREN, MAYA; HILL, JEROME; JACOBS, KEN; MACLAINE, CHRISTOPHER; MEKEN, MARIE; PETERSON, SIDNEY
Notes: Includes index; Filmographies: p. 171-177
ISBN: 092970116x (pbk.); 0914232991 (alk. paper)
LON: 6319522

Call No: TITLE CLIPPINGS FILE; GAYBY BABY (AT, Maya Newell, 2015)
Author: -
PhysDes: Clippings File Article
Subject: GAYBY BABY (AT, Maya Newell, 2015)
Summary: Snippet about the documentary GAYBY BABY

Call No: TITLE CLIPPINGS FILE; GAYBY BABY (AT, Maya Newell, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: GAYBY BABY (AT, Maya Newell, 2015)
Summary: Review of the documentary GAYBY BABY
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GAYBY BABY (AT, Maya Newell, 2015)

Call No: TITLE CLIPPINGS FILE; GAYBY BABY (AT, Maya Newell, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: HOMOSEXUALITY IN FILMS; GAYBY BABY (AT, Maya Newell, 2015)

Call No: P GAY
PhysDes: 1 poster : col. ; 97 X 68cm
Subject: GAYBY BABY (AT, Maya Newell, 2015)
Summary: Image: Young boy with flaming heart tattoo on chest, arms out stretched. Text: 'Same-sex families told by the kids.'
Notes: Small tear on left bottom edge
Donation: Cinema Nova

Call No: TITLE CLIPPINGS FILE; GAYBY BABY (AT, Maya Newell, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: GAYBY BABY (AT, Maya Newell, 2015)
Summary: Review of the film GAYBY BABY, with some points made about the controversy regarding its screening in schools in New South Wales
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE; INFINITELY POLAR BEAR (US, Maya Forbes, 2014)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: INFINITELY POLAR BEAR (US, Maya Forbes, 2014)
Summary: Film review of Infinitely Polar Bear
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GROWING UP GAYBY (AT, Maya Newell, 2013)

Call No: 226 NIE
Author: Nieland, Justus
Edition: 2020
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2020
PhysDes: 424 pages : illustrated ; 23 cm
Subject: ART DIRECTION; MODERNISM AND THE CINEMA; BARTHES, ROLAND; COMMUNICATIONS; DEREN, MAYA; EISENSTEIN, SERGEI M.; MCLUHAN, MARSHALL; VAN DER BEEK, STAN; WOLLEN, PETER
Summary: Happiness by Design offers a fresh cultural history of midcentury modernism through the film and multimedia experiments of Charles and Ray Eames and their peers. Justus Nieland traces how Cold War designers engaged in creative activities that spanned disciplines and blended art and technoscience while reckoning with the environmental reach of media at the dawn of the information age. -- publisher's web site
ISBN: 9781517902056
Contents: Contents -- Introduction -- 1. Happy Furniture: On the Media Environments of the Eames Chair -- 2. The Scale Is the World: Designer Pedagogy and Expanded Cinema -- 3. Management Cinema: Film, Communication, and Postwar World-Making in Aspen -- 4. Memories of Overdevelopment: The Vision Conferences and the Fate of Environmental Design -- 5. Designer Film Theory: Techniques of Happiness -- 6. Designer Film Theory, II: Media Pedagogy and Modernist Information Aesthetics -- Coda: The Norton Chair, Circa 1970: Trilling or Eames? -- Acknowledgments -- Notes -- Index

Call No: TITLE CLIPPINGS FILE; INFINITELY POLAR BEAR (US, Maya Forbes, 2014)
Author: Hawker, Philippa
PhysDes: Clippings File Article
Subject: INFINITELY POLAR BEAR (US, Maya Forbes, 2014)
Summary: Mark Ruffalo draws on personal experience in his poratrayal of a struggling family man in the film 'Infinitely Polar Bear'.

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: IN MY BLOOD IT RUNS (AT, Maya Newell, 2019)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: INFINITELY POLAR BEAR (US, Maya Forbes, 2014)
URL status: URL: 'http://file://Q:/T/INFINITELY_POLAR_BEAR.zip' Checked: 31/08/2021 1:33:22 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 670 INV GRI
Author: Grieveson, Lee; Wasson, Haidee
Source: UK
Place: Durham
Publisher: Duke University Press
PubDate: 2008
PhysDes: xxxii, 446 p. : ill. ; 24 cm
Subject: American Film Institute; AVANT-GARDE FILMS; COMPUTER GENERATED IMAGERY; CRITICISM; FILM ART MEDIA; FILM CULTURE; FILM NOIR; FILM STUDY AND RESEARCH; FILMOGRAPHIES; HISTORY OF CINEMA. SILENT PERIOD; MARXISM AND THE CINEMA; MOTION PICTURE ASSOCIATION OF AMERICA; MUSEUM OF MODERN ART [NEW YORK]; PHILOSOPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; REALISM IN FILMS; SOCIETIES, FILM; SOCIOLOGY AND THE CINEMA; SPECTATORSHIP; ALTHUSSER, LOUIS; BACHMANN, GIDEON; BARRY, IRIS; BAZIN, ANDRE; BELLOUR, RAYMOND; BERGSTROM, JANET; BORDWELL, DAVID; BRAKHAGE, STAN; BURGESS, ERNEST; BUSCOMBE, ED; CHAPLIN, CHARLES; COOK, PAM; DEREN, MAYA; FOUCAULT, MICHEL; FULLER, SAMUEL; GODARD, JEAN-LUC; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; HAWKS, HOWARD; HAYS, WILL; HEATH, STEPHEN; HUFF, THEODORE; MACCABE, COLIN; METZ, CHRISTIAN; PARK, ROBERT; PATTERSON, FRANCES TAYLOR; PENLEY, CONSTANCE; RAINER, YVONNE; RAMSAYE, TERRY; RICHTER, HANS; ROTHA, PAUL; SARRIS, ANDREW; SCORSESE, MARTIN; SELDES, GILBERT; SHORT, REV WILLIAM H; STERN, SEYMOUR; THRASHER, FREDRICK; VOGEL, AMOS; VON STROHEIM, ERICH; WEINBERG, HERMAN G; WHANNEL, PADDY; WOLLEN, PETER
Summary: Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. -- Publisher description
Notes: Includes bibliographical references and index
ISBN: 9780822342892
Contents: The Academy and Motion Pictures / Lee Grieveson, Haidee Wasson -- Making Cinema Knowable -- Cinema Studies and the Conduct of Conduct / Lee Grieveson Taking Liberties: The Payne Fund Studies and the Creation of the Media Expert / Mark Lynn Anderson "Reaching the Multimillions": Liberal Internationalism and the Establishment of Documentary Film / Zoe Druick Young Art, Old Colleges: Early Episodes in the American Study of Film / Dana Polan -- Making Cinema Educational -- Studying Movies at the Museum: The Museum of Modern Art and Cinema's Changing Object / Haidee Wasson Classrooms, Clubs, and Community Circuits: Cultural Authority and the Film Council Movement, 1946-1957 / Charles R. Acland Experimental Film and the Development of Film Study in America / Michael Zryd From Cinephilia to Film Studies / Laura Mulvev, Peter Wollen -- Making Cinema Legible -- Experimentation and Innovation in Three American Film Journals of the 1950s / Haden Guest Screen and 1970s Film Theory / Philip Rosen (Re)Inventing Camera Obscura / Amelie Hastie, Lynne Joyrich, Patricia White, Sharon Willis Little Books / Mark Betz -- Making and Remaking Cinema Studies -- Footstool Film School: Home Entertainment as Home Education / Alison Trope Dr. Strange Media, or How I Learned to Stop Worrying and Love Film Theory / D. N. Rodowick

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INVOCATION: MAYA DEREN (UK, Jo Ann Kaplan, 1987)

Call No: 81DER CLA v.1; 81DER CLA v.2
Copy Management: v.1; v.2
Author: Clark, VeVe A; Deren, Maya; Hodson, Millicent; Neiman, Catrina; Melton, Hollis
Place: New York
Publisher: Anthology Film Archives/Film Culture
PubDate: 1984-<1988
PhysDes: v. <1, pts. 1-2 > : ill. ; 24 cm
Subject: DEREN, MAYA
Notes: Includes bibliographies and indexes
ISBN: 0911689168 (hard : v. 1); 0911689141 (set); 091168915X (pbk. : v. 1)
LON: 84073034; 4204587

Call No: 771 TAB
Author: Taberham, Paul
Edition: 2018
Place: New York & Oxford
Publisher: Berghahn Books
PhysDes: 214 pages : illustrated ; 24 cm
Subject: EXPERIMENTAL FILMS; PERCEPTION; PSYCHOLOGICAL EFFECTS OF FILMS; BREER, ROBERT; BRAKHAGE, STAN; DEREN, MAYA; BELSON, JORDAN
Summary: Narrative comprehension, memory, motion, depth perception, synesthesia, hallucination and dreaming have long been objects of fascination for cognitive psychologists. They have also been among the most potent sources of creative inspiration for experimental filmmakers. Lessons in Perception melds film theory and cognitive science in a stimulating investigation of the work of iconic experimental artists such as Stan Brakhage, Robert Breer, Maya Deren, and Jordan Belson. In illustrating how avant-garde filmmakers draw from their own mental and perceptual capacities, author Paul Taberham offers a compelling for how their works expand the range of aesthetic sensitivity and open creative vistas uncharted by commercial cinema. -- publisher's web site
ISBN: 9781785336416
Donation: Senses of Cinema
Contents: List of Illustrations -- Acknowledgements -- Introduction -- PART I: COGNITION --Chapter 1. The Specter of Narrative -- Chapter 2. Ghost Films of the Avant-Garde -- PART II: VISUAL PERCEPTION -- Chapter 3. Bottom Up Processing, Entoptic Vision and the Innocent Eye in the Films of Stan Brakhage -- Chapter 4. Robert Breer and the Dialectic of Eye and Camera -- PART III: AUDIO-VISUAL PERCEPTION -- Chapter 5. Synaesthetic Film Reconsidered - Chapter 6. Three Dimensions of Visual Music -- Conclusion -- Bibliography

Call No: 754.11 SAR
Author: Sargeant, Jack; Watson, Stephanie
Place: London
Publisher: Creation
PubDate: 1999
PhysDes: 256 p. : ill. ; 25 cm
Series: Creation cinema collection ; 15
Subject: ROAD MOVIES; WESTERNS; MOTORCYCLE FILMS; HORROR FILMS; VAMPIRE FILMS; SCIENCE-FICTION FILMS; Wenders, Wim; LYNCH, DAVID; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALICE IN DEN STADTEN (GW, Wim Wenders, 1973); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACKROADS (AT, Philip Noyce, 1977); BADLANDS (US, Terrence Malick, 1973); BLUE VELVET (US, David Lynch, 1986); BONNIE AND CLYDE (US, Arthur Penn, 1967); BUTTERFLY KISS (UK, Michael Winterbottom, 1995); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); CRASH (CN, David Cronenberg, 1996); DELIVERANCE (US, John Boorman, 1972); EASY RIDER (US, Dennis Hopper, 1969); TOPO, EL (MX, Alexandro Jodorowsky, 1971); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); GALLIVANT (UK, Andrew Kotting, 1996); GUN CRAZY (US, Joseph H. Lewis, 1949); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KALIFORNIA (US, Dominic Sena, 1993); IM LAUF DER ZEIT (GW, Wim Wenders, 1976); KISS OR KILL (AT, Bill Bennett, 1997); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); JETEE, LA (FR, Chris Marker, 1963); LOST HIGHWAY (US, David Lynch, 1996); MAD MAX [...] (AT, 1979-85); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); NATURAL BORN KILLERS (US, Oliver Stone, 1994); NEAR DARK (US, Kathryn Bigelow, 1987); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); THELMA & LOUISE (US, Ridley Scott, 1991); THEY LIVE BY NIGHT (US, Nicholas Ray, 1949); TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995); TRUE ROMANCE (US, Tony Scott, 1993); TWO LANE BLACKTOP (US, Monte Hellman, 1971); VANISHING POINT (UK, Richard C. Sarafian, 1971); WALKABOUT (UK, Nicolas Roeg, 1971); WEEK-END (FR/IT, Jean-Luc Godard, 1968); WILD AT HEART (US, David Lynch, 1990); WILD BUNCH, THE (US, Sam Peckinpah, 1969); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1871592682(pbk.) : ª14.95
LON: 20894332

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MATANGI/MAYA/M.I.A. (UK/US/CE, Steve Loveridge, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: MAYA (IT, Marcello Avallone, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: MAYA DARAN (II, Kumar Shauani, 1972)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAYA LIN: A STRONG CLEAR VISION (US, Freida Lee Mock, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAYA MEMSAAB (II, Ketan Mehta, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAYA THE BEE MOVIE (AT/G, Alexs Stadermann, 2014)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MAYA THE BEE THE GOLDEN ORB (GG/AT, Noel Cleary, 2021)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAYA THE BEE: THE HONEY GAMES (GG/AT, Noel Cleary/Sergio Delfino/Alexs Stadermann, 2018)

Call No: 771(73) PIP
Author: Pipolo, Tony
Edition: 2021
Place: New York
Publisher: Oxford University Press
PubDate: 2021
PhysDes: x, 200 pages : illustrated ; 25 cm
Subject: MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); AT LAND (US, Maya Deren, 1944); RITUAL IN TRANSFIGURED TIME (US, Maya Deren, 1946); BRAKHAGE, STAN; MARKOPOULOS, GREGORY; GEHR, ERNIE; DEREN, MAYA; BEAVERS, ROBERT
Summary: The prevalence of loss and mourning, and of charged relationships with parents or parental figures has had a surprising influence on several American avant-garde filmmakers' work . To date, however, little attention has been given to these themes. In The Melancholy Lens, author Tony Pipolo offers a detailed look at the significant role of underlying biographical and psychological factors in specific works by leading avant-garde filmmakers. Covering a range of filmmakers including Maya Deren, Stan Brakhage, Gregory Markopoulos, Robert Beavers, Ken Jacobs, and Ernie Gehr, The Melancholy Lens takes a sensitive approach to understand the motivations of each filmmaker as related to a given work. Pipolo argues, for example, that the work of Deren and Brakhage lends itself to a more aggressive appreciation of psychoanalytic principles. The Deren films studied-Meshes of the Afternoon, At Land, and Ritual in Transfigured Time-are read as varying responses to the death of her father, with whom she had a strained relationship. Tortured Dust-the final film Brakhage made about his first family-was, by his own account, a work of contention and desperation. The elusiveness of Gregory Markopoulos' The Mysteries cannot conceal its naked obsession with death any more than it can diminish the film's poignancy. Robert Beavers' Sotiros is an especially rich and vivid exposure of a vulnerable chapter in the filmmakers's life. In the final two chapters on Ken Jacobs and Ernie Gehr, Pipolo looks outward for artistic motivation to show how both filmmakers' fascination with the history of film and video manifests as a melancholic view of greater history in their work. In the afterword, the author considers later figures whose work is kindred to the theme of this book, among them Nathaniel Dorsky, Phil Solomon, David Gatten, and Lewis Klahr. -- publisher's web site
ISBN: 9780197551172
Contents: Introduction -- Chapter 1. Father Time: Maya Deren's Meshes of the Afternoon, At Land, and Ritual in Transfigured Time -- Chapter 2. This Common Clay: Stan Brakhage and Tortured Dust -- Chapter 3. A Dance with Death: Gregory Markopoulos and The Mysteries -- Chapter 4. Eros Interrupted: Robert Beavers's The Ground and Sotiros -- Chapter 5. The Tempering Frame: Ernie Gehr's Media Romance -- Afterword -- Notes -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943)

Author: Michael Adams
PhysDes: Article
Subject: STANGE, MAYA; GARAGE DAYS (AT, Alex Proyas, 2001)
Summary: Piece on rising actress, Maya Stange

Call No: SUBJECT CLIPPINGS FILE DOCUMENTARY FILMS
Author: Bodey, Michael
PhysDes: Clippings
Subject: DOCUMENTARIES; GAYBY BABY (AT, Maya Newell, 2015); THAT SUGAR FILM (AT, Damon Gameau, 2014)
Summary: brief interview with US producer Amy Zierling

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: POLKA KING, THE (US, Maya Forbes, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RICHARD (AT, Maya Newell, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SACRED GAMES: RITUAL WARFARE IN A MAYA VILLAGE (US, Thor Anderson, 1990)

Call No: TITLE CLIPPINGS FILE; MAYA THE BEE MOVIE (AT/G, Alexs Stadermann, 2014)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: MAYA THE BEE MOVIE (AT/G, Alexs Stadermann, 2014)

Call No: TITLE CLIPPINGS FILE; GAYBY BABY (AT, Maya Newell, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: GAYBY BABY (AT, Maya Newell, 2015)
Summary: Snippet on the release schedule of documentary GAYBY BABY, and how high schools will be able to screen it on August 28, which is a diversity celebration day

Call No: TITLE CLIPPINGS FILE; GAYBY BABY (AT, Maya Newell, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: GAYBY BABY (AT, Maya Newell, 2015)
Summary: Film release at MIFF 2015 of documentary Gayby Baby about children of same-sex parents.

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: STANGE, MAYA

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIO; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); DESTRY RIDES AGAIN (US, George Marshall, 1939); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
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Call No: P THR
Place: [Melbourne]
PubDate: 1974?
PhysDes: 1 poster : b&w ; 46 x 64 cm
Subject: POINT OF DEPARTURE, A (Don McLennan, 1974); HOMOSEXUALITY: A FILM FOR DISCUSSION (AT, Barbara Creed, 1974); URKISH BATHS (AT, Maya Frankel, 1974?)
Summary: Image: a still from each film Text: short blurb for each film
Notes: Handwritten note at top of poster in green marker: "Co-op cinema 4th-16th Nov. 10pm"

Call No: TITLE CLIPPINGS FILE; GAYBY BABY (AT, Maya Newell, 2015)
Author: Dale, David
PhysDes: Clippings File Article
Subject: GAYBY BABY (AT, Maya Newell, 2015)
Summary: GAYBY BABY screens on SBS hoping to dispel negative publicity and concerns

Call No: 771.1(73) SIT
Author: Sitney, P. Adams
Edition: 2d ed
Place: New York
Publisher: Oxford University Press
PubDate: 1979
PhysDes: xiv, 463 p. : ill. ; 24 cm
Subject: AVANT-GARDE FILMS. USA; SURREALISM AND THE CINEMA; ANGER, KENNETH; BEAVERS, ROBERT; BELSON, JORDAN; BRAKHAGE, STAN; BREER, ROBERT; CROWLEY, ALEISTER; BRAKHAGE, JANE; BAILLIE, BRUCE; BROUGHTON, JAMES; CLARKE, SHIRLEY; CONNER, BRUCE; DEREN, MAYA; FRAMPTON, HOLLIS; GEHR, ERNIE; JACOBS, KEN; JORDAN, LARRY; LANDOW, GEORGE; LYE, LEN; MACLAINE, CHRISTOPHER; MARKOPOULOS, GREGORY; MEKAS, JONAS; NELSON, ROBERT; PETERSON, SIDNEY; RAINER, YVONNE; SHARITS, PAUL; SMITH, HARRY; SMITH, JACK; SNOW, MICHAEL; WARHOL, ANDY; WHITNEY, JAMES; RICE, RON; MAAS, WILLARD; KUBELKA, PETER; DUCHAMP, MARCEL; CORNELL, JOSEPH
Notes: Includes bibliographical references and index
ISBN: 0195024850 : $15.95; 0195024869(pbk.)
LON: 1228317

Call No: NEW HOLDINGS SHELVES; 722-02KOW
Author: Kowalski, Rosemary Ribich
Source: US
Place: Metuchen, NJ
Publisher: Scarecrow Press
PubDate: 1979
PhysDes: ix, 278 p. ; 23 cm
Subject: WOMEN AND THE CINEMA; ARZNER, DOROTHY; BOW, CLARA; BROOKS, LOUISE; CLARKE, SHIRLEY; DAVIS, ANDREW; DEREN, MAYA; FONDA, JANE; GARBO, GRETA; GARLAND, JUDY; GISH, LILLIAN; HAYES, HELEN; HARLOW, JEAN; HEPBURN, KATHARINE; HORNE, LENA; KAEL, PAULINE; KAPLAN, NELLY; KELLY, GRACE; LEIGH, VIVIEN; LITTLEWOOD, JOAN; LODEN, BARBARA; LOOS, ANITA; LOREN, SOPHIA; LOVE, BESSIE; Lupino, Ida; MCDANIEL, HATTIE; MANSFIELD, JAYNE; MEYER, RUSS; MICHELSON, ANNETTE; MINNELLI, LIZA; MONROE, MARILYN; MOORE, COLLEEN; MOOREHEAD, AGNES; MOREAU, JEANNE; NEGRI, POLA; NELSON, GUNVOR; PERRY, ELEANOR; PICKFORD, MARY; REICHERT, JULIA; RIEFENSTAHL, LENI; ROGERS, GINGER; ROTHSCHILD, AMALIE R.; SCHLONDORFF, VOLKER; SONTAG, SUSAN; SWANSON, GLORIA; TAYLOR, ELIZABETH; VARDA, AGNES; WEBER, LOIS; WEILL, CLAUDIA; WEST, MAE
Notes: Includes index
ISBN: 0810809745

Call No: 802.253 BET
Author: Betancourt, Jeanne
Source: US
Place: Dayton, Ohio
Publisher: Pflaum Pub.
PubDate: c1974
PhysDes: xxii, 186 p. : ill. ; 23 cm
Subject: WOMEN IN FILMS; WOMEN FILMMAKERS; BRAKHAGE, STAN; DEREN, MAYA; VARDA, AGNES; WINDOW WATER BABY MOVING (US, Stan Brakhage, 1959); CLEO FROM 5 TO 7 [CLEO DE 5 A 7] (FR, Agnes Varda, 1962); CLEO FROM 5 TO 7 [CLEO DE 5 A 7] (FR, Agnes Varda, 1962); DIARY OF A PREGNANT WOMAN (FR, Agnes Varda, 1958); OPERA MOUFFE, L' (FR, Agnes Varda, 1958); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); RITUAL IN TRANSFIGURED TIME (US, Maya Deren, 1946); THIGH LYNE LYRE TRIANGULAR (US, Stan Brakhage, 1961); AT LAND (US, Maya Deren, 1944)
Summary: "I hope Women in focus can serve many people. By reading about and seeing films that present real women, those who have been oblivious to the stereotypes of women in film may begin to recognize them by the contrast offered in the films I suggest. " -- Introduction, Women in Focus
Notes: Reviews of films; Includes indexes; Bibliography: p. 168-181
ISBN: 0827802609
LON: 74078728; 462301
Contents: -- introduction -- the films index -- the filmmakers -- the films -- thematic index -- program possibilities -- bibliography -- distributors of the films --