personality clippings file
ALBICOCCO, JEAN-GABRIEL
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AXEL, GABRIEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: AXEL, GABRIEL
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BABETTES GAESTEBUD : (DK, Gabriel Axel, 1987)
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personality microfilm collection
BARYLLI, GABRIEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BARYLLI, GABRIEL
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BOI NEON : (BL/UY/NE, Gabriel Mascaro, 2015)
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BYRNE, GABRIEL
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BYRNE, GABRIEL
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CAESAR AND CLEOPATRA : (UK, Gabriel Pascal, 1945)
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book
Cinema examined : selections from Cinema journal / Richard Dyer MacCann, Jack C. Ellis New York: Dutton, 1982.
Call No: 67(04) CINAuthor: MacCann, Richard Dyer ; Ellis, Jack C., 1922 CorpAuthor: Cinema JournalEdition: 1st edPlace: New YorkPublisher: DuttonPubDate: 1982PhysDes: xiii, 300 p., [1] leaf of plates : ill. ; 21 cmSubject: INDUSTRY, FILM. USSR ; SAMURAI FILMS ; CHAPLIN, CHARLES ; VISCONTI, LUCHINO ; HITCHCOCK, ALFRED ; INDUSTRY, TV. USA ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; CET OBSCUR OBJET DU DESIR (FR/SP, Luis Bunuel, 1977) Notes: Includes bibliographical referencesISBN: 0525474641 (pbk.) : $9.95LON: abn83062603; 2630261
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journal article
Cold Mountain in Empire (Australian Ed.) (August 2006) iss.65 p.60-63
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personality clippings file
COLOMB, GABRIEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: COLOMB, GABRIEL
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book
Contemporary cinema of Africa and the diaspora / Anjali Prabhu Chichester: Wiley Blackwell,
Call No: 71(6) PRAAuthor: Prabhu, Anjali Edition: 2014Place: ChichesterPublisher: Wiley BlackwellPhysDes: 262 p. : illus. ; 25 cmSubject: AFRICA ; AFRICAN COUNTRIES ; EXPERIMENTAL FILMS ; SEMBENE, OUSMANE ; SISSOKO, CHEIK OMAR ; PECK, RAOUL ; FORGIVENESS (SA, Ian Gabriel, 2004) ; LUMUMBA (FR/BE/GG/HT, Raouel Peck, 2000) ; FAAT-KINE (SG, Ousmane Sembene, 2000) ; NOIRE DE..., LA (SG, Ousmane Sembene, 1965) ; BLOOD DIAMOND (US, Edward Zwick, 2006) Notes: Analyzing art house films from the African continent and the African diaspora, this book showcases a new generation of auteurs with African origins from political, aesthetic, and spectatorship perspectives.
- Focuses on art house cinema and discusses commercial African cinema
- Enlarges our understanding of African film to include thematic and aesthetic influence
- Highlights aesthetic and political aspects including racial identity, women’s issues, and diaspora
- Heavily illustrated with over 90 film stills
- Features selected stills integral to the filmic analysis in full color
- Moves beyond Western-oriented analytical paradigm
-- publisher's web siteISBN: 9781405193047Contents: Acknowledgments ix
1 AfricaWatch: Parameters and Contexts 1
Part I Space 33
2 The Postcolonial City: Education of the Spectator in Harrikrisna Anenden's The Cathedral 35
3 Framing the City: Africanizing Viewer and Viewed through Angle, Distance, Genre, and Movement 55
Part II Character 77
4 Models of African Femininity 79
5 African Masculinity: "We Don't Need Another Hero" 113
6 Revolutionary Personhood: Revolutionize the Spectator, or Stop,Thief! 133
Part III Narrative 155
7 Documentary Film: Situating a Style 157
8 African Narration: Narration of Africa 172
9 Jean-Marie Teno: Creating an African Repertoire 187
10 Conclusion: Inside/Outside or How to Make a Film about Africa Today 216
Filmography 234
References 238
Glossary 246
Index 251
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journal article
Crazy Paradise in Kine Weekly (November 12 1966) vol.593 iss.3084 p.20
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title clippings file
DEATH OF A PRESIDENT : (UK,Gabriel Range, 2006)
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DIAMANTINO : (PO/FR/BL, Gabriel Abrantes & Daniel Schmidt, 2018)
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personality microfilm collection
FIGUEROA, GABRIEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: FIGUEROA, GABRIEL
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title clippings file
FLORES DE PAPEL : (MX, Gabriel Retes, 1978)
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FORGIVENESS : (SA, Ian Gabriel, 2004)
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Online resource
digital clippings file
GABRIEL : (AT, Shane Abbess, 2007) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: GABRIEL (AT, Shane Abbess, 2007) URL status: URL: 'http://file://Q:/T/GABRIEL.zip'
Checked: 31/08/2021 1:15:44 PM
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Details: Failed to send HTTP request (WinHttpSendRequest)
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journal article
Gabriel in Empire (Australian Ed.) (December 2007) iss.81 p.18-19
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journal article
Gabriel in Empire (Australian Ed.) (April 2008) iss.85 p.107
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personality clippings file
GABRIEL, BEN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: StillsSubject: GABRIEL, BEN
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personality microfilm collection
GABRIEL, LAURA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: GABRIEL, LAURA
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personality clippings file
GABRIEL, PETER
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: GABRIEL, PETER
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poster
[Gabriel : poster]
Call No: P GABPhysDes: 1 poster : col. ; 100 X 69 cm.Subject: GABRIEL (AT, Shane Abbess, 2007) Summary: Image: Has photo of Andy Whitfield. Text: 'Far from Grace'.Notes: Has few tear on right hand side and left hand side; Has 2 copies
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poster
[Gabriel : poster]
Call No: P GABPhysDes: 1 poster : col. ; 101 x 68 cm.Subject: GABRIEL (AT, Shane Abbess, 2007) Summary: Image: Full length shot of Andy Whitfield standing on a building that is decorated with gargoyles. It is raining and he is wearing a monk's robe and holding a hand gun. Text: 'Far from grace.'Notes: Two copies.
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personality microfilm collection
GABRIEL, RAYMOND
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: GABRIEL, RAYMOND
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personality clippings file
GATE, GABRIEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: GATE, GABRIEL
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book
Genre, gender, race and world cinema : an anthology / Edited by Julie F. Codell Malden, Massachusetts: Blackwell Publishing, 2006.
Call No: 62(082) GENAuthor: Codell, Julie F. Source: USPlace: Malden, MassachusettsPublisher: Blackwell PublishingPubDate: 2006PhysDes: ix, 474 pages ; 25 cmSubject: ASIANS IN FILMS ; BOLLYWOOD ; CULTURE AND THE CINEMA ; CULTURAL IMPERIALISM ; FILM NOIR ; GENDER AND THE CINEMA ; GENRES ; WORLD CINEMA ; GLOBALISATION ; RACE AND THE CINEMA ; IDENTITY IN FILMS ; IDEOLOGY AND THE CINEMA ; IRAN ; MELODRAMA ; NATIONAL CULTURE AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA ; RACE AND THE CINEMA ; RACIAL PROBLEMS IN FILMS ; RACIAL STEREOTYPES IN FILMS ; WORLD CINEMA ; KAIGE, CHEN ; NAIR, MIRA ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; FIGHT CLUB (US, David Fincher, 1999) ; HSI YEN (TZ, Ang Lee, 1993) ; INDIAN IN THE CUPBOARD, THE (US, Frank Oz, 1995) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; POCAHONTAS (US, Mike Gabriel & Eric Goldberg, 1995) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; ALL ABOUT MY MOTHER (SP/FR, Pedro Almodovar, 1999)
SEE
TODO SOBRE MI MADRE ; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999) ; TRAFFIC (US, Steven Soderbergh, 2000) Summary: "a collection of essays that introduces the study of film theory through contemporay issues...Using four topics- genre, gender, race, and 'third cinema' - the book encourages critical discussions of films by students with a beginner's knowledge of film history. American, Asian, European and African cinema are all included."ISBN: 1405132337Contents: Preface -- General introduction: film and identities --; Part I Genres: ever-changing hybrids -- Introduction and further reading -- Conclusion: a semantic/syntactic/pragmatic approach to genre: Rick Altman -- Film bodies: gender, genre, and excess: Linda Williams -- The body and Spain: Pedro Almodovar's 'All About My Mother': Ernesto R. Acevedo-Munoz -- Enjoy your fight! - 'Fight Club' as a symptom of the network society: Bulent Diken and Carsten Bagge Laustsen -- Film and changing technologies: Laura Kipnis -- Postmodern cinema and Hollywood culture in an age of corporate colonization: Carl Boggs and Tom Pollard --; Part II Genders: more than two -- Introduction and further reading -- Mobile identities, digital stars, and post cinematic selves: Mary Flanagan -- "Nothing is as it seems": re-viewing 'The Crying Game': Lola Young -- Crying over the melodramatic penis: melodrama and male nudity in the films of the 90s: Peter Lehman -- Travels with Sally Potter's 'Orlando': gender, narrative, movement: Julianne Pidduck -- Body matters: the politics of provocation in Mira Nair's films: Alpana Sharma -- Cowgirl Tales: Yvonne Tasker --; Part III Race: stereotypes and multiple realisms -- Introduction and further reading -- The family changes colour: interracial families in contemporary Hollywood cinema: Nicola Evans -- Black on white: film noir and the epistemology of race in recent African American cinema: Dan Flory -- Becoming Asian American: Chan is missing: Peter X. Feng -- 'The Wedding Banquet': global Chinese cinema and the Asian American experience: Gina Marchetti -- Another fine example of the oral tradition? Identification and subversion in Sherman Alexie's 'Smoke Signals': Jhon Warren Gilroy -- Playing Indian in the nineties: 'Pocahontas' and 'The Indian in the Cupboard': Pauline Turner Strong -- "You are alright, but..." Individual and collective representations of Mexicans, Latinos, Anglo-Americans and African-Americans in Steven Soderbergh's 'Traffic': Deborah Shaw --; Part IV World cinema: joining local and global -- Introduction and further reading -- Theorizing "third-world" film spectatorship: the case of Iran and Iranian cinema: Hamid Naficy -- The open image: poetic realism and the new Iranian cinema: Shohini Chaudhuri and Howard Finn -- The seductions of homecoming: place, authenticity and Chen Kaige's 'Temptress Moon': Rey Chow -- Cultural identity and diaspora in contemporary Hong Kong cinema: Julian Stringer -- "And yet my heart is still Indian": the Bombay film industry and the (H)indianization of Hollywood: Tejaswini Ganti -- Future past: integrating orality into Francophone West African film: Melissa Thackway -- Acknowledgements
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book
The Hollywood social problem film : madness, despair, and politics from the Depression to the fifties / Peter Roffman and Jim Purdy Bloomington: Indiana University Press, 1981.
Call No: 744 ROFAuthor: Roffman, Peter, 1950 ; Purdy, Jim, Place: BloomingtonPublisher: Indiana University PressPubDate: 1981PhysDes: x, 364 p., [5] leaves of plates : ill. ; 25 cmSubject: SOCIAL PROBLEMS IN FILMS. USA ; DEPRESSION IN FILMS ; DRUGS IN FILMS ; MADNESS IN FILMS ; BAD GUYS ; FASCISM AND THE CINEMA ; FALLEN WOMEN IN FILMS ; DELINQUENTS IN FILMS ; JEWS IN FILMS ; BLACKS IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; BLACKLISTING. USA ; JOURNALISTS IN FILMS ; POLITICAL PERSONALITIES IN FILMS ; POPULISM AND THE CINEMA. USA ; RACIAL PROBLEMS IN FILMS ; RURAL LIFE IN FILMS ; WARNER BROS. ; Metro-Goldwyn-Mayer ; LANG, FRITZ ; BORZAGE, FRANK ; CHAPLIN, CHARLES ; GARFIELD, JOHN ; CAPRA, FRANK ; VIDOR, KING ; BLACK LEGION (US, Archie L. Mayo, 1936) ; CABIN IN THE COTTON, THE (US, Michael Curtiz, 1932) ; DEAD END (US, William Wyler, 1937) ; FORCE OF EVIL (US, Abraham Polonsky, 1948) ; GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933) ; STATE'S ATTORNEY (US, George Archainbaud, 1932) ; SULLIVAN'S TRAVELS (US, Preston Sturges, 1942) ; THEY WON'T FORGET (US, Mervyn LeRoy, 1937) ; THREE COMRADES (US, Frank Borzage, 1938) ; GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947) ; I WAS A COMMUNIST FOR THE F.B.I. (US, Gordon Douglas, 1951) ; LAWLESS, THE (US, Joseph Losey, 1950) ; LAWYER MAN (US, Wilhelm Dieterle, 1932) ; LITTLE MAN, WHAT NOW? (US, Frank Borzage, 1934) ; MASSACRE (US, Alan Crosland, 1933) ; MEET JOHN DOE (US, Frank Capra, 1941) ; MOUTHPIECE, THE (US, James Flood & Elliott Nugent, 1932) ; OUR DAILY BREAD (US, King Vidor, 1934) ; PINKY (US, Elia Kazan, 1949) ; PRESIDENT VANISHES, THE (US, William Wellman, 1934) ; RIFFRAFF (US, J. Walter Ruben, 1936) ; [MISTER] MR. DEEDS GOES TO TOWN (US, Frank Capra, 1936) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; MORTAL STORM, THE (US, Frank Borzage, 1940) ; MY MAN GODFREY (US, Gregory La Cava, 1936) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; BODY AND SOUL (US, Robert Rossen, 1947) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; HEROES FOR SALE (US, William A. Wellman, 1933) ; I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Notes: Includes index; Bibliography: p. 319-329; Filmography: p. 331-351ISBN: 0253127076; 0253202612 (pbk.)LON: 1763505
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still
[Hurrah : stills file] / Lisa Tomasetti, Nino Martinetti Hurrah Productions P/L,
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Illuminating shadows : the mythic power of film / Geoffrey Hill Boston: Shambhala, 1992.
Call No: 632.43 HILAuthor: Hill, Geoffrey Michael, 1950 Place: BostonPublisher: ShambhalaPubDate: 1992PhysDes: viii, 319 p. : ill. ; 23 cmSubject: MYTH AND THE CINEMA ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; SHANE (US, George Stevens, 1953) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; BLUE VELVET (US, David Lynch, 1986) ; RUMBLE FISH (US, Francis Ford Coppola, 1983) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; REPO MAN (US, Alex Cox, 1984) ; SAILOR WHO FELL FROM GRACE WITH THE SEA, THE (UK, Lewis John Carlino, 1976) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; INSIGNIFICANCE (UK, Nicolas Roeg, 1985) ; ROK SPOKOJNEGO SLONCA (PL/US/GW, Krzysztof Zanussi, 1984) ; BABETTES GAESTEBUD (DK, Gabriel Axel, 1987) ; LITTLE SHOP OF HORRORS (US, Frank Oz, 1986) ; LITTLE SHOP OF HORRORS, THE (US, Roger Corman, 1960) ; TRIP TO BOUNTIFUL, THE (US, Peter Masterson, 1985) ; GRADUATE, THE (US, Mike Nichols, 1967) ; SANTA SANGRE (IT, Alexandro Jodorowsky, 1989) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) Notes: Includes bibliographical references (p. 313-319)ISBN: 0877736456 (pbk. : alk. paper)LON: 8202303
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JEUNESSE ALLEMANDE, UNE : (FR/SZ/GG, Jean-Gabriel Periot, 2015)
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journal article
Jindabyne in Empire (Australian Ed.) (December 2006) iss.69 p.109
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title clippings file
KPAPATCHOUK : (SP/FR/BE, Enrique Gabriel Lipichutz, 1992)
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title clippings file
MAJOR BARBARA : (UK, Gabriel Pascal, 1941)
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title clippings file
MCQUEEN: THE MAN AND LE MANS : (UK/US, Gabriel Clarke & John McKenna, 2015)
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book
Meeting at the Sphinx / by Marjorie Deans. Gabriel Pascal's production of Bernard Shaw's Caesar and Cleopatra ; with forewards by both the author and the producer, Bernard Shaw and Gabriel Pascal London: Macdonald, [1946].
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book
Nouvelle vague : the first decade / Raymond Durgnat Essex : Motion, 1963: MOTION Publications,
Call No: 64NOU DURAuthor: Durgnat, Raymond Place: Essex : Motion, 1963Publisher: MOTION PublicationsPhysDes: 90pSubject: NOUVELLE VAGUE ; ALBICOCCO, JEAN-GABRIEL ; ASTRUC, ALEXANDRE ; BROOK, PETER ; CHABROL, CLAUDE ; DEMY, JACQUES ; FRANJU, GEORGES ; GODARD, JEAN-LUC ; MALLE, LOUIS ; MELVILLE, JEAN-PIERRE ; RESNAIS, ALAIN ; RIVETTE, JACQUES ; ROUCH, JEAN ; TRUFFAUT, FRANCOIS ; VADIM, ROGER ; VARDA, AGNES ; MOCKY, JEAN-PIERRE LON: 5050367
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POCAHONTAS : (US, Mike Gabriel & Eric Goldberg, 1995)
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book
Reel politics : American political movies from Birth of a nation to Platoon / Terry Christensen Oxford New York: Blackwell, 1987.
Call No: 745 CHRAuthor: Christensen, Terry Place: Oxford New YorkPublisher: BlackwellPubDate: 1987PhysDes: x, 244 p. : ill. ; 24 cmSubject: POLITICAL FILMS. USA ; WORLD WAR II FILMS ; FASCISM AND THE CINEMA ; COMMUNISM AND THE CINEMA ; VIETNAM WAR FILMS ; WORKERS IN FILMS ; NUCLEAR ISSUES IN FILMS ; REVOLUTIONARY THEMES IN FILMS ; WAR AND THE CINEMA ; POLITICAL PERSONALITIES IN FILMS ; FONDA, HENRY ; FORD, JOHN ; GRIFFITH, DAVID WARK ; REDS (US, Warren Beatty, 1981) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; CITIZEN KANE (US, Orson Welles, 1941) ; CASABLANCA (US, Michael Curtiz, 1942) ; CANDIDATE, THE (US, Michael Ritchie, 1972) ; FRONT, THE (US, Martin Ritt, 1976) ; ADVISE AND CONSENT (US, Otto Preminger, 1962) ; STATE OF THE UNION (US, Frank Capra, 1948) ; SISTERS (US, Brian De Palma, 1972) Notes: Includes index; Bibliography: p.[224]-227ISBN: 0631158448 : $24.95 (U.S.)LON: 5549737
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title clippings file
RESCUERS DOWN UNDER, THE : (US, Hendel Butoy & Mike Gabriel, 1990)
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title clippings file
SAMSON : (US/SA, Bruce Macdonald / Gabriel Sabloff , 2018)
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journal article
Sony holds high hopes for gothic local epic ' Gabriel' in Encore (August 2007) vol.25 iss.08 p.36
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Old collection
book
Theory of film : the redemption of physical reality / Siegfried Kracauer New York: Oxford University Press, 1965.
Call No: 62 KRAAuthor: Kracauer, Siegfried Place: New YorkPublisher: Oxford University PressPubDate: 1965PhysDes: xix, 364 p. ill., 20 cm.Subject: ACTORS ; ADAPTATIONS ; EXPERIMENTAL FILMS ; THEORY ; AGEE, JAMES ; ALEXANDROV, GROGORIJ ; ANGER, KENNETH ; ANSTEY, EDGAR ; ARNHEIM, RUDOLF ; ASTAIRE, FRED ; BALAZS, BELA ; BENJAMIN, WALTER ; BERGMAN, INGMAR ; BOGART, HUMPHREY ; BRAKHAGE, STAN ; BRANDO, MARLON ; BUNUEL, LUIS ; CAGNEY, JAMES ; CAPRA, FRANK ; CASTELLANI, RENATO ; CAVALCANTI, ALBERTO ; CHANEY, LON ; CHAPLIN, CHARLES ; CLAIR, RENE ; CLEMENT, RENE ; CLOUZOT, HENRI-GEORGES ; COCTEAU, JEAN ; DALI, SALVADOR ; DE FILIPPO, EDUARDO ; DEMILLE, CECIL B. ; DE SICA, VITTORIO ; DISNEY, WALT ; DOVZENKO, ALEKSANDR ; DREYER, CARL TH. ; DUCHAMP, MARCEL ; DUVIVIER, JULIEN ; ELTON, ARTHUR ; ENGEL, MORRIS ; EPSTEIN, JEAN ; FELLINI, FEDERICO ; FEUILLADE, LOUIS ; FEYDER, JACQUES ; FISCHINGER, OSKAR ; FLAHERTY, ROBERT ; FORD, JOHN ; FRANJU, GEORGES ; FREUD, SIGMUND ; GANCE, ABEL ; GARNETT, GALE ; GIDE, ANDRE ; GREENE, GRAHAM ; GRIERSON, JOHN ; GRIFFITH, DAVID WARK ; GRIFFITHS, RICHARD ; GUITRY, SACHA ; HARRINGTON, CURTIS ; HILL, DAVID ; HITCHCOCK, ALFRED ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; VITELLONI, I (IT, Federico Fellini, 1953) ; VAMPYR : DER TRAUM DES ALLEN GRAY (G/FR, Carl Th. Dreyer, 1932) ; VARIETE (G, E.A. Dupont, 1925) ; VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940) ; UMBERTO D. (IT, Vittorio De Sica, 1952) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; OKTIABR (UR, Sergei M. Eisenstein, 1928) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946) ; SWING TIME (US, George Stevens, 1936) ; STRADA, LA (IT, Federico Fellini, 1954) ; ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936) ; MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946) ; SPIONE (G, Fritz Lang, 1928) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931) ; SHANE (US, George Stevens, 1953) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926) ; SCARFACE (US, Howard Hawks, 1932) ; SANG DES BETES, LE (FR, Georges Franju,1949) ; SAN FRANCISCO (US, W.S. Van Dyke, 1936) ; ROUE, LA (FR, Abel Gance, 1922) ; ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954) ; RICHARD III (UK, Laurence Olivier, 1955) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REGEN (NE, Joris Ivens, 1929) ; PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; PARIS 1900 (FR, Nicole Vedres, 1948) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; OTELLO (UR, Sergej Jutkevic, 1956) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; OLVIDADOS, LOS (MX, Luis Bunuel, 1951) ; OF MEN AND MUSIC (US, Irving Reis, 1950) ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936) ; NIGHT AT THE OPERA, A (US, Sam Wood, 1935) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; MOULIN ROUGE (UK, E.A. Dupont, 1928) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MOBY DICK (UK, John Huston, 1956) ; MOANA (US, Robert Flaherty, 1926) ; MILLION, LE (FR, Rene Clair, 1931) ; METROPOLIS (GG, Fritz Lang, 1927) ; MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943) ; MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929) ; MARTY (US, Delbert Mann, 1954) ; MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936) ; MAJOR BARBARA (UK, Gabriel Pascal, 1941) ; MADAME BOVARY (FR, Claude Chabrol, 1991) ; MACBETH (US, Orson Welles, 1948) ; M (G, Fritz Lang, 1931) ; LOVE PARADE, THE (US, Ernst Lubitsch, 1929) ; LIMELIGHT (US, Charles Chaplin, 1952) ; LIFEBOAT (US, Alfred Hitchcock, 1944) ; OSTATNI ETAP (PL, Wanda Jakubowska, 1948) ; LADY IN THE LAKE (US, Robert Montgomery, 1946) ; KID, THE (US, Charles Chaplin, 1921) ; JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; INVISIBLE MAN, THE (US, James Whale, 1933) ; INTOLERANCE (US, David Wark Griffith, 1916) ; HUMAN DESIRE (US, Fritz Lang, 1954) ; HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935) ; HOTEL DES INVALIDES (FR, Georges Franju, 1952) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HENRY V (UK, Laurence Olivier, 1944) ; HEIRESS, THE (US, William Wyler, 1949) ; HATFUL OF RAIN, A (US, Fred Zinnemann, 1957) ; HAMLET (UK, Laurence Olivier, 1948) ; HALLELUJAH! (US, King Vidor, 1929) ; GREED (US, Erich von Stroheim, 1925) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; ORO DI NAPOLI, L' (IT, Vittorio De Sica, 1954) ; GOLD OF NAPLES (IT, Vittorio De Sica, 1954) ; GLASS MENAGERIE, THE (US, Irving Rapper, 1950) ; VORMITTAGSSPUK (G, Hans Richter, 1928) ; GHOST GOES WEST, THE (UK, Rene Clair, 1935) ; GHOST AND MRS. MUIR, THE (US, Joseph L. Mankiewicz, 1947) ; GERVAISE (FR, Rene Clement, 1956) ; JIGOKUMON (JA, Teinosuke kinugasa, 1953) ; FURY (US, Fritz Lang, 1936) ; FOUR HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962) ; FARREBIQUE (FR, Georges Rouquier, 1945) ; FANTASIA (US, Walt Disney, 1940) ; ZEMLJA (UR, Alexksandr Dovzenko, 1930) ; JOURNAL D'UN CURE DE CAMPAGNE (FR, Robert Bresson, 1951) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; MUDE TOD, DER (G, Fritz Lang, 1921) ; DEATH OF A SALESMAN (US, Laslo Benedek, 1951) ; DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945) ; CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; CITIZEN KANE (US, Orson Welles, 1941) ; CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) ; BROKEN BLOSSOMS (US, David Wark Griffith, 1919) ; BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BOOMERANG (US, Elia Kazan, 1947) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; BEZZERIDES, A.I. ; BEN HUR (US, Fred Niblo, 1925) ; BAMBI (US, David Hand, 1942) ; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924) ; BACK STREET (US, John M. Stahl, 1932) ; ATALANTE, L' (FR, Jean Vigo, 1934) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; APARAJITO (II, Satyajit Ray, 1957) ; ANNA CHRISTIE (US, Clarence Brown, 1930) ; ANATOMY OF A MURDER (US, Otto Preminger, 1959) ; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931) ; ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938) ; BROADWAY MELODY, THE (US, Harry Beaumont, 1929) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes indexURL status: URL: 'http://-'
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Visions of the East : orientalism in film / edited by Matthew Bernstein and Gaylyn Studlar New Brunswick, N.J.: Rutgers University Press, c1997.
Call No: 626-054 VISAuthor: Berstein, Matthew; Studlar, Gaylyn Source: USPlace: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: c1997PhysDes: ix, 330 p. : ill. ; 23 cmSubject: ETHNOGRAPHY AND THE CINEMA ; ETHNOGRAPHIC FILMS ; ANTHROPOLOGY AND THE CINEMA ; RACIAL STEREOTYPES IN FILMS ; ASIANS IN FILMS ; INDOCHINE (FR, Regis Wargnier, 1992) ; ALADDIN (US, John Musker & Ron Clements, 1992) ; PEPE LE MOKO (FR, Julien Duvivier, 1937) ; CAESAR AND CLEOPATRA (UK, Gabriel Pascal, 1945) Summary: "Some of the most popular and frequently discussed titles in movie history are imbued with orientalism, the politically charged way in which Western artists have represented gender, race, and ethnicity in the cultures of North Africa and Asia. This is the first anthology to address and highlight orientalism in film from pre-cinema fascinations with Egyptian culture through the "Whole New World" of Aladdin. Eleven illuminating and well-illustrated essays utilize the insights of interdisciplinary cultural studies, psychoanalysis, feminism, and genre criticism. Other films discussed include The Letter, Caesar and Cleopatra, Lawrence of Arabia, Indochine, and severeal films of France's 'cinema colonial'."-BOOK BLURBNotes: includes bibliographical references (p. [315]-318) and indexISBN: 0813522951Contents: Acknowledgements / Matthew Bernstein -- Gender and Culture of Empire: Toward a Feminist Ethnography of the Cinema / Ella Shohat -- The Curse of the Pharaoh, or How Cinema Contracted Egyptomania / Antonia Lant --"Out-Salomeing Salome": Dance, the New Woman, and Fan Magazine Orientalism / Gaylyn Studlar -- The Thousand Ways There Are to Move: Camp and Oriental Dance in the Hollywood Musicals of Jack Cole / Andrienne L. McLean -- The Family Romance of Orientalism: From Madame Butterfly to Indochine / Marina Heung -- A Whole New (Disney) World Order: Alladin, Atomic Power, and the Muslim Middle East / Alan Nadel -- The "Cinema colonial" of 1930s France: Film Narration as Spatial Practice / Charles O'Brien -- Praying Mantis: Enchantment and Violence in French Cinema of the Exotic / Dudley Andrew -- In the Labyrinth: Masculine Subjectivity, Expatriation, and Colonialism in Pepe le Moko / Janice Morgan -- Timeless Histories: A British Dream of Cleopatra / Mary Homer.
Reading the Letter in a Postcolonial World / Phebe Shih Chao -- Orientalism in Film: A Select Bibliography
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YEUX DES OISEAUX, LES : (UK/FR, Gabriel Auer, 1983)
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