poster
[A clockwork orange : poster]
Call No: P CLOPhysDes: 1 poster : col. ; 60 X 49 cm.Subject: CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) Summary: Image: Illustration of the the character of Alex bursting through a triangle holding a knife.Notes: Some tears on the right hand side and some fold lines.
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Behind the scenes at the BBFC : film classification from the silver screen to the digital age / edited by Edward Lamberti ; associate editors Jason Green, David Hyman, Craig Lapper, Karen Myers London: BFI book published by Palgrave Macmillan, 2012.
Call No: 44(410) BEHSource: UKPlace: LondonPublisher: BFI book published by Palgrave MacmillanPubDate: 2012PhysDes: xii, 228 pages : illustrations (some colour) ; 25 cmSubject: CENSORSHIP. UK ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; SNAKE PIT (US, Anatole Litvak, 1948) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; PANIC IN NEEDLE PARK (US, Jerry Schatzberg, 1971) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; PARASITE MURDERS, THE (CN, David Cronenberg, 1975) ; BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979) ; CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; LICENCE TO KILL (UK/US, John Glen, 1989) ; LILO & STITCH (US, Dean DeBlois & Chris Sanders, 2002) ; [NINE] 9 SONGS (UK, Michael Winterbottom, 2004) ; HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005) Summary: "Established by the film industry in 1912 as the nation's only official and independent classifier of the moving image, the British Board of Film Classification (originally the British Board of Film Censors) has long been a source of fascination - and sometimes a bone of contention - for filmgoers, film-makers and industry figures. This new book, published in the BBFC's centenary year, traces the fascinating history of film classification, censorship and controversy in Britain, and marks an unparalleled collaboration between the BBFC and leading film critics, historians and cultural commentators. The book also features unique case studies, written by BBFC staff, focusing on significant films that have provoked debate and controversy both within the BBFC and more widely - Battleship Potemkin, The Snake Pit, A Clockwork Orange, Indiana Jones and the Temple of Doom, and many more." - taken from back cover.Notes: Includes bibliographical references and index.ISBN: 9781844574766Contents: Introduction: A Centennary Book -- 1.Censorship Under Siege: The BBFC in the Silent Era / Simon Brown -- Case Study: Battleship Potemkin (1925) / Aidan McDowell -- 2.`The People's Amusement': Cinemagoing and the BBFC, 1928-48 / Robert James -- Case Study: Island of Lost Souls (1932) / Karen Myers -- 3.From the Snake Pit to the Garden of Eden: A Time of Temptation for the Board / Steve Chibnall -- Case Study: The Snake Pit (1948) / David Hyman -- Case Study: Caged (1950) / Jason Green -- 4.The Trevelyan Years: British Censorship and 1960s Cinema / Tracy Hargreaves -- Case Study: Cape Fear (1962) / David Hyman -- Case Study: Blowup (1966) / Edward Lamberti -- 5.Wake of the Flood: Key Issues in UK Censorship, 1970-5 / Stevie Simkin -- Case Study: The Panic In Needle Park (1971) / Murray Perkins -- Case Study: WR - Misterije Organizma (WR - Mysteries of the Organism, 1971) / Craig Lapper -- Case Study: A Clockwork Orange (1971) / Karen Myers -- 6.The `Poacher Turned Gamekeeper': James Ferman and the Increasing Intervention of the Law / Alex Sinclair -- Case Study: Shivers (1975) / David Hyman -- Case Study: Die Blechtrommel (The Tin Drum, 1979) / Craig Lapper -- Case Study: Christiane F. - Wir Kinder Vom Bahnhof Zoo (Christiane F.-We Children From Zoo Station, 1981) / Craig Lapper -- 7.More Than Just a `Nasty' Decade: Classifying the Popular in the 1980s / Sian Barber -- Case Study: Indiana Jones and the Temple of Doom (1984) / Edward Lamberti -- Case Study: Licence to Kill (1989) / Edward Lamberti -- 8.Head-On Collisions: The BBFC in the 1990s / Julian Petley -- Case Study: International Guerillas (1990) / Jason Green -- Case Study: Mikey (1992) / Jason Green -- 9.`The Last Days of the Board' / Robin Duval -- Case Study: Ichi the Killer (2001) / Murray Perkins -- Case Study: Lilo & Stitch (2002) / Jason Green -- 10.The Director's Commentary / David Cooke -- Case Study: 9 Songs (2004) / Caitlin O'Brien -- Case Study: Harry Potter and the Goblet of Fire (2005) / Karen Myers -- 11.On the BBFC in the Digital Age -- Censorship and Classification in the Free Society / Gerard Lemos -- Reflections on the 1979 Williams Report / Geoffrey Hawthorn -- Future Technologies and How They Might Impact on Film Classification and Censorship / John Carr -- A Margin of Appreciation / Stephen Sedley -- How the World Has Changed for Children and Parents, 1912-2012 / Ann Phoenix.
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newspaper article
A bumper crop of Orange in Weekend Australian [Review] (11/06/2016) p.25
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CLOCKWORK ORANGE, A : (UK, Stanley Kubrick, 1971)
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journal article
Clockwork Orange on video after 28 years in Movie Trader (October 9 2000) p.1
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newspaper article
Couch life : TV's inmates are the new in-crowd in Saturday Age [Spectrum] (20/06/2015) p.40
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CURE IN ORANGE, THE : (UK, Tim Pope, 1987)
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Double exposure : fiction into film / Joy Gould Boyum New York: New American Library, 1985.
Call No: 753.4 BOYAuthor: Boyum, Joy Gould, 1934 Place: New YorkPublisher: New American LibraryPubDate: 1985PhysDes: xiii, 287 p., 8 p. of plates : ill. ; 23 cmSubject: ADAPTATIONS ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; WOMEN IN LOVE (FR, Jacques Doillon, 1988) ; AMOUREUSE, L' (FR, Jacques Doillon, 1988) ; RAGTIME (US, Milos Forman, 1980) ; TESS (FR/UK, Roman Polanski, 1979) ; DAISY MILLER (US, Peter Bogdanovich, 1974) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; LORD OF THE FLIES (US, Harry Hook, 1990) ; WISE BLOOD (US/GW, John Huston, 1979) ; DEATH IN VENICE (IT/FR, Luchino Visconti, 1971)
SEE
MORTE A VENEZIA ; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972) ; UNDER THE VOLCANO (US, John Huston, 1984) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; SWANN IN LOVE (FR/GW, Volker Schlondorff, 1984)
SEE
AMOUR DE SWANN, UN ; AMOUR DE SWANN, UN (FR/GW, Volker Schlondorff, 1984) Summary: ...Refuting the commonly held view that film adaptations are in most ways inferior to the works on which thay are based, the author contendsthat film is an art eminently capable of translating a novel, not only in plot and theme but in style, technique and effect. And it can also do so without destroying the original work... or emerging as a second-rate version of the printed word.
Providing a close-up study of the ways in which adaptation may serve as a successful, even superlative, interpretation of literature, Double Exposure examines the aesthetics, the history, and the contemporaryresults of moviemakers' use of fiction in film. Here is an eye-opening of contemporary films that succeed, fail, or even transcend their literary source when two parallel art forms join forces at the movie. [taken from BOOK JACKET]Notes: "A Plume book."; Includes index; Bibliography: p. 243-253ISBN: 0452257220 (pbk.) : $10.95LON: 85013848; 4087750
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Film appreciation / Allan Casebier New York: Harcourt Brace Jovanovich, c1976.
Call No: 62 CASAuthor: Casebier, Allan Place: New YorkPublisher: Harcourt Brace JovanovichPubDate: c1976PhysDes: ix, 207 p., [2] leaves of plates : col. ill. ; 23 cmSubject: THEORY ; AESTHETICS ; SOUND ; AUDIENCES ; REALISM IN FILMS ; SURREALISM AND THE CINEMA ; EXPRESSIONISM ; MYTH AND THE CINEMA ; STRUCTURALISM ; CRITICISM ; WELLES, ORSON ; BUNUEL, LUIS ; KUBRICK, STANLEY ; BAZIN, ANDRE ; ARNHEIM, RUDOLF ; GODARD, JEAN-LUC ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) Notes: Includes index; "Bibliography/filmography": p. [183]-190ISBN: 0155273701Order Received: 2000Order Type: DonationLON: 746910URL status: URL: 'http://-'
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book
Film censorship / by Guy Phelps ; with an introduction by Alexander Walker London: Gollancz, 1975.
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Levy Collection
book
Film & literature : an introduction / Morris Beja New York: Longman, 1979.
Author: Beja, Morris Source: USPlace: New YorkPublisher: LongmanPubDate: 1979PhysDes: 335 p. ; 23 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. GREENE, GRAHAM ; ADAPTATIONS. JAMES, HENRY ; ADAPTATIONS. MANN, THOMAS ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. STEINBECK, JOHN ; ADAPTATIONS. WILLIAMS, TENNESSEE ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CITIZEN KANE (US, Orson Welles, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; HENRY V (UK, Laurence Olivier, 1944) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; HAMLET (UK, Laurence Olivier, 1948) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; RASHOMON (JA, Akira Kurosawa, 1950) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961) ; JULES ET JIM (FR, Francois Truffaut, 1962) ; LOLITA (US, Stanley Kubrick, 1962) ; PROCES, LE (FR/IT/GW, Orson Welles, 1962) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971) ; [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.Notes: Includes glossary, list of film distributors, bibliographic references and index; Collection holds two copies of this itemISBN: 058228094XDonation: donated by the family of Wayne Levy, 2006
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Film & literature, an introduction / Morris Beja New York: Longman, 1979.
Call No: 753 BEJCopy Management: Copy 1; Copy 2Author: Beja, Morris Source: USPlace: New YorkPublisher: LongmanPubDate: 1979PhysDes: xv, 335 p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. GREENE, GRAHAM ; ADAPTATIONS. JAMES, HENRY ; ADAPTATIONS. MANN, THOMAS ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. STEINBECK, JOHN ; ADAPTATIONS. WILLIAMS, TENNESSEE ; LITERATURE AND THE CINEMA ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CITIZEN KANE (US, Orson Welles, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; HENRY V (UK, Laurence Olivier, 1944) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; HAMLET (UK, Laurence Olivier, 1948) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; RASHOMON (JA, Akira Kurosawa, 1950) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961) ; JULES ET JIM (FR, Francois Truffaut, 1962) ; LOLITA (US, Stanley Kubrick, 1962) ; PROCES, LE (FR/IT/GW, Orson Welles, 1962) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971) ; [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.Notes: Includes index; Bibliography: p. 319-327; Collection holds two copies of this itemISBN: 058228094XOrder Received: 2000Order Type: DonationLON: 78026167; 1314099
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journal article
Interview with Malcolm McDowell in Interview (March 1972) iss.20 p.44
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book
National heroes : British cinema in the seventies and eighties / Alexander Walker London: Harrap, 1986.
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book
Nihilism in film and television : a critical overview from Citizen Kane to The Sopranos / Kevin L. Stoehr Jefferson, North Carolina: McFarland & Company Inc., 2006.
Call No: 626:335.8 STOAuthor: Stoehr, Kevin L. Edition: 1st ed.Source: USPlace: Jefferson, North CarolinaPublisher: McFarland & Company Inc.PubDate: 2006PhysDes: ix, 216 p. : ill. ; 23 cmSubject: PHILOSOPHY AND THE CINEMA ; JORDAN, NEIL ; FORD, JOHN ; KUBRICK, STANLEY ; SOPRANOS, THE [TV] (US, 1999) ; WAKING LIFE (US, Ricahrd Linklater, 2001) ; CITIZEN KANE (US, Orson Welles, 1941) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) Summary: "This book explores the idea of nihilism through its appearance in modern popular culture. The author defines and reflects upon nihilism, then explores its manifestation in films and television shows... Finally, the author considers nihilism in terms of the decay of traditional values in the genre of westersm mostly through works of filmmaker John Ford." -- BACK COVERNotes: Formerly CIP.; Includes bibliographical references (p. 205-207) and indexISBN: 0786425474Donation: Donated by Senses Of Cinema, 2009Contents: Preface : when nothing matters -- 1. Nietzsche, nihilism, and existentialism -- 2. The nihilistic vision of film noir and The Sopranos -- 3. "The on-going wow" : tuning in to dreams of Waking life -- 4. The ambiguity of horizons : on the nihilism and perspectivism of Citizen Kane -- 5. Through the glass wall : welcoming the stranger in Neil Jordan's The crying game -- 6. When the legends die : John Ford and the fading of traditions and heroes -- 7. Kubrick's nihilistic clockwork -- 8. Nihilism as detached existence
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ORANGE : (II, Bhaskar, 2010)
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ORANGE COUNTY : (US, Jake Kasdan, 2001)
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ORANGE IS THE NEW BLACK [TV] : (US, 2013-)
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ORANGE LOVE STORY : (AT, Tom Cowan, 2003)
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Interim
book
Perverse spectators : the practices of film reception / Janet Staiger New York: New York University Press, c2000.
Call No: 630.5 STAAuthor: Staiger, Janet Source: USPlace: New YorkPublisher: New York University PressPubDate: c2000PhysDes: vi, 242 p. ; 24 cmSubject: AUDIENCE RESEARCH ; AUDIENCE RECEPTION ; PERCEPTION ; AUDIENCES
THEORY ; AESTHETICS ; GENRES ; VIOLENCE IN FILMS ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) Summary: A book on film studies, with interpretation on films using different theories. The history of film is provided and the role media plays in culture and in the world today. Different topics in films are discussed with the descpition of various films that are applied to those certain topics.ISBN: 081478139X
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Philosophy goes to the movies : an introduction to philosophy / Christopher Falzon London: Routledge, 2002.
Call No: 626 FALAuthor: Falzon, Christopher Edition: third editionPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 330p. : illustrations ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; THEORY ; FOUCAULT, MICHEL ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; AGNES OF GOD (US, Norman Jewison, 1985) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; ALL OF ME (US, Carl Reiner, 1984) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; AMADEUS (US, Milos Forman, 1984) ; AMATEUR (US, Hal Hartley, 1994) ; ANGEL HEART (US, Alan Parker, 1987) ; ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996) ; BEDAZZLED (US, Stanely Donen, 1967) ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BEING THERE (US, Hal Ashby, 1979) ; BIG (US, Penny Marshall, 1988) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLAISE PASCAL (IT, Roberto Rossellini, 1972) ; BLUE VELVET (US, David Lynch, 1986) ; BOB ROBERTS (US, Tim Robbins, 1992) ; BRAZIL ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; CABARET (US, Bob Fosse, 1972) ; CASABLANCA (US, Michael Curtiz, 1942) ; CASPER (US, Brad Silberling, 1995) ; CHANCES ARE (US, Emile Ardolino, 1989) ; CHINATOWN (US, Roman Polanski, 1974) ; CINEMA PLUS ; CITIZEN KANE (US, Orson Welles, 1941) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; CRIMES OF PASSION (US, Ken Russell, 1984) ; CRUCIBLE, THE (US, Nicholas Hytner, 1996) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; DANGEROUS LIAISONS (US, Stephen Frears, 1988) ; DARK CITY (US, Alex Proyas, 1997) ; DARK STAR (US, John Carpenter, 1974) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DRACULA (US, Tod Browning, 1931) ; EASY RIDER (US, Dennis Hopper, 1969) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; ELEPHANT MAN, THE (US, David Lynch, 1980) ; ENEMY OF THE STATE (US, Tony Scott, 1998) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; FLY, THE (US, David Cronenberg, 1986) ; FORTRESS (AT/US, Stuart Gordon, 1993) ; FRANKENSTEIN (US, James Whale, 1931) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GATTACA (US, Andrew Niccol, 1997) ; GHOST (US, Jerry Zucker, 1990) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991) ; HIGH HOPES (UK, Mike Leigh, 1988) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HILARY AND JACKIE (UK, Anand Tucker, 1998) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; IF... (UK, Lindsay Anderson, 1968) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; INTERIORS (US, Woody Allen, 1978) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; KOYAANISQATSI (US, Godfrey Reggio, 1982) ; LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; LOVE AND DEATH (US, Woody Allen, 1975) ; M (G, Fritz Lang, 1931) ; MAD MAX (AT, George Miller, 1979) ; MALTESE FALCON, THE (US, John Huston, 1941) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MATEWAN (US, John Sayles, 1987) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; METROPOLIS (G, Fritz Lang, 1926) ; MISSION, THE (UK, Roland Joffe, 1986) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; MY FAIR LADY (US, George Cukor, 1964) ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; NORMA RAE (US, Martin Ritt, 1979) ; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992) ; ON THE BEACH (US, Stanley Kramer, 1959) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996) ; PLAYER, THE (US, Robert Altman, 1992) ; PLAYTIME (FR, Jacques Tati, 1967) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; QUIZ SHOW (US, Robert Redford, 1994) ; RAIN (US, Louis Milestone, 1932) ; RAIN MAN (US, Barry Levinson, 1988) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; ROBOCOP (US, Paul Verhoeven, 1987) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SEA OF LOVE (US, Harold Becker, 1989) ; SEVEN [SE7EN] (US, David Fincher, 1995) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SHOCKER (US, Wes Craven, 1989) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SLEEPER (US, Woody Allen, 1973) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982) ; STAR TREK ; STAR WARS (US, George Lucas, 1977) ; SUTURE (US, Scott McGehee & David Siegel, 1993) ; SWITCH (US, Blake Edwards, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; THREE FACES OF EVE (US, Nunnally Johnson, 1957) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; VICE VERSA (US, Brian Gilbert, 1988) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) ; WAG THE DOG (US, Barry Levinson, 1997) ; WALL STREET (US, Oliver Stone, 1987) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; WITTGENSTEIN (UK, Derek Jarman, 1993) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking.
Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films.
The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web siteNotes: Includes glossaryISBN: 9780415538169Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index
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POOR MAN'S ORANGE : (AT, George Whaley, 1987)
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Poor man's orange / Ruth Park Ringwood, Vic: Penguin, 1977.
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[Poor man's orange : stills file]
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Ruby goes Orange in The Age [Green Guide] (04/06/2015) p.9
Call No: TITLE CLIPPINGS FILE; ORANGE IS THE NEW BLACK [TV](US, 2013-)Author: Idato, Michael PhysDes: Clippings File ArticleSubject: ROSE, RUBY ; ORANGE IS THE NEW BLACK [TV](US, 2013-) Summary: Interview with Australian actor Ruby Rose, with the discussion focusing on the US tv drama that she has a role in, 'Orange is the New Black'
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Screen violence / edited by Karl French London: Bloomsbury, 1996.
Call No: 45:179 SCRAuthor: French, Karl Place: LondonPublisher: BloomsburyPubDate: 1996PhysDes: vi, 250 p. ; 21 cmSubject: VIOLENCE IN FILMS ; VIOLENCE ON TV ; SERIAL KILLERS IN FILMS ; CENSORSHIP ; DELINQUENTS IN FILMS ; CHILDREN, EFFECTS OF FILM ON ; WATERS, JOHN (US) ; MCCALLION, JAMES ; STONE, OLIVER ; EASTWOOD, CLINT ; GRISHAM, JOHN ; AMIS, MARTIN ; SCHWARZENEGGER, ARNOLD ; STALLONE, SYLVESTER ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; CHILD'S PLAY [...] (US, 1988-1991) ISBN: 0747525498LON: abn96397172; 12886978
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SMILE ORANGE : (JM, Trevor D. Rhone, 1975)
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Stanley Kubrick / Deutsches Filmmuseum 2004.
Call No: 175 KUBPubDate: 2004Subject: KUBRICK, STANLEY ; PHOTOGRAPHY AND THE CINEMA ; KILLING, THE (US, Stanley Kubrik, 1956) ; LOLITA (US, Stanley Kubrick, 1962) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; BARRY LYNDON (UK, Stanley Kubrick, 1975) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; EYES WIDE SHUT (US/UK, Stanley Kubrick, 1999) Summary: Exhibition catalogue for the Deutsches Filmmuseum’s exhibition dedicated to the late director and currently displayed at ACMI as “Stanley Kubrick: Inside the Mind of a Visionary Filmmaker”. “The whole idea seemed strange at first. Exhibiting Stanley’s equipment, his plans, notes, photos? It did not feel right and would have been unthinkable during his lifetime, yet on careful reflection and discussion with Christiane Kubrick it became quite clear that while his privacy had to be guarded, his professional output was for all to be seen to celebrate the life of a great filmmaker. The efforts, the hard work, the inventiveness and wealth of ideas are so interesting, whereas the mystery of artistic talent will always remain under seal. Stanley Kubrick’s films will remain a valid reflection of his time and culture for future generations.” [“Foreword”, Jan Harlan].ISBN: 3887990692
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This jailhouse rocks with conviction in The Australian (12/02/2016) p.17
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TV transformations and transgressive women : from Prisoner: Cell Block H to Wentworth / edited by Radha O'Meara,Tessa Dwyer, Stayci Taylor, Craig Batty New York: Peter Lang, 2022.
Call No: 734.7(94) TVTEdition: 2022Place: New YorkPublisher: Peter LangPubDate: 2022PhysDes: xviii, 474 pagesSeries: Australian studies: interdiscplinary perspectives; 4Subject: PRISON DRAMAS ; PRISONER [TV] (AT, 1979-86) ; WENTWORTH [TV](AT, 2013-) ; ORANGE IS THE NEW BLACK [TV](US, 2013-) ; AUSTRALIA ; FOXTEL ; HOMOSEXUALITY AND TV ; RACIAL ISSUES AND TV. AUSTRALIA ; TRANSGENDER AND TV Summary: A deep dive into iconic 1980s Australian women-in-prison TV drama Prisoner (aka Cell Block H), its contemporary reimagining as Wentworth, and its broader, global industry significance and influence, this book brings together a range of scholarly and industry perspectives, including an interview with actor Shareena Clanton (Wentworth’s Doreen Anderson). Its chapters draw on talks with producers, screenwriters and casting; fan voices from the Wentworth twitterverse; comparisons with Netflix’s Orange is the New Black; queer and LGBTQ approaches; and international production histories and contexts. By charting a path from Prisoner to Wentworth, the book offers a new mapping of TV shifts and transformations through the lens of female transgression, ruminating on the history, currency, industry position and cultural value of women-in-prison series. -- publisher's web siteISBN: 9781789975062Contents: Table of Contents -- List of Figures -- Foreword / Kim Akass and Sue Turnbull – Acknowledgements -- Breakout Women: Introduction to TV Transformations, Gender and Transgression / Radha O’Meara, Tessa Dwyer, Stayci Taylor and Craig Batty
Part I On the Inside: Voices from Industry -- 1 Representation, Responsibility and Racism: A Courageous Conversation with Shareena Clanton / interview with Shareena Clanton -- 2 Repeat Offender: TV Remakes, Reboots and Revival from Prisoner to Wentworth and beyond / Tessa Dwyer and Philippa Burne -- 3 Scriptwriting on the Inside: The Streamlined System of Prisoner and the Collaborative Community of Wentworth / Radha O’Meara -- 4 ‘I Want to See Rit’ Connors. I Want to See Her Now!’: The TV Series Guest Performer as Intertextual Messenger / Helen Milte –
Part II She’s Got Form: Narrative, Genre and Motif -- 5 Women in the System: Narrative Modes and Rhetoric in Wentworth and Orange is the New Black / Kim Yen Howells-Ng -- 6 Flashbacks and Morality in Women’s Prison TV Drama / Niall Brennan -- 7 Gothic Themes in Australian TV’s Women’s Prison Dramas / Kate Warner -- 8 ‘You Want to See Your Daughter? You Tell Me What Happened’: Motherhood and the Market Economy in Wentworth / Corrine E. Hinton and Cathrine Hoekstra
Part III Tough Love: Punishment, Power and Identity -- 9 Orange is the New Black, Wentworth and Contemporary Media Feminisms: Systemic Inequality and Individual Responsibility / Jessica Ford -- 10 Prison Blues and Token Truths: Inside the Reality and Fantasy of First Nations Representations in Australian Women’s Prison Drama Wentworth / Josie Rose Atkinson -- 11 Doing (Queer) Time in Wentworth / Whitney Monaghan -- 12 ‘And Then They Confiscate Her Hormones’: Trans Incarceration and/in Wentworth and Orange is the New Black / Sam McCracken -- 13 The Motherless Teenage Daughter: Lock Her Up or Send Her Away / Diana Sandars -- 14 The Stone-Cold Power Dame: TV Women in Power, State Security and National Discourse / Alex Bevan
Part IV On the Outside: Fandom, Activism and Afterlives -- 15 Telling It Like It Was: Independent Activist Filmmaking, Australian Prison Systems and Prisoner / Olympia Barron, Catherine Gillam and Alexander Gionfriddo -- 16 From Boys to Men via Cell Block H: Prisoner, Queer Identities and Productive Fan Nostalgia / Craig Haslop and Craig Batty -- 17 ‘It’s Not My Fault I Help Girls Realize They’re Lesbians’: Compulsory Homosexuality as Communication in Online Wentworth Fandom / Amanda K. Allen -- 18 Competing Desires, Competing Interests: Opening the Dialogue between Wentworth, Fans and Industry / Renee Middlemost and Stayci Taylor -- 19 Recommending Wentworth to the World: How Netflix ‘Changed the Show’ and Australian TV Drama Production / Alexa Scarlata
Notes on Contributors -- Index
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