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ALLURE : (CN, Carlos Sanchez & Jason Sanchez, 2017)
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AMOR BRUJO, EL : (SP, Carlos Saura, 1986)
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ANCHOR AND HOPE : (SP , Carlos Marques-Marcet, 2018)
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ANTO NIETA : (FR/MX/SP, Carlos Saura, 1982)
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AY CARMELA! : (SP/IT, Carlos Saura, 1990)
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BAJO CALIFORNIA: EL LIMITE EL TIEMPO : (MX, Carlos Bolado, 1999)
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BATALLA EN EL CIELO : (MX/BE/FR, Carlos Reygadas, 2005)
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BLINDSPOTTING : (US, Carlos Lopez Estrada, 2018)
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Blood cinema : the reconstruction of national identity in Spain / by Marsha Kinder Berkeley: University of California Press, 1993.
Call No: 408.1(46) KINAuthor: Kinder, Marsha Place: BerkeleyPublisher: University of California PressPubDate: 1993PhysDes: xi, 553 p. : ill. ; 24 cmSubject: SPAIN ; INDUSTRY, FILM. UK ; NATIONAL CULTURE AND THE CINEMA. SPAIN ; NATIONAL IDENTITY IN FILMS. SPAIN ; SPAIN: CATALONIA ; VIOLENCE IN FILMS. SPAIN ; DIRECTORS. USA ; ERICE, VICTOR ; SAURA, CARLOS ; ALMODOVAR, PEDRO ; BUNUEL, LUIS ; SURCOS (SP, Jose Antonio Nieves Conde, 1951) ; MUERTE DE UN CICLISTA (SP, Juan Antonio Bardem, 1955) ; GOLFOS, LOS (SP, Carlos Saura, 1959) ; COCHECITO, EL (SP, Marco Ferreri, 1959) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; RIO ABAJO (SP, Jose Luis Borau, 1984) Notes: "A Centennial book."; Includes bibliographical references (p. 507-522) and indexISBN: 0520081536 (alk. paper); 0520081579 (pbk. : alk. paper)LON: 9293143
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BOLADO, CARLOS
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOLADO, CARLOS
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BOMBON - EL PERRO : (AG/SP, Carlos Sorin, 2004)
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BYE BYE BRASIL : (BL, Carlos Diegues, 1979)
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CARLOS : (FR/G, Olivier Assayas, 2010)
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CARMEN : (SP, Carlos Saura, 1983)
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Cinema and colour : the saturated image / Paul Coates London: British Film Institute, 2010.
Call No: 633.22 COAAuthor: Coates, Paul Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2010PhysDes: 178 p. : col. ill. ; 26 cm.Subject: COLOUR ; COLORIZATION ; FRENCH CANCAN (FR/IT, Jean Renoir, 1955) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; SOLARIS (UR, Andrei Tarkovsky, 1972) ; STELLET LICHT (MX/FR/NE/G, Carlos Reygadas, 2007) ; BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947) ; EUROPA (DK/FR/GG, Lars Von Trier, 1991) ; THREE COLORS: RED [TROIS COULEURS: ROUGE] (FR/SZ/PL, Krzysztof Kieslowski, 1994) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; CRIES AND WHISPERS [VISKNINGAR OCH ROP] (SW, Ingmar Bergman, 1972) Summary: Cinema and Colour: The Saturated Image is a major new critical study of the use of colour in cinema. Using the dialectic of colour and monochrome as a starting point, Paul Coates explores the symbolic meanings that colour bears in different cultures, and engages with a range of critical approaches to filmic colour, building on the work of such theorists as Sergei Eisenstein, Rudolf Arnheim and Stanley Cavell.
Coates also provides close analyses of films by directors such as Antonioni, Bergman, Godard, Hitchcock, Hou Hsiao-Hsien, Sirk, Kieslowski, Tarkovsky, Von Trier and Zhang Yimou. Coates' focus is on films that deliberately exploit the rich multiplicity of cultural meanings and associations ascribed to colour, including All That Heaven Allows, Deux ou trois choses que je sais d'elle, The Double Life of Véronique, The Flight of the Red Balloon, Red Desert, Schindler's List, Silent Light, Solaris, The Three Colours Trilogy and The Wizard of Oz. [Taken from publishers website]Notes: Includes bibliographical references and indexISBN: 9781844573141Contents: Vertigo and yellow -- Guillermo del Toro and the dialectics of yellow and green -- Grief and green: Solaris, I lvira Madigan -- Natural camouflage: Joseph Losey's The Boy With Green Hair -- Green unseen: the poetics of absence in The Flight of the Red Ballon -- From yellow to green (via black): The Double Life of Veronique -- From yellow to blue: three Colours: Blue -- The desert and the beach: Deleuze, Antonioni, Zhang Ke Jia -- The painter's primaries and totality: le Mepris -- le Mepris 2: the triumph of blue -- Blue angel, blue devil: Goya in Bordeaux -- Trapped in blue: la Religieuse -- C. TOUR/OF FOUR D'AMRIQUE -- 6. Melos, Drama, Melodrama: From Demy to Sirk to Antonioni -- Introduction -- Singin' and dancin'? in the rain: Les Parapluies de Cherbourg and Singin' in the Rain -- Coupling and uncoupling colours: Une femme est une femme -- Totally? Tenderly? Tragically?: An American in Paris, Le Mepris and Moulin Rouge (with a postscript on The Golden Coach) -- A note on melodrama and modernism -- Melodrama, realism and All That Heaven Allows -- Modernist melodrama? The Oberwald Mystery
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Cinema and social change in Latin America : conversations with filmmakers / edited by Julianne Burton Austin: University of Texas Press, 1986.
Call No: 802.25(8=6) CINAuthor: Burton, Julianne Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1986PhysDes: xvi, 302 p. : ports. ; 24 cmSubject: LATIN AMERICAN COUNTRIES ; DOCUMENTARY FILMS. LATIN AMERICAN COUNTRIES ; BOLIVIA ; CHILE ; NICARAGUA ; MEXICO ; CUBA ; BIRRI, FERNANDO ; SANJINES, JORGE ; GUZMAN, PATRICIO ; ROCHA, GLAUBER ; ALEA, TOMAS GUTIERREZ ; SANTOS, NELSON PEREIRA DOS ; SOLAS, HUMBERTO ; DIEGUES, CARLOS ; RUIZ, RAUL ; GUMUCIO DAGRON, ALFONZO ; HANDLER, MARIO ; SILVA, JORGE ; RODRIGUEZ, MARTA ; VAZQUEZ, EMILIO RODRIGUEZ ; IBARRA, CARLOS VICENTE ; SOLBERG-LADD, HELENA ; EGUINO, ANTONIO ; VILLAGRA, NELSON ; FERNANDEZ VIOLANTE, MARCELA ; ACHUGAR, WALTER ; COLINA, ENRIQUE ; GARCIA ESPINOSA, JULIO Notes: Includes indexes; Bibliography: p. [285]-286ISBN: 0292724535; 0292724543 (pbk.)LON: 4568383
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Cinema novo x 5 : masters of contemporary Brazilian film / by Randal Johnson Austin, Tex.: University of Texas Press, 1984.
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book
Contemporary Spanish cinema / Barry Jordan and Rikki Morgan-Tamosunas Manchester: Manchester University Press, 1998.
Call No: 71(46) JORAuthor: Jordan, Barry, 1950 ; Morgan-Tamosunas, Rikki Place: ManchesterPublisher: Manchester University PressPubDate: 1998PhysDes: vi, 216 p. : ill. ; 24 cmSubject: SPAIN ; COMEDIES. SPAIN ; THRILLERS. SPAIN ; FANTASTIC FILMS. SPAIN ; SCIENCE-FICTION FILMS. SPAIN ; HORROR FILMS. SPAIN ; GENDER AND THE CINEMA ; WOMEN IN FILMS ; MEN IN FILMS ; NATIONAL IDENTITY IN FILMS. SPAIN ; SPAIN: CATALONIA ; SPAIN: BASQUE COUNTRY ; HISTORY AND THE CINEMA. SPAIN ; ALMODOVAR, PEDRO ; BIGAS LUNA ; GARCI, JOSE LUIS ; MEDEM, JULIO ; MIRO, PILAR ; SAURA, CARLOS ; TRUEBA, FERNANDO ; COLMENA, LA (SP, Mario Camus, 1982) ; NADIE HABLARA DE NOSOTRAS CUANDO HAYAMOS MUERTO (SP, Agustin Diaz Yanes, 1995) Notes: Includes bibliographical references and indexISBN: 071904412X (hbk.); 0719044138 (pbk.)LON: abn98241412; 14031781
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COSMO KIDS : (AT, Carlos Alperin, 1999)
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CRIA CUERVOS : (SP, Carlos Saura, 1976)
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CRIMEN DEL PADRE AMARO, EL : (MX/SP/FR, Carlos Carrera, 2002)
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DEPRISA DEPRISA : (SP/FR, Carlos Saura, 1981)
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EL DORADO : (SP/FR, Carlos Saura, 1988)
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DULCES HORAS : SP/FR, Carlos Saura, 1982
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ELISA, VIDA MIA : (SP, Carlos Saura, 1977)
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ES POR TU BIEN [IT'S FOR YOUR OWN GOOD] : (SP, Carlos Theron, 2017)
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book
European cinema : an introduction / [edited by] Jill Forbes and Sarah Street Hampshire, [Eng.] New York: Palgrave, 2000.
Call No: 71(4) FORAuthor: Street, Sarah ; Forbes, Jill Place: Hampshire, [Eng.] New YorkPublisher: PalgravePubDate: 2000PhysDes: xvi, 216 p. : ill. ; 24 cmSubject: EUROPEAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA. EUROPEAN COUNTRIES ; NATIONAL IDENTITY AND THE CINEMA. EUROPEAN COUNTRIES ; STUDIOS, FILM. EUROPEAN COUNTRIES ; STARS. EUROPEAN COUNTRIES ; GENRES. EUROPEAN COUNTRIES ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; VIRIDIANA (SP/MX, Luis Bunuel, 1961) ; ALICE IN DEN STADTEN (GW, Wim Wenders, 1973) ; CARMEN (SP, Carlos Saura, 1983) ; GOOD MORNING BABYLON [GOOD MORNING BABILONIA] (IT/FR/US, Paol Taviani & Vittorio Taviani, 1987) ; VERSPRECHEN, DAS (GG/FR, Margarethe von Trotta, 1994) ; HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995) ; TRAINSPOTTING (UK, Danny Boyle, 1996) Notes: Includes bibliographical references and indexesISBN: 0333752090; 0333752104 (pbk.); 0312237464; 0312237472 (pbk.)LON: 21467101
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EVA PERON : (AG, Juan Carlos Desanzo, 1996)
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FERDINAND : (US, Carlos Saldanha, 2017)
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book
Film 67/68 : An anthology by the National Society of Film Critics / edited by Richard Schickel and John Simon Indianapolis [etc.]: Bobbs-Merrill Co. [etc.], c1968.
Call No: 67(04) FILAuthor: Schickel, Richard (ed) ; Simon, John (ed) CorpAuthor: National Society of Film Critics (U.S.)Place: Indianapolis [etc.]Publisher: Bobbs-Merrill Co. [etc.]PubDate: c1968PhysDes: 320 p. ; 22 cmSubject: ACCIDENT (UK, Joseph Losey, 1967) ; BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966) ; BEDAZZLED (US, Stanely Donen, 1967) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967) ; CHAPPAQUA (US, Conrad Rooks, 1966) ; COMEDIANS, THE (US, Peter Glenville, 1967) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967) ; DIRTY DOZEN, THE (US, Robert Aldrich, 1967) ; [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967) ; DUTCHMAN (UK, Anthony Harvey, 1967) ; EL DORADO (SP/FR, Carlos Saura, 1988) ; ELVIRA MADIGAN (SE/DA, Bo Widerberg, 1967) ; DIVORCE, AMERICAN STYLE (US, Bud Yorkin, 1967) ; FAMILY WAY, THE (UK, Ray Boultng, 1967) ; FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; HUNT, THE [CAZA, LA] (SP, Carlos Saura, 1966) ; HURRY SUNDOWN (US, Otto Preminger, 1967) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; IN LIKE FLINT (US, Gordon Douglas, 1967) ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) ; JOKERS, THE (UK, Michael Winner, 1967) ; ROI DE COUER, LE (FR/IT, Philippe de Broca, 1966) ; WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966) ; LUV (US, Clive Donner, 1967) ; MARAT/SADE (UK, Peter Brook, 1967) ; PERSONA (SW, Ingmar Bergman, 1966) ; POINT BLANK (US, John Boorman, 1967) ; PRESIDENT'S ANALYST, THE (US, Theodoro J.Flicker, 1967) ; PRIVILEGE, THE (UK, Peter Watkins, 1967) ; STRANGER, THE (US/AG, Adolfo Aristarain, 1987) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; TO SIR, WITH LOVE (UK, James Clavell, 1967) ; TRIP, THE (US, Roger Corman, 1967) ; ULYSSES (UK/US, Joseph Strick, 1967) ; UP THE DOWN STAIRCASE (US, Robert Mulligan, 1967) ; WAR GAME, THE (UK, Peter Watkins, 1966) ; WHISPERERS, THE, (UK, Byan Forbes, 1967) ; YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966) ; YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967) Summary: Review of films produced in 1966-1967ISSN: 0071-4860 0015-1076LON: 68019946; 894646Contents: -- Bonnie And Clyde / Joseph Morgenstern, John Simon, Stanley Kauffmann And Pauline Kael -- Point Blank / Richard Schickel And Andrew Sarris -- In Cold Blood / Arthur Knight And Andrew Sarris -- A Countess From Hong Kong / Wilfrid Sheed, Philip T. Hartung And Andrew Sarris -- Falstaff / Joseph Morgenstern, Andrew Sarris, Stanley Kauffmann, Pauline Kael And John Simon -- The Exterminating Angel / Richard Schickel -- Two For The Road / Pauline Kael -- A Guide For The Married Man, Divorce American Style And Luv / Wilfrid Sheed -- Elvira Madigan / Stanley Kauffmann -- Accident / Brendan Gill, Pauline Kael And John Simon -- The Family Way / Richard Schickel -- You're A Big Boy Now / Hollis Alpert And Richard Schickel -- The Graduate / Joseph Morgenstern And Richard Schickel -- Closely Watched Trains / Joseph Morgenstern And John Simon -- The War Game / Richard Schickel And Wilfrid Sheed -- La Guerre Est Finie / Brendan Gill And John Simon -- The Dirty Dozen / Richard Schickel -- King Of Hearts / Wilfrid Sheed -- The Battle Of Algiers / Joseph Morgenstern And Stanley Kauffmann -- How I Won The War / Stanley Kauffmann And John Simon -- In Like Flint / Arthur Knight -- Casino Royale / Wilfrid Sheed -- You Only Live Twice / Pauline Kael -- The Jokers / Philip T. Hartung -- Bedazzled / Stanley Kauffmann -- The President's Analyst / Andrew Sarris -- Ulysses / Brendan Gill, John Simon And Brad Darrach / The Taming Of The Shrew -- Hollis Alpert And Wilfrid Sheed -- Marat/Sade / Phillip T. Hartung, Brendan Gill And Brad Darrach -- The Comedians / Stanley Kauffmann -- Far From The Maddening Crowd / Hollis Alpert And Richard Schickel -- Dr. Dolittle / Joseph Morgenstern -- El Dorado / Andrew Sarris -- The War Wagon / Richard Schickel -- El Dorado, The War Wagon And The Way West / Pauline Kael -- Persona / John Simon And Pauline Kael -- The Stranger / Stanley Kauffmann And Joseph Morgenstern -- The Trip / Hollis Alpert -- The Trip And Chappaqua / Wilfrid Sheed -- Dutchman / Brendan Gill And John Simon -- In The Heat Of The Night / Andrew Sarris -- To Sir, With Love And In The Heat Of The Night / Hollis Alpert -- Hurry Sundown, In The Heat Of The Night And Cool Hand Luke / Wilfrid Sheed -- Cool Hand Luke / Andrew Sarris -- Guess Who's Coming To Dinner / Wilfrid Sheed -- Up The Down Staircase / Arthur Knight And Andrew Sarris -- Privilege / John Simon And Arthur Knight -- The Hunt / Richard Schickel -- The Whisperers / Andrew Sarris -- Goal! / Brendan Gill -- Africa Addio / Joseph Morgenstern -- A King's Story / Philip T. Hartung -- Lenny Bruce / Wilfrid Sheed -- The Koumiko Mystery And Echoes Of Silence / Brendan Gill -- The Titicut Follies / Richard Schickel -- Don't Look Back / Andrew Sarris -- Portrait Of Jason / Joseph Morgenstern -- The Underground Film / Brad Darrach -- Expo 67 / Joseph Morgenstern And Arthur Knight -- Blow-Up / Stanley KauffmannID2: 277
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Film marketing into the twenty-first century / by Nolwenn Mingant, Cecilia Tirtaine, Joel Augros London: BFI book published by Palgrave, 2015.
Call No: 33 MINAuthor: Mingant, Nolwenn ; Tirtaine, Cecilia ; Augros, Joel Source: UKPlace: LondonPublisher: BFI book published by PalgravePubDate: 2015PhysDes: xii, 200 pages : illustrations ; 24 cmSubject: ADVERTISING FOR FILMS ; ADVERTISING ; DIGITAL TECHNOLOGY ; TRANSNATIONAL CINEMA ; DISTRIBUTION ; INTERNET AND THE CINEMA ; COMPUTERS AND THE CINEMA ; MY BIG FAT GREEK WEDDING (US, Joel Zwick, 2002) ; MY LIFE IN RUINS (US, Donald Petrie, 2009) ; ICE AGE (US, Chris Wedge & Carlos Saldanha, 2002) ; ICE AGE: CONTINENTAL DRIFT (US, Steve Martino/Michael Thurmeier, 2012) ; HOBBIT, THE: AN UNEXPECTED JOURNEY (US/NZ, Peter Jackson, 2012) ; HOBBIT, THE: THE DESOLATION OF SMAUG (US/NZ, Peter Jackson, 2013) ; HOBBIT, THE: THE BATTLE OF THE FIVE ARMIES (US/NZ , Peter Jackson, 2014) ; BAIT (AT, Kimble Rendall, 2012) ; AVATAR (US, James Cameron, 2009) Summary: "How do you sell English humour to a French audience? Could piracy actually be good for the film business? Why are the revolutionary technologies used in the making of The Hobbit not mentioned in some adverts? Exploring these questions and many more, Film Marketing into the Twenty-First Century draws on insights from renowned film scholars and leading industry professionals to chart the evolution of modern film marketing.
The first part of the book focuses on geographical considerations, showing how marketers have to adapt their strategies locally as films travel across borders. The second covers new marketing possibilities offered by the Internet, as Vine, Facebook and other participative websites open new venues for big distributors and independents alike. Straddling practical and theoretical concerns and including case studies that take us from Nollywood to Peru, this book provides an accessible introduction to the key issues at stake for film marketing in a global era." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9781844578382Contents: -- acknowledgments -- notes on contributors -- foreword / Janet Wasko -- 1: introduction / Nolwenn Mingant, Cecilia Tirtaine and Joel Augros -- `My job is to find the right signals at the right moment for the right people' an interview with Benoit Mely / Laurent Creton and Nolwenn Mingant -- I.MARKETING AND FILM CULTURE -- `There simply Isn't one-shape-fits-all for film' an interview with Michael Williams-Jones / Nolwenn Mingant -- And Tom Cruise Climbed the Burj Khalifa, or How Marketing Shapes Hollywood Film Production / Nolwenn Mingant -- `My Big Fat Life in Ruins' Marketing Greekness and the Contemporary US Independent Film / Yannis Tzioumakis and Lydia Papadimitriou -- Carry On Laughing Selling English Humour in France / Cecilia Tirtaine and Joel Augros -- Hearing Voices Dubbing and Marketing in the Ice Age Series A case study / Nolwenn Mingant -- Hollywood in China Continuities and Disjunctures in Film Marketing / Michael Curtin, Wesley Jacks and Yongli Li -- Film Marketing in Nollywood A case study / Alessandro Jedlowski -- Marketing High Frame Rate in The Hobbit Trilogy A Spectacular Case of Promoting and Un-promoting New Cinema Technology / Miriam Ross -- Niche Marketing in Peru An Interview / Nolwenn Mingant -- II.MARKETING FOR AND BY THE CONSUMER -- Leaked Information and Rumours The Buzz Effect A case study / Joel Augros -- Brave New Films, Brave New Ways The Internet and the Future of Low- to No Budget Film Distribution and Marketing / Hayley Trowbridge -- Between Storytelling and Marketing, the SocialSamba Model An Interview with Aaron Williams / Nolwenn Mingant -- Promoting in Six Seconds New Advertising Strategies Using the Video Social Network Vine in Spain A case study / Javier Lozano Delmar and Jose Antonio Muniz-Velazquez -- Piracy and Promotion Understanding the Double-edged Power of Crowds / Ramon Lobato -- Marketing Bait (2012) Using SMART Data to Identify e-guanxi Among China's `Internet Aborigines' / Brian Yecies, Jie Yang, Matthew Berryman and Kai Soh -- From Marketing to Performing the Market The Emerging Role of Digital Data in the Independent Film Business / Michael Franklin, Dimitrinka Stoyanova Russell and Barbara Townley -- POSTSCRIPT: THE INVISIBLE SIDE OF BUSINESS: B-TO-B MARKETING -- marketing the `Avatar Revolution', or How to Sell Digital Technology to Exhibitors / Kira Kitsopanidou -- `It's Africa. It's Arizona. It's Antarctica. It's Afghanistan. Actually, it's Alberta' Marketing Locations to Film Producers / Ben Goldsmith -- select bibliography -- index --
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The films of Carlos Saura : the practice of seeing / Marvin D'Lugo Princeton, New Jersey: Princeton University Press, 1991.
Call No: 81SAU DLUAuthor: D'Lugo, Marvin Place: Princeton, New JerseyPublisher: Princeton University PressPubDate: 1991PhysDes: xii, 251 p. : ill. ; 25 cm.Subject: CRITICISM ; SPAIN ; SAURA, CARLOS ; EL DORADO (SP/FR, Carlos Saura, 1988) ; GOLFOS, LOS (SP, Carlos Saura, 1959) ; LLANTO POR UN BANDIDO (SP, Carlos Saura, 1963) ; HUNT, THE [CAZA, LA] (SP, Carlos Saura, 1966) ; PEPPERMINT FRAPPE (SP, Carlos Saura, 1967) ; CARMEN (SP, Carlos Saura, 1983) ; STRESS ES TRES TRES (SP, Carlos Saura, 1968) ; JARDIN DE LAS DELICIAS, EL (SP, Carlos Saura, 1970) ; ANA Y LOS LOBOS (SP, Carlos Saura, 1972) ; CRIA CUERVOS (SP, Carlos Saura, 1976) ; OJOS VENDADOS, LOS (SP, Carlos Saura, 1978) ; MAMA CUMPLE 100 ANOS (SP/FR, Carlos Saura, 1979) ; ZANCOS, LOS (SP, Carlos Saura, 1984) ; AMOR BRUJO, EL (SP, Carlos Saura, 1986) ; NOCHE OSCURA, LA (SP, Carlos Saura, 1989) ; MADRIGUERA, LA (SP, Carlos Saura, 1969) Summary: An analysis of the films of Carlos Saura from 1959-1989, looking particularly at the influence of Franco's enforced Spanish cultural identity on the filmmakers works.Notes: Includes bibliographical references (p. 241-247).
Includes index.ISBN: 0691031428
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FLAMENCO : (SP, Carlos Saura, 1995)
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FRESA Y CHOCOLATE : (CU/MX/SP, Tomas Gutierrez Alea & Juan Carlos Tabio, 1994)
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FRESNADILLO, JUAN CARLOS
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GOYA EN BURDEOS (SP/IT, Carlos Saura, 1999)
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GUANTANAMERA : (CU/SP/GG, Tomas Gutierrez Alea & Juan Carlos Tabio, 1995)
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journal article
Honeycomb in Filmfacts (1972) vol.15 iss.24 p.635-637
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ICE AGE : (US, Chris Wedge & Carlos Saldanha, 2002)
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ICE AGE: DAWN OF THE DINOSAURS : (USA, Carlos Saldanha & Mike Thurmeier, 2009)
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ICE AGE: THE MELTDOWN : (US, Carlos Sandhana, 2006)
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INTACTO : (SP, Juan Carlos Fresnadillo, 2001)
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Interim
book
International film guide 1978 / edited by Peter Cowie London: Tantivy Press, 1977.
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JAPON : (MX/GG/NE/SP, Carlos Reygadas, 2002)
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JONAS Y LA BALLENA ROSADA : (BO/MX, Juan Carlos Valdivia, 1996)
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book
The kingdom of dreams in literature and film : selected papers from the Tenth Annual Florida State University Conference on Literature and Film / edited by Douglas Fowler Tallahassee: University Presses of Florida, 1986.
Call No: 630.31 KINAuthor: Fowler, Douglas CorpAuthor: Florida State University Conference on Literature and Film (10th : 1985 : Tallahassee)Place: TallahasseePublisher: University Presses of FloridaPubDate: 1986PhysDes: 148 p. ; 21 cmSubject: DREAMS IN FILMS ; HITCHCOCK, ALFRED ; S.O.B. (US, Blake Edwards, 1981) ; FLASHDANCE (US, Adrian Lyne, 1983) ; CITIZEN KANE (US, Orson Welles, 1941) ; KOYAANISQATSI (US, Godfrey Reggio, 1982) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; CARMEN (SP, Carlos Saura, 1983) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) Notes: Includes bibliographical references and indexISBN: 0813008638 (pbk. :alk. paper)LON: 86022393; 4823250
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LIMEHOUSE GOLEM, THE : (UK, Juan Carlos Medina, 2016)
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MACHITO: A LATIN JAZZ LEGACY : (US, Carlos Ortiz, 1987)
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MAMA CUMPLE 100 ANOS : (SP/FR, Carlos Saura, 1979)
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Mining the home movie : excavations in histories and memories / edited by Karen L. Ishizuka and Patricia R. Zimmerman Berkely and Los Angeles, California: University of California Press, 2008.
Call No: 721.210.8 MINAuthor: Ishizuka, Karen L ; Zimmerman, Patricia R Source: USPlace: Berkely and Los Angeles, CaliforniaPublisher: University of California PressPubDate: 2008PhysDes: xix, 333 p. : ill. ; 23 cmSubject: AMATEUR FILMS ; HOME MOVIES ; COMPILATION FILMS ; ARCHIVES & INSTITUTES, FILM ; WITTGENSTEIN TRACTATUS (HU, Peter Foracs, 1992) ; SONG OF AIR (AT, Merilee Bennett, 1987) ; MAELSTROM, THE (NE, Peter Forgacs, 1997) ; [NINETY] 90 MILES (US, Juan Carlos Zaldivar, 2001) ; SOMETHING STRONG WITHIN (US, Robert A. Nakamura, 1994) Notes: Outgrowth of an international symposium at the Getty Center, Los Angeles in 1998, called The past as present: the home movie as cinema of record.
Includes bibliographical references (p. 299-307) and index
Includes filmography and videography: p. 289-297ISBN: 9780520248076Donation: Donated by Senses Of Cinema, 2009Contents: 1 Remaking home movies: Richard Fung -- 2 The human studies film archives, Smithonian institution: John Homiak and Pamela Wintle -- 3 Wittgenstein Tractatus: personal reflections on home movies: Peter Forgacs -- 4 La Filmoteca de la Universidad Nacional Autonama de Mexico: Ivan Trujillo
-- 5 Ordinary film: Peter Forgac's The Maelstrom: Michael S. Roth
-- 6 The imperial war musueum film and video archive: Kay Gladstone -- 7 90 Miles: The politics and aesthetics of personal documentary: Amy Villarejo
-- 8 The Florida moving image archive: Steven Davidson -- 9 Something strong within: a visual essay: Karen L. Ishizuka and Robert A Nakamura -- 10 something strong within us as historical memory: Robert Rosen -- 11 the moving image archive of Japanese American National Museum: Karen L. Ishizuka -- 12 The home movie and the film registry: The story of topaz: karen L. Ishizuka and Patricia R Zimmerman -- 13 The Nederlands archive/Museum institute: Nico de Klerk -- 14 Home away from home: private films from the old Dutch East Indies: Nico de Klerk -- 15 The Library of Congress: Brian Taves
-- 16 -- Detoriating memories: blurring fact and fiction in home movies in India: Ayisha Abraham -- 17 The movie queen: Northeast historic film: Karan Sheldon and Dwight Swanson -- 18 The WPA film library: Carolyn Faber -- 19 Mule racing in the Mississippi Delta: Karen Glynn -- 20 The Academy film archive: Lynne Kirste -- 21 "As if by magic" : Authority, aesthetics, and visions of the workplace in home movies, circa 1931-1949: Heather Norris Nicholson
-- 22 The New Zealand FIlm archive/Nga Kaitiaki o Ngta: Taonga Whitiahua -- 23 Working people, topical Films, and home movies: the case of the North-West Film Archives: Maryann Gomes -- 24 the oregon state historical society's moving images archives: Michele Kribs -- 25 Reflections on the family home movie as document: a semi-pragmatic approach: Roger Odin
-- 26 The Stephen Lighthill Collection at the UCLA Film and television archive - Ross Lipman -- 27 Morphing history in histories: from amateur film to the archive of the future: Patricia R. Zimmerman
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NADA : (CU/SP/FR/IT, Juan Carlos Creamata Malberti, 2001)
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OJOS VENDADOS, LOS : (SP, Carlos Saura, 1978)
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ORFEU : (US, Carlos Diegues, 1999)
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PELICULA DEL REY, LA : (AG, Carlos Sorin, 1986)
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PRICE OF GLORY : (US, Carlos Avila, 2000)
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PRIMA ANGELICA, LA : (SP, Carlos Saura, 1974)
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book
Projections 4 1/2 : film-makers on film-making / edited by John Boorman and Walter Donohue London: Faber and Faber, 1995.
Call No: 802 PRO v.4 1/2Author: Boorman, John, 1933 ; Donohue, Walter CorpAuthor: PositifPlace: LondonPublisher: Faber and FaberPubDate: 1995PhysDes: vii, 312 p. : ill., ports. ; 24 cmSubject: Keaton, Buster ; ALTMAN, ROBERT ; ASSAYAS, OLIVIER ; WARHOL, ANDY ; BOORMAN, JOHN ; COEN, JOEL & ETHAN ; PRICE, VINCENT ; LANG, FRITZ ; EASTWOOD, CLINT ; FREARS, STEPHEN ; FULLER, SAMUEL ; ALLEN, WOODY ; KIESLOWSKI, KRZYSZTOF ; MALLE, LOUIS ; MARKER, CHRIS ; OPHULS, MARCEL ; REISZ, KAREL ; VON STROHEIM, ERICH ; RUIZ, RAUL ; SEN, MRINAL ; TAVERNIER, BERTRAND ; ALMEREYDA, MICHAEL ; JARMAN, DEREK ; LOWENSTEIN, RICHARD ; POTTER, SALLY ; ROUSSELOT, PHILIPPE ; TOLKIN, MICHAEL ; WARD, VINCENT ; ZINNEMANN, FRED ; ANGELOPOULOS, THEO ; AVATI, PUPI ; MARVIN, LEE ; BREILLAT, CATHERINE ; BRISSEAU, JEAN-CLAUDE ; CAVALIER, ALAIN ; CHABROL, CLAUDE ; BUGIN, HARRY ; COMENCINI, LUIGI ; DE FILIPPO, EDUARDO ; CORMAN, ROGER ; CORNEAU, ALAIN ; DEVILLE, MICHEL ; DIEGUES, CARLOS ; EGOYAN, ATOM ; MACKENDRICK, ALEXANDER ; GAAL, ISTVAN ; GREENAWAY, PETER ; HARRIS, JAMES B. ; HELLMAN, MONTE ; IOSELIANI, OTAR ; BARNET, BORIS ; KAZAN, ELIA ; KEZDI-KOVACS, ZSOLT ; KIAROSTAMI, ABBAS ; KLOPCIC, MATJAZ ; A TOUT ALLURE (FR, Robert Kramer, 1982) ; LATTUADA, ALBERTO ; LECONTE, PATRICE ; LEIGH, MIKE ; LOACH, KENNETH ; MAKAVEJEV, DUSAN ; PEREIRA DOS SANTOS, NELSON ; MINGOZZI, GIANFRANCO ; MONICELLI, MARIO ; PARRISH, ROBERT ; PENN, ARTHUR ; PINTILIE, LUCIAN ; POLANSKI, ROMAN ; RIPSTEIN, ARTURO ; RISI, DINO ; RISSIENT, PIERRE ; ROHMER, ERIC ; ROSI, FRANCESCO ; RUDOLPH, ALAN ; SARMIENTO, VALERIA ; SAUTET, CLAUDE ; SCHATZBERG, JERRY ; SCHRADER, PAUL ; SIJAN, SLOBODAN ; STEVENIN, JEAN-FRANCIS ; TAVIANI, PAOLO & VITTORIO ; VARDA, AGNES ; YANG, EDWARD ; ZANUSSI, KRZYSZTOF ; ZULAWSKI, ANDREJ ; KERRIGAN, LODGE ; LINKLATER, RICHARD ; RIDLEY, PHILIP ; ROBERTS, JULIA ; RUSSELL, DAVID O. ; SHERMAN, VINCENT ; DAVIS, BETTE ; SIEGEL, DAVID ; MCGEHEE, SCOTT ; SODERBERGH, STEVEN ; TOBACK, JAMES ; BABY DOLL (US, Elia Kazan, 1956) ; TEOREMA (IT, Pier Paolo Pasolini, 1968) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; SZEGENYLEGENYEK (HU, Miklos Jancso, 1966) ; ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978) ; VERTIGO (US, Alfred Hitchcock, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; HUSTLER, THE (US, Robert Rossen, 1961) ; MIRAGE (US, Edward Dmytryk, 1965) ; BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964) ; POSITIF Notes: "In association with Positif."; "Centenary edition"--P. viiISBN: 0571176097LON: abn96057645; 12129416
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PROMISES : (US, Justine Shapiro & B.Z. Goldberg & Carlos Bolados, 2001)
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QUIEN DIABLOS ES JULIETTE? : (MX, Carlos Marcovich, 1997)
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QUIEN DIABLOS ES JULIETTE? : (MX, Carlos Marcovich, 1997)
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QUILOMBO : (BL, Carlos Diegues, 1984)
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RAYA AND THE LAST DRAGON : (US, Don Hall, Carlos López Estrada , 2021) Digital clippings file available
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book
Realism of the senses in World cinema : the experience of physical reality / by Tiago de Luca London: I.B. Tauris, 2014.
Call No: 64REA DELAuthor: De Luca, Tiago Source: US/UKPlace: LondonPublisher: I.B. TaurisPubDate: 2014PhysDes: xii, 268 pages : illustrations ; 24 cmSeries: Tauris world cinema seriesSubject: REALISM IN FILMS ; THEORY ; CRITICISM ; WORLD CINEMA ; REYGADAS, CARLOS ; TSAI, MING LIANG ; VAN SANT, GUS Summary: "Over the last decade, a realist tendency has made a resurgence on the world cinema map. What are its main aesthetic and political characteristics? How does it relate to the realist canon and world cinema history? What are the different facets of this phenomenon as expressed in diverse cinemas across the globe? Drawing on foundational realist theories and recent takes on the body and the senses, this illuminating book aims to provide in-depth answers to these questions by examining the fascinating work of Carlos Reygadas (Mexico), Tsai Ming-liang (Taiwan) and Gus Van Sant (USA), including award-winning films such "Japon", "Vive l'amour" and "Elephant". In their common allegiance to the long take, these are cinemas characterised by a sensory mode of address based on the protracted inspection of physical reality. Their hyperbolic focus on material phenomena, de Luca argues, translates into phenomenological film experiences that provide an antidote to a world saturated by simulation processes." -- BOOK JACKETNotes: Formerly CIP; Includes bibliographical references (pages 243-258) and indexISBN: 9781780766300Donation: Senses of CinemaContents: -- list of illustrations -- acknowledgments -- introduction -- 1: Carlos Reygadas: cinema of the impossible -- 2: Tsai Ming-liang: cinema of bodies -- 3: Gus Van Sant and visionary realism -- conclusion -- notes -- bibliography -- index --
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RETORNO DE WALPURGIS, EL : (SP/MX, Carlos Aured, 1973)
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REYGADAS, CARLOS
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RIO : (US, Carlos Saldanha, 2011)
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RIO 2 : (US, Carlos Saldanha, 2014)
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ROBBED OF TRUTH : (US/UK/AE/FR/AT, Carlos Gonzalez, 2011)
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RUDO Y CURSI : (US/MX, Carlos Cuaron, 2008)
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SAURA, CARLOS
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: SAURA, CARLOS
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journal article
Schonell Theatre off to good start in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.1
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SEVILLANAS : (SP, Carlos Saura, 1992)
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Slow cinema / edited by Tiago de Luca and Nuno Barradas Jorge Edinburgh: Edinburgh University Press, 2016.
Call No: 631.11 SLOAuthor: de Luca, Tiago ; Jorge, Nuno Barradas Edition: 2016Place: EdinburghPublisher: Edinburgh University PressPubDate: 2016PhysDes: xx, 332 pages ; illustrated : 24 cmSubject: TIME IN FILMS ; DREYER, CARL TH. ; STRAUB, JEAN-MARIE ; HUILLET, DANIELE ; MING-LIANG, TSAI ; WEERASETHAKUL, APICHATPONG ; KIAROSTAMI, ABBAS ; TARR, BELA ; BENNING, JAMES ; WARHOL, ANDY ; SNOW, MICHAEL ; CONRAD, TONY ; INNOCENCE (FR, Lucile Hadzihalilovic, 2004) ; MEEK'S CUTOFF (US, Kelly Reichardt, 2011) ; JAPON (MX/GG/NE/SP, Carlos Reygadas, 2002) Summary: In the context of a frantic world that celebrates instantaneity and speed, a number of cinemas steeped in contemplation, silence and duration have garnered significant critical attention in recent years, thus resonating with a larger sociocultural movement whose aim is to rescue extended temporal structures from the accelerated tempo of late-capitalism. Although not part of a structured film movement, directors such as Carlos Reygadas, Tsai Ming-liang, Béla Tarr, Pedro Costa and Kelly Reichardt have been largely subsumed under the term ‘slow cinema’. But what exactly is slow cinema? Is it a strictly recent phenomenon or an overarching cinematic tradition? And how exactly do slow cinemas interrelate on an aesthetic, technical and political level?
Deploying the concept of slowness as an umbrella category under which filmmakers and traditions from different historical and geographical backgrounds can fruitfully converge, this innovative collection of essays interrogates and expands the frameworks that have generally informed slow cinema debates. Repositioning the term in a broader theoretical space, the book combines an array of fine-grained studies that will provide valuable insight into the notion of slowness in the cinema, while mapping out past and contemporary slow films across the globe. -- publisher's web siteISBN: 9780748696048Contents: Table Of Contents -- Illustrations -- Foreword / Julian Stringer -- Introduction: From Slow Cinema to Slow Cinemas / Tiago De Luca & Nuno Barradas Jorge -- Part I: Historicising Slow Cinema -- 1: The Politics of Slowness and the Traps of Modernity / Lúcia Nagib -- 2: The Slow Pulse of the Era: Carl Th. Dreyer’s Film Style / C. Claire Thomson -- 3: The First Durational Cinema and the Real of Time / Michael Walsh -- 4: ‘The Attitude of Smoking and Observing’: Slow Film and Politics in the Cinema Of Jean-Marie Straub and Danièle Huillet / Martin Brady -- Part II: Contextualising Slow Cinema -- 5: Temporal Aesthetics of Drifting: Tsai Ming-Liang and a Cinema of Slowness / Song Hwee Lim -- 6: Stills and Stillness in Apichatpong Weerasethakul’s Cinema / Glyn Davis -- 7: Melancholia: The Long, Slow Cinema of Lav Diaz / William Brown -- 8: Exhausted Drift: Austerity, Dispossession and the Politics of Slow in Kelly Reichardt’s Meek’s Cutoff / Elena Gorfinkel -- 9: If These Walls Could Speak: From Slowness to Stillness in the Cinema of Jia Zhangke / Cecília Mello -- Part III: Slow Cinema And Labour -- 10: Wastrels of Time: Slow Cinema’s Labouring Body, The Political Spectator, and the Queer / Karl Schoonover -- 11: Living Daily, Working Slowly: Pedro Costa’s in Vanda’s Room / Nuno Barradas Jorge -- 12: Working/Slow: Cinematic Style as Labour in Wang Bing’s Tie Xi Qu: West Of The Tracks / Patrick Brian Smith -- 13: ‘Slow Sounds’: Duration, Audition and Labour in Liu Jiayin’s Oxhide and Oxhide II / Philippa Lovatt -- Part IV: Slow Cinema and the Nonhuman -- 14: It’s About Time: Slow Aesthetics in Experimental Ecocinema and Nature Cam Videos / Stephanie Lam -- 15: Natural Views: Animals, Contingency and Death in Carlos Reygadas’s Japón and Lisandro Alonso’s Los Muertos / Tiago de Luca -- 16: The Sleeping Spectator: Nonhuman Aesthetics in Abbas Kiarostami’s Five: Dedicated to Ozu / Justin Remes -- Part V: The Ethics and Politics of Slowness -- 17: Béla Tarr: The Poetics and the Politics of Fiction / Jacques Rancière -- 18: Ethics of the Landscape Shot: A.K.A Serial Killer and James Benning's Portraits of Criminals / Julian Ross -- 19: Slow Cinema and the Ethics of Duration / Asbjørn Grønstad -- Part VI: Beyond ‘Slow Cinema’ -- 20: Performing Evolution: Immersion / Unfolding and Lucile Hadžihalilovic’s Innocence / Matilda Mroz -- 21: The Slow Road to Europe: The Politics and Aesthetics of Stalled Mobility in Hermakono and Morgen / Michael Gott -- 22: Crystallising the Past: Slow Heritage Cinema / Rob Stone and Paul Cooke
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SOLDIERS PAY : (US, Trisha Regan/David O. Russell/ Juan Carlos Zaldivar, 2004)
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STELLET LICHT : (MX/FR/NE/G, Carlos Reygadas, 2007)
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TANGO : (SP, Carlos Saura, 1998)
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TRANSFORMATION, THE : (US, Carlos Aparicio & Susana Aikin, 1995)
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TREM PARA AS ESTRELAS, UM : (BL, Carlos Diegues, 1987)
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TWENTY-EIGHT [28] WEEKS LATER : (UK, Juan Carlos Fresnadillo, 2007)
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book
Variety international film guide 2006 : the definitive annual review of world cinema / edited by Daniel Rosenthal; founding editor Peter Cowie London; Los Angeles: Button; Silman-James, 2006.
Call No: REFERENCE SECTION; 058 INT "2006"Edition: 43rd ed.Source: USPlace: London; Los AngelesPublisher: Button; Silman-JamesPubDate: 2006PhysDes: 432 p. : col. ill. ; 24 cm.Subject: PERIODICALS, FILM ; INDUSTRY, FILM ; INDUSTRY, FILM. IRELAND ; DIGITAL TECHNOLOGY ; CHEREAU, PATRICE ; CRONENBERG, DAVID ; HANEKE, MICHAEL ; Mehta, Deepa ; SORIN, CARLOS Summary: Includes articles on directors of the year, features on Irish cinema and digital cinema, a round-up of DVDs and books, a survey of film production in each country, and directories of festivals and organisations around the world.Notes: Other title: International film guide 2006ISBN: 0954876628
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VENGANZA DE LA MOMIA, LA : (SP, Carlos Aured, 1973)
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VENGANZA DE LA MOMIA, LA : (SP, Carlos Aured, 1973)
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VENGANZA DE LA MOMIA, LA : (SP, Carlos Aured, 1973)
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VENGANZA DE LA MOMIA, LA : (SP, Carlos Aured, 1973)
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VIVA CUBA : (FR/CU/SP, Jaun Carlos Cremata Malberti, 2005)
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XICA DA SILVA : (BL, Carlos Diegues, 1976)
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