Search Catalogue

Call No: P THR
Place: US
PubDate: 1956
PhysDes: 1 poster : colour ; 77 x 35 cm
Subject: THREE FOR JAMIE DAWN (US, Thomas Carr, 1956)
Summary: Text: "Strangers in one moment... partners in jeopardy the next!" Image: A blonde-brunette woman's head takes up most of the center of the poster. There are two images of a man in two different poses above the woman's head. Below the woman's head there is an image of a woman leaning against a green chair. Below that image, there is a woman standing over a man with a weapon in her hand pointed at the man.
Notes: Discolouration, folds, tears

PhysDes: Article
Subject: NATIONAL FILM AND SOUND ARCHIVE; INDUSTRY, FILM. AUSTRALIA; ADORABLE OUTCAST, THE (AT, Norman Dawn, 1928); HISTORY OF CINEMA. AUSTRALIA; KING OF KINGS (US, Cecil B. De Mille, 1927)
Summary: Article on the success of the 'Last Film Search' across Australia, started by the National Film Archive in 1981 and planned to run until 1986.

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: ADDAMS, DAWN

Call No: N79ALW ROB
Author: Roberts, Z. O.
Edition: 1st ed.
Source: AT
Place: Sydney
Publisher: F.J. Thwaites
PubDate: 1948
PhysDes: 222 p. ; 19 cm
Subject: ALWAYS ANOTHER DAWN [AT, T.O. McCreadie, 1948]

Call No: 408.3 (73/94) AME
Author: Danks, Adrian (ed.); Gaunson, Stephen (ed.); Kunze, Peter C. (ed.)
Source: SZ/AT
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PubDate: c2018
PhysDes: xvii, 333 pages : illustrations ; 22 cm
Subject: TRANSNATIONAL CINEMA; TRANSNATIONALISM AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; NATIONAL CULTURE IN FILMS; AUSTRALIA; USA; GLOBALISATION; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); MAD MAX (AT, George Miller, 1979); NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008); BABADOOK , THE (AT, Jennifer Kent, 2014); PETER PAN (US, P.J. Hogan, 2003); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013)
Summary: "This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s." -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9783319666754
Donation: Stephen Gaunson
Contents: -- 1 Where I'm Calling From: An American-Australian Cinema? / Peter C Kunze -- pt I Across the Pacific: Looking to America -- 2 Rudimentary Modernism: Ken G Hall, Rear-Projection and 1930s Hollywood / Adrian Danks -- 3 Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life / Leslie DeLassus -- 4 Representations and Hybridizations in First Nation Cinema: Change and Newness by Fusion / Jane Mills -- 5 Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona / Fincina Hopgood -- pt II The View From There: Australian Films in the US -- 6 Accented Relations: Mad Max on US Screens / Tessa Dwyer -- 7 Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood / Peter C Kunze -- 8 Australian Horror Movies and the American Market / Mark David Ryan -- 9 The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of The Babadook / Amanda Howell -- pt III Here and There: Crossing Between Australian, US and International Cinemas -- 10 American Cartel: Block Bookings and the Paramount Plan / Stephen Gaunson -- 11 The Multiplex Era / Jock Given -- 12 "Zest to the jaded movie palate": Wallace Worsley, Scott R Dunlap and The Romance of Runnibede / Jeannette Delamoir -- 13 Defining Neverland: P J Hogan, J M Barrie and Peter Pan in Post-Mabo Australia / Jerod Ra'Del Hollyfield -- 14 Baz Luhrmann's The Great Gatsby Telling a National Iconic Story Through a Transnational Lens / Lesley Hawkes -- index --

Author: Pattison, Barrie; Reid, John Howard [editor]
PhysDes: Article
Subject: ANOTHER DAWN (US, William Dieterle, 1937)
Notes: Credits. - synopsis. - review

Call No: 732(94) SPE
Author: Speed, Lesley
Source: AT
Place: St. Kilda, Vic.
Publisher: Australian Teachers of Media (ATOM)
PubDate: c2015
PhysDes: 128 pages : illustrations ; 24 cm.
Subject: COMEDIES. AUSTRALIA; HISTORY AND THE CINEMA. AUSTRALIA; EFFTEE STUDIO; CINESOUND STUDIOS; HANNA, PAT; WALLACE, GEORGE; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931); DIGGERS (AT, F.W. Thring, 1931); HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931); SHOWGIRL'S LUCK (AT, Norman Dawn, 1931); SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932); ON OUR SELECTION (AT, Ken G. Hall, 1932); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932); DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933); HARMONY ROW (AT, F.W. Thring, 1933); HAYSEEDS, THE (AT, Beaumont Smith, 1933); TICKET IN TATTS, A (AT, F.W. Thring, 1934); CLARA GIBBINGS (AT, F.W. Thring, 1934); STRIKE ME LUCKY (AT, Ken G. Hall, 1935); SPLENDID FELLOWS (AT, Beaumont Smith, 1934); GRANDAD RUDD (AT, Ken G. Hall, 1935); WHITE DEATH (AT, Edwin G. Bowen, 1936); RANGLE RIVER (AT, Clarence G. Badger, 1936); IT ISN'T DONE (AT, Ken G. Hall, 1937); TALL TIMBERS (AT, Ken G. Hall, 1937); LET GEORGE DO IT (AT, Ken G. Hall, 1938); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); GONE TO THE GOGS (AT, Ken G. Hall, 1939); ANTS IN HIS PANTS (AT, William Freshman, 1939)
Summary: Comedy has been a perpetual part of Australian film, in which humour reflects Australia's adaptation in times of crisis, social change and technological advances. This was never more so than in the 1930s, when Australia produced more comedy feature films than in any other decade before 1970. These films of the 1930s embraced the new technology of sound, made local vaudeville performers into movie stars, offered escape from the Depression and revealed a diverse and international Australia. In these films, Australia moved further from Empire and the bush, forged the Digger legend, responded to cultural diversity and viewed itself as a modern, urban nation. Influenced by Hollywood, Australian comedies of the 1930s adapted international styles to local points of view. Based on research at the National Film and Sound Archive, Lesley Speed's book provides new insight into Australian comedy films of the 1930s and the extraordinary period of social change in which they were produced. [taken from the back cober]
ISBN: 9781876467258
Contents: Contents: Introduction -- Comedy films and 1930s Australia -- Comedian comedies, Pat Hanna and George Wallace -- 'The best men in the metropolis' : Speech and language in films of Pat Hanna and George Wallace -- Strike me lucky, silly ass: Ethnicity and class difference -- From bush to the city: The Dad and Dave films -- Looking at home for 'something really ultra': Modernity, gender and the international -- Select filmography -- Select bibliography -- Notes

Call No: 915(94) ADA; FOLIO
Author: Adamson, Judith, 1930
CorpAuthor: Australian Film Institute
Place: Sydney
Publisher: Currency Press with Australian Film Institute
PubDate: 1978
PhysDes: 56p. : chiefly col.ill. ; 37cm
Subject: POSTERS; AUSTRALIA; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); JEDDA (AT, Charles Chauvel, 1955); OVERLANDERS, THE (UK, Harry Watt, 1946); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); SONS OF MATTHEW (AT, Charles Chauvel, 1949)
Notes: Advertising posters. Special subjects: Australian cinema films, 1906-1960. Illustrations (ANB/PRECIS SIN 0249955)
ISBN: 090802388X : $7.50 Aust
LON: anb90802388; 1473255
Donation: Simon Wincer
ID2: 229

Call No: 735.2 (94) SHE
Author: Shelley, Peter
Source: US/UK
Place: Jefferson, North Carolina, and London
Publisher: McFarland & Company Inc
PubDate: c2012
PhysDes: vi, 320 p. : ill. ; 26 cm
Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1988); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Ann Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1993); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010)
Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB
Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index
ISBN: 9780786461677
Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --

Call No: 71(94) REA
Copy Management: Copy 1; Copy 2
Author: Reade, Eric, 1912-1978
Place: Melbourne
Publisher: Lansdowne
PubDate: 1975
PhysDes: 308 p. : ill. ; 27 x 34 cm
Subject: AUSTRALIA; AUSTRALIA. 1895-1930; HISTORY OF TV. AUSTRALIA; HALL, KEN G.; CHAUVEL, CHARLES; LONGFORD, RAYMOND; SMITH, BEAUMONT; THRING, F.W.; THOMPSON, JACK; HIGGINS, ARTHUR; HURLEY, FRANK; RAFFERTY, CHIPS; SPENCER, CHARLES COZENS; EFFTEE STUDIO; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); DIGGERS (AT, F.W. Thring, 1931); ON OUR SELECTION (AT, Raymond Longford, 1920); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919)
Notes: Australian cinema films, 1896-1974 (ANB/PRECIS SIN 0101729); Index; Parts of the text and some of the photographs in this volume were first published in "Australian silent films: a pictorial history, 1896-1929' and "The talkies era: a pictorial history of Australian sound film making, 1930-1960' by the same author
ISBN: 0701803193 : $15.00 Aust
LON: anb70180319; 791305

Call No: 71(94) REA
Author: Reade, Eric, 1912-1978
Place: [Melbourne]
Publisher: Lansdowne
PubDate: 1970]
PhysDes: 192 p. : ill. ; 29 cm
Subject: AUSTRALIA. 1895-1930; CINEMAS. AUSTRALIA; SMITH'S WEEKLY; SPENCER, CHARLES COZENS; PERRY, JOSEPH; HURLEY, FRANK; LONGFORD, RAYMOND; SMITH, BEAUMONT; CARBASSE, LOUISE; RICKARDS, HARRY; WEST, T.J.; WILLIAMSON, J.C.; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)
ISBN: 0701803207
LON: 74876255; 376334

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BATMAN V SUPERMAN: DAWN OF JUSTICE (US, Zack Synder, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BECAUSE THE DAWN (US, Amy Goldstein, 1988)

Call No: P BIL
PhysDes: 1 poster : col. ; 73 X 52 cm.
Subject: BILLY THE KID NO ATARASHII YOAKE (JA, Naoto Yamakawa, 1986); NEW MORNING OF BILLY THE KID (JA, Naoto Yamakawa, 1986); DAWN OF BILLY THE KID, THE (JA, Naoto Yamakawa, 1986)
Summary: Image: photo of the character of Billy the Kid. Text: 'This is a super serious comical movie of new and amusing style.'
Notes: General wear and tear, fold lines and blu-tack stains on the back.
Language: Japanese

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BREAK OF DAWN (US, Issac Artenstein, 1988)

Call No: TITLE CLIPPINGS FILE; BATMAN V SUPERMAN: DAWN OF JUSTICE (US, Zack Synder, 2016)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: BATMAN V SUPERMAN: DAWN OF JUSTICE (US, Zack Synder, 2016)
Summary: John McDonald reviews BATMAN V SUPERMAN: DAWN OF JUSTICE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHRONICLES OF NARNIA, THE: THE VOYAGE OF THE DAWN TREADER (AT, Michael Apted, 2010)

Call No: 675.1(94) LAW
Author: Lawrence, Denny
Source: AT
Place: [North Ryde, NSW?]
Publisher: Australian Film and Television School
PubDate: [1980?]
PhysDes: 60 leaves : 30 cm
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); ON OUR SELECTION (AT, Raymond Longford, 1920); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); KID STAKES, THE (AT, Tal Ordell, 1927); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); OVERLANDERS, THE (UK, Harry Watt, 1946); SONS OF MATTHEW (AT, Charles Chauvel, 1949); BACK OF BEYOND, THE (AT, John Heyer, 1953); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); BETWEEN WARS (AT, Michael Thornhill, 1974); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PURE S (AT, Bert Deling, 1976); CADDIE (AT, Donald Crombie, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); MAD MAX (AT, George Miller, 1979); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PALM BEACH (AT, Albie Thoms, 1979); BREAKER MORANT (AT, Bruce Beresford, 1980); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); JEDDA (AT, Charles Chauvel, 1955); THREE IN ONE (AT, Cecil Holmes, 1956); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CASTOR AND POLLUX (AT, Phillip Noyce, 1973); MOVING ON (AT, Richard Mason, 1974); PETERSEN (AT, Tim Burstall, 1974); LEISURE (AT, Bruce Petty, 1976); STORM BOY (AT, Henri Safran, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MOUTH MUSIC (NZ, Gregor Nichlas, 1981); MOUTH TO MOUTH (AT, John Duigan, 1978); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STEPPING OUT (AT, Chris Noonan, 1980); STIR (AT, Stephen Wallace, 1980); BEST FILMS. AUSTRALIA
Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.
Notes: Reprinted October 1980
Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir

Call No: 81TAR BRA
Author: Brancati, Simona
Edition: English
Source: US
Place: Washington, DC
Publisher: New Academia Publishing
PubDate: 2014
PhysDes: x, 186 pages : color facsimiles ; 23 cm.
Subject: TARANTINO, QUENTIN; PULP FICTION (US, Quentin Tarantino, 1994); KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003); KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004); INGLORIOUS BASTARDS (US/G, Quentin Tarantino, 2009); DJANGO UNCHAINED (US, Quentin Tarantino, 2012); RESERVOIR DOGS (US, Quentin Tarantino, 1992); TRUE ROMANCE (US, Tony Scott, 1993); NATURAL BORN KILLERS (US, Oliver Stone, 1994); [FOUR] 4 ROOMS (US, Allison Anders & Alexandre Rockwell & Robert Rodriguez & Quentin Tarantino, 1995); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); JACKIE BROWN (US, Quentin Tarantino, 1997); DEATH PROOF (US, Quentin Tarantino, 2007)
Notes: Translated from: Quentin Tarantino : asfalto nero e acciaio rosso sangue, ©2014.; Includes bibliographical references (pages 182-186); Includes filmography (pages 173-181)
ISBN: 9780989916981
Contents: The event -- A survey of what borders the "Postmodern" -- Metamorphosis of a murder -- The interrogation : reality or 35 mm.? -- The most powerful weapon: Writing -- The find.

Call No: 735.1 SHA
Author: Shaviro, Steven
Source: US
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2003
PhysDes: xiii, 289 p. ; 22 cm
Series: Electronic Mediations ; v. 9
Subject: VIDEODROME (CN, David Cronenberg, 1983); NEW ROSE HOTEL (US, Abel Ferrara, 1998); ALPHAVILLE (FR, Jean-Luc Godard, 1965); SPACE IS THE PLACE (US, Sun Ra,1972); MAN WHO FELL TO EARTH, THE (UK, Nicholas Roeg, 1976); DAWN OF THE DEAD (US, George A. Romero, 1979); BLADE RUNNER (US, Ridley Scott, 1982); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); EMPIRE (US, Andy Warhol, 1964); BURROUGHS, WILLIAM
Summary: "Shaviro argues that our strange new world is increasingly being transformed in ways, and by devices, that seem to come out of the pages of science fiction, even while the world itself is becoming a futuristic landscape. The result is that science fiction provides the most useful social theory, the only form that manages to be as radical as reality itself. Original and compelling, Connected shows how the continual experimentation of science fiction, like science and technology themselves, conjures the invisible social and economic forces that surround us." -- BOOK BLURB
Notes: Includes notes, bibliographical references, filmography and index.
ISBN: 0816643636
Donation: Adrian Miles

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CROC-A-DYKE DUNDEE: THE LEGEND OF DAWN O'DONNELL (UK, Fiona Cunningham Reid, 2014)

Call No: S DAW
Copy Management: Copy 1; Copy 2
Author: Cavill, Joy
PubDate: [1977?]
PhysDes: 186 leaves
Subject: DAWN (AT, Ken Hannam, 1979)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: DAWN! (AT, Ken Hannam, 1979)

Call No: 79DAW HAN
Author: Hansford, Kate
Source: AT
Place: Adelaide
Publisher: Rigby
PubDate: 1979
PhysDes: 160p. : ill. ; 18cm
Subject: DAWN! (AT, Ken Hannam, 1979)
ISBN: 0727010549
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAWN FLIGHT (US, Lawrence Lansburgh, 1976)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: DAWN, GLORIA

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: DAWN, NORMAN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DAWN OF THE DEAD (US, Zack Snyder, 2004)

PhysDes: Article
Subject: DAWN OF THE DEAD (US, George A. Romero, 1979)
Summary: Film synopsis

PhysDes: Article
Subject: DAWN OF THE DEAD (US, George A. Romero, 1979)

PhysDes: Article
Subject: DAWN OF THE DEAD (US, George A. Romero, 1979)

Call No: 79 DAW ROM
Author: Romero, George A.; Sparrow, Susanna
Edition: 1978
Place: New York
Publisher: St. Martin's Press
PubDate: 1978
PhysDes: 210 pages : illustrated ; 21 cm
Subject: DAWN OF THE DEAD (US, George A. Romero, 1979)
Notes: "With 8 color photos by Katherine Kolbert"
ISBN: 9780312183943

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Publicity; Clippings
Subject: DAWN OF THE DMF'S (AT, Chris Summers, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAWN OF THE PLANET OF THE APES (US, Matt Reeves, 2014)

Call No: TITLE CLIPPING FILE
Subject: DAWN PATROL, THE (US, Edmund Goulding, 1938)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: DAWN RAID (NZ, Oscar Kightley, 2021)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEADLINE AT DAWN (US, Harold Clurman, 1946)

Call No: 734.1 HIR
Author: Hirsch, Foster
Edition: [1st Limelight ed.]
Place: New York
Publisher: Limelight Editions
PubDate: [1999]
PhysDes: 398 p. : ill. ; 23 cm
Subject: FILM NOIR; FEMME FATALE; FILM NOIR. FRANCE; FULLER, SAMUEL; CHANDLER, RAYMOND; Wenders, Wim; WOOLRICH, CORNELL; Tarantino, Quentin; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); CRISS CROSS (US, Robert Siodmak, 1948); GETAWAY, THE (US, Sam Peckinpah, 1972); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); LAST SEDUCTION, THE (US, John Dahl, 1994); NATURAL BORN KILLERS (US, Oliver Stone, 1994); TIREZ SUR LE PIANISTE (FR, Francois Truffaut, 1960); AGAINST ALL ODDS (US, Taylor Hackford, 1984); BETRAYED (US, Constantin Costa-Gavras, 1988); BLUE VELVET (US, David Lynch, 1986); BOYZ N THE HOOD (US, John Singleton, 1991); CAPE FEAR (US, J. Lee Thompson, 1961); CAPE FEAR (US, Martin Scorsese, 1991); CHINATOWN (US, Roman Polanski, 1974); CONVERSATION, THE (US, Francis Ford Coppola, 1974); DEATH WISH (US, Michael Winner, 1974)
Notes: SEE REPAIRS; Filmography: p. 329-377; Includes bibliographical references (p. 325-327) and index
ISBN: 0879102888
Order Received: 2000
LON: 20214725

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [EIGHTY-THREE] 83 HOURS 'TILL DAWN [TV] (US, Donald Wrye, 1990)

Call No: 19MET BAR
Author: Bart, Peter
Edition: 1st ed
Place: New York
Publisher: Morrow
PubDate: 1990
PhysDes: 304 p. : ill. ; 24 cm
Subject: Metro-Goldwyn-Mayer; UNITED ARTISTS; PARAMOUNT STUDIOS; AUBREY, JAMES T.; YABLANS, FRANK; KERKORIAN, KIRK; ARMSTRONG, GILLIAN; BROOKS, RICHARD; CIMINO, MICHAEL; FIELDS, FREDDIE; GOLDBERG, LEONARD; HUTTON, TIMOTHY; LADD, ALAN, Jr.; SKASE, CHRISTOPHER; LOWE, ROB; MELNICK, DANIEL; MUDOCH, RUPERT; NICHOLSON, JACK; ROSENBERG, STUART; STEENBURGEN, MARY; WEINTRAUB, JERRY; WARGAMES (US, John Badham, 1983); RED DAWN (US, John Milius, 1984); RAIN MAN (US, Barry Levinson, 1988); MRS SOFFEL (US, Gillian Armstrong, 1984)
Notes: Includes index
ISBN: 0688084605 (acid-free paper)
LON: 6934383

Call No: 70"1" JAC
Author: Jacobs, Lea
Source: US
Place: Oakland, California
Publisher: University of California Press
PubDate: [2015]
PhysDes: xii, 266 pages : illustrations, music ; 24 cm
Subject: DAWN PATROL, THE (US, Edmund Goulding, 1938); DIALOGUE; EISENSTEIN, SERGEI M.; HAWKS, HOWARD; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); SCARFACE (US, Howard Hawks, 1932); TWENTIETH CENTURY (US, Howard Hawks, 1934); WALT DISNEY PRODUCTIONS; SOUND
Summary: The seemingly effortless integration of sound, movement, and editing in films of the late 1930s stands in vivid contrast to the awkwardness of the first talkies. Film Rhythm after Sound analyzes this evolution via close examination of important prototypes of early sound filmmaking, as well as contemporary discussions of rhythm, tempo, and pacing. Jacobs looks at the rhythmic dimensions of performance and sound in a diverse set of case studies: the Eisenstein-Prokofiev collaboration Ivan the Terrible, Disney's Silly Symphonies and early Mickey Mouse cartoons, musicals by Lubitsch and Mamoulian.- from Publisher website.
Notes: Includes bibliographical references (pages 245-252, filmography (pages 253-256) and index.
ISBN: 9780520279650
Contents: Introduction : film rhythm and the problem of sound -- A lesson with Eisenstein : rhythm and pacing in Ivan the Terrible, Part I -- Mickey Mousing reconsidered -- Lubitsch and Mamoulian -- Dialogue timing and performance in Hawks.

Call No: 71(94) FOC
CorpAuthor: Australian Council of Government Film Libraries; National Film and Sound Archive (Australia)
Place: Hendon, S. Aust.
Publisher: Australian Council of Government Film Libraries
PubDate: 1990
PhysDes: 64 p. : ill. ; 30 cm
Subject: AUSTRALIA; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920); DEVIL'S PLAYGROUND, THE (AT, Victor Bindley, 1928); ENEMY WITHIN, THE (AT, Rowland Stavely, 1918); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932); MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920); ON OUR SELECTION (AT, Raymond Longford, 1920); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); PAINTED DAUGHTERS (AT, F. Stuart-Whyte, 1925); STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); SILKS AND SADDLES (AT, John K. Wells, 1921); NATION IS BUILT, A (AT, Frank Hurley, 1937); PEARLS AND SAVAGES (AT, Frank Hurley, 1921); CHEATERS, THE (AT, Paulette McDonagh, 1930); HERO OF THE DARDANELLES, THE (AT, Alfred Rolfe, 1915); HOME OF THE BLIZZARD (AT, Frank Hurley, 1913)
Notes: Includes bibliographies
ISBN: 0730817245 : price unknown
LON: abn90241521; 7460866

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity; Posters (NFSA- Reprint)
Subject: FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)

Call No: N79 FOR CLA
Author: Clarke, Marcus
Source: Australia
Publisher: Angus and Robertson
PubDate: 1982
PhysDes: 21 cm ; 355 p.
Subject: FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)
ISBN: 0207147485

PhysDes: Article
Subject: FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)

Call No: P FOR
PhysDes: 1 poster : col. ; 61 X 24 cm.
Subject: FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)
Summary: Image: Contains many stills and cast shots.
Notes: This a reproduction of the original film poster (though not in it's original size) done by the NFSA - 'From the collection' series.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 9 photographs : b&w ; 17 x 22 cm - 21 x 26 cm
Subject: FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)
Summary: Nine black and white photographs relating to the film 'For the term of his natural life,' the most publicised and expensive silent film made in Australia

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: FRENCH, DAWN

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996)

Call No: S FRO
Author: Tarantino, Q.
Subject: FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: 81ROM PAF
Author: Paffenroth, Kim
Source: US
Place: Waco, Texas
Publisher: Baylor University Press
PubDate: 2006
PhysDes: 219 p. ; 24 cm
Subject: USA; HORROR FILMS; MONSTERS IN FILMS; ZOMBIES IN FILMS AND TV; SOCIAL ISSUES IN FILMS. USA; SOCIETY IN FILMS. USA; RELIGION IN FILMS. USA; CONSUMERISM IN FILMS. USA; VIOLENCE IN FILMS. USA; RACIAL PROBLEMS IN FILMS. USA; GENDER AND THE CINEMA. USA; ROMERO, GEORGE; SNYDER, ZACK; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); DAWN OF THE DEAD (US, George A. Romero, 1978); DAY OF THE DEAD (US, George A. Romero, 1985); DAWN OF THE DEAD (US, Zack Snyder, 2004); LAND OF THE DEAD (CN/FR/US, George Romero, 2005)
Summary: "For nearly forty years the zombie films of George A. Romero have presented viewers with hellish visions of our world overrun by flesh-eating ghouls. This rigorous but entertaining study shows how these films use Christian imagery from the Bible and Dante to probe deeper questions of human nature and purpose, while also giving a chilling and darkly humorous critique of modern, secular America that should be heeded by Christian and humanist alike." (Taken from the back cover)
Notes: Includes bibliography, index
ISBN: 9781932792652
Donation: Donated by Senses of Cinema, 2009

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ICE AGE: DAWN OF THE DINOSAURS (US, Carlos Saldanha & Mike Thurmeier, 2009)

Call No: 756(94) STA
Author: Stadler, Jane -- Mitchell, Peta -- Carleton, Stephen
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: 2016
PhysDes: x, 226 pages ; 23 cm
Series: The spatial humanities
Subject: ABORIGINAL AUSTRALIANS IN FILMS; LANDSCAPES IN FILMS. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: NEW SOUTH WALES; LOCATION SHOOTING. AUSTRALIA: VICTORIA; LOCATION SHOOTING. AUSTRALIA: WESTERN AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: TASMANIA; LOCATION SHOOTING. AUSTRALIA: NORTHERN TERRITORY; CULTURE AND THE CINEMA. AUSTRALIA; CRIMINALS IN FILMS. AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; DAWN, NORMAN; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); LAST CONFESSION OF ALEXANDER PEARCE, THE (AT, Michael James Rowland, 2008); RED DOG (AT, Kriv Stenders, 2011); SAMSON AND DELILAH (AT, Warwick Thornton, 2009); VAN DIEMEN'S LAND (AT, Jonathon Auf Der Heide, 2009); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: "Imagined Landscapes teams geocritical analysis with digital visualization techniques to map and interrogate films, novels, and plays in which Asutralian space and place figure prominently. Drawing upon A Cultural Atlas of Australia, a database-driven interactive digital map that can be used to identifu patterns of represnetation in Australia's cultural landscape, the book presents an integrated prespective on the translation of space across narraitve forms and pioneers new ways of seeing and understanding landscape" - TAKEN FROM BACK COVER
ISBN: 9780253018458
Contents: Introduction : geocriticism's disciplinary boundaries -- Remediating space : adaptation and narrative geography -- Cultural topography and mythic space : Australia's North as gothic zone -- Spatial history : mapping narrative perceptions of place over time -- Mobility and travel narratives : geovisualizing the cultural politics of belonging to the land -- Terra incognita : mapping the uncertain and the unknown

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INDUSTRIAL ANGELS (AT, Dawn Jackson, 1994?)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LAKE, DAWN

Call No: 754.11 SAR
Author: Sargeant, Jack; Watson, Stephanie
Place: London
Publisher: Creation
PubDate: 1999
PhysDes: 256 p. : ill. ; 25 cm
Series: Creation cinema collection ; 15
Subject: ROAD MOVIES; WESTERNS; MOTORCYCLE FILMS; HORROR FILMS; VAMPIRE FILMS; SCIENCE-FICTION FILMS; Wenders, Wim; LYNCH, DAVID; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALICE IN DEN STADTEN (GW, Wim Wenders, 1973); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACKROADS (AT, Philip Noyce, 1977); BADLANDS (US, Terrence Malick, 1973); BLUE VELVET (US, David Lynch, 1986); BONNIE AND CLYDE (US, Arthur Penn, 1967); BUTTERFLY KISS (UK, Michael Winterbottom, 1995); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); CRASH (CN, David Cronenberg, 1996); DELIVERANCE (US, John Boorman, 1972); EASY RIDER (US, Dennis Hopper, 1969); TOPO, EL (MX, Alexandro Jodorowsky, 1971); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); GALLIVANT (UK, Andrew Kotting, 1996); GUN CRAZY (US, Joseph H. Lewis, 1949); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KALIFORNIA (US, Dominic Sena, 1993); IM LAUF DER ZEIT (GW, Wim Wenders, 1976); KISS OR KILL (AT, Bill Bennett, 1997); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); JETEE, LA (FR, Chris Marker, 1963); LOST HIGHWAY (US, David Lynch, 1996); MAD MAX [...] (AT, 1979-85); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); NATURAL BORN KILLERS (US, Oliver Stone, 1994); NEAR DARK (US, Kathryn Bigelow, 1987); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); THELMA & LOUISE (US, Ridley Scott, 1991); THEY LIVE BY NIGHT (US, Nicholas Ray, 1949); TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995); TRUE ROMANCE (US, Tony Scott, 1993); TWO LANE BLACKTOP (US, Monte Hellman, 1971); VANISHING POINT (UK, Richard C. Sarafian, 1971); WALKABOUT (UK, Nicolas Roeg, 1971); WEEK-END (FR/IT, Jean-Luc Godard, 1968); WILD AT HEART (US, David Lynch, 1990); WILD BUNCH, THE (US, Sam Peckinpah, 1969); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1871592682(pbk.) : ª14.95
LON: 20894332

Call No: 71"198"(73) HOB
Author: Hoberman, J.
Place: New York
Publisher: New Press
PhysDes: xii, 398 pages; illustrations ; 23 cm
Subject: COMMUNISM AND THE CINEMA. USA; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); COPPOLA, FRANCIS FORD; CRUISE, TOM; EASTWOOD, CLINT; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FONDA, JANE; GHOSTBUSTERS (US, Ivan Reitman, 1984); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); KAEL, PAULINE; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MADONNA; MILIUS, JOHN; MUSIC TELEVISION; REAGAN RONALD; RIGHT STUFF, THE (US, Philip Kaufman, 1983); ROCKY (US, John G. Avildsen, 1976); RED DAWN (US, John Milius, 1984); STONE, OLIVER
ISBN: 9781595580061

Call No: 735.2 ROC
Author: Roche, David
Source: US
Place: Jackson
Publisher: University Press of Mississippi
PubDate: c2014
PhysDes: vii, 335 pages : illustrations ; 24 cm
Subject: HORROR FILMS; REMAKES; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974); TEXAS CHAINSAW MASSACRE [...] (US, 1974-); TEXAS CHAINSAW MASSACRE, THE (US, Marcus Nispel, 2003); TEXAS CHAINSAW MASSACRE: THE BEGINNING, THE (US, Jonathan Liebesman, 2006); DAWN OF THE DEAD (US, George A. Romero, 1979); DAWN OF THE DEAD (US, Zack Snyder, 2004); HILLS HAVE EYES, THE (US, Wes Craven, 1978); HILLS HAVE EYES, THE (US, Alexandre Aja, 2006); HILLS HAVE EYES PART II, THE (UK/US, Wes Craven, 1986)
Summary: An expansive treatment of the meanings and qualities of original and remade American horror movies
Notes: Includes bibliographical references (317-328), filmography and index.
ISBN: 9781617039621
Contents: Introduction -- Text, subtext, and context -- (Dis)connecting race, ethnicity, and class -- The (dys)functional American nuclear family -- Gender and sexual troubles -- (Re)situating and (re)playing the genre -- Monsters and masks (horror and terror, part 1) -- Strategies and style (horror and terror, part 2) -- Constraints and verisimilitude: a tentative conclusion.

Call No: 408.1(94) TUR
Author: Turner, Graeme
Edition: 2nd ed
Place: St Leonards, NSW
Publisher: Allen & Unwin
PubDate: 1993
PhysDes: xiv, 169 p. : ill. ; 22 cm
Series: Australian cultural studies
Subject: NARRATIVE IN FILMS. AUSTRALIA; LITERATURE AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; WEIR, PETER; GALLIPOLI (AT, Peter Weir, 1981); CADDIE (AT, Donald Crombie, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)
Notes: Includes bibliographical references (p. 156-165) and index
ISBN: 1863735046
LON: 9848099

Call No: 408.1(94) TUR
Author: Turner, Graeme
Place: Sydney
Publisher: Allen & Unwin
PubDate: 1986
PhysDes: vii, 156 p. : ill., ports. ; 23 cm
Series: Australian cultural studies
Subject: NARRATIVE IN FILMS. AUSTRALIA; LITERATURE AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; WEIR, PETER; CADDIE (AT, Donald Crombie, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)
Notes: Includes index; Bibliography: p. 146-153
ISBN: 0048000892 : $29.95 Aust; 0048000884 (pbk.) : $12.95 Aust
LON: abn98037922; 13658862
URL status: URL: 'http://-' Checked: 31/08/2021 12:37:05 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 735.23 GEL
Author: Gelder, Ken
Source: UK
Place: London
Publisher: British Film Institute ; Palgrave Macmillan
PubDate: 2012
PhysDes: ix, 155 pages : illustrations ; 24 cm
Subject: DRACULA IN FILMS; HORROR FILMS; REMAKES; VAMPIRE FILMS; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); SHADOW OF THE VAMPIRE (UK/US, E. Elias Merhige, 2000); BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); LET THE RIGHT ONE IN (SW, Tomas Alfredson, 2008); LAT DEN RATTE KOMMA IN (SW, Tomas Alfredson, 2008); LET ME IN (UK/US, Matt Reeves, 2010); NIGHT WATCH, THE (RU, Timur Bekmanbetov, 2004); DAY WATCH (RU, Timur Bekmambeton, 2006); DNEVNOY DOZOR (RU, Timur Bekmambeton, 2006); IRMA VEP (FR, Oliver Assayas, 1996); VAMPIRE HUNTER D. (JA, Yoshiaki Kawajiri, 2000); BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998); THIRST (SK, Park Chan-wook, 2009); BAKJWI (SK, Park Chan-wook, 2009); NADJA (US, Michael Almereyda, 1994); ADDICTION, THE (US, Abel Ferrara, 1995); HABIT (US, Larry Fessenden, 1996); VAMPIRE IN BROOKLYN (US, Wes Craven, 1995); TWILIGHT (US, Catherine Hardwicke, 2008); ECLIPSE: TWILIGHT 3 (US, David Slade, 2010); CRONOS (MX, Guillermo del Toro, 1993); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); BLADE (US, Stephen Norrington, 1998); BLADE II (US, Guillermo Del Toro, 2002); BLADE: TRINITY (US, David S. Goyer, 2004); UNDERWORLD (US, Len Wiseman, 2003); UNDERWORLD: EVOLUTION (US, Len Wiseman, 2005); PERFECT CREATURE (NZ/UK, Glenn Standring, 2006); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008)
Summary: "New Vampire Cinema lifts the coffin lid on forty vampire films, from 1992 to the present day, charting the evolution of a genre that is, rather like its subject, at once exhausted and vibrant, inauthentic and 'original', insubstantial and self-sustaining. Ken Gelder's fascinating study begins by looking at Francis Ford Coppola's Bram Stoker's Dracula and Fran Rubel Kuzui's Buffy the Vampire Slayer - films that seemed for a moment to take vampire cinema in completely opposite directions. New Vampire Cinema then examines what happened afterwards, across a remarkable range of reiterations of the vampire that take it far beyond its original Transylvanian setting: the suburbs of Sweden (Let the Right One In), the forests of North America (the Twilight films), New York City (Nadja, The Addiction), Mexico (Cronos, From Dusk Till Dawn), Japan (Blood: The Last Vampire, Vampire Hunter D: Bloodlust), South Korea (Thirst), New Zealand (Perfect Creature), Australia (Daybreakers), and elsewhere. In a series of exhilarating readings, Gelder determines what is at stake when the cinematic vampire and the modern world are made to encounter one another - where the new, the remake and the sequel find the vampire struggling to survive the past, the present and, in some cases, the distant future." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9781844574407

PhysDes: Article
Subject: PORKY'S II: THE NEXT DAY (CN/US, Bob Clark, 1983); YELLOWBEARD (UK, Mel Damski, 1983); NOW AND FOREVER (AT, Adrian Carr, 1983); TWILIGHT ZONE THE MOVIE (US, John Landis & Steven Spielberg & George Miller & Joe Dante, 1983); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)
Summary: Updates for Roadshow films

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: PORTER, NYREE DAWN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PRAYER BEFORE DAWN, A (FR/UK/CB/US/CC, Jean-Stéphane Sauvaire, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: RATS (IT/FR, Vincent Dawn [pseud. of Bruno Mattei, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED DAWN (US, John Milius, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED DAWN (US, Dan Bradley, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RESCUE DAWN (US, Werner Herzog, 2006)

Author: Hatcher, John S
PhysDes: Article
Subject: DAWN OF THE DEAD (US, George A. Romero, 1979)
Summary: Romero's film trilogy of zombie films.

Call No: 626:159.964.2 GRE
Author: Greenberg, Harvey R
Place: New York
Publisher: Columbia University Press
PubDate: 1993
PhysDes: 277 p. : ill. ; 24 cm
Subject: PSYCHOANALYSIS AND THE CINEMA; CASABLANCA (US, Michael Curtiz, 1942); MALTESE FALCON, THE (US, John Huston, 1941); RED DAWN (US, John Milius, 1984); FIRST BLOOD (US, Ted Kotcheff, 1982); PSYCHO (US, Alfred Hitchcock, 1960); ALIEN (UK, Ridley Scott, 1979); BOSTONIANS, THE (UK/US, James Ivory, 1984); ALWAYS (US, Steven Spielberg, 1989); ENEMIES, A LOVE STORY (US, Paul Mazursky, 1989); WORKING GIRL (US, Mike Nichols, 1988)
Summary: Screen Memories delves into the psychological aspects of mainstream American movies ranging from Casablanca to Working Girl. While most psychoanalytic film criticism is highly theoretical, Greenberg writes in a candid, entertaining style that will appeal to cineasts and scholars alike. Beginning with a basic overview of psychoanalytic film criticism, Greenberg directs his focus on characters, motivations, and conflicts in detective, war, science fiction, and horror movies, as well as cult cinema. In "On the McMovie," he probes the hollow, escapist fare that emerged from Hollywood in the 1970s and 1980s and embraced nearly every genre. Greenberg zooms in on the pathological narcissism of heroes in such McMovies as Rambo and Top Gun; Screen Memories concludes by addressing two important films of the late 1980s. Greenberg decries Working Girl as a "Co-opt" film with a seemingly liberal agenda, which nevertheless mocks and subverts the very social advances it appears to affirm. But Enemies: A Love Story - with its humor, manic energy, and theme of renewal in the teeth of death - is seen as evidence of a tentative but hopeful return to quality in Hollywood
Notes: Includes bibliographical references (p. [241]-268) and index
ISBN: 0231072864 (acid-free paper)
LON: 92041710; 9733268

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Study guide
Subject: SHEILAS : 28 YEARS ON(NZ, Annie Goldson & Dawn Hutchesson, 2004)

Call No: TITLE CLIPPINGS FILE; BATMAN V SUPERMAN: DAWN OF JUSTICE (US, Zack Synder, 2016)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: GAMBLING IN FILMS; BATMAN V SUPERMAN: DAWN OF JUSTICE (US, Zack Synder, 2016)
Summary: Betting company Sportsbet is offering odds on the box office return of the film BATMAN v SUPERMAN: DAWN OF JUSTICE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHOWGIRL'S LUCK (AT, Norman Dawn, 1931)

Call No: 451 02 "192" CON
Author: Conor, Liz
Edition: 1st ed.
Source: USA
Place: Bloomington, Indiana
Publisher: Indiana University Press
PubDate: 2004
PhysDes: 334 p. : b+w ill. ; 23 cm
Subject: WOMEN AND THE CINEMA; WOMEN IN FILMS; FEMINISM AND THE CINEMA; WOMEN, FILMS FOR; PROSTITUTES IN FILMS; POPULAR CULTURE AND THE CINEMA; HISTORY AND THE CINEMA; MEDIA; TECHNOLOGY AND THE CINEMA; SOCIETY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; ADVERTISING; CARTOONS; CELEBRITIES IN FILMS; IMPERIALISM AND THE CINEMA; FASHION AND THE CINEMA; MODERNISM AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; DE BEAUVOIR, SIMONE; KELLERMAN, ANNETTE; VALENTINO, RUDOLPH; LYELL, LOTTIE; MOTH OF MOONBI, THE (AT, Charles Chauvel, 1926); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); GREENHIDE (AT, Charles Chauvel, 1926)
Summary: In The Spectacular Modern Woman, Liz Conor illustrates how technological advances in image reproduction transformed Wetter industrial societies into visual or ‘oculacentric’ cultures with significant and complex consequences for women’s lives. With the rise of mass media, Conor shows how women’s identities were intimately tied to the visual culture of the day. [Taken from back cover].
ISBN: 0253216702

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: STEEL, DAWN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STEEL DAWN (US, Lance Hool, 1987)

Call No: TITLE CLIPPINGS FILE; BATMAN V SUPERMAN: DAWN OF JUSTICE (US, Zack Synder, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: BATMAN V SUPERMAN: DAWN OF JUSTICE (US, Zack Synder, 2016)
Summary: Review of the film BATMAN V SUPERMAN: DAWN OF JUSTICE
Rating: 2.5 out of 5 stars

Call No: 735.2 TOW
Author: Towlson, Jon
Source: US
Place: Jefferson, North Carolina
PubDate: 2014
PhysDes: vii, 246 pages : illustrations ; 26 cm
Subject: HORROR FILMS; FRANKENSTEIN (US, James Whale, 1931); FREAKS (US, Tod Browning, 1932); CAT PEOPLE (US, Jacques Tourneur, 1942); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); CRAZIES, THE (US, George A. Romero, 1973); LAST HOUSE ON THE LEFT (US, Wes Craven, 1972); TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974); PARASITE MURDERS, THE (CN, David Cronenberg, 1975); DAWN OF THE DEAD (US, George A. Romero, 1979); HENRY: PORTRAIT OF A SERIAL KILLER, PART 2 (US, Chuck Parello, 1997); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); AMERICAN PSYCHO (US, Mary Harron, 1999); TEETH (US, Mitchell Lichtenstein, 2007)
Summary: "This book argues that a succession of filmmakers working in horror have used the genre to challenge the status quo. Spanning the decades from the 1930s onwards this critical text examines the work of producers and directors as varied as George A. Romero, Pete Walker, Michael Reeves, Herman Cohen, Wes Craven and Brian Yuzna"-- [Extract taken from the back of the book] --
Notes: Includes bibliographical references and index. Also issued online
ISBN: 9780786474691
Contents: Introduction -- Anti-eugenics: Frankenstein (1931) and Freaks (1932) -- anti-1940s home front propaganda: Cat people (1942) and The curse of the Cat people (1944) -- Anti-1950s Cold War conformity: the films of Herman Cohen -- Anti-establishment 1960s-1970s Britain: the films of Michael Reeves and Pete Walker -- Anti-Vietnam: Night of the living dead (1968), Deathdream (1972) and The crazies (1973) -- Anti-Hollywood violence and dark counterculture: Last house on the left (1972) and The Texas chain saw massacre (1974) -- Counterculture revolution: Shivers (1975), Blue Sunshine (1978) and Dawn of the dead (1978) -- Anti-"reaganomics": Henry-portrait of a serial killer (1986) and American psycho (2000) -- Anti-1990s materialism: Brian Yuzna and Splatstick -- Anti-new puritanism: Teeth (2007) and American Mary (2012) -- Afterword: Subversive horror cinema post-9/11.

Call No: 735.27 AIO
Author: Aiossa, Elizabeth
Edition: 2018
Place: Jefferson, North Carolina
Publisher: McFarland & Company Inc
PhysDes: 186 pages ; 23 cm
Series: contributions to zombie studies
Subject: ZOMBIES IN FILMS AND TV; ROMERO, GEORGE; DAWN OF THE DEAD (US, George A. Romero, 1979); DAWN OF THE DEAD (US, Zack Snyder, 2004); DAY OF THE DEAD (US, George A. Romero, 1985); DEAD GIRL, THE (US, Karen Moncrieff, 2006); GIRL WITH ALL THE GIFTS, THE (UK/US, Colm McCarthy, 2016); IN THE FLESH [TV] (UK, 2013-2015); LAND OF THE DEAD (CN/FR/US, George Romero, 2005); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990); RAW [GRAVE] (FR/BE, Julia Ducournau, 2016); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); WALKING DEAD, THE [TV] (US, 2010 - ); WARM BODIES (US/CN, Jonathan Levine, 2013); WORLD WAR Z (US/MT, Marc Forster, 2013)
Summary: Historically, zombies have been portrayed in films and television series as mindless, shuffling monsters. In recent years, this has changed dramatically. The undead are fast and ferocious in 28 Days Later… (2002) and World War Z (2013). In Warm Bodies (2013) and In the Flesh (2013–2015), they are thoughtful, sensitive and capable of empathy. These sometimes radically different depictions of the undead (and the still living) suggest critical inquiries: What does it mean to be human? What makes a monster? Who survives the zombie apocalypse, and why? Focusing on classic and current movies and TV shows, the author reveals how the once-subversive modern zombie, now more popular than ever, has been co-opted by the mainstream culture industry. -- publisher's web site
ISBN: 978147666730
Contents: Acknowledgments -- Preface: Dawn of a Zombie Scholar -- Introduction: The Shifting Culture of the Modern Zombie -- 1. Romero and the Modern American Zombie -- 2. The Evolution of Women in Romero’s Dead Series -- 3. Of Monsters and Men: Flipping the Script on Masculinity and Monstrosity -- 4. For the Love of Zombies: The Return of Heteronormativity in Zombie Works -- 5. Heteronormative Heroics in AMC’s The Walking Dead -- 6. Zombie Women Take the Lead -- 7. Embodying the Zombie In the Flesh -- Conclusion: Zombies Past and Future! -- Chapter Notes -- Works Cited -- Index

Call No: 759.3(41) MAC
Author: Macdonald, Chrissie
Source: AT
Place: Hartwell, Vic
Publisher: Sid Harta Publishers
PubDate: 2002
PhysDes: ix, 297 p. : ill., ports. ; 21 cm
Subject: COMEDY PROGRAMMES. UK; HUMOUR ON TV; RICHARDSON, PETER; MAYALL, RIK; PLANER, NIGEL; SAUNDERS, JENNIFER; FRENCH, DAWN; ALLEN, KEITH; COLTRANE, ROBBIE; EDMONDSON, ADRIAN; PEACOCK, DANIEL; YOUNG ONES, THE [TV] (UK, 1982-84); COMIC STRIP PRESENTS..., THE [TV] (UK, 1982-); RED DWARF [TV] (UK, 1988-93, 97); FILTHY RICH AND CATFLAP [TV] (UK, 1987); BOTTOM [TV] (UK, 1991-); SATURDAY NIGHT LIVE [TV] (US, 1975-); BIG GIG, THE [TV] (AT, Ted Robinson, 1989); ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996); HAPPY FAMILIES [TV] (UK, 1992); FRENCH AND SAUNDERS [TV] (UK, 1987-); VICAR OF DIBLEY, THE [TV] (UK, 1994); BLACKADDER [TV] (UK, 1983)
Summary: Some called it “alternative comedy”. Others called it “the new rock ‘n’ roll”. Whatever it was, it spawned “The Young Ones”. Comedy changed on the 9th November 1982 when Rick, Vyvyan, Neil and Mike infiltrated the safe world of the television sitcom. They farted, swore, hit each other and shouted a lot and comedy hasn’t been the same since. They weren’t nice; they were NASTY! This is the story of the conception and birth of “The Young Ones”, their ancestors, their playmates and, eventually, their offspring. [Taken from back cover]
Notes: Cover subtitle: The story of a revolution in the world of TV comedy. Includes index. Includes some short biographies of British comedians, producers and writers: p. 259-281. Bibliography: p. 283-4.
ISBN: 1877059242
Language: English

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TRAPPED (US, Dawn Porter, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWILIGHT SAGA: BREAKING DAWN PART 1 (US, Bill Condon, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWILIGHT SAGA, THE: BREAKING DAWN PART [TWO] 2 (US, Bill Condon, 2012)

Call No: TITLE CLIPPINGS FILE; RED DAWN (US, Dan Bradley, 2012)
Author: David Stratton
PhysDes: Clippings File Article
Subject: RED DAWN (US, Dan Bradley, 2012)
Summary: Review
Rating: 1.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VIRUS (IT/SP, Vincent Dawn [pseud. of Bruno Mattei], 1980); NIGHT OF THE ZOMBIES (IT/SP, Vincent Dawn [pseud. of Bruno Mattei], 1980); HELL OF THE LIVING DEAD

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: WE DIVE AT DAWN (UK, Anthony Asquith, 1943)

Call No: 735.27 OLN
Author: olney, Ian
Edition: 2017
Place: New Brunswick
Publisher: Rutgers University Press
PubDate: 2017
PhysDes: 170 pages ; 18cm
Subject: ZOMBIES IN FILMS AND TV; BLAXPLOITATION FILMS; CANNIBALISM IN FILMS; CRAZIES, THE (US, George A. Romero, 1973); DAWN OF THE DEAD (US, George A. Romero, 1979); I WALKED WITH A ZOMBIE (US, Jacques Tourner, 1943); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); ROMERO, GEORGE; REVENANTS LES (FR, Robin Campillo, 2004); WALKING DEAD, THE [TV] (US, 2010 - ); WORLD WAR Z (US/MT, Marc Forster, 2013)
Summary: It’s official: the zombie apocalypse is here. The living dead have been lurking in popular culture since the 1930s, but they have never been as ubiquitous or as widely-embraced as they are today. Zombie Cinema is a lively and accessible introduction to this massively popular genre. Presenting a historical overview of zombie appearances in cinema and on television, Ian Olney also considers why, more than any other horror movie monster, zombies have captured the imagination of twenty-first-century audiences. Surveying the landmarks of zombie film and TV, from White Zombie to The Walking Dead, the book also offers unique insight into why zombies have gone global, spreading well beyond the borders of American and European cinema to turn up in films from countries as far-flung as Cuba, India, Japan, New Zealand, and Nigeria. Both fun and thought-provoking, Zombie Cinema will give readers a new perspective on our ravenous hunger for the living dead. -- publisher's web site
ISBN: 9780813579474
Contents: Acknowledgments -- Introduction: Our Zombies, Ourselves -- 1. Black Mask, White Zombies -- 2. Consumer Culture -- 3. Boy Eats Girl -- Conclusion: Homebodies -- Further Reading -- Works Cited -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ZULU DAWN (SA, Douglas Hickox, 1979)