title clippings file
ADVENTURES OF SHERLOCK HOLMES' SMARTER BROTHER, THE : (US, Gene Wilder, 1975)
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Australian TV : the early years : a program of full-length screenings / program notes written and researched by Graham Shirley [Sydney]: Museum of Contemporary Art, 1992.
Call No: 71(94) AUSAuthor: Shirley, Graham, 1949 CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.)Place: [Sydney]Publisher: Museum of Contemporary ArtPubDate: 1992PhysDes: 44 p. : ill. ; 30 cmSubject: HISTORY OF TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA ; GAMES SHOWS. AUSTRALIA ; MY BROTHER JACK [TV] (AT, Gil Brealey, 1965) ; PRESSURE PAK SHOW, THE [TV] (AT, 1957-1959?) ; COUNTRY STYLE [TV] (AT, 1962-?) ; IT COULD BE YOU [TV] (AT, 1969-?) ; JONAH [TV] (AT, David Cahill & Ken Hannam, 1962-63) ; MATLOCK POLICE [TV] (AT, 1971-1976) ; ADVENTURE ISLAND [TV] (AT, 1967-1973) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968) ; SEVEN DAYS [TV] (AT, 1964-1968) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; SAY BOW WOW [TV] (AT, Gil Brealey, 1964) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; PENTHOUSE [TV] (AT, 1961-?) Notes: "... accompanies the exhibition TV Times : 35 years of watching television in Australia' - Pref; At head of title: TV Times; Available from Museum of Contemporary Art, 132 George St, Sydney NSW 2000; Includes bibliographiesISBN: 1875632077 : price unknownLON: abn92040814; 8713155
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BE MY BROTHER : (AT, Genevieve Clay, 2009)
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BIG BROTHER OF CHRISTMAS ISLAND : (AT, Mathew Kelley, 1999)
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journal article
Big Brother rises like Lazarus in Encore (November 2012) p.34-6
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BIG BROTHER [TV] : (AT, 2001) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; PublicitySubject: BIG BROTHER [TV] (AT, 2001-) URL status: URL: 'http://file://Q:/T/BIG_BROTHER.TV.zip'
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personality clippings file
BIG BROTHER [TV] : (AT, 2001)
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Billion dollar game : how three men risked it all and changed the face of television / Peter Bazalgette London: Time Warner, 2005.
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BLOOD BROTHER : (US, John Pogue, 2018)
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BROTHER : (US/UK/FR, Takeshi Kitano, 2000)
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journal article
Brother Alfred in Film Index iss.28 p.79
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title clippings file
BROTHER BEAR : (US, Aaron Blaise & Robert Walker, 2003)
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BROTHER, CAN YOU SPARE A DIME? : (UK, Philippe Mora, 1975)
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BROTHER FROM ANOTHER PLANET, THE : (US, John Sayles, 1984)
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BROTHER MINISTER: THE ASSASSINATION OF MALCOLM X : (US, Jack Baxter & Jefri Aalmuhammed, 1994)
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BROTHER'S KEEPER : (US, Joe Berlinger & Bruce Sinofsky, 1992)
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BROTHER'S KISS, A : (US, Seth Zvi Rosenfeld, 1997)
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BROTHER TO THE OX : (UK, John Willis, 1981)
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BROTHER WITH PERFECT TIMING, A : (US, Chris Austin, 1987?)
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BROTHERS MCMULLEN, THE : (US, Edward Burns, 1995)
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book
The Coen brothers : this book really ties the films together / by Adam Nayman New York: Abrams Books, 2018.
Call No: 81 COE NAYAuthor: Nayman, Adam Source: USPlace: New YorkPublisher: Abrams BooksPubDate: 2018PhysDes: 320 pages : illustrations (some colour) ; 32 cmSubject: COEN, JOEL & ETHAN ; BLOOD SIMPLE (US, Joel Coen, 1984) ; RAISING ARIZONA (US, Joel Coen, 1987) ; MILLER'S CROSSING (US, Joel Cohen, 1990) ; BARTON FINK (US, Joel Cohen, 1991) ; HUDSUCKER PROXY, THE (US, Joel Coen, 1994) ; FARGO (US, Ethan Coen, 1996) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001) ; INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003) ; LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004) ; NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007) ; BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008) ; SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009) ; TRUE GRIT (US, Coen Brothers, 2010) ; HAIL, CAESAR! (UK/US, Ethan Coen and Joel Coen, 2016) Summary: "From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, “some Grand Unified Theory of Coen-ness.” The book combines critical text—biography, close film analysis, and enlightening interviews with key Coen collaborators—with a visual aesthetic that honors the Coens’ singular mix of darkness and levity. Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this book will be the definitive exploration of the Coen brothers’ oeuvre." - taken from publisher's website.Notes: Includes bibliographical references.ISBN: 9781419727405Contents: An introduction -- Out of nowhere -- Blood simple -- Raising Arizona -- Miller's crossing -- Interview: Michael Miller -- Barton Fink -- Hits and misses -- The hudsucker proxy -- Fargo -- Interview: The Zellner Brothers -- The Big Lebowski -- Interview: Lisa Walker -- Can't stop what's coming -- O brother, where are thou? -- The man who wasn't there -- Interview: Carter Burwell -- Intolerable cruelty -- The ladykillers -- Mysterious ways -- No country for old men -- Interview: Roger Deakins -- Tuillries & world cinema -- Burn after reading -- A serious man -- Interview: J. Todd Anderson -- That's entertainment! -- True grit -- Interview: Mary Zophres -- Inside Llewyn Davis -- Hail, Caesar! -- Interview: Jess Gonchor -- An outroduction -- Credits -- Bibliography
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Constructing the Coens : from Blood Simple to Inside Llewyn Davis / by Allen H. Redmon New York : London: Rowman & Littlefield, c2015.
Call No: 81COE REDAuthor: Redmon, Allen H. Source: US/UKPlace: New York : LondonPublisher: Rowman & LittlefieldPubDate: c2015PhysDes: xviii, 173 pages ; 24 cmSubject: CRITICISM ; COEN, JOEL & ETHAN ; LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004) ; BARTON FINK (US, Joel Cohen, 1991) ; RAISING ARIZONA (US, Joel Coen, 1987) ; HUDSUCKER PROXY, THE (US, Joel Coen, 1994) ; MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001) ; INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003) ; NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008) ; SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009) Summary: "In Constructing the Coens: From Blood Simple to Inside Llewyn Davis, Allen Redmon looks beyond the postmodern sensibilities of every film written and directed by the Coens to find an unexpected range of recurring ideas expressed in and about contemporary film. Redmon tackles all of the films in the Coen brothers’ canon by examining—among other topics—narrative coherence in The Man Who Wasn’t There, intertextuality in No Country for Old Men, and sexuality in Burn after Reading and O Brother, Where Art Thou? Additional chapters examine the films through the prisms of gender studies, adaptation studies, and a constructivist sensibility weaved throughout their work." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (pages 155-160), filmography (pages 161-163) and indexISBN: 9781442244849Donation: Sense of cinemaContents: -- acknowledgments -- introduction -- 1: "It's a problem of 'perception'": identifying the Coens' constructivist sensibility -- 2: "You don't want to be tried and found wantin'": triggering the ongoing adaptation of the the Ladykillers -- 3: "I will destroy him": negotiating the image in Barton Fink and Raising Arizona -- 4: "That gag's got whiskers on it": achieving narrative coherence in the Hudsucker proxy and The man who wasn't there -- 5: "The coin don't have no say": examining intertextuality in the Hudsucker proxy, Intolerable cruelty, and No country for old men -- 6: "A lotta ins, a lotta outs": interweaving genres in the Big Lebowski and O brother, where art thou? -- 7: "Appearances can be deceptive" : investigating sexuality in O brother, where art thou?, Intolerable cruelty, and Burn after reading -- 8: "I haven't done anything funny": scrutinizing gender in the Coens' arrangements of a bunch of men around one woman -- 9: "Accept the mystery": resisting final construction of A serious man -- Conclusion -- bibliography -- filmography -- index -- about the author --
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book
Contemporary musical film / edited by K. J. Donnelly and Beth Carroll Edinburgh: Edinburgh University Press, 2019.
Call No: 751.1 CONSource: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: 2019PhysDes: x, 192 pages : illustrations (black and white) ; 25 cm.Series: Music and the moving image seriesSubject: MUSICALS ; TEAM AMERICA WORLD POLICE (US, Trey Parker, 2004) ; ACROSS THE UNIVERSE (US, Julie Taymor, 2007) ; FROZEN (US, Chris Buck & Jennifer Lee, 2013) ; MAMMA MIA! (UK/US/G, Phyllida Lloyd, 2008) ; MISERABLES, LES (UK, Tom Hooper, 2012) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; FAST AND THE FURIOUS, THE (US, Rob Cohen, 2001) ; KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003) ; KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004) Summary: In recent years there has been a remarkable resurgence in the success of film musicals. Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have restated the close connections between the stage and screen. This edited collection will look at the breadth and diversity of recent film musicals, including adaptations from the stage such as Mamma Mia! (2008), Tim Burton's Sweeny Todd: The Demon Barber of Fleet Street (2007) and Rock of Ages (2012). This collection will also look at films that owe less of a direct debt to stage musicals, such as Julie Taymor's Across the Universe (2007) and Lars von Trier's Dancer in the Dark (2000).Notes: Includes bibliographical references and index.ISBN: 9781474431682Contents: Machine generated contents note: pt. ONE ORIGINAL MUSICALS --1.Aesthetic Absurdities in Takashi Miike's The Happiness of the Katakuris / Craig Hatch --2.Film and the Twilight of Rock (Rock is Dead and Film Killed It): Post-millennial Rock Musicals / K. J. Donnelly --3.Team America: World Police: Duplicitous Voices of the Socio-political Spy Musical / Jack Curtis Dubowsky --4.The Anti-musical or Generic Affinity: Is there Anything Left to Say? / Beth Carroll --5.`Is This Real Enough For You?': Lyrical Articulation of the Beatles' Songs in Across the Universe / Stephanie Fremaux --6.`Love Is an Open Door': Revising and Repeating Disney's Musical Tropes in Frozen / Ryan Bunch --pt. TWO STAGE TO SCREEN --7.Star Quality? Song, Celebrity and the Jukebox Musical in Mamma Mia! / Catherine Haworth --8.Beyond the Barricade: Adapting Les Miserables for the Cinema / Ian Sapiro --pt. THREE MUSICALS BY ANOTHER NAME --Contents note continued: 9.O Brother, Where Art Thou?: The Coen Brothers and the Musical Genre Contamination / Stefano Baschiera --10.Racing in the Beat: Music in the Fast & Furious Franchise / Todd Decker --11.Kill Bill: Quentin Tarantino as a Musical Filmmaker / Geena Brown.
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DAI SI HING : (HK, Kam Ka-Wai , 2018)
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Documentary screens : non-fiction film and television / Keith Beattie Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004.
Call No: 761 BEAAuthor: Beattie, Keith Source: UKPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2004PhysDes: 276 p ; 21cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; IMPERIALISM AND THE CINEMA ; CINEMA VERITE ; CINEMA-DIRECT ; JOURNALISTS, FILM ; POPULAR CULTURE AND TV ; REALITY TV ; TABLOID JOURNALISM ; POPULAR CULTURE AND THE CINEMA ; AUSTRALIAN BROADCASTING CORPORATION ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; NATIONAL FILM BOARD OF CANADA ; NATIONAL INDIGENOUS DOCUMENTARY FUND ; NBC TELEVISION NETWORK ; PUBLIC BROADCASTING SERVICE ; NETWORK TEN ; VIDEODISCS ; GRANADA ; IMAX ; INDEPENDENT TELEVISION COMMISSION ; INTERACTIVE TV ; MUSIC TELEVISION ; TELEVISION JOURNALISTS ; BUERK, MICHEAL ; CAVADINI, ALESSANDRO ; DE ANTONIO, EMILE ; DREW, ROBERT ; DYLAN, BOB ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT ; MAYSLES, DAVID ; MCELWEE, ROSS ; MOORE, MICHAEL ; MORIN, EDGAR ; O'ROURKE, DENNIS ; PENNEBAKER, D. A. ; PILGER, JOHN ; ROUCH, JEAN ; RUTTMAN, WALTER ; TAJIRI, REA ; VERTOV, DZIGA ; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; BIG BROTHER [TV] (AT, 2001-) ; BIGGIE AND TUPAC (US, Nick Broomfield, 2001) ; BILL, THE [TV] (UK, 1984-) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002) ; BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999) ; CAMBODIA: YEAR ZERO (AT, John Pilger, 1989) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) ; CATHY COME HOME (UK, Ken Loach, 1966) ; COPS AND ROBBERSONS (US, Michael Ritchie, 1994) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MONTEREY POP (US, D. A. Pennebaker, 1968) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; POLICE STATE (AT, Chris Noonan, 1989) ; SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993) ; WALKING WITH DINOSAURS[TV] (UK, 1999) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].ISBN: 033374117XURL status: URL: 'http://-'
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title clippings file
HOUR BEFORE MY BROTHER DIES, THE : [TV] (AT, James Clayden, 1986)
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still
[Hour before my brother dies, the : stills file] Australian Broadcasting Corporation,
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journal article
Invocation of my Demon brother in Filmviews (March 1980) p.11
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journal article
Invocation of my Demon brother in Filmviews (March 1980) p.11
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book
Is manipulation within the construct of reality television ethical? / Cheryl-Anne Whitlock Wollongong, NSW: University of Wollongong, 2012.
Call No: 461.25 WHIAuthor: Cheryl-Anne Whitlock CorpAuthor: University of Wollongong - School of Creative ArtsSource: ATPlace: Wollongong, NSWPublisher: University of WollongongPubDate: 2012PhysDes: xii, 297 leaves ; 30cmSubject: REALITY TV ; REALITY TV. AUSTRALIA ; BIG BROTHER [TV] (AT, 2001-) ; BIG BROTHER [TV] (AT, 2001-) ; BIG BROTHER UNCUT [TV] (AT, 2001-) ; AUSTRALIAN IDOL [TV] (AT, 2003-) Summary: "The main purpose of the thesis is to determine to what extent duty of care is extended to reality television participants, to what extent elements of reality television programming are manipulated and whether those manipulations are ethical. Program participants are encouraged to be their ‘real’ and authentic selves, yet reality programming itself is often so extensively manipulated that the genre renders its own output inauthentic, thus compromising participants’ contributions and casting their performance in the same false light. Despite this, reality television continues to be promoted and marketed as representative of the real, despite evidence to the contrary and accusations that the generic term is a falsehood. This research employed a methodology combining textual analysis with a mixed method study. Input was sought from scholars and psychologists from the United States of America (US), Australia and the United Kingdom (UK). The research revealed that almost every stakeholder in the genre manipulated other stakeholders in a cannibalistic and parasitic business model. It was found that some manipulations were considered necessary, while others were even deemed ethical when situated in Kantian moral philosophy. Some manipulations were considered blatantly unethical when viewed through the same prism in the context of stakeholders using others to serve their own ends. It was also found that a range of important production processes were not standardised and this lack of standardisation allowed for the use of duplicitous production methods. The research process also uncovered that between 1994 and 2011, 20 former reality television participants reportedly committed suicide following their contribution to a reality program. The psychological effects of participation in this programming has not been measured in any meaningful way and there is a considerable push from consulting psychologists to monitor participants for a year following their filmed participation to study the psychological effects of taking part." -- FROM THESIS ABSTRACT.Notes: Thesis -- ring bound -- includes abstract - incudes table of contents -- includes bibliography -- includes list of abbreviations - includes appendecesLanguage: ENContents: Prologue -- Literature review -- Television in practice -- Methodology -- Results -- Case studies -- Discussion and conclusions
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book
John Sayles / by David R. Shumway Urbana: University of Illinois Press, c2012.
Call No: 81SAY SHUAuthor: Shumway, David R. Source: USPlace: UrbanaPublisher: University of Illinois PressPubDate: c2012PhysDes: 182 p. : ill., ports. ; 22 cmSeries: Contemporary film directorsSubject: FILM ; CRITICISM ; REALISM IN FILMS ; SAYLES, JOHN ; RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980) ; LIANNA (US, John Sayles, 1983) ; BABY IT'S YOU (US, John Sayles, 1983) ; BROTHER FROM ANOTHER PLANET, THE (US, John Sayles, 1984) ; MATEWAN (US, John Sayles, 1987) ; [EIGHT] 8 MEN OUT (US, John Sayles, 1988) ; CITY OF HOPE (US, John Sayles, 1991) ; PASSION FISH (US, John Sayles, 1992) ; LONE STAR (US, John Sayles, 1996) ; MEN WITH GUNS (US, John Sayles, 1997) ; LIMBO (US, John Sayles, 1999) ; CASA DE LOS BABYS (US/MX, John Sayles, 2003) ; SILVER CITY (US, John Sayles, 2004) ; HONEYDRIPPER (US, John Sayles, 2007) Summary: "In this study, David R. Shumway examines the defining characteristic of Sayle's cinema: its realism. Positing the filmmaker as a critical realist, Shumway explores Sayle's attention to narrative in critically acclaimed and popular films such as Matewan, Eight Men Out, Passion Fish and Lone Star. The study also details the conditions under which Sayle's films have been produced, distributed, and exhibited, affecting the way in which these films have been understood and appreciated. In the process, Shumway presents Sayles as a teacher who tells historically accurate stories that invite audiences to consider the human world they all inhabit." -- BOOK BLURBNotes: Includes bibliographical references, filmography and indexISBN: 9780252078569Contents: -- acknowledgments -- John Sayles: critical realist -- John Sayles: independent -- John Sayles: realist -- Beginnings: return of the Secaucus seven -- Establishing a career -- Lianna and Baby it's you -- The brother from another planet and Springsteen videos -- Matewan -- Eight Men out -- Place and melodrama: city of hope and passion fish -- Stories -- Lone star -- Men with guns -- Limbo -- Millennial ZSayles -- Casa de los babys -- Silver city -- Honeydripper -- interviews with John Sayles -- filmography -- bibliography -- index --
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journal article
Little brother, little sister : study guide in Australian screen education (Autumn 2000) iss.22 p.29-33
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title clippings file
LOVE'S BROTHER : (AT, Jan Sardi, 2003)
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script
Love's brother / written by Jan Sardi 2003.
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title clippings file
ME AND MY BROTHER : (US, Robert Frank, 1969)
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title clippings file
MIO FRATELLO E FIGLIO UNICO : (IT/FR, Daniele Luchetti, 2007)
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poster
[Mio fratello e figlio unico : poster]
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title clippings file
MY BROTHER ANDY : (AT, Greg Hatton, 2012)
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script
MY BROTHER JACK. Part one : Script, release script / Based on the book by George Johnston / Script editor, Sue Smith AT: July, 2000.
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script
MY BROTHER JACK. Part two : Script, re-release script / Based on the book by George Johnston / Script editor, John Alsop AT: 26th July 2000.
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title clippings file
MY BROTHER JACK [TV] : (AT, Ken Cameron, 2001)
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title clippings file
MY BROTHER, MY WIFE : (PH, Elwood Perez, 1977)
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title clippings file
MY BROTHER TOM : [TV] (AT, Pino Amenta, 1986)
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book
My brother Tom / James Aldridge Melbourne: Penguin Books, 1986, c1966.
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Crawford collection
script
My brother Tom : treatment / written by Tony Morphett ; from the novel by James Aldridge AT:
Call No: SC MYB : 1Author: Morphett, Tony Edition: 2nd draftPlace: ATPhysDes: 29 leaves ; 30 cmSubject: MY BROTHER TOM [TV] (AT, Pino Amenta, 1986) Notes: Second draft treatment -- Kept with second draft of scene breakdown as received from Crawfords ProductionsDonation: Gift of Crawford Productions
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Crawford collection
script
My brother Tom : scene breakdown / written by Tony Morphett ; from the novel by James Aldridge AT:
Call No: SC MYB : 1Author: Morphett, Tony Edition: 2nd draftPlace: ATPhysDes: 48 leaves ; 30 cmSubject: MY BROTHER TOM [TV] (AT, Pino Amenta, 1986) Notes: Second draft of the scene breakdown -- Kept with the second draft of the treatment as it was received this way from Crawford ProductionsDonation: Gift of Crawford Productions
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Crawford collection
script
My brother Tom : part two / written by Tony Morphett ; from the novel by James Aldridge AT: c1985.
Call No: SC MYB : 2Author: Morphett, Tony Edition: 1st draftPlace: ATPubDate: c1985PhysDes: 117 leaves ; 30 cmSubject: MY BROTHER TOM [TV] (AT, Pino Amenta, 1986) Notes: Unpublished script -- Includes cast list, list of interior and exterior locations, running timesDonation: Gift of Crawford Productions
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Crawford collection
script
My brother Tom : part 2 / adapted for the screen by Tony Morphett ; script edited by Susan Smith ; from the novel by James Aldridge AT: c1985.
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Crawford collection
script
My brother Tom : part 2 / adapted for the screen by Tony Morphett ; script edited by Susan Smith ; from the novel by James Aldridge AT: 1986 Jan..
Call No: SC MYB : 4Author: Morphett, Tony Edition: Final draftPlace: ATPubDate: 1986 Jan.PhysDes: 133 leaves ; 33 cmSubject: MY BROTHER TOM [TV] (AT, Pino Amenta, 1986) Notes: Unpublished script -- Includes character list, and list of interior and exterior locations -- Accompanied by memos (11 leaves), shooting schedule (58 leaves)Donation: Gift of Crawford Productions
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Crawford collection
still
[My brother Tom : album #1] Crawford Productions [ distributor],
Call No: CRAWFORD STILL MYBSource: ATPublisher: Crawford Productions [ distributor]PhysDes: 10 photographs : b&w ; 26 x 21 cm + 12 slides : col. + 2 photographic sheets : b&w ; 23 x 24 cm - 27 x 24 cmSubject: JACKSON, GORDON ; TINGWELL, CHARLES (BUD) ; PHIPPS, MAX ; McCLEMENTS, CATHERINE ; MAYER, CHRISTOPHER ; LEE, CINDY ; WARD, KATHRYN ; MICHELL, KEITH ; JENNINGS, TOM ; MY BROTHER TOM [TV] (AT, Pino Amenta, 1986) Summary: Photographs and slides relating to the mini sereis 'My Brother Tom'Notes: Photographic sheets are kept in their original manilla envelope due to their sizeDonation: Gift of Crawford Productions
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Crawford collection
still
[My brother Tom : album #2] / Impressions Photography
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Crawford collection
crawford publicity myb
[My brother Tom. Publicity material]
Call No: CRAWFORD PUBLICITY MYBPhysDes: 1 box ; 25 x 38 x 8 cmSubject: McCLEMENTS, CATHERINE ; JENNINGS, TOM ; JACKSON, GORDON ; MICHELL, KEITH ; HARDY, ROD ; GARNER, NADINE ; MY BROTHER TOM [TV] (AT, Pino Amenta, 1986) Summary: Publicity and media clippings about the Crawford Productions mini-series 'My brother Tom'.Donation: Gift of Crawford ProductionsContents: Publicity brochure (2 versions), Press kit (2 versions), press cuttings (original and photocopies)
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Crawford collection
crawford research myb
[My brother Tom. Research]
Call No: CRAWFORD RESEARCH MYBPhysDes: 1 folder ; 36 cmSubject: MY BROTHER TOM [TV] (AT, Pino Amenta, 1986) Summary: Research materials for the mini series 'My brother Tom'Donation: Gift of Crawford ProductionsContents: Manilla folder labelled 'Facts and figures of Australia at war, June 1943' (contains 18 photocopied pages)
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title clippings file
MY BROTHER VINNIE : (AT, Steven McGregor, 2006)
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O BROTHER, WHERE ART THOU? : (US, Joel Coen, 2000) Digital clippings file available
Call No: TITLE CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) URL status: URL: 'http://file://Q:/T/O_BROTHER_WHERE_ART_THOU.zip'
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title clippings file
OTOTO [ABOUT HER BROTHER] : (JP, Yôji Yamada, 2010)
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title clippings file
OUR BROTHER JAMES : (AT, Jessica Douglas-Henry, 2001)
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title clippings file
OUR GOD'S BROTHER : (IT/PL/GG, Krzysztof Zanussi, 1997)
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Interim
book
Pop fiction : The song in cinema / edited by Steve Lannin and Matthew Caley Porland, Oregon: Intellect, 2005.
Call No: 634.6 POPAuthor: Lannin, Steve ; Caley, Matthew Source: UKPlace: Bristol, UK; Porland, OregonPublisher: IntellectPubDate: 2005PhysDes: 173 p. : 23 cmSubject: POP MUSIC AND THE CINEMA ; POP MUSIC IN FILMS ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; ADVERTISING FOR FILMS ; COHEN, LEONARD ; MORETTI, NANNI ; DOORS, THE ; COPPOLA, FRANCIS FORD ; SOGGY BOTTOM BOYS ; COEN, JOEL & ETHAN ; PFEIFFER, MICHELLE ; DAMON, MATT ; KLOVES, STEVE ; MINGHELLA, ANTHONY ; VALLI, FRANKIE ; CIMINO, MICHAEL ; RIGHTEOUS BROTHERS ; ZUCKER, JERRY ; REED, LOU ; BOYLE, DANNY ; STEALERS WHEEL ; Tarantino, Quentin ; BAKER, CHET ; WEBER, BRUCE ; WINGS ; ARMITAGE, GEORGE ; COLLINS, PHIL ; BRICKMAN, PAUL ; MASSIVE ATTACK ; WONG KAR WAI ; CARO DIARIO (IT/FR, Nanni Moretti, 1993) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; FABULOUS BAKER BOYS, THE (US, Steve Kloves, 1989) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; GHOST (US, Jerry Zucker, 1990) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; LET'S GET LOST (US, Bruce Weber, 1988) ; GROSSE POINTE BLANK (US, George Armitage, 1997) ; RISKY BUSINESS (US, Paul Brickman, 1983) ; DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995) Summary: "'Pop Fiction's unique essays individually consider one song within a cinematic context. Unlike previous collected volumes about pop music in film, where a generalised approach has been adopted, it offers instead a close examination of these two most pervasive and significant mediums in contemporary culture.
"The collection introspects, assembling the pop song into various guises and documenting how individuals dissemble the multiple roles that the pop song plays in all and one audio-visual moment. The song as: ghost, role-play, memory trigger, narrator, marketing device, translator, alienator, membership rite, etc." (Taken from the back cover)Notes: Includes indexISBN: 184150078X
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Reality TV : Remaking television culture / Susan Murray (ed.) / Laurie Ouellette (ed.) London: New York University Press, 2004.
Call No: 76:759 REAAuthor: Susan Murray (ed.) ; Laurie Ouellette (ed.) Place: New York; LondonPublisher: New York University PressPubDate: 2004PhysDes: 23 cm ; 358 pSubject: REALITY SHOWS, TV. AUSTRALIA ; DOCUMENTARIES ; GAMES SHOWS ; PROGRAMME GENRES ; OSBOURNES, THE [TV] (US, 2002-) ; WOMEN AND TV ; VIOLENCE ON TV ; BIG BROTHER [TV] (AT, 2001-) Summary: Beginning by unearthing its historical roots in early reality shows like Candid Camera and wending its way through An American Family, Cops and The Real World to the most recent crop of reality programs, Reality TV is the first book to address the economic, visual, cultural, and audience dimensions of reality television. The essays provide a complex and comprehensive picture of how and why this genre emerged, what it means, how it differs from earlier television programming, and how it engages societies, industries, and individuals. Topics range from the construction of televisual “reality” to the hanging face of criminal violence on TV, to issues of surveillance, taste, and social control. By spanning reality television’s origins in the late 1940s to its current overwhelming popularity, Reality TV demonstrates both the tenacity of the format and its enduring ability to speak to our changing political and social desires and anxieties. [Taken from the back cover].ISBN: 0814756883
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Reel black talk : a source book of 50 American filmmakers / Spencer Moon, foreward by George Hill Westport, Conn: Greenwood Press, 1997.
Call No: 802(73) MOOAuthor: Moon, Spencer Source: USPlace: Westport, ConnPublisher: Greenwood PressPubDate: 1997PhysDes: xvi, 396 p. : ill., ports. ; 25 cmSubject: PRODUCERS. USA ; ALEXANDER, WILLIAM ; BOURNE, ST. CLAIR ; BURNETT, CHARLES ; CHENZIRA, AYOKA ; DASH, JULIE ; DUKE, BILL ; FANAKA, JAMAA ; FRANKLIN, CARL ; GREAVES, WILLIAM ; HAMPTON, HENRY ; HUDLIN, REGINALD ; HUDLIN, WARRINGTON ; JACKSON, GEORGE ; LEE, SPIKE ; MICHEAUX, OSCAR ; PARKERSON, MICHELLE ; PARKS, GORDON ; RIGGS, MARLON ; ROBERTSON, HUGH A. ; SINGLETON, JOHN ; TOWNSEND, ROBERT ; WARREN, MARK ; WAYANS, KEENEN IVORY ; WAYANS, MARLON ; WAYANS, SHAWN ; WILLIAMS, SPENCER ; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994) ; AMAZING GRACE AND CHUCK (US, Mike Newell, 1987) ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; BEAT STREET (US, Stan Lathan, 1984) ; BETTER OFF DEAD (US, Savage Steve Holland, 1985) ; BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984) ; BRIDE PRICE (KE, Shatrujit Paul, 1991) ; CARBON COPY (US, Michael Schultz, 1981) ; CEMETERY CLUB, THE (US, Bill Duke, 1993) ; CHILD SAVER, THE [TV] (US, Stan Lathan, 1988) ; P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992) ; CROOKLYN (US, Spike Lee, 1994) ; DEEP COVER (US, Bill Duke, 1992) ; DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995) ; DISORDERLIES (US, Michael Schultz, 1987) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; RAW (US, Robert Townsend, 1987) ; EYES ON THE PRIZE [TV] (US, 1987-1990) ; [FIVE] 5 HEARTBEATS, THE (US, Robert Townsend, 1991) ; GLASS SHIELD, THE (US, Charles Burnett, 1994) ; GREASED LIGHTNING (US, Michael Schultz, 1977) ; HIGHER LEARNING (US, John Singleton, 1994) ; HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987) ; INKWELL, THE (US, Matty Rich, 1994) ; JASON'S LYRIC (US, Doug McHenry, 1994) ; KILLING FLOOR, THE (US, Bill Duke, 1985) ; KRUSH GROOVE (US, Michael Schultz, 1985) ; LAUREL AVENUE (US, Carl Franklin, 1993) ; MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993) ; OBEAH (US, Hugh A. Robertson, 1986) ; PANTHER (US, Mario Van Peebles, 1995) ; PENITENTIARY II (US, Jamaa Fanaka, 1982) ; POETIC JUSTICE (US, John Singleton, 1993) ; QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]) ; RAISIN IN THE SUN, A (US, Daniel Petrie, 1961) ; SCAVENGER HUNT (US, Michael Schultz, 1979) ; SHAFT (US, Gordon Parks Jr., 1971) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968) ; STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991) ; VEILED ARISTOCRATS (US, Oscar Micheaux, 1932) ; WHICH WAY IS UP? (US, Michael Schultz, 1977) ; WITHIN OUR GATES (US, Oscar Micheaux, 1919) Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.Notes: Includes filmographies, bibliographical references (p. [385] - 386) and indexISBN: 0313298300Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis
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The screening of Australia : anatomy of a national cinema / Susan Dermody, Elizabeth Jacka Sydney: Currency Press, 1987-<1988.
Call No: 71(94) DER v.2Author: Dermody, Susan ; Jacka, Elizabeth Place: SydneyPublisher: Currency PressPubDate: 1987-<1988PhysDes: v. <1-2 > ; 21 cmSeries: Australian screen seriesSubject: BUDDY FILMS. AUSTRALIA ; AUSTRALIA ; THEORY. AUSTRALIA ; CULTURAL IMPERIALISM. AUSTRALIA ; CLASS AND THE CINEMA. AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; COMEDIES. AUSTRALIA ; WOMEN IN FILMS. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; POLITICAL FILMS. AUSTRALIA ; SEX IN FILMS. AUSTRALIA ; REALISM IN FILMS. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983) ; GALLIPOLI (AT, Peter Weir, 1981) ; MAD MAX (AT, George Miller, 1979) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; MY BROTHER JACK (AT, Gil Brealey, 1965) ; ALVIN PURPLE (AT, Tim Burstall, 1973) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; FAR EAST (AT, John Duigan, 1982) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; HEATWAVE (AT, Phillip Noyce, 1981) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; MAD MAX II (AT, George Miller, 1981) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; PALM BEACH (AT, Albie Thoms, 1979) ; PHAR LAP (AT, Simon Wincer, 1983) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; TOWN LIKE ALICE, A (AT, David Stevens, 1980) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Notes: Includes bibliographies and indexISBN: 0861911876 (v. 2); 0868191876 (v. 2)LON: 5369777
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journal article
Space Invaders : Brother from another planet in Cinema Papers (January 1986) iss.55 p.67-68
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STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS : (US, William Greaves, 1968)
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TV land : Australia’s obsession with reality television / Kerrie Murphy Milton, Qld: John Wiley & Sons,, 2006.
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UNDERCOVER BROTHER : (US, Malcolm D Lee, 2002)
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Upping the ante : Survivor and Big Brother and the televisual triumph of the reality game show / Sophie Alexiadis Melbourne: 2004.
Call No: 76:759.5 ALEAuthor: Sophie Alexiadis Place: MelbournePubDate: 2004PhysDes: 185 p ; 30 cmSubject: REALITY SHOWS, TV. AUSTRALIA ; BIG BROTHER [TV] (AT, 2001-) ; GAMES SHOWS ; GAMES SHOWS. AUSTRALIA ; PROGRAMME GENRES ; AESTHETICS Summary: This thesis conducts a formal analysis of the ways in which phenomenal television successes Survivor and Big Brother are situated in histories of dcumentary, reality television and game shows; and how they may indicate a broader change in television production aesthetics and viewing practices for the new millenium. Historically, the reality game shows Survivor and Big Brother can be seen as belonging to and perpetuating a form which commenced with the first television broadcasts: the game show genre. Yet, with hybridized formats incorporating elements of news, soap opera, talk shows or fly-on-the-wall documentaries, these recent shows exploit the latest television technology. How shows such as Survivor and Big Brother expand or subvert the game show genre is, therefore, central to this thesis. [Taken from thesis summary].Notes: RMIT masters thesis
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UR BROTHER JAMES : (AT, Jessica Douglas-Henry, 2001)
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What about me? Identity, subjectivity and reality TV participation / by Winnie Salamon Melbourne: 2010.
Call No: 76:759 SALAuthor: Salamon, Winnie Source: ATPlace: MelbournePubDate: 2010PhysDes: 275 leaves, bound ; 30 cmSubject: PERSONALITIES ON TV ; PERSONALITIES ON TV. AUSTRALIA ; POPULAR CULTURE AND TV ; POPULAR CULTURE AND TV. AUSTRALIA ; REALITY SHOWS, TV. AUSTRALIA ; REALITY SHOWS. AUSTRALIA ; REALITY TV ; REALITY TV. AUSTRALIA ; RESEARCH TV ; TELEVISION ; AUSTRALIAN IDOL [TV] (AT, 2003-) ; BIG BROTHER [TV] (AT, 2001-) ; BIG BROTHER [TV] (AT, 2001-) ; BIG BROTHER [TV] (AT, 2001-) ; BIG BROTHER UNCUT [TV] (AT, 2001-) ; BIGGEST LOSER, THE [TV] (AT, 2006) Summary: "This thesis examines first person accounts of former reality television participants who have appeared on Australian versions of Big Brother, Australian Idol and The Biggest Loser. While scholars have researched audience responses to a wide range of reality shows, little research has been conducted on the participants themselves. My qualitative research study involving 15 semi-structed one-on-one interviews with reality TV participants addresses this gap, using these accounts to explore broader issues surrounding late modern identity and subjectivity" -- ABSTRACTNotes: Typescript; Thesis (Ph.D.)--University of Melbourne, School of Culture and Communication, 2011; Includes bibliographical referencesContents: -- acknowledgments -- introduction -- chapter one: reality tv and our collective selves: a history and review of the literature -- chapter two: qualitative research and reflexivity: interviewing through an ethnographic gaze -- chapter three: 'there's no reality in reality tv': performing the real in a 'reality flavoured' universe -- chapter four: what about me? reality tv and the self-governed citizen -- chapter five: brand new world: reality tv and the branded human -- chapter six: reality is a bitch: expectations and disappointments in reality tv -- chapter seven: hijacking the branded self: reality tv and the politics of subversion -- conclusion -- appendix 1: the interviewees -- appendix 2: interview questions -- bibliography --
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