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1:1 [ONE:ONE] : (DK/UK, Annette Olesen, 2006)
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1 [ONE] DAY 2 TRACKS : (AT, Shalom Almond & Tasmin Sharp, 2000)
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1 VS 100 [TV] : (AT, 2007)
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20 TO 1 [TV] : (AT, 2008)
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100 Anime / Brophy, Philip London: British Film Institute, 2005.
Call No: 772 (52) BROAuthor: Brophy Philip CorpAuthor: BFIPlace: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 17 cm; 262 ppSeries: BFI Screen GuidesSubject: NEON GENESIS EVANGELION (JA, 199?) ; AKIRA (JA, Katsuhiro Otomo, 1989) ; SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1) ; BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998) ; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995) ; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988) ; STEAMBOY (JA, Katsuhiro Otomo, 2004) ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) ; JAPAN ; ANIMATION ; MANGA Summary: 100 Anime is an exhilarating guide to the wonderfully complex and beautifully disorientating world of Japanese animation - anime. Philip Brophy delves deep into the chaos of meaning engendered by anime's mutation of Eastern and Western themes, images and sounds, enabling the reader to navigate the post-war shock waves that still propel Japan's popular culture. Individual entries on 100 key anime films, from Akira to Spirited Away by way of Blue Seed, Ghost in the Shell and Neon Genesis Evangeleon, present plot synopses and discussion of the films' sources and influences and major themes, as well as information about the sub genre or genres to which each film belongs, and selected credits. Philip Brophy's introduction to the volume provides a framework for understanding the 100 films in terms of the vast anime industry, as well as explaining how the calligraphic tradition contributed to the development and popularity of anime, and highlighting the events and themes in Japanese culture that have shaped and are reflected in anime. [Taken from back cover]ISBN: 1844570843
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Anime : a history / by Jonathan Clements Basingstoke, Hampshire: Palgrave Macmillan, 2013.
Call No: 772(520) CLEAuthor: Clements, Jonathan Source: UKPlace: Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2013PhysDes: vi, 250 pages, 8 pages of plates : illustrations ; 25 cmSubject: ANIMATED FILMS ; ANIMATION ; ANIMATION. JAPAN ; ANIMATORS ; CARTOONS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. JAPAN ; ASTRO BOY [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1)
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SHIN TETSUWAN ATOM [TV] ; SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1) Summary: "Japanese animation is at the nexus of an international multimedia industry worth over $6.5 billion a year, limked to everything from manga to computer games, Pokemon and plushies. In this comprehensive guide, Jonathan Clements chronicles the production and reception history of the entire medium, from a handful of hobbyists in the 1910s to the Oscar-winning Spirirted Away and beyond." -- BOOK BLURBNotes: Published by Palgrave Macmillan on behalf of the British Film Institute (BFI); Includes bibliography and indexISBN: 9781844573905Contents: -- acknowledgments -- introduction -- What do we talk about when we talk about anime? -- 1: Kid Deko's New Picture Book -- Early cartoons in Japan 1912--21 -- 2: The Film Factories -- Animation technique and technology 1921--37 -- 3: The Shadow Staff -- Japanese animation at war 1931--48 -- 4: The Seeds Of Anime -- Japanese animation industries 1946--62 -- 5: Dreams Of Export -- Toei Doga and MOM Production 1953--67 -- 6.Warrior Business -- Tezuka's anime revolution in context 1961--72 -- 7: The Brown Screen -- Trended change in Japanese animation 1966--83 -- 8: The Third Medium -- The transformation of ownership and access 1977--96 -- 9: the Pokemon Shock -- Anime goes global 1984--97, 1997--2006 -- 10: The Digital Engine -- New technologies and animation 1983--2012 -- Epilogue -- The end of anime's first century -- bibliography -- index --
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Anime from Akira to Howl's Moving Castle : experienceing contemporary Japanese animation / Susan Napier Basingstoke, England: Palgrave Macmillan, 2005.
Call No: 772(520) NAP; 2 copiesAuthor: Napier, Susan Edition: RevisedSource: US/UKPlace: Basingstoke, EnglandPublisher: Palgrave MacmillanPubDate: 2005PhysDes: 355 p. ; 24 cmSubject: ANIMATION ; ANIMATION. JAPAN ; ANIMATORS ; MIYAZAKI, HAYAO ; AKIRA (JA, Katsuhiro Otomo, 1989) ; GHOST IN THE SHELL (JA/UK Oshii Mamoru, 1995)
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KOKAKU KIDOTAI ; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995) ; BAREFOOT GEN (JA, Masaki Mori, 1983) ; PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997)
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MONONOKE HIME ; MONONOKE HIME (JA, Hayao Miyazaki, 1997) ; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989) ; HOTARV NO HAKA (JA, Isao Takahata, 1988) ; RANMA 1/2 [TV] (JA, Rumiko Takahashi, 1989) Summary: "This new edition of the groundbreaking popular book is a must-have for both seasoned and new fans of anime. Japanese animation is more popular than ever following the 2002 Academy Award given to Hayao Miyazaki's Spirited Away. It confirmed that anime is more than just children's cartoons, often portraying important social and cultural themes. With new chapters on Spirited Away and other recent releases, including Howl's Moving Castle-Miyazaki's latest hit film, already breaking records in Japan--this edition will be the authoritative source on anime for an exploding market of viewers who want to know more." -- BOOK BLURBNotes: Previous ed.: published as Anime´ from Akira to Princess Monoke. New York; Great Britain: Palgrave, 2001.ISBN: 9781403970527Contents: -- acknowledgments -- foreword to the revised edition -- introduction -- chapter one : why anime? -- chapter two : anime and local/global identity -- body, metamorphosis, identity -- chapter three : Akira and Ranma 1/2 : the monstrous adolescent -- chapter four: controlling bodies : the body in pornographic anime -- chapter five : ghosts and machines : the technological body -- chapter six : doll parts : technology and the body in Ghost in the Shell -- chapter seven : stray: gender panics, masculine crises, and fantasy in Japanese animation -- magical girls and fantasy worlds -- chapter eight : the enchantment of estrangement : the Shojo in the world of Miyazaki Hayao -- chapter nine : now you see her, now you dont: the disappearing Shojo -- chapter ten : carnival and conservatism in romantic comedy -- remaking master narratives: anime confronts history -- chapter eleven : no more words : Barefoot Gen, Grave of the fireflies , and "victim's history' -- chapter twleve : Princess Mononoke: fantasy, the feminine, and the myth of 'progress' -- chapter thirteen : waiting for the end of the world : apocalyptic identity -- chapter fourteen : elegies -- conclusion : a fragmented mirror -- notes -- bibliography -- index --
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Antarctic man 1 : fears do not kill you [1983].
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newspaper article
Appertiser for the finale in Weekend Australian [Review] (22/11/2014) p.15
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Blood lust in Australian Financial Review (29/11/2014) p.51
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Cinema unchained : the films of Quentin Tarantino / Simona Brancati Washington, DC: New Academia Publishing, 2014.
Call No: 81TAR BRAAuthor: Brancati, Simona Edition: EnglishSource: USPlace: Washington, DCPublisher: New Academia PublishingPubDate: 2014PhysDes: x, 186 pages : color facsimiles ; 23 cm.Subject: TARANTINO, QUENTIN ; PULP FICTION (US, Quentin Tarantino, 1994) ; KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003) ; KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004) ; INGLORIOUS BASTARDS (US/G, Quentin Tarantino, 2009) ; DJANGO UNCHAINED (US, Quentin Tarantino, 2012) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; TRUE ROMANCE (US, Tony Scott, 1993) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; [FOUR] 4 ROOMS (US, Allison Anders & Alexandre Rockwell & Robert Rodriguez & Quentin Tarantino, 1995) ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; DEATH PROOF (US, Quentin Tarantino, 2007) Notes: Translated from: Quentin Tarantino : asfalto nero e acciaio rosso sangue, ©2014.; Includes bibliographical references (pages 182-186); Includes filmography (pages 173-181)ISBN: 9780989916981Contents: The event -- A survey of what borders the "Postmodern" -- Metamorphosis of a murder -- The interrogation : reality or 35 mm.? -- The most powerful weapon: Writing -- The find.
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A companion to contemporary documentary film / edited by Alexandra Juhasz and Alisa Lebow Malden, MA: John Wiley and Sons, 2015.
Call No: 761 COMSource: USPlace: Malden, MAPublisher: John Wiley and SonsPubDate: 2015PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS ; ENVIRONMENTAL ISSUES IN FILMS ; SEA IN FILMS ; IMMIGRATION IN FILMS AND TELEVISION ; WORKERS IN FILMS ; YUGOSLAVIA ; SEX IN FILMS ; WOMEN MAKE MOVIES [organisation] ; DISEASES IN FILMS ; SCIENCE AND THE CINEMA ; SCIENCE IN FILMS ; AIDS ON TV. SOUTH AFRICA ; RELIGION AND THE CINEMA ; WAR FILMS ; BAL, MIEKE ; ZILNIK, ZELIMIR ; TRAN VAN THUY ; FAROCKI, HARUN ; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006) ; CRUDE (US, Joe Berlinger, 2009) ; H [TWO] 2 OIL (CN, Shannon Walsh, 2009) ; PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006) ; INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010) ; OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003) ; OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007) ; OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009) ; INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006) ; SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010) ; CONTAINED MOBILITY (SZ, Ursula Biemann, 2004) ; SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009) ; GHOSTS (UK, Nick Broomfield, 2006) ; LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007) ; TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008) ; WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996) ; H [TWO] 2 WORKER (US, Stephanie Black, 1990) ; LIFE AND DEBT (US, Stephanie Black, 2001) ; MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006) ; DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004) ; WHY CYBRACEROS? (US,Alex Rivera, 1997) ; WHY BRACEROS? (US, 1959) ; VALLEY CENTRO, EL (US, James Benning, 1999) ; LOS (US, James Benning, 2001) ; DOUBLE TIDE (US/AU, Sharon Lockhart, 2009) ; GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000) ; GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002) ; WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005) ; OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009) ; LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000) ; TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002) ; SCARLET ROAD (AT, Catherine Scott, 2011) ; PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991) ; DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002) ; AFRICA RISING (US, Paula Heredia, 2009) ; SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; WILDNESS (US, Wu Tsang, 2012) ; INNER LIFE OF THE CELL (US, XVIVO, 2006) ; BEAT IT! [TV] (SA, 2001) ; MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011) ; GEVALD (IS, Netalie Braun, 2009) ; BLACK BUS (IS, Anat Zuria, 2010) ; REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009) ; STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987) ; NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969) ; IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988) ; SERIOUS GAMES [series] (GG, Harun Farocki, 2009) ; I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002) ; MIRACULOUS BEGINNINGS (LE, Walid Raad) ; SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995) ; DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010) ; [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010) ; ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009) ; DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011) ; SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994) ; OPERATION ATROPOS (CL, Coco Fusco, 2005) ; ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006) ; TAXI TO THE DARK SIDE (US, Alex Gibney, 2007) ; BRIDGE, THE (UK/US, Eric Steel, 2006) Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.ISBN: 9780470671641Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath --
Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.
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Contemporary musical film / edited by K. J. Donnelly and Beth Carroll Edinburgh: Edinburgh University Press, 2019.
Call No: 751.1 CONSource: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: 2019PhysDes: x, 192 pages : illustrations (black and white) ; 25 cm.Series: Music and the moving image seriesSubject: MUSICALS ; TEAM AMERICA WORLD POLICE (US, Trey Parker, 2004) ; ACROSS THE UNIVERSE (US, Julie Taymor, 2007) ; FROZEN (US, Chris Buck & Jennifer Lee, 2013) ; MAMMA MIA! (UK/US/G, Phyllida Lloyd, 2008) ; MISERABLES, LES (UK, Tom Hooper, 2012) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; FAST AND THE FURIOUS, THE (US, Rob Cohen, 2001) ; KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003) ; KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004) Summary: In recent years there has been a remarkable resurgence in the success of film musicals. Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have restated the close connections between the stage and screen. This edited collection will look at the breadth and diversity of recent film musicals, including adaptations from the stage such as Mamma Mia! (2008), Tim Burton's Sweeny Todd: The Demon Barber of Fleet Street (2007) and Rock of Ages (2012). This collection will also look at films that owe less of a direct debt to stage musicals, such as Julie Taymor's Across the Universe (2007) and Lars von Trier's Dancer in the Dark (2000).Notes: Includes bibliographical references and index.ISBN: 9781474431682Contents: Machine generated contents note: pt. ONE ORIGINAL MUSICALS --1.Aesthetic Absurdities in Takashi Miike's The Happiness of the Katakuris / Craig Hatch --2.Film and the Twilight of Rock (Rock is Dead and Film Killed It): Post-millennial Rock Musicals / K. J. Donnelly --3.Team America: World Police: Duplicitous Voices of the Socio-political Spy Musical / Jack Curtis Dubowsky --4.The Anti-musical or Generic Affinity: Is there Anything Left to Say? / Beth Carroll --5.`Is This Real Enough For You?': Lyrical Articulation of the Beatles' Songs in Across the Universe / Stephanie Fremaux --6.`Love Is an Open Door': Revising and Repeating Disney's Musical Tropes in Frozen / Ryan Bunch --pt. TWO STAGE TO SCREEN --7.Star Quality? Song, Celebrity and the Jukebox Musical in Mamma Mia! / Catherine Haworth --8.Beyond the Barricade: Adapting Les Miserables for the Cinema / Ian Sapiro --pt. THREE MUSICALS BY ANOTHER NAME --Contents note continued: 9.O Brother, Where Art Thou?: The Coen Brothers and the Musical Genre Contamination / Stefano Baschiera --10.Racing in the Beat: Music in the Fast & Furious Franchise / Todd Decker --11.Kill Bill: Quentin Tarantino as a Musical Filmmaker / Geena Brown.
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[EIGHT AND A HALF] 8 1/2 WOMEN : (US, Peter Greenaway, 2000)
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Favorite movies : critics' choice / edited by Philip Nobile New York: Macmillan Publishing Co., Inc., 1973.
Call No: 675.1 FAVPlace: New YorkPublisher: Macmillan Publishing Co., Inc.PubDate: 1973PhysDes: 301 p. ; 25 cm.Subject: CRITICISM ; CRITICS ; ANTONIONI, MICHELANGELO ; [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963) ; SEARCHERS, THE (US, John Ford, 1956) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953) ; LAWRENCE OF ARABIA (UK, David Lean, 1962) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; FRENCH CANCAN (FR/IT, Jean Renoir, 1955) ; CASABLANCA (US, Michael Curtiz, 1942) ; FILM PORTAIT (US, Jerome Hill, 1972) ; MADAME DE... (FR, Max Ophuls, 1953) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953) ; PSYCHO (US, Alfred Hitchcock, 1960) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; HATARI! (US, Howard Hawks, 1961) ; DOCKS OF NEW YORK, THE (US, Josef von Sternberg, 1928) Summary: Twenty-seven film critics respond to the question of what are their favorite films, and also write about their experiences in their profession.Notes: Includes index.Contents: -- My favorite movies / Dwight Macdonald -- Favorite directors / Peter Bogdanovich -- On The Searchers / Jay Cocks -- The private world of Fahrenheit 451 / Josheph McBride -- On not playing favorites / John Simon -- Ugetsu: a meditation on Mizoguchi / Andrew Sarris -- These are a few of my favorite things / William Pechter -- Lean and Lawrence: the alst adventurers / Stephen Farber -- Night World / David Denby -- The Rules Of The Game / Richard Roud -- French Cancan / Roger Greenspun -- Some nights in Casablanca / Richard Schickel -- A few notes on Jerome Hill's Film Portrait / Jonas Mekas -- Madame De: a musical passage / Molly Haskell -- My favorite movie - Madame De / Peter Harcourt -- The seaweed-gatherer / Robin Wood -- My adventure / Charles Thomas Samuels -- Antonioni: more from less / Richard Gilman -- "War!" said Scarlett. "Don't you men think about anything important?" / Ellen Willis -- Ask me know questions and I'll tell you... / Judith Crist -- Tokyo Story: the virtues of mannered simplicity / Francis X. J. Coleman -- Psycho therapy / Richard Carliss -- Looking backward at the film 2001 / Colin L. Westerbeck, Jr. -- The inevitable movie / Parker tyler -- TV favorites / Howard Thompson -- Auteurism, Hawks, Harari! and me / Stuart Byron -- Docks Of New York / Martin Rubin
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book
Film & literature : an introduction / Morris Beja New York: Longman, 1979.
Author: Beja, Morris Source: USPlace: New YorkPublisher: LongmanPubDate: 1979PhysDes: 335 p. ; 23 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. GREENE, GRAHAM ; ADAPTATIONS. JAMES, HENRY ; ADAPTATIONS. MANN, THOMAS ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. STEINBECK, JOHN ; ADAPTATIONS. WILLIAMS, TENNESSEE ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CITIZEN KANE (US, Orson Welles, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; HENRY V (UK, Laurence Olivier, 1944) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; HAMLET (UK, Laurence Olivier, 1948) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; RASHOMON (JA, Akira Kurosawa, 1950) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961) ; JULES ET JIM (FR, Francois Truffaut, 1962) ; LOLITA (US, Stanley Kubrick, 1962) ; PROCES, LE (FR/IT/GW, Orson Welles, 1962) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971) ; [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.Notes: Includes glossary, list of film distributors, bibliographic references and index; Collection holds two copies of this itemISBN: 058228094XDonation: donated by the family of Wayne Levy, 2006
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Film & literature, an introduction / Morris Beja New York: Longman, 1979.
Call No: 753 BEJCopy Management: Copy 1; Copy 2Author: Beja, Morris Source: USPlace: New YorkPublisher: LongmanPubDate: 1979PhysDes: xv, 335 p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. GREENE, GRAHAM ; ADAPTATIONS. JAMES, HENRY ; ADAPTATIONS. MANN, THOMAS ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. STEINBECK, JOHN ; ADAPTATIONS. WILLIAMS, TENNESSEE ; LITERATURE AND THE CINEMA ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CITIZEN KANE (US, Orson Welles, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; HENRY V (UK, Laurence Olivier, 1944) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; HAMLET (UK, Laurence Olivier, 1948) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; RASHOMON (JA, Akira Kurosawa, 1950) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961) ; JULES ET JIM (FR, Francois Truffaut, 1962) ; LOLITA (US, Stanley Kubrick, 1962) ; PROCES, LE (FR/IT/GW, Orson Welles, 1962) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971) ; [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.Notes: Includes index; Bibliography: p. 319-327; Collection holds two copies of this itemISBN: 058228094XOrder Received: 2000Order Type: DonationLON: 78026167; 1314099
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Great Italian films / Jerry Vermilye Secaucus, N.J.: Carol Pub. Group, 1994.
Call No: 71(45) VERAuthor: Vermilye, Jerry Place: Secaucus, N.J.Publisher: Carol Pub. GroupPubDate: 1994PhysDes: 254 p. : ill. ; 28 cmSubject: ITALY ; RISO AMARO (IT, Guiseppe de Santis, 1949) ; BELLISSIMA (IT, Luchino Visconti, 1951) ; AIDA (IT, Clemente Fracassi, 1953) ; SENSO (IT, Luchino Visconti, 1954) ; STRADA, LA (IT, Federico Fellini, 1954) ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957) ; KAPO (IT/FR/YU, Gillo Pontecorvo, 1960) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960) ; CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963) ; BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971) ; AMARCORD (IT/FR, Frederico Fellini, 1973) ; PANE E CIOCCOLATA (IT, Franco Brusati, 1974) ; PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976) ; INNOCENTE, L' (IT/FR, Luchino Visconti, 1976) ; ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978) ; GINGER AND FRED [GINGER E FRED] (IT/FR/GW, Federico Fellini, 1986) ; GINGER AND FRED [GINGER E FRED] (IT/FR/GW, Federico Fellini, 1986) ; OTELLO (IT, Franco Zeffirelli, 1986) ; LAST EMPEROR, THE (UK/CC, Bernardo Bertolucci, 1987) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; FABIOLA (IT, Alessandro Blasetti, 1947) ; ROMA ORE 11 (IT, Giuseppe De Santis, 1951) ; AMICI PER LA PELLE (IT, Franco Rossi, 1955) ; BIG DEAL ON MADONNA STREET [SOLITI IGNOTI, I] (IT, Mario Monicelli, 1958) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970) ; TOSCA [TV] (IT, 1992) ; STANNO TUTTI BENE (IT/FR, Guiseppe Tornatore, 1990) Notes: "A Citadel Press book."ISBN: 0806514809 (pbk.) : $17.95LON: 93045771; 10646564
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GUNNIN' FOR THAT #1 SPOT : (US, Adam Yauch, 2008)
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Harry Potter / edited by Valerie Estelle Frankel Chicago: University of Chicago Press, 2019.
Call No: 465.29 HARPlace: ChicagoPublisher: University of Chicago PressPubDate: 2019PhysDes: 235 pages : illustrations ; 25 cm.Series: Fan phenomenaSubject: FANS ; HARRY POTTER AND THE CHAMBER OF SECRETS (US/UK, Chris Columbus, 2002) ; HARRY POTTER AND THE DEATHLY HALLOWS: PART 1 (UK/US, David Yates, 2010) ; HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 (UK/US, David Yates, 2011) ; HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005) ; HARRY POTTER AND THE HALF BLOOD PRINCE (UK/US, David Yates, 2009) ; HARRY POTTER AND THE ORDER OF THE PHOENIX (UK/US, David Yates, 2007) ; HARRY POTTER AND THE PHILOSOPHER'S STONE [HARRY POTTER] (UK/US, Chris Columbus, 2001) ; HARRY POTTER AND THE PRISONER OF AZKABAN (US, Alfonso Cuaron, 2004) ISBN: 9781789380705Contents: Introduction -- The Wizarding World of Harry Potter: Bringing the Books to Life, Erin Pyne -- Surveying Fanworks: Art, Dance, Fic, Music and Community, Madeline Wilson -- Aya Esther Hayashi, A. J. Holmes -- Lisa Gomez, Justin Zagri -- Valerie Estelle Frankel, Matt Maggiacomo -- Valerie Estelle Frankel, Ariel Birdoff -- Polyjuice and Potterheads: The Changing Face of Fandom from LiveJournal to Tumblr, Emily E. Roach -- The Magic of Video Game Adaptation: The Admirer Becomes the Caster in Harry Potter and the Philosopher's Stone/Sorceror's Stone, Cesar Alfonso Marino -- The Wizarding World of D&D: The Art of Roleplaying in the Potterverse, S. Evan Kreider -- Tommy Taylor Reveals Harry's True Power: Stories and Fans Can Reshape Our World, Joel Hawkes -- Buffy, Hamilton and Jon Snow Go to Hogwarts: Literary Affordance and the Hogwarts Houses as Interpretative Framework and Rhetorical Tool, Jessica Hautsch -- Harry's Magical Move to Broadway, Valerie Guempel -- Tuesdays with Malfoy: The Pain of Sharing Fandoms -- Recharming the Fans? The Expanded Works and Why They Don't Hold Up, Valerie Estelle Frankel
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HARRY POTTER AND THE DEATHLY HALLOWS: PART 1 : (UK/US, David Yates, 2010)
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The hunger games : Spectacle, risk and the girl action hero / Catherine Driscoll and Alexander Heatwole Abingdon: Routledge, 2018.
Call No: 79 HUN DRIAuthor: Driscoll, Catherine ; Heatwole, Alexandra Edition: 2018Place: AbingdonPublisher: RoutledgePubDate: 2018PhysDes: 112 pages : illustrated ; 23 cmSeries: cinema and youth culturesSubject: HUNGER GAMES, THE (US, Gary Ross, 2012) ; HUNGER GAMES, THE : CATCHING FIRE (US, Francis Lawrence, 2013) ; HUNGER GAMES, THE : MOCKINGJAY PART 1 (US, Francis Lawrence, 2014) ; HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015) ; TEEN FILMS Summary: The 2012 film The Hunger Games and its three sequels, appearing quickly over the following three years, represent one of the most successful examples of the contemporary popularity of youth-oriented speculative film and television series. This book considers "The Hunger Games" as an intertextual field centred on this blockbuster film franchise but also encompassing the successful novels that preceded them and the merchandised imagery and the critical and fan discourse that surrounds them. It explores the place of The Hunger Games in the history of youth-oriented cinema; in the history of speculative fiction centred on adolescents; in a network of continually evolving and tightly connected popular genres; and in the popular history of changing ideas about girlhood from which a successful action hero like Katniss Everdeen could emerge. -- publisher's web siteISBN: 9781138683068Contents: Introduction ‘The Hunger Games’
Chapter 1 Choose Your Own Adventure: Survival, Adulthood and Other Fantasies
Chapter 2 Katniss Everdeen, Girl Hero
Chapter 3 The Train from District 12: Panem as Dystopia
Chapter 4 Team Katniss: In the Arena of Romance
Chapter 5 ‘The Hunger Memes’: Film, Fans, and Speculation as Critique
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HUNGER GAMES, THE : MOCKINGJAY PART 1 : (US, Francis Lawrence, 2014)
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IN SEARCH OF PEACE - PART 1: 1948-1967 : (US, Richard Trank, 2001)
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JOJO NO KIMYO NA BOKEN: DAIYAMONDO WA KUDAKENAI - DAI-ISSHO [JOJO'S BIZARRE ADVENTURE: DIAMOND IS UNBREAKABLE - CHAPTER 1] : (JA, Takashi Miike, 2018)
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KILL BILL VOLUME 1 : (US, Quentin Tarantino, 2003)
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Landmark films : the cinema and our century / [by] William Wolf with Lillian Kramer Wolf London: Paddington Press, 1979.
Call No: REFERENCE SECTION; 02 WOLAuthor: Wolf, William ; Wolf, Lillian Kramer Place: LondonPublisher: Paddington PressPubDate: 1979PhysDes: 429 p. : ill. ; 25 cmSubject: BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; LITTLE CAESAR (US, Mervyn LeRoy, 1931) ; FRANKENSTEIN (US, James Whale, 1931) ; DUCK SOUP (US, Leo McCarey, 1933) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935) ; MODERN TIMES (US, Charles Chaplin, 1936) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; STAGECOACH (US, John Ford, 1939) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; FANTASIA (US, Walt Disney, 1940) ; CITIZEN KANE (US, Orson Welles, 1941) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; RASHOMON (JA, Akira Kurosawa, 1950) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; ROOM AT THE TOP (UK, Jack Clayton, 1959) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; ULYSSES (UK/US, Joseph Strick, 1967) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971) ; DEEP THROAT (US, Jerry Gerard, 1972) ; HEAVY TRAFFIC (US, Ralph Bakshi, 1973) ; SLEEPER (US, Woody Allen, 1973) ; NASHVILLE (US, Robert Altman, 1975) ; PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) Notes: incl. indexISBN: 0709208758LON: vtb00270168; 10429365
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LIFE AT 1 [TV] : (AT, 2007)
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LINE 1 : (GW, Reinard Hauff, 1987)
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I lost it at the movies / Pauline Kael London: Cape, 1966.
Call No: 67(04) KAEAuthor: Kael, Pauline Place: LondonPublisher: CapePubDate: 1966PhysDes: ix, 365 p. ; 22 cm.Subject: CRITICISM ; GOLDEN COACH, THE [CARROSSE D'OR, LE] (FR/IT, Jean Renoir, 1952) ; SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; SCIUSCIA (IT, Vittorio De Sica, 1946) ; SHICHININ NO SAMURAI (JA, Akira Kurosawa, 1954) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; WEST SIDE STORY (US, Robert Wise, 1961) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; ONE, TWO, THREE (US/GW, Billy Wilder, 1961) ; MARK, THE (UK, Guy Green, 1961) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; TASTE OF HONEY, A (UK, Tony Richardson, 1961) ; VICTIM (UK, Basil Dearden, 1961) ; LOLITA (US, Stanley Kubrick, 1962) ; JULES ET JIM (FR, Francois Truffaut, 1962) ; NOBI (JA, Kon Ichikawa, 1959) ; BILLY BUDD (UK, Peter Ustinov, 1962) ; YOJIMBO (JA, Akira Kurosawa, 1961) ; DEVI (II, Satyajit Ray, 1960) ; [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963) Summary: A collection of Kael's writings on cinema including reviews mostly from 1961-1963.Notes: Includes index.LON: nun00460852; 4159070
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Martial arts : virgin film / P.T.J. Rance London: Virgin Books, 2005.
Call No: 736.35 RANAuthor: Rance, P.T.J Source: UKPlace: LondonPublisher: Virgin BooksPubDate: 2005PhysDes: 280 p., [8] p. of plates : col. ill. ; 24 cmSubject: HUANG FEIHONG CHUAN, SHANGJI (HK, Wu Pang, 1949) ; TU-PEI TAO (HK, Chang Cheh, 1967) ; LUNG-MEN K'O CHAN (TZ, King Hu, 1966) ; ENTER THE DRAGON (US/HK, Robert Clouse, 1973) ; SHAO LIN SA LIU FANG (HK, Liu Chia-Liang, 1977) ; A JIHUA (HK, Jackie Chan [pseud. of Cheng Long], 1983) ; WONG FEI-HUNG (HK, Tsui Hark, 1991) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; YING XIONG (HK/C, Yimou Zhang, 2002) ; HERO (HK/C, Yimou Zhang, 2002) ; SHIMIAN MAIFU (HK/CC, Zhang Yimou, 2004) ; HOUSE OF THE FLYING DAGGERS (HK/CC, Zhang Yimou, 2004) ; KARATE KID, THE (US, John G. Avildsen, 1984) ; KICKBOXER (US, Mark DiSalle & David Worth, 1989) ; KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003) ; KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004) ; ZATOICHI ROYABURI (JA, Satsuo YAMAMOTO, 1967) ; HWASAN GO (KO, Kim Tae-Gyun, 2002) ; ONG-BAK (TH, Prachya Pinkaew, 2003) ; GREEN HORNET, THE (US, Norman Foster, 1966) ; WATER MARGIN, THE (TV) (JP/C, 1976-78) ; SAIYUKI (TV) (JA, 1978-80) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) Summary: The late 60s and 70s saw a massive surge in the release of martial arts films, spawning a cult following which is still growing. This essential guide explores up to 20 seminal films in detail, with particular focus on recurring themes, directors, and stars. Each chapter covers a different branch of the genre from Hong Kong Legends such as Once Upon a Time in China and Enter the Dragon, to Modern Asian Classics like House of the Flying Daggers to the incursion into Hollywood in films such as The Karate Kid and The Matrix. The development of the genre from 1920s China to the present is traced with analysis and explanations of the different martial arts seen in these films in an entertaining guide to the vast array of martial arts movies and their role in modern cinema.Notes: Includes, bibliographic references, index and index of quotations
ERATA: ISBN on verso not correct. See back cover.ISBN: 0753510782ID2: 150
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journal article
Melbourne Film Society film appraisals in Filmviews (Autumn 1986) vol.31 iss.127 p.45
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Movies as politics / Jonathan Rosenbaum Berkeley, Calif.: University of California Press, 1997.
Call No: 45:32 ROSAuthor: Rosenbaum, Jonathan Place: Berkeley, Calif.Publisher: University of California PressPubDate: 1997PhysDes: xi, 359 p. ; 24 cmSubject: POLITICS AND THE CINEMA ; POLITICAL FILMS ; RACIAL ISSUES IN FILMS ; WELLES, ORSON ; KIESLOWSKI, KRZYSZTOF ; BUNUEL, LUIS ; BRESSON, ROBERT ; TATI, JACQUES ; RAY, NICHOLAS ; ZWIGOFF, TERRY ; ENDFIELD, CY ; HOU HSIAO-HSIEN ; CARAX, LEOS ; AKERMAN, CHANTAL ; ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994) ; HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991) ; PIANO, THE (AT, Jane Campion, 1993) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BITTER MOON (FR/UK, Roman Polanski, 1992) ; NOIRE DE..., LA (SG, Ousmane Sembene, 1965) ; BLOOD IN THE FACE (US, Anne Bohlen, Kevin Rafferty & James Ridgeway, 1991) ; CRUMB (US, Terry Zwigoff, 1994) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; FORREST GUMP (US, Robert Zemeckis, 1994) ; NUIT ET JOUR (FR/BE/SZ, Chantal Akerman, 1991) ; OUT 1 (FR, Jacques Rivette, 1990[prod. 1970]) ; PLOT AGAINST HARRY, THE (US, Michael Roemer, 1989[prod.1969]) ; PUPPET MASTER, THE (US, David Schmoeller, 1989) ; REDS (US, Warren Beatty, 1981) ; SAFE (US, Todd Haynes, 1995) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SOLARIS (UR, Andrei Tarkovsky, 1972) Notes: Includes bibliographical references and indexISBN: 0520206142 (acid-free paper); 0520206150 (pbk. : alk. paper)Order Received: 1997LON: 96009916; 12700123
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NAKED GUN 2 1/2: THE SMELL OF FEAR : (US, David Zucker, 1991)
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NAKED GUN 33 1/3: THE FINAL INSULT : (US, Peter Segal, 1994)
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NATIONAL LAMPOON'S LOADED WEAPON 1 : (US, Gene Quintano, 1993)
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NINE 1/2 WEEKS : (US, Adrian Lyne, 1986)
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NO. 1 OF THE SECRET SERVICE : (UK, Lindsay Shonteff, 1970)
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NORTH AND SOUTH [BOOK 1 & BOOK II) [TV] : (US, 1985-1986)
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[ONE] 1 VS 100 [TV] : (AT, 2007 -08)
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The one and only Edward Yang / Bryan Chang (ed.), Li Cheuk-to(ed.), Ho Wai-leng(ed.), Gary McDonogh(ed.) Hong Kong: Hong Kong International Film Festival Society, 2008.
Call No: 81YAN CHAAuthor: Chang, Bryan (ed.) and Li, Cheuk-to (ed.) Edition: 1st ed.Source: HKPlace: Hong KongPublisher: Hong Kong International Film Festival SocietyPubDate: 2008PhysDes: 144p.; col. ill. : 26cmSeries: HKIFF Society Series, no. 9, March 2008Subject: INDUSTRY, FILM. ASIAN COUNTRIES ; YANG, EDWARD ; HAI-T'AN-TE YI-T'IEN (TZ, Yang Teh-Chang, 1983) ; DULI SHIDAI (TZ, Edward Yang [pseud. Yang Teh-Chang], 1994) ; GUANG YIN DE GU SHI (TZ, Edward Yang, 1982) ; QING MEI ZHU MA (TZ, Edward Yang, 1985) ; KONG BU FEN ZI (TZ, Edward Yang, 1986) ; GU LING JIE SHAO NIAN SHA REN SHI JIAN (TZ, Edward Yang, 1991) ; MA JIANG (TZ, Edward Yang, 1996) ; YI YI (TZ, Edward Yang, 2000) ; WINTER OF 1905, THE / WIND, THE (TZ, Edward Yang, 2004) ; [ELEVEN] 11 WOMEN: FLOATING WEEDS, PART 1 & 2 (TZ, Edward Yang, 1982) Summary: Collection of interviews, essays, film notes and some of Yang's short stories, this is a tribute to the work of a prolific Asian film-maker.Contains synopsis of films, a bio-filmography and both colour and black and white illustrations. In both Chinese and English translations.Notes: English and Chinese; Bio-filmography: p.140-143ISBN: 9789889918149Language: English; Chinese
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[ONE PERCENT] 1% : (AT, Stephen McCallum, 2017)
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poster
[One percent: poster] 2018.
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OTTO E MEZZO : (IT/FR, Fredrico Fellini, 1963) Digital clippings file available
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OUT 1 : (FR, Jacques Rivette, 1990[prod. 1970])
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journal article
Reaching La Noia with Federico in Lumiere (January-February, 1973) iss.20 p.4-6
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Screening the sacred : religion, myth, and ideology in popular American film / edited by Joel W. Martin, Conrad E. Ostwalt, Jr Boulder: Westview Press, c1995.
Call No: 45:2 SCRAuthor: Ostwalt, Conrad Eugene, 1959 ; Martin, Joel W., 1956 Place: BoulderPublisher: Westview PressPubDate: c1995PhysDes: x, 193 p. ; 24 cmSubject: MYTH AND THE CINEMA. USA ; RELIGION AND THE CINEMA. USA ; IDEOLOGY AND THE CINEMA. USA ; DISASTERS IN FILMS ; ALLEGORY IN FILMS ; WOMEN IN FILMS ; HERO IN FILMS ; RACIAL ISSUES AND THE CINEMA ; ALIENS IN FILMS ; VIETNAM WAR IN FILMS ; NINE 1/2 WEEKS (US, Adrian Lyne, 1986) ; PSYCHO (US, Alfred Hitchcock, 1960) ; BLOOD SIMPLE (US, Joel Coen, 1984) ; PLATOON (US, Oliver Stone, 1986) ; STAR WARS (US, George Lucas, 1977) ; ALIEN (UK, Ridley Scott, 1979) ; ALIENS (US, James Cameron, 1986) ; ROCKY (US, John G. Avildsen, 1976) ; IRONWEED (US, Hector Babenco, 1987) ; BLUE VELVET (US, David Lynch, 1986) Notes: Includes bibliographical references (p. 161-182) and indexISBN: 0813388295 (alk. paper); 0813388309 (pbk. : alk. paper)LON: 11259176
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SHIN TETSUWAN ATOM [TV] : (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1)
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SL-1 : (US, Dianne Orr & C. Larry Roberts, 1983)
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journal article
Star Wars : the phantom records - episode I in Movie Trader (Jul 1999) p.6
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STAR WARS : EPISODE I - THE PHANTOM MENACE : (US, George Lucas, 1999)
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STARGATE SG-1 [TV] : (US/CN, 1997-)
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SUPER 8 1/2 : (CN, Bruce LaBruce, 1994)
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[THREE] 3 1/2 MINUTES, TEN BULLETS : (US, Marc Silver, 2015)
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TUSEN GANGER GOD NATT : (NO/IE/SW, Erik Poppe, 2013)
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TWILIGHT SAGA: BREAKING DAWN PART 1 : (US, Bill Condon, 2011)
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