Search Catalogue

Call No: 772 (52) BRO
Author: Brophy Philip
CorpAuthor: BFI
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 17 cm; 262 pp
Series: BFI Screen Guides
Subject: NEON GENESIS EVANGELION (JA, 199?); AKIRA (JA, Katsuhiro Otomo, 1989); SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1); BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998); KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); STEAMBOY (JA, Katsuhiro Otomo, 2004); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); JAPAN; ANIMATION; MANGA
Summary: 100 Anime is an exhilarating guide to the wonderfully complex and beautifully disorientating world of Japanese animation - anime. Philip Brophy delves deep into the chaos of meaning engendered by anime's mutation of Eastern and Western themes, images and sounds, enabling the reader to navigate the post-war shock waves that still propel Japan's popular culture. Individual entries on 100 key anime films, from Akira to Spirited Away by way of Blue Seed, Ghost in the Shell and Neon Genesis Evangeleon, present plot synopses and discussion of the films' sources and influences and major themes, as well as information about the sub genre or genres to which each film belongs, and selected credits. Philip Brophy's introduction to the volume provides a framework for understanding the 100 films in terms of the vast anime industry, as well as explaining how the calligraphic tradition contributed to the development and popularity of anime, and highlighting the events and themes in Japanese culture that have shaped and are reflected in anime. [Taken from back cover]
ISBN: 1844570843

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE OH ONE] 101 REYKJAVIK (IC/DK/FR/NO, Baltasar Kormakur, 2000)

Call No: SUBJECT CLIPPINGS FILE; ANIMAL LOGIC
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: ANIMAL LOGIC; LEGO MOVIE, THE (US/AT/DK, Phil Lord and Christopher Miller, 2014); LEGO MOVIE 2, THE: THE SECOND ACT (DK/NO/AT/US, Mike Mitchell, 2019)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ACT OF KILLING, THE (DK/NO/UK, Joshua Oppenheimer, (2012)
URL status: URL: 'http://file://Q:/T/ACT_OF_KILLING,_THE.zip' Checked: 31/08/2021 1:25:30 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: EMPIRE OF THE SENSES [AI NO CORRIDA / EMPIRE DES SENS, L'] (JA/FR, Nagisa Oshima, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AIN'T GOT NO JAZZ (AT, Joel Kohn, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY (US, Miguel Arteta, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL DRESSED UP WITH NO PLACE TO GO (US, Peter Schwartz, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALLVARSAMMA LEKEN, DEN (NO/SW, Anja Breien, 1977); GAMES OF LOVE AND LONELINESS (NO/SW, Anja Breien, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM NO BIRD (AT, Em Baker, 2020)
Notes: Simon_Batch 17_191210

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: I AM NO GOD (AT, Barrie Pattison, 1982)

Call No: 620 HOI
Author: Law, Hoi Lun
Edition: 2021
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PubDate: 26/02/2021
PhysDes: ix, 191 pages : illustrated
Series: Palgrave close readings in film and television
Subject: CRITICISM; LATE SPRING [BANSHUN] (JA, Yasujiro Ozu, 1949); [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002); IN A LONELY PLACE (US, Nicholas Ray, 1950); FORCE MAJEURE [TURIST] (SW/FR/NO, Ruben Ostlund, 2014); BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956)
Summary: This book defends an account of ambiguity which illuminates the aesthetic possibilities of film and the nature of film criticism. Ambiguity typically describes the condition of multiple meanings. But we can find multiple meanings in what appears unambiguous to us. So, what makes ambiguity ambiguous? This study argues that a sense of uncertainty is vital to the concept. Ambiguity is what presses us to inquire into our puzzlement over a movie, to persistently ask "why is it as it is?" Notably, this account of the concept is also an account of its criticism. It recognises that a satisfying assessment of what is ambiguous involves both our reason and doubt; that is, reason and doubt can work together in our practice of reading. This book, then, considers ambiguity as a form of reasonable doubt, one that invites us to reflect on our critical efforts, rethinking the operation of film criticism. -- cover blurb
ISBN: 9783030629472
Contents: Introduction: Rethinking Ambiguity -- Part One: Considering Context and Convention -- 1. Difficulty of Explanation: The Enigmatic Vase Shots in Late Spring -- 2. Perplexing Style: The Programmatic Editing Strategy of Ten -- 3. Appropriateness of Clarification: Analytical Découpage and the Reductive Viewpoint -- Part Two: Reading in Detail -- 4. Depth of Suggestion: The Demonstrative Gestures in In a Lonely Place -- 5. Uncertainty of Understanding: The Unsettling Direct Look in Beyond a Reasonable Doubt -- Part Three: Coming to a Close -- 6. Questioning Closure: The Inconclusive Final Moments of Force Majeur -- Concluding Remarks: Reason and Responsibility.

Call No: 81MIY CAV
Author: Cavallaro, Dani
Source: US
Place: Jefferson, N. C.
Publisher: McFarland & Company Inc.
PubDate: 2006
PhysDes: viii, 204p. ; 26cm.
Subject: MANGA; MIYAZAKI, HAYAO; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984); TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); HOTARV NO HAKA (JA, Isao Takahata, 1988); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989); KURENAI NO BUTA (JA, Hayao Miyazaki, 1993); ON YOUR MARK (JA, Hayao Miyaki, 1995); MIMI WO SUMASEBA (JA, Yoshifumi Kondo, 1995); MONONOKE HIME (JA, Hayao Miyazaki, 1997); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001)
Summary: This critical study of Miyazaki’s work begins with an analysis of the visual conventions of manga, Japanese comic books, and animé; an overview of Japanese animated films; and a consideration of the techniques deployed by both traditional cel and computer animation. This section also details Miyazaki’s early forays into comic books and animation, and his output prior to his founding of Studio Ghibli. Part Two concentrates on the Studio Ghibli era, outlining the company’s development and analyzing the director’s productions between 1984 and 2004, including Castle in the Sky, My Neighbor Totoro and his newest film, Howl’s Moving Castle. The second section also discusses other productions involving Studio Ghibli, including Grave of the Fireflies and The Cat Returns. Appendices supply additional information about Studio Ghibli’s merchandise production, Miyazaki’s global fan base, and the output of other Ghibli directors.
Notes: Includes bibliography and index. Filmography: p. 181-186.
ISBN: 0786423692

Call No: 772(520) NAP; 2 copies
Author: Napier, Susan
Edition: Revised
Source: US/UK
Place: Basingstoke, England
Publisher: Palgrave Macmillan
PubDate: 2005
PhysDes: 355 p. ; 24 cm
Subject: ANIMATION; ANIMATION. JAPAN; ANIMATORS; MIYAZAKI, HAYAO; AKIRA (JA, Katsuhiro Otomo, 1989); GHOST IN THE SHELL (JA/UK Oshii Mamoru, 1995) SEE KOKAKU KIDOTAI; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); BAREFOOT GEN (JA, Masaki Mori, 1983); PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997) SEE MONONOKE HIME; MONONOKE HIME (JA, Hayao Miyazaki, 1997); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); HOTARV NO HAKA (JA, Isao Takahata, 1988); RANMA 1/2 [TV] (JA, Rumiko Takahashi, 1989)
Summary: "This new edition of the groundbreaking popular book is a must-have for both seasoned and new fans of anime. Japanese animation is more popular than ever following the 2002 Academy Award given to Hayao Miyazaki's Spirited Away. It confirmed that anime is more than just children's cartoons, often portraying important social and cultural themes. With new chapters on Spirited Away and other recent releases, including Howl's Moving Castle-Miyazaki's latest hit film, already breaking records in Japan--this edition will be the authoritative source on anime for an exploding market of viewers who want to know more." -- BOOK BLURB
Notes: Previous ed.: published as Anime´ from Akira to Princess Monoke. New York; Great Britain: Palgrave, 2001.
ISBN: 9781403970527
Contents: -- acknowledgments -- foreword to the revised edition -- introduction -- chapter one : why anime? -- chapter two : anime and local/global identity -- body, metamorphosis, identity -- chapter three : Akira and Ranma 1/2 : the monstrous adolescent -- chapter four: controlling bodies : the body in pornographic anime -- chapter five : ghosts and machines : the technological body -- chapter six : doll parts : technology and the body in Ghost in the Shell -- chapter seven : stray: gender panics, masculine crises, and fantasy in Japanese animation -- magical girls and fantasy worlds -- chapter eight : the enchantment of estrangement : the Shojo in the world of Miyazaki Hayao -- chapter nine : now you see her, now you dont: the disappearing Shojo -- chapter ten : carnival and conservatism in romantic comedy -- remaking master narratives: anime confronts history -- chapter eleven : no more words : Barefoot Gen, Grave of the fireflies , and "victim's history' -- chapter twleve : Princess Mononoke: fantasy, the feminine, and the myth of 'progress' -- chapter thirteen : waiting for the end of the world : apocalyptic identity -- chapter fourteen : elegies -- conclusion : a fragmented mirror -- notes -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ARME RIDDER [JACKPOT] (NO, Magnus Martens, 2011)
Notes: listed in AFIRC catalogue as JO NESBO'S JACKPOT

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: NO NEED TO STAND (AT, Steven Faux, 1988)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIAN FILM COMMISSION. NO FRILLS FUND

Call No: 735.2 (94) SHE
Author: Shelley, Peter
Source: US/UK
Place: Jefferson, North Carolina, and London
Publisher: McFarland & Company Inc
PubDate: c2012
PhysDes: vi, 320 p. : ill. ; 26 cm
Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1988); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Ann Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1993); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010)
Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB
Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index
ISBN: 9780786461677
Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --

Call No: 71(94) DAN
Author: Danks, Adrian; Verevis, Constantine
Edition: 2023
Place: Edinburgh
Publisher: Edinburgh University Press
PhysDes: 224 pages ; 24 cm
Series: Traditions in World Cinema
Subject: AUSTRALIA; EALING STUDIOS; OVERLANDERS, THE (UK, Harry Watt, 1946); KANGAROO (AT, Lewis Milestone, 1952); ON THE BEACH (US, Stanley Kramer, 1959); SUNDOWNERS, THE (US, Fred Zinnemann, 1960); KOYA NO TOSEININ (JA, Junya Sato, 1968); AGE OF CONSENT (AT, Michael Powell, 1969); COLOR ME DEAD (US/AT, Eddie Davis, 1968); NED KELLY (UK, Tony Richardson, 1970); WALKABOUT (UK, Nicolas Roeg, 1971); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975)
Summary: Offers an important insight into the formative moments of transnational film culture in Australia - Provides vibrant textual studies of under-evaluated Australian international pictures - Develops an understanding of international film production in the years following WWII and before the Australian film revival of the 1970s - Corrects the perception that there was no significant feature film production in Australia after the 1930s and before the revival - Offers background and important precedents for the more recent practices of global co-productions and ‘Hollywood Down-under’ Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75. -- publisher's web site
ISBN: 9780748693061
Contents: Acknowledgements -- 1. Australian International Pictures (1946–75) -- 2. The Overlanders (1946) and Ealing Down Under -- 3. Kangaroo (1952) -- 4. On the Beach (1959) -- 5. The Sundowners (1960) -- 6. The Drifting Avenger (1968) -- 7. Age of Consent (1969) -- 8. Color Me Dead (1970) -- 9. Ned Kelly (1970) -- 10. Walkabout (1971) -- 11. Wake in Fright (1971) -- 12. The Man from Hong Kong (1975) -- References.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY AND THE BEAST, THE [BAKEMONO NO KO] (JA, Mamoru Hosoda, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BARA NO SORETSU (JA, Toshio Matsumoto, 1969)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: BARN OG KRIG (NO, Kjersti Alver, 1985)

Author: Bright, Greg
PhysDes: Article
Subject: LONG TIME NO SEE, RONNIE (AT, Mario Andreacchio, 1984)
Summary: Barron Films is the first company to put out a multiple purpose prospectus.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEASTS OF NO NATION (US, Carey Fukunaga, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BERUSAIYU NO BARA (JA/FR, Jaques Demy, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: BILLY THE KID NO ATARASHII YOAKE (JA, Naoto Yamakawa, 1986); NEW MORNING OF BILLY THE KID (JA, Naoto Yamakawa, 1986)

Call No: P BIL
PhysDes: 1 poster : col. ; 73 X 52 cm.
Subject: BILLY THE KID NO ATARASHII YOAKE (JA, Naoto Yamakawa, 1986); NEW MORNING OF BILLY THE KID (JA, Naoto Yamakawa, 1986); DAWN OF BILLY THE KID, THE (JA, Naoto Yamakawa, 1986)
Summary: Image: photo of the character of Billy the Kid. Text: 'This is a super serious comical movie of new and amusing style.'
Notes: General wear and tear, fold lines and blu-tack stains on the back.
Language: Japanese

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIRUMA NO TATEGOTO (JA, Kon Ichikawa, 1956)

Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: YOUR NAME [KIMI NO NA WA] (JA, Makoto Shinkai, 2016)
Summary: Review of the film NO NAME (Japanese title KIMI NO NA WA)
Notes: same article published in Sydney Morning Herald and Canberra Times

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: BLACKOUT (NO, Erik Gustavson, 1986)

PhysDes: Article
Subject: BODY SAID NO, THE! (UK, Val Guest, 1950)
Summary: Credits

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOKURA NO NANOKA-KAN SENSO (JA, Hiroshi Sugawara, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WAVE, THE [BOLGEN] (NO, Roar Uthaug, 2015)

Author: Koller, Michael
PhysDes: Review; Bibliography; Credits
Subject: GLOMDALSBRUDEN (SW/NO, Carl Th. Dreyer, 1925)

Subject: GOLDCREST FILMS; INDUSTRY, FILM. UK; REVOLUTION (UK/NO, Hugh Hudson, 1985); MISSION, THE (UK, Roland Joffe, 1986); ABSOLUTE BEGINNERS (UK, Julien Temple, 1986); HUDSON, HUGH; JOFFE, ROLAND
Summary: Article on Goldcrest's future planes for British film from directors Hugh Hudson, Roland Joffee and Marek Kanievska.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BUDBRINGEREN (NO, Paul Sletaune, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CACHAO... LIKE HIS RHYTHM THERE IS NO OTHER [CACHAO... COMO SI RITMO NO HAY DOS] (US, Andy Garcia, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHA NO AJI (JA, Katsuhito Ishii, 2004)
Cross Reference: THE TASTE OF TEA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHARTER FLIGHT NO… [CHARTER LET BR…] (YU, Krsto Papic, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHUNG FUNG DUI JI NO FOH GAAI TAU (HK, Benny Chan, 1996)

Call No: 63 CIN
Author: Bruhn, Jorgen; Gjelsvik, Anne
Edition: 2018
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2018
PhysDes: vi, 154 pages : illustrated ; 24 cm
Subject: CITIZEN KANE (US, Orson Welles, 1941); BIRDMAN OR (THE UNEXPECTED VIRTUE OF IGNORANCE) (US, Alejandro G. Inarritu, 2014); LOUDER THAN BOMBS (NO/FR/US/DK, Joachim Trier, 2015); MARIA LARSSON'S EVIGA OGONBLICK (SW, Jan Troell, 2008); HOWL (US, Rob Epstein/Jeffrey Friedman, 2010); ZERO DARK THIRTY (US, Kathryn Bigelow, 2012); CHASING ICE (US, Jeff Orlowski, 2012); ICE AND THE SKY [GLACE ET LE CIEL, LA] (FR, Luc Jacquet, 2015)
Summary: Cinema has always been a mixed medium, sharing its basic form with photography, borrowing heavily from performing arts and the novel, and combining medialities like painting and music. But although it could be argued that cinema is the intermedial art form par excellence, this insight has not affected film analysis as much as might be expected. Seeking to change our perceptions of cinema as a medium, Cinema Between Media draws on case studies of films like Zero Dark Thirty, Citizen Kane, Howl and Birdman to rethink cinema as an aesthetic form, and to raise new ideas about the practice of film analysis. -- publisher's web site
ISBN: 9781474429023
Contents: Preface -- Chapter 1: Introduction Cinema Between Media -- Chapter 2: Media behind the Scene: Orson Welles’s Citizen Kane -- Chapter 3: Cinematic Theatre: Alejandro G. Inárritu’s Birdman -- Chapter 4: A Novelist on Film? Joachim Trier’s Louder Than Bombs -- Chapter 5: Between Cinema and Photography: Jan Troell’s Eternal Moments -- Chapter 6: Mixing senses and media: Epstein and Friedman’s Howl. -- Chapter 7: Surveilling Media: Kathryn Bigelow’s Zero Dark Thirty. -- Chapter 8: Cinematic representations of a "super wicked problem": climate change in documentary film (Ice and the Sky and Chasing Ice) -- Chapter 9: Conclusion -- List of illustrations -- Film references -- Bibliography -- Index

Call No: 451-054(=1=81)(71):(93):(94) THO
Author: Thornley, Davinia
Source: UK/US
Place: Houndmills, Basingstoke, Hampshire ; New York
Publisher: Palgrave Macmillan
PubDate: 2014
PhysDes: xi, 134 pages : illustrations ; 23 cm
Series: Palgrave pivot
Subject: INDIGENOUS PEOPLE'S CINEMA. CANADA; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND; DOCUMENTARIES; BEFORE TOMORROW [JOUR AVANT LE LENDEMAIN, LE](CN Marie-Hélène Cousineau and Madeline Ivalu, 2008); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); TATTOOIST, THE (NZ/SI, Peter Berger, 2007); WHALE RIDER (NZ/GG, Niki Caro, 2002); NO. 2 (NZ, Toa Fraser, 2006); APRON STRINGS (NZ, Sima Urale, 2008)
Summary: This book is a manifesto for a developing area, one that provides a new model for reading films about indigeneity. Davinia Thornley investigates specific production partnerships in Canada, Australia and Aotearoa New Zealand, using the framework of scholarly and popular criticism to draw conclusions from these collaborative case studies
Notes: Formerly CIP -- Includes bibliographical references and index -- Also issued online
Contents: Machine generated contents note: 1.Introduction -- Cinematic Cross-Cultural Collaboration: Filming on an Uneven Field -- 2."An Instrument of Actual Change in the World": Engaging a New Collaborative Criticism through Isuma/Arnait Productions' Film, Before Tomorrow -- 3."My Whole Area Has Started to Be about What's Left Over": Alec Morgan, "Stolen Histories," and Critical Collaboration on the Australian Aboriginal Documentary, Lousy Little Sixpence -- 4."A Space Being Right on That Boundary": Critiquing Cross-Cultural Collaboration in Aotearoa New Zealand Cinema -- 5.Conclusion -- Modelling Collaborative Criticism: What Does It Mean to Collaborate Cross-Culturally in Cinema?

Call No: 81MIY ROB
Author: Robinson, Jeremy Mark
Edition: Second edition
Source: UK
Place: Maidstone, Kent
Publisher: Crescent Moon Publishing
PubDate: 2011
PhysDes: 514 pages ; 24 cm
Subject: ANIMATED FILMS; ANIMATION; ANIMATION. JAPAN; ANIMATORS; STUDIO GHIBLI; MIYAZAKI, HAYAO; ISAO TAKAHATA; LUPIN III: THE CASTLE OF CAGLIOSTRO (JA, Hayao Miyazaki, 1979); RUPAN SANSEI: KARIOSUTORO NO SHIRO (JA, Hayao Miyazaki, 1979); NAUSICAA OF THE VALLEY OF THE WIND (JA, Hayao Miyazaki, 1984) SEE KAZE NO TANI NO NAUSHIKA; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984); TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986); TENKU NO SHIRO LAPUTA (JA, Hayao Miyazaki, 1987); CASTLE IN THE SKY (JA, Hayao Miyazaki, 1986); MY NEIGHBOUR TOTORO (JA, Hayao Miyazaki, 1988) SEE TONARI NO TOTORO; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); KIKI'S DELIVERY SERVICE (JA, Hayao Miyazaki, 1989) SEE MAJO NO TAKK YUBIN; MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989); PORCO ROSSO (JA, Hayao Miyazaki, 1993) SEE KURENAI NO BUTA; KURENAI NO BUTA (JA, Hayao Miyazaki, 1993); PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997) SEE MONONOKE HIME; MONONOKE HIME (JA, Hayao Miyazaki, 1997); SPIRITED AWAY (JA, Hayao Miyazaki, 2001) SEE SEN TO CHIHIRO NO KAMIKAKUSHI; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); HOWL'S MOVING CASTLE (JA, Hayao Miyazaki, 2004) SEE HAURU NO UGOKU SHIRO; PONYO (JP, Hayao Miyazaki, 2008) SEE GAKE NO EU NO PONYO; GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); HOTARV NO HAKA (JA, Isao Takahata, 1988); ONLY YESTERDAY (JA, Isao Takahata, 1991); OMOHIDE PORO PORO (JA. Isao Takhata, 1991)
Summary: Born on January 5, 1941 in Tokyo, Hayao Miyazaki is known as the ‘Japanese Disney’, a filmmaker as revered - and as popular - as Walt Disney or Steven Spielberg. Miyazaki, in short, is a true phenomenon in contemporary animation and in world cinema. Hayao Miyazaki's movies include Princess Mononoke, Spirited Away, Howl's Moving Castle, Laputa: Castle In the Sky and My Neighbor Totoro. Hayao Miyazaki may be the most talented fantasy filmmaker of his generation: not even the finest filmmakers of Hollywood can rival his films when it comes to creating fantasy worlds, and fantastical characters and events. Miyazaki has millions of fans around the world, not least among fellow animators and filmmakers, for whom he is a genius. What Hayao Miyazaki’s films do is to bring you completely into a fantasy world that is actually instantly recognizable and familiar. It’s as if these fantasy realms have always existed - very much like J.R.R. Tolkien’s Middle-earth or Ursula Le Guin’s Earthsea (both influences on Miyazaki). The visionary and magical elements are fused with the domestic and familial and social elements , so that it seems completely ordinary and believable that, say, flying machines soar overhead which have flapping wings like an insect, or that little white creatures pop up out of trees. To write one hit animation movie is amazing, to write seven is remarkable. To write and direct one spectacular animated picture is very impressive, to write and direct seven features is almost unheard-of in the world of contemporary commercial animation. This new study of Hayao Miyazaki considers all of his films and TV shows (and his manga work). It also includes chapters on Studio Ghibli; on fellow director Isao Takahata; Miyazaki's influences; his contemporaries and colleagues; his characters; his movies' relation to Western animation (including Disney); his unmade films; and his themes and motifs. The Cinema of Hayao Miyazaki also explores Japanese animation, its production and style, some classics of anime, and digital animation. Includes quotes by Miyazaki; fans on Miyazaki; and resources. Fully illustrated. With filmography, bibliography and notes. -- PUBLISHERS WEB SITE
Notes: Need to add the folowing subject terms: ponpoko, my neighboursa the yamadas
ISBN: 9781861713902
Contents: ONE: HAYAO MIYAZAKI -- The Cinema of Hayao Miyazaki -- Hayao Miyazaki's Movies and the Japanese Animation Industry -- Aspects of Hayao Miyazaki's Cinema -- Illustrations -- TWO: THE MOVIES -- The Castle of Cagliostro -- Nausicaa of the Valley of the Wind -- Laputa: Castle In the Sky -- My Neighbor Totoro -- Kiki's Delivery Service -- Porco Rosso -- Princess Mononoke -- Spirited Away -- Howl's Moving Castle -- Ponyo On the Cliff By the Sea -- The Cinema of Isao Takahata -- Studio Ghibli's Other Movies -- Appendix -- Quotes / Hayao Miyazaki -- Thirty Best Moments in Hayao Miyazaki's Cinema -- Resource -- Filmography -- Bibliography

Call No: 71 (52) CIN; RARE BOOK; FOLIO
Place: Tokyo
Publisher: Kokusai Bunka Shinkokai (The Society for International Cultural Relations)
PubDate: 1938
PhysDes: 82 p. : ill., ports. ; 32cm
Subject: JAPAN; NATIONAL CULTURE AND THE CINEMA; PERIODICALS, FILM; ORGANIZATIONS; NEWSREELS; KOREA; SHOCHIKU; TOHO; NIKKATSU; KAZE NO NAKA NO KODOMO (JA, Hiroshi Shimizu, 1937); KOJO NO TSUKI (JA, Keisuke Sasaki, 1937); HANA-KAGO NO UTA (JA, Heinosuke Gosho, 1937); ASAKUSA NO HI (JA, Yasujiro Shimazu, 1937); SOBO (JA, Hisatora Kumagai, ?); TABIJI (JA, Ri Keikwan, ?); ATARASHIKI TSUCHI (JA, Mansaku Itami, 1937); HADAKA NO MACHI (JA, Tomu Uchida, 1937); SHINSEN GUMI (JA, Sotoji Kimura, 1937); SHINJITSU ICHIRO (JA, Tomotaka Tasaka, 1937); SHUKUJO WA NANI O WASURETA KA (JA, Yasujiro Ozu, 1937); OSAKA NATSU NO JIN (JA, Teinosuke Kinugasa, 1937); AI EN KYO (JA, Kenji Mizoguchi, 1937); WAKAI HITO (JA, Shiro Toyoda, 1937); KAGIRINAKI ZENSHIN (JA, Tomu Uchida, 1937)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CLASICO, EL (NO/IQ, Halkawt Mustafa, 2015)
URL status: URL: 'http://file://Q:/T/CLASICO,_EL.zip' Checked: 31/08/2021 1:44:24 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 81 COE NAY
Author: Nayman, Adam
Source: US
Place: New York
Publisher: Abrams Books
PubDate: 2018
PhysDes: 320 pages : illustrations (some colour) ; 32 cm
Subject: COEN, JOEL & ETHAN; BLOOD SIMPLE (US, Joel Coen, 1984); RAISING ARIZONA (US, Joel Coen, 1987); MILLER'S CROSSING (US, Joel Cohen, 1990); BARTON FINK (US, Joel Cohen, 1991); HUDSUCKER PROXY, THE (US, Joel Coen, 1994); FARGO (US, Ethan Coen, 1996); BIG LEBOWSKI, THE (US, Joel Coen, 1998); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001); INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003); LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004); NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007); BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008); SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009); TRUE GRIT (US, Coen Brothers, 2010); HAIL, CAESAR! (UK/US, Ethan Coen and Joel Coen, 2016)
Summary: "From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, “some Grand Unified Theory of Coen-ness.” The book combines critical text—biography, close film analysis, and enlightening interviews with key Coen collaborators—with a visual aesthetic that honors the Coens’ singular mix of darkness and levity. Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this book will be the definitive exploration of the Coen brothers’ oeuvre." - taken from publisher's website.
Notes: Includes bibliographical references.
ISBN: 9781419727405
Contents: An introduction -- Out of nowhere -- Blood simple -- Raising Arizona -- Miller's crossing -- Interview: Michael Miller -- Barton Fink -- Hits and misses -- The hudsucker proxy -- Fargo -- Interview: The Zellner Brothers -- The Big Lebowski -- Interview: Lisa Walker -- Can't stop what's coming -- O brother, where are thou? -- The man who wasn't there -- Interview: Carter Burwell -- Intolerable cruelty -- The ladykillers -- Mysterious ways -- No country for old men -- Interview: Roger Deakins -- Tuillries & world cinema -- Burn after reading -- A serious man -- Interview: J. Todd Anderson -- That's entertainment! -- True grit -- Interview: Mary Zophres -- Inside Llewyn Davis -- Hail, Caesar! -- Interview: Jess Gonchor -- An outroduction -- Credits -- Bibliography

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COLD PURSUIT (UK/NO/CN/US/FR, Hans Petter Molan, 2019)

Call No: 71(430):45:32 COL
Author: Fisher, Jaimey (ed.); Prager, Brad (ed.)
Source: US
Place: Detroit
Publisher: Wayne State University Press
PubDate: c2010
PhysDes: vi, 431 p. : ill. ; 23 cm
Series: Contemporary approaches to film and television series
Subject: POLITICAL FILMS; POLITICS AND THE CINEMA; POLITICS IN FILMS; GERMANY; AESTHETICS; HISTORY AND THE CINEMA. GERMANY; HISTORY OF CINEMA. GERMANY; STALINGRAD (GG, Joseph Vilsmaier, 1992); DOWNFALL (GG, Oliver Hirschbiegel, 2004)SEE UNTERGANG, DER; UNTERGANG, DER (G, Oliver Hirschbiegel, 2004); ROSENSTRASSE (US/BE/NE, Margarethe von Trotta, 2004); NO PLACE TO GO (GG, Oskar Rohler, 2000) SEE UNBERUHRBARE, DIE; UNBERUHRBARE, DIE (GG, Oskar Rohler, 2000); LIVES OF OTHERS, THE (GE, Florian Henckel Von Donnersarck, 2006)SEE LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006); LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006)
Summary: "Fisher and Prager have assembled a significant group of essays by the emerging generation of German cinema experts in the U.S. The anthology is the first serious attempt to retell the history of the New German Cinema and the 'consensus' cinema of the 1900s through the lens of contemporary, post-2000 films in all their diversity. Film scholars, students of the German cinema, and the general reading public will discover here why 'Deutsches Kino' is once again in the limelight. " -- Marc Silberman
Notes: Includes bibliographical references and index; Includes filmography
ISBN: 9780814333778
Contents: -- Introduction / Jaimey Fisher and Brad Prager -- Imitation of life: the aesthetics of Agfacolor in recent historical cinema / Jennifer M. Kapczynski -- Public viewing: soccer patriotism and post-cinema / Lutz Koepnick -- More war stories: Stalingrad and downfall / Elisabeth Krimmer -- Neofeminist mutterfilm? the emotional politics of Margarethe von Trotta's Rosenstrasse / Anna M. Parkinson -- Dresden: the return of history as soap / Wilfried Wilms -- Terrains vagues: landscapes of unification in Oskar Roehler's No place to go / Johannes von Moltke -- German historical film as production trend: European heritage cinema and melodrama in The lives of others / Jaimey Fisher -- A world of objects: consumer culture in filmic reconstructions of the GDR / Michael D. Richardson -- Playing hide-and-seek with tradition: games, aesthetic form, and social critique in German cinema following the Wende / John E. Davidson -- Imaging Germany: the (political) cinema of Christian Petzold / Marco Abel -- Christoph Hochhausler's This very moment: the Berlin school and the politics of spatial aesthetics in the German-Polish borderlands / Kristin Kopp -- Die fetten Jahre sind vorbei: Edukating the post-left generation / Roger F. Cook -- The global elsewhere: Ursula Biemann's Multimedia countergeography / Barbara Mennel -- Glimpses of freedom: the reemergence of utopian longing in German cinema / Brad Prager -- works cited -- filmography -- contributors -- index --

Call No: 81FOX FOX
Author: Fox, James
Source: UK
Place: London
Publisher: Hodder and Stoughton
PubDate: c1983
PhysDes: 151 p., [14] p. of plates : ill., ports. ; 18cm.
Subject: COURTENAY, TOM; FOX, JAMES; KING RAT (US, Bryan Forbes, 1965); NO LONGER ALONE (UK, Nicholas Webster, 1978); PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]); SERVANT, THE (UK, Joseph Losey, 1963); THOROUGHLY MODERN MILLIE (US, George Roy Hill, 1967); THOSE MAGNIFICENT MEN IN THEIR FLYING MACHINES (US, Ken Annakin, 1965)
ISBN: 0340353570

Call No: 761 COM
Source: US
Place: Malden, MA
Publisher: John Wiley and Sons
PubDate: 2015
PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS; ENVIRONMENTAL ISSUES IN FILMS; SEA IN FILMS; IMMIGRATION IN FILMS AND TELEVISION; WORKERS IN FILMS; YUGOSLAVIA; SEX IN FILMS; WOMEN MAKE MOVIES [organisation]; DISEASES IN FILMS; SCIENCE AND THE CINEMA; SCIENCE IN FILMS; AIDS ON TV. SOUTH AFRICA; RELIGION AND THE CINEMA; WAR FILMS; BAL, MIEKE; ZILNIK, ZELIMIR; TRAN VAN THUY; FAROCKI, HARUN; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006); CRUDE (US, Joe Berlinger, 2009); H [TWO] 2 OIL (CN, Shannon Walsh, 2009); PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006); INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010); OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003); OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007); OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009); INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006); SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010); CONTAINED MOBILITY (SZ, Ursula Biemann, 2004); SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009); GHOSTS (UK, Nick Broomfield, 2006); LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007); TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008); WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996); H [TWO] 2 WORKER (US, Stephanie Black, 1990); LIFE AND DEBT (US, Stephanie Black, 2001); MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006); DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004); WHY CYBRACEROS? (US,Alex Rivera, 1997); WHY BRACEROS? (US, 1959); VALLEY CENTRO, EL (US, James Benning, 1999); LOS (US, James Benning, 2001); DOUBLE TIDE (US/AU, Sharon Lockhart, 2009); GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000); GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002); WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005); OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009); LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000); TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002); SCARLET ROAD (AT, Catherine Scott, 2011); PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); AFRICA RISING (US, Paula Heredia, 2009); SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001); PARIS IS BURNING (US, Jennie Livingston, 1990); WILDNESS (US, Wu Tsang, 2012); INNER LIFE OF THE CELL (US, XVIVO, 2006); BEAT IT! [TV] (SA, 2001); MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011); GEVALD (IS, Netalie Braun, 2009); BLACK BUS (IS, Anat Zuria, 2010); REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009); STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987); NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969); IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988); SERIOUS GAMES [series] (GG, Harun Farocki, 2009); I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002); MIRACULOUS BEGINNINGS (LE, Walid Raad); SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995); DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010); [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010); ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009); DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011); SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994); OPERATION ATROPOS (CL, Coco Fusco, 2005); ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006); TAXI TO THE DARK SIDE (US, Alex Gibney, 2007); BRIDGE, THE (UK/US, Eric Steel, 2006)
Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.
ISBN: 9780470671641
Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath -- Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.

Call No: 81COE RED
Author: Redmon, Allen H.
Source: US/UK
Place: New York : London
Publisher: Rowman & Littlefield
PubDate: c2015
PhysDes: xviii, 173 pages ; 24 cm
Subject: CRITICISM; COEN, JOEL & ETHAN; LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004); BARTON FINK (US, Joel Cohen, 1991); RAISING ARIZONA (US, Joel Coen, 1987); HUDSUCKER PROXY, THE (US, Joel Coen, 1994); MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001); INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003); NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007); BIG LEBOWSKI, THE (US, Joel Coen, 1998); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008); SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009)
Summary: "In Constructing the Coens: From Blood Simple to Inside Llewyn Davis, Allen Redmon looks beyond the postmodern sensibilities of every film written and directed by the Coens to find an unexpected range of recurring ideas expressed in and about contemporary film. Redmon tackles all of the films in the Coen brothers’ canon by examining—among other topics—narrative coherence in The Man Who Wasn’t There, intertextuality in No Country for Old Men, and sexuality in Burn after Reading and O Brother, Where Art Thou? Additional chapters examine the films through the prisms of gender studies, adaptation studies, and a constructivist sensibility weaved throughout their work." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (pages 155-160), filmography (pages 161-163) and index
ISBN: 9781442244849
Donation: Sense of cinema
Contents: -- acknowledgments -- introduction -- 1: "It's a problem of 'perception'": identifying the Coens' constructivist sensibility -- 2: "You don't want to be tried and found wantin'": triggering the ongoing adaptation of the the Ladykillers -- 3: "I will destroy him": negotiating the image in Barton Fink and Raising Arizona -- 4: "That gag's got whiskers on it": achieving narrative coherence in the Hudsucker proxy and The man who wasn't there -- 5: "The coin don't have no say": examining intertextuality in the Hudsucker proxy, Intolerable cruelty, and No country for old men -- 6: "A lotta ins, a lotta outs": interweaving genres in the Big Lebowski and O brother, where art thou? -- 7: "Appearances can be deceptive" : investigating sexuality in O brother, where art thou?, Intolerable cruelty, and Burn after reading -- 8: "I haven't done anything funny": scrutinizing gender in the Coens' arrangements of a bunch of men around one woman -- 9: "Accept the mystery": resisting final construction of A serious man -- Conclusion -- bibliography -- filmography -- index -- about the author --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CORONEL NO TIENE QUIEN LE ESCRIBA, EL (SP/FR/MX, Arturo Ripstein, 1999)

Call No: P CRE
PhysDes: 1 poster : col. ; 60 X 42 cm.
Subject: SEIKAI NO MONSHO (JA, Yasuchika Nagaoka, 1999); CREST OF THE STARS (JA, Yasuchika Nagaoka, 1999); MADMAN ENTERTAINMENT; AV CHANNEL
Summary: Has photo of anime character. Text: A boy... An Alien Princess... And a war...' Reverse side: Three box set collections by Madman Entertainment for anime series': Kenshin Box 1 Wandering Samurai Collection Samurai X Trust - Betrayal - Reflection Classic Kurosawa
Notes: Has some fold lines; Double sided; Kenshin Box 1, Samurai X Boxset and Classic Kurosawa on the other side.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEAL OR NO DEAL [TV] (AT, 2003-)

Call No: 71 (497.1) JEL
Author: Jelaca, Dijana
Edition: 2016
Place: Basingstoke [England]
Publisher: Palgrave Macmillan
PubDate: 2016
PhysDes: xii, 276 p. : illus. ; 23 cm
Subject: YUGOSLAVIA; FOR THOSE WHO CAN TELL NO TALES [ZA ONE KOJI NE MOGU DA GOVORE] (BS, Jasmila Zbanic, 2013); SOMEONE ELSE'S AMERICA (FR/UK/GG, Goran Paskaljevic, 1995); LEPA SELA LEPO GORE (YU, Srdjan Dragojevic, 1996); GRBAVICA (AU/G/BS/CT, Jasmila Zbanic, 2006); UNDERGROUND (FR/GG/HU, Emir Kusturica, 1995)
Notes: The links between cinema and war machines have long been established. This book explores the range, form, and valences of trauma narratives that permeate the most notable narrative films about the breakup of Yugoslavia. -- publisher's blurb
ISBN: 9781137515773

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DJOFLAEYJAN (IC/GG/NO/DK, Fridrik Thor Fridriksson, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [DOCTOR] DR NO (US, Terence Young, 1962)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEAD SNOW [DOD SNO] (NO, Tommy Wirkola, 2009)

Subject: SUTHERLAND, DONALD; REVOLUTION (UK/NO, Hugh Hudson, 1985)
Summary: Announcemen of Donald Sutherland signing up for 'Revolution'

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: SPREAD YOUR WINGS [DONNE-MOI DES AILES] (FR/NO, Nicolas Vanier, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: DORO NO KAWA (JA, Kohei Oguri, 1981)

Author: Ritchie, Donald
PhysDes: Article
Subject: DORO NO KAWA (JA, Kohei Oguri, 1981)
Summary: Credits; review; biog; ill.

Call No: N79DR FLE
Author: Fleming, Ian
Source: UK
Place: London
Publisher: Pan
PubDate: 1960
PhysDes: 188p. ; 18cm
Subject: [DOCTOR] DR NO (US, Terence Young, 1962)

Call No: TITLE CLIPPINGS FILE; CEMETARY OF SPLENDOUR [RAK TI KHON KAEN] (TH/UK/FR/GG/MY/KO/MX/US/NO, Apichatpong Weerasethakul, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: WEERASETHAKUL, APICHATPONG; CEMETERY OF SPLENDOUR [RAK TI KHON KAEN] (TH/UK/FR/GG/MY/KO/MX/US/NO, Apichatpong Weerasethakul, 2015)
Summary: Interview with Apichatpong Weerasethakul about his film CEMETARY OF SPLENDOUR

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: DU LEVANDE (SW/G/FR/DK/NO, Roy Andersson, 2007); YOU, THE LIVING (SW/G/FR/DK/NO, Roy Andersson, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DUNNO Y NO JAANE KYUN (II, Anil Sharma, 2010)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE, A [DUVA SATT PA EN GREN OCH FUNDERADE PA TILLVARON, EN] (SW/GG/NO/FR/DK, Roy Andersson, 2014)
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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: E NO NAKA BOKU NO MURA (JP, Yoichi Higashi, 1995)

Call No: 632.6 JOH
Source: UK
Place: London
Publisher: Equinox
PubDate: 2010
PhysDes: x, 246 p. : ill. ; 24 cm
Subject: SOUND; SEX IN FILMS; MUSIC IN FILMS; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); LAST EMPEROR, THE (UK/CC, Bernardo Bertolucci, 1987); SHELTERING SKY, THE (US/IT, Bernardo Bertolucci, 1990); EMPIRE OF THE SENSES [AI NO CORRIDA / EMPIRE DES SENS, L'] (JA/FR, Nagisa Oshima, 1976); BARBARELLA (FR/IT, Roger Vadim, 1967); EYES WIDE SHUT (US/UK, Stanley Kubrick, 1999)
Summary: With its capacity to defamiliarize and subvert visual representation, sound is not simply a source of information supplementary to the visual in the cinematic representation of sexuality, but a site of ambiguous ideologies and power relations. -- This collection exemplifies a variety of approaches to the sonic representation of sexuality in cinema. It draws on a range of sexual scenarios from pornography to sci-fi to art-house and includes cinema from various cultures and countries. Among the topics addressed are how the deployment of sound is implicated in gender politics in the representation of sexuality and how sounds are able to radically colour and even override the visual and lexical content of a film. -- Through sonicity the film-maker can challenge the ideologies at play underneath surface stereotypes, and introduce emotional overtones which meliorate the alienation generally associated with porn. Sound and music can establish a historical period as well as spatially localize sexuality within a framework that problematizes the distinctions between porn and erotica. They can introduce into the ahistorical sextopia of porn the cultural specificity of the notion of 'pornography' and indeed can shift a film in and out of that category, even desexualizing the naked human body. -- Bruce Johnson is an adjunct professor at Macquarie University, Sydney, and Visiting Professor at the University of Turku, Finland. His many publications in popular music and literary studies include The Oxford Companion to Australian Jazz. --Book Jacket.
ISBN: 9781845533182
Contents: Sound decisions : interviews with Ole Ege / Bruce Johnson -- Beyond the valley of the ultra cliche´ : erotic plenitude in the films of Russ Meyer / Mark Evans with Matt Burgess -- The push/pull game : the dynamics of sound in Bertolucci's Last tango in Paris, The last emperor and The sheltering sky / Lesley Chow -- Depraved desire : sado-masochism, sexuality and sound in mid-1970s cinema / Clarice Butkus -- The peculiar "love" music in Oshima's Ai no korida / James Wierzbicki -- Lust in space : science fiction themes & sex cinema (1960-82) / Phil Hayward -- Zero gravity : science fiction themed porn cinema and its soundtracks 1990-2010 / Phil Hayward and Emil Stoichkov -- It's gotta be that new wave music : music in New wave hookers carries the joke / Laura Wiebe Taylor -- Making "a mall movie about a man with a 13-inch penis?" : popular music representations of pornographic intention / Liz Giuffre -- Musical loops : eyes wide shut? ears wide open / Kevin Clifton -- Multiple positions : sound, sex and aural dominance in 9 songs / Andrea Warren -- Music, image, and orgasm : getting off on the Shortbus / Marianne Tatom Letts -- In extremis : the roots, soundscapes and significations of 21st century zombie porn / Ralph G. Marsh

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EDVARD MUNCH (SW/NO, Peter Watkins, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ELEVEN TWENTY-FIVE] 11.25: THE DAY HE CHOSE HIS OWN FATE [11.25 JIKETSU NO HI: MISHIMA YUKIO TO WAKAMONO TACHI] (JA, Koji Wakamatsu, 2012)

Call No: 10647
Author: Zahlten, Alexander
Edition: 2017
Place: Durham; London
Publisher: Duke University Press
PubDate: 2017
PhysDes: 308 pages : illustrated ; 23 cm
Series: Studies of the Weatherhead East Asian Institute, Columbia University
Subject: JAPAN; EROTIC FILMS. ASIA; KURAIMUHANTA IKARI NO JUDAN [CRIMEHUNTER - BULLET OF FURY] (JA, Toshimichi Okawa, 1989); KUROI YUKI [BLACK SNOW] (JA, Tetsuji Takechi, 1965); KINJI FUKASAKU; TAKECHI TETSUJI; WAKAMATSU, KOJI
Summary: In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies. -- publisher's web site
ISBN: 9780822369448
Contents: Acknowledgments -- Introduction -- 1. Establishing Pink Film -- 2. Pink Times and Pink Spaces -- 3. Kadokawa Film -- 4. The Radicalization of Kadokawa Film -- 5. V-Cinema -- 6. Subgenres: Violence, Finances, Sex, and True Accounts -- Conclusion: Present Histories -- Notes -- Bibliography -- Index.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: DE ESO NO SE HABLA (AG/IT, Maria Luisa Bemberg, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THIS NIGHT I'LL POSSESS YOUR CORPSE [ESTA NOITE ENCARNAREI NO TEU CADAVER] (BL, Jose Mojica Marins, 1967)
Notes: Simon import_04/07/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EVERYTHING WILL BE FINE (GG/CN/FR/SW/NO, Wim Wenders, 2015)

Call No: 62(04) EXP
Author: Staiger, Janet; Lawton, Ben; Glasser, Marc
Source: US
Place: Pleasantville, N.Y.
Publisher: Redgrave
PubDate: 1977
PhysDes: 160 p
Series: Film studies annual ; 1977 ; 1
Subject: AESTHETICS; DIALOGUE; VERTOV, DZIGA; BARRY LYNDON (UK, Stanley Kubrick, 1975); CLOWNS, I (IT/FR/GW, Federico Fellini, 1970); EDVARD MUNCH (SW/NO, Peter Watkins, 1974); FORT APACHE (US, John Ford, 1948); HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); LAST MOVIE, THE (US, Dennis Hopper, 1971); MEDIUM COOL (US, Haskell Wexler, 1969); SALAMANDRE, LA (SZ, Alain Tanner, 1971); SCEICCO BIANCO, LO (IT, Federico Fellini, 1951)
Notes: Papers from the 1977 Purdue University Conference on Film
Order Received: 2000
Order Type: Donation
LON: 4015698

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: FACTOTUM (NO/US/GG, Bent Hamer, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: FEAR NO EVIL (US, Frank LaLoggia, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FEAR X (DK/UK/CN/NO, Nikolas Winding Refn, 2003)

Call No: 67(04) FIL
Author: Alpert, Hollis (ed); Sarris, Andrew (ed)
CorpAuthor: National Society of Film Critics (U.S.)
Place: Indianapolis [etc.]
Publisher: Bobbs-Merrill Co. [etc.]
PhysDes: 281 p. ; 22 cm
Subject: SECTION ANDERSON, LA (FR, Pierre Schoendoerffer, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); FOR LOVE OF IVY (US, Daniel Mann, 1968); BIRTHDAY PARTY, THE (UK, William Friedkin, 1968); BULLITT (US, Peter Yates, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CHARLIE BUBBLES (UK, Albert Finney, 1967); FACE OF WAR, A (US, Eugene S. Jones, 1968); MERCENARIES, THE (UK/US, Jack Cardiff, 1968); FACES (US, John Cassavetes, 1968); FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); VARGTIMMEN (SW, Ingmar Bergman, 1967); I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968); INSIDE NORTH VIETHAM (US, Felix Greene, 1967); JOANNA (UK, Michael Same, 1968); ODD COUPLE, THE (US, Gene Saks, 1968); OLIVER (UK, Carol Reed, 1968); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); PETULIA (US, Richard Lester, 1968); PRODUCERS, THE (US, Mel Brooks, 1967); RACHEL, RACHEL (US, Paul Newman, 1968); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); SKAMMEN (SW, Ingmar Bergman, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); TARGETS (US, Peter Bogdanovich, 1968); TELL ME LIES (UK/US, Peter Brook, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); UP TIGHT! (US, Jules Dassin, 1968); WEEK-END (FR/IT, Jean-Luc Godard, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968); TANTE ZITA (FR, Robert Enrico, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); STAR (US, Robert Wise, 1968)
Summary: Review of Films produced in the years 1968-69
Notes: Includes index
ISSN: 0071-4860 0015-1076
LON: 68019946; 894646
Contents: -- Shame / John Simon, Hollis Alpert, Wilfrid Sheed -- Weekend / Pauline Kael, Andrew Sarris -- Belle De Jour / Andrew Sarris -- Rosemary's Baby / Andrew Sarris -- 2001: A Space Odyssey / Penelope Gilliatt, Hollis Alpert, Joseph Morgenstern -- Planet Of The Apes / Philip T. Hartung -- La Chinoise / Pauline Kael, Andrew Sarris -- China Is Near / Pauline Kael, Andrew Sarris -- Up Tight / Stanley Kauffmann -- For Love Of Ivy And Dark Of The Sun / Philip T. Hartung -- The Charge Of The Light Brigade / Stanley Kauffmann, John Simon -- Les Carabiniers / Penelope Gilliatt -- A Face Of War / Richard Schickel -- Tell Me Lies, The Anderson Platoon, And Inside North Vietnam / Stanley Kauffmann -- The Green Berets / Penelope Gilliatt -- Petulia / Richard Schickel, Wilfrid Sheed -- The Thomas Crown Affair / Wilfrid Sheed, Stefan Kanfer -- Joanna / Hollis Alpert, Joseph Morgenstern -- Rachel, Rachel / Arthur Knight, Richard Schickel -- Zita / John Simon -- Faces / Andrew Sarris, Arthur Schlesinger, Jr. -- Hunger / Penelope Gilliatt -- Hour Of The Wolf / John Simon, Richard Schickel -- Charlie Bubbles / Andrew Sarris, Richard Schickel -- The Odd Couple And Others / Wilfrid Sheed -- The Producers / Arthur Schlesinger, Jr. -- I Love You, Alice B. Toklas / Arhur Knight -- Candy / Stefan Kanfer -- Barbarell / John Simon -- Yellow Submarine / Stanley Kauffmann, John Simon -- You Are What You Ear / Wilfrid Sheed -- Star! / Arthur Schlesinger, Jr. -- Finian's Rainbow / Arthur Knight -- Oliver! / Joseph Morgenstern -- The Bride Wore Black / Andrew Sarris -- Bullitt / Hollis Alpert -- Targets / Penelope Gilliatt -- Wild 90 / Hollis Alpert -- Beyond The Law / Stanley Kauffmann -- Will Penny / Arthur Knight -- Wild In The Streets / Joseph Morgenstern, Wilfrid Sheed -- Pretty Poison / Joseph Morgenstern -- First In His Pocket / Stanley Kauffmann -- Young Torless / Penelope Gilliatt -- Charly / Arthur Knight -- The Boston Strangler / Philip T. Hartung, Wilfrid Sheed -- No Way To Treat A Lady And Rod Steiger / Stefan Kanfer -- Warrendale / Joseph Morgenstern, Stanley Kauffmann -- The Fox / Pauline Kael -- The Lion In Winter / Philip T. Hartung, Arthur Schlesinger, Jr., John Simon -- Romeo And Juliet / Philip T. Hartung, John Simon -- The Killing Of Sister George / Harold Clurman -- The Birthday Party / Harold Clurman, Wilfrid Sheed, Hollis Alpert -- War And Peace / Philip T. Hartung, Stanley Kauffmann, Richard Schickel -- The Heart Is A Lonely Hunter / Richard Schickel -- The Fixer / Richard Schickel, Arthur Schlesinger, Jr. -- The Sea Gull / Arthur Schlesinger, Jr., John Simon -- The Graduate Makes Out / Hollis Alpert -- Burton And Taylor Must Go / Wilfrid Sheed -- The Student Movie-Makers / Stefan Kanfer -- The Late Show As History / Stefan Kanfer -- L'Affaire Langlois / Arthur Knight -- Oscar Wiles / Andrew Sarris

Call No: 67(04) FIL
Source: US
Place: Indianapolis ; New York
Publisher: Bobbs-Merrill Company
PubDate: 1974
PhysDes: xl, 369 p. ; 23 cm.
Subject: THEATRE AND THE CINEMA; POLICE IN FILMS; MASCULINITY IN FILMS; WOMEN IN FILMS; POLITICS IN FILMS; MONROE, MARILYN; FORD, JOHN; GRAPES OF WRATH, THE (US, John Ford, 1940); WEDDING IN WHITE (CN, William Fruet, 1972); KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971); KID BLUE (US, James Frawley & Dennis Hopper, 1973); PULP (US/UK, Mike Hodges, 1972); DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968); JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973); GODSPELL (US, David Greene, 1973); DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973); ICEMAN COMETH, THE (US, John Frankenheimer, 1980); SLITHER (US, Howard Zieff, 1973); TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973); WALKING TALL (US, Phil Karlson, 1973); LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973); BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975); DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973); YEAR OF THE WOMAN (US, Sandra Hochman, 1973); NYBYGGARNA (SW, Jan Troell, 1972); PAYDAY (US, Daryl Duke, 1972); NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970); SZERELEM (HU, Karoly Makk, 1971); SANMA NO AJI (JA, Yasujiro Ozu, 1962); O LUCKY MAN! (UK, Lindsay Anderson, 1973); LONG GOODBYE, THE (US, Robert Altman, 1973); AMERICAN GRAFFITI (US, George Lucas, 1973); MEAN STREETS (US, Martin Scorsese, 1973); BANG THE DRUM SLOWLY (US, John Hancock, 1973); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SISTERS (US, Brian De Palma, 1972); PAPER MOON (US, Peter Bogdanovich, 1973); WAY WE WERE, THE (US, Sydney Pollack. 1973); SAVE THE TIGER (US, John G. Avildsen, 1973); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968); ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973); LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973); BLUME IN LOVE (US, Paul Mazursky, 1973); DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973); I.F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972); BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972); SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973); SCARECROW (US, Jerry Schatzberg, 1973); STING, THE (US, George Roy Hill, 1973); PAPILLON (US, Franklin J. Schaffner, 1973); DEEP THROAT (US, Jerry Gerard, 1972); LIVE AND LET DIE (US, Guy Hamilton, 1973); TANG SHAN DA XIONG (HK, Lo Wei, 1971); SERPICO (US, Sidney Lumet, 1973); MAGNUM FORCE (US, Ted Post, 1973); SEVEN-UPS, THE (US, Philip D'Antoni, 1973); HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972); ARANYER DIN RATRI (II, Satyajit Ray, 1970); PRATIDWANDI (II, Satyajit Ray, 1971); FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973); CHARLEY VARRICK (US, Donald Siegel, 1973); SLEEPER (US, Woody Allen, 1973); PLAYTIME (FR, Jacques Tati, 1967); KING IN NEW YORK (US, Charles Chaplin, 1957); TOUCH OF CLASS, A (UK, Melvin Frank, 1973); EXORCIST, THE (US, William Friedkin, 1973); JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973); DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973)
Summary: Collection of essays of films that were released in America in 1973/1974.
Notes: Includes index.
ISBN: 0672519895
Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew Sarris
ID2: 291

Call No: 66(049.3)
Author: Geiger, Jeffrey; Rutsky, R.L.
Edition: 2013
Place: New York : London
Publisher: W. W. Norton & Company, Inc.
PhysDes: 1152 pp ; 23 cm
Subject: VOYAGE A PAIMPOL, LE (FR, John Berry, 1985); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); NANIWA EREJI NANIWA HIKA (JA, Kenji Mizoguchi, 1936); REGLE DU JEU, LA (FR, Jean Renoir, 1939); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953); SHICHININ NO SAMURAI (JA, Akira Kurosawa, 1954); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); [FOUR HUNDRED] 400 BLOWS, THE [; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); DO MA DAN (HK, Tsui Hark, 1986); NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000)
Notes: Fifty essays on fifty films—by a who’s-who of film studies. Film Analysis offers concise analyses of fifty diverse and historically significant films—each written exclusively for the text by a leading scholar. Written with the undergraduate in mind, the essays are clear, readable, and great models for students to follow in helping them to hone their own writing. The Second Edition includes six new essays, a new, detailed guide to writing film analysis, and an extensive, up-to-date glossary of critical film terms. -- publisher's web site.
ISBN: 9780393923247
Contents: Preface -- Introduction -- Arrival of a Train at La Ciotat (1895-1897), Lumière Brothers / Karin Littau -- A Trip to the Moon (1902), Georges Méliès / Tom Gunning -- The Birth of a Nation (1915), D. W. Griffith / Daniel Bernardi -- The Cabinet of Dr. Caligari (1920), Robert Wiene / Paul Coates -- Nanook of the North (1922), Robert J. Flaherty / Jeffrey Geiger -- Sherlock, Jr. (1924), Buster Keaton / Hal Gladfelder -- Battleship Potemkin (1926), Sergei Eisenstein / Bill Nichols -- Metropolis (1927), Fritz Lang / R. L. Rutsky -- Un chien andalou (1929), Luis Buñuel and Salvador Dalí / Tom Conley -- It Happened One Night (1934), Frank Capra / Richard Maltby -- Modern Times (1936), Charlie Chaplin / Charles J. Maland -- Osaka Elegy (1936), Mizoguchi Kenji / Joanne Bernardi -- Bringing Up Baby (1938), Howard Hawks / S. I. Salamensky -- The Rules of the Game (1939), Jean Renoir / Christopher Faulkner -- Stagecoach (1939), John Ford / Matthew Bernstein -- Citizen Kane (1941), Orson Welles / James Naremore -- Casablanca (1942), Michael Curtiz / Dana Polan -- Meshes of the Afternoon (1943), Maya Deren and Alexander Hammid / Juan A. Suarez -- Double Indemnity (1944), Billy Wilder / Gaylyn Studlar -- Rome Open City (1945), Roberto Rossellini / Marcia Landy -- Bicycle Thieves (1948), Vittorio De Sica / Geoffrey Nowell-Smith -- The Red Shoes (1948), Michael Powell and Emeric Pressburger / Ian Christie -- Rashomon (1950), Kurosawa Akira / Aaron Kerner -- Singin’ in the Rain (1952), Stanley Donen and Gene Kelly / Jane Feuer -- Tokyo Story (1953), Ozu Yasujiro / David Desser -- Rear Window (1954), Alfred Hitchcock / Elizabeth Cowie -- Seven Samurai (1954), Kurosawa Akira / Mitsuhiro Yoshimoto -- Pather Panchali (1955), Satyajit Ray / Neepa Majumdar -- The Seventh Seal (1956), Ingmar Bergman / Marilyn Johns Blackwell -- The 400 Blows (1959), François Truffaut / Alastair Phillips -- Breathless (1960), Jean-Luc Godard / Richard Neupert -- 8 1/2 (1963), Federico Fellini / Kriss Ravetto-Biagioli -- 2001: A Space Odyssey (1968), Stanley Kubrick / Robert Kolker -- The Godfather (1972), Francis Ford Coppola / Jon Lewis -- Ali: Fear Eats the Soul (1974), Rainer Werner Fassbinder / Shohini Chaudhuri -- Chinatown (1974), Roman Polanski / Steve Neale -- The Last Supper (1976), Tomás Gutiérrez Alea / Gilberto M. Blasini -- Taxi Driver (1976), Martin Scorsese / Cynthia Fuchs -- Ceddo (1977), Ousmane Sembene / Philip Rosen -- Peking Opera Blues (1986), Tsui Hark / Jenny Kwok Wah Lau -- Yeelen (1987), Souleymane Cissé / N. Frank Ukadike -- Do the Right Thing (1989), Spike Lee / Sharon Willis -- Close-up (1989), Abbas Kiarostami / Hamid Naficy -- To Sleep with Anger (1990), Charles Burnett / Valerie Smith -- Raise the Red Lantern (1991), Zhang Yimou / Shuqin Cui -- Daughters of the Dust (1991), Julie Dash / Anna Everett -- Pulp Fiction (1994), Quentin Tarantino / A. J. Haynes -- All About My Mother (1999), Pedro Almodóvar / Paul Julian Smith -- In the Mood for Love (2000), Wong Kar Wai / Gina Marchetti -- Caché (Hidden) (2005), Michael Haneke / Kevin Sherman -- / Film Analysis: Approaches and Strategies -- Glossary of Critical Terms
ID2: 182

Call No: 71(520) CAZ
Author: Cazdyn, Eric
Source: US
Place: Durham, NC
Publisher: Duke University Press
PubDate: 2002
PhysDes: xii, 316 p. : ill. ; 23 cm
Subject: JAPAN; CAPITALISM AND THE CINEMA; POLITICS AND THE CINEMA. JAPAN; PORNOGRAPHIC FILMS. JAPAN; CRITICISM. JAPAN; ADAPTATIONS. JAPAN; YASUJIRO OZU; MIZOGUCHI KENJI; KUROSAWA AKIRA; KINUGASA TEINOSUKE; OSHII MAMORU; TSUKAMOTO SHINYA; OKUZAKI KENZO; IMAMURA, SHOHEI; OSHIMA NAGISA; YUKI YUKITE SHINGUN (JA, Hara Kazuo, 1987); ROJO NO REIKON (JA, M. Murata, 1924)
ISBN: 0822329395
Contents: I. Relation: Film, Capital, Transformation -- II. Historiography: Nation, Narrative, Capital -- III. Adaptation: Origin, Nation, Aesthetic -- IV. Acting: Structure, Agent, Amateur -- V. Pornography: Totality, Reality Culture, Films of History -- VI. Re-reading: Canon, Body, Geopolitics.
ID2: 291

Call No: TITLE CLIPPINGS FILE; LOOK OF SILENCE, THE (DK/IO/FI/NO, Joshua Oppenheimer, 2014)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: LOOK OF SILENCE, THE (DK/IO/FI/NO, Joshua Oppenheimer, 2014)
Summary: Film review of LOOK OF SILENCE
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FOR NO GOOD REASON (UK/US, Charlie Paul, 2012)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PARENTS [FORAELDRE ] (NO/DK, Christian Tafdrup, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: FORFOLJELSEN (NO/SW, Anja Breien, 1981)

Call No: TITLE CLIPPINGS FILE; SILENT VOICE, A [KOE NO KATACHI] (JA, Naoko Yamada, 2017)
Author: Paatsch, Leigh
PhysDes: Clippings File Article
Subject: SILENT VOICE, A [KOE NO KATACHI] (JA, Naoko Yamada, 2017)
Summary: Review of the film A SILENT VOICE
Rating: 4 out of 5 stars

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: STILL THE WATER [FUTATSUME NO MADO] (FR/JA/SP, Naomi Kawase, 2014)
Cross Reference: STILL THE WATER [FUTATSUME NO MADO]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: GAME WITH NO RULES, A (NZ, Scott Reynolds, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GEKKO NO SASAYAKI (JA, Akihiko Shiota, 1999)

Call No: 67 (049.32) KAE
Author: Kael, Pauline
Edition: 1st
Source: US
Place: Boston
Publisher: Little Brown & Co.
PubDate: c1968
PhysDes: xiii, 304 p. ; 22 cm.
Subject: CRITICISM; BARBARELLA (FR/IT, Roger Vadim, 1967); BIRTHDAY PARTY, THE (UK, William Friedkin, 1968); BOSTON STRANGLER, THE (US, Richard Fleischer, 1968); BROTHERHOOD, THE (US, Martin Ritt, 1968); BULLITT (US, Peter Yates, 1968); BYE BYE BRAVERMAN (US, Sidney Lumet, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); CHARLIE BUBBLES (UK, Albert Finney, 1967); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); CHARLY (US, Ralph Nelson, 1968); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); FACES (US, John Cassavetes, 1968); FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968); FIXER, THE (US, John Frankenheimer, 1968); FUNNY GIRL (US, William Wyler, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); ICE STATION ZEBRA (US, John Sturges, 1968); IF... (UK, Lindsay Anderson, 1968); I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968); JOANNA (UK, Michael Same, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); MODEL SHOP, THE ( FR/US, Jacques Demy, 1969); NIGHT OF THE FOLLOWING DAY, THE (US, Hubert Cornfield, 1968); NIGHT THEY RAIDED MINSKY'S, THE (US, William Friedkin, 1968); NO WAY TO TREAT A LADY (US, Jack Smight, 1968); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); POOR COW (UK, Kenneth Loach, 1967); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); PRODUCERS, THE (US, Mel Brooks, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); SECRET CEREMONY (UK, Joseph Losey, 1969); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SPLIT, THE (US, Gordon Flemyng, 1968); STALKING THE MOON (US, Robert Mulligan, 1969); BAISERS VOLES (FR, Francois Truffaut, 1968); SUBJECT WAS ROSES, THE (US, Ulu Grosbard, 1968); SWEET NOVEMBER (US, Robert Ellis Miller, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968)
Notes: "An Atlantic monthly press book"; "Movie reviews originally published in the New Yorker, Jan. 1968-Mar. 1969"
Donation: Donated by Senses Of Cinema, 2009
Contents: --foreword -- 1: movies by the week: first sequence p1 -- Movies as Opera , 'China is Near' p3 -- Celebrities make spectacles of themselves, 'Wild 90' p9 -- Ciphers, 'How to save a marriage- and ruin your life'/ 'Sebastian' p18 -- Intentions, 'Poor cow' p25 -- Making Lawrence more Lawrentian, 'The Fox' p29 -- Apes Must Be Remembered, Charlie, 'Planet of the Apes'/ 'Sweet November'/' Doctor Faustus' p36 -- A Great Folly, and a Small One, Mae March's death and 'Intolerance'/'Charlie Bubbles' p42 -- That Clean Old Peasant Again, 'The Two of Us'/'Bye Bye Braverman'/ 'The Good, the Bad and the Ugly' / 'A Matter of Innocence' p49 -- Business as Usual, 'We Still Kill the Old Way' / 'The Secret War of Harry Frig' p55 -- The Freedom to Make Product, '30 is a Dangerous Age, Cynthia' / 'Here We Go Round the Mulberry Bush' p59 -- O Pioneer!, 'The Producers' / 'Op the Junction' / 'A Midsummer Night's Dream' p66 -- The Old Wave, 'Benjamin '/ 'No Way to Treat a Lady' p72 -- A Minority Movie,'La Chinoise' p76 -- 2: Trash, Art, and the Movies p85 -- 3: Movies by the Week: Second Sequence p131 -- Bravo!, 'Funny girl' p132 -- Weekend in Hell, 'Weekend' p138 -- War as Vaudeville, 'The Charge of the Light Brigade' / 'Les Biches' / 'You are What You Eat' / 'Duffy' / 'Charly' p145 -- 'She Came at Me in Sections', 'Romeom and Juliet' / 'I Love You, Alice b. Toklas!' / ' Finian's Rainbow' / 'The Subject was Roses' p153 -- Cripes!, 'Star!' / 'Bullit" / 'The Boston Strangler' p161 -- A Fresh Start, 'Pretty Poison' / 'Secret Ceremony' / 'Barbarella' p168 -- Lioness in Winter, 'The Lion in Winter' p174 -- Muddling Through, 'The Shoes of the Fisherman' / 'The Split' / 'Head' p179 -- Metamorphosis of the Beatles, 'Yellow Submarine' p187 -- the Corrupt and the Primitive, 'Joanna' / 'Faces ' p193 -- The Concealed Art of Carol Reed, 'Oliver!' p200 -- Frightening the Horses, 'The Killing of Sister Geroge' / 'The Fixer' / 'The Girl on a Motorcycle' / 'A Flea in Her Ear' / 'The Magus' / 'The Birthday Party' / 'Greetings ' p206 -- A Sign of Life, 'Shame' p214 -- Big Misses, 'Ice Station Zebra' / 'Candy' / Chitty Chitty Bang Bang' p222 -- Filmed Theatre, 'the Sea Gull' p228 -- Baggy Pants, 'The Night they Raided Minsky's' / 'The Sergeant' p237 -- Son of Little Ceaser, 'The Brotherhood' p243 -- Overkill? 'The Stalking Moon' p248 -- Saintliness, 'Simon of the Desert' p254 -- The Lady from Across the Sea, 'Model Shop' p263 -- He Walks in Beauty, 'Mayerling' / 'Hell in the Pacific' p273 -- The Small Winner, 'Stolen Kisses' / 'Three in the Attic' / 'the Night of the Following Day' p273 -- SChool Days, School Days 'If...' / 'The Prime of Miss Jean Brodie' p279 -- index p289 --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GORE VIDAL: THE MAN WHO SAID NO (US, Gray Conklin, 1984 [prod.1982])

Call No: 79 GRA WIT
Author: Wit, Alex Dudok de
Edition: 2021
Place: London
Publisher: Bloomsbury on behalf of the British Film Institute
PhysDes: 104 pages ; 19 cm
Subject: HOTARV NO HAKA (JA, Isao Takahata, 1988)
Summary: On its release in 1988, Grave of the Fireflies riveted audiences with its uncompromising drama. Directed by Isao Takahata at Studio Ghibli and based on an autobiographical story by Akiyuki Nosaka, the story of two Japanese children struggling to survive in the dying days of the Second World War unfolds with a gritty realism unprecedented in animation. Grave of the Fireflies has since been hailed as a classic of both anime and war cinema. In 2018, USA Today ranked it the greatest animated film of all time. Yet Ghibli's sombre masterpiece remains little analysed outside Japan, even as its meaning is fiercely contested - Takahata himself lamented that few had grasped his message. In the first book-length study of the film in English, Alex Dudok de Wit explores its themes, visual devices and groundbreaking use of animation, as well as the political context in which it was made. Drawing on untranslated accounts by the film's crew, he also describes its troubled production, which almost spelt disaster for Takahata and his studio. -- publisher's web site
ISBN: 9781838719241
Donation: Senses of Cinema
Contents: Acknowledgments and Author's Note -- Introduction: Japanese Suffering, Japanese Guilt -- The Production: A Monster and a Grave -- The Film: The Lovers' Journey -- The Legacy: A Rethinking of Animation -- Notes -- Credits

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HACHIGATSU NO KYOHSHIKYU (JA, Akira Kurosawa, 1991); RAPHSODY IN AUGUST (JA, Akira Kurosawa, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAGANE NO KENKINJUTSUSHI [TV] (JA, Seiji Mizushima, 2003)
Cross Reference: FULLMETAL ALCHEMIST [TV] (JA, Seiji Mizushima, 2003) SEE HAGANE NO KENKINJUTSUSHI
CrossTag: 1

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAITATSUSARENAI SANTSU NO TEGAMI (JA, Yoshitaro Nomura, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAKON HAKONSEN (NO, Nils Gaup, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAMSUN (DK/SW/NO, Jan Troell, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HARU NO YUKI (JA, Isao Yukisada, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings
Subject: HARUKANARU YAMA NO YOBIGOE (JA, Yoji Yamada, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RIVER WITH NO BRIDGE, THE [HASHI NO NAI KAWA] (JA, Yoichi, Higashi, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEAR NO EVIL (US, Robert Greenwald, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HERE IS HAROLD [HER ER HAROLD] (NO, Gunnar Vikene, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEIRESSES, THE [HEREDERAS, LAS] (PY/GG/UY/BL/NO/FR, Marcelo Martinessi, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: HERMAN (NO, Erik Gustavson, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEAVY TRIP [HEVI REISSU] (FI/NO, Juuso Laatio & Jukka Vidgren, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HIMEYURI NO TO (JA, Tadashi Imai, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANCIEN AND THE MAGIC TABLET [HIRUNE-HIME: SHIRANAI WATASHI NO MONOGATARI] (JA, Kenji Kamiyama, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HODEJEGERNE (NO/G, Morten Tyldum, 2011)

Call No: 749.5 BEL
Author: Bell-Metereau, Rebecca Louise
Edition: 2nd ed
Place: New York
Publisher: Columbia University Press
PubDate: 1993
PhysDes: xxii, 345 p. : ill. ; 23 cm
Subject: TRANSVESTISM; AIDS IN FILMS; ART CINEMA. EUROPEAN COUNTRIES; UNDERGROUND FILMS; HOMOSEXUALITY IN FILMS; SEX IN FILMS; WESTERNS; WILDER, BILLY; GARBO, GRETA; HEPBURN, KATHARINE; CURTIS, TONY; DIETRICH, MARLENE; MADONNA; MONROE, MARILYN; SCOTT, RIDLEY; ADLER, LOU; DAY, DORIS; CROSBY, BING; EDWARDS, BLAKE; GRANT, CARY; LEMMON, JACK; REA, STEPHEN; SHERIDAN, ANN; YENTL (US, Barbara Streisand, 1983); VICTOR VICTORIA (UK, Blake Edwards, 1982); ALIEN [...] (UK/US, 1979-92); CAGE AUX FOLLES, LA (FR/IT, Edouard Molinaro, 1978); CALAMITY JANE (US, David Butler, 1953); COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982); CRYING GAME, THE (UK, Neil Jordan, 1992); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); SOME LIKE IT HOT (US, Billy Wilder, 1959); THELMA & LOUISE (US, Ridley Scott, 1991); JOHNNY GUITAR (US, Nicholas Ray, 1954); PSYCHO (US, Alfred Hitchcock, 1960); DRESSED TO KILL (US, Brian De Palma, 1980); BLUE VELVET (US, David Lynch, 1986); WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982); TOOTSIE (US, Sydney Pollack, 1982); SYLVIA SCARLETT (US, George Cukor, 1935); ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); QUEEN CHRISTINA (US, Rouben Mamoulian, 1934); PLAINSMAN, THE (US, Cecil B. DeMille, 1936); PARIS IS BURNING (US, Jennie Livingston, 1990); NO WAY TO TREAT A LADY (US, Jack Smight, 1968); MYRA BRECKENRIDGE (US, Mike Sarne, 1970)
Notes: Includes bibliographical references (p. [315]-327) and index
ISBN: 0231084676 (acidb-sfree paper)
LON: 10110408

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HONOO NO GOTOKU (JA, Tai Kato, 1981)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTARV NO HAKA (JA, Isao Takahata, 1988); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989)
URL status: URL: 'http://file://Q:/T/GRAVE_OF_THE_FIREFLIES.zip' Checked: 31/08/2021 1:09:51 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTTEN (NO, Karin Julsrud, 1999)

Call No: TITLE CLIPPINGS FILE; PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (US, Joachim Rønning, Espen Sandberg, 2017)
Author: Ironside, Robyn
PhysDes: Clippings
Subject: PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (US, Joachim Rønning, Espen Sandberg, 2017)
Summary: "Biosecurity" laws may hold up filming due to monkey casting.

Call No: TITLE CLIPPINGS FILE; PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (US, Joachim Rønning, Espen Sandberg, 2017)
Author: Harris, Amy -- Scarr, Lani
PhysDes: Clippings File Article
Subject: DEPP, JOHNNY; PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (US, Joachim Rønning, Espen Sandberg, 2017)
Summary: Report on the various holdups and cost blowouts in the making of the new Pirates of the Carribean film, being shot in Australia

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OF HORSES AND MEN [HROSS I OSS] (IC/ GG/NO, Benedikt Erlingsson, 2013)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RAMS [HRUTAR] (DK/IC/NO/PL, Grímur Hákonarson, 2015)
URL status: URL: 'http://file://Q:/T/RAMS.2015.zip' Checked: 31/08/2021 1:39:22 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 81BOG FRA
Author: Frank, Alan
Source: UK
Place: London
Publisher: Wattle Books
PubDate: 1982
PhysDes: 80 p. : ill. (some col) ; 29 cm
Subject: BOGART, HUMPHREY; BLACK LEGION (US, Archie L. Mayo, 1936); DEAD END (US, William Wyler, 1937); ANGELS WITH DIRTY FACES (US, Michael Curtiz, 1938); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); HIGH SIERRA (US, Raoul Walsh, 1941); MALTESE FALCON, THE (US, John Huston, 1941); CASABLANCA (US, Michael Curtiz, 1942); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); WE'RE NO ANGELS (US, Neil Jordan, 1989); BAREFOOT CONTESSA, THE (US, Joseph L. Mankiewicz, 1954); SABRINA (US, Billy Wilder, 1954); CAINE MUTINY, THE (US, Edward Dmytryk, 1954); AFRICAN QUEEN, THE (US, John Huston, 1952); IN A LONELY PLACE (US, Nicholas Ray, 1950); KNOCK ON ANY DOOR (US, Nicholas Ray, 1949); KEY LARGO (US, John Huston, 1948)
Summary: A detailed book on Bogart’s life that reveals him as a man and as an actor. Descriptions of all his films are provided, from stage to acting in films.
ISBN: 0600390543

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings
Subject: WIVES [HUSTRUER] (NO, Anja Breien, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HUSTRUER: TI AR ETTER (NO, Anja Breien, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHAT WILL PEOPLE SAY [HVA VIL FOLK SI] (NO/GG/SW/FR/DK, Iram Haq, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M NO ANGEL (US, Wesley Ruggles, 1933)

Subject: I'M NO ANGEL (US, Wesley Ruggles, 1933)

Call No: TITLE CLIPPINGS FILE; RAMS [HRUTAR] (DK/IC/NO/PL, Grímur Hákonarson, 2015)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: RAMS [HRUTAR] (DK/IC/NO/PL, Grímur Hákonarson, 2015)
Summary: Review of RAMS

Call No: TITLE CLIPPINGS FILE; RAMS [HRUTAR] (DK/IC/NO/PL, Grímur Hákonarson, 2015)
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: RAMS [HRUTAR] (DK/IC/NO/PL, Grímur Hákonarson, 2015)
Summary: Film review
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IN HEAVEN THERE IS NO BEER (US, Les Blank, 1984)

Call No: 79INT MEL
Author: Mellen, Joan
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: 87 p. : ill. ; 19 cm
Series: BFI FILM CLASSICS
Subject: EMPIRE OF THE SENSES [AI NO CORRIDA / EMPIRE DES SENS, L'] (JA/FR, Nagisa Oshima, 1976); OSHIMA, NAGISA
Summary: A close analysis of the controversial and sexually explicit 1970s Japanse film ‘In the Realm of the Senses’ by Ohsima Nagisa. Examines the film from within various contexts - historical, social, political, and aesthetic - exploring its immediate and consequent impact on audiences and its film culture legacy.
Notes: Includes index; Bibliography: p.87; Film credits
ISBN: 1844570347 (pbk.) : £8.99

Call No: 744(=924) INS
Author: Insdorf, Annette
Edition: 2nd ed
Place: Cambridge New York
Publisher: Cambridge University Press
PubDate: 1989
PhysDes: xix, 293 p. : ill. ; 24 cm
Subject: GENOCIDE IN FILMS; BRECHT, BERTOLT; CHAPLIN, CHARLES; LANZMANN, CLAUDE; MALLE, LOUIS; OPHULS, MARCEL; BERGMAN, INGMAR; IMHOOF, MARKUS; JARVIK, LAURENCE; LILIENTHAL, PETER; LUBITSCH, ERNST; WERTMULLER, LINA; PLAYING FOR TIME [TV] (US, Daniel Mann, 1980); WAR AND REMEMBRANCE [TV] (US, Dan Curtis, 1988-89); RUE HAUTE (BE/FR, Andre Ernotte & Elliot Tiber, 1976); SERPENT'S EGG, THE (US/GW, Ingmar Bergman, 1977); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); HOTEL TERMINUS: KLAUS BARBIE, HIS LIFE AND TIMES (US, Marcel Ophuls, 1988); KAPO (IT/FR/YU, Gillo Pontecorvo, 1960); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); DERNIER METRO, LE (FR, Francois Truffaut, 1980); LILI MARLEEN (GW, Rainer Werner Fassbinder, 1981); MEMORY OF JUSTICE, THE (UK/GW/US, Marcel Ophuls, 19760; [MISTER] MR KLEIN [M. KLEIN] (FR/IT, Joseph Losey, 1976); OBCHOD NA KORZE (CS, Jan Kadar & Elmar Klos, 1965); PASAZERKA (PL, Andrzej Munk, 1963 [prod. 1961-63]); PAWNBROKER, THE (US, Sidney Lumet, 1964); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); LAGERSTRASSE AUSCHWITZ [TV] (GW, Ebbo Demant, 1979); GUICHETS DU LOUVRE, LES (FR, Michel Mitrani, 1974); BOOT IST VOLL, DAS (SZ/GGW/AU, Markus Imhoof, 1981); CHILDREN FROM NUMBER 67, THE [KINDER AUS NO. 67, DIE] (GW, Usch Barthelmess-Weller & Werner Meyer, 1980); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); DAVID (GW, Peter Lilienthal, 1979); SHOAH (FR/SZ, Claude Lanzmann, 1985); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); GREAT DICTATOR, THE (US, Charles Chaplin, 1940)
Notes: Includes index; Filmography: p. [267]-276; Bibliography: p. [277]-282
ISBN: 0521372798; 0521378109 (pbk.)
LON: 6081353

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: INGENJOR ANDREES LUFTARD (SW/GW/NO, Jan Troell, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INSOMNIA (NO, Erik Skjoldbjaerg, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I CAN NO LONGER HEAR THE GUITAR [J'ENTENDS PLUS LA GUITARE] (FR, Philippe Garrel, 1991); I CAN NO LONGER HEAR THE GUITAR [J'ENTENDS PLUS LA GUITARE] (FR, Philippe Garrel, 1991)

Call No: 757JAM BRO
Author: Brosnan, John
Source: UK
Place: London
Publisher: Tantivy Press
PubDate: 1972
PhysDes: 176 p. : illus. ; 21 cm
Subject: ADAPTATIONS. FLEMING, IAN; JAMES BOND IN FILMS; LITERATURE AND THE CINEMA; DIAMONDS ARE FOREVER (UK, Guy Hamilton, 1971); [DOCTOR] DR NO (US, Terence Young, 1962); FROM RUSSIA WITH LOVE (UK, Terence Young, 1963); GOLDFINGER (UK, Guy Hamilton, 1964); ON HER MAJESTY'S SECRET SERVICE (UK, Peter Hunt, 1969); THUNDERBALL (UK, Terence Young, 1965); YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967)
Summary: Early James Bond films
Donation: Donated by the family of Wayne Levy
Contents: Introduction --1. Why so popular? -- 2. Dr No -- 3. From Russia with love -- 4. Goldfinger -- 5. Thunderball -- 6. You only live twice -- 7. On her majesty's secret service -- 8. Diamonds are forever -- Appendices

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JIDAIYA NO NYOBO (JA, Azuma Morisaki, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOJO'S BIZARRE ADVENTURE: DIAMOND IS UNBREAKABLE - CHAPTER 1 [JOJO NO KIMYO NA BOKEN: DAIYAMONDO WA KUDAKENAI - DAI-ISSHO] (JA, Takashi Miike, 2018)
Notes: Simon import_20/06/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Programme
Subject: JUKAI NO MOSUKITTO (JA, Yoichi Sai, 1983)

Call No: S NOR
Author: Greengrass, Paul
Edition: Shooting script
Source: US
PubDate: 2018
PhysDes: 142 pages, 30cm
Subject: JULY 22 [JULY TWENTY SECOND ] (NO/IC/US, Paul Greengrass, 2018)
Notes: Unpublished script Based on: "One of Us" by Asne Seierstad
ID2: 340

PhysDes: Clippings
Subject: WOMEN IN THE MIRROR [KAGAMI NO ONNATACHI] (JP/FR, Yoshida Yoshishige, 2002)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: TALE OF PRINCESS KAGUYA [KAGUYAHIME NO MONOGATARI] (JA/US, Isao Takahata, 2013)
Cross Reference: TALE OF PRINCESS KAGUYA [KAGUYAHIME NO MONOGATARI]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KAKUSHI TORIDE NO SAN-AKUNIN (JA, Akira Kurosawa, 1958)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KAMIGAMI NO FUKAKI YOKUBO (JA, Shohei Imamura, 1968)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BELLADONNA OF SADNESS [KANASHIMI NO BERADONNA] (JA, Eiichi Yamamoto, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KARI-GURASHI NO ARIETTI (JA, Hiromasa Yonebayashi/Gary Rydstrom, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KAYAKO NO TAMENI (JA, Kohei Oguri, 1984); FOR KAYAKO [

Call No: P KAY
PhysDes: 1 poster : col. ; 73 X 52 cm.
Subject: KAYAKO NO TAMENI (JA, Kohei Oguri, 1984); FOR KAYAKO [
Summary: Image: Top third is an image of a man walking in the snow in front of a line of people walking in the opposite direction and the bottom two-thirds is an image of a man pulling a cart with a woman running next to him in the woods.
Notes: General wear and tear, fold lines and blu-tack stains on the back corners.
Language: Japanese

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984)
Cross Reference: NAUSICAA OF THE VALLEY OF THE WIND (JA, Hayao Miyazaki, 1984) SEE KAZE NO TANI NO NAUSHIKA
CrossTag: 1

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KIDS CAN SAY NO (UK, Rolf Harris, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KIM USHU NO NAKA (JA, Yoichi Sai, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: YOUR NAME [KIMI NO NA WA] (JA, Makoto Shinkai, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I WANT TO EAT YOUR PANCREAS [KIMI NO SUIZOWO O TABETAI] (JA, Shinichiro Ushijima, 2018)
Notes: Simon import_20/06/19

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: JOURNEY TO THE SHORE [KISHIBE NO TABI] (JA/FR, Kiyoshi Kurosawa, 2015)
Cross Reference: JOURNEY TO THE SHORE [KISHIBE NO TABI]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: KJAERLIGHETENS KJOTERE (NO, Hans Petter Moland, 1995); ZERO KELVIN (NO, Hans Petter Moland, 1995)
ID2: 81

Call No: 634.6 BAZ
Author: Bazelon, Irwin
Source: US/UK/CN//AT
Place: New York -- Toronto -- London -- Melbourne
Publisher: Van Nostrand Reinhold Co
PubDate: 1975
PhysDes: 352 pages : illustrations ; 25 cm
Subject: COMPOSING; MUSIC AND THE CINEMA; MUSIC IN FILMS; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938); THIS SPORTING LIFE (UK, Lindsay Anderson, 1963); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); PATTON (US, Franklin J. Schaffner, 1970); WOMAN OF THE DUNES [SUNA NO ONNA] (JA, Hiroshi Teshigahara, 1964); PSYCHO (US, Alfred Hitchcock, 1960); TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962); VIVA ZAPATA (US, Elia Kazan, 1952); MIRACLE WORKER, THE (US, Paul Aaron, 1979)
Summary: "Everyone knows film music exists, but few people know anything about it. And yet film music is the extra dimension that points up motivations, adds nuances, and even suggests plot developments, moods, and feelings that contradict the visual image. This book will make you aware of the affective power of music in films and how it can enhance or detract from your involvement in the film." - taken from the dust jacket
Notes: Includes index
ISBN: 0442205945
Contents: Preface : opening music cue -- Film music and composer -- Film music : a short history -- The contemporary concert composer in films -- The technique of film scoring -- Film moments : what does music actually do? -- Closing music cue -- Personal appearances : interviews with composers [interviews with Elmer Bernstein, Leonard Rosenman, Jerry Goldsmith, John Williams, Richard Rodney Bennett, Alex North, Lalo Schifrin, Bernard Herrmann, David Raksin, Bernard Sega´ll, Laurence Rosenthal, Johnny Mandel, Paul Glass, John Barry, and Gail Kubik]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: KODOMO NO GORO SENSO GA ATTA (JA, Sadao Saitoh, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SILENT VOICE, A [KOE NO KATACHI] (JA, Naoko Yamada, 2017)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: KON-TIKI (UK/NO/DK/G/SW, Joachim Ronning & Espen Sandberg, 2012)
URL status: URL: 'http://file://Q:/T/KON_TIKI.zip' Checked: 31/08/2021 1:29:38 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: P KON
PhysDes: 1 poster : colour ; 100 x 70 cm
Subject: KON-TIKI (UK/NO/DK/G/SW, Joachim Ronning & Espen Sandberg, 2012)
Summary: Image: Five men stand aboard a wooden sailing boat, preparing to harpoon a whale shark shown below the surface of the water Text: ""A crowdpleaser, breathtaking. Heartpoundingly visceral" - Indiewire" Text: ""This is filmmaking of great ambition and ability" - Variety"
Notes: Bottom right hand corner torn off

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KONGEN AV BASTOY [KING OF DEVIL'S ISLAND] (NO/FR/SW/PL, Marius Holst, 2010)

Call No: P KON
PubDate: 2010
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: KONGEN AV BASTOY [KING OF DEVIL'S ISLAND] (NO/FR/SW/PL, Marius Holst, 2010)
Summary: Text: 'Escape is the only option'. Text: 'Based on an extraordinary true story'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KING'S CHOICE, THE [KONGENS NEI] (NO, Erik Poppe, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IN THIS CORNER OF THE WORLD [KONO SEKAI NO KATASUMI NI] (JA, Sunao Katabuchi, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KONOKO NO NATATSU NO OIWAINI (JA, Yasuzo Masumura & Hiroshi Matsuki, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOD OF WOLVES, THE [ KORO NO CHI] (JA, Kazuya Shiraishi, 2018)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: IN ORDER OF DISAPPEARANCE [KRAFTIDIOTEN ] (NO/DK/SW, Hans Petter Moland, 2014)
Cross Reference: IN ORDER OF DISAPPEARANCE [KRAFTIDIOTEN ]

Call No: TITLE CLIPPINGS FILE
PhysDes: Press Sheet
Subject: CROWN PRINCE, THE [KRONPRINSEN] (NO, Pal Bang-Hansen, 1979)
Notes: Simon Strong import 14_Oct2019

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KRYPSKYTTERE (NO, Hans Otto Nicolayssen, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KUMARS AT NO 42 [TV] (UK, Lissa Evans and Nick Wood, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KURENAI NO BUTA (JA, Hayao Miyazaki, 1993)
Cross Reference: PORCO ROSSO (JA, Hayao Miyazaki, 1993) SEE KURENAI NO BUTA
CrossTag: 1

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: KEEPER OF LOST CAUSES [KVINDEN I BURET] (DK/G/SW/NO, Mikkel Norgaard, 2013)
Cross Reference: KEEPER OF LOST CAUSES [KVINDEN I BURET]

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LANDFILL HARMONIC (US/PY/NO/BL, Brad Allgood/ GrahamTownsley, 2015)
URL status: URL: 'http://file://Q:/T/LANDFILL_HARMONIC.zip' Checked: 31/08/2021 1:44:45 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LEAVE NO TRACE (US, Debra Granik, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LEGEND NO 17 (RU, Nikolay Lebedev, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LEGO MOVIE 2, THE: THE SECOND ACT (DK/NO/AT/US, Mike Mitchell, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LILYHAMMER [TV] (NO/US, 2012 - )

Call No: 451-058.81 LEI
Author: Leibman, Nina C. (Nina Clare), 1957
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1995
PhysDes: 338 p. : ill. ; 23 cm
Series: Texas film studies series
Subject: FAMILY IN FILMS; FAMILY ON TV; MARRIAGE IN FILMS; MARRIAGE ON TV; IMITATION OF LIFE (US, Douglas Sirk, 1959); ADVENTURES OF OZZIE AND HARRIET, THE [TV] (US, 1952-66); BLUE DENIM (US, Philip Dunne, 1959); CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958); COURTSHIP OF EDDIE'S FATHER, THE (US, Vincente Minnelli, 1963); DONNA REED SHOW, THE [TV] (1958-65); EAST OF EDEN (US, Elia Kazan, 1955); FATHER KNOWS BEST [TV] (US, 1954-60); SUMMER PLACE, A (US, Delmer Davies, 1959); FEAR STRIKES OUT (US, Robert Mulligan, 1957); GIANT (US, George Stevens, 1956); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); LEAVE IT TO BEAVER [TV] (US, 1957-63); MY THREE SONS [TV] (US, 1960-72); NO DOWN PAYMENT (US, Martin Ritt, 1957); PEYTON PLACE (US, Mark Robson, 1957); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); SPLENDOR IN THE GRASS (US, Elia Kazan, 1961)
Notes: Filmography: p. [321]-329; Includes bibliographical references (p. [309]-320) and index
ISBN: 0292746849 (paper : alk. paper); 0292746830 (cloth : alk. paper)
LON: 11213012

Call No: TITLE CLIPPINGS FILE; RAMS [HRUTAR] (DK/IC/NO/PL, Grímur Hákonarson, 2015)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: RAMS [HRUTAR] (DK/IC/NO/PL, Grímur Hákonarson, 2015)
Summary: McDonald reviews the Scandinavian film RAMS

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LONG TIME NO SEE, RONNIE (AT, Mario Andreacchio, 1984)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LOOK OF SILENCE, THE (DK/IO/FI/NO, Joshua Oppenheimer, 2014)
URL status: URL: 'http://file://Q:/T/LOOK_OF_SILENCE.zip' Checked: 31/08/2021 1:34:14 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 67(41) MOO
Author: Moore, Suzanne
Source: UK
Place: London
Publisher: Serpent's Tail
PubDate: 1991
PhysDes: ix, 305 pages ; 20 cm
Subject: CRITICISM; FEMINISM AND THE CINEMA; JAMES BOND IN FILMS; POPULAR CULTURE AND THE CINEMA; ALWAYS (US, Steven Spielberg, 1989); BIRD (US, Clint Eastwood, 1988); BLACK RAIN (US, Ridley Scott, 1989); BLUE STEEL (US, Kathryn Bigelow, 1989); BROKEN NOSES (US, Bruce Weber, 1987); CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); DEAD RINGERS (CN, David Cronenberg, 1988); DECLINE OF WESTERN CIVILISATION PART II: THE METAL YEARS, THE (US, Penelope Spheeris, 1988); DO THE RIGHT THING (US, Spike Lee, 1989); FAMILY VIEWING (CN, Atom Egoyan, 1987); FAREWELL TO THE KING (US, John Milius, 1989); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GOOD MOTHER, THE (US, Leonard Nimoy, 1988); JESUS OF MONTREAL (CN/FR, Denys Arcand, 1989); KAMIKAZE HEARTS (US, Juliet Bashore, 1986); KROTKI FILM O ZABIJANIU (PL, Krzysztof Kieslowski, 1988); LONGTIME COMPANION (US, Norman Rene, 1990); MADONNA: TRUTH OR DARE (US, Alek Keshishian, 1991); MARUSA NO ONNA (JA, Juzo Itami, 1987); PARIS BY NIGHT (UK, David Hare, 1989); PATTY HEARST (US, Paul Schrader, 1988); ROGER AND ME (US, Michael Moore, 1989); SCANDAL (UK, Michael Caton-Jones, 1989); SERPENT AND THE RAINBOW (US, Wes Craven, 1988); SHE-DEVIL (US, Susan Seidelman, 1989); SHE MUST BE SEEING THINGS (US, Sheila McLaughlin, 1987); SKIN DEEP (US, Blake Edwards, 1989); SLEEPING WITH THE ENEMY (US, Joesph Ruben, 1991); SOMETHING WILD (US, Jonathan Demme, 1986); STAR TREK V: THE FINAL FRONTIER (US, William Shatner, 1989); SWEETIE (AT, Jane Campion, 1989); TEENAGE MUTANT NINJA TURTLES (US, Steve Barron, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988); THIRTYSOMETHING [TV] (US, 1987-91); TIE ME UP! TIE ME DOWN! (SP, Pedro Almodovar, 1990) SEE ATAME!; TORCH SONG TRILOGY (US, Paul Bogart, 1988); TOTAL RECALL (US, Paul Verhoeven, 1990); TUCKER (US, Francis Ford Coppola, 1988); TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991); UNHOLY, THE (US, Camilio Vila, 1988); WAR OF THE ROSES, THE (US, Danny DeVito, 1989); WIRED (US, Larry Peerce, 1989); WORLD APART, A (UK, Chris Menges, 1988); BAUDRILLARD, JEAN; TARKOVSKY, ANDREI; WINDSOR, BARBARA
Summary: "In her articles and essays, Suzanne Moore takes a vitriolic look at the icons of modern life - post feminism, Baudrillard, Laura Ashley, Twin Peaks, the new man, safe sex, James Bond, a green planet. In her film reviews, she dissects the 'mega' filmmakers of our time - Steven Spielberg, Federico Fellini, Akira Kurosawa, Pedro Almodovar, Ken Russell and David Lynch. Definitely not 'one of the boys', Suzanne Moore's attitude to the good and famous is refreshing and irreverent." -Book blurb.
Notes: Contains bibliography
ISBN: 1852422424
Contents: Introduction -- Feminism -- Men: Men against men; Target man; The brothers grim; Toy soldiers or wicked willies; Prince; Torch Song tightrope; Here's looking at you, kid -- Women: Material girl; Hi, I'm Anneka - fly me; Green light spells danger; The odds of getting even; A call to underarms; Fatal fantasies; Happiness is a warm gun; Close-up as the cookie crumbles; Women who read too much; The great awakening; Modern romance; The merry life of Windsor -- Children: Hiding in the wardrobe; Hung-up on Father Christmas; Politics of choice; Birth and death; Maternal melodramas; Eternal childhood; Unhappy families; Heroes in a half-shell -- Fantasy -- Fear: Killjoy culture; Filming by numbers; The death of intimacy; To hell and back; Murder most foul; Electric shocks; Fag end; Soft soap -- Flesh: Good vibrations; Deviant laws; Everyday eroticism; One big act; A screw of convenience?; Missionary sex; The struggle for safe endings -- Faith: Kidnapped by the counter-culture; Sculpting in time; Playing Jesus by night; Nithing but the truth; Always a love story; Jazz junkie -- Power: Pleasure: Understimulation; And now for the news; Film slobs; The metal age; All night long; The money game; Mall-content?; Mini-politics: saying no in public; Belushi's last high; something to stay home about; Reach for the stars; Starship stories -- Politics: Political poison; Junk culture; Never really at home; A problem of identities; Brand loyalty; Sun rises in the east; You can't do the right thing all the time; Great expectations -- Populism: Postmodern paralysis; Britain's macho man; On the side of the man in the street; Against the sober grain -- Postmodernism: Politics of seduction; Getting a bit of the other - the pimps of postmodernism.
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOPERJENTEN (NO, Vibeke Lokkeberg, 1981); KAMILLA (NO, Vibeke Lokkeberg, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LORDS OF CHAOS (UK/SW/NO, Jonas Akerlund, 2019)
Notes: Simon import_190718

Call No: 67(04) KAE
Author: Kael, Pauline
Place: London
Publisher: Cape
PubDate: 1966
PhysDes: ix, 365 p. ; 22 cm.
Subject: CRITICISM; GOLDEN COACH, THE [CARROSSE D'OR, LE] (FR/IT, Jean Renoir, 1952); SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); SCIUSCIA (IT, Vittorio De Sica, 1946); SHICHININ NO SAMURAI (JA, Akira Kurosawa, 1954); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); WEST SIDE STORY (US, Robert Wise, 1961); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); ONE, TWO, THREE (US/GW, Billy Wilder, 1961); MARK, THE (UK, Guy Green, 1961); INNOCENTS, THE (UK, Jack Clayton, 1962); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); TASTE OF HONEY, A (UK, Tony Richardson, 1961); VICTIM (UK, Basil Dearden, 1961); LOLITA (US, Stanley Kubrick, 1962); JULES ET JIM (FR, Francois Truffaut, 1962); NOBI (JA, Kon Ichikawa, 1959); BILLY BUDD (UK, Peter Ustinov, 1962); YOJIMBO (JA, Akira Kurosawa, 1961); DEVI (II, Satyajit Ray, 1960); [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963)
Summary: A collection of Kael's writings on cinema including reviews mostly from 1961-1963.
Notes: Includes index.
LON: nun00460852; 4159070

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LOUDER THAN BOMBS (NO/FR/US/DK, Joachim Trier, 2015)
URL status: URL: 'http://file://Q:/T/LOUDER_THAN_BOMBS.zip' Checked: 31/08/2021 1:40:14 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOVE CITY JALALABAD (NO/AT/AF, George Gittoes & Torstein Grude, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOVE POTION NO. 9 (US, Dale Launer, 1992 [prod. 1990])

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MABOROSHI NO HIKARI (JA, Hirokazu Kore-Eda, 1995)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: MAGNUS (NO/DK/SW, Benjamin Ree, 2016)
Cross Reference: MAGNUS

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN NO RUN (FR, Claire Denis, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MAN OF NO IMPORTANCE, A (UK, Suri Krishnamm, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN SOM HATAR KVINNOR (SW/DK/G/NO, Niels Arden Oplev, 2009); GIRL WITH THE DRAGON TATTOO, THE (SW/DK/G/NO, Niels Arden Oplev, 2009)

Call No: TITLE CLIPPINGS FILE; SILENT VOICE, A [KOE NO KATACHI] (JA, Naoko Yamada, 2017)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: SILENT VOICE, A [KOE NO KATACHI] (JA, Naoko Yamada, 2017)
Summary: Review of the film A SILENT VOICE
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MANKIND IS NO ISLAND (AT, Jason van Genderen, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN WHO FEELS NO PAIN, THE [MARD KO DARD NAHIN HOTA] (II, Vasan Bala, 2018)

Call No: 81MON ZOL
Author: Zolotow, Maurice
Source: UK
Place: London
Publisher: Allen
PubDate: 1961
PhysDes: 333 p. : ill. ; 23 cm
Subject: MONROE, MARILYN; PRINCE AND THE SHOWGIRL, THE (UK, Laurence Olivier, 1957); SOME LIKE IT HOT (US, Billy Wilder, 1959); SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955); BUS STOP (US, Joshua Logan, 1956); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MONKEY BUSINESS (US, Howard Hawks, 1952); GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953); NIAGARA (US, Henry Hathaway, 1952); RIVER OF NO RETURN (AT, Darlene Johnson, 2008); HOW TO MARRY A MILLIONAIRE (US, Jean Negulesco, 1953)
Summary: Maurice Zolotow as the result of six years research, a large amount of correspondence and many interviews was able to build a history of Marilyn Monroe, beginning with her childhood, and experiences of orphanages, foster homes, abuse and psychosomatic illnesses, and finishing with her life as an accomplished actress, and he manages to show a connection between these two parts of Marilyn Monroe's life.
LON: nla08225307; 9360140

Call No: TITLE CLIPPINGS FILE; LOOK OF SILENCE, THE (DK/IO/FI/NO, Joshua Oppenheimer, 2014)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: LOOK OF SILENCE, THE (DK/IO/FI/NO, Joshua Oppenheimer, 2014)
Summary: David Stratton reviews THE LOOK OF SILENCE
Rating: 3.5 out of 5 stars

Call No: 81 SCO SCO
Author: Ribera, Robert; Scorsese, Martin
Edition: Revised and updated edition
Place: Jackson
Publisher: University Press of Mississipp
PubDate: 2017
PhysDes: xxxi, 250 pages ; 24 cm.
Subject: CRITICISM; HISTORY OF CINEMA. 1970's; UNDERGROUND FILMS. USA; SCORSESE, MARTIN; TAXI DRIVER (US, Martin Scorsese, 1976); RAGING BULL (US, Martin Scorsese, 1980); COLOR OF MONEY, THE (US, Martin Scorsese, 1986); MEAN STREETS (US, Martin Scorsese, 1973); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); GOODFELLAS (US, Martin Scorsese, 1990); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); DEPARTED, THE (US, Martin Scorsese, 2006); HUGO (US, Martin Scorsese, 2011); WOLF OF WALL STREET, THE (US, Martin Scorsese, 2013); NO DIRECTION HOME [TV] (UK/US, Martin Scorsese, 2005); BLUES, THE [TV] (US, 2003)
Summary: Many critics and film historians throughout the world praise Martin Scorsese as the greatest living American director. In this collection of interviews covering a period of two decades Scorsese's own words, sometimes emotionally direct and always revealing, trace his astonishing career. Like a Scorsese film, a Scorsese interview is daring and impassioned and is charged with his trademark wit and brilliance.
Notes: Includes index. Formerly CIP. Includes filmography. Also issued online.
ISBN: 9781496809476
Donation: Senses of Cinema
Contents: Martin Scorsese and the American Underground / Doris Freedman (1970) -- Dialogue on Film: Martin Scorsese The American Film Institute (1975) -- Taxi Dancer: Martin Scorsese Interviewed / Jonathan Kaplan (1977) -- Raging Bull / Michael Henry (1981) --Taxi Driver / Paul Schrader (1982) -- Chalk Talk / Peter Biskind and Susan Linfield (1986) -- Martin Scorsese: In the Streets / Peter Occhiogrosso (1987) -- And Blood / Richard Corliss (1988) -- Scorsese: A Bicoastal Story / Amy Taubin (1988) -- What the Streets Mean / Anthony DeCurtis (1990) -- Martin Scorsese Interviewed / Gavin Smith (1993) -- Martin Scorsese's Testament / Ian Christie (1996) -- Everything Is Form / Amy Taubin (1998) -- Fresh Air: Director Martin Scorsese / Terry Gross (2003) -- 2006 Charles Guggenheim Symposium Honoring Martin Scorsese / Jim Jarmusch (2006) -- Martin Scorsese on The Departed / Michael Goldman (2006) -- Docufictions: An Interview with Martin Scorsese on Documentary Film / Raffaele Donato (2007) -- In Hugo, Martin Scorsese Salutes a Movie Magician / Melissa Block (2011) -- The Art of Martin Scorsese / Jim Leach (2013) -- DP/ 30: Scorsese on The Wolf of Wall Street / David Poland (2014).

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARUSA NO ONNA (JA, Juzo Itami, 1987); TAXING WOMAN, A (JA, Juzo Itami, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARUSA NO ONNA II (JA, Juzo Itami, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MATTHEW BARNEY: NO RESTRAINT (US, Alison Chernick, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAX MANUS (NO/DK/G, Espen Sandberg, Joachim Roenning, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARY AND THE WITCH'S FLOWER [MEARI TO MAJO NO HANA] (JA, Hiromasa Yonebayashi ,2017)

Call No: 772(520):737.0 MEC
Author: Lunning, Frenchy
Source: US
Place: Minneapolis; London
Publisher: University of Minnesota Press
PubDate: c2009
PhysDes: xiv, 338 p. : ill. ; 26 cm
Series: Mechademia ; v. 4
Subject: ANIMATION; ANIMATION. JAPAN; COMIC STRIPS; COMIC STRIPS AND THE CINEMA; JAPAN; POPULAR CULTURE AND THE CINEMA; POPULAR CULTURE AND THE CINEMA. JAPAN; VIDEO GAMES; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); HOTARV NO HAKA (JA, Isao Takahata, 1988); NEON GENESIS EVANGELION (JA, 199?)
Summary: "The themes of war and time are intertwined in unique ways in Japanese culture, freighted as that nation is with the multiple legacies of World War II: the country's militarization, its victories and defeats, Hiroshima and Nagasaki, and the uneasy pacifism imposed by the victors. Delving into topics ranging from the production of wartime propoganda to the multimedia adaptations of romance narrative, contributors to the fourth volume in the Mechademia series address the political, cultural, and technological continuum between war and the everyday time of orderly social productivity that is reflected, confronted, and changed in manga, anime, and other forms of Japanese popular culture." -- BOOK BLURB
ISBN: 9780816667499
Contents: -- preface: war/time / Thomas Lamarre -- [Part 1]. Legacies of sovereignty. The filmic time of coloniality: on Shinkai Makoto's The Place promised in our early days / Gavin Walker -- Theorizing manga: nationalism and discourse on the role of wartime manga / Rei Okamoto Inouye -- Transcending the victim's history: Takahata Isao's Grave of the fireflies / Wendy Goldberg. [Part 2]. Control room. Gothic politics: Oshii, war, and life without death / Tom Looser -- Oshii Mamoru's Patlabor 2: terror, theatricality, and exceptions that prove the rule / Mark Anderson -- Waiting for the messiah: the becoming-myth of Evangelion and Densha otoko / Christophe Thouny -- War by metaphor in Densha otoko / Michael Fisch. [Part 3]. History/memory. Imagined history, fading memory: mastering narrative in Final Fantasy X / Dennis Washburn -- Haunted travelogue: hometowns, ghost towns, and memories of war / Michael Dylan Foster -- Three views of the rising sun, obliquely: Keiji Nakazawa's A-bomb, Osamu Tezuka's Adolf, and Yoshinori Kobayashi's Apologia / Sheng-Mei Ma -- Virtual creation, simulated destruction, and manufactured memory at the Art Mecho Museum in Second life / Christopher Bolton. [Part 4]. Genre violence. Ninja, Hidden Christians, and the two Ferreiras: On Endo Shusaku and Yamada Futaro / Takayuki Tatsumi ; translated by Seth Jacobowitz -- Monsters at war: the great Yo¯kai Wars, 1968-2005 / Zilia Papp -- From Jusuheru to Jannu: girl knights and christian witches in the work of Miuchi Suzue / Rebecca Suter. [Part 5]. Mobilization/Domestication. Empire through the eyes of a Yapoo: male abjection in the cult classic Beast Yapoo / Christine Marran -- Nippon ex machina: Japanese postwar identity in robot anime and the case of UFO Robo Grendizer / Marco Pellitteri -- Kobayashi Yoshinori is dead: imperial war/sick liberal peace/neoliberal class war / Mark Driscoll -- Manga: a comic interlude from Darumasan-ga-koronda, "Land mine in Central Park" / Yoji Sakate ; translated by Manami Shima, art by Chinami Sango -- Review and commentary -- two phases of Japanese illustrated fiction / Charles Shiro Inouye -- paradise lost...and found? / Paul Jackson -- molten hot: Japanese gal subcultures and fashions / Theresa M. Winge -- monstrous toys of capitalism / Brent Allison -- if Casshern doesn't do it, who will? / Deborah Shamoon -- psychoanalytic cyberpunk midsummer-night's dreamtime: Kon Satoshi's Paprika / Timothy Perper and Martha Cornog -- Torendo -- interview with Murase Shuko and Sato Dai / Deborah Scally, Angela Drummond - Mathews and Marc Hairston --

Author: Braadland, Alice
PhysDes: Article
Subject: VI ELSKER (NO, Lasse Glomn, 1983)
Summary: On director Lasse Glomm and his films Svarte Fugler (Black Crows) and Ja, vi elsker (Last Gleaming)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MENDEL (NO/DK/GG, Alexander Rosler, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MIKAN NO TAIKYOKU (CC/JA, Duan Jishun & Junya Sato, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MINBO NO ONNA (JA, Juzo Itami, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MIO, MIN, MIO! (SW/NO/UR, Vladimir Grammatikov, 1987); LAND OF FARAWAY (SW/NO/UR, Vladimir Grammatikov, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: MIO, MOJ MIO (UR/SW/NO, Vladimir Grammatikov, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MIRAI [MIRAI NO MIRAI] (JA, Mamoru Hosoda , 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MISS JULIE (NO/UK/CN/US/FR/IE, Liv Ullmann, 2014)

Call No: P MIS
Place: AT
PubDate: [1984]
PhysDes: 1 poster : col. ;77 X 51 cm.
Subject: [MISTER] MR B SAYS NO (AT, Tony Mahood, 1984)
Summary: Image of man on the roof taken from film still.
Notes: Fold marks

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [MISTER] MR B SAYS NO (AT, Tony Mahood, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MOLE SONG, THE : HONG KONG CAPRICCIO [MOGURA NO UTA: HONG KONG KYOSO-KYOKU] (JA, Takashi Miike, 2016)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : col. ; 21 x 26 cm
Subject: [MISTER] MR B SAYS NO (AT, Tony Mahood, 1984)
Summary: Photographs are relating to the film Mr B says no

Call No: 408.3(52) HIR
Author: Hirano, Kyoko
Place: Washington, D.C.
Publisher: Smithsonian Institute
PubDate: 1992
PhysDes: xvii, 365 p. : ill. ; 24 cm
Subject: JAPAN; CULTURAL IMPERIALISM. JAPAN; OCCUPATION AND THE CINEMA. JAPAN; CENSORSHIP. JAPAN; COLD WAR AND THE CINEMA. JAPAN; IWASAKI AKIRA; KUROSAWA AKIRA; KAMEI, FUMIO; SHINDO KANETO; WATANABE, TETSUZO; NIHON NO HIGEKI (JA, Fumio Kamei, 1946); AKATSUKI NO DASSO (JA, Senkichi Taniguchi, 1950); ASU O TSUKURU HITOBITO (JA, Akira Kurosawa, Hideo Sekigawa & Kajiro Yamamoto, 1946); TOHO CO.
Notes: Includes bibliographical references (p. 321-341) and indexes
ISBN: 1560981571; 1560984023 (pbk.)
LON: 8875964
ID2: 291

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLADE OF THE IMMORTAL [MUGEN NO JUNIN] (JA/UK/SO, Takashi Miike, 2017)

Call No: 19GOL EBE
Author: Eberts, Jake, 1941; Ilott, Terry
Place: London
Publisher: Faber and Faber
PubDate: 1990
PhysDes: xxi, 678 p., [16] p. of plates : ill., facsims., ports ; 20 cm
Subject: Attenborough, Richard; PUTTNAM, DAVID; EBERTS, JAKE; JOFFE, ROLAND; SMITH, IAIN; HELLMAN, JEROME; HUDSON, HUGH; WINKLER, IRWIN; REVOLUTION (UK/NO, Hugh Hudson, 1985); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); MISSION, THE (UK, Roland Joffe, 1986); KILLING FIELDS, THE (UK, Roland Joffe, 1984); GANDHI (UK/II Richard Attenborough, 1982); EMERALD FOREST, THE (UK, John Boorman, 1985); ABSOLUTE BEGINNERS (UK, Julien Temple, 1986); MOSQUITO COAST, THE (US, Peter Weir, 1986); GOLDCREST FILMS; WARNER BROS.
Notes: Includes index
ISBN: 0571148891 (pbk) : ¦9.99
LON: bnb57114889; 8881217

Call No: TITLE CLIPPINGS FILE; SILENT VOICE, A [KOE NO KATACHI] (JA, Naoko Yamada, 2017)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: SILENT VOICE, A [KOE NO KATACHI] (JA, Naoko Yamada, 2017)
Summary: Review of the film A SILENT VOICE (original language title - KOE NO KATACHI)
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: NAGISA NO SINDBAD (JA, Ryosuke Hashiguchi, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: NATSU NO IMOTO (JA, Nagisa Oshima, 1972)

Call No: 81JOR PRA
Author: Pramaggiore, Neil
Source: US
Place: Urbana
Publisher: University of Illinois
PubDate: c2008
PhysDes: x, 200 p. : ill. ; 21 cm
Series: Contemporary Film Directors
Subject: JORDAN, NEIL; COMPANY OF WOLVES, THE (UK, Neil Jordan, 1984); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); HIGH SPIRITS (UK/US, Neil Jordan, 1988); MICHAEL COLLINS (UK/US, Neil Jordan, 1996); MONA LISA (UK, Neil Jordan, 1986); ANGEL [DANNY BOY] (IE/UK, Neil Jordan, 1982); CRYING GAME, THE (UK, Neil Jordan, 1992); BUTCHER BOY, THE (US, Neil Jordan, 1997); IN DREAMS (US, Neil Jordan, 1999); BREAKFAST ON PLUTO (IE/UK, Neil Jordan, 2005); WE'RE NO ANGELS (US, Neil Jordan, 1989); END OF THE AFFAIR, THE (UK, Neil Jordan, 1999); GOOD THIEF, THE (FR/UK/IE, Neil Jordan, 2002)
Summary: " Best known for his enormously successful independent film The Crying Game, Irish director Neil Jordan has made sixteen feature films since 1982. Even after achieving commercial success and critical acclaim with such films as Interview with the Vampire and The Butcher Boy, Jordan remains a curiously elusive figure in the era of the celebrity filmmaker. Maria Pramaggiore addresses this conundrum by examining Jordan's distinctive style across a surprisingly broad range of genres and production contexts, including horror and gangster films, Irish-themed movies, and Hollywood remakes. Despite the striking diversity of Jordan's films, the director consistently returns to gothic themes of loss, violence, and madness. In her sophisticated examination of Mona Lisa, Michael Collins, and The Good Thief, Pramaggiore shows how Jordan presents these dark narratives with a uniquely Irish and postmodern sense of irony. This illuminating analysis of one of the cinema's most important artists will be of keen interest to movie enthusiasts as well as students and scholars of contemporary film" -- BOOK BLURB
Notes: Formerly CIP; Includes filmography: p. [167]-177; Includes bibliographical references (p. [179]-195) and index
ISBN: 9780252075308
Contents: Neil Jordan's Postmodern Gothic -- Monster Movies: The Company of Wolves and Interview with the Vampire -- Ghosts of the Nation: High Spirits and Michael Collins -- Gothic Cycles: Popular Music in Mona Lisa, Angel, and The Crying Game -- Dream Lovers, Dream Mothers: The Miracle, The Butcher Boy, In Dreams, and Breakfast on Pluto -- Doubles, Remakes, and Repetition: We're No Angels, The End of the Affair, "Not I," and The Good Thief -- Interview with Neil Jordan.

Call No: 71(520) NEW
Author: Charlton, Susan
Edition: [1987?]
Place: Sydney; Melbourne
Publisher: Australian Film Institute
PhysDes: 20 pages : illustrated ; 21cm
Subject: JAPAN; SOROBANZUKU (JA, Yoshimitsu Morita, 1987); UHOHO TANKENTAI (JA, Kichitaro Negishi, 1987); HIKARU ONNA (JA, Shinji Sômai, 1987); SARABA HAKOBUNE (JA, Shuji Terayama, 1985); YUME MIRUYONI NEMURITAI (JA, Kaizo Hayashi, 1986); AIKO SWEET SIXTEEN [AIKO JOROKU-SAI] (JA, Imakezi Akiyoshi, 1983); JUKAI NO MOSUKITTO (JA, Yoichi Sai, 1983); PANYA SHUGERI (JA, Yamakawa Naoto, 1982)
Notes: Responsibility taken from inside back cover

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings
Subject: NICARAGUA: NO PASARAN (AT, David Bradbury, 1984)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 16 x 24 - 26 x 20 cm
Subject: NICARAGUA: NO PASARAN (AT, David Bradbury, 1984)
Summary: 4 black and white photographs of the mural in the main square celebrating the heroes of the Nicaraguan revolution, and soldiers near the heaviest fighting with the US backed contra forces.
Notes: 1 duplicate

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NIKUTAI NO MON (JP. Seijun Suzuki, 1964); GATE OF FLESH, THE (JP. Seijun Suzuki, 1964)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO (CN, Robert Lepage, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO (CL/FR/US, Pablo Larrain, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO. 1 OF THE SECRET SERVICE (UK, Lindsay Shonteff, 1970)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: NO. 2 (NZ, Toa Fraser, 2006)

Call No: S NO
Place: AT
PubDate: c2016
PhysDes: 53 leaves ; 30 cm.
Subject: NO ACTIVITY [TV] (AT, 2015)
Summary: "Stokes and Hendy are joined in the car by Carol's son Lachy and share some stories about their own teenage misadventures. Carol complains to a shocked April that she's been put on a shift with disabled Lee. Bungling kidnappers Steve and Neddy have a bold new plan to placate their angry boss." - IMDb
Notes: Unpublished script
Donation: AFI / AACTA

Call No: S NO
Place: AT
PubDate: c2016
PhysDes: 55 leaves ; 30 cm.
Subject: NO ACTIVITY [TV] (AT, 2015)
Notes: Unpublished script
Donation: AFI / AACTA

Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMAND
Author: Mason, Max
PhysDes: Clippings
Subject: NO ACTIVITY [TV] (AT, 2015); VIDEO ON DEMAND

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO ACTIVITY [TV] (AT, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO CONTEST (CN, Paul Lynch, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO DANCE (AT, ?, 198-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO DATE NO SIGNATURE (IR, Vahid Jalilvand, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings
Subject: NO DEATH IN BRUNSWICK (AT, Mark Osborn, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: NO DIRECTION HOME [TV] (UK/US, Martin Scorsese, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO DRAMAS (AT, Rob Nugent, 2009)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Publicity; Clippings; Press kit
Subject: NO ESCAPE (US, Martin Campbell, 1994)
URL status: URL: 'http://file://Q:/T/NO_ESCAPE.zip' Checked: 31/08/2021 12:51:50 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO ESCAPE, NO RETURN (US, Charles T. Kanganis, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO EVIDENCE OF DISEASE (US, Andrea Kalin, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO FIRE ZONE (CE/UK, Callum Macrae, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO GOING BACK (AT, Scott Hicks, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings
Subject: NO HABRA MAS PENAS NI OLVIDO (AG, Hector Olivera, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: NO HABRA MAS PENAS NI OLVIO (AG, Hector Olivera, 1983)

Call No: 79 NOH SHU
Author: Shute, Nevil
Edition: UK
Source: AT
Place: London
Publisher: Pan Books
PubDate: 1963
PhysDes: 280 p. ; 18 cm.
Subject: NO HIGHWAY (UK, Henry Koster,1951)
ISBN: 030020722

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO HOLDS BARRED (US, Thomas J. Wright, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO HOME MOVIE (FR/BE, Chantal Akerman, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO KNIFE (US, Robert Aldrich, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO LEAVE, NO LIFE [TV] (AT, N/A, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO LONGER ALONE (UK, Nicholas Webster, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO LONGER SILENT (US, Laurette Deschamps, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: NO LOOKING BACK (US, Edward Burns, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: NO MAN'S LAND (US, Peter Werner, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: NO MAN'S LAND (UK/SV/FR/IT/BE, Danis Tanovic, 2001 )

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO MAN'S LAND [TV] (CN, Shelley Saywell, ?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: NO MERCY (US, Richard Pearce, 1986)

Call No: TITLE STILL INTERNATIONAL
Source: AT
PhysDes: 1 photograph : b&w ; 13 X 19 cm.
Subject: NO MORE HIBAKUSHA (CN/JA, Martin Duckworth, 1983)
Summary: Location shot taken from the film 'No more Hibakusha'
Notes: See-through cover page attached to the image; Labels on reverse

Author: Spunner, Suzanne
PhysDes: Festival report; Illustration(s)
Subject: WIND (AT, Ivan Sen, 1998); NO WAY TO FORGET (AT, Richard Frankland, 1996); HARRY'S WAR (AT, Richard Frankland, 1999); WEEKS, FILM. AFI. 1999; ABORIGINAL AUSTRALIANS IN FILMS; ABORIGINAL AUSTRALIANS AND THE CINEMA
Summary: Three short films by Australian Aboriginal filmmakers are showcased in the We Iri We Homeborn Arts Festival in Melbourne, Australia in July, 1999.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: NO MORE NEEDLES...PLEASE (AT, Mark Eliot & Catherine Jarvis, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO NEED TO STAND (AT, Steven Faux, 1989)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: NO NEWS (GG, Lennart Huper, 2021)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO NO NONNO! (AT, Monica Pellizzari, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: NO NUKES (US, Julian Schlossberg & others, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO ORDINARY LOVE (US, Doug Witkins, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings
Subject: NO PICNIC (US, Philip Hartman, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO PLACE LIKE HOME (AT, Fiona Hergstrom, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings
Subject: NO PLACE TO HIDE (US, Lance Bird & Tom Johnson, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO PLACE TO HIDE (?, Richard Danus, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO PRESIDENT (US, Jack Smith, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO QUIERO DORMIR SOLA (MX, Natalia Beristain, 2012); SHE DOESN'T WANT TO SLEEP ALONE (MX, Natalia Beristain, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: NO RESERVATIONS (US/AT, Scott Hicks, 2007)
ID2: 62

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO RESTING PLACE (UK, Paul Rotha, 1951)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO RETREAT, NO SURRENDER (US, Corey (Kwai) Yuen, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO SEX, NO VIOLENCE, NO NEWS (AT, Susan Lambert & Stefan Moore, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO SHADE (UK, Clare Anyiam-Osigwe, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO SKIN OFF MY ASS (US, Bruce LaBruce, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO SMALL AFFAIR (US, Jerry Schatzberg, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO STONE UNTURNED (UK/US, Alex Gibney, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO STRINGS ATTACHED (US, Ivan Reitman, 2011)