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script
The nightingale / written by Jennifer Kent; developed wit the assistance of Screen Australia Feb-17. Digital clippings file available
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title clippings file
NIGHTINGALE, THE : (US, Ivan Passer, 1984)
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digital clippings file
NIGHTINGALE, THE : (AT, Jennifer Kent, 2017) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: NIGHTINGALE, THE (AT, Jennifer Kent, 2017) URL status: URL: 'http://file://Q:/T/NIGHTINGALE,_THE.2017.zip'
Checked: 31/08/2021 1:48:34 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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newspaper article
Ode follows safe road map in The Age (18/06/2015) p.31
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book
Return of the monstrous-feminine : feminist new wave cinema / Barbara Creed New York: Routledge, 2022.
Call No: 744.7 CREAuthor: Creed, Barbara Edition: 2022Place: New YorkPublisher: RoutledgePubDate: 2022PhysDes: x, 168 pagesSubject: FEMINISM AND THE CINEMA ; HORROR FILMS ; BABADOOK , THE (AT, Jennifer Kent, 2014) ; HANDMAID'S TALE, THE [TV] (US, 2017 - ) ; PROMISING YOUNG WOMAN, A (UK/US, Emerald Fennell, 2020) ; REVENGE (FR, Coralie Fargeat, 2017) ; NIGHTINGALE, THE (AT, Jennifer Kent, 2017) ; NOMADLAND (US/GG, Chloé Zhao, 2020) ; CAROL (UK/US/FR, Todd Haynes, 2015) ; ASSISTANT, THE (US, Kitty Green, 2019) ; GIRL WALKS HOME ALONE AT NIGHT, A ( US, Ana Lily Amirpour, 2014) ; UNDER THE SKIN (UK/US/SZ, Jonathan Glazer, 2013) ; JENNIFER'S BODY (US, Karyn Kusama, 2009) ; LURE, THE [CORKI DANCINGU] (PL, Agnieszka Smoczynska, 2015) ; THELMA (NO/FR/DK/SW, Joachim Trier, 2017) ; RAW [GRAVE] (FR/BE, Julia Ducournau, 2016) ; BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999) ; IN MY SKIN [DANS MA PEAU] (FR, Marina de Van, 2002) ; SPOOR [POKOT] (PL/GG/CZ/SW/SO, Agnieszka Holland & Kasia Adamik, 2017) ; WOMAN AT WAR (IC/FR/UE, Benedikt Erlingsson, 2018) ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: This follow-up to the classic text of The Monstrous-Feminine analyses those contemporary films which explore social justice issues such as women’s equality, violence against women, queer relationships, race and the plight of the planet and its multi-species.
Examining a new movement – termed by Creed as Feminist New Wave Cinema – The Return of the Monstrous-Feminine explores a significant change that has occurred over the past two decades in the representation of the monstrous-feminine in visual discourse. The Monstrous-Feminine is a figure in revolt on a journey through the dark night of abjection. Taking particular interest in women directors who create the figure of the Monstrous-Feminine, in cinema that foregrounds everyday horrors in addition to classic horror, Creed looks at a range of diverse films including The Babadook, A Girl Walks Home Alone at Night, Nomadland, Carol, Raw, Revenge, and the television series The Handmaid’s Tale. These films center on different forms of revolt, from inner revolt to social, supernatural and violent revolt, which appear in Feminist New Wave Cinema. These relate in the main to the emergence of a range of social protest movements that have gathered momentum in the new millennium and given voice to new theoretical and critical discourses. These include: third and fourth wave feminism, the #MeToo movement, queer theory, race theory, the critique of anthropocentrism and human animal theory. These theoretical discourses have played a key role in influencing Feminist New Wave Cinema whose films are distinctive, stylish and diverse.
This is an essential companion to the original classic text and is ideal for students in Gender and Media, Gender and Horror, Gender and Film and Feminist Film theory courses. -- publisher's web siteISBN: 9780367478162Contents: Introduction: The Monstrous-Feminine In Feminist New Wave Cinema -- The Monstrous Mother As Magician: The Babadook -- Unwomen: Dare To Revolt – The Handmaid’s Tale, Film & Tv Series -- #Metoo: Rape & Revolt: Promising Young Woman, Revenge, The Nightingale. -- The Monstrous-Feminine Forgets Her Manners: Nomadland, Carol, The Assistant -- Vampires, Feminism & Ethnicity: A Girl Walks Home Alone At Night -- The Monstrous-Feminine As Femme Fatale, Alien & Black: Under The Skin -- Queering The Monstrous-Feminine: Jennifer’s Body, The Lure, Thelma -- Female Cannibalism & Eating The Other: Raw, Trouble Everyday, In My Skin -- Furiosa: Eco-Horror & The Woman Warrior: Spoor, Woman At War, Mad Max: Fury Road – Filmography -- Index
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newspaper article
Short cuts : Kent in demand in Sydney Morning Herald (21/05/2015) p.30
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poster
[The nightingale : poster] AT: 2018.
Call No: P NIGPlace: ATPubDate: 2018PhysDes: 1 poster : colour illustrations ; 100 x 100 cmSubject: NIGHTINGALE, THE (AT, Jennifer Kent, 2017) Summary: At the top of the poster, there is a quote: " Mythic and gripping. A historical revenge tale of shattering beauty and hard earned grace." - Guy Lodge, Variety
A nightingale flys in front of a woman's face, covering her left eye.
Tagline: Her song will not be silenced.
At the bottom of the poster, there are two laurel wreathes: Winner Venice Film Festival Special Jury Prize 2018 ; Official selection 2019 sundance film festivalNotes: Five copies.
Worn edges, tears and creases.
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newspaper article
Thriller set in convict Tasmania in The Age (23/03/2017) p.26
Call No: TITLE CLIPPINGS FILE; NIGHTINGALE, THE (AT, Jennifer Kent, 2017)Author: [Maddox, Garry] PhysDes: Clippings File ArticleSubject: NIGHTINGALE, THE (AT, Jennifer Kent, 2017) Summary: Report on the production of the film by Australian director Jennifer Kent titled THE NIGHTINGALE, which stars Irish actor Aisling Franciosi
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Online resource
digital clippings file
YE YING - LE PROMENEUR D'OISEAU : (C/FR, Philippe Muyl, 2013) Digital clippings file available
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