Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ADAM SANDLER'S EIGHT CRAZY NIGHTS (US, Seth Kearsley, 2002)

Call No: 71-053.6 HER
Author: Herche, Victoria
Edition: 2021
Place: Heidelberg
Publisher: Universitatsverlag Winter
PubDate: 2021
PhysDes: 252 pages : illustrated; 26 cm
Series: Anglistische Forschungen; 465
Subject: YOUNG PEOPLE AND THE CINEMA. AUSTRALIA; AUSTRALIA; TEEN FILMS; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; TOOMELAH (AT, Ivan Sen, 2011); BENEATH CLOUDS (AT, Ivan Sen, 2001); STONE BROS. (AT, Richard Frankland, 2009); LUCKY MILES (AT, Michael James Rowland, 2007); MOTHER FISH (AT, Khoa Do, 2010); TWO HANDS (AT, Gregor Jordan, 1999); AUSTRALIAN RULES (AT, Paul Goldman, 2002); DROWN (AT, Dean Francis, 2014); BEAUTIFUL KATE (AT, Rachel Ward, 2009); SOMERSAULT (AT, Cate Shortland, 2004); ADORATION (AT/FR, Anne Fontaine, 2013); SAPPHIRES, THE (AT, Wayne Blair, 2012); BRAN NUE DAE (AT, Rachel Perkins 2009)
Summary: Deeply rooted in Australia’s construction as a young nation, ‘coming of age’ has been the defining narrative of Australia’s national cinema. This book provides the first study which systematically explores the ‘coming of age’ theme in Australian feature films produced since the turn of the millennium, foregrounding how films use a range of diverse (his)stories to respond to the centrality of this theme. Rather than focussing on ‘coming of age’ mainly in its portrayal of a (successful) maturation process, this study explores the possibilities inherent in what is conceived of as a ‘permanently’ transitional ‘coming of age’ process, providing a crucial starting point for the re-definition of national fictions. A range of cinematic genres, including the road movie, crime film, sport film, romance and musical, is used to challenge and (to varying degrees) destabilise the national myth of Australia as a youthful, egalitarian society with a chance and ‘fair go’ for everyone. -- publisher's web site
ISBN: 9783825369187

Call No: P AFI
Place: AT
PhysDes: 1 poster : col. : double sided ; 57 X 44 cm.
Subject: CINEMAS. AUSTRALIA. AFI; CINEMAS. AUSTRALIA. CHAUVEL; ARDIENTE PACIENCIA (GW/PO, Antonio Skarmeta, 1983); UTU (NZ, Geoffrey Murphy, 1983); CRAZY FAMILY [GYAKUFUNSHA KAZOKU] (JA, Ishii Sogo, 1984)
Summary: Black and white with blue border, double-sided film program poster. Features summer calendar and advertising program December 1986 -March 1987. Synopsis of 'With Burning Patience', 'UTU' and 'Crazy Family' on reverse side.
Notes: laminated; double-sided poster
ID2: 44

Call No: 733.3 AFT
Edition: 2021
Place: Detroit, Michigan
Publisher: Wayne State University Press
PubDate: 2021
PhysDes: xviii, 362 pages : illustrated ; 23 cm
Series: Contemporary approaches to film and media series
Subject: ROMANTIC COMEDY; ALLEN, WOODY; DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014); CRAZY RICH ASIANS (US, Jon M. Chu, 2018); HONG SANG-SOO; LINKLATER, RICHARD; UP IN SMOKE (US, Lou Adler, 1978)
ISBN: 9780814346747

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANIMALS ARE BEAUTIFUL PEOPLE (BT, Jamie Uys, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAD AND THE BEAUTIFUL, THE (US, Vincente Minnelli, 1952)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTIFUL (US, Sally Field, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BEAUTIFUL (AT, Dean O'Flaherty, 2009)
ID2: 82

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTIFUL (AT, Genevieve Clay, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTIFUL BOXER (TH, Ekechai Uekrongtham, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTIFUL BOY (US, Felix Van Groeningen, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTIFUL BOY, THE (AT, Gwen Sputore & Michelle Martin, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTIFUL CREATURES (UK, Bill Eagles, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTIFUL CREATURES (US, Richard LaGravenese, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTIFUL DAY IN THE NEIGHBORHOOD, A (CC/US, Marielle Heller, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTIFUL DREAMERS (CN, John Harrison, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: BEAUTIFUL GIRLS (US, Ted Demme, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: BEAUTIFUL KATE (AT, Rachel Ward, 2009)

Call No: P BEA
Place: AT
PhysDes: 1 poster : col. ; 100 X 70 cm.
Subject: BEAUTIFUL KATE (AT, Rachel Ward, 2009)
Summary: Image: Close-up of Sophie Lowe. Text: 'The past is always present'.
ID2: 44

Call No: DIGITAL FILE
Author: Bell, Alice
Edition: 2015
PubDate: 29-May-15
PhysDes: 60 leaves ; 30cm
Subject: BEAUTIFUL LIE, THE [TV](AT, Glendyn Ivin and Peter Salmon, 2015)
Notes: Unpublished script
Donation: AFI / AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTIFUL LIE, THE [TV](AT, Glendyn Ivin and Peter Salmon, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTIFUL LOSERS (US, Aaron Rose, 2008)

Author: Chris Murray
PhysDes: Article
Subject: CROWE, RUSSELL; BEAUTIFUL MIND, A (US, Ron Howard, 2001)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BEAUTIFUL MIND, A (US, Ron Howard, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings; Publicity
Subject: BEAUTIFUL PEOPLE (UK, Jasmin Dizdar, 1999)

Call No: P BEA
Place: AT
PhysDes: 1 poster : col. ; 69 x 100cm
Subject: BEAUTIFUL (AT, Dean O'Flaherty, 2009)
Summary: Full colour, glossy poster. Features an image of Peta Wilson in a red bathing suit and sunglasses reclining on a sun-lounge.
ID2: 44

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity; Press kit
Subject: BEAUTIFUL THING (UK, Hattie McDonald, 1996)

Call No: 451-054(=9) BLA
CorpAuthor: Institute of Contemporary Arts (London, England)
Place: London
Publisher: Institute of Contemporary Arts
PubDate: 1988
PhysDes: 62 p. : ill. ; 30 cm
Series: ICA documents ; 7
Subject: NATIONAL IDENTITY IN FILMS. UK; BLACK CINEMA. UK; BLACK FILMMAKERS. UK; ETHNIC GROUPS IN FILMS. UK; ASIANS IN FILMS. UK; BLACK AUDIO FILM COLLECTIVE; SANKOVA FILM AND VIDEO COLLECTIVE; CHANNEL FOUR; HANDSWORTH SONGS (UK, John Akomfrah, 1986); MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985); PASSION OF REMEMBRANCE, THE (UK, Maureen Blackwood & Isaac Julien, 1986)
Notes: Papers originally presented at a day conference, conducted at ICA, Feb. 1988; Includes bibliographical references
ISBN: 0905263960
LON: 6631335

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOLD AND THE BEAUTIFUL, THE [TV] (US, 1986-)

Call No: 626(73) COR
Author: Corrigan, Timothy, 1951
Place: London
Publisher: Routledge
PubDate: 1991
PhysDes: x, 258 p. : ill. ; 23 cm
Subject: HEAVEN'S GATE (US, Michael Cimino, 1980); PLATOON (US, Oliver Stone, 1986); FULL METAL JACKET (UK, Stanley Kubrick, 1987); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986); BLUE VELVET (US, David Lynch, 1986); CHOOSE ME (US, Alan Rudolph, 1984); AFTER HOURS (US, Martin Scorsese, 1985); COPPOLA, FRANCIS FORD; KLUGE, ALEXANDER; RUIZ, RAUL; BONNIE AND CLYDE (US, Arthur Penn, 1967); BADLANDS (US, Terrence Malick, 1973); PARIS, TEXAS (GW/FR, Wim Wenders, 1984); KING OF COMEDY, THE (US, Martin Scorsese, 1983); THIRD GENERATION, THE (GW, Rainer Werner Fassbinder, 1979); MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985); IN EINEM JAHR MIT 13 MONDEN (GW, Rainer Werner Fassbinder, 1979); DRITTE GENERATION, DIE (GW, Rainer Werner Fassbinder, 1979)
Notes: Includes index; Bibliography: p. [233]-250
ISBN: 0415071348 (pbk.) : ª9.99; 041507133X (cased) : ª35.00
LON: bnb41507133; 8595450

Call No: 756.1-25 SAY
Author: Sayyad, Nezar Al
Source: UK/US
Place: New York : London
Publisher: Routledge
PubDate: 2006
PhysDes: xiii, 256 p. : ill. ; 25 cm
Subject: MODERNISM AND THE CINEMA; ARCHITECTURE AND THE CINEMA; ARCHITECTURE IN FILMS; ART AND THE CINEMA; CITIES IN FILMS; HISTORY OF CINEMA; POSTMODERNISM AND THE CINEMA; THEORY; ANNIE HALL (US, Woody Allen, 1977); BLADE RUNNER (US, Ridley Scott, 1982); BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982); BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982); BRAZIL (UK, Terry Gilliam, 1985); DO THE RIGHT THING (US, Spike Lee, 1989); END OF VIOLENCE, THE (US/FR, Wim Wenders, 1997); FALLING DOWN (US, Joel Schumacher, 1993); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MANHATTAN (US, Wody Allan, 1979); METROPOLIS (GG, Fritz Lang, 1927); METROPOLIS (G, Fritz Lang, 1926); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985); PLAYTIME (FR, Jacques Tati, 1967); PLEASANTVILLE (US, Gary Ross, 1998); REAR WINDOW (US, Alfred Hitchcock, 1954); SLIVER (US, Phillip Noyce, 1993); TAXI DRIVER (US, Martin Scorsese, 1976); TRUMAN SHOW, THE (US, Peter Weir, 1998)
Summary: "Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city." "Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the 'rational' European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism." "AlSayyad argues that the postmodern city of Blade Runner (1982) and Falling Down (1993) illustrates some of the urban outcomes of a globalizing economy. Turning to spectacle and surveillance, he examines Rear Window (1954), Sliver (1993), and The End of Violence (1997) as a voyeuristic modernity. To understand the city experienced by individuals of different social backgrounds, he takes Manhattan (1979), Annie Hall (1977), and Taxi Driver (1976), while Do the Right Thing (1989) and My Beautiful Laundrette (1985) are used to explore a modernity of race and ethnicity. Finally, he uses Pleasantville (1998) and The Truman Show (1998) to unpack the hyperreality of exurban postmodernity and to demonstrate how today the real and the reel have become mutually constitutive." "By considering how the real city and the reel city reference each other in an act of mutual representation and definition, this book advances the discussion on cinematic space and theories of the city."--BOOK BLURB.
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 0415700493
Contents: -- about the author -- preface -- Introduction : the cinematic city and the quest for the modern -- 1. Industrial modernity : the flaneur and the tramp in the early twentieth century city -- 2. Urbanizing modernity : the traditional cinematic small town -- 3. Orwellian modernity : utopia/dystopia and the city of the future past -- 4. Cynical modernity, or the modernity of cynicism -- 5. From postmodern condition to cinematic city -- 6. Voyeuristic modernity : the lens, the screen and the city -- 7. The modernity of the sophisticate and the misfit : the city through different eyes -- 8. An alternative modernity : race, ethnicity and the urban experience -- 9. Exurban postmodernity : utopia, simulacra and hyper-reality -- epilogue -- illustration credits and sources -- selected bibliography -- index --

Author: Galvin, Peter
PhysDes: Article
Subject: WOLSTENCROFT, RICHARD; BEAUTIFUL AND DAMNED, THE (AT, Richard Wolstencroft, 2008)
Summary: Peter Gavin speaks with Richard Wolstencraft about his film THE BEAUTIFUL AND THE DAMNED, an adaptation of F Scott Fitzgerald's novel set in current day Melbourne.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CRAZY/BEAUTIFUL (US, John Stockwell, 2001)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: CRAZY EX-GIRLFRIEND [TV](US, 2015)
URL status: URL: 'http://file://Q:/T/CRAZY_EX-GIRLFRIEND.TV.zip' Checked: 31/08/2021 1:44:16 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRAZY HEART (US, Scott Cooper, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRAZY HORSE (US, Stephen Withrow, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CRAZY IN ALABAMA (US, Antonio Banderas, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRAZY JOE (IT/US, Carlo Lizzani, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRAZY LEGS CONTI: ZEN AND THE ART OF COMPETITIVE EATING (US, Danielle Franco/Christopher Kenneally, 2004 )

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: CRAZY LOVE (BE, Dominique Deruddere, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: CRAZY LOVE (US, Dan Klores & Fisher Stevens, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRAZY MOON (CN, Allan Eastman, 1986)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: CRAZY NOT INSANE (US, Alex Gibney, 2020)

Author: Clarke, Graham
PhysDes: Article
Subject: CRAZY PARADISE (DK, Gabriel Axel, 1962)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity
Subject: CRAZY PEOPLE (US, Tony Bill, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRAZY RICH ASIANS (US, Jon M. Chu, 2018)

Call No: S CRA
Author: Chiarelli, Peter; Lim, Adele
Source: US
Place: California
Publisher: Warner Bros. Entertainment
PubDate: 2018
PhysDes: 136 pages, 30cm
Subject: CRAZY RICH ASIANS (US, Jon M. Chu, 2018)
Notes: Published script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CRAZY RICHARD (AT, Katrina Mathers & Dean Francis, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRAZY, STUPID, LOVE (US, Glenn Ficarra & John Requa, 2011)

Call No: 734 HIR
Author: Hirsch, Foster
Edition: 1st ed
Place: San Diego London
Publisher: A. S. Barnes Tantivy Press
PubDate: 1981
PhysDes: 229 p. : ill. ; 29 cm
Subject: FILM NOIR; BAD GUYS; EXPRESSIONISM; WOMEN IN FILMS; BOGART, HUMPHREY; CHANDLER, RAYMOND; DASSIN, JULES; HITCHCOCK, ALFRED; LANG, FRITZ; HAMMETT, DASHIELL; MURDER MY SWEET (US, Edward Dmytryk, 1945); SORRY, WRONG NUMBER (US, Anatole Litvak, 1948); BIG CLOCK, THE (US, John Farrow, 1947); BIG HEAT, THE (US, Fritz Lang, 1953); BIG SLEEP, THE (US, Howard Hawkes, 1946); DOUBLE INDEMNITY (US, Billy Wilder, 1944); KILLERS, THE (US, Robert Siodmak, 1946); MALTESE FALCON, THE (US, John Huston, 1941); NIGHT AND THE CITY (US, Jules Dassin, 1950); PROWLER, THE (US, Joseph Losey, 1950); EDGE OF DOOM (US, Mark Robson, 1950); MURDER MY SWEET (US, Edward Dmytryk, 1945); GUN CRAZY (US, Joseph H. Lewis, 1949); BIG COMBO, THE (US, Joseph H. Lewis, 1955)
Notes: Includes index; Bibliography: p. 211-212; Filmography: p. 213-220
ISBN: 049802234X
LON: 80028955; 1868575

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIRTY MARY CRAZY LARRY (US, John Hough, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DRIVE ME CRAZY (US, John Schultz, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DRIVING ME CRAZY (UK, Nick Broomfield, 1988)

Author: Lehman, Peter (ed)
PhysDes: Article
Subject: FEMINISM AND THE CINEMA; WOMEN AND THE CINEMA; WOMEN IN FILMS; ARZNER, DOROTHY; HARD, FAST AND BEAUTIFUL (US, Ida Lupino, 1951); CLAYTON, SUSAN
Summary: Whole edition on feminism and women in cinema and films. Includes articles on Dorothy Arzner, women in the early film industry, an interview with Susan Clayton, and anlysis of 'The Seashell and the Clergyman', 'Les Girls', and 'Hard, Fast and Beautiful'.

Call No: 71(4) MAZ
Author: Mazierska, Ewa; Rascaroli, Laura
Source: UK
Place: London
Publisher: I.B. Tauris
PubDate: 2003
PhysDes: xii, 260 p. : ill. ; 25 cm
Subject: CITIES IN FILMS; EUROPEAN COUNTRIES; CLASS AND THE CINEMA; ALMODOVAR, PEDRO; CHELSOM, PETER; LUNGIN, PAVEL; MACHULSKI, JULIUSZ; MARTONE, MARIO; MICHELL, KEITH; MORTE DI UN MATEMATICO NAPOLE TANO [DEATH OF A NEAPOLITAN MATHEMATICIAN] (IT, Mario Martone, 1992); AMORE MOLESTO, L' (IT, Mario Martone, 1995); BEAUTIFUL PEOPLE (UK, Jasmin Dizdar, 1999); BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993); BYE-BYE (FR, Karim Dridi, 1995); FLOWER OF MY SECRET, THE [FLOR DE MI SECRETO, LA] (SP/FR, Pedro Almodovar, 1995); FUNNY BONES (US, Peter Chelsom, 1995); GIRL GUIDE (PL, Juliusz Machulski, 1995); KIKA (SP, Pedro Almodovar, 1993); KILER (PL, Juliusz Machulski, 1997); LUNA PARK (RU/FR, Pavel Lungin, 1992); MARIUS ET JEANETTE (FR, Robert Guediguian, 1997); NENETTE ET BONI (FR, Claire Denis, 1996); NOTTING HILL (UK, Roger Michell, 1998); SLIDING DOORS (US, Peter Howitt, 1998); TAKSI-BLJUZ (UR/FR, Pavel Lungin, 1990); TEATRO DI GUERRA (IT, Mario Martone, 1998); TRAINSPOTTING (UK, Danny Boyle, 1996); TWIN TOWN (UK, Kevin Allen, 1997); WONDERLAND (UK, Michael Winterbottom, 1999)
Summary: Exploring the postmodern city in the context of European cinema.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GET CRAZY (US, Allan Arkush, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL CRAZY (US, Norman Taurog, 1943)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GODS MUST BE CRAZY 2, THE (BT, Jamie Uys, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GODS MUST BE CRAZY, THE (SA/BT, Jamie Uys, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOYA: CRAZY LIKE A GENIUS (UK)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GUN CRAZY (US, Joseph H. Lewis, 1949)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: CRAZY FAMILY [GYAKUFUNSHA KAZOKU] (JA, Ishii Sogo, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRAZY FAMILY [GYAKUFUNSHA KAZOKU] (JA, Ishii Sogo, 1984)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: HERMOSA JUVENTUD (SP/FR, Jaime Rosales, 2014); BEAUTIFUL YOUTH (SP/FR, Jaime Rosales, 2014)
URL status: URL: 'http://file://Q:/T/BEAUTIFUL_YOUTH.zip' Checked: 31/08/2021 1:33:43 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 81LUP STE
Author: Stewart, Lucy Ann Liggett
Place: New York
Publisher: Arno Press
PubDate: 1980
PhysDes: 199 p. ; 24 cm
Series: Dissertations on film 1980
Subject: Lupino, Ida; OUTRAGE (US, Ida Lupino, 1950); HITCH-HIKER, THE (US, Ida Lupino, 1953); BIGAMIST, THE (US, Ida Lupino, 1953); HARD, FAST AND BEAUTIFUL (US, Ida Lupino, 1951)
Notes: Originally presented as the author's thesis, University of Michigan, 1979; Bibliography: p. 196-199
ISBN: 040512919X
LON: 79006687; 1970058

Call No: 71(73) LYO
Author: Lyons, Donald
Place: New York
Publisher: Ballantine
PubDate: 1994
PhysDes: xiv, 337 p., [8] p. of plates : ports. ; 21 cm
Subject: INDEPENDENT FILMS. USA; ALMEREYDA, MICHAEL; ANDERS, ALLISON; COEN, JOEL & ETHAN; CRONENBERG, DAVID; DASH, JULIE; DAVIS, JUDY; EGOYAN, ATOM; FERRARA, ABEL; HARTLEY, HAL; LEE, SPIKE; LINKLATER, RICHARD; PHOENIX, RIVER; SODERBERGH, STEVEN; Tarantino, Quentin; VAN SANT, GUS; ARAKI, GREGG; BIGELOW, KATHRYN; DICKERSON, ERNEST R.; GOMEZ, NICK; JARMUSCH, JIM; LEHMANN, MICHAEL; MORRISSEY, PAUL; O'BRIEN, JOHN; COCHRAN, STACY; COOLIDGE, MARTHA; DAVIS, TAMRA; FRANKLIN, CARL; HARRIS, LESLIE; LEGROS, JAMES; LYNCH, DAVID; MCNAUGHTON, JOHN; MUNCH, CHRISTOPHER; THORNTON, BILLY BOB; RODRIGUEZ, ROBERT; ROCKWELL, ALEXANDRE; SINGLETON, JOHN; SAYLES, JOHN; SAVOCA, NANCY; GAS FOOD LODGING (US, Allison Anders, 1992); MARIACHI, EL (US, Robert Rodriguez, 1992); BOYZ N THE HOOD (US, John Singleton, 1991); BODIES, REST & MOTION (US, Michael Steinberg, 1993); BARTON FINK (US, Joel Cohen, 1991); PASSION FISH (US, John Sayles, 1992); ONE FALSE MOVE (US, Carl Franklin, 1991); MYSTERY TRAIN (US, Jim Jarmusch, 1989); MY NEW GUN (US, Stacy Cochran, 1992); MS 45 (US, Abel Ferrara, 1981); METROPOLITAN (US, Whit Stillman, 1990); MALA NOCHE (US, Gus Van Sant, 1986); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992); JUICE (US, Ernest R. Dickerson, 1992); IN THE SOUP (US, Alexandre Rockwell, 1992); HOURS AND TIMES, THE (US, Christopher Munch, 1992); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); HEATHERS (US, Michael Lehmann, 1989); GUN CRAZY (US, Joseph H.Lewis, 1949); LIVING END, THE (US, Gregg Araki, 1992); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); NAKED LUNCH (CN/UK, David Cronenberg, 1991); BAD LIEUTENANT (US, Abel Ferrara, 1992); DO THE RIGHT THING (US, Spike Lee, 1989); DRUGSTORE COWBOY (US, Gus Van Sant, 1989); RAMBLING ROSE (US, Martha Coolidge, 1991); RESERVOIR DOGS (US, Quentin Tarantino, 1992); SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); SHE'S GOTTA HAVE IT (US, Spike Lee, 1986); SIMPLE MEN (US, Hal Hartley, 1992); SLACKER (US, Richard Linklater, 1990); TO SLEEP WITH ANGER (US, Charles Burnett, 1990); TRUE LOVE (US, Nancy Savoca, 1989); TRUST (US, Hal Hartley, 1990); UNBELIEVABLE TRUTH, THE (US, Hal Hartley, 1989); VERMONT IS FOR LOVERS (US, John O'Brien, 1992); WILD AT HEART (US, David Lynch, 1990)
Notes: Includes filmography and index
ISBN: 0345382498 (pbk.)
LON: 11029535

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JEUNE & JOLIE (FR, Francois Ozon, 2013); YOUNG & BEAUTIFUL (FR, Francois Ozon, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JUST CRAZY ABOUT HORSES (US, Tim Lovejoy & Joe Wemple & Victor Kanefsky, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIKE CRAZY (US, Drake Doremus, 2011)

Call No: 11378
Author: Waddell, Terrie
Edition: 2019
Place: Abingdon, Oxon : New York
Publisher: Routledge
PubDate: 2019
PhysDes: vii, 162 pages ; 24 cm
Subject: AUSTRALIA; BABADOOK , THE (AT, Jennifer Kent, 2014); BEAUTIFUL KATE (AT, Rachel Ward, 2009); CHILD ABUSE; CHILDREN AND THE CINEMA; FRAN (AT, Glenda Hambly, 1985); LION (AT, Garth Davis, 2016); MANGANINNIE (AT, John Honey, 1980); ORANGES AND SUNSHINE (UK/AT, Jim Loach, 2011); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); ROMULUS, MY FATHER (AT, Richard Roxburgh, 2007); SOUND OF ONE HAND CLAPPING, THE (AT, Richard Flanagan, 1998); WINFREY, OPRAH
Summary: Waddell explores ‘the lost child’ in its many manifestations, as an element of the individual and collective psyche, historically related to the trauma of colonisation and war, and as key theme in Australian cinema from the industry’s formative years to the present day. The films discussed in textual depth transcend literal lost in the bush mythologies, or actual cases of displaced children, to focus on vulnerable children renderedlost through government and institutional practices, and adult/parental characters developmentally arrested by comforting or traumatic childhood memories. The victory/winning fixation governing the USA – diametrically opposed to the lost child motif – is also discussed as a comparative example of the mesmerising nature of the cultural complex. Examining iconic characters and events, such as the Gallipoli Campaign and Trump’s presidency, and films such as The Babadook, Lion, and Predestination, this book scrutinises the way in which a culture talks to itself, about itself. This analysis looks beyond the melancholy traditionally ascribed to the lost child, by arguing that the repetitive and prolific imagery that this theme stimulates, can be positive and inspiring. The Lost Child Complex in Australian Film is a unique and compelling work which will be highly relevant for academics and students of Jungian and post-Jungian ideas, cultural studies, screen and media studies. It will also appeal to Jungian psychotherapists and analytical psychologists as well as readers with a broader interest in Australian history and politics. -- publisher's web site
ISBN: 9781138939691

Call No: 754.11 SAR
Author: Sargeant, Jack; Watson, Stephanie
Place: London
Publisher: Creation
PubDate: 1999
PhysDes: 256 p. : ill. ; 25 cm
Series: Creation cinema collection ; 15
Subject: ROAD MOVIES; WESTERNS; MOTORCYCLE FILMS; HORROR FILMS; VAMPIRE FILMS; SCIENCE-FICTION FILMS; Wenders, Wim; LYNCH, DAVID; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALICE IN DEN STADTEN (GW, Wim Wenders, 1973); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACKROADS (AT, Philip Noyce, 1977); BADLANDS (US, Terrence Malick, 1973); BLUE VELVET (US, David Lynch, 1986); BONNIE AND CLYDE (US, Arthur Penn, 1967); BUTTERFLY KISS (UK, Michael Winterbottom, 1995); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); CRASH (CN, David Cronenberg, 1996); DELIVERANCE (US, John Boorman, 1972); EASY RIDER (US, Dennis Hopper, 1969); TOPO, EL (MX, Alexandro Jodorowsky, 1971); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); GALLIVANT (UK, Andrew Kotting, 1996); GUN CRAZY (US, Joseph H. Lewis, 1949); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KALIFORNIA (US, Dominic Sena, 1993); IM LAUF DER ZEIT (GW, Wim Wenders, 1976); KISS OR KILL (AT, Bill Bennett, 1997); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); JETEE, LA (FR, Chris Marker, 1963); LOST HIGHWAY (US, David Lynch, 1996); MAD MAX [...] (AT, 1979-85); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); NATURAL BORN KILLERS (US, Oliver Stone, 1994); NEAR DARK (US, Kathryn Bigelow, 1987); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); THELMA & LOUISE (US, Ridley Scott, 1991); THEY LIVE BY NIGHT (US, Nicholas Ray, 1949); TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995); TRUE ROMANCE (US, Tony Scott, 1993); TWO LANE BLACKTOP (US, Monte Hellman, 1971); VANISHING POINT (UK, Richard C. Sarafian, 1971); WALKABOUT (UK, Nicolas Roeg, 1971); WEEK-END (FR/IT, Jean-Luc Godard, 1968); WILD AT HEART (US, David Lynch, 1990); WILD BUNCH, THE (US, Sam Peckinpah, 1969); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1871592682(pbk.) : ª14.95
LON: 20894332

Author: Mark Dinning
PhysDes: Article
Subject: CROWE, RUSSELL; BEAUTIFUL MIND, A (US, Ron Howard, 2001)
Summary: Feature article and interview with Russell Crowe, focusing on his latest feature A Beautiful Mind

Author: Hutchinson, Ivan
PhysDes: Article
Subject: BORN BEAUTIFUL (US, Harvey Hart, 1982)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MOST BEAUTIFUL ISLAND (US, Ana Asensio, 2017)

Call No: 750.1 AME
Author: Ames, Christopher, 1956
Place: Lexington, Ky.
Publisher: University Press of Kentucky
PubDate: c1997
PhysDes: ix, 254 p. : ill. ; 24 cm
Subject: FILMS IN FILMS; HOLLYWOOD IN FILMS; STAR IS BORN, A (US, William Wellman, 1937); STAR IS BORN, A (US, George Cukor, 1954); WHAT PRICE HOLLYWOOD (US, George Cukor, 1932); STAND-IN (US, Tay Garnett, 1937); BOY MEETS GIRL (US, Lloyd Bacon, 1938); STAR, THE (US, Stuart Heisler, 1952); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); PENNIES FROM HEAVEN (US, Herbert Ross, 1981); PURPLE ROSE OF CAIRO, THE (US, Woody Allen, 1985); LAST ACTION HERO (US, John McTiernan, 1993); BAD AND THE BEAUTIFUL, THE (US, Vincente Minnelli, 1952); IN A LONELY PLACE (US, Nicholas Ray, 1950); SUNSET BOULEVARD (US, Billy Wilder, 1950); PLAYER, THE (US, Robert Altman, 1992)
Summary: Hundreds of films belonging to the genre of Hollywood-on-Hollywood movies can be found throughout the history of American cinema, from the days of silents to the present. They include films from genres as far ranging as musical, film noir, melodrama, comedy, and action adventure. Such movies seduce us with the promise of revealing the reality behind the camera. But, as part of the very industry they supposedly critique, they cannot take us behind the scenes in any true sense. This paradox - the simultaneous debunking and celebration of Hollywood - lies at the heart of the genre. Through close analysis of the best of these films. Ames reveals how the idea of Hollywood is constructed (and constructs itself), particularly through such moments of explicit self-referentiality as the movie-within-a-movie and scenes set in studios
Notes: Includes filmography (p. 227); Includes bibliographical references (p. 238-244) and index
ISBN: 0813120187 (cloth : alk. paper)
LON: 12952826

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985)

Call No: 79MYB KUR
Author: Kureishi, Hanif; Kureishi, Hanif. Rainbow sign. 1986
Place: Boston
Publisher: Faber and Faber
PubDate: 1986
PhysDes: 111 p. ; 23 cm
Subject: KUREISHI, HANIF; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985)
Notes: Brings together the script of the author's film, and the text of his autobiographical reflection, The Rainbow sign
ISBN: 0571139817 (pbk.)
LON: 4263365

Call No: TITLE CLIPPINGS FILE; LIKE CRAZY [PAZZA GIOIA, LA] (IT, Paolo Virzi, 2016)
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: LIKE CRAZY [PAZZA GIOIA, LA] (IT, Paolo Virzi, 2016)
Summary: Review of the film LIKE CRAZY
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: ONE CRAZY SUMMER (US, Savage Steve Holland, 1986)

Call No: 403 DYE
Author: Dyer, Richard
Place: London New York
Publisher: Routledge
PubDate: 1992
PhysDes: x, 178 p. : ill. ; 24 cm
Subject: ENTERTAINMENT; POPULAR CULTURE AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; PORNOGRAPHY AND THE CINEMA; CAMP; TURNER, LANA; ZIEGFELD GIRL (US, Robert Z. Leonard, 1941); POSTMAN ALWAYS RINGS TWICE, THE (US, Tay Garnett, 1946); BAD AND THE BEAUTIFUL, THE (US, Vincente Minnelli, 1952); SON OF THE SHEIK, THE (US, George Fitzmaurice, 1926); SOUND OF MUSIC, THE (US, Robert Wise, 1965); SWEET CHARITY (US, Bob Fosse, 1969); IMITATION OF LIFE (US, Douglas Sirk, 1959)
Notes: Includes bibliographical references and index
ISBN: 0415057167; 0415057175 (pbk.)
LON: 8685741

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PAUL S BEAUTIFUL LAUNDRETTE (AT, Glenda Tobias, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIKE CRAZY [PAZZA GIOIA, LA] (IT, Paolo Virzì, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIKE CRAZY [PAZZA GIOIA, LA] (IT, Paolo Virzi, 2016)

Call No: 81LUP QUE
Author: Kuhn, Annette
Place: Trowbridge, Wiltshire, England
Publisher: Flicks Books
PubDate: 1995
PhysDes: vi, 202 p., [8] p. of plates : ill. ; 22 cm
Subject: Lupino, Ida; NOT WANTED (US, Elmer Clifton, 1949); NEVER FEAR (US, Ida Lupino, 1949); OUTRAGE (US, Ida Lupino, 1950); HARD, FAST AND BEAUTIFUL (US, Ida Lupino, 1951); HITCH-HIKER, THE (US, Ida Lupino, 1953); BIGAMIST, THE (US, Ida Lupino, 1953); TROUBLE WITH ANGELS, THE (US, Ida Lupino, 1966)
Notes: Includes bibliographical references (p. 188-193) and index
ISBN: 0948911840 (hbk.); 0948911891 (pbk.)
LON: bnb94891189; 11611809

Call No: 71(411) MAR
Author: Martin-Jones, David
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: c2010
PhysDes: ix, 254 p. : ill., ports. ; 24 cm
Subject: UNITED KINGDOM : SCOTLAND; SCOTLAND IN FILMS; LOCATION SHOOTING. SCOTLAND; LANDSCAPES IN FILMS. SCOTLAND; AE FOND KISS (UK, Ken Loach, 2004); AMERICAN COUSINS (UK, Don Coutts, 2003); BEAUTIFUL CREATURES (UK, Bill Eagles, 2000); CARLA'S SONG (UK/GG/SP, Kenneth Loach, 1996); DANNY THE DOG (FR/UK/US, Louis Leterrier, 2004); UNLEASHED (FR/UK/US, Louis Leterrier, 2004); DOG SOLDIERS (UK/LU, Neil Marshall, 2001); FESTIVAL (UK, Annie Griffin, 2005); GOVERNESS, THE (US, Sandra Goldbacher, 1998); GREGORY'S TWO GIRLS (UK/GG, Bill Forsyth, 1999); KANDUKONDIAN KANDUKONDAIN (II, Rajiv Menon, 2000); KUCH KUCH HOTA HAI (II, Karan Johar, 1998); LOCH NESS (UK, John Henderson, 1996); NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006); PYAAR ISHQ AUR MOHABBAT (II, Rajiv Raj, 2001); RED ROAD (UK/DK, Andrea Arnold, 2006); SECRET OF THE LOCH, THE (UK, Milton Rosmer, 1934); SOFT TOP HARD SHOULDER (UK, Stefan Schwartz, 1993); TICKETS (UK/IT/IR, Abbas Kiarostomi/Ken Loach/Ermanno Olmi, 2005); WATER HORSE: LEGEND OF THE DEEP, THE (US/UK, Jay Russell, 2007); WILD COUNTRY (UK, Craig Strachan, 2005); WOMEN TALKING DIRTY (US, Coky Giedroyc, 1999); YOUNG ADAM (UK/FR, David Mackenzie, 2003)
Summary: 'Scotland: Global cinema is the first book to focus on the explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmkers from all over the world - including Scotland, England, France, the United States, and India who braved the weather to shoot in Scotland. This book provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema.' - TAKEN FROM BACK COVER
ISBN: 9780748633920
Donation: donated by Senses of Cinema, 2013
Contents: 1. Comedy: Global/Local Identities / Gregory's Two Girls (1999), Festival (2005) -- 2. Road Movie: Scotland in the World / Soft Top, Hard Shoulder (1993), Carla's Song (1996), Tickets (2005) -- 3. Bollywood: Non-Resident Indian-Scotland / Kuch Kuch Hota Hai (1998), Kandukondain Kandukondain (2000), Pyaar Ishq aur Mohabbat (2001), Nina's Heavenly Delights (2006) -- 4. (Loch Ness) Monster Movie: A Return to Primal Scotland / The Secret of the Loch (1934), Loch Ness (1996), The Water Horse (2007) -- 5. Horror Film: History Hydes in the Highlands / Dog Soldiers (2002), Wild Country (2005) -- 6. Costume Drama: From Men in Kilts to Developing Diasporas / The Governess (1998), 7. Gangster Film: Glasgow's Transnational Identities / American Cousins (2003), Danny the Dog (2005) -- 8. Social Realist Melodrama: Middle-class Minorities and Floundering Fathers / Ae Fond Kiss (2004), On a Clear Day (2005) -- 9. Female Friendship/US Indie: Women Talking / Women Talking Dirty (1999), Beautiful Creatures (2000) -- 10. Art Cinema: The Global Limits of Cinematic Scotland / Red Road (2006), Young Adam (2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SPORTS CRAZY [TV] (AT, 1987)

Call No: PERSONALITY CLIPPINGS FILE; BELL, ALICE
Author: Neill, Rosemary
PhysDes: Clippings File Article
Subject: BELL, ALICE; BEAUTIFUL LIE, THE [TV](AT, Glendyn Ivin and Peter Salmon, 2015)
Summary: Interview with Australian screenwriter Alice Bell where she discusses her career and her work on THE BEAUTIFUL LIE, the Australian TV adaptation of the classic novel Anna Karenina

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: STILL CRAZY (US, Brian Gibson, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: STIR CRAZY (US, Sidney Poitier, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THIS BEAUTIFUL FANTASTIC (UK/US, Simon Aboud, 2016)

Call No: 725.312(94) TOM
Author: Bowles, Kate; Turnbull, Sue
CorpAuthor: Australian Film Institute
Place: Melbourne
Publisher: Australian Film Institute
PubDate: 1994
PhysDes: 96 p. : ill., ports. ; 24 cm
Subject: SOAP OPERAS. AUSTRALIA; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); NEIGHBOURS [TV] (AT, 1985-); SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993); BOLD AND THE BEAUTIFUL, THE [TV] (US, 1986-)
Notes: Bibliography: p.91-94
ISBN: 0646192094
LON: abn94179833; 10934498

Call No: SUBJECT CLIPPINGS FILE; RATINGS FOR TV AUSTRALIA
Author: Dale, David
PhysDes: Clippings File Article
Subject: RATINGS FOR TV AUSTRALIA; BEAUTIFUL LIE, THE [TV](AT, Glendyn Ivin and Peter Salmon, 2015); [EIGHT HUNDRED] 800 WORDS [TV] (NZ/AT, Maxine Fleming / James Griffin, 2015)
Summary: Report on recent ratings for TV shows in Australia

Call No: TITLE CLIPPINGS FILE; CRAZY EX-GIRLFRIEND [TV](US, 2015)
Author: Dale, David
PhysDes: Clippings File Article
Subject: BLOOM, RACHEL; CRAZY EX-GIRLFRIEND [TV](US, 2015)
Summary: Interview with Rachel Bloom, creator and star of TV show CRAZY EX-GIRLFRIEND

Call No: TITLE CLIPPINGS FILE; X [PLUS] + Y (UK, Morgan Matthews, 2014)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: MATTHEWS, MORGAN; BEAUTIFUL YOUNG MINDS (UK, Morgan Matthews, 2007); X [PLUS] + Y (UK, Morgan Matthews, 2014)

Call No: TITLE CLIPPINGS FILE
Subject: VALLEY OF BEAUTIFUL FROGS, THE [UDOLI KRASNYCH ZAB] (CS, Jiri Hanibal, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VALLEY OF BEAUTIFUL FROGS, THE [UDOLI KRASNYCH ZAB] (CS, Jiri Hanibal, 1973)

Call No: FESTIVALS. MELBOURNE. 2015
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: FESTIVALS. MELBOURNE; SHE'S BEAUTIFUL WHEN SHE'S ANGRY (US, Mary Dore, 2014)
Summary: Review of the documentary SHE'S BEAUTIFUL WHEN SHE'S ANGRY, which looks at the rise of feminism in the 1960s and 1970s

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: YOU SO CRAZY (US, Thomas Schlamme, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: YOUNG, LAZY & DRIVING US CRAZY [TV] (AT, 2014)

Call No: 409-053.6
Author: Shary, Timothy; Seibel, Alexandra
Edition: 2007
Place: Austin, TX
Publisher: University of Texas Press
PubDate: 2007
PhysDes: 348 pages : illustrated ; 23 cm
Subject: TEEN FILMS; WILD ONE, THE (US, Laslo Benedek, 1953); BLACKBOARD JUNGLE (US, Richard Brooks, 1955); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); WILD STYLE (US/GW, Charlie Ahearn, 1983); BEND IT LIKE BECKHAM (UK, Gurinda Chadha, 2002); BEAUTIFUL THING (UK, Hattie McDonald, 1996); FUCKING AMAL (SW, Lukas Moodysson, 1998)
Summary: Coming of age is a pivotal experience for everyone. So it is no surprise that filmmakers around the globe explore the experiences of growing up in their work. From blockbuster U.S. movies such as the Harry Potter series to thought-provoking foreign films such as Bend It Like Beckham and Whale Rider, films about youth delve into young people's attitudes, styles, sexuality, race, families, cultures, class, psychology, and ideas. These cinematic representations of youth also reflect perceptions about youth in their respective cultures, as well as young people's worth to the larger society. Indeed, as the contributors to this volume make plain, films about young people open a very revealing window on the attitudes and values of cultures across the globe. Youth Culture in Global Cinema offers the first comprehensive investigation of how young people are portrayed in film around the world. Eighteen established film scholars from eleven different national backgrounds discuss a wide range of films that illuminate the varied conditions in which youth live. The essays are grouped thematically around the issues of youthful resistance and rebellion; cultural and national identity, including religion and politics; and sexual maturation, including gender distinctions and coming-of-age queer. Some essays engage in close readings of films, while others examine the advertising and reception of films or investigate psychological issues. The volume concludes with filmographies of over 700 youth-related titles arranged by nation and theme. -- publisher's web site
ISBN: 9780292714144
Contents: Preface -- Acknowledgments -- Introduction: Youth Culture Shock (Timothy Shary) -- Part I. Rebellion and Resistance -- Chapter 1. American Juvenile Delinquency Movies and the European Censors: The Cross-Cultural Reception and Censorship of The Wild One, Blackboard Jungle, and Rebel Without a Cause (Daniel Biltereyst) -- Chapter 2. The Imported Rebellion: Criminal Guys and Consumerist Girls in Postwar Germany and Austria (Alexandra Seibel) -- Chapter 3. Rebels with a Cause: Children versus the Military Industrial Complex (Mick Broderick) -- Part II. Politics and Style -- Chapter 4. Chinese "Youth Problem" Films in the 1980s: The Apolitics of Rebellion (Xuelin Zhou) -- Chapter 5. The Age of Transition: Angels and Blockers in Recent Eastern and Central European Films (Anikó Imre) -- Chapter 6. The Sound of the South Bronx: Youth Culture, Genre, and Performance in Charlie Ahearn's Wild Style (Kimberley Bercov Monteyne) -- Part III. Youth and Inner-National Conflict -- Chapter 7. Out of Depth: The Politics of Disaffected Youth and Contemporary Latin American Cinema (Laura Podalsky) -- Chapter 8. Birds That Cannot Fly: Childhood and Youth in City of God (Sonia Cristina Lino) -- Chapter 9. Portraying Muslim Youth in Egypt and India: "Worship None but Allah and Be Dutiful and Good to Parents" (Claudia Preckel) -- Chapter 10. Projecting a Bridge for Youth: Islamic "Enlightenment" versus Westernization in Turkish Cinema (Savas Arslan) -- Part IV. Narrating Gender and Difference -- Chapter 11. Narrating the Feminine Nation: The Coming-of-Age Girl in Contemporary New Zealand Cinema (Mary M. Wiles) -- Chapter 12. Gender, Race, Feminism, and the International Girl Hero: The Unremarkable U.S. Popular Press Reception of Bend It Like Beckham and Whale Rider (Sarah Projansky) -- Chapter 13. Pachyderm's Progress (Murray Pomerance) -- Chapter 14. Boys Will Be Men: Teen Masculinities in Recent Spanish Cinema (Santiago Fouz-Hernández) -- Part V. Coming-of-Age Queer -- Chapter 15. Girls Looking at Girls Looking for Girls: The Visual Pleasures and Social Empowerment of Queer Teen Romance Flicks (Susan Driver) -- Chapter 16. Youth, Sexuality, and the Nation: Beautiful Thing and Show Me Love (Scott Henderson) -- Chapter 17. Different from the Other(s): German Youth and the Threat of Homosexual Seduction (Stephen Tropiano) -- Appendix A: Filmography of Global Youth Films by Nation -- Appendix B: Filmography of Global Youth Films by Theme -- Bibliography -- Contributors -- Index.