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2nd regional cinema conference : 1 December 1999 program & notes [Australia]: [s.n.], 1999.
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The 7th Australian Documentary Conference : reflections on Adelaide in Metro (2000) iss.121/122 p.48-52
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AIDC conference 99 in If magazine (Dec 1999-Jan 2000) iss.20 p.19, 34
Author: Pellow, Jackson PhysDes: Conference report; Illustration(s)Subject: CONFERENCES. AUSTRALIA. DOCUMENTARY. 1999 ; HEYER, JOHN Summary: Overview of the Australian International Documentary Conference held in Adelaide in November 1999. Includes the announcement of the Stanley Hawes Award for services to Australia documentary filmmaking awarded to John Heyer.
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Australian Council of Government Film Libraries : minutes of the Bicentennial Conference 1985, held in Canberra 17 April, 1985 to 19 April, 1985 [Canberra]: The Council?, [1985?].
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Australian effects and animation festival in Encore (Mar 2000) vol.18 iss.2 p.6
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Australian National Documentary Conference, October 15 - October 18, McLaren Vale South Australia : [collected papers] Hendon, S. Aust. : Australian National Documentary Conference Association, [1987]:
Call No: 761(94)"1987" AUSPlace: Hendon, S. Aust. : Australian National Documentary Conference Association, [1987]PhysDes: 1 v. (various pagings) : ill. ; 30 cmSubject: CONFERENCES. AUSTRALIA. DOCUMENTARY ISBN: 0073161472LON: abn87327990; 5593913
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Being connected : the studio in the networked age : The Australian Film Commission's Multimedia Conference, 9-11 July 1998. Program and abstracts [Sydney]: Australian Film Commission, 1998.
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The big picture : documentary film-making in Australia : papers from the 2nd Australian Documentary Conference, 29 November-2 December 1991 Clayton, Vic.: National Centre for Australian Studies, Monash University, 1993.
Call No: 761(94)"1991" BIGCorpAuthor: Australian Documentary Conference (2nd : 1991 : Canberra, A.C.T.); Monash University. National Centre for Australian StudiesPlace: Clayton, Vic.Publisher: National Centre for Australian Studies, Monash UniversityPubDate: 1993PhysDes: vii, 199 p. ; 25 cmSubject: CONFERENCES. AUSTRALIA. DOCUMENTARY Notes: Includes bibliographical referencesISBN: 0732604478LON: abn93024664; 9779779
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Big screen big picture in Encore (12 Mar, 1999) vol.17 iss.4 p.9, 12, 14
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Big screen small picture in Encore (Apr 2000) vol.18 iss.3 p.18-19
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COAA 2000 conference in Movie Trader (July 2000) p.14-15
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Conference papers : Second Australian Documentary Conference, Australian National University, Canberra, Friday 29 November-Monday 2 December, 1991 / edited by Bronwyn Coupe Lindfield, N.S.W.: Film Australia, 1991.
Call No: 761(94)"1991" SECAuthor: Coupe, Bronwyn CorpAuthor: Australian Documentary Conference (2nd : 1991 : Australian National University); Australian Film CommissionPlace: Lindfield, N.S.W.Publisher: Film AustraliaPubDate: 1991PhysDes: 1 v.(various pagings) : ill., ports. ; 30 cmSubject: CONFERENCES. AUSTRALIA. DOCUMENTARY Notes: Sponsor: Australian Film Commission; Available from 2nd Australian Documentary Conference, c/- Film Australia, PO Box 46, Lindfield, N.S.W. 2070. Telephone 5.11.91ISBN: 0646072102LON: abn91343426; 8447278
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CONFERENCES. AUSTRALIA. AFC. MULTIMEDIA
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CONFERENCES. AUSTRALIA. AFI. INDEPENDENT NARRATIVE FILM MAKING AND TELEVISION MARKETING
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CONFERENCES. AUSTRALIA. COMEDY WRITERS' MINICONFERENCE
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CONFERENCES. AUSTRALIA. CULTURAL CROSSROADS ON IDENTITY, OWNERSHIP AND ACCESS
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CONFERENCES. AUSTRALIA. EFFECTS AND ANIMATION
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CONFERENCES. AUSTRALIA. HOLY MEN IN TIGHTS. A SUPERHERO CONFERENCE
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CONFERENCES. AUSTRALIA. SSAAANZ. 2018
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CONFERENCES. AUSTRALIA. TV WEEKEND GUIDE (Australian Writers' Guild)
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CONFERENCES. AUSTRALIA. VIOLENCE, CRIME AND ENTERTAINMENT MEDIA
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CONFERENCES. AUSTRALIA. VIRUSES & MUTATIONS
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CONFERENCES. AUSTRALIA. VOICE JAM AND VIDEOTAPE
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Confidential : Oz film applause in Herald Sun (25/11/2015) p.22
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Court questions funding in Encore (12 Mar, 1999) vol.17 iss.4 p.9
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Credits rolling! : Film & History Conference, Canberra Australia 2-5 December 2004: 12th Biennial conference of the Film and History Assosciation of Australia and New Zealand: conference program / Conference of the Film and History Association of Australia and New Zealand (12th : 2004 : Canberra, A.C.T.) Canberra: National Film and Sound Archive, 2004.
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Digital p/reservations : Kirsten Krauth reports from the Australian International Documentary Conference in Adelaide in Realtime (Dec 1999-Jan 2000) iss.34 p.12-13
Author: Krauth, Kirsten PhysDes: Conference report; Illustration(s)Subject: CONFERENCES. AUSTRALIA. DOCUMENTARY. 1999 ; DIGITAL BROADCASTING ; SEX: THE ANNABEL CHONG STORY (CN, Gough Lewis, 1999) ; AMERICAN LOVE STORY, AN (US, Jennifer Fox, 1999) Summary: Report on the Australian International Documentary Conference held in Adelaide, November 1999, which focused on the issues of ethics, globalism and the impact of digital technologies. The article also looks at new avenues of distribution for documentary films, the Internet and CD/DVD-ROM. A given example is Film Australia's The Mabo CD-ROM Online project.
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The Documentary Conference 1993 : reflecting the future : conference papers / edited by Lisa Noonan Lindfield, N.S.W.: Australian Documentary Conference, 1993.
Call No: 761(94)"1993" DOCAuthor: Noonan, Lisa CorpAuthor: Australian National Documentary Conference (3rd : 1993 : Sydney, N.S.W.)Place: Lindfield, N.S.W.Publisher: Australian Documentary ConferencePubDate: 1993PhysDes: 166 p. : ill. ; 30 cmSubject: CONFERENCES. AUSTRALIA. DOCUMENTARY Notes: Spiral binding; Includes bibliographical references and indexISBN: 0646165402LON: abn94034486; 10691057
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Filmways ends top 12th annual convention in Australasian Cinema (27/5/1983) vol.12 iss.9 p.2
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Fourth National ASDA Conference : Wake in fright Rozelle, NSW: [Australian Screen Directors Association], 1999.
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The hot topics - not tubs - of the SPA conference in The Age [Green Guide] (26/11/2015) p.8
Call No: SUBJECT CLIPPINGS FILE; CONFERENCES. AUSTRALIA. SCREEN PRODUCERS OF AUSTRALIAAuthor: Enker, Debi PhysDes: Clippings File ArticleSubject: CONFERENCES. AUSTRALIA. SCREEN PRODUCERS OF AUSTRALIA Summary: Report on the key discussions held at the 2015 Screen Producers Australia conference, including: Subscription Video on Demand (SVOD), Free to Air TV, John Edwards's Hector Crawford Memorial Lecture, and plans for the ABCNotes: This article was also published in the Sydney Morning Herald and Canberra Times on November 30 2015
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The illusion of life : essays on animation / edited by Alan Cholodenko Sydney: Power Publications, in association with the Australian Film Commission, Sydney, 1991.
Call No: 772 ILLAuthor: Cholodenko, Alan CorpAuthor: Power Institute of Fine ArtsPlace: SydneyPublisher: Power Publications, in association with the Australian Film Commission, SydneyPubDate: 1991PhysDes: 312 p. : ill. ; 21 cmSubject: ANIMATION ; CONFERENCES. AUSTRALIA. AMIMATION ; CARTOONS ; JONES, CHUCK ; MAGIC TOYSHOP, THE (UK, David Wheatley, 1986) ; WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988) ; FLY, THE (US, David Cronenberg, 1986) Notes: Published by the Power Institute of Fine Arts, University of Sydney; "Based on ... The Illusion of life, the world's first international conference on animation and Australia's first large-scale international festival of animation" -- p. 9; Includes bibliographical referencesISBN: 0909952183LON: 7242798Contents: Introduction / Alan Cholodenko -- What's up, down under? / Chuck Jones talks at THE ILLUSION OF LIFE conference -- The animation of sound / Philip Brophy -- Saturday Morning Fever / Ben Crawford -- Life-threatening life: Angela Carter and the uncanny / Robyn Ferrell -- Animation - AIDS in science/fiction / Rosalyn Diprose and Cathryn Vasseleu -- The work-shop of filty animation / Peter Hutchings -- For the noise of a fly / Lisa Trahair -- 'Who Framed Roger Rabbit', or the framing of animation / Alan Cholodenko -- PRHSTHR: The T(r)opology of pyromania / Keith Clancy -- The illusion of illusion / Keith Broadfoot and Rex Butler -- Mosaic infinity / Edward Colless and David Kelly -- Appendix
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In production : conference papers / Women in Film & Television ; [editor/compiler Louise Melov] Surry Hills, NSW: Women in Film & Television, 1993.
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Infog97 proceedings : a conference on the impact of recent developments in digital technology on screen culture practice / edited by Chris Brophy Melbourne: Australian Film Institute Research & Centre and ANSPAG, 1998.
Call No: 408 INFPlace: MelbournePublisher: Australian Film Institute Research & Centre and ANSPAGPubDate: 1998PhysDes: 130 p. ; 30 cmSubject: DIGITAL TECHNOLOGY ; CULTURE AND THE CINEMA ; CONFERENCES. AUSTRALIA. INFOG Notes: Papers from the Second Information Gathering Conference, State Film Theatre, May 8 & 9, 1997ISBN: 0908023170LON: abn98404759; 14277110
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Interrogating film culture : a collection of seminar papers presented in Sydney on 29 May 1984 North Sydney: Australian Film Commission, [1984].
Call No: 408(94) INTCorpAuthor: Australian Film CommissionSource: ATPlace: North SydneyPublisher: Australian Film CommissionPubDate: [1984]PhysDes: 83 p. ; 30 cm + 1 leaflet (2 leaves)Subject: INDUSTRY, FILM. AUSTRALIA ; FUNDING. AUSTRALIA ; CONFERENCES. AUSTRALIA. FILM CULTURE SEMINAR. 1984 Summary: The papers in this volume were specifically written for and presented at the Film Culture Ceminar held by the Australian Film Commission (AFC) on 29 May 1984. The purpose of this seminar was to encourage a dialogue between film educators/researchers (who have a continuing concern for the well being of the Australian Film Industry and its links with film culture activities) and administrators who frame policy and disburse funds to various organisations and activities in the film industry. -Taken from introduction on page 3.Notes: Spiral binding; Includes bibliographical referencesISBN: 064207593X : price unknownLON: abn85049955; 3725599Contents: Foreword -- Introduction - Barrett Hodsdon -- Shifting notions of an Australian film culture - Liz Jacka -- Structuring an approach to film culture; the British experience - Kari Hanet -- Film culture in action - alternative exhibition - a dearth of policies - Barrett Hodsdon -- Reconciling mainstream and independent filmaking - Tom O'Regan -- Public as patrons - a new goal for cinema subsidy - Tim Rowse
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July 18, 19, 20 very important to MPI in Australasian Cinema (16/01/1982) vol.11 iss.12 p.3
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The language of interactivity : [conference abstracts of] the Australian Film Commission's Multimedia Conference, 11-13 April 1996 [Sydney?]: Australian Film Commission, 1996.
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Lessons in listening : Anna Dzenis finds Cinesonic 2 an ear-opener in Realtime (Oct-Nov 1999) iss.33 p.15
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MPEAQ CONVENTION 1998 September 1998.
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MPEAQ convention report : 1999 - bigger and tighter in Movie Trader (Sept 1999) p.10-14
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Myst opportunities : Infog97 in Practice (Spring/Summer 1997) iss.2 p.27-28
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Networking in Canberra Times [TV Guide] (1411/2016) p.2
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Reeltime : Oddball catches up with high-flying Planes in The Australian [Arts & Entertainment] (14/10/2015) p.15
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Regional cinema confab in Movie Trader (Feb 2000) p.11
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Remapping cinema, remaking history : XIVth Biennial Conference of the Film and History Association of Australia and New Zealand: Refereed Abstracts / edited by Catherine Fowler and Rochelle Simmons Dunedin, NZ: University of Otago - Department of Media, Film & Communication, 2008.
Call No: 45:93HISAuthor: Film and History Associationof Australia and New Zealand Conference (14th : 2008 : Dunedin, NZ) Source: NZPlace: Dunedin, NZPublisher: University of Otago - Department of Media, Film & CommunicationPubDate: 2008PhysDes: v, 223 p. ; 21 cmSubject: CONFERENCES. AUSTRALIA. FILM AND HISTORY ; HOLLYWOOD MEMORY IN FILMS ; MOTION PICTURES EUROPEAN ; MOTION PICTURES - HISTORY ; NEW ZEALAND ; ASHBY, HAL ; SCHLESINGER, JOHN ; HALL, CONRAD ; COPPOLA, FRANCIS FORD ; NICHOLS, MIKE ; CIMINO, MICHAEL ; ALTMAN, ROBERT ; KUBRICK, STANLEY ; HILL, WALTER ; SPIELBERG, STEVEN ; KAURISMAKI, AKI ; MILLER, GEORGE ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; ONE FROM THE HEART (US, Francis Ford Coppola, 1982) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; WITCHES OF EASTWICK, THE (US, George Miller, 1987) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; GRADUATE, THE (US, Mike Nichols, 1967) ; STREETS OF FIRE (US, Walter Hill, 1984) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; KENNY (AT, Clayton Jacobson, 2006) ; SYLVIA (NZ, Michael Firth, 1985) ; RED ROAD (UK/DK, Andrea Arnold, 2006) ; THIS IS ENGLAND (UK, Shane Meadows, 2006) ; STALINGRAD (GG, Joseph Vilsmaier, 1992) ; BAND OF BROTHERS (US, David Frannel & Tom Hanks & David Leland & Richard Loncraine & David Nutter & Phil Alden Robinson & Mikael Salomon & Tony To, 2001) Summary: The film and history conference is held every two years and is an opportunity for international scholars, archivists and filmmakers to present their thoughts on recent debates and events in the fields of film history, history and film, national and transnational cinemas, film theory, film practice, and the importance of cinema to specific communitiesNotes: "27-30 November 2008"- cover includes bibliographical reference and indexISBN: 9780473138899; 9780473148867Contents: v.1 refereed abstracts/ edited by Catherine Fowler and Rochelle Simmons- v. 2 select refereed papers/ edited by Hilary Radner and Pam fosser; Part 1: Re-thinking Film History. 1. What's new about New Cinema History/ Kate Bowles and Richard Maltby--Part 2: Memory and History 2. Fixing visual memories and history: film and the Chinese Cultural Revolution/ Paul Clark-- 3. Folding History back on itself / Dirk de Bruyn -- 4. Testimony and Memory : rewriteable video memoirs / Stephen Goddard -- Part 3: Australia and New Zealand. 5. this land speaks for " Us" : the price of milk and the articulation of New Zealand's "Difficult" history/ Scott Wilson -- the location of referents: double time, atemporality and colonial heritage cinema/ Olivia Macassey -- Part 4: European Narratives. 7. Still in the shadows : reconsidering history through intertextual references in Aki Kaurismaki's European films/ Sanna Peden-- 8. Imaging/imagining a history of violence: Red Road and This is England/ Steven Allen--9. " I am not a Nazi": The past as present in portrayals of wartime German forces in Stalingrad and Band of Brothers/ Stephanie Cousineau--10. Neoliberalism and the fate of the collective in recent German cinema/ Simon Ryan-- Part 5: Music and Historical Representation-- 11. The representation of Rapanui 9 Easter Island) in feature film/ Dan Bendrups-- 12. Beating the East german blues: musical representations of freedom in Leander Haussmann's Sonnenallee and Michael Schorr's Schultze gets the Blues/ Andrew Wright Hurley--Part 6 : Historical Fictions? Documentary, Mockumentary and the Biopic--13. Getting the story crooked: Errol Morris and Narrativist Historiography/ Pam Fossen -- Kenny and Australian cinema in the Howard era/ Lisa Milner -- 15. The life of Lady Lazarus? An analysis of the film Sylvia as historical document/Bronwyn Polaschek-- Part 7: Considering Hollywood -- 16. Battling Hollywood: The 1930 Trade War between the New Zealand government and Hollywood/ David Newman -- 17. Reality and pictoriality : Hollywood style from the 1970s to the 1980s/ Paul Ramaeker
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Remapping cinema, remaking history : XIVth biennial Conference of the Film and History Association of Australia and New Zealand : volume 2 : select refereed papers / Edited by Hilary Radner and Pam Fossenn Dunedin, NZ: Centre for Research on National Identity, University of Otago,
Call No: 161(931) FHACorpAuthor: Film and History Association of Australia and New Zealand Conference (14th : 2008 : Dunedin, NZ)Edition: 2009Place: Dunedin, NZPublisher: Centre for Research on National Identity, University of OtagoPhysDes: vi,224 p. ; 21 cmSubject: CONFERENCES. AUSTRALIA. FILM AND HISTORY ; AUSTRALIA ; NEW ZEALAND ISBN: 9780473148867Contents: Part 1: Re-thinking Film History. 1. What's new about New Cinema History/ Kate Bowles and Richard Maltby--Part 2: Memory and History 2. Fixing visual memories and history: film and the Chinese Cultural Revolution/ Paul Clark-- 3. Folding History back on itself / Dirk de Bruyn -- 4. Testimony and Memory : rewriteable video memoirs / Stephen Goddard -- Part 3: Australia and New Zealand. 5. this land speaks for " Us" : the price of milk and the articulation of New Zealand's "Difficult" history/ Scott Wilson -- the location of referents: double time, atemporality and colonial heritage cinema/ Olivia Macassey -- Part 4: European Narratives. 7. Still in the shadows : reconsidering history through intertextual references in Aki Kaurismaki's European films/ Sanna Peden-- 8. Imaging/imagining a history of violence: Red Road and This is England/ Steven Allen--9. " I am not a Nazi": The past as present in portrayals of wartime German forces in Stalingrad and Band of Brothers/ Stephanie Cousineau--10. Neoliberalism and the fate of the collective in recent German cinema/ Simon Ryan-- Part 5: Music and Historical Representation-- 11. The representation of Rapanui 9 Easter Island) in feature film/ Dan Bendrups-- 12. Beating the East german blues: musical representations of freedom in Leander Haussmann's Sonnenallee and Michael Schorr's Schultze gets the Blues/ Andrew Wright Hurley--Part 6 : Historical Fictions? Documentary, Mockumentary and the Biopic--13. Getting the story crooked: Errol Morris and Narrativist Historiography/ Pam Fossen -- Kenny and Australian cinema in the Howard era/ Lisa Milner -- 15. The life of Lady Lazarus? An analysis of the film Sylvia as historical document/Bronwyn Polaschek-- Part 7: Considering Hollywood -- 16. Battling Hollywood: The 1930 Trade War between the New Zealand government and Hollywood/ David Newman -- 17. Reality and pictoriality : Hollywood style from the 1970s to the 1980s/ Paul Ramaeker
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Screen violence debate flares at conference in Encore (Jan 28, 1998) vol.15 iss.21 p.13
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Selected papers : Film & history conference, Canberra Australia 2-5 December 2004 : 12th biennial conference of the Film and History Association of Australia and New Zealand / Conference of the Film and History Association of Australia and New Zealand (12th : 2004 : Canberra, A.C.T.) Canberra: National Film and Sound Archive, 2004.
Call No: 45:93 HISSource: ATPlace: CanberraPublisher: National Film and Sound ArchivePubDate: 2004PhysDes: 283 p. : ill. ; 30 cmSubject: CONFERENCES. AUSTRALIA. FILM AND HISTORY ; AUSTRALIA ; NEW ZEALAND ISBN: 064236513XContents: 'Wot's in a name?' and how did we get here from there? / Ina Bertrand -- Telling the 'truth' and telling stories / Sue Maslin -- Offshore television: McCloud on the Sydney Harbour Bridge / Albert Moran -- Tracking David Gulpilil on screen: changing representations of indigenous identity / Jane Steinhaeuser -- Kitchen debates that break the silence: Aboriginalism and Aboriginality in cinematic discourse / Bruce Dennett -- A notional or a national cinema?: thinking (nothing) of the Australian sheep films -- Sunday too far away revisited / Vincent O'Donnell -- The work of Ayten Kuyululu in seventies Australia / Sue Hardisty -- Braided channels: reflections on a documentary filmmaker curating a social history exhibition in an era of representational contention / Trish FitzSimons -- The "global popular" and "quality" culture: LOTR and Pavement / Hilary Radner -- Nationalism as discourse: Snakeskin, Rain, and Whale rider as response / Harriet Margolis -- Constructing the Anzac image: a study of Australia's first three Gallipoli movies 1915-16 / Daniel Reynaud -- Early shots in Broken Hill: cinema and the Great War in Australia / Jeff Brownrigg -- The embodiment of a masculinist ideal: Snowy Baker and modern physical culture in Australia before World War I / Bronwyn Dowdall -- Melodramas of affliction: portraits of madness on screen / Fincina Hopgood -- The fall of a nation: Thomas Dixon's 'Mighty message of warning' / Jeanette Delamoir -- Projecting consent: the operations of Hollywood's peacetime propaganda films of World War II / Roger Westcombe -- From crystals to pixels: new technology in the documentary work of John Hughes / John Cumming -- The good, the bad and the ugly: endings of holocaust film narratives / Giacomo Lichtner -- Playing the changes: Australian film music, cultural identity and research methods / Pt 1 Bruce Johnson ; Pt 2 Gaye Poole -- Bazza's bawdy ballads ... and other aspects of the Barry McKenzie film musics / Rebecca Coyle and Michael Hannan -- Newsfront - a study of the impact of the experimental film movement on mainstream Australian cinema / Fiona Hooton -- The man they couldn't hang / Bob Pymm.
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Telemovies take out ptiching prize in Encore (12 Mar, 1999) vol.17 iss.4 p.14
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Telling stories : cinema, history & experience; the XIII Biennial Conference of the Film and History Association Melbourne, November 16-19, 2006 [Melbourne]:
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Telling Stories: cinema, history & experience : The XIIIth Biennial Conference of the Film and History Association of Australia and New Zealand, Melbourne, November 16-19, 2006 / conference presented by RMIT and Monash University, co-convened by Adrian Danks, Con Verevis, Deb Verhoeven, and Deane Williams, with assistance from Ken Berryman (National Film and Sound Archive) [Melbourne]: [2006].
Call No: 45:93 HISCorpAuthor: RMIT; Monash UniversitySource: ATPlace: [Melbourne]PubDate: [2006]PhysDes: 147p. ; 21 cmSubject: HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; HISTORY OF CINEMA. NEW ZEALAND ; HISTORY OF TV ; TELEVISION AND THE CINEMA ; TELEVISION AND THE CINEMA. AUSTRALIA ; CONFERENCES. AUSTRALIA ; CONFERENCES. AUSTRALIA. FILM AND HISTORY ; CONFERENCES. AUSTRALIA. FILM AND HISTORY. 2006 ; CONFERENCES. AUSTRALIA. HISTORY AND FILM Summary: "The Film and History Conference is held every two years and is an opportunity for international film scholars, archivists, and filmmakers to present their thoughts on recent debates and events in the fields of: film history, national and transnational cinemas, film theory, film practice and the importance of cinema to specific communities...the XIIIth Biennial Conference of the Australian and New Zealand Film and History Association will adopt four main themes: Historical Film Theory and Criticism, Film, Memory and Allusion, The Social Experience of Cinema-going, The Junction of Television and Film" -- INTRODUCTIONNotes: This is copy 2, there is another copy listed on the system (different DB Textworks entry), but it cannot presently be located; Notes on conference: XIII Conference of the Film and History Association of Australia and New Zealand
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Tomorrow's TV : cable television and the arts : a conference / Victorian Ministry for the Arts Strathmore, Vic.: Cable Press, 1983.
Call No: 201.29(-54) TOMCopy Management: Copy 1; Copy 2CorpAuthor: Victorian Ministry for the ArtsPlace: Strathmore, Vic.Publisher: Cable PressPubDate: 1983PhysDes: 114 p. : ill. ; 22 cm.Subject: CABLE TV. AUSTRALIA ; PAY TV. AUSTRALIA ; SATELLITE BROADCASTING ; CONFERENCES. AUSTRALIA Notes: Cable television services. Effects on arts. Australia. Conference proceedings (ANB/PRECIS SIN 068385x); Subscription television services. Effects on arts. Australia. Conference proceedings (ANB/PRECIS SIN 0683868); Communications satellites systems. Effects on arts. Australia. Conference proceedings (ANB/PRECIS SIN 0683876); Includes bibliographical references; Updated in DB/TextWorks 08/01/13. Old accession no. 897AISBN: 0959191909 : $7.95 AustLON: anb95919190; 2908381
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Visions of independents : an AFI national film event Sydney: Australian Film Institute, 1984.
Call No: 721.210.4 VISCorpAuthor: Australian Film InstituteEdition: 1984Place: SydneyPublisher: Australian Film InstitutePubDate: 1984PhysDes: 28 p. : illus. ; 21 cmSubject: INDEPENDENT FILMS ; CONFERENCES. AUSTRALIA ; OUT (US, Eli Hollander, 1982) ; PROSTITUTE (UK, Tony Garnett, 1980) ; STATIONS (AT, Jackie McKimmie, 1983) ; THIS WOMAN IS NOT A CAR (AT, Margaret Dodd, 1982) ; CHAN IS MISSING (US, Wayne Wang, 1982) ; NIGHT OF SHADOWS (AT, Brian Thompson, 1983) ; ON GUARD (AT, Susan Lambert, 1984) ; GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982) ; GIRL'S OWN STORY, A (AT, Jane Campion, 1983) ; GHOST DANCE (UK/GW, Ken Mullen, 1983) ; IMPOSTORS (GW/US, Mark Rappaport, 1979) ; LAST NIGHT AT THE ALAMO (US, Eagle Pennell, 1983) ; BUCKEYE AND PINTO (AT, Phil Pinder, 1979) ; DOZENS, THE (US, Christine Dall and Randall Conrad, 1980) ; EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984) ; FORDS ON WATER (UK, Barry Bliss, 1983) ; KILLER OF SHEEP (US, Charles Burnett, 1978) ; SLOW MOVES (US, Jon Jost, 1984) ; ASHES AND EMBERS (US, Haile Gerima, 1982) ; JOE'S BED-STUY AND BARBERSHOP: WE CUT HEADS (US, Spike Lee, 1983) ; QUEENSLAND (AT, John Ruane, 1975) ; BROTHERS AND SISTERS (UK, Richard Woolley, 1980) ; KING BLANK (US, Michael Oblowitz, 1982) ; CAFE OF LOVE (AT, Jinks Dulhunty, 1982) ; EMERALD CITIES (US, Richard R. Schmidt, 1983) ; VOICE OVER (UK, Chris Monger, 1981) ; SHADOWPLAY (UK, Oliver Stapleton, 1980) ; EXITS (AT, Paul Davies & Pat Laughren & Carolyn Howard, 1980) ; FILLETING MACHINE, THE (UK, Murray Martin, 1981) ; OUTSIDE IN (UK/GW/NE, Stephen Dwoskin, 1981) ; PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982) ; SMITHEREENS (US, Susan Seidelman, 1982) ; GOING DOWN (AT, Haydn Keenan, 1982) ; RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980) ; AGAINST THE GRAIN (AT, Tim Burns, 1980) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981) ; PURE S (AT, Bert Deling, 1976) ; GAL YOUNG UN (US, Victor Nunez, 1979) ; BURNING AN ILLUSION (UK, Menelik Shabazz, 1981) ; HEARTLAND (US, Richard Pearce, 1979) ; LOOKS AND SMILES (UK, Kenneth Loach, 1981) Notes: Programme for a season of international independent films supporting the 'visions of independence' conference held in Sydney, 29 August - 1 September 1984.
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