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A-X-L : (US, Oliver Daly, 2018)
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Action with magnetic appeal in Sunday Telegraph (22/05/2016) p.112
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ADVENTURES OF X, THE : (UK, Michael Newman & Andrew Fisher, 1967)
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AMERICAN HISTORY X : (US, Tony Kaye, 1998)
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Beautiful minds but it doesn't all add up in Weekend Australian [Review] (4/4/2015) p.14
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Boy zone in Australian Financial Review [Weekend Fin] (11/04/2015) p.51
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Boy zone in Australian Financial Review [Weekend Fin] (11/04/2015) p.51
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Brand X, tragical-comical, as life is today in Interview (1970) vol.1 iss.8 p.23
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Breaking the autism formula in The Age [Arts & Entertainment] (09/04/2015) p.31
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BROTHER MINISTER: THE ASSASSINATION OF MALCOLM X : (US, Jack Baxter & Jefri Aalmuhammed, 1994)
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By any means necessary : the trials and tribulations of the making of Malcolm X / Spike Lee with Ralph Wiley London: Vintage, 1993.
Call No: 79MAL LEEAuthor: Lee, Spike ; Haley, Alex ; Perl, Arnold ; Wiley, Ralph ; Balwin, James ; X, Malcolm, 1925-1965. Autobiography of Malcolm X Place: LondonPublisher: VintagePubDate: 1993PhysDes: xv, 314 p., [16] p. of plates ; 20 cmSubject: MALCOLM X (US, Spike Lee, 1992) Notes: Includes Malcolm X screenplay by James Baldwin, Arnold Perl and Spike Lee, based on the Autobiography of Malcolm X as told to Alex HaleyISBN: 0099285312LON: 9686421 9686421
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CAFE EUROPA : (GW, Franz X. Bogner, 1990)
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CLASSIFIED X : (US/FR, Mark Daniels, 1998)
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CONFERENCES. AUSTRALIA. X MEDIA LAB
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Don't Shoot! in Empire (Australian Ed.) (July 2001) iss.4 p.64-67
Author: Lawrie Masterson PhysDes: ArticleSubject: JACKMAN, HUGH ; SWORDFISH (US, Dominic Sena, 2001) ; X-MEN (US, Bryan Singer, 2000) ; KATE & LEOPOLD (US, James Mangold, 2001) Summary: Interview with Hugh Jackman on his career, focusing on Swordfish, X-men, and Kate & Leopold
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DOUBLE X : (AT, Julie Cunningham, 1986)
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F/X : (US, Robert Mandel, 1986)
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'F/X' filming for Orion in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.5
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F/X2 : US, Richard Franklin, 1991
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FEAR X : (DK/UK/CN/NO, Nikolas Winding Refn, 2003)
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Features : America: From Hitler to M-X in Film (April/May 1984) iss.125 p.5
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Featuring film : film study in the classroom / Peter Cox and Fred Goldsworthy Melbourne: Oxford University Press, 1995.
Call No: 512.1 COXAuthor: Cox, Peter, 1953 ; Goldsworthy, Fred Place: MelbournePublisher: Oxford University PressPubDate: 1995PhysDes: vi, 202 p. : ill. ; 26 cmSubject: MACBETH (US, Roman Polanski, 1971) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; MAN WITHOUT A FACE, THE (US, Mel Gibson, 1993) ; MASK (US, Peter Bogdanovich, 1985) ; OUTSIDERS, THE (US, Francis Ford Coppola, 1983) ; PLAYING BEATIE BOW (AT, Donald Crombie, 1986) ; POWER OF ONE, THE (US, John G. Avildsen, 1992) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PROJECT X (US, Johnathan Kaplan, 1987) ; RADIO FLYER (US, Richard Donner, 1992) ; SILVER BRUMBY, THE (AT, John Tatoulis, 1993) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) ; BENNY AND JOON (US, Jeremiah S. Chechick, 1993) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; BREAKFAST CLUB, THE (US, John Hughes, 1985) ; CHOCOLATE WAR, THE (US, Keith Gordon, 1998) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DANNY THE CHAMPION OF THE WORLD (UK/US, Gavin Millar, 1989) ; EDWARD SCISSORHANDS (US, Tim Burton, 1990) ; FLIRTING (AT, John Duigan, 1991) ; FREE WILLY (US, Simon Wincer, 1993) ; HAMLET (US, Franco Zeffirelli, 1990) ; INTO THE WEST (UK/US, Mike Newell, 1992) ; LADYHAWKE (US, Richard Donner, 1985) ; LEAGUE OF THEIR OWN, A (US, Penny Marshall, 1992) ; LEAN ON ME (US, John G. Avildsen, 1989) Notes: CIP confirmed; Includes index; For secondary school students; BibliographyISBN: 0195536452LON: 11238278
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Filming "F/X" in Cinefantastique (March 1986) vol.16 iss.1 p.8
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Filmmakers call 'lights, Apples, action' in Canberra Times [TV Guide] (13/04/2015) p.8
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GENE-X : (AT, Martin Simpson, 2006)
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Gentle maths drama breaks predictable formula in Sydney Morning Herald [Arts & Entertainment] (09/04/2015) p.30
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Gentlemen to the rescue : the heroes of the silent screen / Kalton C. Lahue South Brunswick [N.J.] London: A.S. Barnes Yoseloff, c1972.
Call No: 802.27 LAHAuthor: Lahue, Kalton C Place: South Brunswick [N.J.] LondonPublisher: A.S. Barnes YoseloffPubDate: c1972PhysDes: 244 p. : ill., ports. ; 26 cmSubject: HERO IN FILMS ; BARRYMORE, JOHN ; CHANEY, LON ; FAIRBANKS, DOUGLAS ; GILBERT, JOHN ; NOVARRO, RAMON ; ROGERS, WILL ; VALENTINO, RUDOLPH ; BAGGOT, KING ; BARTHELMESS, RICHARD ; BLACKWELL, CARLYLE ; BUSHMAN, FRANCIS X. ; COLMAN, RONALD ; COSTELLO, MAURICE ; DIX, RICHARD ; FARNUM, WILLIAM ; HAYAKAWA, SESSUE ; HINES, JOHNNY ; HOLT, JACK ; HOUDINI, HARRY ; LA ROCQUE, ROD ; LINCOLN, ELMO ; MEIGHAN, THOMAS ; MORENO, ANTONIO ; NOVARRO, RAMON ; RAY, CHARLES ; REID, WALLACE ; SILLS, MILTON ; WALTHALL, HENRY B. ; WASHBURN, BRYANT ; WILSON, BEN F. ISBN: 0498078027LON: 470968
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House of wax in Photon iss.20 p.6-10
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x-men: apocalypse (us, bryan singer, 2016)
I've mutated into action hero in Sunday Telegraph [Insider] (15/05/2016) p.122
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JASON X : (US, James Isaac, 2001)
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L.A.X. : (US, Fabrice Ziolkowski, 1980)
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MALCOLM X : (US, Spike Lee, 1992)
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The new unoffical x-files companion : volume two: the all new x-philes' guide to even more conspiracies mysteries, and strange events behind the series / N.E. Genge London: Macmillan, 1996.
Call No: 79XFI GENAuthor: Genge, N.E. Source: UKPlace: LondonPublisher: MacmillanPubDate: 1996PhysDes: 215 p. ; 23 cmSubject: X-FILES, THE [TV] (US, 1993-) Notes: suggested series includes 'The unofficial x-files companion'ISBN: 0333679814
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P.X. : (PH, Lino Brocka, 1981)
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The philosophy of tv noir / edited by Steven M. Sanders and Aeon J. Skoble Lexington, KN: University of Kentucky Press, c2008.
Call No: 734.1 PHIAuthor: Sanders, Steven M. ; Skoble, Aeon J. Place: Lexington, KNPublisher: University of Kentucky PressPubDate: c2008PhysDes: viiii, 272 p. ; 24 cmSeries: the philosophy of popular culureSubject: AESTHETICS ; ALIENS IN FILMS ; CHARACTERIZATION IN FILMS ; ETHICS AND TV ; FILM NOIR ; RELIGION AND TV ; CARTER, CHRIS ; FOUCAULT, MICHEL ; GREENE, GRAHAM ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; CSI: CRIME SCENE INVESTIGATION [TV] (US/CA, 2000-) ; DARK CITY (US, Alex Proyas, 1997) ; D.O.A. (US, Ruldolph Mate, 1950) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; FUGITIVE, THE (US, Andrew Davis, 1993) ; HE WALKS BY NIGHT (US, Alfred Werker, 1948) ; LEVIATHAN (US/IT, George Pan Cosmatos, 1989) ; NAKED CITY [TV] (US, 1958-1963) ; X-FILES, THE [TV] (US, 1993-) Summary: Film noir reflects the fatalistic themes and visual style of hard-boiled novelists and many emigre filmmakers in 1940s and 1950s America, emphasizing crime, alienation, and moral ambiguity. In The Philosophy of TV Noir, Steven M. Sanders and Aeon J. Skoble argue that the legacy of film noir classics such as The Maltese Falcon, Kiss Me Deadly, and The Big Sleep is also found in episodic television from the mid-1950s to the present. In this first-of-its-kind collection, contributors from philosophy, film studies, and literature raise fundamental questions about the human predicament, giving this unique volume its moral resonance and demonstrating why television noir deserves our attention." "With this focus on the philosophical dimensions of crime, espionage, and science fiction series, The Philosophy of TV Noir draws out the full implications of film noir and establishes TV noir as an art form in its own right."--BOOK JACKETNotes: Includes bibliographical references and indexISBN: 9780813124490Contents: Dragnet, film noir, and postwar realism / R. Barton Palmer -- Naked city: the relativist turn in TV noir / Robert E. Fitzgibbons -- John Drake in Greeneland: noir themes in Secret agent / Sander Lee -- Action and integrity in The fugitive / Aeon J. Skoble -- Noir et blanc in color: existentialism and Miami vice / Steven M. Sanders -- 24 and the existential man of revolt / Jennifer L. McMahon -- Carniva`le knowledge: give me that old-time noir religion / Eric Bronson -- The Sopranos, film noir, and nihilism / Kevin L. Stoehr -- CSI and the art of forensic detection / Deborah Knight, George McKnight -- Detection and the logic of abduction in The X-files / Jerold J. Abrams, Elizabeth Cooke -- Kingdom of darkness: autonomy and conspiracy in The X-files and Millennium / Michael Valdez Moses -- The prisoner and self-imprisonment / Shai Biderman, William J. Devlin -- Twin Peaks, noir, and open interpretation / Jason Holt.
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POLA X : (FR/G/JA/SZ, Leos Carax, 1999)
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PROJECT X : (US, Jonathan Kaplan, 1987)
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RATE IT X : (US, Lucy Winer & Paula de Koenigsberg, 1985)
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The retiring type in Daily Telegraph [Hit] (21/05/2015) p.46
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SADIE X-RAY : (AT, Emily Ballou, 1996)
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Shortcuts : Oscar chances look bright in Sydney Morning Herald [Arts & Entertainment] (19/02/2015) p.30
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book
The Spike Lee Reader / edited by Paula J. Massood Philadelphia: Temple University Press, c2008.
Call No: 81LEE SPIAuthor: Massood, Palua J. Source: USPlace: PhiladelphiaPublisher: Temple University PressPubDate: c2008PhysDes: xxviii, 276 p. : ill. ; 23 cmSubject: LEE, SPIKE ; SCHOOL DAZE (US, Spike Lee, 1988) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; MALCOLM X (US, Spike Lee, 1992) ; CROOKLYN (US, Spike Lee, 1994) ; CLOCKERS (US, Spike Lee, 1995) ; GET ON THE BUS (US, Spike Lee, 1996) ; SUMMER OF SAM (US, Spike Lee, 1999) ; BAMBOOZLED (US, Spike Lee, 2000) ; INSIDE MAN (US, Spike Lee, 2006) Summary: "This rich and timely anthology brings together classic and original essays on Spike Lee's major films. These thought-provoking yet accessible pieces explore such topics as the significance of Lee's aesthetic choices, his contributions to African American film history, his place in the American cinematic landscape, and his negotiations with ideologies of race, gender, sexuality, and class. The contributors' engagement with Lee's oeuvre exemplifies the diverse responses his work has inspired for more than twenty years and will secure his place as one of the most influential cultural producers of our time. " - Valerie Smith, Director, Center for African American Studies and Woodrow Wilson Profesor of Literature, Princeton University -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. [259]-263) and index; Includes filmography: p. [255]-258ISBN: 9781592134854Contents: We've gotta have it--Spike Lee, African American film, and cinema studies / Paula J. Massood -- "Whose pussy is this" : a feminist comment / Bell Hooks -- Programming with School daze / Toni Cade Bambara -- Spike Lee and Black women / Michele Wallace -- But compared to what? reading realism, representation, and essentialism in School daze, Do the right thing, and the Spike Lee discourse / Wahneema Lubiano -- The double truth, Ruth : Do the right thing and the culture of ambiguity / James C. McKelly -- Spike Lee and the fever in the racial jungle / Ed Guerrero -- "Spike, don't mess Malcolm up" : courting controversy and control in Malcolm X / Anna Everett -- Through the looking glass and over the rainbow : exploring the fairy tale in Spike Lee's Crooklyn / Mark D. Cunningham -- Clockers (Spike Lee 1995) : adaptation in black / Keith M. Harris -- Reel men : Get on the bus and the shifting terrain of Black masulinities / S. Craig Watkins -- We shall overcome : preserving history and memory in 4 little girls / Christine Acham -- Spike Lee meets Aaron Copland / Krin Gabbard -- Race and Black American film noir : Summer of Sam as lynching parable / Dan Flory -- Racial kitsch and Black performance / Tavia Nyong'o -- "I be smackin' my hoes" : paradox and authenticity in Bamboozled / Beretta E. Smith-Shomade -- De profundis : a love letter from the inside man / David A. Gerstner.
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Stand and Deliver in Empire (Australian Ed.) (April 2006) iss.61 p.48-55
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STEPPING RAZOR - RED X : (CN, Nicholas Campbell, 1993)
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Strong women London: BFI National Library, c2001.
Call No: REFERENCE SECTION; 036-02 STRAuthor: Clarke, Nicola ; Gordon, Stephen ; Johnston, Louise ; Khan, Ayesha ; Smart, Emma Source: UKPlace: LondonPublisher: BFI National LibraryPubDate: c2001PhysDes: 77 p ; 30 cmSeries: National Library 16+ guidesSubject: WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999) ; ALLY MCBEAL [TV] (US, 1997-) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993) ; BOUND (AT, Serhat Caradee, 2000) ; BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; CHARLIE'S ANGELS (US, McG, 2000) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; ELIZABETH (UK, Shekhar Kapur, 1998) ; ERIN BROKOVICH (US, Stephen Soderbergh, 2000) ; LARA CROFT: TOMB RAIDER (US, Simon West, 2001) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; NIKITA (FR/IT, Luc Besson, 1990) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; ROSEANNE [TV] (US, 1988- ) ; RUN LOLA RUN (G, Tom Tykwer, 1998) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; WAITING TO EXHALE (US, Forest Whitaker, 1995) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) ; X-FILES, THE [TV] (US, 1993-) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) Notes: This and other bfi National Library 16+ Guides available from http://www.bfi.org.uk/16+ID2: 150
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A super-Stark transformation in Sunday Telegraph [Insider] (10/04/2016) p.124
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A super-Stark transformation in Sunday Herald Sun [Arts & Entertainment] (10/04/2016) p.86
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SUPERFLY : (US, Director X, 2018)
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Sydney studies in English Sydney, N.S.W.: University of Sydney, 1975/76.
Call No: 753 SYDCorpAuthor: University of Sydney. Dept. of English; English Association. Sydney BranchPlace: Sydney, N.S.W.Publisher: University of SydneyPubDate: 1975/76PhysDes: v. ; 21 cmSubject: INDUSTRY, FILM. AUSTRALIA ; ADAPTATIONS ; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956) ; TEMPEST (US, Paul Mazursky, 1982) ; EMMA (UK, Douglas McGrath, 1996) ; CLUELESS (US, Amy Heckerling, 1995) ; LITTLE DORRIT (UK, Christine Edzard, 1987) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; X-FILES, THE [TV] (US, 1993-) Notes: "Jointly sponsored by the Department of English, University of Sydney and the English Association (Sydney Branch)"ISSN: 0156-5419LON: abn84028394; 3052804
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Telefantasy / Catherine Johnson London: British Film Institute, 2005.
Call No: 735.1Author: Johnson, Catherine Source: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2005Series: 181 p ; 23 cmSubject: TELEVISION. UK ; PRISONER, THE [TV] (UK, 1967-1968) ; STAR TREK ; STAR TREK [TV] [...] (US, 1966-69, 1987-) ; X-FILES, THE [TV] (US, 1993-) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) Summary: Telefantasy offers the first book-length study to consider the place of fantasy, science-fiction and horror dramas in the history of British and US television. Looking at two periods (the 1950s and the 1960s and the 1990s through to the 2000s) when telefantasy has been particularly prevalent on television, this book provides detailed historical accounts of the production of key "telefantasy" programmes: the Quatermass serials, The Prisoner, Star Trek, The X-Files, Buffy the Vampire Slayer, and Randall and Hopkirk (Deceased). [Taken from back cover].ISBN: 184570762
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The television genre book / edited by Glen Creeber ; associate editors, Toby Miller and John Tulloch London: British Film Institute, 2001.
Call No: 720 TELAuthor: Creeber, Glen ; Miller, Toby ; Tulloch, John Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xi, 163 p. : ill., ports. ; 25 cmSubject: PROGRAMME GENRES ; DRAMAS ; SOAP OPERAS ; CHILDREN, PROGRAMMES FOR ; NEWS PROGRAMMES ; DOCUMENTARIES ; ADAPTATIONS. AUSTEN, JANE ; SOAP OPERAS ; SITUATION COMEDY ; HOMOSEXUALITY ON TV ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; SIMPSONS, THE [TV] (US, 1989-) ; SOUTH PARK [TV] (US, 1997-) ; I LOVE LUCY [TV] (US, 1951-57) ; ROSEANNE [TV] (US, 1988- ) ; ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996) ; WILL & GRACE[TV] (US, 1998-) ; MONTY PYTHON'S FLYING CIRCUS[TV] (UK, 1969-1974) ; DALLAS [TV] (US, 1978-91) ; COUNTRY PRACTICE, A [TV] (AT, 1981-1995?) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; ALLY MCBEAL [TV] (US, 1997-) ; AVENGERS, THE [TV] (UK, 1961-69) ; HILL STREET BLUES [TV] (US, 1980-87) ; ER [TV] (US, 1994 - ) ; STAR TREK [TV] [...] (US, 1966-69, 1987-) ; X-FILES, THE [TV] (US, 1993-) ; CATHY COME HOME (UK, Ken Loach, 1966) ; DAY AFTER, THE (US, Nicholas Meyer, 1983) ; ROOTS [TV] (US, 1977) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) Notes: Includes bibliographical references and indexISBN: 0851708498(pbk.)
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True tale that adds up to fable : Morgan Matthews made a documentary about maths whiz kids, and now a drama in The Australian [Arts & Entertainment] (2/4/2015) p.14
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ULTIMATE X : (US, Bruce Hendricks, 2002)
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WARP X
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: WARP X
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Wild ones in AFR Weekend (21/05/2016) p.51
Call No: TITLE CLIPPINGS FILE; X-MEN: APOCALYPSE (US, Bryan Singer, 2016)Author: McDonald, John PhysDes: Clippings File ArticleSubject: X-MEN: APOCALYPSE (US, Bryan Singer, 2016) Summary: Review of the film X-MEN: APOCALYPSE, where the reviewer says he enjoed the movie more than he thought, though he reflects on the film's casual violence and plot holes
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Wolverine in Empire (Australian Ed.) (May 2008) iss.86 p.16-18
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X : (JA, Rintaro, 2000)
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X FACTOR [TV] : (AT, 2005)
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The X-Files / Theresa L. Geller Detroit, Michigan: Wayne State University Press, 2016.
Call No: 79XFI GELAuthor: Geller, Theresa L. Source: USPlace: Detroit, MichiganPublisher: Wayne State University PressPubDate: 2016PhysDes: x, 132 pages : illustrations ; 18 cmSeries: TV milestonesSubject: X-FILES, THE [TV] (US, 1993-) Summary: "Premiering in 1993, The X-Files followed the investigations of two FBI special agents as they pursued the supernatural, the bizarre, and the alien, as well as the government conspiracies at work to conceal the truth of their existence.Theresa L. Geller argues that The X-Files was a milestone because it employed the generic tropes of science fiction....to call our attention to contemporary global politics and the history behind them." - BACK COVERISBN: 9780814339428Donation: donated by Senses of CinemaContents: Acknowledgements -- Introduction: "Mulder and Scully Meet the Were-Monster", or "The Beginning" ("Redux") -- 1. "El Mundo Gira" or Alien in the True Sense of the Word: Otherness and the Social Detective -- 2. "Scary Monsters" (and Super Creeps): The Powers of TV Horror -- 3. "Signs and Wonders": Alien Conspiracy as Historical Allegory -- 4. "Irresistible": Shipping, Shape-Shifting, and the Sexual Politics of Cult TV -- Conclusion: "Requiem": Ten Thirteen's (Re)Invention of Quality Television -- Notes -- Bibliography -- IndexID2: 250
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X-FILES: FIGHT THE FUTURE, THE : (US, Rob Bowman, 1998)
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X-FILES, THE : [TV] (US, 1993-)
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script
X files, The : Episode # 2X07 : "3" 9 September 1994.
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X-FILES, THE : I WANT TO BELIEVE : (US, Chris Carter, 2008)
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X marks the flop and a low point for superheroes in Sydney Morning Herald (19/05/2016) p.20
Call No: TITLE CLIPPINGS FILE; X-MEN: APOCALYPSE (US, Bryan Singer, 2016)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: X-MEN: APOCALYPSE (US, Bryan Singer, 2016) Summary: Negative review of the film X-MEN: APOCALYPSENotes: same article in The Age. Title: 'Superhero sequel a low point for franchise'. same date. p. 20.Rating: 1.5 out of 5 stars
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X MEDIA LAB
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: X MEDIA LAB
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X-MEN : (US, Bryan Singer, 2000)
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X-MEN: APOCALYPSE : (US, Bryan Singer, 2016)
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X-MEN: DARK PHOENIX : (US, Simon Kinberg, 2019)
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X-MEN : DAYS OF FUTURE PAST : (US/ UK, Bryan Singer, 2014)
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The X-men films : a cultural analysis / edited by Claudia Bucciferro Lanham, Maryland: Rowman & Littlefield, c2016.
Call No: 79(04)XME XMEAuthor: Bucciferro, Claudia Source: USPlace: Lanham, MarylandPublisher: Rowman & LittlefieldPubDate: c2016PhysDes: 241 pages ; 24 cmSubject: THEORY ; SCIENCE-FICTION FILMS ; UTOPIA IN FILMS ; FANTASY FILMS ; WOMEN IN FILMS ; MASCULINITY IN FILMS ; RACE AND THE CINEMA ; ETHNIC GROUPS IN FILMS ; X-MEN (US, Bryan Singer, 2000) ; X-MEN 2 (US, Bryan Singer, 2003)
SEE
X2 ; X2 (US, Bryan Singer, 2003) ; X-MEN: THE LAST STAND (US, Brett Ratner, 2006) ; X-MEN ORIGINS: WOLVERINE (US/NZ/AT, Gavin Hood, 2009) ; X-MEN: FIRST CLASS (US, Matthew Vaughn, 2011) ; X-MEN : DAYS OF FUTURE PAST (US/ UK, Bryan Singer, 2014) Summary: " In The X-Men Films: A Cultural Analysis, Claudia Bucciferro has assembled a collection of essays that draw from work in communication, cultural studies, and media studies. With contributions from a diverse group of scholars, the chapters analyze issues that include gender, sexuality, disability, class, and race. The contributors pose intriguing questions about the franchise, such as: What do “mutants” really represent? What role do women and people of color play in the narratives? Why does it matter that Professor X is disabled? Why is Mystique often shown naked? What facilitated Wolverine’s rise to prominence? And how do topics regarding identity, trauma, and bioethics, figure in the stories? Exploring issues relevant for a multicultural world and connecting thematic elements from the films to political debates and social struggles, the book seeks to make a thoughtful contribution to the scholarship of popular culture. The X-Men Films will appeal to media scholars and students, as well as to anyone interested in the X-Men series." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9781442265332Contents: -- acknowledgments -- introduction / Claudia Bucciferro -- part I Utopian and Immersive Experiences -- 1: Mutopia: American Utopianism and the Mutant Superhero / Matt Yockey -- 2: The Immersive Marketing Campaign for X-Men: Days of Future Past / Nicolo Gallio -- part: II Agency and Authority -- 3: Superhuman Authority: Fascism and Bioethics in the X-Men Films / Evan Hayles Gledhill -- 4: Magneto's Dilemma: The Technological Limitations of Mutant Transhumanism / Ron Von Burg and D. Stokes Piercy -- 5: PTXD: Gendered Narratives of Combat, Trauma, and the Civil-Military Divide / Christina M Knopf and Christine M Doran -- part III Women and Power -- 6: Containing the X-Women: De-powering and De-queering Female Characters / Carolyn Cocca -- 7: Shape-Shifting Identity: Mystique's Embodied Agency / Jason Zingsheim -- 8: The "Stolen" Superpowers of Marvel's Rogue / Julie Davis and Robert Westerfelhaus -- 9: The Curious Case of "Dr" Jean Grey, Mystique, and Mariko / Barbara Cook Overton, Athena du Pre, Loretta L Pecchioni and John H Overton -- part IV Masculinity and Race -- 10: Wolverine in Transition: Shifting Portrayals of Masculinity and Identity / Nathan Miczo -- 11: Techno-Orientalist Villains and White Masculinity in the Wolverine Movies / David C Oh -- 12: Reframing Disabled Masculinity: Xavier as Marvel's Supercrip / Jessica Benham -- 13: Mutating Minorities: White Racial Framing and Group Positioning / Jason Smith -- part V Passing and Otherness -- 14: Passing While Homo Superior / Kat Overland -- 15: Mutancy, Otherness, and Empathy in the X-Men / Claudia Bucciferro -- epilogue / Jason Zingsheim and Claudia Bucciferro -- index -- about the editor and contributors --
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X-MEN: FIRST CLASS : (US, Matthew Vaughn, 2011)
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X-MEN ORIGINS: WOLVERINE : (US/NZ/AT, Gavin Hood, 2009)
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X-Men Origins: Wolverine in Empire (Australian Ed.) (September 2008) iss.90 p.52
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X-MEN: THE LAST STAND : (US, Brett Ratner, 2006)
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X-Men: The Last Stand in Empire (Australian Ed.) (June 2006) iss.63 p.26
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journal article
X-Men: The Last Stand in Empire (Australian Ed.) (July 2006) iss.64 p.20
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journal article
X-Men: The Last Stand in Empire (Australian Ed.) (November 2006) iss.68 p.104
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Online resource
digital clippings file
X[PLUS]+Y : (UK, Morgan Matthews, 2014) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: X[PLUS]+Y (UK, Morgan Matthews, 2014) URL status: URL: 'http://file://Q:/T/X_PLUS_Y.zip'
Checked: 31/08/2021 1:31:35 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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poster
[X : poster]
Call No: P XPhysDes: 1 poster : col. ; 100 X 70 cmSubject: X (AT, Jon Hewitt, 2011) Summary: Image: a pair of cross standing legs taken from behind. Legs are stockinged and feet are in high heels. Legs are coloured red. Black background. -- Text: 'a jaded callgirl...a fledgling hooker...their longest night'Donation: donated by Cinema Nova
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digital clippings file
X STROKE Y : (US, Ryan Piers Williams, 2014) Digital clippings file available
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title clippings file
X : THE MAN WITH X-RAY EYES : (US, Roger Corman, 1963)
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newspaper article
X+Y equals one perceptive film in Sunday Age [Melbourne Magazine] (5/4/2015) p.19
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journal article
You're earned it: Bryan Brown in Empire (Australian Ed.) (Jan/Feb 2001) iss.1 p.72-73
PhysDes: ArticleSubject: BROWN, BRYAN ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; EMPTY BEACH, THE (AT, Chris Thomson, 1985) ; F/X (US, Robert Mandel, 1986) ; COCKTAIL (US, Roger Donaldson, 1988) ; BLOOD OATH (AT, Stephen Wallace, 1990) ; DEAD HEART (AT, Nick Parsons, 1996) ; TWO HANDS (AT, Gregor Jordan, 1999) Summary: Interview and review on Bryan Brown's career.
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